1 00:00:00,160 --> 00:00:03,920 Speaker 1: Well, I opened the envelope today. You were it was like, hey, 2 00:00:04,040 --> 00:00:04,920 Speaker 1: you're pretty happy. 3 00:00:05,360 --> 00:00:08,200 Speaker 2: It was it was all good. It was your mate, mate, 4 00:00:08,560 --> 00:00:09,399 Speaker 2: I have a listen to this. 5 00:00:12,320 --> 00:00:16,440 Speaker 3: An envelope contains the music topic to discuss this five 6 00:00:16,520 --> 00:00:19,599 Speaker 3: minutes on the clock to field and there's no time 7 00:00:19,680 --> 00:00:24,079 Speaker 3: to pred this. He's banter with Clezy and Lisa. 8 00:00:24,640 --> 00:00:25,200 Speaker 2: Here we go. 9 00:00:25,400 --> 00:00:29,440 Speaker 1: Who could it be? Rip and read and reading in 10 00:00:29,440 --> 00:00:32,200 Speaker 1: there for a second. Okay, the giant envelope chains. 11 00:00:32,240 --> 00:00:35,839 Speaker 2: We got a good one. Please please please the boss 12 00:00:36,040 --> 00:00:39,199 Speaker 2: Bruce Springsteen. Timer starts now for banter. What can we 13 00:00:39,240 --> 00:00:43,880 Speaker 2: say about Bruce Springsteen. Well, he's the boss, gosh, absolute 14 00:00:43,920 --> 00:00:45,400 Speaker 2: superstar from New Jersey. 15 00:00:45,760 --> 00:00:49,560 Speaker 1: You saorry. Yeah, we touched him, reached out like it 16 00:00:49,680 --> 00:00:51,360 Speaker 1: was like touching the hand of God. 17 00:00:51,440 --> 00:00:54,720 Speaker 2: That great and yeah I had a bit of a laugh. 18 00:00:54,800 --> 00:00:57,920 Speaker 2: We had, yeah, because I pushed into a crowd at 19 00:00:57,920 --> 00:00:58,639 Speaker 2: the press. 20 00:00:58,440 --> 00:01:01,080 Speaker 1: Conference when he was here the last time. Didn't he 21 00:01:01,120 --> 00:01:04,920 Speaker 1: do like seven hundred and thirty five concerts across the country, ridiculous. 22 00:01:06,120 --> 00:01:07,240 Speaker 1: The one of them went for three hours. 23 00:01:07,280 --> 00:01:09,679 Speaker 2: It's a marathon. It's really amazing. 24 00:01:10,800 --> 00:01:12,640 Speaker 1: What do I know about Bruce Bringston. I know he's 25 00:01:12,640 --> 00:01:15,119 Speaker 1: from Joysey, Yep. He's a joysy boy. 26 00:01:15,360 --> 00:01:15,920 Speaker 2: Certainly is. 27 00:01:17,080 --> 00:01:17,919 Speaker 1: He's the boss. 28 00:01:18,240 --> 00:01:18,479 Speaker 2: Yep. 29 00:01:19,440 --> 00:01:23,800 Speaker 1: He allegedly plucked an unknown Courtney Cox from the audience 30 00:01:23,800 --> 00:01:25,839 Speaker 1: to dance video. But that was a setup. 31 00:01:27,080 --> 00:01:30,480 Speaker 2: No, I was dancing the dark. He was dancing in 32 00:01:30,560 --> 00:01:30,920 Speaker 2: the dark. 33 00:01:31,640 --> 00:01:37,319 Speaker 1: My favorite is Philadelphia Streets of Philadelphia, Philadelphia, Beautiful Streets 34 00:01:37,319 --> 00:01:40,399 Speaker 1: of Philadelphia. Yeah, beautiful movie, beautiful. 35 00:01:40,040 --> 00:01:41,720 Speaker 2: Song, beautiful man. 36 00:01:42,120 --> 00:01:44,240 Speaker 1: And he dresses down. 37 00:01:44,840 --> 00:01:47,960 Speaker 2: Yeah. Do you remember the stage he's. 38 00:01:47,800 --> 00:01:49,160 Speaker 1: An all American guy. 39 00:01:49,480 --> 00:01:51,920 Speaker 2: Yeah, he had a There was a gig in the 40 00:01:51,960 --> 00:01:54,160 Speaker 2: seventies where Bruce played. He was skinny little Bruce before 41 00:01:54,160 --> 00:01:56,000 Speaker 2: he put all the muscles on. In the early eighties, yeah, 42 00:01:56,080 --> 00:01:58,880 Speaker 2: and there was a guy called John Landau rocked up 43 00:01:58,920 --> 00:02:01,440 Speaker 2: to a gig and he was a music writer, and 44 00:02:01,440 --> 00:02:02,960 Speaker 2: he said, I've seen the future of rock and roll 45 00:02:03,000 --> 00:02:05,000 Speaker 2: and its name is Bruce Springsteen. And he ended up 46 00:02:05,000 --> 00:02:06,160 Speaker 2: becoming his long term manager. 47 00:02:06,320 --> 00:02:08,320 Speaker 1: Really, yeah, that wouldn't have been a bad gig. 48 00:02:08,520 --> 00:02:10,440 Speaker 2: That's not a bad job as it for all those 49 00:02:10,520 --> 00:02:12,280 Speaker 2: all those times and done right. 50 00:02:12,440 --> 00:02:12,600 Speaker 1: Yeah. 51 00:02:12,680 --> 00:02:14,079 Speaker 2: Landau was the one who sent him back to the 52 00:02:14,120 --> 00:02:15,920 Speaker 2: hotel room and said, we need a hit for this album, 53 00:02:15,919 --> 00:02:17,880 Speaker 2: which was born in the USA and overnight, he wrote 54 00:02:17,919 --> 00:02:20,040 Speaker 2: Dancing in the Dark really sort of worked all right 55 00:02:20,080 --> 00:02:22,760 Speaker 2: for him, didn't he It did work all right, But yeah, 56 00:02:22,760 --> 00:02:25,320 Speaker 2: Bruce was a scorny little dude. Everyone sort of compared 57 00:02:25,360 --> 00:02:26,760 Speaker 2: him a bit to Dylan in the early days, and 58 00:02:26,800 --> 00:02:27,960 Speaker 2: then all of a sudden he rocked up with the 59 00:02:27,960 --> 00:02:30,200 Speaker 2: Big Muscles in eighty four and he had the fancy 60 00:02:30,200 --> 00:02:32,120 Speaker 2: Hollywood girlfriend or were he married married? 61 00:02:32,160 --> 00:02:33,160 Speaker 1: Did he marry a Patty? 62 00:02:34,080 --> 00:02:36,840 Speaker 2: It was Julian Phillips, Julian Phllips in the in the 63 00:02:36,919 --> 00:02:39,000 Speaker 2: day and that album how big was that album? 64 00:02:39,480 --> 00:02:40,440 Speaker 1: Was born in the USA? 65 00:02:41,280 --> 00:02:42,800 Speaker 2: Thrill It was massive, crazy. 66 00:02:42,880 --> 00:02:46,680 Speaker 1: I feel like it was the quintessential American album. Oh well, 67 00:02:46,680 --> 00:02:48,400 Speaker 1: I meant it even just had the American flag on 68 00:02:48,440 --> 00:02:51,880 Speaker 1: the front. He couldn't have got any more American America 69 00:02:52,120 --> 00:02:53,240 Speaker 1: from that album. 70 00:02:53,000 --> 00:02:56,120 Speaker 2: Absolutely, and renowned over the years with his great Ea 71 00:02:56,120 --> 00:02:58,920 Speaker 2: Street Band with Clarence Clemmons, you know on the saxophone. 72 00:02:58,919 --> 00:03:00,320 Speaker 2: They now like Clarence the guy that was in the 73 00:03:00,320 --> 00:03:02,920 Speaker 2: Sopranos to go from the Sopranos, yeah, Stephen, yeah, well 74 00:03:02,960 --> 00:03:06,800 Speaker 2: Stephen yeah, and great players, you know. But he he 75 00:03:06,840 --> 00:03:08,400 Speaker 2: was renowned for doing those marathon gigs. 76 00:03:08,480 --> 00:03:11,440 Speaker 1: Yeah, I mean you could. I've not been to one, 77 00:03:11,600 --> 00:03:14,680 Speaker 1: but from the sounds of it, they are just legitimately 78 00:03:14,720 --> 00:03:17,040 Speaker 1: having a good time, so no one wants to go home. Yeah, 79 00:03:17,080 --> 00:03:19,640 Speaker 1: including so well, that's what I mean. The band, they're 80 00:03:19,639 --> 00:03:23,240 Speaker 1: just all really enjoying it. And you've seen him. 81 00:03:23,440 --> 00:03:25,800 Speaker 2: Saw him in fourteen. Never thought i'd se Bruce Springsteen, 82 00:03:25,880 --> 00:03:27,480 Speaker 2: and then all of a sudden he came to Perth fourteen. 83 00:03:27,560 --> 00:03:29,400 Speaker 2: So then he came in twenty seventeen he came again. 84 00:03:29,919 --> 00:03:32,079 Speaker 2: That was strange. And I'd been to the press conference 85 00:03:32,080 --> 00:03:33,880 Speaker 2: the first time. Off I'm going to push in this time, 86 00:03:33,919 --> 00:03:36,440 Speaker 2: so pushed in down the front. Yep, no excuses. 87 00:03:36,720 --> 00:03:38,840 Speaker 1: No, it's a great photo of you reaching out to 88 00:03:38,880 --> 00:03:41,120 Speaker 1: Bruce and Bruce reaching back to you. 89 00:03:42,080 --> 00:03:44,840 Speaker 2: My only claim to the fame. It was unreal to 90 00:03:44,880 --> 00:03:47,360 Speaker 2: actually have him so close. And the really freaky thing 91 00:03:47,440 --> 00:03:49,480 Speaker 2: being a music fan is to see someone as famous 92 00:03:49,480 --> 00:03:52,200 Speaker 2: as Bruce Springsteen and you realize it after you ask 93 00:03:52,240 --> 00:03:55,000 Speaker 2: a question and I go, Bruce is thinking about this, 94 00:03:55,040 --> 00:03:57,120 Speaker 2: and then he started laughing. He's answering my question. It's 95 00:03:57,120 --> 00:03:58,320 Speaker 2: like one of those surreal moments. 96 00:03:58,360 --> 00:03:58,600 Speaker 3: It was. 97 00:03:58,800 --> 00:03:59,480 Speaker 2: It was pretty cool. 98 00:03:59,560 --> 00:04:02,560 Speaker 1: So he's streets of Philadelphia obviously, in the movie Philadelphia. 99 00:04:02,800 --> 00:04:06,040 Speaker 1: There is a great scene in a movie called Peter's Friends. 100 00:04:06,040 --> 00:04:08,560 Speaker 1: Have you ever seen Peter's Friends? Stephen Fry and Emma 101 00:04:08,560 --> 00:04:14,000 Speaker 1: Thomps a long time ago British film Laurie watch Lurry 102 00:04:14,320 --> 00:04:17,840 Speaker 1: all of that lot and Kenneth Browner when he was 103 00:04:17,880 --> 00:04:20,320 Speaker 1: married to Eva Thompson. It's like a thinking person's got 104 00:04:21,160 --> 00:04:22,120 Speaker 1: a big chill. 105 00:04:23,000 --> 00:04:24,560 Speaker 2: That have to be non the British. 106 00:04:25,200 --> 00:04:27,880 Speaker 1: It was the British version of the Big Chill. And 107 00:04:27,920 --> 00:04:32,360 Speaker 1: there's this great scene in it using Hungry Heart where 108 00:04:32,440 --> 00:04:34,159 Speaker 1: there's a couple on their way to the house for 109 00:04:34,200 --> 00:04:36,880 Speaker 1: the weekend on a train, enjoying each other. Shall we 110 00:04:36,920 --> 00:04:38,280 Speaker 1: say nothing wrong with that? 111 00:04:39,080 --> 00:04:40,880 Speaker 2: Bruce wrote a lot about girls and cars and all 112 00:04:40,920 --> 00:04:43,279 Speaker 2: that kind of stuff. Things of teenagers got down to 113 00:04:43,320 --> 00:04:44,320 Speaker 2: the down of the river. 114 00:04:44,880 --> 00:04:49,200 Speaker 1: Oh there's that creepy one. Hey, little girl, is your 115 00:04:49,240 --> 00:04:49,800 Speaker 1: daddy high? 116 00:04:51,480 --> 00:04:54,479 Speaker 2: Yeah? Do you think that at the time? 117 00:04:54,520 --> 00:04:55,960 Speaker 1: I don't think we thought it at the time, but 118 00:04:56,000 --> 00:04:57,920 Speaker 1: I can'tnot think it now every time I hear it. 119 00:04:58,000 --> 00:05:01,680 Speaker 2: Modern era and he's also up immediately. We also had 120 00:05:01,720 --> 00:05:03,920 Speaker 2: those epic songs as well, you know, with that band 121 00:05:03,960 --> 00:05:06,120 Speaker 2: with Maxwan Berth on drums ended up becoming a TV 122 00:05:06,480 --> 00:05:07,240 Speaker 2: show drummer and. 123 00:05:07,520 --> 00:05:10,960 Speaker 1: Neils he was kind of O'Brien's band leader. 124 00:05:11,040 --> 00:05:13,320 Speaker 2: Yeah that's right, yeah yeah, and those epic songs. I 125 00:05:13,320 --> 00:05:15,400 Speaker 2: think they a lot of the guys played on that 126 00:05:15,480 --> 00:05:18,760 Speaker 2: Meatloaf album Boutada Hell. So they had those great, big 127 00:05:18,839 --> 00:05:21,479 Speaker 2: production numbers and having the saxophone as well added to 128 00:05:21,520 --> 00:05:23,120 Speaker 2: that seventy sounds, so Born to Run was a big 129 00:05:23,160 --> 00:05:23,640 Speaker 2: double album. 130 00:05:23,680 --> 00:05:26,960 Speaker 1: He was one of the prominent ones on the American 131 00:05:27,080 --> 00:05:30,400 Speaker 1: Live Aide thing. You know, their their answer to band 132 00:05:30,440 --> 00:05:34,360 Speaker 1: Day of the big big ones on that he was and. 133 00:05:34,279 --> 00:05:36,680 Speaker 2: He's the Boss. He's the Boss, always will be. 134 00:05:37,320 --> 00:05:42,360 Speaker 3: Bands Time is Over ninety six a FM Clezie and 135 00:05:42,600 --> 00:05:42,960 Speaker 3: Lisa