1 00:00:01,400 --> 00:00:03,360 Speaker 1: And Amanda gam Nation. 2 00:00:03,720 --> 00:00:06,800 Speaker 2: Well, our next guest is one of Australia's favorite people. 3 00:00:06,840 --> 00:00:09,320 Speaker 2: He's traveled far and wide though to Onelock the Australian 4 00:00:09,400 --> 00:00:12,400 Speaker 2: history that other ossies are holding in their back pockets. 5 00:00:12,760 --> 00:00:16,319 Speaker 2: Tony Armstrong's new show, what's the storytelling power in the 6 00:00:16,360 --> 00:00:19,960 Speaker 2: hands of OSSI's that have ordinary things, that tell extraordinary stories? 7 00:00:20,120 --> 00:00:22,200 Speaker 2: What do those words mean? Tony Armstrong? 8 00:00:22,280 --> 00:00:27,240 Speaker 1: Hello, Hello, and thank you so much for having me always. 9 00:00:27,320 --> 00:00:31,640 Speaker 2: To ordinary Australians that tell all extraordinary things. What kind 10 00:00:31,640 --> 00:00:32,839 Speaker 2: of stuff have you found? 11 00:00:34,760 --> 00:00:39,680 Speaker 1: Well? I guess if we take a back on one, 12 00:00:39,960 --> 00:00:43,400 Speaker 1: I guess step It's what I learned across the course 13 00:00:43,440 --> 00:00:47,120 Speaker 1: of this show was everyone has an extraordinary story and 14 00:00:47,159 --> 00:00:51,559 Speaker 1: that can be unlocked through something that you might perceive 15 00:00:52,240 --> 00:00:55,600 Speaker 1: as ordinary. I guess I thought going into the show 16 00:00:55,680 --> 00:00:58,520 Speaker 1: and into the shooting of the show that I was 17 00:00:58,800 --> 00:01:02,480 Speaker 1: a super curious per person who genuinely thought everyone had 18 00:01:02,480 --> 00:01:05,880 Speaker 1: an extraordinary story to tell. But then coming out of it, 19 00:01:06,240 --> 00:01:09,759 Speaker 1: I realized, oh I wasn't back then, but I am now. 20 00:01:10,760 --> 00:01:13,640 Speaker 1: It was. It was such a it was it was 21 00:01:13,680 --> 00:01:17,560 Speaker 1: such a joy to shoot and be such a privilege 22 00:01:17,720 --> 00:01:23,759 Speaker 1: and an honor to have people share what they what 23 00:01:23,800 --> 00:01:26,320 Speaker 1: they did with this, and hopefully we respected that properly. 24 00:01:26,520 --> 00:01:28,760 Speaker 2: So, were you like some crazy person just knocked on 25 00:01:28,800 --> 00:01:30,440 Speaker 2: the door and said, show us your stuff? You like 26 00:01:30,440 --> 00:01:31,640 Speaker 2: the nappy sand challenge? 27 00:01:31,680 --> 00:01:39,520 Speaker 1: Guy? Look, it wasn't. It wasn't a current affair door stopping. 28 00:01:40,360 --> 00:01:45,200 Speaker 1: It wasn't. It wasn't exactly, Matt. Anything could be an 29 00:01:45,200 --> 00:01:47,520 Speaker 1: extraordinary thing. That just depends how we talk about it. 30 00:01:47,600 --> 00:01:50,600 Speaker 3: My mate, the Scamp, which is a man as well 31 00:01:50,640 --> 00:01:53,200 Speaker 3: for me. With the Scamp, he ended up with Eddie 32 00:01:53,280 --> 00:01:57,640 Speaker 3: van Haylen stereo in his seventy SOUS series land Cruiser 33 00:01:57,960 --> 00:01:58,400 Speaker 3: because his. 34 00:01:58,680 --> 00:02:00,520 Speaker 1: Uncle, now that's pretty well. 35 00:02:00,640 --> 00:02:05,160 Speaker 3: His uncle was working in California in the stereo installation business. 36 00:02:05,480 --> 00:02:08,760 Speaker 3: Eddie van Halen comes in and he's fancy Ferrari or 37 00:02:08,840 --> 00:02:11,600 Speaker 3: Lamborghini or something like that. Asked for the latest get 38 00:02:11,639 --> 00:02:14,160 Speaker 3: out of town stereo to put in the car. So 39 00:02:14,520 --> 00:02:17,400 Speaker 3: Scamp's uncle does that. Eddie comes back two days later 40 00:02:17,360 --> 00:02:19,280 Speaker 3: and says, I don't like this Stereot's not as good 41 00:02:19,280 --> 00:02:21,120 Speaker 3: as what I wanted. I want this one put in. 42 00:02:21,320 --> 00:02:23,040 Speaker 3: So he puts the new one in and with the 43 00:02:23,080 --> 00:02:24,360 Speaker 3: old one, he goes, well, what do you want me 44 00:02:24,360 --> 00:02:24,520 Speaker 3: to do? 45 00:02:24,520 --> 00:02:24,880 Speaker 1: With the old one. 46 00:02:24,880 --> 00:02:26,720 Speaker 3: He goes, I don't care you keep it, So his 47 00:02:26,960 --> 00:02:29,280 Speaker 3: uncle gave it to my mate the Scamp, who then 48 00:02:29,320 --> 00:02:31,440 Speaker 3: went on and put it in his seventy series Land 49 00:02:31,440 --> 00:02:32,880 Speaker 3: Cruise Eddie van Halen. 50 00:02:33,000 --> 00:02:36,120 Speaker 2: Stereo rejected stereo rejected stereo. 51 00:02:35,840 --> 00:02:37,400 Speaker 3: In an old Toyota land Cruise. 52 00:02:37,480 --> 00:02:38,160 Speaker 2: What about that? 53 00:02:38,480 --> 00:02:40,880 Speaker 1: Yeah? See see, And I mean this is the kind 54 00:02:40,919 --> 00:02:43,919 Speaker 1: of thing like I was imagining in the genesis of 55 00:02:43,960 --> 00:02:46,960 Speaker 1: this show. You know, someone'd have an old ticket stub 56 00:02:47,000 --> 00:02:50,960 Speaker 1: to an inexcess show that might have been at the Annandale. 57 00:02:50,480 --> 00:02:51,760 Speaker 2: You know show. 58 00:02:52,200 --> 00:02:58,360 Speaker 1: Yeah, yeah, yeah, like exactly, and yeah, we just it 59 00:02:58,440 --> 00:03:02,240 Speaker 1: was It was just so so cool to go all 60 00:03:02,280 --> 00:03:05,600 Speaker 1: around Australia and talk to people who were so forthcoming 61 00:03:05,639 --> 00:03:08,720 Speaker 1: with things that they were very proud of and you 62 00:03:08,720 --> 00:03:10,360 Speaker 1: know that were also quite personal. 63 00:03:10,639 --> 00:03:11,799 Speaker 2: Yeah, this could be good. 64 00:03:11,840 --> 00:03:14,920 Speaker 3: But maybe Mandy, you've got I've got Harvey Cayetel's underpants 65 00:03:15,080 --> 00:03:15,720 Speaker 3: on your wall. 66 00:03:16,240 --> 00:03:19,760 Speaker 2: That's another story. He left them in a place that 67 00:03:19,840 --> 00:03:22,120 Speaker 2: I was renting. He was staying there while he was 68 00:03:22,160 --> 00:03:25,239 Speaker 2: filming was it Holy Smoke or something where he was 69 00:03:25,280 --> 00:03:28,400 Speaker 2: in walking a lot round in the I don't know anyway, 70 00:03:28,960 --> 00:03:31,000 Speaker 2: that he was in a film with Kate Winslet and 71 00:03:31,040 --> 00:03:33,680 Speaker 2: I think he left his underpants in the dryer and. 72 00:03:33,800 --> 00:03:35,680 Speaker 3: I ended up with them, and you framed them. 73 00:03:35,800 --> 00:03:37,320 Speaker 2: I did not for murder. 74 00:03:37,400 --> 00:03:38,120 Speaker 3: Were they launded? 75 00:03:39,400 --> 00:03:40,120 Speaker 2: They were in the dryer. 76 00:03:41,360 --> 00:03:45,840 Speaker 3: See, Tony, you didn't knock on Amanda's turn sand challenge. 77 00:03:47,320 --> 00:03:51,560 Speaker 1: Yeah we did, mate. 78 00:03:51,560 --> 00:03:54,720 Speaker 3: We're always happy to talk to you. Tony Armstrong's Extraordinary 79 00:03:54,800 --> 00:03:59,600 Speaker 3: Things Tuesday, eight o'clock on ABC and ABC I view, 80 00:04:00,320 --> 00:04:00,840 Speaker 3: thank you. 81 00:04:00,960 --> 00:04:03,240 Speaker 1: Thank you so much for having me look after those jocks. 82 00:04:03,280 --> 00:04:04,720 Speaker 1: They're gonna be They're gonna be worth something. 83 00:04:05,960 --> 00:04:08,640 Speaker 2: I'm sure they will be. Don't come knocking at mine door. 84 00:04:08,680 --> 00:04:10,760 Speaker 2: You can't have them, Tony. 85 00:04:11,800 --> 00:04:14,720 Speaker 1: No. Do you know what, don't worry, that's not happening. 86 00:04:16,080 --> 00:04:16,719 Speaker 3: Pretty safe,