1 00:00:00,680 --> 00:00:04,400 Speaker 1: Powered by the Ihart Radio app from ninety six EVM 2 00:00:04,559 --> 00:00:06,440 Speaker 1: to where Gabby your listening today? 3 00:00:06,800 --> 00:00:09,480 Speaker 2: This is Coleesy and Lisa's podcast. 4 00:00:09,760 --> 00:00:11,720 Speaker 3: Yes We're here, While we're not here. This is the 5 00:00:11,720 --> 00:00:14,240 Speaker 3: Clearsy and Lisa Rebound podcast with some more of your 6 00:00:14,240 --> 00:00:15,960 Speaker 3: favorite bits that you may have missed. 7 00:00:16,560 --> 00:00:18,720 Speaker 4: We would be singing a menu at Work song to 8 00:00:18,800 --> 00:00:20,760 Speaker 4: twelve hundred people. The men at work could be down 9 00:00:20,800 --> 00:00:22,439 Speaker 4: the road. I don't think did the people party in 10 00:00:22,480 --> 00:00:24,119 Speaker 4: the venues, but the bands. It was a wave of 11 00:00:24,480 --> 00:00:26,800 Speaker 4: Coleesi and Lisa's to pub crawl. 12 00:00:27,360 --> 00:00:29,920 Speaker 3: The Frames are another band we featured on our Perth 13 00:00:29,960 --> 00:00:31,960 Speaker 3: Pub Crawl series and we had a great chat with 14 00:00:32,040 --> 00:00:35,400 Speaker 3: Mark Donahue from the band. There was never a healthier 15 00:00:35,440 --> 00:00:38,519 Speaker 3: time than the eighties for the Perth pub scene. You know, 16 00:00:38,560 --> 00:00:42,479 Speaker 3: you could go Friday night through till the Sunday session, 17 00:00:43,000 --> 00:00:46,320 Speaker 3: different band, different great venue. Where are some of the 18 00:00:46,400 --> 00:00:49,360 Speaker 3: places that you guys played, Oh, look all the big. 19 00:00:49,159 --> 00:00:51,880 Speaker 1: Ones and I think you know we could go from 20 00:00:51,920 --> 00:00:58,160 Speaker 1: Wednesday through to Sunday, you know, like places like the Generator, Moorley, 21 00:00:58,240 --> 00:01:05,080 Speaker 1: the Overflow, rap Falls, Windsor Hotel, Charles Hotel and also 22 00:01:05,720 --> 00:01:07,600 Speaker 1: you know we used to head to the country. All 23 00:01:07,640 --> 00:01:09,160 Speaker 1: the bands used to head to the country normally on 24 00:01:09,160 --> 00:01:12,240 Speaker 1: a Wednesday night because they couldn't get the sort of 25 00:01:12,240 --> 00:01:13,960 Speaker 1: big bands up there on the weekend. So on a 26 00:01:13,959 --> 00:01:18,000 Speaker 1: Wednesday night you'd go to Bumbley or Calgoli or Geraldon. 27 00:01:18,720 --> 00:01:23,800 Speaker 4: Yeah, you guys come up once. That was bizarre, is 28 00:01:23,800 --> 00:01:25,680 Speaker 4: that right? In Meriton and Merton we used to get 29 00:01:25,680 --> 00:01:27,080 Speaker 4: a few first bands, but they would be during the 30 00:01:27,080 --> 00:01:28,959 Speaker 4: week because you guys were all busy on the weekends, 31 00:01:29,000 --> 00:01:29,240 Speaker 4: as you. 32 00:01:29,240 --> 00:01:32,160 Speaker 1: Say, exactly, Yeah, so it was. It was such a 33 00:01:32,240 --> 00:01:36,319 Speaker 1: vibrant time and probably never be repeated. It was just 34 00:01:37,319 --> 00:01:39,199 Speaker 1: the crowds of people that come out to see live 35 00:01:39,240 --> 00:01:42,640 Speaker 1: bands in Perth was unbelievablem You. 36 00:01:42,560 --> 00:01:45,600 Speaker 3: Guys were able to tour a bit and and work 37 00:01:45,680 --> 00:01:48,560 Speaker 3: full time as a musician because you got, you know, 38 00:01:48,840 --> 00:01:52,120 Speaker 3: much wanted sponsorship support from an airline. 39 00:01:52,240 --> 00:01:54,440 Speaker 4: Was it TAA or ancestor really. 40 00:01:55,080 --> 00:02:03,320 Speaker 1: It was we were sponsored by Ta TA and we 41 00:02:03,320 --> 00:02:05,480 Speaker 1: were flowing around the country at one point, I mean 42 00:02:05,480 --> 00:02:07,440 Speaker 1: it was it was pretty amazing. I think was sponsored 43 00:02:07,440 --> 00:02:08,399 Speaker 1: by Pepsi as well. 44 00:02:09,120 --> 00:02:11,760 Speaker 4: Wow, that's a good marketing going on them. 45 00:02:11,840 --> 00:02:15,960 Speaker 1: Yeah, yeah, yeah, yeah, a lot of that. I mean 46 00:02:16,000 --> 00:02:19,200 Speaker 1: it was obviously their management at the time getting that happening. 47 00:02:19,280 --> 00:02:21,880 Speaker 1: And yeah, it was was crazy good stuff. 48 00:02:22,120 --> 00:02:24,480 Speaker 4: Yeah, hey, Mark, tell me mate, Clint Arnold the guitarist, 49 00:02:24,560 --> 00:02:27,679 Speaker 4: did he come from Vicapri or did he joined Vicapri later? 50 00:02:27,720 --> 00:02:29,480 Speaker 4: And how did that go down? Some of your bridles 51 00:02:30,720 --> 00:02:31,519 Speaker 4: it defected? 52 00:02:32,880 --> 00:02:34,959 Speaker 1: Well no, no, that the frames had broken up when 53 00:02:35,000 --> 00:02:37,520 Speaker 1: when Vicapri grabbed him. But so he was No, he 54 00:02:37,600 --> 00:02:39,600 Speaker 1: was eas an original frames, all all the frames of 55 00:02:39,639 --> 00:02:45,440 Speaker 1: original members and and yeah he vi Caapri sort of 56 00:02:46,320 --> 00:02:48,000 Speaker 1: came along and sort of blew us out of the 57 00:02:48,000 --> 00:02:54,000 Speaker 1: water really and and then eventually after Damien left, they 58 00:02:54,360 --> 00:02:56,239 Speaker 1: took Clint and he became. 59 00:02:55,960 --> 00:02:59,600 Speaker 4: A VIKA president. Yeah, both got guitarist Damian Warden, Clintarnold. 60 00:02:59,639 --> 00:03:00,840 Speaker 4: Good stay that's it. 61 00:03:00,919 --> 00:03:02,440 Speaker 1: Yeah, and he was I mean he was in two 62 00:03:02,440 --> 00:03:03,880 Speaker 1: big successful bands then. 63 00:03:04,400 --> 00:03:06,000 Speaker 4: Yes, yeah, very good. 64 00:03:06,200 --> 00:03:08,800 Speaker 3: I believe you auditioned for the frames after seeing an 65 00:03:08,840 --> 00:03:10,280 Speaker 3: ad in the Sunday Times. 66 00:03:11,160 --> 00:03:15,079 Speaker 1: We did that. That's how you got your kid did Yeah, 67 00:03:15,280 --> 00:03:17,760 Speaker 1: so the three other guys have been in a band 68 00:03:17,840 --> 00:03:21,160 Speaker 1: before besides being Dan being answered an ad in the 69 00:03:21,200 --> 00:03:25,680 Speaker 1: Sunday Times and turned up and then you plugged in 70 00:03:25,720 --> 00:03:30,680 Speaker 1: and got the job. It was in those days, The 71 00:03:30,720 --> 00:03:35,040 Speaker 1: Sunday Times was full of sort of vocals play wanted Yeah. 72 00:03:35,040 --> 00:03:37,040 Speaker 4: Yeah, being honest, Mark, A few of the people were 73 00:03:37,040 --> 00:03:40,040 Speaker 4: spoken to had some groupies. What was it like in heyday? 74 00:03:41,280 --> 00:03:47,560 Speaker 1: The memory is a bit blurry, I know. I think 75 00:03:48,160 --> 00:03:50,640 Speaker 1: there was some members of some bands that seem to 76 00:03:50,640 --> 00:03:51,520 Speaker 1: have a lot of a lot of. 77 00:03:51,440 --> 00:03:54,120 Speaker 4: Grouping, right, okay, very good, Yeah, Diplomatic. 78 00:03:54,680 --> 00:03:56,840 Speaker 3: Who were some of the bands that some of the 79 00:03:56,880 --> 00:03:58,680 Speaker 3: other bands on the scene at the time that you 80 00:03:58,680 --> 00:04:00,040 Speaker 3: always enjoyed seeing. 81 00:04:01,680 --> 00:04:05,800 Speaker 1: Personally? I think Loaded Die Staved Warner. I think the 82 00:04:05,880 --> 00:04:09,400 Speaker 1: Prints were amazing. Boys, I mean the boys and the 83 00:04:09,840 --> 00:04:15,280 Speaker 1: bands that were before us really and Perfect Strangers were amazing, 84 00:04:16,920 --> 00:04:20,880 Speaker 1: just so many, so many great bands. Innocent Bystanders were 85 00:04:20,960 --> 00:04:27,000 Speaker 1: crazy good and at the time, yeah, original sort of 86 00:04:27,040 --> 00:04:31,440 Speaker 1: band and just and they had a young Mark last there. 87 00:04:31,520 --> 00:04:35,760 Speaker 1: Yeah yeah, look, look they were fabulous. And there was 88 00:04:35,920 --> 00:04:38,280 Speaker 1: just so many bands and very bands as well. There 89 00:04:38,360 --> 00:04:45,320 Speaker 1: was heavy metal, kite type, glam rock ones, I Blush, 90 00:04:45,400 --> 00:04:47,480 Speaker 1: Harry and Yeah, more. 91 00:04:48,240 --> 00:04:54,440 Speaker 4: More Lisa, More podcasts soon, Lisa's we've been discussing lately. 92 00:04:55,040 --> 00:04:56,880 Speaker 4: You know, some of the countries around the world have 93 00:04:56,960 --> 00:04:59,800 Speaker 4: been throwing extraordinary riches at those who go to the 94 00:04:59,839 --> 00:05:03,120 Speaker 4: game and come first pick up a gold. Done to 95 00:05:03,200 --> 00:05:05,440 Speaker 4: see what you get if you win a gold in 96 00:05:06,040 --> 00:05:09,320 Speaker 4: Singapore or Hong Kong like I set up, aren't you more. 97 00:05:09,200 --> 00:05:10,159 Speaker 3: Than a million? 98 00:05:10,240 --> 00:05:14,200 Speaker 4: One hundred thousand dollars? Just incredible? And you know, we 99 00:05:14,320 --> 00:05:16,640 Speaker 4: know that our sports stars, many of them go to 100 00:05:16,720 --> 00:05:21,799 Speaker 4: the games. They're are not played like AFL footballers or anything. 101 00:05:21,800 --> 00:05:23,320 Speaker 4: And you have to be an Arion Tiitmas or a 102 00:05:23,400 --> 00:05:25,960 Speaker 4: Jesse of Fox to get the big sponsorship. 103 00:05:25,720 --> 00:05:27,760 Speaker 3: And they get twenty thousand dollars if. 104 00:05:27,640 --> 00:05:30,160 Speaker 4: They wear Yeah, but those big names seem to you know, 105 00:05:30,240 --> 00:05:32,040 Speaker 4: they take the attention the way they get multiple gold 106 00:05:32,080 --> 00:05:33,080 Speaker 4: medals and even. 107 00:05:33,160 --> 00:05:35,200 Speaker 3: The money is in the Cereal ad. 108 00:05:35,080 --> 00:05:37,360 Speaker 4: Yeah that's right, Yeah yeah, or the Harvy Norman ad 109 00:05:37,440 --> 00:05:40,800 Speaker 4: for Ariana Gaby Thomas for America who won the two 110 00:05:40,880 --> 00:05:43,920 Speaker 4: hundred today. You imagine the sponsorships she ran into this morning. 111 00:05:44,360 --> 00:05:46,800 Speaker 2: She's a very market she's a girl. 112 00:05:46,920 --> 00:05:49,360 Speaker 4: She ain't ugly. No, but this story is a beauty. 113 00:05:49,480 --> 00:05:53,760 Speaker 4: This is about Carlos Ulo, the Filipino gymnast. Carlos Oh 114 00:05:53,839 --> 00:05:57,280 Speaker 4: one gold. He's taking home two historic gold medals from 115 00:05:57,320 --> 00:06:01,080 Speaker 4: the Games, and his country is very, very proud. How proud. 116 00:06:01,640 --> 00:06:04,880 Speaker 4: The twenty four year old gets paid ten million pesos, Yes, 117 00:06:05,160 --> 00:06:07,960 Speaker 4: two hundred and sixty six thousand bucks. That's not bad 118 00:06:08,080 --> 00:06:11,320 Speaker 4: for Yeah, ten million paso, that's incredible from the Philippine 119 00:06:11,560 --> 00:06:15,440 Speaker 4: Philippino government. And he's been promised an additional six million pasos, 120 00:06:15,440 --> 00:06:17,160 Speaker 4: which comes out to one hundred and fifty nine grand 121 00:06:17,520 --> 00:06:21,039 Speaker 4: in cash incentives by the House of Representatives. That's that's 122 00:06:21,040 --> 00:06:24,120 Speaker 4: not bad in this house. Yes, stand fine. In addition 123 00:06:24,200 --> 00:06:27,200 Speaker 4: to the cash, local businesses have thrown together a little 124 00:06:27,720 --> 00:06:30,839 Speaker 4: a little gift pack for him. They've gifted the athlete 125 00:06:30,920 --> 00:06:36,200 Speaker 4: a three bedroom unit, a three bedroom unit, wow to keep. Yeah, 126 00:06:37,120 --> 00:06:41,120 Speaker 4: a lifetime of free ramen doing it for the ramen 127 00:06:41,360 --> 00:06:46,200 Speaker 4: mac mac and cheese. And you got me free colonoscopies. 128 00:06:46,560 --> 00:06:51,760 Speaker 4: What where did that come from? Look, Mumino pollops trouble. 129 00:06:52,920 --> 00:06:54,680 Speaker 4: Does that mean that the Raman's going to be effect 130 00:06:54,800 --> 00:06:55,640 Speaker 4: him every time. 131 00:06:55,560 --> 00:06:57,919 Speaker 3: He spins around the unparalleled bars? 132 00:06:57,960 --> 00:06:59,120 Speaker 4: It's a bit like a colonus. 133 00:06:59,520 --> 00:07:00,880 Speaker 2: I don't know that's necessary. 134 00:07:01,080 --> 00:07:03,760 Speaker 4: So they said congratulations to our very own golden boy 135 00:07:03,800 --> 00:07:08,479 Speaker 4: on clinching his second gold medal and men's Artistic Gymnastics exactly. 136 00:07:08,800 --> 00:07:11,760 Speaker 4: That's from the people the Ramen bar. Now they said, 137 00:07:12,560 --> 00:07:15,520 Speaker 4: celebrate you got on the raman var. To celebrate your 138 00:07:15,560 --> 00:07:18,160 Speaker 4: outstanding achievement, We're thrilled to extend a special gift, free 139 00:07:18,360 --> 00:07:21,080 Speaker 4: lifetime Ramen that was in capitals and close shower. But 140 00:07:21,240 --> 00:07:23,920 Speaker 4: not only for him, but for his wonderful and supportive girlfriend, 141 00:07:24,040 --> 00:07:29,840 Speaker 4: Chloe Alange. She must be thrilled to bits. She's She's 142 00:07:29,880 --> 00:07:32,160 Speaker 4: not a wag. She's just did it for the Ramen. 143 00:07:32,520 --> 00:07:35,440 Speaker 4: They say to the two of you, enjoy the taste 144 00:07:35,480 --> 00:07:38,680 Speaker 4: of victory and love with every ball. Oh say the 145 00:07:38,720 --> 00:07:41,360 Speaker 4: ad already cantah. Yeah, he's definitely he's going to be 146 00:07:41,400 --> 00:07:47,400 Speaker 4: doing those as well. Money though, I would say I'm 147 00:07:47,440 --> 00:07:48,960 Speaker 4: going to take up track and field just to get 148 00:07:48,960 --> 00:07:53,360 Speaker 4: the Colin Oscar. He's for a place that's more. Cley 149 00:07:53,680 --> 00:07:55,840 Speaker 4: more Lisa more Podcasts. 150 00:07:58,680 --> 00:08:02,200 Speaker 3: Rob Palmer, we know you best as a TV presenter 151 00:08:02,560 --> 00:08:05,520 Speaker 3: with shows like Better Homes and Gardens, Room for Improvement 152 00:08:05,560 --> 00:08:06,840 Speaker 3: and House Calls to the Rescue. 153 00:08:07,600 --> 00:08:09,800 Speaker 4: Tell us about your musical theater side. 154 00:08:09,880 --> 00:08:11,760 Speaker 5: It's a bit of a flip, isn't It's a flip 155 00:08:12,840 --> 00:08:15,880 Speaker 5: the builder treads the boards kind of thing. Yeah, it's 156 00:08:15,920 --> 00:08:19,200 Speaker 5: funny though. The Hairspray story. I've only just thought about 157 00:08:19,200 --> 00:08:20,720 Speaker 5: this on the way in here. It's sort of like 158 00:08:20,800 --> 00:08:22,640 Speaker 5: there's a bit of art invitating life or one or 159 00:08:22,640 --> 00:08:22,880 Speaker 5: the other. 160 00:08:22,960 --> 00:08:23,520 Speaker 2: I'm not sure. 161 00:08:23,600 --> 00:08:28,320 Speaker 5: Because Tracy Turnblaod the lead in the show page for 162 00:08:28,400 --> 00:08:32,480 Speaker 5: lou she is, she's extraordinary. She plays my daughter and 163 00:08:33,400 --> 00:08:36,360 Speaker 5: I'm Edna to her mother, which is which is a 164 00:08:36,400 --> 00:08:40,719 Speaker 5: funny thing. But anyway, she gets her big break out 165 00:08:40,720 --> 00:08:42,840 Speaker 5: of detention. So the guys, the kids are in detention 166 00:08:43,000 --> 00:08:46,000 Speaker 5: and some things happen and one thing leads to another. 167 00:08:46,480 --> 00:08:52,160 Speaker 5: But my first period on stage was out of basically detention. 168 00:08:52,480 --> 00:08:53,240 Speaker 2: I went to detention. 169 00:08:53,360 --> 00:08:55,080 Speaker 5: The guy who gave me the attention was the lighting 170 00:08:55,160 --> 00:08:57,240 Speaker 5: director of the play, and he said, you're not stuffing 171 00:08:57,240 --> 00:08:59,800 Speaker 5: around in here, just mucking around because the detention was 172 00:09:00,120 --> 00:09:01,040 Speaker 5: drama auditions. 173 00:09:01,440 --> 00:09:03,000 Speaker 2: So we had the audition. So I ended up with 174 00:09:03,080 --> 00:09:06,319 Speaker 2: a role in the year ten play because that was 175 00:09:06,360 --> 00:09:12,160 Speaker 2: your choice, staying you know tis. So we did this 176 00:09:12,320 --> 00:09:14,400 Speaker 2: play school and I loved it. I really loved it. 177 00:09:14,520 --> 00:09:18,160 Speaker 2: So I've always had this passion for theater and performance. 178 00:09:18,200 --> 00:09:20,560 Speaker 2: I really love it, and I did when I was little, 179 00:09:20,960 --> 00:09:21,280 Speaker 2: but my. 180 00:09:21,400 --> 00:09:23,439 Speaker 5: Carpentry sort of took over and that was where I 181 00:09:23,679 --> 00:09:26,319 Speaker 5: was obviously going to earn some money, and so you know, 182 00:09:26,440 --> 00:09:30,000 Speaker 5: building and carpentry came first. In the background was this, 183 00:09:30,240 --> 00:09:33,240 Speaker 5: you know, this passion for nothing about it surprises me. 184 00:09:33,600 --> 00:09:36,160 Speaker 4: I just wasn't aware until now. As all as you 185 00:09:36,200 --> 00:09:39,760 Speaker 4: come out to your shell, mate, you'll be okay. We've 186 00:09:39,800 --> 00:09:42,160 Speaker 4: always said that you work on the boards as attributing 187 00:09:42,480 --> 00:09:43,040 Speaker 4: treating the boards. 188 00:09:43,240 --> 00:09:48,120 Speaker 5: That's true. Floors now, yeah, all over them. But the 189 00:09:48,200 --> 00:09:52,079 Speaker 5: show is is just phenomenal. The team have been working 190 00:09:52,240 --> 00:09:56,400 Speaker 5: intensely for the last couple of weeks earlier because you know, 191 00:09:57,240 --> 00:10:00,719 Speaker 5: this is the first run. W has been looking to 192 00:10:00,720 --> 00:10:03,280 Speaker 5: get Hairspray for a long long time. It's eight Tony 193 00:10:03,320 --> 00:10:06,839 Speaker 5: Awards over him Broadway. It's an epic show. It's very, 194 00:10:07,000 --> 00:10:12,079 Speaker 5: very funny, and not just because I'm Edna Turnblake, a 195 00:10:12,200 --> 00:10:16,800 Speaker 5: nineteen sixties housewife. And she's massive too, by the way, 196 00:10:16,920 --> 00:10:18,960 Speaker 5: So yeah, there's plenty to see. 197 00:10:20,440 --> 00:10:23,400 Speaker 2: But the guys have come together and just the team. 198 00:10:23,559 --> 00:10:28,319 Speaker 5: Vincent Hooper the director, an amazing talent, and Fern Reynolds 199 00:10:28,400 --> 00:10:29,160 Speaker 5: the choreographer. 200 00:10:29,679 --> 00:10:33,480 Speaker 2: He can do anything like this guy. Will you just 201 00:10:33,600 --> 00:10:34,079 Speaker 2: watch him? 202 00:10:34,160 --> 00:10:36,559 Speaker 5: There's nothing happening on it in a blank room, and 203 00:10:36,600 --> 00:10:38,880 Speaker 5: then all of a sudden, within an hour, there are 204 00:10:39,040 --> 00:10:41,840 Speaker 5: twenty five people, you know, cart wheeling. 205 00:10:41,520 --> 00:10:43,760 Speaker 2: And dancing their way around this room. And it all 206 00:10:43,880 --> 00:10:48,120 Speaker 2: looks like a picture perfect scene. It all comes out 207 00:10:48,120 --> 00:10:48,560 Speaker 2: of his head. 208 00:10:48,640 --> 00:10:49,199 Speaker 4: Make magic. 209 00:10:49,440 --> 00:10:49,880 Speaker 1: Yeah it is. 210 00:10:50,000 --> 00:10:52,079 Speaker 2: It's really extraordinary to be a part of I've just 211 00:10:52,240 --> 00:10:54,439 Speaker 2: I feel so lucky to be here and do this. 212 00:10:54,679 --> 00:10:55,240 Speaker 1: I really do. 213 00:10:55,760 --> 00:10:57,080 Speaker 2: And this is one of those. 214 00:10:56,960 --> 00:10:59,400 Speaker 5: Things that I think is that moment that I've always 215 00:10:59,440 --> 00:11:02,520 Speaker 5: looked forward to doing. You know, a big show in 216 00:11:02,640 --> 00:11:05,280 Speaker 5: a big venue, the Crown Theater is you know, there's 217 00:11:05,320 --> 00:11:06,559 Speaker 5: two thousand people getting there. 218 00:11:07,280 --> 00:11:09,920 Speaker 4: Is your Edna more divine or more John Travolta, where 219 00:11:09,920 --> 00:11:11,120 Speaker 4: are you going with it? Are you just doing your 220 00:11:11,160 --> 00:11:11,440 Speaker 4: own thing? 221 00:11:11,760 --> 00:11:13,640 Speaker 2: She's honest, Okay, she is. 222 00:11:14,120 --> 00:11:18,240 Speaker 5: She's just an honest She loves her daughter, she loves Wilbur, 223 00:11:18,600 --> 00:11:22,719 Speaker 5: and she is fiercely protective. Yes, so you know, and 224 00:11:22,800 --> 00:11:24,719 Speaker 5: there's some of I guess there's some of my mom 225 00:11:24,800 --> 00:11:28,760 Speaker 5: in her. But you just sort of take everything you 226 00:11:28,840 --> 00:11:31,960 Speaker 5: know about motherhood and try and put it into this woman. 227 00:11:32,600 --> 00:11:34,600 Speaker 3: Are there other shows you've done or are there. 228 00:11:34,559 --> 00:11:36,320 Speaker 4: Any shows you aspire to do that. 229 00:11:37,880 --> 00:11:40,240 Speaker 5: Well, I've done. I've done a few shows. I did 230 00:11:40,280 --> 00:11:42,679 Speaker 5: a musical all Moone once when I was younger. I 231 00:11:42,760 --> 00:11:43,959 Speaker 5: was about twenty six years old. 232 00:11:44,000 --> 00:11:46,200 Speaker 2: I'm not surprised, and it was there. 233 00:11:46,160 --> 00:11:48,679 Speaker 5: Was a pianist on the side of myself, and I 234 00:11:48,880 --> 00:11:50,800 Speaker 5: had to do this show in front of my rugby 235 00:11:50,840 --> 00:11:53,240 Speaker 5: club because they, you know, we were trying to fill 236 00:11:53,720 --> 00:11:57,360 Speaker 5: the place. You seated about sixty people, well not even 237 00:11:58,280 --> 00:12:00,920 Speaker 5: it was upstairs in the cafe. You have dinner downstairs 238 00:12:01,000 --> 00:12:03,160 Speaker 5: and then come up for the show, and then go 239 00:12:03,280 --> 00:12:04,839 Speaker 5: down for dessert, come up for act too. 240 00:12:05,520 --> 00:12:06,640 Speaker 4: And yeah, it was. 241 00:12:06,960 --> 00:12:08,080 Speaker 2: It's called When It Happens. 242 00:12:08,120 --> 00:12:10,719 Speaker 5: It was written by a guy who was at my 243 00:12:10,840 --> 00:12:14,000 Speaker 5: school originally, and so we did this show and the 244 00:12:14,040 --> 00:12:16,160 Speaker 5: whole Rugby club was there one night, and it was 245 00:12:16,600 --> 00:12:19,360 Speaker 5: it buckled me because you've got these guys who you've 246 00:12:19,360 --> 00:12:23,239 Speaker 5: packed down his scrums with and it's a very different relationship, 247 00:12:23,280 --> 00:12:26,080 Speaker 5: a rugby relationship to a theater relationship. And anyway, they 248 00:12:26,120 --> 00:12:29,559 Speaker 5: were pouring wine over themselves, laughing. They couldn't, you know, 249 00:12:29,679 --> 00:12:30,840 Speaker 5: they just couldn't contain themselves. 250 00:12:30,960 --> 00:12:31,800 Speaker 2: Very supportive club. 251 00:12:32,000 --> 00:12:34,280 Speaker 5: Yeah, yeah, you know, to come out on Saturday night 252 00:12:34,320 --> 00:12:36,520 Speaker 5: and watch musical theaters, your own friend show. 253 00:12:37,520 --> 00:12:40,240 Speaker 4: It kind of was great off Broadway. 254 00:12:40,280 --> 00:12:43,200 Speaker 2: We call it yeah Cleveland Street off Broadway in Sydney. 255 00:12:43,240 --> 00:12:45,120 Speaker 4: But it was in your blood, you could tell anyway. 256 00:12:45,200 --> 00:12:46,800 Speaker 5: At that point I knew that there was some day 257 00:12:46,800 --> 00:12:49,360 Speaker 5: I would like to do something bigger, but just never 258 00:12:49,440 --> 00:12:52,679 Speaker 5: know when this stuff is going to turn up. My 259 00:12:53,000 --> 00:12:55,559 Speaker 5: I guess my My motto is just to say yes 260 00:12:55,600 --> 00:12:56,320 Speaker 5: to everything. 261 00:12:56,679 --> 00:12:59,800 Speaker 2: You gotta be careful idea that's right. Saying yes to 262 00:12:59,840 --> 00:13:02,640 Speaker 2: him can get in trouble. But remember that movie Yesterday, 263 00:13:02,840 --> 00:13:04,800 Speaker 2: Yes Yes, where the mum and dad just have to 264 00:13:04,880 --> 00:13:05,439 Speaker 2: say yes to it. 265 00:13:07,360 --> 00:13:08,360 Speaker 4: I mean all sorts of truck. 266 00:13:08,480 --> 00:13:11,000 Speaker 2: But you know, I think that's I guess kind of 267 00:13:11,120 --> 00:13:11,680 Speaker 2: how I feel. 268 00:13:12,400 --> 00:13:15,320 Speaker 4: Crazy and Lisa ninety six Aven