1 00:00:04,320 --> 00:00:05,560 Speaker 1: All right now, I think the first one we need 2 00:00:05,600 --> 00:00:07,720 Speaker 1: to address is the fact that we did a Michael kaneoff. 3 00:00:07,960 --> 00:00:11,000 Speaker 1: I mean, I mean, I truly believe we're going to 4 00:00:11,000 --> 00:00:13,200 Speaker 1: get some extraordinary impersonations on the air wheel. 5 00:00:14,240 --> 00:00:17,480 Speaker 2: I've had an issue with the demo. That's radio language 6 00:00:17,480 --> 00:00:19,919 Speaker 2: for the demographic. I mean we did find given that, 7 00:00:19,960 --> 00:00:22,640 Speaker 2: we found out a minute in the junior producer analyse, 8 00:00:22,680 --> 00:00:23,959 Speaker 2: who you know she's in the demo? 9 00:00:24,360 --> 00:00:24,560 Speaker 3: Yeah? 10 00:00:24,600 --> 00:00:27,240 Speaker 2: I didn't think she is anymore. Do you think she's 11 00:00:27,280 --> 00:00:28,200 Speaker 2: too young for the demo? 12 00:00:28,480 --> 00:00:32,240 Speaker 4: She's too young? How old are you? Anis I'm twenty three. Yeah, 13 00:00:32,280 --> 00:00:35,920 Speaker 4: she's ten years younger. Touch for she's ten years younger 14 00:00:36,000 --> 00:00:36,520 Speaker 4: than the demo. 15 00:00:36,840 --> 00:00:39,400 Speaker 1: Was the demo thirty three? I thought it was twenty seven. 16 00:00:39,560 --> 00:00:40,840 Speaker 1: I thought it was twenty four. 17 00:00:41,920 --> 00:00:42,800 Speaker 4: This is bad, guys. 18 00:00:42,920 --> 00:00:44,879 Speaker 1: If the bosses are listening in this, this is a problem. 19 00:00:45,280 --> 00:00:47,200 Speaker 4: We don't even know who we're targeting. Oh my god. 20 00:00:47,360 --> 00:00:49,279 Speaker 1: That's why I always tell listeners to say slay at 21 00:00:49,280 --> 00:00:49,559 Speaker 1: the end. 22 00:00:52,840 --> 00:00:55,360 Speaker 4: I see if we can scale up a few years here, kV. 23 00:00:55,640 --> 00:00:57,960 Speaker 4: Do you know who? How old are you? Let's start 24 00:00:58,000 --> 00:00:58,279 Speaker 4: with that. 25 00:00:58,400 --> 00:01:00,120 Speaker 1: Oh that's a personal question, not at all. 26 00:01:01,040 --> 00:01:05,360 Speaker 4: Oh, twenty six do you know who Michael Kane is? 27 00:01:05,680 --> 00:01:05,920 Speaker 1: Yes? 28 00:01:06,040 --> 00:01:10,480 Speaker 4: Okay, how's your Michael Kane shocking? Was that an effort? 29 00:01:13,480 --> 00:01:18,680 Speaker 2: Lock? He sounded like Johnny Devin both of the game. 30 00:01:19,480 --> 00:01:23,200 Speaker 1: I'll take that anyway. We did get a guy called 31 00:01:23,240 --> 00:01:26,800 Speaker 1: Damien who called unfortunately too late. But Damo, you were 32 00:01:26,800 --> 00:01:30,200 Speaker 1: listening to the absolute tripe that was coming over your 33 00:01:30,200 --> 00:01:31,680 Speaker 1: speakers there and you reckon you can do it a 34 00:01:31,720 --> 00:01:32,160 Speaker 1: bit better? 35 00:01:33,720 --> 00:01:37,360 Speaker 3: Hello, Yeah, yeah, yeah, we're here, boy, big big down 36 00:01:37,400 --> 00:01:37,800 Speaker 3: on the show. 37 00:01:38,319 --> 00:01:40,319 Speaker 4: Thanks Jamo. Have you called in before? 38 00:01:41,120 --> 00:01:42,560 Speaker 3: Yeah? I was just trying to help with out. I 39 00:01:42,600 --> 00:01:43,360 Speaker 3: seen him stuggling. 40 00:01:44,160 --> 00:01:47,240 Speaker 2: Yeah, was in the Michael Kane people. But if you 41 00:01:47,360 --> 00:01:49,480 Speaker 2: called in prior to the Michael Kane off, is what 42 00:01:49,520 --> 00:01:50,080 Speaker 2: I'm asking? 43 00:01:51,240 --> 00:01:53,000 Speaker 3: NOA, I called exactly at that point. 44 00:01:53,280 --> 00:01:55,760 Speaker 4: Okay, you know you don't think you understand the question? 45 00:01:55,800 --> 00:01:56,400 Speaker 4: All right, let's do. 46 00:01:58,320 --> 00:02:00,000 Speaker 1: I think what he's asking is, this is the first 47 00:02:00,040 --> 00:02:00,920 Speaker 1: time you've called the show? 48 00:02:01,000 --> 00:02:02,200 Speaker 4: Yeah? 49 00:02:02,240 --> 00:02:06,480 Speaker 3: I called once before, but I hadn't got through the top. 50 00:02:06,680 --> 00:02:09,240 Speaker 2: Yeah, you've been really going to the podcast, no doubt. 51 00:02:10,120 --> 00:02:12,919 Speaker 3: Awesome enough that, man, I usually listen anyway. 52 00:02:13,080 --> 00:02:16,160 Speaker 4: By Damien, are you a free club? Are you a 53 00:02:16,200 --> 00:02:18,560 Speaker 4: free on or a one twenty clubber. 54 00:02:20,040 --> 00:02:21,799 Speaker 3: Not following, then what are you talking about that? 55 00:02:22,280 --> 00:02:24,200 Speaker 1: Okay, if you don't know, you don't know, don't worry. 56 00:02:24,280 --> 00:02:27,040 Speaker 1: But one day you might become a one twenty or 57 00:02:27,040 --> 00:02:29,079 Speaker 1: a free on. Just keep that in the back of 58 00:02:29,120 --> 00:02:29,560 Speaker 1: your nogan. 59 00:02:29,800 --> 00:02:33,079 Speaker 3: But Dami, I'm a few months behind on the podcast, 60 00:02:33,200 --> 00:02:34,280 Speaker 3: so you. 61 00:02:34,200 --> 00:02:34,840 Speaker 5: Are you are? 62 00:02:34,960 --> 00:02:39,880 Speaker 4: You're catching up to where we're at, Damien. That's nice. 63 00:02:39,919 --> 00:02:41,920 Speaker 1: All of a sudden that will become clear to you. Actually, 64 00:02:42,000 --> 00:02:44,320 Speaker 1: that'll be a great moment for you. 65 00:02:44,560 --> 00:02:45,760 Speaker 4: Call back when you get that moment. 66 00:02:46,720 --> 00:02:50,720 Speaker 1: As you reckon, you can do a good Machacaine. I 67 00:02:50,720 --> 00:02:52,880 Speaker 1: think you're going to go for the Italian job line. 68 00:02:52,880 --> 00:02:54,720 Speaker 1: So you're going for this line, which is a cool pound. 69 00:02:54,800 --> 00:02:57,880 Speaker 6: You're only supposed to blow the bloody doors off. 70 00:02:59,200 --> 00:03:00,720 Speaker 1: I really hope you can do a good one, because 71 00:03:00,720 --> 00:03:02,800 Speaker 1: we haven't heard a good one yet so far away, 72 00:03:02,919 --> 00:03:04,280 Speaker 1: my friend. 73 00:03:04,120 --> 00:03:07,639 Speaker 3: I'll give it a crack, all right. You're only supposed 74 00:03:07,680 --> 00:03:09,760 Speaker 3: to blow the bloody doors off. 75 00:03:09,720 --> 00:03:11,880 Speaker 4: Not bad, not bad? 76 00:03:12,320 --> 00:03:13,000 Speaker 1: Do you want to have to go. 77 00:03:14,800 --> 00:03:15,160 Speaker 4: As well? 78 00:03:15,200 --> 00:03:18,440 Speaker 3: Will does? When Will does his Jeremy Clarkson, I reckon, 79 00:03:18,480 --> 00:03:20,920 Speaker 3: that's it's close, but you know it's not. 80 00:03:21,440 --> 00:03:23,440 Speaker 4: Mike Clarkson fire. 81 00:03:27,280 --> 00:03:30,000 Speaker 1: I like that while you're going down, take one down 82 00:03:30,000 --> 00:03:31,920 Speaker 1: with you. Do you want to have a go at 83 00:03:31,919 --> 00:03:33,440 Speaker 1: the tangerine line? 84 00:03:35,320 --> 00:03:37,360 Speaker 4: You just had to swipe at me on the way out. 85 00:03:38,040 --> 00:03:42,600 Speaker 3: That was a compliment, mate, that you do it, Jeremy Clarkson, 86 00:03:44,440 --> 00:03:45,200 Speaker 3: I appreciate it. 87 00:03:45,280 --> 00:03:49,720 Speaker 1: Sorry, we misread that, Damo, were completely misread. No, do 88 00:03:49,760 --> 00:03:51,120 Speaker 1: you want to have a go at the tangerine line? 89 00:03:51,120 --> 00:03:52,560 Speaker 1: I reckon, You've got another good one in here. 90 00:03:53,320 --> 00:03:58,360 Speaker 6: One day I saw Child playing a ruby beside but 91 00:03:58,520 --> 00:04:00,120 Speaker 6: change your going. 92 00:04:00,040 --> 00:04:00,960 Speaker 1: Damn, I give that a crank. 93 00:04:02,000 --> 00:04:04,160 Speaker 3: You're gonna argue with me again? I lost that, so yeah, 94 00:04:04,160 --> 00:04:04,920 Speaker 3: you he here. 95 00:04:04,760 --> 00:04:05,120 Speaker 1: In his game. 96 00:04:05,680 --> 00:04:09,880 Speaker 6: One day I saw Child playing with the ruby the 97 00:04:09,960 --> 00:04:11,240 Speaker 6: size of the change of. 98 00:04:13,440 --> 00:04:16,600 Speaker 3: One day I saw Child playing with a ruby the 99 00:04:16,600 --> 00:04:20,960 Speaker 3: size of a tangerine. Better, absolutely cooked it? 100 00:04:21,120 --> 00:04:24,520 Speaker 4: Yeah, yeah, definitely positive. 101 00:04:24,880 --> 00:04:28,040 Speaker 3: I appreciate. I appreciate the support. But that forgot. 102 00:04:28,120 --> 00:04:28,320 Speaker 5: Yeah. 103 00:04:29,240 --> 00:04:32,080 Speaker 1: One day I saw it half playing with a ruby 104 00:04:32,279 --> 00:04:34,640 Speaker 1: the size of a danger ring. 105 00:04:34,839 --> 00:04:39,200 Speaker 4: Yeah. Not bad, not bad, not bad with the feedback. 106 00:04:39,240 --> 00:04:48,839 Speaker 4: But one day I saw half whatever the hello Damien, 107 00:04:48,920 --> 00:04:54,240 Speaker 4: Hello my name, My name is Michael Kaine. And one 108 00:04:54,320 --> 00:04:57,719 Speaker 4: day I saw Child playing with a ruby the size. 109 00:04:57,880 --> 00:04:58,960 Speaker 3: It's better lines than that. 110 00:04:59,360 --> 00:05:02,039 Speaker 4: Yeah, what's if I over line of Michael k Some 111 00:05:02,200 --> 00:05:03,159 Speaker 4: men just want to watch. 112 00:05:03,360 --> 00:05:06,400 Speaker 3: Well you really put him on the Spodier. Yeah, he's 113 00:05:06,400 --> 00:05:07,120 Speaker 3: good in the Kingsman. 114 00:05:07,880 --> 00:05:08,800 Speaker 4: He's good in the Kingsman. 115 00:05:08,920 --> 00:05:13,359 Speaker 2: God, that's obscure Kingsman reference that the demo would know 116 00:05:13,440 --> 00:05:15,160 Speaker 2: him from Kingsman. 117 00:05:15,480 --> 00:05:16,840 Speaker 3: Welcome, Welcome body. 118 00:05:16,640 --> 00:05:20,360 Speaker 2: Three But exactly Batman's the twenty analyst. Oh my god, 119 00:05:20,440 --> 00:05:22,960 Speaker 2: junior producer analyse also twenty three. 120 00:05:23,400 --> 00:05:24,560 Speaker 4: Damien, are you single? 121 00:05:25,920 --> 00:05:28,440 Speaker 3: No? No, no relationship? 122 00:05:29,279 --> 00:05:33,640 Speaker 4: Be furious that's what That's what you're doing. You're out 123 00:05:33,640 --> 00:05:36,400 Speaker 4: there holding out your love yourself in Europe? 124 00:05:37,040 --> 00:05:37,680 Speaker 1: Ay, b cook? 125 00:05:40,279 --> 00:05:42,000 Speaker 4: What does what does that mean to mean? 126 00:05:42,600 --> 00:05:44,200 Speaker 1: Hard fan? He knows that we talk about the fact 127 00:05:44,240 --> 00:05:46,560 Speaker 1: that Analys had a red hot crack in Europe. 128 00:05:47,160 --> 00:05:49,560 Speaker 3: She did, she did? That's all I know. No more comments? 129 00:05:49,720 --> 00:05:51,920 Speaker 1: Yeah, comment. 130 00:05:53,279 --> 00:05:56,400 Speaker 4: Do you guys know each other outside of this, Damien? 131 00:05:58,279 --> 00:05:58,559 Speaker 2: Yeah? 132 00:05:58,600 --> 00:06:00,719 Speaker 4: Okay, that's how you know the fans? 133 00:06:00,720 --> 00:06:02,720 Speaker 2: Great stuff, all right, Damien, Well thanks for your co mate. 134 00:06:02,720 --> 00:06:03,440 Speaker 2: It's been loved to hear. 135 00:06:03,839 --> 00:06:06,000 Speaker 1: What do you do you, Damon? What's your line? 136 00:06:06,120 --> 00:06:11,200 Speaker 2: I'm a sparky, nice nice I just wanted to carry on. Yeah, sorry, 137 00:06:11,240 --> 00:06:11,920 Speaker 2: daon't go on. 138 00:06:11,880 --> 00:06:15,000 Speaker 3: Mate, Sorry mate, that's okay, that's fine. I will yeah, 139 00:06:15,240 --> 00:06:18,680 Speaker 3: look without if it's going actually on the podcast. 140 00:06:17,800 --> 00:06:18,760 Speaker 4: This will go on the podcast. 141 00:06:18,839 --> 00:06:22,040 Speaker 3: Yeah, all right, I don't I say that? All good 142 00:06:23,720 --> 00:06:25,960 Speaker 3: in your area? You know? You see me in my 143 00:06:26,080 --> 00:06:30,080 Speaker 3: area in particular road and I thought I saw you walking? 144 00:06:30,200 --> 00:06:33,359 Speaker 4: All right, just what's what sub joint? What's what suburb? 145 00:06:33,520 --> 00:06:35,960 Speaker 4: I think North North? I live in Northcote. 146 00:06:37,400 --> 00:06:39,000 Speaker 3: I was going with the missus and I think I 147 00:06:39,040 --> 00:06:39,359 Speaker 3: saw you. 148 00:06:39,520 --> 00:06:41,560 Speaker 4: Oh nice, which road particular? 149 00:06:42,120 --> 00:06:42,640 Speaker 3: High street? 150 00:06:42,680 --> 00:06:44,599 Speaker 4: How did he look? High street? It sounds like me, 151 00:06:45,400 --> 00:06:46,320 Speaker 4: he looks good as usual? 152 00:06:46,440 --> 00:06:51,760 Speaker 3: Bold head shining was it was? 153 00:06:51,800 --> 00:06:54,720 Speaker 4: I was, hey, what was I wearing? What was what 154 00:06:54,760 --> 00:06:55,800 Speaker 4: was that you were? 155 00:06:56,320 --> 00:06:57,720 Speaker 3: You were in a cream. 156 00:06:57,520 --> 00:07:00,240 Speaker 1: Jumpers cream jumpers me. 157 00:07:01,839 --> 00:07:02,920 Speaker 3: I was like, is that Will? 158 00:07:03,400 --> 00:07:03,799 Speaker 4: Oh? 159 00:07:03,839 --> 00:07:05,760 Speaker 3: I know you boys listened to all that much? But 160 00:07:06,960 --> 00:07:07,480 Speaker 3: do you look. 161 00:07:07,360 --> 00:07:09,440 Speaker 4: Happy that Will? Do you look happy? 162 00:07:10,120 --> 00:07:10,320 Speaker 2: Will? 163 00:07:12,800 --> 00:07:13,880 Speaker 4: Did I look happy? You know? 164 00:07:13,960 --> 00:07:17,000 Speaker 3: She she knows I listen to you guys, but that much. 165 00:07:17,160 --> 00:07:19,520 Speaker 1: Yeah, I got to get her involved. Did Will look happy? 166 00:07:19,600 --> 00:07:20,679 Speaker 1: On the street? 167 00:07:21,920 --> 00:07:23,320 Speaker 3: I was a quick glance, my friend. 168 00:07:23,360 --> 00:07:25,240 Speaker 4: I didn't Yeah, I didn't understand. 169 00:07:26,160 --> 00:07:27,000 Speaker 1: Do you live in that area? 170 00:07:27,080 --> 00:07:27,360 Speaker 4: Demo? 171 00:07:27,440 --> 00:07:29,920 Speaker 1: Do you live close to northcot Ah. 172 00:07:30,000 --> 00:07:33,040 Speaker 3: Yes, thought of lived more north of that and reservoir. 173 00:07:34,520 --> 00:07:36,840 Speaker 2: It's a hot stoep High Street, Northcote Can. 174 00:07:36,680 --> 00:07:39,400 Speaker 1: I ask it is a lot strip, great trip, it's 175 00:07:39,400 --> 00:07:39,800 Speaker 1: great strip. 176 00:07:40,840 --> 00:07:41,880 Speaker 4: When someone. 177 00:07:43,080 --> 00:07:45,840 Speaker 2: When someone notices you, or so you've been told that 178 00:07:45,880 --> 00:07:49,200 Speaker 2: somebody noticed has noticed you. What do you how would 179 00:07:49,200 --> 00:07:51,840 Speaker 2: you like them to like see like I think, because 180 00:07:51,880 --> 00:07:55,080 Speaker 2: because that's a terrifying thought, no one ever says, by 181 00:07:55,120 --> 00:07:57,800 Speaker 2: the way, because actually I've got a theory here do 182 00:07:57,840 --> 00:08:01,880 Speaker 2: you not like? Do you when you saw me? Because 183 00:08:01,920 --> 00:08:05,400 Speaker 2: people don't. People generally speaking, people don't say hi to 184 00:08:05,440 --> 00:08:09,280 Speaker 2: me like they'll say to me after you They'll say 185 00:08:09,280 --> 00:08:11,520 Speaker 2: to me afterwards, oh, like you know, I knew who 186 00:08:11,560 --> 00:08:11,880 Speaker 2: you were. 187 00:08:12,240 --> 00:08:14,520 Speaker 4: Just you know, am I unapproachable? 188 00:08:15,680 --> 00:08:20,560 Speaker 3: No? No, we'll don't do that to me, mate, amproach approachable? 189 00:08:20,720 --> 00:08:21,680 Speaker 4: Am I unapproachable? 190 00:08:21,720 --> 00:08:24,280 Speaker 3: Is that personally? I wouldn't go up to like a 191 00:08:24,280 --> 00:08:28,000 Speaker 3: person that's like known in the media or whatever. I 192 00:08:28,000 --> 00:08:30,040 Speaker 3: wouldn't go to them and be like, hey, I know 193 00:08:30,080 --> 00:08:31,000 Speaker 3: who you want to disturb? 194 00:08:31,760 --> 00:08:32,920 Speaker 4: Yeah, it's perspective. 195 00:08:33,120 --> 00:08:35,400 Speaker 3: Everyone wants to be at peace and quiet and will 196 00:08:35,679 --> 00:08:39,040 Speaker 3: would you like that? You know, would you like people 197 00:08:39,040 --> 00:08:40,160 Speaker 3: to notice? Is that what you want. 198 00:08:41,520 --> 00:08:43,079 Speaker 2: I just feel like I don't want to be coming 199 00:08:43,080 --> 00:08:45,080 Speaker 2: across as it like I don't want to. I feel 200 00:08:45,080 --> 00:08:46,920 Speaker 2: like I've just got resting bitch face or something. Do 201 00:08:46,960 --> 00:08:49,040 Speaker 2: you want a secret code that invites me. 202 00:08:49,559 --> 00:08:52,439 Speaker 3: To be honest? Maybe? Okay, I'll pull the curt down now. 203 00:08:52,600 --> 00:09:08,160 Speaker 5: You weren't You weren't looking that happy going driving. 204 00:09:05,640 --> 00:09:08,280 Speaker 3: Pass You were going to get your pizza or pasta 205 00:09:08,360 --> 00:09:08,920 Speaker 3: whatever you're doing. 206 00:09:08,920 --> 00:09:10,440 Speaker 4: Where was I going to a? Which shop? Was I 207 00:09:10,520 --> 00:09:12,440 Speaker 4: going to trying to get pizza? A pasta? 208 00:09:12,559 --> 00:09:14,640 Speaker 3: It's a pizza and pusta bar. I don't know what 209 00:09:14,679 --> 00:09:16,679 Speaker 3: it was called. Will I saw you quickly? 210 00:09:16,760 --> 00:09:19,000 Speaker 2: I could have been that's in Preston, that's fair, it 211 00:09:19,080 --> 00:09:20,400 Speaker 2: might have anyway, carry on carrying? 212 00:09:20,679 --> 00:09:27,959 Speaker 1: Was not far from the bridge, okay, oh yeah right anyway, Yeah, Ferdinand, 213 00:09:28,000 --> 00:09:28,199 Speaker 1: I was in. 214 00:09:28,679 --> 00:09:31,760 Speaker 4: I was going yeah lost, all right. 215 00:09:31,679 --> 00:09:34,240 Speaker 1: Now, go on, go on, David. So he looked on happy. 216 00:09:34,280 --> 00:09:36,560 Speaker 1: Maybe he's pizza with pizza and Melbourne. Yeah carry on? 217 00:09:36,640 --> 00:09:38,360 Speaker 3: No, I think I think he was just hungry to 218 00:09:38,400 --> 00:09:39,679 Speaker 3: be hungry, yeah. 219 00:09:39,600 --> 00:09:42,480 Speaker 4: Hungry, but hang on, let's just say that I'm not hungry. Right. 220 00:09:43,760 --> 00:09:46,280 Speaker 2: You looked at me and you thought you just said 221 00:09:46,280 --> 00:09:49,080 Speaker 2: I look unhappy and hence probably unapproachable. 222 00:09:50,800 --> 00:09:52,320 Speaker 3: No, looks don't worth my mouth. 223 00:09:52,360 --> 00:09:54,559 Speaker 2: No, But like, I'm not putting your words anybout. I'm 224 00:09:54,559 --> 00:09:57,120 Speaker 2: just trying to get a gauge on how I come across, 225 00:09:57,480 --> 00:09:59,319 Speaker 2: because I think it's an issue for me. I think 226 00:09:59,360 --> 00:10:01,880 Speaker 2: I I think I'm coming across as quite unapproachable. 227 00:10:02,400 --> 00:10:04,319 Speaker 1: Sometimes you're deep in thought, I'd say. 228 00:10:04,280 --> 00:10:06,000 Speaker 3: I don't think so. I don't think so. Will I 229 00:10:06,000 --> 00:10:09,319 Speaker 3: think you were just doing this thing like no one 230 00:10:09,320 --> 00:10:10,960 Speaker 3: wants to disturb people like. 231 00:10:11,840 --> 00:10:14,400 Speaker 4: People disturb Woody all the time. I'm often standing next 232 00:10:14,400 --> 00:10:15,960 Speaker 4: to Woody. People come out and over. 233 00:10:16,200 --> 00:10:19,640 Speaker 2: People will come from kilometers deep and I'll be walking 234 00:10:19,679 --> 00:10:22,080 Speaker 2: with Woody and they'll be like, hey, Woody, how are 235 00:10:22,080 --> 00:10:26,319 Speaker 2: you going? And I'll be standing there going I I've 236 00:10:26,320 --> 00:10:26,720 Speaker 2: come across. 237 00:10:27,320 --> 00:10:27,679 Speaker 4: I thought it was we. 238 00:10:27,800 --> 00:10:30,080 Speaker 1: The other day, we've got a flight together, Damien. I 239 00:10:30,120 --> 00:10:32,640 Speaker 1: haven't spoken about this yet, but like the flight attendants 240 00:10:32,679 --> 00:10:34,680 Speaker 1: came we were sitting a roll away from each other. 241 00:10:34,880 --> 00:10:36,680 Speaker 1: The flight attendants came over to me and they were like, 242 00:10:36,760 --> 00:10:40,440 Speaker 1: they said to me, I'm so sorry to ask this, 243 00:10:40,520 --> 00:10:43,040 Speaker 1: but can you stay right until the end because the 244 00:10:43,040 --> 00:10:44,560 Speaker 1: whole crew wants to get a photo with you, and 245 00:10:44,640 --> 00:10:47,520 Speaker 1: I was like, I'm assuming this is a group deal 246 00:10:47,679 --> 00:10:49,760 Speaker 1: which has been arranged, and obviously Will has already said 247 00:10:49,800 --> 00:10:53,679 Speaker 1: yes to this. Did you reject that advance? 248 00:10:54,600 --> 00:10:54,800 Speaker 6: Right? 249 00:10:54,920 --> 00:10:58,040 Speaker 1: So that's confusing to me because you're you're literally roll 250 00:10:58,080 --> 00:11:00,760 Speaker 1: away from me right there. So I can't But maybe 251 00:11:00,800 --> 00:11:03,240 Speaker 1: because I asked for two dinners, which may have been. 252 00:11:04,920 --> 00:11:07,439 Speaker 2: At all I think, I think I like and I'm 253 00:11:07,480 --> 00:11:09,920 Speaker 2: happy to play this role. Can I say, like I am, 254 00:11:10,320 --> 00:11:12,600 Speaker 2: I don't want to be I don't want to be 255 00:11:12,679 --> 00:11:13,120 Speaker 2: that guy. 256 00:11:13,440 --> 00:11:15,079 Speaker 4: But maybe that's the issue. Maybe do you want to 257 00:11:15,120 --> 00:11:15,760 Speaker 4: be in the spotlight? 258 00:11:15,800 --> 00:11:15,959 Speaker 5: Will? 259 00:11:17,160 --> 00:11:19,120 Speaker 2: That's what I'm saying, David, I do Do you want 260 00:11:19,120 --> 00:11:19,880 Speaker 2: a good deep question? 261 00:11:19,960 --> 00:11:20,080 Speaker 5: Dan? 262 00:11:20,280 --> 00:11:20,720 Speaker 4: Great question? 263 00:11:20,880 --> 00:11:28,520 Speaker 3: D think about this because it's a lifelong thing. You know, right, 264 00:11:28,760 --> 00:11:30,160 Speaker 3: people are going to be coming up to you. They're 265 00:11:30,200 --> 00:11:32,040 Speaker 3: going to They're going to go, we want well, you know, 266 00:11:32,120 --> 00:11:32,760 Speaker 3: what are you going to do? 267 00:11:32,920 --> 00:11:36,160 Speaker 1: Damien's on here point because people will hear this and go, oh, 268 00:11:36,200 --> 00:11:37,559 Speaker 1: you do want us to come and talk to you? 269 00:11:37,600 --> 00:11:38,440 Speaker 4: Yeah? So what do you want? 270 00:11:38,480 --> 00:11:38,640 Speaker 3: Will? 271 00:11:38,720 --> 00:11:40,120 Speaker 4: Do you want people to come up to you or not? 272 00:11:40,200 --> 00:11:41,480 Speaker 4: And if they do come up to you, do you 273 00:11:41,520 --> 00:11:42,560 Speaker 4: want a code word or something? 274 00:11:42,640 --> 00:11:42,800 Speaker 3: Yeah? 275 00:11:42,840 --> 00:11:44,040 Speaker 2: I think that's going to have to be the way, 276 00:11:44,120 --> 00:11:45,719 Speaker 2: because I don't actually want people to come up to 277 00:11:45,760 --> 00:11:48,160 Speaker 2: me like I don't want that, but I don't want 278 00:11:48,200 --> 00:11:49,920 Speaker 2: to come across as an asshole. And I think that 279 00:11:49,960 --> 00:11:51,400 Speaker 2: I am coming across as an asshole. 280 00:11:51,400 --> 00:11:52,120 Speaker 4: I think I'm coming. 281 00:11:52,000 --> 00:11:54,280 Speaker 1: Across I think damiens in the down head, you don't 282 00:11:54,280 --> 00:11:55,880 Speaker 1: come across as an asshole. But I think you're a 283 00:11:55,880 --> 00:11:57,719 Speaker 1: deep thinker. And often when I see you out in 284 00:11:57,720 --> 00:12:00,200 Speaker 1: public as well, you're always thinking about something and that 285 00:12:00,400 --> 00:12:03,400 Speaker 1: look on your face is well, no, it's not resting, 286 00:12:03,400 --> 00:12:07,280 Speaker 1: bitch face, it's resting. I'm busy face like it's resting. 287 00:12:07,520 --> 00:12:10,000 Speaker 3: A normal face, yeah, a straight face. 288 00:12:10,040 --> 00:12:12,360 Speaker 1: Whereas as you know, I walk around like I'm skipping. 289 00:12:12,720 --> 00:12:18,120 Speaker 3: Yeah I've never seen, but like, based on how he's 290 00:12:18,120 --> 00:12:20,680 Speaker 3: on the radio and you know, whatever he's he seems 291 00:12:20,720 --> 00:12:23,400 Speaker 3: like like he's always up and about. Like this got 292 00:12:23,400 --> 00:12:25,240 Speaker 3: into a backsplist where he's standing. 293 00:12:30,559 --> 00:12:32,439 Speaker 2: Because okay, so Damien is the way I like to 294 00:12:32,440 --> 00:12:34,960 Speaker 2: think of it. And obviously this is because you know wood, 295 00:12:34,960 --> 00:12:36,560 Speaker 2: he has much more of a profile than me after 296 00:12:36,600 --> 00:12:38,679 Speaker 2: doing TV shows and stuff. What is very much like 297 00:12:38,720 --> 00:12:40,240 Speaker 2: the front of house, right, So if you're going to 298 00:12:40,240 --> 00:12:41,599 Speaker 2: a restaurant, there's the front of house and back of 299 00:12:41,600 --> 00:12:44,560 Speaker 2: the house. Nice, right, so you're very much the front 300 00:12:44,600 --> 00:12:46,720 Speaker 2: of house, like you know, you get greeted by wood 301 00:12:46,720 --> 00:12:48,559 Speaker 2: he you know, like he's the face. 302 00:12:48,320 --> 00:12:51,240 Speaker 4: Of a restaurant. He'll do small talk all that sort 303 00:12:51,240 --> 00:12:51,600 Speaker 4: of stuff. 304 00:12:51,920 --> 00:12:55,000 Speaker 3: Will you've been on TV's well man, you're you're just 305 00:12:55,040 --> 00:12:55,679 Speaker 3: as big bro. 306 00:12:55,920 --> 00:12:58,480 Speaker 2: No I'm not thank you, no, no, but not after 307 00:12:58,520 --> 00:13:00,200 Speaker 2: the obviously you get me out of here gear like 308 00:13:00,240 --> 00:13:00,960 Speaker 2: that was a that was. 309 00:13:01,040 --> 00:13:02,920 Speaker 3: Very what was you talking about? Like he's on the 310 00:13:02,920 --> 00:13:03,720 Speaker 3: project and that. 311 00:13:03,559 --> 00:13:06,160 Speaker 2: That's exactly exactly and that and that's very much like 312 00:13:06,200 --> 00:13:07,880 Speaker 2: a front of a house thing, whereas I'm the back 313 00:13:07,880 --> 00:13:09,200 Speaker 2: of the house and you don't really want to talk 314 00:13:09,240 --> 00:13:14,920 Speaker 2: to the back of the house person unless you're into. 315 00:13:14,480 --> 00:13:15,559 Speaker 3: Don't put yourself down like that. 316 00:13:17,000 --> 00:13:18,320 Speaker 1: But I think, who is this guy? 317 00:13:18,600 --> 00:13:20,200 Speaker 4: I think he just keeps going. 318 00:13:20,280 --> 00:13:21,960 Speaker 1: I think as well, you're cooking, you're cooking the meals. 319 00:13:22,000 --> 00:13:23,280 Speaker 1: Though I'm not doing anything. 320 00:13:24,760 --> 00:13:26,160 Speaker 2: Not to take away from what I'm doing in the 321 00:13:26,200 --> 00:13:28,120 Speaker 2: back of the house, but I'm just saying like I 322 00:13:28,160 --> 00:13:30,920 Speaker 2: feel like I would prefer to be in that zone 323 00:13:31,440 --> 00:13:32,720 Speaker 2: than in the front of the house. 324 00:13:32,520 --> 00:13:34,520 Speaker 1: And I don't want to be cooking. Yeah, yeah, that's right. 325 00:13:35,800 --> 00:13:36,680 Speaker 3: Serving all day long. 326 00:13:36,920 --> 00:13:38,040 Speaker 1: Yeah, I'm serving baby. 327 00:13:39,440 --> 00:13:41,400 Speaker 4: Will, you're making meals? How about this Will? 328 00:13:41,480 --> 00:13:43,200 Speaker 2: When you will see you on the street, do you 329 00:13:43,200 --> 00:13:44,800 Speaker 2: want them to come up to you and just say 330 00:13:45,000 --> 00:13:47,400 Speaker 2: nicely to your face, you're not an asshole? 331 00:13:48,240 --> 00:13:51,000 Speaker 4: Would that be really nice? 332 00:13:51,200 --> 00:13:51,400 Speaker 2: Like that? 333 00:13:51,960 --> 00:13:54,280 Speaker 4: Because you had the asshole resting? Because I'm going to 334 00:13:54,320 --> 00:13:56,679 Speaker 4: forget this and then someone's going to cut to me 335 00:13:56,720 --> 00:13:57,920 Speaker 4: and go, you're not a nicehole, and I'm going to 336 00:13:57,960 --> 00:14:03,160 Speaker 4: go thanks, fun with what what did I do to 337 00:14:03,200 --> 00:14:03,959 Speaker 4: offend you? 338 00:14:04,040 --> 00:14:07,280 Speaker 1: What if I said, hey, free, that's good, Hey frend 339 00:14:07,400 --> 00:14:10,280 Speaker 1: and then if you go hello free on that, that's 340 00:14:10,320 --> 00:14:11,920 Speaker 1: you inviting them to come and talk to. 341 00:14:11,880 --> 00:14:15,240 Speaker 3: You, right right, That means that means that you know 342 00:14:15,280 --> 00:14:16,760 Speaker 3: that listened to this exactly. 343 00:14:18,040 --> 00:14:20,200 Speaker 4: You know we're on the same page exactly. Yeah, So 344 00:14:20,240 --> 00:14:21,240 Speaker 4: you're I'm just going to get random. 345 00:14:21,240 --> 00:14:25,040 Speaker 1: You're going to get someone who's actually like You're got 346 00:14:25,120 --> 00:14:26,960 Speaker 1: to get a podcasts and those people want to talk 347 00:14:26,960 --> 00:14:28,680 Speaker 1: to the chef to bring back the back of house. 348 00:14:28,720 --> 00:14:32,560 Speaker 4: People have tried the food. I don't have to put 349 00:14:32,560 --> 00:14:33,120 Speaker 4: a show for them. 350 00:14:34,160 --> 00:14:37,480 Speaker 3: Love the restaurants there are usual and they go, let's 351 00:14:37,480 --> 00:14:38,240 Speaker 3: speak to the chef. 352 00:14:38,440 --> 00:14:41,840 Speaker 4: Yes, exactly, exactly, Damien Jamien is king. 353 00:14:42,400 --> 00:14:43,160 Speaker 1: Yeah, you are awesome. 354 00:14:43,280 --> 00:14:46,680 Speaker 4: I love the chef's kiss. The chef's kiss. 355 00:14:46,960 --> 00:14:49,400 Speaker 1: Maybe that's maybe that's what the signal should be. So 356 00:14:49,520 --> 00:14:51,920 Speaker 1: either high freeond or just do a chef's kiss in 357 00:14:51,960 --> 00:15:00,920 Speaker 1: the distance if you. 358 00:14:57,040 --> 00:15:00,400 Speaker 2: If you come up to me and chiefs kiss in 359 00:15:00,440 --> 00:15:03,440 Speaker 2: front of my face, and then you have. 360 00:15:03,400 --> 00:15:04,320 Speaker 1: To open the conversation. 361 00:15:04,600 --> 00:15:06,160 Speaker 4: I kepegging him. 362 00:15:05,960 --> 00:15:07,640 Speaker 3: And then you and then you're if it just kicks 363 00:15:07,640 --> 00:15:09,320 Speaker 3: with the things like the Italian thing. 364 00:15:09,480 --> 00:15:10,360 Speaker 4: Yeah yeah, yeah, yeah. 365 00:15:10,400 --> 00:15:11,800 Speaker 1: You know when you kiss on your fingers. 366 00:15:12,240 --> 00:15:15,560 Speaker 3: Yeah, yeah, yeah, anyone does that if you know, you know. 367 00:15:15,640 --> 00:15:17,200 Speaker 4: That's it. I love that. 368 00:15:17,720 --> 00:15:19,600 Speaker 1: Next time you see just quickly. 369 00:15:19,320 --> 00:15:22,640 Speaker 3: As well the hello to button push a tom as well? 370 00:15:25,400 --> 00:15:27,200 Speaker 4: Hid Yeah good, thanks Sammy? How are you? 371 00:15:27,800 --> 00:15:28,000 Speaker 5: Yeah? 372 00:15:28,040 --> 00:15:29,320 Speaker 3: Good man, good to speak to you. 373 00:15:29,920 --> 00:15:33,040 Speaker 1: Would you go and talk Tommy? If you saw Tommy, 374 00:15:33,040 --> 00:15:34,240 Speaker 1: would you go and have a check with him? 375 00:15:34,480 --> 00:15:34,680 Speaker 2: Mate? 376 00:15:35,200 --> 00:15:38,160 Speaker 3: God, I don't even know what it looks. 377 00:15:38,000 --> 00:15:38,760 Speaker 4: Like, yeah, exact. 378 00:15:39,280 --> 00:15:42,400 Speaker 1: Do you know what poo pants looks like? Sorry, do 379 00:15:42,400 --> 00:15:43,760 Speaker 1: you know what poop pants looks like? 380 00:15:44,400 --> 00:15:44,920 Speaker 4: Executive? 381 00:15:45,560 --> 00:15:48,360 Speaker 3: I think I've seen him on like Instagram before, so 382 00:15:48,400 --> 00:15:49,800 Speaker 3: I sort of know what it looks like, but if 383 00:15:49,840 --> 00:15:51,720 Speaker 3: if I seen him in public, I probably wouldn't wouldn't 384 00:15:51,720 --> 00:15:52,200 Speaker 3: spot him. 385 00:15:52,800 --> 00:15:54,880 Speaker 4: Junior producer A. B. You're all over. 386 00:15:55,880 --> 00:15:58,520 Speaker 3: Nah, sort of I think I know what she looks 387 00:15:58,520 --> 00:16:00,440 Speaker 3: like as well, because like I mean again. 388 00:16:00,280 --> 00:16:02,600 Speaker 2: You guys, she's in a lot of stories and stuff, 389 00:16:02,640 --> 00:16:05,120 Speaker 2: isn't Yeah yeah, yeah, yeah. 390 00:16:05,000 --> 00:16:06,360 Speaker 4: All right, dampend. 391 00:16:06,400 --> 00:16:09,360 Speaker 1: Great, We've you've created something brilliant. If people say, will 392 00:16:09,400 --> 00:16:11,960 Speaker 1: they're going to chef's kiss around you, and I would 393 00:16:11,960 --> 00:16:13,400 Speaker 1: say that it's sort of on you a little bit. 394 00:16:13,440 --> 00:16:14,720 Speaker 1: Will that If you say that, you then go and 395 00:16:14,760 --> 00:16:15,440 Speaker 1: approach them. 396 00:16:15,360 --> 00:16:23,120 Speaker 2: No, funk that it's like ship kissed me. Then that's like, 397 00:16:23,160 --> 00:16:25,440 Speaker 2: that's an appreciation of Hey, I know who you are. 398 00:16:25,840 --> 00:16:28,080 Speaker 2: You can have a normal conversation with you, but you know, 399 00:16:28,280 --> 00:16:29,720 Speaker 2: you don't have to come and put a show on 400 00:16:29,760 --> 00:16:31,360 Speaker 2: around me sort of thing, which is great. 401 00:16:31,360 --> 00:16:33,120 Speaker 4: It's a subliminal you know. 402 00:16:33,360 --> 00:16:36,160 Speaker 1: Yeah, but that's talked to you after the chef of course. 403 00:16:36,240 --> 00:16:37,520 Speaker 4: Yeah, of course that's the key. 404 00:16:37,800 --> 00:16:39,640 Speaker 3: No, no, no, actually, here's the all man. They're just 405 00:16:39,640 --> 00:16:41,040 Speaker 3: going to do that and walk away. That's it. 406 00:16:41,520 --> 00:16:43,400 Speaker 1: That's actually amazing that. 407 00:16:46,920 --> 00:16:48,320 Speaker 3: Then you're going to turn back around like as if 408 00:16:48,320 --> 00:16:49,120 Speaker 3: you wouldn't want to have a. 409 00:16:49,120 --> 00:16:50,800 Speaker 4: Chat, you know what I mean, but I would want 410 00:16:50,800 --> 00:16:53,600 Speaker 4: to talk to that person. Then you know, the tables turn, 411 00:16:53,720 --> 00:16:55,600 Speaker 4: the table turn. Yeah, I love that. 412 00:16:55,680 --> 00:16:58,000 Speaker 1: It's like they have the power when they chef's kiss 413 00:16:58,000 --> 00:16:59,600 Speaker 1: you and then walk off, and then you're going to 414 00:16:59,640 --> 00:17:02,160 Speaker 1: be going, oh, I wish I spoke to that person. 415 00:17:04,920 --> 00:17:06,080 Speaker 4: Yeah, this is good. 416 00:17:06,080 --> 00:17:07,280 Speaker 1: We need to get you out in public, see if 417 00:17:07,440 --> 00:17:07,840 Speaker 1: people can. 418 00:17:08,240 --> 00:17:12,679 Speaker 2: I'm only out in public twice a year to get pizza. 419 00:17:14,160 --> 00:17:14,919 Speaker 3: Believe one of it. 420 00:17:16,400 --> 00:17:19,360 Speaker 2: You're a good man, You're a lovely, lovely to Hey, mate, 421 00:17:19,400 --> 00:17:21,280 Speaker 2: you can have you can have one hundred dollars report 422 00:17:21,359 --> 00:17:22,320 Speaker 2: of outr Ab. 423 00:17:22,280 --> 00:17:24,360 Speaker 3: Is going to give that to Yeah, so much, guys, 424 00:17:24,400 --> 00:17:25,000 Speaker 3: I appreciate that. 425 00:17:25,400 --> 00:17:25,920 Speaker 4: Is it all mate? 426 00:17:25,920 --> 00:17:27,800 Speaker 1: We're gonna put you over to ab now and she 427 00:17:27,840 --> 00:17:29,359 Speaker 1: will I tell you the of the prize. 428 00:17:29,840 --> 00:17:32,679 Speaker 2: Yeah, okay, awesome, loving to talk to you. Yeah, all 429 00:17:32,720 --> 00:17:47,800 Speaker 2: the best, brother, Wow, imagine legion. Wow that's great. All right, guys, 430 00:17:49,040 --> 00:17:51,000 Speaker 2: anything more from you done? 431 00:17:51,160 --> 00:17:51,639 Speaker 4: We've been to it. 432 00:17:51,680 --> 00:17:53,639 Speaker 1: This being over twenty minutes. You didn't let the answer. 433 00:17:53,800 --> 00:17:56,040 Speaker 1: Oh wrapped up my poop pants as well. I potentially 434 00:17:56,080 --> 00:17:58,399 Speaker 1: had more to say. Yeah, let's let's end it. 435 00:18:00,119 --> 00:18:03,920 Speaker 4: You didn't even what he said. You did not even 436 00:18:03,920 --> 00:18:04,640 Speaker 4: know what he said. 437 00:18:04,680 --> 00:18:06,880 Speaker 1: I potentially have more to say than you just said. Ended. 438 00:18:10,119 --> 00:18:13,400 Speaker 4: Let's let's let's end it. Seema, guys,