1 00:00:00,400 --> 00:00:03,560 Speaker 1: Jem Mission with Jones and Amanda Well. 2 00:00:03,600 --> 00:00:06,760 Speaker 2: Our next guest has been the manager for everyone from 3 00:00:06,800 --> 00:00:09,760 Speaker 2: Mike Tyson's or her sister loaned on a Summer. But 4 00:00:09,880 --> 00:00:12,280 Speaker 2: one of the biggest stars he managed was the singer, 5 00:00:12,440 --> 00:00:15,960 Speaker 2: songwriter and feminist icon of the seventies Helen Ready, who 6 00:00:16,040 --> 00:00:18,400 Speaker 2: just so happened to be his wife at the time. Well, 7 00:00:18,440 --> 00:00:20,479 Speaker 2: there's a new film based on her life, so so 8 00:00:20,600 --> 00:00:23,880 Speaker 2: much to talk to Jeff Wold about. Jeff Wold, Hello. 9 00:00:23,960 --> 00:00:27,480 Speaker 3: Hello, how are you very well? See the movie yet? No? No? 10 00:00:27,760 --> 00:00:31,720 Speaker 3: I know a debut at an Adelaide because the young 11 00:00:31,800 --> 00:00:35,800 Speaker 3: lady who plays Helen in the movie, Silda, is from Adelaide. 12 00:00:35,880 --> 00:00:40,800 Speaker 3: So they had six sold out Shallows. And I read 13 00:00:40,800 --> 00:00:43,040 Speaker 3: one of her reviews in the movie got good reviews 14 00:00:43,960 --> 00:00:46,440 Speaker 3: and the review trashy. But I'm used to being crashy 15 00:00:46,520 --> 00:00:48,680 Speaker 3: as andreg so it's sort of a bad Javanna. 16 00:00:49,600 --> 00:00:52,720 Speaker 2: Well, I'm a giant Helen Ready fan, and I remember 17 00:00:52,760 --> 00:00:55,080 Speaker 2: being about twelve years old singing in the mirror with 18 00:00:55,120 --> 00:00:57,800 Speaker 2: my hairbrush to Iron Woman. I didn't even know what 19 00:00:57,840 --> 00:01:01,160 Speaker 2: the concept meant at that time. This is this song 20 00:01:01,200 --> 00:01:05,640 Speaker 2: has gone on to define an era and generations of 21 00:01:05,680 --> 00:01:10,120 Speaker 2: women and interesting loough in the film. Record label representatives 22 00:01:10,560 --> 00:01:12,240 Speaker 2: didn't think it would be a goa, that it was 23 00:01:12,280 --> 00:01:13,319 Speaker 2: too angry a song. 24 00:01:14,800 --> 00:01:17,919 Speaker 3: No, they just the exact quote from the record company 25 00:01:17,920 --> 00:01:21,240 Speaker 3: at the time. In nineteen seventy two, early nineteen seventy two, 26 00:01:21,760 --> 00:01:26,120 Speaker 3: she had written it for her first album and a 27 00:01:26,200 --> 00:01:29,160 Speaker 3: producer named Mike Frankovich was who used to be president 28 00:01:29,160 --> 00:01:32,800 Speaker 3: of Columbia Pictures. I was doing a movie called Stand 29 00:01:32,800 --> 00:01:36,440 Speaker 3: to Be Counted with Jackie Bissett and this quote a 30 00:01:36,680 --> 00:01:40,640 Speaker 3: women's movie that's in quotes, and he wanted the song 31 00:01:40,720 --> 00:01:43,679 Speaker 3: for the movie, and he said he needed a third verse. 32 00:01:43,760 --> 00:01:47,120 Speaker 3: So she wrote a third verse for the song. And 33 00:01:48,240 --> 00:01:51,080 Speaker 3: the promise was to him, because he paid us a 34 00:01:51,120 --> 00:01:53,360 Speaker 3: bunch of money, is that we would put it out 35 00:01:53,400 --> 00:01:54,920 Speaker 3: as a single. So w and I went to see 36 00:01:54,960 --> 00:01:58,080 Speaker 3: the record company. She already had one pretty big hit 37 00:01:58,160 --> 00:01:59,680 Speaker 3: with I Don't Know How to Love Him from Jesus. 38 00:01:59,800 --> 00:02:03,800 Speaker 3: Rice saw where she beat the Yvonne Ellerman record, and 39 00:02:03,880 --> 00:02:05,480 Speaker 3: so she was going to follow her that up with 40 00:02:05,600 --> 00:02:09,160 Speaker 3: I Am Woman and on the second album, and the 41 00:02:09,200 --> 00:02:12,320 Speaker 3: record company's exact words were, why do you let your 42 00:02:12,360 --> 00:02:17,840 Speaker 3: wife do this women's lib shit? That was directly, okay, yeah, 43 00:02:17,880 --> 00:02:19,960 Speaker 3: And the truth of the matter wasn't a question of 44 00:02:20,040 --> 00:02:22,440 Speaker 3: letting her do anything. You know, she could do what 45 00:02:22,480 --> 00:02:25,520 Speaker 3: she wanted to do, and she wrote that in bed 46 00:02:25,600 --> 00:02:28,840 Speaker 3: one night. It took her about twenty minutes. So when 47 00:02:28,840 --> 00:02:30,880 Speaker 3: the record first came out, it hit the charts at 48 00:02:31,000 --> 00:02:35,480 Speaker 3: ninety nine, went to ninety eight, skyrocketed to ninety seven, 49 00:02:35,520 --> 00:02:39,400 Speaker 3: and went off the charts, and they were not going 50 00:02:39,480 --> 00:02:42,359 Speaker 3: to help it come back. They were not interested. They 51 00:02:42,440 --> 00:02:45,440 Speaker 3: literally thought that would end her career. And they had 52 00:02:45,480 --> 00:02:48,519 Speaker 3: it partially right, because it was not the male program 53 00:02:48,560 --> 00:02:54,120 Speaker 3: directors or the male DJs who really aching to do that. None, 54 00:02:54,360 --> 00:02:56,919 Speaker 3: none of those guys was singing the song with their hairbrush. 55 00:02:57,160 --> 00:02:58,080 Speaker 3: I can guarantee that. 56 00:02:59,560 --> 00:03:03,680 Speaker 1: So with you and Helen, were you manager before being 57 00:03:03,720 --> 00:03:05,800 Speaker 1: the husband or was it the other way? 58 00:03:05,800 --> 00:03:08,480 Speaker 3: I ran, yes. It took me five years to get 59 00:03:08,480 --> 00:03:11,399 Speaker 3: her a record deal. We were married to sixty six. 60 00:03:11,480 --> 00:03:14,359 Speaker 3: I didn't get a record deal till seventy one. Even 61 00:03:14,400 --> 00:03:16,640 Speaker 3: though that even though bandstand she was supposed to have 62 00:03:16,680 --> 00:03:20,120 Speaker 3: gotten a deal with Mercury or barely, she didn't get 63 00:03:20,200 --> 00:03:24,639 Speaker 3: lunch let a load of deal. And then after she'd 64 00:03:24,680 --> 00:03:27,760 Speaker 3: been here a year, my friend do Wore paid to 65 00:03:27,880 --> 00:03:30,080 Speaker 3: make a demo for her and sent that to Mercury, 66 00:03:30,080 --> 00:03:32,680 Speaker 3: and that didn't do any good and I couldn't get 67 00:03:32,720 --> 00:03:34,399 Speaker 3: her a deal. It took me five years to get 68 00:03:34,400 --> 00:03:37,840 Speaker 3: her a deal to cut. And the deal was to 69 00:03:37,880 --> 00:03:41,160 Speaker 3: cut one single. That's it. And the only reason we 70 00:03:41,240 --> 00:03:43,480 Speaker 3: got the deal is the guy who gave us a 71 00:03:43,560 --> 00:03:48,720 Speaker 3: deal already, Mogul who's now dead, thank god. He was 72 00:03:48,880 --> 00:03:51,880 Speaker 3: a and R at the Capital, and the deal was 73 00:03:51,920 --> 00:03:54,200 Speaker 3: if I'd stopped calling him, he let her cut a single. 74 00:03:56,200 --> 00:03:58,320 Speaker 3: I was calling him sometimes five times a day. 75 00:03:59,040 --> 00:04:02,680 Speaker 2: Well ship with Helen. Of course, your marriage ended and 76 00:04:02,760 --> 00:04:07,000 Speaker 2: it was tumultuous. How is it you sound like you 77 00:04:07,040 --> 00:04:09,880 Speaker 2: have so much fondness for her still? How is it 78 00:04:09,880 --> 00:04:11,480 Speaker 2: seeing yourself depicted on screen? 79 00:04:12,640 --> 00:04:16,040 Speaker 3: You know what I thought? Andrew Moner, director did a brilliant, 80 00:04:16,080 --> 00:04:18,680 Speaker 3: brilliant job with the movie. The guy have played these 81 00:04:18,720 --> 00:04:22,960 Speaker 3: as horrific actor nat Evan Peters. There's some exaggeration because 82 00:04:23,000 --> 00:04:26,520 Speaker 3: it's a drama, you know, but I did a feel 83 00:04:27,120 --> 00:04:30,080 Speaker 3: I was a jackass. You know, I have subtitled movie 84 00:04:30,160 --> 00:04:34,359 Speaker 3: just all the cocaine y is and you know, so 85 00:04:35,080 --> 00:04:38,919 Speaker 3: it's it was. I would say about eighty five ninety 86 00:04:38,920 --> 00:04:40,039 Speaker 3: percent of it was accurate. 87 00:04:40,680 --> 00:04:41,839 Speaker 1: Do you still talk to Helen? 88 00:04:44,040 --> 00:04:46,800 Speaker 3: Unfortunately? I don't know if you were aware that Helen's 89 00:04:46,800 --> 00:04:52,159 Speaker 3: been in the motion picture in television call for about 90 00:04:52,200 --> 00:04:57,160 Speaker 3: three years now suffering from dementia. That yeah, and so 91 00:04:57,680 --> 00:04:59,760 Speaker 3: there is an upside to actually forgot she ates me 92 00:05:00,600 --> 00:05:03,919 Speaker 3: and you always got to look for the silver lining. 93 00:05:06,000 --> 00:05:09,680 Speaker 2: It's true, Jeff, I could talk to you for hours. 94 00:05:10,279 --> 00:05:12,479 Speaker 1: It's great to talk to you. You can catch I 95 00:05:12,560 --> 00:05:16,920 Speaker 1: Am Woman on stand Friday night. Check it out. It's 96 00:05:16,920 --> 00:05:17,400 Speaker 1: just great. 97 00:05:17,440 --> 00:05:18,320 Speaker 3: August twenty eight. 98 00:05:18,400 --> 00:05:20,320 Speaker 2: John from Friday. You can stream it anytime. 99 00:05:20,400 --> 00:05:22,360 Speaker 1: Jeff Weld, it's a treat to talk to you. Thank 100 00:05:22,400 --> 00:05:23,400 Speaker 1: you for joining us. 101 00:05:23,880 --> 00:05:28,960 Speaker 3: Okay, thanks very much, Jeff, with Joins and Amanda