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Speaker 1: Helen of Trott's.

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Speaker 2: Helen of Trott's is the name of the podcast because

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Speaker 2: I mean, just enjoy yourself when Helen of the Trotz

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Speaker 2: does join us on air.

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Speaker 3: Yeah, I don't think it is anymore about that's cracking, call,

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Speaker 3: very funny.

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Speaker 1: What a woman.

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Speaker 3: What I have to get her on?

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Speaker 1: I reckon next week, rig on the read.

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Speaker 3: I think we've got her. We've got on a beautiful

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Speaker 3: spot where she's only she only let on a little

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Speaker 3: bit of what she had to offer. She's got more.

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Speaker 2: She's a cereal poor of the pants. I think we

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Speaker 2: can give away that much. But you're exactly right.

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Speaker 3: We was embarrassed to admit that she'd done it.

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Speaker 1: And how often it happened.

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Speaker 3: And then I think she divulged the first time the

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Speaker 3: second time and I think she was like, that's enough.

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Speaker 3: But then our response was obviously, Wow, you're a bodody

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Speaker 3: legend for calling.

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Speaker 1: The admitting this.

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Speaker 3: And then we found out where the bodies were buried.

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Speaker 3: There's a lot of bodies. There's a lot of them.

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Speaker 3: There's a lot of.

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Speaker 2: Them, so we could get I'd love to get her

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Speaker 2: back one a week for the rest of the year.

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Speaker 1: Maybe top fifty we're going for forty three. Helen runners

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Speaker 1: through it. Oh I love Helen.

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Speaker 3: Yes, she was great. Thanks, Hell's we try you next

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Speaker 3: week for that.

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Speaker 2: If you're listening to this podcast and you enjoy what

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Speaker 2: you hear, by the way, we start Celebrity Apprentice on

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Speaker 2: Sunday night, this is worth listening to because I think

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Speaker 2: we've got a pretty hot podcast that you're all going

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Speaker 2: to enjoy.

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Speaker 1: Oh yeah, so episode one is on Sunday night.

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Speaker 2: Will and I together after every single filming day of Apprentice, YEP,

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Speaker 2: would sit down and chat about what actually happened. So

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Speaker 2: obviously what you're going to see on Sunday night has

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Speaker 2: been edited, et cetera. It happens to all shows whatever,

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Speaker 2: and we actually can't wait to watch the show on

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Speaker 2: Sunday night see how different it is to what actually happened.

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Speaker 2: So if you want to hear some behind the scenes

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Speaker 2: gear of Apprentice, then where is this podcast going?

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Speaker 3: Well, it'll be on this feed. Yeah we've called it.

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Speaker 3: What have we called it?

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Speaker 1: Haven't we? Celebri Apprentice Daily?

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Speaker 3: Dave?

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Speaker 1: Did you just fart? Joel?

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Speaker 3: I held a sneeze in?

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Speaker 1: Oh sorry, that's okay. Is it called Daily Debrief? Poop

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Speaker 1: bands can here. You're a big gun.

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Speaker 2: Yes, yes, yes, perfect and it's right here soap.

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Speaker 3: Yeah, it'll be on the feat twenty what's that? You

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Speaker 3: can win twenty five thousand, twenty five thousand dollars just

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Speaker 3: by listening to it.

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Speaker 1: That was a good sell. That's a much better self.

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Speaker 3: That's much better self. I was going to say, I

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Speaker 3: don't think these are the people we need to sell

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Speaker 3: it to, though, I mean, these are the guys that

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Speaker 3: already listen to the show. So that's true.

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Speaker 1: Tell your friends, Tell your friends over the weekend. Got

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Speaker 1: a great podcast dot here for you.

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Speaker 3: Yeah, and you could win twenty five grand bythers in it.

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Speaker 3: But I can distress the twenty five thousand dollars things

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Speaker 3: A nice part of it the Channel nine have given us.

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Speaker 3: But it is I mean, like we're obviously because we're

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Speaker 3: in a bit of a bind. We're not on a bind,

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Speaker 3: but we're on Celebrity Apprentice this Sunday. Yeah, obviously our

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Speaker 3: debut on TV, and we are in a very intimidating

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Speaker 3: position where we don't know what is shown and what

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Speaker 3: is not going to be shown. That's the deal with

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Speaker 3: reality TV. That's the contract you sign when you sign up.

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Speaker 1: Totally out of your control.

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Speaker 3: It's going to be edited by the production company and

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Speaker 3: the network, and I'm not saying that there won't be

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Speaker 3: truths that will be shown through that. But also, like

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Speaker 3: anybody who's ever been in a reality show, and we've

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Speaker 3: spoken to a few of them recently, you just don't know.

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Speaker 3: And it's buddy terrifying.

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Speaker 2: And as far as far as the producers perspective, they're

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Speaker 2: trying to make good TV.

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Speaker 1: Yeah, of course it's going to edit.

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Speaker 3: A little over here, and we one hundred percent get that. Yeah,

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Speaker 3: but that's why we did the podcast is because it

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Speaker 3: is real time, a real time reflection of what actually

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Speaker 3: happened in that episode.

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Speaker 1: Yeah, yeah, yeah, yeah.

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Speaker 3: So that means once you see what happened on TV,

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Speaker 3: you will also hear afterwards if you really want to

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Speaker 3: know what actually went down on that episode, and you

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Speaker 3: can compare and contrast or even just get a little

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Speaker 3: bit more dirt on why something was as explosive as

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Speaker 3: it was, because I'm sure a lot of the time,

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Speaker 3: I know for a fact that some of the fights

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Speaker 3: that they're going to show on television, they're not going

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Speaker 3: to be able to give full context as to why

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Speaker 3: it was so explosive because some of the shit that

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Speaker 3: was said off camera or on camera that they'll just

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Speaker 3: have to edit out.

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Speaker 2: And we talk about a bit of this stuff, like

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Speaker 2: how is the mood in the change rooms utter because

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Speaker 2: you have these big fights and then you all go

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Speaker 2: up together to have dinner together and get change et cetera.

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Speaker 1: And a lot of time was like icy and we

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Speaker 1: talk a little.

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Speaker 3: Bit about that believably. So yeah, so enjoy it the

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Speaker 3: Daily Debrief which will be Sliver Prentice podcast. Otherwise we'll

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Speaker 3: see you Monday.

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Speaker 2: No, I was just going to say you'd mentioned there's

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Speaker 2: so much explosive shit on Celebrity Apprentice that it's going

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Speaker 2: to you know, obviously didn't make the show.

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Speaker 1: There's plenty of explosive shit on this podcast. Yes, well

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Speaker 1: said Joel.

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Speaker 3: Is very well said. Never a true word being said

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Speaker 3: apart from Judge Judy is watched mostly with toasting without

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Speaker 3: we should do it, which I think is probably the

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Speaker 3: truest thing that's been said.

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Speaker 1: We should do a sting operation where we know that

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Speaker 1: someone to a Judge Judy. Watch up, you agree, Tim?

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Speaker 3: You are you laughing about that? I already produced the

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Speaker 3: Tim do you agree to Tim, Can I hear you?

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Speaker 4: Mate?

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Speaker 3: Never a truer thing said Judge Judy. Watch with more

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Speaker 3: toast than without?

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Speaker 1: Yeah, probably.

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Speaker 3: I can't imagine watching it without toasts exactly.

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Speaker 1: I can't imagine what.

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Speaker 4: But if I was to watch it, want to have.

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Speaker 2: Toast because it's a midday TV interesting will find out

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Speaker 2: a real Judge Judy super fan.

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Speaker 1: We know they're going to be watching it kick down

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Speaker 1: their door.

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Speaker 3: The super fan is not a good idea because they

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Speaker 3: will watch it all the way through. They'll watch it

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Speaker 3: without toasting.

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Speaker 1: Good point.

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Speaker 2: Somehow we find someone watching Judge Judy. Don't know how

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Speaker 2: we figure that out, but whatever. Yeah, we know they're

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Speaker 2: watching it kick down their doors eleven in the morning,

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Speaker 2: and then we see if.

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Speaker 1: They're eating toast on it. Yeah, that'd be a hot piece.

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Speaker 3: Something to look forward to for you guys.

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Speaker 1: Yeah right.

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Speaker 3: This is the Will and Woody podcast this Sunday night. Yeah,

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Speaker 3: two nights away, two nights away. Woody and I are

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Speaker 3: making our TV day boo. We're very excited about it,

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Speaker 3: largely were nervous about it. Sixteen brand new celebs. We

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Speaker 3: are part of those celebrities.

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Speaker 1: Yeah, pretty unbelievable.

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Speaker 3: Stupid. It's ridiculous. Obviously, I feel like someone I feel

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Speaker 3: like someone pulled out last man. Let's be honest. I

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Speaker 3: reckon there was a probably decent fish.

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Speaker 2: Yeah, had to have been, had to have been got

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Speaker 2: to last minute. There there are celebrity down who will

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Speaker 2: do it.

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Speaker 1: Oh those radio guys, they're desperate. They'll do it for free.

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Speaker 1: And we did. We flow ourselves up anyway.

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Speaker 3: Celebrity Apprentice is on this weekend.

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Speaker 5: Sixteen new celebs are about to enter the boardroom. New

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Speaker 5: Celebrity Apprentice does Sunday seven pm on Channel nine and nine.

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Speaker 1: Now it's Will and Woodies.

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Speaker 6: I'm in your head, I'm in your head.

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Speaker 1: I'm in your head, man, Celen Heads that's right.

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Speaker 3: What's sixteen new celebs injuring the borderom New Celebrity Apprentice

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Speaker 3: this Sunday, seven o'clock Channel nine. Holy molly, we're in it.

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Speaker 3: We're on the TVs this weekend, and we're bloody nervous

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Speaker 3: about this guy's and bloody nervous and.

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Speaker 1: We'd love to go like, you know, pretty far well.

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Speaker 3: Yeah, because for charity, at the end of the day,

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Speaker 3: we pick a charity. We've obviously chosen, gotcha for Life. Yes,

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Speaker 3: pretty much the only charity we do anything for because

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Speaker 3: they are honestly the best mental health charity I have

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Speaker 3: ever heard of or come across, particularly someone who's been

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Speaker 3: very depressed before. It is their message is couldn't be

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Speaker 3: more pure and I think more helpful. It's all about

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Speaker 3: finding somebody who is you've got your for life, that

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Speaker 3: you can just talk to about your really tough time.

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Speaker 3: So it's charity, it's very close to our hearts. So yes,

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Speaker 3: we are going in their full steam to actually try

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Speaker 3: and win them some cash.

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Speaker 2: And the only way we can go far in this

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Speaker 2: competition is if we get inside the heads of the

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Speaker 2: other celebrities. So this week we've pranked ter Rea Pit,

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Speaker 2: We've pranked Samantha Jade, We've pranked Bronte Campbell.

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Speaker 3: All pretty good, they've been there. Yeah, well, messing with them,

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Speaker 3: messing with them, yeah well yeah, yeah yeah, messing with them.

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Speaker 1: Today, we want to try and prank Benji Marshall.

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Speaker 2: Now, this guy is probably the greatest NFL player to

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Speaker 2: ever grace the field, and he's a pretty big dog's

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Speaker 2: a big King of the Castle sort of guy. He's

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Speaker 2: a big pranks as well. We know this guy so

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Speaker 2: he's pretty hard to.

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Speaker 3: Get Yes, loves a prank.

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Speaker 1: Yes, so if we get him, mean, it'll be huge.

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Speaker 1: Now I think I've been given a gift here.

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Speaker 2: He actually direct messaged my partner Mim right and said

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Speaker 2: that he was thinking about buying some art.

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Speaker 3: Perfect.

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Speaker 2: He just said, hey, Mim is a response to an

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Speaker 2: art page. Heymm thinking about buying some art. Yeah, I'll

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Speaker 2: chat to my wife so about it and get back

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Speaker 2: to you. Sure he never got back to her. Oh,

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Speaker 2: so I'm thinking I'm going to get Mim on the phone.

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Speaker 3: I thought I was being rough yesterday.

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Speaker 1: No, we need to go hard at the king, you know,

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Speaker 1: we need to get hard at him.

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Speaker 3: Yeah, but like you know, it sounds like he's just

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Speaker 3: doing a nice thing for Mim and like, you know,

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Speaker 3: trying to help out.

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Speaker 1: Yeah he is. Now it squeeze him for it. You know,

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Speaker 1: he's opened.

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Speaker 3: He's not actually going to get any money out of this.

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Speaker 1: Can I just well, potentially that's the double the double win.

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Speaker 1: That's the double win. So I'm going to get Mim

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Speaker 1: to call Benji after.

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Speaker 3: This, Yeah, because you don't want to prank the king

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Speaker 3: as well? Of this, I am terrified of him. Well yeah, yes,

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Speaker 3: we're scared of him. Yeah, I like we have a

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Speaker 3: good relationship, but you're scared of him.

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Speaker 1: Absolutely.

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Speaker 2: So I'm going to get Mim to call Benji and

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Speaker 2: effectively say, hey, I know you said about my art

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Speaker 2: was just.

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Speaker 3: Like a passing compliment where he was just like, hey,

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Speaker 3: I can help you out.

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Speaker 1: Yeah yeah, yeah, it was a lovely thing to say.

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Speaker 2: But I still want to bury him for it, Okay,

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Speaker 2: And I'm gonna get him to press him on the money, like, hey,

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Speaker 2: can you pay a deposit on the paintings that you

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Speaker 2: said you were going to get?

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Speaker 1: Hopefully he's going to squirm. We're going to go to

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Speaker 1: a song. We'll try it right up.

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Speaker 3: Next, we are on Celebrity Apprentice this Sunday, two days

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Speaker 3: away TV DeVoe for the Boys on Channel nine sixteen.

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Speaker 5: New celebs are about to enter the boardroom. New Celebrity

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Speaker 5: Apprentice does Sunday seven pm on Channel nine and nine.

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Speaker 1: Now it's Will and Woodies.

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Speaker 4: I'm in your head, I'm in your head.

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Speaker 1: I'm in your head man, celemn heads.

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Speaker 3: Sunday feels very much like a first day of school

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Speaker 3: for mine, first day of high school. We are so terrified.

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Speaker 2: So because of all of that we are pranking other

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Speaker 2: celebrities in the show all week. We've already stitched out

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Speaker 2: Bronte Campbell, We've stitched up to rear pit with stitch

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Speaker 2: tab Sam Man the head in their head.

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Speaker 3: Now right now, I've suggested, I've suggested that we prank

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Speaker 3: Amy Shark. You don't think that's a good idea.

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Speaker 2: No, I actually would have liked to. I would have

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Speaker 2: preferred Amy Shark I reckon. But no, No, a swing

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Speaker 2: at the King is a great idea. If you want

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Speaker 2: to be the best, you've got to beat the best. So,

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Speaker 2: Benji Marshall, we know this guy. He loves a stitch up.

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Speaker 2: He's an alpha mar.

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Speaker 3: Very hard to get, very hard to get.

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Speaker 2: So I've got my partner Mim, who's going to be

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Speaker 2: pranking him effectively.

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Speaker 1: Benji d m my partner Mim and said he was

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Speaker 1: going to buy something.

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Speaker 3: I'm using her as a shield.

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Speaker 1: By the way, I always use her as a shield.

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Speaker 1: It's amazing.

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Speaker 2: She's like my battering ram, my emotional battering ram. So anyway,

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Speaker 2: so he said he was going to potentially buy some

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Speaker 2: art off Mim. Mim does some art, okay, but he's

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Speaker 2: never actually purchased the art. So I'm going to get

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Speaker 2: Mim to call him and squeeze him for some cash,

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Speaker 2: maybe like a deposit or something, and hopefully he'll be

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Speaker 2: very uncomfortable.

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Speaker 1: We've got Mim on the line now. Now, Mim, you're

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Speaker 1: you're across the plan.

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Speaker 3: Ish, I think. So.

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Speaker 4: I'm a bit nervous.

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Speaker 3: I would be as well. You can pull out of this,

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Speaker 3: by the way, Mim, I got to stress.

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Speaker 7: No, I feel like I owe it to the team.

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Speaker 3: I you don't know as anything.

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Speaker 1: No, you don't.

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Speaker 3: You don't know as anything.

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Speaker 4: Part of this boy, it's wood.

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Speaker 3: He's turned to prank someone and he's using his girlfriend

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Speaker 3: fiance to prank instead.

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Speaker 6: You get a ring, and you've got to do these things.

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Speaker 2: Well exactly, that's what I told her when I gave

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Speaker 2: her the ring. You gotta make prank calls for me

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Speaker 2: because I get nervous.

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Speaker 1: Okay.

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Speaker 2: So Mim, well, I'm going to connect you with Benji now, okay,

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Speaker 2: and effectively it is going to bring up that message

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Speaker 2: that he sent you and then try and squeeze in

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Speaker 2: for cash.

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Speaker 7: Okay, I think I'm gonna do it.

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Speaker 4: Let's do it.

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Speaker 1: You're the best being.

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Speaker 3: Let's do it. M M.

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Speaker 2: M hm, Hello, yeah, right, what's the.

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Speaker 3: Is this Benji?

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Speaker 2: Yeah?

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Speaker 8: Of course, oh benk you it's Mim. How are you.

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Speaker 1: I couldn't hear what you were saying.

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Speaker 6: Yeah, I was saying why.

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Speaker 1: Oh I didn't.

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Speaker 3: Hear that part.

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Speaker 1: But that's great, that's that's I love that about you.

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Speaker 8: That's sor. I was calling you on my mobile but

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Speaker 8: you weren't picking up, and I thought, oh God, that you. Yeah,

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Speaker 8: how are you good?

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Speaker 3: Good? I don't answer.

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Speaker 8: Okay, We're gonna have to save my number for the

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Speaker 8: future if we want to start hanging out on the rag.

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Speaker 8: I'm just calling because I was thinking about the paintings,

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Speaker 8: and I did group a couple of canvases over the weekend.

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Speaker 8: They were on sale, but I thought, oh, I'd get

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Speaker 8: in touch with you. See what you're thinking. Yeah, I'm

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Speaker 8: keen as I just got no idea what.

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Speaker 3: That's all right?

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Speaker 1: Well I can probably I can. If you send me

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Speaker 1: some pictures of.

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Speaker 8: Your house, I can just go for it. I've spent

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Speaker 8: I probably need a deposit like asap though, because I've

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Speaker 8: spent about five K on canvases just for your house.

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Speaker 8: So I'm just hoping that maybe you could you send

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Speaker 8: me that is that a bit of a problem or

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Speaker 8: oh perfect?

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Speaker 3: Yeah, well I look at your work, I reckon it's

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Speaker 3: probably worse anyway, So yeah, it is pretty.

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Speaker 1: Good bluster on the side, stuff that you're going to Yeah, okay.

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Speaker 8: Just have to love wood In on that one.

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Speaker 6: Remember the last time when you rang up and you

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Speaker 6: said you're.

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Speaker 3: Kid Benji from me?

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Speaker 6: You can't with me because it's too obvious. You can

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Speaker 6: pause at the start, and.

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Speaker 8: I knew showing away when she started talking funny and

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Speaker 8: I was like, no, she doesn't talk like.

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Speaker 1: This, just just money. Benji is the money.

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Speaker 6: Yeah, And then that's why I was going to say,

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Speaker 6: remember that time when you said to me last time,

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Speaker 6: like you're king.

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Speaker 9: The stuff on side.

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Speaker 6: I was waiting for you to pipe into your little peanut.

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Speaker 9: We knew you'd be hard to get you.

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Speaker 6: Try try though.

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Speaker 1: We had a shot at the king. We had a

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Speaker 1: shot at the king. He flipped it on her backfie badly.

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Speaker 2: This is the Will and Woody podcast How to make

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Speaker 2: Any Story sound amazing.

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Speaker 1: Keep that in your noggin.

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Speaker 3: Keep what how the.

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Speaker 2: Fact that I'm going to tell you how to make

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Speaker 2: any story amazing? But before I get there, I need

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Speaker 2: to tell you that an incredible Greek composer by the

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Speaker 2: name is Evangelist has passed away today. If you don't

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Speaker 2: know the name Vangelists, you will definitely know this tasty tune.

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Speaker 1: Vangelist is behind that Chariots a Fire. He won an

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Speaker 1: oscar for it.

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Speaker 2: I mean, my goodness, nineteen eighty one's Chariots a Fire.

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Speaker 1: Pump It for me, Joe, wrongbit.

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Speaker 2: I thought it was the bit it was gonna.

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Speaker 1: When does it go up?

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Speaker 3: I'd say, next time it goes right?

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Speaker 2: Wait, wait, wait we go, here we go and pump it?

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Speaker 1: What hell body hell varlet Angelus? So look, will yes

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Speaker 1: to answer the question?

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Speaker 3: Now the film is a film composer?

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Speaker 1: Is he just a composer? But he popped out.

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Speaker 3: He did film scores, yes, so he.

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Speaker 2: Did Blade, Blade Runner, The Bounty Francesco, great movie, that

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Speaker 2: one he did. He had a Bitter Moon, didn't and

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Speaker 2: he did fourteen Conquest of Paradise Jurassic Park.

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Speaker 1: And he did Alexander.

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Speaker 3: No, that's a cracker.

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Speaker 1: He didn't do that bum bum. Didn't do that one.

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Speaker 3: That's good though, one of the best.

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Speaker 1: He did Charity Fire though, didn't he sure he did

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Speaker 1: Charo to Fire.

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Speaker 3: So to answer the was also good. Who's that John Williams? Geez,

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Speaker 3: he could do a film score, that bloke.

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Speaker 9: He could?

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Speaker 1: He could.

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Speaker 3: So to answer that, the other is he? I mean

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Speaker 3: he has he done as many as Zimmer though, because

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Speaker 3: she's Zimmer was good Batman. He did the Dark Knight trilogy,

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Speaker 3: one of the best. Yep, you love the Dark Knight.

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Speaker 1: I do like the Dark Knight.

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Speaker 3: You like Han Zimmer as well?

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Speaker 2: Yeah, I like Hahn. So to answer the question.

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Speaker 3: He hasn't really done many scores apart from Chariots.

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Speaker 1: Of Fire vangelist. No, he's done. Heaps didn't.

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Speaker 2: I just didn't get all the audio Chariots a Fire.

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Speaker 2: That's what I told you about forty five to a

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Speaker 2: minute ago. Forty five seconds to William's done. Not sure

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Speaker 2: he's done some big ones. To answer the question that

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Speaker 2: I've been trying to get back to it for at

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Speaker 2: least two minutes now. Of how to make any story exciting,

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Speaker 2: all you have to do is tell the story while

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Speaker 2: playing Chariots.

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Speaker 3: Of Fire in the background. Yes, right.

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Speaker 1: And to prove the point.

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Speaker 3: Oh, Jaws was a good one. Who's that John Williams

401
00:16:39,280 --> 00:16:42,360
Speaker 3: as well? I think it is. I'm that close, whiz,

402
00:16:42,360 --> 00:16:44,720
Speaker 3: you could tell a threatening story with Jaws in the background.

403
00:16:45,160 --> 00:16:47,400
Speaker 3: That'd be a way to go. I'm that close close

404
00:16:47,440 --> 00:16:49,680
Speaker 3: to what admitting that he didn't compose that many good movies.

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Speaker 2: I'm trying to set up this bits to keep playing music.

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Speaker 3: What's your bit?

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Speaker 1: Well, I don't even know anymore. I've lost it completely.

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Speaker 1: What was I saying before you started playing shark music?

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00:17:00,200 --> 00:17:02,480
Speaker 1: What was the bit? What was I up to? You

410
00:17:03,080 --> 00:17:03,680
Speaker 1: lost me notes?

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00:17:03,720 --> 00:17:07,240
Speaker 3: You were saying you what did I play Chariots a

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00:17:07,280 --> 00:17:09,840
Speaker 3: fire behind anything? It can make it sound great, That's

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00:17:09,840 --> 00:17:10,480
Speaker 3: what you're saying.

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00:17:10,560 --> 00:17:13,840
Speaker 2: There, I go so to prove the point. Will Yeah,

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00:17:13,960 --> 00:17:15,879
Speaker 2: thirteen one oh sixty five is our number.

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00:17:16,040 --> 00:17:19,000
Speaker 1: Yeah, give us a call now with just what you.

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00:17:18,960 --> 00:17:22,800
Speaker 10: Did today, just boring, average story, just just so boring.

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00:17:22,880 --> 00:17:25,600
Speaker 2: You can tell us about anything, just your morning, and

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00:17:25,680 --> 00:17:29,119
Speaker 2: I guarantee when you tell us it with Chariots a

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Speaker 2: fireplane it will sound bloody amazing.

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00:17:31,400 --> 00:17:34,399
Speaker 3: Can they choose their theme? So, like, do we have

422
00:17:34,480 --> 00:17:36,320
Speaker 3: to do Chariots of firelight? Maybe they call up, but

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00:17:36,359 --> 00:17:38,440
Speaker 3: they want to hear a different theme. Maybe, Oh cool,

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00:17:38,440 --> 00:17:39,800
Speaker 3: I'm gonna go. I want to hear the Star Wars

425
00:17:39,880 --> 00:17:44,800
Speaker 3: theme behind me. Jeez, I mean that would be good. Okay,

426
00:17:45,160 --> 00:17:46,359
Speaker 3: you can choose your theme.

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00:17:46,600 --> 00:17:50,960
Speaker 2: Okay, so caller, tell us about your morning and then

428
00:17:51,040 --> 00:17:53,159
Speaker 2: pick the freaking music you want to hear behind you.

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00:17:53,240 --> 00:17:56,720
Speaker 3: You're happy, yes, I think everyone else is as well.

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Speaker 1: Good play this song.

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00:17:59,440 --> 00:18:03,720
Speaker 3: Tell us about your day, and and you're gonna have

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00:18:03,720 --> 00:18:06,000
Speaker 3: whatever score you're like, Yeah, good luck, Tim, You've got

433
00:18:06,080 --> 00:18:09,159
Speaker 3: to find a lot of scores if you've just had

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00:18:09,359 --> 00:18:11,159
Speaker 3: just a regular day running the mid day thirty one

435
00:18:11,160 --> 00:18:13,320
Speaker 3: o six five, give us a call, tell us about it.

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00:18:13,320 --> 00:18:15,520
Speaker 3: And it can be boring as all hell, because we think,

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00:18:15,600 --> 00:18:19,160
Speaker 3: or what he thinks, it can be made awesome with

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00:18:19,200 --> 00:18:25,200
Speaker 3: this theme behind it. Chariots are fire, So any any

439
00:18:25,320 --> 00:18:31,399
Speaker 3: dog okay, anyway, this geezer died today?

440
00:18:31,680 --> 00:18:32,600
Speaker 1: What did you excuse me?

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00:18:32,720 --> 00:18:34,199
Speaker 3: He died geezer.

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00:18:34,400 --> 00:18:38,359
Speaker 2: He is a superstar Greek composer by the name of Evangelist.

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00:18:38,440 --> 00:18:41,520
Speaker 1: He is no Geezer, And yeah he did. He did

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00:18:41,600 --> 00:18:44,120
Speaker 1: pass away today. Incredible. Why don't ask her for that song?

445
00:18:44,160 --> 00:18:46,320
Speaker 2: So we've got Gabrielleho's called us on thirteen one oh

446
00:18:46,400 --> 00:18:50,480
Speaker 2: sixty five. Now, Gabrielle, you obviously want to have Chariots

447
00:18:50,480 --> 00:18:51,760
Speaker 2: of Fire under the under.

448
00:18:51,600 --> 00:18:55,600
Speaker 1: The story one percent. Yeah, beautiful, Gabrielle. Okay, so the

449
00:18:55,640 --> 00:18:58,160
Speaker 1: more boring the story, the better, Gabrielle. You just kick

450
00:18:58,160 --> 00:18:59,760
Speaker 1: off your story and we'll bring in the music.

451
00:19:01,240 --> 00:19:05,760
Speaker 4: Waked up in the morning, went to take learn about networking.

452
00:19:06,200 --> 00:19:09,359
Speaker 4: Very fun, you know, I went for a coffee after,

453
00:19:09,480 --> 00:19:12,360
Speaker 4: I went for a stroll around the city, went back

454
00:19:12,400 --> 00:19:18,520
Speaker 4: to class again, learnt about amplifying. Wow, that was my day.

455
00:19:19,160 --> 00:19:21,560
Speaker 3: Oh wow, keep going to keep going, tobriel.

456
00:19:22,680 --> 00:19:22,880
Speaker 8: Yeah.

457
00:19:22,920 --> 00:19:25,359
Speaker 4: But then I went for a walk. You know, you

458
00:19:25,480 --> 00:19:27,959
Speaker 4: got some KFC. Everyone loved some KFC.

459
00:19:28,240 --> 00:19:29,560
Speaker 1: And bring it home, Gabe.

460
00:19:30,400 --> 00:19:32,040
Speaker 4: And then I went home.

461
00:19:37,840 --> 00:19:42,840
Speaker 3: Gay, well done, great story. I went home. Good on you, mate,

462
00:19:43,119 --> 00:19:43,919
Speaker 3: got good we.

463
00:19:43,960 --> 00:19:46,960
Speaker 1: Got Luki lukie. You know the drill. Mate, You want

464
00:19:46,960 --> 00:19:48,399
Speaker 1: to tell us about your boring morning.

465
00:19:49,760 --> 00:19:51,560
Speaker 6: Sure I wasn't as borring as that one.

466
00:19:51,760 --> 00:19:54,240
Speaker 3: Okay, Yeah, what seem do you want? You sure you

467
00:19:54,280 --> 00:19:56,680
Speaker 3: want to take the chariots of the fire. Chariots of fire,

468
00:19:58,040 --> 00:19:58,680
Speaker 3: So let's go.

469
00:19:59,359 --> 00:20:01,480
Speaker 9: Let's go drosp Oh yeah nice.

470
00:20:01,280 --> 00:20:03,080
Speaker 3: And that's a good decision. But John Williams in here,

471
00:20:03,080 --> 00:20:06,880
Speaker 3: I mean, that's an iconic proposed composer. Yeah, he's good,

472
00:20:06,960 --> 00:20:07,360
Speaker 3: he's good.

473
00:20:07,520 --> 00:20:08,200
Speaker 1: He's pretty good.

474
00:20:08,240 --> 00:20:10,440
Speaker 3: Alright, are you sure you want that? Because man, he's

475
00:20:10,440 --> 00:20:12,560
Speaker 3: got lots of others Raiders, the Lost Ark as well,

476
00:20:12,600 --> 00:20:13,280
Speaker 3: if you want to hear that.

477
00:20:14,400 --> 00:20:16,879
Speaker 6: Oh no, oh no, we'll save with that.

478
00:20:17,440 --> 00:20:22,280
Speaker 3: Okay. The Jurassic Park Okay, yeah enough man, all right mate,

479
00:20:22,280 --> 00:20:24,760
Speaker 3: you crack into your story and more Jurassic Park. Yeah.

480
00:20:26,320 --> 00:20:29,720
Speaker 6: So yeah, just wake up in the morning, made some

481
00:20:29,840 --> 00:20:34,880
Speaker 6: toasts with some butter on it, checked on Judge Judy,

482
00:20:35,800 --> 00:20:41,520
Speaker 6: sat down on the couch, didn't move till midday. I

483
00:20:41,680 --> 00:20:45,960
Speaker 6: better make much of a coffee. Then just had a

484
00:20:46,520 --> 00:20:48,320
Speaker 6: really okay.

485
00:20:49,400 --> 00:20:51,840
Speaker 3: The Jurassic Park thing was perfect. The can I just

486
00:20:51,880 --> 00:20:53,560
Speaker 3: say it was a real It was a tour of

487
00:20:53,640 --> 00:20:56,200
Speaker 3: wonders perfect. The butter of the toast, the Judge Judy,

488
00:20:56,240 --> 00:20:57,080
Speaker 3: I mean I was there.

489
00:20:57,119 --> 00:20:59,560
Speaker 2: Yeah, what a combo toast and Judge Judy. Let's go

490
00:20:59,600 --> 00:21:00,800
Speaker 2: to Michael our Michaels.

491
00:21:00,840 --> 00:21:04,000
Speaker 3: I think Judge Judy's watched more with toast than without toast.

492
00:21:04,119 --> 00:21:07,000
Speaker 3: Have to such daytime TV. That's all you're eating at

493
00:21:07,080 --> 00:21:09,439
Speaker 3: eleven o'clock in the morning. Is there anyone's needying more

494
00:21:09,440 --> 00:21:11,639
Speaker 3: than substantial than toast? But it's a great philler toast.

495
00:21:12,040 --> 00:21:12,879
Speaker 1: Oh of course it is.

496
00:21:13,000 --> 00:21:15,040
Speaker 2: In between your meals, Field Days of Our Lives and

497
00:21:15,080 --> 00:21:17,000
Speaker 2: Toast also absolutely no.

498
00:21:16,880 --> 00:21:20,000
Speaker 3: Doubt about it. Yeah, we're getting pinged with this chat,

499
00:21:20,040 --> 00:21:22,560
Speaker 3: but I think no one has said anything more. A

500
00:21:22,600 --> 00:21:25,040
Speaker 3: student on this radio show. In the last month Judge

501
00:21:25,080 --> 00:21:27,720
Speaker 3: Duty has watched more with Toast than without that, well.

502
00:21:27,600 --> 00:21:29,600
Speaker 2: Said, will can you have your Judge Duty chat with

503
00:21:29,640 --> 00:21:31,200
Speaker 2: some music behind it to make it more interesting?

504
00:21:31,200 --> 00:21:33,320
Speaker 3: I don't mind that. What have you got for me?

505
00:21:33,400 --> 00:21:41,840
Speaker 3: Joe Woods? Yes, the show Judged Judy. I know, well,

506
00:21:43,640 --> 00:21:47,920
Speaker 3: I think it's true to say more people have watched.

507
00:21:47,640 --> 00:21:52,920
Speaker 1: It, yes, with toast, oh well.

508
00:21:54,320 --> 00:21:55,200
Speaker 3: Than without it.

509
00:21:55,320 --> 00:21:59,479
Speaker 1: Oh wow, wow, I was so engaged, so engaged.

510
00:21:59,480 --> 00:21:59,840
Speaker 4: Who is that?

511
00:22:00,119 --> 00:22:04,080
Speaker 3: Certainly not Evangelily that's in you. It's Zimmer. That's not

512
00:22:04,400 --> 00:22:06,679
Speaker 3: one of the great gods, one of the great one

513
00:22:06,680 --> 00:22:09,280
Speaker 3: of the great composing I'm pretty sure Zimmer.

514
00:22:09,720 --> 00:22:12,720
Speaker 2: I've got I've got an in your playlist that's on it.

515
00:22:12,960 --> 00:22:13,920
Speaker 1: All right, let's go to Michael.

516
00:22:13,960 --> 00:22:15,359
Speaker 3: When you say you go an in your playlist, you

517
00:22:15,400 --> 00:22:19,720
Speaker 3: just search in You're on Spotify. That's what we've all got.

518
00:22:19,720 --> 00:22:23,240
Speaker 3: That one man's Alrightheart Radio, I should stress Michael's called

519
00:22:23,280 --> 00:22:26,200
Speaker 3: on thirty one and six five. Can I Michael, Yeah,

520
00:22:26,200 --> 00:22:26,960
Speaker 3: how are you going, lad?

521
00:22:27,000 --> 00:22:28,520
Speaker 6: And I'm going to bring it home for you today?

522
00:22:28,800 --> 00:22:32,280
Speaker 3: Which which which composer would you like? Which theme? I

523
00:22:32,400 --> 00:22:33,440
Speaker 3: need chart to fire?

524
00:22:33,560 --> 00:22:34,160
Speaker 2: Guys, I've paid.

525
00:22:34,240 --> 00:22:35,320
Speaker 6: My story deserves it.

526
00:22:37,480 --> 00:22:38,399
Speaker 1: Cracky in Michael.

527
00:22:39,280 --> 00:22:40,040
Speaker 9: All right, guys.

528
00:22:40,119 --> 00:22:42,480
Speaker 7: So I get up in the morning, take a shower,

529
00:22:43,400 --> 00:22:45,240
Speaker 7: I go wad say that, jump on my car, get

530
00:22:45,240 --> 00:22:48,320
Speaker 7: ready to go for work. Yes, I'm just traversing night

531
00:22:48,440 --> 00:22:49,040
Speaker 7: mc gee.

532
00:22:48,880 --> 00:22:51,560
Speaker 6: And I realize, oh my god, I've got a flat tire.

533
00:22:52,600 --> 00:22:53,520
Speaker 6: Jump by.

534
00:22:53,960 --> 00:22:56,960
Speaker 4: Take the spare out of the word, the bits, jack

535
00:22:57,040 --> 00:22:57,360
Speaker 4: up the.

536
00:22:57,400 --> 00:22:59,880
Speaker 6: Car, struggle to fame a lock.

537
00:23:00,720 --> 00:23:02,040
Speaker 5: But you, guys, guess what.

538
00:23:02,880 --> 00:23:05,800
Speaker 6: I get a change and I drive the work.

539
00:23:06,920 --> 00:23:08,679
Speaker 1: You've got to go to. You've got to keep going, Mike,

540
00:23:08,840 --> 00:23:09,240
Speaker 1: got it go.

541
00:23:11,480 --> 00:23:12,280
Speaker 9: I'm at work.

542
00:23:13,080 --> 00:23:16,600
Speaker 3: I'm making myself for coffee and I've made my day pay.

543
00:23:17,640 --> 00:23:21,280
Speaker 3: Don't work, Michael, you did it very good.

544
00:23:21,320 --> 00:23:22,280
Speaker 9: We get I got a chin?

545
00:23:23,280 --> 00:23:25,920
Speaker 3: How did he get there in the end? What happened?

546
00:23:25,960 --> 00:23:26,240
Speaker 11: Michael?

547
00:23:26,280 --> 00:23:26,920
Speaker 3: You've got a chin?

548
00:23:28,080 --> 00:23:29,520
Speaker 6: No, I got a flat tire.

549
00:23:29,680 --> 00:23:34,080
Speaker 3: You know we had. I'm not gonna I'm just not

550
00:23:34,080 --> 00:23:37,760
Speaker 3: gonna do it to everyone. The willow Woody Podcast Harry

551
00:23:37,840 --> 00:23:42,359
Speaker 3: Styles Harry Styles Uh, yeah, he's got a brand new record.

552
00:23:42,600 --> 00:23:44,600
Speaker 1: Pretty good. Listen to it this morning in the shower.

553
00:23:44,640 --> 00:23:48,600
Speaker 10: Pretty good, pretty good music for a good music for

554
00:23:48,600 --> 00:23:51,720
Speaker 10: a sushi restaurant, music for a sushi restaurant song, first

555
00:23:51,720 --> 00:23:54,359
Speaker 10: song on the first check. Yeah, ripper, He's got all

556
00:23:54,359 --> 00:23:57,359
Speaker 10: these other ones there as it was Watermelon Sugar It works.

557
00:23:57,520 --> 00:23:59,200
Speaker 1: Watermelon srip was on a previous album.

558
00:23:59,359 --> 00:23:59,960
Speaker 3: IoT on that one.

559
00:24:00,080 --> 00:24:01,480
Speaker 1: Is it that's old music?

560
00:24:01,640 --> 00:24:04,720
Speaker 3: It's yeah, it's old music. Anyway. He had a chat

561
00:24:04,760 --> 00:24:09,880
Speaker 3: with the Kiwi slash bizarro version of Triple Jay Zen

562
00:24:10,000 --> 00:24:13,760
Speaker 3: ro key guy called Zane Lowe, who had a chat

563
00:24:13,800 --> 00:24:16,720
Speaker 3: with him totally wild, right, Well, it's almost like he

564
00:24:16,760 --> 00:24:18,399
Speaker 3: saw Zen and he was just like, I reckon, I

565
00:24:18,440 --> 00:24:21,000
Speaker 3: can do it better than you. And he's just stolen

566
00:24:21,000 --> 00:24:24,240
Speaker 3: a name and a job. Anyway, he's interviewing Harry Styles

567
00:24:24,240 --> 00:24:28,479
Speaker 3: about the brand new record and Harry's voice, I mean

568
00:24:28,520 --> 00:24:31,800
Speaker 3: he's British, famously British, part of one direction. His accent

569
00:24:31,920 --> 00:24:33,080
Speaker 3: is right off. Have listen.

570
00:24:34,000 --> 00:24:38,119
Speaker 11: It's a world where like we all just want to

571
00:24:38,160 --> 00:24:42,520
Speaker 11: be loved and then inside that, like music is an

572
00:24:42,600 --> 00:24:45,159
Speaker 11: industry where everyone just really wants to be loved and

573
00:24:45,200 --> 00:24:48,320
Speaker 11: everyone's just kind of like, you know, gagging for it

574
00:24:48,520 --> 00:24:49,400
Speaker 11: and that kind of.

575
00:24:51,240 --> 00:24:53,080
Speaker 3: Yeah, there's a few things that are off there accent

576
00:24:53,200 --> 00:24:55,800
Speaker 3: and answer for me, I'm not sure that everybody's What

577
00:24:55,920 --> 00:24:58,120
Speaker 3: was the question gagging for it? What was the question

578
00:24:58,160 --> 00:25:00,159
Speaker 3: that you can say that unless your Harry Styles? Of

579
00:25:00,200 --> 00:25:02,880
Speaker 3: course I don't who cares At the end of the day,

580
00:25:04,200 --> 00:25:06,840
Speaker 3: what the British zen Ro asked Harry Styles when they

581
00:25:06,840 --> 00:25:09,439
Speaker 3: were gagging for it? By A Paul Instead, we're going

582
00:25:09,440 --> 00:25:11,200
Speaker 3: to take calls right now, thirty one O six five?

583
00:25:11,200 --> 00:25:12,560
Speaker 3: Can you hide your British accent?

584
00:25:12,800 --> 00:25:13,119
Speaker 1: Hello?

585
00:25:13,359 --> 00:25:20,399
Speaker 3: Governments like it's pick the brit all right, Pick the

586
00:25:20,400 --> 00:25:22,679
Speaker 3: brit that's the game here. There's one British person in

587
00:25:22,680 --> 00:25:25,400
Speaker 3: this bank of calls. We've got four calls. Gee Wizwards,

588
00:25:25,400 --> 00:25:27,119
Speaker 3: you and I've got to try and pick them easy,

589
00:25:27,200 --> 00:25:32,520
Speaker 3: all right? Rob tell us what you did this morning?

590
00:25:34,160 --> 00:25:34,719
Speaker 4: Yeah, good day.

591
00:25:34,800 --> 00:25:36,200
Speaker 11: Let's love the show.

592
00:25:36,920 --> 00:25:41,000
Speaker 3: Appreciate that Rob's Australian. Thanks for the call, Rob, good try.

593
00:25:41,080 --> 00:25:41,280
Speaker 4: Rob.

594
00:25:41,680 --> 00:25:45,000
Speaker 2: Let's go to Megan. Meghan tell us about the last

595
00:25:45,040 --> 00:25:46,399
Speaker 2: time you went to a park.

596
00:25:48,680 --> 00:25:51,760
Speaker 6: Actually last week I went to the park with my

597
00:25:51,840 --> 00:25:55,359
Speaker 6: two horskis and it was actually pretty fun.

598
00:25:56,080 --> 00:26:00,200
Speaker 3: I actually really like. Oh no, Meghan's nazy go and

599
00:26:00,280 --> 00:26:03,320
Speaker 3: slipped it, just slipped it. She was good though.

600
00:26:03,720 --> 00:26:06,000
Speaker 2: Here we go, Kelly. Tell us about a date you've

601
00:26:06,040 --> 00:26:07,280
Speaker 2: been on in your life.

602
00:26:08,359 --> 00:26:13,160
Speaker 7: Oh, my date? Okay, So my favorite date is when

603
00:26:13,160 --> 00:26:15,919
Speaker 7: I've been along the beach for a walk and with

604
00:26:16,040 --> 00:26:16,400
Speaker 7: a dog.

605
00:26:18,520 --> 00:26:21,280
Speaker 5: A dog, no, no, no, with the with the owner of

606
00:26:21,280 --> 00:26:25,840
Speaker 5: the dog obviously, just put my feet in the I reckon.

607
00:26:25,920 --> 00:26:31,080
Speaker 3: You're sounding pretty good because it was subtle, wasn't it? Very? Alisha? Alisha?

608
00:26:31,160 --> 00:26:33,080
Speaker 3: What would you have with a cup of tea to eat?

609
00:26:34,640 --> 00:26:36,440
Speaker 7: I do like a pretty good biki, I will admit,

610
00:26:37,280 --> 00:26:39,880
Speaker 7: and maybe some bread booking as well. I do love

611
00:26:40,080 --> 00:26:41,960
Speaker 7: a good bread pudding, no.

612
00:26:42,040 --> 00:26:47,840
Speaker 3: Idea, Luki? Yeah, gone again? Right, I'm right so far.

613
00:26:47,920 --> 00:26:50,000
Speaker 3: I know. The only one I've put on hold is

614
00:26:50,000 --> 00:26:52,640
Speaker 3: the good one. It's out of Luke or Kelly for me? Luke,

615
00:26:53,240 --> 00:26:58,920
Speaker 3: Luke you right? The hottest one night stand you've ever had? Luke?

616
00:27:00,800 --> 00:27:04,280
Speaker 6: Oh god, I actually don't know to be honest with

617
00:27:04,400 --> 00:27:06,040
Speaker 6: you like that too many?

618
00:27:06,600 --> 00:27:08,399
Speaker 1: Oh truth though, mighty, Luky?

619
00:27:08,480 --> 00:27:10,720
Speaker 3: You all right? What do you reckon? Look?

620
00:27:10,760 --> 00:27:11,640
Speaker 1: Actually isn't bad.

621
00:27:11,760 --> 00:27:13,520
Speaker 3: But it's not bad. I think he's an aunty though.

622
00:27:13,440 --> 00:27:18,000
Speaker 2: Look's not bad. Can I hear Kelly again? Kelly, Kelly,

623
00:27:18,680 --> 00:27:20,520
Speaker 2: what's on this weekend? We're doing this weekend?

624
00:27:21,240 --> 00:27:24,440
Speaker 7: I'm actually going to walk after my nieces.

625
00:27:24,359 --> 00:27:27,080
Speaker 3: And look after that. It's that role, going to look

626
00:27:27,119 --> 00:27:27,720
Speaker 3: after Loke.

627
00:27:27,760 --> 00:27:28,960
Speaker 1: What are you doing this weekend?

628
00:27:30,119 --> 00:27:31,680
Speaker 6: I'm wetting the baby's head tomorrow.

629
00:27:32,960 --> 00:27:34,320
Speaker 1: You're wetting your baby's head.

630
00:27:34,359 --> 00:27:36,280
Speaker 3: It's it's a you have a drink. You have a drink?

631
00:27:36,600 --> 00:27:38,959
Speaker 1: Is that right? I think you're I think you're right.

632
00:27:38,960 --> 00:27:41,520
Speaker 1: We'll look for a great voice. Look great. I think

633
00:27:41,600 --> 00:27:46,040
Speaker 1: I think Kelly is I think Kelly can look Kelly.

634
00:27:46,040 --> 00:27:51,280
Speaker 3: We think you the brit I am the bridge. Yay God,

635
00:27:50,960 --> 00:27:53,199
Speaker 3: God from us.

636
00:27:53,040 --> 00:27:55,800
Speaker 2: It's always it's always more subtle than you think.

637
00:27:56,200 --> 00:27:58,080
Speaker 3: Look where are you from?

638
00:27:58,720 --> 00:27:59,479
Speaker 6: I'm from Staford?

639
00:27:59,720 --> 00:28:00,280
Speaker 3: Yeah right.

640
00:28:01,720 --> 00:28:04,400
Speaker 8: Will and Woody back for more in just a bit

641
00:28:05,560 --> 00:28:06,960
Speaker 8: the Will and Woody podcast.

642
00:28:07,080 --> 00:28:09,480
Speaker 3: Woods and I pitch hundreds of ideas every single week,

643
00:28:09,520 --> 00:28:11,639
Speaker 3: each of them brilliant. But there's not enough room in

644
00:28:11,640 --> 00:28:14,199
Speaker 3: the show. Was not after the boys are selling like

645
00:28:14,240 --> 00:28:17,480
Speaker 3: a democracy sausage on election Saturday. We are read hot

646
00:28:17,480 --> 00:28:19,040
Speaker 3: at the moment. There's enough room in this show for

647
00:28:19,080 --> 00:28:20,800
Speaker 3: all of our great ideas. So the producers give us

648
00:28:20,840 --> 00:28:23,080
Speaker 3: ten minutes on a Friday to repitch them and our

649
00:28:23,119 --> 00:28:25,920
Speaker 3: rejected ideas.

650
00:28:26,720 --> 00:28:31,720
Speaker 1: It's Will and Woodi's rejected ideas. What here we go, You.

651
00:28:31,640 --> 00:28:33,600
Speaker 2: Guys, vote for the one you want to hear, because

652
00:28:33,680 --> 00:28:34,520
Speaker 2: we can only do one.

653
00:28:34,720 --> 00:28:36,200
Speaker 1: And well, I'm gonna I'm gonna go.

654
00:28:36,119 --> 00:28:39,960
Speaker 2: First because I've got a I've got a bit of

655
00:28:40,000 --> 00:28:41,640
Speaker 2: a sniff that yours is better than mine this week.

656
00:28:41,680 --> 00:28:42,840
Speaker 1: So I'm going to get one out of the way.

657
00:28:42,880 --> 00:28:45,880
Speaker 2: Okay, Okay, no, I wouldn't, says a stinker.

658
00:28:46,040 --> 00:28:48,360
Speaker 1: It's a hot idea. All my ideas are hot, but

659
00:28:49,080 --> 00:28:50,320
Speaker 1: yours is yours bang on?

660
00:28:50,400 --> 00:28:53,760
Speaker 2: Okay, So mine is can you get an angry seagull

661
00:28:53,800 --> 00:28:54,160
Speaker 2: on air?

662
00:28:54,680 --> 00:28:57,640
Speaker 1: So we just put the call out, are you near

663
00:28:57,680 --> 00:29:01,719
Speaker 1: a seagull? Now? Don't yep, I ain't hear a sea gull.

664
00:29:01,840 --> 00:29:05,440
Speaker 2: Don't do anything harmful to it, but like annoy it,

665
00:29:06,000 --> 00:29:06,440
Speaker 2: and then.

666
00:29:06,320 --> 00:29:09,080
Speaker 1: I really want to hear it, like really pissed off

667
00:29:09,080 --> 00:29:15,000
Speaker 1: on it. That's that's that's my idea. Having more to it? Okay,

668
00:29:15,160 --> 00:29:15,880
Speaker 1: nothing more to it?

669
00:29:16,480 --> 00:29:18,000
Speaker 3: Can I ask a couple of questions about this?

670
00:29:18,040 --> 00:29:18,280
Speaker 1: Please?

671
00:29:18,800 --> 00:29:22,440
Speaker 3: It's nearly six o'clock on a Friday. Who the hell

672
00:29:22,520 --> 00:29:25,160
Speaker 3: is sitting outside next to a seagull listening to us.

673
00:29:25,840 --> 00:29:28,480
Speaker 1: About to find out? About to find out.

674
00:29:28,720 --> 00:29:30,640
Speaker 3: Because I'm an in summer. Sure, you're down the beach.

675
00:29:30,680 --> 00:29:32,640
Speaker 3: You've got the boys on the wireless radio there, you

676
00:29:32,720 --> 00:29:34,240
Speaker 3: might have us on the on the little heads on

677
00:29:34,280 --> 00:29:37,320
Speaker 3: the bluetooth there. Who the hell is sitting in the

678
00:29:37,320 --> 00:29:39,959
Speaker 3: cold in the dark next to seagulls?

679
00:29:40,040 --> 00:29:41,680
Speaker 1: Are the reason you might be on the way to

680
00:29:41,680 --> 00:29:43,520
Speaker 1: some sport when you're in your car.

681
00:29:44,000 --> 00:29:49,480
Speaker 3: Yeah, we'll do his favorite Okay, just the logistics spice, okay.

682
00:29:49,320 --> 00:29:51,720
Speaker 1: And then yeah, great to hear a pissed off So go.

683
00:29:51,920 --> 00:29:54,440
Speaker 3: Now, this this phone topic I'm going to pitch has

684
00:29:54,520 --> 00:29:58,280
Speaker 3: been knocked back by our executive producer, Captain poop Pants.

685
00:29:58,320 --> 00:30:00,680
Speaker 3: And that's because he's got skin in the game here.

686
00:30:01,600 --> 00:30:04,600
Speaker 3: No pooh pants by name, pooh pants by reputation, sk

687
00:30:05,400 --> 00:30:13,000
Speaker 3: skid in the game. Here's the question, Even when you

688
00:30:13,040 --> 00:30:15,720
Speaker 3: pooh your pants and for anyone that's done that.

689
00:30:16,080 --> 00:30:17,880
Speaker 1: Yeah, yeah yeah.

690
00:30:17,920 --> 00:30:23,280
Speaker 3: From an outsider's perspective, I I personally, I don't think

691
00:30:23,280 --> 00:30:25,720
Speaker 3: that that makes you an idiot. I think you actually

692
00:30:25,800 --> 00:30:27,520
Speaker 3: get raised to legendary status.

693
00:30:27,560 --> 00:30:30,880
Speaker 2: When I pulled my pants at home yep with my

694
00:30:31,080 --> 00:30:33,120
Speaker 2: it was my new partner at the time. I put

695
00:30:33,160 --> 00:30:35,360
Speaker 2: my pants in bed. Yes, yeah, you teased me for

696
00:30:35,440 --> 00:30:37,880
Speaker 2: weeks on air I did. But but what you think

697
00:30:37,880 --> 00:30:40,040
Speaker 2: I'm a legend now because I put myself do you?

698
00:30:40,280 --> 00:30:40,400
Speaker 6: No?

699
00:30:40,480 --> 00:30:42,880
Speaker 1: I don't, So there you go, but legend.

700
00:30:42,960 --> 00:30:44,800
Speaker 3: But but I think you get a bit of an

701
00:30:44,800 --> 00:30:45,520
Speaker 3: aura about you.

702
00:30:45,720 --> 00:30:46,600
Speaker 1: Did I get an aura?

703
00:30:46,880 --> 00:30:47,400
Speaker 3: Yeah?

704
00:30:47,600 --> 00:30:48,640
Speaker 1: No, I know you did?

705
00:30:49,480 --> 00:30:50,840
Speaker 3: You did? Don't you? No?

706
00:30:51,040 --> 00:30:51,480
Speaker 9: You did?

707
00:30:51,680 --> 00:30:53,760
Speaker 3: You did? Because it's a bit all of a sudden.

708
00:30:53,800 --> 00:30:56,000
Speaker 3: I look, look, this is what I want to ask

709
00:30:56,120 --> 00:30:58,280
Speaker 3: thirty one and six five. Have you shown yourself? That's

710
00:30:58,280 --> 00:31:00,160
Speaker 3: the first part of it. I need people who have

711
00:31:00,920 --> 00:31:03,760
Speaker 3: after you did? Did you become a legender of villain?

712
00:31:04,200 --> 00:31:06,640
Speaker 3: Because I think that's an interesting discussion. I think a

713
00:31:06,680 --> 00:31:09,440
Speaker 3: lot of because obviously, on face value, primer facy, you

714
00:31:09,480 --> 00:31:11,360
Speaker 3: think you become a villain, you think everyone pays you

715
00:31:11,400 --> 00:31:13,960
Speaker 3: out for it. But I think Captain poop Pants our

716
00:31:14,000 --> 00:31:16,280
Speaker 3: ep became a bit of a legend for pooing his pants.

717
00:31:16,320 --> 00:31:18,800
Speaker 3: Didn't you? You did? That's the kind of thing you've

718
00:31:18,800 --> 00:31:20,880
Speaker 3: ever said to me. Yeah, and did you.

719
00:31:22,320 --> 00:31:24,040
Speaker 1: I'll take it, Yeah, you did?

720
00:31:24,440 --> 00:31:24,720
Speaker 6: You did?

721
00:31:24,800 --> 00:31:26,920
Speaker 1: Did it take your relationship to the next level.

722
00:31:27,120 --> 00:31:28,280
Speaker 3: Certainly made it's more intimate.

723
00:31:28,320 --> 00:31:28,760
Speaker 9: There we go.

724
00:31:28,880 --> 00:31:30,320
Speaker 1: I actually agree with that because that happened to me.

725
00:31:30,400 --> 00:31:33,560
Speaker 3: There we go. All right, well that's my topic. Can

726
00:31:33,600 --> 00:31:35,800
Speaker 3: you get a seagull in the airwaves? Or when you

727
00:31:35,800 --> 00:31:37,600
Speaker 3: show yourself do you become a legend of a villain?

728
00:31:37,640 --> 00:31:38,560
Speaker 3: There are the two topics.

729
00:31:38,680 --> 00:31:41,480
Speaker 2: Let's go to Kylie here. I'm sorry, we're going to Selene. Selene,

730
00:31:41,480 --> 00:31:43,840
Speaker 2: what do you want to hear? The poo pans topic?

731
00:31:44,000 --> 00:31:45,240
Speaker 2: Or they get a seagull on air?

732
00:31:46,960 --> 00:31:50,520
Speaker 6: I think the seagull No, one's not going to happen.

733
00:31:51,320 --> 00:31:56,440
Speaker 3: It's not going to happen. This is the unpopular Kylie. Kylie,

734
00:31:57,200 --> 00:32:00,640
Speaker 3: we're just we're just rejin There was muddling with the

735
00:32:00,720 --> 00:32:01,320
Speaker 3: jury over there.

736
00:32:01,360 --> 00:32:04,240
Speaker 2: I reckon, Kylie, what do you want to hear poop

737
00:32:04,240 --> 00:32:06,480
Speaker 2: pant's hero or villain or seagull on air?

738
00:32:08,520 --> 00:32:10,320
Speaker 6: I think I'm gonna have to go seagulls?

739
00:32:10,480 --> 00:32:14,240
Speaker 3: No, what were you thinking?

740
00:32:15,600 --> 00:32:16,040
Speaker 9: Kylie?

741
00:32:16,080 --> 00:32:18,600
Speaker 3: Could you just spare a thought for everyone else that

742
00:32:18,680 --> 00:32:21,960
Speaker 3: has to listen to the bit? Hang on, Kylie, Kylie,

743
00:32:22,400 --> 00:32:24,239
Speaker 3: I'm going to give you a choice to rethink this.

744
00:32:24,560 --> 00:32:26,880
Speaker 3: Do you want to stick with the seagull vote?

745
00:32:28,880 --> 00:32:29,440
Speaker 6: I think so.

746
00:32:29,520 --> 00:32:30,800
Speaker 9: I think i'd rather hear.

747
00:32:33,040 --> 00:32:38,560
Speaker 3: Yeah, yeah, I hear from Marie can Maybe Marie's got

748
00:32:38,560 --> 00:32:40,760
Speaker 3: some logic, Marie, would you rather hear the seagull bit

749
00:32:40,960 --> 00:32:43,600
Speaker 3: or the discussion around legend or villain if you put

750
00:32:43,600 --> 00:32:49,000
Speaker 3: your pants? Yeah? Of course, Maurice the only reasonable one

751
00:32:49,000 --> 00:32:49,400
Speaker 3: in that bank.

752
00:32:49,440 --> 00:32:51,400
Speaker 2: But a lot of blokes are calling. You can imagine

753
00:32:51,400 --> 00:32:53,920
Speaker 2: that their few. Here we go, Dan, Dan, what are

754
00:32:53,960 --> 00:32:56,880
Speaker 2: you calling for? You've aggressively called good mate? Do you

755
00:32:56,880 --> 00:32:58,080
Speaker 2: want to hear something in particular?

756
00:32:59,760 --> 00:32:59,880
Speaker 4: Oh?

757
00:33:00,080 --> 00:33:03,400
Speaker 6: Yeah, make my twenty first. I was at Kingston Machas,

758
00:33:03,440 --> 00:33:05,520
Speaker 6: the famous Kings over there.

759
00:33:05,880 --> 00:33:08,480
Speaker 2: Two seconds. Are you rolling into a per your pants

760
00:33:08,520 --> 00:33:09,320
Speaker 2: story right now?

761
00:33:11,560 --> 00:33:11,760
Speaker 3: Dan?

762
00:33:13,520 --> 00:33:24,320
Speaker 9: Dan shamples, I think we have to go ahead.

763
00:33:24,880 --> 00:33:27,000
Speaker 3: I think common sens as to PREVAILI We're not going

764
00:33:27,080 --> 00:33:29,040
Speaker 3: to get a seagull on it. Dan's already tried to

765
00:33:29,040 --> 00:33:29,880
Speaker 3: call on the topic.

766
00:33:30,120 --> 00:33:31,160
Speaker 9: Dan's already tried.

767
00:33:30,920 --> 00:33:33,280
Speaker 3: To call third and one and six five. If you

768
00:33:33,400 --> 00:33:34,040
Speaker 3: per your pants?

769
00:33:34,040 --> 00:33:35,200
Speaker 1: Are you a legend or a villain?

770
00:33:35,280 --> 00:33:37,480
Speaker 3: That's what we're taking calls for up next, yep and

771
00:33:37,880 --> 00:33:40,040
Speaker 3: one and six five. If a seagull caller gets through,

772
00:33:40,120 --> 00:33:41,760
Speaker 3: then we'll let them.

773
00:33:42,520 --> 00:33:43,320
Speaker 1: Yeah.

774
00:33:42,720 --> 00:33:45,920
Speaker 3: Yeah, oh my god, it's a Friday. That is for sure.

775
00:33:46,160 --> 00:33:49,360
Speaker 3: Right now, it's our rejected ideas.

776
00:33:50,160 --> 00:33:52,520
Speaker 1: It's Will and Woodi's rejected ideas.

777
00:33:52,920 --> 00:33:54,880
Speaker 3: It was with a hundred ideas every week. Not all

778
00:33:54,920 --> 00:33:57,160
Speaker 3: of them can make the show. The producers give us

779
00:33:57,160 --> 00:34:00,480
Speaker 3: ten minutes to redo our rejected ideas on a Friday. Today,

780
00:34:01,040 --> 00:34:05,080
Speaker 3: the people chose your idea. A clause in the Constitution

781
00:34:05,240 --> 00:34:07,440
Speaker 3: was triggered, which was that will sound awful, and you

782
00:34:07,440 --> 00:34:09,600
Speaker 3: and I overruled. We don't like overruling, but if the

783
00:34:09,600 --> 00:34:12,200
Speaker 3: people are voting for hearing seagulls on the radio, that's

784
00:34:12,239 --> 00:34:13,120
Speaker 3: going to force our hand.

785
00:34:13,200 --> 00:34:16,000
Speaker 2: And also Dan caught up. He didn't got a vote.

786
00:34:16,040 --> 00:34:18,680
Speaker 2: He just rolled straight into a poo in his pants stories.

787
00:34:18,840 --> 00:34:21,200
Speaker 2: But for some reason that that's the discussion. So we're

788
00:34:21,200 --> 00:34:22,520
Speaker 2: going to go to Dan in a sexm But for

789
00:34:22,520 --> 00:34:23,480
Speaker 2: everyone that's called that.

790
00:34:23,680 --> 00:34:25,839
Speaker 3: The topic that you guys have chopped wall we chose,

791
00:34:26,000 --> 00:34:29,279
Speaker 3: which I do think is a cracker, is if you

792
00:34:29,320 --> 00:34:32,400
Speaker 3: have pood your pants? Are you a legend or a villain?

793
00:34:32,600 --> 00:34:36,080
Speaker 3: Because I identd to think obviously, ostensibly, yes you're a villain.

794
00:34:36,120 --> 00:34:38,239
Speaker 3: Everyone rips into you. But then you start to get

795
00:34:38,239 --> 00:34:41,440
Speaker 3: this aura about it. Yeah, yeah, yeah, you know Scott Morrison.

796
00:34:41,480 --> 00:34:43,640
Speaker 3: Originally he was an idiot, but now you know the

797
00:34:43,719 --> 00:34:47,920
Speaker 3: end that Mackers. He's a bit of a legend for it.

798
00:34:47,920 --> 00:34:50,200
Speaker 1: He went up in the polls. It's interesting, isn't it

799
00:34:50,239 --> 00:34:50,520
Speaker 1: he did?

800
00:34:50,520 --> 00:34:54,680
Speaker 3: All right, let's get into it. So Dan, Dan, Oh, Dan,

801
00:34:54,719 --> 00:34:56,560
Speaker 3: you're back fifteen years ago.

802
00:34:57,440 --> 00:35:00,040
Speaker 6: Fifteen years ago, I pulled a skimo sales Clare. I

803
00:35:00,080 --> 00:35:02,560
Speaker 6: am on my twenty first way home with the boys,

804
00:35:02,560 --> 00:35:04,600
Speaker 6: sitting the macas, and I thought it was just a

805
00:35:04,600 --> 00:35:06,200
Speaker 6: sweaty night, so I went in to do a quick

806
00:35:06,200 --> 00:35:08,080
Speaker 6: courtesy wipe just to wipe the sweaty out, and.

807
00:35:08,200 --> 00:35:11,840
Speaker 4: Obviously first wipe pulled out and there was bloody chocolate

808
00:35:11,920 --> 00:35:12,640
Speaker 4: moose everywhere.

809
00:35:12,680 --> 00:35:17,960
Speaker 1: Oh damn, mate, we're in the details. Been quick question.

810
00:35:18,040 --> 00:35:20,920
Speaker 4: Legend, a villain, well legend, because then I ripped the

811
00:35:20,960 --> 00:35:22,839
Speaker 4: undies offer that to flush him down the duney so.

812
00:35:26,280 --> 00:35:30,880
Speaker 3: Legendary status, bore. I am twenty first cheman mat Macers.

813
00:35:30,640 --> 00:35:31,080
Speaker 8: She is.

814
00:35:31,520 --> 00:35:34,080
Speaker 9: These stories are going to get hairy.

815
00:35:34,239 --> 00:35:38,680
Speaker 3: I've just realized, Helen, Helen, you shout yourself, you've heard

816
00:35:38,680 --> 00:35:39,360
Speaker 3: your pants.

817
00:35:39,640 --> 00:35:44,000
Speaker 7: Yeah, I've actually done it for definitely, definitely big status.

818
00:35:44,040 --> 00:35:48,160
Speaker 7: I did it at work. Oh and then driving home

819
00:35:48,239 --> 00:35:51,200
Speaker 7: the other day, I couldn't couldn't make it home, and

820
00:35:51,239 --> 00:35:59,560
Speaker 7: I did it by driving tree. How far off home

821
00:35:59,600 --> 00:36:02,320
Speaker 7: were you about a kilometer?

822
00:36:07,120 --> 00:36:08,960
Speaker 1: Did it make you a hero or a villain?

823
00:36:10,719 --> 00:36:11,000
Speaker 8: Mate?

824
00:36:11,360 --> 00:36:15,759
Speaker 3: Yes you are, Helen. Do people give you a great

825
00:36:15,800 --> 00:36:17,759
Speaker 3: for that? Hell's or what's the story?

826
00:36:19,320 --> 00:36:22,000
Speaker 7: It's the conversations you come up because it's actually happened

827
00:36:22,040 --> 00:36:23,120
Speaker 7: more than twice.

828
00:36:22,760 --> 00:36:25,600
Speaker 2: That we we we got time.

829
00:36:29,640 --> 00:36:32,400
Speaker 3: And then she felt she felt as she could be

830
00:36:32,600 --> 00:36:35,359
Speaker 3: vulnerable with us when we accepted her.

831
00:36:35,400 --> 00:36:39,480
Speaker 9: She was like, hole, maybe that can take the full cappen.

832
00:36:39,680 --> 00:36:40,640
Speaker 1: It happens weekly.

833
00:36:40,719 --> 00:36:42,919
Speaker 3: Boys, I'll shad myself right now.

834
00:36:43,200 --> 00:36:45,960
Speaker 1: All right, let's go to Zoe. Finish it up and Zoe, oh.

835
00:36:45,840 --> 00:36:48,400
Speaker 3: My god, this is so good. We should al showing

836
00:36:48,480 --> 00:36:49,319
Speaker 3: this all right.

837
00:36:49,719 --> 00:36:50,560
Speaker 9: Legend or villain?

838
00:36:50,600 --> 00:36:52,320
Speaker 3: If you pull your pants Zoe.

839
00:36:53,560 --> 00:36:55,239
Speaker 6: Oh, legend obviously?

840
00:36:55,560 --> 00:36:56,440
Speaker 1: Okay, what happens?

841
00:36:57,200 --> 00:36:58,840
Speaker 6: Start with that I.

842
00:36:58,600 --> 00:37:01,480
Speaker 7: Was in hospital for something unrelated.

843
00:37:01,520 --> 00:37:06,640
Speaker 1: And just thought that and shut the bed righto.

844
00:37:07,320 --> 00:37:09,920
Speaker 3: So why so why are you a legend rather than

845
00:37:09,960 --> 00:37:10,640
Speaker 3: a villain for that?

846
00:37:12,080 --> 00:37:12,279
Speaker 1: Oh?

847
00:37:12,400 --> 00:37:13,480
Speaker 6: Why would you be a villain?

848
00:37:14,520 --> 00:37:18,399
Speaker 2: Yes, well you're probably a villain to the nurses. They've

849
00:37:18,400 --> 00:37:20,040
Speaker 2: got to roll in there and clean your bed.

850
00:37:21,360 --> 00:37:23,279
Speaker 7: Yeah, well, I mean I can't work.

851
00:37:23,719 --> 00:37:24,319
Speaker 5: I'm going to do it.

852
00:37:24,960 --> 00:37:30,200
Speaker 2: Yeah good, fine status.

853
00:37:31,440 --> 00:37:31,960
Speaker 1: She wiz.

854
00:37:32,040 --> 00:37:33,799
Speaker 3: This is the best welds certainly one of the best

855
00:37:33,800 --> 00:37:35,640
Speaker 3: prizes we have ever had. I don't know how we

856
00:37:35,719 --> 00:37:37,480
Speaker 3: have been gifted this, but right now we have a

857
00:37:37,560 --> 00:37:40,720
Speaker 3: chance for you to win a trip to iHeartRadio's Wango

858
00:37:40,840 --> 00:37:45,320
Speaker 3: Tango in La. Shawn Mendez, the Chainsmokers, Cameo, Cambo, Tate McCrae,

859
00:37:45,400 --> 00:37:49,359
Speaker 3: Lawrence Bencer Smith. It is ahl of a lineup and

860
00:37:49,440 --> 00:37:53,120
Speaker 3: right now it comes down to two teams of two

861
00:37:53,600 --> 00:37:55,640
Speaker 3: who could take home the Chuckies.

862
00:37:55,880 --> 00:37:59,640
Speaker 5: United Airlines seven eight seven Dreamliner playing non stop daily

863
00:37:59,680 --> 00:38:01,279
Speaker 5: out of You into Los Angeles.

864
00:38:01,440 --> 00:38:03,960
Speaker 1: Oh how funny we are, so Alione, So we finish

865
00:38:04,040 --> 00:38:06,160
Speaker 1: each other. It's women.

866
00:38:09,480 --> 00:38:14,040
Speaker 3: Audio would So the prize is massive. Only one couple

867
00:38:14,080 --> 00:38:16,600
Speaker 3: can go home with the tickets. They have to win

868
00:38:16,760 --> 00:38:19,040
Speaker 3: another game of it takes two to tango.

869
00:38:19,360 --> 00:38:22,800
Speaker 2: That's right, We've got Alex and Celeste taking on the Coopers,

870
00:38:23,200 --> 00:38:28,520
Speaker 2: Hannah and Bradley Cooper. Okay, so, so guys, the first

871
00:38:28,560 --> 00:38:31,120
Speaker 2: couple to answer at the same time with the same

872
00:38:31,239 --> 00:38:36,399
Speaker 2: answer is going to La, going to Iheartradios Wango tango. Now,

873
00:38:36,400 --> 00:38:37,840
Speaker 2: a big part of this is who we asked the

874
00:38:37,920 --> 00:38:40,040
Speaker 2: question to first, and the way we're doing that is

875
00:38:40,480 --> 00:38:41,280
Speaker 2: another question.

876
00:38:42,040 --> 00:38:44,760
Speaker 1: So names as buzzers. I know it's a little bit confusing,

877
00:38:44,800 --> 00:38:45,920
Speaker 1: but names as buzzers.

878
00:38:46,280 --> 00:38:48,640
Speaker 3: This is just a question the order.

879
00:38:48,680 --> 00:38:53,239
Speaker 1: Who goes first? Okay, names of buzzers? Here we go.

880
00:38:54,080 --> 00:38:56,720
Speaker 1: Who was the male lead in Star is Born?

881
00:38:58,880 --> 00:39:06,640
Speaker 3: I heard Alie first. Bradley Cooper is correct. Bradley Cooper

882
00:39:06,680 --> 00:39:11,160
Speaker 3: is correct, and that is also the name of Bradley

883
00:39:11,239 --> 00:39:16,680
Speaker 3: Cooper who's playing with his wife, Hannah Cooper. My god,

884
00:39:17,000 --> 00:39:19,239
Speaker 3: but Alex and Celesti get to go first in a

885
00:39:19,280 --> 00:39:20,640
Speaker 3: game of it takes two to tango.

886
00:39:20,719 --> 00:39:22,000
Speaker 1: Okay, here's your question.

887
00:39:22,800 --> 00:39:27,760
Speaker 2: Best Simpsons character three one.

888
00:39:29,200 --> 00:39:33,600
Speaker 3: But there's too much of a gap there, guys, I'm sorry,

889
00:39:34,160 --> 00:39:35,920
Speaker 3: it's got to be simultaneously.

890
00:39:36,120 --> 00:39:36,680
Speaker 8: He is.

891
00:39:37,239 --> 00:39:40,440
Speaker 1: Here we go. How many ice blocks should be in

892
00:39:40,440 --> 00:39:41,120
Speaker 1: a sprite?

893
00:39:41,800 --> 00:39:44,040
Speaker 7: Three one?

894
00:39:45,400 --> 00:39:53,359
Speaker 3: Hey, there's a lot of ice tough question. I like it, though.

895
00:39:53,520 --> 00:39:56,799
Speaker 1: Okay, we move on to Alex and Celeste.

896
00:39:57,360 --> 00:40:00,120
Speaker 3: Alex and Celestia got their timing right last time. The

897
00:40:00,120 --> 00:40:01,560
Speaker 3: timing wrong, I should say, last time?

898
00:40:02,200 --> 00:40:05,799
Speaker 1: What cake would Brad Pitt have on his birthdays?

899
00:40:06,160 --> 00:40:09,799
Speaker 8: Three? One, but.

900
00:40:13,080 --> 00:40:16,880
Speaker 3: He's going on with you too, and a butter cakes

901
00:40:18,200 --> 00:40:20,160
Speaker 3: butter butter cake.

902
00:40:20,640 --> 00:40:23,640
Speaker 2: Okay, here we go, moving back onto the Coopers, Hannah

903
00:40:23,640 --> 00:40:24,279
Speaker 2: and Bradley Cooper.

904
00:40:24,320 --> 00:40:27,560
Speaker 1: Okay, here we go. Name a type of whale?

905
00:40:28,560 --> 00:40:32,560
Speaker 7: Three one?

906
00:40:34,239 --> 00:40:39,520
Speaker 3: What did you say? What did you say, Brad? How

907
00:40:39,520 --> 00:40:43,080
Speaker 3: did you go with Brad? What did you say?

908
00:40:43,440 --> 00:40:45,759
Speaker 1: Moves on, moves back to.

909
00:40:48,200 --> 00:40:56,640
Speaker 2: While okay, moves back to Alex and Celestie.

910
00:40:57,520 --> 00:40:58,720
Speaker 1: Where's this is getting intended?

911
00:40:58,760 --> 00:41:02,920
Speaker 3: This, guys? Tickets to have been the same if you

912
00:41:02,960 --> 00:41:03,880
Speaker 3: can sync up?

913
00:41:04,200 --> 00:41:05,120
Speaker 4: Yeah, we're.

914
00:41:06,680 --> 00:41:09,879
Speaker 2: Okay, I'm sure you are again. iHeart Radios Wango Tanga.

915
00:41:09,920 --> 00:41:11,520
Speaker 2: This is the biggest price right.

916
00:41:11,440 --> 00:41:13,640
Speaker 3: Now accommodation tickets.

917
00:41:14,239 --> 00:41:16,880
Speaker 1: Here we go, Best Spice.

918
00:41:16,520 --> 00:41:22,080
Speaker 7: Girl three two one, Scary.

919
00:41:33,920 --> 00:41:40,520
Speaker 3: Alex Celeste. You're flying to LA. You're flying United Airlines

920
00:41:40,600 --> 00:41:43,160
Speaker 3: on the brand new seven eight seven dry Minor.

921
00:41:43,640 --> 00:41:48,000
Speaker 9: You're going non stop Sydney to LA. You're staying at

922
00:41:48,120 --> 00:41:49,600
Speaker 9: Number one West.

923
00:41:49,280 --> 00:41:53,960
Speaker 3: Hollywood and you are seeing Shaw Menders, the Chainsmokers, Camia

924
00:41:54,000 --> 00:41:59,719
Speaker 3: Coveo at iHeart Radios Wango Tango Festival in La Jesus,

925
00:42:02,000 --> 00:42:02,680
Speaker 3: thank you guys.

926
00:42:02,680 --> 00:42:07,320
Speaker 1: Sorry, you're very in sync, you too, great stuff.

927
00:42:07,400 --> 00:42:09,160
Speaker 10: Thank you seriously, pleasure.

928
00:42:09,440 --> 00:42:10,600
Speaker 3: Well, we didn't do anything.

929
00:42:12,080 --> 00:42:12,640
Speaker 1: I will take it.

930
00:42:12,719 --> 00:42:15,440
Speaker 3: I will take that as very silly questions and asking

931
00:42:15,480 --> 00:42:17,200
Speaker 3: to yell things into the radio. But you guys going

932
00:42:17,200 --> 00:42:19,960
Speaker 3: to LA as a result. It's bloody goat stuff. Congratulations

933
00:42:20,640 --> 00:42:23,960
Speaker 3: the willow Woody put right now. Give us a call

934
00:42:24,040 --> 00:42:26,080
Speaker 3: if you think you can convince us you're in the

935
00:42:26,120 --> 00:42:28,919
Speaker 3: car with somebody else. It's a phone line woods.

936
00:42:29,000 --> 00:42:31,880
Speaker 1: Wild Woodies alone.

937
00:42:32,239 --> 00:42:34,400
Speaker 2: We guess are you putting on a voice or is

938
00:42:34,440 --> 00:42:35,640
Speaker 2: someone else actually there?

939
00:42:35,920 --> 00:42:38,680
Speaker 1: We've got Ryan here, Ry dog. Who are you in

940
00:42:38,680 --> 00:42:43,040
Speaker 1: the car with your sister? What's your sister's name?

941
00:42:43,120 --> 00:42:43,359
Speaker 3: Ryan?

942
00:42:44,000 --> 00:42:44,400
Speaker 6: Mean?

943
00:42:44,760 --> 00:42:45,080
Speaker 1: Meghan?

944
00:42:45,200 --> 00:42:45,399
Speaker 3: Chuck?

945
00:42:45,440 --> 00:42:56,960
Speaker 1: Meghan on the phone? Please? Oh hello, Megan? Where are

946
00:42:56,960 --> 00:42:58,160
Speaker 1: you off to with your brother.

947
00:42:59,600 --> 00:43:00,400
Speaker 3: To the shop?

948
00:43:01,320 --> 00:43:03,120
Speaker 1: What are you gonna buy? The shops? Megan?

949
00:43:06,360 --> 00:43:10,240
Speaker 3: Good on? You have me brought up Jesus crossed.

950
00:43:10,440 --> 00:43:11,480
Speaker 1: Tyler?

951
00:43:11,600 --> 00:43:11,799
Speaker 3: Hi?

952
00:43:11,880 --> 00:43:12,200
Speaker 1: Tyler?

953
00:43:13,000 --> 00:43:13,239
Speaker 8: Hey?

954
00:43:14,040 --> 00:43:15,560
Speaker 3: Hi? Uh?

955
00:43:15,600 --> 00:43:16,560
Speaker 1: Who are you in the gup with?

956
00:43:17,600 --> 00:43:19,680
Speaker 7: I'm in the car with my best friend, but he's

957
00:43:19,719 --> 00:43:21,279
Speaker 7: also my brother and.

958
00:43:21,200 --> 00:43:21,879
Speaker 1: What's his name?

959
00:43:22,800 --> 00:43:23,160
Speaker 4: Ryan?

960
00:43:25,280 --> 00:43:25,560
Speaker 1: Ryan?

961
00:43:26,200 --> 00:43:26,560
Speaker 3: Okay?

962
00:43:26,640 --> 00:43:31,600
Speaker 2: Throw Ryan on the phone please Mary?

963
00:43:32,239 --> 00:43:32,560
Speaker 4: Hello?

964
00:43:33,480 --> 00:43:36,239
Speaker 1: Oh good I Ryan? Where are you and Tyler off too?

965
00:43:37,360 --> 00:43:38,640
Speaker 7: We're just driving home from the shop.

966
00:43:39,080 --> 00:43:40,359
Speaker 3: Yeah, beautiful man.

967
00:43:40,520 --> 00:43:41,360
Speaker 1: I haven't got.

968
00:43:43,120 --> 00:43:43,160
Speaker 11: You.

969
00:43:43,920 --> 00:43:48,320
Speaker 3: This is seriously, this grade, absolute sa grade is today.

970
00:43:48,520 --> 00:43:49,279
Speaker 3: How it's going on?

971
00:43:49,680 --> 00:43:51,200
Speaker 1: Justin? Who are you in the cap with? Justin?

972
00:43:51,960 --> 00:43:52,120
Speaker 8: Hi?

973
00:43:52,320 --> 00:43:52,719
Speaker 2: How you going?

974
00:43:52,719 --> 00:43:53,520
Speaker 3: I'm with my boss.

975
00:43:53,840 --> 00:43:54,480
Speaker 1: What's his name?

976
00:43:54,640 --> 00:43:54,759
Speaker 3: Was?

977
00:43:55,360 --> 00:43:57,440
Speaker 1: My boss's name is Sophie Staffy.

978
00:43:58,400 --> 00:43:58,880
Speaker 7: Yeah?

979
00:43:58,920 --> 00:44:03,760
Speaker 2: I think it's Safie Safi s a f I okay,

980
00:44:04,080 --> 00:44:05,759
Speaker 2: chuck Safi on the phone, please.

981
00:44:05,840 --> 00:44:10,399
Speaker 6: No problem mate? Yeah, Oh my god, I.

982
00:44:10,440 --> 00:44:14,000
Speaker 1: Can't believe Safi. What's the worst thing Justin's done in

983
00:44:14,239 --> 00:44:19,880
Speaker 1: as an employee as well?

984
00:44:22,200 --> 00:44:24,280
Speaker 9: My gosh, from Safi.

985
00:44:25,080 --> 00:44:26,880
Speaker 3: That means we can't take an on a call, doesn't it.

986
00:44:27,360 --> 00:44:31,880
Speaker 3: We've tapped out there. Well, I apologize.

987
00:44:32,360 --> 00:44:33,160
Speaker 1: I thought it was fun.