1 00:00:00,600 --> 00:00:02,160 Speaker 1: Jonesy and Amanda in the morning. 2 00:00:04,680 --> 00:00:07,360 Speaker 2: Jim Dolan is away, he's on long service leave. So 3 00:00:07,520 --> 00:00:10,280 Speaker 2: jem y Rye, whose only job really around here is 4 00:00:10,320 --> 00:00:13,040 Speaker 2: to control the air conditioning in the studio, and he 5 00:00:13,080 --> 00:00:13,960 Speaker 2: does the week that was. 6 00:00:14,880 --> 00:00:15,480 Speaker 3: He's sick today. 7 00:00:15,560 --> 00:00:18,759 Speaker 4: So you I stepped up to the plate. You know what, 8 00:00:19,160 --> 00:00:21,720 Speaker 4: Give the busiest person in the room more work and 9 00:00:21,760 --> 00:00:24,079 Speaker 4: it gets done. If you want something done, give it 10 00:00:24,120 --> 00:00:25,919 Speaker 4: to the busiest person in the room. 11 00:00:26,040 --> 00:00:28,280 Speaker 2: So a man has been working harder than Jim Dolan 12 00:00:28,320 --> 00:00:29,639 Speaker 2: and jem y Rye come. 13 00:00:29,600 --> 00:00:32,720 Speaker 3: By and I emptied the dishwasher and she's come up 14 00:00:32,760 --> 00:00:34,720 Speaker 3: with this. 15 00:00:38,000 --> 00:00:38,400 Speaker 1: Well. 16 00:00:38,600 --> 00:00:42,040 Speaker 4: While jen y Rye recovers from some pesky sinus, we 17 00:00:42,159 --> 00:00:44,360 Speaker 4: lost one of the great actors this week, good Fella 18 00:00:44,440 --> 00:00:47,880 Speaker 4: star Rayleiotta. Although Jonesy thought this would be a good 19 00:00:47,920 --> 00:00:51,880 Speaker 4: time to bust out some old material, like out of all. 20 00:00:51,760 --> 00:00:55,080 Speaker 2: The things, you die peacefully and your sleep at sixty seven, 21 00:00:55,200 --> 00:00:56,319 Speaker 2: but still like you. 22 00:00:56,280 --> 00:00:57,480 Speaker 4: Know, that's the same with Warner. 23 00:00:57,560 --> 00:00:58,720 Speaker 2: You go to bed and you just you. 24 00:00:58,720 --> 00:01:01,680 Speaker 3: Wake up dead, wake up dead. You don't wake up, 25 00:01:02,200 --> 00:01:06,080 Speaker 3: but you're blissfully unaware, bless unaware. That's attractive. He's being 26 00:01:06,120 --> 00:01:08,720 Speaker 3: blissfull unaware. But you want to be blissfully unaware at 27 00:01:08,800 --> 00:01:11,000 Speaker 3: ninety And if ninety year. 28 00:01:10,880 --> 00:01:12,800 Speaker 4: Olds listened, just go hang on. I want to bess 29 00:01:13,240 --> 00:01:13,800 Speaker 4: at one hundred. 30 00:01:13,959 --> 00:01:15,600 Speaker 1: Yeah, like Grandpa. 31 00:01:15,720 --> 00:01:17,520 Speaker 4: He died peacefully in his sleep. 32 00:01:18,040 --> 00:01:20,280 Speaker 2: That's the way to go, not kicking and screaming like 33 00:01:20,319 --> 00:01:21,360 Speaker 2: the occupants of his car. 34 00:01:26,440 --> 00:01:28,280 Speaker 4: In the minute that sentence started, I thought, I'm going 35 00:01:28,319 --> 00:01:31,320 Speaker 4: to set my face to whatevs. Oh, come, oh, come 36 00:01:31,400 --> 00:01:36,120 Speaker 4: on dead. It was my wedding anniversary last weekend, and 37 00:01:36,160 --> 00:01:39,400 Speaker 4: my husband, Harley, well, he was beside himself. I said 38 00:01:39,440 --> 00:01:40,760 Speaker 4: to Harley earlier in the week I said, you know, 39 00:01:40,800 --> 00:01:43,399 Speaker 4: it's our wedding anniversary on Friday, And he said, oh God, 40 00:01:44,000 --> 00:01:46,399 Speaker 4: and he panicked. That's not because he thinks, now I've 41 00:01:46,400 --> 00:01:53,880 Speaker 4: got to deal with that. Oh, here we go, it'd 42 00:01:53,920 --> 00:01:55,240 Speaker 4: be anniversary. 43 00:01:55,240 --> 00:01:58,280 Speaker 2: He's rushing down to the service station to get some climations, 44 00:01:58,320 --> 00:02:01,760 Speaker 2: the finest flowers the BP can provide. 45 00:02:01,800 --> 00:02:04,600 Speaker 4: As mass shootings become more and more of a daily event, 46 00:02:04,640 --> 00:02:07,040 Speaker 4: the world wonders what can be done. Well, let's turn 47 00:02:07,080 --> 00:02:09,720 Speaker 4: to the comedy stylings of our very own. Jim Jeffries 48 00:02:10,000 --> 00:02:13,200 Speaker 4: his digs at the Second Amendment have become legendary, although 49 00:02:13,240 --> 00:02:15,320 Speaker 4: it can get pretty scary in Texas. 50 00:02:15,480 --> 00:02:17,320 Speaker 1: One time I was doing a show in Texas and 51 00:02:17,360 --> 00:02:19,359 Speaker 1: there was there was a real threat that some of 52 00:02:19,400 --> 00:02:20,920 Speaker 1: them was going to have a gun in the audience 53 00:02:20,919 --> 00:02:23,720 Speaker 1: and do something. So we rang the police stop and 54 00:02:23,720 --> 00:02:25,520 Speaker 1: all that type of stuff, and in the end I 55 00:02:25,639 --> 00:02:28,400 Speaker 1: employed a whole lot of cops like on their off David. 56 00:02:28,440 --> 00:02:31,600 Speaker 1: They came in uniform. I paid the money myself, and 57 00:02:31,639 --> 00:02:33,520 Speaker 1: they all stood at the edge of the stage, and 58 00:02:33,560 --> 00:02:35,359 Speaker 1: they stood at all the doors and all that type 59 00:02:35,360 --> 00:02:38,560 Speaker 1: of stuff. Before I went on. They're all being briefed 60 00:02:38,680 --> 00:02:40,520 Speaker 1: in the room next door to me about what they 61 00:02:40,520 --> 00:02:42,680 Speaker 1: had to do, and the sides were staying in front 62 00:02:42,680 --> 00:02:44,720 Speaker 1: of them. He said, okay, we need one carp at 63 00:02:44,720 --> 00:02:47,320 Speaker 1: this door and one calf at this door, and we 64 00:02:47,400 --> 00:02:50,040 Speaker 1: need four at the edge of the stage. Then one 65 00:02:50,080 --> 00:02:52,480 Speaker 1: of the cops that excuse me, sorried to go why 66 00:02:52,480 --> 00:02:54,440 Speaker 1: do we have to do this? And he goes, well, 67 00:02:54,440 --> 00:02:57,359 Speaker 1: this particular comedian has been getting death threats, and he goes, 68 00:02:57,400 --> 00:03:00,079 Speaker 1: why'd you been getting death threats? He goes because he 69 00:03:00,160 --> 00:03:03,560 Speaker 1: figs out for gun control. And then the other one went, well, 70 00:03:03,560 --> 00:03:09,360 Speaker 1: maybe you should learn it's pretty confident. 71 00:03:11,680 --> 00:03:14,760 Speaker 4: The Mona Lisa was attacked this week. I've been over 72 00:03:14,800 --> 00:03:16,680 Speaker 4: to the Louver to see it. I must admit I 73 00:03:16,680 --> 00:03:19,600 Speaker 4: didn't quite get the chance to fully appreciate it. 74 00:03:19,639 --> 00:03:21,079 Speaker 2: Have you ever seen it? You've gone along to see 75 00:03:21,080 --> 00:03:21,639 Speaker 2: the monmain. 76 00:03:21,560 --> 00:03:23,480 Speaker 4: No, to my shame. I've been to the louver and 77 00:03:23,520 --> 00:03:26,240 Speaker 4: the cue is so big, you're painting so small. I 78 00:03:26,280 --> 00:03:28,800 Speaker 4: just went to the gift shop and border postcar cut 79 00:03:28,880 --> 00:03:31,880 Speaker 4: to the chase. Doing a radio show is hard. You 80 00:03:31,919 --> 00:03:34,720 Speaker 4: can't please everyone all the time. And this week we 81 00:03:34,800 --> 00:03:38,200 Speaker 4: lost listener Gail. She didn't like our Lord Allen's sugar interview. 82 00:03:38,280 --> 00:03:40,600 Speaker 4: And then there was the whole old drinking each other's 83 00:03:40,640 --> 00:03:44,000 Speaker 4: blood thing for TikTok tuckut. But nonetheless, like a shepherd 84 00:03:44,080 --> 00:03:46,120 Speaker 4: who can put his flock at risk for one sheep, 85 00:03:46,160 --> 00:03:49,320 Speaker 4: I'm prepared to do that Jonesy. On the other hand, 86 00:03:49,440 --> 00:03:52,560 Speaker 4: these are new experiences. Don't let can't please let things 87 00:03:52,640 --> 00:03:53,040 Speaker 4: let you. 88 00:03:53,000 --> 00:03:55,080 Speaker 2: Go at sixty Gaye, we're trying to get you back. 89 00:03:55,160 --> 00:03:57,640 Speaker 2: We got your prize, so I'm just saying, what are 90 00:03:57,640 --> 00:03:58,000 Speaker 2: you going to do. 91 00:03:58,040 --> 00:04:03,520 Speaker 4: We're shutting the doors to the village, shutting you casting 92 00:04:03,520 --> 00:04:06,120 Speaker 4: her a drift. That's what happens. Lock that door, Ryan, 93 00:04:06,240 --> 00:04:06,880 Speaker 4: lock it up. 94 00:04:08,360 --> 00:04:12,000 Speaker 2: That's sure, it's good. And maybe get my hammer. 95 00:04:13,640 --> 00:04:14,320 Speaker 4: I have a drill. 96 00:04:16,200 --> 00:04:17,640 Speaker 1: Well, she'd be doing that. 97 00:04:19,960 --> 00:04:22,239 Speaker 4: I'm not risking the rest of the flock. Well, Gail 98 00:04:22,279 --> 00:04:25,120 Speaker 4: goes on to say, hopefully onwards from here, kiss, kiss, 99 00:04:24,800 --> 00:04:25,720 Speaker 4: she likes. 100 00:04:25,720 --> 00:04:27,160 Speaker 1: So she was to come back. 101 00:04:27,760 --> 00:04:30,200 Speaker 4: You have to open that door, and the munch trunks 102 00:04:30,200 --> 00:04:35,039 Speaker 4: here aund out. You got my grind, Yeah, come on, open. 103 00:04:34,880 --> 00:04:35,919 Speaker 2: The door, Gail. 104 00:04:35,960 --> 00:04:36,760 Speaker 3: We're coming for you. 105 00:04:37,920 --> 00:04:41,200 Speaker 4: This might be sometime. Well, welcome to my will. This 106 00:04:41,320 --> 00:04:43,960 Speaker 4: has been once he's round up. She sounds nice. 107 00:04:44,000 --> 00:04:46,360 Speaker 1: She sounds nice. Jones and Amanda in the morning 108 00:04:47,920 --> 00:04:48,320 Speaker 4: Sm