WEBVTT - Would You Try A Death Simulator? ⚰️ ⚱️

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<v Speaker 1>Cut, Flex and Frooms, Flex and Frooms, Catch up podcast

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<v Speaker 1>Lex and Rooms. It's Flex and Frooms on cater We

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<v Speaker 1>are here with you from three to five pm on

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<v Speaker 1>week nights and FLEXI. As you know, I'm a Melbourne

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<v Speaker 1>stan So I grew up. It's my favorite city.

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<v Speaker 2>Isn't my favorite city in the world?

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<v Speaker 1>I would say nostalgic wise, it's hard to it's hard

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<v Speaker 1>to separate the upbringing from the city. I will say

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<v Speaker 1>it's a bit flat, it's not enough undulating hills.

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<v Speaker 3>Oh, I was like flat and way I like hills

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<v Speaker 3>as well. Visually picking favorites, I don't know if I'm

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<v Speaker 3>into that these days really, because if you said.

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<v Speaker 2>What's your favorite song? Movie, food?

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<v Speaker 3>I would have the same kind of response. Oh, it's

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<v Speaker 3>hard to pick a favorite, and depends on it's a

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<v Speaker 3>it's a very loaded question, yes, because you know when

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<v Speaker 3>you say it, someone's gonna hold you to it.

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<v Speaker 2>Oh, that's your face, What do you like about it?

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<v Speaker 3>I would do. I would do the same thing if

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<v Speaker 3>you said Melbourne's your favorite, you'd be like, well, there's

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<v Speaker 3>heaps of cities in the world, all right, list.

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<v Speaker 1>Them off least a few seconds and sist, let's do

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<v Speaker 1>some comparisons. So, yeah, Melbourne's very flat. If you're from

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<v Speaker 1>Melbourne and you've never considered that, I might just ruin

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<v Speaker 1>your day. Something changes in your brain when you can

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<v Speaker 1>see things from all different angles. I swear it makes

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<v Speaker 1>you more hopeful. That's all I'll say. That's why you

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<v Speaker 1>should come up to Sydney for a little sabbatical, little

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<v Speaker 1>three months stint over summer, get a sublease, go anywhere.

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<v Speaker 1>No city is way hillier than Melbourne. I'm just saying

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<v Speaker 1>if I'm not comparing to two cities in terms of helliness, Oh.

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<v Speaker 2>Was all we were doing? Yeah yeah, yeah, yeah yeah,

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<v Speaker 2>got it?

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<v Speaker 1>Just hills, no other vibes. That's just too complicated. There

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<v Speaker 1>is an exhibit on.

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<v Speaker 2>In Melbourne right now. It's called Melbourne Now.

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<v Speaker 1>It's on until August. I don't exactly know what it is.

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<v Speaker 1>I think I want to check it out next weekend.

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<v Speaker 1>But I know that my friend m Nolan, who's a designer,

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<v Speaker 1>has one of her designs there and it's got art there,

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<v Speaker 1>and they have something that has really piqued my interest

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<v Speaker 1>that I really want to try.

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<v Speaker 2>It's a death simulation. What does that mean?

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<v Speaker 1>Well, it's made enough headlines that it's all around the world.

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<v Speaker 1>This is an article from The Mirror UK. There's a

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<v Speaker 1>guy called Sean glad Well and he's created a death stimulator,

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<v Speaker 1>which shows you simulator a death stimulator.

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<v Speaker 2>What's the difference?

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<v Speaker 3>Stimulator is like, I'm going to I'm stimulating you. I'm

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<v Speaker 3>like the simulators moving around. A simulator is like uh

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<v Speaker 3>like again, like when I'm putting you in an environment

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<v Speaker 3>that gives you the impression that you're experiencing this thing.

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<v Speaker 3>If I'm playing a farm simulator, I'm doing the activity

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<v Speaker 3>of a farmer.

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<v Speaker 2>I'm simulating.

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<v Speaker 1>On a technicality, I will say I'm correct because it

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<v Speaker 1>does shake you, this death simulator. So this is a

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<v Speaker 1>guy and he's created this simulator. What does it kind

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<v Speaker 1>of look like. It looks like you're behind a sheath

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<v Speaker 1>and you're all on hospital beds and you're hooked up

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<v Speaker 1>to monitors and you're also hooked up to a heart

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<v Speaker 1>rate monitor. So if it gets too crazy at any point,

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<v Speaker 1>you just put your hand up and they'll whisk you away.

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<v Speaker 2>It all started. So he's an artist.

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<v Speaker 1>It's called passing Electrical Storms, and it's all about guiding

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<v Speaker 1>participants through a stimulated de escalation of life from cardiac

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<v Speaker 1>arrest through to brain death. So then they get actors

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<v Speaker 1>to come in and pretend like they're doctors, like, come

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<v Speaker 1>over you. You get these goggles that show you what you

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<v Speaker 1>like from above, and all of this stuff we.

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<v Speaker 3>Have not read. The body keeps the score. Why are

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<v Speaker 3>we doing simulated trauma?

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<v Speaker 1>Someone said that, like on TikTok, they had gone on

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<v Speaker 1>it and then said what their experience was, and they

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<v Speaker 1>said they can see how it causes anxiety and panic

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<v Speaker 1>because the borderlines on what death is actually like what

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<v Speaker 1>happens is you're laying down, the bed vibrates, you flatline, The.

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<v Speaker 2>Doctors come over the top of you. You can see yourself

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<v Speaker 2>in the goggles.

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<v Speaker 1>They try to revive you, it doesn't work, and then

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<v Speaker 1>you float up past them into space and it keeps going.

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<v Speaker 1>So I'm assuming this is some kind of visual experience.

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<v Speaker 1>I generally have to come back and do it and

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<v Speaker 1>explain it. I want to throw the server to our

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<v Speaker 1>podcast because near death, near death experiences, I've heard a

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<v Speaker 1>million of them. You see the light of the tunnel,

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<v Speaker 1>you don't see out of the tunnel. Have you ever

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<v Speaker 1>met someone who's had a near death experience? No, not

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<v Speaker 1>that I know of, not that you know of. The

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<v Speaker 1>only person that I know who has was my mum.

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<v Speaker 2>She was kayak.

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<v Speaker 1>She was whitewater rafting, I think, and she got thrown

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<v Speaker 1>over the side and no one knew where she was

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<v Speaker 1>and she was actually trapped onto the boat. And she

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<v Speaker 1>said that she panicked for ages and then she just

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<v Speaker 1>accepted it and then she got pulled out of the water. So,

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<v Speaker 1>as you can see, there's a lot of near death

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<v Speaker 1>experiences around the water with my family. As you will

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<v Speaker 1>know if you're a regular listener of the show. It

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<v Speaker 1>was just a year ago now that I had a

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<v Speaker 1>near death experience in Bali swimming where there was red flags.

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<v Speaker 1>Please remember, never swim near the red flags.

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<v Speaker 2>It means don't go there.

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<v Speaker 1>I'm like, when you're your Bondi beaches and your tamoramas

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<v Speaker 1>and whatnot, what do I think happens just before you die?

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<v Speaker 3>Well, before you answer that, what's appealing to you about

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<v Speaker 3>this experience?

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<v Speaker 1>I like immersive art galleries. I think they're really fun.

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<v Speaker 1>One of my favorites is Mona. They've got a lot

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<v Speaker 1>of kind of like intense audio sensory experiences. My favorite one,

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<v Speaker 1>which is also so gross is obviously the fart simulator

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<v Speaker 1>or the poor simulator who thinks of that, Like, imagine

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<v Speaker 1>the kind of research you had to do. It's genius.

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<v Speaker 1>I love art that like, if you're not an arty person,

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<v Speaker 1>you can still enjoy it and still get a similar

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<v Speaker 1>effect out of it. However, I would encourage people, if

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<v Speaker 1>you have the time and the means to just go

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<v Speaker 1>to galleries on a random day, to like try and

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<v Speaker 1>get into the art practice and why because it helps

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<v Speaker 1>you look at life in a different way, and I

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<v Speaker 1>think you can appreciate art more. Like I've got a

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<v Speaker 1>friend who makes art that's like sculptures, and I think

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<v Speaker 1>if you were just looking at them, you think, oh,

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<v Speaker 1>they're just like a random sculptures where you like put

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<v Speaker 1>all this stuff together. But when I hear about an

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<v Speaker 1>artistic process, and I've seen it firsthand, even the act

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<v Speaker 1>of her creating this massive body of work across many,

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<v Speaker 1>many years, it adds to the law of how you

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<v Speaker 1>create these works. I just think I would like it

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<v Speaker 1>because I haven't thought that much about death, Like I'm

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<v Speaker 1>I'm not religious, Like I haven't really looked into it

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<v Speaker 1>that much. I have always assumed that nothing happens like,

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<v Speaker 1>I don't really believe in reincarnation.

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<v Speaker 2>I don't not believe in it.

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<v Speaker 1>I just like haven't been around that many people that

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<v Speaker 1>believe in that kind of stuff. So I like the

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<v Speaker 1>idea of practicing it out because I think we all

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<v Speaker 1>think about what's it going to be like after I die?

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<v Speaker 1>Like are people going to even be sad? I would

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<v Speaker 1>love to know, like what are people going to write

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<v Speaker 1>on the little cards to my family? What kind of

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<v Speaker 1>flowers are we getting? Like are we gonna be using

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<v Speaker 1>my playlist? And the death? Like am I doing an

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<v Speaker 1>open casket? So I think it'd be a humbling experience

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<v Speaker 1>to do this simulator. Go do it and then go

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<v Speaker 1>to Chinchin for lunch, do you know what I mean? Like,

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<v Speaker 1>then go and enjoy your life or what it is,

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<v Speaker 1>Go and talk to your friends. It's a really great

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<v Speaker 1>way to like bring up the topic of death because

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<v Speaker 1>it's definitely I don't think we like talk about it,

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<v Speaker 1>and for good reason. There's a lot of like super

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<v Speaker 1>around talking about death, Like even now I think, so

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<v Speaker 1>even now me talking about it, I'm like, oh, am,

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<v Speaker 1>I like willing this into existence. If you believe in

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<v Speaker 1>manifestation and you talk about it too much.

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<v Speaker 2>And that's not how manifesting works. Well, I think it.

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<v Speaker 1>Is for something, Oh yeah, like if you if you

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<v Speaker 1>talk about something enough like you talk well, yeah, like

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<v Speaker 1>you've said to me before, if you keep saying that

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<v Speaker 1>thing about.

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<v Speaker 3>Yourself, yeah, but that's that's like neuroplasticity. I think that

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<v Speaker 3>the way you speak about yourself in particular informs the

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<v Speaker 3>way you see the world. Right, so your brain can't

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<v Speaker 3>tell the difference between reality and fantasy, and your subconscious

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<v Speaker 3>mind is storing everything you've ever seen, smell, touched, herd experience,

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<v Speaker 3>and is giving you and it's like processing the starter

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<v Speaker 3>in real time. So I think it's a waste of

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<v Speaker 3>your space to think so negatively or to say things negatively,

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<v Speaker 3>because even though you may not consciously think you feel

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<v Speaker 3>that way. Well, your brain is like, well, i've heard

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<v Speaker 3>you call yourself silly or as many times as I've

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<v Speaker 3>heard you call yourself smart and intelligent.

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<v Speaker 2>So so this at this point, but it's like a

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<v Speaker 2>random stab.

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<v Speaker 3>But I do I do believe people should should think

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<v Speaker 3>and speak really intentionally. But I don't want to scare

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<v Speaker 3>people into thinking like because you said it, it's gonna happen,

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<v Speaker 3>not everyone's like gifted.

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<v Speaker 1>Absolutely, but it's like it's like in the same vein

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<v Speaker 1>as touch Wood.

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<v Speaker 3>Yeah. Yeah, I think it's interesting because I used to

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<v Speaker 3>be really flippant with the media that I consume, but

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<v Speaker 3>hips the horror movies. I had like a small true

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<v Speaker 3>crime era, heaps of sad music. I was like, I

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<v Speaker 3>really want to go to a ghost tour type thing,

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<v Speaker 3>you know, all of those kinds of things that you

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<v Speaker 3>expose yourself to for a thrill. It's exciting to be

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<v Speaker 3>interacting with things that are so unique and rare, but

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<v Speaker 3>just knowing that your body can't tell the difference, you're

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<v Speaker 3>not leaving that experience going I need to deal with

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<v Speaker 3>that for a second. So you know how after you

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<v Speaker 3>watch a horror movie, you see the most insane, traumatic things.

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<v Speaker 3>You're scared, your cortisol levels are rising, you're grabbing your friend,

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<v Speaker 3>you're shaking.

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<v Speaker 2>At one point, you're actually like you're like really really scared.

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<v Speaker 3>You don't want to say anything, and you just leave

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<v Speaker 3>and go home and wonder why you're tense. The next day,

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<v Speaker 3>your heap's anxious, you keep having nightmares. And so when

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<v Speaker 3>I see this, when I hear about this experience, I'm like, Oh,

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<v Speaker 3>that's really interesting.

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<v Speaker 2>But I'm also like, is the payoff worthwhile.

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<v Speaker 3>Knowing? Because that's next level you're putting. I'm assuming it's

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<v Speaker 3>VR like you.

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<v Speaker 2>I think it must be.

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<v Speaker 3>So you've got a VR headset on that's letting you

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<v Speaker 3>see yourself from a bird's eye view. As people resuscitate you,

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<v Speaker 3>You're hearing yourself flatline. Everybody's freaking out. You go into space.

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<v Speaker 3>It sounds cool, but I'm just like, I've got already

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<v Speaker 3>layers and layers of stuff I gotta deal with, and

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<v Speaker 3>a whole lifetime of extra trauma to experience. I don't

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<v Speaker 3>think I can be playing around on a random Tuesday

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<v Speaker 3>with three me going.

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<v Speaker 2>Oh, put a die, let's die today.

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<v Speaker 1>I will say I agree with the horror movie stuff,

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<v Speaker 1>like I think I I reckon.

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<v Speaker 2>I've said it like ten times on this podcast.

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<v Speaker 1>But when I watched Black for eleventh eleven eleven, when

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<v Speaker 1>I would watch Black Mirror in the holidays, over summer

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<v Speaker 1>holidays and I just watched like three episodes in a row,

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<v Speaker 1>it was not good for me. It sent me into

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<v Speaker 1>a little mini episode of feeling shit. So yeah, I

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<v Speaker 1>like the idea of being a bit more conscious, particularly

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<v Speaker 1>about the scary stuff.

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<v Speaker 3>Yeah, we like gambling, but let's let's know that the

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<v Speaker 3>risk is worth it.

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<v Speaker 2>Oh, I'll be going to the death simulator. Oh, you

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<v Speaker 2>have to go if I can get it the next level.

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<v Speaker 3>But I'm just saying, I'm like, I'm freaking out now.

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<v Speaker 2>I'm like, oh, is it going to be worth it? Anyway?

0:10:40.280 --> 0:10:42.839
<v Speaker 2>We'll talk about later. You've been listening to the Flex

0:10:42.880 --> 0:10:44.240
<v Speaker 2>and Frooms Daily podcast.

0:10:44.480 --> 0:10:47.120
<v Speaker 1>For more, tune in de Caater on DAB or stream

0:10:47.120 --> 0:10:48.120
<v Speaker 1>it on iHeartRadio.