1 00:00:00,600 --> 00:00:04,760 Speaker 1: Same for another Fringe Festival act with Clazy and. 2 00:00:04,960 --> 00:00:08,840 Speaker 2: Lisa, Daniel Delby and McShane. You can catch two white 3 00:00:08,880 --> 00:00:11,879 Speaker 2: guys rapping whose Rhyme Is It Anyway? At the Wembley 4 00:00:12,039 --> 00:00:16,200 Speaker 2: Hotel tomorrow, the Greenwood Hotel on Thursday and the Stables 5 00:00:16,200 --> 00:00:19,439 Speaker 2: Bar Friday and Saturday. Tickets through Fringe world dot com 6 00:00:19,520 --> 00:00:20,000 Speaker 2: dot au. 7 00:00:20,440 --> 00:00:21,320 Speaker 3: And they were a snow. 8 00:00:21,160 --> 00:00:25,840 Speaker 2: Good morning, Hello, morning morning. Now this show has gone 9 00:00:26,200 --> 00:00:29,120 Speaker 2: off since the first time you did it. It's now 10 00:00:29,160 --> 00:00:32,600 Speaker 2: described as Eminem meets whose line Is it Anyway? 11 00:00:32,880 --> 00:00:34,960 Speaker 1: High praise, thank you. Yeah. 12 00:00:35,159 --> 00:00:36,680 Speaker 3: I just want to shout out my mum for her 13 00:00:36,720 --> 00:00:41,600 Speaker 3: Spaghetti's great. 14 00:00:41,880 --> 00:00:42,600 Speaker 1: It's been going great. 15 00:00:42,600 --> 00:00:43,400 Speaker 3: This friend phenomenal. 16 00:00:43,440 --> 00:00:46,760 Speaker 1: I've had full houses at six o'clock, which is yeah, 17 00:00:46,800 --> 00:00:47,440 Speaker 1: which is good. 18 00:00:47,520 --> 00:00:47,919 Speaker 2: That's good. 19 00:00:48,000 --> 00:00:49,600 Speaker 1: Yeah, it's a hard time to sell. 20 00:00:49,720 --> 00:00:51,519 Speaker 3: And the thing I think we love most about it 21 00:00:51,560 --> 00:00:54,200 Speaker 3: is every single show is different because it's all improvised 22 00:00:54,240 --> 00:00:54,600 Speaker 3: of course. 23 00:00:54,640 --> 00:00:56,960 Speaker 4: Yeah, yeah, yeah, there's a certain art to it. 24 00:00:57,000 --> 00:00:57,240 Speaker 3: Boys. 25 00:00:57,360 --> 00:00:59,600 Speaker 4: You just can't have an off night because you just 26 00:00:59,640 --> 00:01:00,720 Speaker 4: get show up every tirement. 27 00:01:01,000 --> 00:01:03,480 Speaker 1: Yeah we're a little bit weary. Yeah right, yeah, no 28 00:01:03,520 --> 00:01:07,840 Speaker 1: off nights. It's yeah when ADHD superpowered, so there's no yeah, 29 00:01:07,920 --> 00:01:09,120 Speaker 1: there's no off switch. 30 00:01:08,959 --> 00:01:10,840 Speaker 3: No way. We have to also commend the people of 31 00:01:10,880 --> 00:01:13,640 Speaker 3: Perth for all the strange and obscure items that they're 32 00:01:13,640 --> 00:01:16,399 Speaker 3: bringing to the shows for us to wrap about. We 33 00:01:16,480 --> 00:01:18,800 Speaker 3: encourage people to bring objects and kind of hold them 34 00:01:18,880 --> 00:01:20,640 Speaker 3: up in the crowd, so we have to find rhymes 35 00:01:20,640 --> 00:01:23,560 Speaker 3: for them, and we've seen some pretty interesting things. 36 00:01:23,800 --> 00:01:29,800 Speaker 1: Or people hold up other people. Remember that that was 37 00:01:30,400 --> 00:01:32,040 Speaker 1: the director's specially you missed it. 38 00:01:33,280 --> 00:01:34,759 Speaker 3: That was in the Bali rip off version. 39 00:01:35,080 --> 00:01:35,880 Speaker 4: It's in the long cut. 40 00:01:36,160 --> 00:01:40,759 Speaker 3: No. Somebody once actually unclipped their prosthetic leg halfway through 41 00:01:40,760 --> 00:01:41,800 Speaker 3: a show and handed it to me. 42 00:01:42,640 --> 00:01:43,880 Speaker 2: Legs rhyme with. 43 00:01:44,000 --> 00:01:46,320 Speaker 1: Yeah, well we have We went from showy to leggy. 44 00:01:48,160 --> 00:01:49,880 Speaker 1: It was good fun with those guys. Someone brought a 45 00:01:49,880 --> 00:01:54,440 Speaker 1: bond trip But who would have the best start about it? 46 00:01:54,440 --> 00:01:54,880 Speaker 2: It wasn't that. 47 00:01:56,520 --> 00:01:58,160 Speaker 3: The best part wasn't that they brought it to our 48 00:01:58,200 --> 00:01:59,960 Speaker 3: show was what they had to carry A boy? 49 00:02:02,640 --> 00:02:05,800 Speaker 4: Yeah, like that is funny. So is it on the 50 00:02:05,800 --> 00:02:07,800 Speaker 4: ticket where people are told to bring something, we. 51 00:02:07,880 --> 00:02:10,280 Speaker 1: Chuck it on. Yeah, we chuck it on the on 52 00:02:10,400 --> 00:02:12,840 Speaker 1: install all of our marketing and then people that have 53 00:02:12,880 --> 00:02:15,560 Speaker 1: been to it before they come't prepare the second time, 54 00:02:15,600 --> 00:02:18,119 Speaker 1: because we get lots of repeat people because, like we said, 55 00:02:18,440 --> 00:02:21,840 Speaker 1: it's different, so they can't prepare. We've got people bringing 56 00:02:21,919 --> 00:02:27,680 Speaker 1: like snorkels and scoop literally night it's also fun. 57 00:02:28,600 --> 00:02:30,480 Speaker 2: Do you get people to just throw out words as well? 58 00:02:30,680 --> 00:02:34,720 Speaker 1: Yes, we certainly do. Can we have a go, Yeah, definitely. 59 00:02:35,240 --> 00:02:37,320 Speaker 1: We call this one like flow of consciousness. 60 00:02:37,440 --> 00:02:40,639 Speaker 3: Especially, I call this one thankful that I had a 61 00:02:40,680 --> 00:02:41,720 Speaker 3: coffee doing this. 62 00:02:41,919 --> 00:02:43,760 Speaker 1: So if we're going to do this, if you want 63 00:02:43,800 --> 00:02:46,480 Speaker 1: to throw as a word, maybe mac Shane can go 64 00:02:46,840 --> 00:02:49,080 Speaker 1: throw another word in and I'll jump in the music. 65 00:02:49,600 --> 00:02:50,400 Speaker 1: Yeah far away. 66 00:02:50,440 --> 00:02:52,079 Speaker 3: Yeah, So we're just for those listening at home. We 67 00:02:52,200 --> 00:02:54,600 Speaker 3: basically just come up with wrap on the spot about 68 00:02:54,639 --> 00:02:57,520 Speaker 3: whatever we hear. So all right, let's let's hope we. 69 00:02:57,480 --> 00:03:02,239 Speaker 1: Can get shine your first anemone. 70 00:03:02,680 --> 00:03:04,959 Speaker 3: Look, okay, a lot of people know because I don't 71 00:03:05,000 --> 00:03:07,080 Speaker 3: want to be an enemy. You never get ahead of me. 72 00:03:07,120 --> 00:03:11,800 Speaker 3: I'm pedigree, like I'm in an enemy. 73 00:03:12,040 --> 00:03:15,239 Speaker 1: That would be And I'm Italian too, so my nana 74 00:03:15,360 --> 00:03:17,519 Speaker 1: used to make me mad Tiram Massoux. So if you 75 00:03:17,560 --> 00:03:19,760 Speaker 1: want some man you could taste. It's not true blues 76 00:03:19,880 --> 00:03:23,480 Speaker 1: or we said before that we're feeling really ready. I'm Italian, 77 00:03:23,480 --> 00:03:28,639 Speaker 1: so my not a spaghettis. 78 00:03:29,880 --> 00:03:31,040 Speaker 4: It's brilliant. 79 00:03:32,160 --> 00:03:38,160 Speaker 3: Shart and Freud, okay, amazing. Excuse me for a second. 80 00:03:38,200 --> 00:03:41,280 Speaker 3: I better beg your pardon. Boy, did you shout or Forest? 81 00:03:41,320 --> 00:03:43,800 Speaker 3: Because I'm quite annoyed or Shart and Freud. I mean, look, 82 00:03:43,840 --> 00:03:46,080 Speaker 3: I'd probably get a word in. But I get pleasure 83 00:03:46,120 --> 00:03:52,360 Speaker 3: from your misfortune because I'm German spinner. 84 00:03:52,760 --> 00:03:55,960 Speaker 1: So even what Shard and Freud is. But I'm starting 85 00:03:56,040 --> 00:03:59,080 Speaker 1: void to beiz. I feel like a spinner. I mind 86 00:03:59,120 --> 00:04:02,120 Speaker 1: my manners, ladies and gentlemen, I'm not in my manner, 87 00:04:02,240 --> 00:04:04,800 Speaker 1: so ladies, I mean thanks, I'm dan bro. 88 00:04:05,040 --> 00:04:07,080 Speaker 3: I'm getting I'm getting an amazing shot point. 89 00:04:09,720 --> 00:04:10,520 Speaker 1: This is what is shut? 90 00:04:11,520 --> 00:04:18,120 Speaker 3: Is it right? When you get pleasure from people's misfortune, you. 91 00:04:18,080 --> 00:04:21,320 Speaker 1: Go, oh wow, I read the I have the best words. 92 00:04:21,600 --> 00:04:22,240 Speaker 3: Yes, they do. 93 00:04:23,839 --> 00:04:25,200 Speaker 2: From someone's misfortune. 94 00:04:25,320 --> 00:04:29,000 Speaker 1: Yes, yeah, that's a lot of fringe shows. There's a 95 00:04:29,000 --> 00:04:31,240 Speaker 1: lot of fringe shows and people that go in they 96 00:04:31,240 --> 00:04:34,159 Speaker 1: spend twenty five bucks to watch an open and doing 97 00:04:34,120 --> 00:04:34,839 Speaker 1: an hour. 98 00:04:35,560 --> 00:04:41,359 Speaker 4: Just watching maths. That was one of the contestants. 99 00:04:46,200 --> 00:04:47,920 Speaker 3: As you guys can hear it like it's all made 100 00:04:47,960 --> 00:04:50,040 Speaker 3: up on the spots and weeks we're like laughing and 101 00:04:50,120 --> 00:04:53,480 Speaker 3: just vibing off each other. Yeah, and that's the whole show. 102 00:04:53,600 --> 00:04:57,840 Speaker 1: Ever goes wrong, like just that last wrap, then we 103 00:04:58,080 --> 00:05:00,640 Speaker 1: just literally like laughing. You acknowledg just that and then 104 00:05:00,680 --> 00:05:02,800 Speaker 1: you just keep moving for But the way that it 105 00:05:02,839 --> 00:05:06,000 Speaker 1: works in our brains, we actually when I first met 106 00:05:06,000 --> 00:05:08,960 Speaker 1: Matt Change, we had him on my podcast and I 107 00:05:09,000 --> 00:05:12,120 Speaker 1: asked him before I really knew him, so, how you freestyle? 108 00:05:12,360 --> 00:05:18,520 Speaker 1: He sort of sees it like tetris blocks. Yeah, but 109 00:05:18,560 --> 00:05:21,000 Speaker 1: mine is whatever the word is, I'll see it, but 110 00:05:21,120 --> 00:05:24,599 Speaker 1: I see the spelling. So if it's spanner, I'm seeing 111 00:05:24,640 --> 00:05:28,320 Speaker 1: a double N E R going out. But then sometimes 112 00:05:28,360 --> 00:05:31,120 Speaker 1: that stuffs up where I'm freestyling. And if you say tough, 113 00:05:31,160 --> 00:05:33,640 Speaker 1: because it's spelled t O U g H, I like 114 00:05:33,800 --> 00:05:35,119 Speaker 1: tough and then through. 115 00:05:40,560 --> 00:05:43,560 Speaker 4: Yeah, so my wife plays those word games online every morning. 116 00:05:43,800 --> 00:05:44,599 Speaker 4: You'd be brilliant of that. 117 00:05:44,720 --> 00:05:48,200 Speaker 1: Yeah, yeah, yeah, freestyle. I'm horrible. 118 00:05:49,800 --> 00:05:52,000 Speaker 2: That's amazing because I would have assumed it was just 119 00:05:52,000 --> 00:05:54,719 Speaker 2: sort of like looking for the rhyme immediately in your head, 120 00:05:54,760 --> 00:05:56,560 Speaker 2: you know, thinking of all the like you looked at 121 00:05:56,560 --> 00:05:58,120 Speaker 2: the list of all the words that rhymed with. 122 00:05:58,400 --> 00:06:01,880 Speaker 1: Yeah, I'll work backwards. Whatever my punchline word is going 123 00:06:01,920 --> 00:06:04,440 Speaker 1: to be, I'll be working and just hoping that it comes. 124 00:06:05,000 --> 00:06:07,760 Speaker 3: And I kind of see the It's it's weird to 125 00:06:07,839 --> 00:06:10,400 Speaker 3: actually unpack it and explain it, because for me, it's. 126 00:06:10,520 --> 00:06:11,359 Speaker 1: Actually a feeling. 127 00:06:12,279 --> 00:06:15,120 Speaker 3: It's weird to explain. It's like I know the sound 128 00:06:15,240 --> 00:06:17,279 Speaker 3: and the shape of the word, and I know that 129 00:06:17,320 --> 00:06:19,679 Speaker 3: I've read it, and I understand the definition of the word, 130 00:06:19,960 --> 00:06:21,760 Speaker 3: but I see it as like a block, and I'm like, well, 131 00:06:21,760 --> 00:06:24,400 Speaker 3: that blog fits with this, but if I move it here, 132 00:06:24,440 --> 00:06:26,200 Speaker 3: then there's these other three blocks. 133 00:06:25,920 --> 00:06:28,040 Speaker 1: It fits with. That's the best thing that Because it's 134 00:06:28,080 --> 00:06:30,320 Speaker 1: a linguistics I used to be a teacher in old 135 00:06:30,320 --> 00:06:33,680 Speaker 1: freestyle for a lot of them goes, so how do 136 00:06:33,720 --> 00:06:34,920 Speaker 1: you do that? I said, well, you need a big 137 00:06:35,000 --> 00:06:38,920 Speaker 1: vocabulary because what's that. 138 00:06:39,720 --> 00:06:41,520 Speaker 4: I'm thinking removals. 139 00:06:41,560 --> 00:06:41,680 Speaker 3: Mate. 140 00:06:41,680 --> 00:06:42,080 Speaker 4: If you've got. 141 00:06:43,680 --> 00:06:46,160 Speaker 3: You find the space, I'll fill it. I actually did 142 00:06:46,160 --> 00:06:49,560 Speaker 3: a ted X talk on freestyle and how it works 143 00:06:49,560 --> 00:06:51,640 Speaker 3: for me, so people are interested in check it out. 144 00:06:52,560 --> 00:06:55,640 Speaker 2: Make suy, you've got another show, haven't you called a 145 00:06:55,760 --> 00:06:56,880 Speaker 2: tension rap? 146 00:06:57,279 --> 00:06:58,880 Speaker 1: Yeah? So close. 147 00:06:59,040 --> 00:07:02,880 Speaker 3: Deficit attention definite rap disorder and it's all in the title. 148 00:07:04,120 --> 00:07:07,320 Speaker 3: So it's literally me just unclocking the limits of I 149 00:07:07,320 --> 00:07:09,800 Speaker 3: guess what I can do with rap, but I it's 150 00:07:09,880 --> 00:07:12,800 Speaker 3: kind of I become wrap GPT because I get people 151 00:07:12,880 --> 00:07:17,080 Speaker 3: to text in with their phones, live on screen topics ideas, 152 00:07:17,080 --> 00:07:18,560 Speaker 3: and I react to them all live. 153 00:07:19,040 --> 00:07:20,720 Speaker 1: I become characters. 154 00:07:23,000 --> 00:07:33,240 Speaker 3: Matchane or Machine. 155 00:07:28,000 --> 00:07:31,520 Speaker 1: That's She's cheap. 156 00:07:34,120 --> 00:07:37,280 Speaker 3: Show that we do is and even your solo ones 157 00:07:37,320 --> 00:07:39,600 Speaker 3: as well. They're all different because we just we can't 158 00:07:39,640 --> 00:07:41,840 Speaker 3: do the same thing every night because we'll go insane. 159 00:07:41,960 --> 00:07:43,400 Speaker 3: We we love improv and. 160 00:07:43,480 --> 00:07:46,640 Speaker 2: So it's it's I guess it's risky, but it's how 161 00:07:46,680 --> 00:07:48,280 Speaker 2: you know you're going to make it interesting, because if 162 00:07:48,280 --> 00:07:50,320 Speaker 2: you make it interesting for yourself, that it's going to 163 00:07:50,320 --> 00:07:51,240 Speaker 2: be interesting for everyone there. 164 00:07:51,320 --> 00:07:54,520 Speaker 1: Yea. And it's always different, So like we just don't like. 165 00:07:54,520 --> 00:07:57,560 Speaker 3: Doing the same and it's so rewarding when when it 166 00:07:57,600 --> 00:08:00,440 Speaker 3: does hit, And I think that's the greatest pleas that 167 00:08:00,520 --> 00:08:04,240 Speaker 3: we gain from this team, like Sharldon Troll, Yes, because 168 00:08:04,240 --> 00:08:07,560 Speaker 3: we're on a knife's edge constantly going is this going 169 00:08:07,600 --> 00:08:09,080 Speaker 3: to rhyme? Or what word are they going to give us? 170 00:08:09,080 --> 00:08:11,120 Speaker 3: But when we get it, it's that feeling of like 171 00:08:11,440 --> 00:08:14,680 Speaker 3: awesome and they laugh we all did the power and we. 172 00:08:14,640 --> 00:08:16,160 Speaker 1: Don't get it. It's funny as well. 173 00:08:18,480 --> 00:08:21,000 Speaker 4: Yeah, yeah, and for people to see right now, they 174 00:08:21,040 --> 00:08:22,920 Speaker 4: can't see it, but they probably feel that your energy, 175 00:08:22,960 --> 00:08:25,120 Speaker 4: your nervous energy with each other is palpable. 176 00:08:25,280 --> 00:08:25,520 Speaker 1: Yeah. 177 00:08:25,560 --> 00:08:27,120 Speaker 4: But at the end of a gig, you guys like 178 00:08:27,440 --> 00:08:29,560 Speaker 4: the red Hot Chili Peppers after Woodstock ninety nine, are 179 00:08:29,600 --> 00:08:31,360 Speaker 4: you stuffed? We've got a. 180 00:08:31,280 --> 00:08:34,679 Speaker 1: Different direction there. Yeah. I do three in a row. 181 00:08:34,760 --> 00:08:37,360 Speaker 1: So I started at six o'clock with this fifty minutes, 182 00:08:37,400 --> 00:08:39,760 Speaker 1: I think, ten minute break, then I'll do my solo 183 00:08:39,800 --> 00:08:42,160 Speaker 1: show thirty three single turm minute break, and then i 184 00:08:42,240 --> 00:08:44,480 Speaker 1: do my new show hashtag that. So I'm on stage 185 00:08:44,480 --> 00:08:47,440 Speaker 1: for three hours, yes row, and then after that. 186 00:08:48,440 --> 00:08:50,319 Speaker 3: I think Monday is when it hits me because I 187 00:08:50,640 --> 00:08:53,120 Speaker 3: keep rolling through it and then obviously you know it's 188 00:08:53,160 --> 00:08:54,400 Speaker 3: a weekend. Of course, I want to hang out with 189 00:08:54,400 --> 00:08:56,319 Speaker 3: my friends, I want to have a nice dinner, and 190 00:08:57,440 --> 00:08:58,839 Speaker 3: I hang out with the partner and everything, and then 191 00:08:59,000 --> 00:09:03,240 Speaker 3: by Monday morning, like it all then happens. Yeah, and 192 00:09:03,360 --> 00:09:06,319 Speaker 3: even on a Tuesday morning, I may have gotten out 193 00:09:06,320 --> 00:09:09,439 Speaker 3: of bed thirteen minutes before this radio session doing the 194 00:09:09,480 --> 00:09:10,640 Speaker 3: brain very well. 195 00:09:10,679 --> 00:09:14,080 Speaker 2: Yeah, well too, White guys wrapping whose rhyme is it? Anyway? 196 00:09:14,160 --> 00:09:14,320 Speaker 3: Is it? 197 00:09:14,360 --> 00:09:17,000 Speaker 2: The Wembley tomorrow, the Greenwood on Thursday and the Stables 198 00:09:17,040 --> 00:09:19,959 Speaker 2: by Friday and Saturday. Tickets and through fringeworld, dot com, 199 00:09:20,000 --> 00:09:22,480 Speaker 2: dot a. You do not miss it. Thank you so 200 00:09:22,559 --> 00:09:23,559 Speaker 2: much for coming here. 201 00:09:23,559 --> 00:09:25,720 Speaker 1: Thank you guys out quick so get your tickets. 202 00:09:26,240 --> 00:09:29,000 Speaker 3: Yeah to see you and here you boy awesome. Thank 203 00:09:29,040 --> 00:09:29,640 Speaker 3: you again,