1 00:00:00,600 --> 00:00:05,560 Speaker 1: Christ Yeah, welcome friends to the Christian O'Connell's Show podcast. 2 00:00:07,880 --> 00:00:10,240 Speaker 2: And I said, that is that's a nomadic act. 3 00:00:11,080 --> 00:00:13,680 Speaker 3: I am the only responsible nose in the house. 4 00:00:14,360 --> 00:00:18,320 Speaker 4: I don't trust people, players, or indeed muppets that change codes. 5 00:00:18,440 --> 00:00:21,360 Speaker 1: So Christian O'Connell gold one O four by. 6 00:00:22,000 --> 00:00:24,560 Speaker 4: Hey, good morning's ten minus bout six. Well, wenesday morning, 7 00:00:24,560 --> 00:00:27,400 Speaker 4: it's to Christian O'Connell's showing gold. Good morning, Patsy, morning, 8 00:00:27,520 --> 00:00:30,520 Speaker 4: good morning Jack, guys, Patsy, how's your day? Yesterday? 9 00:00:31,040 --> 00:00:33,240 Speaker 2: I had one of those days yesterday where I just 10 00:00:33,320 --> 00:00:35,680 Speaker 2: wanted to wave the surrender flag and go home to 11 00:00:35,760 --> 00:00:36,760 Speaker 2: bed in the middle of the day. 12 00:00:36,920 --> 00:00:39,199 Speaker 4: This is not, Patsy. You do not surrender? Do you 13 00:00:39,320 --> 00:00:39,960 Speaker 4: do not yield? 14 00:00:40,240 --> 00:00:42,000 Speaker 5: Well, I was ready to yesterday. 15 00:00:42,680 --> 00:00:44,960 Speaker 2: I was doing a million things. Audrey was home sick 16 00:00:45,000 --> 00:00:46,959 Speaker 2: from school. I had to leave work early to get 17 00:00:47,000 --> 00:00:50,959 Speaker 2: home so Chris could go to work. And I had 18 00:00:51,040 --> 00:00:54,080 Speaker 2: to very urgently post this next day parcel or it 19 00:00:54,080 --> 00:00:55,080 Speaker 2: wouldn't get there in time. 20 00:00:55,120 --> 00:00:57,080 Speaker 4: And is it another one of your hate letters to 21 00:00:57,160 --> 00:01:00,600 Speaker 4: somebody wanting it's not that who's the one to me? 22 00:01:02,120 --> 00:01:04,520 Speaker 3: One of those ones that they keep sending to quarantine 23 00:01:05,400 --> 00:01:08,120 Speaker 3: Sometimes just. 24 00:01:08,160 --> 00:01:10,040 Speaker 4: Hands it to me, run in front of my face. 25 00:01:10,319 --> 00:01:11,480 Speaker 4: Hate mail, call me to you. 26 00:01:13,800 --> 00:01:14,880 Speaker 5: Anyway, So I quickly. 27 00:01:16,280 --> 00:01:18,959 Speaker 4: You always want a Tuesday is cheaper sort to send 28 00:01:19,000 --> 00:01:22,480 Speaker 4: them my hate mail? Dan and Jewice you know he's 29 00:01:22,560 --> 00:01:23,400 Speaker 4: no longer. It doesn't matter. 30 00:01:23,600 --> 00:01:24,960 Speaker 5: Well it worked, might work with you. 31 00:01:29,319 --> 00:01:30,800 Speaker 4: Good morning, good morning. 32 00:01:31,319 --> 00:01:31,360 Speaker 6: No. 33 00:01:31,600 --> 00:01:34,480 Speaker 2: So I dropped off at the post office to put 34 00:01:34,880 --> 00:01:37,840 Speaker 2: you know those yellow those big yellow mailboxes where you 35 00:01:37,880 --> 00:01:39,680 Speaker 2: put the guaranteed next day envelopes in. 36 00:01:39,760 --> 00:01:43,039 Speaker 5: They have their they're so special, they have their own mailbox, 37 00:01:43,120 --> 00:01:47,400 Speaker 5: the yellow ones express. Yeah, and it's got that labors 38 00:01:47,600 --> 00:01:48,320 Speaker 5: that use. 39 00:01:48,280 --> 00:01:50,960 Speaker 4: Five sentences when you can use this word, I'm Jack 40 00:01:51,040 --> 00:01:51,920 Speaker 4: trying to edit her down. 41 00:01:53,240 --> 00:01:56,600 Speaker 2: I won't be edited anyway. You have to pull down 42 00:01:56,640 --> 00:01:59,840 Speaker 2: the lever, don't you two to put the parcel in. 43 00:02:00,320 --> 00:02:02,240 Speaker 2: Only I had so in my right hand. I had 44 00:02:02,280 --> 00:02:04,560 Speaker 2: my car keys and the parcel, and then I had 45 00:02:04,600 --> 00:02:06,960 Speaker 2: my handbag and I got a a. 46 00:02:07,000 --> 00:02:08,880 Speaker 5: Roach of tea. I've got a tea as well, because 47 00:02:08,880 --> 00:02:09,760 Speaker 5: I was thirsty anyway. 48 00:02:10,040 --> 00:02:12,240 Speaker 4: So what I did too much going on the hands, 49 00:02:12,280 --> 00:02:12,560 Speaker 4: isn't it? 50 00:02:12,720 --> 00:02:12,919 Speaker 7: I know? 51 00:02:13,400 --> 00:02:15,520 Speaker 2: So what I did when I put the handle down 52 00:02:15,560 --> 00:02:18,959 Speaker 2: and chucked the package in, I didn't realize I also 53 00:02:19,040 --> 00:02:22,160 Speaker 2: had my car keys, so my car keys also went. 54 00:02:23,600 --> 00:02:30,680 Speaker 3: That youre on you, it's not coming up, and I could. 55 00:02:30,600 --> 00:02:32,560 Speaker 5: Like they hit the side of of the. 56 00:02:34,320 --> 00:02:36,400 Speaker 4: And then a nice little kind of next way with them. 57 00:02:36,680 --> 00:02:38,639 Speaker 4: I can imagine it's sort of sifting through all the 58 00:02:38,680 --> 00:02:41,160 Speaker 4: different packages in there for goodness sake. 59 00:02:41,680 --> 00:02:45,000 Speaker 2: And then there was a bless him, a beautiful elderly man, 60 00:02:45,080 --> 00:02:47,120 Speaker 2: you know, one of those ones that just walks the 61 00:02:47,160 --> 00:02:51,960 Speaker 2: streets because he's retired and like he's a people watcher, 62 00:02:52,000 --> 00:02:54,640 Speaker 2: aren't they. There's always one in the in the suburbs. 63 00:02:54,720 --> 00:02:59,480 Speaker 4: I do what I mean, there is some He's actually 64 00:02:59,520 --> 00:03:01,760 Speaker 4: got a car boy hat, right, and he's always there 65 00:03:02,120 --> 00:03:06,320 Speaker 4: seven days a week, and he raises his hat everyone 66 00:03:07,280 --> 00:03:11,000 Speaker 4: everyone he sees. Sometimes I'm driving by, like, oh god, 67 00:03:11,040 --> 00:03:12,880 Speaker 4: there he is, and he's still waving his hat, raising 68 00:03:12,960 --> 00:03:15,160 Speaker 4: his hat. But yeah, there are those certain age where 69 00:03:15,400 --> 00:03:17,120 Speaker 4: they do just sort of patrol the streets. 70 00:03:17,400 --> 00:03:18,960 Speaker 3: Donny, what are you going to do with him? Send 71 00:03:19,040 --> 00:03:22,400 Speaker 3: him into the letter boon He was steady. 72 00:03:22,080 --> 00:03:27,920 Speaker 4: Pull him into it in old timer bones crunch. 73 00:03:28,560 --> 00:03:30,880 Speaker 2: No, he was standing there with his thumbs tucked into 74 00:03:30,919 --> 00:03:34,120 Speaker 2: the front of his trousers, very daptly dressed. 75 00:03:34,160 --> 00:03:37,880 Speaker 4: I might say, a good looking did a man explaining and. 76 00:03:37,960 --> 00:03:40,120 Speaker 2: He's just standing there and he goes, oh, that'll do it, 77 00:03:40,720 --> 00:03:42,920 Speaker 2: And I said, yeah, I know that that was my keys. 78 00:03:42,960 --> 00:03:45,400 Speaker 5: What am I going to do? And he said, oh, gee, lady. 79 00:03:45,960 --> 00:03:48,119 Speaker 4: So I had to go into he was a time 80 00:03:48,200 --> 00:03:49,160 Speaker 4: traveler from a different era. 81 00:03:49,400 --> 00:03:52,120 Speaker 2: Was he to go into the post office and explain 82 00:03:52,240 --> 00:03:55,440 Speaker 2: to the man behind the counter of accidentally throwing my 83 00:03:55,560 --> 00:03:57,440 Speaker 2: car keys into the mail wait there going. 84 00:03:57,360 --> 00:03:58,800 Speaker 4: Out on the street. I thought he was put into 85 00:03:58,800 --> 00:04:01,880 Speaker 4: a story like he helps he's watching, right, ok so 86 00:04:01,920 --> 00:04:04,800 Speaker 4: we're going to get it out. When the description of 87 00:04:04,920 --> 00:04:08,760 Speaker 4: all relevant characters in the scene, he wasn't going to 88 00:04:08,800 --> 00:04:10,960 Speaker 4: turn out to be the hero. No, No, he really 89 00:04:10,960 --> 00:04:11,760 Speaker 4: watch his wondering. 90 00:04:12,960 --> 00:04:14,760 Speaker 3: Just in case you guys don't believe me, sorry, here's 91 00:04:14,760 --> 00:04:15,800 Speaker 3: the number of strange. 92 00:04:16,800 --> 00:04:18,960 Speaker 4: So he's just wandering this story and bit no. 93 00:04:19,080 --> 00:04:20,880 Speaker 2: But it's like he had nothing better to do because 94 00:04:20,920 --> 00:04:23,320 Speaker 2: he stood there the whole time until I got my keys. 95 00:04:23,080 --> 00:04:25,400 Speaker 5: Out right, okay, And so I had to get the. 96 00:04:25,480 --> 00:04:28,160 Speaker 2: Men to open the mailbox. And mind you, Chris was 97 00:04:28,200 --> 00:04:30,160 Speaker 2: texting me saying, I've got a meeting. You need to 98 00:04:30,200 --> 00:04:32,080 Speaker 2: get home so you can watch Audrey. So it was 99 00:04:32,200 --> 00:04:35,480 Speaker 2: just it was just one of those days you got 100 00:04:35,520 --> 00:04:37,280 Speaker 2: the keys out though I've got the keys there, we 101 00:04:37,440 --> 00:04:40,200 Speaker 2: go there and that was in real time. 102 00:04:40,240 --> 00:04:43,640 Speaker 1: Guys, the Christian O'Connell show podcast. 103 00:04:43,640 --> 00:04:46,600 Speaker 4: Let's check in with Jackie Boy. How is the house 104 00:04:46,839 --> 00:04:48,839 Speaker 4: that was marinading in its own sewage? 105 00:04:49,080 --> 00:04:50,920 Speaker 3: I think this smell is down to that is in 106 00:04:51,000 --> 00:04:51,480 Speaker 3: a nutshell. 107 00:04:51,880 --> 00:04:53,920 Speaker 4: We we just heard this show first time, going wait, 108 00:04:54,080 --> 00:04:55,680 Speaker 4: what if I hell have I missed? 109 00:04:55,720 --> 00:04:56,000 Speaker 8: Going on? 110 00:04:56,120 --> 00:04:56,280 Speaker 7: Here? 111 00:04:56,360 --> 00:04:57,920 Speaker 3: It was there was no part of the house where 112 00:04:57,920 --> 00:05:01,120 Speaker 3: you could escape. This smell of the sewage that had 113 00:05:01,240 --> 00:05:05,120 Speaker 3: overflowed over the weekend went underneath the house, and then 114 00:05:05,240 --> 00:05:09,159 Speaker 3: even after the plumber had come out and unblocked the blockage, 115 00:05:09,640 --> 00:05:13,200 Speaker 3: the sewage just stayed there marinating. So the house is 116 00:05:13,240 --> 00:05:14,920 Speaker 3: stung for a few days. I think it's down to 117 00:05:15,240 --> 00:05:17,679 Speaker 3: I would say less than five percent of the wicked 118 00:05:17,760 --> 00:05:20,400 Speaker 3: smell that we had on Sunday. So it's livable now. 119 00:05:20,920 --> 00:05:23,400 Speaker 3: It's ready for people on the weekend. If you guys 120 00:05:23,440 --> 00:05:25,560 Speaker 3: were to come around, you'd barely smell a thing. 121 00:05:26,240 --> 00:05:28,960 Speaker 4: Producer Rio said, So, Patsy, he goes, and what about 122 00:05:29,000 --> 00:05:31,800 Speaker 4: your baby son, how's he with the smell? And you see, 123 00:05:31,839 --> 00:05:33,800 Speaker 4: that's some one who hasn't got kids because the sixteen 124 00:05:33,960 --> 00:05:35,600 Speaker 4: a month old love was just crapping in their own 125 00:05:35,640 --> 00:05:38,839 Speaker 4: pants and thinks the whole world should smell of doodo. 126 00:05:39,480 --> 00:05:41,960 Speaker 4: So actually it's gone at last, this house has really 127 00:05:42,000 --> 00:05:42,680 Speaker 4: got my essence. 128 00:05:42,720 --> 00:05:46,400 Speaker 3: And he smells like that every month, and actually probably 129 00:05:46,440 --> 00:05:49,360 Speaker 3: took as longer to identify that there was a sewage blockage, 130 00:05:49,520 --> 00:05:51,039 Speaker 3: because as if the house just. 131 00:05:51,080 --> 00:05:53,880 Speaker 4: Sometimes smells like that, always dropped another one, and you. 132 00:05:53,960 --> 00:05:55,440 Speaker 3: Just you get used to putting up with it a 133 00:05:55,480 --> 00:05:57,480 Speaker 3: little bit like, yeah, he's probably we can probably keep 134 00:05:57,520 --> 00:05:59,280 Speaker 3: in mind this for another hour before we have to 135 00:05:59,360 --> 00:06:02,240 Speaker 3: change it is going to do another one anyway. The 136 00:06:02,600 --> 00:06:06,280 Speaker 3: thing is, as I explained yesterday, we're all connected with 137 00:06:06,520 --> 00:06:08,880 Speaker 3: four houses on the street with this sewage line. So 138 00:06:09,040 --> 00:06:11,320 Speaker 3: when we were blocked yesterday, we were the first house 139 00:06:11,360 --> 00:06:13,640 Speaker 3: to get blocked, but it would have slowly blocked our 140 00:06:13,720 --> 00:06:15,680 Speaker 3: next door neighbor and their neighbor and would. 141 00:06:15,520 --> 00:06:17,920 Speaker 4: Become your problem, would have been your neighbour's problem at 142 00:06:17,960 --> 00:06:18,320 Speaker 4: some point. 143 00:06:18,600 --> 00:06:22,920 Speaker 3: Yes, effect yeah, our neighbors said that it happened about 144 00:06:22,960 --> 00:06:24,720 Speaker 3: five years ago before we lived in the house, and 145 00:06:24,800 --> 00:06:28,720 Speaker 3: because we're downhill from the other properties. We find out 146 00:06:28,760 --> 00:06:31,159 Speaker 3: that something's blocked first, and then they all slowly get blocked. 147 00:06:31,200 --> 00:06:33,520 Speaker 4: So what is it all your pipes interconnection and there's 148 00:06:33,600 --> 00:06:36,240 Speaker 4: one kind of giant tank. Yes, then all your waist 149 00:06:36,360 --> 00:06:37,000 Speaker 4: goes into. 150 00:06:37,480 --> 00:06:40,440 Speaker 3: No, then it shoots out into the system that goes. 151 00:06:40,560 --> 00:06:42,360 Speaker 3: I don't have no idea where it goes where. 152 00:06:42,520 --> 00:06:43,800 Speaker 4: I don't know. I don't know where it goes. I 153 00:06:43,880 --> 00:06:45,839 Speaker 4: presume it all just goes. When I flush a toilet, 154 00:06:45,880 --> 00:06:47,720 Speaker 4: I hope it goes past Patsy's house or into it. 155 00:06:48,400 --> 00:06:51,040 Speaker 3: Yeah, it does go to where is that? 156 00:06:51,120 --> 00:06:51,360 Speaker 4: A bit? 157 00:06:51,640 --> 00:06:52,840 Speaker 5: It goes to the treatment plant. 158 00:06:52,920 --> 00:06:56,679 Speaker 3: Okay, so it eventually goes into the system underneath the street, 159 00:06:56,760 --> 00:06:59,359 Speaker 3: but it goes into this pit in my neighbor's backyard 160 00:06:59,400 --> 00:07:01,240 Speaker 3: before it all go down one tube and out to wherever. 161 00:07:02,040 --> 00:07:05,960 Speaker 3: So I thought that because it was I was unblocking 162 00:07:06,120 --> 00:07:08,040 Speaker 3: a problem that would have been for all four houses. 163 00:07:08,120 --> 00:07:10,520 Speaker 3: Maybe we would share the cost of the emergency plumber 164 00:07:10,560 --> 00:07:14,640 Speaker 3: who came out on Sunday, which, by the way, four 165 00:07:14,680 --> 00:07:16,040 Speaker 3: figures four. 166 00:07:16,400 --> 00:07:19,680 Speaker 4: Yeah, of course on Sunday, five hours on Sunday, and. 167 00:07:19,800 --> 00:07:21,720 Speaker 3: All the tools he bought, the truck he bought fair enough? 168 00:07:21,840 --> 00:07:24,560 Speaker 4: Was he challenging you pocha and the truck called that 169 00:07:24,600 --> 00:07:26,000 Speaker 4: one two hundred, but I didn't get that one out. 170 00:07:26,120 --> 00:07:27,160 Speaker 4: I called it hundred anyway. 171 00:07:28,880 --> 00:07:32,640 Speaker 3: I texted my neighbor last night, No, actually the night before. 172 00:07:32,760 --> 00:07:34,520 Speaker 3: So now it's been about thirty six hours. 173 00:07:34,680 --> 00:07:36,520 Speaker 5: And this is not a discussion you want when you're 174 00:07:36,600 --> 00:07:37,160 Speaker 5: new to the name. 175 00:07:37,280 --> 00:07:39,440 Speaker 4: No, no, because it's about money. 176 00:07:39,560 --> 00:07:43,200 Speaker 3: Yeah, I say, I said, Hey, Jeff, as you know, 177 00:07:43,400 --> 00:07:44,640 Speaker 3: we're all sharing. 178 00:07:44,400 --> 00:07:48,280 Speaker 4: A discrimation mirk or Connor. After Hey, Jeff, No, I tried, Jeff, 179 00:07:48,320 --> 00:07:50,480 Speaker 4: you should have sung it don't know funny Jackie White 180 00:07:50,520 --> 00:07:54,040 Speaker 4: parody song. He Jeff, don't take a sad. 181 00:07:55,680 --> 00:07:57,560 Speaker 3: I said, because he's lived there for more than twenty 182 00:07:57,640 --> 00:07:59,960 Speaker 3: years and he knows that the houses have had problems 183 00:08:00,080 --> 00:08:02,720 Speaker 3: in the past. I said, how in the past, how 184 00:08:02,800 --> 00:08:07,160 Speaker 3: have you divided up the cost of that's something like this? 185 00:08:08,000 --> 00:08:09,760 Speaker 3: Nothing for thirty six hours now. 186 00:08:10,760 --> 00:08:12,560 Speaker 5: Hasn't responded, It hasn't responded. 187 00:08:12,640 --> 00:08:14,520 Speaker 4: I do not trust Jeff's for two f's. 188 00:08:15,160 --> 00:08:17,160 Speaker 3: So what now what do I do? I don't want 189 00:08:17,160 --> 00:08:21,040 Speaker 3: to have to go and do say Jeff, I know, 190 00:08:21,320 --> 00:08:24,000 Speaker 3: I look, this text message has been sitting in your 191 00:08:24,000 --> 00:08:26,600 Speaker 3: phone now for two days. What's your answer? 192 00:08:26,640 --> 00:08:28,760 Speaker 4: You've got two choices here. You either do go around 193 00:08:28,920 --> 00:08:32,160 Speaker 4: and have you know, a constructed conversation, or you send 194 00:08:32,200 --> 00:08:34,280 Speaker 4: you a message today going have you had a chance 195 00:08:34,360 --> 00:08:35,000 Speaker 4: ever think about this? 196 00:08:35,679 --> 00:08:37,800 Speaker 3: I there's an option three as well, and. 197 00:08:37,880 --> 00:08:38,360 Speaker 4: Not ignore it. 198 00:08:38,559 --> 00:08:42,720 Speaker 3: Yeah no Jack, No, Jack, non suffered. 199 00:08:42,760 --> 00:08:46,559 Speaker 4: The poo will build up, jacket will come back upstream 200 00:08:46,720 --> 00:08:50,120 Speaker 4: at some point. That's not a confrontation. I just don't 201 00:08:50,160 --> 00:08:52,760 Speaker 4: turn into confrontation. Just send it Bankstrom and put it 202 00:08:52,800 --> 00:08:54,160 Speaker 4: back on him, going, hey, have your a chance to 203 00:08:54,200 --> 00:08:54,760 Speaker 4: ever think about it? 204 00:08:56,160 --> 00:08:58,719 Speaker 3: Very well and truly in his court? Everybody knows what 205 00:08:58,800 --> 00:09:01,160 Speaker 3: text messages you don't. You don't do two in a row. 206 00:09:01,520 --> 00:09:05,160 Speaker 4: Really don't do what you do? You're you're good at sort. 207 00:09:05,040 --> 00:09:08,400 Speaker 5: Of you know what I would do? I would No, 208 00:09:09,880 --> 00:09:12,560 Speaker 5: I would put. 209 00:09:11,440 --> 00:09:13,559 Speaker 3: A turn on his doorstead what more of these. 210 00:09:15,679 --> 00:09:15,920 Speaker 7: About? 211 00:09:16,520 --> 00:09:17,240 Speaker 4: While you're doing it. 212 00:09:17,600 --> 00:09:20,320 Speaker 5: In his shoe box? I would like to know where 213 00:09:20,559 --> 00:09:23,479 Speaker 5: I stood legally before I started. 214 00:09:27,200 --> 00:09:30,360 Speaker 4: Turning up with a judge saying that I serve this 215 00:09:30,840 --> 00:09:33,920 Speaker 4: this you've you've been served. But I would want to 216 00:09:34,040 --> 00:09:35,439 Speaker 4: know do this fourth way. 217 00:09:35,640 --> 00:09:38,679 Speaker 5: I would want to know who's liable, Like, where does 218 00:09:38,760 --> 00:09:41,760 Speaker 5: it stand? Who should pay? Is there someone that can 219 00:09:41,840 --> 00:09:42,559 Speaker 5: give you advice. 220 00:09:42,679 --> 00:09:47,320 Speaker 4: Don't there's not some sort of sewage ombers mean? Actually 221 00:09:48,160 --> 00:09:51,080 Speaker 4: that proper is This is. 222 00:09:51,160 --> 00:09:53,400 Speaker 1: The Christian O'Connell show podcast. 223 00:09:53,960 --> 00:09:57,360 Speaker 4: Christian, I agree with pats Jack needs so listener, Jack 224 00:09:57,360 --> 00:09:59,880 Speaker 4: should find it where he stands legally before chapter's name 225 00:10:00,960 --> 00:10:04,520 Speaker 4: go to the council. He ain't doing that. The person 226 00:10:04,559 --> 00:10:07,000 Speaker 4: who drew that little map that he mentioned yesterday may 227 00:10:07,120 --> 00:10:08,880 Speaker 4: not have had a clue what they were talking about. 228 00:10:09,040 --> 00:10:12,480 Speaker 4: You reckon, or maybe the neighbor, actually the neighbors actually 229 00:10:12,600 --> 00:10:17,240 Speaker 4: drew the diagram. Trust nobody, Jack Kareny can't walk through 230 00:10:17,320 --> 00:10:20,719 Speaker 4: life like that. Come on another one here. Patsy is 231 00:10:20,760 --> 00:10:24,120 Speaker 4: dead right, always is. Check who is libel? Could end 232 00:10:24,200 --> 00:10:25,640 Speaker 4: up being the water authority? 233 00:10:25,960 --> 00:10:27,640 Speaker 3: But who do you call? What lawyer? 234 00:10:27,720 --> 00:10:28,000 Speaker 4: I mean. 235 00:10:29,559 --> 00:10:32,600 Speaker 3: You see lots of law like injury lawyers, accident lawyers. 236 00:10:32,640 --> 00:10:34,160 Speaker 3: I never see poo busting lawyers. 237 00:10:34,520 --> 00:10:37,319 Speaker 4: But it'd be a property right thing, would it? 238 00:10:37,440 --> 00:10:40,160 Speaker 5: I guess maybe the property council of I'll have a 239 00:10:40,200 --> 00:10:40,760 Speaker 5: look and all. 240 00:10:41,760 --> 00:10:43,600 Speaker 4: I always think of the situation this, what would an 241 00:10:43,600 --> 00:10:44,040 Speaker 4: adult do? 242 00:10:44,920 --> 00:10:45,040 Speaker 9: Oh? 243 00:10:45,120 --> 00:10:47,360 Speaker 4: Google it? Why can't there be a thing like ask jeeves? 244 00:10:47,480 --> 00:10:48,240 Speaker 4: Ask adults? 245 00:10:49,920 --> 00:10:53,560 Speaker 1: You're listening to the Christian o Carl Show Podcast two. 246 00:10:53,440 --> 00:10:56,800 Speaker 4: Eas tomorrow them. We don't fully have a cast, we 247 00:10:56,880 --> 00:10:59,480 Speaker 4: don't fully have a script. We've got one song, we 248 00:10:59,640 --> 00:11:03,480 Speaker 4: need three more. We're putting on our own musical for you. 249 00:11:03,720 --> 00:11:05,320 Speaker 4: So if you are back in the day at school, 250 00:11:05,360 --> 00:11:07,840 Speaker 4: if you didn't let me pass the audition for your 251 00:11:07,920 --> 00:11:10,200 Speaker 4: high school play, or you didn't even go for the audition, 252 00:11:10,320 --> 00:11:12,000 Speaker 4: this is for you. It's a do over. It is 253 00:11:12,040 --> 00:11:14,600 Speaker 4: a high school play, but for grown ups. Forget about Grease. 254 00:11:15,120 --> 00:11:17,520 Speaker 4: We have our own one Grousey musical setting the ages 255 00:11:17,559 --> 00:11:19,319 Speaker 4: here in Australia and you can be in it. 256 00:11:19,559 --> 00:11:24,599 Speaker 6: Grousy no work, not what you heard. It's a barony, 257 00:11:24,880 --> 00:11:26,480 Speaker 6: folly reason. 258 00:11:30,480 --> 00:11:34,640 Speaker 8: It's not a failure. The casting, even. 259 00:11:37,080 --> 00:11:40,839 Speaker 4: Auditions are four losers. Pick your own part at the moment, 260 00:11:40,920 --> 00:11:43,240 Speaker 4: Jack your boy, how many Dannies do we have? How 261 00:11:43,320 --> 00:11:43,880 Speaker 4: many Sandy? 262 00:11:44,000 --> 00:11:48,120 Speaker 3: We have four Dannies? We have four Sandy's two rizzos Kiki. 263 00:11:48,440 --> 00:11:50,320 Speaker 4: All right, So here's where we are at the moment. 264 00:11:50,600 --> 00:11:52,959 Speaker 4: Over the weekend, one of you really wanted to be 265 00:11:53,120 --> 00:11:55,720 Speaker 4: one of the five Dannies. A guy called Bobby who 266 00:11:55,760 --> 00:11:59,760 Speaker 4: actually can sing, He actually wrote and recorded his own 267 00:12:00,360 --> 00:12:04,080 Speaker 4: as an audition hopelessly devoted to booze. Here's a bit 268 00:12:04,120 --> 00:12:04,320 Speaker 4: of it. 269 00:12:05,520 --> 00:12:14,559 Speaker 10: Now, Mustard, please gone drive. Since you took my last gold. 270 00:12:16,120 --> 00:12:18,480 Speaker 7: Man, I'm full blue? 271 00:12:20,000 --> 00:12:24,720 Speaker 10: How homelessly thoo? 272 00:12:28,480 --> 00:12:30,719 Speaker 4: This is amazing high skill level, right, So Bobby is 273 00:12:30,720 --> 00:12:33,520 Speaker 4: going to be obviously one of the Danny's. However, there's 274 00:12:33,520 --> 00:12:36,040 Speaker 4: another line in the song which gives an opportunity today 275 00:12:36,520 --> 00:12:39,800 Speaker 4: for the only auditions we're going to have, Patsy. You 276 00:12:39,960 --> 00:12:42,120 Speaker 4: see a lot of theater where do they put like 277 00:12:42,160 --> 00:12:44,920 Speaker 4: there's always a sad moment. It's like a transition in 278 00:12:44,960 --> 00:12:47,800 Speaker 4: a musical, isn't it, where it's normally someone on their 279 00:12:47,880 --> 00:12:50,360 Speaker 4: knees cleaning a floor. I've only seen a couple of 280 00:12:50,440 --> 00:12:53,240 Speaker 4: firm us because right but they're doing someone goes, this 281 00:12:53,600 --> 00:13:00,000 Speaker 4: is not the life farm. And that's the interval when it. 282 00:13:00,160 --> 00:13:04,240 Speaker 2: All comes way through and then you come out elated 283 00:13:04,440 --> 00:13:06,040 Speaker 2: because the story picks up in the end. 284 00:13:06,200 --> 00:13:09,000 Speaker 4: Right. So do you think Bobby doing his hopefully devoted 285 00:13:09,000 --> 00:13:10,760 Speaker 4: to boost that's you ad at the end of the first. 286 00:13:10,520 --> 00:13:12,560 Speaker 5: Half, definitely, or we're gonna have an interval? 287 00:13:12,600 --> 00:13:15,040 Speaker 4: Yeah, yeah, we have to all right. So there's a 288 00:13:15,120 --> 00:13:17,240 Speaker 4: line in the song where he talks about a seagull. 289 00:13:17,640 --> 00:13:20,440 Speaker 4: But mate, can't you see. 290 00:13:21,880 --> 00:13:26,640 Speaker 8: That's seagull nick my goom sack too. 291 00:13:28,760 --> 00:13:31,480 Speaker 4: Now, obviously, if Andrew Lloyd Webber was producing this, he go, wait, 292 00:13:31,600 --> 00:13:34,319 Speaker 4: this can be a key dramatic moment. Let's have a 293 00:13:34,440 --> 00:13:37,120 Speaker 4: human being that seagull. It runs from the back at 294 00:13:37,160 --> 00:13:39,520 Speaker 4: the back of the theater. Everyone's like, what's going on here? 295 00:13:39,880 --> 00:13:44,199 Speaker 4: And suddenly before he even says this line, but made 296 00:13:45,120 --> 00:13:47,200 Speaker 4: we see what's happening. Before Bobby does the singer for. 297 00:13:47,200 --> 00:13:50,160 Speaker 8: Attagonist, that's seagull nicks. 298 00:13:50,000 --> 00:13:52,200 Speaker 3: My goo sack. 299 00:13:54,160 --> 00:13:56,719 Speaker 4: Now whoever plays a seagull takes the goon off, you know, 300 00:13:56,840 --> 00:13:59,880 Speaker 4: to applause. But obviously boy Pobbly there falls to his knees, crying, 301 00:14:00,040 --> 00:14:03,319 Speaker 4: curtain falls and the first half standing O. What we 302 00:14:03,400 --> 00:14:05,640 Speaker 4: need then is there's two things we said yesterday. We 303 00:14:05,760 --> 00:14:08,760 Speaker 4: need someone who could make the sea gut outfit. Luckily 304 00:14:08,800 --> 00:14:11,160 Speaker 4: we've had someone who's prepared to do this, called Sue 305 00:14:11,440 --> 00:14:13,400 Speaker 4: Christiana went off of my services to make the grouse 306 00:14:13,480 --> 00:14:15,960 Speaker 4: seagull costumes for the I don't think we need several. 307 00:14:16,000 --> 00:14:19,160 Speaker 4: By the way, we have got time. I could do 308 00:14:19,200 --> 00:14:20,840 Speaker 4: as many as you need. I don't mind. Want is 309 00:14:20,920 --> 00:14:23,480 Speaker 4: to have at home, Christiana, A little about me. My 310 00:14:23,560 --> 00:14:25,640 Speaker 4: high school production and choir were out of bounds to 311 00:14:25,760 --> 00:14:29,120 Speaker 4: me because I had no voice and no talent, told 312 00:14:29,160 --> 00:14:32,160 Speaker 4: to me by every teacher. See still, so we're hearing 313 00:14:32,240 --> 00:14:34,480 Speaker 4: a lot of this. It's awful fast all through life. 314 00:14:34,520 --> 00:14:37,080 Speaker 4: While one of my kids was amazingly talented new musical theater. 315 00:14:37,120 --> 00:14:40,320 Speaker 4: Who knows where she got that from? Maybe the butcher. Anyway, 316 00:14:40,400 --> 00:14:43,480 Speaker 4: I sewed. I sewed and created costumes for six years 317 00:14:43,520 --> 00:14:46,680 Speaker 4: for her and the whole cast and their productions. So, Christian, 318 00:14:46,680 --> 00:14:48,640 Speaker 4: I'd love to do this. I've got lots of idea 319 00:14:49,200 --> 00:14:51,960 Speaker 4: how to make the Seagut outfit really look amazing, involving 320 00:14:52,120 --> 00:14:56,120 Speaker 4: cosplay foam. You work a lot with cosback. Come on, 321 00:14:56,720 --> 00:14:58,880 Speaker 4: it loves cosplay, it do, said, dressed up as Kevin 322 00:14:58,920 --> 00:15:00,760 Speaker 4: Sheedy the Weekend of It. Love to his wife is 323 00:15:00,800 --> 00:15:05,080 Speaker 4: Kevin Sheedy. But that is not our business because play Sheedy, 324 00:15:05,120 --> 00:15:08,840 Speaker 4: I think he calls it. Anyway, Look, Christian, I'd love 325 00:15:08,880 --> 00:15:10,680 Speaker 4: to do this. Or ask him aturn is, can I 326 00:15:10,800 --> 00:15:13,080 Speaker 4: be one of the Sandys in the production. I would 327 00:15:13,200 --> 00:15:15,440 Speaker 4: love to take part in this suit. Yes, you can 328 00:15:15,520 --> 00:15:17,640 Speaker 4: be one of the Sandys. Now we do have spots 329 00:15:17,680 --> 00:15:18,840 Speaker 4: for a couple of ex of Danny's. 330 00:15:19,560 --> 00:15:22,320 Speaker 11: Hey, Christian, I really want to be part of Grouse 331 00:15:22,360 --> 00:15:24,520 Speaker 11: and Musical and would love to be the angel in 332 00:15:24,600 --> 00:15:27,600 Speaker 11: Grouse and Musical. One hundred kilos on board on caverning tarts, 333 00:15:28,040 --> 00:15:30,320 Speaker 11: love to wear a blue sing lit up on stage 334 00:15:30,360 --> 00:15:31,960 Speaker 11: with you guys and seeing. 335 00:15:32,320 --> 00:15:33,880 Speaker 12: Beauty school trappers. 336 00:15:35,360 --> 00:15:42,840 Speaker 11: No graduation day for you, you better watcher, So please 337 00:15:43,040 --> 00:15:44,080 Speaker 11: consider me for the role. 338 00:15:44,440 --> 00:15:46,440 Speaker 4: Love you talk to me, Tim, You've got a part 339 00:15:46,440 --> 00:15:47,040 Speaker 4: of it. That's great. 340 00:15:47,120 --> 00:15:48,120 Speaker 3: What about the boys? 341 00:15:48,480 --> 00:15:51,520 Speaker 4: Actually a really really good voice, Tim, we need you. 342 00:15:52,400 --> 00:15:54,000 Speaker 4: You can be one of the Dannies. What about John 343 00:15:54,080 --> 00:15:55,600 Speaker 4: here by Christians? 344 00:15:55,680 --> 00:15:56,160 Speaker 12: John here. 345 00:15:58,080 --> 00:15:58,360 Speaker 6: Danny. 346 00:15:58,800 --> 00:16:00,720 Speaker 11: I'll give you a couple of bars of more voice 347 00:16:00,720 --> 00:16:01,120 Speaker 11: if you like. 348 00:16:01,240 --> 00:16:02,200 Speaker 4: So here we go. 349 00:16:02,600 --> 00:16:03,200 Speaker 13: I got you. 350 00:16:04,200 --> 00:16:11,000 Speaker 14: They're most applying and bun Lew in control CAUs. 351 00:16:12,600 --> 00:16:17,080 Speaker 12: Yes a Plaian, it's a lottifying hope. That's good enough 352 00:16:17,120 --> 00:16:20,160 Speaker 12: for you and h good luck to meet, very. 353 00:16:20,080 --> 00:16:21,680 Speaker 4: Very good as well, Johnny boy. So later on the 354 00:16:21,800 --> 00:16:22,960 Speaker 4: morn they we're going to open up the lines. You 355 00:16:23,000 --> 00:16:24,480 Speaker 4: can be in it. You can be the seagull. You 356 00:16:24,640 --> 00:16:26,440 Speaker 4: need to audition to be the seagull. It's going to 357 00:16:26,480 --> 00:16:27,360 Speaker 4: be the only audition we. 358 00:16:27,400 --> 00:16:30,280 Speaker 1: Do the Christian O'Connell show podcast. 359 00:16:30,640 --> 00:16:33,640 Speaker 4: Christian, how do we get tickets for Grousey Musical? I 360 00:16:33,680 --> 00:16:37,000 Speaker 4: think your two main characters, if it's your version of 361 00:16:37,080 --> 00:16:40,560 Speaker 4: Grease set here in the eighties called Grousey Musical, should 362 00:16:40,560 --> 00:16:44,400 Speaker 4: be Mandy and Randy. Adam, miss that's a good idea, Adam, 363 00:16:44,480 --> 00:16:47,520 Speaker 4: Thank you very much. All ideas very much needed and 364 00:16:47,680 --> 00:16:51,080 Speaker 4: welcome at the moment. Five to seven Gold one oh 365 00:16:51,160 --> 00:16:55,040 Speaker 4: four point three Christian O'Connell show. Yesterday, I chanced upon 366 00:16:55,160 --> 00:16:58,720 Speaker 4: this place and I saw a packet of chips that 367 00:16:59,200 --> 00:17:02,000 Speaker 4: when I was ten and eleven were my favorite thing 368 00:17:02,040 --> 00:17:04,640 Speaker 4: to have. They're called Monster much. They're normally only sold 369 00:17:04,680 --> 00:17:06,360 Speaker 4: in the UK, and I don't know how they made 370 00:17:06,359 --> 00:17:09,720 Speaker 4: it here, many thousands of miles away in Melbourne, but 371 00:17:09,880 --> 00:17:12,080 Speaker 4: I brought a packet and I was sat in my kite. 372 00:17:12,080 --> 00:17:14,240 Speaker 4: You know sometimes you snapple something in the guy you 373 00:17:14,359 --> 00:17:17,720 Speaker 4: kin'dt even wait to get home, and I was transported 374 00:17:17,800 --> 00:17:20,880 Speaker 4: out to being ten years old eating these things called 375 00:17:20,920 --> 00:17:24,000 Speaker 4: monster munch pickled onion flavor. It's not even a particularly 376 00:17:24,080 --> 00:17:26,680 Speaker 4: nice thing to eat. They're actually too sour and actually, 377 00:17:26,720 --> 00:17:28,960 Speaker 4: like what these are, they're aggressive as a ten year old, 378 00:17:29,000 --> 00:17:32,760 Speaker 4: but still sometimes in love it's a prickly joy sometimes anyway, 379 00:17:33,200 --> 00:17:35,320 Speaker 4: I may be fifty, but I'll never be too old 380 00:17:35,359 --> 00:17:38,119 Speaker 4: for a packet of pickled onion monster munch. I was 381 00:17:38,280 --> 00:17:40,879 Speaker 4: so happy. I'm never too old for a packet of 382 00:17:40,920 --> 00:17:43,040 Speaker 4: these chips. What would it be for you, Patsy? What 383 00:17:43,119 --> 00:17:45,000 Speaker 4: do you hope you're never too old for? Well? 384 00:17:45,119 --> 00:17:47,320 Speaker 5: You know, I still like getting tucked in at night 385 00:17:47,600 --> 00:17:48,000 Speaker 5: in bed. 386 00:17:49,119 --> 00:17:49,359 Speaker 9: I do. 387 00:17:50,119 --> 00:17:50,320 Speaker 4: Yeah. 388 00:17:50,359 --> 00:17:52,840 Speaker 2: The love God, Yes, the love God will go and 389 00:17:52,920 --> 00:17:54,920 Speaker 2: tuckwards in and then he'll come and tuck me and 390 00:17:55,000 --> 00:17:57,359 Speaker 2: I love it and it gives me tuck me in. 391 00:17:58,119 --> 00:17:58,760 Speaker 5: I just love it. 392 00:17:59,000 --> 00:18:00,920 Speaker 2: Just make sure that every things, you know, all the 393 00:18:01,359 --> 00:18:03,240 Speaker 2: sheets and the dunis in the perfect spot. 394 00:18:03,359 --> 00:18:04,960 Speaker 4: But you're touched and you like, you know, when you 395 00:18:05,040 --> 00:18:08,399 Speaker 4: go into a get in a hotel bed and it's 396 00:18:08,440 --> 00:18:09,000 Speaker 4: too tight. 397 00:18:08,920 --> 00:18:10,920 Speaker 3: They're way too tight. The first thing I do is 398 00:18:11,000 --> 00:18:11,560 Speaker 3: kick the sheets. 399 00:18:11,600 --> 00:18:13,760 Speaker 4: Yeah, yeah, exactly that. And sometimes it's you have to 400 00:18:13,960 --> 00:18:15,880 Speaker 4: get your partner and kick at the same time because 401 00:18:15,920 --> 00:18:18,280 Speaker 4: you're like tracked in there. Otherwise it feels like you're 402 00:18:18,320 --> 00:18:21,680 Speaker 4: sort of being faxed to yourself. You've been fed into 403 00:18:22,680 --> 00:18:24,439 Speaker 4: toy story. When they're all going let healthy. 404 00:18:24,520 --> 00:18:26,639 Speaker 5: You know no he doesn't. 405 00:18:26,960 --> 00:18:27,560 Speaker 12: Just right. 406 00:18:27,960 --> 00:18:30,760 Speaker 2: It's so cute and I fit of sleep if he 407 00:18:30,920 --> 00:18:33,320 Speaker 2: tucks me in, and on the weekend, if I have 408 00:18:33,400 --> 00:18:35,920 Speaker 2: a nana nap to catch up, he will tuck me 409 00:18:36,000 --> 00:18:36,879 Speaker 2: in through the day as well. 410 00:18:37,000 --> 00:18:38,560 Speaker 4: Love that forehead. 411 00:18:38,640 --> 00:18:40,480 Speaker 5: Yeah, it's absolutely a kiss. 412 00:18:40,680 --> 00:18:41,600 Speaker 4: And then turn the light off. 413 00:18:41,680 --> 00:18:45,480 Speaker 5: The slight goes off. That's so good, sweet dream. 414 00:18:45,840 --> 00:18:48,040 Speaker 4: See tomorrow when the door gets closed, he's not allowed 415 00:18:48,040 --> 00:18:49,520 Speaker 4: in the bedroom. We have to creep back in two 416 00:18:49,560 --> 00:18:50,960 Speaker 4: hours later when you're asleep. 417 00:18:50,720 --> 00:18:50,879 Speaker 13: No one. 418 00:18:50,880 --> 00:18:52,200 Speaker 5: He's got the TV on? 419 00:18:52,400 --> 00:18:54,240 Speaker 4: So is it the TV? 420 00:18:55,240 --> 00:19:01,520 Speaker 5: And Bolt Christ already? 421 00:19:02,280 --> 00:19:05,360 Speaker 4: Ill never be too old for Andrew Bolt all that wisdom, 422 00:19:06,160 --> 00:19:08,280 Speaker 4: Jackie boy, what do you hope you're never too old for? 423 00:19:08,480 --> 00:19:10,680 Speaker 3: Mine is jelly? And I know I'll never get sick 424 00:19:10,720 --> 00:19:13,000 Speaker 3: of jelly. I loved it as a kid, and now 425 00:19:13,320 --> 00:19:17,320 Speaker 3: the even last week, excited to give Gordy his ur jelly. Yeah, 426 00:19:17,400 --> 00:19:20,480 Speaker 3: went to the supermarket, got some port wine aeroplane jelly. 427 00:19:22,320 --> 00:19:25,080 Speaker 3: But by the time it's set he was already asleep 428 00:19:25,119 --> 00:19:26,520 Speaker 3: for the night, because you've got to wait those four 429 00:19:26,600 --> 00:19:28,840 Speaker 3: or five hours. So I ate the whole thing before 430 00:19:28,880 --> 00:19:29,440 Speaker 3: he woke up. 431 00:19:29,400 --> 00:19:31,080 Speaker 4: The next day. How did you feel sick? 432 00:19:31,560 --> 00:19:34,560 Speaker 3: No, you can eat Jellie should be eating in one s. 433 00:19:34,720 --> 00:19:37,520 Speaker 4: Yes, you're right, and you never how many times as 434 00:19:37,560 --> 00:19:40,840 Speaker 4: a kid those hours went on longer than hours and 435 00:19:40,960 --> 00:19:43,960 Speaker 4: they constant open that fridge. It's kind of a like, no, 436 00:19:44,080 --> 00:19:47,120 Speaker 4: it's not the same if you have it, now, give 437 00:19:47,160 --> 00:19:50,440 Speaker 4: me the jelly. Why now, in so much nanotechnology, can't 438 00:19:50,520 --> 00:19:53,080 Speaker 4: they said it within like five minutes or something? All right? 439 00:19:53,160 --> 00:19:55,440 Speaker 4: What do you hope you're never too old for? Give 440 00:19:55,480 --> 00:19:55,840 Speaker 4: us a call? 441 00:19:56,200 --> 00:19:58,200 Speaker 1: Christian Connell Show podcast. 442 00:19:58,640 --> 00:20:01,840 Speaker 4: What do you hope you'll never be too old to enjoy? Christian? 443 00:20:01,880 --> 00:20:04,040 Speaker 4: I hope I'm never too old to get excited to 444 00:20:04,160 --> 00:20:08,600 Speaker 4: go to the animal nursery at the Melbourne Show. That's 445 00:20:08,640 --> 00:20:10,600 Speaker 4: from Kylie. You've got a lovely couple of his head. 446 00:20:10,600 --> 00:20:12,400 Speaker 4: When Gordon gets a bit older, you tend to he's 447 00:20:12,440 --> 00:20:14,600 Speaker 4: petting zoos. Right, you go and buy like some animal 448 00:20:14,640 --> 00:20:17,159 Speaker 4: feed and you go and feed the goats. You I 449 00:20:17,280 --> 00:20:19,119 Speaker 4: never thought you could have so much fun just feeding 450 00:20:19,160 --> 00:20:20,680 Speaker 4: a goat because they want to do it again and 451 00:20:20,760 --> 00:20:23,359 Speaker 4: again and go back. But it is ticklish, right, and 452 00:20:23,480 --> 00:20:25,720 Speaker 4: you forget how lovely it is to be tickled slightly 453 00:20:26,000 --> 00:20:28,800 Speaker 4: by an animal or human as an adult now you 454 00:20:28,840 --> 00:20:30,679 Speaker 4: don't get so much tickling in your life. The tickling 455 00:20:30,760 --> 00:20:32,600 Speaker 4: years are over right, and they should be. But when 456 00:20:32,680 --> 00:20:35,360 Speaker 4: you have a young kid, you get to re experience 457 00:20:35,440 --> 00:20:37,520 Speaker 4: so much of the child of joy you've forgotten about. 458 00:20:37,640 --> 00:20:39,440 Speaker 3: I think I took him too early to one of 459 00:20:39,480 --> 00:20:42,960 Speaker 3: those places. We went to Series in Brunswick, which had 460 00:20:43,040 --> 00:20:45,720 Speaker 3: a load of chickens, and the chickens made him cry, 461 00:20:46,240 --> 00:20:47,959 Speaker 3: just because there were too many of them. 462 00:20:48,160 --> 00:20:51,240 Speaker 4: They're aggressive, aren't they. They swarmed. They're peggy as well, 463 00:20:51,480 --> 00:20:53,680 Speaker 4: and feeding a goat is a nice tickling sensation on 464 00:20:53,760 --> 00:20:56,239 Speaker 4: your hand. They've got big old leathery tongue. An that's 465 00:20:56,240 --> 00:21:00,160 Speaker 4: too much detail over chickens. Always jack always right, your 466 00:21:00,200 --> 00:21:03,040 Speaker 4: all number nine hundred, all right? So what do you what? 467 00:21:03,080 --> 00:21:05,520 Speaker 4: Will you never be too old for Jackie Boy and 468 00:21:05,920 --> 00:21:09,200 Speaker 4: jelly for you? Any flavor, strawberry, raspberry. 469 00:21:08,960 --> 00:21:11,119 Speaker 3: Any flavor. They're all good. And Patty just said to. 470 00:21:11,119 --> 00:21:12,760 Speaker 4: Me, lacing it, spicing it for something. 471 00:21:14,359 --> 00:21:17,920 Speaker 2: Just get some like low sugar lemonade and replace it 472 00:21:18,000 --> 00:21:19,360 Speaker 2: with the water when you're making it out. 473 00:21:19,640 --> 00:21:24,200 Speaker 4: You don't use low sugar anything. Absolutely, you're not low sugar. No, 474 00:21:25,200 --> 00:21:26,159 Speaker 4: she's pouring it more in. 475 00:21:26,440 --> 00:21:28,720 Speaker 3: I mean, jelly's already pretty sweet enough. Does it really 476 00:21:28,760 --> 00:21:30,000 Speaker 3: need lemonade instead of water? 477 00:21:30,200 --> 00:21:32,680 Speaker 2: It does, because then when you eat it, it's like 478 00:21:32,800 --> 00:21:35,960 Speaker 2: a sherbet sort of texture. It's beautiful. 479 00:21:38,040 --> 00:21:39,800 Speaker 4: Yeah. My mum used to put not low sugar but 480 00:21:39,880 --> 00:21:43,600 Speaker 4: actual fool sugar diabetes lemonade in it. And it does taste. 481 00:21:43,680 --> 00:21:44,520 Speaker 4: It does taste great. 482 00:21:44,640 --> 00:21:45,000 Speaker 12: It's good. 483 00:21:45,359 --> 00:21:47,639 Speaker 4: All right, So Patsy is you is being tucked in 484 00:21:48,160 --> 00:21:52,320 Speaker 4: at night? Dave? Good morning, morning guys, morning Dave. What 485 00:21:52,359 --> 00:21:54,520 Speaker 4: do you hope You're never too old for what to enjoy? 486 00:21:55,680 --> 00:22:00,800 Speaker 15: I'll never get too old for teddy beer biscuits, Dave? 487 00:22:00,880 --> 00:22:02,960 Speaker 4: Everyday thing, weekends, how often. 488 00:22:03,560 --> 00:22:09,800 Speaker 15: Every day, every single every single day, buy their eight 489 00:22:09,880 --> 00:22:10,480 Speaker 15: packs a week? 490 00:22:12,119 --> 00:22:13,840 Speaker 4: You are keeping that business going? 491 00:22:14,640 --> 00:22:15,520 Speaker 15: Yeah, pretty much. 492 00:22:16,200 --> 00:22:17,800 Speaker 3: Do they still do the chocolate coated ones? 493 00:22:18,800 --> 00:22:19,119 Speaker 9: They do. 494 00:22:19,440 --> 00:22:22,440 Speaker 15: They've got the chocolate ones. They've got obviously the tiny 495 00:22:22,480 --> 00:22:24,879 Speaker 15: Tennison stuff, but there's nothing quite like the original, just 496 00:22:24,960 --> 00:22:26,359 Speaker 15: the normal baby Yeah. 497 00:22:26,280 --> 00:22:27,280 Speaker 4: I agree. Yeah. Yeah. 498 00:22:27,440 --> 00:22:29,840 Speaker 3: We used to keep a biscuit tin on top of 499 00:22:30,200 --> 00:22:33,080 Speaker 3: the range hood so that we couldn't get it on 500 00:22:33,800 --> 00:22:36,199 Speaker 3: can't reach it, and my brother I learned to scale 501 00:22:36,320 --> 00:22:39,520 Speaker 3: the pantry climb across shelves. 502 00:22:41,880 --> 00:22:46,639 Speaker 4: Catman, you've got climbing roads and crampons. Dave, thank you 503 00:22:46,800 --> 00:22:48,440 Speaker 4: very much, so mate, you got someone else to say, Dave? 504 00:22:48,920 --> 00:22:52,359 Speaker 15: Yeah, I actually keep the tivy bears in a sealed 505 00:22:52,400 --> 00:22:54,640 Speaker 15: container on top of the free can't get them. 506 00:22:55,080 --> 00:22:56,920 Speaker 4: Yeah, see, you don't anyone else getting them. You have 507 00:22:56,960 --> 00:22:59,440 Speaker 4: possums getting up there or anything. All right, Dave, thanks 508 00:22:59,680 --> 00:23:03,400 Speaker 4: very right. You have a good day. Deborah. 509 00:23:04,720 --> 00:23:05,800 Speaker 14: Hi, guys, how are you? 510 00:23:07,480 --> 00:23:08,080 Speaker 4: And Deborah? 511 00:23:08,160 --> 00:23:08,600 Speaker 7: What do you want? 512 00:23:08,640 --> 00:23:11,920 Speaker 14: You're never too old for hope, I'm never too old 513 00:23:12,000 --> 00:23:13,480 Speaker 14: for an Easter egg sandwich? 514 00:23:14,200 --> 00:23:16,240 Speaker 4: Was that chocolate and a sandwich? Yeah? 515 00:23:16,520 --> 00:23:17,720 Speaker 16: The best, the best. 516 00:23:17,840 --> 00:23:21,560 Speaker 14: You get a fresh piece of bread, real butter, crash 517 00:23:21,640 --> 00:23:23,960 Speaker 14: up the Easter egg on top, another piece of bread 518 00:23:24,040 --> 00:23:26,119 Speaker 14: with butter, and he squished it all down, so the 519 00:23:26,200 --> 00:23:28,880 Speaker 14: butter is in like grouse and you easy. 520 00:23:30,720 --> 00:23:32,840 Speaker 4: Write that line down in like grouse needs to be 521 00:23:32,920 --> 00:23:36,240 Speaker 4: in grouse to musical and Debra, how. 522 00:23:36,160 --> 00:23:38,399 Speaker 16: Often are you have in this and Easter? 523 00:23:38,600 --> 00:23:41,040 Speaker 14: It's a treat. My father who's eighty eight, still has 524 00:23:41,080 --> 00:23:44,359 Speaker 14: one with us. He introduced all kids and now the 525 00:23:44,400 --> 00:23:45,399 Speaker 14: grandkids do it too. 526 00:23:45,920 --> 00:23:47,320 Speaker 3: Do you have to get the hollow eggs or the 527 00:23:47,400 --> 00:23:48,600 Speaker 3: little solid ones. 528 00:23:49,000 --> 00:23:50,800 Speaker 17: Do know the hollowed egg and it's got to be 529 00:23:51,000 --> 00:23:52,200 Speaker 17: a nice chocolate. 530 00:23:52,920 --> 00:23:55,160 Speaker 4: Good quality chocolate. And then are you to help break 531 00:23:55,240 --> 00:23:57,159 Speaker 4: it down because some of those bigger chocolates. Now, are 532 00:23:57,160 --> 00:23:58,680 Speaker 4: you putting like a fist on it and crunching it 533 00:23:58,720 --> 00:23:59,879 Speaker 4: down like that or a roll again? 534 00:24:00,520 --> 00:24:00,560 Speaker 10: No? 535 00:24:00,840 --> 00:24:02,600 Speaker 14: No, no, just crush it down with your hand. 536 00:24:03,920 --> 00:24:05,040 Speaker 16: Yeah, all right, it's for. 537 00:24:06,960 --> 00:24:09,080 Speaker 1: Christian Connell Show podcast. 538 00:24:16,720 --> 00:24:19,800 Speaker 4: Can we cancel this song? What's like some creepy guy 539 00:24:19,840 --> 00:24:22,080 Speaker 4: in the nightclub or creepy uber drive you in your ear? 540 00:24:22,200 --> 00:24:25,359 Speaker 4: I talk talk to you, all right, mate, zero stars. 541 00:24:26,200 --> 00:24:30,680 Speaker 4: This is a terrible, turgid crime against music and humanity. 542 00:24:31,200 --> 00:24:33,040 Speaker 4: Five years I've been here, no one's ever said, hey, 543 00:24:33,160 --> 00:24:34,920 Speaker 4: I really woke up this morning. I really feel like 544 00:24:35,359 --> 00:24:39,240 Speaker 4: they're real McCoy and talk talk at Top. Who is this? 545 00:24:39,359 --> 00:24:43,760 Speaker 4: Stop calling talk Top? I talk to you. If you 546 00:24:43,840 --> 00:24:45,439 Speaker 4: went out to a woman in the office and went 547 00:24:45,480 --> 00:24:49,320 Speaker 4: I talked, I talk to you, you've been five or 548 00:24:49,400 --> 00:24:52,920 Speaker 4: taken into humans. Cancel the Realm of Coy and that song. 549 00:24:53,400 --> 00:24:55,679 Speaker 4: No more team, We're not playing anyone going on strike? 550 00:24:56,040 --> 00:24:59,840 Speaker 4: All right. It's seventeen minutes past seven. Christbone, never to 551 00:25:00,200 --> 00:25:04,680 Speaker 4: old for the stories, of rod Dahl. Yeah, Tim Minchin's 552 00:25:04,720 --> 00:25:08,199 Speaker 4: Matilda is so good? And what do I see over 553 00:25:08,200 --> 00:25:11,800 Speaker 4: the weekend? Where's Anderson's directed? A couple of road DALs 554 00:25:11,880 --> 00:25:15,359 Speaker 4: short stories? Hendydy come about? Henry Cummerbatch is in now 555 00:25:15,440 --> 00:25:19,800 Speaker 4: one of them? Case of Henry Sugar, wondrous story. Yeah, 556 00:25:19,880 --> 00:25:23,000 Speaker 4: that's it. Yes, you tell Rio and I we appreciate Roll, 557 00:25:23,440 --> 00:25:26,680 Speaker 4: appreciate Roll. We appreciate Roll. Now have you read the 558 00:25:26,840 --> 00:25:29,320 Speaker 4: short stories of Roll Rio? You know the one I'm 559 00:25:29,320 --> 00:25:30,600 Speaker 4: talking about is? Well, have you seen it? 560 00:25:30,680 --> 00:25:33,359 Speaker 3: I haven't seen us. The wondrous story of Henry Sugar. 561 00:25:34,480 --> 00:25:37,680 Speaker 4: Not Henry coming much and his brother they've got his 562 00:25:37,760 --> 00:25:41,360 Speaker 4: cheap brother, Hem's Worth. It's Barry hems Worth. They've got 563 00:25:42,119 --> 00:25:45,000 Speaker 4: It's the hem as Worth. Chris, No, Barry Neil, it's one. 564 00:25:45,040 --> 00:25:47,080 Speaker 4: There are distant cousins. Yeah, it's very good. It's only 565 00:25:47,080 --> 00:25:49,679 Speaker 4: about twenty five minutes, Chris, and I'll never be too 566 00:25:49,840 --> 00:25:54,959 Speaker 4: old to lick the beta when making a cake, Benji, 567 00:25:55,200 --> 00:25:55,800 Speaker 4: you're right. 568 00:25:55,800 --> 00:25:57,120 Speaker 3: Better than eating the actual cake. 569 00:25:57,200 --> 00:25:59,760 Speaker 4: Yes, is best. Cindy, what do you hope You're never 570 00:25:59,800 --> 00:26:01,000 Speaker 4: too old to enjoy? Mate? 571 00:26:02,560 --> 00:26:02,919 Speaker 16: Christian? 572 00:26:02,960 --> 00:26:05,120 Speaker 18: How you doing? I'm never told to enjoy a good 573 00:26:05,119 --> 00:26:11,159 Speaker 18: old pull my finger joke. The other day and my 574 00:26:11,480 --> 00:26:15,800 Speaker 18: adult nephew with a disability came in and did the 575 00:26:15,880 --> 00:26:18,480 Speaker 18: pull my finger joke and it went down the tree. 576 00:26:18,640 --> 00:26:20,080 Speaker 18: She was mortified, but he loved it. 577 00:26:20,359 --> 00:26:24,360 Speaker 4: That's what I get the fill Insinda, even on your deathbed, 578 00:26:24,440 --> 00:26:25,480 Speaker 4: you know, as the doctor's. 579 00:26:33,119 --> 00:26:35,480 Speaker 1: You're listening to the question. You know, Carl Show. 580 00:26:35,400 --> 00:26:39,159 Speaker 4: Podcast Destiny is calling the show forward to two weeks 581 00:26:39,200 --> 00:26:43,479 Speaker 4: tomorrow when Courns go up on our very own musicool. Now, 582 00:26:43,520 --> 00:26:46,440 Speaker 4: you're probably thinking that behind the scenes, they're probably not 583 00:26:46,560 --> 00:26:49,760 Speaker 4: telling us this. Behind the scenes, there's a script they've 584 00:26:49,800 --> 00:26:53,200 Speaker 4: been rehearsing, they've been practicing. I promise you what we 585 00:26:53,359 --> 00:26:56,040 Speaker 4: hear on air is as flimsy as this is at 586 00:26:56,080 --> 00:26:59,159 Speaker 4: the moment, and I'm starting to realize that it actually 587 00:26:59,280 --> 00:27:02,080 Speaker 4: is quite a to get everything together in the next 588 00:27:02,119 --> 00:27:04,920 Speaker 4: two weeks. I'm chatting to even Mike Infuna of the 589 00:27:04,960 --> 00:27:06,600 Speaker 4: team that are going to put the script together, and 590 00:27:06,640 --> 00:27:08,680 Speaker 4: they're like professionals. There've been a lot of different things, 591 00:27:08,760 --> 00:27:11,080 Speaker 4: and they've written lots of things, and they're professionals. They're 592 00:27:11,119 --> 00:27:13,320 Speaker 4: working really hard to get the script ready, you know, 593 00:27:13,400 --> 00:27:17,000 Speaker 4: And I now realize that they their stress, and I 594 00:27:17,119 --> 00:27:18,639 Speaker 4: got off the phone too. I was thinking, damn it, 595 00:27:18,720 --> 00:27:20,960 Speaker 4: you know. I mean the pros take like two or 596 00:27:21,000 --> 00:27:23,320 Speaker 4: three years, and not one of these shows together. We've 597 00:27:23,359 --> 00:27:25,240 Speaker 4: only got two weeks. What am I talking about? Talking 598 00:27:25,240 --> 00:27:26,840 Speaker 4: about our very own high school play we're doing for 599 00:27:26,880 --> 00:27:29,119 Speaker 4: you if you never got a speaking part when you 600 00:27:29,320 --> 00:27:31,919 Speaker 4: were a kid, sit here in the eighties. We're bringing 601 00:27:32,040 --> 00:27:35,800 Speaker 4: Greece to America, to Australia and it's called Grouse the Musical. 602 00:27:36,080 --> 00:27:36,520 Speaker 3: Grousy. 603 00:27:36,720 --> 00:27:39,440 Speaker 1: No work is not what you heard. 604 00:27:39,640 --> 00:27:45,880 Speaker 6: It's a barony, folly resets. 605 00:27:47,000 --> 00:27:51,760 Speaker 8: It's not a failure. The casting even not tissue. 606 00:27:54,359 --> 00:27:56,800 Speaker 4: Thank you very much to everyone who's joining us to 607 00:27:56,960 --> 00:28:00,720 Speaker 4: make this and to be in it overnights, even though 608 00:28:00,760 --> 00:28:02,800 Speaker 4: that we've been saying for the Danny's and Sandy's just 609 00:28:02,920 --> 00:28:06,159 Speaker 4: call up be it. But Tim, Tim is auditioning on 610 00:28:06,359 --> 00:28:06,919 Speaker 4: his phone. 611 00:28:07,600 --> 00:28:10,359 Speaker 11: Hey, Christian, I really want to be part of Grouse 612 00:28:10,400 --> 00:28:12,560 Speaker 11: and Musical and would love to be the angel in 613 00:28:12,640 --> 00:28:14,680 Speaker 11: Grouse and Musical and one hundred kilos on board on 614 00:28:14,800 --> 00:28:17,840 Speaker 11: caverning Tartores. Love to wear a blue sing lit up 615 00:28:18,040 --> 00:28:19,600 Speaker 11: on stage with you guys and. 616 00:28:19,760 --> 00:28:22,160 Speaker 12: Sing beauty school trappers. 617 00:28:23,640 --> 00:28:26,560 Speaker 4: New graduation day for you. 618 00:28:27,560 --> 00:28:32,360 Speaker 11: You better watcher, So please consider me for the role. 619 00:28:32,720 --> 00:28:35,040 Speaker 4: Love you talk to him obviously he's in. 620 00:28:35,280 --> 00:28:36,440 Speaker 3: It's beautiful, not just in. 621 00:28:36,960 --> 00:28:39,239 Speaker 4: That's his scene, that is his scene, it's yours, sir. 622 00:28:39,840 --> 00:28:42,080 Speaker 4: We have got so many great listeners. We know this 623 00:28:42,240 --> 00:28:44,120 Speaker 4: every day. We hear from you every day with his 624 00:28:44,240 --> 00:28:46,480 Speaker 4: stories and then the time where so I didn't realize 625 00:28:46,480 --> 00:28:48,960 Speaker 4: there was so much singing talent out there that needs 626 00:28:49,000 --> 00:28:51,160 Speaker 4: have his voice on the stage. And two his sime 627 00:28:51,520 --> 00:28:54,160 Speaker 4: Bobby is another one like Tim that really wanted to 628 00:28:54,200 --> 00:28:56,000 Speaker 4: be a danny and there's so much so he really 629 00:28:56,080 --> 00:28:58,960 Speaker 4: wanted to demand and get our attention. He wrote his 630 00:28:59,160 --> 00:29:02,560 Speaker 4: own song over the weekend for Grounds to Musical, recorded 631 00:29:02,600 --> 00:29:06,720 Speaker 4: it and sent it in This is amazing. Hopelessly devoted Taboose. 632 00:29:07,080 --> 00:29:09,920 Speaker 4: I know, I'm just a blow. 633 00:29:11,160 --> 00:29:19,080 Speaker 8: Who's flip flopped, lost my tongue and my ski. 634 00:29:20,360 --> 00:29:31,480 Speaker 7: To But mate, can't you see that seagull nicked my goom. 635 00:29:32,320 --> 00:29:41,040 Speaker 10: Sack too, home blessly devoted. 636 00:29:41,480 --> 00:29:42,960 Speaker 13: To Booze. 637 00:29:47,520 --> 00:29:56,440 Speaker 10: Now Master, he's gone dry since you took my last cody. 638 00:29:57,480 --> 00:29:59,840 Speaker 3: Oh man, I'm so. 639 00:30:02,000 --> 00:30:04,560 Speaker 8: I'm hopelessly de tho. 640 00:30:10,520 --> 00:30:15,160 Speaker 10: I'm hopelessly dead. 641 00:30:15,400 --> 00:30:15,960 Speaker 8: Too. 642 00:30:23,120 --> 00:30:27,680 Speaker 10: I'm hopelessly devoted. 643 00:30:28,120 --> 00:30:31,760 Speaker 4: To That guy's name is Bobby Basca and he's just 644 00:30:31,840 --> 00:30:34,160 Speaker 4: a listener, but he is so talented. He's obviously one 645 00:30:34,160 --> 00:30:36,320 Speaker 4: of the five tone. This is a standing ovation. This 646 00:30:36,480 --> 00:30:39,480 Speaker 4: is what's gonna happen on Gore on the night Cone 647 00:30:39,560 --> 00:30:40,760 Speaker 4: Drops and of Act one. 648 00:30:41,040 --> 00:30:41,280 Speaker 1: Wow. 649 00:30:41,760 --> 00:30:44,080 Speaker 4: All right, so here's where you come in. In that 650 00:30:44,200 --> 00:30:47,440 Speaker 4: beautiful song Writtman song by Bobby, there's this line about 651 00:30:47,480 --> 00:30:52,200 Speaker 4: that seagull that's so beautiful. But mate, can't you see. 652 00:30:53,560 --> 00:30:58,640 Speaker 8: That seagull nicked my gool sact. 653 00:31:00,320 --> 00:31:02,360 Speaker 4: Now? He just thought that's a great line that he's written. 654 00:31:02,360 --> 00:31:02,479 Speaker 7: There. 655 00:31:02,640 --> 00:31:06,520 Speaker 4: It's a moment for hi drama and like hilarity to ensue. 656 00:31:06,800 --> 00:31:08,680 Speaker 4: We need you to be the seagull. We have a 657 00:31:08,800 --> 00:31:11,560 Speaker 4: lady called Sue who's gonna make you an actual seagull 658 00:31:11,800 --> 00:31:15,520 Speaker 4: outfit involving actual feathers. Why's she gonna get them from it? 659 00:31:15,560 --> 00:31:19,239 Speaker 4: She going out go around, going out into country vict 660 00:31:19,320 --> 00:31:22,400 Speaker 4: Joy looking for feathers in cosplay. Fine, but anyway, she's prepared. 661 00:31:22,480 --> 00:31:24,600 Speaker 4: Sue is already on board. She's going to make the outfit. 662 00:31:25,080 --> 00:31:27,880 Speaker 4: I see that they the seagull. Whoever is the seagull? 663 00:31:28,280 --> 00:31:30,280 Speaker 4: Starts like if you've seen the lion King. They come 664 00:31:30,360 --> 00:31:31,560 Speaker 4: from behind the audience. 665 00:31:31,680 --> 00:31:33,120 Speaker 3: Oh that's good, come down the center. 666 00:31:33,360 --> 00:31:36,000 Speaker 4: Yes, start and they start picking up speed safely, let's go. 667 00:31:36,280 --> 00:31:38,440 Speaker 4: But they start picking up. They start to flap the wings. 668 00:31:38,720 --> 00:31:41,080 Speaker 4: As Bobby starts to sing this line, they're already making 669 00:31:41,120 --> 00:31:43,800 Speaker 4: their way into stage with you, ordience, see the comedy coming. 670 00:31:43,840 --> 00:31:46,120 Speaker 4: Bobby's got his back turned to the seagull doesn't know 671 00:31:46,160 --> 00:31:49,640 Speaker 4: what's happening. But mate, can't you see. 672 00:31:51,480 --> 00:31:52,120 Speaker 8: Sea gulls? 673 00:31:52,720 --> 00:32:01,040 Speaker 4: Stage swoops in the goombag grouse the music. We'orry back 674 00:32:01,120 --> 00:32:03,560 Speaker 4: after this interval. All right, so we need you to 675 00:32:03,720 --> 00:32:06,080 Speaker 4: be the seagull. So what do we want is a 676 00:32:06,160 --> 00:32:10,640 Speaker 4: big noisy person who can can you do a bird town? Yeah, Patsy, 677 00:32:10,720 --> 00:32:14,760 Speaker 4: how would that sound? No, it is like that. That 678 00:32:14,920 --> 00:32:16,000 Speaker 4: is so damn good. 679 00:32:16,040 --> 00:32:16,400 Speaker 7: I love that you. 680 00:32:16,960 --> 00:32:18,800 Speaker 4: We didn't even tell Patsy were going to come into her. 681 00:32:19,000 --> 00:32:21,360 Speaker 4: I thought she might be like rehearsing the news or something. 682 00:32:21,640 --> 00:32:24,840 Speaker 4: She had that chamber like suddenly it's on carp in traffic. 683 00:32:24,920 --> 00:32:27,320 Speaker 4: She would just do that like it's always just to 684 00:32:28,360 --> 00:32:32,760 Speaker 4: go wow, wow, that is the bar. That is that's it, 685 00:32:32,840 --> 00:32:33,720 Speaker 4: and that's what we're looking for. 686 00:32:33,920 --> 00:32:36,640 Speaker 1: The Christian Connell Show Podcast. 687 00:32:36,800 --> 00:32:39,200 Speaker 4: So for our high school musical that we're putting on 688 00:32:39,240 --> 00:32:41,520 Speaker 4: in two weeks time, it's a do over for people 689 00:32:42,120 --> 00:32:43,720 Speaker 4: like me who never got a speaking part back for 690 00:32:43,800 --> 00:32:46,360 Speaker 4: their high school play. We haven't been doing auditions. We've 691 00:32:46,400 --> 00:32:48,800 Speaker 4: been saying, pick your own character in our very own 692 00:32:48,920 --> 00:32:51,480 Speaker 4: version of Greece that we're sitting here in the eighties 693 00:32:51,560 --> 00:32:55,200 Speaker 4: calling Grouse the Musical. So there is an AUDITIONO only 694 00:32:55,320 --> 00:32:57,080 Speaker 4: for one thing, and that's to be the seagull that 695 00:32:57,120 --> 00:33:00,160 Speaker 4: gets mentioned in this song written by Bobby who is 696 00:33:00,160 --> 00:33:01,560 Speaker 4: going to be one of the Dannies. 697 00:33:02,360 --> 00:33:06,800 Speaker 8: That's seagulls licks my gooon sack. 698 00:33:09,280 --> 00:33:12,280 Speaker 4: I mean, can we release hopelessly devoted to Booze as 699 00:33:12,360 --> 00:33:16,040 Speaker 4: a separate single. It could be the summer hit, all right, 700 00:33:16,120 --> 00:33:19,160 Speaker 4: So we need to have auditions and to be the seagull. 701 00:33:19,720 --> 00:33:21,800 Speaker 4: Let's got a dean. First of all, Good morning Dean, 702 00:33:22,920 --> 00:33:25,280 Speaker 4: morning Christian. Here you going mate, I'm good Dean. So 703 00:33:25,360 --> 00:33:28,160 Speaker 4: you fasty joining the cast of Grouse and Musical. 704 00:33:29,000 --> 00:33:31,320 Speaker 12: I would love to I'd love to be the gal. 705 00:33:31,440 --> 00:33:34,320 Speaker 12: I used to be a professional diver, so I've had 706 00:33:34,600 --> 00:33:36,600 Speaker 12: plenty of experience with the seagulls. 707 00:33:37,200 --> 00:33:39,120 Speaker 4: How So, because obviously you are I guessing you're if 708 00:33:39,120 --> 00:33:40,880 Speaker 4: you're a professional diver, you're under the water. 709 00:33:42,200 --> 00:33:44,040 Speaker 12: Yeah, but when you come up from under the water, 710 00:33:44,120 --> 00:33:47,920 Speaker 12: they were on top of the water. And yeah, when 711 00:33:47,960 --> 00:33:50,320 Speaker 12: you scare them, they kind of leave their mark on 712 00:33:50,400 --> 00:33:51,120 Speaker 12: your helmet. 713 00:33:50,920 --> 00:33:51,760 Speaker 16: Did you know what I mean? 714 00:33:53,080 --> 00:33:59,840 Speaker 4: Soundspatful? All right, well, let's not do it on thatty seagulls, 715 00:34:00,160 --> 00:34:02,920 Speaker 4: that big old beat. You need every bit of it. 716 00:34:02,960 --> 00:34:05,880 Speaker 4: You kind of bit pecked off. Now, Dean, let's hear 717 00:34:05,960 --> 00:34:10,439 Speaker 4: your impression. Let's focus, of course on theater. And Dean, 718 00:34:10,600 --> 00:34:12,800 Speaker 4: are you going to do your impression of a seagull? 719 00:34:13,880 --> 00:34:24,320 Speaker 4: Most definitely, thank you, and Dean, that's very powerful. Once more, please, 720 00:34:27,760 --> 00:34:30,560 Speaker 4: that is very good, a really really really good one. 721 00:34:30,640 --> 00:34:33,920 Speaker 4: That is it might be enough, Dean. All right, stare there, Dino, 722 00:34:34,120 --> 00:34:35,760 Speaker 4: and we won't even have to give him a microphone. 723 00:34:35,800 --> 00:34:38,840 Speaker 3: I'm hearing there with. 724 00:34:38,960 --> 00:34:44,240 Speaker 4: This shredded helmet. Stuart, Good morning, Good morning, Christian. Now Stuart, 725 00:34:44,239 --> 00:34:45,680 Speaker 4: tell us what happened back in the day. Will you 726 00:34:45,800 --> 00:34:46,879 Speaker 4: in your high school play? 727 00:34:48,520 --> 00:34:52,040 Speaker 19: No, I mad table attempts at playing the baritones. That's right, 728 00:34:52,560 --> 00:34:57,080 Speaker 19: and I mean very bloody for you. So no, I've 729 00:34:57,160 --> 00:34:59,400 Speaker 19: never really in a never been in any sort of 730 00:34:59,440 --> 00:35:00,040 Speaker 19: stuff for our. 731 00:35:00,480 --> 00:35:03,239 Speaker 4: This is the time, all right, So Seagulls. 732 00:35:04,600 --> 00:35:08,200 Speaker 19: Now, both my parents grew up in Williamstown and we 733 00:35:08,360 --> 00:35:10,040 Speaker 19: used to the football all the time. 734 00:35:10,120 --> 00:35:13,120 Speaker 16: We stay on football club the Seagulls, and. 735 00:35:14,760 --> 00:35:16,680 Speaker 19: I think I can do a pretty good impression of one. 736 00:35:16,920 --> 00:35:18,280 Speaker 4: All right, we're all yours. 737 00:35:18,800 --> 00:35:21,000 Speaker 19: Do you mind if just a quick sip of water? 738 00:35:21,080 --> 00:35:21,319 Speaker 16: First? 739 00:35:21,400 --> 00:35:21,440 Speaker 6: No? 740 00:35:21,600 --> 00:35:23,680 Speaker 4: No, no, you do that pro? This is I like it. 741 00:35:26,080 --> 00:35:30,560 Speaker 16: And oh, oh. 742 00:35:33,280 --> 00:35:38,040 Speaker 4: Stuart you are the was so good. 743 00:35:38,160 --> 00:35:39,359 Speaker 3: I thought I was by the sea. 744 00:35:44,640 --> 00:35:47,040 Speaker 4: Stewart, that was so good. And water pro, you knew 745 00:35:47,160 --> 00:35:49,320 Speaker 4: needed to take a moment, take a knee for you, 746 00:35:49,360 --> 00:35:51,040 Speaker 4: which is a glass of water. So will we have 747 00:35:51,160 --> 00:35:53,760 Speaker 4: to have as a rider a glass of a glass 748 00:35:53,840 --> 00:35:57,640 Speaker 4: of water water Stewart's water backstage, and we'll have to. 749 00:35:57,640 --> 00:35:59,360 Speaker 3: Have somebody to feed to him because he'll have his 750 00:35:59,440 --> 00:35:59,880 Speaker 3: wings on. 751 00:36:00,960 --> 00:36:07,239 Speaker 4: Through the beak. Stuart, could we possibly trouble you once 752 00:36:07,320 --> 00:36:10,560 Speaker 4: more for that amazing audition? Now that's got you in 753 00:36:10,640 --> 00:36:20,520 Speaker 4: the grousy musical for the seagull Okay, I cannot wait 754 00:36:20,600 --> 00:36:23,000 Speaker 4: for this show. All right, Stewart, you're on board. Good 755 00:36:23,040 --> 00:36:23,239 Speaker 4: on you. 756 00:36:23,960 --> 00:36:26,120 Speaker 1: Christian Connell's show podcast. 757 00:36:27,320 --> 00:36:31,160 Speaker 4: Whenever you speak to someone who loves their job. It 758 00:36:31,320 --> 00:36:33,480 Speaker 4: does something to you when you hear it. I'm telling you, 759 00:36:33,480 --> 00:36:35,520 Speaker 4: I don't know what it is. A couple of weeks 760 00:36:35,520 --> 00:36:37,839 Speaker 4: ago I was talking it is when there. It really 761 00:36:37,920 --> 00:36:39,160 Speaker 4: was a couple of weeks ago. It's when the d 762 00:36:39,280 --> 00:36:41,799 Speaker 4: s were in the finals, so it's quite a few 763 00:36:41,840 --> 00:36:44,080 Speaker 4: weeks ago. Despite Stephen May thinking that we almost won 764 00:36:44,160 --> 00:36:46,560 Speaker 4: the premiership, it was quite a few weeks ago. And 765 00:36:46,600 --> 00:36:47,719 Speaker 4: I was chating to someone on the phone to get 766 00:36:47,719 --> 00:36:49,120 Speaker 4: my tickets to actually go and see the D's in 767 00:36:49,160 --> 00:36:51,279 Speaker 4: the finals take on the Pies. It was a young 768 00:36:51,360 --> 00:36:53,320 Speaker 4: kid who was an assistant scout, but he was apping 769 00:36:53,400 --> 00:36:56,320 Speaker 4: out taking my money for the tickets when I was 770 00:36:56,400 --> 00:36:59,359 Speaker 4: chatting to him. Right. He loved his job of being 771 00:36:59,360 --> 00:37:01,800 Speaker 4: an assistant scouts. So we'd go out the country Victoria 772 00:37:01,800 --> 00:37:04,959 Speaker 4: at the weekend and watch under sixteens under eighteen's games, 773 00:37:05,280 --> 00:37:08,400 Speaker 4: hoping to discover the next Clayton Oliver or Petraga. And 774 00:37:08,520 --> 00:37:10,120 Speaker 4: he had so much joy and passionate about it. When 775 00:37:10,160 --> 00:37:12,880 Speaker 4: I got on the phone, it renewed my vigor and 776 00:37:13,520 --> 00:37:15,359 Speaker 4: enjoyment of what I do. And I have a job 777 00:37:15,440 --> 00:37:18,719 Speaker 4: I deeply, deeply love, but there is something infectious. We 778 00:37:18,800 --> 00:37:20,719 Speaker 4: then did phone calls do you love your job? And 779 00:37:20,800 --> 00:37:23,239 Speaker 4: we had these calls and they were incredible. They did 780 00:37:23,320 --> 00:37:24,600 Speaker 4: something with so many of you I know for you 781 00:37:24,640 --> 00:37:28,600 Speaker 4: me emails that it may it just retuned your appreciation 782 00:37:28,800 --> 00:37:31,360 Speaker 4: for what we have in life, sometimes not what it 783 00:37:31,440 --> 00:37:33,560 Speaker 4: could be or what it is. And so this morning 784 00:37:33,600 --> 00:37:35,560 Speaker 4: we want to ask you again do you love your job? 785 00:37:35,600 --> 00:37:37,160 Speaker 4: And if you do, just give us a call nine 786 00:37:37,960 --> 00:37:39,840 Speaker 4: one O four three. You would chatting to someone the 787 00:37:39,920 --> 00:37:41,520 Speaker 4: other day really enjoys that job. 788 00:37:41,880 --> 00:37:44,840 Speaker 3: This plumber who unblocked our sewers came over on a 789 00:37:44,960 --> 00:37:48,200 Speaker 3: Sunday and he's climbing into a pit of gunky water 790 00:37:48,680 --> 00:37:51,000 Speaker 3: and I said to him, sorry, we got you out 791 00:37:51,040 --> 00:37:54,919 Speaker 3: on a Sunday to get into this poop. And he said, 792 00:37:55,800 --> 00:37:57,480 Speaker 3: he's like, this is the kind of work I want 793 00:37:57,520 --> 00:37:59,600 Speaker 3: to get into. I do mostly the stuff I do 794 00:37:59,680 --> 00:38:02,200 Speaker 3: is co rcual plumbing, but this is what I love. 795 00:38:02,520 --> 00:38:04,880 Speaker 4: Is amazing. You can find joy meaning in that. 796 00:38:05,000 --> 00:38:06,759 Speaker 3: It goes to me. It's the same way people get 797 00:38:06,800 --> 00:38:09,520 Speaker 3: satisfied popping pimples when I unblocking dry. 798 00:38:11,080 --> 00:38:15,040 Speaker 4: Pimple popper. Yeah, the release of something unblocking it. I guess, 799 00:38:15,200 --> 00:38:17,359 Speaker 4: all right, So do you love your Job? Nine four 800 00:38:17,440 --> 00:38:19,719 Speaker 4: one four one O four three give us a call. 801 00:38:19,760 --> 00:38:24,000 Speaker 4: We'll take a stories next. This is the Christian o'connells 802 00:38:24,040 --> 00:38:29,160 Speaker 4: Show podcast seventeen seven, minutes past eight and seventeen. Put 803 00:38:29,200 --> 00:38:31,359 Speaker 4: those together and you get not what the time is now? 804 00:38:32,360 --> 00:38:33,719 Speaker 4: I did that because I know a lot of kids 805 00:38:33,760 --> 00:38:35,200 Speaker 4: have got exams at the moment. It's good for them 806 00:38:35,239 --> 00:38:37,760 Speaker 4: to do some arithmetic. And I'm just like a service 807 00:38:37,760 --> 00:38:41,440 Speaker 4: I'm providing ready to years five, six, seven, and eight. 808 00:38:42,320 --> 00:38:44,600 Speaker 3: You never gave the answer seventeen seven, it's. 809 00:38:44,680 --> 00:38:48,680 Speaker 4: Actually eight minutes past stay it's the answer, all right 810 00:38:48,880 --> 00:38:53,879 Speaker 4: here live radio. All right, do you love your job? 811 00:38:54,320 --> 00:38:56,120 Speaker 4: Because actually has a grown up it's one of the 812 00:38:56,239 --> 00:38:59,120 Speaker 4: hardest things in the world. And actually to find work 813 00:38:59,239 --> 00:39:00,879 Speaker 4: that is good for us, some good for the world 814 00:39:00,920 --> 00:39:03,160 Speaker 4: that makes us happy. Because going through a lot of 815 00:39:03,239 --> 00:39:06,480 Speaker 4: my sixteen and nineteen year old daughters where now on 816 00:39:06,640 --> 00:39:09,680 Speaker 4: TikTok on Instagram. I see it on my feeds as 817 00:39:09,719 --> 00:39:12,640 Speaker 4: well on social media. There's a word that ten years 818 00:39:12,640 --> 00:39:15,399 Speaker 4: ago wasn't even spanning around purpose. You've got to find 819 00:39:15,440 --> 00:39:18,560 Speaker 4: a purpose in life. It's actually a really intimidating words. 820 00:39:18,680 --> 00:39:21,080 Speaker 3: Actual pressure, especially the sixteen year old. 821 00:39:21,280 --> 00:39:23,640 Speaker 4: Yeah, I didn't know what that even means. And I'm 822 00:39:23,719 --> 00:39:26,239 Speaker 4: lucky to do this. But purpose, what did you come 823 00:39:26,320 --> 00:39:28,120 Speaker 4: to Earth for? What do you? I don't know if 824 00:39:28,120 --> 00:39:31,080 Speaker 4: it was playing nickel wack songs. I don't enjoy doing this. 825 00:39:31,200 --> 00:39:33,919 Speaker 4: I think people enjoy. Hopefully that's enough. The most small 826 00:39:33,960 --> 00:39:37,200 Speaker 4: thing is finding what that you actually enjoy that actually 827 00:39:37,360 --> 00:39:39,279 Speaker 4: just it just makes you happy when you do it. 828 00:39:39,600 --> 00:39:41,000 Speaker 4: That's what we want to hear about today. Do you 829 00:39:41,120 --> 00:39:44,000 Speaker 4: love your job? Does it give you deep joy and satisfaction? 830 00:39:44,080 --> 00:39:47,640 Speaker 4: Forget about purpose and meaning? They're really hard, tricky, big words, 831 00:39:47,680 --> 00:39:50,200 Speaker 4: and I think for kids these days, honestly, my kids 832 00:39:50,239 --> 00:39:52,840 Speaker 4: are like they're overthinking. It was like paralyzed. 833 00:39:52,960 --> 00:39:54,520 Speaker 3: Especially think of the job you have to get as 834 00:39:54,560 --> 00:39:56,000 Speaker 3: a sixteen year old. For me, I was working at 835 00:39:56,040 --> 00:39:58,440 Speaker 3: the cinema. That's not my life purpose. This is why 836 00:39:58,480 --> 00:40:01,080 Speaker 3: I came here to Earth to rip the tips for. 837 00:40:04,200 --> 00:40:06,000 Speaker 4: All? Right, So do you love your job? If you do, 838 00:40:06,640 --> 00:40:08,440 Speaker 4: pick up the phone today and tell us them all 839 00:40:08,480 --> 00:40:11,000 Speaker 4: about it, it does something to everyone listening just hearing 840 00:40:11,040 --> 00:40:13,600 Speaker 4: your joy. It is as contagious and infectious, and we 841 00:40:14,120 --> 00:40:16,480 Speaker 4: need that. On a Wednesday or hump day Wednesday, no 842 00:40:16,560 --> 00:40:19,160 Speaker 4: hump down this show nine four one four one o 843 00:40:19,320 --> 00:40:22,640 Speaker 4: four three. Good morning Matt, Morning, Christian, Jack and Pats. 844 00:40:22,680 --> 00:40:23,200 Speaker 11: How are we all? 845 00:40:23,320 --> 00:40:23,480 Speaker 9: Yeah? 846 00:40:23,520 --> 00:40:23,880 Speaker 7: We do that? 847 00:40:24,120 --> 00:40:26,560 Speaker 4: So Matt, what do you do mate that you love? Guys? 848 00:40:26,640 --> 00:40:31,359 Speaker 17: I'm the customer service manager for Australian wheelchair manufacturer called 849 00:40:31,400 --> 00:40:34,760 Speaker 17: Magic Mobility, and my job is phenomenal. I work retail 850 00:40:34,840 --> 00:40:37,640 Speaker 17: for fifteen years prior to starting with these guys and 851 00:40:37,760 --> 00:40:40,759 Speaker 17: it has been the most rewarding, most welcome change I 852 00:40:40,800 --> 00:40:43,399 Speaker 17: could possibly have made with my life. The last three 853 00:40:43,520 --> 00:40:48,160 Speaker 17: years with these guys has been phenomenal. Every day customers 854 00:40:48,320 --> 00:40:51,280 Speaker 17: are grateful. You know, we make differences to people's lives. 855 00:40:51,320 --> 00:40:52,160 Speaker 16: It's just awesome. 856 00:40:53,000 --> 00:40:55,400 Speaker 4: This is amazing because actually you are. I bet you 857 00:40:55,520 --> 00:40:58,399 Speaker 4: see every single day that what you do in your team, 858 00:40:58,440 --> 00:41:01,400 Speaker 4: what they make, is going to change somebody's every single. 859 00:41:01,320 --> 00:41:02,920 Speaker 17: Day, every single day. 860 00:41:03,120 --> 00:41:05,879 Speaker 4: Yep, Matt, I love the passion. I love the joy 861 00:41:05,920 --> 00:41:06,319 Speaker 4: you've gone. 862 00:41:06,400 --> 00:41:09,560 Speaker 3: So, Matt, what is your job to pair the person 863 00:41:09,640 --> 00:41:10,600 Speaker 3: with the perfect wheelchair? 864 00:41:11,160 --> 00:41:11,200 Speaker 12: No. 865 00:41:11,480 --> 00:41:14,799 Speaker 17: So, we're manufactured motorized wheelchairs and we've got a team, 866 00:41:14,920 --> 00:41:17,840 Speaker 17: a sales team that do all the scripting and fittings 867 00:41:17,920 --> 00:41:20,520 Speaker 17: and consults for all the clients. Here and in Victoria 868 00:41:20,560 --> 00:41:25,320 Speaker 17: were worldwide as well now but my actual role is 869 00:41:25,360 --> 00:41:29,920 Speaker 17: heading up customer service, coordinating, servicing spare parts. I'm just 870 00:41:30,000 --> 00:41:32,040 Speaker 17: liazing with customers, making sure everything's going well. 871 00:41:32,080 --> 00:41:35,360 Speaker 4: For you're someone who's just been an asset to whatever 872 00:41:35,480 --> 00:41:36,960 Speaker 4: job you do. I can just tell chatting to you 873 00:41:37,040 --> 00:41:39,400 Speaker 4: and tell me this, what was a big change and 874 00:41:39,480 --> 00:41:42,600 Speaker 4: why do you go from working in retails really really hard. 875 00:41:44,320 --> 00:41:48,279 Speaker 17: Fifteen years in the automotive retail and it happened that 876 00:41:48,320 --> 00:41:50,359 Speaker 17: I've got a phone call from my now manager who 877 00:41:50,360 --> 00:41:51,880 Speaker 17: you said, have you had enough? And I said, yes, 878 00:41:51,920 --> 00:41:54,040 Speaker 17: I have you seen come play with us? So that's 879 00:41:54,040 --> 00:41:54,640 Speaker 17: how it happened. 880 00:41:55,040 --> 00:41:57,239 Speaker 4: Wow, and what you just that day? That phone call? 881 00:41:57,320 --> 00:41:57,600 Speaker 12: That was it? 882 00:41:57,719 --> 00:41:58,120 Speaker 1: You're off? 883 00:41:58,640 --> 00:42:02,520 Speaker 4: Yep, big move, well done? 884 00:42:03,040 --> 00:42:04,239 Speaker 17: Yeah, thank you very much. 885 00:42:04,640 --> 00:42:06,680 Speaker 4: I love this. So it's Magic Mobility and how can 886 00:42:06,719 --> 00:42:09,680 Speaker 4: people find you? Just magicmobility dot com dot a you 887 00:42:09,719 --> 00:42:10,120 Speaker 4: Where are you? 888 00:42:10,840 --> 00:42:13,400 Speaker 17: We're in Casby in the Caribean Business Park and you 889 00:42:13,480 --> 00:42:16,560 Speaker 17: can find us on our website www dot magic moobility 890 00:42:16,600 --> 00:42:16,960 Speaker 17: dot com. 891 00:42:17,000 --> 00:42:17,360 Speaker 11: Dot are you? 892 00:42:17,640 --> 00:42:19,319 Speaker 4: Matt? It's a joy talking to you. Thank you very 893 00:42:19,400 --> 00:42:20,920 Speaker 4: much for what you and your team do as well. 894 00:42:21,320 --> 00:42:22,520 Speaker 17: Thanks guys, have a great day. 895 00:42:23,040 --> 00:42:25,200 Speaker 1: The Christian O'Connell Show podcast. 896 00:42:25,760 --> 00:42:28,000 Speaker 4: Do you love your job? If you do, we want 897 00:42:28,040 --> 00:42:30,279 Speaker 4: to hear from you this morning, share your passion and 898 00:42:30,360 --> 00:42:32,799 Speaker 4: joy on nine four one four one o four three. 899 00:42:33,680 --> 00:42:37,320 Speaker 4: It's got to Celia. Now, Good morning Celia, Good morning Christin. 900 00:42:37,400 --> 00:42:37,719 Speaker 9: How are you? 901 00:42:38,000 --> 00:42:39,840 Speaker 4: I'm good Celia. So what do you do that you 902 00:42:39,920 --> 00:42:40,920 Speaker 4: love so much? Celia? 903 00:42:41,280 --> 00:42:44,400 Speaker 16: I am a high school teacher and what years are 904 00:42:44,400 --> 00:42:44,680 Speaker 16: you doing? 905 00:42:45,560 --> 00:42:48,239 Speaker 9: I teach you eleven and twelve, but I'm head of 906 00:42:48,280 --> 00:42:51,759 Speaker 9: teaching and learning, so I look after from foundation to 907 00:42:51,920 --> 00:42:53,360 Speaker 9: year twelve of the curriculum. 908 00:42:53,719 --> 00:42:57,560 Speaker 4: What a beautiful Scottish accent you have. How long have 909 00:42:57,600 --> 00:42:59,080 Speaker 4: you been in Australia You've hung on to it. 910 00:42:59,120 --> 00:43:02,600 Speaker 9: Well, Christian, we have been in Asralia twenty nine years 911 00:43:02,960 --> 00:43:05,720 Speaker 9: and I have been teaching for thirty five years. 912 00:43:06,080 --> 00:43:09,040 Speaker 4: Wow, what a life of service. Well done and thank you. 913 00:43:10,520 --> 00:43:10,800 Speaker 16: Thank you. 914 00:43:11,120 --> 00:43:11,319 Speaker 4: Yeah. 915 00:43:11,680 --> 00:43:14,080 Speaker 9: So I think when I heard you this morning talking 916 00:43:14,120 --> 00:43:18,080 Speaker 9: about that young assistant scout, that really resonated with me. 917 00:43:18,640 --> 00:43:20,839 Speaker 9: I have kept doing this job for thirty five years 918 00:43:20,920 --> 00:43:23,719 Speaker 9: because of this week. This is the week that all 919 00:43:23,800 --> 00:43:27,080 Speaker 9: of the year twelves across Victoria finished. So you see 920 00:43:28,000 --> 00:43:31,600 Speaker 9: these beautiful young people and what they have become, and 921 00:43:32,600 --> 00:43:36,719 Speaker 9: forget you forget the terrible year nine, you forget the 922 00:43:36,800 --> 00:43:40,200 Speaker 9: friendship breakups. In year seven. You see them coming into 923 00:43:40,280 --> 00:43:44,640 Speaker 9: their chapel service this afternoon, their final assembly tomorrow afternoon, 924 00:43:45,160 --> 00:43:48,239 Speaker 9: and then our celebration day on Friday. And that's what 925 00:43:48,400 --> 00:43:50,480 Speaker 9: makes me come back every single January. 926 00:43:50,920 --> 00:43:53,160 Speaker 4: Oh my god, this is so magical. When I was 927 00:43:53,239 --> 00:43:55,920 Speaker 4: going through my daughter last year, year twelve, and I 928 00:43:56,040 --> 00:43:57,960 Speaker 4: saw there's a teacher like you who have been there 929 00:43:58,040 --> 00:44:01,960 Speaker 4: quite a few years, days streaming down her face of 930 00:44:02,120 --> 00:44:04,040 Speaker 4: joy because she's been on the journey of the last 931 00:44:04,120 --> 00:44:06,440 Speaker 4: couple years. Because actually us mums and dads are there 932 00:44:06,440 --> 00:44:08,360 Speaker 4: for a bit of the journey, but we hand them 933 00:44:08,400 --> 00:44:11,120 Speaker 4: over to you for quite a lot of hours, and 934 00:44:11,239 --> 00:44:13,080 Speaker 4: so you look after them and you see more of 935 00:44:13,120 --> 00:44:15,880 Speaker 4: than than we do sometimes in those different environments, in 936 00:44:15,960 --> 00:44:18,799 Speaker 4: those breaking aparts, those falling aparts, and when they really 937 00:44:18,840 --> 00:44:21,160 Speaker 4: feel that the edge of themselves and you put them 938 00:44:21,200 --> 00:44:23,719 Speaker 4: back together again. It is such a special thing you do. 939 00:44:24,239 --> 00:44:26,880 Speaker 4: Year twelve is an incredible intense journey for kids, and 940 00:44:27,480 --> 00:44:30,359 Speaker 4: they couldn't do it alone. They really need well people 941 00:44:30,440 --> 00:44:32,319 Speaker 4: like you. Celia on n Beerhalf of all the mums 942 00:44:32,360 --> 00:44:34,799 Speaker 4: and Dad's listening right now. Who are going through year 943 00:44:34,840 --> 00:44:37,080 Speaker 4: twelve at the moment it is a big year. They 944 00:44:37,200 --> 00:44:40,080 Speaker 4: really need all the support around them. So, Celia, what 945 00:44:40,280 --> 00:44:42,839 Speaker 4: a great person you are on big heart and soul. 946 00:44:43,560 --> 00:44:45,759 Speaker 9: Oh, thank you so much, thank you so much. But 947 00:44:45,840 --> 00:44:47,759 Speaker 9: I'm hopeful they've got another ten years in need to 948 00:44:47,800 --> 00:44:50,879 Speaker 9: see another group of year twelves transition through. 949 00:44:51,239 --> 00:44:53,359 Speaker 4: You need another one hundred years. Seriously, you know now 950 00:44:53,440 --> 00:44:55,480 Speaker 4: we can live and extend life. You need to be 951 00:44:55,600 --> 00:44:56,480 Speaker 4: made immortal. 952 00:44:57,000 --> 00:44:58,040 Speaker 9: I don't think I can work time. 953 00:44:58,280 --> 00:44:59,440 Speaker 4: I should be like highlander. 954 00:45:03,600 --> 00:45:05,200 Speaker 9: I might try and do that for sale. 955 00:45:07,200 --> 00:45:08,680 Speaker 4: And Celia, where do you teach? 956 00:45:09,360 --> 00:45:13,320 Speaker 9: I teach at the beautiful Balcom Grammar School down in Martha. 957 00:45:14,680 --> 00:45:18,799 Speaker 4: Yeah, beautiful place down there. You're a legend, Celia, thank 958 00:45:18,840 --> 00:45:20,400 Speaker 4: you very much all the work you do with so 959 00:45:20,560 --> 00:45:22,239 Speaker 4: many kids over the years, and you will have the 960 00:45:22,320 --> 00:45:23,600 Speaker 4: next couple years as well. Good on you. 961 00:45:23,719 --> 00:45:26,040 Speaker 9: Thank you, thank you so much, and really enjoy the 962 00:45:26,080 --> 00:45:26,480 Speaker 9: sure guy. 963 00:45:26,640 --> 00:45:30,000 Speaker 4: Thanks your thanks. So let's go to Wow. Let's get 964 00:45:30,040 --> 00:45:34,040 Speaker 4: an ash morning, Ash Morening Christian, I'm good buddy, and 965 00:45:34,200 --> 00:45:36,040 Speaker 4: are you seeing like a cheerful soul? What do you 966 00:45:36,080 --> 00:45:38,440 Speaker 4: do Ash that you love oh sure. 967 00:45:38,480 --> 00:45:43,360 Speaker 16: Donuts Donuts a Nigal market. So yeah, we we we 968 00:45:43,520 --> 00:45:44,759 Speaker 16: see some characters, don't they. 969 00:45:45,680 --> 00:45:47,279 Speaker 4: Yeah, I bet you do. But the thing is right, 970 00:45:47,360 --> 00:45:49,640 Speaker 4: whenever you whatever mood you're in or how you arrive 971 00:45:49,760 --> 00:45:51,920 Speaker 4: getting your donut, when you have the donut, it just 972 00:45:52,120 --> 00:45:54,520 Speaker 4: changes you no matter what's going on. It's just like 973 00:45:54,560 --> 00:45:57,920 Speaker 4: an instant little reset, isn't it Just having a great donut? 974 00:45:58,560 --> 00:46:01,279 Speaker 16: Absolutely? I mean you you get people come up, we 975 00:46:01,400 --> 00:46:03,800 Speaker 16: get people come in from you know, wa and Queensland 976 00:46:03,840 --> 00:46:05,520 Speaker 16: and stuff and they'll take two dozen home with them 977 00:46:05,560 --> 00:46:08,239 Speaker 16: because they don't have them there. So yeah, to be 978 00:46:08,320 --> 00:46:10,640 Speaker 16: able to make people's day, it's just brilliant, put a 979 00:46:10,680 --> 00:46:12,359 Speaker 16: smile on people's face. It it's all about. 980 00:46:12,800 --> 00:46:14,719 Speaker 3: That's what I love about a donut van in a 981 00:46:14,840 --> 00:46:17,360 Speaker 3: market or at the football is like you're encouraged to 982 00:46:17,400 --> 00:46:18,279 Speaker 3: buy at least six. 983 00:46:19,719 --> 00:46:22,799 Speaker 4: Absolutely, it's not a one thing is that it's not enough. 984 00:46:24,080 --> 00:46:25,560 Speaker 16: No one's ever enough. 985 00:46:25,719 --> 00:46:25,759 Speaker 12: No. 986 00:46:26,239 --> 00:46:28,120 Speaker 4: And so what is the name of the business. 987 00:46:28,880 --> 00:46:31,719 Speaker 16: It's Dandy Donuts. We've been around for about sixty odd 988 00:46:31,800 --> 00:46:33,680 Speaker 16: years so we're a bit of an institution in Dandy 989 00:46:33,840 --> 00:46:37,719 Speaker 16: or Wow. Yeah, it's gone a second generation now, so 990 00:46:37,920 --> 00:46:41,320 Speaker 16: it's Yeah. A lot of grandparents and parents come in 991 00:46:41,440 --> 00:46:43,759 Speaker 16: and tell the story of when they were children and 992 00:46:43,800 --> 00:46:44,520 Speaker 16: they used to come in. 993 00:46:44,560 --> 00:46:45,160 Speaker 4: With their parents. 994 00:46:45,680 --> 00:46:48,160 Speaker 16: That's so yeah, Yeah, it's fantastic here. 995 00:46:48,760 --> 00:46:51,120 Speaker 4: Do you think we're every bit of persuade you guys 996 00:46:51,200 --> 00:46:54,200 Speaker 4: to come here to Richmond and just fire up one morning? 997 00:46:55,600 --> 00:46:58,520 Speaker 16: Look? I wouldn't be absolutely I think so. I think 998 00:46:58,520 --> 00:46:59,400 Speaker 16: we will be able to do that. 999 00:47:00,040 --> 00:47:01,920 Speaker 4: So we should do a donut good way for listeners. 1000 00:47:02,200 --> 00:47:03,800 Speaker 3: Yes, you can just come and pick up yours. 1001 00:47:04,120 --> 00:47:05,600 Speaker 4: Now you don't do it for free, We'll pay you. 1002 00:47:05,719 --> 00:47:08,200 Speaker 4: But we should give away donuts to listeners. You can 1003 00:47:08,320 --> 00:47:10,960 Speaker 4: and obviously we'll take the first batch just to check 1004 00:47:10,960 --> 00:47:14,200 Speaker 4: the quality control and say it's very good donuts on 1005 00:47:14,280 --> 00:47:16,120 Speaker 4: a Friday. Is this a gift? Isn't it? 1006 00:47:17,120 --> 00:47:18,840 Speaker 16: Absolutely? Look, we'd be happy to come down and. 1007 00:47:19,760 --> 00:47:22,160 Speaker 4: Let's talk after nine o'clock with dandy donuts. But Ash, 1008 00:47:22,200 --> 00:47:23,640 Speaker 4: thanks for giving us a call mate, Love. 1009 00:47:23,520 --> 00:47:25,680 Speaker 16: It more than welcome, Have a fantastic. 1010 00:47:25,800 --> 00:47:30,440 Speaker 4: And you Bob, good morning, Hello, Bob, good morning, Welcome 1011 00:47:30,480 --> 00:47:32,040 Speaker 4: to the show. So why do you love your job? 1012 00:47:32,080 --> 00:47:32,400 Speaker 7: What do you do? 1013 00:47:32,520 --> 00:47:32,759 Speaker 4: Bob? 1014 00:47:33,520 --> 00:47:38,560 Speaker 13: Well, Christian, I work with my brother and his business 1015 00:47:38,640 --> 00:47:44,160 Speaker 13: is called Wee Care funeral transfers. So we transfer people 1016 00:47:44,239 --> 00:47:48,640 Speaker 13: that have passed away, and we take them from maybe 1017 00:47:48,800 --> 00:47:52,400 Speaker 13: home or from hospital or from a nursing home, and 1018 00:47:52,640 --> 00:47:56,799 Speaker 13: we take them on their last journey to the funeral home. 1019 00:47:57,640 --> 00:48:00,160 Speaker 4: Well hopefully there's a couple more journeys after that. Don't 1020 00:48:00,200 --> 00:48:03,600 Speaker 4: want my last one just being down to sunching a rest, 1021 00:48:05,080 --> 00:48:08,719 Speaker 4: it does. I hope it doesn't end there. But I 1022 00:48:08,840 --> 00:48:10,800 Speaker 4: understand what you mean. But you really are that is 1023 00:48:10,920 --> 00:48:14,200 Speaker 4: a I mean, you're you're a real frontier going into 1024 00:48:14,200 --> 00:48:17,399 Speaker 4: people's homes. Who are you know for that to happen? 1025 00:48:17,480 --> 00:48:20,520 Speaker 4: One incredible thing to try and be a kind soul 1026 00:48:20,600 --> 00:48:21,160 Speaker 4: in that moment. 1027 00:48:22,200 --> 00:48:25,440 Speaker 13: Oh thank you, Yes, I found it. Well. I work 1028 00:48:25,520 --> 00:48:28,480 Speaker 13: with my brother as well, and so it's a real 1029 00:48:28,600 --> 00:48:35,400 Speaker 13: joy to work together. We call that quality time, you know, 1030 00:48:36,000 --> 00:48:42,440 Speaker 13: and it's we were very humbled by the families and 1031 00:48:43,239 --> 00:48:45,680 Speaker 13: that they allow us to look after their loved one. 1032 00:48:46,760 --> 00:48:51,200 Speaker 13: And it's a family decide that they like to stay 1033 00:48:51,239 --> 00:48:53,879 Speaker 13: in the room with us while we prepare their loved one. 1034 00:48:54,360 --> 00:48:58,160 Speaker 13: That's okay too. I think I did one transfer where 1035 00:48:58,200 --> 00:49:02,440 Speaker 13: there was like seventeen people in the room, so, you know, 1036 00:49:02,560 --> 00:49:07,320 Speaker 13: and then a really beautiful, joyous thing is when we 1037 00:49:07,440 --> 00:49:09,640 Speaker 13: go to some nursing homes, we have a guard of 1038 00:49:09,719 --> 00:49:13,520 Speaker 13: honor where the staff stand on either side of the hallway. 1039 00:49:16,320 --> 00:49:16,640 Speaker 4: Music. 1040 00:49:17,760 --> 00:49:20,200 Speaker 13: Yeah, it's a it's a beautiful thing. 1041 00:49:20,400 --> 00:49:28,279 Speaker 4: Christian m oh, what a way to what a way 1042 00:49:28,320 --> 00:49:30,080 Speaker 4: to live your life and to actually put heart and 1043 00:49:30,200 --> 00:49:33,400 Speaker 4: soul into that. That's incredible. It's such an intimate thing. 1044 00:49:33,480 --> 00:49:35,279 Speaker 4: I can only imagine what that's like to go into 1045 00:49:35,320 --> 00:49:39,000 Speaker 4: that and they're really trusting you with someone who means 1046 00:49:39,160 --> 00:49:41,640 Speaker 4: so much to them, and they're really suffering, so they 1047 00:49:41,719 --> 00:49:43,359 Speaker 4: must really trust you and your brother. 1048 00:49:44,520 --> 00:49:49,759 Speaker 13: Yes, yeah, yeah, so look he obviously has a number 1049 00:49:49,800 --> 00:49:52,960 Speaker 13: of other staff as well, but when we work together, 1050 00:49:53,080 --> 00:49:57,920 Speaker 13: it's it's it's really joyous for me. 1051 00:50:00,320 --> 00:50:02,480 Speaker 20: Yeah, because I love it so much. 1052 00:50:02,880 --> 00:50:07,920 Speaker 4: Oh, Bob, this is incredibles beautiful Barbara. Now listen, Tommy, 1053 00:50:08,000 --> 00:50:09,160 Speaker 4: what is that? Because I know there are a lot 1054 00:50:09,200 --> 00:50:10,480 Speaker 4: of people listening. I want to know what is the 1055 00:50:10,600 --> 00:50:13,480 Speaker 4: name of the company if we ever need it in 1056 00:50:13,520 --> 00:50:15,759 Speaker 4: a couple of years, I've got that. I think she's 1057 00:50:15,760 --> 00:50:17,800 Speaker 4: trying to call right now to get that number. You 1058 00:50:17,840 --> 00:50:18,640 Speaker 4: could barely got a week. 1059 00:50:18,680 --> 00:50:19,799 Speaker 3: You should just paying book now. 1060 00:50:21,120 --> 00:50:22,160 Speaker 4: I'm going to put down deposit. 1061 00:50:22,160 --> 00:50:24,959 Speaker 19: It's a bit. 1062 00:50:24,920 --> 00:50:28,399 Speaker 13: Of a bit of a niche market, Christian. So it's 1063 00:50:28,480 --> 00:50:31,040 Speaker 13: called WEE Care Funeral Transfers. 1064 00:50:32,560 --> 00:50:34,640 Speaker 4: You know, it's very clear that you do care as well. 1065 00:50:35,680 --> 00:50:38,719 Speaker 13: Thank you very much. Well, it's my brother's business and 1066 00:50:38,960 --> 00:50:43,040 Speaker 13: he developed it and he's one of the best transfer 1067 00:50:43,200 --> 00:50:44,640 Speaker 13: businesses in Victoria. 1068 00:50:45,000 --> 00:50:45,400 Speaker 11: I love that. 1069 00:50:45,800 --> 00:50:47,560 Speaker 4: Enjoy talking to you, Barbara, and thank you for what 1070 00:50:47,640 --> 00:50:48,520 Speaker 4: you do you Andy brother. 1071 00:50:48,640 --> 00:50:52,520 Speaker 13: Right, thank you, Christian. It's been a pleasure to relate 1072 00:50:52,560 --> 00:50:54,760 Speaker 13: to you what we what we do together. 1073 00:50:55,400 --> 00:50:55,680 Speaker 4: To hear it. 1074 00:50:56,400 --> 00:50:58,520 Speaker 1: Christian Connell's show podcast. 1075 00:50:59,520 --> 00:51:02,560 Speaker 4: Christian, I can confirm Dandy Donuts are the best. I 1076 00:51:02,719 --> 00:51:05,200 Speaker 4: drive two and a half hours to get them. I've 1077 00:51:05,239 --> 00:51:09,400 Speaker 4: been getting them since I was a kid, Claire somebody 1078 00:51:09,440 --> 00:51:11,920 Speaker 4: else testing you Christians, nothing meant than Dandy Donuts. And 1079 00:51:12,040 --> 00:51:14,400 Speaker 4: then morning Ash was just text me going Christian's actually 1080 00:51:14,440 --> 00:51:16,400 Speaker 4: from Dandy Donuts. I was just chatting to you earlier. 1081 00:51:16,400 --> 00:51:19,200 Speaker 4: I accidentally hung up in excitement. This is my number. 1082 00:51:19,520 --> 00:51:23,399 Speaker 4: Don't worry, We've got your number. Don't you hurry. We're 1083 00:51:23,480 --> 00:51:26,560 Speaker 4: coming like they're following the trail back closed Dandy Donuts. 1084 00:51:26,719 --> 00:51:29,279 Speaker 4: All right, let's take one more before Patsy's News and 1085 00:51:29,360 --> 00:51:32,680 Speaker 4: Time Waster It's always one about why you love your job? 1086 00:51:32,760 --> 00:51:36,160 Speaker 4: Do you love your job? Good morning Katie, Good morning, 1087 00:51:36,760 --> 00:51:38,840 Speaker 4: morning Katie. Welcome to the show. So what do you 1088 00:51:38,920 --> 00:51:39,799 Speaker 4: do that you love so much? 1089 00:51:39,880 --> 00:51:44,720 Speaker 20: Mate, Christian? I work with families of seeking premature babies. 1090 00:51:44,800 --> 00:51:46,200 Speaker 20: There's a peace support worker. 1091 00:51:46,920 --> 00:51:48,320 Speaker 4: Oh wow, how did you get into that? 1092 00:51:49,520 --> 00:51:53,920 Speaker 20: I had my twins born prematurely myself, so how are 1093 00:51:53,960 --> 00:51:57,080 Speaker 20: you coming about? They were born at thirty two weeks 1094 00:51:57,200 --> 00:52:01,640 Speaker 20: so years. I spent a few months in hospital and 1095 00:52:01,800 --> 00:52:04,120 Speaker 20: just remembering that how lonely it was, and I was 1096 00:52:04,239 --> 00:52:06,800 Speaker 20: quite scared. I had no idea of what was what 1097 00:52:06,960 --> 00:52:07,680 Speaker 20: was happening for us. 1098 00:52:07,719 --> 00:52:10,840 Speaker 4: You've ast have been terrifle because they're tiny, aren't that 1099 00:52:10,960 --> 00:52:11,400 Speaker 4: that age? 1100 00:52:11,560 --> 00:52:11,759 Speaker 6: Yeah? 1101 00:52:12,120 --> 00:52:17,280 Speaker 20: Yeah, absolutely so Yeah. I started volunteering for a charity 1102 00:52:17,520 --> 00:52:20,040 Speaker 20: and then now I work for them. Although I don't 1103 00:52:20,080 --> 00:52:21,560 Speaker 20: see it as a job. I love what I do 1104 00:52:21,880 --> 00:52:26,520 Speaker 20: and being able to support families that are in hospital, 1105 00:52:26,640 --> 00:52:28,680 Speaker 20: some for a short time and some for a very 1106 00:52:28,760 --> 00:52:29,279 Speaker 20: long time. 1107 00:52:29,680 --> 00:52:32,000 Speaker 4: And all of this came from your own experience going 1108 00:52:32,040 --> 00:52:34,279 Speaker 4: through You wanted someone who was going to be in 1109 00:52:34,360 --> 00:52:36,239 Speaker 4: your situation to be helped. 1110 00:52:37,120 --> 00:52:40,360 Speaker 20: Yeah, I absolutely had no idea. I just was probably 1111 00:52:40,360 --> 00:52:43,200 Speaker 20: a bit naive thinking you have a baby and always 1112 00:52:43,239 --> 00:52:47,279 Speaker 20: good and phil you realize there is so many sick 1113 00:52:47,360 --> 00:52:50,160 Speaker 20: or unwell babies that are born every day across Australia. 1114 00:52:50,200 --> 00:52:54,160 Speaker 20: There's forty eight thousand a year that are born in Australia. 1115 00:52:55,040 --> 00:52:57,080 Speaker 4: I didn't know it was that high. Yeah. 1116 00:52:57,520 --> 00:53:01,640 Speaker 20: So we have stuff in different states across Australia doing 1117 00:53:01,680 --> 00:53:03,080 Speaker 20: this role, but from here. 1118 00:53:03,560 --> 00:53:05,920 Speaker 4: Yeah, ah bet, you really love it. What's the name 1119 00:53:06,000 --> 00:53:07,560 Speaker 4: of the organization you work for. 1120 00:53:07,800 --> 00:53:10,000 Speaker 20: That's called Life's Twittle Treasures Foundation. 1121 00:53:10,400 --> 00:53:12,840 Speaker 4: What a beautiful name. It sums it up beautifully. It 1122 00:53:12,880 --> 00:53:13,719 Speaker 4: says it all, doesn't it? 1123 00:53:14,400 --> 00:53:15,839 Speaker 20: Its absolutely it does. 1124 00:53:16,080 --> 00:53:16,319 Speaker 7: Nice? 1125 00:53:16,520 --> 00:53:19,560 Speaker 4: Yes, yeah, nice, awesome, Katie, thank you very much for 1126 00:53:19,640 --> 00:53:21,000 Speaker 4: what you're doing. Thanks to call on the show. 1127 00:53:21,560 --> 00:53:22,920 Speaker 20: Thanks Christian, have a great day. 1128 00:53:24,160 --> 00:53:28,160 Speaker 1: This is the Christian O'Connell show podcast on. 1129 00:53:28,239 --> 00:53:31,800 Speaker 4: The Time Waster Today Again. Tickers go and see Rivedance 1130 00:53:31,880 --> 00:53:34,120 Speaker 4: is back the twenty fifth anniversary of rivetands back in 1131 00:53:34,200 --> 00:53:37,160 Speaker 4: Melbourne next year Melbourne April, the sixth and seventh over Easter. 1132 00:53:37,640 --> 00:53:40,080 Speaker 4: Tickets are on sound now at Ticke Tech. You can 1133 00:53:40,200 --> 00:53:46,120 Speaker 4: win a pair with us on the Time Wastter Today. 1134 00:53:46,239 --> 00:53:53,680 Speaker 4: We celebrate and respect world primate preservation day. Preserve your primates. 1135 00:53:53,840 --> 00:53:55,719 Speaker 4: The fact is let them live, don't mean preserving them 1136 00:53:55,760 --> 00:53:56,239 Speaker 4: in a jar. 1137 00:53:56,800 --> 00:53:58,160 Speaker 3: Hey did you ever get to the end of the 1138 00:53:58,239 --> 00:53:59,920 Speaker 3: Tunbe documentary that you guys would love? 1139 00:54:00,120 --> 00:54:00,319 Speaker 9: Yeah? 1140 00:54:00,640 --> 00:54:05,319 Speaker 4: Yeah, it's a tough watch joke, very good. A couple 1141 00:54:05,400 --> 00:54:10,640 Speaker 4: of before we get into monkey bands, Scientists are baffled 1142 00:54:10,680 --> 00:54:14,360 Speaker 4: by a spike in monkey attacks around the world. Japan, 1143 00:54:14,800 --> 00:54:18,400 Speaker 4: the US, Brazil, and Thailand have all fallen under the 1144 00:54:18,440 --> 00:54:21,680 Speaker 4: control of the monkeys. Why is it listening the newspaths 1145 00:54:23,239 --> 00:54:26,400 Speaker 4: they've all reported an unusual surge. Come on, guys, pay attention. 1146 00:54:26,480 --> 00:54:29,520 Speaker 4: Wake up people, this is not unusual. It's part of 1147 00:54:29,640 --> 00:54:33,239 Speaker 4: the big plan. Enough with the monkey around, they're making 1148 00:54:33,280 --> 00:54:37,480 Speaker 4: the big move, including a wild Brazilian chimpanzee, probably a 1149 00:54:37,480 --> 00:54:40,960 Speaker 4: black belt Brazilian jiu jitsu, who happed entire neighborhood in 1150 00:54:41,000 --> 00:54:46,359 Speaker 4: lockdown for seven hours. One monkey king like a Colin 1151 00:54:46,440 --> 00:54:51,200 Speaker 4: McGregor mad monkey. In twenty ten, Well you already went 1152 00:54:51,280 --> 00:54:53,480 Speaker 4: back through what's that page three on Google? 1153 00:54:54,640 --> 00:54:56,960 Speaker 3: The Brazilians are luck in their home as we speak. 1154 00:54:57,040 --> 00:55:00,640 Speaker 4: Oh, let's go throw back twenty ten. A troop of 1155 00:55:00,680 --> 00:55:03,520 Speaker 4: fifteen monkeys escaped to Zoom in Japan by using trees 1156 00:55:03,560 --> 00:55:07,480 Speaker 4: as catapults from five Major high as your friends. That 1157 00:55:07,680 --> 00:55:11,920 Speaker 4: is awesome, but afterwards its monkeys cannot resist like us 1158 00:55:11,960 --> 00:55:14,880 Speaker 4: with those dandy donuts. They cannot resist the lore of 1159 00:55:14,960 --> 00:55:17,920 Speaker 4: a packet of peanuts. What they looked them out with peanuts? 1160 00:55:17,920 --> 00:55:21,239 Speaker 4: A train of peanuts? Who can resist? Monkeys can't? All right, 1161 00:55:21,320 --> 00:55:25,800 Speaker 4: So we're looking for your monkey bands. Who is on stage? Purpose? Guys? 1162 00:55:25,840 --> 00:55:29,840 Speaker 4: We found our purpose? Who is on stage a monkey fest? 1163 00:55:30,640 --> 00:55:33,000 Speaker 4: I'll tell you who's on stage? Dave Grohl's got a 1164 00:55:33,080 --> 00:55:35,560 Speaker 4: band of gibbons. That's right. They're called the poof Lingers. 1165 00:55:38,000 --> 00:55:47,200 Speaker 4: They love to do it. Baboon five silver, Alanist Marmozette gold, Chimpanzee. 1166 00:55:46,640 --> 00:55:49,319 Speaker 3: Top SILVERA I've got big bits. 1167 00:55:49,719 --> 00:55:56,080 Speaker 4: Aape cis gold, chimp biscuit Gold's leave it them jack? 1168 00:55:56,120 --> 00:55:57,320 Speaker 4: What have you got? Monkey bands? 1169 00:55:57,840 --> 00:55:58,959 Speaker 3: Millie Grilly Oh. 1170 00:55:58,960 --> 00:56:01,880 Speaker 4: Midi Grilly Stradium with the gold then Mini is very 1171 00:56:01,920 --> 00:56:03,040 Speaker 4: good packing the peanuts for you. 1172 00:56:03,840 --> 00:56:04,960 Speaker 3: Banana del Ray. 1173 00:56:05,040 --> 00:56:07,200 Speaker 4: Oh he's upgraded to the tire, swinging on the tire. 1174 00:56:07,320 --> 00:56:15,520 Speaker 3: Also gold, the Little Gibbon Band no silver and Great 1175 00:56:15,600 --> 00:56:19,200 Speaker 3: Altie rock Band Mkakadaca. 1176 00:56:20,719 --> 00:56:26,320 Speaker 4: Yeah yeah, yeah, yeah yeah yeah Gold. All right, what 1177 00:56:26,400 --> 00:56:28,200 Speaker 4: have you got their monkey bands? Who else is on 1178 00:56:28,320 --> 00:56:31,759 Speaker 4: stage at monkey Fest? Text him in four seventy five 1179 00:56:32,200 --> 00:56:35,560 Speaker 4: three one O four three. We're mark the next a brighter. 1180 00:56:35,840 --> 00:56:38,600 Speaker 1: You're listening to the question OCRL Show podcast. 1181 00:56:38,840 --> 00:56:41,400 Speaker 4: Turn them out, Today's time waster. We're looking for your 1182 00:56:41,680 --> 00:56:44,239 Speaker 4: Monkey band special show double Bass to come and see 1183 00:56:44,320 --> 00:56:49,839 Speaker 4: River Dance. It's back in Melbourne next easter. All right, 1184 00:56:49,960 --> 00:56:59,400 Speaker 4: Monkey and Mechanics Bronze, the Fighters gold and Andy Taylor 1185 00:56:59,440 --> 00:57:05,600 Speaker 4: swing gold. They love that swing Lemmer Sayer so the 1186 00:57:05,719 --> 00:57:08,719 Speaker 4: Leo Sayer Lemurser Bronze silver. 1187 00:57:08,560 --> 00:57:13,720 Speaker 21: Back chair Silba not the Beg's the bee Chipanzees. 1188 00:57:14,560 --> 00:57:14,840 Speaker 3: Gold. 1189 00:57:14,920 --> 00:57:15,640 Speaker 4: That's where it cool with me. 1190 00:57:16,240 --> 00:57:19,640 Speaker 21: The Kings King Kongs of Leam silver, Chimed one eighty 1191 00:57:19,680 --> 00:57:20,720 Speaker 21: two gold. 1192 00:57:20,640 --> 00:57:23,440 Speaker 4: Very good. Elliott and Bow would take about Gorilla Rice. 1193 00:57:25,360 --> 00:57:26,040 Speaker 3: Gold plus. 1194 00:57:26,360 --> 00:57:32,840 Speaker 4: That's very good, Tracy, that's brilliant. Gorilla Kwai silver. That's 1195 00:57:32,880 --> 00:57:35,680 Speaker 4: a lot of effort. That Kip Blink one eight pooh, 1196 00:57:37,040 --> 00:57:38,360 Speaker 4: I knew that wol make him laugh the most. 1197 00:57:45,000 --> 00:57:48,960 Speaker 21: Simeon and Goya Funk call too much gone on Bronze 1198 00:57:49,040 --> 00:57:55,840 Speaker 21: poo the Finger gold, come on, be better team, Come on? 1199 00:57:56,360 --> 00:58:00,360 Speaker 4: But what on they not? Roy Orbison, No no, no 1200 00:58:00,600 --> 00:58:02,400 Speaker 4: roy or Ba Boom. 1201 00:58:03,720 --> 00:58:04,200 Speaker 3: Bronze. 1202 00:58:07,760 --> 00:58:09,800 Speaker 4: I like it Who Flung Poo? The Who Flung Poo? 1203 00:58:10,160 --> 00:58:16,720 Speaker 4: Silver up Babooon streisand silver up Kenny Gibbons gold, You burn, Chimpanzee, 1204 00:58:16,760 --> 00:58:21,480 Speaker 4: you be Chimpanzee Bronze, Baboom, Mammilo silver, ape c ap 1205 00:58:21,600 --> 00:58:26,800 Speaker 4: D silver and Fleetwood Mandrill bronze. Yeah nice. 1206 00:58:27,920 --> 00:58:29,880 Speaker 3: Shouldn't you save those poo ones for the end? Yes, 1207 00:58:30,040 --> 00:58:33,160 Speaker 3: but let's give the rivedown tickets to Gorilla ives for Tracy. 1208 00:58:33,320 --> 00:58:34,880 Speaker 4: Yeah one on Tracy in swan Hill. 1209 00:58:35,440 --> 00:58:37,600 Speaker 1: The Christian O'Connell Show podcast. 1210 00:58:40,680 --> 00:58:43,920 Speaker 4: On tomorrow's show, we're looking once more for your facts. 1211 00:58:43,960 --> 00:58:47,440 Speaker 4: Will be rating and grading your fants in What the Facts. 1212 00:58:47,440 --> 00:58:48,800 Speaker 4: If you've got a great fact for us, you can 1213 00:58:48,880 --> 00:58:52,080 Speaker 4: email me today Christian A Christian O'Connell dot com dot 1214 00:58:52,120 --> 00:58:54,800 Speaker 4: au team. What do you think of that? The single 1215 00:58:54,960 --> 00:58:58,360 Speaker 4: heaviest thing you've ever heard to lived or carry yesterday 1216 00:59:00,200 --> 00:59:02,200 Speaker 4: days down the road for me, there's been waiting out 1217 00:59:02,200 --> 00:59:04,640 Speaker 4: there and hard rubbish, one of those old fashioned you know, 1218 00:59:04,760 --> 00:59:08,400 Speaker 4: it's big, giant, big ass fighting cabinets like from an 1219 00:59:08,480 --> 00:59:10,520 Speaker 4: on office from like the seventies. It's been there for 1220 00:59:10,520 --> 00:59:12,240 Speaker 4: a couple of days and yes, I was walking the 1221 00:59:12,280 --> 00:59:14,720 Speaker 4: dogs and I saw that two lazies has obviously eyed 1222 00:59:14,760 --> 00:59:17,600 Speaker 4: it and't come back. And they had a little ute 1223 00:59:17,600 --> 00:59:19,360 Speaker 4: and they were trying to load it in the back right, 1224 00:59:19,640 --> 00:59:21,680 Speaker 4: and I said, you need a hand, and the three 1225 00:59:21,720 --> 00:59:24,760 Speaker 4: of us, she's this thing. This thing did not want 1226 00:59:24,800 --> 00:59:29,360 Speaker 4: to It was so what's hit it? In files of gold? 1227 00:59:29,840 --> 00:59:33,120 Speaker 4: It was so deceptively heavy, strange to my top three 1228 00:59:33,200 --> 00:59:35,320 Speaker 4: heaviest things I've ever had to move, Jackie Boar, what 1229 00:59:35,440 --> 00:59:37,040 Speaker 4: is the heaviest thing you've ever actually try? And shit? 1230 00:59:37,080 --> 00:59:40,240 Speaker 3: We bought a stone bath when we were doing there 1231 00:59:40,280 --> 00:59:44,440 Speaker 3: renovation in Coburg Beautiful. I thought the guys would bring 1232 00:59:44,480 --> 00:59:46,760 Speaker 3: it in. We've got some rule where they're only allowed 1233 00:59:46,800 --> 00:59:47,920 Speaker 3: to drop it at your front door. 1234 00:59:48,000 --> 00:59:50,520 Speaker 4: Oh that's really helpful. Gee, thanks team. 1235 00:59:50,720 --> 00:59:53,200 Speaker 3: It took four of us and a series of blankets 1236 00:59:53,240 --> 00:59:55,840 Speaker 3: and shifting it to just get it inside the house 1237 00:59:55,880 --> 00:59:56,760 Speaker 3: and then into place. 1238 00:59:57,160 --> 00:59:59,800 Speaker 4: But there's sometimes in a situation where you're carrying something 1239 01:00:00,080 --> 01:00:03,320 Speaker 4: or lifting it where you can't do the blanket shimmy move. 1240 01:00:03,360 --> 01:00:04,680 Speaker 3: Well, you've got to get up over they. 1241 01:00:05,560 --> 01:00:07,200 Speaker 4: By the way, when was the first time I recorded 1242 01:00:07,280 --> 01:00:09,360 Speaker 4: history someone thought of the genius idea of putting a 1243 01:00:09,400 --> 01:00:11,480 Speaker 4: blanket under something to move it along. Someone had to 1244 01:00:11,520 --> 01:00:13,640 Speaker 4: do that for the first Pyramids. It's the pyramids. That's 1245 01:00:13,680 --> 01:00:18,600 Speaker 4: what they got there, blankets, Egyptian rugs. They're still sell them. 1246 01:00:18,520 --> 01:00:19,000 Speaker 12: To this day. 1247 01:00:19,440 --> 01:00:21,400 Speaker 1: Christian O'Connell Show podcast