1 00:00:04,480 --> 00:00:11,440 Speaker 1: The Will and Woody podcast, talking about the dumbest thing 2 00:00:11,520 --> 00:00:15,760 Speaker 1: you've ever seen someone do. Thirteen one oh six five 3 00:00:15,960 --> 00:00:19,360 Speaker 1: is the phone number? Well do you? Once applied for 4 00:00:19,440 --> 00:00:23,119 Speaker 1: a job as a bell boy, bell attendant, bell attendant 5 00:00:23,239 --> 00:00:23,840 Speaker 1: at a hotel. 6 00:00:23,880 --> 00:00:25,720 Speaker 2: At a hotel, it's going to do the night shift. 7 00:00:25,720 --> 00:00:26,640 Speaker 2: That's what I was applying for. 8 00:00:26,800 --> 00:00:31,320 Speaker 1: Got to an interview stage. I believe the interviewer. 9 00:00:30,800 --> 00:00:32,960 Speaker 2: Asked you first time in a couple of months, I've 10 00:00:33,000 --> 00:00:34,040 Speaker 2: got to stage two of. 11 00:00:34,280 --> 00:00:36,720 Speaker 1: The job interview. Yet you've been on seek for a while. 12 00:00:37,159 --> 00:00:38,680 Speaker 1: You get in touch with the woman at the hotel. 13 00:00:38,840 --> 00:00:41,120 Speaker 1: She goes through you know what do you know? What 14 00:00:41,120 --> 00:00:42,440 Speaker 1: do you need to know about this? How are you 15 00:00:42,479 --> 00:00:45,400 Speaker 1: going to go this? And you said, I don't really 16 00:00:45,440 --> 00:00:49,120 Speaker 1: know what you're talking about, don't know. I don't notice 17 00:00:49,120 --> 00:00:52,240 Speaker 1: have to ring the ring the bell when people come 18 00:00:52,280 --> 00:00:53,280 Speaker 1: in and out of the tour. 19 00:00:53,520 --> 00:00:55,840 Speaker 2: I said, I attend to the bell. I can do it. 20 00:00:55,920 --> 00:00:58,200 Speaker 1: I can do for you, Ben, this is something you did. 21 00:00:58,600 --> 00:01:00,760 Speaker 3: Hey, guys, the man good. 22 00:01:01,000 --> 00:01:02,400 Speaker 2: What'd you do? Mate? So? 23 00:01:02,680 --> 00:01:04,840 Speaker 3: I was actually wagging school men my mate one day 24 00:01:04,959 --> 00:01:07,800 Speaker 3: and I saw my mom's car coming down the road. Panic. 25 00:01:07,880 --> 00:01:10,800 Speaker 3: My mate jumped in the bush my dumb my dumb 26 00:01:10,800 --> 00:01:13,920 Speaker 3: self tried to hide behind the street sign, so they're 27 00:01:14,000 --> 00:01:19,080 Speaker 3: nice street sign. I got home and Mom goes to 28 00:01:19,080 --> 00:01:20,880 Speaker 3: have a school and I was like, yeah, it was good. 29 00:01:21,360 --> 00:01:24,480 Speaker 3: Me thinking yeah, I've probably got away with it. Mum 30 00:01:24,840 --> 00:01:26,920 Speaker 3: basically whacked me and goes to grab for two weeks. 31 00:01:26,959 --> 00:01:29,040 Speaker 3: I said, I for wagging. She goes, no, for being 32 00:01:29,080 --> 00:01:31,040 Speaker 3: so dumb. You think you can hide behind the streets. 33 00:01:33,720 --> 00:01:38,959 Speaker 1: That's good, dumb, nice Tyler, this was your sister and 34 00:01:39,040 --> 00:01:41,120 Speaker 1: brother in law that did something, the dumbest thing you've 35 00:01:41,120 --> 00:01:41,800 Speaker 1: ever seen, Your. 36 00:01:41,680 --> 00:01:45,880 Speaker 4: Ecking yeah, dumbest thing I've ever seen. They were in 37 00:01:45,920 --> 00:01:48,360 Speaker 4: the bedroom. She leaned into the draw to grab a 38 00:01:48,360 --> 00:01:49,120 Speaker 4: bottle of loom. 39 00:01:49,720 --> 00:01:52,600 Speaker 5: That unfortunately the same place that they kept their voltaire 40 00:01:52,680 --> 00:01:55,400 Speaker 5: and for muscle pain? 41 00:01:56,280 --> 00:01:58,120 Speaker 2: Is that heat? Is there a bit of heat there 42 00:01:58,120 --> 00:01:58,800 Speaker 2: with the voltaire? 43 00:01:59,040 --> 00:01:59,280 Speaker 5: Yeah? 44 00:01:59,360 --> 00:02:01,840 Speaker 4: Yeah, yeah, definitely applies a lot of heat. 45 00:02:03,880 --> 00:02:08,520 Speaker 1: Oh my god, that's wild. That's that's hectic. I'm going 46 00:02:08,600 --> 00:02:11,600 Speaker 1: to get to Cynthia. There there are a couple like 47 00:02:11,720 --> 00:02:13,440 Speaker 1: we could we could sit here and rinse of produces 48 00:02:13,440 --> 00:02:15,760 Speaker 1: to the cows. Come home woods. Honorable shout out to 49 00:02:15,760 --> 00:02:18,480 Speaker 1: Captain poop Pants for booking Rob Schneider. After it was canceled, 50 00:02:19,840 --> 00:02:21,600 Speaker 1: I still wanted it as well, was pushing for it. 51 00:02:22,040 --> 00:02:23,880 Speaker 2: Put it down, put it. 52 00:02:23,919 --> 00:02:26,800 Speaker 1: Down, and look, I can't. I'm going to let Analyse 53 00:02:26,800 --> 00:02:28,840 Speaker 1: explain this foe, because there is one swimming in my 54 00:02:28,880 --> 00:02:31,680 Speaker 1: memory that I think, ANALYSI, you need to explain about 55 00:02:31,680 --> 00:02:32,640 Speaker 1: an email. 56 00:02:33,000 --> 00:02:36,440 Speaker 6: Ah. Yes, I once signed off to my bosses. I 57 00:02:36,600 --> 00:02:39,239 Speaker 6: was sending an email and it was I think three 58 00:02:39,280 --> 00:02:42,320 Speaker 6: major big bosses and my name's Analise, and I instead 59 00:02:42,320 --> 00:02:45,760 Speaker 6: of writing cheers, Analyse, I wrote cheers anal. 60 00:02:46,000 --> 00:02:50,760 Speaker 2: Brilliant, brilliant. I'm not sure about the dumbest things every night. 61 00:02:50,800 --> 00:02:53,400 Speaker 2: It's just like a slip. It's like the worst type. However, 62 00:02:53,639 --> 00:02:56,320 Speaker 2: it's off tomy. But I'm glad we hear it. Glad 63 00:02:56,360 --> 00:02:56,880 Speaker 2: we heard it. 64 00:02:57,160 --> 00:02:57,960 Speaker 1: I'm glad we heard it. 65 00:02:58,000 --> 00:03:00,800 Speaker 2: And did anyone address that was that just was just ignored? 66 00:03:00,960 --> 00:03:03,799 Speaker 2: Did you like email back and go it's it's a yeah. 67 00:03:04,000 --> 00:03:06,040 Speaker 6: Media response was like, oh my god, I'm so sorry. 68 00:03:06,080 --> 00:03:07,360 Speaker 6: And then it happened again. 69 00:03:07,960 --> 00:03:09,520 Speaker 2: You did it again, you started it off again. 70 00:03:09,639 --> 00:03:19,000 Speaker 1: Oh my god, Cynthia. Enough Cynthia, your friend the dumber 71 00:03:19,040 --> 00:03:21,119 Speaker 1: seeing that, what have you got? 72 00:03:21,440 --> 00:03:21,960 Speaker 7: Oh? 73 00:03:22,000 --> 00:03:24,280 Speaker 5: We had a girl that was like dating my best 74 00:03:24,320 --> 00:03:26,840 Speaker 5: friend and we went to a live football game. It 75 00:03:26,919 --> 00:03:28,960 Speaker 5: was like Raiders versus the Sharks. This is a few 76 00:03:29,040 --> 00:03:32,240 Speaker 5: years ago. And we sat down and she said, I 77 00:03:32,280 --> 00:03:34,360 Speaker 5: don't know why we're watching this. I've seen the end 78 00:03:34,400 --> 00:03:35,200 Speaker 5: of this game before. 79 00:03:37,120 --> 00:03:39,880 Speaker 7: And everyone was like, what are you talking. 80 00:03:39,520 --> 00:03:40,720 Speaker 5: About, and it's like, I've seen it. 81 00:03:40,800 --> 00:03:41,680 Speaker 6: What a waste of time? 82 00:03:41,760 --> 00:03:43,720 Speaker 5: The Raiders lose, and it was a live game. She 83 00:03:43,880 --> 00:03:45,920 Speaker 5: just I don't know. I have no idea. 84 00:03:48,080 --> 00:03:52,320 Speaker 1: That's not even dumb, that's just that's that's worrying, that's 85 00:03:52,320 --> 00:03:52,880 Speaker 1: a concern. 86 00:03:53,520 --> 00:03:54,720 Speaker 2: Then she started making predictions. 87 00:03:54,800 --> 00:03:56,400 Speaker 1: Was she like, all if you don't believe did she 88 00:03:56,480 --> 00:03:56,880 Speaker 1: gets it? 89 00:03:57,320 --> 00:04:00,160 Speaker 5: She was pissed off. Sorry, she was angry that we 90 00:04:00,200 --> 00:04:01,800 Speaker 5: were watching the game because you got it all. 91 00:04:02,800 --> 00:04:04,440 Speaker 2: I'm bored. I've seen it before. 92 00:04:04,680 --> 00:04:08,040 Speaker 1: My god, Oh wow, we've got a very talented man 93 00:04:08,040 --> 00:04:14,760 Speaker 1: and Miles Smith who joins us in this city. Welcome Miles, 94 00:04:14,800 --> 00:04:18,039 Speaker 1: glad to have you here. Got into it in the song, 95 00:04:18,080 --> 00:04:21,800 Speaker 1: isn't it got into it? Very into it. You're talking 96 00:04:21,839 --> 00:04:23,480 Speaker 1: about how attractive everyone is in Australia. 97 00:04:23,560 --> 00:04:26,720 Speaker 8: It's unbelievable. Yeah, the average level of. 98 00:04:26,680 --> 00:04:30,800 Speaker 2: Human here is wild. Single Miles, I never. 99 00:04:30,880 --> 00:04:33,839 Speaker 8: I always say this in answers. If I have a girlfriend, 100 00:04:33,839 --> 00:04:35,360 Speaker 8: I love you dearly and if I don't, I can't 101 00:04:35,360 --> 00:04:36,080 Speaker 8: wait to find you. 102 00:04:36,560 --> 00:04:42,200 Speaker 2: That's how I answer that. So how have you fo? 103 00:04:45,640 --> 00:04:51,800 Speaker 1: I'm trying to do you think he's single? Or taken off? 104 00:04:51,800 --> 00:04:52,800 Speaker 2: That answer? Single? 105 00:04:53,400 --> 00:04:53,920 Speaker 8: No comment? 106 00:04:54,000 --> 00:04:54,760 Speaker 1: Yeah? Fair enough? 107 00:04:54,920 --> 00:04:55,440 Speaker 2: It was? 108 00:04:55,279 --> 00:04:55,839 Speaker 8: It was. 109 00:04:55,960 --> 00:04:57,200 Speaker 2: It felt like a lure. 110 00:04:57,440 --> 00:04:58,120 Speaker 1: Do you know what it is? 111 00:04:58,160 --> 00:04:59,640 Speaker 8: I've got a lot of friends in the industry, and 112 00:04:59,680 --> 00:05:01,120 Speaker 8: the one and they say is keep parts of your 113 00:05:01,120 --> 00:05:04,080 Speaker 8: personal life as private as possible. So for me, I 114 00:05:04,120 --> 00:05:06,160 Speaker 8: do have a girlfriend, I love you very dearly, and 115 00:05:06,240 --> 00:05:08,080 Speaker 8: if you don't, I can't wait to meet you. Yeah, 116 00:05:08,440 --> 00:05:10,520 Speaker 8: for me, it's just separating that clever. 117 00:05:11,240 --> 00:05:14,520 Speaker 1: What other? What are the party leaving private? 118 00:05:14,720 --> 00:05:17,320 Speaker 8: Oh my my, my belly fat at the moment. But 119 00:05:18,120 --> 00:05:20,320 Speaker 8: I am on a on a training regime, so that 120 00:05:20,360 --> 00:05:21,960 Speaker 8: won't be private for too much longer. 121 00:05:22,960 --> 00:05:25,760 Speaker 2: So what who? Who is enforced the trainer regime? Or 122 00:05:25,760 --> 00:05:26,880 Speaker 2: are you enforcing the training? 123 00:05:27,920 --> 00:05:30,320 Speaker 8: I spent the whole last year after SAG and I 124 00:05:30,360 --> 00:05:32,479 Speaker 8: had enough. I had enough money to buy fast food 125 00:05:32,480 --> 00:05:33,880 Speaker 8: constantly and I went. 126 00:05:35,520 --> 00:05:39,600 Speaker 2: I went, so every day. What's your choice there? 127 00:05:39,960 --> 00:05:46,640 Speaker 8: Nando's is so good, banger, Yeah, I might. 128 00:05:46,520 --> 00:05:48,599 Speaker 2: Have to like tack you on the shoulder and go like, hey, 129 00:05:48,640 --> 00:05:55,719 Speaker 2: you're like quite a famous over then. 130 00:05:57,800 --> 00:06:00,840 Speaker 1: Went I went home for christian your And she's like, 131 00:06:01,960 --> 00:06:02,440 Speaker 1: we don't. 132 00:06:03,720 --> 00:06:06,560 Speaker 8: I went over Christmas. She's like, oh you healthy? 133 00:06:09,240 --> 00:06:12,880 Speaker 1: Yeah at the moment, yeah, order, I think this is 134 00:06:12,960 --> 00:06:13,719 Speaker 1: worth talking about. 135 00:06:13,800 --> 00:06:15,760 Speaker 8: So it's a bit different than venues at home. So 136 00:06:15,760 --> 00:06:18,520 Speaker 8: we've got a great imitator burger. You've got something similar 137 00:06:18,520 --> 00:06:21,920 Speaker 8: because I don't eat meat anymore, all right, And it's 138 00:06:21,960 --> 00:06:25,160 Speaker 8: like the most schoolous pea protein thing in a wrap 139 00:06:25,320 --> 00:06:29,880 Speaker 8: with Perry tame sauce, Perry chips, broccoli, bangor I can't 140 00:06:29,920 --> 00:06:30,280 Speaker 8: eat it? 141 00:06:30,400 --> 00:06:33,280 Speaker 2: What's your order? That's a pretty healthy order, actually yours, 142 00:06:33,320 --> 00:06:34,760 Speaker 2: you've got a pretty hell you've got a pretty healthy 143 00:06:34,839 --> 00:06:37,800 Speaker 2: order as well. I just go, I'll get like twelve tenders. 144 00:06:40,080 --> 00:06:43,800 Speaker 1: Don't shame me, don't shame me. That's my entra. Man 145 00:06:44,920 --> 00:06:48,000 Speaker 1: I thought this was the same space or you just 146 00:06:48,000 --> 00:06:52,280 Speaker 1: getting Harry contrivate life. 147 00:06:53,360 --> 00:06:54,320 Speaker 8: Thank you very much? 148 00:07:00,200 --> 00:07:00,520 Speaker 1: Cool. 149 00:07:02,120 --> 00:07:04,040 Speaker 2: I read somewhere it's just speaking of your mum. Is 150 00:07:04,080 --> 00:07:07,200 Speaker 2: she also pretty brutal with feedback to your music as well? 151 00:07:07,320 --> 00:07:07,560 Speaker 5: Yeah? 152 00:07:07,640 --> 00:07:08,520 Speaker 2: So what are we talking? 153 00:07:08,920 --> 00:07:12,200 Speaker 8: I mean, it's really awesome because the more sort of 154 00:07:12,240 --> 00:07:15,080 Speaker 8: successful you get the music, the less people tell your 155 00:07:15,160 --> 00:07:18,160 Speaker 8: music's bad, even if they think they do. And so 156 00:07:18,240 --> 00:07:20,559 Speaker 8: my mum's just been on equivocally honest from the start. 157 00:07:20,640 --> 00:07:23,400 Speaker 8: So she doesn't like something, it's not one of your best. 158 00:07:25,120 --> 00:07:25,560 Speaker 1: You know what. 159 00:07:25,600 --> 00:07:27,600 Speaker 8: It's like our language of love, and I wouldn't have 160 00:07:27,640 --> 00:07:30,480 Speaker 8: it any other way. And you're standing, Yeah, it's really 161 00:07:30,600 --> 00:07:33,160 Speaker 8: refreshing and really good to have. And yeah, and if 162 00:07:33,200 --> 00:07:35,320 Speaker 8: she loves something, she'll she'll tell me this is amazing, 163 00:07:35,360 --> 00:07:37,520 Speaker 8: I love it so cool, really good. 164 00:07:37,600 --> 00:07:40,520 Speaker 2: It's usually accurate or are there are times where it's 165 00:07:40,560 --> 00:07:41,440 Speaker 2: just like you're off. 166 00:07:42,400 --> 00:07:42,880 Speaker 1: It's weird. 167 00:07:42,920 --> 00:07:45,160 Speaker 8: She's got more technical as we've gone on, but it's 168 00:07:45,200 --> 00:07:49,000 Speaker 8: absolute rubbish. She'd be like, oh, the tambourine sounds what 169 00:07:49,320 --> 00:07:50,880 Speaker 8: you're talking about a jamler. 170 00:07:54,760 --> 00:07:55,680 Speaker 1: Put down the one. 171 00:07:58,680 --> 00:08:01,360 Speaker 8: Maybe you should add some harmony seven parts in there. 172 00:08:03,040 --> 00:08:05,080 Speaker 8: So yeah, but you know what, I take it to 173 00:08:05,120 --> 00:08:07,440 Speaker 8: a picture of Sultan love. But if she grows, she grews, 174 00:08:07,560 --> 00:08:08,720 Speaker 8: she definitely dope. 175 00:08:08,960 --> 00:08:10,240 Speaker 1: It sounds like you need to take everything with the 176 00:08:10,280 --> 00:08:12,840 Speaker 1: picture sult right now, because there really has been a 177 00:08:12,880 --> 00:08:17,200 Speaker 1: pretty astronomical rise to stardom, and you know, playing shows 178 00:08:17,240 --> 00:08:19,760 Speaker 1: all over the world really quickly. I saw some some 179 00:08:19,760 --> 00:08:21,920 Speaker 1: footage of you were Nice to meet You was getting 180 00:08:21,920 --> 00:08:24,320 Speaker 1: played on the radio a lot, and it's you chatting 181 00:08:24,360 --> 00:08:25,760 Speaker 1: with the taxi driver about it. 182 00:08:26,200 --> 00:08:31,440 Speaker 8: Yeah, nothing new late, is it? Do you like this song? 183 00:08:31,640 --> 00:08:31,880 Speaker 5: No? 184 00:08:32,440 --> 00:08:35,560 Speaker 2: I did like and I thought they played eight billion time. 185 00:08:36,679 --> 00:08:43,120 Speaker 1: Day you know. So I'm gonna be honest, we played 186 00:08:43,120 --> 00:08:49,760 Speaker 1: it a lot. Sorry. Yeah, Tambourini's aut of tune. No 187 00:08:49,920 --> 00:08:53,640 Speaker 1: doubt about that. I'm telling you right now. Miles Smith 188 00:08:53,760 --> 00:08:59,640 Speaker 1: is in the studio right now. I want to talk. 189 00:08:59,720 --> 00:09:02,400 Speaker 1: So you're about to get You're doing this tour in Australia, right, yeah, 190 00:09:02,800 --> 00:09:06,360 Speaker 1: outcome more shows then you're going going on tour with 191 00:09:06,760 --> 00:09:07,840 Speaker 1: it sheering? Is that right? 192 00:09:07,920 --> 00:09:08,120 Speaker 9: Yeah? 193 00:09:08,120 --> 00:09:09,280 Speaker 8: I will be, I will be. 194 00:09:09,320 --> 00:09:13,000 Speaker 1: It's mad. So I heard that there's another song just 195 00:09:13,040 --> 00:09:15,400 Speaker 1: sort of come out called My First Heartbreaking, right, which 196 00:09:15,440 --> 00:09:18,400 Speaker 1: is which is about your dad leaving you? Is that right? Yeah? 197 00:09:18,480 --> 00:09:21,040 Speaker 8: Yeah, it's a it's a really deep in personal song 198 00:09:21,080 --> 00:09:22,840 Speaker 8: and it took me a while to write and it 199 00:09:22,920 --> 00:09:24,880 Speaker 8: was just a part of my life from sort of 200 00:09:24,920 --> 00:09:26,680 Speaker 8: like childhood to being an adult where I sort of 201 00:09:26,679 --> 00:09:30,080 Speaker 8: wrote a story of just how my relationship with that 202 00:09:30,360 --> 00:09:33,040 Speaker 8: situation sort of grew and going from sort of like 203 00:09:33,160 --> 00:09:35,880 Speaker 8: being really confused to being really angry to sort of 204 00:09:35,920 --> 00:09:37,839 Speaker 8: being at a point of like, hey, when I get 205 00:09:37,840 --> 00:09:39,360 Speaker 8: to that point of being a father, I hope I 206 00:09:39,360 --> 00:09:41,520 Speaker 8: think do things differently. And it sort of came out 207 00:09:41,559 --> 00:09:43,640 Speaker 8: like that and really natural. But it took two years 208 00:09:43,640 --> 00:09:45,440 Speaker 8: to put out into the world because I wasn't comfortable 209 00:09:45,480 --> 00:09:48,920 Speaker 8: because some parts of my life I keep right, but 210 00:09:49,280 --> 00:09:50,560 Speaker 8: that part I was ready to let go. 211 00:09:50,679 --> 00:09:52,719 Speaker 1: And did it Did it have something to do with that? 212 00:09:52,840 --> 00:09:52,880 Speaker 10: Is? 213 00:09:53,120 --> 00:09:56,480 Speaker 1: I read that it influenced the you releasing that song? 214 00:09:56,720 --> 00:09:56,960 Speaker 10: Yeah? 215 00:09:57,040 --> 00:09:59,520 Speaker 8: I played it for for Red at his house and 216 00:09:59,679 --> 00:10:02,199 Speaker 8: you know, I just you yeah, yeah, Wow. 217 00:10:02,520 --> 00:10:03,880 Speaker 1: In the pub. He's got a pub in his house, 218 00:10:03,880 --> 00:10:04,240 Speaker 1: doesn't he. 219 00:10:05,320 --> 00:10:06,840 Speaker 2: Is he have a tunnel to his pub is? 220 00:10:07,080 --> 00:10:08,840 Speaker 8: I don't know if his public knowledge, but I'm not 221 00:10:08,880 --> 00:10:09,319 Speaker 8: saying no. 222 00:10:13,080 --> 00:10:17,680 Speaker 1: It's awesome. It's awesome. It's real, it's awesome. 223 00:10:19,600 --> 00:10:20,640 Speaker 2: So you're in his private pub. 224 00:10:24,040 --> 00:10:28,800 Speaker 8: Allegedly I played in many records that day, and that 225 00:10:28,840 --> 00:10:30,920 Speaker 8: one in particularly got a bit teary, and I was like, hey, like, 226 00:10:31,360 --> 00:10:34,080 Speaker 8: this is a super important song, and you know, it's 227 00:10:34,120 --> 00:10:36,280 Speaker 8: like not every song you have to think about, Oh, 228 00:10:36,320 --> 00:10:38,000 Speaker 8: this has to be on radio or this has to do. 229 00:10:38,040 --> 00:10:40,040 Speaker 8: This is like sometimes songs just have a purpose in 230 00:10:40,040 --> 00:10:42,120 Speaker 8: the world, and you know, they meet people where they 231 00:10:42,120 --> 00:10:44,480 Speaker 8: need it. And you know, for me that was something 232 00:10:44,520 --> 00:10:46,320 Speaker 8: there was a perspective that I never thought about about 233 00:10:46,320 --> 00:10:48,360 Speaker 8: how other people would respond to it. It was always 234 00:10:48,360 --> 00:10:51,200 Speaker 8: an dialogue. And so yeah, not too long after I 235 00:10:51,240 --> 00:10:52,360 Speaker 8: put it out, that's so. 236 00:10:52,440 --> 00:10:55,439 Speaker 2: Nice they give you any other advice, Like, he's obviously 237 00:10:55,480 --> 00:10:58,080 Speaker 2: a great person to lend the year of giving that 238 00:10:58,080 --> 00:10:59,880 Speaker 2: these beans were at all before he's super super fan. 239 00:11:00,520 --> 00:11:02,439 Speaker 2: Did he give you other advice going into this world 240 00:11:02,440 --> 00:11:03,600 Speaker 2: and becoming super popular. 241 00:11:03,679 --> 00:11:06,559 Speaker 8: Yeah, He's all about just staying true to who you are. 242 00:11:06,640 --> 00:11:08,840 Speaker 8: And I know it sounds so cliche, but I could 243 00:11:08,840 --> 00:11:11,160 Speaker 8: see how it gets difficult. But also at the same time, 244 00:11:11,200 --> 00:11:13,199 Speaker 8: I think when you're you're raising a certain way, and 245 00:11:13,240 --> 00:11:15,800 Speaker 8: when your your values are those that you've been given 246 00:11:15,840 --> 00:11:18,080 Speaker 8: to by amazing people around you, just the more you 247 00:11:18,080 --> 00:11:20,079 Speaker 8: stick to them sort of, the better life is. And 248 00:11:20,320 --> 00:11:22,400 Speaker 8: for me, I always try to stay grounded, always try 249 00:11:22,440 --> 00:11:25,200 Speaker 8: to stay within my remit and just enjoy music for 250 00:11:25,240 --> 00:11:26,800 Speaker 8: the reason I got into it, and that's just because 251 00:11:26,840 --> 00:11:27,280 Speaker 8: I love it. 252 00:11:27,720 --> 00:11:31,040 Speaker 1: Yeah, right, and a good reminder with that song, for example, 253 00:11:31,080 --> 00:11:33,800 Speaker 1: that you know, even someone like you who is very grounded, 254 00:11:34,240 --> 00:11:37,400 Speaker 1: once you're in this sort of slip strain, which is 255 00:11:37,720 --> 00:11:40,400 Speaker 1: looks hectic by the way from the outside. You know, 256 00:11:40,440 --> 00:11:42,719 Speaker 1: we get a lot of people through here that your 257 00:11:42,760 --> 00:11:45,480 Speaker 1: age or younger e than who sort of stardom comes 258 00:11:45,520 --> 00:11:47,600 Speaker 1: really quickly, and it's very hard to keep fitting the ground. 259 00:11:47,679 --> 00:11:50,079 Speaker 1: I'm often reminded of like the you know, I don't 260 00:11:50,080 --> 00:11:51,800 Speaker 1: know if you can't win swimming, if you're in Australia, 261 00:11:51,840 --> 00:11:53,719 Speaker 1: if you're too scared. Sometimes poems are too scared to 262 00:11:53,720 --> 00:11:56,160 Speaker 1: go out in the water. But sometimes you get your 263 00:11:56,160 --> 00:11:57,839 Speaker 1: feet taken out from underneath you and you can't you 264 00:11:57,880 --> 00:11:59,960 Speaker 1: can't stay standing anymore. And I'm often reminded of that 265 00:12:00,080 --> 00:12:02,280 Speaker 1: watching young artists come through here. There is often a 266 00:12:02,320 --> 00:12:05,120 Speaker 1: sense of like, geez, the momentums really ripping me away 267 00:12:05,200 --> 00:12:07,880 Speaker 1: right now. So it must be nice to get confirmation 268 00:12:07,960 --> 00:12:10,520 Speaker 1: from somebody who's sort of you know, out there surfing, 269 00:12:10,880 --> 00:12:12,920 Speaker 1: so to speak, to be like, hey, look, there are 270 00:12:12,960 --> 00:12:14,400 Speaker 1: other things you don't You don't need to get caught 271 00:12:14,440 --> 00:12:15,720 Speaker 1: up in this all the time. 272 00:12:15,640 --> 00:12:17,480 Speaker 8: But you know what, I was just waiting for the 273 00:12:17,480 --> 00:12:20,800 Speaker 8: punchline because so far this interview, you've been, you've been, 274 00:12:20,840 --> 00:12:21,920 Speaker 8: You've got me so many. 275 00:12:21,760 --> 00:12:28,120 Speaker 1: Times, like where is it Gonelt. 276 00:12:27,840 --> 00:12:28,480 Speaker 6: I was waiting for. 277 00:12:30,120 --> 00:12:32,560 Speaker 1: Literally, don't care. 278 00:12:35,000 --> 00:12:37,760 Speaker 8: You're you're bang on with that man, and it can 279 00:12:37,800 --> 00:12:40,160 Speaker 8: be hard and it can be difficult, but I think, yeah, 280 00:12:40,480 --> 00:12:42,240 Speaker 8: you know, you guys are lovely. I'm sure that you've 281 00:12:42,280 --> 00:12:44,760 Speaker 8: had many a chance to let your egos overwhelm you. 282 00:12:44,840 --> 00:12:49,080 Speaker 2: But why yeah, why it's a really good assholes. 283 00:12:49,880 --> 00:12:55,160 Speaker 1: But you know that that's why we didn't we refuse 284 00:12:55,240 --> 00:12:56,640 Speaker 1: to talk to you in the airline. 285 00:12:56,880 --> 00:12:59,080 Speaker 2: Don't make guy coded in the away from the studios. 286 00:13:00,240 --> 00:13:02,080 Speaker 1: We've gone into a beautiful area with you. But there 287 00:13:02,160 --> 00:13:03,839 Speaker 1: is a slightly juvenile question and this is this is 288 00:13:03,840 --> 00:13:05,920 Speaker 1: coming from our junior producer, Anla. So he's outside and 289 00:13:06,000 --> 00:13:09,360 Speaker 1: know he's recently had some gut isshues, but she found 290 00:13:09,400 --> 00:13:17,000 Speaker 1: out that you had food poisoning while you're performing shows Anos. 291 00:13:17,800 --> 00:13:21,280 Speaker 8: And Toronto, and it has to Yeah for me, it's 292 00:13:21,360 --> 00:13:23,760 Speaker 8: like I've been playing shows since I was like eleven 293 00:13:23,840 --> 00:13:27,520 Speaker 8: years old. Really yeah, yeah, right, like old pubs or 294 00:13:27,559 --> 00:13:29,560 Speaker 8: clubs and stuff like I remember times I used to 295 00:13:29,600 --> 00:13:31,520 Speaker 8: like be in a bar and see like one guy 296 00:13:31,679 --> 00:13:34,240 Speaker 8: like sinking a guinness looking at me like, shut. 297 00:13:34,000 --> 00:13:42,920 Speaker 2: Up, I can see you. 298 00:13:44,280 --> 00:13:49,240 Speaker 8: I'm pretty sure it was you, but no, and then 299 00:13:49,360 --> 00:13:51,080 Speaker 8: having to convince him I was good by the end 300 00:13:51,120 --> 00:13:52,599 Speaker 8: of the night. And so now that I get to 301 00:13:52,640 --> 00:13:54,520 Speaker 8: walk out in front of like thousands of people at 302 00:13:54,640 --> 00:13:56,400 Speaker 8: night and and you know, being able to do the 303 00:13:56,400 --> 00:13:58,680 Speaker 8: thing I love is I never want that. Yeah, I 304 00:13:58,720 --> 00:13:59,680 Speaker 8: never want to miss that. 305 00:14:00,000 --> 00:14:01,960 Speaker 1: Well, mate, it's been a pleasure talking to you, it 306 00:14:02,040 --> 00:14:02,520 Speaker 1: really has. 307 00:14:02,760 --> 00:14:03,080 Speaker 9: Thank you. 308 00:14:03,720 --> 00:14:06,400 Speaker 1: Thank you so much for coming in and congratulations on 309 00:14:06,640 --> 00:14:07,520 Speaker 1: all your success. 310 00:14:07,640 --> 00:14:08,199 Speaker 8: Appreciate you. 311 00:14:08,240 --> 00:14:10,600 Speaker 1: Good luck with the tour, Go hard on the rider. 312 00:14:10,840 --> 00:14:12,280 Speaker 1: Obviously yours yours. 313 00:14:15,200 --> 00:14:43,520 Speaker 10: Sushishi from time stopped playing. 314 00:14:30,880 --> 00:14:34,440 Speaker 1: Is unhealthy if your partner can track your location. Survey 315 00:14:34,560 --> 00:14:37,440 Speaker 1: has done forty seven percent of people ess. Actually more 316 00:14:37,440 --> 00:14:39,680 Speaker 1: than that, it's fifty eight percent of people in this 317 00:14:39,800 --> 00:14:42,760 Speaker 1: survey conducted by e Safety Commission. I didn't even existed, 318 00:14:42,800 --> 00:14:44,960 Speaker 1: but they're out there doing surveys. Good on them. They've 319 00:14:45,000 --> 00:14:47,560 Speaker 1: found out that fifty eight percent of people expect that 320 00:14:47,600 --> 00:14:50,400 Speaker 1: you can track your partner whenever you want. You should 321 00:14:50,400 --> 00:14:52,920 Speaker 1: be able to expect that in a relationship these days, 322 00:14:53,120 --> 00:14:55,760 Speaker 1: which again the expect word is very strong. You and 323 00:14:55,800 --> 00:14:58,440 Speaker 1: I have just spoken, however, that we do track each 324 00:14:58,480 --> 00:15:00,600 Speaker 1: our partner's location, they track us, and I think that 325 00:15:00,720 --> 00:15:02,840 Speaker 1: changed once we had kids, and it also means a 326 00:15:02,840 --> 00:15:04,840 Speaker 1: lot less comms. It's just that where are you, what 327 00:15:04,880 --> 00:15:07,000 Speaker 1: are you doing? Message that it's deleted for us, which 328 00:15:07,040 --> 00:15:11,360 Speaker 1: is really nice. It does start to get manipulative, I think, though, 329 00:15:11,760 --> 00:15:15,560 Speaker 1: when you're using that information in a way that to 330 00:15:15,600 --> 00:15:17,240 Speaker 1: hold it against the person that you're with. That's when 331 00:15:17,240 --> 00:15:17,720 Speaker 1: it started to work. 332 00:15:18,000 --> 00:15:20,160 Speaker 2: Like I thought, you said you're at work, it's quite 333 00:15:20,160 --> 00:15:21,720 Speaker 2: clear that you're at the pub like that. 334 00:15:22,360 --> 00:15:24,600 Speaker 1: I think that would be annoying. Yeah, I think, yeah, 335 00:15:24,680 --> 00:15:26,040 Speaker 1: I think that would be annoying. 336 00:15:25,720 --> 00:15:26,920 Speaker 2: And say, oh I think I left my phone at 337 00:15:26,920 --> 00:15:27,560 Speaker 2: the pub. 338 00:15:27,800 --> 00:15:30,760 Speaker 1: Yeah, or even yeah, yeah, I think I think checking 339 00:15:30,800 --> 00:15:32,760 Speaker 1: up on them, but I don't know. I think you're 340 00:15:32,800 --> 00:15:35,840 Speaker 1: in a bad spot. If you need to check up on. 341 00:15:35,800 --> 00:15:39,160 Speaker 2: Where your partner is interesting, I think that's a bad spot. 342 00:15:39,200 --> 00:15:41,280 Speaker 1: I think that's a bad thing. Tianna's called what are 343 00:15:41,280 --> 00:15:42,080 Speaker 1: your thoughts? Tiana. 344 00:15:42,360 --> 00:15:44,000 Speaker 11: I'm going to be married for a year, but I've 345 00:15:44,040 --> 00:15:46,920 Speaker 11: been with my partner for the five and never once 346 00:15:47,160 --> 00:15:50,920 Speaker 11: have we spoken or even thought about like tracking each other. 347 00:15:51,520 --> 00:15:52,640 Speaker 2: YEA would you would you not do it? 348 00:15:52,720 --> 00:15:52,840 Speaker 9: Why? 349 00:15:52,960 --> 00:15:54,520 Speaker 2: Why would you not do it? Tiana? 350 00:15:55,480 --> 00:15:58,120 Speaker 11: I just think that if I'm tracking my partner, there's 351 00:15:58,160 --> 00:16:01,520 Speaker 11: no trust, and if there's no trust, then there's not 352 00:16:01,640 --> 00:16:04,520 Speaker 11: much solid foundation to work off. 353 00:16:04,360 --> 00:16:06,640 Speaker 2: There what about the situation on this? So this is 354 00:16:06,680 --> 00:16:08,960 Speaker 2: why me and my wife started doing it. So I'm 355 00:16:08,960 --> 00:16:11,840 Speaker 2: not sure if your husband is good with his phone, 356 00:16:11,880 --> 00:16:13,720 Speaker 2: but a lot of the time I just I just 357 00:16:14,240 --> 00:16:16,680 Speaker 2: leave my phone somewhere, or she'd try to call me 358 00:16:16,760 --> 00:16:18,960 Speaker 2: or text me and wouldn't know where I am. So 359 00:16:19,000 --> 00:16:21,400 Speaker 2: it was great for us that she could just look 360 00:16:21,440 --> 00:16:23,840 Speaker 2: on this app and go like, oh, you're at work, great, done, 361 00:16:23,880 --> 00:16:25,520 Speaker 2: don't need to try and get onto him. Does that 362 00:16:25,680 --> 00:16:26,440 Speaker 2: appeal at all? 363 00:16:27,400 --> 00:16:28,040 Speaker 5: Not really? 364 00:16:28,160 --> 00:16:30,880 Speaker 11: Like my partner's always on the road, you know, like 365 00:16:31,000 --> 00:16:34,520 Speaker 11: quoting his a plumber trade, so never I don't know, 366 00:16:34,560 --> 00:16:37,480 Speaker 11: I've never felt the need to know exactly where he is. 367 00:16:37,520 --> 00:16:39,560 Speaker 11: But we do speak about you know, where are you 368 00:16:39,600 --> 00:16:42,640 Speaker 11: working today? Where are you working tomorrow? And I sort 369 00:16:42,640 --> 00:16:44,000 Speaker 11: of know it like a gist. 370 00:16:44,320 --> 00:16:48,160 Speaker 1: Ye know, it's the pinpointing it starts to get yeah, yeah, yeah, 371 00:16:48,160 --> 00:16:50,200 Speaker 1: thanks Gianna, thanks to call my him spinal and his pillow. 372 00:16:50,960 --> 00:16:54,000 Speaker 1: I know some of the people outside were pretty pumped 373 00:16:54,040 --> 00:16:54,400 Speaker 1: about this. 374 00:16:54,480 --> 00:16:58,520 Speaker 2: What do you think, Jay, I just don't ever think 375 00:16:58,560 --> 00:17:00,000 Speaker 2: that anyone needs to know where I am except for me. 376 00:17:01,200 --> 00:17:01,440 Speaker 8: Yeah. 377 00:17:01,600 --> 00:17:03,560 Speaker 1: Nice, I would never share it, Like, I don't even 378 00:17:03,560 --> 00:17:06,800 Speaker 1: think I would probably consider someone that asked me for it. 379 00:17:06,880 --> 00:17:09,879 Speaker 1: So there's certainly this word that people would expect it 380 00:17:09,960 --> 00:17:12,840 Speaker 1: of you in a relationship. It's instant red flags, isn't it. 381 00:17:13,240 --> 00:17:15,560 Speaker 2: I'd probably laugh, Yeah, he expected. 382 00:17:16,040 --> 00:17:17,280 Speaker 1: Expect is a strong word. 383 00:17:17,359 --> 00:17:18,680 Speaker 2: I need to know where you are. 384 00:17:19,680 --> 00:17:21,879 Speaker 1: And again, this is the reason that the E Safety 385 00:17:21,960 --> 00:17:24,680 Speaker 1: Mission's looking into this is because there is obviously very 386 00:17:24,680 --> 00:17:27,359 Speaker 1: clear links between tracking someone and having a sense of 387 00:17:27,400 --> 00:17:30,199 Speaker 1: increased coercive control over them. So it's not it can 388 00:17:30,280 --> 00:17:32,480 Speaker 1: be nasty, no doubt about. They're not you and either 389 00:17:32,480 --> 00:17:35,359 Speaker 1: woods where freemen uh junior producer an a list. What 390 00:17:35,400 --> 00:17:37,680 Speaker 1: do you think about this? You also have a strong opinion. 391 00:17:38,080 --> 00:17:40,280 Speaker 6: I actually don't mind it, but I think it has 392 00:17:40,320 --> 00:17:42,760 Speaker 6: to be done in like a mutually kind of like 393 00:17:43,280 --> 00:17:45,560 Speaker 6: respectful capacity. You have to know them for a bit 394 00:17:45,640 --> 00:17:48,720 Speaker 6: and you have to trust them, and like it can't 395 00:17:48,720 --> 00:17:50,359 Speaker 6: be for the wrong reasons like I don't want you 396 00:17:50,400 --> 00:17:52,960 Speaker 6: tracking me same as you You and Woody like I 397 00:17:52,960 --> 00:17:55,600 Speaker 6: don't want you tracking me because you want to know, 398 00:17:56,200 --> 00:17:58,359 Speaker 6: like what I'm doing at all moments. I want you 399 00:17:58,400 --> 00:18:00,320 Speaker 6: tracking me to know, Hey, she's going to be twenty 400 00:18:00,320 --> 00:18:00,720 Speaker 6: minutes late. 401 00:18:00,840 --> 00:18:04,159 Speaker 2: You know I would love to track you. Can we 402 00:18:04,359 --> 00:18:06,240 Speaker 2: can we organize that because that'd be good. 403 00:18:06,440 --> 00:18:07,119 Speaker 1: It's a good content. 404 00:18:07,280 --> 00:18:08,120 Speaker 2: Can trust me, you. 405 00:18:08,040 --> 00:18:08,560 Speaker 9: Can track me. 406 00:18:08,600 --> 00:18:09,000 Speaker 1: It's fine. 407 00:18:09,440 --> 00:18:10,520 Speaker 6: I'm got no I'm going nowhere. 408 00:18:10,560 --> 00:18:15,359 Speaker 2: Weird, we'll find out on Monday. Let's go to Let's 409 00:18:15,359 --> 00:18:16,200 Speaker 2: go to Dana here. 410 00:18:16,240 --> 00:18:16,400 Speaker 1: Nothing. 411 00:18:16,440 --> 00:18:18,560 Speaker 2: I'll be checking all weekend. I've got a life as well. 412 00:18:19,440 --> 00:18:21,840 Speaker 1: Dana. Putting that up is like a widget on our 413 00:18:21,920 --> 00:18:25,520 Speaker 1: socials analyst right now. We might cross a few lines there. 414 00:18:25,680 --> 00:18:26,760 Speaker 1: That might cross a few. 415 00:18:27,840 --> 00:18:30,480 Speaker 2: Hey, Dana, what are your thoughts on sharing your location 416 00:18:30,680 --> 00:18:31,359 Speaker 2: with your partner? 417 00:18:32,200 --> 00:18:34,800 Speaker 4: Well, for us, it's really convenient because like me and 418 00:18:34,920 --> 00:18:37,080 Speaker 4: my family, a lot of us do uber and awdash. 419 00:18:37,240 --> 00:18:39,520 Speaker 4: So will you share with our partners so that if 420 00:18:39,560 --> 00:18:41,879 Speaker 4: anything goes wrong then know how to find us real quickly, 421 00:18:42,560 --> 00:18:44,800 Speaker 4: and like we have kids and stuff like that, So 422 00:18:44,960 --> 00:18:47,439 Speaker 4: for us, it's a safety thing. People know where we are. 423 00:18:47,920 --> 00:18:49,959 Speaker 4: We have like a big family one so that everyone 424 00:18:50,040 --> 00:18:52,720 Speaker 4: can find each other if anything goes down and they 425 00:18:52,840 --> 00:18:53,600 Speaker 4: need to rescue. 426 00:18:54,200 --> 00:18:55,639 Speaker 1: I saw it. I actually saw a kid the other 427 00:18:55,720 --> 00:18:58,960 Speaker 1: day get off the tram and they were they were 428 00:18:59,000 --> 00:19:02,600 Speaker 1: on a FaceTime call to their parents and they met 429 00:19:02,640 --> 00:19:04,320 Speaker 1: that but their mum and dad was waiting for them 430 00:19:04,440 --> 00:19:06,040 Speaker 1: one hundred meters down the road. So I assumed that 431 00:19:06,080 --> 00:19:08,680 Speaker 1: the idea was just as soon as you're walking alone 432 00:19:08,680 --> 00:19:11,960 Speaker 1: in the dark, you video call me. Immediately. I imagined 433 00:19:12,160 --> 00:19:14,920 Speaker 1: we were saying that when our girls crow up, my 434 00:19:15,040 --> 00:19:16,480 Speaker 1: girl have five or six tags on it. 435 00:19:16,520 --> 00:19:20,400 Speaker 12: At the same time, five or six straw, I reckon, 436 00:19:28,880 --> 00:19:30,680 Speaker 12: do I need to give contexts to whom? 437 00:19:32,040 --> 00:19:32,400 Speaker 1: Do you think? 438 00:19:32,440 --> 00:19:35,600 Speaker 2: I don't think, so check with Analyse and oh she's 439 00:19:35,680 --> 00:19:41,439 Speaker 2: not here running left? Actually, do you know who Bruce 440 00:19:41,520 --> 00:19:42,080 Speaker 2: Willis is? 441 00:19:42,400 --> 00:19:43,680 Speaker 6: Demi Moore's ex husband. 442 00:19:44,000 --> 00:19:45,440 Speaker 2: That's not how he's famous, though. 443 00:19:45,880 --> 00:19:47,560 Speaker 1: Do you know I name a movie name of Bruce Willis? 444 00:19:47,640 --> 00:19:55,520 Speaker 1: Movie Analyse, Georgia, you shot that cheating, cheating cheat there 445 00:19:55,680 --> 00:19:57,560 Speaker 1: together like pack animal. 446 00:19:57,359 --> 00:20:00,399 Speaker 2: Anyway, Yes, die Hard. So he's like an A grade 447 00:20:00,600 --> 00:20:01,840 Speaker 2: action movie star. 448 00:20:01,960 --> 00:20:02,200 Speaker 9: Bruce. 449 00:20:02,240 --> 00:20:04,920 Speaker 2: Well, he was very sick right now, I think yes, No, 450 00:20:05,040 --> 00:20:07,520 Speaker 2: I think he is very very sick right now. But 451 00:20:07,640 --> 00:20:13,040 Speaker 2: it's been revealed by Bill Murray, who for some I 452 00:20:13,080 --> 00:20:14,800 Speaker 2: don't know why Bill Murray is doing the round so 453 00:20:14,920 --> 00:20:18,920 Speaker 2: much of the moment he's doing podcasts that he's invested in. 454 00:20:19,280 --> 00:20:23,199 Speaker 2: Must be the case. Anyway, he was on Andy Cohen 455 00:20:23,960 --> 00:20:30,040 Speaker 2: and he revealed what what Bruce Willis's first job was, 456 00:20:30,359 --> 00:20:31,879 Speaker 2: and this really tickled me. 457 00:20:32,680 --> 00:20:34,560 Speaker 1: Bruce Willis was a page at NBC. 458 00:20:35,119 --> 00:20:37,360 Speaker 2: Wow, when I was on Saturday Night Live. 459 00:20:37,640 --> 00:20:39,399 Speaker 6: This job was to come and go to the dressing 460 00:20:39,440 --> 00:20:43,359 Speaker 6: rooms and refilled eminem's and pretzels kind of thing in 461 00:20:43,800 --> 00:20:44,760 Speaker 6: the actors rooms. 462 00:20:45,359 --> 00:20:45,639 Speaker 1: Wow. 463 00:20:45,760 --> 00:20:50,359 Speaker 2: Can you imagine Bruce Willis would walk into trailers, would 464 00:20:50,359 --> 00:20:55,800 Speaker 2: walk into rooms and just fill up their eminemstzels, pretzel 465 00:20:56,760 --> 00:20:59,240 Speaker 2: It's just such a good image for mine that his 466 00:20:59,400 --> 00:21:02,320 Speaker 2: actions are. Start is in there filling up the eminems 467 00:21:02,359 --> 00:21:04,520 Speaker 2: and the pretzels got to be one of the worst 468 00:21:04,600 --> 00:21:07,320 Speaker 2: jobs ever. I would say like that, if that is 469 00:21:07,400 --> 00:21:09,680 Speaker 2: your only job, you just I assume you're standing in 470 00:21:09,760 --> 00:21:11,720 Speaker 2: some sort of waiting area with a massive bag of 471 00:21:11,760 --> 00:21:15,560 Speaker 2: eminem That's a bad job. I'm sorry. Job after a 472 00:21:15,640 --> 00:21:17,960 Speaker 2: day of filling up bowls of Eminems and pretzels, Yeah, 473 00:21:18,000 --> 00:21:18,720 Speaker 2: quit you. 474 00:21:21,040 --> 00:21:23,240 Speaker 1: For em and ms and pretzels. Let's start there. 475 00:21:23,720 --> 00:21:26,320 Speaker 2: Well, but maybe he'd get he'd get policed on how 476 00:21:26,320 --> 00:21:28,399 Speaker 2: many eminem I think at the end of the day, 477 00:21:29,359 --> 00:21:31,520 Speaker 2: now get in here, willis you have. 478 00:21:31,640 --> 00:21:33,400 Speaker 1: Been having some of the eminems and pretzels? 479 00:21:33,440 --> 00:21:33,680 Speaker 13: Have you? 480 00:21:34,240 --> 00:21:36,680 Speaker 1: I just don't think that's for some of the gigs 481 00:21:36,720 --> 00:21:40,760 Speaker 1: that people can have at the bottom end, filling up, 482 00:21:41,000 --> 00:21:43,280 Speaker 1: filling up Eminem's and pretzels, it's got to be up. 483 00:21:43,320 --> 00:21:45,440 Speaker 1: There was a good one, I reckon. 484 00:21:45,320 --> 00:21:48,160 Speaker 2: Why don't we find out how low it gets? Thirteen 485 00:21:48,200 --> 00:21:50,639 Speaker 2: one oh six five is the number. Yeah, what's the 486 00:21:50,800 --> 00:21:55,840 Speaker 2: worst job you've ever had? And is it worse than 487 00:21:55,920 --> 00:21:59,840 Speaker 2: filling up bowls of Eminem's and pretzels? A few for 488 00:22:00,200 --> 00:22:03,800 Speaker 2: me to throw into the ring here, Yeah, this is 489 00:22:03,920 --> 00:22:06,360 Speaker 2: worse than filling out bowls of m and ms and pretzels. 490 00:22:08,280 --> 00:22:11,359 Speaker 2: Once I just had to dig holes on a construction site. 491 00:22:11,480 --> 00:22:13,520 Speaker 2: It was my one job. I don't think I was 492 00:22:13,560 --> 00:22:17,440 Speaker 2: trusted with any of the actual construction that went on 493 00:22:17,560 --> 00:22:19,680 Speaker 2: on the so my my job was digging the holes. 494 00:22:19,680 --> 00:22:22,200 Speaker 1: Weren't even used as well. You were you were just 495 00:22:22,359 --> 00:22:24,760 Speaker 1: you were just it was you. It was your girlfriend's 496 00:22:24,800 --> 00:22:27,080 Speaker 1: dadd around the building company. So yeah, yeah that is 497 00:22:27,320 --> 00:22:30,040 Speaker 1: just keep this for half an hour just. 498 00:22:30,240 --> 00:22:35,080 Speaker 2: Get him out of that. I dug holes for two 499 00:22:35,119 --> 00:22:37,000 Speaker 2: weeks straight, and then the owner came to the house 500 00:22:37,000 --> 00:22:39,520 Speaker 2: because there were holes for trees. And then the owner 501 00:22:39,600 --> 00:22:42,760 Speaker 2: came after two weeks and said, can you move those 502 00:22:42,880 --> 00:22:47,359 Speaker 2: holes two centimeters to the right. Oh wow, I just okay, 503 00:22:47,400 --> 00:22:50,359 Speaker 2: So I had to start again. We moved, so I 504 00:22:50,480 --> 00:22:53,040 Speaker 2: had to fill in holes, then move every whole two centimeters, 505 00:22:53,280 --> 00:22:55,200 Speaker 2: and then the trees were touching. And she goes, do 506 00:22:55,200 --> 00:22:56,399 Speaker 2: you know what the first position was? 507 00:22:57,160 --> 00:22:57,480 Speaker 1: Really? 508 00:22:57,720 --> 00:22:59,080 Speaker 2: Yeah, yeah, that was a job of mine. 509 00:22:59,160 --> 00:22:59,360 Speaker 11: Wow. 510 00:22:59,600 --> 00:23:01,280 Speaker 2: I also counted votes at the election. 511 00:23:01,720 --> 00:23:03,439 Speaker 1: Oh well, I think see this is I don't think 512 00:23:03,480 --> 00:23:05,880 Speaker 1: you should admit this because there's a federal election coming out. 513 00:23:06,520 --> 00:23:08,959 Speaker 2: You think I'm back, bring me back. This is one 514 00:23:08,960 --> 00:23:11,760 Speaker 2: of the great redemptions because I was I was sent home. 515 00:23:11,880 --> 00:23:14,239 Speaker 1: But I don't think you're back. I don't at all. 516 00:23:14,320 --> 00:23:16,840 Speaker 1: You're bringing the AEC into disrepute. The fact that you 517 00:23:16,920 --> 00:23:19,000 Speaker 1: actually got a job with them is disgusted. I think 518 00:23:19,040 --> 00:23:20,720 Speaker 1: you threw the I think that you're the reason that 519 00:23:20,800 --> 00:23:22,760 Speaker 1: what was it that year Tony Abbot got in I 520 00:23:22,800 --> 00:23:24,760 Speaker 1: mean Abbot, Yeah, I think you're the reason that Abbot 521 00:23:24,800 --> 00:23:25,159 Speaker 1: got in there. 522 00:23:25,200 --> 00:23:26,960 Speaker 2: I had a couple of I was. I was forgetting 523 00:23:27,000 --> 00:23:28,440 Speaker 2: to mark people off the roll. A lot of people 524 00:23:28,440 --> 00:23:31,200 Speaker 2: would have got fines, but that was your one job. No, 525 00:23:31,520 --> 00:23:33,040 Speaker 2: And then at the end I had to count. But 526 00:23:33,160 --> 00:23:35,480 Speaker 2: then when we kept getting the count wrong, the room 527 00:23:35,560 --> 00:23:38,119 Speaker 2: figured out that I was the loose link. So then 528 00:23:38,160 --> 00:23:40,840 Speaker 2: I was sent home early. So look, I've had some shockers. 529 00:23:41,359 --> 00:23:42,880 Speaker 2: Thirteen one oh sixty five. 530 00:23:42,800 --> 00:23:45,760 Speaker 1: The people got fined for not voting because of me. 531 00:23:46,200 --> 00:23:47,600 Speaker 2: I didn't mark them off the roll. I thought I 532 00:23:47,760 --> 00:23:49,560 Speaker 2: had to find them on the roll. I was like, yeah, 533 00:23:49,600 --> 00:23:51,040 Speaker 2: there's your name, get in there. 534 00:23:52,480 --> 00:23:56,520 Speaker 1: With the worst job she's ever had. D you going yeah, 535 00:23:56,640 --> 00:23:58,920 Speaker 1: good D Did you say your name before you spoke? 536 00:23:59,000 --> 00:23:59,520 Speaker 1: That was cute? 537 00:24:00,000 --> 00:24:00,239 Speaker 6: I did. 538 00:24:00,320 --> 00:24:03,960 Speaker 2: Actually, what's the worst job you've ever had? 539 00:24:04,200 --> 00:24:06,680 Speaker 7: Weber's job was my first job. I was fourteen and 540 00:24:06,800 --> 00:24:09,359 Speaker 7: nine months at a hairdressing salon and I used to 541 00:24:09,520 --> 00:24:11,600 Speaker 7: have to My old boss used to smoke at the time, 542 00:24:11,680 --> 00:24:15,040 Speaker 7: so back then smoking was allowed inside, so the ashtray 543 00:24:15,080 --> 00:24:17,080 Speaker 7: in the back room, I'd have to get cotton wool 544 00:24:17,440 --> 00:24:19,320 Speaker 7: and go at the back when she'd dye people's hair. 545 00:24:19,400 --> 00:24:21,879 Speaker 7: That's how they actually got the color off the forehead. 546 00:24:21,920 --> 00:24:24,520 Speaker 7: So I was the person to go and dip the 547 00:24:25,320 --> 00:24:27,359 Speaker 7: cotton wool in the ash and take it out to 548 00:24:27,480 --> 00:24:28,600 Speaker 7: her hang on. 549 00:24:28,640 --> 00:24:31,480 Speaker 2: And then she would use that as the cotton mark. 550 00:24:31,880 --> 00:24:32,760 Speaker 1: To take or die. 551 00:24:33,000 --> 00:24:35,959 Speaker 7: Yep, if you're a hairdresser from the eighties nineties, that's 552 00:24:36,000 --> 00:24:36,639 Speaker 7: what they used to do. 553 00:24:37,000 --> 00:24:40,280 Speaker 2: That's disgusting. So sec people said that he is totally 554 00:24:40,720 --> 00:24:43,160 Speaker 2: good on your day to days, good on your shocking job. 555 00:24:43,320 --> 00:24:45,160 Speaker 1: Everyone can use their name before they come on the show. 556 00:24:45,200 --> 00:24:45,760 Speaker 1: That'd be great. 557 00:24:46,160 --> 00:24:48,320 Speaker 2: And sorry, just to update you will Bruce Willis's next 558 00:24:48,400 --> 00:24:52,160 Speaker 2: movie after Eminem and Pretzel Filling was first Deadly Sin. 559 00:24:52,880 --> 00:24:54,800 Speaker 1: Yeah, but when there's got to be a gap between 560 00:24:54,880 --> 00:24:56,960 Speaker 1: the pretzel filling and the Eminem's. 561 00:24:57,119 --> 00:24:59,520 Speaker 2: How someone the director walked into the thing and just goes, 562 00:24:59,600 --> 00:25:01,520 Speaker 2: who is the guy who's feeling the m and ms 563 00:25:01,560 --> 00:25:02,600 Speaker 2: and pretzels? Because he's good? 564 00:25:02,720 --> 00:25:05,400 Speaker 1: I am about it. I am reading here that apparently 565 00:25:05,720 --> 00:25:08,720 Speaker 1: he did a lot of waiting and bartending. He was 566 00:25:08,760 --> 00:25:10,520 Speaker 1: in the hospital industry for a very long time and 567 00:25:10,720 --> 00:25:15,560 Speaker 1: consequently is apparently listed frequently by people in hospital as 568 00:25:15,680 --> 00:25:18,200 Speaker 1: the best, if not one of the best tippers ever 569 00:25:18,800 --> 00:25:24,040 Speaker 1: because because if his service industry and amazing tips, apparently. 570 00:25:23,760 --> 00:25:25,960 Speaker 2: Quite a lot. Apparently his first role, he played a 571 00:25:26,040 --> 00:25:29,640 Speaker 2: man entering a diner. So again he obviously I've seen 572 00:25:29,680 --> 00:25:33,920 Speaker 2: you walking and feeling us. 573 00:25:34,000 --> 00:25:35,600 Speaker 1: Maddie's called Maddie. 574 00:25:37,000 --> 00:25:39,040 Speaker 2: What was your job, Maddie? Was the shocking job you had? 575 00:25:39,480 --> 00:25:42,400 Speaker 13: Well, it wasn't actually even a job, it was work experience. 576 00:25:42,680 --> 00:25:45,120 Speaker 13: Years ago, I went to Channel nine to do make 577 00:25:45,200 --> 00:25:47,840 Speaker 13: up and I ended up just taking care of Sonya 578 00:25:47,920 --> 00:25:49,680 Speaker 13: Kruger's dog the whole time on set. 579 00:25:50,960 --> 00:25:53,400 Speaker 2: We're to get Kroger on. We're gonna have to get 580 00:25:53,480 --> 00:25:56,480 Speaker 2: Kroger on. So Edward. 581 00:25:57,880 --> 00:26:01,480 Speaker 1: Boy went on, maybe a much higher voice than I 582 00:26:01,520 --> 00:26:02,000 Speaker 1: thought you'd have. 583 00:26:02,600 --> 00:26:06,639 Speaker 2: Oh, thanks, guys, I've got yeah. No, it's definitely. 584 00:26:07,000 --> 00:26:09,359 Speaker 1: It just seems like you're genuinely chuffed with your life. 585 00:26:10,240 --> 00:26:11,920 Speaker 9: I just clocked off work mates. I'm just in a 586 00:26:11,960 --> 00:26:14,360 Speaker 9: good mood. Worst drop I've ever had was in hospitality 587 00:26:14,480 --> 00:26:16,880 Speaker 9: ten years ago. I was working at a chicken shop. 588 00:26:17,160 --> 00:26:20,080 Speaker 9: That was absolutely disaster. I was sticking my arm about 589 00:26:20,440 --> 00:26:23,800 Speaker 9: or five hands worth deep into a bum's chickens bumb 590 00:26:24,200 --> 00:26:26,720 Speaker 9: stuff the chicken, shoving it on a metal rod on 591 00:26:26,800 --> 00:26:29,919 Speaker 9: a spit. That was probably the absolute worst drop up 592 00:26:30,119 --> 00:26:32,240 Speaker 9: I had to have raw chickens all around me. 593 00:26:32,520 --> 00:26:34,840 Speaker 1: So all day you are just you're just in with 594 00:26:34,960 --> 00:26:36,760 Speaker 1: a glove in the chicken with a glove, Edwards. 595 00:26:36,920 --> 00:26:39,160 Speaker 9: Yeah, so look it was it was like a Muma 596 00:26:39,200 --> 00:26:41,720 Speaker 9: pop shop. So you know, how can I say? Health 597 00:26:41,760 --> 00:26:46,520 Speaker 9: and safety was not the so gloves weren't really loft 598 00:26:47,280 --> 00:26:50,879 Speaker 9: around but yeah, yeah, So they made a little stuffing 599 00:26:50,880 --> 00:26:54,160 Speaker 9: mix in the sink and they'd have all these boxes 600 00:26:54,160 --> 00:26:56,040 Speaker 9: of chickens all around me and then I'd have to 601 00:26:56,080 --> 00:26:59,639 Speaker 9: grab the individual chickens raw chickens stuff on my hand, 602 00:27:00,359 --> 00:27:02,360 Speaker 9: so my hand was in a chickens bomb all day. 603 00:27:02,640 --> 00:27:04,920 Speaker 2: So six hour day, Edward, are you spending more time 604 00:27:05,520 --> 00:27:06,880 Speaker 2: in a chicken or out of a chicken? 605 00:27:08,400 --> 00:27:10,440 Speaker 9: Oh that's a good question. 606 00:27:10,520 --> 00:27:11,440 Speaker 2: Hey, thank you. 607 00:27:13,960 --> 00:27:16,400 Speaker 9: I'll probably be spending about four hours with my hand 608 00:27:16,440 --> 00:27:17,200 Speaker 9: in a chickens bomb and 609 00:27:19,640 --> 00:27:19,960 Speaker 4: A lot