1 00:00:05,200 --> 00:00:08,639 Speaker 1: It is a Christian O'Connell show podcast. Hi, this is 2 00:00:08,720 --> 00:00:11,440 Speaker 1: Christian from the Breakfast Show. Were the best of your 3 00:00:11,560 --> 00:00:14,560 Speaker 1: misheard lyrics? Every Monday on the show we do the 4 00:00:14,600 --> 00:00:17,360 Speaker 1: misheard lyrics. You know, if you ever heard a misheard lyrics. 5 00:00:17,440 --> 00:00:19,960 Speaker 1: If you don't, you're about to hear what it is. Anyway, 6 00:00:20,360 --> 00:00:22,800 Speaker 1: if you ever hear one, please email me. It could 7 00:00:22,840 --> 00:00:24,520 Speaker 1: be a Hall of Famer. You could get one of 8 00:00:24,520 --> 00:00:28,320 Speaker 1: a highly coveted Hall of Famer mugs, or you might 9 00:00:28,360 --> 00:00:30,040 Speaker 1: just hear your name read out on air with a 10 00:00:30,080 --> 00:00:33,360 Speaker 1: funny one or an odd one. Christian at Christian O'Connell 11 00:00:33,400 --> 00:00:36,559 Speaker 1: dot com dot au. Enjoy the misheard lyrics and if 12 00:00:36,560 --> 00:00:39,960 Speaker 1: you've got one, please send it in to me. Enjoy 13 00:00:40,000 --> 00:00:46,120 Speaker 1: this Christian O'Connell Show podcast. It's just another misheard Monday, 14 00:00:46,760 --> 00:00:51,200 Speaker 1: Christian O'Connell's misshard lyrics. If we hear what you're mishearing. 15 00:00:52,920 --> 00:00:56,720 Speaker 1: If not, and for the great ones, we stick you 16 00:00:56,760 --> 00:01:00,640 Speaker 1: in the Hall of Fame's this Hall of Fame. Recent 17 00:01:00,800 --> 00:01:03,720 Speaker 1: inductees to the Hall of Fame Metallica and to Sam 18 00:01:03,840 --> 00:01:06,839 Speaker 1: And Dreams of war, dreams of lies, dreams of dragons, 19 00:01:07,000 --> 00:01:11,759 Speaker 1: fire and things that will bite the Last the Wagons 20 00:01:15,840 --> 00:01:18,200 Speaker 1: or is it dreams of war, dreams of lies, dreams 21 00:01:18,200 --> 00:01:22,679 Speaker 1: of dragons, fire and a baked apple pie? The Last 22 00:01:23,040 --> 00:01:29,880 Speaker 1: the Dagon. It's even better, I think in a two 23 00:01:29,920 --> 00:01:33,080 Speaker 1: week absent and this one instead of use your heart 24 00:01:33,120 --> 00:01:35,479 Speaker 1: as a weapon. And it hurts like heaven, it hurts 25 00:01:35,520 --> 00:01:46,440 Speaker 1: like Kevin cold Play, hurts like Kevin Hall. All right, 26 00:01:46,520 --> 00:01:52,600 Speaker 1: let's see what we've got. Who remembers leaving Home by Jebediah? Yeah, uh, 27 00:01:53,320 --> 00:01:59,760 Speaker 1: leaving home? This one comes in from Chamane Farley instead 28 00:01:59,760 --> 00:02:01,720 Speaker 1: of leaving home? Is it leaving home? Or is it 29 00:02:01,840 --> 00:02:07,040 Speaker 1: ley bang Ho? What is le bang Ho? I've got 30 00:02:07,080 --> 00:02:09,440 Speaker 1: no idea. I thought that was the next line about 31 00:02:09,440 --> 00:02:13,200 Speaker 1: that's the missheard lyric. Sorry, yeah, the exhaustedly named Shu 32 00:02:15,120 --> 00:02:19,560 Speaker 1: No Rick Bring Me to Life by Evan Essenced. That 33 00:02:19,680 --> 00:02:23,360 Speaker 1: song was everywhere, Uh, don't let me die here? There 34 00:02:23,440 --> 00:02:31,280 Speaker 1: must be something wrong? Or is it don't let me 35 00:02:31,360 --> 00:02:41,440 Speaker 1: die here amongst the salad rolls? Rick, that's a great one. 36 00:02:41,480 --> 00:02:43,800 Speaker 1: It's just kind of whispered, is there, don't let me 37 00:02:43,880 --> 00:02:51,919 Speaker 1: die here amongst the salad roles? Still there? It is? Yes, Rick? 38 00:02:52,000 --> 00:02:57,400 Speaker 1: Come on? In instance Hall of Favor, Wendy hately listens 39 00:02:57,400 --> 00:02:59,959 Speaker 1: to a show on the iHeart app in camera. Thank 40 00:02:59,960 --> 00:03:02,920 Speaker 1: you very much. Wendy has this from Cliff Richard. Wow, 41 00:03:02,960 --> 00:03:07,080 Speaker 1: Cliff Richard wired for sound Power from the needle to 42 00:03:07,120 --> 00:03:09,320 Speaker 1: the plastic one of the worst lyrics ever. By the way, 43 00:03:10,040 --> 00:03:18,000 Speaker 1: why to sound power from the needle to the plastic? 44 00:03:18,440 --> 00:03:28,080 Speaker 1: Or is it cowabunger needle to the plastic? You know, 45 00:03:28,120 --> 00:03:31,680 Speaker 1: getting the frequency from here to camera? Lost something, Sorry, Wendy, 46 00:03:31,720 --> 00:03:35,720 Speaker 1: I so wanted it to be cow bunger Christian, This 47 00:03:35,720 --> 00:03:39,120 Speaker 1: one is a wimmer Sorry Winner. Do you remember Whamdo 48 00:03:39,120 --> 00:03:42,440 Speaker 1: project and the banger King of my Castle? Who can 49 00:03:42,520 --> 00:03:48,200 Speaker 1: forget Musy? The reason why I'm free must be the 50 00:03:48,200 --> 00:03:50,800 Speaker 1: reason why I'm free my trap soul? Or is it 51 00:03:50,880 --> 00:03:53,680 Speaker 1: must be the reason why I'm free to mud wrestle? 52 00:03:54,160 --> 00:04:00,400 Speaker 1: Must be the reason why I'm free to almost But 53 00:04:00,600 --> 00:04:05,800 Speaker 1: you can't be just close, beck Elton, John Yellow Brick Road. 54 00:04:05,880 --> 00:04:13,040 Speaker 1: You can't plant me in your penthouse? Or is it 55 00:04:13,280 --> 00:04:21,679 Speaker 1: your cat flap me and your pen pals? Yeah? All three, 56 00:04:21,800 --> 00:04:26,359 Speaker 1: the trifector kinless Hall of favor, your cat flap, me 57 00:04:26,520 --> 00:04:33,520 Speaker 1: and your pen pals? All right? Two finer ones. Adria 58 00:04:33,600 --> 00:04:36,120 Speaker 1: more than a feeling Boston when I'm tired and thinking 59 00:04:36,200 --> 00:04:42,240 Speaker 1: cold cold? Or is it when I'm tired of drinking 60 00:04:42,279 --> 00:04:53,599 Speaker 1: coke cold Crystal Clear? Adrian Kinsless, Hall of Favor, Everyone Strong, 61 00:04:53,640 --> 00:04:57,080 Speaker 1: comber and is last one today? Nine inch nails closer? 62 00:04:57,400 --> 00:05:05,039 Speaker 1: My whole existence is flawed? Or is it? My whole 63 00:05:05,200 --> 00:05:18,320 Speaker 1: existence is flan Christian Hello, Christian O'Connell show Podcast John 64 00:05:18,720 --> 00:05:21,640 Speaker 1: with Camila Cabello and Havana. It took me back to 65 00:05:22,000 --> 00:05:28,000 Speaker 1: East Atlanta. Is the Lena? Or is it he took 66 00:05:28,080 --> 00:05:33,880 Speaker 1: me back to ease the Lama? What a great he'll 67 00:05:33,920 --> 00:05:38,400 Speaker 1: say tonight kids are away? Were you going to bag 68 00:05:39,040 --> 00:05:48,960 Speaker 1: the Lena? There? Here again is the Lena? I so wish. 69 00:05:49,000 --> 00:05:54,920 Speaker 1: I'm afraid, no denied. Easing of the Lama? Five six, 70 00:05:55,000 --> 00:05:58,800 Speaker 1: seven eight by steps Amazingly, it's the seminal. By carrying 71 00:05:58,800 --> 00:06:02,000 Speaker 1: my boots scooting baby is driving me crazy? My obsession 72 00:06:02,040 --> 00:06:12,080 Speaker 1: from a Western? My dance floor date, Good God, I 73 00:06:12,120 --> 00:06:17,000 Speaker 1: had that single up. It's the first way to meet. 74 00:06:17,080 --> 00:06:19,880 Speaker 1: You have a problem, you don't judge, We accept you 75 00:06:19,960 --> 00:06:23,720 Speaker 1: here type of intervention or is it? My boot scooting 76 00:06:23,800 --> 00:06:26,599 Speaker 1: baby is driving me crazy? In my obsession from a Western? 77 00:06:26,960 --> 00:06:37,800 Speaker 1: My Dad's called Dave. Yes, Yes, it's there and you 78 00:06:37,839 --> 00:06:42,960 Speaker 1: know what, come on in. Wow done, Karen, that's great. 79 00:06:43,360 --> 00:06:46,560 Speaker 1: My dad's called Dave. Luk Maguire's got this lunars. I 80 00:06:46,600 --> 00:06:48,640 Speaker 1: got five on it. I got five on it. Grab 81 00:06:48,680 --> 00:06:58,560 Speaker 1: you four. Let's get keyed whatever? Or is it? I 82 00:06:58,600 --> 00:07:08,760 Speaker 1: got five on it? Grab your four. Let's get Keith. Yeah, 83 00:07:09,480 --> 00:07:14,160 Speaker 1: let's get Keith, much better lyrics. Let's get Keith. Don't 84 00:07:14,160 --> 00:07:17,080 Speaker 1: grab you five for that, Keith. Let's get the k 85 00:07:17,280 --> 00:07:19,640 Speaker 1: dog Luke, well done, Hall of Famer for you. What 86 00:07:19,720 --> 00:07:23,080 Speaker 1: about William teenage dirt bag Whitas. He lives on my block, 87 00:07:23,320 --> 00:07:27,440 Speaker 1: he drives in Iraq. He lives on black and he 88 00:07:27,560 --> 00:07:30,840 Speaker 1: drives Noah, Or is it he lives on my block 89 00:07:30,880 --> 00:07:34,120 Speaker 1: and he drives in Iraq? He lives on my black 90 00:07:34,920 --> 00:07:42,800 Speaker 1: and he drives Narah? Yeah, William, that's very good. Christian. 91 00:07:42,840 --> 00:07:45,240 Speaker 1: I was listening to All Apologies by Nirvana when I 92 00:07:45,600 --> 00:07:48,880 Speaker 1: was actually singing about this mysterious couple in the actual 93 00:07:48,920 --> 00:07:51,440 Speaker 1: lyrics and Nirvana All Apologies is from Sarah in the 94 00:07:51,520 --> 00:08:04,840 Speaker 1: Sun Married Buried. This is a great It's going to 95 00:08:04,960 --> 00:08:07,280 Speaker 1: ruin this song for a lot of fans. Or is 96 00:08:07,320 --> 00:08:12,120 Speaker 1: it in the sun Mary Barry. Okay, we're listening up 97 00:08:12,160 --> 00:08:25,920 Speaker 1: for Mary Barry Elm. Yeah. That might be one of 98 00:08:25,920 --> 00:08:29,160 Speaker 1: my favorite Hold of famers in the air. Who knew 99 00:08:29,240 --> 00:08:32,080 Speaker 1: Kirk Cobain We finally find out all these years later 100 00:08:32,440 --> 00:08:47,160 Speaker 1: at the end is saying Mary Barry Elm. Wow. Instance 101 00:08:47,240 --> 00:08:50,199 Speaker 1: Hall of Fame, record number of Hall of Famous Wow. 102 00:08:50,280 --> 00:08:55,560 Speaker 1: Down everyone, The Christian O'Connell Show podcast, it's just another 103 00:08:55,760 --> 00:09:01,280 Speaker 1: Miss herdman Nay, Christian O'Connell's Miss Hurt. Let's see what 104 00:09:01,320 --> 00:09:03,520 Speaker 1: you've got this week on the Miss Hurd Lyrics. First 105 00:09:03,559 --> 00:09:06,440 Speaker 1: of all, we go to John Louis Armstrong. What a 106 00:09:06,520 --> 00:09:11,840 Speaker 1: wonderful world, the Dark Sacred Nights, the Dark Sacred Lad 107 00:09:12,440 --> 00:09:15,280 Speaker 1: beautiful song? Or is it the dog say good Night 108 00:09:16,400 --> 00:09:20,520 Speaker 1: the Dark Sacred Lad? Yes, Yes, the dog say good 109 00:09:20,600 --> 00:09:27,400 Speaker 1: Nights the Dark Sacred Lad. Yes? Well done, John good starts. 110 00:09:27,559 --> 00:09:31,120 Speaker 1: Do you remember Adam Bacon known as Sizzle from our 111 00:09:31,200 --> 00:09:33,360 Speaker 1: one last game? And it could have been great? Guy? 112 00:09:34,120 --> 00:09:36,280 Speaker 1: Christian Scizzle. Here, I've got a misheard for you from 113 00:09:36,600 --> 00:09:44,600 Speaker 1: Calvin Harris and Fils. Don't be afraid to catch feels. 114 00:09:45,440 --> 00:09:48,720 Speaker 1: Don't be afraid of Please, kids, don't be afraid to 115 00:09:48,720 --> 00:09:51,640 Speaker 1: catch those feels. Or is it don't be afraid to 116 00:09:51,800 --> 00:09:59,400 Speaker 1: catch fish, don't be afraid of yes, fishes in now 117 00:09:59,400 --> 00:10:04,400 Speaker 1: what answers? Let's get a young Logan junior listener. My 118 00:10:04,480 --> 00:10:08,400 Speaker 1: name is Logan. I'm fourteen years old. Congratulations Logan. Will 119 00:10:08,440 --> 00:10:11,080 Speaker 1: this make it? In? Yes? It will Logan. Jimmy Marnes 120 00:10:11,120 --> 00:10:14,360 Speaker 1: working class man, working hard to make a living, bringing 121 00:10:14,440 --> 00:10:19,640 Speaker 1: shelter from the rain, working hardly a living, Bring a 122 00:10:19,760 --> 00:10:24,560 Speaker 1: shell farmay? Or is it working hard to make a living, 123 00:10:24,679 --> 00:10:29,400 Speaker 1: bring a shell to farmer Ray, working hard, leake a living, 124 00:10:30,520 --> 00:10:37,320 Speaker 1: bring a shell farmay? Yes? Yes, crystal clear. A junior 125 00:10:37,480 --> 00:10:39,720 Speaker 1: fan of the Miss lowis Logan, the fourteen year old. 126 00:10:39,720 --> 00:10:43,920 Speaker 1: Come on in this hall of favor. That is crystal clear, 127 00:10:43,960 --> 00:10:47,200 Speaker 1: and that good is thank you, Logan. Peter, Peter's got 128 00:10:47,240 --> 00:10:50,120 Speaker 1: this one. If I could change your mind by Haim, 129 00:10:50,679 --> 00:10:57,439 Speaker 1: visions of our love pass right by me? Or is 130 00:10:57,480 --> 00:11:04,440 Speaker 1: it pigeons of our love pass right by me? We 131 00:11:04,480 --> 00:11:06,960 Speaker 1: all hear pictures. Yeah, that's it the world. I'm peak 132 00:11:09,040 --> 00:11:13,160 Speaker 1: mount and Manson, don't even lot mounting Manson on the station. 133 00:11:13,920 --> 00:11:17,880 Speaker 1: We're going to change that. The beautiful people, the beautiful people, 134 00:11:17,960 --> 00:11:20,960 Speaker 1: the beautiful people only Marin and Manson could make that 135 00:11:21,000 --> 00:11:26,720 Speaker 1: lovely line sound like this. This is creepy. Isn't it 136 00:11:27,120 --> 00:11:29,680 Speaker 1: a horror movie? So the beautiful people, the beautiful people? 137 00:11:29,800 --> 00:11:37,000 Speaker 1: Or is it the beautiful meatball, the beautiful meatball? That 138 00:11:37,240 --> 00:11:40,600 Speaker 1: is air pic, Alexandra, It is the beautiful meatball, the 139 00:11:40,600 --> 00:11:49,720 Speaker 1: beautiful meatball. Yes, Alexandra, come and join Logan. He's fourteen. 140 00:11:49,800 --> 00:11:53,280 Speaker 1: You know that is brilliant. One last one from Simon Wilds. 141 00:11:53,960 --> 00:11:57,040 Speaker 1: He thinks this song is name checking him. He can 142 00:11:57,080 --> 00:12:00,320 Speaker 1: hear his own name, Simon Wilds. He thinks in this 143 00:12:00,440 --> 00:12:03,360 Speaker 1: song because I was watching Telly last week and the 144 00:12:03,440 --> 00:12:06,800 Speaker 1: new Quantus ad came on, featuring the song Feels Like 145 00:12:06,920 --> 00:12:10,720 Speaker 1: Home by Martha Marlowe. I swear she's singing about me. 146 00:12:11,240 --> 00:12:14,160 Speaker 1: Let's have a listen. A window breaks down a long street, 147 00:12:14,440 --> 00:12:19,200 Speaker 1: A siren wells in the night, don hung darks and 148 00:12:19,280 --> 00:12:24,040 Speaker 1: a Simon Wales. Do you hear Simon Wilds at the end? 149 00:12:24,360 --> 00:12:31,600 Speaker 1: Do hum darks? She and a Simon Wales. Simon Wilds 150 00:12:31,960 --> 00:12:34,040 Speaker 1: is in this. When you watch the advert, listen out 151 00:12:34,120 --> 00:12:40,160 Speaker 1: Simon Wilds, hum darks she and a Simon Whale. Yeah, 152 00:12:40,360 --> 00:12:45,640 Speaker 1: Simon Wilds for hearing yourself. Well done, great ones. Thank 153 00:12:45,679 --> 00:12:48,560 Speaker 1: you very much. As always, these emails coming every single 154 00:12:48,679 --> 00:12:51,680 Speaker 1: day you keep the feature going. Email them through Christian 155 00:12:51,679 --> 00:12:55,600 Speaker 1: at Christian O'Connell dot com dot au. The Christian O'Connor 156 00:12:55,720 --> 00:12:56,839 Speaker 1: Show podcast