WEBVTT - Message Me, Cartoon Daddy

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<v Speaker 1>The Christian O'Connell Breakfast Show Podcast, Melbourn's Gold one oh

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<v Speaker 1>four point three.

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<v Speaker 2>Thank you very much for downloading show number fifty one,

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<v Speaker 2>and just a.

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<v Speaker 3>Quick note to say this Friday, Well you say I

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<v Speaker 3>say this Friday, but I don't know when you listen

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<v Speaker 3>to the show. But Christian's Court anyway, if you've got

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<v Speaker 3>a case for Christian's Court, as can be a case

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<v Speaker 3>that you'd like an independent ruling over against you and

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<v Speaker 3>a friend, you and a workmate, you and your other half,

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<v Speaker 3>let me know. We're looking for a new cases that

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<v Speaker 3>Jack and I can preside over in Christian's Court.

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<v Speaker 2>Email me anything Christian at Gold one O four three

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<v Speaker 2>dot com dot au. On with the pod. Thank you

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<v Speaker 2>for downloading.

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<v Speaker 4>I hope you.

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<v Speaker 5>Will live from level two twenty one to thirty one

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<v Speaker 5>Wood Street, Wretchman, This is the Christian o'condinal Breakfast Show

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<v Speaker 5>on Melbourn's Gold one oh four point three.

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<v Speaker 2>So are we are our two hundred good Morning Show

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<v Speaker 2>number fifty one.

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<v Speaker 3>We're into a whole new area now showing them a

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<v Speaker 3>fifty one Good Morning is three minutes past six Wednesday

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<v Speaker 3>morning God won a four point three So yesterday evening

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<v Speaker 3>watched two stories see how Hamish Nandy getting on.

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<v Speaker 4>That's a very good episode.

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<v Speaker 3>But if you saw episode three having a revolving restaurant

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<v Speaker 3>and then details start coming in about Andy Lee is

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<v Speaker 3>in hospital with the old bum grapes medical term Latin

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<v Speaker 3>terminology there for you rectus grapes fruitus.

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<v Speaker 4>He had to go in yesterday. It's a routine procedure.

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<v Speaker 3>But I think they send in like obviously a man

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<v Speaker 3>of Andy stature.

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<v Speaker 2>It's not like the rest of us. You know, what

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<v Speaker 2>about medicare he actually has. I didn't wontize this. You know,

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<v Speaker 2>he's got his own.

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<v Speaker 3>Hospital, so you never see Hamish Nandy in a hospital

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<v Speaker 3>bed next to you.

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<v Speaker 2>They have their own wing. All the tough bum doctors

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<v Speaker 2>in the world.

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<v Speaker 3>They mended his bum grapes ou ending the team with

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<v Speaker 3>three people up there and they're working through the night,

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<v Speaker 3>you know, like they have like a lane closure and

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<v Speaker 3>they work through the night, so it's all open in

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<v Speaker 3>the morning.

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<v Speaker 4>That kind of free ways of speak.

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<v Speaker 2>Elon Musk made a little submarine. So yeah, poor Andy,

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<v Speaker 2>how to go and have that dealt with yesterday? Have you?

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<v Speaker 2>It's hemorrhois we're talking about. It'd be so is a hemorrhoids.

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<v Speaker 2>How do you get a hemorrhoid? I don't have to

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<v Speaker 2>be honest, right, I'm not sure that I know that.

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<v Speaker 3>Ladies are very familiar about this because sometimes when you

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<v Speaker 3>go through pregnancy, as if it's not enough, you're actually

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<v Speaker 3>growing a human being in you that sometimes you suffer

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<v Speaker 3>from hemorrhoids.

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<v Speaker 4>Do you know what they are?

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<v Speaker 6>It's from straining. It's veins in your bottom, and if

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<v Speaker 6>you strain or if you're constipated, it's like an enlarged vein.

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<v Speaker 2>I think essentially, what do they do?

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<v Speaker 4>What's the procedure?

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<v Speaker 6>Well, I'm not quite sure. I've had family members. You

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<v Speaker 6>can lance them, I.

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<v Speaker 2>Know, and have them cut out, like spike them. It's

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<v Speaker 2>nasty business. I don't think you can just spike them

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<v Speaker 2>in the garden.

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<v Speaker 3>They tie, They tie, darling, Listen, if I put my

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<v Speaker 3>legs on your shoulders, can you just.

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<v Speaker 2>No?

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<v Speaker 6>I think they land and like they tie something around them.

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<v Speaker 2>To imagine a lance like what Knights used to have

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<v Speaker 2>when they wrote.

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<v Speaker 4>A no, like a six ft kind of thing like that.

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<v Speaker 6>No no, no.

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<v Speaker 2>But micro lasers or something.

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<v Speaker 6>Yeah, probably they've got all sorts of things. I guess

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<v Speaker 6>it depends what where they are, and like in what

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<v Speaker 6>area of said area?

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<v Speaker 2>Are they only in the bum? Or can you get hemorrhon?

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<v Speaker 2>Where is she going to get? I could a vain

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<v Speaker 2>grow on your ankle? I don't know.

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<v Speaker 3>That could save an embarrassing conversation with your doctors are

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<v Speaker 3>as low down as my ankle. Get him in now

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<v Speaker 3>the screens.

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<v Speaker 2>Get the Chelsea stick. We're gonna need several All right,

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<v Speaker 2>give us you all this morning then, not if you

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<v Speaker 2>can tell us any more about your bum grapes, but

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<v Speaker 2>if you've gone embarrassing ailments, that's what we want to

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<v Speaker 2>talk about this morning.

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<v Speaker 3>Nine four one four one oh four three. It's the

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<v Speaker 3>moment you've been waiting for that someone on a breakfast

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<v Speaker 3>show wants to hear all about your embarrassing ailment nine

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<v Speaker 3>four three.

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<v Speaker 2>After this from Europe, I'll tell you.

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<v Speaker 3>About one I accidentally found out about about my dad

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<v Speaker 3>and once it's one of those things you wish in

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<v Speaker 3>life there was none. Do button just a couple of

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<v Speaker 3>minutes and I'm it's all okay, But now I can't

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<v Speaker 3>I know this about my own dad.

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<v Speaker 4>It's beyond embarrassing.

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<v Speaker 1>The Christian O'Connell breakfast show Melbourne's Gold one oh four

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<v Speaker 1>point three.

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<v Speaker 3>Yesterday on the show was Andy Lee talking about true

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<v Speaker 3>stories back on last night, eight forty third episode of

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<v Speaker 3>the second series. And it turns out later on the afternoon,

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<v Speaker 3>I had to go into his own private hospital.

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<v Speaker 2>The ass. I think it's the Andy Lee Institute, and

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<v Speaker 2>to have a Yeah, it's a routine procedure that happens

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<v Speaker 2>to adults.

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<v Speaker 3>We're all grown up on the show, You're grown up.

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<v Speaker 3>We could talk about these things. Hemorrhoids, very very uncomfortable people.

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<v Speaker 3>I'm not entirely sure what they are or what they do.

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<v Speaker 2>It's one of those what they do is funny a

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<v Speaker 2>team of miners that they shrink and then put up

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<v Speaker 2>your backside.

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<v Speaker 3>I believe that's what they do. So anyway, he had

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<v Speaker 3>that going on yesterday, been Andy being the gun he is.

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<v Speaker 3>He's still doing phone as if he's on Kennedy Mannoy yesterday,

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<v Speaker 3>lying from his bed while someone's got a bum hammer pushing.

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<v Speaker 4>Them back in. I think that's this guy's a pro.

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<v Speaker 3>But listen, ER's not want to talk about embarrassing elments

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<v Speaker 3>because sometimes we all have things that go wrong with

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<v Speaker 3>the wonder that is the human body, and sometimes they

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<v Speaker 3>can be seen. It's been a little bit embarrassing. But anyway,

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<v Speaker 3>I'm going to share this story with you. It did

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<v Speaker 3>not happen to me.

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<v Speaker 2>It happened to a friend of mine. Okay, did you

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<v Speaker 2>when you motion towards no motions? Friend of mine, he was.

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<v Speaker 3>Going back to see his dad, and his dad texts

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<v Speaker 3>that sound running a bit late.

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<v Speaker 2>But there's a spare key under the mat. Let yourself in.

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<v Speaker 3>This friend of mine lets himself in, puts the ketl on,

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<v Speaker 3>makes a cup of tea, and it's you know, you

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<v Speaker 3>can't help but have a little look around, just to

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<v Speaker 3>see what's going on. And sometimes when you go back

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<v Speaker 3>to your mom and dad's place, it's like a little

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<v Speaker 3>kind of museum to them, isn't it. There's an indentation

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<v Speaker 3>on the couch where they always sit in their set places.

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<v Speaker 3>Then this friend of mine, his eye can't see some

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<v Speaker 3>opened mail and one of the pieces of papers. Straight

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<v Speaker 3>away he sees a compliment slip from the local hospital.

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<v Speaker 3>He shouldn't have read anymore because that compliment slip, that letter,

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<v Speaker 3>that information and the documents attached and the images attached

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<v Speaker 3>were not for his eyes.

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<v Speaker 4>But he something draws them to it. It's like the sun.

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<v Speaker 3>He shouldn't look at it, but he starts to get

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<v Speaker 3>drawn in, like a tractor being on the compliment slip

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<v Speaker 3>from the local hospital physiotherapy department, says mister so and so,

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<v Speaker 3>I hope these suggested positions help. He then goes on,

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<v Speaker 3>are these images crude cave cave pictures really of two people.

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<v Speaker 2>Doing it? What? Wait? Wait?

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<v Speaker 4>What they were?

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<v Speaker 2>Why would the doctors send you the kalmadiotherapy?

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<v Speaker 3>They were like warm up exercises before going about your business,

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<v Speaker 3>your business, and they were suggested positions as well. They

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<v Speaker 3>might with someone with a bad back that might find

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<v Speaker 3>it easier.

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<v Speaker 2>Oh okay, so your dad had a bad back. No, no,

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<v Speaker 2>it's I know this friend of mine.

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<v Speaker 4>I'm not in this story. I'm merely the storyteller. Happened

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<v Speaker 4>to me.

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<v Speaker 2>The way you told the story in the first hand

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<v Speaker 2>account seems so real.

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<v Speaker 3>I thought, well, that's a great storyteller can do that that,

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<v Speaker 3>you know, but they bring a story to life.

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<v Speaker 2>But this did not happen to me. If there's any confusion,

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<v Speaker 2>I'm having to clear it up now. Is that coupled

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<v Speaker 2>with the only two minutes ago you said I'll tell

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<v Speaker 2>you something about my dad. No no, no, no, Sometimes

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<v Speaker 2>I get confused, you know, no, no, no.

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<v Speaker 3>This happened to a friend of mine and he can't

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<v Speaker 3>undersee that stuff. And then when his dad suddenly arrives,

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<v Speaker 3>you know, twenty minutes later he said his dad is

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<v Speaker 3>the girlfriend he's now gone. Is that he has to

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<v Speaker 3>make his excuses and sound you know what, I've got

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<v Speaker 3>to head off now.

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<v Speaker 4>You can't see that.

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<v Speaker 2>But yeah, of the various imagine that warm up exercises

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<v Speaker 2>as well.

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<v Speaker 4>You waked down and over there in a minute. I've

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<v Speaker 4>just got a hundred of these to do.

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<v Speaker 2>It's good time for there. I just got to do

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<v Speaker 2>it five minutes on the cross trainer and I'm going

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<v Speaker 2>to sort you out. I've got to build up to it.

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<v Speaker 3>He's going to do some warm enough exercise that they do,

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<v Speaker 3>you know in the footy like sometimes you seen the

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<v Speaker 3>solar pitch on the bike, don't you get?

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<v Speaker 7>Yeah?

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<v Speaker 3>Yeah, probably warming down afterwards as she sees this up.

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<v Speaker 3>So you anyway, this morning, I said that story just

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<v Speaker 3>so if you want to share your embarrassing elments.

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<v Speaker 2>On nine four one four one oh four three.

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<v Speaker 1>The Christian O'Connell breakfast show Melbourne's Gold one oh four

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<v Speaker 1>point three.

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<v Speaker 3>So we've opened the lines this morning. Do you want

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<v Speaker 3>to talk about your embarrassing elments? Andy Lee has opened

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<v Speaker 3>this up for us along with his backside, poor guy,

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<v Speaker 3>poor guy.

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<v Speaker 2>Yesterday. He's been talking about this, by the way, he

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<v Speaker 2>has shared this yesterday on the radio. He's doing his interviews.

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<v Speaker 2>Although I don't know what happened because he's got he's

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<v Speaker 2>got hemorrhoids, and he was on Kennedy molloy yesterday talking

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<v Speaker 2>about this live from his hospital bed, but he never

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<v Speaker 2>mentioned it to us. Well, he was do you think

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<v Speaker 2>it was a hospital yesterday?

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<v Speaker 8>So he was.

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<v Speaker 2>He said he wasn't feeling well. Actually when he came in,

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<v Speaker 2>he came in with him.

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<v Speaker 8>Yeah.

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<v Speaker 2>And also now when you look back, do you remember

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<v Speaker 2>we wouldn't see he had a rubber ring. He came

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<v Speaker 2>in with a rubber ring. Now the signs were all there.

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<v Speaker 2>Why do we say, Andy, what's up with your backside? Buddy?

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<v Speaker 2>You know, I feel so bad?

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<v Speaker 4>We never we never said anything to him.

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<v Speaker 2>Emmanuel Coomering, good morning, Good morning, Annuel.

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<v Speaker 4>So you've had an embarrassing alment. What happened.

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<v Speaker 9>When I first met my future wife. We were sort

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<v Speaker 9>of dating and I went to I had this boil.

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<v Speaker 9>It was like a small boy on the top of

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<v Speaker 9>my bum crack and yeah, so I went to the

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<v Speaker 9>doctors get it looked at. He sort of sliced gaming

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<v Speaker 9>a couple of tablets, you know, did he did a

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<v Speaker 9>procedure there? Nothing was coming out anyway. On our first

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<v Speaker 9>second date, we're actually going down towards killed around me.

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<v Speaker 2>If that's a yeah euphemism, he's a lucky man. I

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<v Speaker 2>was trying to take my wife down. Hasn't killed her,

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<v Speaker 2>but she wouldn't have any of it.

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<v Speaker 4>She said, buy a drink.

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<v Speaker 9>First, we're going up for dinner and stuff. And she

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<v Speaker 9>had a brand new car. And he actually decided to

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<v Speaker 9>explode in her letter.

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<v Speaker 2>See yeah, but she's still married.

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<v Speaker 1>You did.

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<v Speaker 9>People made me a sort of a benuver in public

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<v Speaker 9>while she was in a car trying to wipe all

0:10:48.120 --> 0:10:48.600
<v Speaker 9>the paths.

0:10:49.280 --> 0:10:52.480
<v Speaker 3>And that's when you know you've met the right guy.

0:10:53.320 --> 0:10:55.160
<v Speaker 3>Missed him right there. You know, you've got to got

0:10:55.240 --> 0:10:57.200
<v Speaker 3>to keep her and a bleeder as well from his backside.

0:10:57.960 --> 0:11:01.280
<v Speaker 1>The Christian O'Connell breakfast show one's gold one or four

0:11:01.360 --> 0:11:01.800
<v Speaker 1>point three.

0:11:02.080 --> 0:11:04.040
<v Speaker 3>So our new Early Morning Game where you've got to

0:11:04.080 --> 0:11:06.040
<v Speaker 3>guess the song title is call this.

0:11:06.600 --> 0:11:09.440
<v Speaker 2>It's six thirty am and time to play the early

0:11:09.559 --> 0:11:10.200
<v Speaker 2>morning game.

0:11:10.400 --> 0:11:13.440
<v Speaker 10>It sounds like a song to me, Christian, do.

0:11:13.480 --> 0:11:14.480
<v Speaker 2>You know what small thing?

0:11:14.559 --> 0:11:16.480
<v Speaker 3>I can't believe it's the first time I've ever played it,

0:11:16.520 --> 0:11:18.319
<v Speaker 3>and actually it is six thirty. I think yesterday we

0:11:18.400 --> 0:11:20.320
<v Speaker 3>played it was like six forty nine or ten to two.

0:11:20.600 --> 0:11:22.120
<v Speaker 3>That would be the only time I ever hit it

0:11:22.200 --> 0:11:24.960
<v Speaker 3>bang on time yesterday. I just presume this one would

0:11:25.040 --> 0:11:27.880
<v Speaker 3>roll for weeks. You'd have no idea even But what

0:11:28.040 --> 0:11:30.160
<v Speaker 3>money I had in my pocket was about five bucks,

0:11:30.200 --> 0:11:31.640
<v Speaker 3>and the one of you fleeced me from that.

0:11:32.520 --> 0:11:39.719
<v Speaker 2>This I still come believe that went rock lobster. I

0:11:39.760 --> 0:11:41.959
<v Speaker 2>still have a problem with part two of that sound clue,

0:11:43.480 --> 0:11:46.920
<v Speaker 2>the clause, the clause. Yeah, I know it's snippy, snippy,

0:11:47.080 --> 0:11:50.360
<v Speaker 2>you know, is it? I'd like to see photographic evidence

0:11:50.440 --> 0:11:51.400
<v Speaker 2>of mark our audio.

0:11:51.880 --> 0:11:52.720
<v Speaker 4>He went around and.

0:11:53.400 --> 0:11:57.000
<v Speaker 3>Went down to a French restaurant and recorded all of that. Okay, anyway,

0:11:57.040 --> 0:11:59.360
<v Speaker 3>we've got a brand new one. Listen to the clues again.

0:11:59.400 --> 0:12:01.080
<v Speaker 3>Listen to this effects what is the song?

0:12:03.559 --> 0:12:10.880
<v Speaker 2>Too easy? As he annoys me, text Homer, all right,

0:12:10.920 --> 0:12:12.199
<v Speaker 2>give us a cool lines up and now what do

0:12:12.240 --> 0:12:17.120
<v Speaker 2>you reckon? The song title is nine four one four.

0:12:17.000 --> 0:12:20.400
<v Speaker 1>One four three The Christian Who Conwell Breakfast Show Melbourne's

0:12:20.440 --> 0:12:21.920
<v Speaker 1>Gold one oh four point three.

0:12:22.200 --> 0:12:25.240
<v Speaker 2>We are playing. It's six thirty am and time to

0:12:25.320 --> 0:12:26.840
<v Speaker 2>play the early morning game.

0:12:27.040 --> 0:12:30.200
<v Speaker 10>It sounds like a song to me Christian.

0:12:30.360 --> 0:12:32.920
<v Speaker 3>Thank you, I play you short ter f you sound effects.

0:12:32.920 --> 0:12:34.800
<v Speaker 3>You've got to guess the song title here is the

0:12:34.920 --> 0:12:40.040
<v Speaker 3>some Mornings. I think we made it too easy. I

0:12:40.120 --> 0:12:41.280
<v Speaker 3>think we've made it too easy.

0:12:42.920 --> 0:12:45.760
<v Speaker 2>Yeah, my next My only last guess is message me

0:12:45.920 --> 0:12:48.880
<v Speaker 2>cartoon Daddy? Is that?

0:12:49.160 --> 0:12:53.080
<v Speaker 3>I wish that song existed? Someone please make it. Andrew,

0:12:53.200 --> 0:12:56.559
<v Speaker 3>good morning, Good morning, iom morning mate, welcome to the show.

0:12:56.600 --> 0:12:57.719
<v Speaker 3>What do you think the song title is?

0:12:58.400 --> 0:13:02.480
<v Speaker 2>I gotta get a message to you by Oh great song?

0:13:02.720 --> 0:13:06.760
<v Speaker 4>No, Andrew, that's not the right one though, Stuart, good morning.

0:13:06.800 --> 0:13:11.239
<v Speaker 2>I love how we cut them off. Never leave a listener.

0:13:11.040 --> 0:13:14.839
<v Speaker 3>Down, Stuart, good morning, good morning. I'm pretty good Stewart,

0:13:14.840 --> 0:13:16.760
<v Speaker 3>hope you're well this morning, and thanks to calling the show.

0:13:16.800 --> 0:13:20.640
<v Speaker 2>What's your guests song too? Now, let's play this back.

0:13:20.679 --> 0:13:21.080
<v Speaker 2>How do you hear?

0:13:24.120 --> 0:13:24.559
<v Speaker 4>How do you hear?

0:13:24.679 --> 0:13:25.199
<v Speaker 2>Song too?

0:13:27.520 --> 0:13:31.720
<v Speaker 4>A good thinking?

0:13:32.040 --> 0:13:34.400
<v Speaker 3>Uh no, it's not the right one to look Stuart Graham,

0:13:34.440 --> 0:13:37.839
<v Speaker 3>good morning, Hei, guys, ge man, what are you going for?

0:13:37.920 --> 0:13:39.599
<v Speaker 2>What's the song I've gone with?

0:13:39.679 --> 0:13:42.160
<v Speaker 11>Blondie call me ah, No it's.

0:13:42.080 --> 0:13:44.800
<v Speaker 3>Not Blondie called me smart, guess so Graham toughler. Emma,

0:13:44.840 --> 0:13:48.839
<v Speaker 3>good morning, Good morning, Emma. I can just tell your

0:13:48.880 --> 0:13:51.600
<v Speaker 3>voice the excitement you're feeling good you reckon, You've got.

0:13:51.600 --> 0:13:52.800
<v Speaker 12>It, I think I do.

0:13:53.160 --> 0:13:53.599
<v Speaker 8>What is it?

0:13:54.280 --> 0:13:55.160
<v Speaker 12>Good vibrations?

0:13:58.240 --> 0:13:58.480
<v Speaker 8>Wow?

0:13:59.400 --> 0:14:02.800
<v Speaker 2>Yeah? Easy? Would there you go?

0:14:03.200 --> 0:14:05.839
<v Speaker 4>Hey, I've got surprises for you. I've got some movie tickets.

0:14:05.840 --> 0:14:08.120
<v Speaker 3>You go and see this great in Australian comedy movie

0:14:08.520 --> 0:14:10.640
<v Speaker 3>Eddie Izzard and a great cast all in. It's called

0:14:10.920 --> 0:14:13.280
<v Speaker 3>The Flip Side Out at the end of August on

0:14:13.360 --> 0:14:13.760
<v Speaker 3>the thirtieth.

0:14:13.800 --> 0:14:15.280
<v Speaker 2>You can have some tickets to go and see that.

0:14:15.360 --> 0:14:19.680
<v Speaker 2>Em well done, very much, right, Okay, that's it from

0:14:19.720 --> 0:14:22.880
<v Speaker 2>now on, No more easy ones, no more. That's it.

0:14:22.920 --> 0:14:25.200
<v Speaker 3>The gloves off, this was gonna be Tomorrow's not even

0:14:25.240 --> 0:14:27.280
<v Speaker 3>gonna I'm not even gonna waste your time with this one.

0:14:27.560 --> 0:14:29.680
<v Speaker 3>And I'm gonna take it off line today and make

0:14:29.880 --> 0:14:31.120
<v Speaker 3>a really really hard one.

0:14:31.160 --> 0:14:31.800
<v Speaker 4>And what's going to be this?

0:14:36.960 --> 0:14:40.440
<v Speaker 2>Oh yeah, that's too easy. What do you reckon sand explosion?

0:14:40.720 --> 0:14:43.600
<v Speaker 2>Oh my, you are not the focus group for this.

0:14:45.560 --> 0:14:47.200
<v Speaker 2>What's the first set of effect? Give me a clue.

0:14:47.200 --> 0:14:48.280
<v Speaker 4>Come on, you wanting me up?

0:14:48.280 --> 0:14:53.480
<v Speaker 2>You know what that is? Sound bump, It's an explosion?

0:14:53.560 --> 0:14:55.920
<v Speaker 4>Think about you must know what this is.

0:14:58.480 --> 0:15:04.040
<v Speaker 6>I've done a few ah mischief, possible theme tnc dynamite

0:15:04.160 --> 0:15:04.680
<v Speaker 6>that's why.

0:15:05.080 --> 0:15:08.280
<v Speaker 3>Yeah, well done, man, that's it. So tomorrow, brand new

0:15:08.320 --> 0:15:12.520
<v Speaker 3>clip and I guarantee, I guarantee is not gonna go tomorrow.

0:15:12.720 --> 0:15:18.200
<v Speaker 3>It won't even go all next week. Wow, Okay, I'm

0:15:18.200 --> 0:15:20.400
<v Speaker 3>gonna I'm not gonna give anything. I'm not gonna play

0:15:20.400 --> 0:15:22.920
<v Speaker 3>it on ED tomorrow and today. Have pressure tested this

0:15:23.080 --> 0:15:25.160
<v Speaker 3>in the office and no one comes anywhere near it.

0:15:25.200 --> 0:15:26.800
<v Speaker 3>That's it now, member, I've snapped.

0:15:26.520 --> 0:15:30.320
<v Speaker 1>The Christian O'Connell breakfast show Melbourne's Gold one oh four point.

0:15:30.200 --> 0:15:32.440
<v Speaker 2>Three time now four. We forgot to do this. Yes,

0:15:32.560 --> 0:15:33.320
<v Speaker 2>I felt really bad.

0:15:33.360 --> 0:15:36.080
<v Speaker 3>Big John is out there every morning, he gets way

0:15:36.120 --> 0:15:39.040
<v Speaker 3>before even we do, and it does this weather report

0:15:39.080 --> 0:15:39.320
<v Speaker 3>for us.

0:15:39.320 --> 0:15:42.120
<v Speaker 2>I forgot to play it yesterday. And where I found

0:15:42.160 --> 0:15:42.520
<v Speaker 2>this guy.

0:15:43.440 --> 0:15:45.440
<v Speaker 3>He's one of the people who in my WhatsApp group

0:15:45.480 --> 0:15:47.960
<v Speaker 3>when I gave my mobile number out Here is today's

0:15:48.000 --> 0:15:48.480
<v Speaker 3>weather report.

0:15:48.560 --> 0:15:51.360
<v Speaker 13>Good morning, Christian, big John here with your four o'clock

0:15:51.600 --> 0:15:55.560
<v Speaker 13>Rhaming weather report. Currently in Melbourne nine point three degrees.

0:15:55.720 --> 0:15:58.200
<v Speaker 13>It feels like six point nine. We're chasing the top

0:15:58.240 --> 0:16:01.480
<v Speaker 13>of fifteen degrees. Twe same chance of a watch hours

0:16:01.520 --> 0:16:04.240
<v Speaker 13>in the morning and the afternoon with light wings.

0:16:04.720 --> 0:16:07.400
<v Speaker 2>So that is where the report's brought to you by politics.

0:16:07.880 --> 0:16:11.400
<v Speaker 2>Back to you Christian Nice in his own sponsorship.

0:16:11.640 --> 0:16:13.840
<v Speaker 3>Not just that, I throw back to the studio as well.

0:16:13.920 --> 0:16:16.680
<v Speaker 3>He's getting slick with this, Big John, Thank you very much.

0:16:17.160 --> 0:16:19.720
<v Speaker 3>So you've got a dog, right, yes, yesterday I was

0:16:19.720 --> 0:16:22.320
<v Speaker 3>walking the dog. It's over in the Dandy Park near

0:16:22.360 --> 0:16:24.920
<v Speaker 3>where I live, and you see some odd stuff with

0:16:25.000 --> 0:16:27.560
<v Speaker 3>other dog walkers. Okay, it's this strange kind of community,

0:16:27.640 --> 0:16:29.760
<v Speaker 3>isn't it. Have you got one of those long things,

0:16:29.800 --> 0:16:31.040
<v Speaker 3>the old tennis ball launcher?

0:16:31.480 --> 0:16:34.760
<v Speaker 2>Oh no, I go raw arm. I mean I feel

0:16:34.760 --> 0:16:36.760
<v Speaker 2>like I can throw it far enough myself. Yeah, exactly.

0:16:37.080 --> 0:16:38.600
<v Speaker 2>I'm glad you were for the same way too.

0:16:38.680 --> 0:16:41.920
<v Speaker 3>My wife has one and it drives her nuts because

0:16:41.920 --> 0:16:43.400
<v Speaker 3>even when she launched that, I then see it as

0:16:43.400 --> 0:16:45.240
<v Speaker 3>a competition that I have to prove a point and

0:16:45.360 --> 0:16:47.800
<v Speaker 3>throw it just using my arm further than she's done

0:16:47.840 --> 0:16:49.960
<v Speaker 3>it with the dog launcher. And yesterday there's a guy

0:16:50.040 --> 0:16:52.880
<v Speaker 3>there right, and he's got the old launcher. And I

0:16:52.960 --> 0:16:54.560
<v Speaker 3>have to be honest, I know this is pathetic and

0:16:54.600 --> 0:16:55.720
<v Speaker 3>it's not going to put me a good light.

0:16:55.960 --> 0:16:59.360
<v Speaker 2>I judged him. How was that? Okay?

0:16:59.560 --> 0:17:02.000
<v Speaker 3>Bobby's got a weak arm, as he said, I'm I'm

0:17:02.080 --> 0:17:03.920
<v Speaker 3>near him with sort of not because that's what dog

0:17:03.960 --> 0:17:06.000
<v Speaker 3>people do. And I can actually get the tennis ball

0:17:06.040 --> 0:17:08.520
<v Speaker 3>and I'm throwing it, but my one is I haven't

0:17:08.560 --> 0:17:09.199
<v Speaker 3>quite warmed up.

0:17:09.240 --> 0:17:12.440
<v Speaker 2>It falls a bit short. I now I can't leave

0:17:12.480 --> 0:17:12.879
<v Speaker 2>it there, right.

0:17:13.920 --> 0:17:15.879
<v Speaker 3>I know you guys are competitive, but I'm starting to

0:17:15.920 --> 0:17:17.920
<v Speaker 3>become slightly straining this way, and I'm thinking I'm not

0:17:18.000 --> 0:17:19.680
<v Speaker 3>moving on, so I pick it up again.

0:17:19.720 --> 0:17:21.600
<v Speaker 2>Now I'm thinking I've got a really mode of this thing.

0:17:21.720 --> 0:17:22.960
<v Speaker 2>I'm not I'm not leaving it.

0:17:23.400 --> 0:17:25.200
<v Speaker 3>I then really well at yet, and I could see

0:17:25.359 --> 0:17:28.880
<v Speaker 3>even he sees it, and he's like right. He then

0:17:29.359 --> 0:17:31.119
<v Speaker 3>you know, makes out he's just you know, picking some

0:17:31.240 --> 0:17:33.600
<v Speaker 3>off his showing up. But I see he's not going that.

0:17:33.920 --> 0:17:36.160
<v Speaker 2>He then does another one. This one it's not bad,

0:17:36.480 --> 0:17:38.159
<v Speaker 2>it's a it's a good throw for my friend, but

0:17:38.240 --> 0:17:39.240
<v Speaker 2>he's still got the catapult.

0:17:39.280 --> 0:17:43.480
<v Speaker 3>Yeah, he's got artificial you know, it's artificial assistance he's

0:17:43.520 --> 0:17:45.320
<v Speaker 3>using there. I now, So this goes on for a

0:17:45.320 --> 0:17:47.040
<v Speaker 3>couple of minutes. Right now, my arm is already starting

0:17:47.040 --> 0:17:49.600
<v Speaker 3>to hurt, Okay, really really starting hurt. And then I

0:17:49.680 --> 0:17:52.480
<v Speaker 3>notice he bends down and gets something out of a bag.

0:17:53.520 --> 0:17:55.959
<v Speaker 3>This guy, he's got his dog there already. Right, he's

0:17:56.000 --> 0:17:58.680
<v Speaker 3>got a labrador, beautiful dog. He gets out of a bag.

0:17:58.720 --> 0:18:01.440
<v Speaker 3>I didn't walize he had it there. A small pet goat?

0:18:02.160 --> 0:18:03.760
<v Speaker 2>What in ack?

0:18:05.040 --> 0:18:05.200
<v Speaker 11>Right?

0:18:06.760 --> 0:18:08.120
<v Speaker 4>I can only describe what I saw.

0:18:08.400 --> 0:18:10.960
<v Speaker 3>A small pet goat that he puts on the ground,

0:18:11.080 --> 0:18:14.280
<v Speaker 3>A tiny little baby goat that starts like chewing.

0:18:14.040 --> 0:18:18.479
<v Speaker 2>The grass, that's right. I mean there were so many

0:18:18.600 --> 0:18:21.520
<v Speaker 2>rules and regulations everywhere in Victoria. Right, I've got I've

0:18:21.520 --> 0:18:23.720
<v Speaker 2>had the dog permit. You know, you've got on leash

0:18:23.840 --> 0:18:26.199
<v Speaker 2>off leash. I didn't know you could just rock up

0:18:26.240 --> 0:18:29.119
<v Speaker 2>to a park here with a flipping goat. And I

0:18:29.280 --> 0:18:31.240
<v Speaker 2>didn't think you would put it in the backpack. Was

0:18:31.240 --> 0:18:32.680
<v Speaker 2>its head sticking out before you?

0:18:33.080 --> 0:18:33.640
<v Speaker 4>It must have done.

0:18:33.640 --> 0:18:35.359
<v Speaker 2>He didn't unzip it was anything like that.

0:18:35.560 --> 0:18:36.399
<v Speaker 4>He just got it out the.

0:18:38.040 --> 0:18:40.840
<v Speaker 2>Produce as a pet goat. I didn't know you could

0:18:40.920 --> 0:18:42.000
<v Speaker 2>rock up with a pet goat.

0:18:41.880 --> 0:18:43.320
<v Speaker 4>Not just that, is it a pet?

0:18:43.600 --> 0:18:45.600
<v Speaker 2>I mean I live brighton a way I've not seen

0:18:45.640 --> 0:18:49.160
<v Speaker 2>people walking goat? Is this a new hipster thing? He's

0:18:49.240 --> 0:18:51.560
<v Speaker 2>one uped you to a point where you can't.

0:18:53.240 --> 0:18:55.159
<v Speaker 4>You know, and we don't even know.

0:18:55.240 --> 0:18:56.880
<v Speaker 3>My arm was sore as well as stall saw today

0:18:56.920 --> 0:18:59.000
<v Speaker 3>from the throwing competition got involved in and he's out

0:18:59.040 --> 0:19:00.960
<v Speaker 3>done me by bringing a you know, a pet go

0:19:01.160 --> 0:19:01.320
<v Speaker 3>to it.

0:19:01.440 --> 0:19:03.320
<v Speaker 2>You could throw a tennis ball two suburbs away, but

0:19:03.400 --> 0:19:05.720
<v Speaker 2>he still wins with baby girl, can believe it?

0:19:05.880 --> 0:19:09.680
<v Speaker 1>The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four point.

0:19:09.560 --> 0:19:13.000
<v Speaker 3>Three systems that bring it on by Van Halen and

0:19:13.480 --> 0:19:14.720
<v Speaker 3>Jack actually let overgo?

0:19:14.800 --> 0:19:15.440
<v Speaker 2>Who is this again?

0:19:18.040 --> 0:19:18.080
<v Speaker 1>No?

0:19:18.280 --> 0:19:21.119
<v Speaker 2>I know, guys, I know van Halen, I did not

0:19:21.320 --> 0:19:25.320
<v Speaker 2>know song You you appreciate you were a musician yourself,

0:19:25.400 --> 0:19:27.880
<v Speaker 2>you can play instruments you know, you must appreciate.

0:19:27.920 --> 0:19:30.080
<v Speaker 3>I mean Eddie van Halen, he's the revered is one

0:19:30.080 --> 0:19:36.719
<v Speaker 3>of the greatest contemporary guitarists ever. No, No, A lot

0:19:36.760 --> 0:19:38.680
<v Speaker 3>of people that millennial, so no, we are the great

0:19:38.960 --> 0:19:40.600
<v Speaker 3>van Halen do you know what I like about that

0:19:40.760 --> 0:19:42.920
<v Speaker 3>song is the big, that big guitar riff in it.

0:19:43.040 --> 0:19:43.240
<v Speaker 8>Yep.

0:19:43.560 --> 0:19:45.639
<v Speaker 2>I'd be very happy to put together and produce an

0:19:45.640 --> 0:19:48.200
<v Speaker 2>album that was just back to back guitar riffs, and

0:19:48.240 --> 0:19:49.800
<v Speaker 2>I think I would call it now that's what I

0:19:49.960 --> 0:19:52.399
<v Speaker 2>call riff. Well, why don't you make one of the

0:19:52.440 --> 0:19:54.400
<v Speaker 2>mixtapes midweek mixtape?

0:19:55.400 --> 0:19:58.640
<v Speaker 3>Now, that's what I call riffs. It's just every song

0:19:58.760 --> 0:20:02.000
<v Speaker 3>just another big old in there. I'm just just shooting

0:20:02.040 --> 0:20:03.240
<v Speaker 3>off the to my head right now. You've got to

0:20:03.280 --> 0:20:06.240
<v Speaker 3>have November Rain, that big one slash. I mean about

0:20:06.359 --> 0:20:08.879
<v Speaker 3>ninety percent of that song is slash wigging out with

0:20:08.960 --> 0:20:10.399
<v Speaker 3>the with his guitar, and even.

0:20:10.280 --> 0:20:12.000
<v Speaker 4>In the video he's just stood outside the church.

0:20:12.040 --> 0:20:13.960
<v Speaker 3>I don't know why he's outside the church and you

0:20:14.040 --> 0:20:15.960
<v Speaker 3>get the big old helicopter shot and he's got.

0:20:15.880 --> 0:20:21.320
<v Speaker 14>That's now I know what you mean by wigo, because

0:20:21.880 --> 0:20:23.959
<v Speaker 14>yesterday you're like, oh, you should wig out on your

0:20:24.560 --> 0:20:26.280
<v Speaker 14>on the Melbourne song, we have a big wig out.

0:20:26.680 --> 0:20:28.199
<v Speaker 2>I don't know. I honestly, this is some.

0:20:28.359 --> 0:20:31.160
<v Speaker 3>Kind of loan translation pommy thing. You know we're back

0:20:31.240 --> 0:20:33.320
<v Speaker 3>in England, you know we like to wig out over there.

0:20:33.359 --> 0:20:35.360
<v Speaker 3>I think it comes from sixteenth century, when I guess

0:20:35.359 --> 0:20:37.080
<v Speaker 3>a lot of pumies used to wear powdered wigs.

0:20:37.680 --> 0:20:40.000
<v Speaker 2>Yeah, I mean like a big guitar solo. That's what

0:20:40.080 --> 0:20:42.720
<v Speaker 2>I think. This song needs a solo. I don't know

0:20:42.760 --> 0:20:45.119
<v Speaker 2>if it's a guitar solo, because you can have a

0:20:45.160 --> 0:20:48.679
<v Speaker 2>bagpipe solo a CDC long way to the top. That's amazing.

0:20:48.720 --> 0:20:51.000
<v Speaker 2>They actually managed to get a bagpipe solo in that song.

0:20:51.200 --> 0:20:53.840
<v Speaker 2>But it needs a solo and then wig out an

0:20:54.040 --> 0:20:56.280
<v Speaker 2>iconic Melbourne song because in the video clip they go

0:20:56.520 --> 0:21:00.119
<v Speaker 2>down the center of Yeah, come down once and what

0:21:00.200 --> 0:21:03.399
<v Speaker 2>do we have? We need an iconic moment in the

0:21:03.600 --> 0:21:05.600
<v Speaker 2>song that is a wig out. I don't know what

0:21:05.680 --> 0:21:07.320
<v Speaker 2>the riff is. It doesn't have to be a guitar,

0:21:07.440 --> 0:21:10.359
<v Speaker 2>what a what instrument hasn't been used before? In an

0:21:10.359 --> 0:21:12.880
<v Speaker 2>anthem that we could have a week hasn't been used? Yes,

0:21:13.320 --> 0:21:17.680
<v Speaker 2>that's our challenge. Like an obo solo, an obo, a xylophone,

0:21:18.119 --> 0:21:21.920
<v Speaker 2>a glockenspiel, a triangle, the old what's the thing I

0:21:21.960 --> 0:21:26.040
<v Speaker 2>was asking about the day the old wooden fish that

0:21:26.600 --> 0:21:29.159
<v Speaker 2>aguero I think we found it was called anyway, you know,

0:21:29.200 --> 0:21:29.520
<v Speaker 2>we'll come.

0:21:29.520 --> 0:21:31.960
<v Speaker 3>Back to that later on yesterday evening, I was having

0:21:32.000 --> 0:21:35.600
<v Speaker 3>another kind of un peacekeeping battle moment with my kids

0:21:35.640 --> 0:21:36.240
<v Speaker 3>about get.

0:21:36.240 --> 0:21:38.159
<v Speaker 10>Up, come down here.

0:21:38.240 --> 0:21:40.959
<v Speaker 2>Now I know the phones are up there. I'm going

0:21:41.040 --> 0:21:43.720
<v Speaker 2>to turn the Wi Fi off then see who's having.

0:21:43.560 --> 0:21:44.439
<v Speaker 4>Bigger folks down here?

0:21:44.560 --> 0:21:46.879
<v Speaker 2>Yes, as you ever did the negotiations, ever settled with

0:21:46.920 --> 0:21:49.160
<v Speaker 2>the contract, and I'm trying to ride a contract. Sitting

0:21:49.240 --> 0:21:51.520
<v Speaker 2>back down again to negotiate the teas and sees.

0:21:51.600 --> 0:21:52.200
<v Speaker 4>This weekend.

0:21:52.600 --> 0:21:53.399
<v Speaker 2>They got their.

0:21:53.320 --> 0:21:55.080
<v Speaker 4>People now sitting down with us.

0:21:55.320 --> 0:21:57.800
<v Speaker 3>It's three weeks trying to get this so kind of

0:21:57.880 --> 0:21:59.119
<v Speaker 3>phone contract together.

0:21:59.240 --> 0:22:01.440
<v Speaker 2>They's too smart, it's too slippery.

0:22:01.480 --> 0:22:03.760
<v Speaker 3>But yeah, this weekend we're putting the final details together.

0:22:03.880 --> 0:22:05.080
<v Speaker 3>Do you know what I was thinking yesterday?

0:22:05.400 --> 0:22:05.960
<v Speaker 2>I think we could.

0:22:06.160 --> 0:22:08.360
<v Speaker 3>I really wish we could bring back the good old

0:22:08.440 --> 0:22:13.440
<v Speaker 3>days of dial up internet. It was so painful, it

0:22:13.560 --> 0:22:15.560
<v Speaker 3>felt it at the time, but when I look back now,

0:22:15.960 --> 0:22:17.960
<v Speaker 3>the world was a better place.

0:22:18.640 --> 0:22:18.800
<v Speaker 8>You know.

0:22:19.000 --> 0:22:21.119
<v Speaker 3>Now, people are angry in that because they can constantly

0:22:21.240 --> 0:22:23.760
<v Speaker 3>just immediately just write a crappy review on.

0:22:23.840 --> 0:22:25.680
<v Speaker 4>Trip Advisor and ruin some restaurant.

0:22:25.680 --> 0:22:27.280
<v Speaker 3>You know, it's because they're angry in the moment they

0:22:27.359 --> 0:22:29.960
<v Speaker 3>can complain about have a go at somebody online, and

0:22:30.600 --> 0:22:33.360
<v Speaker 3>the reason why it was because it's immediate years ago

0:22:33.400 --> 0:22:35.200
<v Speaker 3>there was this abuse online because you had to wait

0:22:37.880 --> 0:22:39.840
<v Speaker 3>someone we're trying to use the landline and knock you

0:22:39.960 --> 0:22:41.600
<v Speaker 3>off whatever, and by the time you got on there

0:22:41.640 --> 0:22:43.639
<v Speaker 3>to like leave an abusive message, I've chilled out. Actually,

0:22:44.960 --> 0:22:47.240
<v Speaker 3>remember what I was angry about what that DJ said earlier.

0:22:47.240 --> 0:22:49.159
<v Speaker 3>I'm not going to contact the radio station anymore. So

0:22:49.240 --> 0:22:51.080
<v Speaker 3>I think we should bring back dine up, you know,

0:22:51.240 --> 0:22:53.119
<v Speaker 3>just have it as an option or an Apple or something.

0:22:54.000 --> 0:22:54.840
<v Speaker 2>The dial up internet.

0:22:55.119 --> 0:22:56.960
<v Speaker 4>I'd like to know this morning. Other things you'd like

0:22:57.080 --> 0:22:58.280
<v Speaker 4>to see brought back.

0:22:58.359 --> 0:23:01.520
<v Speaker 2>I know we're living an exciting all this latest advancements

0:23:01.560 --> 0:23:03.480
<v Speaker 2>and it's never ending change and all that, but things

0:23:03.560 --> 0:23:05.320
<v Speaker 2>actually you missed that you'd like to see you are

0:23:05.400 --> 0:23:07.280
<v Speaker 2>brought back. I remember a time when I was a

0:23:07.359 --> 0:23:09.840
<v Speaker 2>kid when the spare tire wasn't that little mini tire

0:23:09.920 --> 0:23:12.440
<v Speaker 2>you get now, the kind of quarter tire. It was

0:23:12.480 --> 0:23:15.320
<v Speaker 2>a big, old, fat, proper tire. Why are we gonna

0:23:15.760 --> 0:23:17.359
<v Speaker 2>shrink it down now? I want to see the return

0:23:17.400 --> 0:23:19.080
<v Speaker 2>of the big one, And no, it's driving on the

0:23:19.160 --> 0:23:21.800
<v Speaker 2>shrunken tire for a couple of weeks there I scared

0:23:22.280 --> 0:23:24.520
<v Speaker 2>you didn't want to go the frameway. You can't. All right?

0:23:24.520 --> 0:23:26.560
<v Speaker 3>Then this morning, what would you like to see brought back?

0:23:26.680 --> 0:23:29.720
<v Speaker 3>Nine four one four one four three. Don't call up

0:23:29.720 --> 0:23:33.639
<v Speaker 3>and say grubby, indeedy and thank you nine one four.

0:23:33.600 --> 0:23:37.119
<v Speaker 1>Three The Christian O'Connell Breakfast Show, Melbourne's Gold one oh

0:23:37.240 --> 0:23:37.920
<v Speaker 1>four point three.

0:23:38.160 --> 0:23:39.479
<v Speaker 3>So I think the world be a better place if

0:23:39.480 --> 0:23:41.080
<v Speaker 3>we went back to the dark old days of the

0:23:41.119 --> 0:23:43.200
<v Speaker 3>internet and dial up internet.

0:23:43.320 --> 0:23:46.679
<v Speaker 4>Bring it back, I reckon. Also, I reckon bring back

0:23:46.680 --> 0:23:48.399
<v Speaker 4>the return of the good old fax machine.

0:23:48.840 --> 0:23:51.399
<v Speaker 2>No, you never used a facts and had fun No,

0:23:52.000 --> 0:23:54.920
<v Speaker 2>quite right, but I like cumbersome technology. Everything these days

0:23:55.040 --> 0:23:58.400
<v Speaker 2>is too small. Return of big old clunky TVs.

0:23:58.400 --> 0:23:59.840
<v Speaker 3>You remember the big old TV that a big old

0:24:00.040 --> 0:24:01.720
<v Speaker 3>I said, like a big old booty on the back

0:24:01.760 --> 0:24:04.800
<v Speaker 3>there where the scientists sat there, you know, beaming it

0:24:04.880 --> 0:24:07.720
<v Speaker 3>in and like some sort of cathode ray tubes in

0:24:07.760 --> 0:24:08.200
<v Speaker 3>the back of it.

0:24:08.280 --> 0:24:11.520
<v Speaker 2>And your TV would get hot if it was off.

0:24:11.560 --> 0:24:14.200
<v Speaker 2>It was just on for like three minutes, glowing there.

0:24:14.280 --> 0:24:16.240
<v Speaker 2>When did you grab with that? We had a TV

0:24:16.359 --> 0:24:18.680
<v Speaker 2>that didn't have a remote when I was so you

0:24:18.760 --> 0:24:21.720
<v Speaker 2>had to My dad would just go channel and I

0:24:21.760 --> 0:24:24.679
<v Speaker 2>would have to get up and go and change the channel.

0:24:24.680 --> 0:24:27.359
<v Speaker 6>Boy usually the youngest in the family.

0:24:27.880 --> 0:24:30.720
<v Speaker 2>When I was the eldest channel and you had to

0:24:30.760 --> 0:24:33.440
<v Speaker 2>get up, there was only like two choices to be

0:24:33.800 --> 0:24:35.639
<v Speaker 2>as well, and not just that. It wasn't like now,

0:24:35.680 --> 0:24:37.960
<v Speaker 2>everything's kind of like, uh, you know, a soft touch,

0:24:38.000 --> 0:24:40.720
<v Speaker 2>isn't it tap tap? It was you almost have to punch.

0:24:42.160 --> 0:24:44.960
<v Speaker 3>A douche push, you know. We had to jab it

0:24:45.080 --> 0:24:47.639
<v Speaker 3>in to change the channel as well. And then they

0:24:47.680 --> 0:24:49.760
<v Speaker 3>brought no controls out that had like a lead.

0:24:50.640 --> 0:24:54.320
<v Speaker 2>It's not really remote lead into it as well.

0:24:54.680 --> 0:24:57.080
<v Speaker 3>But you know, yesterday we were talking about the Martika

0:24:57.240 --> 0:24:58.960
<v Speaker 3>song and I was saying, old Prince wrote this.

0:24:59.440 --> 0:25:01.919
<v Speaker 2>I read a bit on it yesterday and he.

0:25:02.000 --> 0:25:06.200
<v Speaker 3>Actually he faxed her the lyrics, the idea of Prince

0:25:06.480 --> 0:25:08.399
<v Speaker 3>getting annoyed with the facts of she because they were

0:25:08.440 --> 0:25:10.200
<v Speaker 3>never you know, it's like purple.

0:25:12.200 --> 0:25:12.879
<v Speaker 2>I didn't talk like that.

0:25:12.920 --> 0:25:14.960
<v Speaker 3>I think that's the Queen. By the way, I get

0:25:15.000 --> 0:25:18.119
<v Speaker 3>confused with doing the Queen and Prince. U's a fax machine.

0:25:18.320 --> 0:25:20.200
<v Speaker 4>Also, what's my Teaka's number?

0:25:20.240 --> 0:25:20.480
<v Speaker 8>Again?

0:25:21.840 --> 0:25:22.680
<v Speaker 4>You got the internet on?

0:25:23.119 --> 0:25:24.479
<v Speaker 2>Turn the internet up on your end?

0:25:26.880 --> 0:25:28.560
<v Speaker 3>All right, let's go to lines. So we're talking about

0:25:28.600 --> 0:25:30.440
<v Speaker 3>things you want to bring back? Melissa, good morning.

0:25:31.240 --> 0:25:31.960
<v Speaker 15>Hi, here you going.

0:25:32.119 --> 0:25:33.320
<v Speaker 4>I'm pretty good, Melissa, how you.

0:25:33.320 --> 0:25:35.080
<v Speaker 2>Well this morning? Thanks for calling the show. What do

0:25:35.200 --> 0:25:36.040
<v Speaker 2>we need to bring back?

0:25:36.720 --> 0:25:38.920
<v Speaker 15>We need to bring back video and DVD stores.

0:25:38.960 --> 0:25:42.040
<v Speaker 2>I think, yeah, the good old Blockbuster stores.

0:25:42.119 --> 0:25:45.000
<v Speaker 11>I think I'm liking the other day and I was

0:25:45.040 --> 0:25:47.280
<v Speaker 11>speaking to my husband about when we first started dating.

0:25:47.359 --> 0:25:49.639
<v Speaker 9>You know, we go to the movie store.

0:25:49.440 --> 0:25:51.800
<v Speaker 11>And you know, after a week of work on a Friday,

0:25:51.960 --> 0:25:56.359
<v Speaker 11>you know, relate lastday night, and yeah, so what a

0:25:56.440 --> 0:25:57.840
<v Speaker 11>shame we don't have that anymore?

0:25:57.880 --> 0:25:58.840
<v Speaker 2>And yeah, do you know what?

0:25:59.000 --> 0:26:01.960
<v Speaker 3>Because it was the whole experience, and it meant that

0:26:02.040 --> 0:26:04.000
<v Speaker 3>a movie, I know, you can download them now in

0:26:04.119 --> 0:26:06.040
<v Speaker 3>nano seconds. I can literally download a movie now and

0:26:06.080 --> 0:26:08.200
<v Speaker 3>we can all watch it. But and when I first

0:26:08.240 --> 0:26:10.960
<v Speaker 3>started dating my now wife, the same thing. Thursday night,

0:26:11.000 --> 0:26:13.640
<v Speaker 3>Friday night, you go to Blockbusters, you walk around, see

0:26:13.680 --> 0:26:14.960
<v Speaker 3>what was that? You'd have to read the back of

0:26:15.040 --> 0:26:16.920
<v Speaker 3>it because you couldn't just dial up a review on

0:26:17.000 --> 0:26:17.600
<v Speaker 3>the phone reader.

0:26:17.840 --> 0:26:18.720
<v Speaker 2>Do you like that person?

0:26:19.080 --> 0:26:20.920
<v Speaker 3>Jemna Faristin she's never done a good movie since she

0:26:21.000 --> 0:26:23.320
<v Speaker 3>left friends. And then you go and you get it,

0:26:23.359 --> 0:26:25.680
<v Speaker 3>and then it was then they had like the ice cream.

0:26:25.720 --> 0:26:27.960
<v Speaker 3>It was like when Ben and Jerry's and Hargannask came

0:26:28.000 --> 0:26:30.399
<v Speaker 3>out and you got your eight league bottle of fizzy

0:26:30.480 --> 0:26:32.080
<v Speaker 3>drink as well, and then you got chips. But it

0:26:32.160 --> 0:26:35.119
<v Speaker 3>was a whole experience that you a bleachded it more

0:26:35.119 --> 0:26:37.520
<v Speaker 3>because it didn't happen very often. Wasn't easy to get

0:26:37.560 --> 0:26:38.960
<v Speaker 3>hold of a movie. Now it's too easy.

0:26:39.040 --> 0:26:42.040
<v Speaker 2>And I think you're right about the reviews. Bad movies

0:26:42.080 --> 0:26:44.680
<v Speaker 2>had a lot better chance in the olden days of

0:26:44.800 --> 0:26:46.840
<v Speaker 2>getting a play because now we can too easily look

0:26:46.920 --> 0:26:49.640
<v Speaker 2>up Running Tomatoes or pretty was a critic and where

0:26:49.680 --> 0:26:53.040
<v Speaker 2>more informed. I only watched not I'm terrible. I only

0:26:53.080 --> 0:26:57.479
<v Speaker 2>watch everything above ninety percent. It's not. Back in the day,

0:26:57.520 --> 0:26:57.920
<v Speaker 2>you didn't know.

0:26:58.480 --> 0:27:01.280
<v Speaker 3>We saw more movies, more rubbish movies as well, because

0:27:01.280 --> 0:27:02.440
<v Speaker 3>you just the experience.

0:27:02.520 --> 0:27:04.879
<v Speaker 4>It was about the experience. Yeah, but that's a great one.

0:27:04.960 --> 0:27:05.560
<v Speaker 4>Thanks for that one.

0:27:06.520 --> 0:27:08.119
<v Speaker 2>Thank you have a good day, Greg.

0:27:09.440 --> 0:27:12.359
<v Speaker 15>Yes, here you going, Christian Jaqueen Jack, how.

0:27:12.280 --> 0:27:14.320
<v Speaker 2>Are you know what we're good this morning? What do

0:27:14.320 --> 0:27:15.280
<v Speaker 2>you think we should bring back?

0:27:16.119 --> 0:27:18.640
<v Speaker 15>We need to bring back to polywaffle chocolate bar.

0:27:19.320 --> 0:27:20.720
<v Speaker 2>I'm reading up on this occasion.

0:27:21.440 --> 0:27:25.120
<v Speaker 15>It's a yeah, it's a chocolate cut bar with waifer

0:27:25.320 --> 0:27:26.720
<v Speaker 15>and marshmallow.

0:27:26.200 --> 0:27:26.680
<v Speaker 9>In the middle.

0:27:26.920 --> 0:27:28.000
<v Speaker 4>Now, why did it go away?

0:27:29.440 --> 0:27:31.920
<v Speaker 15>I don't know, And that's like decided just a top production.

0:27:32.080 --> 0:27:34.040
<v Speaker 15>They thought it wasn't popular enough anymore.

0:27:34.359 --> 0:27:37.119
<v Speaker 2>Greg and Pats, it sounds like you like it as well.

0:27:37.160 --> 0:27:39.440
<v Speaker 2>I've got a theory about the poly waffle. I don't

0:27:39.520 --> 0:27:42.440
<v Speaker 2>think we actually liked it as much as everybody says

0:27:42.520 --> 0:27:45.280
<v Speaker 2>we did. But now that it's gone, we miss we

0:27:45.440 --> 0:27:47.800
<v Speaker 2>miss it. Yeah, it was great because we can't have it,

0:27:47.920 --> 0:27:49.720
<v Speaker 2>we miss it. But at the time, I don't think

0:27:49.720 --> 0:27:52.239
<v Speaker 2>a lot of people were choosing polly Waffle over your

0:27:52.320 --> 0:27:54.960
<v Speaker 2>cherry ripes, your flakes, you crunches, your twigs. Let's go

0:27:55.080 --> 0:27:56.760
<v Speaker 2>down to Greg for the counter points. So this's where

0:27:56.760 --> 0:27:58.200
<v Speaker 2>do you stand on Jack.

0:27:58.280 --> 0:27:59.680
<v Speaker 3>So the first time Jack said were giving the theory

0:27:59.680 --> 0:28:02.399
<v Speaker 3>to any think who knew he's been sat for twelve

0:28:02.440 --> 0:28:05.280
<v Speaker 3>weeks on a poly waffle theory must been killing him.

0:28:05.800 --> 0:28:08.840
<v Speaker 4>Craig, what are you about Jack's poly waffle theory?

0:28:09.800 --> 0:28:13.199
<v Speaker 15>Yeah, I think it's the minority that there because there

0:28:13.280 --> 0:28:16.520
<v Speaker 15>was such a great chocolate bar. Maybe Christian, with your power,

0:28:16.600 --> 0:28:18.120
<v Speaker 15>you can somehow bring it back.

0:28:18.800 --> 0:28:20.119
<v Speaker 2>Well, I mean I don't know what power we think.

0:28:20.160 --> 0:28:23.359
<v Speaker 9>I've got a lot of power radio.

0:28:23.600 --> 0:28:25.040
<v Speaker 2>See that's the only power of qu Yeah, you're right,

0:28:25.119 --> 0:28:27.680
<v Speaker 2>Christians like the Polly Waffle of radio. A lot of

0:28:27.720 --> 0:28:29.840
<v Speaker 2>people choose him. But if you like it that sort

0:28:29.880 --> 0:28:30.080
<v Speaker 2>of thing.

0:28:30.200 --> 0:28:32.240
<v Speaker 4>And he went away, you might miss him a bit more.

0:28:33.240 --> 0:28:36.560
<v Speaker 1>The Christian O'Connell breakfast Show Melbourne's Gold one oh four

0:28:36.640 --> 0:28:37.880
<v Speaker 1>point three thanks.

0:28:37.680 --> 0:28:38.520
<v Speaker 2>To the course of Texas.

0:28:38.560 --> 0:28:40.520
<v Speaker 3>One of the things that you'd like to see make

0:28:40.560 --> 0:28:43.840
<v Speaker 3>a return, things that should come back. I was just

0:28:43.880 --> 0:28:46.280
<v Speaker 3>about to say something you don't see very often these days,

0:28:46.320 --> 0:28:48.120
<v Speaker 3>but I thought, actually, if I say that on air,

0:28:48.120 --> 0:28:49.560
<v Speaker 3>we will get a load of complaints. That is not

0:28:49.600 --> 0:28:53.240
<v Speaker 3>a good idea, is the clue. I can't honestly can't

0:28:53.280 --> 0:28:54.520
<v Speaker 3>talk it out on it. I was about the set

0:28:54.560 --> 0:28:58.520
<v Speaker 3>and I thought, no, no way, no way, filter. Yeah no,

0:28:58.600 --> 0:29:00.560
<v Speaker 3>I just find finally had a moment there of awareness

0:29:00.640 --> 0:29:02.120
<v Speaker 3>like that that would not go down very well.

0:29:02.320 --> 0:29:04.560
<v Speaker 2>But you don't see a lot of them. Medicine has

0:29:04.600 --> 0:29:04.880
<v Speaker 2>moved on.

0:29:04.960 --> 0:29:08.160
<v Speaker 3>Now anyway, and he's on the line, Andy, good morning

0:29:08.800 --> 0:29:11.960
<v Speaker 3>he and now Andy, what do you You've got a

0:29:12.000 --> 0:29:12.400
<v Speaker 3>great one?

0:29:12.440 --> 0:29:14.200
<v Speaker 2>Tell everyone what you think should make a comeback?

0:29:14.840 --> 0:29:18.000
<v Speaker 11>Well, he said this, you view eight track eight stacker

0:29:18.960 --> 0:29:21.400
<v Speaker 11>record player. I remember those, and you could put your

0:29:21.440 --> 0:29:24.560
<v Speaker 11>forty fives on the special cruise on so nothing would slip.

0:29:24.960 --> 0:29:26.800
<v Speaker 11>But he used used to slip, and you used to

0:29:26.880 --> 0:29:30.000
<v Speaker 11>get your eighth record. It sounded like someone with a

0:29:30.080 --> 0:29:32.440
<v Speaker 11>really deep voice and a bad attitude.

0:29:33.920 --> 0:29:34.600
<v Speaker 4>Jimmy Barnes.

0:29:36.280 --> 0:29:38.400
<v Speaker 11>He would have saund like Tom Jones.

0:29:38.600 --> 0:29:41.280
<v Speaker 2>And so my my mate's dad had one of these

0:29:41.400 --> 0:29:43.840
<v Speaker 2>and we were He was never allowed to go anywhere

0:29:43.920 --> 0:29:44.160
<v Speaker 2>near it.

0:29:44.200 --> 0:29:46.760
<v Speaker 4>His dad was very very protective of it. It was like, yeah,

0:29:47.200 --> 0:29:49.040
<v Speaker 4>that was it, like an eight stack they called them.

0:29:49.920 --> 0:29:53.000
<v Speaker 11>Yeah, my dad used to crack the ships because you

0:29:53.040 --> 0:29:54.840
<v Speaker 11>could change the speed and we used to play all

0:29:55.240 --> 0:29:56.920
<v Speaker 11>his seventy eight to thirty threes.

0:29:58.120 --> 0:30:00.440
<v Speaker 4>Oh he loves it, and this is ascribe it.

0:30:00.480 --> 0:30:02.360
<v Speaker 3>To jack Then there'd be a lot of people listening

0:30:02.440 --> 0:30:05.080
<v Speaker 3>to this, like Jackie, aren't aware of what we're talking about.

0:30:05.120 --> 0:30:08.800
<v Speaker 2>So how would you describe something like this, Andy, Well, it's.

0:30:08.640 --> 0:30:11.239
<v Speaker 11>A turntable, the old fashioned turn table. And I never

0:30:11.360 --> 0:30:13.400
<v Speaker 11>understand why they did away from the eight track and

0:30:13.560 --> 0:30:15.240
<v Speaker 11>come up with this single little pole. You had to

0:30:15.280 --> 0:30:18.080
<v Speaker 11>put one record on at the time. Yeah, maybe five

0:30:18.120 --> 0:30:20.920
<v Speaker 11>minutes to change it. But yeah, he had a pole

0:30:21.000 --> 0:30:22.480
<v Speaker 11>up in the middle with a special catch on it,

0:30:22.480 --> 0:30:24.120
<v Speaker 11>and all the records is to sit up the top,

0:30:24.520 --> 0:30:26.840
<v Speaker 11>and a special used to come around. Every time the

0:30:27.520 --> 0:30:30.200
<v Speaker 11>arm returned back to base, it would drop the next

0:30:30.280 --> 0:30:32.120
<v Speaker 11>record on to the top of the last record.

0:30:32.560 --> 0:30:35.360
<v Speaker 2>So it's just so you didn't you didn't choose which

0:30:35.800 --> 0:30:37.880
<v Speaker 2>you didn't say, I want to listen to record for you,

0:30:38.040 --> 0:30:43.240
<v Speaker 2>Just the machine decided you.

0:30:43.880 --> 0:30:45.880
<v Speaker 11>Now, you pre stacked it, you pre stacked it in

0:30:45.960 --> 0:30:48.400
<v Speaker 11>your order you wanted it, but it never came out right.

0:30:48.480 --> 0:30:50.400
<v Speaker 3>Do you know, Andy, do you think that'd be a

0:30:50.440 --> 0:30:52.600
<v Speaker 3>great thing now if you had like a bar or

0:30:52.640 --> 0:30:54.240
<v Speaker 3>a part and it had one of those in and

0:30:54.360 --> 0:30:55.840
<v Speaker 3>so you know, like a jukebox, you pick a couple

0:30:55.840 --> 0:30:57.920
<v Speaker 3>of songs, but you picked your eight songs, you worked

0:30:57.920 --> 0:30:59.479
<v Speaker 3>out the order you and you makes me put them

0:30:59.480 --> 0:31:01.240
<v Speaker 3>on and then that it would play it for you.

0:31:01.360 --> 0:31:02.800
<v Speaker 3>I reckon that will make a great thing in a

0:31:02.840 --> 0:31:04.760
<v Speaker 3>pub now, better than a chip box. So patrons of

0:31:04.800 --> 0:31:07.160
<v Speaker 3>the planminnet allowed to do it themselves. It's that kid's

0:31:07.240 --> 0:31:07.680
<v Speaker 3>dad who.

0:31:07.600 --> 0:31:09.440
<v Speaker 2>Goes, don't touch it, don't touch it. I'll do it.

0:31:09.640 --> 0:31:10.320
<v Speaker 2>You tell me the song.

0:31:10.360 --> 0:31:13.080
<v Speaker 11>I'll do it very sense, tied up in the corner.

0:31:13.120 --> 0:31:16.239
<v Speaker 4>So Andy, great Gold, thanks a lot for that one.

0:31:16.360 --> 0:31:19.640
<v Speaker 1>The Christian O'Connell breakfast Show Melbourne's Gold one oh four

0:31:19.720 --> 0:31:20.200
<v Speaker 1>point three.

0:31:20.480 --> 0:31:24.080
<v Speaker 3>This show needs you, your city needs you. So yeah,

0:31:24.080 --> 0:31:26.480
<v Speaker 3>it was this time last week the news came out,

0:31:26.520 --> 0:31:28.320
<v Speaker 3>most Liverpool city in the world. It's an annual thing.

0:31:28.360 --> 0:31:29.960
<v Speaker 3>You've been at number one for like the last eight

0:31:30.120 --> 0:31:32.840
<v Speaker 3>or nine years. It's one of the many reasons why

0:31:32.960 --> 0:31:34.840
<v Speaker 3>my family's an idea. We decided to move over here

0:31:34.880 --> 0:31:37.320
<v Speaker 3>to the most liveable city in the world, the reigning

0:31:37.440 --> 0:31:39.960
<v Speaker 3>number one, undefeated champion for the last eight or nine years.

0:31:39.960 --> 0:31:43.640
<v Speaker 2>And then suddenly Austria comes in with Vienna and I've

0:31:43.680 --> 0:31:45.960
<v Speaker 2>been there. It's a boring little place, nothing on this

0:31:46.040 --> 0:31:48.760
<v Speaker 2>great city. And we have the Lord Mayor on Sally

0:31:48.800 --> 0:31:50.400
<v Speaker 2>Cap And then whilst we were chatting to how it just.

0:31:50.400 --> 0:31:53.680
<v Speaker 3>Suddenly punted up the idea that maybe it's because the

0:31:53.760 --> 0:31:56.800
<v Speaker 3>judges were dissuaded by that eighty song Vienna. Maybe if

0:31:56.840 --> 0:31:58.640
<v Speaker 3>Melbourne has a song, it can get back the number

0:31:58.680 --> 0:32:00.920
<v Speaker 3>one spot. So the Lord may he count the great

0:32:01.400 --> 0:32:04.840
<v Speaker 3>And Jack was busy over the weekends a writer's retreat

0:32:04.920 --> 0:32:07.360
<v Speaker 3>he called it when he went away to an Airbnb.

0:32:07.440 --> 0:32:08.880
<v Speaker 3>I'm sure Dylan did this back in the day. His

0:32:08.960 --> 0:32:10.480
<v Speaker 3>book's out on Airbnb somewhere.

0:32:10.720 --> 0:32:13.800
<v Speaker 2>I went and wrote songs, and then when Jack came

0:32:13.880 --> 0:32:17.240
<v Speaker 2>in on Monday, he paid us this demo version. So

0:32:17.400 --> 0:32:20.000
<v Speaker 2>the demo versions before we play it, it's like a

0:32:20.080 --> 0:32:22.440
<v Speaker 2>really raw kind of Yeah you can't You've got to

0:32:22.600 --> 0:32:25.440
<v Speaker 2>still use your imagination of what the song will be. Yeah,

0:32:25.760 --> 0:32:26.320
<v Speaker 2>this is raw.

0:32:27.120 --> 0:32:37.040
<v Speaker 8>Everybody singing it for Malvin Malvin, everybody sing it for

0:32:37.320 --> 0:32:38.920
<v Speaker 8>Melvin Noln.

0:32:43.880 --> 0:32:45.960
<v Speaker 3>So then you've got you've called in some favors, and

0:32:46.600 --> 0:32:49.200
<v Speaker 3>you've got someone who's really really produced this up said

0:32:49.200 --> 0:32:49.840
<v Speaker 3>have a listen to this.

0:32:49.960 --> 0:32:56.440
<v Speaker 2>Now this has really moved on. It sounds great. And

0:32:56.520 --> 0:33:01.840
<v Speaker 2>then this goes to the chorus. Ye doesn't that sound great?

0:33:05.680 --> 0:33:07.160
<v Speaker 2>And you you've corrected this.

0:33:08.080 --> 0:33:08.880
<v Speaker 10>This is your work.

0:33:09.000 --> 0:33:16.320
<v Speaker 2>Thank you Fair. It's amazing. I mean, he did the

0:33:16.360 --> 0:33:18.080
<v Speaker 2>guitar on that is a lot better than what I'm

0:33:18.120 --> 0:33:21.920
<v Speaker 2>capable of. So somebody so, yeah, he's brought it alive,

0:33:22.000 --> 0:33:23.040
<v Speaker 2>but it's your inspiration.

0:33:23.480 --> 0:33:25.320
<v Speaker 3>So Jack sort of laid down the vocal track with

0:33:25.480 --> 0:33:28.760
<v Speaker 3>that yesterday, and you know, this is where we now

0:33:28.880 --> 0:33:31.640
<v Speaker 3>need everybody's help YEP, it is clear that your balls

0:33:31.680 --> 0:33:32.240
<v Speaker 3>haven't dropped.

0:33:33.840 --> 0:33:36.040
<v Speaker 2>I'm not saying that there's anything wrong with that. At thirty,

0:33:36.560 --> 0:33:37.440
<v Speaker 2>it's been that situation.

0:33:37.600 --> 0:33:38.080
<v Speaker 4>You're lucky.

0:33:38.520 --> 0:33:40.680
<v Speaker 3>If we were to you know, it's obviously not going

0:33:40.720 --> 0:33:42.360
<v Speaker 3>to happen for you. And that's okay, buddy, all right.

0:33:42.640 --> 0:33:44.560
<v Speaker 3>I'm not judging or shaming in any way.

0:33:44.640 --> 0:33:45.480
<v Speaker 2>Okay, you know.

0:33:45.480 --> 0:33:47.840
<v Speaker 4>And if we were making a choir anthem, yeah we

0:33:48.000 --> 0:33:48.240
<v Speaker 4>need you.

0:33:48.360 --> 0:33:49.200
<v Speaker 2>But on a rock song.

0:33:49.320 --> 0:33:50.000
<v Speaker 4>Haven't listened to this.

0:33:52.200 --> 0:33:53.720
<v Speaker 2>Every body bless him.

0:33:54.400 --> 0:34:01.720
<v Speaker 10>Ten year old boy, everybody singing.

0:34:01.800 --> 0:34:02.920
<v Speaker 2>What is it you want to pocket?

0:34:03.000 --> 0:34:03.280
<v Speaker 6>Running?

0:34:04.640 --> 0:34:04.920
<v Speaker 10>True?

0:34:05.520 --> 0:34:08.320
<v Speaker 2>I agree that now that the production quality of the

0:34:08.440 --> 0:34:11.880
<v Speaker 2>music has gone up significantly, my voice is not the

0:34:12.040 --> 0:34:15.440
<v Speaker 2>right voice for the song. What we need is someone

0:34:15.560 --> 0:34:16.239
<v Speaker 2>like barn Zy.

0:34:20.040 --> 0:34:20.440
<v Speaker 4>Melbourne.

0:34:20.480 --> 0:34:22.719
<v Speaker 3>Our question now is we are looking to have you

0:34:22.960 --> 0:34:25.239
<v Speaker 3>sing the chorus with us. You can not just listen

0:34:25.320 --> 0:34:27.400
<v Speaker 3>to the song. You can be on the song. Do

0:34:27.400 --> 0:34:29.400
<v Speaker 3>you want to join our people's chorus. We're looking for

0:34:29.440 --> 0:34:31.160
<v Speaker 3>you to give us a call this morning. We're just

0:34:31.200 --> 0:34:33.479
<v Speaker 3>going to audition you. She just wanted to do that line.

0:34:33.840 --> 0:34:37.480
<v Speaker 2>Everybody singing for Melbourne Melbourne? All right, so it's Melbourne

0:34:37.480 --> 0:34:40.040
<v Speaker 2>twice Melbourne twice. It's so good they named it twice.

0:34:40.840 --> 0:34:43.200
<v Speaker 3>All right, give us a call now nine four one

0:34:43.360 --> 0:34:45.520
<v Speaker 3>four one o four three. We want to audition you.

0:34:45.600 --> 0:34:46.680
<v Speaker 3>We want to hear your pipes.

0:34:46.800 --> 0:34:50.120
<v Speaker 1>The Christian O'Connell breakfast Show Melbourne's Gold one oh four

0:34:50.200 --> 0:34:50.640
<v Speaker 1>point three.

0:34:50.960 --> 0:34:53.399
<v Speaker 3>So we are making a song for Melbourne, a brand

0:34:53.440 --> 0:34:55.880
<v Speaker 3>new anthem for this great city to rival the new

0:34:55.960 --> 0:34:58.680
<v Speaker 3>number one most Liverpool's city in the world v Enna.

0:34:59.600 --> 0:35:01.040
<v Speaker 3>So we need you to sing on it. We like

0:35:01.160 --> 0:35:02.720
<v Speaker 3>you to sing on to be part of the chorus.

0:35:03.200 --> 0:35:05.000
<v Speaker 3>Jack has laid down this vocal.

0:35:07.040 --> 0:35:16.440
<v Speaker 10>Everybody singing, Oh, everybody.

0:35:15.920 --> 0:35:22.239
<v Speaker 2>Singing, got on the Muppets. It's it's too high, a

0:35:22.280 --> 0:35:24.840
<v Speaker 2>registered on. It's not on my range. It's not in

0:35:24.920 --> 0:35:28.080
<v Speaker 2>your again because I wrote the song. Sok. But you've you've.

0:35:28.400 --> 0:35:31.000
<v Speaker 2>It's not about you. You've you've given to this to us,

0:35:31.239 --> 0:35:33.640
<v Speaker 2>you know, And so we need you to come on

0:35:33.719 --> 0:35:37.600
<v Speaker 2>here this morning and lay down your a big kind

0:35:37.680 --> 0:35:38.600
<v Speaker 2>of vocal to it.

0:35:42.520 --> 0:35:42.839
<v Speaker 4>All right.

0:35:42.920 --> 0:35:45.560
<v Speaker 3>Our first this morning we say, well, Jenny is Brake.

0:35:45.680 --> 0:35:46.520
<v Speaker 3>She's the first person to.

0:35:46.560 --> 0:35:50.360
<v Speaker 2>Come on here and do this. Good morning Jenny, Hello Jenny,

0:35:50.480 --> 0:35:53.239
<v Speaker 2>So did you sing at school or anything you've been

0:35:53.280 --> 0:35:56.919
<v Speaker 2>in a band before I was in a heavy metal band,

0:35:57.520 --> 0:35:59.920
<v Speaker 2>were you really? That's what we need? This is it?

0:36:00.200 --> 0:36:00.239
<v Speaker 10>So?

0:36:00.680 --> 0:36:02.920
<v Speaker 4>What was the name of your heavy metal band, Jenny,

0:36:03.719 --> 0:36:04.200
<v Speaker 4>Day of.

0:36:04.520 --> 0:36:06.840
<v Speaker 5>Knives, Day of Knives?

0:36:07.560 --> 0:36:10.759
<v Speaker 2>I love hearing high bands into a whole show. Just

0:36:10.880 --> 0:36:12.959
<v Speaker 2>on here, and what your old band used to be called?

0:36:14.280 --> 0:36:17.360
<v Speaker 9>And now I'm in a choir called Open Doors Choir.

0:36:18.080 --> 0:36:20.400
<v Speaker 2>Well, that is a transition and a half, isn't it,

0:36:20.560 --> 0:36:23.680
<v Speaker 2>from the heavy metal band day of Night to the

0:36:24.600 --> 0:36:27.200
<v Speaker 2>so Jenny, you know we're after here, Jack. The line

0:36:27.280 --> 0:36:30.160
<v Speaker 2>we need is everybody sing it for Melbourne. Everybody. Everybody

0:36:30.360 --> 0:36:36.480
<v Speaker 2>singing is everybody. I can't do it, Jenny, I believe

0:36:36.520 --> 0:36:38.160
<v Speaker 2>in you. Will give you a bit of a leading.

0:36:38.200 --> 0:36:43.640
<v Speaker 2>I'll count you in. So's everybody sing it for Melbourne? Melbourne? Yep, yeah, Jenny,

0:36:43.680 --> 0:36:46.239
<v Speaker 2>Maybe pull the phone away from your mouth a little bit.

0:36:47.080 --> 0:36:48.160
<v Speaker 2>I want you to belt it out.

0:36:48.440 --> 0:36:51.680
<v Speaker 9>Yeah, okay, all right, you ready, Jenny, I'm going.

0:36:51.520 --> 0:36:53.080
<v Speaker 2>All right, let's try and do this everyone. This is

0:36:53.160 --> 0:37:01.000
<v Speaker 2>Live Radio one, two, three, four. Everybody sing it? Oh Best.

0:37:03.080 --> 0:37:03.799
<v Speaker 4>On once more?

0:37:03.840 --> 0:37:04.560
<v Speaker 2>That sounds great.

0:37:04.640 --> 0:37:05.120
<v Speaker 4>Go again.

0:37:06.560 --> 0:37:09.200
<v Speaker 16>Everybody's singing it from Mail Best.

0:37:10.400 --> 0:37:10.759
<v Speaker 2>That's it.

0:37:10.960 --> 0:37:12.040
<v Speaker 4>She's finding a groove.

0:37:13.360 --> 0:37:15.040
<v Speaker 17>Jenny Jenny, you're in the bands.

0:37:15.200 --> 0:37:16.240
<v Speaker 2>You're in the band, Jenny.

0:37:17.160 --> 0:37:17.399
<v Speaker 6>Wow.

0:37:17.560 --> 0:37:21.040
<v Speaker 2>Wait, that's a high standard set there, Jenny. That is impressive.

0:37:21.520 --> 0:37:26.040
<v Speaker 2>Let's go to Freedom. Good morning, good morning, okay, Freedom,

0:37:26.080 --> 0:37:27.000
<v Speaker 2>tell us about your form.

0:37:27.040 --> 0:37:27.919
<v Speaker 4>Have you been in a band?

0:37:28.960 --> 0:37:30.320
<v Speaker 2>H No, I have not.

0:37:30.560 --> 0:37:32.200
<v Speaker 16>I used to sing in the school choir, but this

0:37:32.360 --> 0:37:34.000
<v Speaker 16>was back in primary school and we used to sing

0:37:35.000 --> 0:37:36.120
<v Speaker 16>a lot of kid songs.

0:37:36.480 --> 0:37:38.800
<v Speaker 2>Yeah, okay, what it doesn't matter, right you ready to

0:37:38.800 --> 0:37:39.200
<v Speaker 2>give this a go?

0:37:39.320 --> 0:37:40.479
<v Speaker 4>Freedom? And you know what we're after?

0:37:41.440 --> 0:37:41.640
<v Speaker 1>Yep?

0:37:41.800 --> 0:37:43.759
<v Speaker 2>All right, Jack will count you in.

0:37:43.840 --> 0:37:49.000
<v Speaker 4>Okay, all right, here we go, one, two, three.

0:37:50.239 --> 0:37:54.759
<v Speaker 16>Everybody sing it from Melvin Melvin very good.

0:37:54.960 --> 0:37:56.440
<v Speaker 2>And one more time Freedom go.

0:37:58.239 --> 0:38:05.399
<v Speaker 16>Everybody sing it Albun Melbourne again, Freedom, very good.

0:38:05.680 --> 0:38:08.320
<v Speaker 3>We're building the bad folks, we're building the band. So

0:38:08.440 --> 0:38:11.000
<v Speaker 3>we've got Jenny, we got Freedom. Who else have we

0:38:11.080 --> 0:38:11.440
<v Speaker 3>got there?

0:38:11.480 --> 0:38:12.320
<v Speaker 4>We've got Nicole?

0:38:12.400 --> 0:38:16.080
<v Speaker 2>Come on in, Nicole, good money? Okay, Nicole? So you

0:38:16.120 --> 0:38:17.520
<v Speaker 2>want a hands free right now?

0:38:18.680 --> 0:38:18.879
<v Speaker 9>Yeah?

0:38:19.600 --> 0:38:20.680
<v Speaker 2>All right? Is this safe?

0:38:22.000 --> 0:38:22.879
<v Speaker 16>Completely same?

0:38:23.160 --> 0:38:23.839
<v Speaker 4>No, I don't reckon.

0:38:23.920 --> 0:38:26.959
<v Speaker 3>We can encourage singing and auditioning for live radio whilst

0:38:26.960 --> 0:38:29.640
<v Speaker 3>you're driving. Worried about your safety, Nicole? Afraid when you

0:38:29.800 --> 0:38:31.719
<v Speaker 3>can pull over and give us a call when it's safe.

0:38:31.760 --> 0:38:33.279
<v Speaker 3>You've got to be safe with rock and roll these days,

0:38:33.320 --> 0:38:35.000
<v Speaker 3>health and safety if you want all right, So if

0:38:35.000 --> 0:38:36.440
<v Speaker 3>you want to sing in the man nine four one

0:38:36.480 --> 0:38:37.680
<v Speaker 3>four one four three.

0:38:37.640 --> 0:38:40.680
<v Speaker 1>The Christian who Connell Breakfast Show Melbourne's Gold one oh

0:38:40.800 --> 0:38:41.480
<v Speaker 1>four point three.

0:38:41.800 --> 0:38:44.319
<v Speaker 3>Sometimes when you're the host of a breakfast show, it's

0:38:44.400 --> 0:38:46.920
<v Speaker 3>like you're a pilot. You've got to make micro decisions

0:38:46.960 --> 0:38:50.160
<v Speaker 3>that can also the safety of the listeners and take

0:38:50.160 --> 0:38:52.160
<v Speaker 3>you on a completely different course. And right now, during

0:38:52.239 --> 0:38:54.600
<v Speaker 3>that song, we have to have an instant editor of

0:38:54.680 --> 0:38:58.280
<v Speaker 3>meeting about whether or not Andy Lee's hemorrhoids will influence

0:38:58.360 --> 0:39:02.080
<v Speaker 3>today's at work time where it's at nine four grown ups,

0:39:02.719 --> 0:39:05.000
<v Speaker 3>four grownups actually talking about it, whether.

0:39:04.960 --> 0:39:07.080
<v Speaker 4>Any of us saw going, hey, are we really.

0:39:07.360 --> 0:39:10.759
<v Speaker 3>Talking about another guy's backside, and whether or not we

0:39:10.880 --> 0:39:12.840
<v Speaker 3>put it on air for the at work time waste.

0:39:12.920 --> 0:39:15.360
<v Speaker 3>We are talking about our good friend Andy Lee's hemorrhoids.

0:39:15.400 --> 0:39:17.799
<v Speaker 3>So we have heard from this morning he's recovering well.

0:39:18.080 --> 0:39:22.239
<v Speaker 3>Three man operation yesterday, go up his backside and it's

0:39:22.280 --> 0:39:26.719
<v Speaker 3>a diamonte fixed. They've done amazing, amazing What money can

0:39:26.760 --> 0:39:28.160
<v Speaker 3>buy you now, you know, beautiful stuff.

0:39:28.200 --> 0:39:29.760
<v Speaker 4>Andy, I look forward to seeing it anyway.

0:39:30.040 --> 0:39:31.680
<v Speaker 3>You know, we're still it's ongoing, whether or not we're

0:39:31.680 --> 0:39:34.600
<v Speaker 3>going to influence today's at work time waste eight minutes

0:39:34.640 --> 0:39:37.279
<v Speaker 3>past eight. We now got to get into this and

0:39:37.400 --> 0:39:39.480
<v Speaker 3>I go from Andy Lee's backside to this.

0:39:39.680 --> 0:39:41.000
<v Speaker 4>Let's talk about the anthem.

0:39:41.080 --> 0:39:41.200
<v Speaker 2>Then.

0:39:41.320 --> 0:39:44.680
<v Speaker 3>Jack has written an amazing anthem, laid down a demo track.

0:39:44.880 --> 0:39:47.920
<v Speaker 3>This our song for Melbourne. Gun against Vienna now the

0:39:48.080 --> 0:39:49.600
<v Speaker 3>number one most of the all sitting in the world.

0:39:49.600 --> 0:39:52.000
<v Speaker 3>They've got that eighty song Vienna. We need our brand

0:39:52.040 --> 0:39:53.840
<v Speaker 3>new anthem. Jack's been busy. Have listened to this.

0:39:56.040 --> 0:39:57.320
<v Speaker 10>Everybody sing.

0:40:00.840 --> 0:40:02.480
<v Speaker 2>It's a guide. It's a guys.

0:40:04.000 --> 0:40:05.240
<v Speaker 10>Everybody singing.

0:40:08.360 --> 0:40:12.120
<v Speaker 2>The music sounds fantastic. The singer there, yes, he's a guide.

0:40:12.160 --> 0:40:16.040
<v Speaker 2>Track of yours is a more tender, willowy, lightweight voice. Okay,

0:40:16.280 --> 0:40:17.920
<v Speaker 2>I want it to be powerful, but that's all I

0:40:17.920 --> 0:40:19.200
<v Speaker 2>can muster. No, but it's great.

0:40:19.239 --> 0:40:20.760
<v Speaker 4>You've given us this amazing anthem.

0:40:20.800 --> 0:40:23.120
<v Speaker 3>You've given us a hook the song, and so far

0:40:23.200 --> 0:40:25.239
<v Speaker 3>we've been opening the lines on nine four one four,

0:40:25.280 --> 0:40:27.040
<v Speaker 3>one oh four three. We're asking to come and sing

0:40:27.160 --> 0:40:29.480
<v Speaker 3>on the song, join the chorus. We're building the band

0:40:29.520 --> 0:40:30.239
<v Speaker 3>already with Jenny.

0:40:30.719 --> 0:40:33.960
<v Speaker 15>Everybody sing it's a most flowers.

0:40:34.600 --> 0:40:36.960
<v Speaker 4>Wow, that sounds great.

0:40:37.040 --> 0:40:40.840
<v Speaker 16>Go again, everybody saying it's allow best.

0:40:41.880 --> 0:40:42.800
<v Speaker 4>And then we got Freedom.

0:40:43.080 --> 0:40:46.440
<v Speaker 16>Everybody sing it now, then Melbourne.

0:40:47.360 --> 0:40:49.759
<v Speaker 2>So they're sounding great already. We've got the girls that moment.

0:40:49.760 --> 0:40:51.799
<v Speaker 4>We need the guys as well. Join the quiet nine

0:40:51.880 --> 0:40:53.319
<v Speaker 4>four one four one o four three.

0:40:53.800 --> 0:40:56.080
<v Speaker 2>Pats by the way, I reckon. Perhaps it's got a

0:40:56.280 --> 0:41:03.319
<v Speaker 2>real big old belting Yes, shout everybody, Patsy for mel

0:41:03.520 --> 0:41:08.560
<v Speaker 2>Man in the show. Maybe Pats you know I reckon.

0:41:08.600 --> 0:41:13.880
<v Speaker 2>You've got everybody sing it for me? Be shocking, shocking,

0:41:14.120 --> 0:41:18.640
<v Speaker 2>you can sing, You'll be part of Come on, take

0:41:18.719 --> 0:41:20.720
<v Speaker 2>time out from plugging in the old ten k Theropeak

0:41:20.760 --> 0:41:22.360
<v Speaker 2>guarantee with pleasure.

0:41:22.440 --> 0:41:24.000
<v Speaker 4>Maybe you could sing that every half an hour.

0:41:25.640 --> 0:41:30.719
<v Speaker 2>Jojo, Hello Jojoe. So apparently you've got four mere You've

0:41:30.800 --> 0:41:32.120
<v Speaker 2>you've sung in a lot of bands?

0:41:32.920 --> 0:41:34.759
<v Speaker 9>Oh yeah, I have sung in a few.

0:41:34.880 --> 0:41:36.319
<v Speaker 12>Ye, that's the true thing.

0:41:36.680 --> 0:41:39.400
<v Speaker 4>Okay, and any names? What bands have you sung him?

0:41:41.800 --> 0:41:42.400
<v Speaker 15>Money Shot?

0:41:43.840 --> 0:41:48.239
<v Speaker 2>And okay? I did ask you?

0:41:48.320 --> 0:41:48.440
<v Speaker 8>Did?

0:41:51.880 --> 0:41:52.520
<v Speaker 2>You did ask me?

0:41:52.600 --> 0:41:55.480
<v Speaker 12>That's probably the most recent one, and it's probably probably

0:41:55.560 --> 0:41:56.719
<v Speaker 12>the best one to tell you.

0:41:57.280 --> 0:41:59.239
<v Speaker 2>That's the best one to tell me live on the

0:41:59.320 --> 0:42:02.480
<v Speaker 2>radio at Temper sent me of the school. Yeah, okay,

0:42:03.160 --> 0:42:06.160
<v Speaker 2>are you ready to sing your line for us? All right,

0:42:06.239 --> 0:42:07.800
<v Speaker 2>give us the old money shot.

0:42:09.480 --> 0:42:09.680
<v Speaker 8>One.

0:42:10.160 --> 0:42:13.560
<v Speaker 16>Everybody, everybody.

0:42:19.760 --> 0:42:20.080
<v Speaker 2>Jojo.

0:42:20.160 --> 0:42:22.560
<v Speaker 3>I reckon, there's a better taking you than that. Yeah,

0:42:22.640 --> 0:42:25.839
<v Speaker 3>we're not Oh no, no, no, no no no Jojo. Listen,

0:42:25.960 --> 0:42:28.000
<v Speaker 3>come on, you're Jojo from the money Shot.

0:42:28.280 --> 0:42:31.360
<v Speaker 2>I need to feel the passion you're singing for Melbourne,

0:42:31.400 --> 0:42:33.120
<v Speaker 2>this is the greatest city in the water. When your

0:42:33.160 --> 0:42:36.279
<v Speaker 2>line back there and faking it, let's go again. Can

0:42:36.360 --> 0:42:37.680
<v Speaker 2>you bring it? Jojo?

0:42:39.560 --> 0:42:39.759
<v Speaker 10>One?

0:42:40.040 --> 0:42:47.839
<v Speaker 16>Two four, everybody sing? It's a malte more time.

0:42:50.200 --> 0:42:56.640
<v Speaker 2>Everybody. There we go. You're in Jojo.

0:42:56.760 --> 0:42:58.960
<v Speaker 4>That's but we got it. We got the essence of Jojo.

0:42:59.000 --> 0:42:59.680
<v Speaker 2>There, we got here.

0:42:59.760 --> 0:43:03.880
<v Speaker 3>Ye hey, hi Jen, Hey, hi Jen, I see my

0:43:04.680 --> 0:43:07.280
<v Speaker 3>my phone system here just simply says really helpful producers,

0:43:07.360 --> 0:43:08.920
<v Speaker 3>great one musical theater.

0:43:11.239 --> 0:43:14.080
<v Speaker 4>Game and so you you work in the performing arts.

0:43:14.680 --> 0:43:15.480
<v Speaker 10>No, it's all.

0:43:15.640 --> 0:43:17.080
<v Speaker 12>It's pretty much all amateur stuff.

0:43:17.120 --> 0:43:19.200
<v Speaker 10>I've found a little bit of singing with bands and things,

0:43:19.239 --> 0:43:21.880
<v Speaker 10>but you know, you got to gott.

0:43:21.719 --> 0:43:22.800
<v Speaker 2>To just do what you can do.

0:43:23.200 --> 0:43:25.480
<v Speaker 3>Yeah, okay, well listen, Jenny, Thanks for giving us a call.

0:43:25.560 --> 0:43:27.279
<v Speaker 3>Try now are you ready with your line?

0:43:27.760 --> 0:43:27.960
<v Speaker 13>Sure?

0:43:28.239 --> 0:43:30.120
<v Speaker 2>Okay, Jack, you're going to counter in. Ok can you

0:43:30.200 --> 0:43:32.800
<v Speaker 2>in gen? Everybody sing for Melbourne? Okay, Jenny bring it

0:43:34.760 --> 0:43:35.399
<v Speaker 2>one two?

0:43:37.239 --> 0:43:38.719
<v Speaker 10>Everybody singing for.

0:43:38.960 --> 0:43:44.239
<v Speaker 2>Melvine Malver, She's got gay one more time?

0:43:45.840 --> 0:43:49.200
<v Speaker 10>Are the sting into melbournel.

0:43:51.440 --> 0:43:54.000
<v Speaker 2>That was brilliant best so far. We put Jen up

0:43:54.000 --> 0:43:56.600
<v Speaker 2>the front of the microphone where the chorus.

0:43:56.600 --> 0:43:58.200
<v Speaker 4>Hey, Jenny, well done, you're in the band.

0:43:58.280 --> 0:44:01.240
<v Speaker 9>Okay, call with me, Jenny Christen It's Jin.

0:44:02.040 --> 0:44:09.200
<v Speaker 3>Sorry, wow, everybody get ready. We've got our first guy, Peter.

0:44:09.560 --> 0:44:10.480
<v Speaker 4>Well done, Pete.

0:44:11.440 --> 0:44:14.120
<v Speaker 9>Here we going going he he He's our guy.

0:44:16.640 --> 0:44:19.239
<v Speaker 4>Okay, So Peter, are you ready? You've got the line

0:44:19.280 --> 0:44:19.920
<v Speaker 4>we need from you.

0:44:21.239 --> 0:44:22.680
<v Speaker 9>I'd like to hear it one more time.

0:44:22.880 --> 0:44:26.239
<v Speaker 2>Okay, we got my guide track. Yeah, we got the

0:44:26.280 --> 0:44:27.160
<v Speaker 2>first d of the band.

0:44:27.239 --> 0:44:39.800
<v Speaker 10>Guys, everybody singing. Everybody sing.

0:44:42.760 --> 0:44:46.480
<v Speaker 2>Okay, Pietera, you got it, got it? Everybody sing it

0:44:46.640 --> 0:44:48.799
<v Speaker 2>for Melbourne? Oh can you in Peat now? Listen, Peter,

0:44:48.920 --> 0:44:50.879
<v Speaker 2>this is really important. You're representing the guys.

0:44:50.920 --> 0:44:53.399
<v Speaker 3>You're the first person in trant audition for the band,

0:44:53.520 --> 0:44:55.799
<v Speaker 3>so you really really really got to punch through.

0:44:55.840 --> 0:45:02.000
<v Speaker 4>Okay, no problem, bringing came I right, come on, Pete.

0:45:02.040 --> 0:45:03.320
<v Speaker 4>I know you can do this, Pizza.

0:45:03.400 --> 0:45:03.800
<v Speaker 2>Let's do it.

0:45:03.920 --> 0:45:12.200
<v Speaker 16>Go one two three four everybody Malbourn Melburn.

0:45:13.960 --> 0:45:14.280
<v Speaker 9>Again.

0:45:20.719 --> 0:45:24.080
<v Speaker 4>Peter, Yeah, Peter, I tell you what we need.

0:45:24.120 --> 0:45:25.960
<v Speaker 3>I'll tell you what it's. It's almost there. You know

0:45:26.120 --> 0:45:28.480
<v Speaker 3>it's almost there. You're in first gear. I reckon, there's

0:45:28.480 --> 0:45:30.320
<v Speaker 3>a few more gears than you, Peter. So I just

0:45:30.400 --> 0:45:31.799
<v Speaker 3>need to do it again. We've got to be very

0:45:31.960 --> 0:45:34.040
<v Speaker 3>very We only want the finest voices on the song.

0:45:34.080 --> 0:45:37.879
<v Speaker 3>So Peter, could you do the line again? Sure, good man, Pieter.

0:45:37.960 --> 0:45:39.520
<v Speaker 4>And then there's a better take in your buddy off

0:45:39.560 --> 0:45:39.719
<v Speaker 4>you go.

0:45:40.800 --> 0:45:45.279
<v Speaker 2>Bring it, Pete and one, two three four everybody sing

0:45:45.960 --> 0:45:48.200
<v Speaker 2>meln that's great.

0:45:48.320 --> 0:45:50.080
<v Speaker 4>One more time, Pixie, Pete.

0:45:53.200 --> 0:45:55.120
<v Speaker 6>Yeah, can you only get one take?

0:45:55.160 --> 0:45:58.839
<v Speaker 2>That's okay, one take, Pete, Pete, you're in the van,

0:45:59.120 --> 0:46:00.960
<v Speaker 2>the first to come on through.

0:46:01.400 --> 0:46:03.480
<v Speaker 4>All right, we'll take some more auditions next.

0:46:03.400 --> 0:46:06.759
<v Speaker 1>The Christian O'Connell Breakfast Show. Melbourne's Gold one oh four

0:46:06.800 --> 0:46:07.279
<v Speaker 1>point three.

0:46:07.560 --> 0:46:11.759
<v Speaker 3>We are holding live auditions right now. Forget Australia's got talent,

0:46:11.960 --> 0:46:13.080
<v Speaker 3>this is Melbourne's got talent.

0:46:13.320 --> 0:46:13.840
<v Speaker 2>MGT.

0:46:14.280 --> 0:46:16.720
<v Speaker 3>We need you for our song for Melbourne, our anthem

0:46:16.760 --> 0:46:19.440
<v Speaker 3>that we're going to be making this is the the

0:46:19.640 --> 0:46:21.799
<v Speaker 3>what you call this the vocal trap, the vocal guy trap.

0:46:21.840 --> 0:46:24.120
<v Speaker 3>Don't have a drum track sometimes don'tainly for bands to

0:46:24.840 --> 0:46:25.399
<v Speaker 3>get them in time.

0:46:25.520 --> 0:46:26.279
<v Speaker 4>Jack's laid this down.

0:46:26.320 --> 0:46:27.520
<v Speaker 2>It's his song. He's come up with us.

0:46:29.560 --> 0:46:38.800
<v Speaker 10>Everybody sing it, Lord, everybody singing.

0:46:45.719 --> 0:46:47.800
<v Speaker 2>We've had some great auditions so far. If you're just

0:46:47.880 --> 0:46:52.160
<v Speaker 2>tuning in, listen to this from Jen everybody singing the

0:46:52.400 --> 0:46:53.520
<v Speaker 2>Melbourne Man.

0:46:56.280 --> 0:46:57.520
<v Speaker 4>She sounds amazing.

0:46:58.000 --> 0:47:00.479
<v Speaker 3>All right, we're ready to go to another guy. Okay,

0:47:00.560 --> 0:47:04.879
<v Speaker 3>pe d Our last guy fingers burn one tape, Pete Gary.

0:47:08.560 --> 0:47:09.600
<v Speaker 9>The album.

0:47:11.680 --> 0:47:14.200
<v Speaker 4>Even need the truck, that's it.

0:47:14.320 --> 0:47:17.160
<v Speaker 2>It brings the heaters, Gary, Gary, this truck one more

0:47:17.239 --> 0:47:19.840
<v Speaker 2>time with the song as well, because this sounds really exciting.

0:47:19.960 --> 0:47:21.160
<v Speaker 4>Mate, Jackie what he's account of.

0:47:21.200 --> 0:47:25.400
<v Speaker 2>Him one every four.

0:47:27.880 --> 0:47:33.439
<v Speaker 9>Album stuck in the loop.

0:47:36.600 --> 0:47:42.439
<v Speaker 2>This is my job here is done? Back to work?

0:47:42.520 --> 0:47:47.160
<v Speaker 4>Oh god, that's Britta James. Was he calling from the

0:47:47.239 --> 0:47:47.919
<v Speaker 4>bath Jame?

0:47:48.040 --> 0:47:48.439
<v Speaker 2>This show?

0:47:48.719 --> 0:47:49.040
<v Speaker 9>James?

0:47:50.520 --> 0:47:51.600
<v Speaker 4>James, worry right now?

0:47:51.719 --> 0:47:55.640
<v Speaker 2>Done it? Well about all right? And it was air

0:47:55.719 --> 0:47:59.319
<v Speaker 2>craft hangers. You were the toilet, James.

0:48:00.800 --> 0:48:03.160
<v Speaker 10>In the bathroom off my headphone?

0:48:03.200 --> 0:48:03.600
<v Speaker 2>How bad?

0:48:03.680 --> 0:48:08.400
<v Speaker 4>Yeah, the guy's not making it easier.

0:48:08.920 --> 0:48:11.640
<v Speaker 2>I have you to be safe though walking around your house.

0:48:11.680 --> 0:48:16.680
<v Speaker 4>And all right, James, you anybody.

0:48:16.760 --> 0:48:18.480
<v Speaker 11>Absolutely all right, bring it?

0:48:20.480 --> 0:48:22.200
<v Speaker 2>One two three four.

0:48:23.400 --> 0:48:27.200
<v Speaker 11>Everybody is singing for Melbourne Melbourne.

0:48:27.120 --> 0:48:28.399
<v Speaker 2>In order to pizza.

0:48:29.960 --> 0:48:30.280
<v Speaker 10>Again.

0:48:31.200 --> 0:48:34.239
<v Speaker 16>Everybody is singing for Melbourne Melburn.

0:48:35.920 --> 0:48:36.279
<v Speaker 6>M hm.

0:48:37.160 --> 0:48:38.479
<v Speaker 2>That's a little bit of power, James.

0:48:38.520 --> 0:48:39.360
<v Speaker 4>But any.

0:48:40.640 --> 0:48:42.879
<v Speaker 2>James, when you're gonna need to hit one more time,

0:48:42.960 --> 0:48:46.600
<v Speaker 2>it's really hot over the phone and there's a bit

0:48:46.640 --> 0:48:48.440
<v Speaker 2>of a delay on the phone and hearing the song.

0:48:48.400 --> 0:48:49.000
<v Speaker 10>I'll give you that.

0:48:49.600 --> 0:48:53.759
<v Speaker 11>Actually think I thought us wants to be this is

0:48:54.680 --> 0:48:55.320
<v Speaker 11>the bathroom.

0:48:55.840 --> 0:48:58.759
<v Speaker 2>Oh I see, okay, enough, please.

0:49:00.920 --> 0:49:03.359
<v Speaker 3>Now listen James, James, I can really feel that when

0:49:03.360 --> 0:49:05.319
<v Speaker 3>we're talking to you. I can feel you've got a big,

0:49:05.440 --> 0:49:09.680
<v Speaker 3>strong voice, buddy. Yeah, there there, I can feel it now.

0:49:10.400 --> 0:49:13.160
<v Speaker 4>Yeah, that's it. Okay, so really screw your face.

0:49:15.400 --> 0:49:20.000
<v Speaker 2>That's it. Yes, that's what we call deep.

0:49:22.320 --> 0:49:24.680
<v Speaker 4>Getting through it, all right? And I think now you've

0:49:24.760 --> 0:49:25.160
<v Speaker 4>found it.

0:49:25.400 --> 0:49:27.120
<v Speaker 2>What's happening? Now you found it?

0:49:27.239 --> 0:49:29.080
<v Speaker 4>James, Let's here it one more time. Okay, you ready

0:49:29.080 --> 0:49:29.560
<v Speaker 4>with glasses?

0:49:30.000 --> 0:49:31.760
<v Speaker 11>Absolutely good stuff?

0:49:31.800 --> 0:49:32.520
<v Speaker 2>Okay, right, go.

0:49:34.560 --> 0:49:36.319
<v Speaker 17>One two three four.

0:49:37.440 --> 0:49:40.640
<v Speaker 11>Everybody is singing for Melbourne Melbourne.

0:49:41.680 --> 0:49:44.719
<v Speaker 7>Everybody is singing for Melbourn, Melbourne.

0:49:47.200 --> 0:49:50.080
<v Speaker 4>Him at the back rather back, sick and right at

0:49:50.120 --> 0:49:50.359
<v Speaker 4>the back.

0:49:50.440 --> 0:49:58.480
<v Speaker 2>Right now, car park, Hey, Tom, Tom, Tom, Tom Tom Tom?

0:49:58.560 --> 0:50:00.840
<v Speaker 4>You ready? I am okay?

0:50:03.000 --> 0:50:03.759
<v Speaker 2>All right, Tom?

0:50:03.880 --> 0:50:04.319
<v Speaker 4>Good luck?

0:50:04.400 --> 0:50:04.759
<v Speaker 2>Bring it.

0:50:06.640 --> 0:50:11.440
<v Speaker 4>One, two, three, four, everybody from now.

0:50:14.800 --> 0:50:21.760
<v Speaker 2>He's like a Collingwood fan. Time you're fired.

0:50:21.880 --> 0:50:24.480
<v Speaker 3>Sorry, we gotta we got to you gotta be Let

0:50:24.520 --> 0:50:26.760
<v Speaker 3>some people go right, Okay.

0:50:26.719 --> 0:50:28.920
<v Speaker 2>The ladies are running away with it today, you know,

0:50:29.680 --> 0:50:33.400
<v Speaker 2>over the place. Guys, what's going on? Wendy? Hello, all right,

0:50:33.400 --> 0:50:34.759
<v Speaker 2>do you know what I'm gonna do? Right, Let's do

0:50:34.960 --> 0:50:36.759
<v Speaker 2>a Maybe this might be a mistake. Let's try this.

0:50:36.880 --> 0:50:38.839
<v Speaker 3>Let's try and put another lady on the other line

0:50:39.040 --> 0:50:43.600
<v Speaker 3>and audition two ladies at the same time. Alright, so, Wendy,

0:50:43.800 --> 0:50:47.359
<v Speaker 3>you are online one, Wendy online one, and let's try

0:50:47.600 --> 0:50:48.879
<v Speaker 3>let's put online two.

0:50:49.200 --> 0:50:49.960
<v Speaker 2>Let's transfer.

0:50:50.120 --> 0:50:50.719
<v Speaker 4>We got who we got?

0:50:50.840 --> 0:50:54.560
<v Speaker 2>Nicole? Nicole? Welcome? All right, Nicole, say hi to Wendy.

0:50:54.719 --> 0:50:55.920
<v Speaker 2>Wendy say hi to Nicole.

0:50:56.400 --> 0:50:56.640
<v Speaker 10>Hello.

0:50:58.719 --> 0:51:01.680
<v Speaker 2>You could feel this awkward. This could produce at Lennon

0:51:01.680 --> 0:51:03.840
<v Speaker 2>and McCartney. They didn't get it when they got in

0:51:03.880 --> 0:51:04.320
<v Speaker 2>the studio.

0:51:04.719 --> 0:51:06.600
<v Speaker 15>The harmony is going to be a jewet.

0:51:06.800 --> 0:51:08.680
<v Speaker 4>So we yes, yes, a jewet?

0:51:08.760 --> 0:51:11.839
<v Speaker 2>Right you ready? Girls? Can you in? Okay? Sis Ter's

0:51:11.880 --> 0:51:12.239
<v Speaker 2>bring It.

0:51:14.040 --> 0:51:21.160
<v Speaker 8>One two three four Elbourne.

0:51:22.239 --> 0:51:33.920
<v Speaker 17>One more Time Girls, There's one someone's good and someone's bad.

0:51:35.760 --> 0:51:38.200
<v Speaker 1>On the car, but you're both hind the Christian O'Connell

0:51:38.239 --> 0:51:41.080
<v Speaker 1>Breakfast Show, Melbourne's Gold one oh four point three.

0:51:41.360 --> 0:51:43.359
<v Speaker 3>Thank you ver much to everyone who called it. Try

0:51:43.440 --> 0:51:47.279
<v Speaker 3>me part of the song for Melbourne. One thing is

0:51:47.360 --> 0:51:50.680
<v Speaker 3>crystal clear. What the song really needs is this man.

0:51:54.800 --> 0:51:57.239
<v Speaker 3>You know, we interviewed them last week. It's not really

0:51:57.280 --> 0:52:00.920
<v Speaker 3>protocol to swap numbers with them. I've been stopping message

0:52:00.960 --> 0:52:04.520
<v Speaker 3>with his wife. But if anyone has a contact in

0:52:04.640 --> 0:52:09.239
<v Speaker 3>in with Sir Jimmy Barnes, I've knighted him now, so Jimmy.

0:52:09.000 --> 0:52:10.960
<v Speaker 2>Barnes, he'd be great to sing a couple of lines

0:52:11.000 --> 0:52:12.399
<v Speaker 2>on it. How did you get his wife's number?

0:52:12.640 --> 0:52:14.719
<v Speaker 3>I don't get his wife's number. She started following me

0:52:14.800 --> 0:52:17.080
<v Speaker 3>on Twitter. We've been back and forth dming each other.

0:52:17.080 --> 0:52:19.560
<v Speaker 3>I said how much I love the documentary and stuff

0:52:19.600 --> 0:52:19.719
<v Speaker 3>like that.

0:52:19.880 --> 0:52:22.040
<v Speaker 2>Yeah, well, maybe would you ask would you feel comfortable

0:52:22.080 --> 0:52:24.440
<v Speaker 2>asking her if Jimmy would sing on the song? Do

0:52:24.520 --> 0:52:26.319
<v Speaker 2>you think that's like the dumb thing? You know, she's

0:52:26.360 --> 0:52:28.759
<v Speaker 2>then gonna un follow me, and oh god, I haven't

0:52:28.840 --> 0:52:30.480
<v Speaker 2>been following him six days and now he's asking my

0:52:30.600 --> 0:52:34.160
<v Speaker 2>husband to sing on a song. It's either that or

0:52:34.280 --> 0:52:36.520
<v Speaker 2>Peyton Tom, those guys that we heard before.

0:52:36.280 --> 0:52:41.040
<v Speaker 1>The Christian O'Connell breakfast show Gold one oh four point three.

0:52:41.360 --> 0:52:43.120
<v Speaker 3>So the weekend I had to go and put my

0:52:43.239 --> 0:52:45.279
<v Speaker 3>daughter up, my eleven year old daughter. She'd be working

0:52:45.360 --> 0:52:49.239
<v Speaker 3>on a school project with two other girls about the

0:52:49.400 --> 0:52:51.680
<v Speaker 3>history of the Suffragette movement.

0:52:52.120 --> 0:52:53.520
<v Speaker 4>Obviously this is a global.

0:52:53.239 --> 0:52:55.600
<v Speaker 3>Thing, and so they've been working on even when they

0:52:55.640 --> 0:52:58.160
<v Speaker 3>get that big old I'm sure Audrey's had to do

0:52:58.280 --> 0:53:01.000
<v Speaker 3>this before they get that big old colored piece of

0:53:01.160 --> 0:53:02.400
<v Speaker 3>like a three cart.

0:53:02.480 --> 0:53:04.279
<v Speaker 2>We're always at office works getting sup.

0:53:04.600 --> 0:53:07.240
<v Speaker 3>Getting the cutting it all out, and it's glue everywhere

0:53:07.280 --> 0:53:09.480
<v Speaker 3>on the floor and chuck a bunch of glitter on

0:53:09.760 --> 0:53:11.560
<v Speaker 3>and you know, they really get into it, you know,

0:53:11.560 --> 0:53:13.040
<v Speaker 3>and they're concentrating, and so I had to go and

0:53:13.120 --> 0:53:15.399
<v Speaker 3>pick her up and on these two other little girls

0:53:15.440 --> 0:53:18.360
<v Speaker 3>that they were working really hard. And I'm driving Lois

0:53:18.480 --> 0:53:21.000
<v Speaker 3>home and I'm going, so on, what have you learned?

0:53:21.040 --> 0:53:22.600
<v Speaker 3>What have you learn about the Suffragette movement? You know,

0:53:22.680 --> 0:53:25.160
<v Speaker 3>it's really pertinent even now what those what those those

0:53:25.280 --> 0:53:27.040
<v Speaker 3>ladies did and why they did it. And so she

0:53:27.160 --> 0:53:29.680
<v Speaker 3>was talking about it all and Australian obviously she coupled

0:53:29.680 --> 0:53:31.720
<v Speaker 3>a little bit of it in the UK with Emily Pankers.

0:53:31.760 --> 0:53:33.440
<v Speaker 3>And then she told me that New Zealand I think

0:53:33.520 --> 0:53:35.439
<v Speaker 3>is the first country in the world to give woman

0:53:35.480 --> 0:53:37.000
<v Speaker 3>the right to vote. And I'm sure she's taking all

0:53:37.040 --> 0:53:39.080
<v Speaker 3>this in and then she said, we've got to wear

0:53:39.320 --> 0:53:41.560
<v Speaker 3>when we present it to the class, We've got to

0:53:41.600 --> 0:53:43.799
<v Speaker 3>wear these sashes. I went, yeah, that's right, because it's

0:53:43.800 --> 0:53:45.640
<v Speaker 3>relevant as well. And she goes, do you think it'd

0:53:45.640 --> 0:53:47.960
<v Speaker 3>be a good idea if I wrote on my sash

0:53:48.160 --> 0:53:48.760
<v Speaker 3>Miss World?

0:53:49.600 --> 0:53:50.560
<v Speaker 2>I went, I don't.

0:53:51.120 --> 0:53:56.880
<v Speaker 4>I think that's the opposite. Whole figure is about.

0:53:57.120 --> 0:54:00.320
<v Speaker 2>Said, I think you've missed a lesson there for hours

0:54:00.360 --> 0:54:01.959
<v Speaker 2>you been working out and you think get up.

0:54:01.840 --> 0:54:07.600
<v Speaker 4>There right, Miss World, Yay, women are empowered. In twenty eighteen, Miss.

0:54:08.200 --> 0:54:11.560
<v Speaker 1>The Christian O'Connell breakfast Show Melbourne's Gold one oh four

0:54:11.600 --> 0:54:12.040
<v Speaker 1>point three.

0:54:12.520 --> 0:54:14.480
<v Speaker 3>This Friday we Backjack when I we be going into

0:54:14.560 --> 0:54:18.160
<v Speaker 3>our courtroom. We turned the studio into a courtroom overseeing

0:54:18.280 --> 0:54:20.560
<v Speaker 3>your cases. Last week we had It was like a

0:54:20.680 --> 0:54:23.440
<v Speaker 3>three person case, a mother in law, a wife and

0:54:23.560 --> 0:54:26.000
<v Speaker 3>the son in law, the leaking ruth that had been

0:54:26.040 --> 0:54:28.520
<v Speaker 3>mended in two years, and we stepped in and instant

0:54:28.800 --> 0:54:31.680
<v Speaker 3>justice was dispatched. So if there's something you'd like us

0:54:31.719 --> 0:54:34.400
<v Speaker 3>to try on your behalf. It might be between you

0:54:34.520 --> 0:54:36.279
<v Speaker 3>and a buddy at work, it might be someone going

0:54:36.320 --> 0:54:39.080
<v Speaker 3>on you and your other half. Whatever it is, please

0:54:39.160 --> 0:54:41.240
<v Speaker 3>let me know. We're looking for the cases for this Friday.

0:54:41.320 --> 0:54:43.520
<v Speaker 3>You can email me Christian at gold one I four

0:54:43.520 --> 0:54:46.200
<v Speaker 3>to three dot com dot Au or drop us out

0:54:46.200 --> 0:54:48.560
<v Speaker 3>on our Facebook page. Very easy up there O C

0:54:48.920 --> 0:54:52.480
<v Speaker 3>one four three that's our home on Facebook. Now, over

0:54:52.520 --> 0:54:55.600
<v Speaker 3>the last hour we have been having editorial meetings about

0:54:55.640 --> 0:54:58.480
<v Speaker 3>what to do about today's at work time West. We

0:54:58.640 --> 0:55:02.279
<v Speaker 3>had a nice easy, the family friendly one and then

0:55:02.360 --> 0:55:04.960
<v Speaker 3>the subject this morning has come to our minds of

0:55:05.080 --> 0:55:08.120
<v Speaker 3>our dear friend was on the show yesterday this time yesterday,

0:55:08.480 --> 0:55:11.279
<v Speaker 3>Andy Lee and Andy Lee. There's nothing embarrassed about this

0:55:11.440 --> 0:55:13.759
<v Speaker 3>happens to people were all grown up on this show.

0:55:14.040 --> 0:55:18.200
<v Speaker 2>But he has hemorrhoids. It is a little bit embarrassing.

0:55:18.719 --> 0:55:20.440
<v Speaker 3>Well, to be fair to Andy, he's done a good thing,

0:55:20.560 --> 0:55:22.640
<v Speaker 3>you know, he was on the radio yesterday afternoon, live

0:55:22.680 --> 0:55:24.719
<v Speaker 3>from hospital getting this treated, and he was still doing

0:55:24.760 --> 0:55:27.719
<v Speaker 3>interviews on Kennedy Malloyal Trip of M and he was

0:55:27.800 --> 0:55:29.160
<v Speaker 3>telling them about his backside.

0:55:29.239 --> 0:55:32.160
<v Speaker 4>So he's trying to bring awareness to hemorrhoids.

0:55:32.480 --> 0:55:33.480
<v Speaker 6>He's an ambassador.

0:55:33.680 --> 0:55:34.680
<v Speaker 4>Well, I think he's going to be.

0:55:34.719 --> 0:55:35.120
<v Speaker 2>On the poster.

0:55:35.120 --> 0:55:36.960
<v Speaker 4>It's not him but his backside.

0:55:37.160 --> 0:55:39.080
<v Speaker 2>I think he's trying to bring awareness to true story

0:55:39.120 --> 0:55:39.920
<v Speaker 2>on Channel nine.

0:55:41.520 --> 0:55:48.520
<v Speaker 3>I was just more about his roids he's got. But anyway,

0:55:48.560 --> 0:55:51.680
<v Speaker 3>we were talking about this morning as concerned colleagues and friends,

0:55:52.000 --> 0:55:54.239
<v Speaker 3>you know, and concerned for Andy that he's recovering well

0:55:54.480 --> 0:55:58.200
<v Speaker 3>and his bum grapes. Andy has left this message.

0:55:58.360 --> 0:55:58.880
<v Speaker 2>He heard it.

0:56:00.480 --> 0:56:04.200
<v Speaker 12>And Jack, thank you very much for broadcasting about my

0:56:04.440 --> 0:56:09.080
<v Speaker 12>bum grapes. Don't you put it or rectus fruits. I've

0:56:09.120 --> 0:56:13.520
<v Speaker 12>heard that this morning. As soon as it's sniffed off,

0:56:14.000 --> 0:56:16.960
<v Speaker 12>don't you worry. I've got three or four doctors in here.

0:56:17.080 --> 0:56:19.319
<v Speaker 12>They're going to put it in a barrel, take their

0:56:19.360 --> 0:56:21.759
<v Speaker 12>shoes and socks off, and stomp.

0:56:21.480 --> 0:56:23.440
<v Speaker 2>On it for a few hours to.

0:56:23.480 --> 0:56:26.200
<v Speaker 12>Make sure we get the finest wine lovely, which of

0:56:26.280 --> 0:56:31.000
<v Speaker 12>course I'll bottle. Let's sit for all while and the

0:56:31.120 --> 0:56:35.600
<v Speaker 12>advantage that I suggest we'll be best drunk at around

0:56:35.640 --> 0:56:38.759
<v Speaker 12>about twenty twenty cheers.

0:56:39.880 --> 0:56:42.120
<v Speaker 2>Cheers, only watch out going to dinner at dinner at

0:56:42.120 --> 0:56:43.920
<v Speaker 2>Andy's house. If he goes down to the cellar.

0:56:45.680 --> 0:56:46.960
<v Speaker 4>This one's definitely been corked.

0:56:47.560 --> 0:56:49.840
<v Speaker 3>So are we actually going to let's just have a

0:56:49.920 --> 0:56:51.960
<v Speaker 3>show vote right now, are we really going to do

0:56:52.080 --> 0:56:52.760
<v Speaker 3>bum bands?

0:56:53.200 --> 0:56:55.080
<v Speaker 2>It's a yes for me answers, Yes for me.

0:56:56.719 --> 0:56:59.759
<v Speaker 3>Producer backs, you know, I always She's kind of like

0:56:59.840 --> 0:57:01.960
<v Speaker 3>the saying one in the team, right. She runs it

0:57:02.040 --> 0:57:04.160
<v Speaker 3>with a nine rule of this show, producer, becks are

0:57:04.200 --> 0:57:06.360
<v Speaker 3>going to give you a vote at all. It's like

0:57:06.440 --> 0:57:08.920
<v Speaker 3>the vote of confidence that's gone on the government. Even

0:57:08.960 --> 0:57:13.000
<v Speaker 3>though Tumbles won, he hasn't really has he no bes?

0:57:13.040 --> 0:57:14.120
<v Speaker 2>What do you think? Is it a bit?

0:57:15.160 --> 0:57:15.279
<v Speaker 8>Now?

0:57:15.320 --> 0:57:18.640
<v Speaker 2>It's okay, we can do it. It's funny the reluctance there.

0:57:18.720 --> 0:57:20.480
<v Speaker 2>You pick up the reluctance in the turn that producers

0:57:20.520 --> 0:57:24.080
<v Speaker 2>here sometimes protect us from. You can't. It's about bum

0:57:24.440 --> 0:57:26.640
<v Speaker 2>has to be clean. It's about bums. Andy Lee's bum

0:57:26.800 --> 0:57:28.080
<v Speaker 2>is clean. Everything is clean.

0:57:28.360 --> 0:57:31.120
<v Speaker 3>He's got to clean Darry everyone, Okay, no dirty bums.

0:57:31.160 --> 0:57:31.800
<v Speaker 3>We don't want any of that.

0:57:31.880 --> 0:57:34.640
<v Speaker 2>After nine o'clock. Okay, I'm gonna use that. He's got

0:57:34.680 --> 0:57:36.720
<v Speaker 2>a diamond started dumb. No, that's enough.

0:57:36.760 --> 0:57:37.040
<v Speaker 8>Patch.

0:57:37.080 --> 0:57:40.440
<v Speaker 2>We just said keeping men have a word with that.

0:57:40.680 --> 0:57:42.400
<v Speaker 4>Tell Pats to keep it clean. So we're going to

0:57:42.480 --> 0:57:43.640
<v Speaker 4>do We're actually going to do this.

0:57:44.000 --> 0:57:46.640
<v Speaker 2>Bum bands. Yes, you can do bum bands.

0:57:46.760 --> 0:57:48.360
<v Speaker 4>Okay, some producer becks his head.

0:57:48.400 --> 0:57:50.520
<v Speaker 3>Now see what I've done. If it goes wrong, when

0:57:50.560 --> 0:57:51.880
<v Speaker 3>I get complaints, we throw her under us.

0:57:51.960 --> 0:57:52.480
<v Speaker 2>She's out the door.

0:57:52.600 --> 0:57:55.920
<v Speaker 1>The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

0:57:56.000 --> 0:57:56.480
<v Speaker 1>point three.

0:58:00.080 --> 0:58:02.040
<v Speaker 2>All right, this hour, all the music is picked by you.

0:58:02.160 --> 0:58:03.200
<v Speaker 2>We do this every Wednesday.

0:58:03.280 --> 0:58:05.960
<v Speaker 4>I love doing this. It's a midweek mixtape. We give

0:58:06.000 --> 0:58:07.680
<v Speaker 4>you the theme. You pick all the songs. This is

0:58:07.760 --> 0:58:08.680
<v Speaker 4>the best one you've done.

0:58:09.120 --> 0:58:11.200
<v Speaker 3>It's there are no Sometimes when I look through it,

0:58:11.240 --> 0:58:13.880
<v Speaker 3>you see certain songs like, okay, what's their songs? But this,

0:58:14.240 --> 0:58:17.240
<v Speaker 3>all the songs are amazing. Honestly, it's brilliant. There all

0:58:17.280 --> 0:58:19.360
<v Speaker 3>to do with the theme of walking. So we challenge

0:58:19.400 --> 0:58:20.919
<v Speaker 3>you to come up with her and a whole hour,

0:58:21.040 --> 0:58:23.160
<v Speaker 3>a great hour of songs to do with walking. You've

0:58:23.160 --> 0:58:24.640
<v Speaker 3>got some of this coming up to the next hour.

0:58:36.360 --> 0:58:38.479
<v Speaker 3>Before that though, let's go to the subject of Andy

0:58:38.560 --> 0:58:43.720
<v Speaker 3>Lee's backside. We send our best wishes to our guests yesterday,

0:58:43.760 --> 0:58:47.080
<v Speaker 3>our good friend Andy Lee and his day ay. He's

0:58:47.680 --> 0:58:51.560
<v Speaker 3>been talk about this publicly. You just heard his voicemail message.

0:58:51.640 --> 0:58:55.680
<v Speaker 3>You've heard us talking about today as well. Hemorrhoids. It's

0:58:55.680 --> 0:58:57.840
<v Speaker 3>a condition. It happens to millions of us, you know.

0:58:58.320 --> 0:59:00.560
<v Speaker 3>Good for Andy Lee for bringing away to it and

0:59:00.720 --> 0:59:02.240
<v Speaker 3>the second season of True Stories.

0:59:02.920 --> 0:59:05.320
<v Speaker 2>I was on last night at eight forty, so.

0:59:05.400 --> 0:59:08.000
<v Speaker 3>Today to help him. He is listening right now is

0:59:08.040 --> 0:59:11.160
<v Speaker 3>a private medical facility. He's listened to the station, so

0:59:11.240 --> 0:59:13.320
<v Speaker 3>we're going to help him out by giving him some

0:59:13.520 --> 0:59:19.720
<v Speaker 3>backside bands were doing this Going Away Backside has already

0:59:19.840 --> 0:59:21.520
<v Speaker 3>tons of people that are pinging their text and I

0:59:21.520 --> 0:59:23.040
<v Speaker 3>haven't even given up the number yet.

0:59:23.400 --> 0:59:29.640
<v Speaker 2>MC hemorrhoid. Good Piles Davis. I only learned about Piles

0:59:29.640 --> 0:59:31.240
<v Speaker 2>on this show when you've done that two.

0:59:31.200 --> 0:59:37.120
<v Speaker 3>Weeks ago, Piles Davis. I've also got Poodoo Gurus, Great

0:59:37.120 --> 0:59:40.000
<v Speaker 3>Australian band and Bert Backsider.

0:59:40.040 --> 0:59:44.040
<v Speaker 2>Uh we're adults, we are. So what have you got

0:59:44.080 --> 0:59:54.120
<v Speaker 2>for backside bands? Michael Crackton Dairy air Supply. Oh, very good,

0:59:54.520 --> 0:59:56.400
<v Speaker 2>that's very good and bum forty one.

0:59:58.160 --> 0:59:59.280
<v Speaker 4>All right, Melbourne, what can you.

0:59:59.320 --> 1:00:02.240
<v Speaker 3>Do Texas now oh four seven five three one oh

1:00:02.280 --> 1:00:05.080
<v Speaker 3>four three oh four seven five three one oh four three.

1:00:05.600 --> 1:00:08.000
<v Speaker 2>Jack will go through and grade them in ten minutes time.

1:00:08.080 --> 1:00:11.000
<v Speaker 4>Let's kick off the midwek mixtape to do with Walking.

1:00:10.800 --> 1:00:14.160
<v Speaker 1>The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

1:00:14.200 --> 1:00:14.680
<v Speaker 1>point three.

1:00:18.040 --> 1:00:20.959
<v Speaker 3>I actually feel sorry for stations like Nova and Fox

1:00:21.040 --> 1:00:21.640
<v Speaker 3>and Kiss.

1:00:21.400 --> 1:00:26.320
<v Speaker 2>And they can't play Sheena Easton. What a powerful song.

1:00:26.480 --> 1:00:30.080
<v Speaker 3>Sena Easton was struck requested by Sally and Werriby before that,

1:00:30.160 --> 1:00:33.480
<v Speaker 3>Walk This Way, Alsmith rund See, David broad Meadows Proclaimers.

1:00:33.520 --> 1:00:35.640
<v Speaker 3>I'm going to be five hunch of Miles Kelly in Essendon.

1:00:35.920 --> 1:00:38.640
<v Speaker 3>Let's hold an hour of power. This week's midweek mixtape

1:00:38.680 --> 1:00:41.280
<v Speaker 3>Walking songs picked by There's some great ones coming up.

1:00:41.680 --> 1:00:46.040
<v Speaker 3>All right, let's go and talk about Andy Lee's backside.

1:00:45.600 --> 1:00:47.720
<v Speaker 2>Is another thing that Nova and Fox wouldn't touch.

1:00:50.920 --> 1:00:53.200
<v Speaker 3>So poor Andy Lee and we are we're only doing

1:00:53.280 --> 1:00:54.920
<v Speaker 3>this out of concern for Andy Lee. I just hope

1:00:54.960 --> 1:00:59.920
<v Speaker 3>everyone's realizing that as it excuse me as a gesture

1:01:00.120 --> 1:01:03.680
<v Speaker 3>of concern. We opened the show today with really upsetting

1:01:03.680 --> 1:01:05.280
<v Speaker 3>news for us that Andy Lee was on the show

1:01:05.360 --> 1:01:07.720
<v Speaker 3>yesterday never mentioned it at all, but he was stood

1:01:07.800 --> 1:01:10.160
<v Speaker 3>up and wincing anytime he tried to sit down for

1:01:10.240 --> 1:01:11.720
<v Speaker 3>a guy crying out.

1:01:11.560 --> 1:01:14.360
<v Speaker 2>Of as it lies, and oh I'm glad, No, no,

1:01:14.960 --> 1:01:15.680
<v Speaker 2>let's not go there.

1:01:15.720 --> 1:01:18.800
<v Speaker 3>Come on, we know the line. And then later on

1:01:18.840 --> 1:01:20.480
<v Speaker 3>I hear him on the radio and he's lying from

1:01:20.480 --> 1:01:22.640
<v Speaker 3>a hospital. Ben He's about to have a medical procedure

1:01:22.680 --> 1:01:26.240
<v Speaker 3>for his we're all grown ups here, okay, hemorrhoids. So

1:01:26.360 --> 1:01:29.840
<v Speaker 3>Jack and I are talking about it this morning. Andy Lee,

1:01:29.960 --> 1:01:32.280
<v Speaker 3>here's it. He's left us this message. I did refer

1:01:32.320 --> 1:01:33.880
<v Speaker 3>to it as bum grats. I believe that is the

1:01:34.000 --> 1:01:35.080
<v Speaker 3>Latin medical term.

1:01:35.760 --> 1:01:39.640
<v Speaker 12>To Christian and Jack, thank you very much for broadcasting

1:01:39.920 --> 1:01:44.440
<v Speaker 12>about my bum grapes as you put it, or rectors fruits.

1:01:45.080 --> 1:01:49.640
<v Speaker 12>I heard that this morning. As soon as it's snipped off,

1:01:50.120 --> 1:01:53.080
<v Speaker 12>don't you worry. I've got three or four doctors in here.

1:01:53.200 --> 1:01:55.440
<v Speaker 12>They're going to put it in a peril. Take these

1:01:55.480 --> 1:01:58.800
<v Speaker 12>shoes in socks off and stomp on it for a

1:01:58.880 --> 1:02:02.200
<v Speaker 12>few hours to make sure. Get the finest wine, which

1:02:02.280 --> 1:02:06.120
<v Speaker 12>of course I'll bottle lit it for all while and

1:02:07.080 --> 1:02:11.720
<v Speaker 12>the advantage that I suggest we best drunk at around

1:02:11.760 --> 1:02:13.560
<v Speaker 12>about twenty.

1:02:13.400 --> 1:02:17.320
<v Speaker 2>Twenty cheers, so as another just going to find the

1:02:17.400 --> 1:02:18.320
<v Speaker 2>right peering cheese.

1:02:22.240 --> 1:02:23.360
<v Speaker 16>Oh what.

1:02:26.760 --> 1:02:29.040
<v Speaker 2>Oh you're quite right all right? So that today's at

1:02:29.080 --> 1:02:31.560
<v Speaker 2>work time waste for Andy Lee, I kind of get

1:02:31.640 --> 1:02:33.400
<v Speaker 2>well messages backside bands.

1:02:33.440 --> 1:02:35.560
<v Speaker 3>He's listening in hospital? What backside bands would he be

1:02:35.600 --> 1:02:38.160
<v Speaker 3>listening to? Kenn In forest Hill takes us straight to

1:02:38.440 --> 1:02:43.920
<v Speaker 3>the poo fighters right gold Jack Posterior singer songwriter chat

1:02:43.960 --> 1:02:47.000
<v Speaker 3>Post silvera Eric Crapton.

1:02:49.240 --> 1:02:51.000
<v Speaker 2>I don't want to just mark all these golds, but

1:02:51.240 --> 1:02:52.400
<v Speaker 2>that's the gold it is, isn't it.

1:02:52.680 --> 1:02:55.200
<v Speaker 3>That's all Phil well done, green Bee Day, very good,

1:02:55.240 --> 1:02:56.360
<v Speaker 3>smart one, Steven.

1:02:56.080 --> 1:02:59.880
<v Speaker 2>Oakley, that's great gold for smartness. I'm afraid this isn't smart,

1:03:00.040 --> 1:03:07.840
<v Speaker 2>this effective. Richard skid marks. That's four golds.

1:03:07.920 --> 1:03:10.000
<v Speaker 3>Currently we should go home. I'm not proud of what

1:03:10.040 --> 1:03:12.160
<v Speaker 3>we've done today, but I'll tell you what, do you

1:03:12.200 --> 1:03:14.080
<v Speaker 3>know what? In twelve weeks you know I brought this

1:03:14.160 --> 1:03:16.040
<v Speaker 3>feature or start this feature. We try every day to

1:03:16.080 --> 1:03:18.280
<v Speaker 3>try and make it smart and literally the most popular

1:03:18.280 --> 1:03:20.480
<v Speaker 3>one we've ever done at backside Bands.

1:03:21.640 --> 1:03:23.560
<v Speaker 2>Eight is the score to be I think from memory

1:03:23.840 --> 1:03:26.200
<v Speaker 2>eight gold we've had in this segment. We're currently at

1:03:26.240 --> 1:03:30.120
<v Speaker 2>four Kennan Forest Hill. He's back everything but plugged the girl.

1:03:31.680 --> 1:03:35.680
<v Speaker 2>I don't know the band. I can't score it, okay,

1:03:36.360 --> 1:03:39.760
<v Speaker 2>but I shouldn't score it anyway. That's a bronze dire

1:03:39.960 --> 1:03:45.320
<v Speaker 2>rear straits also from Ke's under Michael Phelps. Is today

1:03:45.400 --> 1:03:48.120
<v Speaker 2>just raining gold. That has to be gold, earth breaking,

1:03:48.200 --> 1:03:50.240
<v Speaker 2>Wind and fire, Civil plus.

1:03:50.400 --> 1:03:51.240
<v Speaker 4>That's a great come.

1:03:51.320 --> 1:03:51.840
<v Speaker 2>That's gold.

1:03:52.280 --> 1:03:54.600
<v Speaker 4>Screwing Anthony in Greensboro, well done.

1:03:54.880 --> 1:03:59.760
<v Speaker 2>Bums and Roses, Civil plus, rump DMC. That's good, So

1:03:59.840 --> 1:04:03.880
<v Speaker 2>we'll pass the bumberries. Cranberry's silver. Then the skid marks

1:04:04.920 --> 1:04:08.720
<v Speaker 2>had skid marks already, Silvil plus the back doors hmm,

1:04:09.320 --> 1:04:19.280
<v Speaker 2>don't I Phil Colon's that's great gold Premium. That's Jaden,

1:04:19.280 --> 1:04:22.040
<v Speaker 2>another one of our new listeners in Geelong officially announced

1:04:22.040 --> 1:04:22.440
<v Speaker 2>on Monday.

1:04:22.480 --> 1:04:24.600
<v Speaker 3>We are now the biggest Regis station in Geelong. Geelong

1:04:24.640 --> 1:04:29.800
<v Speaker 3>has fallen to us and finally this morning backside bands

1:04:30.400 --> 1:04:36.120
<v Speaker 3>headlining our Backside Festival. Katie perineum Ah, let's get out

1:04:36.120 --> 1:04:38.040
<v Speaker 3>of the Christian O'Connell.

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<v Speaker 1>Breakfast show Gold one oh four point three.

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<v Speaker 3>We're doing the Midweet mixtape. You pick all the songs.

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<v Speaker 3>We give you a femois all to do with walking today.

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<v Speaker 3>Well done, great music so far. That was Katrina and

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<v Speaker 3>the Waves.

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<v Speaker 2>So earlier on this morning we were playing a bit

1:04:51.960 --> 1:04:53.520
<v Speaker 2>more of Jack's song.

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<v Speaker 3>I commission him to write a song for Melbourne after

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<v Speaker 3>last week Vienna toppling you from number one, where you've

1:04:58.080 --> 1:04:59.320
<v Speaker 3>been and rightly so for the last eight.

1:04:59.280 --> 1:05:01.400
<v Speaker 4>Or nine years as my Liverpool city in the world.

1:05:01.720 --> 1:05:03.360
<v Speaker 3>And we're thinking maybe the judges that we're also have

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<v Speaker 3>been so close member that just was swayed by the

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<v Speaker 3>rubbish eighties song about the boring town Vienna.

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<v Speaker 4>We need a song for this great city, Melbourne.

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<v Speaker 2>I thought. The only person who can write a song

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<v Speaker 2>it is.

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<v Speaker 3>Jack and the Lord Mayn was on the show Sally

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<v Speaker 3>Cap She's given it her blessing as well. And early

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<v Speaker 3>on this morning we were playing some of the amazing

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<v Speaker 3>you've had this worked up?

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<v Speaker 4>Who has the guy who's been doing this?

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<v Speaker 2>Yeah, they say, a friend of mine. Luck, thank you

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<v Speaker 2>for laying down the guitar parts and the drums and

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<v Speaker 2>the bass. Is this haven't listened to this? What are

1:05:33.120 --> 1:05:35.480
<v Speaker 2>we calling it? Everybody sing it for Melbourne? Everybody sing

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<v Speaker 2>it for the Melbourne.

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<v Speaker 17>Yep, it's the Boris line and the name of the song.

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<v Speaker 3>Now, last week we were lucky enough to be blessed

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<v Speaker 3>by the first suggestion of.

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<v Speaker 1>A rick of a line.

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<v Speaker 2>This song is in such a good place.

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<v Speaker 3>Yes, that's right, the song is coming week exactly and

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<v Speaker 3>I'm now about to bound another big leap forward. Very

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<v Speaker 3>lucky to get on my WhatsApp group I've set up

1:05:58.400 --> 1:05:59.919
<v Speaker 3>on my own phone. When I gave up my number,

1:06:00.560 --> 1:06:03.640
<v Speaker 3>a guy called Anthony works at Dell's Caryards. He left

1:06:03.680 --> 1:06:05.880
<v Speaker 3>this and I want us everyone just to reflect on

1:06:06.040 --> 1:06:09.040
<v Speaker 3>the beautiful word, magic and poetry in this.

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<v Speaker 7>We are Melbourne, we are strong, we are up then

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<v Speaker 7>and number one. We can keep kick people's houses if

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<v Speaker 7>food won't. But we are leading arts.

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<v Speaker 2>Now that's not going in the song. I mean, I've

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<v Speaker 2>done this.

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<v Speaker 10>We Melbourne, we are show.

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<v Speaker 2>We are up then and number one. Who we are leading? Hello,

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<v Speaker 2>number one spot. I hate that. I'm going to delete that.

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<v Speaker 2>I'm going to back up, Okay in a private hard ride.

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<v Speaker 1>The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

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<v Speaker 1>point three.

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<v Speaker 4>All right, that's it for us. Thank you very much

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<v Speaker 4>for picking all the music.

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<v Speaker 3>Another outstanding out picked by you on the midweek mixtape

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<v Speaker 3>Huggy Is on the Way. Could be playing the same

1:07:00.120 --> 1:07:02.760
<v Speaker 3>song twice. You could be winning ten thousand dollars on

1:07:02.840 --> 1:07:05.240
<v Speaker 3>the ten k no Repeat work Day. We are back

1:07:05.280 --> 1:07:08.000
<v Speaker 3>tomorrow morning with a quiz that I am going to

1:07:08.080 --> 1:07:11.960
<v Speaker 3>work out today is actually impossible for anyone to win

1:07:12.440 --> 1:07:13.439
<v Speaker 3>for least a week.

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<v Speaker 2>Are you going to loop me in this time? I'm

1:07:15.320 --> 1:07:17.680
<v Speaker 2>seeker being on the other side where I don't know

1:07:17.800 --> 1:07:19.480
<v Speaker 2>the answer, Absolutely not.

1:07:20.160 --> 1:07:24.680
<v Speaker 3>Title of today's show is Message Me Comma cartoon Daddy,

1:07:25.560 --> 1:07:26.080
<v Speaker 3>have a gat day.

1:07:26.080 --> 1:07:27.120
<v Speaker 2>We're speak to you tomorrow morning.

1:07:27.200 --> 1:07:30.520
<v Speaker 1>The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

1:07:30.560 --> 1:07:31.040
<v Speaker 1>point three