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Speaker 1: The Christian O'Connell Breakfast Show Podcast, Melbourn's Gold one oh

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Speaker 1: four point three.

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Speaker 2: Thank you very much for downloading show number fifty one,

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Speaker 2: and just a.

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Speaker 3: Quick note to say this Friday, Well you say I

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Speaker 3: say this Friday, but I don't know when you listen

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Speaker 3: to the show. But Christian's Court anyway, if you've got

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Speaker 3: a case for Christian's Court, as can be a case

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Speaker 3: that you'd like an independent ruling over against you and

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Speaker 3: a friend, you and a workmate, you and your other half,

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Speaker 3: let me know. We're looking for a new cases that

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Speaker 3: Jack and I can preside over in Christian's Court.

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Speaker 2: Email me anything Christian at Gold one O four three

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Speaker 2: dot com dot au. On with the pod. Thank you

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Speaker 2: for downloading.

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Speaker 4: I hope you.

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Speaker 5: Will live from level two twenty one to thirty one

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Speaker 5: Wood Street, Wretchman, This is the Christian o'condinal Breakfast Show

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Speaker 5: on Melbourn's Gold one oh four point three.

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Speaker 2: So are we are our two hundred good Morning Show

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Speaker 2: number fifty one.

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Speaker 3: We're into a whole new area now showing them a

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Speaker 3: fifty one Good Morning is three minutes past six Wednesday

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Speaker 3: morning God won a four point three So yesterday evening

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Speaker 3: watched two stories see how Hamish Nandy getting on.

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Speaker 4: That's a very good episode.

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Speaker 3: But if you saw episode three having a revolving restaurant

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Speaker 3: and then details start coming in about Andy Lee is

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Speaker 3: in hospital with the old bum grapes medical term Latin

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Speaker 3: terminology there for you rectus grapes fruitus.

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Speaker 4: He had to go in yesterday. It's a routine procedure.

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Speaker 3: But I think they send in like obviously a man

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Speaker 3: of Andy stature.

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Speaker 2: It's not like the rest of us. You know, what

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Speaker 2: about medicare he actually has. I didn't wontize this. You know,

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Speaker 2: he's got his own.

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Speaker 3: Hospital, so you never see Hamish Nandy in a hospital

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Speaker 3: bed next to you.

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Speaker 2: They have their own wing. All the tough bum doctors

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Speaker 2: in the world.

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Speaker 3: They mended his bum grapes ou ending the team with

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Speaker 3: three people up there and they're working through the night,

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Speaker 3: you know, like they have like a lane closure and

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Speaker 3: they work through the night, so it's all open in

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Speaker 3: the morning.

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Speaker 4: That kind of free ways of speak.

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Speaker 2: Elon Musk made a little submarine. So yeah, poor Andy,

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Speaker 2: how to go and have that dealt with yesterday? Have you?

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Speaker 2: It's hemorrhois we're talking about. It'd be so is a hemorrhoids.

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Speaker 2: How do you get a hemorrhoid? I don't have to

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Speaker 2: be honest, right, I'm not sure that I know that.

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Speaker 3: Ladies are very familiar about this because sometimes when you

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Speaker 3: go through pregnancy, as if it's not enough, you're actually

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Speaker 3: growing a human being in you that sometimes you suffer

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Speaker 3: from hemorrhoids.

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Speaker 4: Do you know what they are?

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Speaker 6: It's from straining. It's veins in your bottom, and if

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Speaker 6: you strain or if you're constipated, it's like an enlarged vein.

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Speaker 2: I think essentially, what do they do?

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Speaker 4: What's the procedure?

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Speaker 6: Well, I'm not quite sure. I've had family members. You

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Speaker 6: can lance them, I.

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Speaker 2: Know, and have them cut out, like spike them. It's

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Speaker 2: nasty business. I don't think you can just spike them

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Speaker 2: in the garden.

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Speaker 3: They tie, They tie, darling, Listen, if I put my

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Speaker 3: legs on your shoulders, can you just.

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Speaker 2: No?

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Speaker 6: I think they land and like they tie something around them.

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Speaker 2: To imagine a lance like what Knights used to have

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Speaker 2: when they wrote.

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Speaker 4: A no, like a six ft kind of thing like that.

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Speaker 6: No no, no.

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Speaker 2: But micro lasers or something.

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Speaker 6: Yeah, probably they've got all sorts of things. I guess

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Speaker 6: it depends what where they are, and like in what

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Speaker 6: area of said area?

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Speaker 2: Are they only in the bum? Or can you get hemorrhon?

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Speaker 2: Where is she going to get? I could a vain

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Speaker 2: grow on your ankle? I don't know.

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Speaker 3: That could save an embarrassing conversation with your doctors are

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Speaker 3: as low down as my ankle. Get him in now

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Speaker 3: the screens.

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Speaker 2: Get the Chelsea stick. We're gonna need several All right,

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Speaker 2: give us you all this morning then, not if you

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Speaker 2: can tell us any more about your bum grapes, but

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Speaker 2: if you've gone embarrassing ailments, that's what we want to

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Speaker 2: talk about this morning.

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Speaker 3: Nine four one four one oh four three. It's the

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Speaker 3: moment you've been waiting for that someone on a breakfast

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Speaker 3: show wants to hear all about your embarrassing ailment nine

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Speaker 3: four three.

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Speaker 2: After this from Europe, I'll tell you.

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Speaker 3: About one I accidentally found out about about my dad

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Speaker 3: and once it's one of those things you wish in

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Speaker 3: life there was none. Do button just a couple of

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Speaker 3: minutes and I'm it's all okay, But now I can't

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Speaker 3: I know this about my own dad.

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Speaker 4: It's beyond embarrassing.

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Speaker 1: The Christian O'Connell breakfast show Melbourne's Gold one oh four

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Speaker 1: point three.

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Speaker 3: Yesterday on the show was Andy Lee talking about true

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Speaker 3: stories back on last night, eight forty third episode of

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Speaker 3: the second series. And it turns out later on the afternoon,

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Speaker 3: I had to go into his own private hospital.

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Speaker 2: The ass. I think it's the Andy Lee Institute, and

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Speaker 2: to have a Yeah, it's a routine procedure that happens

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Speaker 2: to adults.

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Speaker 3: We're all grown up on the show, You're grown up.

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Speaker 3: We could talk about these things. Hemorrhoids, very very uncomfortable people.

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Speaker 3: I'm not entirely sure what they are or what they do.

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Speaker 2: It's one of those what they do is funny a

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Speaker 2: team of miners that they shrink and then put up

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Speaker 2: your backside.

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Speaker 3: I believe that's what they do. So anyway, he had

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Speaker 3: that going on yesterday, been Andy being the gun he is.

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Speaker 3: He's still doing phone as if he's on Kennedy Mannoy yesterday,

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Speaker 3: lying from his bed while someone's got a bum hammer pushing.

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Speaker 4: Them back in. I think that's this guy's a pro.

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Speaker 3: But listen, ER's not want to talk about embarrassing elments

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Speaker 3: because sometimes we all have things that go wrong with

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Speaker 3: the wonder that is the human body, and sometimes they

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Speaker 3: can be seen. It's been a little bit embarrassing. But anyway,

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Speaker 3: I'm going to share this story with you. It did

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Speaker 3: not happen to me.

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Speaker 2: It happened to a friend of mine. Okay, did you

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Speaker 2: when you motion towards no motions? Friend of mine, he was.

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Speaker 3: Going back to see his dad, and his dad texts

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Speaker 3: that sound running a bit late.

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Speaker 2: But there's a spare key under the mat. Let yourself in.

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Speaker 3: This friend of mine lets himself in, puts the ketl on,

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Speaker 3: makes a cup of tea, and it's you know, you

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Speaker 3: can't help but have a little look around, just to

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Speaker 3: see what's going on. And sometimes when you go back

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Speaker 3: to your mom and dad's place, it's like a little

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Speaker 3: kind of museum to them, isn't it. There's an indentation

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Speaker 3: on the couch where they always sit in their set places.

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Speaker 3: Then this friend of mine, his eye can't see some

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Speaker 3: opened mail and one of the pieces of papers. Straight

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Speaker 3: away he sees a compliment slip from the local hospital.

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Speaker 3: He shouldn't have read anymore because that compliment slip, that letter,

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Speaker 3: that information and the documents attached and the images attached

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Speaker 3: were not for his eyes.

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Speaker 4: But he something draws them to it. It's like the sun.

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Speaker 3: He shouldn't look at it, but he starts to get

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Speaker 3: drawn in, like a tractor being on the compliment slip

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Speaker 3: from the local hospital physiotherapy department, says mister so and so,

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Speaker 3: I hope these suggested positions help. He then goes on,

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Speaker 3: are these images crude cave cave pictures really of two people.

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Speaker 2: Doing it? What? Wait? Wait?

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Speaker 4: What they were?

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Speaker 2: Why would the doctors send you the kalmadiotherapy?

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Speaker 3: They were like warm up exercises before going about your business,

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Speaker 3: your business, and they were suggested positions as well. They

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Speaker 3: might with someone with a bad back that might find

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Speaker 3: it easier.

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Speaker 2: Oh okay, so your dad had a bad back. No, no,

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Speaker 2: it's I know this friend of mine.

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Speaker 4: I'm not in this story. I'm merely the storyteller. Happened

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Speaker 4: to me.

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Speaker 2: The way you told the story in the first hand

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Speaker 2: account seems so real.

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Speaker 3: I thought, well, that's a great storyteller can do that that,

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Speaker 3: you know, but they bring a story to life.

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Speaker 2: But this did not happen to me. If there's any confusion,

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Speaker 2: I'm having to clear it up now. Is that coupled

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Speaker 2: with the only two minutes ago you said I'll tell

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Speaker 2: you something about my dad. No no, no, no, Sometimes

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Speaker 2: I get confused, you know, no, no, no.

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Speaker 3: This happened to a friend of mine and he can't

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Speaker 3: undersee that stuff. And then when his dad suddenly arrives,

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Speaker 3: you know, twenty minutes later he said his dad is

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Speaker 3: the girlfriend he's now gone. Is that he has to

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Speaker 3: make his excuses and sound you know what, I've got

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Speaker 3: to head off now.

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Speaker 4: You can't see that.

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Speaker 2: But yeah, of the various imagine that warm up exercises

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Speaker 2: as well.

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Speaker 4: You waked down and over there in a minute. I've

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Speaker 4: just got a hundred of these to do.

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Speaker 2: It's good time for there. I just got to do

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Speaker 2: it five minutes on the cross trainer and I'm going

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Speaker 2: to sort you out. I've got to build up to it.

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Speaker 3: He's going to do some warm enough exercise that they do,

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Speaker 3: you know in the footy like sometimes you seen the

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Speaker 3: solar pitch on the bike, don't you get?

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Speaker 7: Yeah?

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Speaker 3: Yeah, probably warming down afterwards as she sees this up.

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Speaker 3: So you anyway, this morning, I said that story just

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Speaker 3: so if you want to share your embarrassing elments.

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Speaker 2: On nine four one four one oh four three.

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Speaker 1: The Christian O'Connell breakfast show Melbourne's Gold one oh four

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Speaker 1: point three.

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Speaker 3: So we've opened the lines this morning. Do you want

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Speaker 3: to talk about your embarrassing elments? Andy Lee has opened

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Speaker 3: this up for us along with his backside, poor guy,

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Speaker 3: poor guy.

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Speaker 2: Yesterday. He's been talking about this, by the way, he

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Speaker 2: has shared this yesterday on the radio. He's doing his interviews.

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Speaker 2: Although I don't know what happened because he's got he's

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Speaker 2: got hemorrhoids, and he was on Kennedy molloy yesterday talking

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Speaker 2: about this live from his hospital bed, but he never

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Speaker 2: mentioned it to us. Well, he was do you think

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Speaker 2: it was a hospital yesterday?

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Speaker 8: So he was.

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Speaker 2: He said he wasn't feeling well. Actually when he came in,

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Speaker 2: he came in with him.

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Speaker 8: Yeah.

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Speaker 2: And also now when you look back, do you remember

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Speaker 2: we wouldn't see he had a rubber ring. He came

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Speaker 2: in with a rubber ring. Now the signs were all there.

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Speaker 2: Why do we say, Andy, what's up with your backside? Buddy?

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Speaker 2: You know, I feel so bad?

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Speaker 4: We never we never said anything to him.

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Speaker 2: Emmanuel Coomering, good morning, Good morning, Annuel.

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Speaker 4: So you've had an embarrassing alment. What happened.

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Speaker 9: When I first met my future wife. We were sort

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Speaker 9: of dating and I went to I had this boil.

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Speaker 9: It was like a small boy on the top of

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Speaker 9: my bum crack and yeah, so I went to the

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Speaker 9: doctors get it looked at. He sort of sliced gaming

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Speaker 9: a couple of tablets, you know, did he did a

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Speaker 9: procedure there? Nothing was coming out anyway. On our first

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Speaker 9: second date, we're actually going down towards killed around me.

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Speaker 2: If that's a yeah euphemism, he's a lucky man. I

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Speaker 2: was trying to take my wife down. Hasn't killed her,

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Speaker 2: but she wouldn't have any of it.

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Speaker 4: She said, buy a drink.

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Speaker 9: First, we're going up for dinner and stuff. And she

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Speaker 9: had a brand new car. And he actually decided to

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Speaker 9: explode in her letter.

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Speaker 2: See yeah, but she's still married.

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Speaker 1: You did.

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Speaker 9: People made me a sort of a benuver in public

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Speaker 9: while she was in a car trying to wipe all

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Speaker 9: the paths.

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Speaker 3: And that's when you know you've met the right guy.

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Speaker 3: Missed him right there. You know, you've got to got

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Speaker 3: to keep her and a bleeder as well from his backside.

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Speaker 1: The Christian O'Connell breakfast show one's gold one or four

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Speaker 1: point three.

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Speaker 3: So our new Early Morning Game where you've got to

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Speaker 3: guess the song title is call this.

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Speaker 2: It's six thirty am and time to play the early

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Speaker 2: morning game.

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Speaker 10: It sounds like a song to me, Christian, do.

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Speaker 2: You know what small thing?

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Speaker 3: I can't believe it's the first time I've ever played it,

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Speaker 3: and actually it is six thirty. I think yesterday we

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Speaker 3: played it was like six forty nine or ten to two.

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Speaker 3: That would be the only time I ever hit it

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Speaker 3: bang on time yesterday. I just presume this one would

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Speaker 3: roll for weeks. You'd have no idea even But what

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Speaker 3: money I had in my pocket was about five bucks,

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Speaker 3: and the one of you fleeced me from that.

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Speaker 2: This I still come believe that went rock lobster. I

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Speaker 2: still have a problem with part two of that sound clue,

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Speaker 2: the clause, the clause. Yeah, I know it's snippy, snippy,

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Speaker 2: you know, is it? I'd like to see photographic evidence

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Speaker 2: of mark our audio.

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Speaker 4: He went around and.

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Speaker 3: Went down to a French restaurant and recorded all of that. Okay, anyway,

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Speaker 3: we've got a brand new one. Listen to the clues again.

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Speaker 3: Listen to this effects what is the song?

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Speaker 2: Too easy? As he annoys me, text Homer, all right,

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Speaker 2: give us a cool lines up and now what do

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Speaker 2: you reckon? The song title is nine four one four.

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Speaker 1: One four three The Christian Who Conwell Breakfast Show Melbourne's

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Speaker 1: Gold one oh four point three.

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Speaker 2: We are playing. It's six thirty am and time to

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Speaker 2: play the early morning game.

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Speaker 10: It sounds like a song to me Christian.

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Speaker 3: Thank you, I play you short ter f you sound effects.

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Speaker 3: You've got to guess the song title here is the

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Speaker 3: some Mornings. I think we made it too easy. I

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Speaker 3: think we've made it too easy.

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Speaker 2: Yeah, my next My only last guess is message me

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Speaker 2: cartoon Daddy? Is that?

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Speaker 3: I wish that song existed? Someone please make it. Andrew,

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Speaker 3: good morning, Good morning, iom morning mate, welcome to the show.

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Speaker 3: What do you think the song title is?

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Speaker 2: I gotta get a message to you by Oh great song?

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Speaker 4: No, Andrew, that's not the right one though, Stuart, good morning.

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Speaker 2: I love how we cut them off. Never leave a listener.

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Speaker 3: Down, Stuart, good morning, good morning. I'm pretty good Stewart,

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Speaker 3: hope you're well this morning, and thanks to calling the show.

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Speaker 2: What's your guests song too? Now, let's play this back.

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Speaker 2: How do you hear?

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Speaker 4: How do you hear?

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Speaker 2: Song too?

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Speaker 4: A good thinking?

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Speaker 3: Uh no, it's not the right one to look Stuart Graham,

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Speaker 3: good morning, Hei, guys, ge man, what are you going for?

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Speaker 2: What's the song I've gone with?

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Speaker 11: Blondie call me ah, No it's.

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Speaker 3: Not Blondie called me smart, guess so Graham toughler. Emma,

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Speaker 3: good morning, Good morning, Emma. I can just tell your

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Speaker 3: voice the excitement you're feeling good you reckon, You've got.

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Speaker 12: It, I think I do.

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Speaker 8: What is it?

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Speaker 12: Good vibrations?

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Speaker 8: Wow?

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Speaker 2: Yeah? Easy? Would there you go?

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Speaker 4: Hey, I've got surprises for you. I've got some movie tickets.

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Speaker 3: You go and see this great in Australian comedy movie

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Speaker 3: Eddie Izzard and a great cast all in. It's called

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Speaker 3: The Flip Side Out at the end of August on

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Speaker 3: the thirtieth.

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Speaker 2: You can have some tickets to go and see that.

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Speaker 2: Em well done, very much, right, Okay, that's it from

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Speaker 2: now on, No more easy ones, no more. That's it.

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Speaker 3: The gloves off, this was gonna be Tomorrow's not even

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Speaker 3: gonna I'm not even gonna waste your time with this one.

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Speaker 3: And I'm gonna take it off line today and make

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Speaker 3: a really really hard one.

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Speaker 4: And what's going to be this?

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Speaker 2: Oh yeah, that's too easy. What do you reckon sand explosion?

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Speaker 2: Oh my, you are not the focus group for this.

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Speaker 2: What's the first set of effect? Give me a clue.

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Speaker 4: Come on, you wanting me up?

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Speaker 2: You know what that is? Sound bump, It's an explosion?

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Speaker 4: Think about you must know what this is.

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Speaker 6: I've done a few ah mischief, possible theme tnc dynamite

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Speaker 6: that's why.

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Speaker 3: Yeah, well done, man, that's it. So tomorrow, brand new

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Speaker 3: clip and I guarantee, I guarantee is not gonna go tomorrow.

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Speaker 3: It won't even go all next week. Wow, Okay, I'm

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Speaker 3: gonna I'm not gonna give anything. I'm not gonna play

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Speaker 3: it on ED tomorrow and today. Have pressure tested this

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Speaker 3: in the office and no one comes anywhere near it.

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Speaker 3: That's it now, member, I've snapped.

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Speaker 1: The Christian O'Connell breakfast show Melbourne's Gold one oh four point.

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Speaker 2: Three time now four. We forgot to do this. Yes,

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Speaker 2: I felt really bad.

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Speaker 3: Big John is out there every morning, he gets way

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Speaker 3: before even we do, and it does this weather report

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Speaker 3: for us.

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Speaker 2: I forgot to play it yesterday. And where I found

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Speaker 2: this guy.

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Speaker 3: He's one of the people who in my WhatsApp group

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Speaker 3: when I gave my mobile number out Here is today's

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Speaker 3: weather report.

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Speaker 13: Good morning, Christian, big John here with your four o'clock

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Speaker 13: Rhaming weather report. Currently in Melbourne nine point three degrees.

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Speaker 13: It feels like six point nine. We're chasing the top

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Speaker 13: of fifteen degrees. Twe same chance of a watch hours

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Speaker 13: in the morning and the afternoon with light wings.

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Speaker 2: So that is where the report's brought to you by politics.

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Speaker 2: Back to you Christian Nice in his own sponsorship.

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Speaker 3: Not just that, I throw back to the studio as well.

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Speaker 3: He's getting slick with this, Big John, Thank you very much.

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Speaker 3: So you've got a dog, right, yes, yesterday I was

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Speaker 3: walking the dog. It's over in the Dandy Park near

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Speaker 3: where I live, and you see some odd stuff with

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Speaker 3: other dog walkers. Okay, it's this strange kind of community,

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Speaker 3: isn't it. Have you got one of those long things,

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Speaker 3: the old tennis ball launcher?

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Speaker 2: Oh no, I go raw arm. I mean I feel

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Speaker 2: like I can throw it far enough myself. Yeah, exactly.

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Speaker 2: I'm glad you were for the same way too.

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Speaker 3: My wife has one and it drives her nuts because

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Speaker 3: even when she launched that, I then see it as

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Speaker 3: a competition that I have to prove a point and

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Speaker 3: throw it just using my arm further than she's done

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Speaker 3: it with the dog launcher. And yesterday there's a guy

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Speaker 3: there right, and he's got the old launcher. And I

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Speaker 3: have to be honest, I know this is pathetic and

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Speaker 3: it's not going to put me a good light.

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Speaker 2: I judged him. How was that? Okay?

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Speaker 3: Bobby's got a weak arm, as he said, I'm I'm

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Speaker 3: near him with sort of not because that's what dog

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Speaker 3: people do. And I can actually get the tennis ball

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Speaker 3: and I'm throwing it, but my one is I haven't

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Speaker 3: quite warmed up.

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Speaker 2: It falls a bit short. I now I can't leave

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Speaker 2: it there, right.

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Speaker 3: I know you guys are competitive, but I'm starting to

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Speaker 3: become slightly straining this way, and I'm thinking I'm not

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Speaker 3: moving on, so I pick it up again.

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Speaker 2: Now I'm thinking I've got a really mode of this thing.

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Speaker 2: I'm not I'm not leaving it.

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Speaker 3: I then really well at yet, and I could see

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Speaker 3: even he sees it, and he's like right. He then

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Speaker 3: you know, makes out he's just you know, picking some

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Speaker 3: off his showing up. But I see he's not going that.

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Speaker 2: He then does another one. This one it's not bad,

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Speaker 2: it's a it's a good throw for my friend, but

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Speaker 2: he's still got the catapult.

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Speaker 3: Yeah, he's got artificial you know, it's artificial assistance he's

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Speaker 3: using there. I now, So this goes on for a

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Speaker 3: couple of minutes. Right now, my arm is already starting

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Speaker 3: to hurt, Okay, really really starting hurt. And then I

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Speaker 3: notice he bends down and gets something out of a bag.

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Speaker 3: This guy, he's got his dog there already. Right, he's

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Speaker 3: got a labrador, beautiful dog. He gets out of a bag.

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Speaker 3: I didn't walize he had it there. A small pet goat?

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Speaker 2: What in ack?

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Speaker 11: Right?

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Speaker 4: I can only describe what I saw.

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Speaker 3: A small pet goat that he puts on the ground,

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Speaker 3: A tiny little baby goat that starts like chewing.

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Speaker 2: The grass, that's right. I mean there were so many

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Speaker 2: rules and regulations everywhere in Victoria. Right, I've got I've

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Speaker 2: had the dog permit. You know, you've got on leash

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Speaker 2: off leash. I didn't know you could just rock up

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Speaker 2: to a park here with a flipping goat. And I

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Speaker 2: didn't think you would put it in the backpack. Was

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Speaker 2: its head sticking out before you?

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Speaker 4: It must have done.

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Speaker 2: He didn't unzip it was anything like that.

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Speaker 4: He just got it out the.

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Speaker 2: Produce as a pet goat. I didn't know you could

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Speaker 2: rock up with a pet goat.

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Speaker 4: Not just that, is it a pet?

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Speaker 2: I mean I live brighton a way I've not seen

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Speaker 2: people walking goat? Is this a new hipster thing? He's

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Speaker 2: one uped you to a point where you can't.

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Speaker 4: You know, and we don't even know.

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Speaker 3: My arm was sore as well as stall saw today

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Speaker 3: from the throwing competition got involved in and he's out

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Speaker 3: done me by bringing a you know, a pet go

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Speaker 3: to it.

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Speaker 2: You could throw a tennis ball two suburbs away, but

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Speaker 2: he still wins with baby girl, can believe it?

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Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four point.

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Speaker 3: Three systems that bring it on by Van Halen and

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Speaker 3: Jack actually let overgo?

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Speaker 2: Who is this again?

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Speaker 1: No?

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Speaker 2: I know, guys, I know van Halen, I did not

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Speaker 2: know song You you appreciate you were a musician yourself,

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Speaker 2: you can play instruments you know, you must appreciate.

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Speaker 3: I mean Eddie van Halen, he's the revered is one

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00:19:30,080 --> 00:19:36,719
Speaker 3: of the greatest contemporary guitarists ever. No, No, A lot

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Speaker 3: of people that millennial, so no, we are the great

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Speaker 3: van Halen do you know what I like about that

437
00:19:40,760 --> 00:19:42,920
Speaker 3: song is the big, that big guitar riff in it.

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Speaker 8: Yep.

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00:19:43,560 --> 00:19:45,639
Speaker 2: I'd be very happy to put together and produce an

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Speaker 2: album that was just back to back guitar riffs, and

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00:19:48,240 --> 00:19:49,800
Speaker 2: I think I would call it now that's what I

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00:19:49,960 --> 00:19:52,399
Speaker 2: call riff. Well, why don't you make one of the

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Speaker 2: mixtapes midweek mixtape?

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Speaker 3: Now, that's what I call riffs. It's just every song

445
00:19:58,760 --> 00:20:02,000
Speaker 3: just another big old in there. I'm just just shooting

446
00:20:02,040 --> 00:20:03,240
Speaker 3: off the to my head right now. You've got to

447
00:20:03,280 --> 00:20:06,240
Speaker 3: have November Rain, that big one slash. I mean about

448
00:20:06,359 --> 00:20:08,879
Speaker 3: ninety percent of that song is slash wigging out with

449
00:20:08,960 --> 00:20:10,399
Speaker 3: the with his guitar, and even.

450
00:20:10,280 --> 00:20:12,000
Speaker 4: In the video he's just stood outside the church.

451
00:20:12,040 --> 00:20:13,960
Speaker 3: I don't know why he's outside the church and you

452
00:20:14,040 --> 00:20:15,960
Speaker 3: get the big old helicopter shot and he's got.

453
00:20:15,880 --> 00:20:21,320
Speaker 14: That's now I know what you mean by wigo, because

454
00:20:21,880 --> 00:20:23,959
Speaker 14: yesterday you're like, oh, you should wig out on your

455
00:20:24,560 --> 00:20:26,280
Speaker 14: on the Melbourne song, we have a big wig out.

456
00:20:26,680 --> 00:20:28,199
Speaker 2: I don't know. I honestly, this is some.

457
00:20:28,359 --> 00:20:31,160
Speaker 3: Kind of loan translation pommy thing. You know we're back

458
00:20:31,240 --> 00:20:33,320
Speaker 3: in England, you know we like to wig out over there.

459
00:20:33,359 --> 00:20:35,360
Speaker 3: I think it comes from sixteenth century, when I guess

460
00:20:35,359 --> 00:20:37,080
Speaker 3: a lot of pumies used to wear powdered wigs.

461
00:20:37,680 --> 00:20:40,000
Speaker 2: Yeah, I mean like a big guitar solo. That's what

462
00:20:40,080 --> 00:20:42,720
Speaker 2: I think. This song needs a solo. I don't know

463
00:20:42,760 --> 00:20:45,119
Speaker 2: if it's a guitar solo, because you can have a

464
00:20:45,160 --> 00:20:48,679
Speaker 2: bagpipe solo a CDC long way to the top. That's amazing.

465
00:20:48,720 --> 00:20:51,000
Speaker 2: They actually managed to get a bagpipe solo in that song.

466
00:20:51,200 --> 00:20:53,840
Speaker 2: But it needs a solo and then wig out an

467
00:20:54,040 --> 00:20:56,280
Speaker 2: iconic Melbourne song because in the video clip they go

468
00:20:56,520 --> 00:21:00,119
Speaker 2: down the center of Yeah, come down once and what

469
00:21:00,200 --> 00:21:03,399
Speaker 2: do we have? We need an iconic moment in the

470
00:21:03,600 --> 00:21:05,600
Speaker 2: song that is a wig out. I don't know what

471
00:21:05,680 --> 00:21:07,320
Speaker 2: the riff is. It doesn't have to be a guitar,

472
00:21:07,440 --> 00:21:10,359
Speaker 2: what a what instrument hasn't been used before? In an

473
00:21:10,359 --> 00:21:12,880
Speaker 2: anthem that we could have a week hasn't been used? Yes,

474
00:21:13,320 --> 00:21:17,680
Speaker 2: that's our challenge. Like an obo solo, an obo, a xylophone,

475
00:21:18,119 --> 00:21:21,920
Speaker 2: a glockenspiel, a triangle, the old what's the thing I

476
00:21:21,960 --> 00:21:26,040
Speaker 2: was asking about the day the old wooden fish that

477
00:21:26,600 --> 00:21:29,159
Speaker 2: aguero I think we found it was called anyway, you know,

478
00:21:29,200 --> 00:21:29,520
Speaker 2: we'll come.

479
00:21:29,520 --> 00:21:31,960
Speaker 3: Back to that later on yesterday evening, I was having

480
00:21:32,000 --> 00:21:35,600
Speaker 3: another kind of un peacekeeping battle moment with my kids

481
00:21:35,640 --> 00:21:36,240
Speaker 3: about get.

482
00:21:36,240 --> 00:21:38,159
Speaker 10: Up, come down here.

483
00:21:38,240 --> 00:21:40,959
Speaker 2: Now I know the phones are up there. I'm going

484
00:21:41,040 --> 00:21:43,720
Speaker 2: to turn the Wi Fi off then see who's having.

485
00:21:43,560 --> 00:21:44,439
Speaker 4: Bigger folks down here?

486
00:21:44,560 --> 00:21:46,879
Speaker 2: Yes, as you ever did the negotiations, ever settled with

487
00:21:46,920 --> 00:21:49,160
Speaker 2: the contract, and I'm trying to ride a contract. Sitting

488
00:21:49,240 --> 00:21:51,520
Speaker 2: back down again to negotiate the teas and sees.

489
00:21:51,600 --> 00:21:52,200
Speaker 4: This weekend.

490
00:21:52,600 --> 00:21:53,399
Speaker 2: They got their.

491
00:21:53,320 --> 00:21:55,080
Speaker 4: People now sitting down with us.

492
00:21:55,320 --> 00:21:57,800
Speaker 3: It's three weeks trying to get this so kind of

493
00:21:57,880 --> 00:21:59,119
Speaker 3: phone contract together.

494
00:21:59,240 --> 00:22:01,440
Speaker 2: They's too smart, it's too slippery.

495
00:22:01,480 --> 00:22:03,760
Speaker 3: But yeah, this weekend we're putting the final details together.

496
00:22:03,880 --> 00:22:05,080
Speaker 3: Do you know what I was thinking yesterday?

497
00:22:05,400 --> 00:22:05,960
Speaker 2: I think we could.

498
00:22:06,160 --> 00:22:08,360
Speaker 3: I really wish we could bring back the good old

499
00:22:08,440 --> 00:22:13,440
Speaker 3: days of dial up internet. It was so painful, it

500
00:22:13,560 --> 00:22:15,560
Speaker 3: felt it at the time, but when I look back now,

501
00:22:15,960 --> 00:22:17,960
Speaker 3: the world was a better place.

502
00:22:18,640 --> 00:22:18,800
Speaker 8: You know.

503
00:22:19,000 --> 00:22:21,119
Speaker 3: Now, people are angry in that because they can constantly

504
00:22:21,240 --> 00:22:23,760
Speaker 3: just immediately just write a crappy review on.

505
00:22:23,840 --> 00:22:25,680
Speaker 4: Trip Advisor and ruin some restaurant.

506
00:22:25,680 --> 00:22:27,280
Speaker 3: You know, it's because they're angry in the moment they

507
00:22:27,359 --> 00:22:29,960
Speaker 3: can complain about have a go at somebody online, and

508
00:22:30,600 --> 00:22:33,360
Speaker 3: the reason why it was because it's immediate years ago

509
00:22:33,400 --> 00:22:35,200
Speaker 3: there was this abuse online because you had to wait

510
00:22:37,880 --> 00:22:39,840
Speaker 3: someone we're trying to use the landline and knock you

511
00:22:39,960 --> 00:22:41,600
Speaker 3: off whatever, and by the time you got on there

512
00:22:41,640 --> 00:22:43,639
Speaker 3: to like leave an abusive message, I've chilled out. Actually,

513
00:22:44,960 --> 00:22:47,240
Speaker 3: remember what I was angry about what that DJ said earlier.

514
00:22:47,240 --> 00:22:49,159
Speaker 3: I'm not going to contact the radio station anymore. So

515
00:22:49,240 --> 00:22:51,080
Speaker 3: I think we should bring back dine up, you know,

516
00:22:51,240 --> 00:22:53,119
Speaker 3: just have it as an option or an Apple or something.

517
00:22:54,000 --> 00:22:54,840
Speaker 2: The dial up internet.

518
00:22:55,119 --> 00:22:56,960
Speaker 4: I'd like to know this morning. Other things you'd like

519
00:22:57,080 --> 00:22:58,280
Speaker 4: to see brought back.

520
00:22:58,359 --> 00:23:01,520
Speaker 2: I know we're living an exciting all this latest advancements

521
00:23:01,560 --> 00:23:03,480
Speaker 2: and it's never ending change and all that, but things

522
00:23:03,560 --> 00:23:05,320
Speaker 2: actually you missed that you'd like to see you are

523
00:23:05,400 --> 00:23:07,280
Speaker 2: brought back. I remember a time when I was a

524
00:23:07,359 --> 00:23:09,840
Speaker 2: kid when the spare tire wasn't that little mini tire

525
00:23:09,920 --> 00:23:12,440
Speaker 2: you get now, the kind of quarter tire. It was

526
00:23:12,480 --> 00:23:15,320
Speaker 2: a big, old, fat, proper tire. Why are we gonna

527
00:23:15,760 --> 00:23:17,359
Speaker 2: shrink it down now? I want to see the return

528
00:23:17,400 --> 00:23:19,080
Speaker 2: of the big one, And no, it's driving on the

529
00:23:19,160 --> 00:23:21,800
Speaker 2: shrunken tire for a couple of weeks there I scared

530
00:23:22,280 --> 00:23:24,520
Speaker 2: you didn't want to go the frameway. You can't. All right?

531
00:23:24,520 --> 00:23:26,560
Speaker 3: Then this morning, what would you like to see brought back?

532
00:23:26,680 --> 00:23:29,720
Speaker 3: Nine four one four one four three. Don't call up

533
00:23:29,720 --> 00:23:33,639
Speaker 3: and say grubby, indeedy and thank you nine one four.

534
00:23:33,600 --> 00:23:37,119
Speaker 1: Three The Christian O'Connell Breakfast Show, Melbourne's Gold one oh

535
00:23:37,240 --> 00:23:37,920
Speaker 1: four point three.

536
00:23:38,160 --> 00:23:39,479
Speaker 3: So I think the world be a better place if

537
00:23:39,480 --> 00:23:41,080
Speaker 3: we went back to the dark old days of the

538
00:23:41,119 --> 00:23:43,200
Speaker 3: internet and dial up internet.

539
00:23:43,320 --> 00:23:46,679
Speaker 4: Bring it back, I reckon. Also, I reckon bring back

540
00:23:46,680 --> 00:23:48,399
Speaker 4: the return of the good old fax machine.

541
00:23:48,840 --> 00:23:51,399
Speaker 2: No, you never used a facts and had fun No,

542
00:23:52,000 --> 00:23:54,920
Speaker 2: quite right, but I like cumbersome technology. Everything these days

543
00:23:55,040 --> 00:23:58,400
Speaker 2: is too small. Return of big old clunky TVs.

544
00:23:58,400 --> 00:23:59,840
Speaker 3: You remember the big old TV that a big old

545
00:24:00,040 --> 00:24:01,720
Speaker 3: I said, like a big old booty on the back

546
00:24:01,760 --> 00:24:04,800
Speaker 3: there where the scientists sat there, you know, beaming it

547
00:24:04,880 --> 00:24:07,720
Speaker 3: in and like some sort of cathode ray tubes in

548
00:24:07,760 --> 00:24:08,200
Speaker 3: the back of it.

549
00:24:08,280 --> 00:24:11,520
Speaker 2: And your TV would get hot if it was off.

550
00:24:11,560 --> 00:24:14,200
Speaker 2: It was just on for like three minutes, glowing there.

551
00:24:14,280 --> 00:24:16,240
Speaker 2: When did you grab with that? We had a TV

552
00:24:16,359 --> 00:24:18,680
Speaker 2: that didn't have a remote when I was so you

553
00:24:18,760 --> 00:24:21,720
Speaker 2: had to My dad would just go channel and I

554
00:24:21,760 --> 00:24:24,679
Speaker 2: would have to get up and go and change the channel.

555
00:24:24,680 --> 00:24:27,359
Speaker 6: Boy usually the youngest in the family.

556
00:24:27,880 --> 00:24:30,720
Speaker 2: When I was the eldest channel and you had to

557
00:24:30,760 --> 00:24:33,440
Speaker 2: get up, there was only like two choices to be

558
00:24:33,800 --> 00:24:35,639
Speaker 2: as well, and not just that. It wasn't like now,

559
00:24:35,680 --> 00:24:37,960
Speaker 2: everything's kind of like, uh, you know, a soft touch,

560
00:24:38,000 --> 00:24:40,720
Speaker 2: isn't it tap tap? It was you almost have to punch.

561
00:24:42,160 --> 00:24:44,960
Speaker 3: A douche push, you know. We had to jab it

562
00:24:45,080 --> 00:24:47,639
Speaker 3: in to change the channel as well. And then they

563
00:24:47,680 --> 00:24:49,760
Speaker 3: brought no controls out that had like a lead.

564
00:24:50,640 --> 00:24:54,320
Speaker 2: It's not really remote lead into it as well.

565
00:24:54,680 --> 00:24:57,080
Speaker 3: But you know, yesterday we were talking about the Martika

566
00:24:57,240 --> 00:24:58,960
Speaker 3: song and I was saying, old Prince wrote this.

567
00:24:59,440 --> 00:25:01,919
Speaker 2: I read a bit on it yesterday and he.

568
00:25:02,000 --> 00:25:06,200
Speaker 3: Actually he faxed her the lyrics, the idea of Prince

569
00:25:06,480 --> 00:25:08,399
Speaker 3: getting annoyed with the facts of she because they were

570
00:25:08,440 --> 00:25:10,200
Speaker 3: never you know, it's like purple.

571
00:25:12,200 --> 00:25:12,879
Speaker 2: I didn't talk like that.

572
00:25:12,920 --> 00:25:14,960
Speaker 3: I think that's the Queen. By the way, I get

573
00:25:15,000 --> 00:25:18,119
Speaker 3: confused with doing the Queen and Prince. U's a fax machine.

574
00:25:18,320 --> 00:25:20,200
Speaker 4: Also, what's my Teaka's number?

575
00:25:20,240 --> 00:25:20,480
Speaker 8: Again?

576
00:25:21,840 --> 00:25:22,680
Speaker 4: You got the internet on?

577
00:25:23,119 --> 00:25:24,479
Speaker 2: Turn the internet up on your end?

578
00:25:26,880 --> 00:25:28,560
Speaker 3: All right, let's go to lines. So we're talking about

579
00:25:28,600 --> 00:25:30,440
Speaker 3: things you want to bring back? Melissa, good morning.

580
00:25:31,240 --> 00:25:31,960
Speaker 15: Hi, here you going.

581
00:25:32,119 --> 00:25:33,320
Speaker 4: I'm pretty good, Melissa, how you.

582
00:25:33,320 --> 00:25:35,080
Speaker 2: Well this morning? Thanks for calling the show. What do

583
00:25:35,200 --> 00:25:36,040
Speaker 2: we need to bring back?

584
00:25:36,720 --> 00:25:38,920
Speaker 15: We need to bring back video and DVD stores.

585
00:25:38,960 --> 00:25:42,040
Speaker 2: I think, yeah, the good old Blockbuster stores.

586
00:25:42,119 --> 00:25:45,000
Speaker 11: I think I'm liking the other day and I was

587
00:25:45,040 --> 00:25:47,280
Speaker 11: speaking to my husband about when we first started dating.

588
00:25:47,359 --> 00:25:49,639
Speaker 9: You know, we go to the movie store.

589
00:25:49,440 --> 00:25:51,800
Speaker 11: And you know, after a week of work on a Friday,

590
00:25:51,960 --> 00:25:56,359
Speaker 11: you know, relate lastday night, and yeah, so what a

591
00:25:56,440 --> 00:25:57,840
Speaker 11: shame we don't have that anymore?

592
00:25:57,880 --> 00:25:58,840
Speaker 2: And yeah, do you know what?

593
00:25:59,000 --> 00:26:01,960
Speaker 3: Because it was the whole experience, and it meant that

594
00:26:02,040 --> 00:26:04,000
Speaker 3: a movie, I know, you can download them now in

595
00:26:04,119 --> 00:26:06,040
Speaker 3: nano seconds. I can literally download a movie now and

596
00:26:06,080 --> 00:26:08,200
Speaker 3: we can all watch it. But and when I first

597
00:26:08,240 --> 00:26:10,960
Speaker 3: started dating my now wife, the same thing. Thursday night,

598
00:26:11,000 --> 00:26:13,640
Speaker 3: Friday night, you go to Blockbusters, you walk around, see

599
00:26:13,680 --> 00:26:14,960
Speaker 3: what was that? You'd have to read the back of

600
00:26:15,040 --> 00:26:16,920
Speaker 3: it because you couldn't just dial up a review on

601
00:26:17,000 --> 00:26:17,600
Speaker 3: the phone reader.

602
00:26:17,840 --> 00:26:18,720
Speaker 2: Do you like that person?

603
00:26:19,080 --> 00:26:20,920
Speaker 3: Jemna Faristin she's never done a good movie since she

604
00:26:21,000 --> 00:26:23,320
Speaker 3: left friends. And then you go and you get it,

605
00:26:23,359 --> 00:26:25,680
Speaker 3: and then it was then they had like the ice cream.

606
00:26:25,720 --> 00:26:27,960
Speaker 3: It was like when Ben and Jerry's and Hargannask came

607
00:26:28,000 --> 00:26:30,399
Speaker 3: out and you got your eight league bottle of fizzy

608
00:26:30,480 --> 00:26:32,080
Speaker 3: drink as well, and then you got chips. But it

609
00:26:32,160 --> 00:26:35,119
Speaker 3: was a whole experience that you a bleachded it more

610
00:26:35,119 --> 00:26:37,520
Speaker 3: because it didn't happen very often. Wasn't easy to get

611
00:26:37,560 --> 00:26:38,960
Speaker 3: hold of a movie. Now it's too easy.

612
00:26:39,040 --> 00:26:42,040
Speaker 2: And I think you're right about the reviews. Bad movies

613
00:26:42,080 --> 00:26:44,680
Speaker 2: had a lot better chance in the olden days of

614
00:26:44,800 --> 00:26:46,840
Speaker 2: getting a play because now we can too easily look

615
00:26:46,920 --> 00:26:49,640
Speaker 2: up Running Tomatoes or pretty was a critic and where

616
00:26:49,680 --> 00:26:53,040
Speaker 2: more informed. I only watched not I'm terrible. I only

617
00:26:53,080 --> 00:26:57,479
Speaker 2: watch everything above ninety percent. It's not. Back in the day,

618
00:26:57,520 --> 00:26:57,920
Speaker 2: you didn't know.

619
00:26:58,480 --> 00:27:01,280
Speaker 3: We saw more movies, more rubbish movies as well, because

620
00:27:01,280 --> 00:27:02,440
Speaker 3: you just the experience.

621
00:27:02,520 --> 00:27:04,879
Speaker 4: It was about the experience. Yeah, but that's a great one.

622
00:27:04,960 --> 00:27:05,560
Speaker 4: Thanks for that one.

623
00:27:06,520 --> 00:27:08,119
Speaker 2: Thank you have a good day, Greg.

624
00:27:09,440 --> 00:27:12,359
Speaker 15: Yes, here you going, Christian Jaqueen Jack, how.

625
00:27:12,280 --> 00:27:14,320
Speaker 2: Are you know what we're good this morning? What do

626
00:27:14,320 --> 00:27:15,280
Speaker 2: you think we should bring back?

627
00:27:16,119 --> 00:27:18,640
Speaker 15: We need to bring back to polywaffle chocolate bar.

628
00:27:19,320 --> 00:27:20,720
Speaker 2: I'm reading up on this occasion.

629
00:27:21,440 --> 00:27:25,120
Speaker 15: It's a yeah, it's a chocolate cut bar with waifer

630
00:27:25,320 --> 00:27:26,720
Speaker 15: and marshmallow.

631
00:27:26,200 --> 00:27:26,680
Speaker 9: In the middle.

632
00:27:26,920 --> 00:27:28,000
Speaker 4: Now, why did it go away?

633
00:27:29,440 --> 00:27:31,920
Speaker 15: I don't know, And that's like decided just a top production.

634
00:27:32,080 --> 00:27:34,040
Speaker 15: They thought it wasn't popular enough anymore.

635
00:27:34,359 --> 00:27:37,119
Speaker 2: Greg and Pats, it sounds like you like it as well.

636
00:27:37,160 --> 00:27:39,440
Speaker 2: I've got a theory about the poly waffle. I don't

637
00:27:39,520 --> 00:27:42,440
Speaker 2: think we actually liked it as much as everybody says

638
00:27:42,520 --> 00:27:45,280
Speaker 2: we did. But now that it's gone, we miss we

639
00:27:45,440 --> 00:27:47,800
Speaker 2: miss it. Yeah, it was great because we can't have it,

640
00:27:47,920 --> 00:27:49,720
Speaker 2: we miss it. But at the time, I don't think

641
00:27:49,720 --> 00:27:52,239
Speaker 2: a lot of people were choosing polly Waffle over your

642
00:27:52,320 --> 00:27:54,960
Speaker 2: cherry ripes, your flakes, you crunches, your twigs. Let's go

643
00:27:55,080 --> 00:27:56,760
Speaker 2: down to Greg for the counter points. So this's where

644
00:27:56,760 --> 00:27:58,200
Speaker 2: do you stand on Jack.

645
00:27:58,280 --> 00:27:59,680
Speaker 3: So the first time Jack said were giving the theory

646
00:27:59,680 --> 00:28:02,399
Speaker 3: to any think who knew he's been sat for twelve

647
00:28:02,440 --> 00:28:05,280
Speaker 3: weeks on a poly waffle theory must been killing him.

648
00:28:05,800 --> 00:28:08,840
Speaker 4: Craig, what are you about Jack's poly waffle theory?

649
00:28:09,800 --> 00:28:13,199
Speaker 15: Yeah, I think it's the minority that there because there

650
00:28:13,280 --> 00:28:16,520
Speaker 15: was such a great chocolate bar. Maybe Christian, with your power,

651
00:28:16,600 --> 00:28:18,120
Speaker 15: you can somehow bring it back.

652
00:28:18,800 --> 00:28:20,119
Speaker 2: Well, I mean I don't know what power we think.

653
00:28:20,160 --> 00:28:23,359
Speaker 9: I've got a lot of power radio.

654
00:28:23,600 --> 00:28:25,040
Speaker 2: See that's the only power of qu Yeah, you're right,

655
00:28:25,119 --> 00:28:27,680
Speaker 2: Christians like the Polly Waffle of radio. A lot of

656
00:28:27,720 --> 00:28:29,840
Speaker 2: people choose him. But if you like it that sort

657
00:28:29,880 --> 00:28:30,080
Speaker 2: of thing.

658
00:28:30,200 --> 00:28:32,240
Speaker 4: And he went away, you might miss him a bit more.

659
00:28:33,240 --> 00:28:36,560
Speaker 1: The Christian O'Connell breakfast Show Melbourne's Gold one oh four

660
00:28:36,640 --> 00:28:37,880
Speaker 1: point three thanks.

661
00:28:37,680 --> 00:28:38,520
Speaker 2: To the course of Texas.

662
00:28:38,560 --> 00:28:40,520
Speaker 3: One of the things that you'd like to see make

663
00:28:40,560 --> 00:28:43,840
Speaker 3: a return, things that should come back. I was just

664
00:28:43,880 --> 00:28:46,280
Speaker 3: about to say something you don't see very often these days,

665
00:28:46,320 --> 00:28:48,120
Speaker 3: but I thought, actually, if I say that on air,

666
00:28:48,120 --> 00:28:49,560
Speaker 3: we will get a load of complaints. That is not

667
00:28:49,600 --> 00:28:53,240
Speaker 3: a good idea, is the clue. I can't honestly can't

668
00:28:53,280 --> 00:28:54,520
Speaker 3: talk it out on it. I was about the set

669
00:28:54,560 --> 00:28:58,520
Speaker 3: and I thought, no, no way, no way, filter. Yeah no,

670
00:28:58,600 --> 00:29:00,560
Speaker 3: I just find finally had a moment there of awareness

671
00:29:00,640 --> 00:29:02,120
Speaker 3: like that that would not go down very well.

672
00:29:02,320 --> 00:29:04,560
Speaker 2: But you don't see a lot of them. Medicine has

673
00:29:04,600 --> 00:29:04,880
Speaker 2: moved on.

674
00:29:04,960 --> 00:29:08,160
Speaker 3: Now anyway, and he's on the line, Andy, good morning

675
00:29:08,800 --> 00:29:11,960
Speaker 3: he and now Andy, what do you You've got a

676
00:29:12,000 --> 00:29:12,400
Speaker 3: great one?

677
00:29:12,440 --> 00:29:14,200
Speaker 2: Tell everyone what you think should make a comeback?

678
00:29:14,840 --> 00:29:18,000
Speaker 11: Well, he said this, you view eight track eight stacker

679
00:29:18,960 --> 00:29:21,400
Speaker 11: record player. I remember those, and you could put your

680
00:29:21,440 --> 00:29:24,560
Speaker 11: forty fives on the special cruise on so nothing would slip.

681
00:29:24,960 --> 00:29:26,800
Speaker 11: But he used used to slip, and you used to

682
00:29:26,880 --> 00:29:30,000
Speaker 11: get your eighth record. It sounded like someone with a

683
00:29:30,080 --> 00:29:32,440
Speaker 11: really deep voice and a bad attitude.

684
00:29:33,920 --> 00:29:34,600
Speaker 4: Jimmy Barnes.

685
00:29:36,280 --> 00:29:38,400
Speaker 11: He would have saund like Tom Jones.

686
00:29:38,600 --> 00:29:41,280
Speaker 2: And so my my mate's dad had one of these

687
00:29:41,400 --> 00:29:43,840
Speaker 2: and we were He was never allowed to go anywhere

688
00:29:43,920 --> 00:29:44,160
Speaker 2: near it.

689
00:29:44,200 --> 00:29:46,760
Speaker 4: His dad was very very protective of it. It was like, yeah,

690
00:29:47,200 --> 00:29:49,040
Speaker 4: that was it, like an eight stack they called them.

691
00:29:49,920 --> 00:29:53,000
Speaker 11: Yeah, my dad used to crack the ships because you

692
00:29:53,040 --> 00:29:54,840
Speaker 11: could change the speed and we used to play all

693
00:29:55,240 --> 00:29:56,920
Speaker 11: his seventy eight to thirty threes.

694
00:29:58,120 --> 00:30:00,440
Speaker 4: Oh he loves it, and this is ascribe it.

695
00:30:00,480 --> 00:30:02,360
Speaker 3: To jack Then there'd be a lot of people listening

696
00:30:02,440 --> 00:30:05,080
Speaker 3: to this, like Jackie, aren't aware of what we're talking about.

697
00:30:05,120 --> 00:30:08,800
Speaker 2: So how would you describe something like this, Andy, Well, it's.

698
00:30:08,640 --> 00:30:11,239
Speaker 11: A turntable, the old fashioned turn table. And I never

699
00:30:11,360 --> 00:30:13,400
Speaker 11: understand why they did away from the eight track and

700
00:30:13,560 --> 00:30:15,240
Speaker 11: come up with this single little pole. You had to

701
00:30:15,280 --> 00:30:18,080
Speaker 11: put one record on at the time. Yeah, maybe five

702
00:30:18,120 --> 00:30:20,920
Speaker 11: minutes to change it. But yeah, he had a pole

703
00:30:21,000 --> 00:30:22,480
Speaker 11: up in the middle with a special catch on it,

704
00:30:22,480 --> 00:30:24,120
Speaker 11: and all the records is to sit up the top,

705
00:30:24,520 --> 00:30:26,840
Speaker 11: and a special used to come around. Every time the

706
00:30:27,520 --> 00:30:30,200
Speaker 11: arm returned back to base, it would drop the next

707
00:30:30,280 --> 00:30:32,120
Speaker 11: record on to the top of the last record.

708
00:30:32,560 --> 00:30:35,360
Speaker 2: So it's just so you didn't you didn't choose which

709
00:30:35,800 --> 00:30:37,880
Speaker 2: you didn't say, I want to listen to record for you,

710
00:30:38,040 --> 00:30:43,240
Speaker 2: Just the machine decided you.

711
00:30:43,880 --> 00:30:45,880
Speaker 11: Now, you pre stacked it, you pre stacked it in

712
00:30:45,960 --> 00:30:48,400
Speaker 11: your order you wanted it, but it never came out right.

713
00:30:48,480 --> 00:30:50,400
Speaker 3: Do you know, Andy, do you think that'd be a

714
00:30:50,440 --> 00:30:52,600
Speaker 3: great thing now if you had like a bar or

715
00:30:52,640 --> 00:30:54,240
Speaker 3: a part and it had one of those in and

716
00:30:54,360 --> 00:30:55,840
Speaker 3: so you know, like a jukebox, you pick a couple

717
00:30:55,840 --> 00:30:57,920
Speaker 3: of songs, but you picked your eight songs, you worked

718
00:30:57,920 --> 00:30:59,479
Speaker 3: out the order you and you makes me put them

719
00:30:59,480 --> 00:31:01,240
Speaker 3: on and then that it would play it for you.

720
00:31:01,360 --> 00:31:02,800
Speaker 3: I reckon that will make a great thing in a

721
00:31:02,840 --> 00:31:04,760
Speaker 3: pub now, better than a chip box. So patrons of

722
00:31:04,800 --> 00:31:07,160
Speaker 3: the planminnet allowed to do it themselves. It's that kid's

723
00:31:07,240 --> 00:31:07,680
Speaker 3: dad who.

724
00:31:07,600 --> 00:31:09,440
Speaker 2: Goes, don't touch it, don't touch it. I'll do it.

725
00:31:09,640 --> 00:31:10,320
Speaker 2: You tell me the song.

726
00:31:10,360 --> 00:31:13,080
Speaker 11: I'll do it very sense, tied up in the corner.

727
00:31:13,120 --> 00:31:16,239
Speaker 4: So Andy, great Gold, thanks a lot for that one.

728
00:31:16,360 --> 00:31:19,640
Speaker 1: The Christian O'Connell breakfast Show Melbourne's Gold one oh four

729
00:31:19,720 --> 00:31:20,200
Speaker 1: point three.

730
00:31:20,480 --> 00:31:24,080
Speaker 3: This show needs you, your city needs you. So yeah,

731
00:31:24,080 --> 00:31:26,480
Speaker 3: it was this time last week the news came out,

732
00:31:26,520 --> 00:31:28,320
Speaker 3: most Liverpool city in the world. It's an annual thing.

733
00:31:28,360 --> 00:31:29,960
Speaker 3: You've been at number one for like the last eight

734
00:31:30,120 --> 00:31:32,840
Speaker 3: or nine years. It's one of the many reasons why

735
00:31:32,960 --> 00:31:34,840
Speaker 3: my family's an idea. We decided to move over here

736
00:31:34,880 --> 00:31:37,320
Speaker 3: to the most liveable city in the world, the reigning

737
00:31:37,440 --> 00:31:39,960
Speaker 3: number one, undefeated champion for the last eight or nine years.

738
00:31:39,960 --> 00:31:43,640
Speaker 2: And then suddenly Austria comes in with Vienna and I've

739
00:31:43,680 --> 00:31:45,960
Speaker 2: been there. It's a boring little place, nothing on this

740
00:31:46,040 --> 00:31:48,760
Speaker 2: great city. And we have the Lord Mayor on Sally

741
00:31:48,800 --> 00:31:50,400
Speaker 2: Cap And then whilst we were chatting to how it just.

742
00:31:50,400 --> 00:31:53,680
Speaker 3: Suddenly punted up the idea that maybe it's because the

743
00:31:53,760 --> 00:31:56,800
Speaker 3: judges were dissuaded by that eighty song Vienna. Maybe if

744
00:31:56,840 --> 00:31:58,640
Speaker 3: Melbourne has a song, it can get back the number

745
00:31:58,680 --> 00:32:00,920
Speaker 3: one spot. So the Lord may he count the great

746
00:32:01,400 --> 00:32:04,840
Speaker 3: And Jack was busy over the weekends a writer's retreat

747
00:32:04,920 --> 00:32:07,360
Speaker 3: he called it when he went away to an Airbnb.

748
00:32:07,440 --> 00:32:08,880
Speaker 3: I'm sure Dylan did this back in the day. His

749
00:32:08,960 --> 00:32:10,480
Speaker 3: book's out on Airbnb somewhere.

750
00:32:10,720 --> 00:32:13,800
Speaker 2: I went and wrote songs, and then when Jack came

751
00:32:13,880 --> 00:32:17,240
Speaker 2: in on Monday, he paid us this demo version. So

752
00:32:17,400 --> 00:32:20,000
Speaker 2: the demo versions before we play it, it's like a

753
00:32:20,080 --> 00:32:22,440
Speaker 2: really raw kind of Yeah you can't You've got to

754
00:32:22,600 --> 00:32:25,440
Speaker 2: still use your imagination of what the song will be. Yeah,

755
00:32:25,760 --> 00:32:26,320
Speaker 2: this is raw.

756
00:32:27,120 --> 00:32:37,040
Speaker 8: Everybody singing it for Malvin Malvin, everybody sing it for

757
00:32:37,320 --> 00:32:38,920
Speaker 8: Melvin Noln.

758
00:32:43,880 --> 00:32:45,960
Speaker 3: So then you've got you've called in some favors, and

759
00:32:46,600 --> 00:32:49,200
Speaker 3: you've got someone who's really really produced this up said

760
00:32:49,200 --> 00:32:49,840
Speaker 3: have a listen to this.

761
00:32:49,960 --> 00:32:56,440
Speaker 2: Now this has really moved on. It sounds great. And

762
00:32:56,520 --> 00:33:01,840
Speaker 2: then this goes to the chorus. Ye doesn't that sound great?

763
00:33:05,680 --> 00:33:07,160
Speaker 2: And you you've corrected this.

764
00:33:08,080 --> 00:33:08,880
Speaker 10: This is your work.

765
00:33:09,000 --> 00:33:16,320
Speaker 2: Thank you Fair. It's amazing. I mean, he did the

766
00:33:16,360 --> 00:33:18,080
Speaker 2: guitar on that is a lot better than what I'm

767
00:33:18,120 --> 00:33:21,920
Speaker 2: capable of. So somebody so, yeah, he's brought it alive,

768
00:33:22,000 --> 00:33:23,040
Speaker 2: but it's your inspiration.

769
00:33:23,480 --> 00:33:25,320
Speaker 3: So Jack sort of laid down the vocal track with

770
00:33:25,480 --> 00:33:28,760
Speaker 3: that yesterday, and you know, this is where we now

771
00:33:28,880 --> 00:33:31,640
Speaker 3: need everybody's help YEP, it is clear that your balls

772
00:33:31,680 --> 00:33:32,240
Speaker 3: haven't dropped.

773
00:33:33,840 --> 00:33:36,040
Speaker 2: I'm not saying that there's anything wrong with that. At thirty,

774
00:33:36,560 --> 00:33:37,440
Speaker 2: it's been that situation.

775
00:33:37,600 --> 00:33:38,080
Speaker 4: You're lucky.

776
00:33:38,520 --> 00:33:40,680
Speaker 3: If we were to you know, it's obviously not going

777
00:33:40,720 --> 00:33:42,360
Speaker 3: to happen for you. And that's okay, buddy, all right.

778
00:33:42,640 --> 00:33:44,560
Speaker 3: I'm not judging or shaming in any way.

779
00:33:44,640 --> 00:33:45,480
Speaker 2: Okay, you know.

780
00:33:45,480 --> 00:33:47,840
Speaker 4: And if we were making a choir anthem, yeah we

781
00:33:48,000 --> 00:33:48,240
Speaker 4: need you.

782
00:33:48,360 --> 00:33:49,200
Speaker 2: But on a rock song.

783
00:33:49,320 --> 00:33:50,000
Speaker 4: Haven't listened to this.

784
00:33:52,200 --> 00:33:53,720
Speaker 2: Every body bless him.

785
00:33:54,400 --> 00:34:01,720
Speaker 10: Ten year old boy, everybody singing.

786
00:34:01,800 --> 00:34:02,920
Speaker 2: What is it you want to pocket?

787
00:34:03,000 --> 00:34:03,280
Speaker 6: Running?

788
00:34:04,640 --> 00:34:04,920
Speaker 10: True?

789
00:34:05,520 --> 00:34:08,320
Speaker 2: I agree that now that the production quality of the

790
00:34:08,440 --> 00:34:11,880
Speaker 2: music has gone up significantly, my voice is not the

791
00:34:12,040 --> 00:34:15,440
Speaker 2: right voice for the song. What we need is someone

792
00:34:15,560 --> 00:34:16,239
Speaker 2: like barn Zy.

793
00:34:20,040 --> 00:34:20,440
Speaker 4: Melbourne.

794
00:34:20,480 --> 00:34:22,719
Speaker 3: Our question now is we are looking to have you

795
00:34:22,960 --> 00:34:25,239
Speaker 3: sing the chorus with us. You can not just listen

796
00:34:25,320 --> 00:34:27,400
Speaker 3: to the song. You can be on the song. Do

797
00:34:27,400 --> 00:34:29,400
Speaker 3: you want to join our people's chorus. We're looking for

798
00:34:29,440 --> 00:34:31,160
Speaker 3: you to give us a call this morning. We're just

799
00:34:31,200 --> 00:34:33,479
Speaker 3: going to audition you. She just wanted to do that line.

800
00:34:33,840 --> 00:34:37,480
Speaker 2: Everybody singing for Melbourne Melbourne? All right, so it's Melbourne

801
00:34:37,480 --> 00:34:40,040
Speaker 2: twice Melbourne twice. It's so good they named it twice.

802
00:34:40,840 --> 00:34:43,200
Speaker 3: All right, give us a call now nine four one

803
00:34:43,360 --> 00:34:45,520
Speaker 3: four one o four three. We want to audition you.

804
00:34:45,600 --> 00:34:46,680
Speaker 3: We want to hear your pipes.

805
00:34:46,800 --> 00:34:50,120
Speaker 1: The Christian O'Connell breakfast Show Melbourne's Gold one oh four

806
00:34:50,200 --> 00:34:50,640
Speaker 1: point three.

807
00:34:50,960 --> 00:34:53,399
Speaker 3: So we are making a song for Melbourne, a brand

808
00:34:53,440 --> 00:34:55,880
Speaker 3: new anthem for this great city to rival the new

809
00:34:55,960 --> 00:34:58,680
Speaker 3: number one most Liverpool's city in the world v Enna.

810
00:34:59,600 --> 00:35:01,040
Speaker 3: So we need you to sing on it. We like

811
00:35:01,160 --> 00:35:02,720
Speaker 3: you to sing on to be part of the chorus.

812
00:35:03,200 --> 00:35:05,000
Speaker 3: Jack has laid down this vocal.

813
00:35:07,040 --> 00:35:16,440
Speaker 10: Everybody singing, Oh, everybody.

814
00:35:15,920 --> 00:35:22,239
Speaker 2: Singing, got on the Muppets. It's it's too high, a

815
00:35:22,280 --> 00:35:24,840
Speaker 2: registered on. It's not on my range. It's not in

816
00:35:24,920 --> 00:35:28,080
Speaker 2: your again because I wrote the song. Sok. But you've you've.

817
00:35:28,400 --> 00:35:31,000
Speaker 2: It's not about you. You've you've given to this to us,

818
00:35:31,239 --> 00:35:33,640
Speaker 2: you know, And so we need you to come on

819
00:35:33,719 --> 00:35:37,600
Speaker 2: here this morning and lay down your a big kind

820
00:35:37,680 --> 00:35:38,600
Speaker 2: of vocal to it.

821
00:35:42,520 --> 00:35:42,839
Speaker 4: All right.

822
00:35:42,920 --> 00:35:45,560
Speaker 3: Our first this morning we say, well, Jenny is Brake.

823
00:35:45,680 --> 00:35:46,520
Speaker 3: She's the first person to.

824
00:35:46,560 --> 00:35:50,360
Speaker 2: Come on here and do this. Good morning Jenny, Hello Jenny,

825
00:35:50,480 --> 00:35:53,239
Speaker 2: So did you sing at school or anything you've been

826
00:35:53,280 --> 00:35:56,919
Speaker 2: in a band before I was in a heavy metal band,

827
00:35:57,520 --> 00:35:59,920
Speaker 2: were you really? That's what we need? This is it?

828
00:36:00,200 --> 00:36:00,239
Speaker 10: So?

829
00:36:00,680 --> 00:36:02,920
Speaker 4: What was the name of your heavy metal band, Jenny,

830
00:36:03,719 --> 00:36:04,200
Speaker 4: Day of.

831
00:36:04,520 --> 00:36:06,840
Speaker 5: Knives, Day of Knives?

832
00:36:07,560 --> 00:36:10,759
Speaker 2: I love hearing high bands into a whole show. Just

833
00:36:10,880 --> 00:36:12,959
Speaker 2: on here, and what your old band used to be called?

834
00:36:14,280 --> 00:36:17,360
Speaker 9: And now I'm in a choir called Open Doors Choir.

835
00:36:18,080 --> 00:36:20,400
Speaker 2: Well, that is a transition and a half, isn't it,

836
00:36:20,560 --> 00:36:23,680
Speaker 2: from the heavy metal band day of Night to the

837
00:36:24,600 --> 00:36:27,200
Speaker 2: so Jenny, you know we're after here, Jack. The line

838
00:36:27,280 --> 00:36:30,160
Speaker 2: we need is everybody sing it for Melbourne. Everybody. Everybody

839
00:36:30,360 --> 00:36:36,480
Speaker 2: singing is everybody. I can't do it, Jenny, I believe

840
00:36:36,520 --> 00:36:38,160
Speaker 2: in you. Will give you a bit of a leading.

841
00:36:38,200 --> 00:36:43,640
Speaker 2: I'll count you in. So's everybody sing it for Melbourne? Melbourne? Yep, yeah, Jenny,

842
00:36:43,680 --> 00:36:46,239
Speaker 2: Maybe pull the phone away from your mouth a little bit.

843
00:36:47,080 --> 00:36:48,160
Speaker 2: I want you to belt it out.

844
00:36:48,440 --> 00:36:51,680
Speaker 9: Yeah, okay, all right, you ready, Jenny, I'm going.

845
00:36:51,520 --> 00:36:53,080
Speaker 2: All right, let's try and do this everyone. This is

846
00:36:53,160 --> 00:37:01,000
Speaker 2: Live Radio one, two, three, four. Everybody sing it? Oh Best.

847
00:37:03,080 --> 00:37:03,799
Speaker 4: On once more?

848
00:37:03,840 --> 00:37:04,560
Speaker 2: That sounds great.

849
00:37:04,640 --> 00:37:05,120
Speaker 4: Go again.

850
00:37:06,560 --> 00:37:09,200
Speaker 16: Everybody's singing it from Mail Best.

851
00:37:10,400 --> 00:37:10,759
Speaker 2: That's it.

852
00:37:10,960 --> 00:37:12,040
Speaker 4: She's finding a groove.

853
00:37:13,360 --> 00:37:15,040
Speaker 17: Jenny Jenny, you're in the bands.

854
00:37:15,200 --> 00:37:16,240
Speaker 2: You're in the band, Jenny.

855
00:37:17,160 --> 00:37:17,399
Speaker 6: Wow.

856
00:37:17,560 --> 00:37:21,040
Speaker 2: Wait, that's a high standard set there, Jenny. That is impressive.

857
00:37:21,520 --> 00:37:26,040
Speaker 2: Let's go to Freedom. Good morning, good morning, okay, Freedom,

858
00:37:26,080 --> 00:37:27,000
Speaker 2: tell us about your form.

859
00:37:27,040 --> 00:37:27,919
Speaker 4: Have you been in a band?

860
00:37:28,960 --> 00:37:30,320
Speaker 2: H No, I have not.

861
00:37:30,560 --> 00:37:32,200
Speaker 16: I used to sing in the school choir, but this

862
00:37:32,360 --> 00:37:34,000
Speaker 16: was back in primary school and we used to sing

863
00:37:35,000 --> 00:37:36,120
Speaker 16: a lot of kid songs.

864
00:37:36,480 --> 00:37:38,800
Speaker 2: Yeah, okay, what it doesn't matter, right you ready to

865
00:37:38,800 --> 00:37:39,200
Speaker 2: give this a go?

866
00:37:39,320 --> 00:37:40,479
Speaker 4: Freedom? And you know what we're after?

867
00:37:41,440 --> 00:37:41,640
Speaker 1: Yep?

868
00:37:41,800 --> 00:37:43,759
Speaker 2: All right, Jack will count you in.

869
00:37:43,840 --> 00:37:49,000
Speaker 4: Okay, all right, here we go, one, two, three.

870
00:37:50,239 --> 00:37:54,759
Speaker 16: Everybody sing it from Melvin Melvin very good.

871
00:37:54,960 --> 00:37:56,440
Speaker 2: And one more time Freedom go.

872
00:37:58,239 --> 00:38:05,399
Speaker 16: Everybody sing it Albun Melbourne again, Freedom, very good.

873
00:38:05,680 --> 00:38:08,320
Speaker 3: We're building the bad folks, we're building the band. So

874
00:38:08,440 --> 00:38:11,000
Speaker 3: we've got Jenny, we got Freedom. Who else have we

875
00:38:11,080 --> 00:38:11,440
Speaker 3: got there?

876
00:38:11,480 --> 00:38:12,320
Speaker 4: We've got Nicole?

877
00:38:12,400 --> 00:38:16,080
Speaker 2: Come on in, Nicole, good money? Okay, Nicole? So you

878
00:38:16,120 --> 00:38:17,520
Speaker 2: want a hands free right now?

879
00:38:18,680 --> 00:38:18,879
Speaker 9: Yeah?

880
00:38:19,600 --> 00:38:20,680
Speaker 2: All right? Is this safe?

881
00:38:22,000 --> 00:38:22,879
Speaker 16: Completely same?

882
00:38:23,160 --> 00:38:23,839
Speaker 4: No, I don't reckon.

883
00:38:23,920 --> 00:38:26,959
Speaker 3: We can encourage singing and auditioning for live radio whilst

884
00:38:26,960 --> 00:38:29,640
Speaker 3: you're driving. Worried about your safety, Nicole? Afraid when you

885
00:38:29,800 --> 00:38:31,719
Speaker 3: can pull over and give us a call when it's safe.

886
00:38:31,760 --> 00:38:33,279
Speaker 3: You've got to be safe with rock and roll these days,

887
00:38:33,320 --> 00:38:35,000
Speaker 3: health and safety if you want all right, So if

888
00:38:35,000 --> 00:38:36,440
Speaker 3: you want to sing in the man nine four one

889
00:38:36,480 --> 00:38:37,680
Speaker 3: four one four three.

890
00:38:37,640 --> 00:38:40,680
Speaker 1: The Christian who Connell Breakfast Show Melbourne's Gold one oh

891
00:38:40,800 --> 00:38:41,480
Speaker 1: four point three.

892
00:38:41,800 --> 00:38:44,319
Speaker 3: Sometimes when you're the host of a breakfast show, it's

893
00:38:44,400 --> 00:38:46,920
Speaker 3: like you're a pilot. You've got to make micro decisions

894
00:38:46,960 --> 00:38:50,160
Speaker 3: that can also the safety of the listeners and take

895
00:38:50,160 --> 00:38:52,160
Speaker 3: you on a completely different course. And right now, during

896
00:38:52,239 --> 00:38:54,600
Speaker 3: that song, we have to have an instant editor of

897
00:38:54,680 --> 00:38:58,280
Speaker 3: meeting about whether or not Andy Lee's hemorrhoids will influence

898
00:38:58,360 --> 00:39:02,080
Speaker 3: today's at work time where it's at nine four grown ups,

899
00:39:02,719 --> 00:39:05,000
Speaker 3: four grownups actually talking about it, whether.

900
00:39:04,960 --> 00:39:07,080
Speaker 4: Any of us saw going, hey, are we really.

901
00:39:07,360 --> 00:39:10,759
Speaker 3: Talking about another guy's backside, and whether or not we

902
00:39:10,880 --> 00:39:12,840
Speaker 3: put it on air for the at work time waste.

903
00:39:12,920 --> 00:39:15,360
Speaker 3: We are talking about our good friend Andy Lee's hemorrhoids.

904
00:39:15,400 --> 00:39:17,799
Speaker 3: So we have heard from this morning he's recovering well.

905
00:39:18,080 --> 00:39:22,239
Speaker 3: Three man operation yesterday, go up his backside and it's

906
00:39:22,280 --> 00:39:26,719
Speaker 3: a diamonte fixed. They've done amazing, amazing What money can

907
00:39:26,760 --> 00:39:28,160
Speaker 3: buy you now, you know, beautiful stuff.

908
00:39:28,200 --> 00:39:29,760
Speaker 4: Andy, I look forward to seeing it anyway.

909
00:39:30,040 --> 00:39:31,680
Speaker 3: You know, we're still it's ongoing, whether or not we're

910
00:39:31,680 --> 00:39:34,600
Speaker 3: going to influence today's at work time waste eight minutes

911
00:39:34,640 --> 00:39:37,279
Speaker 3: past eight. We now got to get into this and

912
00:39:37,400 --> 00:39:39,480
Speaker 3: I go from Andy Lee's backside to this.

913
00:39:39,680 --> 00:39:41,000
Speaker 4: Let's talk about the anthem.

914
00:39:41,080 --> 00:39:41,200
Speaker 2: Then.

915
00:39:41,320 --> 00:39:44,680
Speaker 3: Jack has written an amazing anthem, laid down a demo track.

916
00:39:44,880 --> 00:39:47,920
Speaker 3: This our song for Melbourne. Gun against Vienna now the

917
00:39:48,080 --> 00:39:49,600
Speaker 3: number one most of the all sitting in the world.

918
00:39:49,600 --> 00:39:52,000
Speaker 3: They've got that eighty song Vienna. We need our brand

919
00:39:52,040 --> 00:39:53,840
Speaker 3: new anthem. Jack's been busy. Have listened to this.

920
00:39:56,040 --> 00:39:57,320
Speaker 10: Everybody sing.

921
00:40:00,840 --> 00:40:02,480
Speaker 2: It's a guide. It's a guys.

922
00:40:04,000 --> 00:40:05,240
Speaker 10: Everybody singing.

923
00:40:08,360 --> 00:40:12,120
Speaker 2: The music sounds fantastic. The singer there, yes, he's a guide.

924
00:40:12,160 --> 00:40:16,040
Speaker 2: Track of yours is a more tender, willowy, lightweight voice. Okay,

925
00:40:16,280 --> 00:40:17,920
Speaker 2: I want it to be powerful, but that's all I

926
00:40:17,920 --> 00:40:19,200
Speaker 2: can muster. No, but it's great.

927
00:40:19,239 --> 00:40:20,760
Speaker 4: You've given us this amazing anthem.

928
00:40:20,800 --> 00:40:23,120
Speaker 3: You've given us a hook the song, and so far

929
00:40:23,200 --> 00:40:25,239
Speaker 3: we've been opening the lines on nine four one four,

930
00:40:25,280 --> 00:40:27,040
Speaker 3: one oh four three. We're asking to come and sing

931
00:40:27,160 --> 00:40:29,480
Speaker 3: on the song, join the chorus. We're building the band

932
00:40:29,520 --> 00:40:30,239
Speaker 3: already with Jenny.

933
00:40:30,719 --> 00:40:33,960
Speaker 15: Everybody sing it's a most flowers.

934
00:40:34,600 --> 00:40:36,960
Speaker 4: Wow, that sounds great.

935
00:40:37,040 --> 00:40:40,840
Speaker 16: Go again, everybody saying it's allow best.

936
00:40:41,880 --> 00:40:42,800
Speaker 4: And then we got Freedom.

937
00:40:43,080 --> 00:40:46,440
Speaker 16: Everybody sing it now, then Melbourne.

938
00:40:47,360 --> 00:40:49,759
Speaker 2: So they're sounding great already. We've got the girls that moment.

939
00:40:49,760 --> 00:40:51,799
Speaker 4: We need the guys as well. Join the quiet nine

940
00:40:51,880 --> 00:40:53,319
Speaker 4: four one four one o four three.

941
00:40:53,800 --> 00:40:56,080
Speaker 2: Pats by the way, I reckon. Perhaps it's got a

942
00:40:56,280 --> 00:41:03,319
Speaker 2: real big old belting Yes, shout everybody, Patsy for mel

943
00:41:03,520 --> 00:41:08,560
Speaker 2: Man in the show. Maybe Pats you know I reckon.

944
00:41:08,600 --> 00:41:13,880
Speaker 2: You've got everybody sing it for me? Be shocking, shocking,

945
00:41:14,120 --> 00:41:18,640
Speaker 2: you can sing, You'll be part of Come on, take

946
00:41:18,719 --> 00:41:20,720
Speaker 2: time out from plugging in the old ten k Theropeak

947
00:41:20,760 --> 00:41:22,360
Speaker 2: guarantee with pleasure.

948
00:41:22,440 --> 00:41:24,000
Speaker 4: Maybe you could sing that every half an hour.

949
00:41:25,640 --> 00:41:30,719
Speaker 2: Jojo, Hello Jojoe. So apparently you've got four mere You've

950
00:41:30,800 --> 00:41:32,120
Speaker 2: you've sung in a lot of bands?

951
00:41:32,920 --> 00:41:34,759
Speaker 9: Oh yeah, I have sung in a few.

952
00:41:34,880 --> 00:41:36,319
Speaker 12: Ye, that's the true thing.

953
00:41:36,680 --> 00:41:39,400
Speaker 4: Okay, and any names? What bands have you sung him?

954
00:41:41,800 --> 00:41:42,400
Speaker 15: Money Shot?

955
00:41:43,840 --> 00:41:48,239
Speaker 2: And okay? I did ask you?

956
00:41:48,320 --> 00:41:48,440
Speaker 8: Did?

957
00:41:51,880 --> 00:41:52,520
Speaker 2: You did ask me?

958
00:41:52,600 --> 00:41:55,480
Speaker 12: That's probably the most recent one, and it's probably probably

959
00:41:55,560 --> 00:41:56,719
Speaker 12: the best one to tell you.

960
00:41:57,280 --> 00:41:59,239
Speaker 2: That's the best one to tell me live on the

961
00:41:59,320 --> 00:42:02,480
Speaker 2: radio at Temper sent me of the school. Yeah, okay,

962
00:42:03,160 --> 00:42:06,160
Speaker 2: are you ready to sing your line for us? All right,

963
00:42:06,239 --> 00:42:07,800
Speaker 2: give us the old money shot.

964
00:42:09,480 --> 00:42:09,680
Speaker 8: One.

965
00:42:10,160 --> 00:42:13,560
Speaker 16: Everybody, everybody.

966
00:42:19,760 --> 00:42:20,080
Speaker 2: Jojo.

967
00:42:20,160 --> 00:42:22,560
Speaker 3: I reckon, there's a better taking you than that. Yeah,

968
00:42:22,640 --> 00:42:25,839
Speaker 3: we're not Oh no, no, no, no no no Jojo. Listen,

969
00:42:25,960 --> 00:42:28,000
Speaker 3: come on, you're Jojo from the money Shot.

970
00:42:28,280 --> 00:42:31,360
Speaker 2: I need to feel the passion you're singing for Melbourne,

971
00:42:31,400 --> 00:42:33,120
Speaker 2: this is the greatest city in the water. When your

972
00:42:33,160 --> 00:42:36,279
Speaker 2: line back there and faking it, let's go again. Can

973
00:42:36,360 --> 00:42:37,680
Speaker 2: you bring it? Jojo?

974
00:42:39,560 --> 00:42:39,759
Speaker 10: One?

975
00:42:40,040 --> 00:42:47,839
Speaker 16: Two four, everybody sing? It's a malte more time.

976
00:42:50,200 --> 00:42:56,640
Speaker 2: Everybody. There we go. You're in Jojo.

977
00:42:56,760 --> 00:42:58,960
Speaker 4: That's but we got it. We got the essence of Jojo.

978
00:42:59,000 --> 00:42:59,680
Speaker 2: There, we got here.

979
00:42:59,760 --> 00:43:03,880
Speaker 3: Ye hey, hi Jen, Hey, hi Jen, I see my

980
00:43:04,680 --> 00:43:07,280
Speaker 3: my phone system here just simply says really helpful producers,

981
00:43:07,360 --> 00:43:08,920
Speaker 3: great one musical theater.

982
00:43:11,239 --> 00:43:14,080
Speaker 4: Game and so you you work in the performing arts.

983
00:43:14,680 --> 00:43:15,480
Speaker 10: No, it's all.

984
00:43:15,640 --> 00:43:17,080
Speaker 12: It's pretty much all amateur stuff.

985
00:43:17,120 --> 00:43:19,200
Speaker 10: I've found a little bit of singing with bands and things,

986
00:43:19,239 --> 00:43:21,880
Speaker 10: but you know, you got to gott.

987
00:43:21,719 --> 00:43:22,800
Speaker 2: To just do what you can do.

988
00:43:23,200 --> 00:43:25,480
Speaker 3: Yeah, okay, well listen, Jenny, Thanks for giving us a call.

989
00:43:25,560 --> 00:43:27,279
Speaker 3: Try now are you ready with your line?

990
00:43:27,760 --> 00:43:27,960
Speaker 13: Sure?

991
00:43:28,239 --> 00:43:30,120
Speaker 2: Okay, Jack, you're going to counter in. Ok can you

992
00:43:30,200 --> 00:43:32,800
Speaker 2: in gen? Everybody sing for Melbourne? Okay, Jenny bring it

993
00:43:34,760 --> 00:43:35,399
Speaker 2: one two?

994
00:43:37,239 --> 00:43:38,719
Speaker 10: Everybody singing for.

995
00:43:38,960 --> 00:43:44,239
Speaker 2: Melvine Malver, She's got gay one more time?

996
00:43:45,840 --> 00:43:49,200
Speaker 10: Are the sting into melbournel.

997
00:43:51,440 --> 00:43:54,000
Speaker 2: That was brilliant best so far. We put Jen up

998
00:43:54,000 --> 00:43:56,600
Speaker 2: the front of the microphone where the chorus.

999
00:43:56,600 --> 00:43:58,200
Speaker 4: Hey, Jenny, well done, you're in the band.

1000
00:43:58,280 --> 00:44:01,240
Speaker 9: Okay, call with me, Jenny Christen It's Jin.

1001
00:44:02,040 --> 00:44:09,200
Speaker 3: Sorry, wow, everybody get ready. We've got our first guy, Peter.

1002
00:44:09,560 --> 00:44:10,480
Speaker 4: Well done, Pete.

1003
00:44:11,440 --> 00:44:14,120
Speaker 9: Here we going going he he He's our guy.

1004
00:44:16,640 --> 00:44:19,239
Speaker 4: Okay, So Peter, are you ready? You've got the line

1005
00:44:19,280 --> 00:44:19,920
Speaker 4: we need from you.

1006
00:44:21,239 --> 00:44:22,680
Speaker 9: I'd like to hear it one more time.

1007
00:44:22,880 --> 00:44:26,239
Speaker 2: Okay, we got my guide track. Yeah, we got the

1008
00:44:26,280 --> 00:44:27,160
Speaker 2: first d of the band.

1009
00:44:27,239 --> 00:44:39,800
Speaker 10: Guys, everybody singing. Everybody sing.

1010
00:44:42,760 --> 00:44:46,480
Speaker 2: Okay, Pietera, you got it, got it? Everybody sing it

1011
00:44:46,640 --> 00:44:48,799
Speaker 2: for Melbourne? Oh can you in Peat now? Listen, Peter,

1012
00:44:48,920 --> 00:44:50,879
Speaker 2: this is really important. You're representing the guys.

1013
00:44:50,920 --> 00:44:53,399
Speaker 3: You're the first person in trant audition for the band,

1014
00:44:53,520 --> 00:44:55,799
Speaker 3: so you really really really got to punch through.

1015
00:44:55,840 --> 00:45:02,000
Speaker 4: Okay, no problem, bringing came I right, come on, Pete.

1016
00:45:02,040 --> 00:45:03,320
Speaker 4: I know you can do this, Pizza.

1017
00:45:03,400 --> 00:45:03,800
Speaker 2: Let's do it.

1018
00:45:03,920 --> 00:45:12,200
Speaker 16: Go one two three four everybody Malbourn Melburn.

1019
00:45:13,960 --> 00:45:14,280
Speaker 9: Again.

1020
00:45:20,719 --> 00:45:24,080
Speaker 4: Peter, Yeah, Peter, I tell you what we need.

1021
00:45:24,120 --> 00:45:25,960
Speaker 3: I'll tell you what it's. It's almost there. You know

1022
00:45:26,120 --> 00:45:28,480
Speaker 3: it's almost there. You're in first gear. I reckon, there's

1023
00:45:28,480 --> 00:45:30,320
Speaker 3: a few more gears than you, Peter. So I just

1024
00:45:30,400 --> 00:45:31,799
Speaker 3: need to do it again. We've got to be very

1025
00:45:31,960 --> 00:45:34,040
Speaker 3: very We only want the finest voices on the song.

1026
00:45:34,080 --> 00:45:37,879
Speaker 3: So Peter, could you do the line again? Sure, good man, Pieter.

1027
00:45:37,960 --> 00:45:39,520
Speaker 4: And then there's a better take in your buddy off

1028
00:45:39,560 --> 00:45:39,719
Speaker 4: you go.

1029
00:45:40,800 --> 00:45:45,279
Speaker 2: Bring it, Pete and one, two three four everybody sing

1030
00:45:45,960 --> 00:45:48,200
Speaker 2: meln that's great.

1031
00:45:48,320 --> 00:45:50,080
Speaker 4: One more time, Pixie, Pete.

1032
00:45:53,200 --> 00:45:55,120
Speaker 6: Yeah, can you only get one take?

1033
00:45:55,160 --> 00:45:58,839
Speaker 2: That's okay, one take, Pete, Pete, you're in the van,

1034
00:45:59,120 --> 00:46:00,960
Speaker 2: the first to come on through.

1035
00:46:01,400 --> 00:46:03,480
Speaker 4: All right, we'll take some more auditions next.

1036
00:46:03,400 --> 00:46:06,759
Speaker 1: The Christian O'Connell Breakfast Show. Melbourne's Gold one oh four

1037
00:46:06,800 --> 00:46:07,279
Speaker 1: point three.

1038
00:46:07,560 --> 00:46:11,759
Speaker 3: We are holding live auditions right now. Forget Australia's got talent,

1039
00:46:11,960 --> 00:46:13,080
Speaker 3: this is Melbourne's got talent.

1040
00:46:13,320 --> 00:46:13,840
Speaker 2: MGT.

1041
00:46:14,280 --> 00:46:16,720
Speaker 3: We need you for our song for Melbourne, our anthem

1042
00:46:16,760 --> 00:46:19,440
Speaker 3: that we're going to be making this is the the

1043
00:46:19,640 --> 00:46:21,799
Speaker 3: what you call this the vocal trap, the vocal guy trap.

1044
00:46:21,840 --> 00:46:24,120
Speaker 3: Don't have a drum track sometimes don'tainly for bands to

1045
00:46:24,840 --> 00:46:25,399
Speaker 3: get them in time.

1046
00:46:25,520 --> 00:46:26,279
Speaker 4: Jack's laid this down.

1047
00:46:26,320 --> 00:46:27,520
Speaker 2: It's his song. He's come up with us.

1048
00:46:29,560 --> 00:46:38,800
Speaker 10: Everybody sing it, Lord, everybody singing.

1049
00:46:45,719 --> 00:46:47,800
Speaker 2: We've had some great auditions so far. If you're just

1050
00:46:47,880 --> 00:46:52,160
Speaker 2: tuning in, listen to this from Jen everybody singing the

1051
00:46:52,400 --> 00:46:53,520
Speaker 2: Melbourne Man.

1052
00:46:56,280 --> 00:46:57,520
Speaker 4: She sounds amazing.

1053
00:46:58,000 --> 00:47:00,479
Speaker 3: All right, we're ready to go to another guy. Okay,

1054
00:47:00,560 --> 00:47:04,879
Speaker 3: pe d Our last guy fingers burn one tape, Pete Gary.

1055
00:47:08,560 --> 00:47:09,600
Speaker 9: The album.

1056
00:47:11,680 --> 00:47:14,200
Speaker 4: Even need the truck, that's it.

1057
00:47:14,320 --> 00:47:17,160
Speaker 2: It brings the heaters, Gary, Gary, this truck one more

1058
00:47:17,239 --> 00:47:19,840
Speaker 2: time with the song as well, because this sounds really exciting.

1059
00:47:19,960 --> 00:47:21,160
Speaker 4: Mate, Jackie what he's account of.

1060
00:47:21,200 --> 00:47:25,400
Speaker 2: Him one every four.

1061
00:47:27,880 --> 00:47:33,439
Speaker 9: Album stuck in the loop.

1062
00:47:36,600 --> 00:47:42,439
Speaker 2: This is my job here is done? Back to work?

1063
00:47:42,520 --> 00:47:47,160
Speaker 4: Oh god, that's Britta James. Was he calling from the

1064
00:47:47,239 --> 00:47:47,919
Speaker 4: bath Jame?

1065
00:47:48,040 --> 00:47:48,439
Speaker 2: This show?

1066
00:47:48,719 --> 00:47:49,040
Speaker 9: James?

1067
00:47:50,520 --> 00:47:51,600
Speaker 4: James, worry right now?

1068
00:47:51,719 --> 00:47:55,640
Speaker 2: Done it? Well about all right? And it was air

1069
00:47:55,719 --> 00:47:59,319
Speaker 2: craft hangers. You were the toilet, James.

1070
00:48:00,800 --> 00:48:03,160
Speaker 10: In the bathroom off my headphone?

1071
00:48:03,200 --> 00:48:03,600
Speaker 2: How bad?

1072
00:48:03,680 --> 00:48:08,400
Speaker 4: Yeah, the guy's not making it easier.

1073
00:48:08,920 --> 00:48:11,640
Speaker 2: I have you to be safe though walking around your house.

1074
00:48:11,680 --> 00:48:16,680
Speaker 4: And all right, James, you anybody.

1075
00:48:16,760 --> 00:48:18,480
Speaker 11: Absolutely all right, bring it?

1076
00:48:20,480 --> 00:48:22,200
Speaker 2: One two three four.

1077
00:48:23,400 --> 00:48:27,200
Speaker 11: Everybody is singing for Melbourne Melbourne.

1078
00:48:27,120 --> 00:48:28,399
Speaker 2: In order to pizza.

1079
00:48:29,960 --> 00:48:30,280
Speaker 10: Again.

1080
00:48:31,200 --> 00:48:34,239
Speaker 16: Everybody is singing for Melbourne Melburn.

1081
00:48:35,920 --> 00:48:36,279
Speaker 6: M hm.

1082
00:48:37,160 --> 00:48:38,479
Speaker 2: That's a little bit of power, James.

1083
00:48:38,520 --> 00:48:39,360
Speaker 4: But any.

1084
00:48:40,640 --> 00:48:42,879
Speaker 2: James, when you're gonna need to hit one more time,

1085
00:48:42,960 --> 00:48:46,600
Speaker 2: it's really hot over the phone and there's a bit

1086
00:48:46,640 --> 00:48:48,440
Speaker 2: of a delay on the phone and hearing the song.

1087
00:48:48,400 --> 00:48:49,000
Speaker 10: I'll give you that.

1088
00:48:49,600 --> 00:48:53,759
Speaker 11: Actually think I thought us wants to be this is

1089
00:48:54,680 --> 00:48:55,320
Speaker 11: the bathroom.

1090
00:48:55,840 --> 00:48:58,759
Speaker 2: Oh I see, okay, enough, please.

1091
00:49:00,920 --> 00:49:03,359
Speaker 3: Now listen James, James, I can really feel that when

1092
00:49:03,360 --> 00:49:05,319
Speaker 3: we're talking to you. I can feel you've got a big,

1093
00:49:05,440 --> 00:49:09,680
Speaker 3: strong voice, buddy. Yeah, there there, I can feel it now.

1094
00:49:10,400 --> 00:49:13,160
Speaker 4: Yeah, that's it. Okay, so really screw your face.

1095
00:49:15,400 --> 00:49:20,000
Speaker 2: That's it. Yes, that's what we call deep.

1096
00:49:22,320 --> 00:49:24,680
Speaker 4: Getting through it, all right? And I think now you've

1097
00:49:24,760 --> 00:49:25,160
Speaker 4: found it.

1098
00:49:25,400 --> 00:49:27,120
Speaker 2: What's happening? Now you found it?

1099
00:49:27,239 --> 00:49:29,080
Speaker 4: James, Let's here it one more time. Okay, you ready

1100
00:49:29,080 --> 00:49:29,560
Speaker 4: with glasses?

1101
00:49:30,000 --> 00:49:31,760
Speaker 11: Absolutely good stuff?

1102
00:49:31,800 --> 00:49:32,520
Speaker 2: Okay, right, go.

1103
00:49:34,560 --> 00:49:36,319
Speaker 17: One two three four.

1104
00:49:37,440 --> 00:49:40,640
Speaker 11: Everybody is singing for Melbourne Melbourne.

1105
00:49:41,680 --> 00:49:44,719
Speaker 7: Everybody is singing for Melbourn, Melbourne.

1106
00:49:47,200 --> 00:49:50,080
Speaker 4: Him at the back rather back, sick and right at

1107
00:49:50,120 --> 00:49:50,359
Speaker 4: the back.

1108
00:49:50,440 --> 00:49:58,480
Speaker 2: Right now, car park, Hey, Tom, Tom, Tom, Tom Tom Tom?

1109
00:49:58,560 --> 00:50:00,840
Speaker 4: You ready? I am okay?

1110
00:50:03,000 --> 00:50:03,759
Speaker 2: All right, Tom?

1111
00:50:03,880 --> 00:50:04,319
Speaker 4: Good luck?

1112
00:50:04,400 --> 00:50:04,759
Speaker 2: Bring it.

1113
00:50:06,640 --> 00:50:11,440
Speaker 4: One, two, three, four, everybody from now.

1114
00:50:14,800 --> 00:50:21,760
Speaker 2: He's like a Collingwood fan. Time you're fired.

1115
00:50:21,880 --> 00:50:24,480
Speaker 3: Sorry, we gotta we got to you gotta be Let

1116
00:50:24,520 --> 00:50:26,760
Speaker 3: some people go right, Okay.

1117
00:50:26,719 --> 00:50:28,920
Speaker 2: The ladies are running away with it today, you know,

1118
00:50:29,680 --> 00:50:33,400
Speaker 2: over the place. Guys, what's going on? Wendy? Hello, all right,

1119
00:50:33,400 --> 00:50:34,759
Speaker 2: do you know what I'm gonna do? Right, Let's do

1120
00:50:34,960 --> 00:50:36,759
Speaker 2: a Maybe this might be a mistake. Let's try this.

1121
00:50:36,880 --> 00:50:38,839
Speaker 3: Let's try and put another lady on the other line

1122
00:50:39,040 --> 00:50:43,600
Speaker 3: and audition two ladies at the same time. Alright, so, Wendy,

1123
00:50:43,800 --> 00:50:47,359
Speaker 3: you are online one, Wendy online one, and let's try

1124
00:50:47,600 --> 00:50:48,879
Speaker 3: let's put online two.

1125
00:50:49,200 --> 00:50:49,960
Speaker 2: Let's transfer.

1126
00:50:50,120 --> 00:50:50,719
Speaker 4: We got who we got?

1127
00:50:50,840 --> 00:50:54,560
Speaker 2: Nicole? Nicole? Welcome? All right, Nicole, say hi to Wendy.

1128
00:50:54,719 --> 00:50:55,920
Speaker 2: Wendy say hi to Nicole.

1129
00:50:56,400 --> 00:50:56,640
Speaker 10: Hello.

1130
00:50:58,719 --> 00:51:01,680
Speaker 2: You could feel this awkward. This could produce at Lennon

1131
00:51:01,680 --> 00:51:03,840
Speaker 2: and McCartney. They didn't get it when they got in

1132
00:51:03,880 --> 00:51:04,320
Speaker 2: the studio.

1133
00:51:04,719 --> 00:51:06,600
Speaker 15: The harmony is going to be a jewet.

1134
00:51:06,800 --> 00:51:08,680
Speaker 4: So we yes, yes, a jewet?

1135
00:51:08,760 --> 00:51:11,839
Speaker 2: Right you ready? Girls? Can you in? Okay? Sis Ter's

1136
00:51:11,880 --> 00:51:12,239
Speaker 2: bring It.

1137
00:51:14,040 --> 00:51:21,160
Speaker 8: One two three four Elbourne.

1138
00:51:22,239 --> 00:51:33,920
Speaker 17: One more Time Girls, There's one someone's good and someone's bad.

1139
00:51:35,760 --> 00:51:38,200
Speaker 1: On the car, but you're both hind the Christian O'Connell

1140
00:51:38,239 --> 00:51:41,080
Speaker 1: Breakfast Show, Melbourne's Gold one oh four point three.

1141
00:51:41,360 --> 00:51:43,359
Speaker 3: Thank you ver much to everyone who called it. Try

1142
00:51:43,440 --> 00:51:47,279
Speaker 3: me part of the song for Melbourne. One thing is

1143
00:51:47,360 --> 00:51:50,680
Speaker 3: crystal clear. What the song really needs is this man.

1144
00:51:54,800 --> 00:51:57,239
Speaker 3: You know, we interviewed them last week. It's not really

1145
00:51:57,280 --> 00:52:00,920
Speaker 3: protocol to swap numbers with them. I've been stopping message

1146
00:52:00,960 --> 00:52:04,520
Speaker 3: with his wife. But if anyone has a contact in

1147
00:52:04,640 --> 00:52:09,239
Speaker 3: in with Sir Jimmy Barnes, I've knighted him now, so Jimmy.

1148
00:52:09,000 --> 00:52:10,960
Speaker 2: Barnes, he'd be great to sing a couple of lines

1149
00:52:11,000 --> 00:52:12,399
Speaker 2: on it. How did you get his wife's number?

1150
00:52:12,640 --> 00:52:14,719
Speaker 3: I don't get his wife's number. She started following me

1151
00:52:14,800 --> 00:52:17,080
Speaker 3: on Twitter. We've been back and forth dming each other.

1152
00:52:17,080 --> 00:52:19,560
Speaker 3: I said how much I love the documentary and stuff

1153
00:52:19,600 --> 00:52:19,719
Speaker 3: like that.

1154
00:52:19,880 --> 00:52:22,040
Speaker 2: Yeah, well, maybe would you ask would you feel comfortable

1155
00:52:22,080 --> 00:52:24,440
Speaker 2: asking her if Jimmy would sing on the song? Do

1156
00:52:24,520 --> 00:52:26,319
Speaker 2: you think that's like the dumb thing? You know, she's

1157
00:52:26,360 --> 00:52:28,759
Speaker 2: then gonna un follow me, and oh god, I haven't

1158
00:52:28,840 --> 00:52:30,480
Speaker 2: been following him six days and now he's asking my

1159
00:52:30,600 --> 00:52:34,160
Speaker 2: husband to sing on a song. It's either that or

1160
00:52:34,280 --> 00:52:36,520
Speaker 2: Peyton Tom, those guys that we heard before.

1161
00:52:36,280 --> 00:52:41,040
Speaker 1: The Christian O'Connell breakfast show Gold one oh four point three.

1162
00:52:41,360 --> 00:52:43,120
Speaker 3: So the weekend I had to go and put my

1163
00:52:43,239 --> 00:52:45,279
Speaker 3: daughter up, my eleven year old daughter. She'd be working

1164
00:52:45,360 --> 00:52:49,239
Speaker 3: on a school project with two other girls about the

1165
00:52:49,400 --> 00:52:51,680
Speaker 3: history of the Suffragette movement.

1166
00:52:52,120 --> 00:52:53,520
Speaker 4: Obviously this is a global.

1167
00:52:53,239 --> 00:52:55,600
Speaker 3: Thing, and so they've been working on even when they

1168
00:52:55,640 --> 00:52:58,160
Speaker 3: get that big old I'm sure Audrey's had to do

1169
00:52:58,280 --> 00:53:01,000
Speaker 3: this before they get that big old colored piece of

1170
00:53:01,160 --> 00:53:02,400
Speaker 3: like a three cart.

1171
00:53:02,480 --> 00:53:04,279
Speaker 2: We're always at office works getting sup.

1172
00:53:04,600 --> 00:53:07,240
Speaker 3: Getting the cutting it all out, and it's glue everywhere

1173
00:53:07,280 --> 00:53:09,480
Speaker 3: on the floor and chuck a bunch of glitter on

1174
00:53:09,760 --> 00:53:11,560
Speaker 3: and you know, they really get into it, you know,

1175
00:53:11,560 --> 00:53:13,040
Speaker 3: and they're concentrating, and so I had to go and

1176
00:53:13,120 --> 00:53:15,399
Speaker 3: pick her up and on these two other little girls

1177
00:53:15,440 --> 00:53:18,360
Speaker 3: that they were working really hard. And I'm driving Lois

1178
00:53:18,480 --> 00:53:21,000
Speaker 3: home and I'm going, so on, what have you learned?

1179
00:53:21,040 --> 00:53:22,600
Speaker 3: What have you learn about the Suffragette movement? You know,

1180
00:53:22,680 --> 00:53:25,160
Speaker 3: it's really pertinent even now what those what those those

1181
00:53:25,280 --> 00:53:27,040
Speaker 3: ladies did and why they did it. And so she

1182
00:53:27,160 --> 00:53:29,680
Speaker 3: was talking about it all and Australian obviously she coupled

1183
00:53:29,680 --> 00:53:31,720
Speaker 3: a little bit of it in the UK with Emily Pankers.

1184
00:53:31,760 --> 00:53:33,440
Speaker 3: And then she told me that New Zealand I think

1185
00:53:33,520 --> 00:53:35,439
Speaker 3: is the first country in the world to give woman

1186
00:53:35,480 --> 00:53:37,000
Speaker 3: the right to vote. And I'm sure she's taking all

1187
00:53:37,040 --> 00:53:39,080
Speaker 3: this in and then she said, we've got to wear

1188
00:53:39,320 --> 00:53:41,560
Speaker 3: when we present it to the class, We've got to

1189
00:53:41,600 --> 00:53:43,799
Speaker 3: wear these sashes. I went, yeah, that's right, because it's

1190
00:53:43,800 --> 00:53:45,640
Speaker 3: relevant as well. And she goes, do you think it'd

1191
00:53:45,640 --> 00:53:47,960
Speaker 3: be a good idea if I wrote on my sash

1192
00:53:48,160 --> 00:53:48,760
Speaker 3: Miss World?

1193
00:53:49,600 --> 00:53:50,560
Speaker 2: I went, I don't.

1194
00:53:51,120 --> 00:53:56,880
Speaker 4: I think that's the opposite. Whole figure is about.

1195
00:53:57,120 --> 00:54:00,320
Speaker 2: Said, I think you've missed a lesson there for hours

1196
00:54:00,360 --> 00:54:01,959
Speaker 2: you been working out and you think get up.

1197
00:54:01,840 --> 00:54:07,600
Speaker 4: There right, Miss World, Yay, women are empowered. In twenty eighteen, Miss.

1198
00:54:08,200 --> 00:54:11,560
Speaker 1: The Christian O'Connell breakfast Show Melbourne's Gold one oh four

1199
00:54:11,600 --> 00:54:12,040
Speaker 1: point three.

1200
00:54:12,520 --> 00:54:14,480
Speaker 3: This Friday we Backjack when I we be going into

1201
00:54:14,560 --> 00:54:18,160
Speaker 3: our courtroom. We turned the studio into a courtroom overseeing

1202
00:54:18,280 --> 00:54:20,560
Speaker 3: your cases. Last week we had It was like a

1203
00:54:20,680 --> 00:54:23,440
Speaker 3: three person case, a mother in law, a wife and

1204
00:54:23,560 --> 00:54:26,000
Speaker 3: the son in law, the leaking ruth that had been

1205
00:54:26,040 --> 00:54:28,520
Speaker 3: mended in two years, and we stepped in and instant

1206
00:54:28,800 --> 00:54:31,680
Speaker 3: justice was dispatched. So if there's something you'd like us

1207
00:54:31,719 --> 00:54:34,400
Speaker 3: to try on your behalf. It might be between you

1208
00:54:34,520 --> 00:54:36,279
Speaker 3: and a buddy at work, it might be someone going

1209
00:54:36,320 --> 00:54:39,080
Speaker 3: on you and your other half. Whatever it is, please

1210
00:54:39,160 --> 00:54:41,240
Speaker 3: let me know. We're looking for the cases for this Friday.

1211
00:54:41,320 --> 00:54:43,520
Speaker 3: You can email me Christian at gold one I four

1212
00:54:43,520 --> 00:54:46,200
Speaker 3: to three dot com dot Au or drop us out

1213
00:54:46,200 --> 00:54:48,560
Speaker 3: on our Facebook page. Very easy up there O C

1214
00:54:48,920 --> 00:54:52,480
Speaker 3: one four three that's our home on Facebook. Now, over

1215
00:54:52,520 --> 00:54:55,600
Speaker 3: the last hour we have been having editorial meetings about

1216
00:54:55,640 --> 00:54:58,480
Speaker 3: what to do about today's at work time West. We

1217
00:54:58,640 --> 00:55:02,279
Speaker 3: had a nice easy, the family friendly one and then

1218
00:55:02,360 --> 00:55:04,960
Speaker 3: the subject this morning has come to our minds of

1219
00:55:05,080 --> 00:55:08,120
Speaker 3: our dear friend was on the show yesterday this time yesterday,

1220
00:55:08,480 --> 00:55:11,279
Speaker 3: Andy Lee and Andy Lee. There's nothing embarrassed about this

1221
00:55:11,440 --> 00:55:13,759
Speaker 3: happens to people were all grown up on this show.

1222
00:55:14,040 --> 00:55:18,200
Speaker 2: But he has hemorrhoids. It is a little bit embarrassing.

1223
00:55:18,719 --> 00:55:20,440
Speaker 3: Well, to be fair to Andy, he's done a good thing,

1224
00:55:20,560 --> 00:55:22,640
Speaker 3: you know, he was on the radio yesterday afternoon, live

1225
00:55:22,680 --> 00:55:24,719
Speaker 3: from hospital getting this treated, and he was still doing

1226
00:55:24,760 --> 00:55:27,719
Speaker 3: interviews on Kennedy Malloyal Trip of M and he was

1227
00:55:27,800 --> 00:55:29,160
Speaker 3: telling them about his backside.

1228
00:55:29,239 --> 00:55:32,160
Speaker 4: So he's trying to bring awareness to hemorrhoids.

1229
00:55:32,480 --> 00:55:33,480
Speaker 6: He's an ambassador.

1230
00:55:33,680 --> 00:55:34,680
Speaker 4: Well, I think he's going to be.

1231
00:55:34,719 --> 00:55:35,120
Speaker 2: On the poster.

1232
00:55:35,120 --> 00:55:36,960
Speaker 4: It's not him but his backside.

1233
00:55:37,160 --> 00:55:39,080
Speaker 2: I think he's trying to bring awareness to true story

1234
00:55:39,120 --> 00:55:39,920
Speaker 2: on Channel nine.

1235
00:55:41,520 --> 00:55:48,520
Speaker 3: I was just more about his roids he's got. But anyway,

1236
00:55:48,560 --> 00:55:51,680
Speaker 3: we were talking about this morning as concerned colleagues and friends,

1237
00:55:52,000 --> 00:55:54,239
Speaker 3: you know, and concerned for Andy that he's recovering well

1238
00:55:54,480 --> 00:55:58,200
Speaker 3: and his bum grapes. Andy has left this message.

1239
00:55:58,360 --> 00:55:58,880
Speaker 2: He heard it.

1240
00:56:00,480 --> 00:56:04,200
Speaker 12: And Jack, thank you very much for broadcasting about my

1241
00:56:04,440 --> 00:56:09,080
Speaker 12: bum grapes. Don't you put it or rectus fruits. I've

1242
00:56:09,120 --> 00:56:13,520
Speaker 12: heard that this morning. As soon as it's sniffed off,

1243
00:56:14,000 --> 00:56:16,960
Speaker 12: don't you worry. I've got three or four doctors in here.

1244
00:56:17,080 --> 00:56:19,319
Speaker 12: They're going to put it in a barrel, take their

1245
00:56:19,360 --> 00:56:21,759
Speaker 12: shoes and socks off, and stomp.

1246
00:56:21,480 --> 00:56:23,440
Speaker 2: On it for a few hours to.

1247
00:56:23,480 --> 00:56:26,200
Speaker 12: Make sure we get the finest wine lovely, which of

1248
00:56:26,280 --> 00:56:31,000
Speaker 12: course I'll bottle. Let's sit for all while and the

1249
00:56:31,120 --> 00:56:35,600
Speaker 12: advantage that I suggest we'll be best drunk at around

1250
00:56:35,640 --> 00:56:38,759
Speaker 12: about twenty twenty cheers.

1251
00:56:39,880 --> 00:56:42,120
Speaker 2: Cheers, only watch out going to dinner at dinner at

1252
00:56:42,120 --> 00:56:43,920
Speaker 2: Andy's house. If he goes down to the cellar.

1253
00:56:45,680 --> 00:56:46,960
Speaker 4: This one's definitely been corked.

1254
00:56:47,560 --> 00:56:49,840
Speaker 3: So are we actually going to let's just have a

1255
00:56:49,920 --> 00:56:51,960
Speaker 3: show vote right now, are we really going to do

1256
00:56:52,080 --> 00:56:52,760
Speaker 3: bum bands?

1257
00:56:53,200 --> 00:56:55,080
Speaker 2: It's a yes for me answers, Yes for me.

1258
00:56:56,719 --> 00:56:59,759
Speaker 3: Producer backs, you know, I always She's kind of like

1259
00:56:59,840 --> 00:57:01,960
Speaker 3: the saying one in the team, right. She runs it

1260
00:57:02,040 --> 00:57:04,160
Speaker 3: with a nine rule of this show, producer, becks are

1261
00:57:04,200 --> 00:57:06,360
Speaker 3: going to give you a vote at all. It's like

1262
00:57:06,440 --> 00:57:08,920
Speaker 3: the vote of confidence that's gone on the government. Even

1263
00:57:08,960 --> 00:57:13,000
Speaker 3: though Tumbles won, he hasn't really has he no bes?

1264
00:57:13,040 --> 00:57:14,120
Speaker 2: What do you think? Is it a bit?

1265
00:57:15,160 --> 00:57:15,279
Speaker 8: Now?

1266
00:57:15,320 --> 00:57:18,640
Speaker 2: It's okay, we can do it. It's funny the reluctance there.

1267
00:57:18,720 --> 00:57:20,480
Speaker 2: You pick up the reluctance in the turn that producers

1268
00:57:20,520 --> 00:57:24,080
Speaker 2: here sometimes protect us from. You can't. It's about bum

1269
00:57:24,440 --> 00:57:26,640
Speaker 2: has to be clean. It's about bums. Andy Lee's bum

1270
00:57:26,800 --> 00:57:28,080
Speaker 2: is clean. Everything is clean.

1271
00:57:28,360 --> 00:57:31,120
Speaker 3: He's got to clean Darry everyone, Okay, no dirty bums.

1272
00:57:31,160 --> 00:57:31,800
Speaker 3: We don't want any of that.

1273
00:57:31,880 --> 00:57:34,640
Speaker 2: After nine o'clock. Okay, I'm gonna use that. He's got

1274
00:57:34,680 --> 00:57:36,720
Speaker 2: a diamond started dumb. No, that's enough.

1275
00:57:36,760 --> 00:57:37,040
Speaker 8: Patch.

1276
00:57:37,080 --> 00:57:40,440
Speaker 2: We just said keeping men have a word with that.

1277
00:57:40,680 --> 00:57:42,400
Speaker 4: Tell Pats to keep it clean. So we're going to

1278
00:57:42,480 --> 00:57:43,640
Speaker 4: do We're actually going to do this.

1279
00:57:44,000 --> 00:57:46,640
Speaker 2: Bum bands. Yes, you can do bum bands.

1280
00:57:46,760 --> 00:57:48,360
Speaker 4: Okay, some producer becks his head.

1281
00:57:48,400 --> 00:57:50,520
Speaker 3: Now see what I've done. If it goes wrong, when

1282
00:57:50,560 --> 00:57:51,880
Speaker 3: I get complaints, we throw her under us.

1283
00:57:51,960 --> 00:57:52,480
Speaker 2: She's out the door.

1284
00:57:52,600 --> 00:57:55,920
Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

1285
00:57:56,000 --> 00:57:56,480
Speaker 1: point three.

1286
00:58:00,080 --> 00:58:02,040
Speaker 2: All right, this hour, all the music is picked by you.

1287
00:58:02,160 --> 00:58:03,200
Speaker 2: We do this every Wednesday.

1288
00:58:03,280 --> 00:58:05,960
Speaker 4: I love doing this. It's a midweek mixtape. We give

1289
00:58:06,000 --> 00:58:07,680
Speaker 4: you the theme. You pick all the songs. This is

1290
00:58:07,760 --> 00:58:08,680
Speaker 4: the best one you've done.

1291
00:58:09,120 --> 00:58:11,200
Speaker 3: It's there are no Sometimes when I look through it,

1292
00:58:11,240 --> 00:58:13,880
Speaker 3: you see certain songs like, okay, what's their songs? But this,

1293
00:58:14,240 --> 00:58:17,240
Speaker 3: all the songs are amazing. Honestly, it's brilliant. There all

1294
00:58:17,280 --> 00:58:19,360
Speaker 3: to do with the theme of walking. So we challenge

1295
00:58:19,400 --> 00:58:20,919
Speaker 3: you to come up with her and a whole hour,

1296
00:58:21,040 --> 00:58:23,160
Speaker 3: a great hour of songs to do with walking. You've

1297
00:58:23,160 --> 00:58:24,640
Speaker 3: got some of this coming up to the next hour.

1298
00:58:36,360 --> 00:58:38,479
Speaker 3: Before that though, let's go to the subject of Andy

1299
00:58:38,560 --> 00:58:43,720
Speaker 3: Lee's backside. We send our best wishes to our guests yesterday,

1300
00:58:43,760 --> 00:58:47,080
Speaker 3: our good friend Andy Lee and his day ay. He's

1301
00:58:47,680 --> 00:58:51,560
Speaker 3: been talk about this publicly. You just heard his voicemail message.

1302
00:58:51,640 --> 00:58:55,680
Speaker 3: You've heard us talking about today as well. Hemorrhoids. It's

1303
00:58:55,680 --> 00:58:57,840
Speaker 3: a condition. It happens to millions of us, you know.

1304
00:58:58,320 --> 00:59:00,560
Speaker 3: Good for Andy Lee for bringing away to it and

1305
00:59:00,720 --> 00:59:02,240
Speaker 3: the second season of True Stories.

1306
00:59:02,920 --> 00:59:05,320
Speaker 2: I was on last night at eight forty, so.

1307
00:59:05,400 --> 00:59:08,000
Speaker 3: Today to help him. He is listening right now is

1308
00:59:08,040 --> 00:59:11,160
Speaker 3: a private medical facility. He's listened to the station, so

1309
00:59:11,240 --> 00:59:13,320
Speaker 3: we're going to help him out by giving him some

1310
00:59:13,520 --> 00:59:19,720
Speaker 3: backside bands were doing this Going Away Backside has already

1311
00:59:19,840 --> 00:59:21,520
Speaker 3: tons of people that are pinging their text and I

1312
00:59:21,520 --> 00:59:23,040
Speaker 3: haven't even given up the number yet.

1313
00:59:23,400 --> 00:59:29,640
Speaker 2: MC hemorrhoid. Good Piles Davis. I only learned about Piles

1314
00:59:29,640 --> 00:59:31,240
Speaker 2: on this show when you've done that two.

1315
00:59:31,200 --> 00:59:37,120
Speaker 3: Weeks ago, Piles Davis. I've also got Poodoo Gurus, Great

1316
00:59:37,120 --> 00:59:40,000
Speaker 3: Australian band and Bert Backsider.

1317
00:59:40,040 --> 00:59:44,040
Speaker 2: Uh we're adults, we are. So what have you got

1318
00:59:44,080 --> 00:59:54,120
Speaker 2: for backside bands? Michael Crackton Dairy air Supply. Oh, very good,

1319
00:59:54,520 --> 00:59:56,400
Speaker 2: that's very good and bum forty one.

1320
00:59:58,160 --> 00:59:59,280
Speaker 4: All right, Melbourne, what can you.

1321
00:59:59,320 --> 01:00:02,240
Speaker 3: Do Texas now oh four seven five three one oh

1322
01:00:02,280 --> 01:00:05,080
Speaker 3: four three oh four seven five three one oh four three.

1323
01:00:05,600 --> 01:00:08,000
Speaker 2: Jack will go through and grade them in ten minutes time.

1324
01:00:08,080 --> 01:00:11,000
Speaker 4: Let's kick off the midwek mixtape to do with Walking.

1325
01:00:10,800 --> 01:00:14,160
Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

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01:00:14,200 --> 01:00:14,680
Speaker 1: point three.

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01:00:18,040 --> 01:00:20,959
Speaker 3: I actually feel sorry for stations like Nova and Fox

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01:00:21,040 --> 01:00:21,640
Speaker 3: and Kiss.

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01:00:21,400 --> 01:00:26,320
Speaker 2: And they can't play Sheena Easton. What a powerful song.

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01:00:26,480 --> 01:00:30,080
Speaker 3: Sena Easton was struck requested by Sally and Werriby before that,

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01:00:30,160 --> 01:00:33,480
Speaker 3: Walk This Way, Alsmith rund See, David broad Meadows Proclaimers.

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01:00:33,520 --> 01:00:35,640
Speaker 3: I'm going to be five hunch of Miles Kelly in Essendon.

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01:00:35,920 --> 01:00:38,640
Speaker 3: Let's hold an hour of power. This week's midweek mixtape

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01:00:38,680 --> 01:00:41,280
Speaker 3: Walking songs picked by There's some great ones coming up.

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01:00:41,680 --> 01:00:46,040
Speaker 3: All right, let's go and talk about Andy Lee's backside.

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Speaker 2: Is another thing that Nova and Fox wouldn't touch.

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01:00:50,920 --> 01:00:53,200
Speaker 3: So poor Andy Lee and we are we're only doing

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01:00:53,280 --> 01:00:54,920
Speaker 3: this out of concern for Andy Lee. I just hope

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01:00:54,960 --> 01:00:59,920
Speaker 3: everyone's realizing that as it excuse me as a gesture

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01:01:00,120 --> 01:01:03,680
Speaker 3: of concern. We opened the show today with really upsetting

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01:01:03,680 --> 01:01:05,280
Speaker 3: news for us that Andy Lee was on the show

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01:01:05,360 --> 01:01:07,720
Speaker 3: yesterday never mentioned it at all, but he was stood

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01:01:07,800 --> 01:01:10,160
Speaker 3: up and wincing anytime he tried to sit down for

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01:01:10,240 --> 01:01:11,720
Speaker 3: a guy crying out.

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01:01:11,560 --> 01:01:14,360
Speaker 2: Of as it lies, and oh I'm glad, No, no,

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01:01:14,960 --> 01:01:15,680
Speaker 2: let's not go there.

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01:01:15,720 --> 01:01:18,800
Speaker 3: Come on, we know the line. And then later on

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01:01:18,840 --> 01:01:20,480
Speaker 3: I hear him on the radio and he's lying from

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01:01:20,480 --> 01:01:22,640
Speaker 3: a hospital. Ben He's about to have a medical procedure

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01:01:22,680 --> 01:01:26,240
Speaker 3: for his we're all grown ups here, okay, hemorrhoids. So

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01:01:26,360 --> 01:01:29,840
Speaker 3: Jack and I are talking about it this morning. Andy Lee,

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01:01:29,960 --> 01:01:32,280
Speaker 3: here's it. He's left us this message. I did refer

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01:01:32,320 --> 01:01:33,880
Speaker 3: to it as bum grats. I believe that is the

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01:01:34,000 --> 01:01:35,080
Speaker 3: Latin medical term.

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Speaker 12: To Christian and Jack, thank you very much for broadcasting

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01:01:39,920 --> 01:01:44,440
Speaker 12: about my bum grapes as you put it, or rectors fruits.

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01:01:45,080 --> 01:01:49,640
Speaker 12: I heard that this morning. As soon as it's snipped off,

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01:01:50,120 --> 01:01:53,080
Speaker 12: don't you worry. I've got three or four doctors in here.

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01:01:53,200 --> 01:01:55,440
Speaker 12: They're going to put it in a peril. Take these

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01:01:55,480 --> 01:01:58,800
Speaker 12: shoes in socks off and stomp on it for a

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01:01:58,880 --> 01:02:02,200
Speaker 12: few hours to make sure. Get the finest wine, which

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Speaker 12: of course I'll bottle lit it for all while and

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01:02:07,080 --> 01:02:11,720
Speaker 12: the advantage that I suggest we best drunk at around

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01:02:11,760 --> 01:02:13,560
Speaker 12: about twenty.

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Speaker 2: Twenty cheers, so as another just going to find the

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01:02:17,400 --> 01:02:18,320
Speaker 2: right peering cheese.

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Speaker 16: Oh what.

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Speaker 2: Oh you're quite right all right? So that today's at

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Speaker 2: work time waste for Andy Lee, I kind of get

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Speaker 2: well messages backside bands.

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Speaker 3: He's listening in hospital? What backside bands would he be

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01:02:35,600 --> 01:02:38,160
Speaker 3: listening to? Kenn In forest Hill takes us straight to

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01:02:38,440 --> 01:02:43,920
Speaker 3: the poo fighters right gold Jack Posterior singer songwriter chat

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01:02:43,960 --> 01:02:47,000
Speaker 3: Post silvera Eric Crapton.

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Speaker 2: I don't want to just mark all these golds, but

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Speaker 2: that's the gold it is, isn't it.

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Speaker 3: That's all Phil well done, green Bee Day, very good,

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Speaker 3: smart one, Steven.

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Speaker 2: Oakley, that's great gold for smartness. I'm afraid this isn't smart,

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Speaker 2: this effective. Richard skid marks. That's four golds.

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Speaker 3: Currently we should go home. I'm not proud of what

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Speaker 3: we've done today, but I'll tell you what, do you

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Speaker 3: know what? In twelve weeks you know I brought this

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Speaker 3: feature or start this feature. We try every day to

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01:03:16,080 --> 01:03:18,280
Speaker 3: try and make it smart and literally the most popular

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Speaker 3: one we've ever done at backside Bands.

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Speaker 2: Eight is the score to be I think from memory

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01:03:23,840 --> 01:03:26,200
Speaker 2: eight gold we've had in this segment. We're currently at

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Speaker 2: four Kennan Forest Hill. He's back everything but plugged the girl.

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Speaker 2: I don't know the band. I can't score it, okay,

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Speaker 2: but I shouldn't score it anyway. That's a bronze dire

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01:03:39,960 --> 01:03:45,320
Speaker 2: rear straits also from Ke's under Michael Phelps. Is today

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Speaker 2: just raining gold. That has to be gold, earth breaking,

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Speaker 2: Wind and fire, Civil plus.

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Speaker 4: That's a great come.

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01:03:51,320 --> 01:03:51,840
Speaker 2: That's gold.

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Speaker 4: Screwing Anthony in Greensboro, well done.

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Speaker 2: Bums and Roses, Civil plus, rump DMC. That's good, So

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Speaker 2: we'll pass the bumberries. Cranberry's silver. Then the skid marks

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01:04:04,920 --> 01:04:08,720
Speaker 2: had skid marks already, Silvil plus the back doors hmm,

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Speaker 2: don't I Phil Colon's that's great gold Premium. That's Jaden,

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Speaker 2: another one of our new listeners in Geelong officially announced

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Speaker 2: on Monday.

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Speaker 3: We are now the biggest Regis station in Geelong. Geelong

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01:04:24,640 --> 01:04:29,800
Speaker 3: has fallen to us and finally this morning backside bands

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01:04:30,400 --> 01:04:36,120
Speaker 3: headlining our Backside Festival. Katie perineum Ah, let's get out

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Speaker 3: of the Christian O'Connell.

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Speaker 1: Breakfast show Gold one oh four point three.

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01:04:40,320 --> 01:04:42,600
Speaker 3: We're doing the Midweet mixtape. You pick all the songs.

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01:04:42,640 --> 01:04:45,400
Speaker 3: We give you a femois all to do with walking today.

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01:04:45,520 --> 01:04:48,840
Speaker 3: Well done, great music so far. That was Katrina and

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Speaker 3: the Waves.

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Speaker 2: So earlier on this morning we were playing a bit

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Speaker 2: more of Jack's song.

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Speaker 3: I commission him to write a song for Melbourne after

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Speaker 3: last week Vienna toppling you from number one, where you've

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01:04:58,080 --> 01:04:59,320
Speaker 3: been and rightly so for the last eight.

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Speaker 4: Or nine years as my Liverpool city in the world.

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Speaker 3: And we're thinking maybe the judges that we're also have

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Speaker 3: been so close member that just was swayed by the

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Speaker 3: rubbish eighties song about the boring town Vienna.

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Speaker 4: We need a song for this great city, Melbourne.

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Speaker 2: I thought. The only person who can write a song

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Speaker 2: it is.

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Speaker 3: Jack and the Lord Mayn was on the show Sally

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01:05:15,240 --> 01:05:18,120
Speaker 3: Cap She's given it her blessing as well. And early

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Speaker 3: on this morning we were playing some of the amazing

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Speaker 3: you've had this worked up?

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Speaker 4: Who has the guy who's been doing this?

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01:05:23,040 --> 01:05:25,160
Speaker 2: Yeah, they say, a friend of mine. Luck, thank you

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Speaker 2: for laying down the guitar parts and the drums and

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Speaker 2: the bass. Is this haven't listened to this? What are

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01:05:33,120 --> 01:05:35,480
Speaker 2: we calling it? Everybody sing it for Melbourne? Everybody sing

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Speaker 2: it for the Melbourne.

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Speaker 17: Yep, it's the Boris line and the name of the song.

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Speaker 3: Now, last week we were lucky enough to be blessed

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01:05:44,440 --> 01:05:45,920
Speaker 3: by the first suggestion of.

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Speaker 1: A rick of a line.

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01:05:47,480 --> 01:05:49,160
Speaker 2: This song is in such a good place.

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01:05:49,280 --> 01:05:52,880
Speaker 3: Yes, that's right, the song is coming week exactly and

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01:05:52,960 --> 01:05:55,800
Speaker 3: I'm now about to bound another big leap forward. Very

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01:05:55,880 --> 01:05:58,360
Speaker 3: lucky to get on my WhatsApp group I've set up

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01:05:58,400 --> 01:05:59,919
Speaker 3: on my own phone. When I gave up my number,

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01:06:00,560 --> 01:06:03,640
Speaker 3: a guy called Anthony works at Dell's Caryards. He left

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01:06:03,680 --> 01:06:05,880
Speaker 3: this and I want us everyone just to reflect on

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01:06:06,040 --> 01:06:09,040
Speaker 3: the beautiful word, magic and poetry in this.

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01:06:09,640 --> 01:06:13,680
Speaker 7: We are Melbourne, we are strong, we are up then

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01:06:13,840 --> 01:06:17,920
Speaker 7: and number one. We can keep kick people's houses if

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01:06:18,000 --> 01:06:20,480
Speaker 7: food won't. But we are leading arts.

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01:06:20,840 --> 01:06:23,240
Speaker 2: Now that's not going in the song. I mean, I've

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Speaker 2: done this.

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01:06:25,760 --> 01:06:29,000
Speaker 10: We Melbourne, we are show.

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01:06:29,640 --> 01:06:40,440
Speaker 2: We are up then and number one. Who we are leading? Hello,

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01:06:40,640 --> 01:06:44,320
Speaker 2: number one spot. I hate that. I'm going to delete that.

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01:06:46,160 --> 01:06:48,560
Speaker 2: I'm going to back up, Okay in a private hard ride.

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01:06:48,480 --> 01:06:51,800
Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

1457
01:06:51,840 --> 01:06:52,320
Speaker 1: point three.

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01:06:52,520 --> 01:06:54,040
Speaker 4: All right, that's it for us. Thank you very much

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01:06:54,040 --> 01:06:54,760
Speaker 4: for picking all the music.

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01:06:54,800 --> 01:06:57,600
Speaker 3: Another outstanding out picked by you on the midweek mixtape

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01:06:57,680 --> 01:06:59,960
Speaker 3: Huggy Is on the Way. Could be playing the same

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01:07:00,120 --> 01:07:02,760
Speaker 3: song twice. You could be winning ten thousand dollars on

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01:07:02,840 --> 01:07:05,240
Speaker 3: the ten k no Repeat work Day. We are back

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01:07:05,280 --> 01:07:08,000
Speaker 3: tomorrow morning with a quiz that I am going to

1465
01:07:08,080 --> 01:07:11,960
Speaker 3: work out today is actually impossible for anyone to win

1466
01:07:12,440 --> 01:07:13,439
Speaker 3: for least a week.

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01:07:13,920 --> 01:07:15,320
Speaker 2: Are you going to loop me in this time? I'm

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01:07:15,320 --> 01:07:17,680
Speaker 2: seeker being on the other side where I don't know

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01:07:17,800 --> 01:07:19,480
Speaker 2: the answer, Absolutely not.

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01:07:20,160 --> 01:07:24,680
Speaker 3: Title of today's show is Message Me Comma cartoon Daddy,

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01:07:25,560 --> 01:07:26,080
Speaker 3: have a gat day.

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01:07:26,080 --> 01:07:27,120
Speaker 2: We're speak to you tomorrow morning.

1473
01:07:27,200 --> 01:07:30,520
Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

1474
01:07:30,560 --> 01:07:31,040
Speaker 1: point three