WEBVTT - S05 BONUS | Delve Deeper Into... Hillzy

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<v Speaker 1>I'm always always, sir.

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<v Speaker 2>Be careful.

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<v Speaker 3>Love those umboo.

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<v Speaker 1>Let We'll use your head. They will tear you up.

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<v Speaker 2>Lack a purple talk. Oh no, no, no, yeah, yeah yeah yeah,

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<v Speaker 2>oh no no no.

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<v Speaker 4>Hi. I'm Amanda and I'm Rumby. Welcome to its lay It.

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<v Speaker 2>We're in a long distance friendship that started over twenty

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<v Speaker 2>years ago when we were in high school.

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<v Speaker 3>We'll be talking about all things life, love, family, anything

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<v Speaker 3>and everything else under the sun.

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<v Speaker 2>Delve deeper with us because in life, you know my layers.

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<v Speaker 2>Oh no, no, no, yeah, yeah, yeah yeah. Hello everybody, and

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<v Speaker 2>welcome to a brand new episode of its Layered podcast.

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<v Speaker 4>Today.

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<v Speaker 2>We are very excited. We've got a special guest in

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<v Speaker 2>the build and we're gonna tell you a little bit

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<v Speaker 2>more about them. So we've got Hilsey born Hilary Chipunza

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<v Speaker 2>is one of Zimbabwean's most promising and exciting upcoming contemporary

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<v Speaker 2>urban musicians who has already built a dedicated following across

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<v Speaker 2>the globe using his unique voice, poignant lyrics and captivating

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<v Speaker 2>vulnerability that's for sure. In twenty seventeen, Hilsey had a

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<v Speaker 2>breakout year when he released Murora, an Impassion and stripped

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<v Speaker 2>down love ballad that dominated radio and streaming platforms todate.

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<v Speaker 2>The song is known as one of Zimbabwe's quintessential wedding songs.

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<v Speaker 3>After releasing his commercially acclaimed Sicana EP, which we loved

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<v Speaker 3>and which we shouted out on this podcast featuring chat

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<v Speaker 3>topping collaborations with Shasha and Jimmy Griffiths, Hilsey continued to

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<v Speaker 3>tour and perform within and out of Zimbabwe. After the

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<v Speaker 3>success of Tisicana. Hilsey has now just released his latest EP,

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<v Speaker 3>in the Building. Welcome to it Laid Podcast. Hilsey, you're

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<v Speaker 3>in the building and our is laid podcast Building.

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<v Speaker 2>We're great, Thank you so much for being here.

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<v Speaker 4>You have say it's hell in the building.

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<v Speaker 2>If anything el say in the building, that's you know

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<v Speaker 2>tagline anytime you sung the song. Yeah, we're so stoked

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<v Speaker 2>to have you as fans of your music and your work,

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<v Speaker 2>ethic and everything you're currently up to. Anyone who knows

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<v Speaker 2>the in the building the anthem for us. I think

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<v Speaker 2>Amanda and I were talking about it earlier before we

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<v Speaker 2>started recording. Narrow is our anthem for the people.

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<v Speaker 4>Jes listen to it.

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<v Speaker 2>So before we get all into you know the music

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<v Speaker 2>and all that. We just wanted to say, Hilsey, who

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<v Speaker 2>is Hilsy? How would you describe yourself or how would

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<v Speaker 2>those closest to you describe you?

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<v Speaker 1>So Hill was he's an artist during the night, I

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<v Speaker 1>would say, in a producer, and then during the day,

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<v Speaker 1>I am an iOS developer. Sorry, I make apps for

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<v Speaker 1>like iPhones. That's that's what I did, like for school.

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<v Speaker 1>I'm also into a little bit of farming. I help

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<v Speaker 1>my parents there out there farm. But yeah, essentially that's me.

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<v Speaker 1>The closest to me actually call me mister Massin. So

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<v Speaker 1>if you ever hear anything that says this is a

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<v Speaker 1>mister Massine production, I actually composed. So yeah, that's that's

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<v Speaker 1>pretty much who he is. I'm ah, it's kind of busy.

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<v Speaker 1>If I'm not at the farm, I'm here like recording,

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<v Speaker 1>or if I'm not here then you know, I'm on

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<v Speaker 1>my computer making apps. But yeah, that's that's really about me.

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<v Speaker 2>Wow, talk about faceated in all ways, Like, yeah, I

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<v Speaker 2>studied computer engineering at u ce T, if I'm not mistaken.

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<v Speaker 5>Yeah, yeah, we saw the reference to long streets like yeah, yeah, yeah.

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<v Speaker 1>But yeah, I was I was at uc T and

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<v Speaker 1>that's when pretty much like the whole hills my career started,

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<v Speaker 1>I would say, because I was fresh out of high school,

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<v Speaker 1>I went to send Faith it's a mission screen recabbict

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<v Speaker 1>uh and most of the time it was just like

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<v Speaker 1>corel stuff, you know, like choir Stretcher Union. And I

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<v Speaker 1>always had a dream of, like, you know, I want

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<v Speaker 1>to buy myself like a microphone. So I pretty much

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<v Speaker 1>bought like the you know, your modern day podcasters set

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<v Speaker 1>up like a young my condenser. And then I started

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<v Speaker 1>just watching YouTube videos. So it's like it's either I'm

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<v Speaker 1>in lectures or you know, like I'm playing around with

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<v Speaker 1>the computer. So by the time twenty seventeen, I was

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<v Speaker 1>actually I actually I was graduating years. So that's when

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<v Speaker 1>I came up with Mura. And yeah, ever since, like

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<v Speaker 1>pretty much people you know started recognizing me for like

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<v Speaker 1>the music kind of thing. But yeah, that's wonderful.

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<v Speaker 4>Shout out to the suspect.

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<v Speaker 2>That's where my mom's from.

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<v Speaker 4>What I do, what I do. How would you describe

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<v Speaker 4>your own journey to music?

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<v Speaker 3>I mean, you spoke about being in recapent honing, but

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<v Speaker 3>since when Murroa came out to now, what has that

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<v Speaker 3>journey been.

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<v Speaker 1>Like, Yo, it's been a roller coaster because what's crazy

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<v Speaker 1>is what people are seeing now is what I was

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<v Speaker 1>seeing myself in twenty sixteen. So it's like I've been

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<v Speaker 1>trying to paint this picture.

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<v Speaker 5>You know.

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<v Speaker 1>It's like, Yo, I'm this guy. You know, this is

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<v Speaker 1>what I'm trying to do or where I'm trying to

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<v Speaker 1>be at. So if anything, it's it has been such

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<v Speaker 1>a rollercuster because sometimes you feel like, okay, fine, some

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<v Speaker 1>people get it, but for the most of it, people

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<v Speaker 1>you know, don't really get or they're not really seeing

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<v Speaker 1>the vision. So it's it really has had its ups

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<v Speaker 1>and downs. But I'm just so grateful that, you know,

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<v Speaker 1>in life, any form of like success comes with like consistency.

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<v Speaker 1>There's no one who is successful in life who's not consistent.

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<v Speaker 1>So I'm just grateful I was consistent through and through,

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<v Speaker 1>you know, and I can't really say I've made much

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<v Speaker 1>or I've made much here. This is really like the beginning.

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<v Speaker 1>But a lot of people give up when they don't,

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<v Speaker 1>you know, get something in return. So I'm just grateful

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<v Speaker 1>that for me, it was like Jim, you know, you

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<v Speaker 1>do it like every day. It's like food, Yeah, you

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<v Speaker 1>eat food every day, So I'm just at the consistency

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<v Speaker 1>pretty much, you know, helped me. But you know, I cannot,

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<v Speaker 1>I honestly can not like describe all the feelings like

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<v Speaker 1>in one way or I can just say it's in

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<v Speaker 1>a road and coster, you know. Yeah, but yeah, yeah,

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<v Speaker 1>and I'm truly grateful for the journey.

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<v Speaker 2>Yeah yeah, that's really really dope, And I think it

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<v Speaker 2>seems to be a thing that I keep hearing more

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<v Speaker 2>and most like, if you want to do something, you've

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<v Speaker 2>got to be consistent.

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<v Speaker 4>Even when people don't.

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<v Speaker 2>See the vision or where you're headed. How was it

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<v Speaker 2>like in terms of your family and friends, were they

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<v Speaker 2>supported from jump or how did that dynamic work out

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<v Speaker 2>for you in wanting to do music?

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<v Speaker 1>So from a friend's perspective, I think my friends already

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<v Speaker 1>knew that. Like I was a music head, used to

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<v Speaker 1>know like all the latest songs that were out, you know,

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<v Speaker 1>like and then when I slowly recorded my first first song,

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<v Speaker 1>I think it was like FOLM full back, you know,

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<v Speaker 1>like after writing exams, everyone wants to do something, and

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<v Speaker 1>I was like, I'm going to record my best single.

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<v Speaker 1>So people pretty much were like, now we're rooting for you.

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<v Speaker 1>But at a whole. Obviously, it was something that's so

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<v Speaker 1>foreign because like my dad is a doctor with a provasion,

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<v Speaker 1>and he was just like, not the books.

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<v Speaker 4>My bands.

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<v Speaker 1>And I beg in the day. In the day, like

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<v Speaker 1>he used to say, I could buy you any kind

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<v Speaker 1>of textbook, no matter how expensive it is, as opposed

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<v Speaker 1>to buy and you like, say like a PlayStation. You know,

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<v Speaker 1>That's that's how hard he was like with education. So

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<v Speaker 1>to me, it was like, okay, fine, I'll do this.

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<v Speaker 1>I'll do the education side of things, and then later

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<v Speaker 1>on I'll get to do what I you know, what

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<v Speaker 1>I want. So after a levels, that's when I was like,

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<v Speaker 1>I even he wanted me to go and study medicine

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<v Speaker 1>and use it. But at the back of my head,

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<v Speaker 1>I was like, nah, if I stay close to him,

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<v Speaker 1>I feel like I'm not going to expand you know

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<v Speaker 1>in terms of like music or just be myself and

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<v Speaker 1>find myself. So that's how I thought, to, you know,

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<v Speaker 1>go study computer science Cape Town. And that's when I,

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<v Speaker 1>you know, essentially like built everything up so here and

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<v Speaker 1>there they would hear. People would be.

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<v Speaker 6>Like I want to ask, and I just brushed it off,

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<v Speaker 6>just brushed it over. I'm like my dad will be

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<v Speaker 6>like what it is and I'm like a oldes you know,

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<v Speaker 6>you're just so it was really hard until I think

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<v Speaker 6>I released a mine.

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<v Speaker 1>So when I released her, my came back to ZIM

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<v Speaker 1>for a holiday and then a lot of like you're

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<v Speaker 1>like you sounding so sweet or whatever, and then my

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<v Speaker 1>mom hadn't actually listened to the song, and she listened

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<v Speaker 1>to it. She cried. She literally cried, and I was

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<v Speaker 1>just like, Okay, maybe you might be onto something. So

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<v Speaker 1>my mom was lokly tolerating at that point. And then

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<v Speaker 1>I'll say after and now mura, I actually I have

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<v Speaker 1>my dad in the music video. My mom as well,

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<v Speaker 1>so they knew I was doing it like low key.

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<v Speaker 1>But one day I just ended up picking up the

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<v Speaker 1>core and I'm like, yo, I'm doing this music video

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<v Speaker 1>and can you please come there with the farm. They're

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<v Speaker 1>like okay, to do giars thin and I'm like yes,

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<v Speaker 1>it's just it's just come through. So I think that's when,

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<v Speaker 1>And that was twentish seventeen when they also knew I

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<v Speaker 1>was graduating, So I think that's when I got like

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<v Speaker 1>the official stem from my from my parents, but everyone

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<v Speaker 1>else was upproving. But ever since then when I also

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<v Speaker 1>got that low key parents or blessing. You know, that's

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<v Speaker 1>when the music also really started, like you know, doing

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<v Speaker 1>around and so now now and then I'm being like

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<v Speaker 1>earrands with my mom. People are just like hey, I'm chatting,

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<v Speaker 1>you know, like every day. She's also like, yeah, I

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<v Speaker 1>greet them back, you know.

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<v Speaker 3>Shout out to your parents real.

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<v Speaker 2>For sure. We've spoken about this in other episodes, right, Amanda,

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<v Speaker 2>about parents and like how it's I think it's really

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<v Speaker 2>hard for especially African parents to grasp that we have

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<v Speaker 2>dreams different to what they thought should be our dreams.

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<v Speaker 2>You know, it's it's changed. Yeah, you know, I would.

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<v Speaker 1>I saw this on Twitter one day where like, you know,

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<v Speaker 1>girls are just sharing the experiences, say when they got

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<v Speaker 1>pregnant versus like let's say they were not married, and

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<v Speaker 1>then to a point where now like then versus now,

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<v Speaker 1>and then it's like the parents are so inseparable with

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<v Speaker 1>their grandchildren. They were so you know. But so I

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<v Speaker 1>feel like it was the same with my journey because

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<v Speaker 1>now when I'm out and I'm with my dad, he

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<v Speaker 1>is like, okay, I'm doctor Shipunza and then all of

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<v Speaker 1>a sudden goes rooms here but at first, but at

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<v Speaker 1>first amount of friction that was there, you know, So

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<v Speaker 1>I to add on to that, it's a hundred percent.

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<v Speaker 1>I think our parents have like the best for us,

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<v Speaker 1>and sometimes the best for us is and what they

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<v Speaker 1>really envision the vision.

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<v Speaker 3>Yeah, yeah, so you've just pretty much answered what I

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<v Speaker 3>was gonna ask you next.

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<v Speaker 4>What has it taken for you to make it this far?

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<v Speaker 3>And you know, it sounds like with parents obviously there

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<v Speaker 3>was that journey as you just described, But what do

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<v Speaker 3>you think personally you've had to sacrifice to make it

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<v Speaker 3>this fansim Babblian music scene.

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<v Speaker 1>I think I've sacrificed a lot of time. I don't

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<v Speaker 1>really I'm not really outgoing. So the music is out there,

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<v Speaker 1>but it's for me. It's either like I'm in the

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<v Speaker 1>studio or you know, I'm working on something else or

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<v Speaker 1>even like so, I think another thing that attributes to

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<v Speaker 1>my life being busy is I'm an only child. So

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<v Speaker 1>you can imagine being an only child and your parents,

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<v Speaker 1>don't you They're scared you might you know, not make

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<v Speaker 1>it in school or like in the music scene as well.

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<v Speaker 1>So the pressure has always been like at the back

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<v Speaker 1>of my head and also like just showing a culture.

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<v Speaker 1>You know, people are just like being persantly like nah,

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<v Speaker 1>you're the only one you need to fight, you know,

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<v Speaker 1>that kind of thing. So I think I've really sacrificed

0:12:58.240 --> 0:13:00.360
<v Speaker 1>like a lot of time, like in the like in

0:13:00.400 --> 0:13:03.360
<v Speaker 1>the music, like you're saying when you say like quality.

0:13:03.640 --> 0:13:06.760
<v Speaker 1>So I think what differs, what differentiates me from other

0:13:06.840 --> 0:13:09.360
<v Speaker 1>artists is I think a lot of people have like

0:13:09.440 --> 0:13:12.400
<v Speaker 1>say seven people working on their music, Like they go

0:13:12.480 --> 0:13:15.640
<v Speaker 1>and recorded someone studio and then someone mixes it and

0:13:15.720 --> 0:13:19.040
<v Speaker 1>masters it. For me, it's like everything like beats I record,

0:13:19.559 --> 0:13:21.920
<v Speaker 1>you know, I pretty much do everything in house, which

0:13:21.920 --> 0:13:24.680
<v Speaker 1>has helped me as well because it's like it has

0:13:24.800 --> 0:13:28.040
<v Speaker 1>maintained the vibes and the ethic as well. But I'm

0:13:28.040 --> 0:13:31.200
<v Speaker 1>also getting to a point where I also want people

0:13:31.600 --> 0:13:34.240
<v Speaker 1>who share the same vision, who are also as hardworking

0:13:34.240 --> 0:13:36.880
<v Speaker 1>as I am, you know, pretty much like help me

0:13:36.920 --> 0:13:39.640
<v Speaker 1>out with the work. So I do have like a

0:13:39.679 --> 0:13:44.040
<v Speaker 1>few friends like a beatsmith we were also together, ucity,

0:13:44.320 --> 0:13:46.000
<v Speaker 1>but you also make some of my beats and you

0:13:46.120 --> 0:13:49.240
<v Speaker 1>master some of my stuff. I also trust him, So

0:13:49.280 --> 0:13:51.800
<v Speaker 1>I would say I think the journey is really just

0:13:51.880 --> 0:13:54.959
<v Speaker 1>you know, I've sacrificed so much time, even sometimes when

0:13:55.000 --> 0:13:56.880
<v Speaker 1>friends are like yo, he was in Google you know

0:13:56.960 --> 0:13:59.360
<v Speaker 1>December from Disember.

0:14:01.400 --> 0:14:07.199
<v Speaker 4>No, you know, you know, like.

0:14:10.080 --> 0:14:12.600
<v Speaker 1>But yeah, I think that's for me. That's like the

0:14:12.640 --> 0:14:13.600
<v Speaker 1>biggest sacrifice.

0:14:14.120 --> 0:14:17.360
<v Speaker 3>Yeah, but you know what, it's so commendable, Hillsy. You

0:14:17.440 --> 0:14:21.480
<v Speaker 3>are honing your craft. Yes, you are knowing your music

0:14:21.680 --> 0:14:24.920
<v Speaker 3>through and through and you can't you know, people say

0:14:24.920 --> 0:14:26.880
<v Speaker 3>it takes what ten thousand hours? What is it to

0:14:27.120 --> 0:14:31.320
<v Speaker 3>because you are literally putting that work and that time.

0:14:31.120 --> 0:14:32.560
<v Speaker 4>In and it shows.

0:14:32.600 --> 0:14:36.640
<v Speaker 3>It's evident, you know, So don't knock yourself, can descend,

0:14:36.800 --> 0:14:37.240
<v Speaker 3>can wait?

0:14:39.800 --> 0:14:43.160
<v Speaker 4>You know, and you can hear it.

0:14:43.240 --> 0:14:44.880
<v Speaker 2>And we were talking about how we can listen to

0:14:44.880 --> 0:14:47.680
<v Speaker 2>your music top to bottom, like we listen body of

0:14:47.720 --> 0:14:50.720
<v Speaker 2>works are a body of work that you can just

0:14:51.400 --> 0:14:54.640
<v Speaker 2>listen to, and not even the biggest artists out there

0:14:55.160 --> 0:14:58.920
<v Speaker 2>are like, not many are able to pull that off, Charanty,

0:14:59.680 --> 0:15:04.560
<v Speaker 2>you know. And also it definitely definitely shows. And you've

0:15:04.600 --> 0:15:09.480
<v Speaker 2>also collaborated with some heavy weights, you know, Shasha Gemma,

0:15:09.600 --> 0:15:15.360
<v Speaker 2>friend of the podcast and recently been featured on BBC Africa. Firstly,

0:15:15.840 --> 0:15:19.640
<v Speaker 2>I would like to know who are your musical inspirations

0:15:19.680 --> 0:15:22.320
<v Speaker 2>and then what is your dream collaboration if you were

0:15:22.360 --> 0:15:24.200
<v Speaker 2>able to.

0:15:23.240 --> 0:15:28.840
<v Speaker 1>To say okay, so by So, I listened to a

0:15:28.880 --> 0:15:31.440
<v Speaker 1>lot of Chris Brown. I listened to hip hop. Let's

0:15:31.440 --> 0:15:34.360
<v Speaker 1>just say hip hop. So two thousand and eight hours

0:15:34.480 --> 0:15:38.640
<v Speaker 1>in form damn. That's that's a long time ago. I

0:15:38.680 --> 0:15:43.040
<v Speaker 1>was in porn four yearn for and the crazy was

0:15:43.160 --> 0:15:46.320
<v Speaker 1>just you know, Chris Brown and a Beyonce you know,

0:15:46.480 --> 0:15:49.200
<v Speaker 1>Rick Cross. That that year of music for me. I

0:15:49.240 --> 0:15:52.720
<v Speaker 1>think I still think that that's like the epic sound,

0:15:52.800 --> 0:15:54.960
<v Speaker 1>you know, like I feel like all these other like

0:15:55.480 --> 0:15:57.920
<v Speaker 1>songs that are coming out now are just really rooting

0:15:58.000 --> 0:16:01.560
<v Speaker 1>from that year. So a lot of Chris Brown, a

0:16:01.560 --> 0:16:04.120
<v Speaker 1>lot of Drake low Wayne sometimes when it comes to

0:16:04.320 --> 0:16:07.520
<v Speaker 1>just like writing, you know, like saying you know, smart things.

0:16:08.280 --> 0:16:10.600
<v Speaker 1>But mostly right now because Drake and Chris Brown are

0:16:10.600 --> 0:16:13.560
<v Speaker 1>still releasing, I listen to them. Then, Like in Africa,

0:16:14.000 --> 0:16:17.560
<v Speaker 1>I listened to Blackie, I listened to Nasty See, and

0:16:17.600 --> 0:16:21.240
<v Speaker 1>then locally I listened to like underground artists. I listened

0:16:21.240 --> 0:16:24.240
<v Speaker 1>to Young mccannie. I listened to another kid called Simdom.

0:16:24.400 --> 0:16:28.560
<v Speaker 1>But if you literally just listen to the whole catalog, yeah,

0:16:28.560 --> 0:16:30.440
<v Speaker 1>that's pretty much where I get, Like my sound in

0:16:30.480 --> 0:16:33.120
<v Speaker 1>my inspiration from. But back in the day when I

0:16:33.160 --> 0:16:35.680
<v Speaker 1>was growing up, my mom used to listen to a

0:16:35.680 --> 0:16:39.240
<v Speaker 1>lot of Two Group and a lot of Ciboma Cabani.

0:16:39.520 --> 0:16:42.280
<v Speaker 1>So there's also like a lot of gospel that's that

0:16:42.400 --> 0:16:46.080
<v Speaker 1>is bagged, you know, like my music as well. So

0:16:46.120 --> 0:16:49.440
<v Speaker 1>it's a bunch. But now I'd say for me, it's

0:16:49.480 --> 0:16:53.840
<v Speaker 1>Drake and Chris Brown, and the goal honestly is to, yeah,

0:16:53.880 --> 0:16:55.800
<v Speaker 1>I just have a song with Chris Brown. I don't know.

0:16:56.160 --> 0:17:02.160
<v Speaker 2>Yeah, well, Chris be loving as Africa's I will say,

0:17:02.560 --> 0:17:04.199
<v Speaker 2>we can manefest that for you.

0:17:04.320 --> 0:17:07.480
<v Speaker 4>It's gonna ask manifest for sure, for sure.

0:17:08.080 --> 0:17:08.320
<v Speaker 2>Yeah.

0:17:08.800 --> 0:17:11.280
<v Speaker 1>And I also when I when I've been recording or

0:17:11.320 --> 0:17:15.159
<v Speaker 1>like composing, my aim has always been to like I

0:17:15.160 --> 0:17:17.359
<v Speaker 1>remember as far as like I was in high scrub,

0:17:17.480 --> 0:17:21.240
<v Speaker 1>like how do I make my song or my voice

0:17:21.400 --> 0:17:24.680
<v Speaker 1>sound you know, like this urban song it wasn't really

0:17:24.720 --> 0:17:28.439
<v Speaker 1>about you know, I'm a rapper and I'm gonna make

0:17:28.480 --> 0:17:31.200
<v Speaker 1>it beyond that. It was like the quality you guys

0:17:31.200 --> 0:17:34.240
<v Speaker 1>are speaking of, Like I'm so I would rather sing

0:17:34.359 --> 0:17:38.160
<v Speaker 1>crap and having like thequality I want someone to like say,

0:17:38.280 --> 0:17:41.520
<v Speaker 1>playing American song and then if they press next it

0:17:41.560 --> 0:17:44.159
<v Speaker 1>needs to be seamless with you know, like with my

0:17:44.240 --> 0:17:47.680
<v Speaker 1>song Heal this song. So that's what I've been pushing for,

0:17:47.840 --> 0:17:52.920
<v Speaker 1>like you know, beyond like just the message. So yeah,

0:17:53.080 --> 0:17:55.840
<v Speaker 1>those guys or say just La inspires me a lot,

0:17:56.080 --> 0:17:59.040
<v Speaker 1>like in terms of like music, because I just think

0:17:59.080 --> 0:18:04.040
<v Speaker 1>that's that's like the end again. So yeah, hopefully I'll

0:18:04.040 --> 0:18:06.040
<v Speaker 1>beat there. I mean, right now I'm speaking to Chris

0:18:06.080 --> 0:18:09.520
<v Speaker 1>Brown's producer. He's actually been sending me beats, so we're working,

0:18:09.880 --> 0:18:12.800
<v Speaker 1>but it's almost like I'm just one person away, and

0:18:12.840 --> 0:18:15.600
<v Speaker 1>I just hope like to be like, hey, I see you.

0:18:16.119 --> 0:18:18.919
<v Speaker 1>But yeah, it's only a matter of time and and

0:18:18.960 --> 0:18:21.359
<v Speaker 1>I honestly just trust the process. I'm just going to

0:18:21.440 --> 0:18:24.000
<v Speaker 1>keep doing me because that's what I've been doing, you know.

0:18:24.160 --> 0:18:28.560
<v Speaker 3>So yeah, the key I think that is seriously the key.

0:18:29.000 --> 0:18:32.880
<v Speaker 3>Do you do you enjoy touring, playing at live shows,

0:18:32.960 --> 0:18:34.800
<v Speaker 3>meeting your fans. I know you said you like to

0:18:34.880 --> 0:18:36.600
<v Speaker 3>keep yourself, but I'm sure when it comes to your

0:18:36.680 --> 0:18:39.800
<v Speaker 3>music you do enjoy out there.

0:18:41.400 --> 0:18:49.960
<v Speaker 1>I'm being like, I'm such I'm such an introvert, right,

0:18:50.760 --> 0:18:55.280
<v Speaker 1>And what's wild is when you meet someone you don't

0:18:55.560 --> 0:18:58.360
<v Speaker 1>you don't know where the you specifically is coming from

0:18:58.359 --> 0:19:02.119
<v Speaker 1>which song and what message do they like, what do

0:19:02.160 --> 0:19:04.720
<v Speaker 1>they perceive you as like in that moment in time.

0:19:04.840 --> 0:19:08.560
<v Speaker 1>So it's a bunch of reactions from a bunch of people,

0:19:08.640 --> 0:19:11.360
<v Speaker 1>all at the same time. So sometimes I get I hell,

0:19:11.520 --> 0:19:13.960
<v Speaker 1>get overwholm because I'm also that kind of a person

0:19:14.000 --> 0:19:16.760
<v Speaker 1>who if I get to a place, I want to

0:19:16.760 --> 0:19:19.879
<v Speaker 1>speak to everyone. If someone says quite neany quite mean,

0:19:20.640 --> 0:19:23.800
<v Speaker 1>I want to be there. But you're like, man, I

0:19:24.240 --> 0:19:27.240
<v Speaker 1>honestly can't be there for you know, all of you guys.

0:19:27.280 --> 0:19:30.840
<v Speaker 1>So yeah, but the moments that I cherish the most

0:19:30.920 --> 0:19:33.199
<v Speaker 1>are so sometimes like I said, I'm into farming. I

0:19:33.200 --> 0:19:35.760
<v Speaker 1>help my parents, so sometimes don't want to know my industry.

0:19:35.760 --> 0:19:39.000
<v Speaker 1>You know, two more in Downtown getting like my parts

0:19:39.000 --> 0:19:43.080
<v Speaker 1>and then you were like, you know, like one of

0:19:43.160 --> 0:19:46.480
<v Speaker 1>the ones. I love those because like we can have

0:19:46.520 --> 0:19:50.880
<v Speaker 1>a full orverisation without people disturbing or when it shows

0:19:50.960 --> 0:19:54.840
<v Speaker 1>it's a different thing all together. I do love the

0:19:55.119 --> 0:19:57.200
<v Speaker 1>you know, the tension or at least like the feedback.

0:19:57.280 --> 0:20:00.439
<v Speaker 1>You know, people are happy because you're seeing you're doing something,

0:20:00.800 --> 0:20:10.400
<v Speaker 1>So yeah, I love that. But yeah, and then yeah,

0:20:10.400 --> 0:20:13.040
<v Speaker 1>I just need to do what I do on stage leander,

0:20:13.119 --> 0:20:16.359
<v Speaker 1>but once once I get on stage as well, you know,

0:20:16.560 --> 0:20:19.520
<v Speaker 1>when you just have something kicking, it's like diving into water.

0:20:19.600 --> 0:20:23.119
<v Speaker 1>At first, you know, could dive and then all of

0:20:23.119 --> 0:20:26.439
<v Speaker 1>a sudden, once you dive, you're in there. So that's

0:20:26.560 --> 0:20:29.679
<v Speaker 1>what always happens. I'm so nervous before I get on stage.

0:20:29.680 --> 0:20:32.440
<v Speaker 1>I'm like, any go over, you know, like the nerve

0:20:32.440 --> 0:20:36.040
<v Speaker 1>pone just goes, or if people just start wearing bottles, you.

0:20:42.480 --> 0:20:45.119
<v Speaker 4>Know, but nerves and nerves are good. People say nerves

0:20:45.119 --> 0:20:45.600
<v Speaker 4>are good.

0:20:45.720 --> 0:20:50.000
<v Speaker 3>Nerves show you care, so it's it's it's good. It's

0:20:50.000 --> 0:20:52.440
<v Speaker 3>a good thing, and buse you hone them and still,

0:20:52.600 --> 0:20:53.720
<v Speaker 3>you know, do your show.

0:20:54.359 --> 0:20:58.520
<v Speaker 1>Yeah, okay, it's And I think one thing also that

0:20:58.600 --> 0:21:01.480
<v Speaker 1>I forgot to mention was so most of these things,

0:21:01.880 --> 0:21:05.440
<v Speaker 1>or the music, I was in Cape Town because I

0:21:05.480 --> 0:21:09.240
<v Speaker 1>have more of an online presence than a public you know, presence.

0:21:09.760 --> 0:21:13.879
<v Speaker 1>So when I got back to ZIM, it was also

0:21:13.960 --> 0:21:15.800
<v Speaker 1>like so different because in Cape Town, I was just

0:21:15.840 --> 0:21:19.560
<v Speaker 1>like a normal you know, developer, wake up, do it.

0:21:19.720 --> 0:21:22.000
<v Speaker 1>But you know it's so different. You know, I can't

0:21:22.040 --> 0:21:27.960
<v Speaker 1>do that anymore. And I so it's I I've definitely adjusted,

0:21:28.480 --> 0:21:30.720
<v Speaker 1>but I'm not yet there you know where I can

0:21:31.080 --> 0:21:34.240
<v Speaker 1>be like, ah, this is me, you know, because all

0:21:34.359 --> 0:21:36.879
<v Speaker 1>the time it's it's going to be someone And I

0:21:36.920 --> 0:21:39.639
<v Speaker 1>love it because people share their personal stories. So some

0:21:39.720 --> 0:21:42.240
<v Speaker 1>of them like you use I'm a fan actually so

0:21:42.400 --> 0:21:46.840
<v Speaker 1>yeah as a proposer or so yeah, you know, it's

0:21:46.920 --> 0:21:49.639
<v Speaker 1>it's those old gems that then help me and be

0:21:49.760 --> 0:21:51.760
<v Speaker 1>like ah, if I get back in the studio, I'm like,

0:21:51.920 --> 0:21:54.400
<v Speaker 1>I know who I'm doing this for. Beyond me, it's

0:21:54.440 --> 0:21:58.440
<v Speaker 1>someone also the people that I inspire in like different ways.

0:21:58.640 --> 0:22:02.359
<v Speaker 2>Yeah, that's a perfect segue because then I wanted to

0:22:02.400 --> 0:22:05.000
<v Speaker 2>ask you what you want those who listen to your

0:22:05.119 --> 0:22:08.320
<v Speaker 2>music to ganer most from listening to your music? So

0:22:08.359 --> 0:22:11.760
<v Speaker 2>what do you want people to receive from it? Seems

0:22:11.760 --> 0:22:14.960
<v Speaker 2>like you're making your music, you know your audience, you

0:22:15.040 --> 0:22:17.120
<v Speaker 2>know who you're making it for. What do you want

0:22:17.160 --> 0:22:19.520
<v Speaker 2>them to take away when they listen to your music?

0:22:19.560 --> 0:22:22.360
<v Speaker 1>But that's that's that's a deeper question to.

0:22:22.320 --> 0:22:23.639
<v Speaker 2>Be Yeah, we dont deeper.

0:22:23.760 --> 0:22:28.680
<v Speaker 4>Yeah yeah there.

0:22:30.320 --> 0:22:35.119
<v Speaker 1>Well, So for me, I just want people to know

0:22:35.160 --> 0:22:39.360
<v Speaker 1>that there's a real and authentic music or like authentic connections.

0:22:39.400 --> 0:22:43.119
<v Speaker 1>You can genuinely connect with people through music because there

0:22:43.119 --> 0:22:47.040
<v Speaker 1>are people who like, let's say, so Jakari. So, I

0:22:47.080 --> 0:22:49.240
<v Speaker 1>don't know if you guys know about Jakari, but Jakari

0:22:49.400 --> 0:22:54.800
<v Speaker 1>is like g Isy's producer is actually yes, so he's

0:22:54.800 --> 0:22:58.239
<v Speaker 1>the one I did with. He moved on from La.

0:22:58.359 --> 0:23:02.000
<v Speaker 1>He's not staying in younger but he yeah, literally is

0:23:02.040 --> 0:23:03.439
<v Speaker 1>like you. I want to work with you. And I

0:23:03.520 --> 0:23:06.040
<v Speaker 1>learned so much from him. And one of the things,

0:23:06.800 --> 0:23:09.239
<v Speaker 1>at least what he said to me is like your

0:23:09.359 --> 0:23:13.080
<v Speaker 1>music has so you know, like it is so as

0:23:13.160 --> 0:23:15.520
<v Speaker 1>in you. You listen to a song and like and

0:23:15.560 --> 0:23:17.760
<v Speaker 1>you want to be like, ha, who's this person? Or

0:23:17.760 --> 0:23:19.760
<v Speaker 1>you want to know more about that person. It's like

0:23:19.800 --> 0:23:26.440
<v Speaker 1>when you're drinking something that's delicious, mombertarities about yeah yeah yeah,

0:23:26.560 --> 0:23:30.280
<v Speaker 1>right as opposed you. And there's some people there's something

0:23:30.320 --> 0:23:33.520
<v Speaker 1>there's some songs or some artists who like you listen

0:23:33.560 --> 0:23:35.199
<v Speaker 1>to it, but it's just at the top of your

0:23:35.240 --> 0:23:38.159
<v Speaker 1>mind is what I just know, like is and that's it.

0:23:38.680 --> 0:23:41.119
<v Speaker 1>So I think for me, it's it's it's that's so

0:23:41.440 --> 0:23:44.159
<v Speaker 1>that's under the music that I just want people to

0:23:44.200 --> 0:23:47.120
<v Speaker 1>know that genuinely you can make connections with music. There's

0:23:47.160 --> 0:23:50.240
<v Speaker 1>people who I meet in the like tombajin Drew Father

0:23:50.320 --> 0:23:52.440
<v Speaker 1>and they're like mister my saying, and they start telling

0:23:52.440 --> 0:23:55.159
<v Speaker 1>me where I stay, you know, like all these things

0:23:55.200 --> 0:23:57.760
<v Speaker 1>like they know me. It's like even when we chill,

0:23:58.600 --> 0:24:01.480
<v Speaker 1>it's like this person genuinely gets me. So it's like

0:24:02.200 --> 0:24:06.080
<v Speaker 1>I feel like I'm just another soul that just represents

0:24:06.359 --> 0:24:10.000
<v Speaker 1>a million more out there and how they also feel.

0:24:10.560 --> 0:24:15.200
<v Speaker 1>And yeah, like connections within music also genuinely, like you know, exist,

0:24:15.720 --> 0:24:18.679
<v Speaker 1>So for me, I think that's what is also like

0:24:19.040 --> 0:24:24.880
<v Speaker 1>keeping the music, you know, going, because people hear the soul.

0:24:24.920 --> 0:24:27.520
<v Speaker 1>It's it's not about if the if the beat is

0:24:27.560 --> 0:24:31.960
<v Speaker 1>a banger or you know, if there's bars or not.

0:24:32.720 --> 0:24:35.320
<v Speaker 1>More than anything is just like the soul. It's soul

0:24:35.320 --> 0:24:38.239
<v Speaker 1>for music, and you know, you can listen to it

0:24:38.280 --> 0:24:40.280
<v Speaker 1>and you can just really feel online or you can

0:24:40.320 --> 0:24:43.119
<v Speaker 1>start thinking about stuff. You can start thinking about your life.

0:24:43.320 --> 0:24:46.960
<v Speaker 1>Music that actually makes you sit down and you know,

0:24:47.119 --> 0:24:51.000
<v Speaker 1>like being another place. So I think that's what I

0:24:51.040 --> 0:24:53.280
<v Speaker 1>want people to feel when they when they listen to

0:24:53.320 --> 0:24:55.160
<v Speaker 1>my to my music at the end of the day,

0:24:55.840 --> 0:24:56.439
<v Speaker 1>that's dope.

0:24:56.920 --> 0:25:01.720
<v Speaker 2>And the vulnerability also shines through, the authenticity shines through.

0:25:01.880 --> 0:25:04.280
<v Speaker 2>I absolutely get what you're saying about some music you

0:25:04.320 --> 0:25:09.359
<v Speaker 2>listen surface level, like you just yeah yeah, but like

0:25:09.400 --> 0:25:12.199
<v Speaker 2>when you get And it's funny because my sister is

0:25:12.200 --> 0:25:15.240
<v Speaker 2>a huge Chris Brown fan, and she's like, there's something

0:25:15.280 --> 0:25:18.600
<v Speaker 2>about Chris Brown when he just like sings and and

0:25:19.240 --> 0:25:19.720
<v Speaker 2>I get.

0:25:19.960 --> 0:25:20.520
<v Speaker 4>I get that.

0:25:20.560 --> 0:25:25.520
<v Speaker 2>It's like even though yes, he does so much music,

0:25:25.600 --> 0:25:27.879
<v Speaker 2>but he still has the heart and soul for it.

0:25:28.960 --> 0:25:33.080
<v Speaker 2>So yeah, which is what I feel about Drake, Old Drake. Okay,

0:25:33.080 --> 0:25:35.359
<v Speaker 2>I'm old. Let me not give away my age.

0:25:35.760 --> 0:25:39.200
<v Speaker 4>I feel that way about you know, Old.

0:25:39.000 --> 0:25:45.440
<v Speaker 2>Drake, Thank me later, Drake all that, Like I get

0:25:45.480 --> 0:25:46.560
<v Speaker 2>that from him.

0:25:46.800 --> 0:25:49.760
<v Speaker 3>You know, you've talked a lot about the work you've

0:25:49.800 --> 0:25:53.080
<v Speaker 3>put in into your own music, the journey you've told us.

0:25:53.960 --> 0:25:55.840
<v Speaker 4>What advice would you give.

0:25:55.680 --> 0:25:59.000
<v Speaker 3>To someone who's aspiring to do music within Zimbabwe?

0:25:59.320 --> 0:26:01.320
<v Speaker 1>I would say, so your goals first. I think that's

0:26:01.440 --> 0:26:05.800
<v Speaker 1>number one. It's key because you don't want to be

0:26:05.840 --> 0:26:10.320
<v Speaker 1>like a plastic pig. Paper is so a drill.

0:26:11.720 --> 0:26:14.680
<v Speaker 4>You can you please take a moment to appreciate that back?

0:26:16.880 --> 0:26:23.680
<v Speaker 4>You know what?

0:26:17.280 --> 0:26:26.040
<v Speaker 1>I but do you do you do you understand what

0:26:26.080 --> 0:26:26.520
<v Speaker 1>I'm saying?

0:26:26.920 --> 0:26:28.480
<v Speaker 4>Yes, yes, yes.

0:26:29.160 --> 0:26:31.840
<v Speaker 1>Like I think as an artist you need to like

0:26:32.040 --> 0:26:34.880
<v Speaker 1>to find or find your sound to be like this

0:26:34.960 --> 0:26:37.440
<v Speaker 1>is even if I don't know, if I jump on

0:26:37.440 --> 0:26:39.479
<v Speaker 1>this other song, people can tell me this is, this

0:26:39.520 --> 0:26:42.919
<v Speaker 1>is elsy. So I think it's like find your sound,

0:26:43.080 --> 0:26:45.639
<v Speaker 1>you know, set your goals even if R N B

0:26:45.800 --> 0:26:50.200
<v Speaker 1>S Wood, even if you know, just hold your skill,

0:26:50.320 --> 0:26:53.080
<v Speaker 1>like be good at one thing at least like one

0:26:53.119 --> 0:26:55.800
<v Speaker 1>specific genere tot. You know, people should get to a

0:26:55.840 --> 0:26:59.760
<v Speaker 1>point where they know if he was he was on this,

0:27:00.040 --> 0:27:02.199
<v Speaker 1>you would kill it. You know, those kind of vibes

0:27:02.240 --> 0:27:07.080
<v Speaker 1>like cement you I don't know your work and if anything,

0:27:07.160 --> 0:27:09.240
<v Speaker 1>you just you just keep working. For me and Ninny,

0:27:09.400 --> 0:27:12.760
<v Speaker 1>I've avoided a lot of controversies. I've avoided a lot

0:27:12.760 --> 0:27:16.000
<v Speaker 1>of things by just staying in the studio and just working.

0:27:16.640 --> 0:27:19.479
<v Speaker 1>And so for me, I think the work ethic comes

0:27:19.520 --> 0:27:22.439
<v Speaker 1>first as opposed to like these days, I feel like

0:27:23.359 --> 0:27:26.960
<v Speaker 1>social media Instagram people also want to like work on

0:27:27.000 --> 0:27:28.879
<v Speaker 1>an image at the same time they want to work

0:27:29.600 --> 0:27:32.439
<v Speaker 1>like on the sound, and then they want to provoke

0:27:32.520 --> 0:27:35.320
<v Speaker 1>someone so that like all eyes on them, And I

0:27:35.320 --> 0:27:38.240
<v Speaker 1>feel like that's that's not music. When you're doing that,

0:27:38.240 --> 0:27:41.760
<v Speaker 1>that's that's that's showbiz. To be honest, like if you're

0:27:41.800 --> 0:27:44.959
<v Speaker 1>if you really want to be like master craft, like

0:27:45.440 --> 0:27:48.600
<v Speaker 1>just getting the studio work and you you will get better.

0:27:48.680 --> 0:27:51.240
<v Speaker 1>It's like it's like running. If you're going to run around,

0:27:51.280 --> 0:27:53.800
<v Speaker 1>you would first day you're going to do fifteen minutes.

0:27:54.080 --> 0:27:57.240
<v Speaker 1>Second day, maybe forty six weeks later you'll be doing

0:27:57.280 --> 0:28:00.399
<v Speaker 1>like nine minutes. Did you understand? So I feel like

0:28:00.440 --> 0:28:03.680
<v Speaker 1>a lot of people don't put the work in. They

0:28:03.760 --> 0:28:06.639
<v Speaker 1>don't actually put the work ethic to be like I'm working.

0:28:06.640 --> 0:28:09.000
<v Speaker 1>I'm working regardless of if this is going to be

0:28:09.000 --> 0:28:12.159
<v Speaker 1>posted on ZIM celebs or not, or piece or not.

0:28:12.560 --> 0:28:15.200
<v Speaker 1>I feel like it's just it's exercise and you do

0:28:15.240 --> 0:28:18.600
<v Speaker 1>get better. You get feedback from that. So keep working.

0:28:19.240 --> 0:28:22.040
<v Speaker 1>Set your goals and yeah, I just don't be moved

0:28:22.119 --> 0:28:26.159
<v Speaker 1>man Like, set your goals and you know, stick at

0:28:26.200 --> 0:28:29.479
<v Speaker 1>it and once once to achieve your goal, you go

0:28:29.520 --> 0:28:31.000
<v Speaker 1>into the gyp to the next.

0:28:31.400 --> 0:28:34.560
<v Speaker 2>You mentioned that on your BBC Africa interview about how

0:28:34.920 --> 0:28:37.280
<v Speaker 2>you Know. I think there was a question around are

0:28:37.280 --> 0:28:40.720
<v Speaker 2>you going to go into afrobeads or like that genre?

0:28:41.240 --> 0:28:44.560
<v Speaker 2>And I distinctly remember you saying that while I may

0:28:44.600 --> 0:28:48.480
<v Speaker 2>feature on a song for afrobeats or you know, I

0:28:48.520 --> 0:28:51.960
<v Speaker 2>don't see myself going to say I'm going to pursue

0:28:52.000 --> 0:28:55.040
<v Speaker 2>that genre. And I thought that struck me quite a

0:28:55.040 --> 0:28:56.840
<v Speaker 2>bit because I was like, Okay, this is someone who

0:28:56.880 --> 0:28:59.880
<v Speaker 2>knows what he wants and knows what.

0:28:59.760 --> 0:29:02.280
<v Speaker 4>He his music as well.

0:29:02.440 --> 0:29:03.520
<v Speaker 1>What you're laying is what.

0:29:03.520 --> 0:29:07.040
<v Speaker 2>You're good at and he's And people don't like that, right,

0:29:07.200 --> 0:29:09.240
<v Speaker 2>Like some people are like, oh no, you need to

0:29:09.240 --> 0:29:10.800
<v Speaker 2>be able to just and it's like.

0:29:10.840 --> 0:29:12.080
<v Speaker 4>No jump on the trends.

0:29:12.160 --> 0:29:15.719
<v Speaker 2>Yeah, like you obviously do it for the music, and

0:29:15.760 --> 0:29:17.520
<v Speaker 2>you obviously know what you're.

0:29:17.320 --> 0:29:18.840
<v Speaker 4>Doing for me.

0:29:20.920 --> 0:29:23.040
<v Speaker 1>So the reason why I say that, so, for instance,

0:29:23.080 --> 0:29:25.560
<v Speaker 1>an example is with Chargy. The reason why I did

0:29:25.640 --> 0:29:31.240
<v Speaker 1>Chargey was I'd actually listened to that Oaccelate song Oxceolate

0:29:31.400 --> 0:29:36.720
<v Speaker 1>the Infinity Infinity right, and I was like, Yo, this

0:29:36.760 --> 0:29:39.600
<v Speaker 1>is so nice. I want to make something like that.

0:29:39.760 --> 0:29:42.880
<v Speaker 1>And I literally I made that, but obviously I was like,

0:29:42.920 --> 0:29:46.480
<v Speaker 1>I want to make my own, you know different, my

0:29:46.600 --> 0:29:51.320
<v Speaker 1>aphro beat version. However, with Chargy being successful, I can't

0:29:51.400 --> 0:29:54.480
<v Speaker 1>then call myself the afro beat king. Do you understand,

0:29:54.520 --> 0:29:58.600
<v Speaker 1>Like it's one song, I did it nice. It's like

0:29:58.680 --> 0:30:01.080
<v Speaker 1>you're a soccer star, You're LEO. See if you can

0:30:01.160 --> 0:30:08.920
<v Speaker 1>defends walked defend. It's like you you you have to

0:30:09.080 --> 0:30:12.520
<v Speaker 1>have your liking. So that's why I was like, in

0:30:12.600 --> 0:30:14.840
<v Speaker 1>as much as I can make the craft, I can

0:30:14.840 --> 0:30:16.960
<v Speaker 1>work on it, and you know, I just don't have

0:30:17.000 --> 0:30:19.560
<v Speaker 1>a deeper connection to it, you know. And and I

0:30:19.600 --> 0:30:22.960
<v Speaker 1>would know. My ways is to like making a whole

0:30:23.000 --> 0:30:27.120
<v Speaker 1>aprobat album as a verse that he's you know, do

0:30:27.240 --> 0:30:29.000
<v Speaker 1>me a verse. I did a song for a deal

0:30:29.040 --> 0:30:32.560
<v Speaker 1>love story that was very afrobaty, and it worked out

0:30:32.600 --> 0:30:35.080
<v Speaker 1>because I just gave him the verse. But if you

0:30:35.080 --> 0:30:36.720
<v Speaker 1>give me like a hip hop song and R and

0:30:36.800 --> 0:30:39.840
<v Speaker 1>B song, I can tell you from start to finish

0:30:40.000 --> 0:30:42.600
<v Speaker 1>how to layer it, you know, and and how so

0:30:42.720 --> 0:30:45.840
<v Speaker 1>and and I'll know even if I like and if

0:30:45.840 --> 0:30:49.440
<v Speaker 1>someone R and B they're in the US, they can

0:30:49.520 --> 0:30:51.600
<v Speaker 1>resonate to this. They can see who to this person

0:30:51.720 --> 0:30:55.000
<v Speaker 1>is actually full of structure. Oh wow, But we to bridge.

0:30:57.320 --> 0:31:01.360
<v Speaker 1>So that's that's that's that's pretty much what I was saying,

0:31:01.400 --> 0:31:04.880
<v Speaker 1>like one hundred percent, I could could make a pop song.

0:31:04.920 --> 0:31:07.600
<v Speaker 1>I would make a so song, but only as a feature.

0:31:07.720 --> 0:31:14.480
<v Speaker 3>Because so yeah, it's great that you say that, because

0:31:14.520 --> 0:31:17.560
<v Speaker 3>even like GRIMBYA and I were saying with premiere with Gemma.

0:31:17.960 --> 0:31:20.800
<v Speaker 3>We've never heard Gemma sound like that when she was

0:31:20.840 --> 0:31:25.000
<v Speaker 3>on your like no, and you've just proven by saying this,

0:31:25.240 --> 0:31:29.640
<v Speaker 3>and you you led that song for he shed the

0:31:29.640 --> 0:31:33.760
<v Speaker 3>way she sang it, So you've just literally proven exactly

0:31:33.760 --> 0:31:36.040
<v Speaker 3>what you're saying. You're not just saying these words and

0:31:36.080 --> 0:31:39.240
<v Speaker 3>it's empty because we're just saying, oh my gosh, Jemma

0:31:39.320 --> 0:31:42.440
<v Speaker 3>sounds so different, but it fits in with.

0:31:42.360 --> 0:31:43.280
<v Speaker 4>What you're doing.

0:31:43.400 --> 0:31:46.840
<v Speaker 3>So I love that you're able to produce and bring

0:31:46.920 --> 0:31:47.960
<v Speaker 3>that out of her as well.

0:31:48.040 --> 0:31:50.080
<v Speaker 4>Just speaks to your talent, It really does.

0:31:50.880 --> 0:31:54.120
<v Speaker 2>Even Shasha, I think we hadn't heard her current album

0:31:54.160 --> 0:31:57.600
<v Speaker 2>hadn't come out yet, and good Bye it.

0:31:57.480 --> 0:32:00.840
<v Speaker 4>Was still Shasha still the voice.

0:32:00.880 --> 0:32:03.600
<v Speaker 2>But I was like, okay, and now we got a

0:32:03.600 --> 0:32:05.160
<v Speaker 2>lot more of the R and V R and B

0:32:05.360 --> 0:32:07.600
<v Speaker 2>vibes from her in her latest project, I'm.

0:32:07.480 --> 0:32:09.200
<v Speaker 4>Alive, Like do you understand?

0:32:09.240 --> 0:32:09.400
<v Speaker 6>So?

0:32:09.880 --> 0:32:16.719
<v Speaker 2>And I could lay lay but now currently repeats blank,

0:32:16.960 --> 0:32:18.480
<v Speaker 2>I love blink, How you did like.

0:32:20.040 --> 0:32:22.920
<v Speaker 4>That? That beats that progression? How you know that?

0:32:23.480 --> 0:32:28.400
<v Speaker 2>And it's very yeah, like your music often leaves you

0:32:28.480 --> 0:32:30.680
<v Speaker 2>wanting more, like I could listen to this again.

0:32:31.040 --> 0:32:36.600
<v Speaker 4>I want to hear more. So yeah, and it's funny.

0:32:36.640 --> 0:32:39.520
<v Speaker 3>It's funny you mentioned charging because I'm an afrobeat head,

0:32:39.640 --> 0:32:40.520
<v Speaker 3>so Charge has.

0:32:40.520 --> 0:32:41.840
<v Speaker 4>Been on repeat for me.

0:32:42.160 --> 0:32:46.720
<v Speaker 3>But I am I see that, So you see all

0:32:46.840 --> 0:32:49.600
<v Speaker 3>to say, you know, all the work you put in,

0:32:49.680 --> 0:32:53.560
<v Speaker 3>all the intent you put behind your music shows, and

0:32:53.640 --> 0:32:58.280
<v Speaker 3>the quality is unprecedented, and keep going like seriously obviously

0:32:58.320 --> 0:33:01.320
<v Speaker 3>getting what you're trying to put our getting it.

0:33:03.280 --> 0:33:06.959
<v Speaker 1>But you know, like such such an unpopular opinion. So

0:33:07.920 --> 0:33:11.760
<v Speaker 1>I think I'm more of a producer more than I

0:33:11.800 --> 0:33:15.720
<v Speaker 1>like an artist. So all these things just you're telling

0:33:15.720 --> 0:33:19.080
<v Speaker 1>me the sonics and everything I pretty much arranged that,

0:33:19.400 --> 0:33:23.080
<v Speaker 1>you know, as opposed to okay, fine, like yes you

0:33:23.120 --> 0:33:25.960
<v Speaker 1>know you by right lyrics, you know, but I think

0:33:26.160 --> 0:33:29.400
<v Speaker 1>most of the work that I'm even obsessed with. And

0:33:29.920 --> 0:33:32.120
<v Speaker 1>this also comes to like I think I want to

0:33:32.160 --> 0:33:34.160
<v Speaker 1>sign people now. I want to start, like you know,

0:33:34.360 --> 0:33:38.680
<v Speaker 1>bringing other artists. But for me, my my biggest worry

0:33:38.800 --> 0:33:41.400
<v Speaker 1>or concern was in as much as I have all

0:33:41.440 --> 0:33:44.400
<v Speaker 1>this knowledge, I haven't really implemented it. So he'lls has

0:33:44.440 --> 0:33:48.040
<v Speaker 1>pretty much like you know, implemented what I would want

0:33:48.040 --> 0:33:50.479
<v Speaker 1>to envision. Even if I want to sign someone, I

0:33:50.480 --> 0:33:53.640
<v Speaker 1>can easily then say yo, you know, I know these

0:33:53.680 --> 0:33:56.000
<v Speaker 1>guys and I room have a podcast. I know dj

0:33:56.080 --> 0:33:58.960
<v Speaker 1>A do from BBC. It's like, you don't just want

0:33:59.000 --> 0:34:02.760
<v Speaker 1>to be signed and you're seated there, You're also expecting something,

0:34:03.040 --> 0:34:04.920
<v Speaker 1>you know, that kind of a thing. So I feel

0:34:04.920 --> 0:34:10.200
<v Speaker 1>like beyond that, the sonics are definitely helping me build

0:34:10.239 --> 0:34:13.120
<v Speaker 1>this thing that I can then eventually, like you know,

0:34:13.320 --> 0:34:15.600
<v Speaker 1>get to share with other artists and even when I

0:34:15.680 --> 0:34:18.480
<v Speaker 1>record with them, I show them how I do it

0:34:18.880 --> 0:34:22.040
<v Speaker 1>eventually so that you know they can also become someone.

0:34:22.120 --> 0:34:25.680
<v Speaker 1>So yeah, I'm grateful that you guys are telling me

0:34:25.719 --> 0:34:29.400
<v Speaker 1>all these things, are giving me this feedback because it's like, wow,

0:34:29.480 --> 0:34:30.920
<v Speaker 1>it's really coming together.

0:34:31.320 --> 0:34:33.360
<v Speaker 2>No, we see it, and as you don't, like we

0:34:33.480 --> 0:34:34.800
<v Speaker 2>net my bars Long Street.

0:34:35.000 --> 0:34:37.160
<v Speaker 4>I just need right.

0:34:39.920 --> 0:34:42.040
<v Speaker 3>But you know, it's kind of funny you're coming to

0:34:42.080 --> 0:34:45.960
<v Speaker 3>this conclusion that maybe you are more producer because all

0:34:46.000 --> 0:34:48.399
<v Speaker 3>the things you talked about, like touring and sometimes being

0:34:48.400 --> 0:34:52.200
<v Speaker 3>on stage. So maybe it's like now you know the

0:34:52.239 --> 0:34:56.000
<v Speaker 3>whole craft, and now you're deciding I want to you know,

0:34:56.160 --> 0:34:58.520
<v Speaker 3>appreciate the music and take a step back, and like

0:34:59.320 --> 0:35:00.200
<v Speaker 3>that's not bad.

0:35:00.120 --> 0:35:01.920
<v Speaker 4>Is that? Because now you know the whole story.

0:35:02.040 --> 0:35:04.640
<v Speaker 3>So even when you're patting wisdom and people you sign up,

0:35:05.200 --> 0:35:07.080
<v Speaker 3>you know there will no you know what's talking about

0:35:07.120 --> 0:35:08.320
<v Speaker 3>You're not just yes.

0:35:08.440 --> 0:35:11.360
<v Speaker 2>But that's what I'm he did, no, the whole premise,

0:35:11.400 --> 0:35:13.200
<v Speaker 2>like he comes from once in a blue.

0:35:13.000 --> 0:35:14.960
<v Speaker 3>Moon and.

0:35:17.880 --> 0:35:20.200
<v Speaker 4>That was his whole Yeah.

0:35:20.280 --> 0:35:23.160
<v Speaker 1>No, I just wanted to say, So that's what. So,

0:35:23.440 --> 0:35:27.240
<v Speaker 1>mister Maceine, what my scene actually means is massive in house,

0:35:27.680 --> 0:35:30.640
<v Speaker 1>so it's short for that, so it's mass for massive

0:35:30.760 --> 0:35:33.560
<v Speaker 1>and then the I n H is in house, so

0:35:33.640 --> 0:35:36.600
<v Speaker 1>my scene so eventually, yeah, I just want to be

0:35:36.680 --> 0:35:40.480
<v Speaker 1>mister Marcene putting on carriers, you know, like irmb artists,

0:35:40.560 --> 0:35:44.080
<v Speaker 1>hip hop artists based off of like what I've obviously

0:35:44.360 --> 0:35:48.640
<v Speaker 1>done best off my marriage. So that's definitely the goal.

0:35:48.680 --> 0:35:52.319
<v Speaker 1>I don't intend, you know, like to make music the

0:35:52.360 --> 0:35:58.319
<v Speaker 1>whole time. Again, the writing is amazing. I definitely say

0:35:58.320 --> 0:36:01.759
<v Speaker 1>I love how I write, but I want to do

0:36:01.840 --> 0:36:04.160
<v Speaker 1>it for a bigger start, you know, like I really

0:36:04.200 --> 0:36:08.200
<v Speaker 1>hope that you know someone else from ZIM you know,

0:36:08.239 --> 0:36:10.560
<v Speaker 1>who can carry on the torch, but in I want

0:36:10.600 --> 0:36:12.759
<v Speaker 1>to be input on just you know, like writing for

0:36:12.840 --> 0:36:15.800
<v Speaker 1>them and then you know they become a bigger artist.

0:36:15.800 --> 0:36:20.960
<v Speaker 1>Because I've also learned that with the music industry, you

0:36:21.360 --> 0:36:23.759
<v Speaker 1>build with each other and on top of each other,

0:36:23.840 --> 0:36:27.080
<v Speaker 1>you need someone like with Narrow. I didn't make the

0:36:27.080 --> 0:36:29.640
<v Speaker 1>beat for Narrow, neither did I know I was going

0:36:29.719 --> 0:36:31.839
<v Speaker 1>to make it. But someone just send me the beat

0:36:32.000 --> 0:36:33.759
<v Speaker 1>I listened to. I was like, oh my god. And

0:36:33.800 --> 0:36:37.120
<v Speaker 1>it also like unlocked my you know, my writing ability.

0:36:37.160 --> 0:36:39.359
<v Speaker 1>I was like, wow, I had so much fun with it.

0:36:39.840 --> 0:36:42.600
<v Speaker 1>And that's how it should be as well. It's like,

0:36:43.320 --> 0:36:47.480
<v Speaker 1>if I get onto this podcast, I should inspire you guys,

0:36:47.560 --> 0:36:50.280
<v Speaker 1>or at least you should then have a different outlook,

0:36:50.719 --> 0:36:54.600
<v Speaker 1>you know, with regards for like artists or musicians, and

0:36:54.840 --> 0:36:56.480
<v Speaker 1>you know, it builds on top of that. At the

0:36:56.560 --> 0:36:59.200
<v Speaker 1>end of the day, we are all inspired by you

0:36:59.200 --> 0:37:03.080
<v Speaker 1>know someone, and I just want to do that that

0:37:03.239 --> 0:37:06.560
<v Speaker 1>inspirational guy, you know, and beyond that, I think, now

0:37:06.719 --> 0:37:08.880
<v Speaker 1>it's just the proof of work. I'm just building the

0:37:08.920 --> 0:37:11.840
<v Speaker 1>proof of it. And then if you hear now do

0:37:11.920 --> 0:37:14.640
<v Speaker 1>you usually assigned someone, you can also be like I

0:37:14.640 --> 0:37:18.799
<v Speaker 1>would listen to that, to that exactly, I know, I

0:37:18.920 --> 0:37:23.080
<v Speaker 1>know how this guy works, so yeah, vision and vision

0:37:23.160 --> 0:37:23.560
<v Speaker 1>I will.

0:37:23.480 --> 0:37:28.200
<v Speaker 2>Get that's job. No, hellsy, I mean this, this has

0:37:28.320 --> 0:37:32.520
<v Speaker 2>been so much fun. Like talking to you. It's always

0:37:32.600 --> 0:37:37.280
<v Speaker 2>great when you to someone and they match or exceed

0:37:37.400 --> 0:37:41.160
<v Speaker 2>your your not expectations, but like what you thought they

0:37:41.200 --> 0:37:44.319
<v Speaker 2>were and then they you know, exceed or super see

0:37:44.360 --> 0:37:48.480
<v Speaker 2>that like you're just like okay, yeah, it's tracks like tracks.

0:37:48.520 --> 0:37:51.680
<v Speaker 2>Why you know I like the music or you know

0:37:51.880 --> 0:37:55.520
<v Speaker 2>I enjoy or connect with it, So it absolutely makes sense.

0:37:56.239 --> 0:37:59.360
<v Speaker 2>Our final question, I guess would be any upcoming projects

0:37:59.400 --> 0:38:02.239
<v Speaker 2>that you would like to share with us as well

0:38:02.280 --> 0:38:03.320
<v Speaker 2>as your social media.

0:38:03.400 --> 0:38:06.880
<v Speaker 4>If people don't, don't you know, so please let us know.

0:38:07.640 --> 0:38:12.120
<v Speaker 1>I think I'm gonna work on an EP. Another on

0:38:14.920 --> 0:38:17.919
<v Speaker 1>the aim for In the Building was again you heard

0:38:17.960 --> 0:38:20.400
<v Speaker 1>on the BBC interview just to get on the Africa

0:38:20.440 --> 0:38:24.600
<v Speaker 1>and Rollster. So just from the EP, I definitely have

0:38:24.719 --> 0:38:29.520
<v Speaker 1>gotten like you know, proper shoutouts aka show my Jersey, Gigy,

0:38:30.320 --> 0:38:32.839
<v Speaker 1>you know, the Chris Brown producer. Like, there's people who

0:38:32.880 --> 0:38:36.799
<v Speaker 1>are definitely you know, they want to work. So for me,

0:38:37.040 --> 0:38:39.759
<v Speaker 1>it was a question of should I do a deluxe

0:38:39.800 --> 0:38:43.000
<v Speaker 1>of like in the Building with the with the narrow

0:38:43.040 --> 0:38:46.799
<v Speaker 1>remix in there, or do I completely just study a

0:38:46.840 --> 0:38:50.319
<v Speaker 1>new body of work. So right now it's I think

0:38:50.360 --> 0:38:52.239
<v Speaker 1>I'm just gonna start a new body of work because

0:38:52.239 --> 0:38:54.719
<v Speaker 1>I've already I already have songs that I loaded and

0:38:54.719 --> 0:38:58.160
<v Speaker 1>impact beyond the sound. So I found my sound first.

0:38:58.200 --> 0:39:02.719
<v Speaker 1>Now I've found my strategy as well, So I'm just

0:39:02.760 --> 0:39:05.239
<v Speaker 1>going to be implementing that. You know, the numbers are

0:39:05.239 --> 0:39:07.840
<v Speaker 1>amazing in the building and I want to double that

0:39:07.960 --> 0:39:12.839
<v Speaker 1>now hopefully with more like international collaborations as well. And

0:39:12.880 --> 0:39:16.359
<v Speaker 1>then with regards to my socials, uh yeah, it's he'll

0:39:16.440 --> 0:39:20.080
<v Speaker 1>z h I double l z y nine one one.

0:39:20.400 --> 0:39:23.239
<v Speaker 1>The nine one one is completely a random thing. People

0:39:23.280 --> 0:39:24.000
<v Speaker 1>always ask.

0:39:23.880 --> 0:39:24.200
<v Speaker 3>Me like.

0:39:28.120 --> 0:39:33.840
<v Speaker 2>Emergency emergency, isn't it funny when we started out socials,

0:39:33.880 --> 0:39:35.000
<v Speaker 2>you probably didn't even think.

0:39:35.360 --> 0:39:38.879
<v Speaker 4>Then I'm like, I can't go back someone.

0:39:38.680 --> 0:39:42.080
<v Speaker 1>The So so it's like my Twitter. I got onto

0:39:42.120 --> 0:39:45.239
<v Speaker 1>Twitter heels he was already taken and I put it

0:39:45.360 --> 0:39:48.520
<v Speaker 1>nine one one there and then yeah, Instagram came up.

0:39:48.840 --> 0:39:54.840
<v Speaker 1>You know Youtubengo result I think are consistent robo so

0:39:55.719 --> 0:39:57.920
<v Speaker 1>it's nine eleven on all platforms.

0:39:58.000 --> 0:40:00.040
<v Speaker 3>You know, now you need to release an epos. I

0:40:00.160 --> 0:40:01.560
<v Speaker 3>think that's just nine to one one.

0:40:01.480 --> 0:40:08.919
<v Speaker 1>So together, you know what is actually supposed to recall

0:40:09.360 --> 0:40:15.040
<v Speaker 1>eleven past nine? It needs to be nice. I was

0:40:15.080 --> 0:40:18.480
<v Speaker 1>thinking of that, but who knows, you know, like I

0:40:18.480 --> 0:40:20.680
<v Speaker 1>will see how I work with it. But one hundred percent,

0:40:20.719 --> 0:40:22.600
<v Speaker 1>and a lot of people already call me ninet eleven

0:40:22.719 --> 0:40:25.319
<v Speaker 1>like they're like nine eleven, we say nine one one,

0:40:25.360 --> 0:40:27.160
<v Speaker 1>We say so like.

0:40:27.680 --> 0:40:36.319
<v Speaker 3>Our people time the nicknames quick with it. This has

0:40:36.440 --> 0:40:41.880
<v Speaker 3>been absolutely amazing for us. You know, we also love

0:40:41.960 --> 0:40:46.319
<v Speaker 3>how seamlessly you you sing with our language as well,

0:40:46.360 --> 0:40:50.239
<v Speaker 3>with Shana and English intertwined, because that is how rempublicans

0:40:50.280 --> 0:40:52.920
<v Speaker 3>are and I think when you sing like that as well,

0:40:53.080 --> 0:40:55.880
<v Speaker 3>it just resonates so much with us because that's how

0:40:55.920 --> 0:41:00.400
<v Speaker 3>we speak, that's how we interact. And we are big

0:41:00.440 --> 0:41:03.759
<v Speaker 3>fans and cannot wait to see all the things that

0:41:03.800 --> 0:41:07.600
<v Speaker 3>are coming your way, all the manifestations, everything you talked about.

0:41:07.680 --> 0:41:09.200
<v Speaker 4>We wish you all the best.

0:41:09.280 --> 0:41:12.400
<v Speaker 3>We are absolutely stoked that she came onto our podcast

0:41:13.160 --> 0:41:16.600
<v Speaker 3>and yeah, anything else, no, you've.

0:41:16.360 --> 0:41:17.000
<v Speaker 4>Said it all.

0:41:17.120 --> 0:41:20.640
<v Speaker 2>Thank you, Thank you so much, Hilsey. If you haven't

0:41:20.640 --> 0:41:23.200
<v Speaker 2>listened to his music, please check it out. It's on

0:41:23.280 --> 0:41:26.520
<v Speaker 2>Spotify or wherever you guys listen to your music. Yeah,

0:41:26.840 --> 0:41:30.160
<v Speaker 2>it's everywhere. It's it's well worth it, well worth it.

0:41:30.280 --> 0:41:32.200
<v Speaker 4>Mumbo terra bas mumbo.

0:41:32.280 --> 0:41:34.919
<v Speaker 2>You know, but you also thinks a lot of ballads too,

0:41:35.080 --> 0:41:41.520
<v Speaker 2>Lady e B crooning, yes, yeah, no, Thank you so much,

0:41:41.600 --> 0:41:44.160
<v Speaker 2>and thank you, of course, as always for listening to

0:41:44.239 --> 0:41:47.880
<v Speaker 2>another episode of our podcast, It's Layered. If you have questions,

0:41:47.960 --> 0:41:50.640
<v Speaker 2>hit us up. It's Layered Pod at gmail dot com.

0:41:50.840 --> 0:41:54.080
<v Speaker 2>We're on Instagram, it's layered Twitter. It's Layered Pod. You know,

0:41:54.200 --> 0:41:57.839
<v Speaker 2>you know, you know, and thank you so much. We'll

0:41:57.840 --> 0:42:04.080
<v Speaker 2>see you on the next episode. Good Bye, no no no, yeah,

0:42:04.200 --> 0:42:06.840
<v Speaker 2>yeah yeah yeah