1 00:00:01,080 --> 00:00:04,760 Speaker 1: Powered by the iHeartRadio WAB from ninety six Air FM, 2 00:00:04,960 --> 00:00:09,840 Speaker 1: So whereever you're listening today, this is Clearzy and Lisa's podcast. 3 00:00:10,039 --> 00:00:12,080 Speaker 2: Coming up on the podcast after the story of Jeremy 4 00:00:12,160 --> 00:00:15,320 Speaker 2: McGovern despite being injured driving all the way home from Melbourne, 5 00:00:15,440 --> 00:00:17,239 Speaker 2: we asked you what lengths you took to get home? 6 00:00:17,360 --> 00:00:19,400 Speaker 3: We catch up with John Brewster from The Angels The 7 00:00:19,400 --> 00:00:20,560 Speaker 3: Angels are Turning fifty. 8 00:00:20,800 --> 00:00:22,840 Speaker 4: Beny talked about fly Me to the Moon. 9 00:00:23,280 --> 00:00:25,960 Speaker 3: Snake's on a plane in trousers. 10 00:00:25,960 --> 00:00:28,040 Speaker 2: Scary, isn't it? And I'm the Sure Report. Lacy talked 11 00:00:28,040 --> 00:00:30,360 Speaker 2: about Baywatch. We got docu series which is coming soon. 12 00:00:30,480 --> 00:00:32,159 Speaker 2: At least fair to say, There's been a lot of 13 00:00:32,159 --> 00:00:35,240 Speaker 2: emotion in the past few days regarding the West Coast 14 00:00:35,240 --> 00:00:38,519 Speaker 2: Eagles with the departure of Adam Simpson, and part of 15 00:00:38,560 --> 00:00:41,440 Speaker 2: that continues to go on this week. The story unfolds, 16 00:00:41,600 --> 00:00:45,199 Speaker 2: of course Jeremy McGovern who got injured playing you know, 17 00:00:45,200 --> 00:00:47,080 Speaker 2: and the lost to Melbourne. The mcg on the weekend 18 00:00:47,360 --> 00:00:50,000 Speaker 2: not just injured. He basically went to hospital with a 19 00:00:50,000 --> 00:00:52,720 Speaker 2: punctured lung and a fractured rib, so he's in a 20 00:00:52,760 --> 00:00:55,840 Speaker 2: lot of pain. But now that Simmo is going. He's 21 00:00:56,080 --> 00:00:58,680 Speaker 2: you know, I think Jeremy McGovern sees him pretty much 22 00:00:58,680 --> 00:01:01,120 Speaker 2: as his mentor and a good mate he has. He 23 00:01:01,160 --> 00:01:03,000 Speaker 2: wants to come back, but he can't fly because of 24 00:01:03,000 --> 00:01:05,680 Speaker 2: the injuries. And as Elliott Yo told us the other day, 25 00:01:06,160 --> 00:01:08,360 Speaker 2: Guv's a gutsy bloke the way he backs back into 26 00:01:08,360 --> 00:01:11,400 Speaker 2: packs and takes those marks because he's he's the guy 27 00:01:11,560 --> 00:01:13,840 Speaker 2: in defense who stands up with Tom Brass all the time. Yea, 28 00:01:14,240 --> 00:01:17,200 Speaker 2: so where angels fear to tread. So Gub who can't fly, 29 00:01:17,720 --> 00:01:21,360 Speaker 2: has driven from Melbourne to Adelaide to meet up with 30 00:01:21,400 --> 00:01:24,040 Speaker 2: his wife and the pair are making the trek back 31 00:01:24,040 --> 00:01:26,640 Speaker 2: along the Nulabore across the nulliboard to come all the 32 00:01:26,680 --> 00:01:28,560 Speaker 2: way home in time for the final game. Now, Simo 33 00:01:28,640 --> 00:01:30,200 Speaker 2: is not going to be coaching, but he will be there. 34 00:01:30,360 --> 00:01:32,320 Speaker 2: He might toss the coin. He's going to be there. 35 00:01:32,400 --> 00:01:34,480 Speaker 5: You're going to present him to the crowd, present. 36 00:01:34,319 --> 00:01:35,720 Speaker 2: Him to the crowd so you can say goodbye to 37 00:01:35,720 --> 00:01:38,959 Speaker 2: the fans and Liam Ryan's one hundredth and all of 38 00:01:38,959 --> 00:01:39,480 Speaker 2: that kind stuff. 39 00:01:39,480 --> 00:01:41,000 Speaker 4: And Gov wants to be there for the men. 40 00:01:41,200 --> 00:01:46,240 Speaker 3: And full credit to you, Gov, But missus mcgoverny Roftyl sister, 41 00:01:47,360 --> 00:01:51,200 Speaker 3: Hey girl, I slute you, and I hope there's a 42 00:01:51,320 --> 00:01:56,400 Speaker 3: nice necklace in maybe a full time housekeeper, perhaps a 43 00:01:56,480 --> 00:01:57,760 Speaker 3: pool or a pool. 44 00:01:58,880 --> 00:02:01,160 Speaker 4: I'd marry gov for a pool, imaginating. 45 00:02:00,640 --> 00:02:04,280 Speaker 5: That foc call. Hey, han, can I. 46 00:02:04,320 --> 00:02:07,640 Speaker 4: Watch so you don't meet you in Adelaide and drive 47 00:02:07,680 --> 00:02:09,799 Speaker 4: me back. You don't think this is mcgovan's idea for 48 00:02:09,840 --> 00:02:14,519 Speaker 4: any chance. This is Mcgovern'jesus sake. What a superstar. 49 00:02:14,800 --> 00:02:16,639 Speaker 5: She should win the brown Low this year. 50 00:02:17,320 --> 00:02:19,000 Speaker 4: Well, it's going to be you imagined right. 51 00:02:19,080 --> 00:02:20,840 Speaker 2: Say they're on the nuther board now I think he 52 00:02:20,880 --> 00:02:23,640 Speaker 2: said she flew to Adelaide and they're driving, so what 53 00:02:23,720 --> 00:02:24,359 Speaker 2: a boring trip. 54 00:02:24,440 --> 00:02:26,400 Speaker 4: She can't make him laugh. He's going to punction lung 55 00:02:26,480 --> 00:02:27,600 Speaker 4: and broken ribs. 56 00:02:27,480 --> 00:02:29,320 Speaker 3: And it's not the best road in the world. So 57 00:02:29,400 --> 00:02:31,920 Speaker 3: every bump is going to be like, oh my god. 58 00:02:32,160 --> 00:02:34,320 Speaker 4: Yeah, what do they plays like a game of spotow? 59 00:02:34,919 --> 00:02:40,560 Speaker 4: I see a weeping mound coming from your chest. It's gross. 60 00:02:40,680 --> 00:02:45,640 Speaker 3: Oh that's some that I don't know whether to be impressed. 61 00:02:45,240 --> 00:02:48,000 Speaker 4: Or what I am. I must have been. I am impressed. 62 00:02:48,000 --> 00:02:48,919 Speaker 4: I'm impressed pretty good. 63 00:02:48,919 --> 00:02:49,960 Speaker 5: I'm totally impressed. 64 00:02:50,160 --> 00:02:52,120 Speaker 2: I would imagine like he's not let to fly, but 65 00:02:52,120 --> 00:02:54,040 Speaker 2: I would imagine he's probably not meant to be in 66 00:02:54,120 --> 00:02:57,120 Speaker 2: cars driving from Melbourne tolde. 67 00:02:56,440 --> 00:03:01,519 Speaker 3: He's determined to be here for for Adam Simpson's send off. 68 00:03:02,000 --> 00:03:02,480 Speaker 5: Whatever. 69 00:03:03,120 --> 00:03:05,359 Speaker 4: It's pretty admirable when you think about it. 70 00:03:05,440 --> 00:03:08,800 Speaker 3: Well, it's quite a length to go to to get home. 71 00:03:09,320 --> 00:03:12,239 Speaker 3: Let's open up the phones and hear about what length 72 00:03:12,600 --> 00:03:15,800 Speaker 3: you went to get home, because this could have happened 73 00:03:15,800 --> 00:03:16,760 Speaker 3: a fair bit during COVID. 74 00:03:16,800 --> 00:03:19,440 Speaker 2: Happened to COVID happens when there are airlines strikes or 75 00:03:20,600 --> 00:03:22,160 Speaker 2: airport strikes and stuff like that. 76 00:03:22,280 --> 00:03:24,440 Speaker 3: Yeah, kind of thing, and got something that you want 77 00:03:24,480 --> 00:03:26,320 Speaker 3: to Well, you might just want to get home, but 78 00:03:26,360 --> 00:03:27,680 Speaker 3: you might have something that you don't want to. 79 00:03:27,639 --> 00:03:28,800 Speaker 4: Miss, true, you know. 80 00:03:29,000 --> 00:03:31,360 Speaker 2: Yeah, and people going really roundabout kind of ways to 81 00:03:31,360 --> 00:03:32,760 Speaker 2: get home when they're really desperate. 82 00:03:32,880 --> 00:03:34,600 Speaker 4: It costs you a hell of a lot of money. 83 00:03:34,680 --> 00:03:39,680 Speaker 5: Maybe an airline collapsed just gone. Yeah, I was. 84 00:03:39,680 --> 00:03:44,960 Speaker 3: Supposed to come home on a handset and or bonza. 85 00:03:45,120 --> 00:03:46,920 Speaker 4: You're walking walking back from Queensland. 86 00:03:47,720 --> 00:03:53,640 Speaker 3: Aaron in Pinjara, Good morning, good story. 87 00:03:54,280 --> 00:03:56,800 Speaker 6: It was moving nineties and my brother was graduating in 88 00:03:56,840 --> 00:04:00,720 Speaker 6: a place called wau And, New Zealand from has training. Right, 89 00:04:01,040 --> 00:04:04,560 Speaker 6: So the direct flight from Person to Orcorn was canceled, 90 00:04:04,880 --> 00:04:07,040 Speaker 6: so I took seventy hours. 91 00:04:07,400 --> 00:04:08,800 Speaker 7: I flew per. 92 00:04:09,000 --> 00:04:13,920 Speaker 8: Adelaide, Adelaide Melbourne, Melbourne, Sydney, Sydney, Orkland, Ukland, Wellington, Wellington, 93 00:04:14,000 --> 00:04:17,800 Speaker 8: Thomaston North and then drove for about three hours and 94 00:04:17,880 --> 00:04:19,760 Speaker 8: I made it with an hour's depair. 95 00:04:20,120 --> 00:04:20,560 Speaker 1: That's it. 96 00:04:20,839 --> 00:04:23,480 Speaker 4: Wow, well done. What an effort. Did you know what 97 00:04:23,600 --> 00:04:25,560 Speaker 4: you were at the end of it? You feel like 98 00:04:25,800 --> 00:04:31,000 Speaker 4: Steve Martin? Yeah, yeah it Candy couldn't. 99 00:04:31,279 --> 00:04:33,599 Speaker 6: Yeah, we could leave the airport because it was considered 100 00:04:33,640 --> 00:04:35,960 Speaker 6: an international flight. I mean Adelaide's God's. 101 00:04:35,760 --> 00:04:36,480 Speaker 9: Sake, it wasn't. 102 00:04:37,000 --> 00:04:40,840 Speaker 8: But in fact, when Adelaide's airport was like box room 103 00:04:41,279 --> 00:04:43,919 Speaker 8: with a black and white TV on the on the 104 00:04:43,960 --> 00:04:46,840 Speaker 8: wall with mesh on it so that you couldn't touch it. 105 00:04:47,600 --> 00:04:48,280 Speaker 4: There was nothing. 106 00:04:48,520 --> 00:04:53,760 Speaker 6: The vending machine was me even opened. Yeah it was. 107 00:04:54,120 --> 00:04:57,200 Speaker 6: It was not good things I do for my brother. 108 00:04:57,360 --> 00:04:59,840 Speaker 5: I was going to say, I hope that he appreciated. 109 00:05:00,720 --> 00:05:07,559 Speaker 2: Hello, great, not at all so worth the sacrifice's cabin 110 00:05:07,600 --> 00:05:08,920 Speaker 2: to be late so it. 111 00:05:09,560 --> 00:05:11,320 Speaker 4: We can hear by you you ever going over to Aaron. 112 00:05:11,360 --> 00:05:14,720 Speaker 4: Well done, Yeah, absolutely. 113 00:05:14,200 --> 00:05:16,840 Speaker 3: I think it was a great effort. Thanks Eric, Aerin 114 00:05:17,080 --> 00:05:21,000 Speaker 3: thank you, bye, a good day. Barry in secret Harbor. 115 00:05:21,040 --> 00:05:23,480 Speaker 4: Hello, Barry bye, good morning. 116 00:05:24,400 --> 00:05:27,080 Speaker 5: I'm good. What did you do? How'd you get home? 117 00:05:28,040 --> 00:05:30,480 Speaker 10: Okay, let me just start this story. I was born 118 00:05:30,480 --> 00:05:34,160 Speaker 10: in nineteen sixty seven, so fifty fifty. 119 00:05:34,520 --> 00:05:37,760 Speaker 4: Don't say it out loud, too late. It happens to 120 00:05:37,880 --> 00:05:38,600 Speaker 4: the best. 121 00:05:38,320 --> 00:05:39,280 Speaker 5: Of us, shall I say? 122 00:05:39,360 --> 00:05:41,560 Speaker 4: Barry? 123 00:05:43,560 --> 00:05:43,680 Speaker 6: Well? 124 00:05:43,720 --> 00:05:46,320 Speaker 10: The thing is I believed. 125 00:05:46,440 --> 00:05:51,000 Speaker 11: Okay, Sarah, Yeah, And at age fifty three. 126 00:05:51,160 --> 00:05:52,599 Speaker 10: I had never seen them live. 127 00:05:52,839 --> 00:05:55,240 Speaker 4: Oh really so yeah. 128 00:05:54,920 --> 00:05:58,400 Speaker 10: Absolutely, And I was working in Cowgooley and my beautifife 129 00:05:58,800 --> 00:06:05,039 Speaker 10: brought me very close tickets to an actually DC const mentioned. 130 00:06:05,080 --> 00:06:08,600 Speaker 4: My excitement absolutely unbelievable. 131 00:06:08,839 --> 00:06:13,040 Speaker 10: So get to the airport. I'm sweating with anticipation, and 132 00:06:14,800 --> 00:06:17,200 Speaker 10: my planes delayed. 133 00:06:17,560 --> 00:06:18,279 Speaker 11: An hour and a half. 134 00:06:18,560 --> 00:06:20,560 Speaker 4: No, my god, risk miss. 135 00:06:20,680 --> 00:06:24,920 Speaker 10: I'm studying absolutely, and I'm thinking, you know what, I 136 00:06:24,960 --> 00:06:25,600 Speaker 10: can still do this. 137 00:06:26,240 --> 00:06:26,920 Speaker 9: I can still do this. 138 00:06:27,040 --> 00:06:29,680 Speaker 10: So I'm sweating and pacing anyway the planning lands. I 139 00:06:29,760 --> 00:06:33,000 Speaker 10: get the Perth and I'm thinking I've just about got this. 140 00:06:34,040 --> 00:06:36,880 Speaker 10: Got to the bus, to the long term car park 141 00:06:37,680 --> 00:06:40,880 Speaker 10: and to the Lady HD. I couldn't remember where I. 142 00:06:40,920 --> 00:06:42,880 Speaker 4: Pucked my car berry. 143 00:06:44,680 --> 00:06:50,920 Speaker 1: I walked that car park for four I was ripping 144 00:06:51,040 --> 00:06:51,839 Speaker 1: my hair out. 145 00:06:52,160 --> 00:06:55,960 Speaker 10: I was questioning who I was, what the hell? I 146 00:06:56,120 --> 00:07:02,160 Speaker 10: finally found my car, wearing profusely, got to Subiaga Oval 147 00:07:03,200 --> 00:07:07,400 Speaker 10: just as a C d C played their encore song. 148 00:07:08,839 --> 00:07:14,760 Speaker 4: No you got like four minutes of angus. 149 00:07:15,880 --> 00:07:23,200 Speaker 5: Yeah, oh my gosh, man, I feel your pa. 150 00:07:23,640 --> 00:07:29,880 Speaker 2: Yeah, we're speechless. I'm so sorry mate, for someone who 151 00:07:30,040 --> 00:07:39,720 Speaker 2: almost rocked Whistler you there's surely another chance they're now. 152 00:07:40,360 --> 00:07:40,560 Speaker 1: Yeah. 153 00:07:41,160 --> 00:07:50,640 Speaker 11: Well, yeah, I saw the next time I came out, cool, love, happy, Yeah, yeah, 154 00:07:51,840 --> 00:07:52,320 Speaker 11: my god. 155 00:07:54,240 --> 00:07:56,600 Speaker 3: The whole time you were telling that story, I could 156 00:07:56,720 --> 00:07:59,880 Speaker 3: hear a thunderstruck in my head building up to this 157 00:08:00,080 --> 00:08:00,800 Speaker 3: that I got there. 158 00:08:00,720 --> 00:08:03,120 Speaker 4: Just as you walk around the long term car park. 159 00:08:03,600 --> 00:08:06,120 Speaker 4: Thanks Barry, Barry, nice story. 160 00:08:07,080 --> 00:08:09,600 Speaker 3: Now less got the least he has seen that he 161 00:08:09,680 --> 00:08:11,040 Speaker 3: has seen them, but he's seen more than just the 162 00:08:11,160 --> 00:08:12,679 Speaker 3: Uncle Jan now and ad, Well. 163 00:08:12,560 --> 00:08:14,360 Speaker 5: What length did you go to to get home? 164 00:08:15,560 --> 00:08:15,640 Speaker 6: Oh? 165 00:08:15,760 --> 00:08:20,080 Speaker 7: Good morning. Well I'm going to up Gary one. I'm 166 00:08:20,120 --> 00:08:29,160 Speaker 7: a sixty six baby, so I have been over east 167 00:08:29,400 --> 00:08:33,720 Speaker 7: for seven years working in Canberra and what's coming home 168 00:08:33,800 --> 00:08:37,840 Speaker 7: to visit for my mum's eightieth got the phone call 169 00:08:38,160 --> 00:08:42,800 Speaker 7: five weeks out to say dad ninety seven, not very well, 170 00:08:43,559 --> 00:08:45,559 Speaker 7: went to the boss and said, look, I think I'm 171 00:08:45,600 --> 00:08:49,200 Speaker 7: going to need to move back to Perth and they 172 00:08:49,280 --> 00:08:52,360 Speaker 7: said yep, fine, no problems, same job, you can work 173 00:08:52,400 --> 00:08:57,080 Speaker 7: from anywhere in Australia. Organized the house on the market. 174 00:08:58,760 --> 00:09:03,160 Speaker 7: That was the Monday Thursday. The removalist said, we can 175 00:09:03,240 --> 00:09:06,400 Speaker 7: move you on Tuesday. We'll pack you and load you 176 00:09:06,520 --> 00:09:11,400 Speaker 7: on Tuesday. Rang up on Thursday night on flying to Adelaide, 177 00:09:11,559 --> 00:09:15,760 Speaker 7: meet me there and we'll drive back. No seats available 178 00:09:15,760 --> 00:09:19,760 Speaker 7: to Adelaide in those three days. So she flew to 179 00:09:19,840 --> 00:09:24,120 Speaker 7: Canberra Monday, house was packed Tuesday. Wednesday we were on 180 00:09:24,240 --> 00:09:26,680 Speaker 7: the road with two cats. 181 00:09:28,520 --> 00:09:29,920 Speaker 4: Road. That's a long road trip. 182 00:09:31,040 --> 00:09:31,959 Speaker 10: They were. 183 00:09:35,559 --> 00:09:39,320 Speaker 7: Four days of driving there in their crates, in their 184 00:09:39,400 --> 00:09:43,160 Speaker 7: crates during the day, stop at night. So books into 185 00:09:43,240 --> 00:09:48,840 Speaker 7: motels every night. Problem being that some motels as you're 186 00:09:48,920 --> 00:09:54,880 Speaker 7: driving across I'm not pit friendly. So yeah, so it's 187 00:09:54,960 --> 00:09:59,199 Speaker 7: like getting avacas meeting cats into the motel room. One 188 00:09:59,320 --> 00:10:01,680 Speaker 7: cat decide that she was going to Holm a little 189 00:10:01,720 --> 00:10:05,319 Speaker 7: bit and my eighty year old mother gets you and 190 00:10:05,400 --> 00:10:19,719 Speaker 7: goes we got away for too brilliant tads, No no accidents, 191 00:10:19,880 --> 00:10:24,439 Speaker 7: no nothing. Numbible is beautiful to drive, none of these 192 00:10:24,480 --> 00:10:30,079 Speaker 7: bunky roads. And the best part was top of the 193 00:10:30,160 --> 00:10:33,840 Speaker 7: bike or head of the bike, did a stop there 194 00:10:34,120 --> 00:10:39,360 Speaker 7: and we're able to watch the whales around and it 195 00:10:39,559 --> 00:10:41,599 Speaker 7: was there was a mum and a baby and it 196 00:10:41,760 --> 00:10:42,200 Speaker 7: was just. 197 00:10:43,800 --> 00:10:45,880 Speaker 5: That is a beautiful spot to stop. Isn't it that 198 00:10:46,040 --> 00:10:49,240 Speaker 5: you have to stop? Makes the whole trip. 199 00:10:50,080 --> 00:10:53,199 Speaker 4: Do you get back in time to say dad, oh 200 00:10:53,360 --> 00:10:53,720 Speaker 4: yes I. 201 00:10:53,760 --> 00:10:57,800 Speaker 7: Did, yes, yes, thank you, yes. 202 00:10:58,200 --> 00:11:01,880 Speaker 5: Thanks Janelle. Great story. I love mum covering for the cats. 203 00:11:02,480 --> 00:11:04,160 Speaker 2: Great and mum's committment to go all the way to 204 00:11:04,200 --> 00:11:06,800 Speaker 2: camera right together like someone and Louise. 205 00:11:07,240 --> 00:11:09,199 Speaker 4: Yeah, love it. Yeah, it's a beauty. 206 00:11:09,400 --> 00:11:11,559 Speaker 5: What lens did you go to? Stephen and high Wickham? 207 00:11:12,640 --> 00:11:16,120 Speaker 9: I went across for a training course thirty four years 208 00:11:16,160 --> 00:11:20,839 Speaker 9: ago to Sydney from Perth and then answer decided to 209 00:11:21,040 --> 00:11:24,480 Speaker 9: call a while it strike and I couldn't get home, 210 00:11:25,960 --> 00:11:31,520 Speaker 9: so tried, trained, tried to Hercules. Had a young baby 211 00:11:31,880 --> 00:11:35,320 Speaker 9: at home with my wife and a few months old, 212 00:11:35,480 --> 00:11:40,240 Speaker 9: so ended up having to catch a bus yep all 213 00:11:40,280 --> 00:11:43,760 Speaker 9: the way back. But before that I had some money 214 00:11:43,840 --> 00:11:47,960 Speaker 9: in my hand and a check. I couldn't catch the check, 215 00:11:48,280 --> 00:11:50,800 Speaker 9: unknown to me until I had spent the money to 216 00:11:50,880 --> 00:11:53,320 Speaker 9: go and see a show in Sydney, so it ended 217 00:11:53,400 --> 00:11:57,600 Speaker 9: up being having only ten dollars per meal to get 218 00:11:57,720 --> 00:12:02,160 Speaker 9: home on the bus trip in the fleet where the 219 00:12:02,160 --> 00:12:06,400 Speaker 9: event was loose and so it just drafted at the time. 220 00:12:06,559 --> 00:12:11,120 Speaker 4: So yeah, not buddy blanket either. 221 00:12:11,280 --> 00:12:14,120 Speaker 5: That was quite a time that pilot strike, wasn't it. 222 00:12:14,520 --> 00:12:17,040 Speaker 9: Oh yes, yes, yes, And it was a time when 223 00:12:17,120 --> 00:12:19,199 Speaker 9: all the buses were running off the road, so I 224 00:12:19,600 --> 00:12:22,599 Speaker 9: made sure I was up every night and went to 225 00:12:22,720 --> 00:12:23,440 Speaker 9: the drive. 226 00:12:26,520 --> 00:12:28,320 Speaker 4: Well, I'm pretty busy at the time when you won 227 00:12:31,360 --> 00:12:36,720 Speaker 4: around thanks Steven, Thank you. Hundreds of thousands of people 228 00:12:36,760 --> 00:12:37,320 Speaker 4: put out when. 229 00:12:37,760 --> 00:12:39,560 Speaker 3: It's incredible, I mean when thows you know, they were 230 00:12:39,559 --> 00:12:42,000 Speaker 3: all getting on those great big hercules. 231 00:12:42,200 --> 00:12:43,720 Speaker 4: Yeah, yeah, that was insane. 232 00:12:44,640 --> 00:12:47,920 Speaker 5: While how long? But it was a while Cheryl in 233 00:12:48,000 --> 00:12:51,000 Speaker 5: Mount Lawley, What about you? What legs did you go to? 234 00:12:52,080 --> 00:12:52,320 Speaker 7: Well? 235 00:12:52,720 --> 00:12:55,480 Speaker 12: I was working in Mexico and my husband and I 236 00:12:55,559 --> 00:12:59,160 Speaker 12: had gone up on holiday to Couber and I had 237 00:12:59,200 --> 00:13:01,000 Speaker 12: to get back to per to pick up my Round 238 00:13:01,040 --> 00:13:04,240 Speaker 12: the World ticket so we could start our trip. So 239 00:13:04,400 --> 00:13:09,480 Speaker 12: I had to fly from Coober to Cancorn, Cancorn to 240 00:13:09,640 --> 00:13:14,840 Speaker 12: Mexico City, Mexico City to Atlanta, Atlanta to La La 241 00:13:14,960 --> 00:13:15,960 Speaker 12: to Brisbane. 242 00:13:15,720 --> 00:13:16,679 Speaker 6: And Brisbane to Perth. 243 00:13:18,640 --> 00:13:20,439 Speaker 4: Yeah, that is convolent. 244 00:13:21,520 --> 00:13:21,840 Speaker 7: Totally. 245 00:13:22,000 --> 00:13:25,360 Speaker 5: Did you bring it? And that was to pick up 246 00:13:25,400 --> 00:13:27,040 Speaker 5: your ticket so you can get on another plane. 247 00:13:27,120 --> 00:13:29,560 Speaker 4: Yeah you're going to two days? 248 00:13:29,880 --> 00:13:32,520 Speaker 9: Yeah, two days to go back, all right, and. 249 00:13:32,559 --> 00:13:34,880 Speaker 4: You'd already been around the world in eight days. That's incredible. 250 00:13:35,000 --> 00:13:38,800 Speaker 6: Pretty much recognized my sister when she came home. 251 00:13:38,880 --> 00:13:40,800 Speaker 13: She walked down the passage, I said, who are you. 252 00:13:42,360 --> 00:13:42,400 Speaker 6: In? 253 00:13:42,559 --> 00:13:43,840 Speaker 4: Mine was in another place. 254 00:13:45,360 --> 00:13:46,160 Speaker 5: Thank you, Sharyl. 255 00:13:47,720 --> 00:13:49,400 Speaker 4: Good guys, they're the convoluted. 256 00:13:49,800 --> 00:13:52,280 Speaker 2: The airports and you know, people getting on buses and 257 00:13:53,520 --> 00:13:55,920 Speaker 2: changeing flights and stuff like that distrive you crazy, wouldn't it. 258 00:13:56,120 --> 00:13:59,760 Speaker 5: Thanks for your calls and uh McGovern's yeah. 259 00:14:01,320 --> 00:14:04,880 Speaker 2: Yeah, not just you, Jeremy, your wife, she's a Chester Lease. 260 00:14:05,559 --> 00:14:06,680 Speaker 2: We're talking about smugglers. 261 00:14:07,000 --> 00:14:07,200 Speaker 3: Yeah. 262 00:14:08,200 --> 00:14:10,439 Speaker 2: Sometimes the things that people will try and smuggle on 263 00:14:10,480 --> 00:14:12,520 Speaker 2: the risks, they will take and as you mentioned, the 264 00:14:12,559 --> 00:14:15,439 Speaker 2: places they will put those things the mind borels. 265 00:14:15,120 --> 00:14:15,800 Speaker 4: Doesn't it about you? 266 00:14:15,840 --> 00:14:16,840 Speaker 5: Two words out of my mouth. 267 00:14:17,480 --> 00:14:18,520 Speaker 4: It's unbelievable. 268 00:14:18,760 --> 00:14:21,680 Speaker 2: This bloke who was an unnamed traveler, and you know, 269 00:14:21,720 --> 00:14:23,800 Speaker 2: it's a really big thing when you get to international airports, 270 00:14:24,200 --> 00:14:27,120 Speaker 2: especially if you're going to somewhere like mainland China, that 271 00:14:27,280 --> 00:14:30,120 Speaker 2: you go through the right gate. This gentleman was stopped 272 00:14:30,160 --> 00:14:34,000 Speaker 2: passing through the nothing to declare gate wrong move, wrong 273 00:14:34,080 --> 00:14:36,360 Speaker 2: move because San gentlemen who like I said, he was 274 00:14:36,400 --> 00:14:40,160 Speaker 2: going from semi autonomous Song Kong into mainland China. Upon inspection, 275 00:14:40,560 --> 00:14:43,600 Speaker 2: he had in six canvas drawstring bags a total of 276 00:14:43,680 --> 00:14:47,520 Speaker 2: one hundred and four snakes, one hundred and four one 277 00:14:47,640 --> 00:14:51,640 Speaker 2: hundred and four squirming snakes in the colors of red, pink, 278 00:14:51,760 --> 00:14:52,160 Speaker 2: and white. 279 00:14:52,160 --> 00:14:54,080 Speaker 4: And obviously there's quite a few small ones swimming around 280 00:14:54,080 --> 00:14:54,520 Speaker 4: as well. 281 00:14:54,680 --> 00:14:55,360 Speaker 5: In his trousers. 282 00:14:56,040 --> 00:14:58,440 Speaker 4: He popped them in the trousers in these six bags. 283 00:14:58,920 --> 00:15:00,640 Speaker 5: That's going to cause some conf usion when he goes 284 00:15:00,640 --> 00:15:03,680 Speaker 5: to ciphrom the python like, okay, not that. 285 00:15:03,760 --> 00:15:06,800 Speaker 4: One, all right, not that not that one, you said 286 00:15:08,120 --> 00:15:09,800 Speaker 4: you hold that for me? No, not that one, not 287 00:15:09,880 --> 00:15:13,880 Speaker 4: that one. Hang on one of these. And even the 288 00:15:13,920 --> 00:15:15,080 Speaker 4: word trousers makest me laugh. 289 00:15:15,600 --> 00:15:19,560 Speaker 2: So obviously they have very strict biosecurity and disease control laws. 290 00:15:19,600 --> 00:15:22,120 Speaker 2: It was a woman not that long ago. Oh god, 291 00:15:22,200 --> 00:15:24,560 Speaker 2: she was small for I competitive guy. She was caught 292 00:15:24,720 --> 00:15:28,560 Speaker 2: with five snakes hidden inside her bra This guy's topped 293 00:15:28,560 --> 00:15:33,440 Speaker 2: her by ninety nine snakes in, said Trouser. It's unbelievable 294 00:15:33,520 --> 00:15:35,800 Speaker 2: people think they can get away with and how uncomfortable 295 00:15:35,800 --> 00:15:36,160 Speaker 2: that would be. 296 00:15:36,680 --> 00:15:37,560 Speaker 5: No, it's not good one. 297 00:15:37,600 --> 00:15:43,200 Speaker 4: Were they facinated maybe maybe maybe they were upy No, 298 00:15:43,520 --> 00:15:45,160 Speaker 4: yeah they would yeah, bag at the back. 299 00:15:45,600 --> 00:15:48,240 Speaker 2: This guy is so twenty thirteen because the Chinese zodiact 300 00:15:48,320 --> 00:15:50,800 Speaker 2: Year of the Snake was twenty thirteen. But he might 301 00:15:50,840 --> 00:15:52,920 Speaker 2: be ahead of his time because twenty twenty five again 302 00:15:53,000 --> 00:15:54,720 Speaker 2: will becoming a Chinese a Year of the Snake. 303 00:15:54,840 --> 00:15:57,640 Speaker 3: Okay, so he might have been use he's getting ready. 304 00:15:57,840 --> 00:15:59,480 Speaker 3: That's an excuse. Yeah, it's getting set up. 305 00:15:59,520 --> 00:16:02,040 Speaker 2: Well, he knows he's market So I have no idea 306 00:16:02,080 --> 00:16:04,000 Speaker 2: what will happen to him. But the Year of the 307 00:16:04,000 --> 00:16:07,280 Speaker 2: Snake is meant to be for financial a smooth financial ride. 308 00:16:08,120 --> 00:16:09,800 Speaker 2: The feeling this guy might be a little bit out of. 309 00:16:11,640 --> 00:16:14,680 Speaker 4: His pockets as we speak. 310 00:16:16,320 --> 00:16:20,040 Speaker 5: More more Lisa, more podcasts soon. 311 00:16:24,160 --> 00:16:27,200 Speaker 4: The Sure Report on ninety six AIRM. 312 00:16:29,240 --> 00:16:31,920 Speaker 3: A new documentary in the works is going to take 313 00:16:32,000 --> 00:16:33,359 Speaker 3: a deep dive into. 314 00:16:35,200 --> 00:16:35,720 Speaker 10: They watch. 315 00:16:38,040 --> 00:16:42,040 Speaker 3: The four parts series will be called After They Watch 316 00:16:42,280 --> 00:16:45,000 Speaker 3: Moment in the Sun. It will take an unprecedented look 317 00:16:45,040 --> 00:16:48,040 Speaker 3: into the stars who brought the world's most famous lifeguards 318 00:16:48,080 --> 00:16:52,040 Speaker 3: to life. Through dozens of cast interviews, never before seen footage, 319 00:16:52,080 --> 00:16:54,960 Speaker 3: and cast and cruise home videos, the docuseries will unpack 320 00:16:55,040 --> 00:16:58,320 Speaker 3: how the show captured the mythology of California's beach culture 321 00:16:58,640 --> 00:17:01,080 Speaker 3: and capitalized on the old adage sex cells. 322 00:17:01,120 --> 00:17:02,720 Speaker 5: I wonder if they'll do the whole thing in slow motion. 323 00:17:02,840 --> 00:17:04,680 Speaker 4: That would be fun, that'd be great. And how many 324 00:17:04,760 --> 00:17:06,480 Speaker 4: red appears of rid bathies do they sell it? 325 00:17:07,080 --> 00:17:10,359 Speaker 3: Clint Eastwood's classic Western, A Fistful of Dollars is getting 326 00:17:10,359 --> 00:17:13,200 Speaker 3: a remake sixty years after it was first released. This 327 00:17:13,440 --> 00:17:16,760 Speaker 3: was the pioneer of what they called the spaghetti Western genre, 328 00:17:17,280 --> 00:17:20,480 Speaker 3: so name because they were produced in Europe. Clint Eastwood, 329 00:17:20,520 --> 00:17:22,640 Speaker 3: by the way, turn ninety four a couple of months ago, 330 00:17:22,680 --> 00:17:25,200 Speaker 3: and he's literally just wrapped up filming what he says 331 00:17:25,240 --> 00:17:27,640 Speaker 3: will be his final movie, called Dura Number two. 332 00:17:28,480 --> 00:17:31,600 Speaker 5: David Dukovny, Oh you know what that reminds me? I 333 00:17:32,560 --> 00:17:34,440 Speaker 5: just thought came into my mind. 334 00:17:34,480 --> 00:17:38,000 Speaker 3: Today's the eleventh Today, the second series of the twelve 335 00:17:38,920 --> 00:17:46,119 Speaker 3: starts on the twelve. David Dukovny has revealed back in 336 00:17:46,200 --> 00:17:49,240 Speaker 3: the eighties he auditioned for all three lead roles on 337 00:17:49,320 --> 00:17:51,480 Speaker 3: Full House, roles that would end up going to Bob 338 00:17:51,560 --> 00:17:54,480 Speaker 3: Sage At, Dave Coolier and John Stamos. He says, I 339 00:17:54,560 --> 00:17:56,960 Speaker 3: auditioned for all three parts on Full House. First they 340 00:17:57,040 --> 00:17:58,879 Speaker 3: had me for the dad, then they had me for 341 00:17:58,920 --> 00:18:01,600 Speaker 3: the Staymos character. Then they had me with the other guy, 342 00:18:02,680 --> 00:18:04,320 Speaker 3: and he was thinking, I'm going to get one of 343 00:18:04,359 --> 00:18:06,000 Speaker 3: these and it's going to change my life. 344 00:18:06,400 --> 00:18:08,840 Speaker 5: He didn't, obviously, but I think he went on to 345 00:18:08,960 --> 00:18:10,760 Speaker 5: do okay with The X Files. 346 00:18:11,320 --> 00:18:16,359 Speaker 3: Helpful ocation and Ellen Degenerous says she'll be quitting showbiz 347 00:18:16,600 --> 00:18:20,719 Speaker 3: for good after recording her upcoming Netflix special. She's been 348 00:18:20,800 --> 00:18:25,960 Speaker 3: on her Ellen's Last stand Up to this year, using 349 00:18:26,119 --> 00:18:29,520 Speaker 3: the shows to address the misconduct accusations that hit her 350 00:18:29,600 --> 00:18:32,280 Speaker 3: as her talk show was coming to an end after 351 00:18:32,320 --> 00:18:35,480 Speaker 3: a nearly twenty year run. Her Netflix stand up specialist 352 00:18:35,520 --> 00:18:36,720 Speaker 3: set to air later this year. 353 00:18:37,320 --> 00:18:41,240 Speaker 2: Very Good The Mighty Angels Here Beyoncevation album was putting 354 00:18:41,280 --> 00:18:43,160 Speaker 2: that on for the first time going Their Boys are back. 355 00:18:43,359 --> 00:18:46,920 Speaker 3: Their new album ninety nine is out now, and you 356 00:18:47,000 --> 00:18:49,280 Speaker 3: can catch them at Frio Social on July twenty six 357 00:18:49,359 --> 00:18:51,320 Speaker 3: and the Asta Theater on July twenty seven. Tickets for 358 00:18:51,359 --> 00:18:55,000 Speaker 3: both shows are available through the Angels dot com dot au. 359 00:18:55,600 --> 00:18:57,600 Speaker 5: Good morning, John Brewster. 360 00:18:58,720 --> 00:19:00,640 Speaker 1: Hey listens, how are you doing? 361 00:19:00,960 --> 00:19:04,040 Speaker 4: Adrenaline is pumping after that now I am how are 362 00:19:04,040 --> 00:19:04,400 Speaker 4: you doing? 363 00:19:05,840 --> 00:19:06,679 Speaker 1: Really good? Thanks? 364 00:19:06,760 --> 00:19:08,119 Speaker 11: Yeah, we know. 365 00:19:08,280 --> 00:19:11,359 Speaker 1: We're having a great tour celebrating fifty years of the 366 00:19:11,480 --> 00:19:16,399 Speaker 1: band and the new album, which I'm really excited about it. 367 00:19:16,440 --> 00:19:19,720 Speaker 1: I'm really happy to say that the young members of 368 00:19:19,760 --> 00:19:23,160 Speaker 1: the band, my son Tom on the drums, yeah, see 369 00:19:23,240 --> 00:19:25,840 Speaker 1: him on bass, and Nick Norton who's now singing with us. 370 00:19:26,640 --> 00:19:30,159 Speaker 1: Incredible and they've really stepped up and done a lot 371 00:19:30,200 --> 00:19:33,760 Speaker 1: of the riding on this album. So yeah, I'm kind 372 00:19:33,800 --> 00:19:34,960 Speaker 1: of very happy about that. 373 00:19:35,800 --> 00:19:39,919 Speaker 5: Well, it has been ten years since your last studio album. 374 00:19:40,119 --> 00:19:41,600 Speaker 5: Is it just like riding a bike? 375 00:19:42,880 --> 00:19:43,080 Speaker 10: Well? 376 00:19:43,560 --> 00:19:46,399 Speaker 1: Yeah, I mean we started recording this one in pre 377 00:19:46,600 --> 00:19:51,240 Speaker 1: COVID and it was really my son Sam that said, now, listen, Dad, 378 00:19:51,560 --> 00:19:53,320 Speaker 1: we've got to get this album out. If she's going 379 00:19:53,359 --> 00:19:55,239 Speaker 1: to celebrate fifty years, you've got to have book put 380 00:19:55,280 --> 00:19:56,040 Speaker 1: out a new album. 381 00:19:56,200 --> 00:19:56,400 Speaker 7: Yeah. 382 00:19:57,440 --> 00:19:59,720 Speaker 1: Yeah, And I love that, you know, because you could, 383 00:20:00,080 --> 00:20:02,040 Speaker 1: you know, we consort of rest on our laurels, I 384 00:20:02,040 --> 00:20:04,119 Speaker 1: suppose with a lot of songs that people love, but 385 00:20:05,240 --> 00:20:08,440 Speaker 1: it's always really good to do something new as well. 386 00:20:08,680 --> 00:20:10,600 Speaker 1: And that's that's the history of this band. 387 00:20:10,760 --> 00:20:12,560 Speaker 5: So yeah, we love it. 388 00:20:12,720 --> 00:20:16,440 Speaker 3: With that young enthusiasm, it wouldn't take much to get 389 00:20:16,480 --> 00:20:17,440 Speaker 3: you going again either. 390 00:20:19,920 --> 00:20:23,320 Speaker 1: Well, I must say, you know, I'm not getting any younger, 391 00:20:23,359 --> 00:20:25,879 Speaker 1: but I'm loving playing in the band just like I 392 00:20:26,000 --> 00:20:28,960 Speaker 1: ever did. Yeah, it's a great band to play in. 393 00:20:29,280 --> 00:20:29,720 Speaker 4: That's great. 394 00:20:29,800 --> 00:20:31,520 Speaker 2: You mentioned Nick there. I mean, that's a tough job. 395 00:20:31,560 --> 00:20:33,840 Speaker 2: And Phil Collins did it with Genesis when Peter Gabriel left. 396 00:20:33,880 --> 00:20:35,480 Speaker 2: You move out from behind the drum kit and become 397 00:20:35,560 --> 00:20:37,000 Speaker 2: the singer of a band. How's he going? 398 00:20:38,240 --> 00:20:41,040 Speaker 1: Oh, it's fantastic. I mean I've known about Nick Norton 399 00:20:41,440 --> 00:20:43,680 Speaker 1: since so he was at school with my son Sam. 400 00:20:45,119 --> 00:20:47,119 Speaker 1: I've known about him. He had a band called Ganger. 401 00:20:47,359 --> 00:20:49,680 Speaker 1: They were fantastic and he was he was the lead 402 00:20:49,760 --> 00:20:52,920 Speaker 1: singer and the songwriter of that band. And I got 403 00:20:53,000 --> 00:20:56,320 Speaker 1: involved along with Harry Vander of the famous band of 404 00:20:56,480 --> 00:21:02,320 Speaker 1: Young Yea And and you know, sadly that band didn't 405 00:21:02,400 --> 00:21:06,840 Speaker 1: kind of survive. You know, drummer got married and his 406 00:21:06,960 --> 00:21:08,679 Speaker 1: wife Sydney can't play the band anymore. 407 00:21:08,720 --> 00:21:09,200 Speaker 9: Stuff like that. 408 00:21:10,880 --> 00:21:15,720 Speaker 1: Base player went in the banking. But Nick Nick came 409 00:21:15,800 --> 00:21:18,560 Speaker 1: in as a drama because he's an incredible drama. But 410 00:21:19,400 --> 00:21:23,240 Speaker 1: when Dave Reeson decided to part company with us, he's 411 00:21:23,280 --> 00:21:25,840 Speaker 1: just got a lot to me. We're part of company 412 00:21:26,400 --> 00:21:29,399 Speaker 1: as the best of friends. But he just had too 413 00:21:29,440 --> 00:21:32,360 Speaker 1: many things on. He's got a radio career, and he's 414 00:21:32,400 --> 00:21:35,320 Speaker 1: got the screaming jets, and he's got his family. And 415 00:21:35,440 --> 00:21:38,760 Speaker 1: family is really important, you know. That's one of the 416 00:21:38,840 --> 00:21:40,440 Speaker 1: things we've learned over the years, you know. 417 00:21:42,520 --> 00:21:44,200 Speaker 2: And David Lison didn't own a banking by the way, 418 00:21:44,240 --> 00:21:46,720 Speaker 2: he didn't spend the bands family no. 419 00:21:46,960 --> 00:21:48,040 Speaker 4: Worry, which would be funny. 420 00:21:48,880 --> 00:21:49,720 Speaker 1: He's still out there. 421 00:21:50,320 --> 00:21:53,280 Speaker 3: It's the only part he doesn't have a figuring out now. 422 00:21:54,240 --> 00:21:57,680 Speaker 3: I mean trigued by the album cover. It is a 423 00:21:57,760 --> 00:22:02,639 Speaker 3: bunch of old red phone boxes. And I'm told that 424 00:22:02,840 --> 00:22:06,440 Speaker 3: you are a collector of old phone box Really. 425 00:22:06,880 --> 00:22:11,040 Speaker 1: It's not my weird brother Rick, all right, you're weird, 426 00:22:13,840 --> 00:22:16,720 Speaker 1: which I must say. Rick is playing just as well 427 00:22:16,840 --> 00:22:19,320 Speaker 1: or better than he's just He's written three of the 428 00:22:19,400 --> 00:22:23,119 Speaker 1: songs on the album. He's wonderful. I actually had a 429 00:22:23,200 --> 00:22:25,480 Speaker 1: health issue. I was able to play for a while 430 00:22:25,560 --> 00:22:30,680 Speaker 1: so earlier this year. So but those telephone boxes. But 431 00:22:30,880 --> 00:22:33,240 Speaker 1: way back in the when we were living in Sydney 432 00:22:33,400 --> 00:22:36,640 Speaker 1: and he was out at Ashfield, he collected all these 433 00:22:36,720 --> 00:22:39,719 Speaker 1: phone boxes, put them in his backyard with lights in them, 434 00:22:39,960 --> 00:22:43,000 Speaker 1: and storm Annekins all dressed in fur coats and hats 435 00:22:43,040 --> 00:22:43,439 Speaker 1: and stuff. 436 00:22:43,520 --> 00:22:44,280 Speaker 9: I love it. 437 00:22:44,960 --> 00:22:45,720 Speaker 13: That is weird. 438 00:22:46,080 --> 00:22:48,280 Speaker 5: It's awesome, really weird. 439 00:22:48,359 --> 00:22:51,560 Speaker 1: Actually, what was even weirder to go out in his backyard. 440 00:22:59,520 --> 00:23:01,439 Speaker 4: As well? Is it just the red phone boxes? That's 441 00:23:01,480 --> 00:23:01,800 Speaker 4: his thing? 442 00:23:03,840 --> 00:23:07,240 Speaker 1: But you name it, you name it. But he walked 443 00:23:07,280 --> 00:23:10,320 Speaker 1: into the wed just did the Red Hot Summer tour recently, 444 00:23:10,400 --> 00:23:15,959 Speaker 1: you know, SUSI, and it was fantastic. Cheap Prick, our 445 00:23:16,040 --> 00:23:19,159 Speaker 1: great friends Chip Trick were with us as well, and 446 00:23:19,359 --> 00:23:23,960 Speaker 1: Rick walked into one of the backstage tent in a 447 00:23:24,040 --> 00:23:26,399 Speaker 1: T shirt with those phone boxes on the front of it. 448 00:23:26,520 --> 00:23:28,159 Speaker 1: I looked at the T shirt, I said, that's the 449 00:23:28,240 --> 00:23:28,720 Speaker 1: album cover. 450 00:23:28,960 --> 00:23:33,920 Speaker 4: Yes, perfect, you know, yeah, I love it. 451 00:23:34,000 --> 00:23:34,399 Speaker 10: I love it. 452 00:23:34,480 --> 00:23:37,360 Speaker 1: And you know we've done this over the years. Quite 453 00:23:37,400 --> 00:23:39,879 Speaker 1: a few of our album covers are actually Rick's photography. 454 00:23:40,560 --> 00:23:44,760 Speaker 2: A multi talented man, John. Things have changed a lot 455 00:23:44,800 --> 00:23:47,359 Speaker 2: since the mid seventies, and that includes how you record. 456 00:23:47,440 --> 00:23:50,040 Speaker 2: You can record almost thing's on your phone these days 457 00:23:50,080 --> 00:23:52,439 Speaker 2: are technically but you must see that every day when 458 00:23:52,440 --> 00:23:54,320 Speaker 2: you're recording and think I can do this in your bedroom. 459 00:23:54,359 --> 00:23:55,720 Speaker 4: Now you don't go to Albert studio. 460 00:23:56,600 --> 00:24:00,320 Speaker 1: Well, I did all my guitar parts in high hotel 461 00:24:00,400 --> 00:24:03,240 Speaker 1: rooms on the Red Hot Summer tour, and in fact 462 00:24:03,280 --> 00:24:06,879 Speaker 1: the last one there was one song Heartbeats, which is 463 00:24:06,960 --> 00:24:09,280 Speaker 1: on the album's great Song that Mick Boat and I 464 00:24:09,359 --> 00:24:11,800 Speaker 1: hadn't done. I hadn't done the guitar pad. But it 465 00:24:11,880 --> 00:24:15,080 Speaker 1: was the last show. So I said to Ricky Ray, 466 00:24:15,160 --> 00:24:16,840 Speaker 1: who mixed the album, I said, can I do it 467 00:24:16,880 --> 00:24:17,560 Speaker 1: in the backstage? 468 00:24:17,640 --> 00:24:17,800 Speaker 8: Ten? 469 00:24:18,000 --> 00:24:23,440 Speaker 1: So I did the top of Staffish, playing on one ere, 470 00:24:24,920 --> 00:24:26,760 Speaker 1: everyone knelling at each other on the other ear, and 471 00:24:27,000 --> 00:24:29,600 Speaker 1: the music somewhere up the middle, and I just played 472 00:24:29,640 --> 00:24:31,560 Speaker 1: along with it. And I said to Ricky, I know 473 00:24:31,560 --> 00:24:34,960 Speaker 1: if there's any good or not turned out really well. 474 00:24:35,760 --> 00:24:41,080 Speaker 3: Now celebrating fifty years together, When you stop and think 475 00:24:41,119 --> 00:24:44,719 Speaker 3: about it for a second, it is an amazing achievement. 476 00:24:45,720 --> 00:24:48,240 Speaker 5: Can you believe it? How are you not sick of 477 00:24:48,320 --> 00:24:48,720 Speaker 5: each other? 478 00:24:50,720 --> 00:24:50,760 Speaker 6: No? 479 00:24:51,359 --> 00:24:55,040 Speaker 1: Unfortunately Rick and I. Rick lives in Tasmania and I 480 00:24:55,119 --> 00:25:00,560 Speaker 1: live in Pictor Harber, South Australia. There's of each other 481 00:25:00,560 --> 00:25:04,280 Speaker 1: that we're very close and I turned two sons of 482 00:25:04,280 --> 00:25:06,920 Speaker 1: the bands amazing. But yeah, it's been. It's been quite 483 00:25:06,960 --> 00:25:09,360 Speaker 1: a journey, and you know, at times like this year, 484 00:25:09,680 --> 00:25:13,040 Speaker 1: you tend to remember docness and the house was in 485 00:25:13,119 --> 00:25:16,800 Speaker 1: those late seventies in particular, when the whole thing sort 486 00:25:16,800 --> 00:25:20,600 Speaker 1: of burst wide open for us, and then we started 487 00:25:20,640 --> 00:25:25,960 Speaker 1: touring the world and then you know, an ever evolving band. 488 00:25:26,040 --> 00:25:28,120 Speaker 1: I left the band for a while from maybe six 489 00:25:28,240 --> 00:25:32,200 Speaker 1: through the ninety three, came back in and so you know, 490 00:25:32,320 --> 00:25:34,960 Speaker 1: there's been it's kind of like a bit of a 491 00:25:35,080 --> 00:25:39,240 Speaker 1: roller coaster that's ups and bounds and weird corners and 492 00:25:39,320 --> 00:25:42,879 Speaker 1: stuff like that. But it's just been a great career 493 00:25:43,000 --> 00:25:45,480 Speaker 1: and nothing that any of us could have ever dreamed 494 00:25:45,800 --> 00:25:47,760 Speaker 1: when we started the band that we've been still doing 495 00:25:47,800 --> 00:25:49,080 Speaker 1: it fifty years later. 496 00:25:49,280 --> 00:25:49,440 Speaker 7: Yeah. 497 00:25:49,440 --> 00:25:50,000 Speaker 4: Absolutely. 498 00:25:50,240 --> 00:25:52,480 Speaker 2: Yeah, as bands, you know, you can have some issues 499 00:25:52,480 --> 00:25:54,120 Speaker 2: and stuff like that. There's been at tension of times 500 00:25:54,160 --> 00:25:56,600 Speaker 2: in that documentary that the film was made a few 501 00:25:56,640 --> 00:25:58,800 Speaker 2: years ago, but you keep the music rolling and the 502 00:25:58,880 --> 00:26:00,639 Speaker 2: fans just love the fact that you're still out there 503 00:26:00,680 --> 00:26:03,160 Speaker 2: and keep an incredible legacy, that great back catalog out 504 00:26:03,200 --> 00:26:03,640 Speaker 2: there live. 505 00:26:04,520 --> 00:26:07,200 Speaker 1: Yeah, Well, thanks and you know, we love the fans. 506 00:26:07,359 --> 00:26:10,280 Speaker 1: That it's always been about for us. You know. We 507 00:26:10,400 --> 00:26:13,480 Speaker 1: started as a jug band, which was really entertaining, great fun, 508 00:26:13,600 --> 00:26:16,400 Speaker 1: and it was never intended to be a full time 509 00:26:16,480 --> 00:26:21,400 Speaker 1: professional band, but we started writing some songs and realized 510 00:26:21,440 --> 00:26:24,240 Speaker 1: that we had to make a change. And we're all 511 00:26:24,280 --> 00:26:27,520 Speaker 1: into rock and roll anyway. So back then, so you know, 512 00:26:28,080 --> 00:26:30,200 Speaker 1: playing with Chuck Berry, I was his bass player for 513 00:26:30,240 --> 00:26:35,399 Speaker 1: a whole tour. Wow, that was some experience the piano 514 00:26:35,680 --> 00:26:39,640 Speaker 1: and you know, and getting to know and becoming great 515 00:26:39,680 --> 00:26:40,359 Speaker 1: friends with a C. 516 00:26:40,560 --> 00:26:40,840 Speaker 6: D C. 517 00:26:41,040 --> 00:26:44,879 Speaker 1: And being the same record company with them. We were 518 00:26:44,960 --> 00:26:50,240 Speaker 1: often in the studios together and swapping instruments, having you know, 519 00:26:50,280 --> 00:26:54,600 Speaker 1: it was just great, great time touring with David Bowie amazing. 520 00:26:54,480 --> 00:26:56,200 Speaker 5: Wow, incredible. 521 00:26:56,440 --> 00:26:59,119 Speaker 3: Didn't you start as the Moonshine Jug and string band 522 00:26:59,200 --> 00:27:01,800 Speaker 3: and then that became the Keystone Angels, which then became 523 00:27:01,840 --> 00:27:03,679 Speaker 3: the Angels Well. 524 00:27:03,600 --> 00:27:08,160 Speaker 1: You're you're very well, yeah, and the Moonshine Dragon String 525 00:27:08,240 --> 00:27:09,680 Speaker 1: Band was just a load of fun. 526 00:27:10,800 --> 00:27:15,080 Speaker 5: But it's a mouthful, it is, yeah, too long. 527 00:27:15,119 --> 00:27:15,439 Speaker 13: We had to. 528 00:27:18,119 --> 00:27:18,840 Speaker 4: Different instruments. 529 00:27:19,240 --> 00:27:19,359 Speaker 13: Then. 530 00:27:19,720 --> 00:27:23,160 Speaker 3: I remember Jean Simmons saying once he was advising his son, 531 00:27:23,400 --> 00:27:26,119 Speaker 3: actually John, he said when you looking for a name 532 00:27:26,160 --> 00:27:29,879 Speaker 3: for your band, you want one word, you know, kiss, doors, 533 00:27:30,440 --> 00:27:35,640 Speaker 3: stone stones, and I think there is something to that Angels. 534 00:27:35,880 --> 00:27:38,440 Speaker 1: Maybe, yeah, you know you got to put a le 535 00:27:38,600 --> 00:27:39,080 Speaker 1: in front of it. 536 00:27:40,840 --> 00:27:42,520 Speaker 2: Yeah, but you don't want to be Angel City for 537 00:27:42,600 --> 00:27:44,359 Speaker 2: too long, do you. They made you do that in 538 00:27:44,359 --> 00:27:46,120 Speaker 2: the States for a while Angels. 539 00:27:47,760 --> 00:27:49,879 Speaker 1: Yeah, we didn't like that name. But the thing is 540 00:27:49,960 --> 00:27:56,120 Speaker 1: we were we've been. The band called angel took out 541 00:27:56,119 --> 00:28:00,680 Speaker 1: an injunction against us. Okay, so we unable to be 542 00:28:00,800 --> 00:28:03,000 Speaker 1: the Angels we can be now, but you know, we 543 00:28:03,160 --> 00:28:06,879 Speaker 1: still get some There's still a lot of interest in 544 00:28:07,000 --> 00:28:08,919 Speaker 1: us playing over there, but I don't think it's likely 545 00:28:09,040 --> 00:28:11,520 Speaker 1: to happen, although we did do London, Paris and the 546 00:28:11,560 --> 00:28:12,680 Speaker 1: Sweden Rock Festival. 547 00:28:13,160 --> 00:28:16,119 Speaker 2: Oh nice, very nice. How about you mentioned you just 548 00:28:16,200 --> 00:28:18,680 Speaker 2: threw away some of those names Chack Berry. You played 549 00:28:18,720 --> 00:28:20,840 Speaker 2: in Chuck Berry's band. Does that mean to this day 550 00:28:20,920 --> 00:28:22,720 Speaker 2: you get paid in cash before the gig because that 551 00:28:22,800 --> 00:28:23,520 Speaker 2: was Chuck's bigsley. 552 00:28:24,160 --> 00:28:28,520 Speaker 1: No, that's what he did. Yeah, we were his band. 553 00:28:28,840 --> 00:28:31,520 Speaker 1: It was just Rick and me and Charlie King on 554 00:28:31,600 --> 00:28:35,920 Speaker 1: the drum and we had no rehearsal with him because 555 00:28:35,960 --> 00:28:39,360 Speaker 1: he just expects everyone to know his songs, so we'd 556 00:28:39,440 --> 00:28:42,840 Speaker 1: been warned about that. So we learned the songs pretty well. 557 00:28:42,920 --> 00:28:47,080 Speaker 1: And that was a really fantastic experience. I mean, chack 558 00:28:47,160 --> 00:28:49,280 Speaker 1: berry Or had some of the greatest rock and roll songs. 559 00:28:49,320 --> 00:28:51,760 Speaker 1: It's a great poet to the lirits. 560 00:28:52,040 --> 00:28:55,120 Speaker 4: Yeah, yeah, in a particular place to go, I love it. 561 00:28:55,680 --> 00:28:58,239 Speaker 3: Before we let you go, John, it will be more 562 00:28:58,320 --> 00:29:00,120 Speaker 3: than fifty years ago now, but do you remember the 563 00:29:00,200 --> 00:29:01,800 Speaker 3: first time you heard yourself on the radio? 564 00:29:04,720 --> 00:29:07,800 Speaker 1: It was probably in the car apparently enough. It was 565 00:29:07,840 --> 00:29:11,560 Speaker 1: the Moonshine drag and string Band. Okay, all right, because yeah, 566 00:29:11,720 --> 00:29:14,600 Speaker 1: because and that's what caused me to go to rick 567 00:29:14,680 --> 00:29:17,640 Speaker 1: and initially. And so I think we need to be 568 00:29:17,720 --> 00:29:21,160 Speaker 1: an electric band because I recorded the song that I 569 00:29:21,280 --> 00:29:24,200 Speaker 1: wrote as the jug band, and I realized that, you know, 570 00:29:24,320 --> 00:29:26,920 Speaker 1: the jug band couldn't continue. We're going to write songs, 571 00:29:26,960 --> 00:29:30,760 Speaker 1: it couldn't continue. So it took me all night to 572 00:29:30,840 --> 00:29:33,560 Speaker 1: talk Doc into it because he wasn't too keen. But 573 00:29:33,640 --> 00:29:36,040 Speaker 1: but I think I wore him out about nine o'clock 574 00:29:36,120 --> 00:29:38,840 Speaker 1: in the morning. The next morning. He said, yeah, okay, 575 00:29:38,960 --> 00:29:40,720 Speaker 1: I mean I just. 576 00:29:40,760 --> 00:29:41,480 Speaker 5: Wanted to go. 577 00:29:43,280 --> 00:29:44,360 Speaker 8: So it was exciting. 578 00:29:44,840 --> 00:29:47,440 Speaker 1: Yeah, it is exciting to hear us on the radio. 579 00:29:48,000 --> 00:29:49,680 Speaker 2: Yeah, you have to throw that old t chest base, 580 00:29:49,720 --> 00:29:52,520 Speaker 2: put it out. Put that thing out of the on 581 00:29:52,600 --> 00:29:54,800 Speaker 2: the front lawn. That's weird, isn't a change of instruments? 582 00:29:56,400 --> 00:29:57,640 Speaker 1: And Rick plaid the washboard. 583 00:29:57,720 --> 00:29:59,400 Speaker 4: Oh we're a jug band. 584 00:29:59,680 --> 00:29:59,880 Speaker 12: Wow? 585 00:30:00,920 --> 00:30:04,200 Speaker 1: Oh yeah, And I mean won me Stedford in South 586 00:30:04,240 --> 00:30:06,640 Speaker 1: Australia on classical piano. And then he came into the 587 00:30:06,680 --> 00:30:09,200 Speaker 1: Moonshine Jog and string band playing the Washboard. 588 00:30:08,920 --> 00:30:13,800 Speaker 4: Classic and it's amazing. You gotta be versatile love it 589 00:30:14,920 --> 00:30:15,960 Speaker 4: well yeah, well he is. 590 00:30:16,400 --> 00:30:17,960 Speaker 5: We look forward to seeing you in town at the 591 00:30:18,040 --> 00:30:18,560 Speaker 5: end of the month. 592 00:30:18,680 --> 00:30:21,880 Speaker 3: Two shows the Asta on July twenty seven, Frio Social 593 00:30:21,960 --> 00:30:24,440 Speaker 3: the night before July twenty six. Those tickets are available 594 00:30:24,520 --> 00:30:26,479 Speaker 3: through the Angels dot com dot you and the new 595 00:30:26,560 --> 00:30:30,400 Speaker 3: album ninety nine with its red pillar box phone boxes 596 00:30:30,440 --> 00:30:33,000 Speaker 3: on there are is out now. 597 00:30:33,560 --> 00:30:36,240 Speaker 4: Thanks John, John, and. 598 00:30:36,320 --> 00:30:39,000 Speaker 1: I must say we love Perth. We've got a long 599 00:30:39,160 --> 00:30:41,840 Speaker 1: history of coming to Perth, so it's always exciting for us. 600 00:30:42,280 --> 00:30:46,160 Speaker 1: Love's bud and I must say that it's also great 601 00:30:46,160 --> 00:30:48,960 Speaker 1: to have a special guest. Great friends, my sex. 602 00:30:49,200 --> 00:30:52,760 Speaker 4: Oh brilliant, very good, Yeah, very nice. 603 00:30:52,800 --> 00:30:55,160 Speaker 5: Those computer games have changed bit over the years. 604 00:30:55,560 --> 00:30:58,240 Speaker 4: Thank you Space John by. 605 00:30:58,200 --> 00:31:04,800 Speaker 1: Saying it sorry, yes not bye. Thanks for having me 606 00:31:05,560 --> 00:31:09,560 Speaker 1: more Clezy more Lisa podcast soon. 607 00:31:12,560 --> 00:31:16,160 Speaker 5: Read to flick with Ben o'she Good morning. 608 00:31:15,920 --> 00:31:20,760 Speaker 13: Bank and Ben good morning guys. Now, I don't know 609 00:31:20,840 --> 00:31:24,240 Speaker 13: what your experience with the moon landing was in nineteen 610 00:31:24,280 --> 00:31:26,400 Speaker 13: sixty nine, but it was a bit before my time. 611 00:31:26,720 --> 00:31:28,880 Speaker 13: But I'm sure there are plenty of listeners out there 612 00:31:29,160 --> 00:31:33,360 Speaker 13: who remember exactly where they were when Neil Armstrong and 613 00:31:33,480 --> 00:31:36,960 Speaker 13: buzz Aldren set foot on the moon. And so this 614 00:31:37,160 --> 00:31:39,800 Speaker 13: new movie fly Me to the Moon is about that 615 00:31:40,120 --> 00:31:45,040 Speaker 13: period in history, starring Channey Tatum and Scarlett Johansson, and 616 00:31:45,080 --> 00:31:47,400 Speaker 13: it's kind of like in many ways, it's a throwback 617 00:31:47,560 --> 00:31:51,440 Speaker 13: like you know, those classic sort of like romantic, witty 618 00:31:51,600 --> 00:31:55,880 Speaker 13: comedies starring Catherine Hepburn and spent the Tracy. They're really 619 00:31:56,040 --> 00:32:01,600 Speaker 13: trying to channel that. Yeah, yeah, yeah, that's the sort 620 00:32:01,640 --> 00:32:05,080 Speaker 13: of thing. It's like a jazzy soundtrack and a lot 621 00:32:05,120 --> 00:32:09,440 Speaker 13: of sort of sparkling banter between the two leads and 622 00:32:09,720 --> 00:32:13,280 Speaker 13: Channing Tatum plays a you know, sort of a super 623 00:32:13,360 --> 00:32:17,360 Speaker 13: successful US fighter pilot who goes into the space program 624 00:32:17,680 --> 00:32:20,160 Speaker 13: for whatever reason, can't become an astronaut. So he goes 625 00:32:20,280 --> 00:32:23,440 Speaker 13: into sort of becoming the launch director at NASA on 626 00:32:23,520 --> 00:32:28,680 Speaker 13: the Apollo program, and his buddy ray Romano from Everybody 627 00:32:28,720 --> 00:32:31,480 Speaker 13: Loves Raymond is there is sort of his you know, 628 00:32:31,560 --> 00:32:34,120 Speaker 13: sort of confidant and two ic in the launch center 629 00:32:35,000 --> 00:32:37,960 Speaker 13: and they're about to put Apollo eleven up into space. 630 00:32:38,080 --> 00:32:41,480 Speaker 13: But the problem is the American people and American politicians 631 00:32:41,640 --> 00:32:43,360 Speaker 13: I kind of lost a bit of interest in the 632 00:32:43,440 --> 00:32:48,080 Speaker 13: space race and their funding is at risk. So some 633 00:32:48,400 --> 00:32:52,800 Speaker 13: shadowy figure from Richard Nixon's administration played by Woody Harrelson 634 00:32:53,160 --> 00:32:57,040 Speaker 13: comes up with the idea of getting a Madison Avenue 635 00:32:57,280 --> 00:33:01,680 Speaker 13: marketing wizard Scarlett Johanson's character, to go down to NASA 636 00:33:02,000 --> 00:33:03,640 Speaker 13: and kind of give them a bit of a juge, 637 00:33:03,680 --> 00:33:06,440 Speaker 13: give them a bit of a makeover and sell the 638 00:33:06,520 --> 00:33:11,680 Speaker 13: sizzle around the lunar launch. And Channing Tadam's character hates it. 639 00:33:11,840 --> 00:33:14,120 Speaker 13: He doesn't like the idea of someone coming along saying, 640 00:33:14,160 --> 00:33:16,000 Speaker 13: you know, we've got to shoot these little bits for TV. 641 00:33:16,200 --> 00:33:19,160 Speaker 13: We've got to get some of your astronauts on magazine covers. 642 00:33:19,440 --> 00:33:21,360 Speaker 13: He thinks that it should all be about the mission, 643 00:33:21,920 --> 00:33:23,720 Speaker 13: and so you've got this kind of chalk and cheese 644 00:33:23,960 --> 00:33:28,040 Speaker 13: opposites attract situation at the center of the film, and 645 00:33:28,160 --> 00:33:31,240 Speaker 13: then the other twist as it goes along is, you know, 646 00:33:31,280 --> 00:33:33,760 Speaker 13: Woody Harrison's character doesn't want to leave anything to chance 647 00:33:33,960 --> 00:33:36,920 Speaker 13: in this race against the Russians, and so he thinks 648 00:33:37,000 --> 00:33:42,480 Speaker 13: that Scarlet Johansen should also shoot a fake hoax lunar landing, 649 00:33:42,720 --> 00:33:46,040 Speaker 13: just in case the original one doesn't work. Yes, that's 650 00:33:46,040 --> 00:33:48,560 Speaker 13: sort of a sort of like an alternate history of 651 00:33:48,640 --> 00:33:53,480 Speaker 13: the moon landing. Yes, some people, he's not some people 652 00:33:53,520 --> 00:33:58,920 Speaker 13: exactly exactly a documentary very much so, and some people 653 00:33:58,960 --> 00:34:01,000 Speaker 13: and some people might think it's it's kind of funny, 654 00:34:01,080 --> 00:34:04,080 Speaker 13: but it's an interesting one because there's also you know, 655 00:34:04,240 --> 00:34:06,680 Speaker 13: watching this film, you think about the fake news that 656 00:34:06,800 --> 00:34:09,840 Speaker 13: exists today, and I don't know, maybe maybe it's not 657 00:34:10,080 --> 00:34:12,839 Speaker 13: quite as funny as the as the as the writer 658 00:34:13,000 --> 00:34:14,840 Speaker 13: and director thought it might be to kind of like 659 00:34:15,440 --> 00:34:18,120 Speaker 13: make jokes about, you know, sort of shooting this hoax landing, 660 00:34:18,680 --> 00:34:20,480 Speaker 13: because we see all the time in real life that 661 00:34:21,320 --> 00:34:25,719 Speaker 13: people will believe all sorts of crazy conspiracy theories. And 662 00:34:25,840 --> 00:34:29,320 Speaker 13: so you've got Scarlet Johnsen, who is great Channing Tatum. 663 00:34:29,440 --> 00:34:31,200 Speaker 13: I have a bit of an issue with in this film. 664 00:34:31,800 --> 00:34:33,919 Speaker 13: And I'm not just talking about his wardrobe in the film, 665 00:34:33,920 --> 00:34:40,520 Speaker 13: which is exclusively skivvys, but but but weirdly short sleeve skivvy. 666 00:34:40,880 --> 00:34:42,480 Speaker 13: I didn't even know that was a thing. 667 00:34:45,040 --> 00:34:48,040 Speaker 1: Job Oh yeah, so it's and. 668 00:34:48,680 --> 00:34:50,880 Speaker 13: You know, maybe get away with one in one scene, 669 00:34:51,000 --> 00:35:02,879 Speaker 13: but a different colored skivvy in every scene is overkilledly. 670 00:34:58,840 --> 00:34:59,960 Speaker 1: It's honestly like a wigle. 671 00:35:00,760 --> 00:35:03,720 Speaker 13: And so yeah, and I don't know, the chemistry between 672 00:35:03,800 --> 00:35:07,440 Speaker 13: Channing Tatum and Scarlet Johansson is only okay, like it's 673 00:35:07,480 --> 00:35:10,160 Speaker 13: definitely no you know, it's definitely no Catheryn Hepburn and 674 00:35:10,160 --> 00:35:12,600 Speaker 13: Spencer Tracy that way, who had a bit of off 675 00:35:12,640 --> 00:35:18,440 Speaker 13: screen chemistry as well. And it's funny without being hilarious. 676 00:35:19,520 --> 00:35:22,320 Speaker 13: And it's in the cinemas now and it's going to 677 00:35:22,360 --> 00:35:25,480 Speaker 13: be eventually on Apple TV Plus because Apple Studios is 678 00:35:25,520 --> 00:35:27,680 Speaker 13: the one behind it. So it's kind of one of 679 00:35:27,719 --> 00:35:30,160 Speaker 13: those films that you know, when it comes out on streaming, 680 00:35:30,239 --> 00:35:32,399 Speaker 13: you go, oh yeah, okay, like it's a mediocre film 681 00:35:32,440 --> 00:35:35,920 Speaker 13: you can watch at home on the couch and enjoy it, 682 00:35:36,800 --> 00:35:38,440 Speaker 13: whether or not you'd pay to see it on the 683 00:35:38,480 --> 00:35:40,520 Speaker 13: big screen. Well, look, I guess It just depends on 684 00:35:40,560 --> 00:35:42,480 Speaker 13: how much you like those two actors in the lead 685 00:35:42,600 --> 00:35:45,120 Speaker 13: roles and how much you like these kinds of you know, 686 00:35:45,239 --> 00:35:47,520 Speaker 13: throwback rom coms, because the reality is you don't see 687 00:35:47,560 --> 00:35:49,400 Speaker 13: too many of these in the cinema anymore. 688 00:35:49,520 --> 00:35:51,359 Speaker 3: Can Why did it become a rom com if it's 689 00:35:51,400 --> 00:35:53,480 Speaker 3: about you know, dummying out? 690 00:35:54,440 --> 00:35:54,640 Speaker 10: Yeah? 691 00:35:57,560 --> 00:35:59,960 Speaker 4: Okay, Well I appreciate your honesty on this one. 692 00:36:00,719 --> 00:36:10,120 Speaker 3: So it's no capricorn one. Okay, Ben, how many launch 693 00:36:10,160 --> 00:36:10,880 Speaker 3: ops are you giving it? 694 00:36:12,560 --> 00:36:16,279 Speaker 13: Well, look, it's like it's solid, definitely not spectacular. I'm 695 00:36:16,280 --> 00:36:17,359 Speaker 13: going to give a three star. 696 00:36:17,760 --> 00:36:18,080 Speaker 1: We go. 697 00:36:18,360 --> 00:36:20,600 Speaker 4: That's all right, So, Houston, we sort of have a problem. 698 00:36:21,480 --> 00:36:24,239 Speaker 4: We have a problem, but it's a small problem. Ok 699 00:36:25,000 --> 00:36:27,160 Speaker 4: Thanks man, Thanks Ben, have a good day. 700 00:36:27,280 --> 00:36:27,799 Speaker 13: Thanks guys. 701 00:36:28,880 --> 00:36:31,840 Speaker 2: Talking movies, Memories of a really bad film clip for 702 00:36:31,960 --> 00:36:35,279 Speaker 2: John was I'd forgotten how bad it was until I 703 00:36:35,440 --> 00:36:39,120 Speaker 2: was reminded watching the documentary Brats Yes the Other Night, 704 00:36:39,120 --> 00:36:42,200 Speaker 2: which is now on Disney Place, about the Brat Pack, 705 00:36:42,560 --> 00:36:44,600 Speaker 2: which I reference at the sart of the movie where 706 00:36:44,680 --> 00:36:46,919 Speaker 2: said Andrew get over because Andrew McCarthy is still hanging 707 00:36:46,960 --> 00:36:48,719 Speaker 2: on to the fact that he was very offended by 708 00:36:48,880 --> 00:36:50,600 Speaker 2: the journalists saying brat Pack. 709 00:36:50,680 --> 00:36:52,560 Speaker 3: Well, he wrote a book about it and then and 710 00:36:52,680 --> 00:36:58,520 Speaker 3: now he's made this documentary, which it's worth a watch 711 00:36:58,920 --> 00:37:00,880 Speaker 3: if you were you know, I can't stay at the 712 00:37:00,920 --> 00:37:04,600 Speaker 3: time in your careers, but I do. It cemented my 713 00:37:04,719 --> 00:37:08,400 Speaker 3: belief that Andrew McCarthy really was making something out of 714 00:37:09,200 --> 00:37:10,319 Speaker 3: something that wasn't there. 715 00:37:10,719 --> 00:37:13,680 Speaker 4: Yeah, he chose to be offended, he did choose to 716 00:37:13,719 --> 00:37:15,520 Speaker 4: continue sixty one years of age. 717 00:37:16,280 --> 00:37:18,120 Speaker 3: But didn't you get the feeling from the documentary because 718 00:37:18,120 --> 00:37:20,120 Speaker 3: he chases down some of the others like Rob Lowe 719 00:37:20,160 --> 00:37:24,080 Speaker 3: and Demi Moore at Amelia and Ali Sheedy to me 720 00:37:24,160 --> 00:37:26,759 Speaker 3: and Rob, I think were kind of gently trying to 721 00:37:26,840 --> 00:37:27,800 Speaker 3: encourage him to let it go. 722 00:37:28,360 --> 00:37:30,480 Speaker 5: It wasn't as bad. And I was waiting for Amelia 723 00:37:30,600 --> 00:37:32,719 Speaker 5: to look at his watch like are you going to 724 00:37:32,840 --> 00:37:33,279 Speaker 5: leave soon? 725 00:37:33,640 --> 00:37:35,520 Speaker 4: This is I think there's a lot. 726 00:37:35,560 --> 00:37:38,320 Speaker 2: I think Alie Sheedy was so much she thought it 727 00:37:38,400 --> 00:37:39,960 Speaker 2: was I think she thought it was great as well, 728 00:37:40,120 --> 00:37:44,040 Speaker 2: and she was almost like, you wanted to be in. 729 00:37:44,040 --> 00:37:44,600 Speaker 5: The brat Pack. 730 00:37:44,800 --> 00:37:47,760 Speaker 3: And always I always thought at the time that brat 731 00:37:47,800 --> 00:37:50,759 Speaker 3: Pack was just a brilliant pun come up that that 732 00:37:50,880 --> 00:37:54,320 Speaker 3: journalist came up with based on the rat pack and 733 00:37:54,480 --> 00:37:57,239 Speaker 3: I thought that Bratt referred to them. 734 00:37:57,200 --> 00:38:01,680 Speaker 5: Being the young New Pack, not being boiled, just being young. 735 00:38:01,920 --> 00:38:03,799 Speaker 2: So after watching it, I'm thinking, is how the rest 736 00:38:03,840 --> 00:38:06,680 Speaker 2: of them is Andrew McCarthy sadly still a bit obsessed 737 00:38:06,760 --> 00:38:08,759 Speaker 2: by it and really cut up by it? Or has 738 00:38:08,800 --> 00:38:10,719 Speaker 2: he seen the opportunity because he knows his book sold 739 00:38:10,719 --> 00:38:12,879 Speaker 2: pretty well, He's seen the opportunity and he's just hanging 740 00:38:12,920 --> 00:38:14,560 Speaker 2: on because he knows people would. 741 00:38:14,320 --> 00:38:16,000 Speaker 5: Watch this, which was done as much as some of 742 00:38:16,040 --> 00:38:16,440 Speaker 5: the others. 743 00:38:16,520 --> 00:38:19,640 Speaker 2: He's become a travel writer. Yeah, a few movies and 744 00:38:19,800 --> 00:38:23,920 Speaker 2: TV shows, but mainly movies after that, and he's done 745 00:38:23,920 --> 00:38:26,880 Speaker 2: a bit of directions and stuff like that. But interesting, 746 00:38:27,000 --> 00:38:29,640 Speaker 2: but it is worth a look, especially around at the time. 747 00:38:31,000 --> 00:38:32,360 Speaker 2: I remember sin Elmo's was the one for me. 748 00:38:32,440 --> 00:38:34,000 Speaker 4: I love that film. It was beautifully done. 749 00:38:34,320 --> 00:38:37,680 Speaker 3: It was great movie. But I really I think I'm 750 00:38:38,120 --> 00:38:39,759 Speaker 3: probably can't go past Breakfast Club. 751 00:38:40,000 --> 00:38:43,160 Speaker 2: You like that one? Yeah, yeah, absolutely, something's got our attention. 752 00:38:43,600 --> 00:38:44,480 Speaker 2: A few people talking. 753 00:38:44,280 --> 00:38:44,719 Speaker 4: About this one. 754 00:38:44,800 --> 00:38:48,040 Speaker 5: Most it's raised to eyebrows. That's perhaps what they're going for. 755 00:38:48,200 --> 00:38:51,480 Speaker 3: I don't know, but Channel seven is introducing a new 756 00:38:51,560 --> 00:38:58,800 Speaker 3: segment in its news bulletin Horoscopes you're Day by the Stars, 757 00:38:58,840 --> 00:39:02,000 Speaker 3: your day by the Stars. But yes, and they've defended 758 00:39:02,360 --> 00:39:05,720 Speaker 3: their daily astrology segment, which is going to be introduced 759 00:39:05,760 --> 00:39:08,640 Speaker 3: as part of its evening news bulletin. They have confirmed 760 00:39:08,800 --> 00:39:11,879 Speaker 3: they're going to bring the new segment featuring an astrology 761 00:39:11,960 --> 00:39:16,239 Speaker 3: report from Natasha Webber, who's also known as Astro Tash. 762 00:39:18,239 --> 00:39:21,200 Speaker 5: Miswear or trash Miss. Weber's new segment. 763 00:39:21,000 --> 00:39:23,720 Speaker 3: Will be about twenty seconds long, and we'll go after 764 00:39:24,040 --> 00:39:27,680 Speaker 3: the weather forecast. Now. Anthony de Segli, who's the director 765 00:39:27,680 --> 00:39:31,239 Speaker 3: of News and Current Affairs, says it's part of exploring 766 00:39:31,680 --> 00:39:36,560 Speaker 3: new ideas and concepts. He says, and I quote, We're 767 00:39:36,680 --> 00:39:40,399 Speaker 3: incredibly proud of the groundbreaking and quality journalism that seven 768 00:39:40,480 --> 00:39:44,320 Speaker 3: News produces every single bulletin, and we're exploring new ideas 769 00:39:44,400 --> 00:39:46,759 Speaker 3: and concepts to bring in new audience so that we 770 00:39:46,880 --> 00:39:51,400 Speaker 3: can showcase this journalism. Okay, Now, love or hate the 771 00:39:51,480 --> 00:39:53,239 Speaker 3: old horoscopes that you used. 772 00:39:53,160 --> 00:39:55,960 Speaker 5: To do for many, many, many many. 773 00:39:55,800 --> 00:39:59,600 Speaker 3: Years eeron Breakfast long time and in you know, magazines 774 00:39:59,680 --> 00:40:03,360 Speaker 3: like New Idea and Women's Weekly. There has been a 775 00:40:03,600 --> 00:40:07,240 Speaker 3: fair amount of criticism, with a lot of people saying 776 00:40:08,239 --> 00:40:14,719 Speaker 3: horoscopes are not news or science or fact. But I'm 777 00:40:14,800 --> 00:40:19,680 Speaker 3: wondering if maybe Channel seven has an ulterior motion. Maybe 778 00:40:19,760 --> 00:40:23,200 Speaker 3: it's going to go along the lines of aries you 779 00:40:23,400 --> 00:40:27,320 Speaker 3: are going to enjoy home in Owaisian night pieces, you 780 00:40:27,440 --> 00:40:30,960 Speaker 3: didn't want to watch the Olympics anyway, or Gemini you 781 00:40:31,120 --> 00:40:32,319 Speaker 3: know you love Harley reed. 782 00:40:32,760 --> 00:40:32,960 Speaker 7: Ah. 783 00:40:33,400 --> 00:40:36,520 Speaker 3: Maybe there's some certain momentum reason for it, have a 784 00:40:36,560 --> 00:40:38,359 Speaker 3: little bit of subliminal messaging in there. 785 00:40:38,400 --> 00:40:38,800 Speaker 5: I don't know. 786 00:40:39,080 --> 00:40:39,360 Speaker 4: You're right. 787 00:40:39,360 --> 00:40:41,400 Speaker 2: Anthony de Sigli was a former boss of Here of 788 00:40:41,440 --> 00:40:43,480 Speaker 2: the West, so the big Gig, and he said he 789 00:40:43,520 --> 00:40:46,120 Speaker 2: wants to take risks in his new tenure, and I 790 00:40:46,280 --> 00:40:47,600 Speaker 2: think this one might be a bit of a risk. 791 00:40:47,960 --> 00:40:49,800 Speaker 3: It is a risk, but I mean, I don't know 792 00:40:49,840 --> 00:40:54,480 Speaker 3: about saying it's showcasing new ideas and concepts. The horoscopes 793 00:40:54,520 --> 00:40:57,200 Speaker 3: on shows are as old as Methuselah. 794 00:40:58,400 --> 00:41:00,560 Speaker 2: Don't you think that bringing the Stars on twenty twenty 795 00:41:00,560 --> 00:41:02,719 Speaker 2: four and beyond if it lasts, is a bit like 796 00:41:02,800 --> 00:41:04,960 Speaker 2: maybe Burt Newton should win the Gold again, you know, 797 00:41:05,160 --> 00:41:07,680 Speaker 2: like the Gold LOGI maybe Kevin Sheety should come over 798 00:41:07,719 --> 00:41:09,400 Speaker 2: and place Adam Sinton and coach. 799 00:41:10,760 --> 00:41:12,200 Speaker 4: Sty the blast in the past everywhere. 800 00:41:12,760 --> 00:41:15,000 Speaker 5: All right, Well, we'll see how it goes. 801 00:41:15,080 --> 00:41:18,680 Speaker 4: We will see how it goes. Yeah, clzy on Liza 802 00:41:19,120 --> 00:41:19,920 Speaker 4: Fuz says