1 00:00:00,360 --> 00:00:02,200 Speaker 1: It's the Willam Woody podcast. 2 00:00:02,600 --> 00:00:04,720 Speaker 2: Good guys, got to be a quick podcast top here 3 00:00:04,760 --> 00:00:07,360 Speaker 2: because we've got a jet set. Actually genuinely have to 4 00:00:07,360 --> 00:00:09,719 Speaker 2: catch a plane. It's all business, Will and Woody. It's time. 5 00:00:10,080 --> 00:00:13,440 Speaker 3: We're hounds. We're absolutely as. You can barely get us 6 00:00:13,480 --> 00:00:15,480 Speaker 3: in one city for two minutes. I mean, gee whiz, 7 00:00:15,520 --> 00:00:17,080 Speaker 3: how about those quantus points. 8 00:00:17,079 --> 00:00:20,120 Speaker 2: We've been the same city for ten months, mate, it's 9 00:00:20,160 --> 00:00:20,680 Speaker 2: been COVID. 10 00:00:20,720 --> 00:00:23,080 Speaker 4: We got to find We're excited. We need to get 11 00:00:23,120 --> 00:00:24,119 Speaker 4: to that airport. Yes we do. 12 00:00:24,239 --> 00:00:26,880 Speaker 2: We need to go, guys. Yes, crap by name and reputation. 13 00:00:26,960 --> 00:00:29,280 Speaker 2: We take calls from people a little bit later on 14 00:00:29,320 --> 00:00:31,600 Speaker 2: about people who can say their first name and their 15 00:00:31,600 --> 00:00:35,040 Speaker 2: surname and then just like Felicity shag Well and Austin Powers, 16 00:00:35,040 --> 00:00:38,480 Speaker 2: theyre have the opportunity to say by name and reputation. 17 00:00:38,880 --> 00:00:42,760 Speaker 5: Let's see shag Well, Cia, shag Well by name, shag 18 00:00:43,000 --> 00:00:44,560 Speaker 5: very well by reputation. 19 00:00:45,159 --> 00:00:47,080 Speaker 2: Now, well, it was with a hail Mary this phone topic. 20 00:00:47,159 --> 00:00:47,800 Speaker 2: Let's be honest. 21 00:00:48,680 --> 00:00:49,600 Speaker 4: You're in a bad area. 22 00:00:49,640 --> 00:00:52,120 Speaker 2: We're in a bad spot too. We had crap Well 23 00:00:52,120 --> 00:00:55,600 Speaker 2: by name, crap Well, which was a great moment. 24 00:00:55,760 --> 00:00:57,560 Speaker 3: We had a second one which was as bad, but 25 00:00:57,680 --> 00:00:58,680 Speaker 3: I won't give it away. 26 00:00:58,640 --> 00:00:58,760 Speaker 2: Yea. 27 00:00:59,080 --> 00:01:01,400 Speaker 3: But hang in there, guys. You know when you're in 28 00:01:01,440 --> 00:01:03,640 Speaker 3: that moment where it couldn't be going worse, wait for 29 00:01:03,680 --> 00:01:07,680 Speaker 3: the nine year old boy called Andrew, Andrew to come 30 00:01:07,720 --> 00:01:08,759 Speaker 3: home with the goods. 31 00:01:08,800 --> 00:01:11,000 Speaker 2: Absolutely enjoy guys, a sense. Sorry, we can't talk more 32 00:01:11,040 --> 00:01:12,920 Speaker 2: on the intro. You're probably rejoicing. You're like, jeez, thank 33 00:01:12,959 --> 00:01:14,279 Speaker 2: god we could just get into the material. 34 00:01:14,280 --> 00:01:16,080 Speaker 4: Wish they had a fight every night. Yeah, this off, boys, 35 00:01:16,160 --> 00:01:16,880 Speaker 4: let me hear the show. 36 00:01:20,360 --> 00:01:26,280 Speaker 2: Yes, who was. 37 00:01:29,800 --> 00:01:30,640 Speaker 6: And will is? 38 00:01:30,920 --> 00:01:42,520 Speaker 7: Budboddy doesn't care. 39 00:01:46,200 --> 00:01:46,440 Speaker 8: Care? 40 00:01:46,680 --> 00:01:49,240 Speaker 2: Listen, listen, listen. All you gotta do is give us 41 00:01:49,280 --> 00:01:51,000 Speaker 2: a call. And it's convinced us you're in the car 42 00:01:51,040 --> 00:01:52,000 Speaker 2: with somebody. 43 00:01:51,600 --> 00:01:53,720 Speaker 4: Else welland woes. 44 00:01:54,840 --> 00:01:55,440 Speaker 8: Alone. 45 00:01:55,800 --> 00:01:58,680 Speaker 3: It's our job, will to try and decipher if there 46 00:01:58,760 --> 00:02:01,800 Speaker 3: is someone else actually there or if these cheeky rascals 47 00:02:01,800 --> 00:02:03,760 Speaker 3: that are calling it is putting on a voice. The 48 00:02:03,800 --> 00:02:09,880 Speaker 3: first rascal is Angelique. Hi Angelique? Why well he said 49 00:02:09,880 --> 00:02:10,760 Speaker 3: a bit flat, Angelique. 50 00:02:10,760 --> 00:02:14,600 Speaker 9: You're right, it's normal accent. 51 00:02:14,919 --> 00:02:15,760 Speaker 10: I've got an accent. 52 00:02:16,040 --> 00:02:19,919 Speaker 4: Excuse me right, Angela? Who are you in the car 53 00:02:20,000 --> 00:02:23,360 Speaker 4: there with. 54 00:02:21,800 --> 00:02:22,959 Speaker 11: With my almost three. 55 00:02:22,880 --> 00:02:23,600 Speaker 9: Year old daughter? 56 00:02:24,200 --> 00:02:27,880 Speaker 3: You're almost three year old daughter. Okay, what's her name? 57 00:02:29,360 --> 00:02:30,000 Speaker 9: Alminique? 58 00:02:31,560 --> 00:02:33,880 Speaker 4: Yeah, so your Angelique and she's Anique. 59 00:02:34,120 --> 00:02:35,120 Speaker 2: I think it's Almanique. 60 00:02:35,240 --> 00:02:37,840 Speaker 4: Amy, I'm run right off here. 61 00:02:38,280 --> 00:02:42,160 Speaker 12: You're after a flyer. You sound a bit flat. Sorry, 62 00:02:42,320 --> 00:02:48,639 Speaker 12: it's Angelique. You please put the phone onto Alminique. 63 00:02:48,680 --> 00:02:52,079 Speaker 1: Please you want to say hi? 64 00:02:55,000 --> 00:02:55,600 Speaker 9: Could you hear that? 65 00:02:57,160 --> 00:02:57,400 Speaker 2: No? 66 00:02:57,480 --> 00:02:58,840 Speaker 4: I didn't, Alminique? 67 00:02:58,840 --> 00:02:59,560 Speaker 2: Could you a kid? 68 00:03:00,120 --> 00:03:01,720 Speaker 4: Excuse me? Continue? 69 00:03:01,840 --> 00:03:04,120 Speaker 10: Same money? 70 00:03:05,040 --> 00:03:05,400 Speaker 8: Money? 71 00:03:08,040 --> 00:03:13,840 Speaker 2: Oh yeah, we're gonna have to move on, ANGELU. Sorry 72 00:03:13,840 --> 00:03:15,800 Speaker 2: about that. Mate, tells that you actually are in the 73 00:03:15,840 --> 00:03:18,639 Speaker 2: car with your child, because otherwise you wouldn't have left 74 00:03:18,720 --> 00:03:21,639 Speaker 2: us with that awkward silence. Let's go to Tim on 75 00:03:22,200 --> 00:03:27,639 Speaker 2: thirty when I said, well, you wouldn't a real sense 76 00:03:27,680 --> 00:03:30,520 Speaker 2: of occasion if you did. I mean you approved it. 77 00:03:30,560 --> 00:03:33,600 Speaker 2: You definitely approved it. Tim, talk to us who you're 78 00:03:33,600 --> 00:03:34,160 Speaker 2: in the car with me? 79 00:03:35,680 --> 00:03:38,600 Speaker 13: This with me uncle Jeff on the way home from 80 00:03:38,960 --> 00:03:39,880 Speaker 13: coming out of for dinner. 81 00:03:40,440 --> 00:03:40,800 Speaker 2: Beautiful? 82 00:03:40,800 --> 00:03:41,520 Speaker 4: So where do you work? 83 00:03:41,600 --> 00:03:44,560 Speaker 13: Tim? I'm mate? 84 00:03:44,840 --> 00:03:45,080 Speaker 14: Great? 85 00:03:45,120 --> 00:03:47,560 Speaker 2: And what are you? What are you cooking dinner for? 86 00:03:47,680 --> 00:03:47,800 Speaker 13: Is it? 87 00:03:47,880 --> 00:03:48,200 Speaker 10: Jeff? 88 00:03:49,720 --> 00:03:51,760 Speaker 13: Yeah? Se a barbecue? 89 00:03:51,840 --> 00:03:53,400 Speaker 2: I am beautiful, beautiful. 90 00:03:53,440 --> 00:03:55,440 Speaker 4: I wish you probably think you try the phone on 91 00:03:55,480 --> 00:03:56,040 Speaker 4: the Jeff. 92 00:03:55,840 --> 00:03:58,400 Speaker 13: Tim, Oh, ive always how. 93 00:04:00,080 --> 00:04:00,520 Speaker 2: Lightning good? 94 00:04:00,720 --> 00:04:02,800 Speaker 4: Jeff? So, Jeff, Hell, I've been working with Tim for. 95 00:04:04,520 --> 00:04:07,000 Speaker 13: A We don't work together. He's just my nephew. 96 00:04:07,920 --> 00:04:10,640 Speaker 2: Excuse me. Tim a good cook, Jeff. 97 00:04:12,520 --> 00:04:15,119 Speaker 13: Oh, he's pretty gone on barbecue. Mate, it's it's quite 98 00:04:15,160 --> 00:04:16,480 Speaker 13: good with a sausage in a steak. 99 00:04:17,040 --> 00:04:20,039 Speaker 3: Of course he is you know what that? He's not 100 00:04:20,120 --> 00:04:22,320 Speaker 3: very good at putting on voices. Didn't we think it's 101 00:04:22,400 --> 00:04:22,640 Speaker 3: just you? 102 00:04:22,760 --> 00:04:23,039 Speaker 4: Mate? 103 00:04:26,279 --> 00:04:28,240 Speaker 13: I can't believe I said I'm good with the sausage? 104 00:04:33,000 --> 00:04:33,400 Speaker 4: Got cham? 105 00:04:36,640 --> 00:04:37,920 Speaker 2: Was there even a change there? 106 00:04:38,080 --> 00:04:38,640 Speaker 14: Not? Really? 107 00:04:38,640 --> 00:04:39,720 Speaker 4: Really slightly deeper. 108 00:04:40,440 --> 00:04:43,720 Speaker 3: Let's go to mow now high mo. Hey, hey man, 109 00:04:44,160 --> 00:04:45,400 Speaker 3: very well, thank you Mo. 110 00:04:46,000 --> 00:04:47,080 Speaker 4: Who are you? And the cow is? 111 00:04:47,480 --> 00:04:47,600 Speaker 2: So? 112 00:04:47,640 --> 00:04:49,560 Speaker 9: You're going to think I'm pulling your leg, but I'm 113 00:04:49,600 --> 00:04:51,000 Speaker 9: in the cart with my mate. 114 00:04:51,320 --> 00:04:51,800 Speaker 15: Brat? 115 00:04:52,440 --> 00:04:53,680 Speaker 4: Your mate Borat? 116 00:04:55,440 --> 00:04:56,000 Speaker 2: How do you know? 117 00:04:58,160 --> 00:04:59,479 Speaker 13: Well, I've knew him since Nie. 118 00:04:59,560 --> 00:05:01,839 Speaker 9: We did you on it together? 119 00:05:02,360 --> 00:05:02,640 Speaker 8: Yeah? 120 00:05:02,839 --> 00:05:04,880 Speaker 4: All right, we'll check the phone onto Borat? Please, man 121 00:05:05,360 --> 00:05:05,720 Speaker 4: hang on. 122 00:05:06,600 --> 00:05:08,480 Speaker 13: Someone's an appopriates Will and Woody. 123 00:05:09,880 --> 00:05:11,640 Speaker 1: Mesh is me bor up? 124 00:05:11,800 --> 00:05:12,160 Speaker 2: Hello? 125 00:05:12,400 --> 00:05:12,880 Speaker 5: How are you? 126 00:05:13,760 --> 00:05:14,359 Speaker 4: I like you? 127 00:05:14,960 --> 00:05:16,680 Speaker 11: I listen to you all the time. 128 00:05:17,360 --> 00:05:19,960 Speaker 4: Appreciated Bora. 129 00:05:20,640 --> 00:05:22,359 Speaker 9: You're very funny people I like? 130 00:05:23,920 --> 00:05:29,840 Speaker 4: Oh, Mo, so you mean borat me? 131 00:05:30,080 --> 00:05:31,120 Speaker 9: You're not found me more? 132 00:05:31,480 --> 00:05:33,760 Speaker 8: Ye, I like you. 133 00:05:34,480 --> 00:05:37,159 Speaker 2: I mean, whilst it would be an amazing coincidence that 134 00:05:37,240 --> 00:05:39,839 Speaker 2: you're in the car with a very famous Sasha Baron 135 00:05:39,920 --> 00:05:42,760 Speaker 2: Cohen character, We're probably gonna have to go with the 136 00:05:42,800 --> 00:05:44,479 Speaker 2: fact that it's just you in the Carmo. 137 00:05:45,320 --> 00:05:47,080 Speaker 13: No, No, it's me. 138 00:05:52,320 --> 00:05:53,960 Speaker 1: It's the Will and Woody podcast. 139 00:05:54,000 --> 00:05:59,080 Speaker 2: We are about to be joined by RuPaul's Drag Races Race. 140 00:05:59,200 --> 00:06:02,600 Speaker 2: Nicolson's co hosting RuPaul's on stand. I'm very excited to 141 00:06:02,600 --> 00:06:05,200 Speaker 2: talk to him. But would you would like to complicate things. 142 00:06:05,360 --> 00:06:07,080 Speaker 3: We'll not complicate things. I've just I've just had this 143 00:06:07,160 --> 00:06:09,280 Speaker 3: idea which I think could could be really great. So 144 00:06:09,440 --> 00:06:11,800 Speaker 3: I've watched a bit of RuPaul's Drag Race. Understand it's 145 00:06:11,839 --> 00:06:14,960 Speaker 3: a great show, and basically when when when when a 146 00:06:15,040 --> 00:06:17,159 Speaker 3: drag queen is about to be knocked out of the competition, 147 00:06:17,440 --> 00:06:20,120 Speaker 3: they do a lip sync competition to see who can stay. 148 00:06:19,880 --> 00:06:20,640 Speaker 2: In lipsin battle. 149 00:06:20,680 --> 00:06:23,000 Speaker 4: Yeah, I had this idea. Yeah, I've got button push 150 00:06:23,000 --> 00:06:26,360 Speaker 4: of Joel in here. I was thinking, Joel. 151 00:06:26,120 --> 00:06:28,719 Speaker 3: Our button pusher will be your voice, so you have 152 00:06:28,800 --> 00:06:32,160 Speaker 3: to try and lip sync what Joel is saying through 153 00:06:32,200 --> 00:06:34,200 Speaker 3: this interview and we'll do a lipsig interview. 154 00:06:34,240 --> 00:06:35,520 Speaker 4: Yeah, yeah, that's what I want to do. 155 00:06:35,600 --> 00:06:37,960 Speaker 3: That's a norful idea. You up for it, though, but 156 00:06:38,000 --> 00:06:39,479 Speaker 3: I think I could do it, and then you just 157 00:06:39,520 --> 00:06:41,360 Speaker 3: have to go with whatever I will. 158 00:06:41,480 --> 00:06:42,120 Speaker 2: I'm bold. 159 00:06:42,240 --> 00:06:42,320 Speaker 10: Ha. 160 00:06:42,720 --> 00:06:44,960 Speaker 3: Yeah, that's save it for the say it for Reese. 161 00:06:45,160 --> 00:06:48,400 Speaker 3: So anyway, so we're gonna don't agree to do this. 162 00:06:49,880 --> 00:06:51,200 Speaker 4: You agree to it. This is why I bring up 163 00:06:51,240 --> 00:06:51,760 Speaker 4: ideas with you. 164 00:06:53,240 --> 00:06:55,600 Speaker 2: Is asking to enter the chat room. So let's just 165 00:06:56,320 --> 00:06:59,039 Speaker 2: play to try it all. Right, There we go, your 166 00:06:59,080 --> 00:07:00,880 Speaker 2: lips interview up now. Could be the worst thing you've 167 00:07:00,880 --> 00:07:02,480 Speaker 2: ever heard on radio, But here we go. 168 00:07:02,880 --> 00:07:04,239 Speaker 1: RuPaul's drag Race. 169 00:07:04,640 --> 00:07:07,240 Speaker 3: If you've never heard of it before, you might think 170 00:07:07,279 --> 00:07:10,440 Speaker 3: it's a spin off of the Fast and the Furious franchise. 171 00:07:10,840 --> 00:07:13,200 Speaker 14: However, it's not that kind of drag race. 172 00:07:13,560 --> 00:07:15,520 Speaker 3: Swap some Pystoon pumps. 173 00:07:15,120 --> 00:07:18,080 Speaker 8: For concealer and a new exhaust for a bit of 174 00:07:18,120 --> 00:07:19,320 Speaker 8: lip gloss and. 175 00:07:19,320 --> 00:07:20,200 Speaker 4: You're halfway there. 176 00:07:20,560 --> 00:07:24,000 Speaker 8: Our next case is a June of this glamorous drag race. 177 00:07:23,960 --> 00:07:25,640 Speaker 4: And he's here to talk to the boys. 178 00:07:25,960 --> 00:07:26,640 Speaker 14: Welcome to the. 179 00:07:26,600 --> 00:07:33,280 Speaker 15: Show, Yes, Nicholson, welcome Race, Thanks so much for joining us. Hey, 180 00:07:33,520 --> 00:07:35,680 Speaker 15: we've got to talk about RuPaul's Drag Race down Under 181 00:07:35,680 --> 00:07:38,400 Speaker 15: and make congratulations on stand May first. You've got to 182 00:07:38,440 --> 00:07:39,960 Speaker 15: be pretty pretty pumped for the release. 183 00:07:40,080 --> 00:07:40,640 Speaker 14: Oh thank you. 184 00:07:40,760 --> 00:07:42,400 Speaker 16: I actually think I was thinking about this today. I 185 00:07:42,400 --> 00:07:45,320 Speaker 16: think the last time I'm speaking to you in Quarantine 186 00:07:45,360 --> 00:07:48,480 Speaker 16: in New Zealand pretending I was not in Quarantine and 187 00:07:48,520 --> 00:07:49,680 Speaker 16: New Zealand for drag Race. 188 00:07:50,520 --> 00:07:52,000 Speaker 4: Yeah, no, I remember that. 189 00:07:52,040 --> 00:07:55,680 Speaker 16: Well, you think to do with how Rue had tweeted 190 00:07:55,720 --> 00:07:58,000 Speaker 16: me or something, and I was like, yes, I don't 191 00:07:58,080 --> 00:07:59,520 Speaker 16: know anything about that. 192 00:08:00,080 --> 00:08:03,240 Speaker 4: Yes you did you feel dirty doing that? Reese? It 193 00:08:03,320 --> 00:08:04,080 Speaker 4: was really awkward. 194 00:08:04,120 --> 00:08:07,280 Speaker 3: I remember before we actually turned the microphones on, we 195 00:08:07,280 --> 00:08:09,280 Speaker 3: were chatting to you during the song or whatever, and 196 00:08:09,320 --> 00:08:10,960 Speaker 3: we were saying like, so you're in New Zealand now, 197 00:08:10,960 --> 00:08:13,040 Speaker 3: and you were like, oh, let's not mention that. So 198 00:08:13,080 --> 00:08:15,040 Speaker 3: I ended up being this really weird chat where you 199 00:08:15,040 --> 00:08:17,200 Speaker 3: were like, yeah, I'm in New Zealand sort of maybe 200 00:08:17,200 --> 00:08:18,720 Speaker 3: filming this SBS. 201 00:08:18,320 --> 00:08:20,920 Speaker 16: Thing, yeah, which was which I was actually there to 202 00:08:20,960 --> 00:08:23,720 Speaker 16: film something for SBS that had a show called Patriot Brands, 203 00:08:23,720 --> 00:08:25,880 Speaker 16: which is on TV. But so that was so that 204 00:08:26,000 --> 00:08:27,920 Speaker 16: was how I got around the line. I wasn't lying 205 00:08:28,280 --> 00:08:30,280 Speaker 16: and now I did feel dirty because I've been lying 206 00:08:30,280 --> 00:08:31,360 Speaker 16: to straight men for years. 207 00:08:33,679 --> 00:08:34,160 Speaker 2: You've got a. 208 00:08:34,120 --> 00:08:36,880 Speaker 15: Couple of TV shows. We've got none, although you might 209 00:08:36,920 --> 00:08:38,800 Speaker 15: have seen me win a bunch of cash on Who 210 00:08:38,840 --> 00:08:41,040 Speaker 15: Wants to Be a Millionaire. I'm pretty smart, but probably 211 00:08:41,080 --> 00:08:44,240 Speaker 15: the smartest person I think in Australian radio, if I'm 212 00:08:44,280 --> 00:08:45,359 Speaker 15: gonna be honest. 213 00:08:45,920 --> 00:08:47,719 Speaker 16: Yeah, look, I would have seen that, but I'm in 214 00:08:47,760 --> 00:08:50,000 Speaker 16: Canada filming a show for Netflix, so I didn't actually 215 00:08:50,040 --> 00:08:50,360 Speaker 16: catch that. 216 00:08:50,400 --> 00:08:54,880 Speaker 3: At another flex from Reese, yeah, Reese only does international 217 00:08:55,080 --> 00:08:55,960 Speaker 3: huge shows. 218 00:08:57,080 --> 00:08:58,679 Speaker 4: But actually heard Reese that is sorry? 219 00:08:58,679 --> 00:09:00,360 Speaker 2: Can I just cut that on? I mean that that 220 00:09:00,480 --> 00:09:03,360 Speaker 2: is genuinely embarrassing and I always didn't say that. 221 00:09:03,440 --> 00:09:07,320 Speaker 3: So, Joe, have you noticed anything he is? Have you 222 00:09:07,360 --> 00:09:09,920 Speaker 3: noticed anything weird about Will so far in this interview? 223 00:09:09,960 --> 00:09:11,440 Speaker 3: Maybe his mouth? 224 00:09:11,600 --> 00:09:13,760 Speaker 4: No, I've got really bad body odor. 225 00:09:13,960 --> 00:09:17,280 Speaker 2: Stop it, Joel. We had the brilliant idea, the genius idea, 226 00:09:17,320 --> 00:09:18,680 Speaker 2: and it's really coming back to bite me in the 227 00:09:18,679 --> 00:09:22,160 Speaker 2: face of doing a lip sync interview. So I've been 228 00:09:22,280 --> 00:09:27,360 Speaker 2: mouthing while our button pusher, Joel has been speaking on 229 00:09:27,400 --> 00:09:30,319 Speaker 2: my behalf, and hence why I just said I think 230 00:09:30,360 --> 00:09:32,400 Speaker 2: I could be the smartest person on radio. And I'm 231 00:09:32,480 --> 00:09:34,840 Speaker 2: wish you had to see my TV show. So that 232 00:09:34,920 --> 00:09:36,280 Speaker 2: was very embarrassing and I just want to clear the 233 00:09:36,320 --> 00:09:38,320 Speaker 2: air there. I want to talk to you a little 234 00:09:38,360 --> 00:09:41,040 Speaker 2: bit more about Rupeaul's Up Next, because gee whiz, that 235 00:09:41,160 --> 00:09:43,080 Speaker 2: was incredibly hard to navigate my way through. I've got 236 00:09:43,120 --> 00:09:45,280 Speaker 2: some great questions about the show, which is genuinely helping 237 00:09:45,320 --> 00:09:49,040 Speaker 2: people with their sexual identity. Right up next day with 238 00:09:49,080 --> 00:09:51,200 Speaker 2: It's got RuPaul's Drag Race down Under? His release on 239 00:09:51,320 --> 00:09:53,839 Speaker 2: Stan May one? Who got Reyes Nicholson more with him 240 00:09:53,840 --> 00:09:56,480 Speaker 2: and more with me? Not Joel as me? Right up next, 241 00:09:57,280 --> 00:10:01,000 Speaker 2: we have got right now Reyes Niggerson joins us Reese 242 00:10:01,120 --> 00:10:06,000 Speaker 2: is going to be on Rue Paul's Drag Race, working 243 00:10:06,000 --> 00:10:12,439 Speaker 2: alongside RuPaul himself Michelle Vasa Understan May. First, that's the 244 00:10:12,480 --> 00:10:14,680 Speaker 2: only place that anyone's ever been able to get RuPaul's. 245 00:10:14,400 --> 00:10:16,720 Speaker 3: So's gonna ask you about RuPaul's though you mean you 246 00:10:16,559 --> 00:10:18,280 Speaker 3: were you were saying before making it very clear to 247 00:10:18,320 --> 00:10:22,120 Speaker 3: stipulate it's Rue Paul's down Under. Can we expect anything 248 00:10:22,120 --> 00:10:24,200 Speaker 3: different other than the personnel who are going to be 249 00:10:24,240 --> 00:10:27,120 Speaker 3: on the show in rup Paul's down Yeah. 250 00:10:27,000 --> 00:10:30,480 Speaker 14: I definitely think it's it does. We do a very 251 00:10:30,480 --> 00:10:31,160 Speaker 14: particular type of. 252 00:10:31,160 --> 00:10:34,520 Speaker 16: Drag in Australia, so it is very Australian slash KEI 253 00:10:34,600 --> 00:10:38,199 Speaker 16: we the games and the competition is very kind of 254 00:10:38,240 --> 00:10:40,480 Speaker 16: skewed towards what we what we do. I mean, I 255 00:10:40,520 --> 00:10:43,840 Speaker 16: think I'm just most excited about you know, this show 256 00:10:43,920 --> 00:10:47,200 Speaker 16: is being shown on stand but also internationally and people 257 00:10:47,240 --> 00:10:49,439 Speaker 16: are going to be able to see the very particular 258 00:10:49,520 --> 00:10:50,920 Speaker 16: type of drags that we do down here and we 259 00:10:50,960 --> 00:10:52,840 Speaker 16: get to showcase it to the world, which I think 260 00:10:52,960 --> 00:10:56,200 Speaker 16: not since you know, the likes of Priscilla or in 261 00:10:56,320 --> 00:10:59,520 Speaker 16: cornyact was on the American show, people don't really get 262 00:10:59,559 --> 00:11:01,600 Speaker 16: too much more of an insight into what we do. 263 00:11:01,679 --> 00:11:03,240 Speaker 14: And I'm really excited for people to get to see that. 264 00:11:03,400 --> 00:11:05,560 Speaker 3: Yeah yeah, yeah, great col And also huge for your 265 00:11:05,640 --> 00:11:08,240 Speaker 3: profile internationally as well. 266 00:11:08,080 --> 00:11:10,800 Speaker 2: Recent massive man that is that is such That's. 267 00:11:10,600 --> 00:11:12,240 Speaker 14: Why I'm most interested about it. 268 00:11:14,000 --> 00:11:15,920 Speaker 2: But for people to get a little bit of a 269 00:11:15,960 --> 00:11:19,400 Speaker 2: grasp on what this is for you, Like the role 270 00:11:19,440 --> 00:11:23,120 Speaker 2: that you have Graham Norton is effectively the same role 271 00:11:23,160 --> 00:11:25,880 Speaker 2: that you have on this show in Australia. Like that 272 00:11:26,040 --> 00:11:29,720 Speaker 2: is congratulations mate, Like that is seriously such an achievement 273 00:11:29,760 --> 00:11:33,080 Speaker 2: and to be hand picked by RuPaul as well. I 274 00:11:33,120 --> 00:11:35,480 Speaker 2: know that is that true, that like he DMed you 275 00:11:35,600 --> 00:11:37,559 Speaker 2: or like a message you about your show or something 276 00:11:37,600 --> 00:11:37,960 Speaker 2: like that. 277 00:11:38,120 --> 00:11:40,160 Speaker 14: He tweeted about the show. 278 00:11:40,920 --> 00:11:43,480 Speaker 16: But from what I've heard that, yeah, he had seen 279 00:11:43,559 --> 00:11:46,120 Speaker 16: my stand up before and he'd picked me off off 280 00:11:46,120 --> 00:11:49,040 Speaker 16: a list of people, and yeah, which is the only 281 00:11:49,040 --> 00:11:50,240 Speaker 16: way that I would kind of want, Like, I know 282 00:11:50,280 --> 00:11:52,600 Speaker 16: that he is very involved in the show, that personnel 283 00:11:52,679 --> 00:11:54,600 Speaker 16: involved in the show because you know, it's his name, 284 00:11:54,679 --> 00:11:57,240 Speaker 16: Like if there was a show called Reeth Nicholson something something, 285 00:11:57,280 --> 00:11:58,320 Speaker 16: I'd want to be involved. 286 00:12:00,200 --> 00:12:03,079 Speaker 2: But yeah, and he's incredibly hands on as well. Raised 287 00:12:03,080 --> 00:12:08,120 Speaker 2: like this this whole project is about making people, you know, 288 00:12:08,480 --> 00:12:12,600 Speaker 2: feel comfortable in whatever skin they choose to be. Can 289 00:12:12,640 --> 00:12:14,559 Speaker 2: you talk a little bit more about, like you know, 290 00:12:14,679 --> 00:12:17,319 Speaker 2: where his heart is within the project and you know 291 00:12:17,559 --> 00:12:19,880 Speaker 2: how that goes to like people's identity. 292 00:12:20,160 --> 00:12:22,280 Speaker 16: Yeah, I mean I think, like, you know, you can 293 00:12:22,280 --> 00:12:25,319 Speaker 16: look at the show as it's a competition reality show 294 00:12:25,360 --> 00:12:29,200 Speaker 16: about you know, some people in crazy costumes, But on 295 00:12:29,280 --> 00:12:30,840 Speaker 16: top of that, I think, yeah, it is it's very 296 00:12:30,920 --> 00:12:33,560 Speaker 16: much about that. It's about you know, ru is famous 297 00:12:33,640 --> 00:12:35,480 Speaker 16: for this quote which is we're all born naked and 298 00:12:35,520 --> 00:12:38,240 Speaker 16: the rest is drag, and the idea everything we do, 299 00:12:38,880 --> 00:12:42,120 Speaker 16: everything we wear, is our own drag. And I think 300 00:12:42,240 --> 00:12:44,800 Speaker 16: there's this kind of underlying idea that you know, it's 301 00:12:44,800 --> 00:12:47,240 Speaker 16: a very obviously queer centric show, but it's a queer 302 00:12:47,280 --> 00:12:51,280 Speaker 16: centric show that's broken through into the mainstream. What's exciting 303 00:12:51,280 --> 00:12:53,360 Speaker 16: about that is, like, there's still a lot of work 304 00:12:53,360 --> 00:12:56,640 Speaker 16: to do for queer rights, especially within the trans community 305 00:12:56,640 --> 00:12:59,040 Speaker 16: at the moment, and so I think being able to 306 00:12:59,120 --> 00:13:02,199 Speaker 16: talk about queer in this way in the mainstream is 307 00:13:02,320 --> 00:13:04,760 Speaker 16: because once you're kind of entertained by us, you also 308 00:13:04,800 --> 00:13:05,360 Speaker 16: accept us. 309 00:13:05,360 --> 00:13:07,800 Speaker 4: I think, yeah, so that is so true. 310 00:13:08,040 --> 00:13:11,160 Speaker 2: If you haven't seen RuPaul's Drag Race on TV, like, 311 00:13:11,280 --> 00:13:13,760 Speaker 2: you're genuinely missing out. And the great news is you're 312 00:13:13,760 --> 00:13:15,560 Speaker 2: missing out up until the point where you can watch 313 00:13:15,679 --> 00:13:20,040 Speaker 2: RuPaul's Drag Race down under released on stand. May One 314 00:13:20,120 --> 00:13:22,160 Speaker 2: give Me the first season to include a queen of 315 00:13:22,200 --> 00:13:25,679 Speaker 2: feed g and descent, Lebanese descent, and the first Indigenous 316 00:13:25,679 --> 00:13:28,640 Speaker 2: Australian descent. It's all filmed in New Zealand, where Reese 317 00:13:28,679 --> 00:13:30,600 Speaker 2: once lied to us a long time ago about his 318 00:13:30,679 --> 00:13:31,600 Speaker 2: reasons for being there. 319 00:13:32,480 --> 00:13:33,720 Speaker 14: So lie to you again. 320 00:13:33,880 --> 00:13:37,840 Speaker 2: I'm sure you will before you go. Guest judges, Kylie, Mino, Danimino, Taiko, 321 00:13:38,720 --> 00:13:40,520 Speaker 2: Shoot Schag, Mary Oh. 322 00:13:40,640 --> 00:13:42,040 Speaker 14: I have sex with all of them. 323 00:13:47,640 --> 00:13:49,880 Speaker 2: Thanks to joining us, mate. It's a pleasure. Congratulations again 324 00:13:49,880 --> 00:13:52,680 Speaker 2: on the show Man, honestly, truly outstanding stuff. Pleasure to 325 00:13:52,840 --> 00:13:55,480 Speaker 2: pleasure to speak to you may thanks boys, Lie to 326 00:13:55,520 --> 00:13:55,920 Speaker 2: you later. 327 00:13:58,480 --> 00:14:00,439 Speaker 1: Crank up the speed on this touch could you do? 328 00:14:00,760 --> 00:14:02,760 Speaker 1: You don't get to where you're going any faster, but 329 00:14:02,800 --> 00:14:07,000 Speaker 1: you'll feel like you are. It's the Will and Woody podcast. 330 00:14:06,760 --> 00:14:08,719 Speaker 2: Right now, Woods I want to talk about one of 331 00:14:08,760 --> 00:14:14,600 Speaker 2: the most famous drummers in the world, Will Trav Biker, 332 00:14:15,280 --> 00:14:18,000 Speaker 2: the guy on the pots and pants in the background 333 00:14:18,040 --> 00:14:20,800 Speaker 2: there for Blink one a two. He's with Courtney Kardashian. 334 00:14:20,880 --> 00:14:26,480 Speaker 2: Now there's lots of talk around there the heat of 335 00:14:26,560 --> 00:14:28,080 Speaker 2: their social media posts. 336 00:14:28,240 --> 00:14:30,560 Speaker 4: Last week there was a thumbsuck. 337 00:14:30,120 --> 00:14:32,120 Speaker 2: There's been a thumbsuck, there's been a sucking of a 338 00:14:32,160 --> 00:14:34,360 Speaker 2: thumb that was a bit saucy. 339 00:14:34,840 --> 00:14:34,960 Speaker 6: Uh. 340 00:14:35,160 --> 00:14:40,520 Speaker 2: And then today another post from the traps to him 341 00:14:40,600 --> 00:14:43,760 Speaker 2: and Courtney Kardashian in the desert and I don't notice, 342 00:14:43,760 --> 00:14:46,480 Speaker 2: you know how these people get in these situations. But anyway, 343 00:14:46,480 --> 00:14:50,920 Speaker 2: they're in the desert and not dressed appropriately relatively well dressed. 344 00:14:50,960 --> 00:14:52,520 Speaker 4: She's barefoot's barefoot. 345 00:14:52,520 --> 00:14:55,120 Speaker 2: He's always barefoot in the desert. But she's bare everything 346 00:14:55,120 --> 00:14:55,560 Speaker 2: in the desert. 347 00:14:55,640 --> 00:14:57,560 Speaker 4: Really, she's pretty much in the loin cloth. 348 00:14:58,160 --> 00:15:02,760 Speaker 3: Yeah, so around her head, whicheck us as appropriate Matthew 349 00:15:02,840 --> 00:15:06,840 Speaker 3: McConaughey from Sahara. 350 00:15:07,320 --> 00:15:09,640 Speaker 2: But funnily enough, her head is more covered than any 351 00:15:09,680 --> 00:15:10,600 Speaker 2: other part of her body. 352 00:15:10,640 --> 00:15:12,280 Speaker 4: It's very true. 353 00:15:12,400 --> 00:15:16,320 Speaker 2: So anyway, but what they're wearing to one side, and 354 00:15:16,360 --> 00:15:19,920 Speaker 2: whether or not it's appropriate attire for the desert or not, 355 00:15:21,200 --> 00:15:23,560 Speaker 2: get that chat on the podcast. Would you wear a 356 00:15:23,560 --> 00:15:30,640 Speaker 2: bikini in the desert? It's more about the pose that 357 00:15:30,640 --> 00:15:33,120 Speaker 2: they're in. And I really want to take calls on 358 00:15:33,160 --> 00:15:41,000 Speaker 2: this because I actually think that this pose is an 359 00:15:41,000 --> 00:15:45,200 Speaker 2: overly romanticized pose. I think it's something that we think 360 00:15:45,320 --> 00:15:49,720 Speaker 2: is sexy and cool and romantic. But I think at 361 00:15:49,760 --> 00:15:51,280 Speaker 2: the end of the day, if we're all honest with 362 00:15:51,360 --> 00:15:55,000 Speaker 2: each other, at least fifty percent of us actually hate 363 00:15:55,000 --> 00:15:58,080 Speaker 2: this thing. Now what I'm talking about, if we've got 364 00:15:58,120 --> 00:16:01,800 Speaker 2: like some classically romantic music, because this is very much 365 00:16:02,600 --> 00:16:05,120 Speaker 2: something that you see at the end of a movie, 366 00:16:06,600 --> 00:16:08,680 Speaker 2: probably a bit sexy for mine. I would have preferred 367 00:16:08,720 --> 00:16:11,440 Speaker 2: more of a romantic sort of a vibe if I could, 368 00:16:11,480 --> 00:16:15,720 Speaker 2: But anyway, have another crackshop. I'm talking about the pose 369 00:16:15,760 --> 00:16:17,760 Speaker 2: where you run up to somebody and I look, I'm 370 00:16:17,800 --> 00:16:20,720 Speaker 2: stereotyping here largely a woman. You run up to someone, 371 00:16:21,720 --> 00:16:25,680 Speaker 2: you jump, and then you rap at the same time 372 00:16:25,720 --> 00:16:31,360 Speaker 2: that you wrap your legs around them, you kiss them. 373 00:16:31,360 --> 00:16:36,280 Speaker 3: It's sort of romantic music. But yes, I know, I know, 374 00:16:36,360 --> 00:16:41,040 Speaker 3: the bit emotional tragic. I feel very flat all of 375 00:16:41,040 --> 00:16:41,440 Speaker 3: a sudden. 376 00:16:41,640 --> 00:16:41,840 Speaker 1: I know. 377 00:16:42,000 --> 00:16:44,160 Speaker 4: Yes, they they woman on man. 378 00:16:44,200 --> 00:16:45,560 Speaker 3: You know, as you said, most of the women they 379 00:16:45,640 --> 00:16:47,400 Speaker 3: run up, wrap their leaves around and then they generally 380 00:16:47,400 --> 00:16:48,920 Speaker 3: embrace and your hug and your kiss. 381 00:16:49,560 --> 00:16:52,040 Speaker 4: Yes, yeah, does your partner koala? 382 00:16:52,120 --> 00:16:57,280 Speaker 2: You koala? I like that. That's exactly what it is, Kali. 383 00:16:57,400 --> 00:16:59,040 Speaker 2: They come out of nowhere, they run up to you. 384 00:16:59,120 --> 00:17:01,320 Speaker 2: They don't and look. Look, I'm sure from from the 385 00:17:01,360 --> 00:17:02,840 Speaker 2: outside it looks really good. 386 00:17:02,880 --> 00:17:03,080 Speaker 13: I know. 387 00:17:03,200 --> 00:17:06,000 Speaker 2: Rachel McAdams and Ryan Gosling imitated this again at the 388 00:17:06,080 --> 00:17:09,159 Speaker 2: MTV Music Awards. They did it looked amazing, looked amazing 389 00:17:09,600 --> 00:17:11,480 Speaker 2: in the rain in the notebook, I mean, oh my goodness, 390 00:17:11,480 --> 00:17:14,280 Speaker 2: it's phenomenal. But it's Ryan Gosling guys. I mean he's 391 00:17:14,520 --> 00:17:17,639 Speaker 2: absolutely stacked. We saw in Crazy Stupid Love that you 392 00:17:17,640 --> 00:17:19,639 Speaker 2: can actually do the lift from Dirty Dancing. I mean 393 00:17:19,680 --> 00:17:22,640 Speaker 2: that guy's ripped. For every other man on the planet 394 00:17:23,359 --> 00:17:30,439 Speaker 2: that has to catch a missile jumping at them of 395 00:17:30,520 --> 00:17:33,520 Speaker 2: fifty kilos or more and then make it look good 396 00:17:33,560 --> 00:17:36,879 Speaker 2: and then kiss the person. This is not a fun experience. 397 00:17:38,080 --> 00:17:39,720 Speaker 2: Have you told your partner that absolutely not. 398 00:17:40,200 --> 00:17:44,399 Speaker 4: Yeah no, And we don't just wins, we just wins. 399 00:17:46,680 --> 00:17:48,320 Speaker 6: You could to try, and you could to try to 400 00:17:48,400 --> 00:17:52,159 Speaker 6: hide the fact to them, either in some way tabs 401 00:17:52,200 --> 00:17:53,560 Speaker 6: your SAgs so it's really. 402 00:17:53,440 --> 00:17:55,600 Speaker 2: Hurt you there, or them just knocked the air right 403 00:17:55,640 --> 00:17:59,199 Speaker 2: out of you or lower back like you as you 404 00:17:59,240 --> 00:18:00,240 Speaker 2: get older. 405 00:18:00,000 --> 00:18:01,520 Speaker 4: Because they sort of like pivot your back back in. 406 00:18:01,720 --> 00:18:02,240 Speaker 9: Oh god. 407 00:18:03,280 --> 00:18:04,240 Speaker 2: And then they've got to kiss you. 408 00:18:04,720 --> 00:18:06,480 Speaker 6: And then they expect you to grab their head or 409 00:18:06,520 --> 00:18:08,480 Speaker 6: their hair or something and make it look good. 410 00:18:08,400 --> 00:18:09,280 Speaker 4: And they hold them. 411 00:18:13,440 --> 00:18:15,600 Speaker 3: I expected to then hold them there, and it's like 412 00:18:15,640 --> 00:18:17,320 Speaker 3: you're just waiting for them to jump down. 413 00:18:17,440 --> 00:18:18,639 Speaker 4: Yeah, God damn. 414 00:18:19,359 --> 00:18:21,520 Speaker 2: And the other thing is if you do wins, often 415 00:18:21,520 --> 00:18:22,879 Speaker 2: you get from there they go, oh wow, am I 416 00:18:22,920 --> 00:18:25,040 Speaker 2: too heavy for you? And the answer. There is just 417 00:18:25,280 --> 00:18:30,240 Speaker 2: absolutely not no universe, in no parallel universe would you 418 00:18:30,320 --> 00:18:37,040 Speaker 2: ever be heavy for anything. So anyway, thirty one or 419 00:18:37,080 --> 00:18:38,920 Speaker 2: six miles I phone number. I really want to open 420 00:18:39,560 --> 00:18:42,200 Speaker 2: the phone lines on this, the jump up, leg around 421 00:18:42,240 --> 00:18:44,760 Speaker 2: and kiss yeah. Yeah. First of all, if you're a woman, 422 00:18:44,960 --> 00:18:47,520 Speaker 2: do you really like doing it? Have you realized how 423 00:18:47,600 --> 00:18:50,520 Speaker 2: much you are hurting the man by doing it? If 424 00:18:50,560 --> 00:18:52,680 Speaker 2: you're a guy out there and you have to suffer 425 00:18:53,480 --> 00:18:56,880 Speaker 2: a girl or another guy doing a koala on you, 426 00:18:56,960 --> 00:18:59,840 Speaker 2: please give us a call, tell us how much this 427 00:18:59,920 --> 00:19:02,119 Speaker 2: is painful for you, whether or not you can empathize 428 00:19:02,119 --> 00:19:03,840 Speaker 2: with what Woods and I are saying. We'll take you 429 00:19:03,920 --> 00:19:08,000 Speaker 2: calls right up next. The love koala, the kissing koala 430 00:19:08,119 --> 00:19:11,240 Speaker 2: is what we'll call it. Is it a practical nightmare? 431 00:19:11,560 --> 00:19:17,080 Speaker 2: Talking about Trav and Courtney. Trav Travis Barker from Blick 432 00:19:17,119 --> 00:19:19,800 Speaker 2: one at two and Courtney Kardashian another PDA on the 433 00:19:20,240 --> 00:19:24,240 Speaker 2: socials from the two of them, with Courtney Kardashian wearing 434 00:19:24,280 --> 00:19:28,960 Speaker 2: a pretty little nothing almost and Trav standing there in 435 00:19:28,960 --> 00:19:30,560 Speaker 2: the middle of the desert and they're doing what we 436 00:19:30,640 --> 00:19:36,159 Speaker 2: call the jump up, legs around and kiss yeah. Or 437 00:19:36,680 --> 00:19:38,800 Speaker 2: we'll call it the kissing koala if you like. 438 00:19:38,880 --> 00:19:41,480 Speaker 4: It looks like a koala wrapped around a tree branch. 439 00:19:41,200 --> 00:19:43,960 Speaker 2: That's right. And it's just the lighter person in the relationship. 440 00:19:44,119 --> 00:19:47,480 Speaker 2: Generally speaking, they're jumping on the other person making out 441 00:19:47,480 --> 00:19:50,240 Speaker 2: with them, stereotyping by saying it's often women because they 442 00:19:50,280 --> 00:19:52,840 Speaker 2: are smaller often than men, and then they're jumping up 443 00:19:52,880 --> 00:19:55,240 Speaker 2: and look, just I just want to say, Woods and 444 00:19:55,320 --> 00:19:59,320 Speaker 2: I both in heterosexual relationship, so it's our girlfriend's jumping 445 00:19:59,320 --> 00:20:03,160 Speaker 2: on us. I think we're putting our hands up and saying, look, guys, 446 00:20:03,359 --> 00:20:07,040 Speaker 2: it looks great, but it's bloody painful, and you know, 447 00:20:07,160 --> 00:20:08,000 Speaker 2: neither of us enjoy it. 448 00:20:08,640 --> 00:20:11,480 Speaker 4: No, well, well I enjoys a dangerous word to be 449 00:20:11,520 --> 00:20:12,080 Speaker 4: throwing around. 450 00:20:12,119 --> 00:20:12,320 Speaker 13: You know. 451 00:20:12,359 --> 00:20:14,320 Speaker 4: We enjoy it because we get to kiss our beautiful partners. 452 00:20:14,400 --> 00:20:16,320 Speaker 4: But you're earlier on in your relationship than me. 453 00:20:16,520 --> 00:20:17,640 Speaker 2: Clearly, I don't enjoy it. 454 00:20:18,680 --> 00:20:20,800 Speaker 3: When I get when I when I go home now, 455 00:20:20,840 --> 00:20:22,480 Speaker 3: I get the footsteps down the hallway and then the 456 00:20:22,480 --> 00:20:24,760 Speaker 3: big jump and every time you go home, yeah, which 457 00:20:24,760 --> 00:20:26,520 Speaker 3: is actually hearing the footsteps stuff. 458 00:20:26,520 --> 00:20:34,360 Speaker 4: But honestly, that's what my dog does with me, does 459 00:20:34,400 --> 00:20:34,800 Speaker 4: that with me. 460 00:20:34,920 --> 00:20:38,920 Speaker 3: But honestly, like it hurts you low back, It hurts 461 00:20:38,920 --> 00:20:39,320 Speaker 3: you low back. 462 00:20:39,359 --> 00:20:41,080 Speaker 4: Yeah, I'm a bit older than herse I don't want 463 00:20:41,080 --> 00:20:41,600 Speaker 4: to admit that. 464 00:20:41,640 --> 00:20:43,600 Speaker 2: Like, well, that's the questions, and I'd love to hear 465 00:20:43,760 --> 00:20:46,160 Speaker 2: some women here, can you refuse the kissing Koala? 466 00:20:46,200 --> 00:20:46,280 Speaker 13: Like? 467 00:20:46,320 --> 00:20:48,560 Speaker 2: Can you sit down practically with going Look, you're winding me, 468 00:20:48,840 --> 00:20:51,560 Speaker 2: you're hurting me. Anyway, Let's go to Danielle. Danielle, what 469 00:20:51,600 --> 00:20:52,240 Speaker 2: are your thoughts? 470 00:20:53,840 --> 00:20:58,040 Speaker 11: Hi, guys, I'm so from a female perspective, I'd say 471 00:20:58,200 --> 00:21:03,280 Speaker 11: it really depends on a guy. Okay, if he's like, 472 00:21:03,400 --> 00:21:07,360 Speaker 11: you know, like nice, like meaty, juicy, like buff, sexy, 473 00:21:07,880 --> 00:21:12,439 Speaker 11: big chim boy, I just want to I want to 474 00:21:12,520 --> 00:21:13,159 Speaker 11: jump on that. 475 00:21:13,280 --> 00:21:16,560 Speaker 3: You know you said, will do you think he's a 476 00:21:16,680 --> 00:21:21,080 Speaker 3: juicy buff boy? Have no comment? 477 00:21:22,920 --> 00:21:23,919 Speaker 2: Why would why would you do that? 478 00:21:24,800 --> 00:21:25,040 Speaker 4: Juicy? 479 00:21:26,000 --> 00:21:28,919 Speaker 2: He's talking like Henry Cavill. That's what she's Let's go 480 00:21:29,000 --> 00:21:32,399 Speaker 2: to Let's go to Rose. So, in other words, if 481 00:21:32,440 --> 00:21:34,880 Speaker 2: I can just summarize Daniels, she's saying, it's your right 482 00:21:35,720 --> 00:21:37,919 Speaker 2: if if a guy is that big and hunky to 483 00:21:38,000 --> 00:21:39,800 Speaker 2: be able to jump on him and kis him enough. 484 00:21:39,880 --> 00:21:41,520 Speaker 2: Let's go to Rose. Rose, what do you reckon about 485 00:21:41,560 --> 00:21:44,320 Speaker 2: kissing koala? Can can? Can? Can the bigger person in 486 00:21:44,359 --> 00:21:47,119 Speaker 2: the relationship refuse it? 487 00:21:47,200 --> 00:21:50,520 Speaker 10: Of course, that's crap. You're gonna You're gonna kill someone. 488 00:21:50,600 --> 00:21:50,919 Speaker 2: It's not. 489 00:21:52,840 --> 00:21:57,600 Speaker 10: Two year old, two year old yet daddy's arms today, 490 00:21:58,080 --> 00:22:02,159 Speaker 10: but a woman exactly trying. If you're up again to 491 00:22:02,240 --> 00:22:03,720 Speaker 10: shower and you're having a bit of you know. 492 00:22:06,040 --> 00:22:08,439 Speaker 4: Action, and here. 493 00:22:08,320 --> 00:22:08,680 Speaker 2: We are. 494 00:22:10,640 --> 00:22:14,000 Speaker 6: Slippery, it's slippers, the last place you want to be 495 00:22:14,040 --> 00:22:18,040 Speaker 6: doing it. I'm forgiving toys because I rose, what what 496 00:22:18,080 --> 00:22:19,000 Speaker 6: a bit of wall action? 497 00:22:19,160 --> 00:22:22,560 Speaker 10: So you're I'm saying, if you've got the wall to 498 00:22:22,640 --> 00:22:26,879 Speaker 10: support and you're you know, forty eight never never happened, 499 00:22:26,880 --> 00:22:29,840 Speaker 10: then I'm running to my husband or whatever. Never even 500 00:22:29,920 --> 00:22:33,280 Speaker 10: wanted to do that. Yes, my two girls, Yeah, daddy 501 00:22:33,359 --> 00:22:35,200 Speaker 10: high jumping daddy's arms. 502 00:22:34,640 --> 00:22:37,359 Speaker 2: And I'm sure I'm sure both your girls would have 503 00:22:37,400 --> 00:22:39,159 Speaker 2: enjoyed you talking about a bit of wall action in 504 00:22:39,200 --> 00:22:44,879 Speaker 2: the shower. That's got a ruby. 505 00:22:45,520 --> 00:22:45,879 Speaker 4: Ruby. 506 00:22:45,920 --> 00:22:48,200 Speaker 2: We're talking about the kissing koala, which is the maneuver 507 00:22:48,240 --> 00:22:50,760 Speaker 2: where one person in the relationship jumps up, wraps their 508 00:22:50,800 --> 00:22:53,840 Speaker 2: legs around the other and kisses them. Can you refuse it? 509 00:22:53,880 --> 00:22:55,840 Speaker 2: Can you? Can you say it's a practical hazard. 510 00:22:56,520 --> 00:22:58,560 Speaker 9: I love you guys all the water. You just want 511 00:22:58,560 --> 00:23:03,480 Speaker 9: to firstly say that you rebby, but you guys really 512 00:23:03,760 --> 00:23:06,480 Speaker 9: ruined what I was going to do. Okay, So I've 513 00:23:06,520 --> 00:23:08,760 Speaker 9: been talking to this guy for probably about a month 514 00:23:08,840 --> 00:23:12,160 Speaker 9: now and he's flying in to see me, and that's 515 00:23:12,240 --> 00:23:14,880 Speaker 9: exactly what I planned on doing. But I'm a little 516 00:23:14,880 --> 00:23:17,560 Speaker 9: bit more than fifty kilos, So you really just stuffed 517 00:23:17,560 --> 00:23:18,440 Speaker 9: me up now. 518 00:23:23,320 --> 00:23:25,399 Speaker 2: With him, Maybe just floated with him first, or just 519 00:23:25,400 --> 00:23:28,200 Speaker 2: send him a spine brace or something in beforehand that 520 00:23:28,240 --> 00:23:29,760 Speaker 2: he can wrap around his waist so he's. 521 00:23:29,680 --> 00:23:32,520 Speaker 9: Ready for you, all right, So well I'll just wait. 522 00:23:32,520 --> 00:23:34,479 Speaker 9: You know, look, mate, I'm a little bit bigger than 523 00:23:34,520 --> 00:23:37,520 Speaker 9: fifty kilos, will and Ward. He just stuffed me up 524 00:23:37,560 --> 00:23:41,160 Speaker 9: for making sure you wear a back brace. 525 00:23:42,720 --> 00:23:45,360 Speaker 6: It's not romantic. It's not romantic, but at least he'll 526 00:23:45,359 --> 00:23:49,119 Speaker 6: feel he'll feel safe. He'll appreciate it. Ruby, there you go, 527 00:23:49,240 --> 00:23:52,359 Speaker 6: just just express post him a back brace before you 528 00:23:52,400 --> 00:23:54,160 Speaker 6: get over. That's amazing stuff. 529 00:23:54,200 --> 00:23:55,480 Speaker 2: Ruby would love to hear that if you want to 530 00:23:55,520 --> 00:23:56,960 Speaker 2: do that on the radio for us, by the way, 531 00:23:57,000 --> 00:23:58,719 Speaker 2: so please, I'll let the producers put you in touch 532 00:23:58,760 --> 00:24:00,840 Speaker 2: to them. And I love this it's your new partner. 533 00:24:00,880 --> 00:24:02,399 Speaker 2: Mimi is called the show. 534 00:24:04,440 --> 00:24:07,200 Speaker 4: Obviously a stitch up a god. 535 00:24:07,280 --> 00:24:09,440 Speaker 11: I feel like our whole relationships is a lie. 536 00:24:09,960 --> 00:24:11,360 Speaker 4: No, no, that's not true. 537 00:24:11,960 --> 00:24:12,840 Speaker 2: That's not true. 538 00:24:13,600 --> 00:24:15,120 Speaker 3: I just I just think, you know when when we 539 00:24:15,200 --> 00:24:16,919 Speaker 3: because it almost happens every night, and doesn't it. 540 00:24:16,960 --> 00:24:17,400 Speaker 14: Mim? 541 00:24:17,760 --> 00:24:20,200 Speaker 11: Okay, well, now I feel like I'm not going to 542 00:24:20,280 --> 00:24:21,840 Speaker 11: run and jump or sit on the couch and wait 543 00:24:21,840 --> 00:24:22,919 Speaker 11: for you to run and jump on me. 544 00:24:23,160 --> 00:24:25,080 Speaker 4: Yeah, that works beautifully, That works beautifully. 545 00:24:25,080 --> 00:24:26,880 Speaker 2: A little bit of a health as of there, Mim. 546 00:24:26,960 --> 00:24:29,040 Speaker 2: You didn't hear the bit before where I said my 547 00:24:29,160 --> 00:24:30,240 Speaker 2: dog does that? Did you? 548 00:24:31,200 --> 00:24:31,400 Speaker 5: Oh? 549 00:24:31,480 --> 00:24:34,479 Speaker 11: No, I wasn't actually really taking that in. But am 550 00:24:34,520 --> 00:24:35,680 Speaker 11: you comparing me to a dog? 551 00:24:36,160 --> 00:24:39,760 Speaker 4: Not at all? He definitely. 552 00:24:41,520 --> 00:24:45,000 Speaker 3: It's the Will and Woody podcast talking about a story 553 00:24:45,080 --> 00:24:46,800 Speaker 3: yesterday about a beaver in Canada. 554 00:24:48,200 --> 00:24:49,639 Speaker 2: I had erased that from my memory. 555 00:24:49,640 --> 00:24:51,040 Speaker 4: But yeah, yeah, I'm not going to go. 556 00:24:52,680 --> 00:24:56,040 Speaker 3: But there certainly was a highlight moment within the story 557 00:24:56,320 --> 00:24:59,840 Speaker 3: for me when I came across this name. There was 558 00:24:59,880 --> 00:25:03,920 Speaker 3: a a person Liz Suave A what a name. That's 559 00:25:03,920 --> 00:25:05,560 Speaker 3: the first time reading that Liz Suave. 560 00:25:06,640 --> 00:25:11,000 Speaker 7: This This is one of those in my favorites for 561 00:25:11,119 --> 00:25:14,560 Speaker 7: you know, I think my favorite part about that is, Sorry, 562 00:25:14,840 --> 00:25:20,160 Speaker 7: this is the first time I'm reading that. First of all, 563 00:25:20,200 --> 00:25:22,840 Speaker 7: you've you've rocked up with a story about a beaver 564 00:25:22,920 --> 00:25:26,119 Speaker 7: in Canada, and then second of all, you're reading it 565 00:25:26,160 --> 00:25:28,480 Speaker 7: for the first time on the radio. 566 00:25:28,720 --> 00:25:33,399 Speaker 3: I knew the skeleton of the story, I just I 567 00:25:33,480 --> 00:25:36,080 Speaker 3: just hadn't gone through the finer details. And one of 568 00:25:36,080 --> 00:25:39,840 Speaker 3: those finer details was a woman called Liz Suave. Now 569 00:25:39,840 --> 00:25:42,879 Speaker 3: this is one of those rare occurrences will where Liz 570 00:25:42,960 --> 00:25:45,800 Speaker 3: Suave can say that is my that is my name, 571 00:25:46,160 --> 00:25:52,200 Speaker 3: and also my reputation suave. Right, Yes, I mean there's an. 572 00:25:52,080 --> 00:25:56,639 Speaker 2: Age by name, save by reputation. 573 00:25:56,359 --> 00:26:00,639 Speaker 3: Exactly the same as Austin Powers to his character the Graham. 574 00:26:01,160 --> 00:26:05,040 Speaker 5: Let's see shag well Cia, shag Well by name, shag 575 00:26:05,280 --> 00:26:06,840 Speaker 5: very well by reputation. 576 00:26:07,359 --> 00:26:10,240 Speaker 3: Now, I know I'm asking a lot right now, Yeah, yeah, 577 00:26:10,280 --> 00:26:13,199 Speaker 3: I know I'm asking a lot. But please, if you 578 00:26:13,240 --> 00:26:16,399 Speaker 3: can relate to this, thirteen one oh sixty five is 579 00:26:16,440 --> 00:26:20,040 Speaker 3: our number. Yes, do you have one of those names, yes, 580 00:26:20,080 --> 00:26:21,199 Speaker 3: where you can do that. 581 00:26:22,040 --> 00:26:26,320 Speaker 2: So you say your name and then you say so 582 00:26:26,440 --> 00:26:29,320 Speaker 2: for example, our button push and Joel don't bring me 583 00:26:29,320 --> 00:26:32,920 Speaker 2: into this. Come on, John, if you've got if you 584 00:26:32,960 --> 00:26:34,040 Speaker 2: can say your surname as well. 585 00:26:34,080 --> 00:26:35,160 Speaker 4: My surname is Gelding. 586 00:26:35,240 --> 00:26:35,400 Speaker 2: Yeah. 587 00:26:35,440 --> 00:26:38,440 Speaker 15: And if I said name and reputation, yes, obviously I'll 588 00:26:38,440 --> 00:26:40,800 Speaker 15: be saying I have the reputation of a sex horse, 589 00:26:41,720 --> 00:26:44,600 Speaker 15: which I don't have. No, you sort of do come 590 00:26:44,600 --> 00:26:47,960 Speaker 15: across like a horse with no balls, damn it. 591 00:26:48,200 --> 00:26:50,720 Speaker 4: But please, please, Australia. 592 00:26:50,280 --> 00:26:52,480 Speaker 3: Do you have a name that is both your name 593 00:26:52,640 --> 00:26:55,160 Speaker 3: and also your reputation? 594 00:26:55,840 --> 00:26:57,120 Speaker 4: I would love to hear a. 595 00:26:57,080 --> 00:27:00,119 Speaker 2: Couple And even if it's not your reputation, surely you 596 00:27:00,240 --> 00:27:03,840 Speaker 2: enjoy wheeling that line out. Yes from time to time. 597 00:27:03,880 --> 00:27:07,320 Speaker 2: All right, can you say by name and reputation over 598 00:27:07,359 --> 00:27:12,240 Speaker 2: to your Australia. We've been inspired by one of our 599 00:27:12,320 --> 00:27:15,000 Speaker 2: favorite moments in one of our favorite movies. 600 00:27:15,600 --> 00:27:19,480 Speaker 5: Let's see Shag Well Cia, shag Well by name, shag 601 00:27:19,720 --> 00:27:21,320 Speaker 5: very well by reputation. 602 00:27:21,960 --> 00:27:24,359 Speaker 4: We're basically asking the question now on thirteen one oh 603 00:27:24,440 --> 00:27:27,520 Speaker 4: six five? Can you do that? Can you say your 604 00:27:27,560 --> 00:27:31,800 Speaker 4: full name followed by by name and reputation? 605 00:27:32,040 --> 00:27:32,280 Speaker 8: Yes? 606 00:27:32,400 --> 00:27:34,639 Speaker 3: Now, no, we're asking a lot, I really do, but 607 00:27:34,680 --> 00:27:35,880 Speaker 3: I hope Australia comes through. 608 00:27:35,920 --> 00:27:39,119 Speaker 2: And if you've met somebody, oh, yes, that's done that 609 00:27:39,520 --> 00:27:42,000 Speaker 2: to you, and you've just been like wow, because it 610 00:27:42,080 --> 00:27:44,440 Speaker 2: is the coolest thing to be able to say. 611 00:27:44,560 --> 00:27:45,280 Speaker 4: I wish I could. 612 00:27:45,400 --> 00:27:47,440 Speaker 2: Unfortunately for you, if you said Woody Whitelaw by name 613 00:27:47,480 --> 00:27:51,080 Speaker 2: and reputation, you'd be a racist, horrifically. 614 00:27:51,280 --> 00:27:55,320 Speaker 3: So let's go to Rhannon here on thirteen one oh 615 00:27:55,359 --> 00:27:58,040 Speaker 3: six five. Then let's just move right off mine. 616 00:27:58,320 --> 00:27:58,760 Speaker 4: Rhannon. 617 00:27:59,200 --> 00:28:00,800 Speaker 3: You've got one of those names where you can say, 618 00:28:00,800 --> 00:28:03,600 Speaker 3: by name and reputation, yes, yes, I do. 619 00:28:04,000 --> 00:28:09,800 Speaker 9: Okay, far away Rhiannon Praps by name, perhaps by reputation? 620 00:28:10,440 --> 00:28:12,280 Speaker 4: Sorry, is your last name crap. 621 00:28:13,000 --> 00:28:17,399 Speaker 8: Praps p for pigeons r A double te Pratt. 622 00:28:17,480 --> 00:28:19,600 Speaker 2: So Pratt's your name, Rhann and Pratt. But how are 623 00:28:19,640 --> 00:28:20,800 Speaker 2: you pratt by reputation? 624 00:28:23,520 --> 00:28:24,800 Speaker 9: I don't know. Maybe I'm a bit of a. 625 00:28:26,400 --> 00:28:30,199 Speaker 4: Oh do you mean you're a brat Pratt? What did 626 00:28:30,200 --> 00:28:31,119 Speaker 4: that word even means? 627 00:28:31,240 --> 00:28:35,320 Speaker 8: What an old old fashioned way of saying like idiot? 628 00:28:36,440 --> 00:28:40,400 Speaker 4: Ah? There it is, okay? 629 00:28:40,600 --> 00:28:41,200 Speaker 2: Do I love that? 630 00:28:41,440 --> 00:28:44,280 Speaker 4: It doesn't work right away? It doesn't work right away. 631 00:28:45,120 --> 00:28:47,320 Speaker 2: Just so you know, Rhiannon, no one's picking up what 632 00:28:47,320 --> 00:28:50,720 Speaker 2: you're putting down there. She's rolling that she's been doing 633 00:28:50,720 --> 00:28:52,000 Speaker 2: it her whole life. 634 00:28:52,040 --> 00:28:54,320 Speaker 6: And I'm like, sure, mate, did you say you were 635 00:28:54,400 --> 00:28:57,920 Speaker 6: crap by name and by reputation? Because that sucks for you. 636 00:28:58,440 --> 00:29:03,280 Speaker 6: Why would you highlight that. Let's go by name, crap 637 00:29:03,560 --> 00:29:05,400 Speaker 6: very well by reputation. 638 00:29:05,920 --> 00:29:08,080 Speaker 4: We've had a shocking start. But let's go. 639 00:29:09,160 --> 00:29:10,000 Speaker 2: Let's go to Eve. 640 00:29:10,400 --> 00:29:12,520 Speaker 4: I really hope comeback here. 641 00:29:12,960 --> 00:29:13,200 Speaker 6: Eve. 642 00:29:13,520 --> 00:29:15,360 Speaker 3: Okay, you've got one of those names where you can 643 00:29:15,400 --> 00:29:18,480 Speaker 3: say at the end, by name and reputation, go for it. 644 00:29:19,160 --> 00:29:20,920 Speaker 11: That's right. So my name is Eve. 645 00:29:21,080 --> 00:29:21,520 Speaker 9: Judge. 646 00:29:22,520 --> 00:29:25,800 Speaker 10: I say, I'm judging you not bad. 647 00:29:25,760 --> 00:29:28,480 Speaker 2: So judge by name, judge well by reputation? 648 00:29:28,760 --> 00:29:30,120 Speaker 4: Are you a judge? Eve? 649 00:29:30,960 --> 00:29:31,440 Speaker 11: No, I'm not. 650 00:29:32,520 --> 00:29:36,200 Speaker 4: That would have been that would have been good, been been. 651 00:29:37,680 --> 00:29:37,960 Speaker 14: Well. 652 00:29:37,960 --> 00:29:39,560 Speaker 2: Be honest, it probably hasn't worked for Eve either. 653 00:29:39,920 --> 00:29:42,800 Speaker 4: No, we're none from two. There's no doubt about it. 654 00:29:42,840 --> 00:29:43,000 Speaker 11: We do. 655 00:29:43,120 --> 00:29:44,960 Speaker 4: Look, there's this a love that you guys have caught up. 656 00:29:45,080 --> 00:29:47,200 Speaker 2: Is maybe we're realizing why this is the thing in 657 00:29:47,240 --> 00:29:54,600 Speaker 2: the movies, Why shag well is such a ridiculous It 658 00:29:54,720 --> 00:29:57,120 Speaker 2: is a joke. It's a joke in a comedy movie. 659 00:29:57,280 --> 00:29:59,440 Speaker 4: I am confident though. We've got a nine year old 660 00:29:59,520 --> 00:30:01,960 Speaker 4: called a Andrew. Okay, who's called the show. 661 00:30:02,040 --> 00:30:07,240 Speaker 3: Hi Andrew, Hi, Hi, Yeah Andrew, we're none from two currently. 662 00:30:07,280 --> 00:30:09,640 Speaker 3: I know that doesn't matter for you, but this is 663 00:30:09,760 --> 00:30:11,800 Speaker 3: very big for Will and I not to put any 664 00:30:11,800 --> 00:30:15,640 Speaker 3: more pressure on your mate, but far away. 665 00:30:16,240 --> 00:30:18,920 Speaker 8: Also, my name's Andrew wild One. 666 00:30:19,480 --> 00:30:24,920 Speaker 2: Sorry sorry, Andrew, they important miss the surname there, mate? 667 00:30:25,160 --> 00:30:27,160 Speaker 2: Are you just faded out a little bit? Can you? 668 00:30:27,280 --> 00:30:30,280 Speaker 2: Andrew didn't put yourself in speaker phone? No, no, but 669 00:30:30,400 --> 00:30:32,680 Speaker 2: you don't. Don't don't don't ruin the joke. Put it 670 00:30:32,720 --> 00:30:34,480 Speaker 2: on speakerphone for me, mate? Can you check it on 671 00:30:34,520 --> 00:30:39,640 Speaker 2: speakerphone that Let's try that. Okay, try again, Andrew. 672 00:30:39,440 --> 00:30:40,000 Speaker 11: Go for it. 673 00:30:41,480 --> 00:30:45,600 Speaker 9: So my name is Andrew Wiseman. And Andrew is my 674 00:30:45,720 --> 00:30:48,280 Speaker 9: name in Wiseman's my reputation. 675 00:30:50,560 --> 00:30:55,080 Speaker 2: The wise Dog. 676 00:30:56,640 --> 00:31:01,040 Speaker 6: Andrew. Andrew, please please prove to everyone how you are 677 00:31:01,080 --> 00:31:01,840 Speaker 6: a wise man. 678 00:31:02,000 --> 00:31:04,000 Speaker 2: Tell us something wise o wise man. 679 00:31:04,480 --> 00:31:11,600 Speaker 1: I'm very good at math again, drop around the. 680 00:31:11,600 --> 00:31:18,400 Speaker 6: Highlights, reel, final lines, run up next, Andrew, have yourself. 681 00:31:18,160 --> 00:31:20,760 Speaker 2: One hundred dollars from Cadbury. Mate, you get one hundred 682 00:31:20,760 --> 00:31:22,000 Speaker 2: dollars in Cadbury give products. 683 00:31:22,040 --> 00:31:22,880 Speaker 4: They're all for you, bro. 684 00:31:23,400 --> 00:31:25,040 Speaker 1: It's the Will and Woody Podcast. 685 00:31:25,160 --> 00:31:27,120 Speaker 2: Well, it's got a question for you and everybody else, 686 00:31:27,640 --> 00:31:32,320 Speaker 2: what's the worst thing that could possibly happen to you 687 00:31:33,080 --> 00:31:38,040 Speaker 2: at a teenage house party. So so I had a 688 00:31:38,040 --> 00:31:40,080 Speaker 2: couple of thoughts here while you while you think there 689 00:31:40,080 --> 00:31:46,200 Speaker 2: and come pensively into the microphone. First one, when you'd 690 00:31:46,240 --> 00:31:52,920 Speaker 2: spent a month tuning somebody on MSN Messenger, sporadically jumping 691 00:31:52,960 --> 00:31:56,000 Speaker 2: online in between your parents' business phone calls to speak 692 00:31:56,000 --> 00:31:57,480 Speaker 2: to them, and you've been doing this for a month, 693 00:31:57,600 --> 00:31:59,800 Speaker 2: and then you rock up and then see them hooking 694 00:31:59,840 --> 00:32:00,440 Speaker 2: up with somebody. 695 00:32:00,560 --> 00:32:04,200 Speaker 4: Oh god, that was devastating. Burnt the amount of times 696 00:32:04,240 --> 00:32:05,880 Speaker 4: that happened to me as well. Obviously I was very 697 00:32:05,880 --> 00:32:06,760 Speaker 4: good over ms in. 698 00:32:07,080 --> 00:32:11,240 Speaker 2: We all thoughts, maybe we weren't, but that that really stung. 699 00:32:11,280 --> 00:32:12,120 Speaker 2: I reckon that one. 700 00:32:12,240 --> 00:32:13,120 Speaker 4: Yeah, that was a killer. 701 00:32:13,160 --> 00:32:16,080 Speaker 2: You've been yelled at for months, literally months like that. 702 00:32:16,160 --> 00:32:19,480 Speaker 2: You knew there was a gathering coming up two months time, 703 00:32:20,440 --> 00:32:21,120 Speaker 2: all the time in. 704 00:32:21,240 --> 00:32:22,760 Speaker 4: Put your mouse in your hair, you drag your mum 705 00:32:22,840 --> 00:32:24,000 Speaker 4: down a gas man and go get. 706 00:32:23,880 --> 00:32:24,280 Speaker 3: Me a shirt. 707 00:32:24,320 --> 00:32:25,520 Speaker 4: I really want to wear a shirt. 708 00:32:26,560 --> 00:32:28,080 Speaker 3: And then the shirt to be too big because mama 709 00:32:28,120 --> 00:32:31,120 Speaker 3: going now, you'll grow into it. I am in a 710 00:32:31,160 --> 00:32:34,040 Speaker 3: garbage bag of a shirt on the dance floor, trying 711 00:32:34,040 --> 00:32:34,800 Speaker 3: to impress the girl. 712 00:32:34,800 --> 00:32:38,480 Speaker 4: The creases are still in there, take me home. 713 00:32:39,200 --> 00:32:42,560 Speaker 2: Oh so that was a shocker. The other one I 714 00:32:42,680 --> 00:32:47,560 Speaker 2: thought was when somebody found the light beers that you'd 715 00:32:47,560 --> 00:32:51,560 Speaker 2: stashed under the rose bush, your two light beers for 716 00:32:51,600 --> 00:32:55,720 Speaker 2: the night. Somebody came in pinched him, gone devastating. That 717 00:32:55,760 --> 00:32:57,920 Speaker 2: was a bad look. But I think the worst thing 718 00:32:57,960 --> 00:33:01,440 Speaker 2: that the one that takes the cake, is where your 719 00:33:01,480 --> 00:33:08,840 Speaker 2: parents rocked up to the party that that lived. That 720 00:33:09,000 --> 00:33:11,479 Speaker 2: has a special place in my memory. 721 00:33:11,800 --> 00:33:14,080 Speaker 3: Not what point of parent thinks that at the pickup, 722 00:33:14,160 --> 00:33:16,600 Speaker 3: at the party pickup, you know which they have to do. Yeah, 723 00:33:16,600 --> 00:33:18,600 Speaker 3: it's obviously they draw straws. They're line in there going 724 00:33:18,640 --> 00:33:19,480 Speaker 3: who's going to go and pick up? 725 00:33:19,520 --> 00:33:19,640 Speaker 10: Will? 726 00:33:19,680 --> 00:33:21,000 Speaker 4: Who's going to be whatever? 727 00:33:21,080 --> 00:33:22,360 Speaker 3: I don't know at what point when they're at the 728 00:33:22,400 --> 00:33:24,480 Speaker 3: front they think, oh, you know what he wants me 729 00:33:24,520 --> 00:33:27,000 Speaker 3: to come in? I mean my pajamas. But this will 730 00:33:27,000 --> 00:33:28,800 Speaker 3: all will be a bit of fun. I'll go in 731 00:33:28,840 --> 00:33:29,800 Speaker 3: and say hi to the parents. 732 00:33:29,880 --> 00:33:30,640 Speaker 4: It was more. 733 00:33:30,920 --> 00:33:33,120 Speaker 2: It couldn't have been worse, and you'd be out the bank, 734 00:33:33,360 --> 00:33:36,920 Speaker 2: you know, trying on your best work in your garbage 735 00:33:36,960 --> 00:33:41,960 Speaker 2: back gas man on the makeshift dance and then someone 736 00:33:41,960 --> 00:33:44,240 Speaker 2: would come over and be like, did you your dad's here? 737 00:33:44,680 --> 00:33:47,320 Speaker 4: It's just the worst, and you would you would. 738 00:33:47,120 --> 00:33:51,720 Speaker 2: Actually have preferred that you melted into the floor permanently 739 00:33:51,760 --> 00:33:54,040 Speaker 2: at that stage and have to walk back into the 740 00:33:54,120 --> 00:33:56,040 Speaker 2: kitchen and see them jump. 741 00:33:55,840 --> 00:33:56,360 Speaker 4: In the back fence. 742 00:33:57,840 --> 00:34:02,280 Speaker 2: Actually might have tried that, I'll walk home. So the 743 00:34:02,280 --> 00:34:04,360 Speaker 2: reason I'm bringing this up is on Big Brother last night, 744 00:34:04,600 --> 00:34:09,680 Speaker 2: UM Channel seven Big Brother, Martha from Mats's mum Mary 745 00:34:10,360 --> 00:34:12,359 Speaker 2: rocked up and look she said, she actually does sound 746 00:34:12,360 --> 00:34:14,160 Speaker 2: like a bit of a hurt. Have listened, Mary, how 747 00:34:14,160 --> 00:34:16,400 Speaker 2: are you feeling about living with a total group of 748 00:34:16,440 --> 00:34:18,200 Speaker 2: strangers for the next nine weeks. 749 00:34:18,360 --> 00:34:20,840 Speaker 8: I'm fifty five, so I don't have much time, so 750 00:34:20,920 --> 00:34:22,520 Speaker 8: I've got to do everything now exactly. 751 00:34:23,800 --> 00:34:27,120 Speaker 2: Mary was obviously alive when the average life expectancy was 752 00:34:27,120 --> 00:34:30,319 Speaker 2: about sixty. But you got you got ages to go. Mary. 753 00:34:30,360 --> 00:34:32,080 Speaker 2: Apparently she's been a hurt on Big Brother. But I 754 00:34:32,120 --> 00:34:34,399 Speaker 2: do really feel for Martha a little bit on MATS 755 00:34:34,400 --> 00:34:36,520 Speaker 2: because this is the equivalent for me of your parents 756 00:34:36,560 --> 00:34:39,719 Speaker 2: rocking up to the house party. I would love to 757 00:34:39,760 --> 00:34:41,480 Speaker 2: hear from you guys right now. On thirty one and six, 758 00:34:41,600 --> 00:34:46,560 Speaker 2: five Did your mum and dad enter the party? And 759 00:34:46,760 --> 00:34:48,040 Speaker 2: what actually happened? 760 00:34:49,120 --> 00:34:51,839 Speaker 3: I've got an example here. Luckily it was a it 761 00:34:51,880 --> 00:34:56,640 Speaker 3: was a friend's mum. Yeah, but it involves nudity. 762 00:34:56,920 --> 00:34:57,160 Speaker 1: Wow. 763 00:34:57,840 --> 00:35:01,040 Speaker 2: Yeah. Thirty one and six five? Did your mom or 764 00:35:01,120 --> 00:35:05,520 Speaker 2: dad enter the party? What happened? What did they see? 765 00:35:06,000 --> 00:35:09,520 Speaker 2: What did you have to do to avoid seeing them? 766 00:35:10,040 --> 00:35:12,080 Speaker 2: Love to hear from you, guys. Give us a call 767 00:35:12,239 --> 00:35:15,800 Speaker 2: if you've got a story about your parents actually going 768 00:35:16,040 --> 00:35:20,839 Speaker 2: inside the house party, not just dropping you off, not 769 00:35:20,920 --> 00:35:23,520 Speaker 2: just picking you up, actually going in there. I remember 770 00:35:23,520 --> 00:35:28,000 Speaker 2: early on when I was probably thirteen fourteen and first 771 00:35:28,080 --> 00:35:29,880 Speaker 2: convincing my parents that I was allowed to go to 772 00:35:29,920 --> 00:35:32,920 Speaker 2: these sorts of gatherings. That was always a bit of 773 00:35:32,960 --> 00:35:35,280 Speaker 2: a sticking point. Is on the way to the party, 774 00:35:35,360 --> 00:35:36,640 Speaker 2: my mom and dad would ask me, is it a 775 00:35:36,640 --> 00:35:37,760 Speaker 2: gathering or is it a party? 776 00:35:37,880 --> 00:35:39,920 Speaker 3: Of course, yeah, because you always want to say gathering, 777 00:35:39,960 --> 00:35:41,719 Speaker 3: and I'd always of course, you see, you sell it 778 00:35:41,719 --> 00:35:43,279 Speaker 3: as a gathering. You know, as soon as it gets 779 00:35:43,280 --> 00:35:45,120 Speaker 3: into party the alarm bells go off, of course, do 780 00:35:45,280 --> 00:35:46,839 Speaker 3: so what my mom and dad used to do earlier, 781 00:35:46,920 --> 00:35:48,279 Speaker 3: they'd be like, they'd ask me, well, I will you 782 00:35:48,280 --> 00:35:49,759 Speaker 3: can tell us now as it a gathering at a party, 783 00:35:49,760 --> 00:35:50,360 Speaker 3: but it's gathering. 784 00:35:50,360 --> 00:35:52,640 Speaker 2: Guard, it's gathering. And then they would go, okay, well, 785 00:35:52,680 --> 00:35:54,320 Speaker 2: I'll get to go in and just meet the parents 786 00:35:54,320 --> 00:35:57,080 Speaker 2: and just check to see that it's a gathering. 787 00:35:57,239 --> 00:35:58,759 Speaker 4: Such a good line from the parents when they said 788 00:35:58,800 --> 00:35:59,959 Speaker 4: that they bloody. 789 00:35:59,600 --> 00:36:01,680 Speaker 2: Had you had me, They had me, and I obviously 790 00:36:01,680 --> 00:36:03,080 Speaker 2: didn't have the con as to lie to them and 791 00:36:03,120 --> 00:36:05,680 Speaker 2: be like, guys, you know it's an open door house party. Yeah, 792 00:36:06,080 --> 00:36:08,560 Speaker 2: it's going to be absolutely wild in there. So that 793 00:36:08,640 --> 00:36:10,160 Speaker 2: was always really tough for me when they went in 794 00:36:10,200 --> 00:36:12,000 Speaker 2: there and just sit and they just go, Hi, Hi, 795 00:36:12,000 --> 00:36:15,120 Speaker 2: how are you going. I'm Will's mum and Will's dad. 796 00:36:15,120 --> 00:36:16,560 Speaker 3: To the other parents, that's it. And then the other 797 00:36:16,560 --> 00:36:17,960 Speaker 3: parents would say do you want to stay for a drink? 798 00:36:17,960 --> 00:36:19,080 Speaker 3: And then my parents would go. 799 00:36:19,160 --> 00:36:21,839 Speaker 17: Oh, we'd love to like, no, you don't. You don't 800 00:36:21,880 --> 00:36:26,480 Speaker 17: want to stay for a drink. It just makes me 801 00:36:26,520 --> 00:36:29,759 Speaker 17: angry about it. They just did that to make us 802 00:36:29,760 --> 00:36:31,560 Speaker 17: feel awful, didn't they one hundred percent? 803 00:36:31,600 --> 00:36:33,719 Speaker 4: But to be fair, when I have kids, I very 804 00:36:33,800 --> 00:36:36,320 Speaker 4: much look forward to doing that to my children. 805 00:36:37,280 --> 00:36:39,879 Speaker 2: So we'll live another let's go to that's just because 806 00:36:39,880 --> 00:36:42,760 Speaker 2: you like drinking other people's booths. Let's go to Georgia 807 00:36:42,800 --> 00:36:46,840 Speaker 2: on thirty one and sixty five. Georgia, your mum crashed 808 00:36:46,840 --> 00:36:47,280 Speaker 2: the party. 809 00:36:48,320 --> 00:36:51,640 Speaker 11: Yeah, so I was actually throwing the party and she 810 00:36:51,960 --> 00:36:53,720 Speaker 11: came in to bring us foods. 811 00:36:53,760 --> 00:36:56,720 Speaker 2: Sorry. Sorry, So it's at your party, it's it's it's 812 00:36:57,000 --> 00:36:58,720 Speaker 2: at your mum's house though, Is that right? 813 00:36:59,320 --> 00:36:59,520 Speaker 9: Yes? 814 00:36:59,600 --> 00:37:03,520 Speaker 2: Ok, yeah, you've cordoned off. You've done the old Chinese 815 00:37:03,560 --> 00:37:07,160 Speaker 2: walls situation where you put up an iron curtain which 816 00:37:07,200 --> 00:37:10,399 Speaker 2: they under no circumstances can cross while you've got friends over. 817 00:37:11,080 --> 00:37:13,760 Speaker 11: Oh yeah, I said you are. You are not allowed 818 00:37:13,760 --> 00:37:15,680 Speaker 11: to enter this room. I put a table out in the 819 00:37:15,719 --> 00:37:19,880 Speaker 11: front of the door, the foot everything that she wanted 820 00:37:19,960 --> 00:37:21,520 Speaker 11: to bring in there, and I would go out and 821 00:37:21,560 --> 00:37:21,799 Speaker 11: get it. 822 00:37:21,800 --> 00:37:23,080 Speaker 6: Oh so you had like a little bit of a 823 00:37:23,080 --> 00:37:28,239 Speaker 6: prison system where Yeah, no, I like that. 824 00:37:28,400 --> 00:37:30,680 Speaker 2: I like that. Yeah, great, okay, but she obviously she 825 00:37:30,960 --> 00:37:31,880 Speaker 2: broke the rules. 826 00:37:32,320 --> 00:37:34,279 Speaker 11: Yeah, she thought it was a good idea to come 827 00:37:34,280 --> 00:37:36,239 Speaker 11: in right at the time we started to place in 828 00:37:36,280 --> 00:37:36,640 Speaker 11: the bottle. 829 00:37:37,040 --> 00:37:40,080 Speaker 2: Oh yes, how old are you, Georgia. 830 00:37:41,000 --> 00:37:41,920 Speaker 11: I'm twenty one now. 831 00:37:42,040 --> 00:37:44,600 Speaker 2: Oh wow, so it' spin the bottles still getting around? 832 00:37:44,719 --> 00:37:44,879 Speaker 13: Right? 833 00:37:44,920 --> 00:37:48,080 Speaker 2: So did she what did she walk in on exactly, So. 834 00:37:48,000 --> 00:37:50,320 Speaker 11: She walked in on us playing it was my turne. 835 00:37:50,320 --> 00:37:52,799 Speaker 11: But the bottles didn't spin on this particular dude that 836 00:37:52,840 --> 00:37:56,560 Speaker 11: I had a crush on. And she said, Georgia, I 837 00:37:56,600 --> 00:37:59,279 Speaker 11: know a great idea. Why don't you just kiss Luke? 838 00:38:00,239 --> 00:38:02,000 Speaker 4: Oh? 839 00:38:02,320 --> 00:38:02,640 Speaker 15: God? 840 00:38:03,560 --> 00:38:05,520 Speaker 11: And I said, what do you mean, why would I 841 00:38:06,360 --> 00:38:07,319 Speaker 11: don't you have a crush on him? 842 00:38:09,600 --> 00:38:12,799 Speaker 2: Georgia actually dying for you? Right now? 843 00:38:13,680 --> 00:38:16,320 Speaker 4: God go between you and look though, Georgia, was it 844 00:38:16,360 --> 00:38:17,040 Speaker 4: a heavy ending? 845 00:38:17,840 --> 00:38:20,400 Speaker 11: Okay? But the thing is Luke actually had the girlfriend, 846 00:38:20,440 --> 00:38:25,560 Speaker 11: and the girlfriend was at the party. 847 00:38:22,040 --> 00:38:26,560 Speaker 1: A triple arrow. 848 00:38:27,719 --> 00:38:32,600 Speaker 2: Wow, Georgia, virtual the girl. Everybody's dying for you. We've 849 00:38:32,600 --> 00:38:35,240 Speaker 2: got Victoria, who's called Victoria. We're talking about your parents 850 00:38:35,280 --> 00:38:39,759 Speaker 2: going inside the house party, crossing that invisible boundary that 851 00:38:39,840 --> 00:38:41,920 Speaker 2: no parents should cross. What have you got for us? 852 00:38:43,040 --> 00:38:43,680 Speaker 11: You know what? 853 00:38:43,960 --> 00:38:47,400 Speaker 8: My mom was one of like the one percent of Kula. 854 00:38:48,160 --> 00:38:50,919 Speaker 8: She would come in, she'd have a look at what's 855 00:38:50,960 --> 00:38:54,520 Speaker 8: going on, and literally there were pomes where I was 856 00:38:54,640 --> 00:38:59,799 Speaker 8: probably a little bit too young, I guess, smoking up 857 00:38:59,840 --> 00:39:06,120 Speaker 8: in the corner and put a bottle of something from 858 00:39:06,160 --> 00:39:13,040 Speaker 8: her own baby like all right, having. 859 00:39:11,920 --> 00:39:13,480 Speaker 2: Victoria, I didn't get a word of heer on the 860 00:39:13,480 --> 00:39:15,880 Speaker 2: way out there. I think I think we probably should 861 00:39:15,880 --> 00:39:17,880 Speaker 2: have dropped the fader on you and you said smoking 862 00:39:17,960 --> 00:39:19,320 Speaker 2: up in the corner, if I'm being honest. 863 00:39:19,440 --> 00:39:20,080 Speaker 13: Yeah, yeah, that. 864 00:39:20,080 --> 00:39:22,359 Speaker 4: Was that was That was wild. I'll take the floor though, 865 00:39:22,400 --> 00:39:23,280 Speaker 4: because I haven't. 866 00:39:25,080 --> 00:39:28,359 Speaker 3: I have a scenario from my life which was which 867 00:39:28,440 --> 00:39:30,960 Speaker 3: unfortunately that rang through clear as a bell. 868 00:39:31,400 --> 00:39:35,160 Speaker 4: Yeah, smoking up a storm in the corner. 869 00:39:36,960 --> 00:39:40,120 Speaker 1: See what you're hearing. Find us on Instagram and Facebook 870 00:39:40,280 --> 00:39:41,600 Speaker 1: search Will and Woody