1 00:00:01,960 --> 00:00:05,120 Speaker 1: Ah, now are we in trouble? Are we in trouble? 2 00:00:05,160 --> 00:00:07,120 Speaker 2: Sorry to just jump straight into business here, guys, but 3 00:00:07,160 --> 00:00:10,080 Speaker 2: this is kind of the way that the business dogs operate. 4 00:00:10,160 --> 00:00:16,840 Speaker 2: We don't have time with meanderthal chat meandering. No, what 5 00:00:16,880 --> 00:00:20,720 Speaker 2: I've done there is I've combined neanderthal and meandering because 6 00:00:20,720 --> 00:00:25,840 Speaker 2: it's basic and nowhere chat. So it's meanderthal and yet 7 00:00:25,840 --> 00:00:31,520 Speaker 2: you've found yourself in that area I have anyway, So okay, 8 00:00:31,560 --> 00:00:33,720 Speaker 2: So look, Dylan, he's a no, even though. 9 00:00:33,560 --> 00:00:35,600 Speaker 1: He's Dylan said, turncoat doom swoops. 10 00:00:36,800 --> 00:00:38,400 Speaker 2: So we're trying to organize someone big to go to 11 00:00:38,520 --> 00:00:41,320 Speaker 2: Jude store next Wednesday, to close the doors and make. 12 00:00:41,159 --> 00:00:43,680 Speaker 1: It a big, bigger Jude shuts up shop. 13 00:00:43,920 --> 00:00:47,479 Speaker 2: Dylan's out right, he said, like yeah, maybe cool me, 14 00:00:47,560 --> 00:00:51,159 Speaker 2: but so obvious he's not going to come. 15 00:00:51,760 --> 00:00:53,080 Speaker 3: We have to we have to acknowledge that. 16 00:00:53,159 --> 00:00:53,760 Speaker 1: Karl said, No. 17 00:00:53,800 --> 00:00:56,160 Speaker 2: I think the closest yes we've had is the everyone 18 00:00:56,280 --> 00:00:58,120 Speaker 2: loves Raymond guy Phil Rosenthal. 19 00:00:58,200 --> 00:01:00,520 Speaker 1: Phil Rosenthal, He genuinely seems that's. 20 00:01:00,360 --> 00:01:01,760 Speaker 3: Because I think he's in Australia for a month and 21 00:01:01,800 --> 00:01:03,000 Speaker 3: he doesn't know what to do with himself. So I 22 00:01:03,040 --> 00:01:06,080 Speaker 3: think he was actually like he was actually saying. It 23 00:01:06,120 --> 00:01:07,520 Speaker 3: was like, oh there, guys, can you take me out 24 00:01:07,560 --> 00:01:10,520 Speaker 3: for dinner? Like mate? Really? Yeah? Yeah? He was like 25 00:01:10,760 --> 00:01:13,640 Speaker 3: he's like, I'm going to be with and we were like, 26 00:01:14,520 --> 00:01:15,120 Speaker 3: you should. 27 00:01:15,240 --> 00:01:17,880 Speaker 1: Kids, mate, I'd like to go with him. 28 00:01:17,959 --> 00:01:22,520 Speaker 2: With Phil, he'd hate my dietary, Yeah, he'd be offended. 29 00:01:22,760 --> 00:01:23,640 Speaker 1: Where would you take him? 30 00:01:23,959 --> 00:01:25,920 Speaker 3: A man who makes a living of eating anything? I 31 00:01:25,959 --> 00:01:28,200 Speaker 3: was actually saying to him because he's from America, right, 32 00:01:28,520 --> 00:01:31,319 Speaker 3: and like traditionally the Asian food in America is awful, right, 33 00:01:31,400 --> 00:01:34,360 Speaker 3: So I was like, we're taking to a great Chinese restaurant, 34 00:01:35,080 --> 00:01:39,520 Speaker 3: restaurant I reckon profit. Just chinchen it Japanese Chinchin. Yeah. 35 00:01:39,920 --> 00:01:41,240 Speaker 1: I think he's I think he's performing. 36 00:01:41,319 --> 00:01:44,639 Speaker 3: We are talking about restaurants in Melbourne by yes, yes, yes, 37 00:01:45,360 --> 00:01:48,760 Speaker 3: anyway feels Chinchin wants to have you guys and Phil 38 00:01:48,840 --> 00:01:50,800 Speaker 3: Rosenthal we go super normal. 39 00:01:52,560 --> 00:01:54,520 Speaker 1: Yeah, that's let's put that out there. That's nice. Tummy 40 00:01:55,000 --> 00:01:56,520 Speaker 1: get in at touched, guys. If you want us to, 41 00:01:57,440 --> 00:01:59,920 Speaker 1: if you want Phil, if you want if you want 42 00:01:59,920 --> 00:02:04,000 Speaker 1: to feed Phil? Yeah, yeah great, I love that. Love 43 00:02:04,040 --> 00:02:04,760 Speaker 1: that love that. 44 00:02:04,960 --> 00:02:07,160 Speaker 2: Team will come to But we are in a little 45 00:02:07,160 --> 00:02:08,720 Speaker 2: bit of trouble though, We've got a lot of no's. 46 00:02:08,919 --> 00:02:11,440 Speaker 1: There's just a lot of no happening, and I think 47 00:02:11,440 --> 00:02:14,239 Speaker 1: we're realizing that. It's like it's a big ask. 48 00:02:15,240 --> 00:02:19,200 Speaker 2: Enormous so is say, if we don't get a celebrity, 49 00:02:20,480 --> 00:02:23,959 Speaker 2: how else do you add razzle dazzle? Just I'm not 50 00:02:24,000 --> 00:02:27,760 Speaker 2: saying we're not going to get celebrity d Yeah. How 51 00:02:27,760 --> 00:02:29,519 Speaker 2: do you bring razzle dazzle without. 52 00:02:30,960 --> 00:02:31,680 Speaker 1: Fireworks? 53 00:02:32,120 --> 00:02:33,320 Speaker 3: Yeah? You do? 54 00:02:33,400 --> 00:02:35,520 Speaker 1: Like a raffle a raff raffle? 55 00:02:35,600 --> 00:02:36,880 Speaker 3: Yeah, yeah, like a barbecue. 56 00:02:36,960 --> 00:02:39,119 Speaker 1: I don't know, do a sausage sizzle. It's not great. 57 00:02:39,200 --> 00:02:42,560 Speaker 2: Right, we've gone from We've gone. We've gone from the 58 00:02:42,560 --> 00:02:46,239 Speaker 2: hopes of having another one who said, no, how many 59 00:02:46,240 --> 00:02:48,560 Speaker 2: eminem's in the jar? You know those sorts of a 60 00:02:48,560 --> 00:02:49,600 Speaker 2: good country game, isn't it. 61 00:02:49,639 --> 00:02:52,480 Speaker 3: Yeah? They'll bring people in. I reckon those sorts of things. Okay, 62 00:02:52,560 --> 00:02:55,840 Speaker 3: so crack is they're absolutely there there. They've been bringing 63 00:02:55,880 --> 00:02:58,200 Speaker 3: crowds for eons. Those games. 64 00:02:58,440 --> 00:03:01,640 Speaker 1: Just run a fate. We get merry, go around out 65 00:03:01,680 --> 00:03:05,120 Speaker 1: the front, get someone else to run it. I don't think, like, 66 00:03:05,560 --> 00:03:06,320 Speaker 1: are where you going to go? 67 00:03:07,520 --> 00:03:09,400 Speaker 3: I'd like to go. I don't want to rock up 68 00:03:09,440 --> 00:03:10,080 Speaker 3: empty handed. 69 00:03:10,120 --> 00:03:12,960 Speaker 1: Though, Well I've got the idea with the guess that the eminem. 70 00:03:16,400 --> 00:03:16,720 Speaker 2: To run. 71 00:03:17,240 --> 00:03:19,359 Speaker 3: We're in trouble. I think we have to acknowledge that 72 00:03:20,280 --> 00:03:22,120 Speaker 3: we do. I think it should also important just to 73 00:03:22,120 --> 00:03:25,040 Speaker 3: get people in there. They said, just to clear the shelves. Yeah, dude, 74 00:03:25,040 --> 00:03:25,600 Speaker 3: oh here we go. 75 00:03:25,800 --> 00:03:26,080 Speaker 1: Okay. 76 00:03:26,680 --> 00:03:29,280 Speaker 3: Mark Boris the business guy. 77 00:03:29,520 --> 00:03:30,600 Speaker 1: Yeah, what about him? 78 00:03:30,720 --> 00:03:33,280 Speaker 2: Well, he's just loaded, right, so we just take him 79 00:03:33,280 --> 00:03:37,440 Speaker 2: and he can buy everything? Like is that is that 80 00:03:37,480 --> 00:03:39,520 Speaker 2: better than trying to organize sausages? Like how do we 81 00:03:39,560 --> 00:03:42,320 Speaker 2: get the sausages cold? And there's a lot about in there, 82 00:03:42,360 --> 00:03:47,400 Speaker 2: Whereas if we just get Boris, let's just kidnap Boris. 83 00:03:47,440 --> 00:03:49,520 Speaker 3: Mark Boris feels like a lot more admin than buying 84 00:03:49,520 --> 00:03:51,400 Speaker 3: a twenty four pack of snags from Carl's pull. 85 00:03:51,320 --> 00:03:55,960 Speaker 1: Enough for kidnapping, more fun. How would you go about it? 86 00:03:56,000 --> 00:03:58,040 Speaker 2: But if you had to Boris, if we were like, 87 00:03:58,120 --> 00:03:59,800 Speaker 2: that's we're green lighting that lighted up. 88 00:04:00,120 --> 00:04:02,280 Speaker 1: Let's we're going for kidnapped Boris? 89 00:04:02,360 --> 00:04:05,280 Speaker 2: Yeah, what would you he records a podcast might be 90 00:04:05,280 --> 00:04:06,400 Speaker 2: a good place to get him. But how would you 91 00:04:06,400 --> 00:04:07,680 Speaker 2: go about kidnapping Boris? 92 00:04:09,440 --> 00:04:13,720 Speaker 3: Oh? Like that, Well, we've spoken about this before, because 93 00:04:13,960 --> 00:04:15,560 Speaker 3: kidnapping Mark Buris no. 94 00:04:16,720 --> 00:04:20,960 Speaker 1: Kid the Carlisle speaknapping it. We talked about being here 95 00:04:21,000 --> 00:04:21,839 Speaker 1: on a shipping container. 96 00:04:21,920 --> 00:04:25,680 Speaker 3: Yeah, yeah, we did. Actually, no, we spoke. We spoke 97 00:04:25,680 --> 00:04:27,040 Speaker 3: about tranquilizing. 98 00:04:26,560 --> 00:04:28,479 Speaker 1: DJ Colored because he's scared of plane. 99 00:04:28,520 --> 00:04:30,479 Speaker 3: He's scared of planes. And I was saying, if you 100 00:04:30,520 --> 00:04:32,719 Speaker 3: were trying to get DJ Carlett on a plane, just 101 00:04:32,760 --> 00:04:36,120 Speaker 3: don't tell him, don't tell him, and just trank him 102 00:04:36,320 --> 00:04:38,120 Speaker 3: from a distance. So he's on the golf course, trank 103 00:04:38,200 --> 00:04:40,880 Speaker 3: him and then just he's on the plane like those 104 00:04:40,960 --> 00:04:43,799 Speaker 3: kids in the rescue on the Disney documentary. 105 00:04:43,880 --> 00:04:45,240 Speaker 1: Yeah yeah, ty Cave Rescue. 106 00:04:45,320 --> 00:04:48,200 Speaker 3: Yeah, ty Cave Rescue. So I think, yeah, just a cocktail. 107 00:04:48,720 --> 00:04:50,120 Speaker 3: Put him on the plane and then he wakes up 108 00:04:50,200 --> 00:04:52,240 Speaker 3: and you go, hey, mate, by the way, we know 109 00:04:52,279 --> 00:04:54,680 Speaker 3: you're terrified of flying. You're playing Madison Square Garden in 110 00:04:55,040 --> 00:04:57,240 Speaker 3: a couple of hours. Don't worry about it. Which I 111 00:04:57,240 --> 00:04:59,320 Speaker 3: think if I was in charge of DJ Karlett, given 112 00:04:59,360 --> 00:05:01,440 Speaker 3: that he's very hard to travel around, yeah, would be 113 00:05:01,480 --> 00:05:05,320 Speaker 3: a great idea I would hire. I think Carlor is 114 00:05:05,320 --> 00:05:07,480 Speaker 3: missing a beat and that he doesn't have like a 115 00:05:07,640 --> 00:05:11,719 Speaker 3: tranquilizer guy. It's responsible for tranking him when he least 116 00:05:11,760 --> 00:05:12,240 Speaker 3: expects it. 117 00:05:12,360 --> 00:05:15,280 Speaker 1: Get doctor Richard Harris. He's the guy the tire Cave 118 00:05:15,320 --> 00:05:16,360 Speaker 1: Rescue Igon. 119 00:05:16,480 --> 00:05:19,719 Speaker 2: Our first call on Monday is to doctor Richard Harris 120 00:05:20,960 --> 00:05:23,680 Speaker 2: and go are you laughing because it's a bad idea, 121 00:05:23,680 --> 00:05:24,960 Speaker 2: because thought we were hones saying here. 122 00:05:27,080 --> 00:05:28,760 Speaker 1: Anyway, okay, call the. 123 00:05:28,720 --> 00:05:32,680 Speaker 2: Doctor and go mate, we're hoping to tranquilize Mark Boris. 124 00:05:34,880 --> 00:05:36,400 Speaker 1: And then put him on a plane. 125 00:05:41,640 --> 00:05:45,320 Speaker 2: All right, well that's where that's where we're at, tranquilize 126 00:05:45,360 --> 00:05:47,359 Speaker 2: Mark Boris with the help of doctor Richard Harris. 127 00:05:47,400 --> 00:05:51,760 Speaker 1: Brod are you listening? Richard Harris met him on Monday. 128 00:05:52,440 --> 00:05:53,800 Speaker 1: I think you might be better with the M and 129 00:05:53,880 --> 00:05:55,040 Speaker 1: ms in the jar ah. 130 00:05:55,279 --> 00:05:58,520 Speaker 3: Yeah, yeah, Richard from Monday. 131 00:05:58,920 --> 00:06:02,560 Speaker 1: Man, he's done a new books, his books out, his 132 00:06:02,560 --> 00:06:10,839 Speaker 1: books out there. So you want to bro oh alright, 133 00:06:11,800 --> 00:06:12,360 Speaker 1: we'll sleep on that. 134 00:06:13,960 --> 00:06:16,520 Speaker 2: You check this out of DJ Carriage. 135 00:06:16,360 --> 00:06:21,800 Speaker 1: Fishes, DJ Kaled amazing. Do you know who else? Let's 136 00:06:21,800 --> 00:06:24,119 Speaker 1: get a you've you've pushed your microphone away.