1 00:00:00,520 --> 00:00:03,160 Speaker 1: So you've heard of searching for sugar Man. Yeah, this 2 00:00:03,320 --> 00:00:05,640 Speaker 1: is searching for moon Man. Who needs roriez? When you 3 00:00:05,680 --> 00:00:10,320 Speaker 1: got Lawrence Mooney in the streets and Lawrence has shined 4 00:00:10,360 --> 00:00:13,560 Speaker 1: us on the phone. Good morning, Good. 5 00:00:13,320 --> 00:00:14,840 Speaker 2: Morning to you, Lisa, Good morning to. 6 00:00:14,760 --> 00:00:16,880 Speaker 3: Your Clare Hospitals. 7 00:00:17,520 --> 00:00:22,200 Speaker 2: I'm creating a ninety six FM fugitive man. 8 00:00:22,960 --> 00:00:26,280 Speaker 4: There he is in the open air. I'm out in 9 00:00:26,520 --> 00:00:30,440 Speaker 4: the Murray Street mall. Sorry, guys, I was wandering around. 10 00:00:30,520 --> 00:00:31,600 Speaker 2: I grabbed a last day. 11 00:00:31,680 --> 00:00:34,600 Speaker 4: I thought something I've got to be doing this morning. 12 00:00:35,120 --> 00:00:36,080 Speaker 4: You split my mind. 13 00:00:36,120 --> 00:00:38,760 Speaker 2: But thank you so much for inviting me onto the 14 00:00:38,800 --> 00:00:40,080 Speaker 2: show night to be back. 15 00:00:39,880 --> 00:00:42,559 Speaker 1: In per and you've just mentioned out for a bit 16 00:00:42,560 --> 00:00:43,240 Speaker 1: of brecky have you. 17 00:00:43,400 --> 00:00:43,840 Speaker 3: You're good? 18 00:00:44,320 --> 00:00:48,839 Speaker 4: I have down by the river. It's just glorious down there. 19 00:00:48,880 --> 00:00:51,000 Speaker 4: And one of the things I love about coming to 20 00:00:51,040 --> 00:00:52,680 Speaker 4: Perth is you guys do summer. 21 00:00:52,800 --> 00:00:53,640 Speaker 2: It's like a switch. 22 00:00:55,920 --> 00:00:59,600 Speaker 4: How about some post thirty degree days every day? Yeah, 23 00:01:00,120 --> 00:01:02,240 Speaker 4: because where I'm from, in the Southern Islands of New 24 00:01:02,240 --> 00:01:05,319 Speaker 4: South Wales where I live, it has just been pelting 25 00:01:05,319 --> 00:01:07,400 Speaker 4: with rain, so no summer. 26 00:01:07,600 --> 00:01:09,800 Speaker 3: Yeah, it's like a different country. Tell us about the 27 00:01:09,840 --> 00:01:13,200 Speaker 3: show about this. People try to pigeonhole, your pigeonhole work 28 00:01:13,200 --> 00:01:14,200 Speaker 3: in progress. What's going on? 29 00:01:15,040 --> 00:01:18,880 Speaker 4: Pigeonhole is all about, you know, that harsh categorization that 30 00:01:18,920 --> 00:01:21,240 Speaker 4: we apply to ourselves. We all try to pitch in 31 00:01:21,280 --> 00:01:23,959 Speaker 4: all ourselves and everyone wants to pigeonhole. You and I 32 00:01:24,080 --> 00:01:27,240 Speaker 4: have been pigeonholed over the years. Sure I brought it 33 00:01:27,280 --> 00:01:34,400 Speaker 4: on myself at very I'm vishing appointment. But now I've 34 00:01:34,440 --> 00:01:37,240 Speaker 4: doug change this year. I've joined the five am club 35 00:01:37,680 --> 00:01:40,680 Speaker 4: and I'm taking it from another direction, like I'm actually 36 00:01:40,720 --> 00:01:43,080 Speaker 4: waking up at pim rather than arriving home. 37 00:01:44,680 --> 00:01:47,120 Speaker 3: You've changed it is. 38 00:01:47,200 --> 00:01:50,280 Speaker 4: It is about change and about you know, shaking off 39 00:01:51,320 --> 00:01:54,240 Speaker 4: a little bit of tatoo there, shaken off how you 40 00:01:54,320 --> 00:01:57,920 Speaker 4: perceive yourself and how others perceive you. A lot of 41 00:01:58,000 --> 00:02:02,640 Speaker 4: jokes in between. Of course, again I'm finding myself in 42 00:02:02,680 --> 00:02:06,120 Speaker 4: this kind of like self help vein of the aging, 43 00:02:06,560 --> 00:02:10,320 Speaker 4: the gaining of wisdom. But first of all, you know, 44 00:02:10,520 --> 00:02:12,440 Speaker 4: I've got to address some things in Perth. But I 45 00:02:12,520 --> 00:02:16,240 Speaker 4: always like to address speaking about being down by the river, 46 00:02:16,320 --> 00:02:17,079 Speaker 4: the bell Tower. 47 00:02:17,480 --> 00:02:19,840 Speaker 2: I've been there for twenty four years. 48 00:02:20,280 --> 00:02:22,840 Speaker 3: The finest moment, no one. 49 00:02:23,000 --> 00:02:26,120 Speaker 2: No one really knows why the Karellion bells. 50 00:02:26,240 --> 00:02:31,440 Speaker 5: Oh yeah, yeah, up on is it the high Street mall, 51 00:02:31,520 --> 00:02:36,519 Speaker 5: the Karellion and oh you know first it's a home 52 00:02:36,560 --> 00:02:38,440 Speaker 5: of bells. 53 00:02:39,240 --> 00:02:40,080 Speaker 2: Yes, so many bells. 54 00:02:40,120 --> 00:02:42,920 Speaker 1: Apparently the bells came from France a great cost. I 55 00:02:42,919 --> 00:02:45,359 Speaker 1: don't know if they were rung by you know, Quasimoto 56 00:02:45,600 --> 00:02:49,440 Speaker 1: some stage or what what ha Yeah, yeah, they tried 57 00:02:49,480 --> 00:02:52,639 Speaker 1: to play up the gravitas of those bells. 58 00:02:52,680 --> 00:02:53,160 Speaker 3: Very heavy. 59 00:02:53,680 --> 00:02:56,720 Speaker 2: Now it's experienced. 60 00:02:56,720 --> 00:03:03,120 Speaker 4: The Quasimoto named Fortnight that he said, one of the 61 00:03:03,280 --> 00:03:04,280 Speaker 4: great hunchbacks. 62 00:03:04,760 --> 00:03:05,840 Speaker 3: What a hunchback. 63 00:03:07,520 --> 00:03:14,040 Speaker 2: We can't say huntsback anymore. We all did. No, you 64 00:03:14,160 --> 00:03:17,280 Speaker 2: can't hunchback. You've got to say, you know, some kind 65 00:03:17,320 --> 00:03:18,799 Speaker 2: of orthopedic. 66 00:03:18,680 --> 00:03:23,400 Speaker 3: Challenge Chalou, Yeah, you can't even Gladstone small posturely challenged. 67 00:03:26,480 --> 00:03:29,639 Speaker 4: Of course, he had the bolding eyeball to cosimotive, so 68 00:03:30,160 --> 00:03:31,600 Speaker 4: he did say that he did. 69 00:03:33,840 --> 00:03:35,839 Speaker 2: He had a fair amount to deal with. But yeah, 70 00:03:35,880 --> 00:03:37,120 Speaker 2: I think I think. 71 00:03:37,000 --> 00:03:40,840 Speaker 4: There's going to be some hunchback getting emails, some very 72 00:03:40,880 --> 00:03:41,600 Speaker 4: angry letters. 73 00:03:43,440 --> 00:03:46,720 Speaker 1: I think the letter I never expected to be canceled 74 00:03:46,760 --> 00:03:46,920 Speaker 1: for that. 75 00:03:47,520 --> 00:03:51,880 Speaker 3: He did falsify his profile shot on every sexual media outlet, unless, 76 00:03:51,920 --> 00:03:52,440 Speaker 3: of course. 77 00:03:53,280 --> 00:03:56,000 Speaker 2: You identify as a huntback and you've got some form 78 00:03:56,040 --> 00:03:57,000 Speaker 2: of early On. 79 00:04:00,080 --> 00:04:02,400 Speaker 1: One of the greatest plusture in the world, I admit, 80 00:04:02,640 --> 00:04:06,600 Speaker 1: but I did. It's yeah, still elite to Quasimodo. 81 00:04:07,560 --> 00:04:09,480 Speaker 3: Shrunk, you said to me during the way you trunk. 82 00:04:09,560 --> 00:04:12,280 Speaker 3: Definitely shrunk as I've got older, definitely. 83 00:04:13,360 --> 00:04:16,840 Speaker 2: Well, you know it's a message for make sure you're 84 00:04:16,839 --> 00:04:21,680 Speaker 2: getting your protection retail. That's what I want to do. 85 00:04:22,000 --> 00:04:25,120 Speaker 4: This show is about a caud and retail and they 86 00:04:25,200 --> 00:04:31,080 Speaker 4: we've reached out across the divide myself from last summer 87 00:04:31,520 --> 00:04:34,520 Speaker 4: and it was taken from behind and I had a 88 00:04:34,880 --> 00:04:39,960 Speaker 4: I had backfat neckfold. I had Oh my god, I 89 00:04:40,000 --> 00:04:42,320 Speaker 4: could probably claim early On said hunchback there. 90 00:04:43,440 --> 00:04:48,679 Speaker 2: I'm a little bit dolphin shoulder to be fair, dolphin 91 00:04:50,640 --> 00:04:54,640 Speaker 2: not great. Shoulders will be dolphin shoulders. 92 00:04:55,160 --> 00:05:01,600 Speaker 3: Couldn't shoulders cruel not much total than causing himself. 93 00:05:02,440 --> 00:05:09,640 Speaker 2: So come and see this Dolven soldered arms backed plot foxes. 94 00:05:11,320 --> 00:05:13,960 Speaker 2: This is what it's all about. It's about improvising and 95 00:05:14,400 --> 00:05:17,000 Speaker 2: exploring a new show and finding laughs. 96 00:05:17,000 --> 00:05:18,800 Speaker 4: And that's what a work in progress is. Every show 97 00:05:18,920 --> 00:05:22,200 Speaker 4: is going to be different, and sometimes, in fact, often 98 00:05:22,279 --> 00:05:24,719 Speaker 4: these shows are the best and your wishes. A comedian, 99 00:05:25,279 --> 00:05:28,320 Speaker 4: you could keep it loose forever. But you know, we're 100 00:05:28,520 --> 00:05:31,200 Speaker 4: so neurotic about getting a laugh. We love to nail 101 00:05:31,240 --> 00:05:35,360 Speaker 4: it down all that. Yeah, yeah, I wish it could 102 00:05:35,520 --> 00:05:39,080 Speaker 4: always be this loose, So come down personally, encourage me 103 00:05:39,200 --> 00:05:40,760 Speaker 4: to be quasi. 104 00:05:44,160 --> 00:05:47,839 Speaker 3: Quasi means harp yes me or something. 105 00:05:47,880 --> 00:05:50,599 Speaker 2: I don't know the Americans would see he was quasi motor. 106 00:05:52,720 --> 00:05:53,880 Speaker 3: We don't know how to pronounce things. 107 00:05:55,600 --> 00:05:59,240 Speaker 1: Well. On that note, I think in the Best Nights 108 00:05:59,279 --> 00:06:01,800 Speaker 1: Outa always says ones that are spontaneous to do you 109 00:06:01,920 --> 00:06:04,200 Speaker 1: decide on it the last second. So the best shows 110 00:06:04,240 --> 00:06:07,920 Speaker 1: are also the ones that are pigeonhole working progress style. 111 00:06:08,080 --> 00:06:10,720 Speaker 3: The best Glenn, Maxwell, Knights and Lawrence Moon. 112 00:06:13,480 --> 00:06:15,200 Speaker 2: Just open the shoulders, open your. 113 00:06:17,920 --> 00:06:19,839 Speaker 1: All right, Lawrence, Johnny. 114 00:06:23,080 --> 00:06:25,120 Speaker 3: Forgiven, Okay, for ever, forgiven. 115 00:06:25,240 --> 00:06:27,800 Speaker 1: Johnny Foxes until Sunday tickets and through Fringe World dot 116 00:06:27,839 --> 00:06:32,039 Speaker 1: com dot you enjoy your wanderer around the streets there 117 00:06:32,080 --> 00:06:33,120 Speaker 1: and dolphins and. 118 00:06:33,120 --> 00:06:36,279 Speaker 2: The latt And thank you very much for the laugh 119 00:06:36,400 --> 00:06:38,800 Speaker 2: that has really got my endorphins. 120 00:06:41,279 --> 00:06:45,120 Speaker 3: You're in dolphins all right, Thanks Lawrence,