WEBVTT - Is Kate a witch?

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<v Speaker 1>Imagine, if you will, that you are in a place

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<v Speaker 1>of great beauty.

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<v Speaker 2>Some teenage boys.

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<v Speaker 1>Walk past you, they yell out, they bitch tits. The

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<v Speaker 1>world you see is a place of paradox of beauty

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<v Speaker 1>and cruelty. It will cut you off at the knees

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<v Speaker 1>then gift.

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<v Speaker 2>You a pair of easies.

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<v Speaker 1>And that, my friends, is why.

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<v Speaker 3>You always always need a buck up.

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<v Speaker 2>Ba ba ba ba KNITCHI wah.

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<v Speaker 3>You know it's gonna sound very weird when people don't

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<v Speaker 3>know you just got off a plane.

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<v Speaker 2>From literally this morning, I got off a plane.

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<v Speaker 3>Well they maybe they need to know that before you

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<v Speaker 3>carry on with your little voice there, I think, do

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<v Speaker 3>you like that that I'm so demure?

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<v Speaker 2>Oh my goodness.

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<v Speaker 3>This is like in high school when someone came back

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<v Speaker 3>from America for two weeks and they had an accent.

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<v Speaker 2>Oh yeah, that's right.

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<v Speaker 4>But I can't do the accent because although they don't

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<v Speaker 4>care about cultural appropriation, they'd never be happier than if

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<v Speaker 4>everyone's tripping around in a kimono.

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<v Speaker 3>Welcome Katelin, mischief face.

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<v Speaker 2>You know who's very Japanese?

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<v Speaker 3>Who oh yeah, why so I just her size?

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<v Speaker 2>She could shop there.

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<v Speaker 4>And just no, no, not that part say hello, Sash,

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<v Speaker 4>that's enough can ware. Anyway, I brought presents people that.

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<v Speaker 3>Bring presents from holidays.

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<v Speaker 2>And I did some vintage shopping.

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<v Speaker 3>Did even she comes with her Gucci handbag. Folks look

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<v Speaker 3>at that?

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<v Speaker 2>How's that? Because you know there's no copies in Japan?

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<v Speaker 2>So they say, well, so they say so, they say

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<v Speaker 2>it was a legit boot in a car.

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<v Speaker 4>Leg I went to the factory. I saw the guy

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<v Speaker 4>with his hot glue gun.

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<v Speaker 3>Handcrafted.

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<v Speaker 2>Isn't it stunny?

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<v Speaker 3>Is if anyone was to say, what's a Kate Lanebrook bag?

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<v Speaker 3>There it is red and.

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<v Speaker 2>Brilliant, little, bigly, not frilly a good way. Now you're okay,

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<v Speaker 2>Now what so tassels?

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<v Speaker 4>No brilliant big is like.

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<v Speaker 2>When you think of Kate lane Brook.

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<v Speaker 3>I'm sorry, but if anything about women they like being

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<v Speaker 3>called frilly and big.

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<v Speaker 2>Wow, you're getting what is this? Oh my god? Folks

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<v Speaker 2>has given me.

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<v Speaker 3>Kalua the greatest, all the way from Japan, all the

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<v Speaker 3>way from Japan. It is much a flavor.

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<v Speaker 4>Now, pa is insane because as we know, Kalua is

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<v Speaker 4>a coffee liqueur, and that chase it is tea.

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<v Speaker 2>And it's not a good tasting one. Either.

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<v Speaker 3>So this is something.

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<v Speaker 2>So I thought of you and I haven't tried it.

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<v Speaker 2>We haven't tried. It is going to be an experiment.

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<v Speaker 2>And hang on, I'm going to give I give Sasha

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<v Speaker 2>hers while you pour us drinks. Of course, yeah, okay,

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<v Speaker 2>because Sasha French, I got you for me? All right?

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<v Speaker 2>What are these? All the Japanese girls use them.

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<v Speaker 4>They're patches that you put on your legs or your

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<v Speaker 4>feet are tied. And apparently they're amazing, and you know you.

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<v Speaker 2>You yeah, hot feet, Yeah.

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<v Speaker 4>You get hot feet, refreshed sheet, very good, and also

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<v Speaker 4>some cherry sauce.

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<v Speaker 2>And also they.

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<v Speaker 3>I'm just laughing at the sentence I get hot feet.

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<v Speaker 2>Are they gorgeous?

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<v Speaker 3>I think your boyfriend alt chuck those socks on your

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<v Speaker 3>stinking hot feet.

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<v Speaker 2>Your bit stinking they don't stink so free.

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<v Speaker 4>You're such a It reminds me of I told you

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<v Speaker 4>what my mom once said about gaming.

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<v Speaker 2>Why do women love gay men? You know they're the enemy.

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<v Speaker 2>You both want the same thing.

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<v Speaker 4>And the more time I spend with you, oh my goodness,

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<v Speaker 4>it's green.

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<v Speaker 3>The much a klure looks absolutely awful.

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<v Speaker 2>It looks like you wrongs. You've got me a bottle

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<v Speaker 2>of it's a terrible dark green oil.

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<v Speaker 3>It's taste.

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<v Speaker 2>Ruined. Okay, hang it mm hmm. I can't taste the

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<v Speaker 2>much at all. I taste it at the start, but

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<v Speaker 2>not at the end. Who cares? Thank you so much

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<v Speaker 2>for my presence. That a great novelty, you know what.

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<v Speaker 2>I saw it first, and then I said, why didn't

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<v Speaker 2>I just get it?

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<v Speaker 4>You know, when you're traveling you just don't think you don't.

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<v Speaker 4>And then I went, we drink kolure all the time.

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<v Speaker 4>What better for our Japanese episodes then to drink much.

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<v Speaker 2>I like that coffee. Look you up.

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<v Speaker 3>I love a much, love a much. I love much

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<v Speaker 3>of kid kats from Japan.

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<v Speaker 2>You playing at home? Oh yes you can. We brought

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<v Speaker 2>some back.

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<v Speaker 3>You are a lot of things much a flavored considering

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<v Speaker 3>you think it's a disgusting, well.

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<v Speaker 2>Because you like the novelty of it. Pushing me, just

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<v Speaker 2>pushing me.

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<v Speaker 4>It's so amazing. I know it's annoying to hear people say,

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<v Speaker 4>but let me this is a good tip for I've

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<v Speaker 4>never been our listeners. Well I've been before, but not properly.

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<v Speaker 4>I went on a cruise with We took my parents

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<v Speaker 4>on a cruise and.

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<v Speaker 2>The kids were little. I saw quite a lot of it. Yeah,

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<v Speaker 2>we saw quite a lot, but it was not like

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<v Speaker 2>this time.

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<v Speaker 4>We had five days in Tokyo and five days skiing,

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<v Speaker 4>and then we were.

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<v Speaker 3>In Osaka and you hate skiing.

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<v Speaker 2>I didn't go skiing.

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<v Speaker 3>You sent us a pit lying on the couch like comfortable.

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<v Speaker 3>And I have to admit, behind you it was the

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<v Speaker 3>most beautiful looking scenery I've ever seen the same. I

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<v Speaker 3>think it would even get.

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<v Speaker 2>Me out there.

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<v Speaker 4>It was so incredible enough for you to like go

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<v Speaker 4>out there. No, I did go out there, but not skiing.

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<v Speaker 4>But I did say, and you know I hate walking.

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<v Speaker 4>I hate well, you know I have a good walk.

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<v Speaker 2>I'm like, get if God wanted me to walk a

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<v Speaker 2>car car, thank you, thank you.

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<v Speaker 3>You heard of an e scooter, but I had rollerblades.

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<v Speaker 2>Two of the greatest walks. In fact, every night a

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<v Speaker 2>heavy snow walk, heavy snow walk.

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<v Speaker 4>I can't faie to you the magic of it. It's

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<v Speaker 4>proper magic.

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<v Speaker 2>Well you I could.

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<v Speaker 3>I've got a glimpse of it in the background of

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<v Speaker 3>you lying on the couch in the pic.

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<v Speaker 2>Yeah, it was just magical.

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<v Speaker 4>And such of course had been the year before with

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<v Speaker 4>her boyfriend.

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<v Speaker 2>Anyway. Wow, for someone who said that heaps to talk about.

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<v Speaker 4>No, I've got okay, so you know how I am.

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<v Speaker 3>I hope you never get a job on Getaway your

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<v Speaker 3>episode of Getaway? Is you going I hate walking?

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<v Speaker 2>No? You know how? I love the things about Japan. Okay.

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<v Speaker 2>It's as cheap as chips.

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<v Speaker 3>As in daily life, there is cheap foods cheap, so cheap.

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<v Speaker 3>Is the a com really expensive though?

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<v Speaker 4>No, no it's not, no, not really, not compared to

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<v Speaker 4>in Sydney, that shit old Sydney.

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<v Speaker 3>Hey, Sydney buckets. What's going on with don't even I

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<v Speaker 3>get an offer for a comedy room or to do

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<v Speaker 3>a show and you go yeah, then you work out

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<v Speaker 3>the math of the hotel room.

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<v Speaker 2>You're like, I'm going to lose money, Sydney. It's crazy. Okay.

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<v Speaker 4>So what's happened is this is bad for the Japanese people.

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<v Speaker 4>I imagine who knows, but their economy is collapsed, oh dear.

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<v Speaker 4>Something to do with the fact that Honda and Nissan

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<v Speaker 4>or is the Americans called it. Nissan also get we're

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<v Speaker 4>going to have a merger, right, They're going to have

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<v Speaker 4>a merger because their car industry is being destroyed by

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<v Speaker 4>the Chinese.

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<v Speaker 2>Are they going electric or what?

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<v Speaker 4>No, they brought in the first highbrid they were a

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<v Speaker 4>bit early with it or the first electric. Yeah, Toyota

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<v Speaker 4>is not involved in the merger anyway. The merger fell

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<v Speaker 4>over while we were there, and gee, how exchange rate

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<v Speaker 4>just went through the roof, so we were getting like

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<v Speaker 4>nine yeen. So it was basically you one tenths everything.

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<v Speaker 4>So you go out for a stunning.

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<v Speaker 3>Temperaud on Yumo ten bucks love it?

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<v Speaker 2>Ten bucks at the air? What at the air? I

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<v Speaker 2>mean it had Marcher in it, but it was always

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<v Speaker 2>March anyway. It was stunning.

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<v Speaker 4>And also the other thing about Japan that is amazing

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<v Speaker 4>is it's a high trust society.

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<v Speaker 3>Everyone always has clean I thought you were about to

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<v Speaker 3>say it.

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<v Speaker 2>I'll tell you what. My bits have never been never

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<v Speaker 2>like whenever you like. The toilet's just constantly.

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<v Speaker 3>Constantly, just constantly.

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<v Speaker 4>You're constantly yeap Like did you ever see that movie Silkwood, No,

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<v Speaker 4>with Meryl Streets. She works in a uranium factory and

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<v Speaker 4>if you're ever exposed to the polonium at the end,

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<v Speaker 4>they all the alarms golf and they put you in

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<v Speaker 4>a sh and it's a shower like you've never had before.

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<v Speaker 2>Like she's practically getting.

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<v Speaker 4>That's what the toilets in Japan due to your your

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<v Speaker 4>front bit. Although you can and you can press different bits.

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<v Speaker 2>You can press favorite.

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<v Speaker 4>No, I didn't have a favorite. I'm not really that

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<v Speaker 4>into it, to be honest. I found it a bit much.

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<v Speaker 3>I can never decide on what I want the hose.

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<v Speaker 3>When I have to hose the garden out the bark

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<v Speaker 3>and coat is away. Do I go the hard long one?

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<v Speaker 2>Right? The wide spray? Okay? Well this is you would

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<v Speaker 2>really have.

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<v Speaker 4>I'm good at decisions. For me, it's all little pictures.

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<v Speaker 4>And after a while we knew the pictures.

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<v Speaker 3>It was on the pictures.

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<v Speaker 2>One's a little bottom and the jets like right in

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<v Speaker 2>the middle of the cheeks.

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<v Speaker 4>And one is what's the girl one such it just

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<v Speaker 4>has a different angle. I think it's intrusive. Yeah, it's intrusive.

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<v Speaker 3>Yeah, the wrong setting old hot feed over there.

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<v Speaker 2>Dear feet were hot after she gave this a good hosing,

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<v Speaker 2>a good silkwood hosing.

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<v Speaker 3>Did anyone in your family enjoy the Japanese toileting?

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<v Speaker 2>Oh they all love men love it, do they? Yeah?

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<v Speaker 2>Men love it?

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<v Speaker 4>Men are mad on that sort of stuff, So it's

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<v Speaker 4>a little men love it because I think.

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<v Speaker 2>Of your prostate.

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<v Speaker 4>Because of your prostate, you enjoy things we don't like

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<v Speaker 4>rogering each other up the bot part, What setting was that?

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<v Speaker 2>What was the what was the image for that one?

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<v Speaker 4>But you know, they's like it's there's a whole world

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<v Speaker 4>of possibility. And also the toilets do this thing that

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<v Speaker 4>when you sit on them, they make a background noise,

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<v Speaker 4>which is disconcerting because it sounds like it's flushing, but

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<v Speaker 4>it's not. It's just water running, so that outside you're

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<v Speaker 4>not your part privacy.

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<v Speaker 3>I think anyone listening to our podcast runs toilets of

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<v Speaker 3>some sort. Can every single toilet in the world have

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<v Speaker 3>music playing loudly for the comfort of everybody?

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<v Speaker 2>Yes, well you can choose music or you can have

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<v Speaker 2>the water sound. Anyway. My husband loved it, and he goes,

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<v Speaker 2>I newly put one in in our bathroom. But the

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<v Speaker 2>four thousand dollars no goodbye, normal one for four hundred.

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<v Speaker 3>I mean, just listen to a podcast.

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<v Speaker 2>Dreams so much for me.

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<v Speaker 3>It's good lady to hear any sounds of a creek

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<v Speaker 3>while she's on the duney. Yeah, he wants that beautiful.

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<v Speaker 4>So high trust society is an amazing experience if you

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<v Speaker 4>come from a country like Australia once was a high

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<v Speaker 4>trust society. And I'm not going into the reasons why

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<v Speaker 4>it's no longer. You can probably work that out for yourself.

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<v Speaker 3>I think that involves a bit of a cook.

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<v Speaker 4>But this is how a high trust society manifests itself.

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<v Speaker 4>Now people have done stuff like this online and you

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<v Speaker 4>can check it. Like they've done things that they've left

0:12:55.000 --> 0:13:00.640
<v Speaker 4>a briefcase at the busiest train station in Tokyo, Shinjuku

0:13:00.760 --> 0:13:03.320
<v Speaker 4>or whatever. They've left it there and two hours later

0:13:03.360 --> 0:13:05.120
<v Speaker 4>they come back and pick it up and it's there.

0:13:05.320 --> 0:13:09.560
<v Speaker 3>Crazy, right, But this was just so amazing.

0:13:09.920 --> 0:13:13.560
<v Speaker 4>Once you start noticing it, you're just like literally not

0:13:13.720 --> 0:13:16.240
<v Speaker 4>one person when you're getting on these trains. How many

0:13:16.240 --> 0:13:19.480
<v Speaker 4>people live in Japan thirty million or something, millions millions,

0:13:19.559 --> 0:13:22.480
<v Speaker 4>millions of people on these trains, so busy when you're

0:13:22.520 --> 0:13:25.240
<v Speaker 4>in New York, when you're in Australia, there's always messages,

0:13:25.280 --> 0:13:28.360
<v Speaker 4>please look after it. In Europe, look after your belongings.

0:13:28.400 --> 0:13:29.840
<v Speaker 4>There are pickpockets on the train.

0:13:30.520 --> 0:13:35.520
<v Speaker 2>How many one hundred and twenty four million. What in Tokyo, Japan? Oh?

0:13:35.600 --> 0:13:38.640
<v Speaker 2>How many in Tokyo? Anyway? Whatever, you busy yourself? Take that?

0:13:40.679 --> 0:13:41.920
<v Speaker 2>Do you want some ice for your feet?

0:13:42.120 --> 0:13:47.520
<v Speaker 4>Fourteen fourteen point eight million, city of fourteen point eight million.

0:13:47.760 --> 0:13:50.280
<v Speaker 3>Tiny, The city is very smallest.

0:13:50.600 --> 0:13:53.880
<v Speaker 2>No, it's spread out. It's actually it's actually.

0:13:53.720 --> 0:13:56.040
<v Speaker 3>The actual city city party is small.

0:13:56.160 --> 0:13:59.680
<v Speaker 2>Smaller than No, I don't think so. I don't think so.

0:14:00.160 --> 0:14:00.319
<v Speaker 1>Is that.

0:14:00.679 --> 0:14:02.880
<v Speaker 2>I think it's spread because.

0:14:02.320 --> 0:14:06.480
<v Speaker 4>It's not particularly high rise, not particularly high rise anyway,

0:14:07.160 --> 0:14:11.200
<v Speaker 4>so constantly, once you're aware of it, you're like, this

0:14:11.400 --> 0:14:15.400
<v Speaker 4>is just amazing. There's not a rubbish bin anywhere, which

0:14:15.520 --> 0:14:19.080
<v Speaker 4>drives you crazy. So people carry their own rubbish with

0:14:19.200 --> 0:14:20.880
<v Speaker 4>them and dispose of thoughtfully.

0:14:21.000 --> 0:14:22.080
<v Speaker 2>There's not a cigarette.

0:14:22.120 --> 0:14:26.880
<v Speaker 4>But we were in train stations happenes love us.

0:14:27.840 --> 0:14:29.160
<v Speaker 2>Now they have to do it furtively.

0:14:29.200 --> 0:14:31.560
<v Speaker 4>There's a lot of signs in the street saying no

0:14:31.720 --> 0:14:36.480
<v Speaker 4>smoking now, which some people would find annoying if they

0:14:36.560 --> 0:14:41.880
<v Speaker 4>wanted for perhaps to kick off. But so and they

0:14:41.880 --> 0:14:44.240
<v Speaker 4>sell cigarettes everywhere. I don't know what's happening with that.

0:14:44.280 --> 0:14:46.000
<v Speaker 4>But you can go into a bar and smoke in

0:14:46.040 --> 0:14:49.600
<v Speaker 4>a tiny room the size of a closet anyway.

0:14:49.360 --> 0:14:52.760
<v Speaker 3>Did you see all the drunk businessmen on a Friday night? Okay,

0:14:52.920 --> 0:14:54.480
<v Speaker 3>keep that up on the internet. It's a great thing.

0:14:54.480 --> 0:14:58.080
<v Speaker 3>And they will go our car absolutely maggeted after work.

0:14:58.120 --> 0:15:01.120
<v Speaker 3>And there's all this footage of Andese men passed out

0:15:01.160 --> 0:15:02.960
<v Speaker 3>at train stations.

0:15:03.320 --> 0:15:06.000
<v Speaker 2>Nice to them. Everyone puts bottles of water around them.

0:15:06.080 --> 0:15:09.400
<v Speaker 4>And in Osaka it was Monday night and they were

0:15:09.480 --> 0:15:13.360
<v Speaker 4>all bars hospital night, and the girls who work at

0:15:13.360 --> 0:15:16.840
<v Speaker 4>the bars would all come downstairs with them and got

0:15:17.480 --> 0:15:21.240
<v Speaker 4>mas and got to Kazmer saying I'm waving goodbye, and

0:15:21.280 --> 0:15:23.880
<v Speaker 4>the men would go lurching off down the street. And

0:15:23.920 --> 0:15:25.520
<v Speaker 4>then as soon as they were out of I shot,

0:15:25.560 --> 0:15:27.760
<v Speaker 4>the girls would start talking to each other and giggling.

0:15:27.640 --> 0:15:29.760
<v Speaker 3>Laughing at him, laughing at them.

0:15:30.200 --> 0:15:33.880
<v Speaker 4>But my son mocked me from my attempt at Japanese.

0:15:34.240 --> 0:15:36.600
<v Speaker 2>Well, yeah, I mean fair enough. Did you hear how

0:15:36.640 --> 0:15:38.440
<v Speaker 2>I said that? Then? I mean it was okay.

0:15:38.720 --> 0:15:41.960
<v Speaker 3>I don't know what what were you Sayings?

0:15:42.320 --> 0:15:46.200
<v Speaker 2>Is it you full formed character? Thank you? Thank you

0:15:46.320 --> 0:15:47.360
<v Speaker 2>very much, mel Streams.

0:15:47.360 --> 0:15:53.280
<v Speaker 4>And I know that's what I'm Sayings got to kazimas

0:15:53.600 --> 0:15:56.480
<v Speaker 4>so lewis traveling with tree suns.

0:15:57.160 --> 0:15:58.280
<v Speaker 2>They'll humiliate you.

0:15:58.800 --> 0:16:01.600
<v Speaker 3>I mean traveling with them. They would say, traveling with

0:16:01.720 --> 0:16:03.080
<v Speaker 3>mom humiliated me.

0:16:03.280 --> 0:16:06.320
<v Speaker 4>Okay, they would, But Lewis started doing this thing where

0:16:06.320 --> 0:16:08.560
<v Speaker 4>he would mock my accent every time I tried to

0:16:08.600 --> 0:16:13.040
<v Speaker 4>speak Japanese, and then you know it starts off funny.

0:16:13.200 --> 0:16:15.040
<v Speaker 3>Well, it's just like when my mom used to order

0:16:15.200 --> 0:16:17.800
<v Speaker 3>food in an accent when she was ordering for the family.

0:16:18.400 --> 0:16:22.040
<v Speaker 3>If my mom called her restaurant, yeah, what she'd order

0:16:22.080 --> 0:16:23.240
<v Speaker 3>in a bloody accent.

0:16:22.960 --> 0:16:25.600
<v Speaker 4>Which you're not going to audition demon state from correct.

0:16:25.600 --> 0:16:27.720
<v Speaker 4>I talked you about my friend's dad who used to

0:16:27.760 --> 0:16:31.760
<v Speaker 4>add a Chinese restaurant, go to crab Crawl. We'd always

0:16:31.760 --> 0:16:36.160
<v Speaker 4>been like, not to the way, don't say crab craw.

0:16:37.840 --> 0:16:40.360
<v Speaker 2>Anyway. What do we always secretly say to each other?

0:16:40.640 --> 0:16:48.280
<v Speaker 2>What crab claw? Anyway? So, Lewis, have you got him there? Okay,

0:16:48.360 --> 0:16:48.760
<v Speaker 2>call him.

0:16:48.800 --> 0:16:51.200
<v Speaker 4>I'm just going to say this is what every time

0:16:51.840 --> 0:16:52.920
<v Speaker 4>we spoke Japanese.

0:16:53.040 --> 0:16:55.400
<v Speaker 2>Just Louis Lewis's buck up debuty. I think.

0:17:00.040 --> 0:17:01.080
<v Speaker 3>So dramatic when we call.

0:17:01.360 --> 0:17:03.720
<v Speaker 2>I'm not sure about the tea taste at the start.

0:17:04.359 --> 0:17:04.920
<v Speaker 3>That's not good.

0:17:04.960 --> 0:17:09.000
<v Speaker 2>The caller, I love you, it's really terrible. It's not

0:17:09.040 --> 0:17:09.280
<v Speaker 2>going to.

0:17:11.640 --> 0:17:12.920
<v Speaker 3>He answered his mom, I.

0:17:12.880 --> 0:17:16.520
<v Speaker 2>Answer the phone. No, SA, she's calling. I understand why

0:17:16.520 --> 0:17:23.679
<v Speaker 2>it's not answer. She's like a mother to him.

0:17:23.800 --> 0:17:25.920
<v Speaker 3>I getting a teenage way to answer a call. That's

0:17:25.920 --> 0:17:29.040
<v Speaker 3>a huge gay, you know, roment for the I know.

0:17:29.040 --> 0:17:31.679
<v Speaker 2>His girlfriend gets upset because he doesn't answer the phone.

0:17:32.200 --> 0:17:35.639
<v Speaker 3>Just text. What on earth couldn't just be a text?

0:17:35.680 --> 0:17:39.800
<v Speaker 3>We always think that what what on earth couldn't be

0:17:39.840 --> 0:17:44.639
<v Speaker 3>a text? Like when someone your mother's text it.

0:17:44.720 --> 0:17:45.280
<v Speaker 2>I'll get to it.

0:17:47.160 --> 0:17:49.440
<v Speaker 4>No, you know, there's some things that require and also

0:17:49.480 --> 0:17:50.400
<v Speaker 4>sometimes you need the warm.

0:17:51.280 --> 0:18:04.600
<v Speaker 5>Anyway, we just went to one hundred so quick.

0:18:05.080 --> 0:18:07.200
<v Speaker 2>Your mother look to.

0:18:11.080 --> 0:18:11.920
<v Speaker 3>You know what I mean?

0:18:11.960 --> 0:18:15.080
<v Speaker 4>You want as for an example, anyway, I can't forget

0:18:15.160 --> 0:18:16.840
<v Speaker 4>him moved on dead to me.

0:18:17.440 --> 0:18:19.360
<v Speaker 2>I'm just going to say this one thing to you.

0:18:19.480 --> 0:18:25.439
<v Speaker 4>Yes, high trust society. So I would say it to

0:18:25.480 --> 0:18:29.359
<v Speaker 4>the kids all the time. High trust society. You don't litter,

0:18:29.800 --> 0:18:32.240
<v Speaker 4>You wait, you're very respectful, You wait for other people

0:18:32.280 --> 0:18:34.520
<v Speaker 4>to get off the train before you get on. They

0:18:34.600 --> 0:18:37.360
<v Speaker 4>just make you be better, and it's really exhausting. At

0:18:37.359 --> 0:18:39.960
<v Speaker 4>one point I said better, I'm done with this country

0:18:40.560 --> 0:18:43.880
<v Speaker 4>carrying a bag full of litter around until I can

0:18:43.880 --> 0:18:48.920
<v Speaker 4>dispose bowing to people of Constant. I'm too big for them,

0:18:49.200 --> 0:18:58.360
<v Speaker 4>too big, you too better. They taste in the mouth unpleasant, unpleasant. Anyway,

0:18:58.560 --> 0:19:02.280
<v Speaker 4>this summed just perfectly what it means to live in

0:19:02.320 --> 0:19:04.359
<v Speaker 4>a hydrast society, and we don't have it.

0:19:05.480 --> 0:19:06.080
<v Speaker 2>So we went.

0:19:06.400 --> 0:19:09.439
<v Speaker 4>We went to Harrodjuku, where the Harrodjuku girls are of

0:19:09.520 --> 0:19:13.560
<v Speaker 4>Gwen Stefani fame. Right, we'd been there before the kids

0:19:13.600 --> 0:19:15.600
<v Speaker 4>were little. Then we took them back now and it's

0:19:15.640 --> 0:19:17.080
<v Speaker 4>a big scene on the weekend.

0:19:17.119 --> 0:19:17.679
<v Speaker 2>It's fun.

0:19:17.840 --> 0:19:20.320
<v Speaker 4>You know, there's some people dressed up, and there's lots

0:19:20.359 --> 0:19:23.520
<v Speaker 4>of little Lamewys and kookie shops and lots of Lalita

0:19:23.560 --> 0:19:24.960
<v Speaker 4>girls think.

0:19:24.920 --> 0:19:27.480
<v Speaker 3>Some like cool punk rock or they love like heavy

0:19:27.480 --> 0:19:28.040
<v Speaker 3>met Oh.

0:19:27.960 --> 0:19:30.679
<v Speaker 2>Yeah, they love that. They love you. Yeah. We did

0:19:30.680 --> 0:19:32.879
<v Speaker 2>a lot of vintage shopping. I mean like a gig.

0:19:33.359 --> 0:19:35.280
<v Speaker 2>Oh no, no, no, we didn't know. We didn't go

0:19:35.320 --> 0:19:35.920
<v Speaker 2>to rock.

0:19:36.359 --> 0:19:40.440
<v Speaker 4>There were a lot of rock bars anyway, this girl.

0:19:40.520 --> 0:19:42.520
<v Speaker 4>So we were down in this train station and there

0:19:42.560 --> 0:19:45.560
<v Speaker 4>was a Starbucks and Peter went, oh, I really feel

0:19:45.600 --> 0:19:48.439
<v Speaker 4>like a frappuccino. That Constant quest to just get a

0:19:48.520 --> 0:19:52.120
<v Speaker 4>coffee frappucino, whereas they've got all these flavors in Starbucks.

0:19:52.119 --> 0:19:56.280
<v Speaker 4>I don't understand anyway, this is what happened in the Starbucks,

0:19:56.280 --> 0:19:57.359
<v Speaker 4>and I couldn't believe it.

0:19:57.240 --> 0:19:59.600
<v Speaker 2>It was a tiny little shop, so.

0:19:59.560 --> 0:20:02.640
<v Speaker 4>It was probably the size of two bedrooms, right, crammed

0:20:02.640 --> 0:20:04.680
<v Speaker 4>with people, everyone, every table full.

0:20:04.880 --> 0:20:06.720
<v Speaker 3>So Starbucks pumps in Japan.

0:20:06.880 --> 0:20:10.000
<v Speaker 4>There's no, no, not not particularly, but they've got everything's

0:20:10.000 --> 0:20:13.000
<v Speaker 4>a chain, but they're mostly Japanese chained, so we're like,

0:20:13.040 --> 0:20:15.480
<v Speaker 4>we're happy with that, and a lot of individual restaurants. Anyway,

0:20:15.480 --> 0:20:17.960
<v Speaker 4>this girl comes in dressed really beautifully. She's got a

0:20:17.960 --> 0:20:21.719
<v Speaker 4>little Chanelle's suit on and a handbag. They're very well dressed,

0:20:21.760 --> 0:20:25.920
<v Speaker 4>and she's got shopping bags dangling from every wrist. She

0:20:25.960 --> 0:20:29.359
<v Speaker 4>comes in, she sees a table, She heads straight for

0:20:29.440 --> 0:20:33.280
<v Speaker 4>the table. She puts her shopping bag on the chair,

0:20:33.680 --> 0:20:40.080
<v Speaker 4>she puts her handbag, her handbag on the table, She

0:20:40.480 --> 0:20:44.720
<v Speaker 4>leaves it and comes to where we are standing like

0:20:44.840 --> 0:20:49.520
<v Speaker 4>twenty feet away from her. She orders and waits for

0:20:49.600 --> 0:20:54.920
<v Speaker 4>her drink while her shopping and her handbag is unattended

0:20:55.400 --> 0:20:59.760
<v Speaker 4>in a train's station with twenty million people.

0:21:01.960 --> 0:21:05.760
<v Speaker 2>Hang on, wait, wait, wait, hang on. I couldn't tell

0:21:05.800 --> 0:21:06.080
<v Speaker 2>if that.

0:21:06.280 --> 0:21:08.760
<v Speaker 3>Was like celebrating high trust or you're angry at her

0:21:08.800 --> 0:21:15.760
<v Speaker 3>for doing that and taking us. I love it, you imagine,

0:21:15.840 --> 0:21:16.919
<v Speaker 3>So did you steal.

0:21:16.680 --> 0:21:17.120
<v Speaker 2>In the bow?

0:21:17.400 --> 0:21:19.960
<v Speaker 4>You know that's my first thought because I'm not a

0:21:20.040 --> 0:21:24.040
<v Speaker 4>high trust society it is your guccie.

0:21:23.760 --> 0:21:28.399
<v Speaker 2>Bag had got to becazemas for the sulvanir bag. The

0:21:28.440 --> 0:21:33.160
<v Speaker 2>tussles stower bucks girl. How's that just a concept?

0:21:33.240 --> 0:21:35.400
<v Speaker 4>And so Peter and I were like, I don't think

0:21:35.400 --> 0:21:38.040
<v Speaker 4>they widely travel abroad, but gee, they must get a

0:21:38.160 --> 0:21:41.320
<v Speaker 4>shock when they come and they see how fat and

0:21:41.600 --> 0:21:45.400
<v Speaker 4>dirty we are with our dirty bottoms.

0:21:49.960 --> 0:21:55.119
<v Speaker 2>Amazing welcome home. It was just wait till I write

0:21:55.119 --> 0:21:55.520
<v Speaker 2>my book.

0:21:56.200 --> 0:21:58.679
<v Speaker 3>And I'm so happy you survived economy class.

0:21:58.680 --> 0:21:59.480
<v Speaker 2>On the way home.

0:21:59.560 --> 0:22:03.320
<v Speaker 4>Oh my goodness, that was really a woman of the people.

0:22:03.400 --> 0:22:05.400
<v Speaker 4>That was really something. One of the flight atteen.

0:22:05.280 --> 0:22:06.040
<v Speaker 2>Women of the people.

0:22:06.080 --> 0:22:09.680
<v Speaker 4>Peter said to me, she doesn't think you belong here.

0:22:10.040 --> 0:22:13.320
<v Speaker 4>This flight attendant was so nice to me. She kept

0:22:13.320 --> 0:22:14.800
<v Speaker 4>bringing me extra little things.

0:22:14.880 --> 0:22:22.000
<v Speaker 2>She could tell. It wasn't right. I said to Peter,

0:22:22.040 --> 0:22:30.399
<v Speaker 2>do you feel like do you feel like you know how?

0:22:30.400 --> 0:22:33.119
<v Speaker 2>You just bang on about high trust society banged on,

0:22:34.720 --> 0:22:39.280
<v Speaker 2>banged on? Interesting? Isn't the language interesting?

0:22:39.400 --> 0:22:41.399
<v Speaker 3>You have to speak up and bang on to I

0:22:41.400 --> 0:22:42.959
<v Speaker 3>can over your tartles.

0:22:44.359 --> 0:22:46.840
<v Speaker 4>Okay, banged on and now it's time for him to

0:22:46.880 --> 0:22:54.400
<v Speaker 4>wake up. Go on, look hag On big really banged on.

0:22:54.600 --> 0:22:56.439
<v Speaker 3>Very popular podcast r I p.

0:22:56.640 --> 0:23:03.600
<v Speaker 2>Rip Rip with our friends. Okay, so go on, I forgot.

0:23:03.600 --> 0:23:05.080
<v Speaker 2>I was going to start giving you a buck up.

0:23:05.680 --> 0:23:08.960
<v Speaker 3>Oh you say high trust society. I want to celebrate

0:23:09.440 --> 0:23:16.880
<v Speaker 3>cash society. I want cash back, Kate. What a few

0:23:16.920 --> 0:23:19.800
<v Speaker 3>weeks ago talking my l A few weeks ago, I

0:23:19.840 --> 0:23:23.760
<v Speaker 3>did a gig old school envelope in the hand at

0:23:23.760 --> 0:23:27.199
<v Speaker 3>the end of the gig right, good paid gig like

0:23:27.200 --> 0:23:29.760
<v Speaker 3>a garade, So you got award? I got a ward right,

0:23:30.080 --> 0:23:33.280
<v Speaker 3>and I was it was in an envelope. I was like, this, kitty,

0:23:33.359 --> 0:23:37.160
<v Speaker 3>it's like pretty and what.

0:23:40.320 --> 0:23:41.920
<v Speaker 2>Right, let's just die?

0:23:42.160 --> 0:23:42.960
<v Speaker 3>This is what I mean.

0:23:43.600 --> 0:23:43.800
<v Speaker 2>Yeah.

0:23:44.160 --> 0:23:46.199
<v Speaker 3>I was like, okay, I thought you were dude the

0:23:46.320 --> 0:23:47.320
<v Speaker 3>usual in.

0:23:47.400 --> 0:23:54.879
<v Speaker 2>Voice, what do you the money? Shadow? Hello? The money around?

0:23:55.400 --> 0:23:58.240
<v Speaker 2>Can't you? I think I can't get the bank and

0:23:58.400 --> 0:23:59.920
<v Speaker 2>it would take and the clear.

0:24:00.640 --> 0:24:01.600
<v Speaker 3>Do you want to be my manager?

0:24:02.119 --> 0:24:07.040
<v Speaker 2>That was really good, that cash.

0:24:07.200 --> 0:24:09.679
<v Speaker 3>So I was shocked that they got the cash and

0:24:09.720 --> 0:24:12.320
<v Speaker 3>I thank you. And I haven't had cash in ages.

0:24:12.320 --> 0:24:14.040
<v Speaker 3>I've got a twenty or a ten here.

0:24:13.920 --> 0:24:15.320
<v Speaker 2>And now no one has.

0:24:15.320 --> 0:24:18.600
<v Speaker 4>And you know what that has side note, guess who's

0:24:18.680 --> 0:24:20.760
<v Speaker 4>been put out of business as a result too.

0:24:21.240 --> 0:24:23.160
<v Speaker 2>I am my guard, Oh my.

0:24:23.200 --> 0:24:24.440
<v Speaker 3>God, gone on.

0:24:24.640 --> 0:24:27.399
<v Speaker 4>Yeah, you know you used to see them all the time,

0:24:27.440 --> 0:24:30.760
<v Speaker 4>and always fantasy always impairs and fantasize about how you

0:24:30.880 --> 0:24:31.560
<v Speaker 4>hold up the truck.

0:24:31.880 --> 0:24:33.840
<v Speaker 3>You look at them and go, I could take them on, Na, you.

0:24:33.840 --> 0:24:35.560
<v Speaker 2>Can buy the whole company for twenty parts.

0:24:36.119 --> 0:24:38.560
<v Speaker 3>So for the last few weeks of my life, I

0:24:38.640 --> 0:24:43.879
<v Speaker 3>have been using oh cash, and there is something I know.

0:24:44.000 --> 0:24:45.600
<v Speaker 3>I've earned it and it's real money.

0:24:45.760 --> 0:24:47.080
<v Speaker 2>Yeah, it doesn't feel real.

0:24:47.480 --> 0:24:52.159
<v Speaker 3>No, everything feels free. It's like that was cash. But

0:24:52.960 --> 0:24:55.560
<v Speaker 3>hello to our hospital workers, Hello to our cafe bart

0:24:55.680 --> 0:25:00.919
<v Speaker 3>listening the looks I am getting love looks, No you

0:25:00.960 --> 0:25:04.959
<v Speaker 3>aren't getting I am. I'm trying to pay with cash

0:25:05.080 --> 0:25:07.560
<v Speaker 3>and they're like, are you s stilling me?

0:25:07.920 --> 0:25:12.000
<v Speaker 2>Cafes No, cafes love cash.

0:25:11.520 --> 0:25:13.240
<v Speaker 3>Not the ones I've been going to. I've been getting

0:25:14.480 --> 0:25:15.080
<v Speaker 3>what are you going to?

0:25:15.119 --> 0:25:17.680
<v Speaker 2>Ones in darbles. But they're trying to start a one

0:25:17.720 --> 0:25:18.359
<v Speaker 2>world government.

0:25:18.400 --> 0:25:19.640
<v Speaker 3>They've got to give you change.

0:25:20.400 --> 0:25:22.359
<v Speaker 2>They don't mind. They love the cash.

0:25:23.160 --> 0:25:28.320
<v Speaker 3>What's really shifted what I've been buying my groceries with cash.

0:25:29.280 --> 0:25:31.600
<v Speaker 3>I have not done that. Yes, I don't think I've

0:25:31.600 --> 0:25:32.200
<v Speaker 3>ever done.

0:25:32.040 --> 0:25:34.080
<v Speaker 2>That in my entire life. And do you know what.

0:25:34.280 --> 0:25:38.000
<v Speaker 4>Using the machine, use some self check social credit score,

0:25:38.560 --> 0:25:40.639
<v Speaker 4>there's going to be a big glitch of two weeks

0:25:40.640 --> 0:25:42.680
<v Speaker 4>where they're like, what happened to him in that time?

0:25:42.800 --> 0:25:44.240
<v Speaker 2>Because they can track everything.

0:25:44.320 --> 0:25:49.040
<v Speaker 3>Fine, I am paying cash. And let me tell you,

0:25:49.040 --> 0:25:50.840
<v Speaker 3>you think you're young and your hip and you're cool

0:25:50.880 --> 0:25:53.600
<v Speaker 3>and you're with Katelin and Brook, nothing will aid you

0:25:53.640 --> 0:25:58.000
<v Speaker 3>more than fishing in money into a self shared checkout

0:25:58.080 --> 0:26:03.280
<v Speaker 3>at Wallly's. I'm crouched over to it. I'm like, where

0:26:03.320 --> 0:26:06.440
<v Speaker 3>does the fifty go? I'm pushing it. That's the wrong one,

0:26:06.440 --> 0:26:07.440
<v Speaker 3>that's the one where it comes out.

0:26:07.480 --> 0:26:10.359
<v Speaker 4>But actually that makes you seem young. No, they've got

0:26:10.560 --> 0:26:12.720
<v Speaker 4>young ones wouldn't know how to do it. The old

0:26:12.720 --> 0:26:14.080
<v Speaker 4>ones would all know how to do it.

0:26:14.119 --> 0:26:16.760
<v Speaker 3>And then I'm putting it in the lady's looking at

0:26:16.800 --> 0:26:17.960
<v Speaker 3>me like what are you doing?

0:26:18.040 --> 0:26:22.240
<v Speaker 2>Playing with money? They love cash in Japan. Yeah, they

0:26:22.240 --> 0:26:23.160
<v Speaker 2>love cash in Japan.

0:26:23.600 --> 0:26:27.320
<v Speaker 3>Cash back, bring cash back. I'm the richest person in

0:26:27.320 --> 0:26:31.240
<v Speaker 3>the worst back the second buck, two bucks for you

0:26:31.320 --> 0:26:35.000
<v Speaker 3>too bad, two bucks. You don't have to be careful

0:26:35.000 --> 0:26:36.560
<v Speaker 3>with coffee and all stimulants, right.

0:26:36.800 --> 0:26:38.520
<v Speaker 2>Oh yes, a.

0:26:38.440 --> 0:26:41.520
<v Speaker 3>Few months ago I had my first Vietnamese iced coffee.

0:26:41.560 --> 0:26:45.159
<v Speaker 2>You remember, Oh yeah, that condensed milk. Condensed milk blowsion,

0:26:45.280 --> 0:26:48.040
<v Speaker 2>the sugar explosions, the sugarshes.

0:26:47.400 --> 0:26:50.600
<v Speaker 3>The coffee, the anxiety. There was a wild run.

0:26:51.280 --> 0:26:56.080
<v Speaker 2>You said you had two hours of absolute peaking, running

0:26:56.119 --> 0:26:58.840
<v Speaker 2>around a room. Yeah, alone.

0:27:00.240 --> 0:27:02.000
<v Speaker 3>After the toilet, every five minutes going.

0:27:02.000 --> 0:27:04.200
<v Speaker 4>This is the best thing I've ever had. Longing for

0:27:04.280 --> 0:27:05.680
<v Speaker 4>a Japanese flash.

0:27:05.520 --> 0:27:10.080
<v Speaker 3>I have a new coffee experience similar, but god, it

0:27:10.160 --> 0:27:14.800
<v Speaker 3>was good. It's taking a wanky wanky Melbourne Cafes by storm.

0:27:14.960 --> 0:27:17.200
<v Speaker 2>So not everyone has this. What is it?

0:27:17.200 --> 0:27:20.840
<v Speaker 3>It is called a mont Black. You say a B

0:27:20.960 --> 0:27:24.440
<v Speaker 3>B L A CS and you pronounced black.

0:27:24.480 --> 0:27:24.960
<v Speaker 2>I'd say so.

0:27:25.680 --> 0:27:29.000
<v Speaker 4>Mont Blanc is a famous mountain and a pin. It's

0:27:29.000 --> 0:27:32.240
<v Speaker 4>not mont Blanc, which is a famous mountain called mont Blanc.

0:27:32.680 --> 0:27:34.960
<v Speaker 4>Blanc has in white because it's got snow on the

0:27:34.960 --> 0:27:35.520
<v Speaker 4>top of it.

0:27:35.760 --> 0:27:36.240
<v Speaker 2>Proceed.

0:27:38.520 --> 0:27:45.159
<v Speaker 3>These are the ingredients mont black Cold drip coffee about cold.

0:27:45.240 --> 0:27:48.600
<v Speaker 4>It's cold drip more powerful, but it's cold drip like

0:27:48.680 --> 0:27:51.040
<v Speaker 4>what the Americans do know the percola?

0:27:51.240 --> 0:27:55.240
<v Speaker 2>No, I don't know. No, because and it's not weaker.

0:27:55.320 --> 0:27:56.480
<v Speaker 2>Why is it cold drip?

0:27:56.640 --> 0:27:57.159
<v Speaker 3>I don't know.

0:27:57.240 --> 0:27:58.840
<v Speaker 2>But does it come out cold? It's cold.

0:27:58.880 --> 0:28:01.879
<v Speaker 3>It's a cold drink like you're buying a can. No,

0:28:02.040 --> 0:28:03.520
<v Speaker 3>I got it from a cafe.

0:28:04.160 --> 0:28:06.400
<v Speaker 2>What are you asking? Well, I did proceed.

0:28:06.480 --> 0:28:10.840
<v Speaker 3>I don't know, like filter ish, I'm guessing some sort

0:28:10.840 --> 0:28:11.960
<v Speaker 3>of filter coffee whatever?

0:28:12.880 --> 0:28:13.240
<v Speaker 2>Cream?

0:28:14.359 --> 0:28:19.440
<v Speaker 3>Yeah, worm, whipped whipped No? No, okay, orange zest?

0:28:19.960 --> 0:28:27.760
<v Speaker 2>What? Nutmeg? And sugar syrup? And it was so and

0:28:27.800 --> 0:28:29.240
<v Speaker 2>it's small. Get that?

0:28:29.280 --> 0:28:33.879
<v Speaker 4>Were you a Gloria Jean, No, that's a Gloria Jean coffee.

0:28:36.920 --> 0:28:37.160
<v Speaker 2>Cool?

0:28:38.280 --> 0:28:38.720
<v Speaker 1>It was.

0:28:38.800 --> 0:28:39.600
<v Speaker 2>It was small too.

0:28:39.640 --> 0:28:42.160
<v Speaker 3>It wasn't as big as a small when you say

0:28:42.200 --> 0:28:46.560
<v Speaker 3>smallish like yeah that yeah, okay, all right, I loved

0:28:46.600 --> 0:28:47.240
<v Speaker 3>it so much.

0:28:48.000 --> 0:28:49.480
<v Speaker 2>Well that's a delicious dream.

0:28:49.520 --> 0:28:52.560
<v Speaker 3>And I pinned off my face for three hours.

0:28:52.800 --> 0:28:55.920
<v Speaker 2>Well, basically, I can't wait to tell the buck. Aside

0:28:55.960 --> 0:29:01.280
<v Speaker 2>from the orange and the what was the spice? Nutmeg? Nutmeg?

0:29:01.320 --> 0:29:04.480
<v Speaker 4>Aspide from that, you basically just made a Vietnamese coffee

0:29:04.480 --> 0:29:05.800
<v Speaker 4>cream and sugar syrup.

0:29:05.880 --> 0:29:08.520
<v Speaker 2>Oh yeah, I found my head made. That's what it

0:29:08.960 --> 0:29:09.160
<v Speaker 2>was like.

0:29:09.200 --> 0:29:11.720
<v Speaker 3>Overpriced and winking with expensive together.

0:29:12.560 --> 0:29:14.320
<v Speaker 2>Maybe we'll have one at the next show.

0:29:14.760 --> 0:29:16.800
<v Speaker 3>No, I'm not shitting my pants in front of two

0:29:16.840 --> 0:29:17.880
<v Speaker 3>hundred buckets.

0:29:18.560 --> 0:29:21.600
<v Speaker 2>No, I mean a show in here. What did it

0:29:21.680 --> 0:29:23.680
<v Speaker 2>make you put your pants? No? I mean I was

0:29:23.720 --> 0:29:24.240
<v Speaker 2>in control.

0:29:24.320 --> 0:29:27.200
<v Speaker 3>But at the same time, I was a busy boy.

0:29:27.760 --> 0:29:31.720
<v Speaker 3>Let's just say I needed a Japanese dog. Really really,

0:29:31.760 --> 0:29:32.760
<v Speaker 3>but I was a busy boy.

0:29:32.960 --> 0:29:33.680
<v Speaker 2>Hang on a seat.

0:29:33.720 --> 0:29:40.120
<v Speaker 3>I'm very sensitive to stimulate. Okay, all right, all right, right,

0:29:40.600 --> 0:29:41.360
<v Speaker 3>your mom's dead.

0:29:54.840 --> 0:30:05.200
<v Speaker 2>We're buck We're But I've got a message for people.

0:30:07.120 --> 0:30:11.480
<v Speaker 4>You know, there's a saying. I think it's from the Bible.

0:30:11.680 --> 0:30:13.960
<v Speaker 4>Actually must be, because it's got involving God.

0:30:14.240 --> 0:30:16.360
<v Speaker 3>I should remember this as a Catholic boy.

0:30:16.920 --> 0:30:21.000
<v Speaker 2>God makes it rain on the righteous and the unrighteous. Right,

0:30:21.080 --> 0:30:21.840
<v Speaker 2>that's the gift.

0:30:22.360 --> 0:30:24.320
<v Speaker 4>You know, people go through life and they go wide

0:30:24.360 --> 0:30:27.960
<v Speaker 4>as why do bad why these bad people thriving or whatever?

0:30:28.360 --> 0:30:32.000
<v Speaker 2>Because that is this life. Yeah, that's how life works.

0:30:32.840 --> 0:30:36.160
<v Speaker 4>But here's some good news that I have learnt firsthand

0:30:36.840 --> 0:30:38.880
<v Speaker 4>that even if you're a bad person, and I think

0:30:38.880 --> 0:30:41.040
<v Speaker 4>we've established on this podcast.

0:30:40.600 --> 0:30:43.600
<v Speaker 2>I'm not the worst. No, I know worse. Yeah, I'm

0:30:43.600 --> 0:30:49.000
<v Speaker 2>not the worst, but I'm not a good person, you know,

0:30:49.440 --> 0:30:52.160
<v Speaker 2>and I don't. I don't those people that want to

0:30:52.600 --> 0:30:56.360
<v Speaker 2>align themselves with constant goodness. It's not why people say

0:30:56.400 --> 0:30:58.760
<v Speaker 2>to me, you're so nice. I'm like, I'm actually not so.

0:30:58.960 --> 0:31:00.800
<v Speaker 2>Don't it just anyway?

0:31:01.560 --> 0:31:05.760
<v Speaker 3>Yes you are, you're kind to people.

0:31:06.080 --> 0:31:10.120
<v Speaker 2>Yeah, no I'm not. I find honesty very kind. Well

0:31:10.240 --> 0:31:11.880
<v Speaker 2>I do cruel to be kind.

0:31:11.920 --> 0:31:13.000
<v Speaker 3>You're not cruel to be kind.

0:31:13.160 --> 0:31:14.520
<v Speaker 2>That's what honesty is.

0:31:15.560 --> 0:31:18.200
<v Speaker 3>Yeah. People that think being honest is cruel, they're what

0:31:18.280 --> 0:31:19.360
<v Speaker 3>issues they've got to deal with it.

0:31:19.600 --> 0:31:22.200
<v Speaker 4>Well, see, you're one of my people, so we get on.

0:31:22.320 --> 0:31:27.560
<v Speaker 4>You're not nice either, and she's lovely.

0:31:27.960 --> 0:31:43.640
<v Speaker 3>She's the nice one out of Kate and I.

0:31:36.520 --> 0:31:41.040
<v Speaker 2>Oh, like you know what that was? No, it wasn't

0:31:41.120 --> 0:31:43.360
<v Speaker 2>you know what. It was like a cat watching a laser.

0:31:44.160 --> 0:31:47.960
<v Speaker 2>She was just like so you could say she was.

0:31:48.560 --> 0:31:51.840
<v Speaker 4>Trying to make it, but nothing would make sense of it.

0:31:52.280 --> 0:31:53.960
<v Speaker 3>I wouldn't work as someone that's not nice.

0:31:54.520 --> 0:31:57.320
<v Speaker 2>No, no, but it's not it would say not nice.

0:31:57.320 --> 0:32:02.200
<v Speaker 4>Our industry is full of correct but well we're not them.

0:32:02.440 --> 0:32:05.840
<v Speaker 4>But they all cloak themselves in that fate niceness. It's

0:32:05.880 --> 0:32:09.040
<v Speaker 4>like whenever I meet normies and they say what's so

0:32:09.160 --> 0:32:11.480
<v Speaker 4>and so like, oh, and I was like.

0:32:11.560 --> 0:32:15.440
<v Speaker 2>Eh, really nice. And I have to lie on behalf

0:32:15.480 --> 0:32:15.800
<v Speaker 2>of them.

0:32:16.440 --> 0:32:18.400
<v Speaker 4>It's like when my girlfriend was a mistress, I had

0:32:18.440 --> 0:32:20.080
<v Speaker 4>to lie on behalf.

0:32:19.680 --> 0:32:20.920
<v Speaker 3>Of her secret going.

0:32:21.040 --> 0:32:22.600
<v Speaker 2>Yeah, keep the secret going anyway.

0:32:22.640 --> 0:32:24.640
<v Speaker 4>Whatever, we're not the business of the outing people for

0:32:24.720 --> 0:32:29.400
<v Speaker 4>being assholes, or we'd be very busy anyway. My point

0:32:29.520 --> 0:32:32.360
<v Speaker 4>is I'm not selling myself as a good person. And

0:32:32.400 --> 0:32:34.840
<v Speaker 4>if you want to be find a good person, this

0:32:34.960 --> 0:32:36.200
<v Speaker 4>is not the podcast for you.

0:32:36.600 --> 0:32:39.960
<v Speaker 2>If you want some resilient, interesting.

0:32:39.600 --> 0:32:42.680
<v Speaker 4>Funny here we go people, then this is the podcast

0:32:42.720 --> 0:32:46.000
<v Speaker 4>for you. Up yeah for sharing it with your friends.

0:32:46.200 --> 0:32:56.719
<v Speaker 2>Love that share it with your friends anyway.

0:32:57.000 --> 0:32:59.920
<v Speaker 4>So God makes it rain on the righteous and the unright.

0:33:00.680 --> 0:33:04.960
<v Speaker 4>And sometimes if you're a bad person, good.

0:33:04.840 --> 0:33:08.400
<v Speaker 2>Things happened to you. And that's what happened to me.

0:33:09.320 --> 0:33:10.760
<v Speaker 2>What happened all right?

0:33:10.800 --> 0:33:12.840
<v Speaker 4>So when we were going to Japan, and you know,

0:33:12.880 --> 0:33:15.719
<v Speaker 4>there was a five days skiing and there was a

0:33:15.760 --> 0:33:20.280
<v Speaker 4>source of concern, moderate lip service concern from my husband.

0:33:20.280 --> 0:33:22.040
<v Speaker 2>Well, what are you going to do for five days?

0:33:22.120 --> 0:33:25.120
<v Speaker 2>I hope you're not bored? Do you know me? Would

0:33:25.120 --> 0:33:25.680
<v Speaker 2>I be bored?

0:33:25.720 --> 0:33:29.080
<v Speaker 4>Having five days on my ownis my Dear of Heaven.

0:33:29.080 --> 0:33:32.320
<v Speaker 2>There was WiFi. Just have them at night. Oh yeah

0:33:32.320 --> 0:33:34.880
<v Speaker 2>they came. Yeah, yeah, you're just having annoying.

0:33:36.080 --> 0:33:40.040
<v Speaker 4>Anyway, stunning until Lewis took two days off skiing and

0:33:40.040 --> 0:33:43.600
<v Speaker 4>then we hung out together. Anyway, But what the point was?

0:33:43.840 --> 0:33:46.280
<v Speaker 4>You know, I'm writing a book this year and it's

0:33:46.320 --> 0:33:48.600
<v Speaker 4>one of my many extra jobs I've got, and it's.

0:33:48.480 --> 0:33:50.160
<v Speaker 2>A romance book. It's a narrative.

0:33:50.880 --> 0:33:54.000
<v Speaker 4>And when I was going away, I'd say to my manager,

0:33:54.400 --> 0:33:56.560
<v Speaker 4>I've got this, and my publisher, I've got these five

0:33:56.640 --> 0:33:58.680
<v Speaker 4>days when we're in the snow.

0:33:59.200 --> 0:34:02.080
<v Speaker 2>I'm not skiing. I'm just going to write.

0:34:02.560 --> 0:34:05.800
<v Speaker 3>And if Stephen King movies have taught me anything, oh

0:34:05.840 --> 0:34:10.359
<v Speaker 3>my gods, where writers right your dirty right in the snow.

0:34:11.320 --> 0:34:15.440
<v Speaker 3>Watched that the other week and it's incredible, still unbelievable.

0:34:15.960 --> 0:34:20.040
<v Speaker 4>Baits is, yeah, unbelievable, so great. But do you have

0:34:20.120 --> 0:34:21.560
<v Speaker 4>you read the book Misery?

0:34:21.600 --> 0:34:23.799
<v Speaker 3>The book he actually did a very long time.

0:34:23.840 --> 0:34:26.680
<v Speaker 4>Okay, so you know in the book they change it

0:34:26.760 --> 0:34:29.120
<v Speaker 4>to the movie, and the movie is actually more effective.

0:34:29.160 --> 0:34:32.719
<v Speaker 2>I think they hobble him in that. She hobbles him

0:34:32.800 --> 0:34:36.880
<v Speaker 2>in the in the in the movie, doesn't she she

0:34:36.920 --> 0:34:40.279
<v Speaker 2>cripples by bashing his ankle.

0:34:40.480 --> 0:34:43.640
<v Speaker 3>Ties ties his legs to a plank of wood. Yeah,

0:34:43.760 --> 0:34:45.280
<v Speaker 3>rather ankle.

0:34:45.520 --> 0:34:48.480
<v Speaker 2>In the book, she cuts his foot.

0:34:48.280 --> 0:34:53.080
<v Speaker 3>Off, probably kill him. That had to change it.

0:34:53.080 --> 0:35:00.000
<v Speaker 4>Well, because wasn't she.

0:34:58.120 --> 0:35:00.080
<v Speaker 2>And then that's revealed that she's an a.

0:35:00.280 --> 0:35:07.759
<v Speaker 3>Nurse revealed in the movie history of being hospitals like

0:35:07.840 --> 0:35:11.400
<v Speaker 3>killing them or tormenting them spoiler anyway, that was me

0:35:11.480 --> 0:35:12.359
<v Speaker 3>in the snuff.

0:35:12.080 --> 0:35:19.680
<v Speaker 2>Spoiler imagine, dang you.

0:35:20.000 --> 0:35:23.240
<v Speaker 4>I was about to enjoy that forty year old movie

0:35:23.320 --> 0:35:28.280
<v Speaker 4>and they have ruined the ending. Anyway, So the whole

0:35:28.320 --> 0:35:30.520
<v Speaker 4>time that we're in Tokyo and going on the trip,

0:35:30.560 --> 0:35:32.880
<v Speaker 4>and even beforehand, I was like, I'm going to be

0:35:32.880 --> 0:35:34.840
<v Speaker 4>writing these five days. It's going to be intense.

0:35:35.120 --> 0:35:37.279
<v Speaker 2>I have to break the back of it. I'm sort of.

0:35:37.480 --> 0:35:39.200
<v Speaker 2>It was on the back of my mind all the time,

0:35:39.400 --> 0:35:40.960
<v Speaker 2>right in the back of my mind.

0:35:41.560 --> 0:35:44.840
<v Speaker 4>And then so the first day that everyone went up

0:35:44.880 --> 0:35:47.359
<v Speaker 4>to the thing, I was setting myself up. I was

0:35:47.400 --> 0:35:50.200
<v Speaker 4>reading another book and I'm like, oh, this is interesting.

0:35:50.360 --> 0:35:54.320
<v Speaker 4>Just to get juices flowing, Jesus, I did think about

0:35:54.440 --> 0:35:59.439
<v Speaker 4>asking Sash, how would I get Ai if I put

0:35:59.440 --> 0:36:02.960
<v Speaker 4>the character anyway, So the next day I'm like, I

0:36:03.000 --> 0:36:05.160
<v Speaker 4>get as soon as they leave. They were leaving early

0:36:05.239 --> 0:36:06.759
<v Speaker 4>to go to the snow. They were getting picked up,

0:36:06.800 --> 0:36:10.680
<v Speaker 4>like at eight forty. I was like, today's my writing day.

0:36:11.239 --> 0:36:14.040
<v Speaker 4>I get out my iPad that I've been carrying my

0:36:14.719 --> 0:36:19.360
<v Speaker 4>carry on. I unpack it, I get my Logitech keyboard.

0:36:19.880 --> 0:36:22.480
<v Speaker 2>I start typing. I put in the name of the chapter,

0:36:22.719 --> 0:36:25.080
<v Speaker 2>and I'm like, that's weird. I was trying to write

0:36:25.200 --> 0:36:28.640
<v Speaker 2>the and it kept typing TE and it wouldn't put

0:36:28.680 --> 0:36:30.920
<v Speaker 2>the H. And I'm like, banging on the H. Banging

0:36:30.960 --> 0:36:35.239
<v Speaker 2>on the H is gone. My H was gone?

0:36:35.320 --> 0:36:37.879
<v Speaker 3>I go, My AH was gone. Can you see?

0:36:38.200 --> 0:36:39.760
<v Speaker 2>I think my m was gone?

0:36:40.200 --> 0:36:44.120
<v Speaker 3>Few. I couldn't we're tight here we go.

0:36:44.480 --> 0:36:48.239
<v Speaker 2>I couldn't convenient tired. That's what when Peter came out,

0:36:48.840 --> 0:36:50.759
<v Speaker 2>it was the first question the boys all had because

0:36:50.760 --> 0:36:51.439
<v Speaker 2>it had been on.

0:36:51.560 --> 0:36:55.160
<v Speaker 4>Everyone knew that Mum was writing. I was writing. The

0:36:55.200 --> 0:36:56.920
<v Speaker 4>first thing they said was how did you writing?

0:36:57.000 --> 0:36:59.640
<v Speaker 2>Go? And I said, I couldn't do any of the

0:37:00.080 --> 0:37:02.200
<v Speaker 2>I pad and we were in the middle of nowhere

0:37:02.200 --> 0:37:04.280
<v Speaker 2>in the snow. I couldn't just whip.

0:37:04.640 --> 0:37:08.400
<v Speaker 3>There was zero sympathy in the studio sympathy.

0:37:08.680 --> 0:37:10.520
<v Speaker 2>What I'm saying is it was the greatest.

0:37:12.880 --> 0:37:14.560
<v Speaker 3>Actually could I couldn't.

0:37:14.960 --> 0:37:15.600
<v Speaker 2>I couldn't.

0:37:15.600 --> 0:37:17.680
<v Speaker 3>Wouldn't you know what they say the worst part about

0:37:17.680 --> 0:37:19.800
<v Speaker 3>writing is writing writing?

0:37:19.960 --> 0:37:25.240
<v Speaker 4>Yeah, people say I hate writing, but I love having written.

0:37:25.960 --> 0:37:28.800
<v Speaker 2>But then there was one thing, just slightly. I didn't

0:37:28.920 --> 0:37:32.359
<v Speaker 2>like that. Peter said to me, did you stand on

0:37:32.440 --> 0:37:35.440
<v Speaker 2>it before?

0:37:35.960 --> 0:37:36.480
<v Speaker 3>Yeah?

0:37:36.560 --> 0:37:39.880
<v Speaker 2>I don't want to write. I just just say thought that.

0:37:40.000 --> 0:37:44.480
<v Speaker 2>I but how magnificent magget. I was scared to tell

0:37:44.520 --> 0:37:46.000
<v Speaker 2>my manager take that, publisher.

0:37:46.080 --> 0:37:54.920
<v Speaker 3>I love yeahline, I'm sorry my arquie didn't work. Before

0:37:54.920 --> 0:37:56.840
<v Speaker 3>we get to a text from mum, which is a

0:37:56.840 --> 0:37:57.600
<v Speaker 3>Pearler this week?

0:37:57.640 --> 0:38:02.080
<v Speaker 2>By the way, is it lean? Oh, it's a Buckwhitt.

0:38:02.239 --> 0:38:02.880
<v Speaker 2>We've got a couple.

0:38:02.880 --> 0:38:04.759
<v Speaker 3>Will choose one and another one we love will do

0:38:04.880 --> 0:38:07.520
<v Speaker 3>next week Bucket send him over us to change names.

0:38:07.560 --> 0:38:10.680
<v Speaker 2>We will tex No. Before that, Oh good. I want

0:38:10.719 --> 0:38:11.160
<v Speaker 2>you to.

0:38:12.680 --> 0:38:14.560
<v Speaker 3>Pick aside here in a fight that Cody and I

0:38:14.600 --> 0:38:15.600
<v Speaker 3>have been having for ten years.

0:38:15.600 --> 0:38:21.440
<v Speaker 2>Oh, I love this. Ten does his head in? Oh?

0:38:21.480 --> 0:38:25.759
<v Speaker 2>I love it. Look at your eyes because you do.

0:38:26.000 --> 0:38:27.160
<v Speaker 2>And you know what we've got.

0:38:27.440 --> 0:38:29.600
<v Speaker 4>You know, I think we understand why Cody spends so

0:38:29.680 --> 0:38:35.960
<v Speaker 4>much time running, don't we? Because him coming home to you.

0:38:35.960 --> 0:38:38.800
<v Speaker 4>You've got cabin fever, always by virtual the fact that

0:38:38.880 --> 0:38:39.560
<v Speaker 4>you don't leave.

0:38:39.760 --> 0:38:41.400
<v Speaker 2>I only got pockets full of cabs.

0:38:42.320 --> 0:38:45.000
<v Speaker 4>Eyes are just you're always looking for trouble to be

0:38:45.120 --> 0:38:46.560
<v Speaker 4>starting shit up with Cody.

0:38:46.680 --> 0:38:47.200
<v Speaker 2>I love it.

0:38:47.320 --> 0:38:51.480
<v Speaker 4>I've never approved of a quality in someone more. But

0:38:51.560 --> 0:38:53.279
<v Speaker 4>that's why that he's always.

0:38:53.000 --> 0:38:53.800
<v Speaker 2>Running little shits.

0:38:53.840 --> 0:38:56.239
<v Speaker 4>There are next you know what he's going to do

0:38:56.280 --> 0:38:58.560
<v Speaker 4>next year, What run across Antarctica?

0:38:59.520 --> 0:39:00.680
<v Speaker 2>What he can not handle?

0:39:01.440 --> 0:39:04.000
<v Speaker 3>And he gets so frustrated when I put petrol in

0:39:04.040 --> 0:39:04.560
<v Speaker 3>the car.

0:39:05.040 --> 0:39:06.719
<v Speaker 2>Oh, you don't fill it out. I don't feel it.

0:39:06.719 --> 0:39:10.960
<v Speaker 2>Oh no, Valo, meet Sasha Freench.

0:39:11.200 --> 0:39:11.800
<v Speaker 3>You're the same.

0:39:12.239 --> 0:39:13.920
<v Speaker 2>Ah you people.

0:39:14.080 --> 0:39:17.719
<v Speaker 3>So when I fill up the car, he says, when

0:39:17.719 --> 0:39:18.880
<v Speaker 3>do you know to stop? And do you know what

0:39:18.920 --> 0:39:20.440
<v Speaker 3>my answer is, because it's the truth. It's just a

0:39:20.560 --> 0:39:23.720
<v Speaker 3>vibe check. It's just whatever I feel like, that's what such.

0:39:24.120 --> 0:39:26.440
<v Speaker 3>So I put the nozzle in. Here comes the petrol,

0:39:26.600 --> 0:39:29.680
<v Speaker 3>and I might give it twenty bucks, thirty bucks, whatever

0:39:29.719 --> 0:39:32.000
<v Speaker 3>I'm in the mood for, what I've got on for

0:39:32.040 --> 0:39:34.880
<v Speaker 3>the day, what the weather is. There's so many factors

0:39:34.880 --> 0:39:37.640
<v Speaker 3>at play. If there's a car behind me, are you medicated?

0:39:38.000 --> 0:39:38.719
<v Speaker 3>Sometimes I am?

0:39:38.840 --> 0:39:41.720
<v Speaker 2>Yeah, make a difference. When I don't make a difference.

0:39:41.760 --> 0:39:44.439
<v Speaker 3>If I'm medicated, you can fill it out maybe, but yeah,

0:39:44.440 --> 0:39:46.520
<v Speaker 3>so what Yeah, that's not the argument.

0:39:46.719 --> 0:39:51.680
<v Speaker 2>No, but it's interesting now you're prob far right when

0:39:51.680 --> 0:39:56.560
<v Speaker 2>it suits you. So he just I see his eye twitch. Yeah,

0:39:56.760 --> 0:40:00.960
<v Speaker 2>I put a quarter in half a in. Why do

0:40:01.000 --> 0:40:02.560
<v Speaker 2>you like going to put petrol in the.

0:40:02.560 --> 0:40:07.239
<v Speaker 3>Cart like it's gonna eventually put you like you like

0:40:07.320 --> 0:40:09.040
<v Speaker 3>putting petrol eventually?

0:40:09.160 --> 0:40:12.400
<v Speaker 2>Yeah, but with a certain amount of output from you.

0:40:12.440 --> 0:40:15.719
<v Speaker 3>So you go absolute full every single time you go

0:40:15.760 --> 0:40:18.799
<v Speaker 3>to the servo chent op every single time.

0:40:18.960 --> 0:40:21.279
<v Speaker 2>See, but you do not. No, I don't know, but

0:40:21.440 --> 0:40:24.400
<v Speaker 2>you told me you've because I hear your voice in

0:40:24.440 --> 0:40:26.880
<v Speaker 2>my head every recent time, and there are times I

0:40:26.920 --> 0:40:28.759
<v Speaker 2>fill up now, But there are also times when I'm

0:40:28.760 --> 0:40:32.200
<v Speaker 2>like a hazy boyfriend about it. Does he feel your car?

0:40:32.719 --> 0:40:36.440
<v Speaker 2>Never you car he drives? You know your dirty little secret?

0:40:37.440 --> 0:40:40.520
<v Speaker 2>Did you have a car accident? Sash? Your cars are

0:40:40.560 --> 0:40:42.640
<v Speaker 2>banged up on my side when I pulled out. That's

0:40:42.640 --> 0:40:43.239
<v Speaker 2>from years ago.

0:40:44.600 --> 0:40:46.759
<v Speaker 4>Anyway, that's always the side I get in on the

0:40:46.800 --> 0:40:47.640
<v Speaker 4>passenger side.

0:40:47.880 --> 0:40:52.319
<v Speaker 2>I've never noticed. I think I'm with Cody. You're going

0:40:52.400 --> 0:40:55.120
<v Speaker 2>to be with me? No, I'm not, and you know why,

0:40:55.360 --> 0:40:57.920
<v Speaker 2>only because it's such a false economy.

0:40:58.160 --> 0:41:00.360
<v Speaker 3>This is where you draw the line your yair and

0:41:00.400 --> 0:41:01.520
<v Speaker 3>toothbrushes yew.

0:41:01.840 --> 0:41:05.640
<v Speaker 2>Yeah, yeah, this is the heel, this is the heill.

0:41:06.000 --> 0:41:09.319
<v Speaker 4>No, you know why because I think for so many

0:41:09.400 --> 0:41:13.560
<v Speaker 4>years I was so povo that I could only put

0:41:13.680 --> 0:41:18.160
<v Speaker 4>ten dollars of petrol in my car, and you know,

0:41:18.200 --> 0:41:21.840
<v Speaker 4>you eke it out. But then one of my great

0:41:21.920 --> 0:41:24.720
<v Speaker 4>pleasures in life is filling up the not a pleasure,

0:41:24.760 --> 0:41:27.120
<v Speaker 4>I don't like it, but I hate the job of

0:41:27.120 --> 0:41:28.640
<v Speaker 4>it so much. I'm like, I want to do this

0:41:28.800 --> 0:41:30.320
<v Speaker 4>job as little as possible.

0:41:30.440 --> 0:41:31.960
<v Speaker 2>So when you leave the petrol station.

0:41:32.719 --> 0:41:35.680
<v Speaker 3>When I used to leave Saturday night church with the family,

0:41:36.120 --> 0:41:38.320
<v Speaker 3>I was in the best mood ever, like the Simpsons.

0:41:37.960 --> 0:41:39.160
<v Speaker 2>Because he'd had it because.

0:41:38.920 --> 0:41:41.560
<v Speaker 3>It's the part of the week where the next church

0:41:41.680 --> 0:41:43.080
<v Speaker 3>is the furthest away it will.

0:41:42.960 --> 0:41:47.479
<v Speaker 2>Be yes, yes, right, that's exactly right. So I don't

0:41:47.560 --> 0:41:50.640
<v Speaker 2>have to. I just never want to be pulling into

0:41:50.680 --> 0:41:53.520
<v Speaker 2>service stations to fill up my card on board. How

0:41:53.560 --> 0:41:55.399
<v Speaker 2>often do you end up doing it in a week? Mate?

0:41:55.440 --> 0:41:55.960
<v Speaker 2>Sometimes three?

0:41:56.080 --> 0:41:58.640
<v Speaker 3>Tell him, I say, I you've got such an issue

0:41:58.640 --> 0:42:00.719
<v Speaker 3>with it, you do it? And then he goes, does

0:42:00.760 --> 0:42:02.240
<v Speaker 3>he do? Sometimes he goes another?

0:42:02.760 --> 0:42:04.840
<v Speaker 2>I love it. I do love that last night, nothing

0:42:04.880 --> 0:42:08.839
<v Speaker 2>more than when Peter tops up me tank and when

0:42:08.840 --> 0:42:09.920
<v Speaker 2>he puts petrol in my car.

0:42:10.760 --> 0:42:15.040
<v Speaker 3>Who does he go forward like whoo whoa, who whoo

0:42:15.160 --> 0:42:16.719
<v Speaker 3>whoo woo whooah wooo whoa.

0:42:16.840 --> 0:42:19.839
<v Speaker 2>He's high octane about a bad bad, bad bad as

0:42:19.960 --> 0:42:25.400
<v Speaker 2>he's diesel rapid flow diesel. Hello, he's not going green?

0:42:25.800 --> 0:42:30.840
<v Speaker 2>Oh no, he's no matcher match a flavored petrol.

0:42:31.600 --> 0:42:32.480
<v Speaker 3>It's a text from.

0:42:32.360 --> 0:42:35.239
<v Speaker 2>Mom, It's a text from Can we just reflect on

0:42:35.280 --> 0:42:38.600
<v Speaker 2>this for a moment? Sure? One of the ironies in

0:42:38.680 --> 0:42:43.640
<v Speaker 2>life that the dabbler has finally been he's been backed

0:42:43.680 --> 0:42:49.400
<v Speaker 2>up in an argument by me Callisi eight and he's

0:42:49.480 --> 0:42:50.880
<v Speaker 2>one of my daggins.

0:42:52.360 --> 0:42:55.000
<v Speaker 3>Thanks, you're like a stalker because you write him little

0:42:55.040 --> 0:42:57.399
<v Speaker 3>notes for me to give him. Can we get little

0:42:57.400 --> 0:43:00.000
<v Speaker 3>gifts and nice stuff? You give this to Cody, write

0:43:00.600 --> 0:43:02.920
<v Speaker 3>you're missing out on dabbler, and then they take it

0:43:02.960 --> 0:43:03.480
<v Speaker 3>home to it.

0:43:03.560 --> 0:43:07.520
<v Speaker 4>And then he's like, but look, he got backed up

0:43:07.760 --> 0:43:11.040
<v Speaker 4>in the argument. But because he's only a dirty dabbler,

0:43:11.520 --> 0:43:13.640
<v Speaker 4>he'll probably never have this moment of vindication.

0:43:15.360 --> 0:43:16.840
<v Speaker 2>He just got back from South Africa.

0:43:17.200 --> 0:43:18.040
<v Speaker 1>What was he doing?

0:43:19.360 --> 0:43:23.360
<v Speaker 3>It's a awfu the chicken. I'm like, he has a

0:43:23.480 --> 0:43:26.359
<v Speaker 3>job that involves a lot of travel, or this guy

0:43:26.480 --> 0:43:34.239
<v Speaker 3>has got a secret family somewhere. There's no proof he

0:43:34.280 --> 0:43:35.360
<v Speaker 3>was on the flight that was.

0:43:35.400 --> 0:43:36.319
<v Speaker 2>I don't know what.

0:43:36.239 --> 0:43:39.040
<v Speaker 4>About his points? He must be racking up points. You're

0:43:39.080 --> 0:43:40.840
<v Speaker 4>going to have the greatest Does he fly bees?

0:43:40.920 --> 0:43:43.520
<v Speaker 3>I'm going to say the wonkier sentence that anyone can. Okay,

0:43:43.640 --> 0:43:47.359
<v Speaker 3>and like a thirteen year old girl when I say this,

0:43:47.719 --> 0:43:48.560
<v Speaker 3>is everyone ready?

0:43:49.920 --> 0:43:55.200
<v Speaker 2>Yeah, my husband's platinum. Oh he's a ploody dog.

0:43:55.320 --> 0:43:56.880
<v Speaker 4>I don't even know what it means, but I know

0:43:56.920 --> 0:43:58.560
<v Speaker 4>at schooled he's a plotty dog.

0:43:58.840 --> 0:44:00.920
<v Speaker 2>And what does that mean? Can he can go anywhere?

0:44:01.200 --> 0:44:04.600
<v Speaker 2>Not me? But like, but Connie, you're his husband, but.

0:44:04.560 --> 0:44:07.759
<v Speaker 3>We hardly travel together. We we are together on a

0:44:07.760 --> 0:44:09.680
<v Speaker 3>plane like once or twice a year if that.

0:44:09.960 --> 0:44:14.520
<v Speaker 4>Well, yes that's normal, idiot, because we have the plan

0:44:14.800 --> 0:44:15.640
<v Speaker 4>both buying a lot.

0:44:15.680 --> 0:44:17.759
<v Speaker 2>But it's all just for work. You're not Megan and

0:44:17.840 --> 0:44:22.359
<v Speaker 2>Harry as is what is it? As as eva as

0:44:22.880 --> 0:44:24.439
<v Speaker 2>as ever as ever?

0:44:24.640 --> 0:44:27.720
<v Speaker 3>Sorry, my husband's a putin and what does that means?

0:44:27.760 --> 0:44:29.279
<v Speaker 2>I don't know what I actually don't know what it means.

0:44:29.640 --> 0:44:32.920
<v Speaker 2>He means means just it's a lot of points.

0:44:32.920 --> 0:44:34.880
<v Speaker 3>But it means he gets like the seat next to

0:44:34.960 --> 0:44:38.920
<v Speaker 3>him gets blocked if when it's not sold out, he

0:44:39.000 --> 0:44:41.359
<v Speaker 3>gets like all the good rows if he wants if

0:44:41.400 --> 0:44:42.400
<v Speaker 3>he says, why would.

0:44:42.200 --> 0:44:43.960
<v Speaker 2>That block a seat in business next to.

0:44:44.400 --> 0:44:47.799
<v Speaker 3>He doesn't have to fly business even in economy, he flands.

0:44:47.480 --> 0:44:52.879
<v Speaker 2>Economy or sometimes what is he me his work pays

0:44:52.920 --> 0:44:56.960
<v Speaker 2>for it, the successful one in the relationship in his economy.

0:44:57.120 --> 0:44:59.600
<v Speaker 3>That's why I love his secret husband.

0:45:00.160 --> 0:45:01.440
<v Speaker 2>Is that to be terrible?

0:45:03.920 --> 0:45:07.279
<v Speaker 3>I've met some men that fills the petrol take up

0:45:07.520 --> 0:45:09.880
<v Speaker 3>all the way and Cody fell for it.

0:45:10.040 --> 0:45:12.680
<v Speaker 2>Where's the interest in that? Exactly? Yeah.

0:45:12.800 --> 0:45:14.680
<v Speaker 4>Never go out with anyone who's got the same skill

0:45:14.760 --> 0:45:15.439
<v Speaker 4>set as you.

0:45:16.280 --> 0:45:17.040
<v Speaker 3>That's so true.

0:45:17.640 --> 0:45:19.960
<v Speaker 2>Never, that's why I'm married, yeshy smart.

0:45:20.239 --> 0:45:25.440
<v Speaker 3>Yeah, water's plants, Yeah, that's it fills all your wholes. Hello,

0:45:28.719 --> 0:45:32.000
<v Speaker 3>we have a text from mom from Oriana, Oriana, that

0:45:32.400 --> 0:45:35.560
<v Speaker 3>beautiful name, Oriana Italian.

0:45:36.080 --> 0:45:38.680
<v Speaker 4>Yes, yes, in fact, I'm going to tell you an

0:45:38.680 --> 0:45:39.800
<v Speaker 4>Anne Lange Brooks story.

0:45:41.040 --> 0:45:41.680
<v Speaker 2>That's my mother.

0:45:41.880 --> 0:45:44.120
<v Speaker 4>And I was waiting for the story when I was

0:45:44.160 --> 0:45:46.319
<v Speaker 4>at school. And you know you don't know what you

0:45:46.320 --> 0:45:50.640
<v Speaker 4>want to study. And I especially didn't my guidance teacher

0:45:50.719 --> 0:45:52.839
<v Speaker 4>or whatever. My English teacher or whatever said you're really

0:45:52.840 --> 0:45:54.919
<v Speaker 4>good at English, one that you study journalism. I didn't

0:45:54.920 --> 0:45:57.799
<v Speaker 4>know anything about journalism. So I go home and I'd

0:45:57.800 --> 0:45:59.919
<v Speaker 4>say to my mom, I think I'm going to apply

0:46:00.080 --> 0:46:00.799
<v Speaker 4>for journalism.

0:46:01.160 --> 0:46:03.040
<v Speaker 2>And mom goes, oh, you're going to be a real

0:46:03.160 --> 0:46:09.879
<v Speaker 2>Orianna Falerci. And I go, who's Oriana Falaci? Mum goes,

0:46:10.160 --> 0:46:10.879
<v Speaker 2>you want to.

0:46:10.840 --> 0:46:13.799
<v Speaker 3>Be a journalist and you don't even know who Orianna?

0:46:13.920 --> 0:46:19.440
<v Speaker 2>For LUNCHI is. I'm like, no, I don't know that

0:46:20.840 --> 0:46:21.560
<v Speaker 2>is my mother.

0:46:21.800 --> 0:46:23.160
<v Speaker 3>But who's a journalist?

0:46:23.200 --> 0:46:28.600
<v Speaker 4>She's a journalist, some journalists, probably from the nineteen sixties,

0:46:29.160 --> 0:46:33.759
<v Speaker 4>some Italian. But like she's screams, not screams, but bellows

0:46:33.800 --> 0:46:35.640
<v Speaker 4>at me in Queensland.

0:46:36.080 --> 0:46:39.520
<v Speaker 2>I was seventeen, like you, I don't know who. Everyone

0:46:39.560 --> 0:46:42.560
<v Speaker 2>loves my mom, that's all. Yeah, everyone loves her.

0:46:42.800 --> 0:46:45.000
<v Speaker 3>She filled the car up, wouldn't She's got to real

0:46:45.040 --> 0:46:46.239
<v Speaker 3>fill the car up to its full.

0:46:46.440 --> 0:46:48.880
<v Speaker 2>Not only does she fill it up, but she's got

0:46:48.920 --> 0:46:53.319
<v Speaker 2>a supermarket docket. Yes, and you know, okay, can we

0:46:53.360 --> 0:46:56.880
<v Speaker 2>just raise this what's going on with those supermarket dockets.

0:46:57.400 --> 0:47:01.600
<v Speaker 2>They've been four cents off literally for twenty five years.

0:47:03.520 --> 0:47:05.960
<v Speaker 3>What crank it up? Well, I'm sorry, but if inflation

0:47:06.040 --> 0:47:07.880
<v Speaker 3>goes up, so does my discount.

0:47:08.120 --> 0:47:10.719
<v Speaker 2>And it doesn't, I don't do it. I've never done that.

0:47:10.840 --> 0:47:12.960
<v Speaker 2>I should too. I was alloyed.

0:47:14.000 --> 0:47:17.920
<v Speaker 4>Literally, I went, I've got the back seat full of shopping.

0:47:17.960 --> 0:47:20.160
<v Speaker 4>There's a docket in there, and I couldn't be bothered

0:47:20.200 --> 0:47:20.799
<v Speaker 4>taking it out.

0:47:21.080 --> 0:47:23.600
<v Speaker 3>You can just you know, you can attach your account.

0:47:23.640 --> 0:47:27.120
<v Speaker 2>You're not attaching any phone. You're a cash person now,

0:47:27.239 --> 0:47:28.719
<v Speaker 2>you're not attaching shep.

0:47:28.560 --> 0:47:30.840
<v Speaker 3>The amount of things I don't do properly because I

0:47:30.880 --> 0:47:32.279
<v Speaker 3>can't be bothered with one extra tar.

0:47:32.400 --> 0:47:35.080
<v Speaker 2>But you have no loyal you're a cash person. Any

0:47:35.080 --> 0:47:39.160
<v Speaker 2>loyalty now you're a cash person. You don't. Yeah, that's

0:47:39.400 --> 0:47:41.680
<v Speaker 2>you know what. You're not a slave to the system.

0:47:42.360 --> 0:47:46.320
<v Speaker 2>You're a cashy. Hear that you're a cashy. Reward points?

0:47:46.600 --> 0:47:53.040
<v Speaker 2>Ye wish I've got that? Four things? I want a discount. Oh,

0:47:54.440 --> 0:47:55.640
<v Speaker 2>I'm getting wrapped up.

0:47:56.320 --> 0:48:01.160
<v Speaker 3>My husband is platinum Oreana text from mum Oriana Falaci

0:48:01.440 --> 0:48:10.759
<v Speaker 3>and Savord for therapy the Calo.

0:48:12.520 --> 0:48:12.759
<v Speaker 4>Down.

0:48:13.600 --> 0:48:14.000
<v Speaker 2>Okay.

0:48:14.120 --> 0:48:15.839
<v Speaker 3>The reason I love this text from him so much

0:48:15.880 --> 0:48:18.160
<v Speaker 3>is because my mum did this. I would love to

0:48:18.200 --> 0:48:20.279
<v Speaker 3>know if you did this or no, if Buckhead's mums

0:48:20.320 --> 0:48:23.040
<v Speaker 3>have done this, Sash, I reckon, you've done it. Here

0:48:23.080 --> 0:48:27.879
<v Speaker 3>we go, all right, Orianna's mum text that heard this,

0:48:28.719 --> 0:48:31.000
<v Speaker 3>just letting you know that this is a bag of

0:48:31.040 --> 0:48:33.319
<v Speaker 3>your hair from when it was long. You're a kid?

0:48:33.400 --> 0:48:39.239
<v Speaker 2>Do you want it? And attached is a bag? Look

0:48:39.239 --> 0:48:44.440
<v Speaker 2>at that hair? My goodness, why do you keep ship? Okay,

0:48:44.520 --> 0:48:47.319
<v Speaker 2>you're one hundred percent creepy. You know.

0:48:47.360 --> 0:48:50.160
<v Speaker 4>I've got ring boxes full of teeth and I've got

0:48:50.480 --> 0:48:51.560
<v Speaker 4>envelopes full of hair.

0:48:52.600 --> 0:48:55.520
<v Speaker 3>What happens to the hair? Doesn't it's something happened to

0:48:55.560 --> 0:48:58.319
<v Speaker 3>it one Okay, I really have to be attached to

0:48:58.360 --> 0:48:59.239
<v Speaker 3>a human to live.

0:48:59.560 --> 0:49:02.360
<v Speaker 4>Okay, No, it's all deep. Once it leaves the scalp,

0:49:02.440 --> 0:49:03.239
<v Speaker 4>hair is all dead.

0:49:03.760 --> 0:49:04.120
<v Speaker 2>I get.

0:49:04.160 --> 0:49:06.799
<v Speaker 3>I'm not thinking it's growing in the envelope, but like.

0:49:09.080 --> 0:49:14.440
<v Speaker 2>Disintegrate eventually. No, I don't think so. Actually that's really interesting.

0:49:14.480 --> 0:49:15.799
<v Speaker 3>Would be even weird if you put it in some

0:49:15.840 --> 0:49:18.560
<v Speaker 3>sort of like jar and it's floating in liquid.

0:49:18.840 --> 0:49:22.120
<v Speaker 4>Oh, it's so Once hair leaves, whose hair have you got?

0:49:22.239 --> 0:49:24.440
<v Speaker 4>I've got lewises and I've got Sundays. I'm not going

0:49:24.480 --> 0:49:26.839
<v Speaker 4>to tell you why I've got lewises or really sharp shot.

0:49:26.920 --> 0:49:32.240
<v Speaker 3>Okay, well yeah, off.

0:49:33.800 --> 0:49:37.480
<v Speaker 4>And then she totally ruined the conversation with cancer. She

0:49:37.560 --> 0:49:44.400
<v Speaker 4>just brought up his cancer. Yes, hair, But one day

0:49:44.560 --> 0:49:45.239
<v Speaker 4>Sunday came in.

0:49:45.280 --> 0:49:46.600
<v Speaker 3>Did that start it for you?

0:49:46.760 --> 0:49:50.160
<v Speaker 2>For the for Sunday? No, I think he'd already cut

0:49:50.280 --> 0:49:52.839
<v Speaker 2>Sunday's hair. She came in one morning. You know, kids,

0:49:52.840 --> 0:49:54.960
<v Speaker 2>if you don't get out of bed with them, they

0:49:55.000 --> 0:49:56.759
<v Speaker 2>get up to all thoughts cut in air.

0:49:56.920 --> 0:49:58.960
<v Speaker 4>And then she came in one morning in the dark

0:49:59.080 --> 0:50:04.200
<v Speaker 4>and she said, shut my hair and weed. And I

0:50:04.320 --> 0:50:07.000
<v Speaker 4>reached out and I could just feel like much more

0:50:07.040 --> 0:50:10.240
<v Speaker 4>face than I could normally feel. And as I stroked

0:50:10.239 --> 0:50:12.239
<v Speaker 4>the side of a head of a giant clump came out.

0:50:12.280 --> 0:50:15.640
<v Speaker 4>We've got that the envelope, You've got Milo's hairsash, Yes,

0:50:15.840 --> 0:50:16.480
<v Speaker 4>that's enough.

0:50:17.239 --> 0:50:19.560
<v Speaker 3>How was how old was Milo when he went snipping?

0:50:20.400 --> 0:50:22.759
<v Speaker 2>It would have been like two. Did he cut himself? Oh? Yeah,

0:50:22.760 --> 0:50:24.800
<v Speaker 2>because he had long hairy Yeah.

0:50:24.840 --> 0:50:27.759
<v Speaker 3>And the teeth, the teeth, that's even I think that's

0:50:27.800 --> 0:50:28.239
<v Speaker 3>even more.

0:50:28.560 --> 0:50:30.600
<v Speaker 2>I don't know, why do you do? What would you

0:50:30.640 --> 0:50:32.600
<v Speaker 2>do with them? No? The question is what do you

0:50:32.680 --> 0:50:35.560
<v Speaker 2>do with them? Well? What? But no, you can't get

0:50:35.640 --> 0:50:37.359
<v Speaker 2>rid of them? What am I going to do? Throw

0:50:37.400 --> 0:50:38.040
<v Speaker 2>them in the bin?

0:50:38.880 --> 0:50:39.200
<v Speaker 3>Well?

0:50:39.480 --> 0:50:41.600
<v Speaker 2>Yes, I mean what happened in the teeth fall out?

0:50:41.600 --> 0:50:44.680
<v Speaker 2>When you're a kid in the tooth throw your child's

0:50:44.760 --> 0:50:46.200
<v Speaker 2>tooth in the bin, you know.

0:50:46.360 --> 0:50:49.239
<v Speaker 3>I think about, well, why aren't dad's allowed to do this?

0:50:49.600 --> 0:50:53.200
<v Speaker 3>If someone went to a single dad's house and found

0:50:53.200 --> 0:50:59.880
<v Speaker 3>that he had school uniforms, teeth and sandwich bags of

0:51:00.040 --> 0:51:02.120
<v Speaker 3>the little girl's hair, he'd be arrested.

0:51:02.400 --> 0:51:06.160
<v Speaker 2>But her mom does it. It's cute. Would you like

0:51:06.160 --> 0:51:09.759
<v Speaker 2>me to answer? Go on, I think you know the answer.

0:51:10.440 --> 0:51:13.080
<v Speaker 3>Please message us again and tell us, Yeah, did you

0:51:13.280 --> 0:51:13.879
<v Speaker 3>take the hair?

0:51:14.160 --> 0:51:16.480
<v Speaker 2>Collected the hair? Because Kate wants it. It's gonna add

0:51:16.480 --> 0:51:17.160
<v Speaker 2>it to a bag.

0:51:17.440 --> 0:51:19.759
<v Speaker 4>No, I don't carry I'm not a creep. I don't

0:51:19.920 --> 0:51:21.399
<v Speaker 4>collect stranger's hair.

0:51:22.560 --> 0:51:26.800
<v Speaker 2>Have you ever worn wigs? Yeah? The human wigs?

0:51:27.000 --> 0:51:29.160
<v Speaker 3>No for for TV and stuff?

0:51:29.239 --> 0:51:32.520
<v Speaker 2>Yeah yeah, never human? Not in life.

0:51:32.560 --> 0:51:39.640
<v Speaker 3>I've never worn a week Well life, are you drunk?

0:51:42.480 --> 0:51:46.040
<v Speaker 2>Stop talking? I'm devastated with the match at Kaloa.

0:51:46.760 --> 0:51:50.000
<v Speaker 4>The buck Up podcast is hosted by me, Kate Lanebrook

0:51:50.040 --> 0:51:54.840
<v Speaker 4>and him Nathan Valvo. It's produced by the brilliant Sasha

0:51:54.920 --> 0:52:01.600
<v Speaker 4>French Audio and sound by the magnificent Yak Lawrence. You

0:52:01.719 --> 0:52:06.080
<v Speaker 4>might call him Jack and Dom Evans are We're lucky