1 00:00:00,520 --> 00:00:03,200 Speaker 1: Jeremy Piven is coming to town in August. Tickets are 2 00:00:03,240 --> 00:00:06,320 Speaker 1: available through ticketech for his show at the Asta Theater 3 00:00:06,760 --> 00:00:10,640 Speaker 1: on August six, and we are being treated to a 4 00:00:10,680 --> 00:00:12,360 Speaker 1: reprise of Jeremy with Us this morning. 5 00:00:12,360 --> 00:00:15,440 Speaker 2: Hello, how's it going? But how's it going with you? 6 00:00:15,600 --> 00:00:18,239 Speaker 2: Welcome back? Oh man, I'm living the dream right now. 7 00:00:19,480 --> 00:00:20,040 Speaker 3: You've been. 8 00:00:20,720 --> 00:00:24,240 Speaker 1: You've been doing some shows in California this past week 9 00:00:24,320 --> 00:00:26,440 Speaker 1: and touring the US over the next couple of months 10 00:00:26,440 --> 00:00:30,560 Speaker 1: before heading here. Are you when you lock in a show, 11 00:00:30,760 --> 00:00:33,360 Speaker 1: is it locked in? Or do you leave room to 12 00:00:33,400 --> 00:00:34,880 Speaker 1: tweak it as you go along? 13 00:00:36,320 --> 00:00:39,400 Speaker 2: In terms of the material, it's you know, it depends 14 00:00:39,440 --> 00:00:41,720 Speaker 2: on where I am. I mean, I like to immediately 15 00:00:41,760 --> 00:00:44,720 Speaker 2: hit the ground running and just walk around to town 16 00:00:45,120 --> 00:00:49,040 Speaker 2: and get a sense of it and then really address 17 00:00:49,880 --> 00:00:52,680 Speaker 2: what my take on that town is. You know, Like 18 00:00:52,720 --> 00:00:55,000 Speaker 2: I was just in Cleveland and I was staying at 19 00:00:55,040 --> 00:00:57,160 Speaker 2: the fourth Seasons, but it was Cleveland, so it was 20 00:00:57,200 --> 00:01:01,000 Speaker 2: two seasons and they didn't have there were some seasons 21 00:01:01,000 --> 00:01:04,480 Speaker 2: missing there was. It went right from winter to get 22 00:01:04,520 --> 00:01:08,040 Speaker 2: me THETI Oh sorry about that. 23 00:01:08,520 --> 00:01:17,640 Speaker 3: Sorry, Hey, Jeremy blush. We laugh at you, but who 24 00:01:17,680 --> 00:01:20,160 Speaker 3: do you laugh? Who makes you laugh on a regular basis, 25 00:01:20,200 --> 00:01:22,360 Speaker 3: and it can be someone in company history. 26 00:01:22,720 --> 00:01:26,240 Speaker 2: Oh man, that's that's a great question. You know, I 27 00:01:26,280 --> 00:01:28,959 Speaker 2: was just so lucky out of college to work with 28 00:01:29,120 --> 00:01:32,720 Speaker 2: like the great Gary Shandling and all of these incredibly 29 00:01:32,720 --> 00:01:37,520 Speaker 2: brilliant people. So I and and and Jerry Seinfeld. You know, 30 00:01:38,480 --> 00:01:42,000 Speaker 2: you know, a guy in my twenties like just working 31 00:01:42,040 --> 00:01:46,760 Speaker 2: with these with these masters, these legends, and uh and 32 00:01:46,840 --> 00:01:49,400 Speaker 2: you know I I get up in in La and 33 00:01:49,400 --> 00:01:52,040 Speaker 2: New York and they throw all all the comics on 34 00:01:52,440 --> 00:01:56,280 Speaker 2: the sets together. So you know, the nicky Glazers of 35 00:01:56,320 --> 00:01:59,400 Speaker 2: the world, who really deserve all the success that she's 36 00:01:59,400 --> 00:02:02,680 Speaker 2: getting because she works very hard and she's really funny. 37 00:02:04,320 --> 00:02:07,200 Speaker 2: Your guy, Jim Jefferies always really makes me laugh. 38 00:02:08,480 --> 00:02:11,280 Speaker 1: Is now. When we spoke to you last time, we 39 00:02:11,280 --> 00:02:14,640 Speaker 1: were talking about your movie, which your sister wrote and 40 00:02:14,680 --> 00:02:17,799 Speaker 1: directed you in the performance. And after we spoke, I 41 00:02:17,840 --> 00:02:21,880 Speaker 1: went and watched the trailer. May I say magnificent, But 42 00:02:21,880 --> 00:02:24,000 Speaker 1: then I'm a big tap dancing fan. The movie is 43 00:02:24,040 --> 00:02:26,640 Speaker 1: about a gifted Jewish tap dancer who's recruited to perform 44 00:02:26,639 --> 00:02:29,800 Speaker 1: a one night engagement in nineteen thirties Berlin. You know, 45 00:02:30,240 --> 00:02:33,640 Speaker 1: has to obviously put on the show of his life. 46 00:02:34,560 --> 00:02:37,480 Speaker 1: What I'm confused though, what's the story with its release? 47 00:02:37,520 --> 00:02:38,600 Speaker 1: Where can I watch it? 48 00:02:38,639 --> 00:02:38,840 Speaker 2: Is it? 49 00:02:39,639 --> 00:02:40,359 Speaker 1: What's happening? 50 00:02:41,240 --> 00:02:45,359 Speaker 2: Wow, you've read my mind? Yeah, and everything that I'm 51 00:02:45,400 --> 00:02:48,160 Speaker 2: going through right now. You know, at a certain point 52 00:02:48,240 --> 00:02:52,720 Speaker 2: you get to an age everyone does or they don't 53 00:02:53,080 --> 00:02:57,040 Speaker 2: where you have to drop all of your expectations and 54 00:02:57,960 --> 00:03:01,600 Speaker 2: and and just a how I guess without being too 55 00:03:01,600 --> 00:03:05,400 Speaker 2: ethereal like the universe and the divine timing to take 56 00:03:05,440 --> 00:03:08,839 Speaker 2: over because it is the best work I've ever done, 57 00:03:08,880 --> 00:03:10,800 Speaker 2: and it's time for it to come out. And so 58 00:03:10,919 --> 00:03:13,880 Speaker 2: we're we're just trying to figure that out right now. 59 00:03:13,919 --> 00:03:17,000 Speaker 2: So I, by the way, I'm not dancing around an answer. 60 00:03:17,040 --> 00:03:20,880 Speaker 2: I just don't know the answer, but it is. You know, listen, 61 00:03:21,200 --> 00:03:23,919 Speaker 2: it took me ten years to get the money. Yeah, 62 00:03:24,120 --> 00:03:27,600 Speaker 2: and you know, to learn how to tap dance. Yeah. 63 00:03:27,680 --> 00:03:29,400 Speaker 2: And by the way, every year I said, no, I 64 00:03:29,400 --> 00:03:31,880 Speaker 2: got better at tap dance. So that's an example of 65 00:03:31,919 --> 00:03:34,520 Speaker 2: divine timing. I wanted to happen, and it happened when 66 00:03:34,520 --> 00:03:37,640 Speaker 2: I was ready. And now that everyone hates Jews again, 67 00:03:38,080 --> 00:03:42,640 Speaker 2: it's time to release my movie. But I really want 68 00:03:42,680 --> 00:03:43,040 Speaker 2: to say it. 69 00:03:43,080 --> 00:03:47,000 Speaker 1: Good luck because it deserves, you know, when you consider 70 00:03:47,040 --> 00:03:49,040 Speaker 1: some of the rubbish that gets released in the cinema. 71 00:03:49,120 --> 00:03:50,400 Speaker 1: My word, I want to say this. 72 00:03:50,600 --> 00:03:52,800 Speaker 2: I don't know what you're talking about, Black Adam, what 73 00:03:52,840 --> 00:03:56,320 Speaker 2: do you mean by that? To come on? There's been 74 00:03:56,360 --> 00:03:57,440 Speaker 2: some great stuff. 75 00:03:57,160 --> 00:04:01,680 Speaker 3: Too fair, I'm the jermy, what's going on? I might 76 00:04:01,720 --> 00:04:03,200 Speaker 3: have say some footage like well, there's been a bit 77 00:04:03,200 --> 00:04:06,280 Speaker 3: of footage circulating lightly about people like Denzel Washington and 78 00:04:06,360 --> 00:04:08,880 Speaker 3: even Tom Hanks getting upset with PEPARAZZI. Do you get 79 00:04:09,120 --> 00:04:11,120 Speaker 3: trouble with him handing elan? How do you deal with him? 80 00:04:11,280 --> 00:04:15,720 Speaker 2: You know? I used to listen, I'm still single and 81 00:04:15,840 --> 00:04:18,159 Speaker 2: I'm two hundred years old, and people say to me, 82 00:04:18,240 --> 00:04:20,159 Speaker 2: you know why you're still single? And I say that 83 00:04:20,200 --> 00:04:22,440 Speaker 2: I've been married to my work and then my work 84 00:04:22,480 --> 00:04:26,320 Speaker 2: decided to see other people. But I digress. Hold on, Sorry, 85 00:04:26,360 --> 00:04:28,960 Speaker 2: I had to slip that in there. Yea, No, you 86 00:04:29,000 --> 00:04:32,480 Speaker 2: know I used to. I used to look at I'm 87 00:04:32,680 --> 00:04:35,680 Speaker 2: I'm I'm a stage actor from Chicago. I don't know 88 00:04:35,720 --> 00:04:39,720 Speaker 2: what the equivalent in Australia would be. Probably Perth. It'd 89 00:04:39,760 --> 00:04:41,920 Speaker 2: probably be Perth like a guy, you know, like a 90 00:04:41,920 --> 00:04:44,919 Speaker 2: local guy just grinding or you say grafting, you know, 91 00:04:45,000 --> 00:04:48,040 Speaker 2: on the stage, and you know, I won the fresh 92 00:04:48,080 --> 00:04:50,800 Speaker 2: Face of the Year award at forty years old, and 93 00:04:50,880 --> 00:04:52,839 Speaker 2: I said, thank you so much for this award. There's 94 00:04:53,000 --> 00:04:55,040 Speaker 2: nothing fresh about my face, but thank you. 95 00:04:55,839 --> 00:04:58,080 Speaker 3: I appreciate twenty year old suist. 96 00:05:00,520 --> 00:05:07,240 Speaker 1: Do you have any thoughts on the potential tariffs on 97 00:05:07,400 --> 00:05:10,440 Speaker 1: films produced diversars coming into the US EU? Are you 98 00:05:10,520 --> 00:05:11,880 Speaker 1: worried about the industry at all? 99 00:05:12,560 --> 00:05:16,040 Speaker 2: You know, I think the great thing about worrying is 100 00:05:16,640 --> 00:05:21,279 Speaker 2: it doesn't do anything. So all I can control is, 101 00:05:21,880 --> 00:05:25,240 Speaker 2: you know, like, for instance, there's this war overseas, and 102 00:05:26,080 --> 00:05:31,800 Speaker 2: you know, everyone somehow is a an expert on world politics, 103 00:05:32,000 --> 00:05:35,760 Speaker 2: you know, which is adorable. And I just think that, 104 00:05:36,800 --> 00:05:41,919 Speaker 2: you know, it's nuanced, and people aren't willing to I 105 00:05:41,960 --> 00:05:46,200 Speaker 2: think that people are really some people are hell bent 106 00:05:46,279 --> 00:05:50,560 Speaker 2: on identifying an oppressor, getting out there and making it 107 00:05:50,640 --> 00:05:53,560 Speaker 2: known that they're on the right side, and it's like, well, 108 00:05:53,600 --> 00:05:55,800 Speaker 2: hold on a second. I think that it's a little 109 00:05:55,800 --> 00:05:59,200 Speaker 2: more complicated and nuanced, and so I'm just open to 110 00:06:00,279 --> 00:06:03,679 Speaker 2: the truth. What's really going on, what's happening. I can't 111 00:06:03,720 --> 00:06:06,360 Speaker 2: control any of that stuff. I can just do the 112 00:06:06,360 --> 00:06:08,599 Speaker 2: best work that I possibly can. By the way, this 113 00:06:08,720 --> 00:06:12,880 Speaker 2: is the most politically correct answer in the history of it. 114 00:06:12,920 --> 00:06:14,880 Speaker 2: Sounds like, by the way, you could use this if 115 00:06:14,880 --> 00:06:18,240 Speaker 2: you have trouble sleeping later, just use my answers. You'll 116 00:06:18,279 --> 00:06:24,840 Speaker 2: just be like, Oh, I'm so tired, I need that slope. 117 00:06:25,680 --> 00:06:27,960 Speaker 3: That was great. Yeah, But when you were in town, 118 00:06:28,000 --> 00:06:30,039 Speaker 3: you're getting the vibe of Perth, the vibe of the city. 119 00:06:30,520 --> 00:06:32,520 Speaker 3: You can go to the Swan River. It's very famous 120 00:06:32,560 --> 00:06:34,200 Speaker 3: and you can look at it from a place called 121 00:06:34,240 --> 00:06:36,719 Speaker 3: King's Park, and maybe go to our beautiful beaches as well, 122 00:06:36,800 --> 00:06:38,960 Speaker 3: even though the weather won'd be perfect that time of year. 123 00:06:39,160 --> 00:06:40,520 Speaker 3: You'll need to do a bit of that. But you 124 00:06:40,600 --> 00:06:42,520 Speaker 3: need to talk to locals too to maybe help you 125 00:06:42,600 --> 00:06:45,479 Speaker 3: with with your Perth vibe. As far as the show 126 00:06:45,520 --> 00:06:46,839 Speaker 3: is concerned, do you do a bit of that, you 127 00:06:46,880 --> 00:06:48,160 Speaker 3: catch up with locals when you're in town. 128 00:06:48,360 --> 00:06:50,679 Speaker 2: Oh, that's the first thing I do is run around 129 00:06:51,320 --> 00:06:54,240 Speaker 2: and just get it, get a sense. I just immediately 130 00:06:54,240 --> 00:06:58,359 Speaker 2: start walking around and just get lost. And you know, 131 00:06:58,400 --> 00:07:01,720 Speaker 2: it's amazing just what you know, what happens to you 132 00:07:01,760 --> 00:07:05,040 Speaker 2: and what's revealed. You know, like today I was I 133 00:07:05,160 --> 00:07:08,440 Speaker 2: was walking, I was crossing the street, and the only 134 00:07:08,560 --> 00:07:11,119 Speaker 2: car that stopped for me was a way more car. 135 00:07:11,160 --> 00:07:17,840 Speaker 2: It was a driverless car. So so what I think 136 00:07:17,840 --> 00:07:20,480 Speaker 2: it's the I think it's the opposite. I think that 137 00:07:20,960 --> 00:07:24,720 Speaker 2: AI and machines will teach us how to be human, might. 138 00:07:24,680 --> 00:07:28,160 Speaker 1: Take you some manners again, maybeging better. 139 00:07:28,840 --> 00:07:33,920 Speaker 2: I was just so profusely thanking no one. It was 140 00:07:33,960 --> 00:07:34,600 Speaker 2: just amazing. 141 00:07:35,520 --> 00:07:39,200 Speaker 1: Well, we will stop for you here, Jeremy. We can't 142 00:07:39,200 --> 00:07:42,040 Speaker 1: wait for you to get to town. August sixth. Let 143 00:07:42,040 --> 00:07:43,960 Speaker 1: me know who. I need to write a stern letter 144 00:07:44,000 --> 00:07:46,360 Speaker 1: to to get help with the performance, because I want 145 00:07:46,360 --> 00:07:48,280 Speaker 1: to damn well see it and I will do what 146 00:07:48,320 --> 00:07:49,080 Speaker 1: I can to help. 147 00:07:49,920 --> 00:07:51,000 Speaker 3: And she wants to tip dance. 148 00:07:51,560 --> 00:07:55,240 Speaker 2: Yeah, listen, you know what it's. I know you're kidding, 149 00:07:55,760 --> 00:08:00,320 Speaker 2: but the reality is, well, you know, you know, to 150 00:08:00,360 --> 00:08:03,440 Speaker 2: be honest with you, I made the movie to show 151 00:08:03,440 --> 00:08:05,840 Speaker 2: it to people like you, and so that's who we 152 00:08:05,880 --> 00:08:08,440 Speaker 2: make it for. And I think they forget that. Yeah, 153 00:08:08,480 --> 00:08:11,680 Speaker 2: so you know, And and I think that right now 154 00:08:11,960 --> 00:08:14,520 Speaker 2: people feel the way you do in terms of they're 155 00:08:14,600 --> 00:08:17,240 Speaker 2: just wondering. They don't they're not connecting with any of 156 00:08:17,320 --> 00:08:20,280 Speaker 2: these movies or TV shows. And I made something that 157 00:08:20,320 --> 00:08:23,280 Speaker 2: I'm insanely proud of and you just got to have 158 00:08:23,280 --> 00:08:25,600 Speaker 2: a little faith in it and go, Okay, this is 159 00:08:25,640 --> 00:08:31,920 Speaker 2: something special and unfortunately it's incredibly timely, you know, where 160 00:08:31,960 --> 00:08:34,199 Speaker 2: there is a rise in anti Semitism and I'd love 161 00:08:34,200 --> 00:08:38,440 Speaker 2: to address it because anger is real, and you know, 162 00:08:38,480 --> 00:08:42,240 Speaker 2: anger is like a punishment you give yourself or something 163 00:08:42,320 --> 00:08:45,640 Speaker 2: someone else did, kind of like burning your tesla, you 164 00:08:45,679 --> 00:08:46,200 Speaker 2: know what I mean. 165 00:08:47,160 --> 00:08:53,360 Speaker 1: Yeah, well, I genuinely wish you uh well with that. 166 00:08:53,679 --> 00:08:56,439 Speaker 2: And by the way, I'm jokes on you right now, 167 00:08:57,679 --> 00:08:58,360 Speaker 2: trying material. 168 00:08:58,720 --> 00:09:02,040 Speaker 1: Absolutely a bit of big guinea piggle for the woman. 169 00:09:02,960 --> 00:09:04,800 Speaker 1: Thank you, Jeremy Pivens you in August. 170 00:09:04,920 --> 00:09:07,200 Speaker 2: Thanks man, I'll see you very soon. Thank you guys. 171 00:09:07,440 --> 00:09:09,080 Speaker 3: And we did sign up for the last last ched 172 00:09:09,280 --> 00:09:11,120 Speaker 3: at least like a six hour dinner with you. So 173 00:09:11,240 --> 00:09:13,000 Speaker 3: the best next best thing is the second chat on 174 00:09:13,000 --> 00:09:13,360 Speaker 3: the radio. 175 00:09:13,400 --> 00:09:17,160 Speaker 2: So we've no no thanks documented absolutely 176 00:09:17,240 --> 00:09:18,559 Speaker 3: Thanks man, all the best you guys,