1 00:00:00,080 --> 00:00:02,680 Speaker 1: Hello, podcast friends, It's Friday, or as I like to say, 2 00:00:02,680 --> 00:00:04,200 Speaker 1: because I'm young, fry yay. 3 00:00:04,760 --> 00:00:07,120 Speaker 2: All that right off the bat. Coming up on the show. 4 00:00:07,240 --> 00:00:11,120 Speaker 2: Despite a global pandemic and plenty of other world changing movements, 5 00:00:11,560 --> 00:00:15,240 Speaker 2: a Nebraska man has made a plea about chicken wings. 6 00:00:15,280 --> 00:00:15,960 Speaker 2: We'll look at that. 7 00:00:16,079 --> 00:00:18,840 Speaker 1: Five for your flashback Father's Days on Sunday. There are 8 00:00:18,880 --> 00:00:21,680 Speaker 1: many artists inspired by their fathers, and yet there are 9 00:00:21,760 --> 00:00:25,760 Speaker 1: others who have thrived despite having deadbeat dads. Today's five 10 00:00:25,760 --> 00:00:28,600 Speaker 1: forear flashback artists with dead peak tags. 11 00:00:28,640 --> 00:00:31,160 Speaker 2: We've picked a couple of doozies, and of course we 12 00:00:31,200 --> 00:00:33,479 Speaker 2: revisit the week in all its full horror with our 13 00:00:33,520 --> 00:00:36,280 Speaker 2: favorite bits from Jimboschibit Jabba. 14 00:00:36,040 --> 00:00:39,320 Speaker 3: Learning star Shine. Right now, by the miracle of recording, 15 00:00:39,479 --> 00:00:42,400 Speaker 3: we're going to go to a recent Sunday morning service 16 00:00:42,520 --> 00:00:44,159 Speaker 3: in the Witch two precious little. 17 00:00:43,920 --> 00:00:49,680 Speaker 4: Girls or sing in a dungeon somewhere in Miss Keller. 18 00:00:49,840 --> 00:00:51,560 Speaker 5: Amanda Amanda, Mistress. 19 00:00:51,240 --> 00:00:53,120 Speaker 3: Amanda is delivering discipline. 20 00:00:53,360 --> 00:00:56,800 Speaker 6: Bad Amanda, bad bad Amanda. 21 00:00:56,840 --> 00:01:00,160 Speaker 1: I've heard them describe him as a drunken idiot. I 22 00:01:00,280 --> 00:01:02,560 Speaker 1: have been doing and stopping grab and this. 23 00:01:02,640 --> 00:01:03,360 Speaker 6: Is pulling off. 24 00:01:03,400 --> 00:01:11,280 Speaker 1: He says to me personal friends, let's start wearing lipstocks. 25 00:01:12,040 --> 00:01:13,920 Speaker 2: Congratulations, man, we're on the radio right now. 26 00:01:14,440 --> 00:01:18,000 Speaker 7: You cofee Josie and Amanda. You're doing a great job. 27 00:01:18,080 --> 00:01:19,560 Speaker 2: I'm not drunk. 28 00:01:19,600 --> 00:01:20,680 Speaker 7: It's the legendary part. 29 00:01:20,800 --> 00:01:27,600 Speaker 8: Josie and Amanda. The Actress's not going to Amanda. 30 00:01:26,360 --> 00:01:29,759 Speaker 7: When these two overjoyed. 31 00:01:30,880 --> 00:01:31,640 Speaker 5: Silkie Giant. 32 00:01:32,160 --> 00:01:35,679 Speaker 2: It's not No apology could ever compensate Amanda for what. 33 00:01:35,800 --> 00:01:36,640 Speaker 7: Happened that night. 34 00:01:36,800 --> 00:01:37,880 Speaker 3: Brendon, what have you done? 35 00:01:37,959 --> 00:01:42,520 Speaker 1: A really good pooh whereon a good time to good radio. 36 00:01:42,800 --> 00:01:46,440 Speaker 2: Sorry, but it's a total twist, said an idiot. 37 00:01:46,840 --> 00:01:47,760 Speaker 1: And Amanda. 38 00:01:50,120 --> 00:01:50,840 Speaker 9: We're on there. 39 00:01:51,040 --> 00:01:56,080 Speaker 2: Hello, the Amanda Rye and the fry ya before Father's. 40 00:01:55,800 --> 00:01:58,480 Speaker 1: Yea yeah, Father's Day is coming up on Sunday, which. 41 00:01:58,400 --> 00:02:02,040 Speaker 2: Means find our show today. Everyone's a winner. 42 00:02:01,960 --> 00:02:03,600 Speaker 1: Everyone's a Winter Baybank. Dad's true. 43 00:02:03,600 --> 00:02:06,160 Speaker 2: I'll tell you what. Every caller that gets to where 44 00:02:06,160 --> 00:02:08,560 Speaker 2: it gets one hundred dollars to spend it Chargool Charlie's 45 00:02:08,880 --> 00:02:10,120 Speaker 2: and a take full of petrol. 46 00:02:10,400 --> 00:02:13,680 Speaker 1: You get jarg grils and you get Chargriels. You get charged. 47 00:02:13,720 --> 00:02:15,440 Speaker 2: How good's that? So you can treat dad to Chargool 48 00:02:15,480 --> 00:02:17,840 Speaker 2: Charlie's delicious range of chicken chips, salads and more of 49 00:02:17,880 --> 00:02:18,679 Speaker 2: this Father's. 50 00:02:18,400 --> 00:02:19,720 Speaker 1: Day he gets some chargold. 51 00:02:19,800 --> 00:02:20,880 Speaker 2: I'm I'm just saying the words. 52 00:02:21,160 --> 00:02:23,160 Speaker 1: As soon as I say it, I just think, yeah. 53 00:02:24,200 --> 00:02:26,079 Speaker 2: You know, have you put in a birthday request for 54 00:02:26,160 --> 00:02:29,440 Speaker 2: Father's Day? Is your family? Or okay, how did it happen? 55 00:02:29,760 --> 00:02:31,600 Speaker 1: What's going to happen? You know my fish pond, the 56 00:02:31,680 --> 00:02:35,600 Speaker 1: story of the fish pond. So it needs one more 57 00:02:35,720 --> 00:02:39,560 Speaker 1: piece to be complete, to be a fully operational battle. 58 00:02:39,639 --> 00:02:41,000 Speaker 2: No, I guess what it is? Fish? 59 00:02:41,440 --> 00:02:44,040 Speaker 1: No, there's there's two fish in there. It needs to 60 00:02:44,080 --> 00:02:47,040 Speaker 1: be rendered the outside that my wife doesn't like the bricks. 61 00:02:47,080 --> 00:02:51,400 Speaker 1: I don't like bricks anymore. Brendan like, yeah, Olympic. So 62 00:02:51,520 --> 00:02:53,079 Speaker 1: the thing is it has to be rendered. But it 63 00:02:53,120 --> 00:02:55,240 Speaker 1: means I've got to drain it again while it gets rendered. 64 00:02:55,760 --> 00:02:57,840 Speaker 1: The front pit. And I've got the two fish, and 65 00:02:57,880 --> 00:02:59,320 Speaker 1: I said, well I do with this fish? And then 66 00:02:59,400 --> 00:03:00,760 Speaker 1: Helen said to me, said you can get a little 67 00:03:00,760 --> 00:03:02,760 Speaker 1: fish tank, and I went, oh can I? So for 68 00:03:02,880 --> 00:03:04,720 Speaker 1: Father's down getting little fish tank. I'm going to put 69 00:03:04,720 --> 00:03:06,200 Speaker 1: it on my little kitchen counter and then I can 70 00:03:06,280 --> 00:03:06,920 Speaker 1: look at my fish. 71 00:03:07,600 --> 00:03:09,480 Speaker 2: So you're going to put the fish from the fish 72 00:03:09,720 --> 00:03:11,079 Speaker 2: outside fish tank yep. 73 00:03:11,800 --> 00:03:14,080 Speaker 1: Into it's a little. It's what, it's a little. It's 74 00:03:14,080 --> 00:03:15,480 Speaker 1: about thirty centimeters by. 75 00:03:15,480 --> 00:03:17,919 Speaker 2: Thirty, So fish going to feel Look at you cook fish. 76 00:03:18,600 --> 00:03:20,840 Speaker 1: I won't cook fish if I I'm sensitive to those things. 77 00:03:20,840 --> 00:03:21,079 Speaker 3: Will you? 78 00:03:21,200 --> 00:03:23,919 Speaker 2: You put a blindfold on this? Look look over the 79 00:03:23,960 --> 00:03:24,679 Speaker 2: other side of the tank. 80 00:03:25,520 --> 00:03:26,240 Speaker 1: A can of tuna. 81 00:03:28,000 --> 00:03:31,919 Speaker 2: Well, that's a that's a nice nicely And also. 82 00:03:31,880 --> 00:03:34,360 Speaker 1: Down the track, it's great to have a safe space 83 00:03:34,600 --> 00:03:37,120 Speaker 1: for my fish. If something were to happen in the 84 00:03:37,160 --> 00:03:40,000 Speaker 1: big tank, I could transfer them to the little safe space. 85 00:03:40,040 --> 00:03:41,760 Speaker 2: So they're they're having a holiday, so I can give. 86 00:03:41,680 --> 00:03:44,200 Speaker 1: Them my undivided attent. Well, I could have fish of 87 00:03:44,280 --> 00:03:46,680 Speaker 1: the week to sit in there. I like you, Employee 88 00:03:46,720 --> 00:03:49,080 Speaker 1: of the week, Little boggleleyed blackfish are like you. You're 89 00:03:49,120 --> 00:03:50,480 Speaker 1: going in the tank for this week. 90 00:03:50,960 --> 00:03:52,720 Speaker 2: Okay, things are exciting in your house. 91 00:03:52,720 --> 00:03:53,720 Speaker 1: I've become a fish guy. 92 00:03:53,840 --> 00:03:55,760 Speaker 2: Do you want me to tell you what Harley's getting 93 00:03:55,800 --> 00:03:56,600 Speaker 2: for Father's Day? 94 00:03:56,720 --> 00:03:58,120 Speaker 1: You're going to ruin the surprise for him. 95 00:03:58,240 --> 00:04:00,720 Speaker 2: No, he's seen it and wants it, and it's happened. 96 00:04:00,800 --> 00:04:02,480 Speaker 1: He stopped listening to the show sometime ago. 97 00:04:03,480 --> 00:04:07,680 Speaker 2: He is getting an antique French confessional. 98 00:04:08,000 --> 00:04:10,960 Speaker 1: Well, that sounds he's expensive. 99 00:04:11,040 --> 00:04:15,560 Speaker 2: He saw this in a shop and it's from France 100 00:04:15,960 --> 00:04:19,600 Speaker 2: and it is an old school wooden confessional and he 101 00:04:19,680 --> 00:04:21,840 Speaker 2: wants to put it in his studio and make it 102 00:04:21,960 --> 00:04:23,720 Speaker 2: into an art installation. 103 00:04:24,080 --> 00:04:28,640 Speaker 1: When you're antique, how old fifty something like that fifty. 104 00:04:28,760 --> 00:04:30,640 Speaker 2: It's made out of wood, and it's got the bit 105 00:04:30,680 --> 00:04:33,839 Speaker 2: where the priest would sit at, yeah, a little sidebit. 106 00:04:33,920 --> 00:04:35,800 Speaker 2: So what he wants to do is put sort of 107 00:04:35,839 --> 00:04:38,000 Speaker 2: religious bits on the outside where the people had to 108 00:04:38,040 --> 00:04:40,160 Speaker 2: go to do their confession, and on the inside is 109 00:04:40,200 --> 00:04:42,800 Speaker 2: going to put pictures of sophiaa ren and cigarette packets 110 00:04:42,839 --> 00:04:45,120 Speaker 2: and racing cars. Like the priest is having his own 111 00:04:45,160 --> 00:04:46,080 Speaker 2: little life in there. 112 00:04:46,640 --> 00:04:49,440 Speaker 1: Because I'm a Catholic. I used to do confession. When 113 00:04:49,440 --> 00:04:50,560 Speaker 1: I last it, I did it, I think it was 114 00:04:50,560 --> 00:04:52,479 Speaker 1: about twelve years of age. But you'd make stuff up. 115 00:04:52,960 --> 00:04:54,560 Speaker 1: See now, if I went to confession, I got some 116 00:04:54,640 --> 00:04:57,560 Speaker 1: great stuff to confess. Have you great to use your 117 00:04:57,640 --> 00:05:01,920 Speaker 1: radio show? Do it Now? Action packed show today ten 118 00:05:02,000 --> 00:05:04,200 Speaker 1: thousand dollars with head jam. We gave away cash yesterday, 119 00:05:04,200 --> 00:05:05,200 Speaker 1: Will it happen again? Today? 120 00:05:05,400 --> 00:05:07,960 Speaker 2: Will look but everything kicks off with a magnificent seven 121 00:05:08,160 --> 00:05:11,599 Speaker 2: question one Arabica beans. I used to make what drink? 122 00:05:11,760 --> 00:05:15,039 Speaker 1: Thirteen? WSFM is our number at seven past six point 123 00:05:15,080 --> 00:05:18,360 Speaker 1: seven WUSFM, Hello there, it's Jonesy demanded thanks to chemist Warehouse, 124 00:05:18,520 --> 00:05:20,000 Speaker 1: a shower out to you twenty three degrees of the 125 00:05:20,000 --> 00:05:21,440 Speaker 1: city twenty five in our west. Right now it is 126 00:05:21,560 --> 00:05:24,560 Speaker 1: nineteen degrees. It's twelve past six. We have the Magnificent seven. 127 00:05:24,600 --> 00:05:26,560 Speaker 1: There are seven questions? Can you go all the way 128 00:05:26,600 --> 00:05:28,640 Speaker 1: and answer all seven questions correctly? 129 00:05:28,920 --> 00:05:32,920 Speaker 2: Maddie's in Westmeat, Hi, Maddie, good morning, Good morning. Question 130 00:05:33,040 --> 00:05:36,040 Speaker 2: number one for you Arabica beans. I used to make 131 00:05:36,080 --> 00:05:36,640 Speaker 2: which drink? 132 00:05:37,320 --> 00:05:38,400 Speaker 5: Oh, my favorite drink? 133 00:05:38,480 --> 00:05:38,880 Speaker 8: Coffee? 134 00:05:39,000 --> 00:05:39,360 Speaker 2: Correct? 135 00:05:40,000 --> 00:05:43,240 Speaker 1: In which film did Robin Williams play a man trapped 136 00:05:43,279 --> 00:05:44,520 Speaker 1: inside a board game? 137 00:05:46,120 --> 00:05:46,919 Speaker 2: Wasn't Old made? 138 00:05:47,960 --> 00:05:48,719 Speaker 1: It was Jumanji? 139 00:05:49,440 --> 00:05:49,640 Speaker 8: Oh? 140 00:05:49,800 --> 00:05:50,200 Speaker 2: Look at this? 141 00:05:50,320 --> 00:05:52,800 Speaker 1: Actually? Whoever started this game of Jumanji that we're going 142 00:05:52,839 --> 00:05:54,240 Speaker 1: through right now? Can you just finish it? 143 00:05:56,120 --> 00:05:56,840 Speaker 2: I saw that meme. 144 00:05:58,600 --> 00:06:01,880 Speaker 1: Maddie appreciated that, Okay, I did? Did you know it 145 00:06:01,960 --> 00:06:02,600 Speaker 1: was a meme made? 146 00:06:06,480 --> 00:06:07,840 Speaker 2: I don't like you getting away with that. 147 00:06:08,120 --> 00:06:09,920 Speaker 1: If we did a magic show, Maddie, this is what 148 00:06:10,000 --> 00:06:11,360 Speaker 1: I was like working with a man. If I did 149 00:06:11,400 --> 00:06:13,800 Speaker 1: a magic show and she was my little assistant in 150 00:06:13,880 --> 00:06:17,080 Speaker 1: a leotard with feathers. Obviously they're soaring a woman in 151 00:06:17,160 --> 00:06:18,360 Speaker 1: half and she got. 152 00:06:18,320 --> 00:06:19,480 Speaker 7: He's not really doing it. 153 00:06:19,839 --> 00:06:21,680 Speaker 1: You can see your legs are tucked up here, and 154 00:06:21,839 --> 00:06:23,320 Speaker 1: he's got an elephant in his hat? 155 00:06:23,680 --> 00:06:24,000 Speaker 2: Does he? 156 00:06:24,760 --> 00:06:25,200 Speaker 3: How did you do? 157 00:06:25,320 --> 00:06:27,200 Speaker 2: That's that's magic. 158 00:06:27,320 --> 00:06:28,760 Speaker 1: I'm not going to tell you because you'll blab it 159 00:06:28,839 --> 00:06:29,240 Speaker 1: big hat. 160 00:06:29,360 --> 00:06:33,600 Speaker 2: Question number three is pet sounds, Maddie. I'm going to 161 00:06:33,640 --> 00:06:36,840 Speaker 2: play chickens singing a song. You have to tell us 162 00:06:36,960 --> 00:06:51,320 Speaker 2: what song the chickens are singing? Okay for us? Also 163 00:06:51,360 --> 00:06:51,920 Speaker 2: playing six? 164 00:06:55,200 --> 00:06:55,560 Speaker 1: There you go. 165 00:06:56,000 --> 00:07:01,040 Speaker 2: Do you know the song? Maddie? It's that I have 166 00:07:01,160 --> 00:07:04,440 Speaker 2: no idea what it's called. You hummed along? You got 167 00:07:04,480 --> 00:07:04,839 Speaker 2: it right? 168 00:07:05,240 --> 00:07:07,520 Speaker 1: Well, there we are. Question number three of the Magnificent seven. 169 00:07:07,520 --> 00:07:09,120 Speaker 1: Do you think you know what those chickens a play? 170 00:07:09,560 --> 00:07:10,880 Speaker 1: Will they come home to roost? 171 00:07:11,080 --> 00:07:11,640 Speaker 2: Give us a call? 172 00:07:11,760 --> 00:07:13,680 Speaker 1: Thirteen WS Why did they cross the road? 173 00:07:13,760 --> 00:07:14,920 Speaker 2: There are so many questions? 174 00:07:15,080 --> 00:07:18,560 Speaker 1: Fourteen past six are what pirt? Seven WSFM? Hello there, 175 00:07:18,560 --> 00:07:20,840 Speaker 1: it's Jonesy Demandra shower to twenty three degrees in the 176 00:07:20,880 --> 00:07:23,560 Speaker 1: city twenty five in our west. We're into the Magnificent seven. 177 00:07:23,600 --> 00:07:26,160 Speaker 1: We're up to question number three. We're playing pet sounds. 178 00:07:28,080 --> 00:07:29,840 Speaker 2: Margaret's in Bossy Park. Hello, Margaret? 179 00:07:30,320 --> 00:07:31,720 Speaker 5: Hello, how are you very well? 180 00:07:31,840 --> 00:07:40,840 Speaker 2: What song's this? Do you know a song? The chickens 181 00:07:40,880 --> 00:07:41,240 Speaker 2: are singing? 182 00:07:42,120 --> 00:07:43,080 Speaker 5: The final countdown? 183 00:07:43,240 --> 00:07:44,760 Speaker 7: By good? 184 00:07:45,440 --> 00:07:49,280 Speaker 1: That's it, Margaret. Question for why do sea odters hold 185 00:07:49,400 --> 00:07:51,920 Speaker 1: hands while they're sleeping? Is at A so they don't 186 00:07:52,000 --> 00:07:54,960 Speaker 1: drift apart. B as a sign of love or c 187 00:07:55,360 --> 00:07:57,240 Speaker 1: to ward off predators. 188 00:08:00,120 --> 00:08:02,760 Speaker 2: Know the answers, Yeah, that's right, so they don't drift apart. 189 00:08:04,000 --> 00:08:08,240 Speaker 2: About that question five? A us well, A Hollywood star 190 00:08:08,400 --> 00:08:10,880 Speaker 2: yesterday revealed that he and his family had been diagnosed 191 00:08:10,920 --> 00:08:13,240 Speaker 2: with coronavirus. They are now okay? Do you know who 192 00:08:13,280 --> 00:08:13,960 Speaker 2: that star was? 193 00:08:14,760 --> 00:08:18,440 Speaker 1: Dwaine Johnson. Yes, it's a hard knock Life is a 194 00:08:18,560 --> 00:08:21,400 Speaker 1: song from which popular musical Annie. 195 00:08:22,200 --> 00:08:25,120 Speaker 8: Yes, that's enough. 196 00:08:26,920 --> 00:08:28,280 Speaker 2: Brings you to question seven. 197 00:08:28,400 --> 00:08:29,120 Speaker 1: March game. 198 00:08:29,720 --> 00:08:33,280 Speaker 2: Who are the Sharks up against tonight? I phrased that badly. 199 00:08:33,280 --> 00:08:37,360 Speaker 2: Who are the Sharks playing? I'm not sure? 200 00:08:37,840 --> 00:08:38,360 Speaker 7: Say a team? 201 00:08:38,440 --> 00:08:38,960 Speaker 1: Say a team? 202 00:08:39,160 --> 00:08:41,280 Speaker 2: Guess a team? I don't know the night. 203 00:08:41,679 --> 00:08:46,080 Speaker 1: Yes, it's Margaret, whats. 204 00:08:45,320 --> 00:08:48,040 Speaker 2: So not only do you win the jam pack, you 205 00:08:48,160 --> 00:08:50,880 Speaker 2: also get Let me just tell you a father's day pack. 206 00:08:51,040 --> 00:08:53,800 Speaker 2: Every corn here gets one hundred dollars to spend a 207 00:08:53,880 --> 00:08:56,000 Speaker 2: child Charlie's and a full tanker petrol. 208 00:08:56,080 --> 00:08:58,720 Speaker 1: Congratulations to you, Margaret. And you've got the two hundred 209 00:08:58,720 --> 00:09:01,640 Speaker 1: dollars Urban spar thatt your You'venate at urbanspa dot com 210 00:09:01,720 --> 00:09:03,640 Speaker 1: dot at you one hundred dollars to spend the bays 211 00:09:03,720 --> 00:09:06,280 Speaker 1: the dessert well famous desserts, a bath Vista, Paramatter and 212 00:09:06,280 --> 00:09:08,640 Speaker 1: Breton Sands and Jones did noomatic character juice for the color, 213 00:09:08,720 --> 00:09:11,319 Speaker 1: and some stainer pencils. Margaret, you have a good weekend. 214 00:09:11,440 --> 00:09:12,880 Speaker 5: Okay, thank you, thank you? 215 00:09:13,760 --> 00:09:16,800 Speaker 1: What about that? It's six twenty four one on one 216 00:09:16,840 --> 00:09:20,560 Speaker 1: point seven WSFM one on one point seven WSFM. Hello there, 217 00:09:20,559 --> 00:09:23,480 Speaker 1: it's Jonsey demand Adele there. She looked good lately. 218 00:09:23,640 --> 00:09:26,480 Speaker 2: What a transformation. I know there's been a bit of backlash, 219 00:09:26,520 --> 00:09:28,400 Speaker 2: which I think is ridiculous to the way she had 220 00:09:28,440 --> 00:09:31,200 Speaker 2: her hair in a Caribbean style. Recently she had a picture. 221 00:09:31,520 --> 00:09:34,240 Speaker 2: I don't know if you can culturally appropriate hairstyles. I 222 00:09:34,240 --> 00:09:37,319 Speaker 2: don't think that's I think she that's just usticulous. She 223 00:09:37,400 --> 00:09:40,960 Speaker 2: looks amazing, she know, posing the bikini top and leggings. 224 00:09:41,160 --> 00:09:43,080 Speaker 1: She looks great. She looks great. 225 00:09:43,240 --> 00:09:48,600 Speaker 2: Yeah, people are saying she looks unrecognizable. She doesn't seem 226 00:09:48,760 --> 00:09:50,760 Speaker 2: like Adele. I can't wait to hear a sing, so 227 00:09:50,800 --> 00:09:52,480 Speaker 2: we go, Yeah, it's still Adele, because when you're here 228 00:09:52,520 --> 00:09:54,360 Speaker 2: in a picture, you can't tell that. 229 00:09:54,400 --> 00:09:56,000 Speaker 1: Doesn't forget a good voice, does it? 230 00:09:56,080 --> 00:09:56,679 Speaker 7: Being overweight? 231 00:09:56,880 --> 00:09:56,920 Speaker 5: No? 232 00:09:57,120 --> 00:09:59,679 Speaker 2: No, but she looked amazing before too. 233 00:10:00,040 --> 00:10:02,320 Speaker 1: She looks because she looks great now. She'd be happy 234 00:10:02,320 --> 00:10:02,679 Speaker 1: to hear that. 235 00:10:03,800 --> 00:10:06,160 Speaker 2: Yeah, but she's making it's interesting you say that because 236 00:10:06,200 --> 00:10:08,720 Speaker 2: she's making no comment when everyone says you look incredible, 237 00:10:08,720 --> 00:10:10,880 Speaker 2: blah blah, lost weight. She's making no comment because she's 238 00:10:10,960 --> 00:10:13,640 Speaker 2: not saying I prefer myself now, she's saying nothing. 239 00:10:13,920 --> 00:10:15,319 Speaker 1: You'd be happy with it if you saw her and 240 00:10:15,360 --> 00:10:18,000 Speaker 1: you say, you look great, you lost weight? Yeah, thank you? 241 00:10:18,200 --> 00:10:22,959 Speaker 2: See you lost weight. Isn't always the best compliment. You 242 00:10:23,000 --> 00:10:25,320 Speaker 2: look amazing and you looked amazing before. 243 00:10:25,559 --> 00:10:27,320 Speaker 1: You can't say to someone you've put on weight. There's 244 00:10:27,320 --> 00:10:28,839 Speaker 1: nothing worse when someone goes, so you put on a 245 00:10:28,920 --> 00:10:31,400 Speaker 1: bit of pud and they go do the big fat face. 246 00:10:31,600 --> 00:10:33,880 Speaker 1: But it's better when someone says you've lost weight. And 247 00:10:33,960 --> 00:10:36,040 Speaker 1: I know this because I've put on weight before. And 248 00:10:36,120 --> 00:10:36,640 Speaker 1: I've lost one? 249 00:10:36,720 --> 00:10:36,880 Speaker 7: Are you? 250 00:10:37,040 --> 00:10:38,079 Speaker 1: And people say I've lost weight? 251 00:10:38,960 --> 00:10:41,280 Speaker 2: But you say to people this is your go to compliment, 252 00:10:41,520 --> 00:10:43,959 Speaker 2: Have you lost weight to people who look exactly the 253 00:10:44,000 --> 00:10:45,600 Speaker 2: same as they did the time you saw them before, 254 00:10:45,880 --> 00:10:48,439 Speaker 2: because you think that is a generic compliment. 255 00:10:48,559 --> 00:10:50,600 Speaker 1: It's nice, it bigs them up, gives them a bit 256 00:10:50,640 --> 00:10:51,000 Speaker 1: of you know. 257 00:10:51,679 --> 00:10:55,600 Speaker 2: In your lives. But that says weight equates with everything, 258 00:10:56,080 --> 00:10:57,800 Speaker 2: rather saying hey, it's nice to see you look well, 259 00:10:58,400 --> 00:11:01,240 Speaker 2: you think saying you've lost whether I have a rather 260 00:11:01,280 --> 00:11:04,160 Speaker 2: here you put on weight? You don't have to say weight, well, 261 00:11:04,679 --> 00:11:05,240 Speaker 2: just look good. 262 00:11:05,559 --> 00:11:08,200 Speaker 1: Yes, you're looking good. You lost waight, you're looking good. 263 00:11:08,360 --> 00:11:08,640 Speaker 3: Stop. 264 00:11:09,760 --> 00:11:11,840 Speaker 1: I can't see anyone that would find that unless there's 265 00:11:11,880 --> 00:11:13,679 Speaker 1: something I'm wrong with you and leave you're un well. 266 00:11:13,720 --> 00:11:15,160 Speaker 1: But you can tell when someone's done well and they're 267 00:11:15,160 --> 00:11:15,600 Speaker 1: blocks weight. 268 00:11:16,880 --> 00:11:17,839 Speaker 2: That's for a bigger debate. 269 00:11:19,360 --> 00:11:22,360 Speaker 1: It's coming up to six point thirty. On the show today, 270 00:11:22,360 --> 00:11:24,360 Speaker 1: we have ten thousand dollars with Hedgjam. We gave away 271 00:11:24,400 --> 00:11:26,160 Speaker 1: cash yesterday, Will it happen again today? 272 00:11:26,400 --> 00:11:28,959 Speaker 2: Every caller on air today gets one hundred dollars. Huggles 273 00:11:29,040 --> 00:11:30,880 Speaker 2: Charlie Yep Voucher. 274 00:11:30,640 --> 00:11:32,280 Speaker 1: And Stephen Curry will be joining us? 275 00:11:33,600 --> 00:11:34,080 Speaker 8: Are you ready? 276 00:11:37,920 --> 00:11:38,880 Speaker 1: Tell you dumb idiots? 277 00:11:39,200 --> 00:11:39,240 Speaker 5: So? 278 00:11:39,360 --> 00:11:41,839 Speaker 2: Jarmanak is our big book of musical facts. And in 279 00:11:41,920 --> 00:11:44,079 Speaker 2: this Day nineteen seventy six, the bee Gees went to 280 00:11:44,160 --> 00:11:46,719 Speaker 2: number one with You Should Be Dancing. This was a 281 00:11:46,800 --> 00:11:51,160 Speaker 2: song that launched the trio into disco stardom, and it 282 00:11:51,280 --> 00:11:54,000 Speaker 2: was the first chart topper in which Barry Gibb used 283 00:11:54,080 --> 00:11:58,080 Speaker 2: his now trademark falsetto. He's been ranged aus having one 284 00:11:58,120 --> 00:12:00,679 Speaker 2: of the top ten falsettos in his tree. Would you 285 00:12:00,800 --> 00:12:01,640 Speaker 2: like to be on that list? 286 00:12:01,800 --> 00:12:02,439 Speaker 1: I would love to be. 287 00:12:02,840 --> 00:12:05,000 Speaker 2: Well, let's see who else is on that list? Michael Jackson, 288 00:12:07,240 --> 00:12:09,079 Speaker 2: A lot of Frankie Valley. 289 00:12:09,960 --> 00:12:11,440 Speaker 1: Yeah, what about that guys? 290 00:12:12,080 --> 00:12:12,760 Speaker 2: Key Robinson? 291 00:12:15,720 --> 00:12:16,800 Speaker 1: You know who wasn't on the list? 292 00:12:17,360 --> 00:12:17,520 Speaker 7: Who? 293 00:12:17,880 --> 00:12:22,199 Speaker 2: This woman? Yo co owner? But you know what, I'll 294 00:12:22,240 --> 00:12:22,960 Speaker 2: have what she's having. 295 00:12:23,120 --> 00:12:24,080 Speaker 1: She's on a lot of lists. 296 00:12:26,520 --> 00:12:28,600 Speaker 2: Thanks you, Oko, hop out and get us a coffee? 297 00:12:28,640 --> 00:12:30,640 Speaker 2: Live well you let's play this one? 298 00:12:30,960 --> 00:12:31,880 Speaker 1: What yo co owner? 299 00:12:32,000 --> 00:12:33,040 Speaker 2: No, you should be Dancing? 300 00:12:33,400 --> 00:12:37,400 Speaker 1: It's twenty to seven WSFM, but on one point seven WSFM. 301 00:12:37,440 --> 00:12:39,520 Speaker 1: Hello there, it's Jonesy to matter total recall us back 302 00:12:39,520 --> 00:12:41,120 Speaker 1: from nine keep track of the songs we play and 303 00:12:41,160 --> 00:12:43,160 Speaker 1: we'll give you one hundred dollars for every song you 304 00:12:43,280 --> 00:12:46,120 Speaker 1: can recall shower to today. Twenty three degrees in the city, 305 00:12:46,160 --> 00:12:48,040 Speaker 1: twenty five in our west. Right now it's nineteen degrees. 306 00:12:48,120 --> 00:12:48,960 Speaker 1: It is six to seven. 307 00:12:49,080 --> 00:12:49,160 Speaker 7: Up. 308 00:12:49,320 --> 00:12:55,400 Speaker 1: Someone's at the door. Ah, it's Jimmy the Millennial. Hey, 309 00:12:55,720 --> 00:12:58,920 Speaker 1: how are you? I'm good? How's mom good? 310 00:13:00,000 --> 00:13:00,920 Speaker 2: Going out on the weekend? 311 00:13:01,760 --> 00:13:01,880 Speaker 7: Oh? 312 00:13:01,960 --> 00:13:02,640 Speaker 1: When I last night? 313 00:13:02,640 --> 00:13:03,600 Speaker 2: Actually a bit hungover? 314 00:13:04,000 --> 00:13:07,559 Speaker 1: Goes on a Thursday Thursday. Yeah, I'm just gonna go 315 00:13:07,640 --> 00:13:11,800 Speaker 1: home now, I think. Oh okay, yeah, I'm not feeling well. 316 00:13:11,840 --> 00:13:13,000 Speaker 1: Actually here take this. 317 00:13:13,400 --> 00:13:15,000 Speaker 2: Oh okay, Actually, do. 318 00:13:15,000 --> 00:13:15,760 Speaker 1: You guys have any money? 319 00:13:16,120 --> 00:13:16,280 Speaker 3: Oh? 320 00:13:16,720 --> 00:13:17,480 Speaker 2: How much do you need? 321 00:13:17,920 --> 00:13:19,400 Speaker 1: Whatever? You got a couple of hundred or something? 322 00:13:19,880 --> 00:13:22,000 Speaker 2: A couple of hundred, Brendan, just give it to him. 323 00:13:22,040 --> 00:13:25,679 Speaker 1: Go on, I just went to the bankers. Here you go. 324 00:13:27,600 --> 00:13:29,079 Speaker 1: Thank you. That'd be nice. 325 00:13:29,320 --> 00:13:36,120 Speaker 2: Oh sorry, thank you, not you him him, he's such 326 00:13:36,160 --> 00:13:39,040 Speaker 2: a nice young man. I just want him to be happy. 327 00:13:40,360 --> 00:13:43,760 Speaker 1: Father's Days on Sunday. There are many artists inspired by 328 00:13:43,800 --> 00:13:46,920 Speaker 1: their fathers, But yet there are others who have thrived 329 00:13:47,040 --> 00:13:51,160 Speaker 1: despite having dead beat dads. Today's five ye flashback artists 330 00:13:51,280 --> 00:13:52,800 Speaker 1: with dead beat dads. 331 00:13:52,800 --> 00:13:55,839 Speaker 2: Really leave Michael Jackson out of it. 332 00:13:56,920 --> 00:13:59,360 Speaker 1: Yeah, well we're wearing Michael Jackson free zone. 333 00:13:59,480 --> 00:14:04,000 Speaker 2: Remember our breakfast show, is this right? Okay? We will 334 00:14:04,040 --> 00:14:05,800 Speaker 2: have our songs for you after seven o'clock, The. 335 00:14:05,800 --> 00:14:07,280 Speaker 1: Big News at seven o'clock. If you want to play 336 00:14:07,320 --> 00:14:11,680 Speaker 1: head jam, why did you call us? Thirteen WSFM, Good morning, 337 00:14:12,920 --> 00:14:15,240 Speaker 1: Johnie and Amanda's ten thousand dollars? 338 00:14:15,880 --> 00:14:16,000 Speaker 3: Ye? 339 00:14:16,400 --> 00:14:18,400 Speaker 1: Do you have the right answers to our wrong questions? 340 00:14:18,440 --> 00:14:21,480 Speaker 1: Thirteen WSFM is our number. There is ten thousand dollars 341 00:14:21,600 --> 00:14:22,160 Speaker 1: at steak. 342 00:14:22,240 --> 00:14:24,600 Speaker 2: Here's how it goes. When I ask you question number one, 343 00:14:24,680 --> 00:14:26,320 Speaker 2: say nothing, give me the answer to that. When I 344 00:14:26,400 --> 00:14:28,240 Speaker 2: ask you a question number two, and so on until 345 00:14:28,280 --> 00:14:29,960 Speaker 2: the buzzer goes off. The minute you're wrong, you're out. 346 00:14:30,600 --> 00:14:32,920 Speaker 2: You can take the chickeney pants option. This is where 347 00:14:32,920 --> 00:14:34,680 Speaker 2: you get one hundred dollars for each quick answer along 348 00:14:34,680 --> 00:14:36,080 Speaker 2: the way, but go all the way. You don't get 349 00:14:36,080 --> 00:14:36,560 Speaker 2: the big bucks. 350 00:14:36,640 --> 00:14:39,000 Speaker 1: The CPO we like to call it Marina's in Beacon Hill, 351 00:14:39,040 --> 00:14:42,440 Speaker 1: Hello Marina, Marina. 352 00:14:42,560 --> 00:14:43,720 Speaker 2: Oh that's a bad line. 353 00:14:43,920 --> 00:14:45,800 Speaker 1: We got to sort that out. What are we going 354 00:14:45,840 --> 00:14:48,640 Speaker 1: to do here? I will say this. If we can't 355 00:14:48,640 --> 00:14:49,800 Speaker 1: get on the Marina, We're just going to have to 356 00:14:49,800 --> 00:14:52,600 Speaker 1: go with someone else. I'm sorry. That's them's the breaks. 357 00:14:53,040 --> 00:14:54,840 Speaker 1: I will say this, everyone that goes on our show 358 00:14:54,920 --> 00:14:58,720 Speaker 1: today gets one hundred dollars charg ruled Charlie's voucher. How 359 00:14:58,800 --> 00:14:59,200 Speaker 1: good is that? 360 00:15:00,000 --> 00:15:02,000 Speaker 2: Think full of petrol for Father's Day? 361 00:15:02,160 --> 00:15:04,680 Speaker 1: So Marina's loss is den of Brower's gain. 362 00:15:04,760 --> 00:15:08,360 Speaker 5: Hello, Den, Hey you guys, it's actually I. 363 00:15:08,400 --> 00:15:10,160 Speaker 1: Was about to say that's sort of some sort of 364 00:15:10,280 --> 00:15:11,960 Speaker 1: Celtic name, Den, but it's Ben. 365 00:15:12,160 --> 00:15:15,600 Speaker 2: Ben. All right, Hello Ben, and welcome. How would you 366 00:15:15,720 --> 00:15:18,000 Speaker 2: like to play today? I'm going to go the whole 367 00:15:18,000 --> 00:15:20,560 Speaker 2: hole baby, ten thousand dollars. Ben. 368 00:15:20,680 --> 00:15:22,600 Speaker 1: I don't think we've had the chickeny pants on this week. 369 00:15:22,640 --> 00:15:25,280 Speaker 2: You know that's pretty good people going hard and then 370 00:15:25,360 --> 00:15:26,000 Speaker 2: going home. 371 00:15:26,160 --> 00:15:28,120 Speaker 1: Okay, Ben, if that's your real name, are. 372 00:15:28,080 --> 00:15:28,880 Speaker 2: You ready to start? 373 00:15:29,480 --> 00:15:29,960 Speaker 5: I'm ready? 374 00:15:30,040 --> 00:15:33,360 Speaker 2: Here we go. Zoom Zoom is the catchphrase witch. Carmaker 375 00:15:33,480 --> 00:15:36,440 Speaker 2: Baz Luhman directed a film adaptation of which Shakespeare play. 376 00:15:40,040 --> 00:15:42,800 Speaker 1: It's Masda Ben, It's masda. 377 00:15:44,000 --> 00:15:47,120 Speaker 2: Dang me? Would you have known? The bas Luhman film, 378 00:15:47,320 --> 00:15:51,680 Speaker 2: based on a Shakespeare play that was Romeo and Juliet 379 00:15:52,000 --> 00:15:52,880 Speaker 2: wasn't your day, Ben? 380 00:15:52,920 --> 00:15:55,640 Speaker 1: I'm sorry, maybe Den would have had a have another 381 00:15:55,720 --> 00:15:59,280 Speaker 1: go is Den's thank you Ben, I'll have a good weekend. 382 00:15:59,360 --> 00:16:00,160 Speaker 1: We've always got that. 383 00:16:00,680 --> 00:16:04,480 Speaker 2: And now Fight for your Flashback. We've gone well. We've 384 00:16:04,520 --> 00:16:07,160 Speaker 2: been asked to come up with songs about artists who've 385 00:16:07,160 --> 00:16:08,320 Speaker 2: got dead beat dads. 386 00:16:08,400 --> 00:16:10,400 Speaker 1: I've got the best dead beat dad in the history 387 00:16:10,440 --> 00:16:11,280 Speaker 1: of deadbeat dads. 388 00:16:11,280 --> 00:16:12,200 Speaker 2: I reckon I can beat it. 389 00:16:12,360 --> 00:16:15,360 Speaker 1: At seven past seven WSFF what at one point it's 390 00:16:15,360 --> 00:16:18,120 Speaker 1: even WSFM. Hello there, it's Jonesy Demanda thanks to chemist 391 00:16:18,200 --> 00:16:20,560 Speaker 1: Warehouse shower to today, twenty three degrees in the city, 392 00:16:20,600 --> 00:16:22,760 Speaker 1: twenty five in our west. Right now it's nineteen degrees. 393 00:16:23,000 --> 00:16:24,120 Speaker 1: It's eleven past seven. 394 00:16:30,760 --> 00:16:33,520 Speaker 7: Fight for your Flashback two. 395 00:16:33,440 --> 00:16:36,960 Speaker 1: Songs into one song leaves Father's days on Sunday. There 396 00:16:37,000 --> 00:16:40,000 Speaker 1: are many artists inspired by their fathers, and yet there 397 00:16:40,040 --> 00:16:43,600 Speaker 1: are others who have thrived despite having dead beat dads. 398 00:16:43,640 --> 00:16:46,800 Speaker 1: Today's five for your Flashback. Artists with dead beat dad's 399 00:16:46,840 --> 00:16:49,000 Speaker 1: play well the management. What have you got? You don't 400 00:16:49,000 --> 00:16:53,120 Speaker 1: get more dead beat than Marvin Gay's father, Marvin Senior, 401 00:16:53,240 --> 00:16:56,160 Speaker 1: who shot Marvin a day before his forty fifth birthday. 402 00:16:56,400 --> 00:16:58,080 Speaker 1: I give you I heard it through the grape vine 403 00:16:59,520 --> 00:16:59,920 Speaker 1: to the great. 404 00:17:00,040 --> 00:17:02,920 Speaker 2: Fine that dad got his gun license. Oh I like 405 00:17:03,040 --> 00:17:03,440 Speaker 2: this song. 406 00:17:03,720 --> 00:17:04,240 Speaker 1: Great song. 407 00:17:06,400 --> 00:17:08,480 Speaker 2: You see more outrage that not that he was shot, 408 00:17:08,520 --> 00:17:10,200 Speaker 2: but that he was shot the day before his birthday. 409 00:17:10,480 --> 00:17:12,440 Speaker 1: Your birthday's coming up tomorrow. What do you got for me? 410 00:17:12,560 --> 00:17:12,760 Speaker 3: Dad? 411 00:17:12,920 --> 00:17:13,720 Speaker 1: Or you go back? 412 00:17:15,400 --> 00:17:18,760 Speaker 2: Come on, I'm halfway through the years better anyway. 413 00:17:19,960 --> 00:17:22,840 Speaker 1: Marvin Senior was initially charged with first degree murder, but 414 00:17:22,920 --> 00:17:26,600 Speaker 1: the charges reduced to voluntary manslaughter following a diagnosis of 415 00:17:26,640 --> 00:17:27,359 Speaker 1: a brain tunor. 416 00:17:29,760 --> 00:17:32,000 Speaker 2: He had things going on? What's going on? 417 00:17:32,160 --> 00:17:32,600 Speaker 1: What's going on? 418 00:17:32,640 --> 00:17:33,040 Speaker 2: I'll tell you. 419 00:17:34,040 --> 00:17:37,080 Speaker 1: Well, you say, I don't think you could top that. 420 00:17:37,440 --> 00:17:39,480 Speaker 2: You don't think you can be more of a deadbeat 421 00:17:39,560 --> 00:17:40,720 Speaker 2: dad than shooting your kid? 422 00:17:40,960 --> 00:17:41,160 Speaker 7: Yeah? 423 00:17:41,359 --> 00:17:43,200 Speaker 1: I think that's I think that ranks pretty highly. 424 00:17:43,600 --> 00:17:50,880 Speaker 2: What about incest? No, that's up there on the list. 425 00:17:50,760 --> 00:17:53,480 Speaker 1: Too, Yes, it's up on the list. 426 00:17:53,840 --> 00:17:57,639 Speaker 2: Go on, Well, I'll get to who my artist is, right, 427 00:17:58,280 --> 00:18:02,120 Speaker 2: I'm intrigued. He is the way I got there. John Phillips, 428 00:18:02,440 --> 00:18:05,920 Speaker 2: The Mummas and the Puppers. He had a daughter called 429 00:18:05,960 --> 00:18:09,720 Speaker 2: Mackenzie Phillips, and she claimed that from nineteen when she 430 00:18:09,840 --> 00:18:13,000 Speaker 2: was nineteen, for about a decade, she had a consensual 431 00:18:13,080 --> 00:18:15,960 Speaker 2: relationship a sexual relationship with her father. They were both 432 00:18:16,240 --> 00:18:21,440 Speaker 2: drug addicts. Du John Phillips then went also later after 433 00:18:21,640 --> 00:18:26,359 Speaker 2: his former wife had Mackenzie as did he. He married 434 00:18:26,440 --> 00:18:29,280 Speaker 2: Michelle Phillips of Mummas and the Puppers Right, and they 435 00:18:29,720 --> 00:18:32,280 Speaker 2: then went on to have a daughter called China Phillips. 436 00:18:32,840 --> 00:18:38,560 Speaker 2: China Phillips, who is the daughter of John Phillips, was 437 00:18:38,640 --> 00:18:41,000 Speaker 2: in Wilson Phillips and who had this song. 438 00:18:41,680 --> 00:18:43,640 Speaker 1: Hey dad, don't yeah. 439 00:18:43,800 --> 00:18:51,800 Speaker 2: Hold on, it's all awful. Why do you like yourself up? 440 00:18:52,280 --> 00:18:57,000 Speaker 2: So let's be clear, clear it can Let's be clear 441 00:18:57,040 --> 00:18:59,400 Speaker 2: that China, China didn't have it off with the dad. 442 00:18:59,840 --> 00:19:02,560 Speaker 2: The other sister did, the half sister. But still he's 443 00:19:02,560 --> 00:19:04,000 Speaker 2: a dead beat dad. If he's going to do it 444 00:19:04,080 --> 00:19:05,160 Speaker 2: to anyone, well. 445 00:19:06,520 --> 00:19:10,040 Speaker 1: Wow, wow, Just when I think. 446 00:19:10,280 --> 00:19:13,840 Speaker 2: Just when I think we can just play some songs, it. 447 00:19:13,960 --> 00:19:17,920 Speaker 1: Comes to this, Well what do you think? Thirteen would 448 00:19:17,960 --> 00:19:18,400 Speaker 1: you like to hear? 449 00:19:18,440 --> 00:19:19,560 Speaker 2: Let's come down to the songs. 450 00:19:19,640 --> 00:19:22,080 Speaker 1: Yeah, five for your flashback, thirteen ws If they will 451 00:19:22,119 --> 00:19:25,040 Speaker 1: vote on our Instagram story of jonesy Amanda your votes, 452 00:19:25,280 --> 00:19:27,720 Speaker 1: every caller on the show today wins one hundred Lola 453 00:19:27,760 --> 00:19:30,399 Speaker 1: voucher to child Real Charlie's and a tank of fuel 454 00:19:30,480 --> 00:19:35,760 Speaker 1: for Father's Day. This Sunday, go to it. It's fourteen percent. 455 00:19:37,040 --> 00:19:39,840 Speaker 5: Jonesy and Amanda in the Morning one on one point 456 00:19:39,920 --> 00:19:41,560 Speaker 5: seven WSFM. 457 00:19:41,680 --> 00:19:44,800 Speaker 1: Hello there, Today's five for your flashback artists with deadbeat dads. 458 00:19:44,840 --> 00:19:47,240 Speaker 1: They don't get more dead beat than shooting your own son, 459 00:19:47,359 --> 00:19:49,200 Speaker 1: Marvin Gaye. I heard it through the grape vine. 460 00:19:51,760 --> 00:19:55,960 Speaker 2: This one's a bit trickier for me to navigate. I've 461 00:19:56,080 --> 00:20:02,760 Speaker 2: gone with Wilson Phillips. Hold on, China Phillips in this 462 00:20:02,920 --> 00:20:06,520 Speaker 2: band is the daughter of John Phillips, who's apparently been 463 00:20:06,560 --> 00:20:10,040 Speaker 2: in was in a consensual sexual relationship with his other daughter, 464 00:20:10,359 --> 00:20:15,080 Speaker 2: Michelle Mackenzie Phillips. Dead beat is much. 465 00:20:15,320 --> 00:20:16,560 Speaker 1: Father's Day must be awkward. 466 00:20:16,800 --> 00:20:19,399 Speaker 2: Do you buy him my Father's Day Carter or Valentine's. 467 00:20:20,640 --> 00:20:24,240 Speaker 1: For the dad that has everything and more? Michayla's in 468 00:20:24,320 --> 00:20:26,320 Speaker 1: mars Mikayla. 469 00:20:26,760 --> 00:20:28,720 Speaker 8: Oh god, you guys have outdone yourselves. 470 00:20:29,640 --> 00:20:32,639 Speaker 1: I'm flushing just with this Dicisi management they gave it to. 471 00:20:35,440 --> 00:20:36,440 Speaker 2: I have to go with you. 472 00:20:36,520 --> 00:20:39,280 Speaker 5: A man's that is just seat. He's just He's the 473 00:20:39,520 --> 00:20:40,760 Speaker 5: deadest of all dead beat. 474 00:20:40,920 --> 00:20:43,399 Speaker 2: He absolutely is. Other members of the family apparently have 475 00:20:43,560 --> 00:20:46,040 Speaker 2: disputed her account of this, but I don't think he has. 476 00:20:47,040 --> 00:20:49,560 Speaker 2: But don't if you're in a court of Lord, don't quote. 477 00:20:49,359 --> 00:20:51,639 Speaker 1: Me ju and anytime, John, if you want to defend yourself. 478 00:20:52,520 --> 00:20:56,080 Speaker 2: Nothing to see here, Okay, Michayla, thank you. More votes 479 00:20:56,119 --> 00:20:57,720 Speaker 2: to come thirteen WSFM. 480 00:20:57,760 --> 00:21:01,480 Speaker 1: It's nineteen past seven WS one at one points ever WSFM, 481 00:21:01,520 --> 00:21:03,680 Speaker 1: Hello there, it's Jersey Demanda. Thanks to chemists warehouse to 482 00:21:03,720 --> 00:21:05,840 Speaker 1: showered to twenty three degrees in the city twenty five 483 00:21:05,880 --> 00:21:07,720 Speaker 1: in our west. Right now it's nineteen degrees. It's seven 484 00:21:07,760 --> 00:21:10,600 Speaker 1: twenty four five. For your flashback this morning. Father's Day 485 00:21:10,640 --> 00:21:13,560 Speaker 1: is on Sunday, and sure there's much to do about 486 00:21:14,040 --> 00:21:17,359 Speaker 1: great fathers in the world. Today's five fear flashback. Dead 487 00:21:17,400 --> 00:21:19,920 Speaker 1: beat dads, Artists that have dead beat dads? 488 00:21:19,960 --> 00:21:20,480 Speaker 2: Who have you got? 489 00:21:20,640 --> 00:21:22,800 Speaker 1: Quite frankly, you don't get more dead beat than Marvin 490 00:21:22,800 --> 00:21:26,280 Speaker 1: Gaye's dad, Marvin Gaye Senior, who shot Marvin a day 491 00:21:26,320 --> 00:21:27,480 Speaker 1: before he's forty fifth. 492 00:21:27,359 --> 00:21:30,000 Speaker 2: Birth day day after fair enough, Yeah, but the day 493 00:21:30,040 --> 00:21:31,080 Speaker 2: before his birthday? 494 00:21:31,840 --> 00:21:33,600 Speaker 1: Come on, didn't you want to buy him a present? 495 00:21:35,520 --> 00:21:42,800 Speaker 2: And with much respect, I've gone with a song that 496 00:21:42,840 --> 00:21:46,440 Speaker 2: I really really really love. It's hold On by Wilson Phillips. 497 00:21:47,720 --> 00:21:50,800 Speaker 2: China Phillips, who actually wrote the song, is the daughter 498 00:21:51,320 --> 00:21:55,400 Speaker 2: of John Phillips, who was in a consensual sexual relationship 499 00:21:55,480 --> 00:21:59,480 Speaker 2: with China's half sister, Mackenzie Phillips. I said before that 500 00:21:59,560 --> 00:22:01,480 Speaker 2: John had spoken out about it. That's because he had 501 00:22:01,560 --> 00:22:07,840 Speaker 2: passed away, right, he took the fifth. We're on for 502 00:22:07,960 --> 00:22:11,440 Speaker 2: ten years apparently, really can I just to Mackenzie's mum, 503 00:22:11,720 --> 00:22:14,560 Speaker 2: who was Michelle Phillips, who was married to John, said 504 00:22:14,640 --> 00:22:17,240 Speaker 2: that Mackenzie was a serious is or has been a 505 00:22:17,280 --> 00:22:20,040 Speaker 2: serious drug addict a whole life and has mental health 506 00:22:20,080 --> 00:22:22,560 Speaker 2: issues and has made this up though other people along 507 00:22:22,600 --> 00:22:25,080 Speaker 2: the way have said she told me about. 508 00:22:24,840 --> 00:22:28,000 Speaker 1: It, right, And we have nothing from John, of course 509 00:22:28,040 --> 00:22:31,000 Speaker 1: because him being dead. Because of that, Alice in. 510 00:22:31,040 --> 00:22:34,280 Speaker 2: Penrith, Hi, Alie, let's just discuss the songs. What would 511 00:22:34,320 --> 00:22:34,880 Speaker 2: you like to hear? 512 00:22:35,000 --> 00:22:36,720 Speaker 1: Yeah, let's get to Don James. 513 00:22:36,760 --> 00:22:37,680 Speaker 8: He Good morning, Amanda. 514 00:22:38,480 --> 00:22:41,600 Speaker 5: I really really do love Wilson Phillips, but sorry. 515 00:22:41,320 --> 00:22:43,960 Speaker 8: Amanda, I have to go with Barbie gay because he's 516 00:22:44,040 --> 00:22:44,400 Speaker 8: the King. 517 00:22:44,840 --> 00:22:47,440 Speaker 2: He is the King. I love Marvin Gaye as well. 518 00:22:48,720 --> 00:22:52,000 Speaker 2: Sharon is his picnic point fight if your flashback Sharon. 519 00:22:52,560 --> 00:22:56,040 Speaker 8: I'm going for you, Amanda. Even though that song has 520 00:22:56,160 --> 00:22:58,480 Speaker 8: a very complicated family behind it. 521 00:23:00,640 --> 00:23:01,919 Speaker 2: I think you've said it for all of us. 522 00:23:02,040 --> 00:23:04,000 Speaker 1: Sharon, a jolly chortle at the end. 523 00:23:04,480 --> 00:23:07,399 Speaker 2: The family tree is withered off the line, thank you, 524 00:23:07,520 --> 00:23:08,520 Speaker 2: will take more of your votes. 525 00:23:08,640 --> 00:23:11,720 Speaker 1: Chargirled Charlie's for you as well, Sharon, and everyone on 526 00:23:11,760 --> 00:23:14,760 Speaker 1: the show today gets child gruled Charlie's and a tank 527 00:23:14,840 --> 00:23:15,560 Speaker 1: full of petrol. 528 00:23:15,640 --> 00:23:17,320 Speaker 2: How good is that it's a Father's day? 529 00:23:17,359 --> 00:23:21,480 Speaker 1: Everyone place, Chargirl Charlie's isn't selling petrol and vice versa. 530 00:23:21,760 --> 00:23:24,680 Speaker 1: Thirteen WSFM five for Your Flashback at seven twenty. 531 00:23:24,480 --> 00:23:34,000 Speaker 7: Six Fight for Your Flashbacks. 532 00:23:34,040 --> 00:23:37,040 Speaker 1: Two songs enter. One song leaves Father's Days on Sunday. 533 00:23:37,080 --> 00:23:40,520 Speaker 1: There are many artists inspired by their fathers, and yet 534 00:23:40,720 --> 00:23:44,040 Speaker 1: there are others who have thrived despite having deadbeat dads. 535 00:23:44,240 --> 00:23:47,080 Speaker 1: Today's five for your Flashback artists? Would dead beat dads 536 00:23:47,080 --> 00:23:50,360 Speaker 1: play well? The management? I don't think you get more 537 00:23:50,480 --> 00:23:53,919 Speaker 1: dead beat than shooting your son before his forty fifth birthday. 538 00:23:53,960 --> 00:23:57,760 Speaker 2: You're making such a big deal about choosing his timing. 539 00:23:58,160 --> 00:24:00,000 Speaker 1: It just seems so you know, shooting your son's away, 540 00:24:00,000 --> 00:24:00,840 Speaker 1: he's going to be a bad thing. 541 00:24:00,920 --> 00:24:02,760 Speaker 2: He was saving on a card, though, But this. 542 00:24:02,840 --> 00:24:05,280 Speaker 1: Is what happened to Marvin Gaye when Marvin Gaye Senior 543 00:24:05,400 --> 00:24:11,240 Speaker 1: shot him back in nineteen eighty four. I love that song, 544 00:24:12,000 --> 00:24:12,560 Speaker 1: great song. 545 00:24:13,040 --> 00:24:15,160 Speaker 2: I also love this song, hold On by Listen. 546 00:24:15,200 --> 00:24:18,600 Speaker 1: Phillips, So you said that you could come up with 547 00:24:18,720 --> 00:24:21,040 Speaker 1: something worse than shooting your own son a day before 548 00:24:21,080 --> 00:24:21,640 Speaker 1: his birthday. 549 00:24:21,920 --> 00:24:26,159 Speaker 2: I think I have China Phillips father, John Phillips, with 550 00:24:26,280 --> 00:24:30,159 Speaker 2: Muma's and the Puppers, had a consensual sexual relationship for 551 00:24:30,280 --> 00:24:34,639 Speaker 2: ten years with his daughter Mackenzie, who's China's half sister. 552 00:24:35,440 --> 00:24:37,240 Speaker 2: You know, when you put it like that, it's bad. 553 00:24:37,359 --> 00:24:40,119 Speaker 1: It's ikey, it's eakey awkward much. 554 00:24:41,560 --> 00:24:44,520 Speaker 2: Anyway, Jess is in Wesley fight for your flashback, Jess, 555 00:24:45,560 --> 00:24:46,400 Speaker 2: Good morning, guys. 556 00:24:46,480 --> 00:24:48,439 Speaker 8: Have your father's day, James, He thank. 557 00:24:48,359 --> 00:24:48,760 Speaker 1: You, Jesse. 558 00:24:49,840 --> 00:24:51,040 Speaker 2: Nice, that's nice. 559 00:24:51,119 --> 00:24:51,720 Speaker 1: That's nice. 560 00:24:53,440 --> 00:24:56,040 Speaker 5: Look, this is probably one of the toughest ones I've 561 00:24:56,080 --> 00:24:58,240 Speaker 5: heard for a couple of weeks. But unfortunately I've got 562 00:24:58,320 --> 00:24:59,840 Speaker 5: a sorry, James, You've got to go with a man. 563 00:25:00,119 --> 00:25:01,600 Speaker 2: Nothing unfortunate about it, well. 564 00:25:01,520 --> 00:25:04,600 Speaker 1: Not for us, for other Menie Phillip's household, it was 565 00:25:04,680 --> 00:25:09,240 Speaker 1: very unfortunate. Tony's in George's Hall. Hello, Tony, Hi Jonesy, 566 00:25:09,280 --> 00:25:10,320 Speaker 1: here you going very well? 567 00:25:10,600 --> 00:25:12,240 Speaker 2: Hi, Tony, fight for your flashback? 568 00:25:13,040 --> 00:25:15,639 Speaker 5: Well, I think Amanda's one needs a scumbag, but I 569 00:25:15,680 --> 00:25:18,399 Speaker 5: think poor old Marvin would have been going on. 570 00:25:18,440 --> 00:25:22,159 Speaker 1: What's going on exactly? Dad, I'm just having a research 571 00:25:22,359 --> 00:25:25,920 Speaker 1: in my career. You go shoot me now, what's going on? 572 00:25:27,160 --> 00:25:32,720 Speaker 2: So who's getting your vote? Tony to make a musical pun? 573 00:25:33,040 --> 00:25:34,280 Speaker 1: Tony, You've done well. Thank you. 574 00:25:34,520 --> 00:25:40,000 Speaker 2: Ryan's in Kirawe. Fight for your flashback? Ryan, all right, great, 575 00:25:40,280 --> 00:25:40,560 Speaker 2: thank you. 576 00:25:40,800 --> 00:25:42,800 Speaker 1: Barbara's and Sylvania Waters fight for your flashback? 577 00:25:42,880 --> 00:25:43,240 Speaker 2: Barbara. 578 00:25:43,920 --> 00:25:46,040 Speaker 5: Oh hi, Happy Father's Day. 579 00:25:46,160 --> 00:25:46,440 Speaker 1: Jones. 580 00:25:48,119 --> 00:25:53,080 Speaker 5: Anyway, I think they're both extremely interesting. Story yours Amanda, 581 00:25:53,440 --> 00:25:56,400 Speaker 5: but I'm voting for Jonesy. I heard it through the great. 582 00:25:56,400 --> 00:25:58,600 Speaker 1: Ye great song. That's the word. 583 00:25:58,880 --> 00:26:01,600 Speaker 2: And we've got one more. Michael's in Irmington, Fight for 584 00:26:01,640 --> 00:26:04,000 Speaker 2: your flashback. Michael. It comes down to the words that 585 00:26:04,040 --> 00:26:04,880 Speaker 2: come out of your mouth. 586 00:26:05,960 --> 00:26:06,240 Speaker 5: Guys. 587 00:26:06,720 --> 00:26:07,160 Speaker 6: Love the show. 588 00:26:07,240 --> 00:26:09,840 Speaker 5: By the way, Thank you Jones, Jones. I think you 589 00:26:09,920 --> 00:26:12,720 Speaker 5: know it every week most weeks, but this week I'm 590 00:26:12,840 --> 00:26:13,760 Speaker 5: going to go with Amanda. 591 00:26:14,840 --> 00:26:16,320 Speaker 1: So incest beats murder. 592 00:26:17,800 --> 00:26:19,760 Speaker 2: I don't know what game show that is, but yes, 593 00:26:19,880 --> 00:26:20,480 Speaker 2: today it does. 594 00:26:20,640 --> 00:26:22,479 Speaker 1: If anything, Grand Daniel will be hosting it now. 595 00:26:22,680 --> 00:26:24,639 Speaker 2: Wilson Phillips, hold on. 596 00:26:25,240 --> 00:26:28,920 Speaker 1: It's twenty three to eight WSFM one on one point 597 00:26:28,960 --> 00:26:32,320 Speaker 1: seven WSFM. Hello, there is Jonesy and Amanda shower to 598 00:26:32,440 --> 00:26:34,440 Speaker 1: twenty three degrees in the city twenty five in our west. 599 00:26:34,640 --> 00:26:36,800 Speaker 1: Right now it's nineteen degrees, it's twenty. Wait, let's get 600 00:26:36,840 --> 00:26:38,880 Speaker 1: on down to the Jonesy Demander Arms for the pub 601 00:26:39,000 --> 00:26:39,800 Speaker 1: test this morning. 602 00:26:39,960 --> 00:26:40,120 Speaker 8: Now. 603 00:26:41,320 --> 00:26:45,040 Speaker 2: Is something that you said earlier, Brandon. We played Nadels 604 00:26:45,400 --> 00:26:50,840 Speaker 2: earlier and we were talking about her physical transformation and 605 00:26:50,920 --> 00:26:51,679 Speaker 2: we had a bit of a chat. 606 00:26:51,920 --> 00:26:58,880 Speaker 1: We went a bit like this, she looks great. 607 00:26:59,040 --> 00:27:03,399 Speaker 2: Yeah, all are saying she looks unrecognizable. She doesn't seem 608 00:27:03,520 --> 00:27:05,520 Speaker 2: like Adele. I can't wait to hear a sing, so 609 00:27:05,600 --> 00:27:07,280 Speaker 2: I go, yeah, it's still Adele, because when you' here 610 00:27:07,280 --> 00:27:09,119 Speaker 2: in a picture you can't tell that. 611 00:27:09,200 --> 00:27:11,480 Speaker 1: Doesn't forget a good voice? Does it? Being out of weight? 612 00:27:11,640 --> 00:27:11,680 Speaker 5: No? 613 00:27:11,880 --> 00:27:14,439 Speaker 2: No, But she looked amazing before too. 614 00:27:14,760 --> 00:27:17,080 Speaker 1: She looks because she looks great now. She'd be happy 615 00:27:17,119 --> 00:27:17,480 Speaker 1: to hear that. 616 00:27:18,560 --> 00:27:20,960 Speaker 2: Yeah, but she's making It's interesting you say that because 617 00:27:20,960 --> 00:27:23,680 Speaker 2: she's making no comment when everyone says you look incredible, blah, 618 00:27:23,840 --> 00:27:25,760 Speaker 2: you lost weight. She's making no comment because she's not 619 00:27:25,880 --> 00:27:28,440 Speaker 2: saying I prefer myself now, she's saying nothing. 620 00:27:28,680 --> 00:27:30,119 Speaker 1: She'd be happy with it if you saw her and 621 00:27:30,160 --> 00:27:32,800 Speaker 1: you said, you look great, you lost weight? Yeah, thank you? 622 00:27:33,000 --> 00:27:33,800 Speaker 1: See you lost weight. 623 00:27:34,119 --> 00:27:36,720 Speaker 2: Isn't always the best compliment. 624 00:27:38,880 --> 00:27:41,760 Speaker 1: This has been in your crawl throughout the show. 625 00:27:42,760 --> 00:27:44,400 Speaker 2: It's something that you do a lot. If you don't 626 00:27:44,400 --> 00:27:46,560 Speaker 2: mind me saying a lot. No, let me just say, 627 00:27:46,800 --> 00:27:49,159 Speaker 2: if you see someone and you haven't seen them for 628 00:27:49,160 --> 00:27:51,800 Speaker 2: a while, even if you have, you'll go to compliment, 629 00:27:51,880 --> 00:27:54,320 Speaker 2: whether they have or not, you'll say, wow, you've lost weight, 630 00:27:54,640 --> 00:27:57,000 Speaker 2: rather than you look good, Nice to see you, because 631 00:27:57,040 --> 00:28:00,880 Speaker 2: you assume that wait, everyone wants to be thinner. That's 632 00:28:00,920 --> 00:28:02,000 Speaker 2: an assumption of yours. 633 00:28:03,880 --> 00:28:07,200 Speaker 1: I just think you see someone, hey, man, you look great. 634 00:28:07,440 --> 00:28:09,000 Speaker 1: What are you working at? What are you lost some weight? 635 00:28:09,040 --> 00:28:09,200 Speaker 3: There? 636 00:28:09,240 --> 00:28:12,000 Speaker 1: You look great? You know obviously I'm not a Look 637 00:28:12,000 --> 00:28:15,920 Speaker 1: at the case of Chad with Bozeman, who recently passed away. 638 00:28:16,160 --> 00:28:18,680 Speaker 1: He had cancer. If someone looks you can tell the 639 00:28:18,680 --> 00:28:22,360 Speaker 1: difference between ills thin and healthy thin. 640 00:28:22,560 --> 00:28:23,080 Speaker 7: Well people. 641 00:28:23,800 --> 00:28:25,960 Speaker 2: He posted a picture in recent months and people said, gee, 642 00:28:25,960 --> 00:28:27,600 Speaker 2: what's happened? You lost all that weight, not knowing the 643 00:28:27,680 --> 00:28:32,360 Speaker 2: real story. But is weight the currency of a compliment? 644 00:28:32,440 --> 00:28:34,359 Speaker 1: I would say this to you. You would rather hear 645 00:28:34,520 --> 00:28:36,159 Speaker 1: that you've lost weight than put. 646 00:28:36,040 --> 00:28:38,560 Speaker 2: On Well, you don't have to say either. Why is 647 00:28:38,880 --> 00:28:41,440 Speaker 2: why do people need to be defined by weight? Why 648 00:28:41,480 --> 00:28:43,640 Speaker 2: can't it just be hey, you look nice? Because sometimes 649 00:28:43,680 --> 00:28:46,760 Speaker 2: you think, oh so you thought I was sad before 650 00:28:46,920 --> 00:28:51,040 Speaker 2: or something. You use weight as a currency of a compliment, 651 00:28:51,480 --> 00:28:52,920 Speaker 2: and I don't think you need a. 652 00:28:52,920 --> 00:28:55,880 Speaker 1: Currency of a compliments. Just be nice. But see, you think. 653 00:28:55,920 --> 00:28:58,640 Speaker 2: Losing weight equals nice, Saying you've lost weight equals nice 654 00:28:58,640 --> 00:28:59,720 Speaker 2: whether someone's lost weight or not. 655 00:29:00,080 --> 00:29:01,920 Speaker 1: I've been overweight. I got up to one hundred and 656 00:29:01,960 --> 00:29:05,320 Speaker 1: twenty kilograms at one stage, and when I lost weight, 657 00:29:05,400 --> 00:29:07,440 Speaker 1: I felt great about it. When people say you lost 658 00:29:07,480 --> 00:29:09,200 Speaker 1: a lot of weight, I like that. I used to 659 00:29:09,360 --> 00:29:11,440 Speaker 1: when people get geez mate, you've put on some condition 660 00:29:11,640 --> 00:29:12,280 Speaker 1: that was terrible. 661 00:29:12,440 --> 00:29:15,000 Speaker 2: But what if you're just saying you've not Everyone wants 662 00:29:15,040 --> 00:29:16,960 Speaker 2: to be defined by their weight, whether they put it 663 00:29:17,040 --> 00:29:17,720 Speaker 2: on or lost it. 664 00:29:17,960 --> 00:29:19,200 Speaker 1: This is what we've got to do. This is the 665 00:29:19,280 --> 00:29:21,920 Speaker 1: pub test this morning. How will we phrase it commenting 666 00:29:22,000 --> 00:29:24,280 Speaker 1: on someone's weight loss? Does it pass the pub. 667 00:29:24,160 --> 00:29:25,400 Speaker 2: Tesme, I'd be interested to know what you think. 668 00:29:25,560 --> 00:29:27,600 Speaker 1: Thirteen WSFM, we'd love to hear from you. That's coming 669 00:29:27,680 --> 00:29:30,160 Speaker 1: up at eight o'clock this morning. What about Stephen Curry, Well, 670 00:29:30,160 --> 00:29:33,400 Speaker 1: I'll tell you what. He looks good. He looks good, 671 00:29:33,480 --> 00:29:34,120 Speaker 1: he's working out. 672 00:29:34,200 --> 00:29:36,960 Speaker 2: Okay, we'll pop the rice on because Stephen Curry's joining 673 00:29:37,040 --> 00:29:37,680 Speaker 2: us next. 674 00:29:37,680 --> 00:29:38,600 Speaker 1: Seventeen to wait. 675 00:29:40,960 --> 00:29:43,760 Speaker 5: Jonesy and Amanda in the morning one oh one point 676 00:29:43,880 --> 00:29:45,480 Speaker 5: seven WSFM. 677 00:29:45,640 --> 00:29:48,000 Speaker 1: Always a treat to catch up with Stephen Curry. Have 678 00:29:48,160 --> 00:29:51,680 Speaker 1: you seen his parody song that he's done about Karen 679 00:29:51,720 --> 00:29:55,200 Speaker 1: from Brighton? You remember bab Remember Karen from of Course. 680 00:29:55,240 --> 00:29:56,960 Speaker 2: I've walked all the streets of Brighton. 681 00:29:57,400 --> 00:29:58,360 Speaker 1: Well you get sick of. 682 00:29:58,400 --> 00:30:01,720 Speaker 2: Walking the same streets you know I've done. I've done 683 00:30:01,800 --> 00:30:02,640 Speaker 2: all the brush. 684 00:30:02,520 --> 00:30:03,560 Speaker 1: All am I going to do. 685 00:30:04,160 --> 00:30:06,760 Speaker 2: I can't see Trish or soon we can't arrange a 686 00:30:06,880 --> 00:30:08,720 Speaker 2: meet and greet to get tired of walking around. 687 00:30:08,520 --> 00:30:09,400 Speaker 1: The same old streets. 688 00:30:09,400 --> 00:30:10,880 Speaker 2: I've done all the brashon. 689 00:30:11,160 --> 00:30:12,840 Speaker 1: My daughter goes to Rasen. 690 00:30:12,720 --> 00:30:15,240 Speaker 2: And despite these orbit and fees, she's stuck at home. 691 00:30:15,400 --> 00:30:18,400 Speaker 2: Brand Me and I simply can't believe that the nanny's 692 00:30:18,440 --> 00:30:21,760 Speaker 2: gone on leave. She's gone back to poland what a 693 00:30:21,840 --> 00:30:22,560 Speaker 2: selfish moule? 694 00:30:22,720 --> 00:30:24,280 Speaker 10: And feel that if I saw. 695 00:30:24,400 --> 00:30:27,560 Speaker 1: One more and an open pave door, and when I 696 00:30:27,640 --> 00:30:27,960 Speaker 1: hit my. 697 00:30:28,000 --> 00:30:29,240 Speaker 7: Head on our brand new heat of. 698 00:30:31,040 --> 00:30:32,120 Speaker 1: What a selfish mole? 699 00:30:32,280 --> 00:30:32,480 Speaker 3: Lover? 700 00:30:33,400 --> 00:30:37,000 Speaker 1: Steven's coming up next one of what quicks w WSFM. 701 00:30:37,080 --> 00:30:39,480 Speaker 1: Hello there, it's Jonesy demanded share to twenty three degrees 702 00:30:39,480 --> 00:30:41,000 Speaker 1: in the city, twenty five in our west. Right now 703 00:30:41,040 --> 00:30:43,400 Speaker 1: it's nineteen degrees. It is ten to eight. 704 00:30:44,480 --> 00:30:46,240 Speaker 2: Have listened to these famous words. 705 00:30:46,520 --> 00:30:49,720 Speaker 1: My name is Dale Kerrigan and this is my story. 706 00:30:50,320 --> 00:30:53,320 Speaker 2: Can you believe it's been of twenty three years since 707 00:30:53,680 --> 00:30:56,200 Speaker 2: we first met Dale Carrigan in The Castle. Dale, of course, 708 00:30:56,320 --> 00:30:58,880 Speaker 2: is played by Stephen Curry, who's gone on to be 709 00:30:58,920 --> 00:31:01,120 Speaker 2: one of Australia's favor for comedians and act as he 710 00:31:01,200 --> 00:31:02,440 Speaker 2: joins us, now, hello Steven. 711 00:31:03,040 --> 00:31:05,520 Speaker 5: Oh okay, I guys, I love to hear your dolls 712 00:31:05,560 --> 00:31:05,920 Speaker 5: a ton. 713 00:31:06,200 --> 00:31:07,680 Speaker 1: It's always a treat to talk to you. 714 00:31:08,760 --> 00:31:10,800 Speaker 5: Oh well, I'm down in Melbourne. What's it like going 715 00:31:10,880 --> 00:31:12,440 Speaker 5: up there where you all have to leave your house 716 00:31:12,520 --> 00:31:12,960 Speaker 5: and stuff. 717 00:31:13,600 --> 00:31:15,200 Speaker 1: It's not too bad, but you know, we have a 718 00:31:15,280 --> 00:31:17,320 Speaker 1: great deal of empathy for what's going on in Melbourne. 719 00:31:17,800 --> 00:31:20,840 Speaker 1: I think it could happen to us as easily as anything. 720 00:31:21,000 --> 00:31:23,160 Speaker 2: That's right. If we don't put out the spotfires will 721 00:31:23,200 --> 00:31:25,480 Speaker 2: be in exactly the same position. How are you going? 722 00:31:25,600 --> 00:31:28,240 Speaker 2: How's a serenity at home with you and your homeschooling. 723 00:31:28,520 --> 00:31:30,760 Speaker 5: I see what you did there, a man, I like, 724 00:31:30,920 --> 00:31:33,600 Speaker 5: and I made the home school I'm going you enough 725 00:31:33,760 --> 00:31:37,280 Speaker 5: to be honest with you, It's like, my kids are 726 00:31:37,320 --> 00:31:41,000 Speaker 5: pretty resilient, they're sick, they're sevenancy, and so I know 727 00:31:41,240 --> 00:31:44,320 Speaker 5: most of the answers to the mess questions. It's just nice. 728 00:31:44,440 --> 00:31:46,240 Speaker 2: This is your last year of being in front. 729 00:31:46,880 --> 00:31:49,040 Speaker 5: I know long division comes in next year, mate, so 730 00:31:49,160 --> 00:31:51,440 Speaker 5: I think I'm going to be my dad jokes are 731 00:31:51,480 --> 00:31:55,959 Speaker 5: becoming problematic. I feel for the kids, yeah, rather than us, 732 00:31:56,400 --> 00:31:59,440 Speaker 5: you know what I mean. I've my six year old 733 00:31:59,480 --> 00:32:02,400 Speaker 5: told me this with the dad. He calls them dad gags. 734 00:32:03,160 --> 00:32:05,400 Speaker 5: He's across the fact that they're dad gags and they're 735 00:32:05,440 --> 00:32:05,840 Speaker 5: no good. 736 00:32:06,920 --> 00:32:07,360 Speaker 1: It's tough. 737 00:32:07,440 --> 00:32:09,160 Speaker 2: So you're trying to cheer them up, and even they 738 00:32:09,200 --> 00:32:09,640 Speaker 2: don't want that. 739 00:32:10,440 --> 00:32:12,560 Speaker 5: No, I tried. How can you find your dog if 740 00:32:12,600 --> 00:32:15,000 Speaker 5: he's not in the backyard, Have a look up on 741 00:32:15,080 --> 00:32:15,560 Speaker 5: the roof. 742 00:32:19,760 --> 00:32:20,560 Speaker 8: Do you see what I'm. 743 00:32:20,400 --> 00:32:22,520 Speaker 1: Saying, yeah, that's dreadful. They must be hoping you go 744 00:32:22,680 --> 00:32:24,640 Speaker 1: back to work. They come on, isn't someone doing some 745 00:32:24,840 --> 00:32:25,880 Speaker 1: production of something? 746 00:32:26,560 --> 00:32:26,720 Speaker 7: I know? 747 00:32:27,040 --> 00:32:29,480 Speaker 5: I know that's it because there are no innovative hiding 748 00:32:29,560 --> 00:32:31,640 Speaker 5: spots left for hide and Seek. You know, there are 749 00:32:31,680 --> 00:32:34,800 Speaker 5: no new formations for battleship. But if I've ever played 750 00:32:34,840 --> 00:32:37,800 Speaker 5: a long, decent, long game for a good Father's Day present, 751 00:32:37,920 --> 00:32:39,160 Speaker 5: I'm telling you it's this year. 752 00:32:39,600 --> 00:32:40,160 Speaker 9: And what is that? 753 00:32:41,520 --> 00:32:41,800 Speaker 5: Look at? 754 00:32:41,840 --> 00:32:41,880 Speaker 3: It? 755 00:32:42,040 --> 00:32:48,200 Speaker 1: Probably involved God, I've seen you on the Dan Murphy's commercials, 756 00:32:48,240 --> 00:32:51,080 Speaker 1: so is that you know, there's a bit of integration here, Steve, 757 00:32:51,120 --> 00:32:53,360 Speaker 1: and I'm loving it. But you got Man's got to eat? 758 00:32:54,160 --> 00:33:00,200 Speaker 5: Yeah, I know, pretty much the only thing that's in 759 00:33:00,280 --> 00:33:02,960 Speaker 5: the last six months in Melbourne with the Dan Murphy's commercials. 760 00:33:03,040 --> 00:33:04,480 Speaker 5: So I was glad that I've got to be honest. 761 00:33:04,520 --> 00:33:06,719 Speaker 1: Well, yeah, and speaking of that, is that pretty much? 762 00:33:06,800 --> 00:33:09,400 Speaker 1: And I wonder about actors like yourself. How do you 763 00:33:09,480 --> 00:33:11,600 Speaker 1: pay your mortgage? How do you pay the bills? 764 00:33:12,320 --> 00:33:15,920 Speaker 5: Well, you know, at this stage, not many, not many 765 00:33:15,960 --> 00:33:19,760 Speaker 5: people do. So that's why it's very fortunate that Dan 766 00:33:19,880 --> 00:33:22,680 Speaker 5: Murphy's Do Dad's Day Different campaign came along. If you're 767 00:33:22,760 --> 00:33:23,520 Speaker 5: like that way. 768 00:33:23,760 --> 00:33:25,840 Speaker 1: That was very You know what, Stephen, I'm happy to 769 00:33:25,840 --> 00:33:27,800 Speaker 1: give you a free shot. We'll make this Dan Murphy's 770 00:33:27,880 --> 00:33:29,440 Speaker 1: FM if you get some more money out of it, 771 00:33:29,520 --> 00:33:31,480 Speaker 1: so you can so you can put food on the table. 772 00:33:31,560 --> 00:33:33,320 Speaker 2: Now, crag your jokes, mate? 773 00:33:33,400 --> 00:33:35,680 Speaker 5: Have you heard the legit research that Dan? And I 774 00:33:35,680 --> 00:33:39,640 Speaker 5: don't think Dan himself did the research, right, I think 775 00:33:39,720 --> 00:33:44,080 Speaker 5: he's one hundred and twelve, but he's done some serious research. 776 00:33:44,080 --> 00:33:46,480 Speaker 5: You want to hear this about this month? Two point 777 00:33:46,600 --> 00:33:50,520 Speaker 5: three million dads. Now, that means they've interviewed a lot 778 00:33:50,560 --> 00:33:52,880 Speaker 5: of people. They didn't. Did they interview you? 779 00:33:53,560 --> 00:33:53,880 Speaker 7: They did? 780 00:33:53,960 --> 00:33:57,040 Speaker 1: Actually, Dan came around personally, came into my house. 781 00:33:57,720 --> 00:34:00,160 Speaker 5: Are you one of the two point three million had 782 00:34:00,480 --> 00:34:02,520 Speaker 5: been forced to wear it? If they haven't liked? 783 00:34:02,640 --> 00:34:03,720 Speaker 1: Yeah, I'm wearing one now. 784 00:34:04,320 --> 00:34:06,440 Speaker 5: Yeah, what do you got? You're packing. 785 00:34:08,920 --> 00:34:10,120 Speaker 2: That shirt because that's dreadful. 786 00:34:10,160 --> 00:34:12,279 Speaker 1: It's my underpants, right, Okay? 787 00:34:12,360 --> 00:34:14,120 Speaker 5: Well I got a shirt last year with hundreds of 788 00:34:14,160 --> 00:34:16,040 Speaker 5: bananas and I don't even like bananas. 789 00:34:16,239 --> 00:34:17,880 Speaker 2: It's got appeal, Stevens. 790 00:34:19,719 --> 00:34:21,640 Speaker 5: I see, I'm going to get that one out to 791 00:34:21,719 --> 00:34:23,560 Speaker 5: my kids. They're going to love that one better than 792 00:34:23,600 --> 00:34:28,160 Speaker 5: my wolf joke. But he's out of ten dads. So 793 00:34:28,320 --> 00:34:30,719 Speaker 5: their prompts of nah, don't make a big deal out 794 00:34:30,760 --> 00:34:33,960 Speaker 5: of it have been taken too seriously that way. That's 795 00:34:34,040 --> 00:34:38,080 Speaker 5: true though, between the lines and make a big deal 796 00:34:38,120 --> 00:34:38,440 Speaker 5: out of it. 797 00:34:39,160 --> 00:34:40,800 Speaker 1: Just make a big deal. You want a gift? Do 798 00:34:40,840 --> 00:34:43,239 Speaker 1: you want it? Because I and my wife one year, 799 00:34:43,480 --> 00:34:45,640 Speaker 1: this is the new is doing men and women. One year, 800 00:34:45,680 --> 00:34:47,800 Speaker 1: I was watching my wife in the garden and she 801 00:34:47,920 --> 00:34:50,000 Speaker 1: was just hosing away and she was struggling with those 802 00:34:50,200 --> 00:34:52,359 Speaker 1: So I went out and I went and bought one 803 00:34:52,400 --> 00:34:54,200 Speaker 1: of those hose reels at your bolt to the wall, 804 00:34:54,280 --> 00:34:56,800 Speaker 1: and they're really expensive. They cost a fortune. Ye, and 805 00:34:56,880 --> 00:34:58,680 Speaker 1: I gave it to her for Mother's Day. And what 806 00:34:58,800 --> 00:34:59,480 Speaker 1: did she say to you? 807 00:34:59,560 --> 00:35:01,440 Speaker 2: A man, I haven't had a Mother's Day. 808 00:35:01,480 --> 00:35:02,799 Speaker 1: He's saying, this is a great king. 809 00:35:04,280 --> 00:35:06,279 Speaker 5: I love that you thought not to go and help 810 00:35:06,360 --> 00:35:08,960 Speaker 5: her hose the garden. You thought to go and buy 811 00:35:09,120 --> 00:35:11,360 Speaker 5: and implement to make her hosing the garden. 812 00:35:12,120 --> 00:35:13,719 Speaker 1: It's the same when I saw a chopping wood with 813 00:35:13,800 --> 00:35:16,000 Speaker 1: the axe, and but what you need is a change 814 00:35:16,600 --> 00:35:17,719 Speaker 1: to do a better job of it. 815 00:35:17,920 --> 00:35:20,640 Speaker 5: Look, Mom's definitely loves the chopping wood with an axe. 816 00:35:20,680 --> 00:35:22,400 Speaker 5: That's what we know for sure. But do you know 817 00:35:22,520 --> 00:35:24,200 Speaker 5: what a lot of dads also love quizeres? 818 00:35:24,239 --> 00:35:26,200 Speaker 1: You love quizzeres Jones, I love quizzes. 819 00:35:26,760 --> 00:35:28,480 Speaker 5: I'm going to quiz. I've got a quiz question for 820 00:35:28,520 --> 00:35:29,080 Speaker 5: you a month. 821 00:35:28,960 --> 00:35:31,160 Speaker 1: From Is this a Dan Murphy's related quiz? 822 00:35:31,560 --> 00:35:34,280 Speaker 5: Of course not? What are you talking about? True or fault? 823 00:35:34,920 --> 00:35:38,680 Speaker 5: You'd prefer an Andre DVD over a single malt whiskey. 824 00:35:39,280 --> 00:35:43,359 Speaker 1: I would rather, I'd rather, well, i'd rather, I'd rather 825 00:35:43,480 --> 00:35:45,879 Speaker 1: the false rather. 826 00:35:46,920 --> 00:35:49,200 Speaker 2: I know he's never done a quiz in his life. 827 00:35:49,200 --> 00:35:50,200 Speaker 1: I don't understand how. 828 00:35:50,160 --> 00:35:53,240 Speaker 5: One share that says I'd rather the fault rather. 829 00:35:53,600 --> 00:35:54,680 Speaker 1: I'd rather the booze. 830 00:35:54,880 --> 00:35:56,640 Speaker 5: Give me the booze, Give me the booze. 831 00:35:56,920 --> 00:35:57,560 Speaker 9: I thought you might. 832 00:35:57,719 --> 00:35:59,120 Speaker 5: I was hoping you might say that because this is 833 00:35:59,160 --> 00:36:01,960 Speaker 5: going to fall over, didn't, Amanda. 834 00:36:01,280 --> 00:36:02,279 Speaker 2: I'm ready, you're ready for this? 835 00:36:02,520 --> 00:36:02,719 Speaker 3: Yeah? 836 00:36:02,960 --> 00:36:05,640 Speaker 5: True or false? If you gave your fella a big 837 00:36:05,800 --> 00:36:09,239 Speaker 5: Barossa Charaz, he gave him a packet. 838 00:36:09,000 --> 00:36:13,080 Speaker 2: Of singers, he would love a big Barossa Charaz, and 839 00:36:13,160 --> 00:36:16,520 Speaker 2: so would I quite frankly, but just love. 840 00:36:16,480 --> 00:36:18,360 Speaker 5: Talking about I think we just got to we've just 841 00:36:18,440 --> 00:36:21,280 Speaker 5: got to just second guess what. Dad's a pretty simple creature. 842 00:36:22,320 --> 00:36:24,839 Speaker 5: Let's be frank about that. If he says, don't look, 843 00:36:24,880 --> 00:36:28,640 Speaker 5: don't make a big fast on Father's Day, organize a 844 00:36:28,800 --> 00:36:31,880 Speaker 5: marching band to come past the bedroom windows seven am. 845 00:36:32,040 --> 00:36:34,440 Speaker 5: You know what I mean, Really teach him a lesson 846 00:36:34,520 --> 00:36:37,319 Speaker 5: about about this kind of opposite today. Rubbish that dads 847 00:36:37,360 --> 00:36:39,000 Speaker 5: have been going on about. It's too much. 848 00:36:39,120 --> 00:36:40,880 Speaker 1: All I wanted my father's days of Carton to be. 849 00:36:41,239 --> 00:36:43,000 Speaker 1: You give me a Cartain Melbourne bitter on, the happiest 850 00:36:43,000 --> 00:36:43,520 Speaker 1: man in the world. 851 00:36:43,760 --> 00:36:47,160 Speaker 5: That's that's what simple creatures Jones. 852 00:36:47,600 --> 00:36:49,080 Speaker 2: What a shame you're getting singing less. 853 00:36:49,320 --> 00:36:52,840 Speaker 1: I'm gettings And if only you knew were liquor purveyor 854 00:36:52,920 --> 00:36:53,920 Speaker 1: that could provide me with. 855 00:36:57,040 --> 00:36:58,120 Speaker 3: Who is what is it? 856 00:36:59,600 --> 00:37:00,839 Speaker 5: We did how many times? 857 00:37:01,000 --> 00:37:06,759 Speaker 1: That we're only doing this, Stephen because we love you. 858 00:37:06,880 --> 00:37:09,040 Speaker 1: They're they're the only reason, and we want you to 859 00:37:09,480 --> 00:37:12,840 Speaker 1: pay your mortgage and keep your kids embraces. 860 00:37:13,040 --> 00:37:15,400 Speaker 5: Do you know what I'll like? The transparency. That's the thing. 861 00:37:15,560 --> 00:37:19,040 Speaker 5: Dads need to be more transparent about it. Our transparency 862 00:37:19,120 --> 00:37:20,799 Speaker 5: is very clear, very very good. 863 00:37:20,920 --> 00:37:23,319 Speaker 1: Well Stephen, you stay safe. It's always a tree to. 864 00:37:23,440 --> 00:37:23,759 Speaker 2: Talk to you. 865 00:37:24,239 --> 00:37:27,080 Speaker 5: Oh, thank you, guys. I'll speak to you very soon. 866 00:37:27,239 --> 00:37:29,640 Speaker 1: Take after yourself. It's three to eight, coming up after 867 00:37:29,719 --> 00:37:31,800 Speaker 1: eight o'clock this morning, we've got the pub test and 868 00:37:32,040 --> 00:37:34,759 Speaker 1: it's an interesting one that sort of came out on 869 00:37:34,880 --> 00:37:37,920 Speaker 1: the show. Telling someone that they've lost. 870 00:37:37,800 --> 00:37:40,399 Speaker 2: Weight, complimenting someone on their weight loss. 871 00:37:41,640 --> 00:37:44,399 Speaker 1: It's loaded, loaded. I think it's good. We'll talk about 872 00:37:44,400 --> 00:37:48,040 Speaker 1: that next WSFMA. 873 00:37:48,280 --> 00:37:49,680 Speaker 5: I want you to get on right now. 874 00:37:51,560 --> 00:37:55,160 Speaker 1: Now, go to your windows, stick your head on a yell. 875 00:37:59,360 --> 00:38:01,480 Speaker 1: Let's get on to the jonesy demand of arms for 876 00:38:01,560 --> 00:38:05,239 Speaker 1: Friday pub tests this morning. Commenting on someone's weight loss, 877 00:38:05,280 --> 00:38:07,600 Speaker 1: does it passed the pub test? You seem to have beef. 878 00:38:07,880 --> 00:38:09,680 Speaker 1: Whenever I say to someone, how you looking good? You 879 00:38:09,719 --> 00:38:10,160 Speaker 1: lost weight? 880 00:38:10,239 --> 00:38:13,160 Speaker 2: If someone like Rebel Wilson has been on a year 881 00:38:13,200 --> 00:38:16,799 Speaker 2: of wellness, she is very publicly putting it out there 882 00:38:16,840 --> 00:38:18,799 Speaker 2: that she's trying to lose weight, and people are saying 883 00:38:18,880 --> 00:38:20,840 Speaker 2: you look great, congratulations, that's different. 884 00:38:21,000 --> 00:38:23,520 Speaker 1: If I saw Rebel and I kind of know her 885 00:38:23,600 --> 00:38:25,560 Speaker 1: these days. If I were and I saw Rebel, I 886 00:38:25,600 --> 00:38:27,360 Speaker 1: said and she said, hey, how are you? And I said, hey, Rebel, 887 00:38:27,400 --> 00:38:29,280 Speaker 1: how are you? And didn't say anything. 888 00:38:29,360 --> 00:38:32,279 Speaker 2: That's no, that's well, you could say nothing, but that's 889 00:38:32,360 --> 00:38:34,120 Speaker 2: quite all right to say you look have lost weight, 890 00:38:34,160 --> 00:38:37,359 Speaker 2: you look incredible. My point is that you use weight 891 00:38:37,400 --> 00:38:40,000 Speaker 2: as a currency and when you see someone. When you 892 00:38:40,200 --> 00:38:44,040 Speaker 2: see someone, you think the best compliment, whether they have 893 00:38:44,280 --> 00:38:46,080 Speaker 2: or not, is to say, you look good, you've lost weight. 894 00:38:47,239 --> 00:38:48,960 Speaker 2: I don't see that because you think everyone wants to 895 00:38:49,000 --> 00:38:50,640 Speaker 2: hear they've lost weight, whether they have or not, so 896 00:38:50,800 --> 00:38:51,920 Speaker 2: you say the words. 897 00:38:51,719 --> 00:38:53,560 Speaker 1: I'd rather hear that I've lost weight than put it on. 898 00:38:53,719 --> 00:38:56,200 Speaker 2: But if you don't need to even say it, why 899 00:38:56,239 --> 00:38:57,319 Speaker 2: did you say, hey, you look well? 900 00:38:58,120 --> 00:38:59,840 Speaker 1: What if it's a dramatic weight loss. 901 00:39:00,000 --> 00:39:02,120 Speaker 2: It's different. But you say that even when there's been 902 00:39:02,200 --> 00:39:04,520 Speaker 2: no weight loss, because you think everyone wants to hear 903 00:39:04,520 --> 00:39:05,200 Speaker 2: they've lost weight. 904 00:39:05,400 --> 00:39:06,960 Speaker 1: Do you look good? Have you been working out? You've 905 00:39:07,000 --> 00:39:09,920 Speaker 1: lost weight? So you're enjoying that. 906 00:39:11,120 --> 00:39:14,760 Speaker 2: You're enjoying I'm enjoying the sincerity of it. Enormously commenting 907 00:39:14,800 --> 00:39:16,959 Speaker 2: on someone's weight loss. Does it pass the pub test? 908 00:39:17,440 --> 00:39:19,280 Speaker 5: Yes, to a certain extent. 909 00:39:19,440 --> 00:39:21,279 Speaker 8: To assume makes an ass for you and me. 910 00:39:21,520 --> 00:39:23,600 Speaker 9: It's like a man said, it assumes that you're trying 911 00:39:23,640 --> 00:39:24,160 Speaker 9: to lose. 912 00:39:24,040 --> 00:39:27,200 Speaker 8: Weight, and it's a parncy for being healthy. 913 00:39:27,719 --> 00:39:31,560 Speaker 5: But yeah, no way, I've never bring up if you've 914 00:39:31,640 --> 00:39:33,799 Speaker 5: lost weight. In any case, that's kind of like, oh, 915 00:39:33,880 --> 00:39:35,880 Speaker 5: they were bigger before, it does. 916 00:39:35,760 --> 00:39:37,920 Speaker 2: Because they've always involves a lot of hard work to 917 00:39:38,040 --> 00:39:38,480 Speaker 2: leaves weight. 918 00:39:38,600 --> 00:39:42,239 Speaker 5: So I absolutely comment on people leaving, mate, I haven't 919 00:39:42,239 --> 00:39:44,480 Speaker 5: seen somebody for a while and they've lost a lot 920 00:39:44,480 --> 00:39:44,759 Speaker 5: of weight. 921 00:39:45,040 --> 00:39:47,160 Speaker 9: I normally come out with a comment and say, mate, 922 00:39:47,160 --> 00:39:49,160 Speaker 9: you're looking really well. If you're obviously giving fit, you're 923 00:39:49,160 --> 00:39:50,959 Speaker 9: going to reverse that comment because if you see somebody 924 00:39:51,000 --> 00:39:53,120 Speaker 9: that's actually put on weight after they've been seeing it, 925 00:39:53,120 --> 00:39:54,920 Speaker 9: you don't say wow, you put the key face on. 926 00:39:54,960 --> 00:39:56,680 Speaker 9: I'm still going to compliment them and say, hey, you're 927 00:39:56,680 --> 00:39:58,239 Speaker 9: looking well, nothing negative about it. 928 00:39:58,320 --> 00:40:00,720 Speaker 1: You've got to keep the positive going to get the positive, 929 00:40:00,920 --> 00:40:03,439 Speaker 1: get rid of the negative, man, That's what it's all about. 930 00:40:03,520 --> 00:40:04,920 Speaker 1: That's what you need in these times. 931 00:40:05,000 --> 00:40:06,759 Speaker 2: Well, we're happy also to hear the negative in the 932 00:40:06,840 --> 00:40:09,080 Speaker 2: form of a ghoulie. You can call a hotline anytime 933 00:40:09,160 --> 00:40:11,200 Speaker 2: nine oh six one seven, nine eight four our favorite 934 00:40:11,200 --> 00:40:12,040 Speaker 2: goolie will win a car. 935 00:40:12,239 --> 00:40:16,200 Speaker 1: It's seven past eight WSFM. Well I want point seven WSFM. However, 936 00:40:16,239 --> 00:40:19,120 Speaker 1: it's Jonesy demanded thanks to chemist warehouse shower to today 937 00:40:19,160 --> 00:40:21,600 Speaker 1: twenty three degrees in the city twenty five in our 938 00:40:21,640 --> 00:40:24,200 Speaker 1: west right now is twenty degrees. It's eleven past. 939 00:40:24,080 --> 00:40:27,759 Speaker 2: Eight, So Father's Day. We were just talking to Stephen Curry, who, 940 00:40:27,800 --> 00:40:29,640 Speaker 2: of course is doing stuff with Dan Murphy. 941 00:40:29,680 --> 00:40:32,320 Speaker 1: So he said, by grog, of course he did. But 942 00:40:32,400 --> 00:40:34,760 Speaker 1: Steven's an actor and he's got to work. And Stephen 943 00:40:34,800 --> 00:40:35,680 Speaker 1: does a lot of cool stuff. 944 00:40:35,680 --> 00:40:35,839 Speaker 9: Though. 945 00:40:35,880 --> 00:40:37,200 Speaker 1: I feel for a lot of the people in the 946 00:40:37,239 --> 00:40:41,799 Speaker 1: business musicians but not coosicians, but people that set up 947 00:40:41,840 --> 00:40:44,160 Speaker 1: the stages or the stage hands stuff, all the events. 948 00:40:44,160 --> 00:40:46,800 Speaker 2: Stuff that was the first stuff to finish and that'll 949 00:40:46,840 --> 00:40:48,200 Speaker 2: be the last stuff to come back. 950 00:40:48,320 --> 00:40:50,359 Speaker 1: And you look at like Noolesy, someone like Shanna Nole. 951 00:40:50,440 --> 00:40:52,439 Speaker 1: You know, he's got four kids, got to put food 952 00:40:52,440 --> 00:40:54,680 Speaker 1: on the table. Whenever there's a crisis, we have bushfires 953 00:40:54,719 --> 00:40:57,040 Speaker 1: and stuff. All these guys get together and do stuff 954 00:40:57,080 --> 00:41:00,680 Speaker 1: for free. So if Steve wants to flog Dwan Murphy commabited, 955 00:41:00,920 --> 00:41:01,360 Speaker 1: of course. 956 00:41:01,680 --> 00:41:05,000 Speaker 2: But I'm just wondering, apart from booze, Yes, what are 957 00:41:05,000 --> 00:41:06,000 Speaker 2: you getting for Father's Day? 958 00:41:06,040 --> 00:41:09,200 Speaker 1: Well, I can already know what I'm getting, and it 959 00:41:09,320 --> 00:41:13,600 Speaker 1: all stems around my fish tank or fish pond that 960 00:41:13,640 --> 00:41:14,480 Speaker 1: I've been restoring. 961 00:41:15,080 --> 00:41:17,560 Speaker 2: There seems to you've turned it into what I think 962 00:41:17,640 --> 00:41:18,520 Speaker 2: is an Olympic pool. 963 00:41:18,600 --> 00:41:21,240 Speaker 1: I've become You've had a time, become a little obsessed 964 00:41:21,280 --> 00:41:23,960 Speaker 1: with it. But it needs to be rendered now, apparently 965 00:41:24,400 --> 00:41:25,960 Speaker 1: because we don't like the bricks. 966 00:41:26,320 --> 00:41:27,200 Speaker 2: Who's we the fish? 967 00:41:27,719 --> 00:41:31,320 Speaker 1: My wife, she's the WII. I don't care, but she 968 00:41:31,480 --> 00:41:33,800 Speaker 1: doesn't like the bricks. The problem is, do you know 969 00:41:33,840 --> 00:41:37,319 Speaker 1: anything about rendering? No, the fish stay read well, if 970 00:41:37,320 --> 00:41:39,880 Speaker 1: they PLoP some men and stuff into the pond, have 971 00:41:39,960 --> 00:41:40,600 Speaker 1: you got empty it? 972 00:41:40,880 --> 00:41:41,080 Speaker 7: Yeah? 973 00:41:41,160 --> 00:41:42,839 Speaker 1: I got to kill well, I'm not I probably want 974 00:41:42,880 --> 00:41:44,319 Speaker 1: to empty it as much, but I need to take 975 00:41:44,360 --> 00:41:46,839 Speaker 1: the fish out in case lime and stuff goes in there. 976 00:41:46,960 --> 00:41:48,920 Speaker 1: I don't want to kill Eric. Remember Eric is the 977 00:41:49,000 --> 00:41:52,400 Speaker 1: only survivor of his tribe. All the other fish perished 978 00:41:52,800 --> 00:41:54,879 Speaker 1: in the Big move of last year. 979 00:41:55,120 --> 00:41:57,480 Speaker 2: In the big move, the Big move of twenty nineteen, 980 00:41:57,600 --> 00:41:57,799 Speaker 2: and I. 981 00:41:57,880 --> 00:42:01,320 Speaker 1: Bought another little fish, not a test case for the 982 00:42:01,360 --> 00:42:02,959 Speaker 1: bottom tank, because there's two tanks. 983 00:42:02,960 --> 00:42:07,120 Speaker 2: Soon a tank in your bottom speed it up? What's happening? 984 00:42:07,520 --> 00:42:10,200 Speaker 2: So you're getting another giant fish tank, not a. 985 00:42:10,200 --> 00:42:12,560 Speaker 1: Giant fish tank. But Helen said, what were you going 986 00:42:12,640 --> 00:42:14,280 Speaker 1: for Father's Day? And she was telling me about the rendering. 987 00:42:14,320 --> 00:42:16,360 Speaker 1: I said, well, I need like a safe space for 988 00:42:16,440 --> 00:42:18,840 Speaker 1: the fish to go to, an escape room. Yeah, And 989 00:42:18,920 --> 00:42:20,759 Speaker 1: I said what about a little fish tank? And she's okay, 990 00:42:20,760 --> 00:42:22,040 Speaker 1: I'll get you that. And I said, can I put 991 00:42:22,040 --> 00:42:24,000 Speaker 1: it on the counter? She said yes. So now I'm 992 00:42:24,040 --> 00:42:27,200 Speaker 1: going to have this little fish tank on the kitchen counter. 993 00:42:27,320 --> 00:42:30,440 Speaker 2: Are you going to You've still got to put an 994 00:42:30,520 --> 00:42:31,440 Speaker 2: aeration system. 995 00:42:32,040 --> 00:42:35,960 Speaker 1: It comes a little field and everything. Yeah. Great, and 996 00:42:36,040 --> 00:42:37,759 Speaker 1: I can put my pirate ship. Remember I bought my 997 00:42:37,840 --> 00:42:39,680 Speaker 1: pirate ship that does a little bit of wrecked pirateship. 998 00:42:39,760 --> 00:42:41,359 Speaker 2: Come, I ask you this, How will the fish feel 999 00:42:41,360 --> 00:42:42,560 Speaker 2: when they watch you cooking fish? 1000 00:42:43,800 --> 00:42:46,399 Speaker 1: I'll be very sensitive to that. And a good point though, 1001 00:42:46,719 --> 00:42:48,759 Speaker 1: especially when I opened cans of tuna as well, because 1002 00:42:48,760 --> 00:42:50,919 Speaker 1: I like that. That's a I might turn the tank 1003 00:42:50,960 --> 00:42:54,600 Speaker 1: the other ways to turn them on, and I'll forget 1004 00:42:56,080 --> 00:42:56,960 Speaker 1: tank the other way. 1005 00:42:57,600 --> 00:42:58,399 Speaker 2: Isn't it see through? 1006 00:42:58,600 --> 00:42:58,759 Speaker 5: Yeah? 1007 00:42:59,520 --> 00:43:01,000 Speaker 1: Look at that way for a bit. 1008 00:43:01,880 --> 00:43:03,840 Speaker 2: But blinkers on those big googly eyes. 1009 00:43:04,320 --> 00:43:06,200 Speaker 1: Exactly. What about Harley? 1010 00:43:06,719 --> 00:43:09,600 Speaker 2: Oh yes, well, Harley's chosen his father's Day present. It's 1011 00:43:09,680 --> 00:43:13,520 Speaker 2: an antique French, fully sized, antique French confessional. 1012 00:43:13,840 --> 00:43:14,960 Speaker 1: Well so relatable. 1013 00:43:15,000 --> 00:43:16,080 Speaker 2: It's on everyone's list. 1014 00:43:16,200 --> 00:43:17,239 Speaker 1: Is that available? Dan move. 1015 00:43:17,640 --> 00:43:21,000 Speaker 2: What's happened is he saw this and he said he 1016 00:43:21,120 --> 00:43:23,719 Speaker 2: wants it to make an art installation as it's not 1017 00:43:23,800 --> 00:43:25,800 Speaker 2: coming in the house, so it's going to his studio. 1018 00:43:26,440 --> 00:43:29,600 Speaker 2: It's it's from the nineteen fifties. I think, a big wooden, 1019 00:43:29,920 --> 00:43:33,640 Speaker 2: beautifully kind of ornate confessional. 1020 00:43:33,800 --> 00:43:34,000 Speaker 5: Wow. 1021 00:43:34,520 --> 00:43:36,440 Speaker 2: And he's going to make it an art installation just 1022 00:43:36,520 --> 00:43:39,920 Speaker 2: for himself, where on the outside where the other people sit, 1023 00:43:40,520 --> 00:43:43,239 Speaker 2: there'll be religious imagery, but on the inside where the 1024 00:43:43,320 --> 00:43:45,279 Speaker 2: priest sits. And I said, you knowledge you do anything weird? 1025 00:43:45,320 --> 00:43:48,360 Speaker 2: He said no, He'll just have like racing cars and 1026 00:43:48,480 --> 00:43:51,040 Speaker 2: picture of Sophia iren and cigarette packets. 1027 00:43:51,120 --> 00:43:53,440 Speaker 1: Yeah. I like the idea of that. He's not a 1028 00:43:53,520 --> 00:43:55,800 Speaker 1: religious guy. He would never have gone to confession. No, 1029 00:43:56,000 --> 00:43:58,560 Speaker 1: nor you. No, I'm a Catholic. Last time I went 1030 00:43:58,600 --> 00:44:00,400 Speaker 1: to confession would have been twelve. 1031 00:44:00,520 --> 00:44:02,040 Speaker 2: Have you not had a sin since you were twelve? 1032 00:44:02,040 --> 00:44:03,359 Speaker 1: Well, that's the thing about it. When I was twelve, 1033 00:44:03,440 --> 00:44:06,440 Speaker 1: days to make stuff up, going father, I have sinned. 1034 00:44:06,520 --> 00:44:08,680 Speaker 1: This is what I did. And I'd say all that, like, 1035 00:44:08,840 --> 00:44:10,840 Speaker 1: you know, I've got some doozies now to. 1036 00:44:10,880 --> 00:44:13,040 Speaker 2: Save them up. Well, Harley will have it set up 1037 00:44:13,040 --> 00:44:13,640 Speaker 2: in about a week. 1038 00:44:13,719 --> 00:44:15,600 Speaker 1: Feel free, go and see father Harley. 1039 00:44:16,560 --> 00:44:17,719 Speaker 2: I'm sure it will absolve you. 1040 00:44:19,680 --> 00:44:21,640 Speaker 1: Is that the word I think we're in borderline being 1041 00:44:21,719 --> 00:44:24,840 Speaker 1: sacrilegious here? I can't tell, not sure. As we mentioned 1042 00:44:24,880 --> 00:44:27,960 Speaker 1: it's Father's Day coming up a little bit later on. 1043 00:44:28,239 --> 00:44:30,600 Speaker 1: What better way to celebrate Father's Day than with some 1044 00:44:30,760 --> 00:44:33,840 Speaker 1: child greuled Charlie's and a tank of petrol. 1045 00:44:34,000 --> 00:44:36,759 Speaker 2: Every Paula who makes it to wear today, it's going 1046 00:44:36,800 --> 00:44:37,120 Speaker 2: to get that. 1047 00:44:37,680 --> 00:44:39,279 Speaker 1: I gets my gorul is that's coming up as well. 1048 00:44:39,360 --> 00:44:41,040 Speaker 1: Nine oh six, one, seven, nine and eighty four. What 1049 00:44:41,120 --> 00:44:43,719 Speaker 1: I won't point seven wsfn I there it's Jonesy and 1050 00:44:43,760 --> 00:44:46,080 Speaker 1: Amanda show or two twenty three degrees in the city 1051 00:44:46,239 --> 00:44:48,160 Speaker 1: twenty five in our west with green Day. 1052 00:44:48,560 --> 00:44:50,520 Speaker 2: It is a twenty three As you say, Brendan. There's 1053 00:44:50,560 --> 00:44:52,440 Speaker 2: a lot of dissension in America, a lot of big 1054 00:44:52,520 --> 00:44:54,560 Speaker 2: speeches being made at the moment, but this one has 1055 00:44:54,640 --> 00:44:57,799 Speaker 2: tickled my fancy. This is a Nebraska man. He's made 1056 00:44:57,840 --> 00:45:01,320 Speaker 2: quite an extraordinary pitch to his local city council leaders 1057 00:45:02,239 --> 00:45:06,200 Speaker 2: about boneless chicken wings, and he says are the scourge 1058 00:45:06,280 --> 00:45:10,560 Speaker 2: of society. So here is representing himself in the local court. 1059 00:45:10,760 --> 00:45:12,200 Speaker 4: I promise I won't take up too much of your 1060 00:45:12,239 --> 00:45:15,800 Speaker 4: time here. My name is Andrew Christensen. Lincoln has the 1061 00:45:15,880 --> 00:45:18,880 Speaker 4: opportunity to be a social leader in this country. We 1062 00:45:18,960 --> 00:45:21,719 Speaker 4: have been casually ignoring a problem that has gotten so 1063 00:45:21,800 --> 00:45:25,920 Speaker 4: out of control that our children are throwing around names 1064 00:45:26,000 --> 00:45:29,480 Speaker 4: and words without even understanding their true meaning and treating 1065 00:45:29,560 --> 00:45:32,680 Speaker 4: things as though they're normal. I go into nice family 1066 00:45:32,760 --> 00:45:35,840 Speaker 4: restaurants and I see people throwing this name around and 1067 00:45:35,920 --> 00:45:39,160 Speaker 4: pretending as though everything is just fine. I'm talking about 1068 00:45:39,200 --> 00:45:43,560 Speaker 4: boneless chicken wings. I propose that we, as a city 1069 00:45:44,040 --> 00:45:46,520 Speaker 4: remove the Excuse me, I'm trying to yeah. 1070 00:45:47,640 --> 00:45:51,200 Speaker 1: Come on, really, no, really, have a listen. 1071 00:45:51,320 --> 00:45:52,680 Speaker 2: Actually, he makes a lot of sense. 1072 00:45:53,520 --> 00:45:54,200 Speaker 1: I propose that we. 1073 00:45:54,239 --> 00:45:57,040 Speaker 4: As a city remove the name boneless wings from our 1074 00:45:57,120 --> 00:46:00,640 Speaker 4: menus and from our hearts. These are our reasons why. 1075 00:46:01,000 --> 00:46:04,520 Speaker 4: Number One, nothing about boneless chicken wings actually come from 1076 00:46:04,520 --> 00:46:05,320 Speaker 4: the wing of a chicken. 1077 00:46:05,960 --> 00:46:06,400 Speaker 1: We would be. 1078 00:46:06,440 --> 00:46:09,919 Speaker 4: Disgusted if a butcher was mislabeling their cuts of meats, 1079 00:46:10,000 --> 00:46:11,560 Speaker 4: but then we go around and pretending as though the 1080 00:46:11,600 --> 00:46:15,680 Speaker 4: breast of the chicken is its wing. Number two, boneless 1081 00:46:15,800 --> 00:46:20,239 Speaker 4: chicken wings are just chicken tenders, which are already boneless. 1082 00:46:20,960 --> 00:46:23,920 Speaker 4: I don't go to order boneless tacos. I don't go 1083 00:46:24,000 --> 00:46:26,720 Speaker 4: and order boneless club sandwiches. I don't ask for boneless 1084 00:46:26,800 --> 00:46:31,000 Speaker 4: auto repair. It's just what's expected. And then number three, 1085 00:46:31,400 --> 00:46:33,840 Speaker 4: we need to raise our children better. Our children are 1086 00:46:33,920 --> 00:46:37,359 Speaker 4: raised being afraid of having bones attached to their meat. 1087 00:46:37,800 --> 00:46:41,560 Speaker 4: That's where meat comes from. It grows on bones. We 1088 00:46:41,640 --> 00:46:43,480 Speaker 4: need to teach them that the wing of a chicken 1089 00:46:44,120 --> 00:46:52,040 Speaker 4: is from a chicken and it's delicious. Summary up, I 1090 00:46:52,160 --> 00:46:55,120 Speaker 4: propose that we rename boneless wings in the city of Lincoln. 1091 00:46:55,600 --> 00:46:59,160 Speaker 4: We can call them Buffalo style chicken tenders, we can 1092 00:46:59,200 --> 00:47:01,520 Speaker 4: call them what, we can call them. 1093 00:47:01,400 --> 00:47:02,800 Speaker 1: Saucy nugs or trash. 1094 00:47:03,880 --> 00:47:06,800 Speaker 4: We can take these steps and show the country that 1095 00:47:07,040 --> 00:47:09,239 Speaker 4: where we stand and that we understand that we've been 1096 00:47:09,280 --> 00:47:11,840 Speaker 4: living alive for far too long, and we know it 1097 00:47:12,200 --> 00:47:13,600 Speaker 4: because we feel it in our bones. 1098 00:47:13,960 --> 00:47:15,120 Speaker 1: Brava, bravo. 1099 00:47:15,520 --> 00:47:17,359 Speaker 2: Saucy Nugs, of course, was my prison name. 1100 00:47:17,800 --> 00:47:21,160 Speaker 1: I have a dream. Well, what about the mcgrib. Don't 1101 00:47:21,160 --> 00:47:22,400 Speaker 1: get him started on the mcgrib. 1102 00:47:22,480 --> 00:47:25,160 Speaker 2: What do you mean was that not a rib? Was 1103 00:47:25,200 --> 00:47:26,479 Speaker 2: the mcgrib not a rib? 1104 00:47:26,640 --> 00:47:28,680 Speaker 3: Of course? What was it? 1105 00:47:29,120 --> 00:47:31,440 Speaker 1: I don't know? How do you know what we meant? Byproducts. 1106 00:47:31,520 --> 00:47:33,120 Speaker 2: It wasn't a rib No, of course, it wasn't a 1107 00:47:33,160 --> 00:47:36,040 Speaker 2: real I feel so naive. I've been made a fool of. 1108 00:47:37,160 --> 00:47:38,319 Speaker 2: I'll get ander on the line. 1109 00:47:39,000 --> 00:47:42,200 Speaker 1: It's eight twenty six Father's Day this Sunday. We've got 1110 00:47:42,239 --> 00:47:44,200 Speaker 1: a very special episode of The Living Ye. 1111 00:47:44,200 --> 00:47:46,520 Speaker 2: Yes, we'll be talking about that and a Google If 1112 00:47:46,600 --> 00:47:47,800 Speaker 2: you want to win a car at the end of 1113 00:47:47,840 --> 00:47:50,000 Speaker 2: the year, please phone our hotline nine oh six one 1114 00:47:50,120 --> 00:47:51,000 Speaker 2: seven nine eighty four. 1115 00:47:52,680 --> 00:47:55,520 Speaker 3: There's no sound comes ted on. 1116 00:47:55,719 --> 00:47:59,640 Speaker 1: Oh silly me. Looking forward to watching The Living Room 1117 00:47:59,680 --> 00:48:02,920 Speaker 1: tonight because your father, art Alfa Keller is going to 1118 00:48:02,960 --> 00:48:03,439 Speaker 1: be on the show. 1119 00:48:03,520 --> 00:48:06,719 Speaker 2: I'm so excited. I found that small window when the 1120 00:48:08,880 --> 00:48:11,759 Speaker 2: border was open for a couple of weeks and I 1121 00:48:11,840 --> 00:48:13,400 Speaker 2: went up to visit my dad and we filmed a 1122 00:48:13,440 --> 00:48:16,040 Speaker 2: segment for the Living Room at my brother's house. You know, 1123 00:48:16,120 --> 00:48:18,040 Speaker 2: it was a real gift. We felt it was a 1124 00:48:18,120 --> 00:48:21,880 Speaker 2: real gift because despite my job, we're not a TV family. 1125 00:48:22,640 --> 00:48:25,280 Speaker 2: But I was so proud of my brother and dad 1126 00:48:25,560 --> 00:48:27,480 Speaker 2: and the way they handled us having a camera in 1127 00:48:27,560 --> 00:48:30,880 Speaker 2: their face, and part of the conversation was stuff that 1128 00:48:31,280 --> 00:48:33,560 Speaker 2: we've never sat down to properly say. Dad and I 1129 00:48:33,760 --> 00:48:36,279 Speaker 2: quite sioky with each other, but Cameron and I and 1130 00:48:36,400 --> 00:48:39,040 Speaker 2: Dad have a different relationship again, so for the three 1131 00:48:39,080 --> 00:48:41,520 Speaker 2: of us to sit there, and I've got quite emotional 1132 00:48:41,640 --> 00:48:44,120 Speaker 2: saying to Dad, look, thank you for the stuff I've 1133 00:48:44,160 --> 00:48:46,400 Speaker 2: never said thank you for because you know, I'm in 1134 00:48:46,480 --> 00:48:48,360 Speaker 2: the process now. When Liam left home last year to 1135 00:48:48,400 --> 00:48:51,879 Speaker 2: go to Uni, of thinking wow, Mum and Dad did 1136 00:48:51,920 --> 00:48:54,040 Speaker 2: the same. They let me go graciously and let this 1137 00:48:54,239 --> 00:48:57,000 Speaker 2: let the journey be about me, which I'm trying to learn. 1138 00:48:57,800 --> 00:49:01,080 Speaker 2: And Dad sort of paid my credit card bills for 1139 00:49:01,200 --> 00:49:06,600 Speaker 2: a while and funded my university life. And he's eighty five. 1140 00:49:06,719 --> 00:49:09,800 Speaker 2: I'm fifty eight, and just occurs to me now to 1141 00:49:09,840 --> 00:49:13,000 Speaker 2: say thank you. It's never too late to say thank you. 1142 00:49:14,000 --> 00:49:16,080 Speaker 1: When he funded your university life? Do you mean he 1143 00:49:16,160 --> 00:49:17,920 Speaker 1: bought you a four letter cask of claret? 1144 00:49:18,200 --> 00:49:19,520 Speaker 2: Pretty much every week? 1145 00:49:19,719 --> 00:49:20,160 Speaker 1: There you go. 1146 00:49:20,360 --> 00:49:22,480 Speaker 2: But it was a wonderful chance to catch up. And 1147 00:49:22,520 --> 00:49:25,239 Speaker 2: in the living room tonight, our families all come in, 1148 00:49:25,840 --> 00:49:28,719 Speaker 2: so kids are there, and then I got this great 1149 00:49:28,760 --> 00:49:32,160 Speaker 2: opportunity to invite the audience to meet my dad. It's 1150 00:49:32,280 --> 00:49:33,560 Speaker 2: a great episode tonight. 1151 00:49:33,880 --> 00:49:35,400 Speaker 1: Nice I'm looking forward to watching it. 1152 00:49:35,640 --> 00:49:36,839 Speaker 2: Seven thirty, Channel ten. 1153 00:49:37,000 --> 00:49:39,000 Speaker 1: It's twenty four to nine and gets my goolies coming up. 1154 00:49:39,120 --> 00:49:41,840 Speaker 1: The hotline is available for you. Nine oh six one seven, 1155 00:49:42,360 --> 00:49:44,600 Speaker 1: nine oh six one seven nine eighty four is our 1156 00:49:44,680 --> 00:49:48,360 Speaker 1: number WSFM, one of one point seven WSFM. It's Jonesy 1157 00:49:48,440 --> 00:49:50,759 Speaker 1: Demandra Shower to twenty three degrees in the city, twenty 1158 00:49:50,800 --> 00:49:53,719 Speaker 1: five in our west. Total recallers back from nine. Keep 1159 00:49:53,800 --> 00:49:55,520 Speaker 1: track of the songs we play and we'll give you 1160 00:49:55,560 --> 00:49:58,040 Speaker 1: one hundred dollars for every song you can recall. Right 1161 00:49:58,080 --> 00:49:59,759 Speaker 1: now it's twenty one degrees, it's twenty to nine. 1162 00:50:08,200 --> 00:50:10,120 Speaker 2: I that the Gooli of the Year gets a brand 1163 00:50:10,160 --> 00:50:13,040 Speaker 2: new sang Yong Tivoli valued it over twenty four thousand dollars. 1164 00:50:13,080 --> 00:50:15,520 Speaker 2: This is thanks to Sinclair Sang Young Penrith, part of 1165 00:50:15,560 --> 00:50:17,200 Speaker 2: the Sinclair Automotive family. 1166 00:50:17,440 --> 00:50:18,960 Speaker 1: What a great car. What have we got? 1167 00:50:19,800 --> 00:50:22,920 Speaker 6: What really gets my gul is is one goes out 1168 00:50:22,960 --> 00:50:25,640 Speaker 6: of their way to report potholes and council workers come 1169 00:50:25,719 --> 00:50:28,000 Speaker 6: and fill in the pothole, which is great, but they 1170 00:50:28,080 --> 00:50:30,640 Speaker 6: leave all the loose rubble on the road, but occasionally 1171 00:50:30,680 --> 00:50:32,520 Speaker 6: they might even push it into the gado to get 1172 00:50:32,640 --> 00:50:36,640 Speaker 6: washed down into the creeks. Great for the environment. Why 1173 00:50:36,640 --> 00:50:38,399 Speaker 6: don't they go and sweep it all up and take 1174 00:50:38,440 --> 00:50:40,879 Speaker 6: it back to the depot. And that way, when cars 1175 00:50:40,960 --> 00:50:42,880 Speaker 6: drive along, they don't sort of spread it around and 1176 00:50:43,040 --> 00:50:46,600 Speaker 6: up breaking windscreens. It's not rocket science. It's a sort 1177 00:50:46,640 --> 00:50:48,960 Speaker 6: of common sense. And that really really gets my gooulies. 1178 00:50:49,040 --> 00:50:51,920 Speaker 1: You're dealing with councils and common sense. Come on. I 1179 00:50:52,040 --> 00:50:55,440 Speaker 1: saw my local council. They put went to great pains 1180 00:50:55,480 --> 00:50:58,319 Speaker 1: to put concrete down on this pathway, and these guys 1181 00:50:58,320 --> 00:51:01,359 Speaker 1: spent ages on it. Beautiful for concrete. Two weeks later 1182 00:51:01,400 --> 00:51:03,560 Speaker 1: there's a go with a jack Emma cutting a hole 1183 00:51:03,600 --> 00:51:05,520 Speaker 1: in it to put some telstra wires through it. 1184 00:51:05,680 --> 00:51:08,879 Speaker 2: Oh, Department Aid talked to Department bab. 1185 00:51:09,560 --> 00:51:11,720 Speaker 1: You have a calendar or something. Can you compare notes? 1186 00:51:11,760 --> 00:51:12,920 Speaker 1: Can you diarize stuff? 1187 00:51:14,920 --> 00:51:17,839 Speaker 6: Hi, Jonesy and Amanda, I love your show and I've 1188 00:51:17,960 --> 00:51:19,520 Speaker 6: been listening for a long time now. 1189 00:51:19,880 --> 00:51:22,879 Speaker 5: My favorite section is get my goollies. And for years 1190 00:51:22,960 --> 00:51:24,800 Speaker 5: I've been saying every now and then to my husband, 1191 00:51:25,120 --> 00:51:27,000 Speaker 5: you know what, this gets my goolies. I'm going to 1192 00:51:27,080 --> 00:51:31,200 Speaker 5: ring and tell Jonesy and Amanda, and every time he says, nah, 1193 00:51:31,600 --> 00:51:33,719 Speaker 5: that's a bad gully, they won't want to hear that. 1194 00:51:34,400 --> 00:51:36,279 Speaker 5: And eventually I got really sick of it because I 1195 00:51:36,400 --> 00:51:38,760 Speaker 5: was like, you know what your gooley is your gooley? 1196 00:51:39,080 --> 00:51:41,640 Speaker 5: Those guys here every gooley, surely those are my goolly. 1197 00:51:42,080 --> 00:51:43,799 Speaker 8: And so finally, do you know what I thought? 1198 00:51:44,160 --> 00:51:46,120 Speaker 5: You know what I said to him, you are my goolly. 1199 00:51:46,200 --> 00:51:47,800 Speaker 5: I'm going to ring in and say you're my goollie 1200 00:51:47,800 --> 00:51:49,719 Speaker 5: because you don't like my goolies, and it will be 1201 00:51:49,760 --> 00:51:51,560 Speaker 5: such a good gully. I'll win the car and then 1202 00:51:51,600 --> 00:51:53,880 Speaker 5: you have to say that was a pretty good goolie. 1203 00:51:54,120 --> 00:51:55,040 Speaker 3: So that's my gooye. 1204 00:51:55,280 --> 00:51:56,000 Speaker 1: It's pretty good. 1205 00:51:56,080 --> 00:51:57,760 Speaker 2: Do you think she's paid by the word goolie? 1206 00:51:57,840 --> 00:51:59,640 Speaker 1: I like as she says it. Yeah, you talk about 1207 00:51:59,680 --> 00:52:02,000 Speaker 1: magic wins the car and then he's in it with 1208 00:52:02,120 --> 00:52:03,239 Speaker 1: the you know, sitting in the car. 1209 00:52:03,360 --> 00:52:04,160 Speaker 2: I'd lock him out. 1210 00:52:04,600 --> 00:52:06,480 Speaker 1: You can't come in my car. You're not coming in here. 1211 00:52:06,680 --> 00:52:07,839 Speaker 2: Cool he's aren't getting in here. 1212 00:52:07,920 --> 00:52:10,280 Speaker 1: You're not coming in my san yung tivoli, Mate, White, 1213 00:52:10,760 --> 00:52:12,760 Speaker 1: I like that. If you dipped out, you can always 1214 00:52:12,760 --> 00:52:14,719 Speaker 1: call us. The hotline is open for you. Nine oh 1215 00:52:14,800 --> 00:52:16,920 Speaker 1: six one seven, nine eighty four. The Week that was 1216 00:52:17,040 --> 00:52:19,839 Speaker 1: Jimbo's Jibba Jabber is coming up next. One of One 1217 00:52:19,880 --> 00:52:24,160 Speaker 1: Point's ever WUSFM. Hello there, it's Jonesy and Amanda shot 1218 00:52:24,160 --> 00:52:25,960 Speaker 1: out to today twenty three degrees in the city, twenty 1219 00:52:26,000 --> 00:52:28,160 Speaker 1: five in our west. Right now it is twenty one degrees. 1220 00:52:28,160 --> 00:52:30,200 Speaker 1: It's eleven to nine. You know, Jim Dolan has been 1221 00:52:30,239 --> 00:52:33,879 Speaker 1: working harder than Sunny Bill Williams's abscircle pro. 1222 00:52:34,120 --> 00:52:36,440 Speaker 2: Hope it pays off on Saturday night and he's come up. 1223 00:52:36,400 --> 00:52:38,120 Speaker 1: With this Jimbo's Jibba Jabba. 1224 00:52:41,160 --> 00:52:44,359 Speaker 10: Many songs we play suggest a telephone call is in order, 1225 00:52:44,640 --> 00:52:47,120 Speaker 10: call me, for example, or I just called to say 1226 00:52:47,160 --> 00:52:49,040 Speaker 10: I love you, but you won't get any more a 1227 00:52:49,160 --> 00:52:52,120 Speaker 10: direct message than that of Tommy two tones eight six 1228 00:52:52,280 --> 00:52:53,719 Speaker 10: seven five three oh nine. 1229 00:52:54,040 --> 00:52:54,720 Speaker 1: Jenny Jenny. 1230 00:52:55,040 --> 00:52:57,919 Speaker 10: We learned this week that particular number could be used 1231 00:52:57,960 --> 00:53:00,840 Speaker 10: to throw off unwanted male attention back in the. 1232 00:53:00,920 --> 00:53:04,000 Speaker 1: Day eight six seven five three nine in the eighties, 1233 00:53:04,280 --> 00:53:08,400 Speaker 1: many women use Jenny's telephone digits to brush off unwanted 1234 00:53:08,440 --> 00:53:11,080 Speaker 1: male attention. So guys say, hey, baby, how bad it? 1235 00:53:11,239 --> 00:53:13,319 Speaker 1: Can I get your number? And they said, oh, it's 1236 00:53:13,520 --> 00:53:15,759 Speaker 1: it's eight six seven five three o nine. But I 1237 00:53:15,840 --> 00:53:18,040 Speaker 1: wonder what, indeed what happens if you were to call 1238 00:53:18,160 --> 00:53:18,720 Speaker 1: that number? 1239 00:53:19,080 --> 00:53:19,600 Speaker 3: Why don't you. 1240 00:53:23,239 --> 00:53:31,320 Speaker 1: That's ringing hello, Hello, I'm looking for Jenny. You gotta 1241 00:53:32,000 --> 00:53:36,400 Speaker 1: oh hello, Jenny. You sound a lot different to what 1242 00:53:36,480 --> 00:53:42,879 Speaker 1: I expected. Not that's a bit much. 1243 00:53:45,480 --> 00:53:48,600 Speaker 2: I'm waiting for your answer. Well, you know, t weekend's 1244 00:53:48,600 --> 00:53:49,000 Speaker 2: coming up. 1245 00:53:49,120 --> 00:53:50,240 Speaker 1: I would like to be wooed. 1246 00:53:50,880 --> 00:53:53,920 Speaker 10: I think that was the wound he's cooked for Oprah 1247 00:53:54,000 --> 00:53:58,120 Speaker 10: and Leonardo DiCaprio. Now Indigenous chef Mark Olive can add, 1248 00:53:58,200 --> 00:53:59,040 Speaker 10: speaking to you. 1249 00:53:59,200 --> 00:54:01,640 Speaker 1: Guys to his as you always found destroyed in our 1250 00:54:01,680 --> 00:54:06,320 Speaker 1: country week and eat our coat of arms, as Zeron 1251 00:54:06,360 --> 00:54:08,440 Speaker 1: made a taduk and you know the jaduka of z 1252 00:54:08,440 --> 00:54:10,920 Speaker 1: anyone put a kangaroo into an emu? Is that is 1253 00:54:10,960 --> 00:54:12,200 Speaker 1: that a thing? Was that going too far? 1254 00:54:13,120 --> 00:54:13,239 Speaker 3: Oh? 1255 00:54:13,440 --> 00:54:18,839 Speaker 1: No, that could be the next thing that I don't 1256 00:54:18,840 --> 00:54:22,279 Speaker 1: know what you'd call it? By nomination and amrou this 1257 00:54:22,440 --> 00:54:22,879 Speaker 1: is a theme. 1258 00:54:23,560 --> 00:54:26,560 Speaker 10: For some reason, someone decided to hide some macas in 1259 00:54:26,640 --> 00:54:28,719 Speaker 10: the closet for a bunch of years, and I thought 1260 00:54:28,719 --> 00:54:29,520 Speaker 10: it'd been done. 1261 00:54:29,360 --> 00:54:30,560 Speaker 1: Before that burger thing. 1262 00:54:30,920 --> 00:54:34,200 Speaker 2: Four million people have viewed this video online. Here was 1263 00:54:34,200 --> 00:54:37,640 Speaker 2: a TikTok. She's looked at these fries and a burger 1264 00:54:37,960 --> 00:54:39,880 Speaker 2: that had been hiding out in her grandmother's a closet 1265 00:54:39,920 --> 00:54:41,799 Speaker 2: for twenty four years. I make it sound like they've 1266 00:54:41,800 --> 00:54:42,319 Speaker 2: been on the run. 1267 00:54:42,520 --> 00:54:48,120 Speaker 1: Was it Hamburglar? Because he's got form, he's got and 1268 00:54:48,360 --> 00:54:50,400 Speaker 1: I know you just love it when we report on 1269 00:54:50,520 --> 00:54:53,040 Speaker 1: the whereabouts. A former married at First Sight. 1270 00:54:54,200 --> 00:54:58,520 Speaker 2: Stars one of the stars of Maths Amanda. She was 1271 00:54:58,560 --> 00:55:01,800 Speaker 2: in the twenty twenty season. She was partnered with fellow 1272 00:55:01,840 --> 00:55:05,279 Speaker 2: bride tash Hers. They were the first lesbian partnership. She 1273 00:55:06,360 --> 00:55:09,280 Speaker 2: started to go fundme page last week asking for fans 1274 00:55:09,360 --> 00:55:11,600 Speaker 2: to give her financial assistance because she wants to move 1275 00:55:12,080 --> 00:55:16,440 Speaker 2: to Queensland from Victoria. Help wasn't forthcoming, but a lot 1276 00:55:16,480 --> 00:55:17,279 Speaker 2: of abuse was. 1277 00:55:21,480 --> 00:55:23,399 Speaker 1: But wait, there's more Maths news. 1278 00:55:23,600 --> 00:55:27,600 Speaker 2: Also something that happened on Saturday with Jessica Power. She 1279 00:55:27,800 --> 00:55:30,960 Speaker 2: said on a podcast, I think that or She spoke 1280 00:55:31,040 --> 00:55:36,359 Speaker 2: about her breasts and she said fans have always thought 1281 00:55:36,440 --> 00:55:40,280 Speaker 2: that she'd had enhancement surgery, but she has achieved natural 1282 00:55:40,400 --> 00:55:43,160 Speaker 2: looking breasts, taking her from a sea cup to a 1283 00:55:43,239 --> 00:55:45,919 Speaker 2: large D cup. She said, it's not an implant. These 1284 00:55:45,960 --> 00:55:49,640 Speaker 2: aren't silicon. It's all of my breast. She said. Throughout 1285 00:55:49,680 --> 00:55:51,640 Speaker 2: the show, I was criticized for my fake lips and 1286 00:55:51,680 --> 00:55:53,680 Speaker 2: my fake this all that so The last thing I 1287 00:55:54,239 --> 00:55:56,920 Speaker 2: wanted to do was go and get fake boobs, explaining 1288 00:55:56,960 --> 00:56:00,560 Speaker 2: her decision to have fat transferred instead of slic So 1289 00:56:00,640 --> 00:56:03,920 Speaker 2: this is the quote. It's just the extra bit of 1290 00:56:04,000 --> 00:56:06,320 Speaker 2: fat I have on the side of my thighs that 1291 00:56:06,400 --> 00:56:09,520 Speaker 2: I wasn't happy with that I've had injected into my boobs. 1292 00:56:10,400 --> 00:56:13,880 Speaker 2: Nothing to see here, He's gonna have a bit of cyboob. 1293 00:56:15,640 --> 00:56:17,360 Speaker 1: That's what you need. Next year at the logs some 1294 00:56:17,560 --> 00:56:18,120 Speaker 1: THI boom. 1295 00:56:18,680 --> 00:56:20,640 Speaker 10: Well, I suppose there's one good thing to come out 1296 00:56:20,680 --> 00:56:23,960 Speaker 10: of this pandemic maths people having to go into lockdown. 1297 00:56:24,400 --> 00:56:27,760 Speaker 1: Who's got the key? This has been Jimbo's yubbijeba. Indeed, 1298 00:56:27,920 --> 00:56:31,160 Speaker 1: thank you, Jimmydi. It is seven to nine WSF one 1299 00:56:31,160 --> 00:56:34,400 Speaker 1: I one point seven WSFM. Hello there, it's Jonesy and Amanda. 1300 00:56:34,520 --> 00:56:35,439 Speaker 1: It is three to nine. 1301 00:56:37,480 --> 00:56:41,080 Speaker 2: Our favorite caller email or Facebook friend wins two Spinalese 1302 00:56:41,160 --> 00:56:43,759 Speaker 2: profile pillows. A great day starts with a good night's sleep. 1303 00:56:43,840 --> 00:56:47,680 Speaker 2: Visit spinal ease dot com dot that's spinalz dot com 1304 00:56:47,719 --> 00:56:48,279 Speaker 2: dot by. 1305 00:56:48,239 --> 00:56:50,839 Speaker 1: For your flashback this morning. The theme was deadbeat Dad, 1306 00:56:50,960 --> 00:56:54,160 Speaker 1: so I went for Marvin Gaye and heard it through 1307 00:56:54,160 --> 00:56:57,879 Speaker 1: the grape vine. You don't get more deadbeat than his dad, 1308 00:56:57,960 --> 00:57:01,799 Speaker 1: Marvin Senior, who shot Marvin a day before. He's forty 1309 00:57:01,840 --> 00:57:05,000 Speaker 1: fifth perthday in nineteen eighty four. That's pretty dead beat. 1310 00:57:05,560 --> 00:57:08,359 Speaker 2: That is dead beat. I'll give you that. What about 1311 00:57:08,800 --> 00:57:12,880 Speaker 2: a dad that has a consensual sexual relationship with your 1312 00:57:12,960 --> 00:57:16,720 Speaker 2: sister who's also his daughter. That's what happened to China Phillips. 1313 00:57:16,800 --> 00:57:19,000 Speaker 2: That's why I've gone with this song from Wilson Phillips. 1314 00:57:20,800 --> 00:57:25,840 Speaker 2: China's half sister, Mackenzie, daughter of John Phillips, was a 1315 00:57:25,960 --> 00:57:30,000 Speaker 2: drug addict. He was a drug addict. Next minute, that's dreadful. 1316 00:57:30,200 --> 00:57:32,320 Speaker 2: God for ten years dreadful. 1317 00:57:32,720 --> 00:57:34,520 Speaker 1: That's a lot of dreadful, a lot of dreadful. 1318 00:57:34,800 --> 00:57:36,520 Speaker 2: So which song did you want to hear? How did 1319 00:57:36,560 --> 00:57:39,520 Speaker 2: you feel about all this information? He's Sharon for picnic point. 1320 00:57:39,800 --> 00:57:43,320 Speaker 8: I'm going for you, Amanda, even though that song has 1321 00:57:43,400 --> 00:57:45,680 Speaker 8: a very complicated family behind it. 1322 00:57:47,480 --> 00:57:51,919 Speaker 1: With a jolly laughter, that's enough. 1323 00:57:52,560 --> 00:57:55,640 Speaker 2: Wsfm's total recallers back after nine keep track of the songs, 1324 00:57:55,680 --> 00:57:57,520 Speaker 2: will give you ten. We'll give you one hundred dollars 1325 00:57:57,520 --> 00:57:58,560 Speaker 2: for every song you can recall. 1326 00:57:58,680 --> 00:58:01,439 Speaker 1: How good is that? Check out the iHeartRadio Message center 1327 00:58:01,480 --> 00:58:04,040 Speaker 1: where you'll find all five songs we play from night. 1328 00:58:04,160 --> 00:58:06,400 Speaker 2: Have a Wonderful Father's Day on Sunday. You can still 1329 00:58:06,480 --> 00:58:08,320 Speaker 2: join us tonight from six o'clock with jam Nation. 1330 00:58:08,440 --> 00:58:11,000 Speaker 1: Good day to you, Well, thank God that's over. 1331 00:58:11,120 --> 00:58:16,400 Speaker 3: Hood fite hood bite wipe, You're right. 1332 00:58:16,600 --> 00:58:19,840 Speaker 8: A podcast of today's show is available to download from 1333 00:58:19,880 --> 00:58:21,280 Speaker 8: the iHeartRadio app. 1334 00:58:21,400 --> 00:58:31,080 Speaker 3: All the Cool Kids are doing It, Jonji and the 1335 00:58:31,160 --> 00:58:32,200 Speaker 3: Man tell the Us. 1336 00:58:32,800 --> 00:58:35,400 Speaker 2: Catch up on what you've missed on the free iHeartRadio 1337 00:58:35,520 --> 00:58:35,720 Speaker 2: app