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Speaker 1: We're very excited, very very excited with to share a

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Speaker 1: little project that we've been working on. Obviously, when we

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Speaker 1: get people to come in here on the radio show,

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Speaker 1: I mean, you guys are listening to commercial radio, so

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Speaker 1: you know what this is about. But generally the idea

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Speaker 1: is we have a three or four minute conversation, we

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Speaker 1: get a hysterical laugh, we laugh very hard, sometimes too hard,

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Speaker 1: and then we go to traffic and ads or we've

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Speaker 1: got to a song.

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Speaker 2: Imagine being told you ruck up to a barbecue and

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Speaker 2: you see someone who you really like and respect, Yeah,

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Speaker 2: and it's like you can go and talk to them,

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Speaker 2: but you've got three minutes.

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Speaker 1: Yeah, not to.

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Speaker 3: Blow our own horns.

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Speaker 1: You're working us into a compliment for us, I'm doing it.

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Speaker 3: It can be quite hard.

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Speaker 2: And also the hard thing is you don't really get

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Speaker 2: to plunge the depths with that person within three or

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Speaker 2: four minutes.

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Speaker 1: Often when you have that three or four minute conversation,

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Speaker 1: you will get glimmers of things that you want to

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Speaker 1: talk to them more about, and you can feel like

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Speaker 1: there's something under the surf. You know, if you consider

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Speaker 1: any passing interaction that you have with a friend or

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Speaker 1: even someone that you don't know. If it's quick, they'll

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Speaker 1: give you little bits and you can walk away and

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Speaker 1: you can sort of ascertain, oh, there's definitely a lot

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Speaker 1: more there, and they alluded to that there's definitely a

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Speaker 1: lot more there, but you don't have the time in

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Speaker 1: that instance to ask more questions. So I'm sure a

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Speaker 1: lot of you will have listened to the conversations that

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Speaker 1: we've had before, which we've called Share my Mood, which

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Speaker 1: are longer form, often sort of like half an hour

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Speaker 1: or an hour long conversations that we have with special

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Speaker 1: guests who we know there are more questions that we

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Speaker 1: know that there's more things to ask them about, and

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Speaker 1: we've released these in our podcast feed, and we've released

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Speaker 1: them on our socials, and we've had some amazing people

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Speaker 1: who have willingly come on and been really transparent and yeah,

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Speaker 1: shared their mood. Sure, my love, health and well Being

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Speaker 1: experts Step.

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Speaker 4: Class feel incredibly sick, but also.

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Speaker 5: Mentally, I was just a mess every night because I

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Speaker 5: just felt like I was continuously disappointing myself.

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Speaker 1: Olympic boxer Harry Garside really better struggling. This has been

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Speaker 1: the hardest year of my life.

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Speaker 6: And you know what, I know I'm competitive, and I

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Speaker 6: know I'm an athlete, but for me to say that

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Speaker 6: out loud, it's like, I feel like this situation beat me.

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Speaker 1: Written Laura from the pickup.

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Speaker 5: I can already feel myself gain upset, but this is

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Speaker 5: a vulnerable place. Yeah, yeah, I feel very unlovable and

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Speaker 5: something must be wrong with me, like I'm the common denominator.

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Speaker 1: And author and Mega Marathon runner Ned Brockman. When you

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Speaker 1: start letting these words of burnout, I think it comes

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Speaker 1: back to the power of the mind and if you

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Speaker 1: can continuously say these things and be positive. Our time

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Speaker 1: here on this planet is very limited, and you're a

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Speaker 1: long time dead.

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Speaker 3: I want to make the most of the time I'm here.

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Speaker 1: There's some hot jats. Yeah, there's really hot jats so far.

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Speaker 1: So look what we've done after we've you know, sort

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Speaker 1: of consulted ourselves and you guys as well, is we

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Speaker 1: decided to make this a separate stream of podcasts because

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Speaker 1: we realized that the William Woody podcast there's a bit

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Speaker 1: going on in there. You can catch up with our show.

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Speaker 1: There's the behind the scenes podcast in there, but we

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Speaker 1: think that these conversations deserve their own feed. They deserve

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Speaker 1: their own place where you guys can listen to them

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Speaker 1: in order and you can hear these full conversations, which

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Speaker 1: are really special conversations. We think there's a lot of emotion,

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Speaker 1: but also, as you're going to hear from the first

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Speaker 1: guest on this brand new series of Shamoi Mood, it

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Speaker 1: can be really fun as well. And in fact, if anything,

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Speaker 1: arguably because we have so much time with the MUDs,

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Speaker 1: we are allowable to sort of like extend the jokes

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Speaker 1: a bit more. You get this wonderful thing that podcasters

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Speaker 1: get to do called callbacks.

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Speaker 2: Then a callback king is a man called Will Anderson,

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Speaker 2: who is one of Australia's greatest stand up comedians. And

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Speaker 2: I mean I could watch this bloke make jokes for

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Speaker 2: six hours straight.

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Speaker 3: It wasn't all jokes, but was he started?

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Speaker 7: Hut, you know what my mood is, I feel personally

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Speaker 7: attacked by you.

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Speaker 1: Why started?

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Speaker 7: She just like really negged me as we're about to

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Speaker 7: go in, and you were like talking about the fact

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Speaker 7: that if this went well, there might be a tiny

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Speaker 7: bit that you could scrape off and put on your

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Speaker 7: little radio show if it was good enough. That's what

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Speaker 7: you directly in the eye, and then you said, if

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Speaker 7: it's good enough.

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Speaker 1: I'd never offend you behind your back. I like to test.

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Speaker 1: He's testing you early.

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Speaker 7: If it's good enough. This is already good enough. What's

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Speaker 7: happened so far is good enough to get on your show.

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Speaker 7: If we do an audition, it's.

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Speaker 3: The perfect time to bring up the thing that I

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Speaker 3: want to bring every time you come on our radio show.

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Speaker 1: Yeah, it is electric and electric.

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Speaker 3: And I truly truly mean that, like it's.

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Speaker 7: The radio show itself. Or you work at the ABC, Will,

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Speaker 7: so you're probably used to some sort of it's the

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Speaker 7: Armish Broadcasting Corporation, so it's all wooden strings there, but

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Speaker 7: we're working with electricity here at Wilhelm Wood.

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Speaker 1: This again put that bit on. We've got two good

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Speaker 1: bits of content started like a house on fire, a

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Speaker 1: wonderful guest, and I'm glad we had the full hour

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Speaker 1: with Will Anderson in Share my Mood. What're you gonna

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Speaker 1: hear Now is obviously a little bit of an hour

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Speaker 1: long conversation that we were all lease as a Share

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Speaker 1: My Mood podcast in the Shamo Mood Podcast either tomorrow

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Speaker 1: or on Wednesday, a chance for you guys to get

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Speaker 1: behind the mind of really one of the funniest people

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Speaker 1: in Australia, who has been one of the funniest people

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Speaker 1: at the top of their game for a very long time,

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Speaker 1: recently sold the most amount of tickets ever at the

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Speaker 1: Melbourne Comedy Festival. It is Will Anderson. And this is

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Speaker 1: just a little bit of what he has to offer

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Speaker 1: on Share my Mood.

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Speaker 7: I do think that if you can't find a way

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Speaker 7: to separate how your real life is versus how your

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Speaker 7: professional life is, then I think a life sharing your world.

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Speaker 7: I mean it would be almost impossible to be able

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Speaker 7: to do that, because I mean I often give the

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Speaker 7: appearance of sharing a lot. The thing I like to

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Speaker 7: say about my stand up act is there's a lot

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Speaker 7: of hiding in plain sight, which is I will give

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Speaker 7: a story of myself out to the world, which is

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Speaker 7: the one that I'm happy for them to know. And

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Speaker 7: there is a whole part of my life that is

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Speaker 7: for me and obviously more complicated and sometimes much more

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Speaker 7: testing than the stuff that I'm willing to share. So

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Speaker 7: then what happens is that the stuff you're willing to share,

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Speaker 7: you can still just play with that even when things

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Speaker 7: are going badly behind the scenes. You've put this other

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Speaker 7: stuff out on the record, is stuff that this is

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Speaker 7: safe areas for me to be able to talk about.

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Speaker 7: So we got on the radio. We can play in

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Speaker 7: those pre designated safe areas. I think, do you give

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Speaker 7: something of yourself doesn't mean you have to give all

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Speaker 7: of yourself. And in fact, I often think when you're

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Speaker 7: an entertainer, if you want to be the sort of

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Speaker 7: person that does share something of yourself, then sometimes sharing

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Speaker 7: the direct thing that you want to share is the

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Speaker 7: wrong way to do it. Well, we've just come off

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Speaker 7: the back of comedy Festival, so I'm obviously thinking about

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Speaker 7: things through the stand up lens when I sit down

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Speaker 7: to write what that show's going to be every year, Yeah,

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Speaker 7: it's always going to be like reflected by what my

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Speaker 7: life is like, and the challenges that I might be

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Speaker 7: facing in my life are all going to be in

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Speaker 7: the show.

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Speaker 1: Come from something, It's going to come to something real.

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Speaker 7: Yes, because it's been written in that time. You can

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Speaker 7: divorce during the performance. Barry Humphreys. The big famous Barry

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Speaker 7: Humphreys quote is that when he walked on stage in

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Speaker 7: front of a room full of people, the only thought

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Speaker 7: in his mind is alone At last, and there is

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Speaker 7: something about the performance in which that your entire rest

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Speaker 7: of the world goes away performing right when you're on

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Speaker 7: air or on stage or whatever it might be, you

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Speaker 7: can only concentrate on the job that it's in front

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Speaker 7: of you.

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Speaker 1: It's a great chat and it really does get to

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Speaker 1: an area that I didn't think that we'd get will

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Speaker 1: and he kind of like digs his heels in.

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Speaker 3: You two are fighting. It was awkward for me. I

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Speaker 3: felt like mum and dad were fighting.

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Speaker 1: I didn't feel like he was giving me everything that

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Speaker 1: he could because I said, his defense is so good,

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Speaker 1: he's so funny, and felt like he wasn't answering the

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Speaker 1: question that I wanted him to answer, which is why

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Speaker 1: do you feel as if you can't share who you are?

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Speaker 1: Because that's such a big part of what I feel

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Speaker 1: like we do. I feel like it's something that a

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Speaker 1: lot of entertaining and I think like the field of

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Speaker 1: entertainment is kind of split down the middle, like that

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Speaker 1: you've got people who are like very private versus who

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Speaker 1: I am as an entertainer, versus people in media these

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Speaker 1: days who were just utterly transparent.

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Speaker 3: Yeah, or not not having boundaries.

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Speaker 2: There's an amazing conversation there, and how many boundaries should

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Speaker 2: you put up if you're in the public eye and you're.

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Speaker 1: Going to get it on the Share my Mood podcasts

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Speaker 1: when it hits your podcast feed in the next couple

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Speaker 1: of days. The first episode of the second season of

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Speaker 1: Share My Mood will be all of yours listen to

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Speaker 1: very very shortly. Keeping eye on your podcast, Keeping Eye

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Speaker 1: on our Socials will put you a little bit more

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Speaker 1: of Will Anderson tomorrow and then hopefully a drop of

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Speaker 1: that second season with some very big guests lined up

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Speaker 1: for you, guys. We're very excited about this guy.

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Speaker 2: So you can comment who you think won the fight,

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Speaker 2: Will mcmar or Will Anderson. No, it was two big bulls,

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Speaker 2: lock and horns and I'm bloody loved it.

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Speaker 1: Balls chance up next Frianny season and Share my Mood

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Speaker 1: wherever you get your podcasts coming very very soon to

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Speaker 1: your phone. I suppose that's where.

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Speaker 3: Or computer if you're old school whatever. I'm angry. Okay,

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Speaker 3: I'm not angry much.

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Speaker 2: You know, I'm not got a very very long fuse,

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Speaker 2: but right now I'm a hot little potato because about

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Speaker 2: two weeks ago, on this radio show, I was very

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Speaker 2: very unhappy about a name that was given to a

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Speaker 2: room under my house. It all started with I was

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Speaker 2: calling it a cave. I thought it was a cave.

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Speaker 3: Okay.

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Speaker 2: I was discussing this with you and there was some

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Speaker 2: obvious confusion. We've got a cave under our house.

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Speaker 1: The live this house of yours. I don't live in

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Speaker 1: a castle.

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Speaker 3: So it got built in the nineteen thirties a prison.

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Speaker 1: Most people called caves under their house sellers.

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Speaker 3: I wouldn't call this a seller though, Like it's real.

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Speaker 1: There's steps going down to Yeah, that's.

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Speaker 3: A cellar, is it? Th So it floods all the

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Speaker 3: time every time it rains.

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Speaker 1: It does not seller's flood as well, though.

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Speaker 3: I don't think you could put wine bottles.

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Speaker 1: They're exposed stone or brick.

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Speaker 3: Stone just looks like dirty stone. It's cavenists.

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Speaker 1: Wow, that's no bats any other cavenists like creatures.

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Speaker 3: I haven't found a creature in the cave under.

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Speaker 1: It could be a seller again anyway.

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Speaker 2: I mean Australia Chat is hot, start chat very hot.

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Speaker 1: Radio it's out on.

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Speaker 2: I mean this obviously cut through because the Australian audience

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Speaker 2: thays that had putting in messages to Instagram, trying to

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Speaker 2: decide what is the room under my house?

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Speaker 3: Is it a cave? Is it a seller?

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Speaker 2: And then unfortunately, someone who was calling themselves a quasi

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Speaker 2: expert called and told us this.

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Speaker 3: I haven't We're thinking maybe dungeon or bunker. But what

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Speaker 3: are your thoughts?

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Speaker 8: I believe it's some undercross.

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Speaker 9: Definitely a brickline area with the small door that's under

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Speaker 9: a house.

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Speaker 1: You are joking you've got an undercroft. Wow, bricklined and

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Speaker 1: vaulted yew room for storage in medieval times.

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Speaker 3: That is exactly what I've got under an undercroft. I've

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Speaker 3: got an undercroft. I don't love the name. I hate

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Speaker 3: the name.

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Speaker 1: Oh it just doesn't matter that much, it does it does?

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Speaker 3: It's lost all sex appeal.

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Speaker 1: It was never a sexy.

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Speaker 2: Oh you've got a cave under your house? Oh, you

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Speaker 2: dark and mysterious man. Undercroft. I hate, I hate explaining

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Speaker 2: to anyone who will listen that there's an undercroft under

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Speaker 2: my house.

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Speaker 3: But you do need a worse name.

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Speaker 1: I got Okay.

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Speaker 2: I think the value of the house is plummeted since

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Speaker 2: we started calling this thing an undercroft.

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Speaker 1: Nobody's called it that, like, this is just your thing.

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Speaker 1: Happening in your world. How often will you bring in

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Speaker 1: the family you're not Bruce Wayne liked.

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Speaker 2: That I would bring up the cave thing a lot

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Speaker 2: in social settings, and generally speaking, seventy percent of the

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Speaker 2: group that I was addressing would be impressed by the

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Speaker 2: fact that I had a cave under my house. Since then,

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Speaker 2: I've mentioned undercroft and I lose everyone. It's just the

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Speaker 2: worst name ever.

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Speaker 3: I hate it. I hate it.

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Speaker 1: It does it does sound like you've got some sort

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Speaker 1: of rash on you gooch exactly.

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Speaker 3: And that's what we've been here, and you've been saying.

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Speaker 2: There's a lot to me, haws, the rash on your gooch,

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Speaker 2: I mean the you know, the room under your hat.

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Speaker 3: You know, it's all good gear, but I hate it.

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Speaker 2: So what I have done is I have reached out

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Speaker 2: to someone called Trevor.

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Speaker 3: Now Trevor is the founder.

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Speaker 1: In your own time.

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Speaker 3: No, you don't listen to me off there, you don't

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Speaker 3: listen to me.

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Speaker 1: You don't listen to me from being anyone else that's

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Speaker 1: listening right now as to whether on you you're not

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Speaker 1: you have a cave or an undercroft or a seller

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Speaker 1: or whatever the hell it is under your house. They

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Speaker 1: mightn't give a ship. I don't care about They couldn't care.

284
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Speaker 1: I care less about this. Honestly, I can't.

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Speaker 2: Okay, this might be a little bit selfish now that

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Speaker 2: you put it like that, but we're here and we're

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Speaker 2: doing it. So I found out there's a guy called

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Speaker 2: Trevor who's the founder of Survival Shop Preppers Warehouse, which

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Speaker 2: means that he creates bunkers for preppers.

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Speaker 3: They're preparing for the end of the.

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Speaker 2: World, right, So this guy, this guy knows bunkers, and

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Speaker 2: I would I like it.

293
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Speaker 1: When bunk you come into it. I thought it was

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Speaker 1: a cave or an undercroft.

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Speaker 3: No, it could be bunker. Now I like.

296
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Speaker 2: I like that I have a bunker under my house.

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Speaker 2: So we're going to going to go to a song

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Speaker 2: and up next Trevor. I'm going to call Trevor and

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Speaker 2: just figure out maybe it's actually a bunker.

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Speaker 1: Maybe you could have the chat in the song and

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Speaker 1: we can carry on.

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Speaker 3: No, don't do it to Trevor. I told him.

303
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Speaker 2: The only reason's kind on the show is I'm going

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Speaker 2: to give him his shopper plug. No, by the way,

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Speaker 2: get to Survival Shop Preppers.

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Speaker 3: I don't know where it is. But get around here

307
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Speaker 3: where we stand.

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Speaker 6: Trevor.

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Speaker 1: Up, he's not Tom Cruise.

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Speaker 3: No, well he is, He's the Tom Cruise of preppers.

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Speaker 1: Is trouble, Trevre He's going.

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Speaker 2: First question, trev how did you get into prepping and

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Speaker 2: creating bunkers for people?

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Speaker 9: My old man was a spy. I was and out

315
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Speaker 9: back to god I've got a university qualification Aboriginal culture.

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Speaker 9: That's kind of the short of it.

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Speaker 1: Wow.

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Speaker 9: And my godfather was a spy. My all my knavy

319
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Speaker 9: uncles were all spies. But one of my uncle's got

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Speaker 9: the act by the sas. We've got like secret documents

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Speaker 9: on the Chinese when they had that cool infy. So

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Speaker 9: I've been exposed to this since I was like.

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Speaker 1: Fine, what's that got to do at the end of

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Speaker 1: the world.

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Speaker 9: It's not really the end of the world all the time, man,

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Speaker 9: it's just the next thing.

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Speaker 10: It's like that what is that many blacking where it's

328
00:14:07,600 --> 00:14:11,040
Speaker 10: like there's always another disaster around the corner, you know. Yeah,

329
00:14:11,640 --> 00:14:15,280
Speaker 10: you know, we've that bushfire sluds, we've got cyber attacks

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Speaker 10: going on all the time.

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Speaker 1: So what's your bunker?

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Speaker 5: Like?

333
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Speaker 1: You must be absolute taj mahalav bunkers.

334
00:14:21,600 --> 00:14:23,680
Speaker 9: My bunker is open are so I've got the whole

335
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Speaker 9: grampions here.

336
00:14:25,080 --> 00:14:26,120
Speaker 3: Oh gorgeous.

337
00:14:26,720 --> 00:14:28,840
Speaker 1: You will have a bunker. You sell bunkers, but I.

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Speaker 9: Don't need my man. I'm sitting right, I'm sitting in

339
00:14:31,280 --> 00:14:33,280
Speaker 9: my shack next to my damn that's full of rainbow

340
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Speaker 9: trout looking at a paddock full of roos and sheep.

341
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Speaker 2: Oh mate, that's the dream. Donate a bunker. I love

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Speaker 2: that you've gone bush now, Trev. I'm not bush. I'm

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Speaker 2: not bush. I'm just outside suburbia. But I do want

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Speaker 2: to know if I have a bunker under my house,

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Speaker 2: so I mean we do me too, Me too, Trev,

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Speaker 2: cause I think the idea of having a bunker is

347
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Speaker 2: a bit sexy. And I'm sure you're selling that at

348
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Speaker 2: survival shoppers warehouse dot com. Get all your survival gear

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Speaker 2: from that location, Trev.

350
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Speaker 3: Trev, What do I need? What does the room under

351
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Speaker 3: my house need for it to be classified as a bunker.

352
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Speaker 9: It needs to be sealed and it needs to have ventilation,

353
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Speaker 9: which I know is a bit of a paradox, but

354
00:15:12,880 --> 00:15:16,240
Speaker 9: you need a bit of both. It needs concrete walls.

355
00:15:16,360 --> 00:15:18,200
Speaker 2: But do I need to do anything else to it

356
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Speaker 2: to ensure that it's like one hundred percent bunker.

357
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Speaker 9: Yes, well, if I was you, they've got daughters like me. Yes, right,

358
00:15:26,120 --> 00:15:28,920
Speaker 9: So chances are you've got the safe location what we

359
00:15:29,000 --> 00:15:32,760
Speaker 9: call a bug out location. So something super catastrophic actually

360
00:15:32,760 --> 00:15:36,360
Speaker 9: did happen, like America going China. Don't kid yourself. We're

361
00:15:36,480 --> 00:15:38,800
Speaker 9: in it. It's on and everything turns the shit and

362
00:15:38,960 --> 00:15:41,720
Speaker 9: like half a second, you guys are probably going to

363
00:15:41,760 --> 00:15:43,920
Speaker 9: buddy up. You've both got kids. You're going to need

364
00:15:44,400 --> 00:15:50,280
Speaker 9: muppy sued water, twelve old lighting dynamo torches. But people

365
00:15:50,280 --> 00:15:52,600
Speaker 9: don't understand you're going to need like five cans of

366
00:15:52,640 --> 00:15:55,800
Speaker 9: sued per person today, like two thousand calories. When you're

367
00:15:55,800 --> 00:15:57,520
Speaker 9: doing it in cans and stuff is hard, you think,

368
00:15:57,600 --> 00:16:00,840
Speaker 9: But what do I know that you love spending big No,

369
00:16:01,120 --> 00:16:03,120
Speaker 9: So you can go out and you can buy mrs.

370
00:16:03,200 --> 00:16:05,480
Speaker 9: It's only going to cost you about ninety two.

371
00:16:05,360 --> 00:16:08,560
Speaker 10: Thousand dollars to get the best of the best in

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Speaker 10: instant ready rations for.

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Speaker 1: You, Trev.

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00:16:13,680 --> 00:16:16,040
Speaker 2: Do you have any high high profile clients? Don't have

375
00:16:16,040 --> 00:16:18,120
Speaker 2: to say who they are, obviously let's keep this discreet.

376
00:16:18,160 --> 00:16:19,880
Speaker 2: But do you have like people that are pretty well

377
00:16:19,920 --> 00:16:22,640
Speaker 2: known in the Australian media landscape, who have organized a

378
00:16:22,680 --> 00:16:23,960
Speaker 2: bunker to be built for them.

379
00:16:24,520 --> 00:16:26,360
Speaker 9: Well, we'll just say that from time to time I

380
00:16:26,480 --> 00:16:32,280
Speaker 9: get asked different things. Okay, you've got as when you

381
00:16:32,320 --> 00:16:33,040
Speaker 9: do stuff like this.

382
00:16:33,680 --> 00:16:36,160
Speaker 1: NDA, you can't play anything.

383
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Speaker 2: Okay, Well, look, Trev, thank you so much for your

384
00:16:40,000 --> 00:16:44,200
Speaker 2: time that you have amazing insights there. If I'm if

385
00:16:44,240 --> 00:16:46,160
Speaker 2: I am being frank, it sounds like a lot of work.

386
00:16:46,280 --> 00:16:48,880
Speaker 2: It's just not in money to organize all that stuff.

387
00:16:48,920 --> 00:16:50,640
Speaker 2: So maybe I've gone a bit cold on the idea

388
00:16:50,640 --> 00:16:52,440
Speaker 2: of it being a bunker. But Trev, this has been

389
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Speaker 2: a fascinating chat. Thanks for the chat. Fascinating.

390
00:16:57,120 --> 00:17:03,360
Speaker 3: Oh god, I don't want a bunker. I'm off it.

391
00:17:04,240 --> 00:17:04,720
Speaker 3: I'm off it.

392
00:17:06,240 --> 00:17:10,560
Speaker 1: Rogue conversation I've got we ever had? Who the hell

393
00:17:10,760 --> 00:17:11,520
Speaker 1: found that guy?

394
00:17:12,080 --> 00:17:14,840
Speaker 3: I found him? Oh it was pretty interesting.

395
00:17:15,040 --> 00:17:18,639
Speaker 1: They literally the chief of the tinfoil hat wearing brigade.

396
00:17:18,760 --> 00:17:21,360
Speaker 3: Well, at the moment we think that, oh.

397
00:17:21,200 --> 00:17:23,320
Speaker 1: What when America goes China and let's face it, it's

398
00:17:23,320 --> 00:17:25,920
Speaker 1: all going to have it really certain guys.

399
00:17:25,920 --> 00:17:28,280
Speaker 3: Anyway, I am off bunker, so look back to square one.

400
00:17:28,320 --> 00:17:32,040
Speaker 3: It's an undercroft. But I I to end it there.

401
00:17:32,040 --> 00:17:32,960
Speaker 3: I don't want to end it there.

402
00:17:33,680 --> 00:17:37,359
Speaker 1: Please, please, let's end it there. I've had enough.

403
00:17:38,760 --> 00:17:41,480
Speaker 2: I just want to hear some stories about some terrible speeches.

404
00:17:42,480 --> 00:17:45,639
Speaker 2: There's no judgment here. Speeches are very hard to do.

405
00:17:46,119 --> 00:17:51,639
Speaker 2: It is a high pressure situation at weddings twenty first eighteenth.

406
00:17:51,760 --> 00:17:55,600
Speaker 2: I can just start naming the ages, birthdays. Maybe you

407
00:17:55,640 --> 00:17:57,359
Speaker 2: made a speech at work, and a lot of the

408
00:17:57,440 --> 00:18:01,359
Speaker 2: time they go wrong. You're just a joke, goes flat,

409
00:18:01,400 --> 00:18:03,879
Speaker 2: you offend someone. So thirteen one oh six five, if

410
00:18:03,920 --> 00:18:06,480
Speaker 2: you've experienced that, And the reason I'm talking about it

411
00:18:06,520 --> 00:18:10,520
Speaker 2: is because Kidman Nicole Kidman luckily did not do a

412
00:18:10,560 --> 00:18:12,919
Speaker 2: bad speech. She didn't do a Hall of speech, but

413
00:18:13,040 --> 00:18:14,040
Speaker 2: she was recently.

414
00:18:14,960 --> 00:18:16,080
Speaker 1: You can't see doing anything bad.

415
00:18:16,240 --> 00:18:17,760
Speaker 3: Oh she's so good, isn't she?

416
00:18:18,240 --> 00:18:21,240
Speaker 2: And to show how good she's finally she's been recognized

417
00:18:21,240 --> 00:18:26,160
Speaker 2: by the American Film Institute with a Lifetime Achievement Award.

418
00:18:26,640 --> 00:18:29,440
Speaker 2: So people who have won this award, Julie Andrews, al Pacino,

419
00:18:29,640 --> 00:18:32,120
Speaker 2: Denzel Washington, George Clooney, Meryl Streep.

420
00:18:32,560 --> 00:18:34,040
Speaker 3: She's now bloody got one, which is.

421
00:18:34,240 --> 00:18:38,840
Speaker 1: And how great is that? And Aussie first ossis Wow,

422
00:18:39,320 --> 00:18:39,919
Speaker 1: that's awesome.

423
00:18:40,000 --> 00:18:42,560
Speaker 2: Got that Hemsworth is what she may have said during

424
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Speaker 2: the night, but she also said Jackman, I reckon.

425
00:18:50,320 --> 00:18:53,600
Speaker 1: There's got to be a level of I don't to

426
00:18:53,680 --> 00:18:56,240
Speaker 1: be honest, I think given what she's done in production,

427
00:18:56,480 --> 00:18:59,840
Speaker 1: particularly recently, I think that she streaks ahead of Jackman,

428
00:19:00,640 --> 00:19:03,399
Speaker 1: certainly hems Well. Maybe I'm in that. It's like an

429
00:19:03,440 --> 00:19:06,920
Speaker 1: all rounded you know. She she's done amazingly well in

430
00:19:07,040 --> 00:19:09,440
Speaker 1: terms of the production that she's put into it recently,

431
00:19:09,480 --> 00:19:10,399
Speaker 1: it's been phenomenal.

432
00:19:10,640 --> 00:19:12,680
Speaker 2: She is phenomenal. But on the red cover even she

433
00:19:12,680 --> 00:19:14,800
Speaker 2: she's so impressive. Even she is not immune to the

434
00:19:14,840 --> 00:19:17,720
Speaker 2: pressure of speeches. She was interviewed on the red carpet and.

435
00:19:17,680 --> 00:19:20,240
Speaker 3: She said this, I have to give a speech.

436
00:19:20,359 --> 00:19:22,320
Speaker 2: If I didn't have to give a speech, I would

437
00:19:22,400 --> 00:19:26,240
Speaker 2: really be enjoying. She feels the pressure. Everyone feels the

438
00:19:26,280 --> 00:19:28,440
Speaker 2: pressure of a speech. So again she did really well.

439
00:19:28,440 --> 00:19:29,240
Speaker 2: She kept it simple.

440
00:19:29,400 --> 00:19:29,680
Speaker 3: Thanks.

441
00:19:29,680 --> 00:19:31,600
Speaker 2: Some people didn't say cop it got off, so they

442
00:19:31,640 --> 00:19:34,560
Speaker 2: didn't say Coppet, Jackman, copp At, Hemsworth, Hey Worthington. I

443
00:19:34,600 --> 00:19:37,120
Speaker 2: never watched Avatar. She didn't go for the digs. She

444
00:19:37,160 --> 00:19:40,680
Speaker 2: just kept it straight. So thirteen one oh six five,

445
00:19:41,640 --> 00:19:43,719
Speaker 2: did you feel the pressure of a speech, though. Did

446
00:19:43,760 --> 00:19:47,119
Speaker 2: you see someone just totally cock up a speech? I

447
00:19:47,119 --> 00:19:51,040
Speaker 2: mean John Travolta. I'm sorry, I'm sorry, John. I like you, John,

448
00:19:51,600 --> 00:19:55,360
Speaker 2: but he's fragile. He got up on stage. I think

449
00:19:55,400 --> 00:19:57,479
Speaker 2: he was at the Oscars and he went to go

450
00:19:57,480 --> 00:20:02,199
Speaker 2: and introduce a particular person and he stuffed it.

451
00:20:02,880 --> 00:20:05,240
Speaker 11: There will always be a special place in my heart

452
00:20:05,400 --> 00:20:09,320
Speaker 11: for the movie musical Hered Perform The Oscar nominated gorgeously

453
00:20:09,359 --> 00:20:13,960
Speaker 11: empowering song let It Go, The Wickedly Talented One and.

454
00:20:13,880 --> 00:20:18,399
Speaker 1: Only what do you mean to say? There is Dana

455
00:20:18,440 --> 00:20:24,680
Speaker 1: Menzel is now in that is I mean in front

456
00:20:24,720 --> 00:20:28,720
Speaker 1: of the crowd. He's ready moret He's ready a telephp yeah,

457
00:20:28,760 --> 00:20:31,280
Speaker 1: I mean yeah, looks like cover right check John, He's

458
00:20:31,280 --> 00:20:31,639
Speaker 1: cooked it.

459
00:20:31,800 --> 00:20:35,119
Speaker 3: I was recently a deal a mumble.

460
00:20:35,200 --> 00:20:37,399
Speaker 1: I also sorry because this is one of my favorites

461
00:20:37,400 --> 00:20:39,520
Speaker 1: of audio of all time that my favorite part in

462
00:20:39,560 --> 00:20:42,840
Speaker 1: this is the pad, which is oh yeah, doing goodly?

463
00:20:43,000 --> 00:20:43,560
Speaker 1: Tell did?

464
00:20:44,119 --> 00:20:46,480
Speaker 11: There will always be a special place in my heart

465
00:20:46,640 --> 00:20:50,560
Speaker 11: for the movie musical Hered Perform The Oscar nominated gorgeously

466
00:20:50,600 --> 00:20:55,200
Speaker 11: empowering song let It Go, The Wickedly Talented One and.

467
00:20:55,119 --> 00:21:00,639
Speaker 2: Only remind me pod pants was in their wedding. I'm

468
00:21:00,640 --> 00:21:01,800
Speaker 2: not sure if I'm allowed to tell this story, but

469
00:21:01,800 --> 00:21:04,639
Speaker 2: I'm going to go for it. And the mother of

470
00:21:04,680 --> 00:21:09,120
Speaker 2: the bride's name was was Jenny, Yeah, And for some

471
00:21:09,160 --> 00:21:11,399
Speaker 2: reason he just got up and introduced her as Jenny Craig,

472
00:21:13,280 --> 00:21:14,000
Speaker 2: so rogue.

473
00:21:14,200 --> 00:21:15,800
Speaker 3: I don't think he was going for a joke. He

474
00:21:15,920 --> 00:21:17,520
Speaker 3: just stuffed it anyway.

475
00:21:17,880 --> 00:21:22,400
Speaker 2: Thirty one six five is the number shocking speech moments, Lauren,

476
00:21:22,520 --> 00:21:27,280
Speaker 2: A your music festival, your your mum was giving a speech.

477
00:21:27,280 --> 00:21:29,399
Speaker 2: What was the environment, what was the occasion, Lauren?

478
00:21:30,119 --> 00:21:32,480
Speaker 4: So it was I was in grade seven at the time,

479
00:21:32,480 --> 00:21:34,920
Speaker 4: a couple of years ago, and it was at our

480
00:21:35,000 --> 00:21:39,000
Speaker 4: first ever orientation assembly. And she's famously known for the

481
00:21:39,040 --> 00:21:44,000
Speaker 4: worst speeches ever. And so we're at this orientation assembly,

482
00:21:44,080 --> 00:21:48,080
Speaker 4: all the parents, entire new year seven cohort, and she's

483
00:21:48,200 --> 00:21:50,119
Speaker 4: saying how excited she is, and she was trying to

484
00:21:50,160 --> 00:21:52,000
Speaker 4: move on. She's like, Oh, I'm just I'm just so excited,

485
00:21:52,119 --> 00:21:54,639
Speaker 4: so so excited. It's like Christmas Day. You guys are

486
00:21:54,680 --> 00:21:57,040
Speaker 4: all just Christmas presents that I want to unwrap and

487
00:21:57,040 --> 00:21:57,480
Speaker 4: play with.

488
00:21:58,640 --> 00:21:58,920
Speaker 1: Wow.

489
00:22:00,640 --> 00:22:04,640
Speaker 4: So did everyone immediately silence or her coworkers just staring

490
00:22:04,640 --> 00:22:06,639
Speaker 4: at her like, what the hell have you just said?

491
00:22:07,640 --> 00:22:09,600
Speaker 2: You can see what she's going for. You know, it's

492
00:22:09,600 --> 00:22:12,520
Speaker 2: a nice sentiment, but it's all wrong, all wrong in

493
00:22:12,560 --> 00:22:14,720
Speaker 2: the end. You can always tell I reckon when you're

494
00:22:14,720 --> 00:22:18,040
Speaker 2: watching this speech. When someone goes off script, you know

495
00:22:18,080 --> 00:22:20,920
Speaker 2: when the glasses come off, you know, especially parent they're

496
00:22:20,920 --> 00:22:24,040
Speaker 2: reading a speech at a wedding and the glasses come off.

497
00:22:24,160 --> 00:22:26,919
Speaker 2: Usually it's the husband or the dad the glass and

498
00:22:26,920 --> 00:22:28,920
Speaker 2: you can see the wife go oh, no, it's going on,

499
00:22:29,880 --> 00:22:32,000
Speaker 2: and they say something which is like, I can see

500
00:22:32,040 --> 00:22:34,440
Speaker 2: what you're going for, but you have missed big time.

501
00:22:34,600 --> 00:22:38,040
Speaker 3: Yeah, let's go to Brett here. I love this Brett.

502
00:22:38,040 --> 00:22:39,920
Speaker 3: It's a wedding speech. What happened?

503
00:22:40,440 --> 00:22:43,840
Speaker 12: It's a wedding speech. The father of the groom was

504
00:22:43,880 --> 00:22:47,280
Speaker 12: Scottish and the boy was an only child, and he

505
00:22:47,320 --> 00:22:50,879
Speaker 12: made a speech that went for one hour and forty minutes,

506
00:22:51,240 --> 00:22:55,199
Speaker 12: and everybody was just absolutely mental by the end because

507
00:22:55,200 --> 00:22:57,040
Speaker 12: they'd stop the drink service.

508
00:22:58,480 --> 00:23:01,000
Speaker 1: One hour before minutes, one.

509
00:23:00,840 --> 00:23:02,480
Speaker 12: Hour and one hour and forty minutes.

510
00:23:02,520 --> 00:23:06,120
Speaker 1: I'm not kidding. Surely everyone's just doing their own thing

511
00:23:06,160 --> 00:23:07,520
Speaker 1: at this stage.

512
00:23:10,119 --> 00:23:14,399
Speaker 12: We're all trying to understanding because he was scottish't.

513
00:23:13,119 --> 00:23:16,280
Speaker 1: You couldn't understand it for an hour and forty and

514
00:23:16,320 --> 00:23:18,800
Speaker 1: they stopped the drinks. Was it at the start or

515
00:23:18,800 --> 00:23:20,800
Speaker 1: was it the finish of the night, like we're kind

516
00:23:20,800 --> 00:23:22,960
Speaker 1: of like, well, it was sort of after.

517
00:23:23,040 --> 00:23:27,840
Speaker 12: It was after the main course, before dessert, before dessert.

518
00:23:28,040 --> 00:23:29,359
Speaker 3: Yeah, I mean, I just want to get on the

519
00:23:29,440 --> 00:23:31,199
Speaker 3: dance for there. If you're going to talk for an

520
00:23:31,200 --> 00:23:32,560
Speaker 3: hour and forty minutes, you've got to have an interval

521
00:23:32,560 --> 00:23:33,800
Speaker 3: there as well. Do you know what I mean?

522
00:23:34,640 --> 00:23:36,440
Speaker 2: He'd be well within his rights to go, guys, is

523
00:23:36,440 --> 00:23:39,040
Speaker 2: his interval go to the bathroom, have a drink, a.

524
00:23:39,080 --> 00:23:42,680
Speaker 1: Second plast That is psychotic. Yeah, that is I've never

525
00:23:42,720 --> 00:23:44,080
Speaker 1: heard of anything like that.

526
00:23:44,160 --> 00:23:46,399
Speaker 2: I've heard of people complaining about getting a five minute

527
00:23:46,440 --> 00:23:48,400
Speaker 2: limit for this, but you know, I people got I'm going.

528
00:23:48,320 --> 00:23:48,920
Speaker 3: To go for seven.

529
00:23:48,960 --> 00:23:52,240
Speaker 1: You've said a couple followers was disgusting.

530
00:23:52,400 --> 00:23:54,720
Speaker 3: That's a that's a good comedy. That shoot him, that's.

531
00:23:54,840 --> 00:23:56,840
Speaker 1: Well, you're killing the sniper at that stage.

532
00:23:56,960 --> 00:23:57,560
Speaker 3: That's interesting.

533
00:23:57,600 --> 00:23:59,360
Speaker 1: You were do you killing a hit? Let's see what,

534
00:23:59,359 --> 00:24:02,040
Speaker 1: well you figures something you would think of something to

535
00:24:02,320 --> 00:24:04,119
Speaker 1: pull him out, to pull them Killing him might be

536
00:24:04,119 --> 00:24:06,840
Speaker 1: a bit far, but you'd come up with something to

537
00:24:06,880 --> 00:24:09,239
Speaker 1: take him out. I'd take him out somehow. You just

538
00:24:09,240 --> 00:24:12,320
Speaker 1: go spear tackle him exactly. You'd rock off between your mates.

539
00:24:12,520 --> 00:24:14,520
Speaker 1: This is for the good of the wedding. Someone would

540
00:24:14,520 --> 00:24:15,639
Speaker 1: have to someone would have to take them to the

541
00:24:15,640 --> 00:24:16,200
Speaker 1: ground woods.

542
00:24:16,240 --> 00:24:18,159
Speaker 3: Yeah, and I couldn't agree more. I couldn't agree with

543
00:24:18,240 --> 00:24:19,120
Speaker 3: Kylie is called on thirty.

544
00:24:19,160 --> 00:24:22,040
Speaker 1: I mean, you coush moved we should we should hire ourselves,

545
00:24:23,000 --> 00:24:26,679
Speaker 1: that we are snipers. Well, I want to sit on

546
00:24:26,720 --> 00:24:28,200
Speaker 1: there at the.

547
00:24:36,960 --> 00:24:37,160
Speaker 12: Hour.

548
00:24:37,400 --> 00:24:41,240
Speaker 13: Seriously, it's time for celebrity.

549
00:24:41,720 --> 00:24:44,520
Speaker 1: Yes who that's right? Every I'm I'm pretty sure. I

550
00:24:44,640 --> 00:24:46,480
Speaker 1: Colin Jake Yo this week you can win five thousand

551
00:24:46,480 --> 00:24:48,800
Speaker 1: dollars just for getting on air on their show. Well,

552
00:24:49,080 --> 00:24:50,359
Speaker 1: here at will and what do you can win one

553
00:24:50,400 --> 00:24:53,760
Speaker 1: hundred dollars to spend it? Red Rooster, you have to

554
00:24:53,760 --> 00:24:58,720
Speaker 1: earn it the face of the celebrity that I am describing. Yeah,

555
00:24:58,720 --> 00:25:01,280
Speaker 1: that's right, I'm got to earn it, buddy, oath mate.

556
00:25:01,400 --> 00:25:02,760
Speaker 1: I think the beer taste better when you earn him.

557
00:25:02,800 --> 00:25:06,240
Speaker 1: The red roster certainly does. Now the celebrity I have

558
00:25:06,280 --> 00:25:08,560
Speaker 1: in front of me today, I'm very excited to explain

559
00:25:08,640 --> 00:25:11,560
Speaker 1: this person. Yes again, you got to try and beat Woody.

560
00:25:11,600 --> 00:25:13,080
Speaker 1: That's the that's the other catch here. And he was

561
00:25:13,119 --> 00:25:14,600
Speaker 1: good last week. You were hot last Well, you've got

562
00:25:14,600 --> 00:25:16,400
Speaker 1: it straight away. You got off the wrinkles. I did.

563
00:25:16,760 --> 00:25:19,600
Speaker 1: What did I say? I said, wrinkles above the cheeks.

564
00:25:19,720 --> 00:25:21,880
Speaker 3: Yes, and I said, Hugh Grant, that was good.

565
00:25:22,600 --> 00:25:26,639
Speaker 1: You're you're in good form. Okay, here we go. We

566
00:25:26,680 --> 00:25:29,840
Speaker 1: only gonna give everyone one clue to start as always

567
00:25:30,000 --> 00:25:30,680
Speaker 1: be careful.

568
00:25:30,680 --> 00:25:31,560
Speaker 3: I'm hot right now.

569
00:25:31,840 --> 00:25:38,600
Speaker 1: Okay, pretty big forehead now, I know. I don't want

570
00:25:38,640 --> 00:25:40,480
Speaker 1: you to guess it. I don't want you to get

571
00:25:40,560 --> 00:25:47,960
Speaker 1: it in the first No. Now, if I could say

572
00:25:48,000 --> 00:25:49,719
Speaker 1: something else about their forehead, yes, please, if I can

573
00:25:49,880 --> 00:25:53,320
Speaker 1: just stick with the wrinkles wrinkles, Yes, they've got these

574
00:25:53,359 --> 00:25:55,760
Speaker 1: wrinkles on their forehead that kind of makes their forehead

575
00:25:55,760 --> 00:25:58,959
Speaker 1: look like a Roman blind like that, like the wrinkle

576
00:25:59,000 --> 00:26:00,960
Speaker 1: you know Romance word. No, do you know what a

577
00:26:01,040 --> 00:26:04,640
Speaker 1: Roman blind is like a Venetian? No, they're different blinds.

578
00:26:06,480 --> 00:26:09,479
Speaker 1: I also, no, I don't know what a Roman blind like.

579
00:26:09,840 --> 00:26:12,920
Speaker 1: It's blind that's made of cloth and then it folds up.

580
00:26:13,440 --> 00:26:17,000
Speaker 1: Oh yeah, so when the sun comes through it. No,

581
00:26:17,080 --> 00:26:19,120
Speaker 1: so when the sun comes through the blind, You've sort

582
00:26:19,119 --> 00:26:23,040
Speaker 1: of got these these equi distant you know, lines that

583
00:26:23,119 --> 00:26:24,840
Speaker 1: go perpendicular.

584
00:26:24,240 --> 00:26:26,800
Speaker 3: I'm here or host.

585
00:26:27,040 --> 00:26:30,520
Speaker 1: No, so he's got he's got he boy ah. Yeah,

586
00:26:30,560 --> 00:26:33,080
Speaker 1: so he's got the Winston Church lines that go across

587
00:26:33,080 --> 00:26:34,879
Speaker 1: his forehead. I'm going to say, even when he's not

588
00:26:35,040 --> 00:26:38,639
Speaker 1: smiling on got his eyebrows raised, they're still kind of

589
00:26:38,720 --> 00:26:39,320
Speaker 1: faintly there.

590
00:26:39,359 --> 00:26:40,960
Speaker 3: They're quite pronounced, Brian.

591
00:26:41,160 --> 00:26:45,399
Speaker 1: No, quite a big schnoz surprisingly when I look at it,

592
00:26:45,480 --> 00:26:47,600
Speaker 1: quite a big schnozz. And and this for me is

593
00:26:47,640 --> 00:26:49,840
Speaker 1: the defining feature with this person. And I'm going to

594
00:26:49,840 --> 00:26:51,359
Speaker 1: give it to you thirty one and six five. If

595
00:26:51,400 --> 00:26:53,960
Speaker 1: you think you know who the person is when their

596
00:26:54,000 --> 00:26:57,360
Speaker 1: lips are closed, when they when their lips are closed,

597
00:26:58,640 --> 00:27:00,760
Speaker 1: their mouth is like pencil.

598
00:27:00,480 --> 00:27:02,400
Speaker 3: Thin Sean Penn.

599
00:27:03,119 --> 00:27:06,679
Speaker 1: No, Danny, you think you know who that is?

600
00:27:08,520 --> 00:27:09,320
Speaker 8: Chris Isaac?

601
00:27:10,240 --> 00:27:14,240
Speaker 1: Oh, No, I don't actually know what Chris looks like.

602
00:27:15,040 --> 00:27:16,800
Speaker 1: You're in the right ballpark. I'm going to go to

603
00:27:17,080 --> 00:27:23,640
Speaker 1: Adrian Brody, Maria here, Adrian Brody Maria here. So again

604
00:27:23,640 --> 00:27:25,359
Speaker 1: I'm going to go through it again. Pretty big forehead

605
00:27:25,960 --> 00:27:31,000
Speaker 1: Venetian sorry, Roman blind style creases across his forehead. So

606
00:27:31,040 --> 00:27:34,000
Speaker 1: I'm going to say about four or five equidistant creases

607
00:27:34,040 --> 00:27:40,160
Speaker 1: across his forehead and a pencil thin, pencil thin lips, sorry,

608
00:27:40,160 --> 00:27:41,000
Speaker 1: just increases.

609
00:27:40,920 --> 00:27:43,320
Speaker 6: None other than Gordon Ramsey, Not.

610
00:27:43,320 --> 00:27:48,439
Speaker 1: Gordon Ramsey, Donald Trump's same lips, Maria, same li and

611
00:27:48,680 --> 00:27:51,560
Speaker 1: same forehead creases. Damn Okay, I'm gonna have to give

612
00:27:51,600 --> 00:27:55,000
Speaker 1: you something else, not Trump. When I ignore you, that means

613
00:27:55,320 --> 00:27:59,520
Speaker 1: means acknowledge me. So again, big schnos, you got the

614
00:27:59,640 --> 00:28:05,680
Speaker 1: I'm gonna a big, good, big big years, like very

615
00:28:05,720 --> 00:28:09,480
Speaker 1: big years. And when they've got a beard, it's quite

616
00:28:09,680 --> 00:28:15,000
Speaker 1: it's quite rugged. They have had a beard occasionally. Final

617
00:28:15,000 --> 00:28:17,000
Speaker 1: thing or another thing I'm going to add about them

618
00:28:17,040 --> 00:28:22,159
Speaker 1: is they've got these Jerry Butler, they've got these really

619
00:28:22,960 --> 00:28:25,800
Speaker 1: almost like when okay, when they laugh, their eyes are

620
00:28:25,880 --> 00:28:30,560
Speaker 1: also very thin. They've got actually quite slim eyes, quite

621
00:28:30,560 --> 00:28:32,439
Speaker 1: slim eyes, Rob, Rob, Who do you think that is?

622
00:28:33,080 --> 00:28:33,760
Speaker 9: Mel Gibson.

623
00:28:34,119 --> 00:28:37,080
Speaker 1: It's not Mel Gibson. Not Mel gives them. I feel

624
00:28:37,119 --> 00:28:39,760
Speaker 1: like we're in the right kind of areas. Cooper's called

625
00:28:39,760 --> 00:28:41,560
Speaker 1: on thirty one and sixty five, Cooper, who do you

626
00:28:41,640 --> 00:28:42,240
Speaker 1: think that is?

627
00:28:43,040 --> 00:28:43,880
Speaker 12: Surely it's got to be.

628
00:28:43,880 --> 00:28:49,200
Speaker 1: The Rock not Dwayne the right Johnson, but no wrong,

629
00:28:49,320 --> 00:28:53,280
Speaker 1: wrong skin complexions not Ryan Reynlds. Okay, So they've got

630
00:28:53,600 --> 00:28:56,760
Speaker 1: more of a white there. Their skin complexion is white. Yes,

631
00:28:57,000 --> 00:29:01,320
Speaker 1: they've got equidistant creases up there, quite large forehead. When

632
00:29:01,360 --> 00:29:04,600
Speaker 1: their mouth is closed, its pencil thin. And their eyes

633
00:29:04,600 --> 00:29:07,480
Speaker 1: are very thin as well. Now when they're laughing, their

634
00:29:07,480 --> 00:29:10,760
Speaker 1: mouth is open and their their eyes are tiny. They're

635
00:29:10,800 --> 00:29:16,000
Speaker 1: like little slits when they're when they're laughing. Tom Jones, Michelle,

636
00:29:16,080 --> 00:29:19,320
Speaker 1: you don't know. Tom Jones looks like I don't think Michelle.

637
00:29:19,360 --> 00:29:20,800
Speaker 1: Who do you think that is? With big ears?

638
00:29:20,920 --> 00:29:23,040
Speaker 4: Only googling those features?

639
00:29:23,080 --> 00:29:24,280
Speaker 9: What about James.

640
00:29:23,960 --> 00:29:28,640
Speaker 1: Vanderbeek not bad big ears. Has he got the pencil

641
00:29:28,680 --> 00:29:31,720
Speaker 1: has he got the pencil thin lips when the mouth's closed.

642
00:29:32,080 --> 00:29:32,760
Speaker 4: Yeah, I think so.

643
00:29:33,120 --> 00:29:34,760
Speaker 1: It's got a big forehead with the big creases up

644
00:29:34,800 --> 00:29:38,600
Speaker 1: the forehead now quite big schnoz. Now. The other thing

645
00:29:38,600 --> 00:29:41,040
Speaker 1: I'm gonna add is that their face is really square.

646
00:29:41,320 --> 00:29:44,320
Speaker 1: So James Vanderek, I'm going to say, a thinner, a

647
00:29:44,360 --> 00:29:47,840
Speaker 1: thinner face. This face is quite square, quite round. Actually

648
00:29:47,840 --> 00:29:52,080
Speaker 1: it's very squarish at the bottom black no two round

649
00:29:52,120 --> 00:29:55,600
Speaker 1: in the face. Their face is almost a bit squarish

650
00:29:55,600 --> 00:30:02,120
Speaker 1: and they've got big bushy eyebrows. Okay, Allison, Allison on

651
00:30:02,440 --> 00:30:06,920
Speaker 1: Allison on thirty one six five. It's Robin Williams.

652
00:30:06,960 --> 00:30:12,600
Speaker 14: Ellison very good. He does have a big world, Allison.

653
00:30:14,280 --> 00:30:16,360
Speaker 14: You guys can all go away. You got one hundred

654
00:30:16,360 --> 00:30:17,480
Speaker 14: bucks at Red Rooster.

655
00:30:17,560 --> 00:30:19,600
Speaker 1: There you go. Woods the Roman blinds for the forehead.

656
00:30:19,760 --> 00:30:22,840
Speaker 1: He does the very The pencil thin mouth was the

657
00:30:22,880 --> 00:30:25,760
Speaker 1: thing that I didn't thick when his mouth's close. He's

658
00:30:25,800 --> 00:30:29,479
Speaker 1: got no lips. Robin Williams a bit of a schnozz

659
00:30:29,760 --> 00:30:36,280
Speaker 1: and tiny eyes. Geez, I'm good at that. I've asked

660
00:30:36,280 --> 00:30:38,920
Speaker 1: people to call if you live with a guy and

661
00:30:38,960 --> 00:30:41,200
Speaker 1: you'd love to throw something in his out. Lastly, as

662
00:30:41,200 --> 00:30:44,320
Speaker 1: I said, blocks something in the house. An eye saw

663
00:30:44,440 --> 00:30:46,840
Speaker 1: whatever it is. But I feel like we're all in

664
00:30:46,880 --> 00:30:51,719
Speaker 1: relationships whereby there are things that we would love to

665
00:30:51,800 --> 00:30:54,880
Speaker 1: get rid of that the other person owns. Now, this

666
00:30:54,960 --> 00:30:57,959
Speaker 1: might be the case with Travis the k Dog. Kelsey,

667
00:30:58,840 --> 00:31:03,360
Speaker 1: who obviously is Danny Taylor Swift and recently add an Auction,

668
00:31:04,840 --> 00:31:07,640
Speaker 1: decided to flog off a whole bunch of tickets to

669
00:31:07,800 --> 00:31:11,840
Speaker 1: her next round of the Eras tour in the US.

670
00:31:12,640 --> 00:31:20,440
Speaker 13: I would significant other one, an other action that wasn't

671
00:31:20,600 --> 00:31:28,280
Speaker 13: on the tarket for tickets to the New Orleans, Miami

672
00:31:28,520 --> 00:31:32,440
Speaker 13: or Inianapolis States when the air store comes back to

673
00:31:32,480 --> 00:31:33,720
Speaker 13: the United States.

674
00:31:34,320 --> 00:31:36,600
Speaker 2: So you think they were his tickets. And he was like,

675
00:31:36,680 --> 00:31:39,600
Speaker 2: oh God, I've seen the show twice already. I'm just

676
00:31:39,600 --> 00:31:40,760
Speaker 2: going to take these in the charity.

677
00:31:42,480 --> 00:31:47,840
Speaker 1: I'm a great person, absolutely shithouse merch, swift eras merch

678
00:31:47,920 --> 00:31:51,200
Speaker 1: they would have in the Swift Kelsey household. It would

679
00:31:51,240 --> 00:31:54,320
Speaker 1: be statues, there'd be hoodies, there'd be rooms of merch

680
00:31:54,360 --> 00:31:55,760
Speaker 1: that they would love to get rid of. But as

681
00:31:55,800 --> 00:31:57,920
Speaker 1: I said, we've all been in this situation again, I

682
00:31:57,960 --> 00:32:00,920
Speaker 1: am the man, and you know for a very long time.

683
00:32:01,280 --> 00:32:03,160
Speaker 1: Well kind of every couple of months, I don't can

684
00:32:03,200 --> 00:32:04,760
Speaker 1: send us a bit of an order of my stuff,

685
00:32:05,000 --> 00:32:06,280
Speaker 1: unfortunately largely woods.

686
00:32:06,280 --> 00:32:08,000
Speaker 3: They are presents that you have bought me, and I'll

687
00:32:08,040 --> 00:32:10,000
Speaker 3: be offended if you get rid of them. Well a

688
00:32:10,080 --> 00:32:10,920
Speaker 3: record have already been.

689
00:32:11,120 --> 00:32:12,640
Speaker 1: Well, she already got rid of them. She got rid

690
00:32:12,640 --> 00:32:14,400
Speaker 1: of the steamer that you gave me for my birthday,

691
00:32:14,560 --> 00:32:17,960
Speaker 1: great present, and she got rid of the huge telescope

692
00:32:17,960 --> 00:32:19,120
Speaker 1: you got me for another birthday.

693
00:32:19,200 --> 00:32:20,320
Speaker 3: How are you going to look at the moon now

694
00:32:21,240 --> 00:32:24,400
Speaker 3: with my eyes, so look for one.

695
00:32:24,360 --> 00:32:26,240
Speaker 1: O six five. I'd love to know if you're in

696
00:32:26,320 --> 00:32:28,200
Speaker 1: this situation, do you want to throw something of your

697
00:32:28,240 --> 00:32:30,640
Speaker 1: partners out? And for a reason, By the way, this

698
00:32:30,760 --> 00:32:32,480
Speaker 1: isn't just a give us a call and let us

699
00:32:32,520 --> 00:32:33,920
Speaker 1: know what this thing is. I want to take this

700
00:32:33,960 --> 00:32:37,480
Speaker 1: a step further because you know, one man's trash is

701
00:32:37,520 --> 00:32:41,000
Speaker 1: another partner's thing to throw out, which is another person's treasure.

702
00:32:41,440 --> 00:32:43,760
Speaker 1: So I think there are other people who are out here.

703
00:32:43,800 --> 00:32:45,760
Speaker 1: I want this to be an opportunity as much as

704
00:32:45,840 --> 00:32:47,760
Speaker 1: it is a place to winge about that thing. You

705
00:32:47,880 --> 00:32:49,280
Speaker 1: can give that thing away right now.

706
00:32:49,360 --> 00:32:51,680
Speaker 3: I'm a bargain hunter, bloody othame. We've got erin here.

707
00:32:51,920 --> 00:32:52,120
Speaker 9: Erin.

708
00:32:52,680 --> 00:32:54,640
Speaker 3: You have something you want to chuck out of your partners?

709
00:32:55,840 --> 00:32:56,480
Speaker 12: Yes I do.

710
00:32:57,440 --> 00:33:01,720
Speaker 15: He's got a two thousand and six ral premiership from

711
00:33:02,160 --> 00:33:05,680
Speaker 15: the Broncos that's been hanging in my house for a

712
00:33:05,840 --> 00:33:08,480
Speaker 15: ridiculous amount of time. I finally managed to get it

713
00:33:08,560 --> 00:33:11,960
Speaker 15: from the laundry mantle piece above my TV for the

714
00:33:12,000 --> 00:33:14,360
Speaker 15: whole way. So when we bought our house, I'm convinced

715
00:33:14,400 --> 00:33:15,480
Speaker 15: that it can be in the garage.

716
00:33:15,560 --> 00:33:18,200
Speaker 1: Is it a shirt is it? What are we talking here?

717
00:33:18,680 --> 00:33:22,240
Speaker 8: It's a frame. It's a frame like cardboard. It's not

718
00:33:22,360 --> 00:33:27,280
Speaker 8: even like glass. It's like that wooden paneling cross.

719
00:33:29,200 --> 00:33:31,479
Speaker 1: With the print from the newspaper with the cartoon.

720
00:33:33,760 --> 00:33:36,120
Speaker 8: We bought a house, we wanted a nice artworker. I

721
00:33:36,200 --> 00:33:36,840
Speaker 8: had to argue.

722
00:33:36,880 --> 00:33:37,840
Speaker 15: We didn't get rid of it.

723
00:33:38,160 --> 00:33:40,440
Speaker 8: So I finally got it in the garage. But eventually

724
00:33:40,560 --> 00:33:41,480
Speaker 8: one day it's going to.

725
00:33:41,520 --> 00:33:43,160
Speaker 1: End up right, well eron you have you put that

726
00:33:43,280 --> 00:33:45,360
Speaker 1: up right now? Like if someone calls and wants.

727
00:33:45,200 --> 00:33:46,840
Speaker 9: That, yeah, for sure?

728
00:33:47,720 --> 00:33:49,800
Speaker 1: Are you down the line? They might be the case

729
00:33:50,040 --> 00:33:53,760
Speaker 1: shabs shabby. Talk to me, you've got something of your

730
00:33:53,840 --> 00:33:55,080
Speaker 1: partners that you want to throw out.

731
00:33:56,120 --> 00:33:57,560
Speaker 4: Oh my gosh, she's going to kill me.

732
00:33:58,120 --> 00:34:04,600
Speaker 8: Yes, Kate and five gaming machine which I'm not a gamer,

733
00:34:04,760 --> 00:34:07,680
Speaker 8: so I don't know anything about it. But it doesn't

734
00:34:07,800 --> 00:34:10,600
Speaker 8: even get used. And it took me two years to

735
00:34:10,760 --> 00:34:12,920
Speaker 8: convince him to move it from the living room to

736
00:34:13,160 --> 00:34:13,920
Speaker 8: his office.

737
00:34:14,800 --> 00:34:15,240
Speaker 10: A game?

738
00:34:15,840 --> 00:34:17,359
Speaker 1: What are we doing? Pinball? Are we doing?

739
00:34:19,120 --> 00:34:20,640
Speaker 8: Like three hundred games in it?

740
00:34:22,640 --> 00:34:24,600
Speaker 3: They're so so good? And what do you how do

741
00:34:24,640 --> 00:34:25,840
Speaker 3: you hang on? Go bay to Chevesy. How do you

742
00:34:25,920 --> 00:34:27,520
Speaker 3: know he's not using it? He might be using it,

743
00:34:27,600 --> 00:34:28,759
Speaker 3: you know, in his own private time.

744
00:34:30,080 --> 00:34:33,479
Speaker 8: Well maybe once he he turns it on and he might.

745
00:34:37,680 --> 00:34:40,400
Speaker 1: Colleens called siks five, Colleen, you got something that you

746
00:34:40,440 --> 00:34:41,680
Speaker 1: want to get rid of? Your blokes?

747
00:34:42,239 --> 00:34:42,640
Speaker 8: Certainly?

748
00:34:42,719 --> 00:34:46,200
Speaker 4: Do we have three plaster casts sitting on a man

749
00:34:46,320 --> 00:34:50,279
Speaker 4: tool of what one is an arm cast, one's a

750
00:34:50,360 --> 00:34:51,480
Speaker 4: half leg, and one's a.

751
00:34:51,520 --> 00:34:54,400
Speaker 1: Full leg, or just just these are just these are

752
00:34:54,520 --> 00:34:56,719
Speaker 1: just just injuries that he's had in the past that

753
00:34:56,760 --> 00:34:57,200
Speaker 1: he's holding on.

754
00:34:57,400 --> 00:34:58,880
Speaker 4: Yeah, he rides dirt bikes.

755
00:35:00,640 --> 00:35:03,440
Speaker 3: Does he try to artsy them up a little bit?

756
00:35:03,560 --> 00:35:05,279
Speaker 9: Or is it just sort of some of them I

757
00:35:05,360 --> 00:35:08,480
Speaker 9: got signatures and stuff on them, but sure they've got

758
00:35:08,960 --> 00:35:10,920
Speaker 9: rats and stuff nesting inside them.

759
00:35:11,760 --> 00:35:13,879
Speaker 1: And what does he say about them? You know, when

760
00:35:13,920 --> 00:35:16,880
Speaker 1: you have people over, what does he say about them? Oh?

761
00:35:16,960 --> 00:35:18,719
Speaker 8: Yeah, he says, oh yeah, that's when I've done that,

762
00:35:18,920 --> 00:35:19,759
Speaker 8: And that's when I've done that.

763
00:35:19,880 --> 00:35:21,280
Speaker 4: Do you remember when we went.

764
00:35:21,239 --> 00:35:23,479
Speaker 8: There and I done it there and oh my god,

765
00:35:23,600 --> 00:35:25,040
Speaker 8: He's like and they.

766
00:35:24,960 --> 00:35:26,920
Speaker 4: All just look at me and say, how do you

767
00:35:26,960 --> 00:35:27,560
Speaker 4: put up with that?

768
00:35:28,239 --> 00:35:30,640
Speaker 1: So cold? I mean again, I say the thing I

769
00:35:30,680 --> 00:35:32,719
Speaker 1: asked Aaron and Shabbsey just before, are you willing to

770
00:35:32,760 --> 00:35:37,040
Speaker 1: put that up? Now if somebody called and asked for it. Okay, cool,

771
00:35:37,040 --> 00:35:38,239
Speaker 1: all right, all right, well look, because this is what

772
00:35:38,280 --> 00:35:39,759
Speaker 1: I want to do, because I want to clear the

773
00:35:39,840 --> 00:35:42,520
Speaker 1: phone lines if we can, because we've got three really

774
00:35:42,640 --> 00:35:46,600
Speaker 1: great items for auction here. I mean, I am kind

775
00:35:46,640 --> 00:35:49,720
Speaker 1: of banking on the fact that Aaron Shabbs and Colleen's

776
00:35:49,760 --> 00:35:53,200
Speaker 1: partner are listening. But what I want to do because

777
00:35:53,200 --> 00:35:54,520
Speaker 1: I want to hear a bit of urgency. I want

778
00:35:54,520 --> 00:35:56,640
Speaker 1: to hear these guys panic because the men want to

779
00:35:56,640 --> 00:35:58,880
Speaker 1: hold onto these things for some reason. Thirty one O

780
00:35:59,000 --> 00:36:03,640
Speaker 1: six five, we've got a cardboard slash timber plark of

781
00:36:03,719 --> 00:36:06,560
Speaker 1: the two thousand and six Broncos Premiership. We've got an

782
00:36:06,680 --> 00:36:09,120
Speaker 1: arcade machine that hasn't been plugged in, and we've got

783
00:36:09,160 --> 00:36:12,400
Speaker 1: three plaster casts. If you're listening and you would like that,

784
00:36:13,360 --> 00:36:14,359
Speaker 1: please give us a call.

785
00:36:14,719 --> 00:36:16,880
Speaker 3: But also so can the can the partner call up?

786
00:36:16,960 --> 00:36:19,319
Speaker 1: And the only thing that will stop us giving those

787
00:36:19,400 --> 00:36:22,840
Speaker 1: things away is if one of those husbands calls the

788
00:36:22,920 --> 00:36:24,560
Speaker 1: show and says that they want to keep it.

789
00:36:26,560 --> 00:36:28,959
Speaker 2: And currently we've got a full phone line, so getting

790
00:36:29,000 --> 00:36:31,799
Speaker 2: through fellas the phones are full.

791
00:36:32,000 --> 00:36:33,479
Speaker 3: I want the Pinborn machine, by the way.

792
00:36:33,400 --> 00:36:36,000
Speaker 1: All right, I don't want to six five. We'll get

793
00:36:36,040 --> 00:36:37,160
Speaker 1: my mum and see if you can put it in

794
00:36:37,200 --> 00:36:37,839
Speaker 1: a room in the house.

795
00:36:38,480 --> 00:36:43,759
Speaker 2: I currently have a industrial sized commercial ice maker, which

796
00:36:43,840 --> 00:36:45,680
Speaker 2: means that you actually can't get down the side of

797
00:36:45,719 --> 00:36:47,759
Speaker 2: the house anymore, because it just says you can't.

798
00:36:47,800 --> 00:36:49,600
Speaker 3: It can't go inside because it needs drainage. I didn't

799
00:36:49,640 --> 00:36:52,480
Speaker 3: know that when I bought it, But you just blocks

800
00:36:52,520 --> 00:36:52,920
Speaker 3: a doorway.

801
00:36:53,640 --> 00:36:57,960
Speaker 1: Mim hates that it so much, don't they. What I

802
00:36:58,160 --> 00:37:01,440
Speaker 1: found actually is Sam with me about the telescope and

803
00:37:01,600 --> 00:37:02,120
Speaker 1: the steamer.

804
00:37:02,440 --> 00:37:03,800
Speaker 3: Yeah, these are presents that I gave you.

805
00:37:04,120 --> 00:37:07,120
Speaker 1: They're both presents that you gave me, and I would

806
00:37:07,520 --> 00:37:09,359
Speaker 1: After a while, I stopped speaking ry about it until

807
00:37:09,360 --> 00:37:11,439
Speaker 1: I found that she was speaking the logistics people about

808
00:37:11,440 --> 00:37:12,080
Speaker 1: how to remove them.

809
00:37:12,400 --> 00:37:13,520
Speaker 3: Yeah, the telescope was big.

810
00:37:13,719 --> 00:37:16,080
Speaker 2: The telescope was huge under at the time, and that's

811
00:37:16,080 --> 00:37:17,279
Speaker 2: the only way I could get it to and in

812
00:37:17,360 --> 00:37:17,960
Speaker 2: the tray.

813
00:37:17,800 --> 00:37:19,960
Speaker 3: Of the Yes, this thing could see what could it say?

814
00:37:20,160 --> 00:37:20,799
Speaker 3: It was a great present.

815
00:37:20,880 --> 00:37:22,440
Speaker 1: Well, you can take a couple of You can see

816
00:37:22,480 --> 00:37:23,720
Speaker 1: the moons on Mars.

817
00:37:23,560 --> 00:37:26,200
Speaker 3: Which is pretty cool, unbelievable. Money can't buy that.

818
00:37:26,800 --> 00:37:29,840
Speaker 1: We could, and money could also get rid of it.

819
00:37:30,200 --> 00:37:31,440
Speaker 1: I think we had to pay for hundred dollars for

820
00:37:31,480 --> 00:37:33,160
Speaker 1: someone to just come and pick it up. But right

821
00:37:33,239 --> 00:37:34,799
Speaker 1: now I'd love to hear from other people. I've asked.

822
00:37:34,840 --> 00:37:36,320
Speaker 1: I asked, we've had a call, do you want to

823
00:37:36,320 --> 00:37:38,440
Speaker 1: get rid of some of your husband shit? Look, we

824
00:37:38,520 --> 00:37:41,759
Speaker 1: had some wonderful calls. We had a two thousand and

825
00:37:41,800 --> 00:37:46,680
Speaker 1: six Broncos Wooden pluck what a moment from the premiership,

826
00:37:46,680 --> 00:37:50,440
Speaker 1: which was saying above the mantelpiece, mortalize. We had a

827
00:37:50,719 --> 00:37:53,480
Speaker 1: game in arcade machine which is sitting in the living.

828
00:37:53,280 --> 00:37:54,799
Speaker 3: Area, hasn't been plugged in for marths.

829
00:37:55,239 --> 00:37:57,440
Speaker 1: And see that's one step away from being thrown out,

830
00:37:57,440 --> 00:37:59,000
Speaker 1: because we all know as men what happens is you

831
00:37:59,040 --> 00:38:01,320
Speaker 1: put it in the place that you most wanted. I

832
00:38:01,440 --> 00:38:03,320
Speaker 1: was talking to ap Capa and poop Pants about his

833
00:38:03,400 --> 00:38:05,560
Speaker 1: wine fridges. Recently. He's got them in the kitchen.

834
00:38:05,680 --> 00:38:07,320
Speaker 3: Wine fridge is blural.

835
00:38:07,719 --> 00:38:10,240
Speaker 1: His partner Georgia moved in and they've already been moved

836
00:38:11,160 --> 00:38:14,239
Speaker 1: into the cellar and then from there it goes into

837
00:38:14,239 --> 00:38:15,600
Speaker 1: the bin. But it's kind of like this, you know,

838
00:38:16,000 --> 00:38:19,520
Speaker 1: natural dissension. They notice it into the herd rubbish.

839
00:38:19,200 --> 00:38:21,040
Speaker 2: If you slowly move it out they believe the male

840
00:38:21,080 --> 00:38:23,320
Speaker 2: species will be like, well, did I ever have a

841
00:38:23,360 --> 00:38:23,920
Speaker 2: wine fridge?

842
00:38:24,000 --> 00:38:26,680
Speaker 1: That's right, that's right. So we had the we had

843
00:38:26,680 --> 00:38:28,879
Speaker 1: the game machine, and then we had a weird call

844
00:38:29,000 --> 00:38:31,680
Speaker 1: from a woman who said that her partner kept three

845
00:38:31,760 --> 00:38:35,160
Speaker 1: of his plaster casts on the mantlepiece, which are from

846
00:38:35,200 --> 00:38:40,000
Speaker 1: his dirt biking accidents, all classic male trash, which could

847
00:38:40,040 --> 00:38:41,920
Speaker 1: be somebody else's treasure. So I've opened the phone lines.

848
00:38:41,920 --> 00:38:43,520
Speaker 1: I've said, women, do you want to give these away?

849
00:38:43,600 --> 00:38:45,120
Speaker 1: Each of those women said they were keen to give

850
00:38:45,120 --> 00:38:47,640
Speaker 1: it away. I'm happy to say the marketplace is open.

851
00:38:48,080 --> 00:38:50,160
Speaker 1: Amber's caught on thirt and one six five Amber, which

852
00:38:50,200 --> 00:38:50,719
Speaker 1: one do you want?

853
00:38:51,800 --> 00:38:52,480
Speaker 9: The Bronco?

854
00:38:54,360 --> 00:38:58,400
Speaker 1: You want the Broncos jersey? Sorry, not the jersey, the

855
00:38:58,440 --> 00:39:02,760
Speaker 1: two thousand and six park with the newspaper caricature on it. Okay,

856
00:39:02,880 --> 00:39:06,080
Speaker 1: all right, well I can't remember who that was that Aaron?

857
00:39:06,280 --> 00:39:07,920
Speaker 1: Was that Aaron? Who can we get Can I get

858
00:39:07,960 --> 00:39:09,480
Speaker 1: Aeron back as well? What am I having? Aaron on

859
00:39:09,520 --> 00:39:12,520
Speaker 1: the line? Sounds like it's yours, though, Amer, it does

860
00:39:12,600 --> 00:39:15,560
Speaker 1: sound like it's yours. Erin, I'm very excited to say

861
00:39:15,560 --> 00:39:19,840
Speaker 1: that Amber is keen for the Broncos. Jersey, which is huge,

862
00:39:20,200 --> 00:39:27,200
Speaker 1: or the Broncos plaks, yeah, wooden cardboard plark unless oh

863
00:39:27,360 --> 00:39:30,280
Speaker 1: my god, he's called that. This is what we're after.

864
00:39:31,200 --> 00:39:39,640
Speaker 6: Cory, Aaron's partner has called in to reclaim it. Cory, Corey,

865
00:39:39,760 --> 00:39:42,200
Speaker 6: you're there, Tory.

866
00:39:42,719 --> 00:39:43,600
Speaker 1: Wow.

867
00:39:45,719 --> 00:39:47,319
Speaker 4: I can't believe she's trying to give it away.

868
00:39:47,360 --> 00:39:49,120
Speaker 2: I've had it for so long. Yeah, I mean, how

869
00:39:49,280 --> 00:39:51,040
Speaker 2: much is it worth to you, Corey? I mean give

870
00:39:51,080 --> 00:39:52,960
Speaker 2: you actually give me Street voil right now? How much

871
00:39:53,040 --> 00:39:54,399
Speaker 2: that that piece of history as well?

872
00:39:56,480 --> 00:39:59,920
Speaker 1: Since yeah right right? Can't you can't go on?

873
00:40:00,840 --> 00:40:01,480
Speaker 3: What's that? Mate?

874
00:40:01,960 --> 00:40:03,239
Speaker 2: We come Collie first year?

875
00:40:04,160 --> 00:40:08,200
Speaker 1: Yeah, yeah, the Bronco seed of course. So Corey had

876
00:40:08,239 --> 00:40:10,840
Speaker 1: got moved. I've still got Amber, who's the who's the

877
00:40:10,880 --> 00:40:12,360
Speaker 1: bidder on the line as well, which is great. So

878
00:40:12,800 --> 00:40:15,560
Speaker 1: Corey ha got moved from the mantelpiece pride of place

879
00:40:15,719 --> 00:40:18,520
Speaker 1: in the living room, got moved to the garage from

880
00:40:18,600 --> 00:40:23,120
Speaker 1: the screwed up on the wall, screwed up or skewed.

881
00:40:22,840 --> 00:40:24,480
Speaker 10: Up, screwed up.

882
00:40:24,480 --> 00:40:27,279
Speaker 1: It's four big screws in it on the wall, screwed up,

883
00:40:27,920 --> 00:40:30,760
Speaker 1: screwed there. So given that it's there, I've got Amber

884
00:40:30,840 --> 00:40:33,200
Speaker 1: on the line here. What are you willing to I mean,

885
00:40:33,239 --> 00:40:35,000
Speaker 1: you're willing to give it to Amber? Or where do

886
00:40:35,040 --> 00:40:35,520
Speaker 1: you sit with it?

887
00:40:36,440 --> 00:40:36,600
Speaker 10: Oh?

888
00:40:36,640 --> 00:40:37,520
Speaker 4: I don't want to get rid of it.

889
00:40:37,560 --> 00:40:38,160
Speaker 11: I want to keep it.

890
00:40:38,239 --> 00:40:40,440
Speaker 1: Okay, but Amber, what are you asking? You're offering anything

891
00:40:40,480 --> 00:40:42,080
Speaker 1: to Corey? Maybe return for it?

892
00:40:45,000 --> 00:40:45,200
Speaker 6: Yeah?

893
00:40:45,400 --> 00:40:47,880
Speaker 9: Can the rabbit please have rolls?

894
00:40:49,080 --> 00:40:50,080
Speaker 3: Go go getting their Amber?

895
00:40:52,480 --> 00:40:57,400
Speaker 2: I think I heard a rabbit rolling rabbit?

896
00:41:00,120 --> 00:41:02,200
Speaker 1: Would you would you give Corey a monetary value for

897
00:41:02,239 --> 00:41:04,880
Speaker 1: the two thousand and six wooden slash cardboard plark of

898
00:41:05,360 --> 00:41:07,120
Speaker 1: the Promco's premierships in two thousand and six?

899
00:41:08,120 --> 00:41:08,319
Speaker 13: Yes?

900
00:41:08,640 --> 00:41:09,560
Speaker 1: What are you offering?

901
00:41:10,640 --> 00:41:15,120
Speaker 8: I'm offering him a rabbit jersey?

902
00:41:15,560 --> 00:41:19,719
Speaker 3: Rabbit, a jersey of a team you don't go for

903
00:41:19,920 --> 00:41:20,520
Speaker 3: with your reckon