Speaker 1: It's in the news today, but it was actually on
Speaker 1: TV Reload the podcast last week. Thereby, Hey guys, welcome
Speaker 1: back to TV Reload. I want to thank you for
Speaker 1: clicking and downloading on today's episode with Michelle Lynn Davidson,
Speaker 1: one of the brilliant actors from The Newsreader, which returns
Speaker 1: this week on the ABC for its third and final series.
Speaker 1: The Newsreader is just brilliant and if you haven't seen
Speaker 1: the first two series, I'm actually kind of jealous because
Speaker 1: I would love to go back and have that feeling
Speaker 1: of watching it for the first time. It is so
Speaker 1: groundbreaking and well made that, in fact, I'm going to
Speaker 1: go as far as saying it's one of the best
Speaker 1: Australian scripted dramas of this generation. The Newsreader follows a
Speaker 1: few characters point of view of the news room during
Speaker 1: the eighties, and Michelle's character Noline is one of the
Speaker 1: three main characters that we have followed throughout this trilogy.
Speaker 1: Her character is a Korean Australian and there has been
Speaker 1: so much to unpack with her character, and even more
Speaker 1: so in series three, Michelle will unpack with me the
Speaker 1: ways in which her character is similar to her own
Speaker 1: personality and how Michelle was able to contribute to this
Speaker 1: season more than just being an actress. We will chat
Speaker 1: about the sweet spot of the Newsreader and why this
Speaker 1: series has highlighted how far we have come and how
Speaker 1: far we haven't gone with some of the biggest issues
Speaker 1: in this country. I will find out about recreating the
Speaker 1: logies and how kind of Minoga and Darryl Summers did
Speaker 1: send through some approval to use their footage. We will
Speaker 1: get everything from why this series will end this year,
Speaker 1: what Michelle thinks of the trajectory with her on screen
Speaker 1: husband played by Stephen Peacock, and what contribution to her
Speaker 1: character had her asking for rewrites to make sure that
Speaker 1: the conversation about race in this series and in this
Speaker 1: country was handled correctly. There's actually so much to talk about,
Speaker 1: as per usual, with a lot of inside revelations from Michelle.
Speaker 1: So guys sit back and relax as we unpack the
Speaker 1: wonderful world of The Newsreader season three, which is back
Speaker 1: Sunday the second on ABC.
Speaker 2: And I view Hello, how are you?
Speaker 1: I'm doing so well and I have to tell you
Speaker 1: right off the bat, I'm so invested in season three.
Speaker 1: I'd go as far as saying season three is now
Speaker 1: my favorite season so far. Is that weird?
Speaker 2: Oh my goodness. Oh, I'm so thrilled to hear that.
Speaker 2: I mean, it was just doing an interview before speaking
Speaker 2: to you, but she was the first person I've talked
Speaker 2: to outside the people who work on the Newsreaders who've
Speaker 2: seen the show, but we didn't really get to talk
Speaker 2: about that that much. So I'm so thrilled to hear that.
Speaker 2: Thank you for letting me.
Speaker 1: Know, Michelle. It's so funny because I struggle to find
Speaker 1: shows that my partner and I both want to watch
Speaker 1: together that we really really Wow, he says to me,
Speaker 1: is there another episode of The Newsreader?
Speaker 2: Like?
Speaker 1: We need to watch that?
Speaker 2: So how many have you watched?
Speaker 1: I've watched four episodes. I just someone told me this
Speaker 1: is going to be the last season of the show.
Speaker 1: But I just feel like, because this season is so strong,
Speaker 1: I didn't feel like that didn't happen. I feel like
Speaker 1: we need more.
Speaker 2: Yes, No, it's we always knew from the start it
Speaker 2: was a trilogy, and we always hope that we've had
Speaker 2: the opportunity to You know, what TV's like, you never
Speaker 2: know if you're going to have the opportunity to do that,
Speaker 2: and so I think we're really privileged to finish it
Speaker 2: off the way we wanted to put I guess this
Speaker 2: is the thing about It's like knowing when to leave
Speaker 2: the party.
Speaker 1: Our call it the Seinfeld theory, which is get out
Speaker 1: while it's still really good.
Speaker 2: Yes, Yes, and we all because heading into it we
Speaker 2: knew it was the final season. There were so many
Speaker 2: things that had built up, which I'm sure you're probably
Speaker 2: seeing if you've seen kind of quite a bit of
Speaker 2: it start to play out like it was super satisfying
Speaker 2: as an actor to have that opportunity and also to
Speaker 2: be able to contribute to that. Well.
Speaker 1: It's also so delicious, Like I've seen you in seventy
Speaker 1: different roles and I always love you as an actress,
Speaker 1: but I feel like we're not. It's something there's some
Speaker 1: real vitology, there's some real gravitas that you have in
Speaker 1: this role. And I always I wonder when you get
Speaker 1: to talk to actors, what do you relate to when
Speaker 1: it comes to picking up the script and reading this character.
Speaker 1: Are there similarities or similar ideals that you share.
Speaker 2: Yes, I mean to quote Michael Lucas as a creator
Speaker 2: of the show. He's always an interview saying that everyone's
Speaker 2: so different from the characters except for Michelle. Michelle's probably
Speaker 2: the most like Norlleen or like Nolen, you know, like
Speaker 2: and I find that at first I found that kind
Speaker 2: of strange, and then everyone until it will be like,
Speaker 2: we've got to admit, this is quite a bit of crossover.
Speaker 2: It's doating that both of you. I think maybe what's
Speaker 2: unique about Noline for me is that even though I've
Speaker 2: never worked in the media or in journalism, I feel
Speaker 2: like there's a crossover experiences with working in the entertainment industry,
Speaker 2: and I'm able to contribute a lot of I guess
Speaker 2: my experience or my perspective into the role. I think
Speaker 2: what's unique for me as an actor and as the
Speaker 2: series has gone on is that i work a couple
Speaker 2: of functions, and so I'm in development in the writer's room.
Speaker 2: I help kind of set and contribute to Nolin's story,
Speaker 2: and I also work as a cultural consultant, which I
Speaker 2: was kind of I give it much more work for
Speaker 2: season three. That is kind of I guess actors don't
Speaker 2: really get to you can suggest things creative team, but
Speaker 2: to have that kind of level of input, so that
Speaker 2: it's seeded within the work, it's not something that you
Speaker 2: bring in over the top of it. I think that
Speaker 2: helps me try to make the role more authentic. But yeah,
Speaker 2: like it's kind of w I switch hats. So even
Speaker 2: when like if if we're filming at Nolin and Rob's house,
Speaker 2: for example, I come in and you know, I collaborate
Speaker 2: with the art department. They send me photos of things,
Speaker 2: and then I come in separately to my job as
Speaker 2: an actor and I come on set and they say, oh,
Speaker 2: you need to move this here or blah blah blah,
Speaker 2: or know these are the wrong something, or yes this
Speaker 2: is good blah blah blah. And so that also is
Speaker 2: I mean, such a privilege to be I could pot that,
Speaker 2: but it's a completely different hat I wear on the
Speaker 2: show as well. So I think that's current of crossover
Speaker 2: between myself and Noline's quite strong because of that involvement.
Speaker 2: Does that sort of answer your question?
Speaker 1: It really does. And I just think this show to
Speaker 1: me because I love television. I've grown up since a
Speaker 1: child loving television so much. When I was I think seven,
Speaker 1: I asked for the TV Week to be my birthday present,
Speaker 1: to have a subscription to the Techne Week and my
Speaker 1: dad got to go to the TV week logis for
Speaker 1: the first time in the logis that's in episode one
Speaker 1: of season three. So the details, no, and the detail,
Speaker 1: the perfection of all of the detail is so real
Speaker 1: to me. And I was sitting there watching episode one.
Speaker 1: I don't want to spoil anything, but there's a moment
Speaker 1: where an award goes off and you see Sam's character
Speaker 1: going up against Kyler Minoag and Darryl Summers, and I
Speaker 1: remember who the award goes to, you know what I mean.
Speaker 2: So like, oh my gosh, yeah, I mean, I just.
Speaker 1: Loved loved television as a child. In an unusual way.
Speaker 2: We had a missing from Darryl. I'm pretty sure.
Speaker 1: It's Daryl, right and won yeah it is, yeah, yeah yeah,
Speaker 1: and Daryl, well you want to get Daryl on board,
Speaker 1: I can tell you. I've worked with Daryl.
Speaker 2: I'll have you and Kylie as well, kind of know
Speaker 2: everyone like they're just people were just so kind of
Speaker 2: like I think Kylie Minogue sent to you a message
Speaker 2: back through her people being like, oh, how cute is
Speaker 2: the footage? I mean, you would have picked up on
Speaker 2: the detail, were actually filmed in the exact same room.
Speaker 1: Yeah, I know that I heard.
Speaker 2: Which is so lucky and yeah, to have access to
Speaker 2: archival footage and to intercept it with I guess our
Speaker 2: modern television making. It's pretty amazing that it did feel
Speaker 2: like we were actually at the Logis.
Speaker 1: I met you once, Lois, it was a few years ago,
Speaker 1: and so I've seen you in Logis in real time,
Speaker 1: and I've seen you at the He's in the eighties,
Speaker 1: it's very unusual. You know, there's show tackles sexuality, race, feminism,
Speaker 1: abuse of power. I mean, the list goes on. Do
Speaker 1: you think that this show sweet Spot is the juxtaposition
Speaker 1: of the eighties versus today with how you tackle some
Speaker 1: of those issues and putting them up against each other.
Speaker 2: Yeah, I think maybe the eighties. How do I explain
Speaker 2: that eighties and the kind of now that overlap that
Speaker 2: then diagram? I mean, I want to say that we've
Speaker 2: progressed a lot more than we have, and we have
Speaker 2: in many ways. But I'm also struck by the amount
Speaker 2: of people that work in the media who have told
Speaker 2: me how much their experience aligned, especially to Nolein, because
Speaker 2: I think we're seeing her work up as a junior
Speaker 2: and through the ranks and coming up to be a producer,
Speaker 2: and people like, oh, you know, that's exactly you know
Speaker 2: what my boss was like in the newsroom. Or I'm
Speaker 2: just like, you know, it's great because it means the
Speaker 2: show's authentic. But also I've always got Sady Terra and
Speaker 2: things like in episode one, which you've seen, where they're
Speaker 2: talking about how Norleine has applied maternity leave. Yeah, but
Speaker 2: it hasn't been granted that that comes from one of
Speaker 2: our real consultants who work in newsrooms in the eighties.
Speaker 2: So we have many consultants that work on the show
Speaker 2: that feeding and give us, you know, accurate information down
Speaker 2: to like auto Q experts and all those kinds of people.
Speaker 2: And that's something that actually happened.
Speaker 1: Unbelievable. I mean it's unbelievable. Yes, as that scene happens,
Speaker 1: I was googled. You know, that's what's sort of fun
Speaker 1: about this as well, Like I was googling on my
Speaker 1: phone things because it's so interactive. I was like, is
Speaker 1: that right? You know, how long has it been since
Speaker 1: women were allowed to go on maternity leave and have
Speaker 1: their roles still held? You know, those sorts of things
Speaker 1: to me, are really interesting too, and also frightening to
Speaker 1: look at where you say, oh my god, that that
Speaker 1: hasn't been around for as long as we think it
Speaker 1: should have been.
Speaker 2: Yes, And I think what you're talking about that juxtaposition.
Speaker 2: I think where the show's success lives is not just
Speaker 2: in that. I guess that macro kind of thing of
Speaker 2: like we're examine feminism and sexuality and all of the
Speaker 2: those things. I think it's because what we do is
Speaker 2: we play them out in very kind of human relationships,
Speaker 2: like for Noline, and you see them have these conversations
Speaker 2: like you've seen the apartheid episode in episode yeah that's
Speaker 2: episode four, and yeah, you're seeing kind of that really
Speaker 2: tough conversation they have in the kitchen, which you know
Speaker 2: is building. You know, we hoped we'd have that from
Speaker 2: season one. We always knew we were going to kind
Speaker 2: of get to the point where they actually have this
Speaker 2: conversation and Norlin actually confronts Robin some way, and people
Speaker 2: can connect to that because not being lectured on these moments,
Speaker 2: you just seeing two very real people deal.
Speaker 1: With uncomfortable situations. But I was thinking, these are such
Speaker 1: likable characters. We love these two so we love watching
Speaker 1: them so when we see them in pain, when we
Speaker 1: see them and they are uncomfortable, it is so immersive.
Speaker 1: And then I wonder whether or not the pressure that
Speaker 1: you feel to bring those sort of storylines to the screen,
Speaker 1: you know, representing the caxities of multicultural Australia, of what
Speaker 1: those conversations have been like and what they're still like.
Speaker 2: Yes, look, there are many elements in annuline storyline that
Speaker 2: comes directly from my life or you know, are inspired
Speaker 2: by these moments. And we actually went back and forth
Speaker 2: on the script for that particular scene quite a bit. Wow,
Speaker 2: they're killing Michael and I because I was like, no,
Speaker 2: it's not quite right yet. And I think Ado, who
Speaker 2: wrote the episode as well, just like in this kind
Speaker 2: of like back forward, back and forward, back and forward,
Speaker 2: and I was like, no, this is not the right words,
Speaker 2: not the right words. And what she wants to do
Speaker 2: is say you're not seeing me. And I feel like,
Speaker 2: not just racially, but I think it happens in a
Speaker 2: lot of partnerships where you're like, are you seeing me
Speaker 2: right here right now? The version of me that you
Speaker 2: want to believe, or that's easier for you to believe
Speaker 2: that are you actually seeing who I am now? And
Speaker 2: can you be the person that I need you to
Speaker 2: be in support of where I'm at? And that is
Speaker 2: that's the kind that's what I find painful watching all
Speaker 2: those kinds of scenes because it's it's not what's very.
Speaker 1: Raw, kind of very raw.
Speaker 2: Yeah, yeah, and I think, yeah, we are playing really
Speaker 2: good people.
Speaker 1: I mean, I've been in those situations myself where I
Speaker 1: think one of my really good friends said to me,
Speaker 1: you know, I'm Asian Australian and I feel like I'm
Speaker 1: held back in my work. And I said to him, oh,
Speaker 1: I don't think that's happening, you know. And the reason
Speaker 1: for my motivation of saying that to him is because
Speaker 1: I love him and I don't want him to feel
Speaker 1: like that. But by simply lying to him about his
Speaker 1: truth makes him feel uncomfortable. And what happens in these
Speaker 1: dynamics is that you want to say the right thing
Speaker 1: to that person to make them feel loved, but that
Speaker 1: isn't going to make them feel any better if that's
Speaker 1: not that truth.
Speaker 2: Yes, I think it's that kind of it sounds really harsh,
Speaker 2: but I don't mean it like this, but like dismissing
Speaker 2: that experience. Of course, it's often because the other person
Speaker 2: doesn't want to feel uncomfortable, and so you know, it's
Speaker 2: a tricky thing to not prioritize your comfort over someone
Speaker 2: else's experience. And I think that is so much of
Speaker 2: what Rob has done. He just sees the world and
Speaker 2: he's treated in such a different way. And because he
Speaker 2: treats Noline, we're just like love and care and respect.
Speaker 2: He just thinks that there's no problem. There's no problem,
Speaker 2: but there is. It's a really big problem.
Speaker 1: I think that's the spaces and places that we find
Speaker 1: are the most damaging is when we're in situations where
Speaker 1: people are sort of skating over it because they think
Speaker 1: they're doing the right thing, which means that you internalize
Speaker 1: it more. That's the more dangerous space is where you're
Speaker 1: sort of like, I feel like this and you've just
Speaker 1: tried to make it something else, and I know that
Speaker 1: you're trying to do it for the right reason, but
Speaker 1: that is suppressing some very deep mental health issues for me.
Speaker 1: I see that.
Speaker 2: Oh yes, I.
Speaker 1: Think that's where the news reader sings is by looking
Speaker 1: at all of those minorities in some way and handling
Speaker 1: them with some dignity.
Speaker 2: I think you're completely right, and I think as well
Speaker 2: as where the show I think really connects to people
Speaker 2: is is that we play a lot of those moments
Speaker 2: in the shadows. You see that between Dale and in
Speaker 2: a lot of his relationships with different characters, Lucie, Helen,
Speaker 2: when she's most vulnerable, all those kind of personal scenes.
Speaker 2: I guess it speaks to that public private you know,
Speaker 2: the public image of being a newsreader and you know
Speaker 2: who you are off screen. It really sets us up
Speaker 2: to be able to explore those more intricate moments, those
Speaker 2: darker moments, truly vulnerable moments, and we get to see
Speaker 2: them in a murky, sometimes not very palatable way, And
Speaker 2: I think that's what people connect with. But certainly I've
Speaker 2: got people from all different backgrounds, not just culturally, but
Speaker 2: you know, all like telling me how much they relate
Speaker 2: to that partnership between Nolin and Rob and the struggles
Speaker 2: for us, you know, them having a baby, having Hannah
Speaker 2: is really what kind of helps us move Noline to
Speaker 2: really step into I guess herself and be really secure
Speaker 2: and be like, this is not what I want for
Speaker 2: the woman I am today, This is not what I
Speaker 2: want for my child I'm going to have to get
Speaker 2: in there and deal with it. And that's, you know,
Speaker 2: exciting because it opens us up to There was three
Speaker 2: big resolutions. And when I said resolutions, it's not like
Speaker 2: we wrap them up in a nice little bow. But
Speaker 2: it was three big things that I was very keen
Speaker 2: to explore in this season. And it was confronting rob
Speaker 2: about his I'm not seeing her and not understanding her
Speaker 2: position as a Korean woman working in Australia or just
Speaker 2: existing in Australia. The second one was her power dynamic
Speaker 2: with Helen. Again very similar but her not because you
Speaker 2: haven't seen the episode. I don't think you didn't see it.
Speaker 2: Haven't seen episodes five and six, right, No I haven't.
Speaker 1: I mean I'm going to ring Tracy Taylor from publicity
Speaker 1: and beg for.
Speaker 2: Them because those episodes kind of start dealing with for
Speaker 2: nolein the difference between being a Helen and a Nolean
Speaker 2: in the working world and the power and so yeah,
Speaker 2: so there was Robert Nolean moment. There was dealing with
Speaker 2: Helen and her understanding that being a white woman very
Speaker 2: different to being a Kareean woman and some of the
Speaker 2: things that she applies to survive just simply are never
Speaker 2: going to work for Nolean and I wish we going
Speaker 2: to deal with that with Helen. And the other one
Speaker 2: was dealing with Willie mcinness's character with Rimsey and the
Speaker 2: kind of years of abuse. And so it's kind of
Speaker 2: fun because as an actor, it's fun Like I've known
Speaker 2: William for a long time, you know, we did a
Speaker 2: play together at Melbourne Theater Company way before we shot
Speaker 2: The news Reader together, and so it's funny to kind
Speaker 2: of be so loud. It is really good at yelling.
Speaker 1: It's amazing, amazing, but it is very accurate. I mean,
Speaker 1: I've worked in newsrooms. I've worked as a journalist, and
Speaker 1: some of the nastiest things that have ever been said
Speaker 1: to me have been in the workplace. And it's sad
Speaker 1: to say that that's the reality of it. I remember
Speaker 1: getting off from doing a breakfast show where I was
Speaker 1: reading for teleprompter and all I could think about was
Speaker 1: was reading the teleprompter, okay, and then this, you know,
Speaker 1: the general manager came up to me and said that
Speaker 1: shirt you were wearing today, that's who you are. You're
Speaker 1: Richard Reid, like a really camp news reader. Like you're
Speaker 1: like I remember feeling like people might listen to me
Speaker 1: hearing that story being retold and think that's not a
Speaker 1: negative thing to say. I felt so personally attacked by that.
Speaker 1: I was like and I remember going home and couldn't
Speaker 1: shake it. I couldn't shake it. And that's what this
Speaker 1: show does for Noline, for so many of these characters.
Speaker 1: I think in some of these situations, I mean, it's brilliant.
Speaker 1: And you know what, Michelle, if you could get an
Speaker 1: award for this particular season, like You've been great, but
Speaker 1: this particular season and I'm only up to episode four,
Speaker 1: you would have to be so proud of what you
Speaker 1: bring to it and what the audience feels from you.
Speaker 1: And tackling these conversations is hard, and in the form
Speaker 1: of art, which is what this is, You're doing it
Speaker 1: in such a digestible way that I think everyday Australians
Speaker 1: who will watch the show on the ABC will get
Speaker 1: to ask themselves some questions about their own humanity and
Speaker 1: their own morality of that. So I want to thank
Speaker 1: you for being so proud.
Speaker 2: Yeah, oh, that's so kind of you. I feel well,
Speaker 2: I just feel very privileged to do what I love
Speaker 2: and it is kind of when we finished all finished.
Speaker 2: As we were finishing season three, everyone is saying, it's
Speaker 2: just been a Unicorn show for all of us, and
Speaker 2: it's been such a collaborative process, like you'll hear Anna
Speaker 2: talk about on interviews and in interviews and Sam and
Speaker 2: myself and you know, all the other people that work
Speaker 2: on the show. It's so much of us has invested
Speaker 2: into the roles, especially for me because Noline is so
Speaker 2: close to who I am, and it's wonderful to hear that.
Speaker 2: You know, people can see it and can see that
Speaker 2: work and connected to it. And that's all you can
Speaker 2: really hope for is an actor, is that people will
Speaker 2: I guess see your kind of character with compassion And yeah,
Speaker 2: I feel very lucky. So thank you so much for
Speaker 2: letting me know. It's very very kind of view. And
Speaker 2: as I said, you're like the first person I've got
Speaker 2: to really speak to.
Speaker 1: Yeah, I can imagine. I mean, it's a role of
Speaker 1: a lifetime, lots of ways. I mean, I think it
Speaker 1: will open up so many doors for you internationally as well.
Speaker 1: But I think you know people, I know so many
Speaker 1: actors that you know want to work and want to
Speaker 1: do good work and want to find good roles and
Speaker 1: speak to them and it's not it's not given to you,
Speaker 1: you know what I mean. So like the opportunity for
Speaker 1: you to have that, that's quite amazing, Yes, And.
Speaker 2: I think it's the opportunity to mold it, to be imagined,
Speaker 2: knowlling to be what she turned into.
Speaker 1: Yeah, exactly.
Speaker 2: Know, as each season is progressed, I've got to do
Speaker 2: more in line, Like she's actually the only other character
Speaker 2: other than Helen and Dale, She's the only other time
Speaker 2: the serious perspective like you follow her POV. And so
Speaker 2: that's kind of unique.
Speaker 1: I mean, putting that up against twelve and Sam Reid
Speaker 1: as well, you yourself being put up against these other big,
Speaker 1: larger than life characters with actors that are already doing
Speaker 1: major have been doing major roles overseas for a couple
Speaker 1: of decades, and A Turf has been doing that for
Speaker 1: decades now. But you're holding gravitas, like you're holding that
Speaker 1: space so well, you know that's not easy. And you know,
Speaker 1: I've got active friends who think, oh god, I'm so
Speaker 1: nervous about people watching this. What are they going to
Speaker 1: think of me?
Speaker 2: You know?
Speaker 1: Where with this, I think people are going to walk
Speaker 1: out of their moved by it and not even see
Speaker 1: any difference between you know, the actors that are in
Speaker 1: this anyway, if you need someone as a hype girl
Speaker 1: to bring you every day for the rest if your show,
Speaker 1: call me.
Speaker 2: Girl, so emotional thing you so much. So really, I
Speaker 2: truly do appreciate that. It's really kind and generous of you.
Speaker 1: No, that's totally fun. I have to let you go
Speaker 1: because I've run out of time, but I want to
Speaker 1: ask you one last question very quickly. What is something
Speaker 1: behind the scenes, something that we won't as an audience
Speaker 1: get a chance to see. I don't think silly or
Speaker 1: crazy happened, you know while you were shooting the news reader.
Speaker 2: The thing I can think of the most, because it
Speaker 2: involved everybody on the show, is that somehow it went
Speaker 2: around that we're going to learn the Nutbush and like
Speaker 2: not just the cast, the crew, and so we rehearsed
Speaker 2: at lunchtime the Nutbush and all those people, all the
Speaker 2: like chemist, the grip, the light. We're talking like Emma
Speaker 2: gases everyone, Emma Freeman, link emms Lingers And you'll probably
Speaker 2: see videos of it on social media because you know,
Speaker 2: like it was just really very intense scenes, and then
Speaker 2: we played on the Bluetooth speaker and I don't know
Speaker 2: when the last time you did the nutpush was. It's
Speaker 2: really long. Yeah, it's thirty five degrees and yeah, we're
Speaker 2: just not bushed and we're like, okay, we're the goest
Speaker 2: filmy serious things now. But that's the kind of that
Speaker 2: I think speaks to the culture that Emma and Joel
Speaker 2: and Michael have established on set.
Speaker 1: That's brilliant. Yeah, oh my god, I'm obsessed with her.
Speaker 1: I have to let you go all the very best,
Speaker 1: which I can't wait for Australia to watch it. I
Speaker 1: can't wait for you to revel in your moment, you
Speaker 1: know which I think you'll get from this. Yeah, all
Speaker 1: the very best. Thank you for being so generous with
Speaker 1: your time so much.
Speaker 2: Thank you for the interview. I appreciate it.
Speaker 1: No worries, Michelle.
Speaker 2: Thank you guys,