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Speaker 1: Powered by the iHeartRadio app from ninety six airfam to

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Speaker 1: wherever you're listening today, This is Clearsy and Lisa's podcast.

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Speaker 2: Coming up on the podcast, Michael Thompson and Tracy Vou

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Speaker 2: join us to talk about Channel nine turning sixty oh.

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Speaker 1: Sixty years young.

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Speaker 3: Hey.

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Speaker 4: Actor Martin Dusseldorp joined us, chatting about season two of

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Speaker 4: the show Bay of Fires.

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Speaker 2: Brian Wilson from The Beach Boys has passed away, so

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Speaker 2: very sad.

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Speaker 1: We caught up with Deanie Yeah.

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Speaker 4: Peter Dean from The Jets joining us for the second

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Speaker 4: last Perth pub Crawl chat.

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Speaker 2: Benochet reviews The Materialists, which stars Pedro Pascal.

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Speaker 4: You say that in the same way you say yeah,

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Speaker 4: Pete Dress's name. And we take calls on celebrity names.

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Speaker 4: Do you have one or did you work with someone

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Speaker 4: like that or someone in the family. Do you find

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Speaker 4: it's something that you do when there's a big lotto

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Speaker 4: draw like tonight one hundred million, there you go, oh,

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Speaker 4: let's just get a ticket for the hell of it,

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Speaker 4: or every now and then you.

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Speaker 2: Do oh yeah, every now and then, every and then

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Speaker 2: because it's been a big gambler. I know when to

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Speaker 2: hold them, and I know when to fold them, when

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Speaker 2: I when.

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Speaker 5: To walk away.

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Speaker 1: Jim what you could be buying?

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Speaker 2: Thank you, Kenny good On, Kennie Rogers, imagine, Oh.

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Speaker 5: I imagine I play with you and I both played play.

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Speaker 1: W Way House that game.

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Speaker 2: I don't have a hell of a lotto list by

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Speaker 2: that Purple Burkin, but you love that Perkin.

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Speaker 4: Idea is a handbag. Mine's the house in Codslow Well or.

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Speaker 5: Both by Aston Martin.

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Speaker 1: Oh Hello, yeah, good morning Aston Martin.

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Speaker 5: It's got a special place for my Berkelen.

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Speaker 4: If I see your rock up on Monday with an

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Speaker 4: Aston Martin, no one know what's happened. Friend, Hey, you've

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Speaker 4: got it if you're in the in for a bit

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Speaker 4: of a laugh to night or whatever. Yeah, good luck

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Speaker 4: one hundred million someone. Then someone's been winning. People have

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Speaker 4: been winning the whole lot lately. Draws to win it well,

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Speaker 4: nineteen sixty five, it was born stw nine and.

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Speaker 2: Per yes it's sixty and there's a big celebration tonight

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Speaker 2: on Channel nine celebrating sixty years. So many memories, absolutely,

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Speaker 2: so many memories from Channel Night. My brother actually went

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Speaker 2: to school, as it turned out, with flat Puss.

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Speaker 5: Do you remember Flapper the Blue Elephant.

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Speaker 1: I remember Flapper.

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Speaker 2: He used to do a show with Jenny Dunstan, that's right,

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Speaker 2: and Keith Woodland, and I think they would you know,

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Speaker 2: they would do a weekend morning show, but they would

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Speaker 2: also put the kids to bed at night. So I

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Speaker 2: guess a few people probably recorded Flapper and Lady Millar

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Speaker 2: when the guy who was in the Flapper suit, his

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Speaker 2: his head was where Flapper's hat was, so he couldn't

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Speaker 2: see a darn thing. And when they do Jenny Jenny

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Speaker 2: the show with Jenny Dunston and Humpy, they do cooking

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Speaker 2: segments and stuff, and his trunk we'd go in the

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Speaker 2: cake mix or something, flopping it about trying.

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Speaker 1: To No one mentioned the elephant in the room. Control

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Speaker 1: of elephant was up in the hat. That's horrible.

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Speaker 5: Everyone else would be cracking up. Must have been so

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Speaker 5: much fun making those.

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Speaker 1: Sorts of Flapper Flapper Flapper was sweating.

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Speaker 2: Not for the lady in the or man in the

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Speaker 2: costume department who had to clean it afterwards.

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Speaker 4: Yeah, like you said, so many memory And you can

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Speaker 4: actually YouTube the old Dianella studios and buildings of Channel nine.

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Speaker 1: There's a format video on there on YouTube I looked at.

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Speaker 5: Yesterday's TV City, they were all not Rabbit Warrens.

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Speaker 4: The Channel ten month came later, but yeah, just over

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Speaker 4: the road was Channel seven. But you can see the

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Speaker 4: video of that if you want to reminisce about what

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Speaker 4: the old building looked like and a lot of people

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Speaker 4: visited there over the years as well.

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Speaker 2: All right, well, we are going to reminisce further with

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Speaker 2: Michael Thompson and Tracy vo next.

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Speaker 1: Happy Birthday Channel nine.

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Speaker 2: Channel nine is turning sixty tonight Chickens Watch celebrating sixty

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Speaker 2: years Channel nine, Perth seven thirty on nine and nine. Now,

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Speaker 2: we were just having a bit of a reminisce before.

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Speaker 2: I was telling Clazy how my brother went to school

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Speaker 2: with Flapper, and Flapper was last story. Michael Thompson Tracy

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Speaker 2: with us. Good morning morning, Happy birthday, Happy Birthday nine nine.

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Speaker 6: It's incredible sixty years.

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Speaker 1: Yeah, Flapper, that's going on.

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Speaker 2: Jenny Dunstan, the show Hustree Ory was controversial and we

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Speaker 2: didn't care that.

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Speaker 4: You reminder, I was trying to work her what Flapper was,

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Speaker 4: and of course it was an outfit Jenny.

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Speaker 7: Jenny Dunstan features in this special tonight which is. Yeah,

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Speaker 7: it's great to hear her stories of being on the

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Speaker 7: show all that time ago, so it's wonderful to see

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Speaker 7: her in the show.

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Speaker 6: Yeah, in the special, very good.

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Speaker 1: So how much has changed, hasn't it? Hasn't it?

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Speaker 4: I was just saying that least on air that we

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Speaker 4: you can go to YouTube and see the old building,

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Speaker 4: which is a long time ago now.

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Speaker 1: Since you yeah, sixteen years is it sixteen?

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Speaker 3: Is it.

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Speaker 6: Twenty sixteen?

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Speaker 1: We moved sixteen.

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Speaker 6: Year nine years twenty sixteen we moved into St. George's Terrace.

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Speaker 7: Yeah, okay, and oh gosh, Doanella was at Hill was

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Speaker 7: a distant memory last.

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Speaker 5: To leave the little television city that it was.

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Speaker 7: Yeah, Yes, Louise Momba presented the last bulletin from there. Yeah,

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Speaker 7: and then I think we launched off his six pm.

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Speaker 7: And then that we did like a major morning sort

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Speaker 7: of broadcast as well at the new studios, So it

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Speaker 7: was really Yeah, it changed.

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Speaker 1: A lot and that those studios.

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Speaker 8: On top of that, there was an area where a

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Speaker 8: cameraman could set up a tripod. That's where Skylab the

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Speaker 8: only pictures in the world. Channel nine person World Exclusive.

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Speaker 8: John Cunningham was the chief of starting but a cameraman

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Speaker 8: on the roof and he got this. It was just

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Speaker 8: like a streak of light, the trail of the sky,

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Speaker 8: and we got those pictures and that they went around

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Speaker 8: the world and then they found pieces of Skylab down

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Speaker 8: in Espirans and round through there.

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Speaker 1: That was a big deal. A whole generation that doesn't remember.

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Speaker 6: I would know about it.

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Speaker 2: I worked very briefly for John Cunningham in the eighties

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Speaker 2: and I swear to God William mcinnesson's Characterom in the Newsroom.

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Speaker 5: Is based on John Cunningham.

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Speaker 1: Politically incorrect.

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Speaker 2: Eighties news director. There there is nothing else like her.

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Speaker 7: Else.

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Speaker 5: Will we see pop up tonight on the special.

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Speaker 6: We've got Jenny Seton Lovely Jenny Seaton.

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Speaker 7: And she still looks fabulous, incredible, and it was really

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Speaker 7: lovely because the vision of her doing the weather in

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Speaker 7: the day and she remember this is about how she

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Speaker 7: thought she was terrible, but she just looks really.

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Speaker 6: As fabulous as ever and.

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Speaker 1: That great voice, Yes, beautiful.

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Speaker 6: And then yeah, we've got Terry Spence was who was

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Speaker 6: the former news director for a.

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Speaker 1: Long time time.

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Speaker 8: A lot of things happening and just going back and

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Speaker 8: looking in the early days, some obviously swap stations because

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Speaker 8: Jeff Newman was on nine in the days. Lloyd Lawson

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Speaker 8: was was there, Peter Dean who spent time on sever

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Speaker 8: but he was on nine in those early days.

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Speaker 1: Peter Harry's har Y Entertainment, good people the channel as well.

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Speaker 5: It was great.

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Speaker 7: The team did so well in contacting all these people

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Speaker 7: have been there who had worked for Channel nine all

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Speaker 7: those decades ago.

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Speaker 6: And Burjo is on there. He's on there.

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Speaker 8: Yes, you know, I was thinking and sadly some have

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Speaker 8: passed away. Peter w passed away recently. He did worked

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Speaker 8: at seven and worked at Wally Foreman and Wally was

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Speaker 8: Bruce Walker.

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Speaker 1: Yes, and there's you know, there's.

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Speaker 5: Lots of people.

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Speaker 8: Yeah, And I always think of Channel nine for some reason.

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Speaker 8: When I was a kid, they had Gilligan's Island, which

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Speaker 8: was which was a show you remember the stations for

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Speaker 8: what you'd watched made Gilligan's Island, and they had Wimbled

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Speaker 8: and Live and that.

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Speaker 9: We didn't have any cricket. Cricket, yeah, and all those things.

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Speaker 9: Just growing up with things like those. We were very

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Speaker 9: Americanized with their comedy back.

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Speaker 8: It's true Michale's Navy gets smart my favorite.

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Speaker 5: It was on Gilligan Coreck.

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Speaker 3: Michael.

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Speaker 6: Yeah, I got to interview Terry.

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Speaker 8: Terry looks incredible. Terry's eighty and he looks fantastic. And

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Speaker 8: he was a big star. He was probably our first

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Speaker 8: major star. He read the six scott News, then he

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Speaker 8: did Terry Willisey's Perth. He did a series of documentaries,

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Speaker 8: a lot of documentaries. Then he went on to take

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Speaker 8: on his brother. So Michael Willisey was hosting a Current

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Speaker 8: Affair which was obviously on nine here and he was

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Speaker 8: on Terry Willisey. I think it was Terry Willisey's Nation

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Speaker 8: or Terry Willisey's Current Affairs show, and that went head

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Speaker 8: to head with Mike. So the Willises Don Willisey worked

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Speaker 8: at nine.

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Speaker 1: Perth as well.

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Speaker 8: Yes, so they had a huge influence on massive.

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Speaker 4: What about with the celebrations. What about this Perth Symphony

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Speaker 4: Orchestra link. I think it's wonderful, it's beautiful. So it's

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Speaker 4: about a four minute piece.

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Speaker 7: There are about twelve musicians who performed this medley and

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Speaker 7: it's it's one of a kind. The Perth Syphony Orchestra

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Speaker 7: hasn't done anything like this before and the beauty of

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Speaker 7: it as well with a conductor is Greg Schultz. And

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Speaker 7: Greg Schultz the former music director for Channel nine for

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Speaker 7: thirty five years. So when he got contacted by the

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Speaker 7: Perth Syphony Orchestra to put together I get arrange this medley,

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Speaker 7: I think he I think he got chuffed because he

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Speaker 7: was full circle moment for him and so we interviewed

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Speaker 7: him and he's also actually he's part of the special

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Speaker 7: as well.

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Speaker 6: But you're talking about cricket, Lisa, and I.

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Speaker 7: Was like, oh, I said a tom, I said, the

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Speaker 7: wide world of sports themes.

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Speaker 3: On comes on. It just.

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Speaker 6: Everyone knows what it is.

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Speaker 5: It gives me.

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Speaker 7: I've got goosebumps now with you just doing it now,

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Speaker 7: it's so good, you know, And that's that's a big

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Speaker 7: part of the medley. But you know it also mixes

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Speaker 7: in local production shows as well, so it's good.

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Speaker 1: Just a water gurus the news.

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Speaker 4: It's iconic. We have to have a little listeners a

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Speaker 4: bit ready.

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Speaker 9: I've heard that told me that that was used in

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Speaker 9: the movie cool Hand.

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Speaker 7: Look was it was the theme song for nine News

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Speaker 7: came from the cool Handler.

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Speaker 1: Yes can you believe that? Yes? So we do have

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Speaker 1: a linked I was going to say Jeff youman.

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Speaker 7: But it was a wonderful medley from the percific We

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Speaker 7: thank them, We thank them for doing them for us, and.

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Speaker 6: You'll see the full masterpiece tonight.

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Speaker 2: Oh you know, you're a happening thing. When the Symphony

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Speaker 2: Orchestra wants very very special, they do star Wars And two.

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Speaker 8: Of those themes were written by a guy, Tim Halligan,

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Speaker 8: who works with He's a freelance opera He wrote just

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Speaker 8: ad Water and the Postcards themes. A very clever guy.

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Speaker 8: So that's really nice. So a lot of it to

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Speaker 8: come back to the to the local factor in it,

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Speaker 8: and we all grew up with that sort of stuff.

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Speaker 1: Didn't just add water.

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Speaker 7: That was iconic for me growing up back in the day.

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Speaker 1: That was that was That was.

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Speaker 4: Obviously you did a lot of sport. But you've mentioned

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Speaker 4: Bruce Walker. Bruce Walker was sitting next to Bob Hawk

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Speaker 4: the night that we won the America's Cup.

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Speaker 8: Wasn't Jack he was? And that today I can remember

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Speaker 8: watching Sue Kellaway. I think Steve Leeban we're hosting the

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Speaker 8: Today Show that night. I remember I was doing a

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Speaker 8: kid at chip at w Newspapers and I had a

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Speaker 8: shorthand exam that day, I still remember, but I remember

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Speaker 8: watching Himo the early hours and into the morning, like

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Speaker 8: it was sort of six or seven o'clock, was still

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Speaker 8: celebrating and still going strong.

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Speaker 3: Yeah.

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Speaker 8: Bruce, Bruce was look was an absolute legend at nine

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Speaker 8: for a long time.

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Speaker 1: So I was, you know, and Wally.

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Speaker 8: I remember that we had Wally Bruce, Terry, Willisy Russell,

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Speaker 8: Deer Russell's. Yeah, they were really iconic figures.

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Speaker 1: Crew.

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Speaker 5: Well, we could sit here and reminiscence.

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Speaker 2: We're going to have to save some for tonight, seven

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Speaker 2: thirty tonight on nine and nine now celebrating sixty years

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Speaker 2: Channel Night. I mean, we've all grown up with it.

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Speaker 2: We all remember when it used to close down at about.

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Speaker 1: Yeah, yeah, yeah, tomorrow even watching.

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Speaker 5: A now they don't believe.

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Speaker 10: Yeah.

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Speaker 8: I think we were the first. We were the first

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Speaker 8: station to go twenty four hours, which was okay, and

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Speaker 8: first color too.

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Speaker 6: Yes, first I.

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Speaker 1: Remember going to carry up shops, watching.

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Speaker 4: The cricket, watching cartoons.

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Speaker 1: It was a big deal.

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Speaker 5: Was a huge deal. Well, it is a huge deal.

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Speaker 5: Thank you for sing and we'll see you tonight.

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Speaker 1: Thank you.

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Speaker 8: Tell you to more Clezy more podcasts soon.

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Speaker 2: See two beaufires starts eight pm Sunday on the ABC

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Speaker 2: and on abc I View. Of course, in the star

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Speaker 2: of the show, Marta Dusseldorf is joining us.

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Speaker 10: Good morning, good morning, thank you, thank you for having me.

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Speaker 5: Oh, thank you for joining us.

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Speaker 2: I loved season one and I love the synopsis for

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Speaker 2: season two. It says Stella sees a glimmer of hope

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Speaker 2: on the horizon. No one has tried to kill her

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Speaker 2: for some months. I'm right back there with you. So

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Speaker 2: what can we expect in season two? Are you at

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Speaker 2: the center of a myriad of problems again?

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Speaker 10: Not to start with, she's simply the boss of the town,

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Speaker 10: managing these fabulous bunch of Motley criminals. Yes, and doing

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Speaker 10: quite well in fact, and everyone's got more than they need.

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Speaker 10: But of course no one's ever satiated. So she gets

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Speaker 10: a tap on the shoulder by someone that needs more,

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Speaker 10: and it all starts unraveling very quickly. We've got new villains,

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Speaker 10: We've got deeper, darker secrets. We go deep into the

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Speaker 10: relationships between the characters you met in season one. So,

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Speaker 10: for example, Magda and Heather, pam Rave and ros Hammond

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Speaker 10: have a their very own storyline where Selli takes a

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Speaker 10: break and we find out why they're together and what

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Speaker 10: they mean to each other and how they make it

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Speaker 10: all work. The kids have grown up, so Otis and

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Speaker 10: Iris are more trouble than they're.

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Speaker 3: Worth, of course not. We love our kids.

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Speaker 10: And Stella and Jeremiah are still trying to work it out.

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Speaker 10: And in the background, yes, there's people wanting things from

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Speaker 10: her that she couldn't possibly provide, and we don't not

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Speaker 10: as many people die this season, and of course it's

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Speaker 10: all accidental, but we really tried to keep the vibe.

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Speaker 10: You know, Ozark meets Fargo meets.

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Speaker 4: It's very good, comperhensive summer. It's going on without giving

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Speaker 4: any spoils away, Mat, I thank you for that. Now

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Speaker 4: film filming and tasty, which is home since you and

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Speaker 4: Ben and the family moved lived back to how the

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Speaker 4: film That's Possible.

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Speaker 10: I was so wonderful to return to zen and Queenstown

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Speaker 10: on the west coast of Tasmania. It is one of

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Speaker 10: the most unique landscapes I think in the world, and

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Speaker 10: the people are now like family. Ben and I have

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Speaker 10: a place there and have for longer than the shows existed.

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Speaker 5: But we knew when.

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Speaker 10: We first arrived there, and especially when we walked into

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Speaker 10: z and that that was where we needed to place

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Speaker 10: this western which is really what Bayprize is. And and

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Speaker 10: so this time you'll see us actually spend more time

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Speaker 10: in that main street and Stella and the kids have

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Speaker 10: moved into that, into that amazing art deco Gaiety theater

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Speaker 10: which exists. And yeah, it's I mean, look it's cold,

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Speaker 10: it's the dead of winter, but that's when we need

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Speaker 10: to be there.

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Speaker 3: You really see the West coast.

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Speaker 10: Come along in the winter, the moss and the mycilium

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Speaker 10: and all of the treasures of snow one day and

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Speaker 10: just wet the next and then brilliant sunshine. So we

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Speaker 10: found some locations in season one that we couldn't get

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Speaker 10: to because we didn't have time. But season two I

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Speaker 10: made sure we went up the highest mountains into the

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Speaker 10: coldest river. Well done, and we really made the most

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Speaker 10: of this glorious landscape.

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Speaker 1: It is.

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Speaker 2: It's like a character in and of itself, the landscape

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Speaker 2: of Tasmania. I mean that great show Deadlock that was

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Speaker 2: on last year, and then on the weekend I watched

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Speaker 2: The Survivors, two shows recently set in Tasmania.

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Speaker 5: It's incredible and great cast.

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Speaker 2: As you said, Ros and Pamela are back, and Matt

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Speaker 2: Nabel he's back for season two as well.

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Speaker 1: Really yep.

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Speaker 10: And we've got Andre Dvani who plays Jason, and Emily

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Speaker 10: who plays Bonnie his wife live in the caravan. I've

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Speaker 10: got Bob Franklin, and we've got Kim Coo and El Mandalas.

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Speaker 1: They're all back.

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Speaker 10: And then we've got some really fabulous new faces. So

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Speaker 10: Benedict Hardy joins us as as I think one of

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Speaker 10: the most unusual villains I've ever created, co created with

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Speaker 10: my writing buddies, but his performance is so electric and

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Speaker 10: every time I did a scene with him, I didn't

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Speaker 10: know when the scene had finished, I should we stop now,

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Speaker 10: you know, because he's so so in it and fabulous.

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Speaker 10: And then some other really great guest artists. We love

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Speaker 10: to bring people in quite quickly and then get them

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Speaker 10: out one way or another, so there are lots of

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Speaker 10: people tripping literally out of the scene, out of the show.

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Speaker 10: But it was such a ball to write again, and

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Speaker 10: the privilege of being able to go back in is

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Speaker 10: you know. The audience loved it, being the most watched

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Speaker 10: show on ABC in two thousand and twenty three, so

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Speaker 10: we just want to please. I mean, it really was

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Speaker 10: about giving them back all the Loveday gave us, so

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Speaker 10: hopefully they love it.

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Speaker 1: This So a young woman who plays Rebecca looks like

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Speaker 1: she shows promised too. Grace. Well, I want to talk

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Speaker 1: about We mentioned quite a bit about Tazzy, but here

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Speaker 1: in Perth we're going to be very spoiled because we've

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Speaker 1: almost finished these new film studios in Malaga.

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Speaker 4: What's the setup like down here? I mean, I know

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Speaker 4: you and then would love to have an everyone else

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Speaker 4: in the industry love to have that facility. And then

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Speaker 4: what is the promise for that to come?

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Speaker 10: I think while there's focus on another very big structure

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Speaker 10: going on down in Tasmania at the moment, that that's

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Speaker 10: not a possibility necessarily. But the beauty of Chassy and

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Speaker 10: it's you'll feel it when you come and visit, it's

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Speaker 10: you have to get out in it. That's where the

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Speaker 10: magic lies. So to box us in a room I

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Speaker 10: don't think is conducive to what Tassi has to offer.

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Speaker 10: So and all those shows you mentioned, they're all in

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Speaker 10: completely different regions and spaces of that incredible state. So

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Speaker 10: us taking the West Coast, I just it's so unique,

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Speaker 10: it's so organic, and often you know, it says, come

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Speaker 10: down for air, you know that tourism thing.

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Speaker 3: It's so true, like we ordered sit out.

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Speaker 10: There, breathing in this air and going. We can't believe

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Speaker 10: we're allowed to be here with cameras and capturing this

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Speaker 10: in national parks. I mean, obviously everything's permitted.

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Speaker 3: We're very careful with it.

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Speaker 10: I mean, look, of course I'd love a studio because

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Speaker 10: it's actually cost effective. As now my producer goes on.

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Speaker 10: You know, regional shooting is not cheap. Our budgets aren't huge,

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Speaker 10: so compared to the Americans, what.

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Speaker 3: We're able to achieve is pretty startling.

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Speaker 10: And I hope yeah, and our stories travel around the world,

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Speaker 10: so I think we do okay.

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Speaker 5: I think we do well.

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Speaker 2: Season one of Bayer Fires was such a trip.

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Speaker 5: If you haven't seen season one, get around it.

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Speaker 2: In Season two starts eight o'clock Sunday on the ABC.

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Speaker 5: I can't wait, Marta. Thank you for joining.

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Speaker 10: Us, Thank you, thanks for speaking to me.

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Speaker 1: Absolutely time.

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Speaker 4: We were talking with our one of our producers, Liz

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Speaker 4: during the week and talking about the fact that she

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Speaker 4: she had a boss whose name was Tracy Chapman and oh,

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Speaker 4: that's that's unusual a famous name.

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Speaker 5: And then did she say that her mum knew a

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Speaker 5: Tina Turner?

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Speaker 1: Tina Turner.

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Speaker 5: Yeah, we used to know Elizabeth Taylor, really Taylor.

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Speaker 1: Yeah, what did she call herself?

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Speaker 5: Liz?

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Speaker 1: Just Liz having to run with it?

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Speaker 5: Yeah, well there's not a lot she could do with it.

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Speaker 1: It's a bit different, isn't it? A little bit bit

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Speaker 1: lily bit Taylor name by Deed pol.

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Speaker 4: Yes's funny because we were chatting about this and the

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Speaker 4: classic example of hollyo it is. You know, when you've

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Speaker 4: got a person by the name of Michael Jordan in

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Speaker 4: the world, you put a be in the middle of

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Speaker 4: the name might change things just a little bit for you.

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Speaker 5: Confusing.

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Speaker 2: A lot of people are named after famous people. We

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Speaker 2: want you to give us a call.

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Speaker 5: Do you know someone with a celebrity name or were

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Speaker 5: you named after someone famous? Do you, indeed yourself have

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Speaker 5: a famous name.

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Speaker 1: I went to school with the McDonald boys, and the

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Speaker 1: older brother's name is Ronald.

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Speaker 5: Get out you went to school with Ronald McDonald.

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Speaker 1: I went to Ronald McDonald.

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Speaker 2: We wouldn't have had McDonald's here yet. No, because you

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Speaker 2: didn't go to school with hungry Jacks.

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Speaker 4: No, No, that's right, Burger King or Hamburgler. Yeah, so

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Speaker 4: later on it became. But in the school days it

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Speaker 4: wasn't that funny, No, it was I would have been

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Speaker 4: later hilarious later Callen, what do it go for us?

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Speaker 11: In the name in the eighties of the famous TV

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Speaker 11: show called Callen and.

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Speaker 3: Edward Woodwood was the actor.

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Speaker 11: That's right, and Detective shod and I'm named after him.

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Speaker 5: You are, you're very general saying the eighties. It was

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Speaker 5: the sixties.

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Speaker 2: Was the sixties, but we were probably in reruns of

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Speaker 2: it in in in the eighties for sure.

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Speaker 5: Callen, Yes, Edward Ward he was.

446
00:22:11,280 --> 00:22:12,480
Speaker 1: It was quite a stared.

447
00:22:12,240 --> 00:22:14,800
Speaker 2: Pretty cool, nice one. That's a good name to be

448
00:22:14,920 --> 00:22:15,840
Speaker 2: named after its good name.

449
00:22:15,840 --> 00:22:20,359
Speaker 1: He did what he could have been called Colomboka.

450
00:22:20,640 --> 00:22:25,320
Speaker 2: Thanks Gallos, Bye John, and como go what do you

451
00:22:25,320 --> 00:22:26,160
Speaker 2: got for us?

452
00:22:27,880 --> 00:22:28,160
Speaker 3: Hello?

453
00:22:28,440 --> 00:22:29,400
Speaker 1: Hello John?

454
00:22:30,280 --> 00:22:31,280
Speaker 5: There you going good?

455
00:22:31,359 --> 00:22:38,080
Speaker 3: I'm good saves. Back in the seventies, a long time ago,

456
00:22:38,840 --> 00:22:41,959
Speaker 3: the guy that run the local newsagent was the name

457
00:22:42,080 --> 00:22:42,719
Speaker 3: John Lennon.

458
00:22:42,960 --> 00:22:43,600
Speaker 5: John Lennon.

459
00:22:46,000 --> 00:22:50,320
Speaker 3: So yeah, when John Lennard was actually small, Yeah.

460
00:22:51,080 --> 00:22:56,880
Speaker 1: Yeah, seventies at the time, absolutely a very famous name

461
00:22:56,920 --> 00:23:01,240
Speaker 1: at the time. Thanks John, appreciate that, John. Of course,

462
00:23:01,280 --> 00:23:02,920
Speaker 1: as you know, my name is Dean. Anthony Claire is

463
00:23:02,960 --> 00:23:05,480
Speaker 1: known about the Norman Bates from Psycho Anthony Perkins.

464
00:23:05,520 --> 00:23:08,919
Speaker 5: Thanks mum, not really, you gotta you gotta let go

465
00:23:09,000 --> 00:23:12,960
Speaker 5: of it, being she was only human he was.

466
00:23:13,080 --> 00:23:15,679
Speaker 1: He was a heart throw He was a heart thrown.

467
00:23:16,040 --> 00:23:18,159
Speaker 5: When he was Norman baits mother.

468
00:23:18,680 --> 00:23:23,280
Speaker 4: But other times, but your mum calls you that, and

469
00:23:23,960 --> 00:23:24,920
Speaker 4: it's time to have a shower.

470
00:23:24,960 --> 00:23:28,280
Speaker 1: I'm going on a shower, remember the shower of Psycho.

471
00:23:30,880 --> 00:23:31,320
Speaker 5: Alisia.

472
00:23:32,160 --> 00:23:35,879
Speaker 2: Her brothers named Clinton after Clint Eastwood. Parents are big fans.

473
00:23:35,920 --> 00:23:39,720
Speaker 2: They watched all all Clint's movies growing up. Stephen Sterling says,

474
00:23:40,040 --> 00:23:42,480
Speaker 2: there's a shop fitter here in Perth called James Brown.

475
00:23:43,880 --> 00:23:45,680
Speaker 5: You're going to expect him to feel good every time

476
00:23:45,720 --> 00:23:46,600
Speaker 5: he introduces himself.

477
00:23:48,200 --> 00:23:51,920
Speaker 2: Kylie in Rockingham's bosses name is Paul Kelly Dominic and

478
00:23:51,960 --> 00:23:54,040
Speaker 2: Osborne Park said Paul Hogan was the name of a

479
00:23:54,119 --> 00:23:59,280
Speaker 2: boss I worked for back in the nineties and Phil

480
00:23:59,359 --> 00:24:01,919
Speaker 2: in Quins ra So. I went to secondary school in

481
00:24:01,960 --> 00:24:03,360
Speaker 2: the UK with Brian Gardner.

482
00:24:03,560 --> 00:24:04,199
Speaker 1: Oh there you go.

483
00:24:04,320 --> 00:24:06,040
Speaker 5: I had a kid in the year behind me was

484
00:24:06,119 --> 00:24:06,800
Speaker 5: Keith Richard.

485
00:24:07,000 --> 00:24:08,080
Speaker 1: Oh right, Oh that's cool.

486
00:24:08,119 --> 00:24:10,080
Speaker 2: What wasn't the Keith Richard because he went to school

487
00:24:10,080 --> 00:24:11,600
Speaker 2: in the eighteen hundred, it wasn't.

488
00:24:11,440 --> 00:24:15,159
Speaker 4: Keith, not that Keith was still alive. Speaking of Paul Huggins,

489
00:24:15,160 --> 00:24:18,200
Speaker 4: we worked in radio with Paul Hogan. Didn't help. I

490
00:24:18,320 --> 00:24:20,520
Speaker 4: did it along there. It didn't help along the way.

491
00:24:20,720 --> 00:24:22,399
Speaker 4: Every Paul Hrgan's on the radio.

492
00:24:22,640 --> 00:24:24,159
Speaker 5: He worked here.

493
00:24:24,480 --> 00:24:27,160
Speaker 1: He became a cop. He did he he's got a kedwork.

494
00:24:27,200 --> 00:24:28,720
Speaker 1: Can I Peter? I?

495
00:24:28,760 --> 00:24:30,880
Speaker 5: Peter good?

496
00:24:31,560 --> 00:24:32,080
Speaker 1: What do you got?

497
00:24:33,280 --> 00:24:35,440
Speaker 3: I went to school with Paul Newman and Michael Jackson

498
00:24:35,720 --> 00:24:41,160
Speaker 3: if you like, and and my second name is Alexander's

499
00:24:43,080 --> 00:24:43,480
Speaker 3: very good.

500
00:24:43,480 --> 00:24:45,040
Speaker 5: Oh you make my favorite ugly.

501
00:24:46,359 --> 00:24:49,480
Speaker 2: I had the money yesterday, just yesterday.

502
00:24:50,240 --> 00:24:51,520
Speaker 3: It's kind of when you wear them.

503
00:24:51,560 --> 00:24:55,080
Speaker 5: You got my got my initials, very good with your

504
00:24:55,160 --> 00:24:56,800
Speaker 5: name on my fate all winter paper.

505
00:24:56,840 --> 00:24:58,040
Speaker 1: You've got Bespoke.

506
00:24:59,240 --> 00:24:59,960
Speaker 5: The Fantastic.

507
00:25:01,359 --> 00:25:02,160
Speaker 1: That's a good collection.

508
00:25:03,280 --> 00:25:09,040
Speaker 5: Yes, Sabrina in Berlia, Hello, Hi, So.

509
00:25:09,040 --> 00:25:12,080
Speaker 12: Apparently I was named after the original, one of the

510
00:25:12,119 --> 00:25:18,840
Speaker 12: original Charlie's Angels from the seventies. Yes, yes, but no

511
00:25:18,880 --> 00:25:21,520
Speaker 12: one seems to remember that. All they remember is that

512
00:25:21,680 --> 00:25:24,560
Speaker 12: famous singer from the eighties, that one.

513
00:25:24,320 --> 00:25:29,119
Speaker 1: Who has the one with the big boobs. Yeah yeah, boys, boys, boys,

514
00:25:29,560 --> 00:25:30,399
Speaker 1: Oh god.

515
00:25:30,600 --> 00:25:33,879
Speaker 5: No, I think I think of Sabrina and Bewitched.

516
00:25:35,320 --> 00:25:36,560
Speaker 1: Sister. Yeah.

517
00:25:37,840 --> 00:25:39,840
Speaker 12: If I had a dollar for every time someone said

518
00:25:39,880 --> 00:25:41,920
Speaker 12: to me Sabrina the teenage witch or something.

519
00:25:44,160 --> 00:25:46,439
Speaker 2: Thank you Sabrina, it's a beautiful naw, it is a

520
00:25:46,480 --> 00:25:46,960
Speaker 2: lovely name.

521
00:25:48,560 --> 00:25:48,800
Speaker 1: Thanks.

522
00:25:49,280 --> 00:25:52,880
Speaker 4: And Sabrina was also Elizabeth Montgomery, wasn't she. She'd throw

523
00:25:52,880 --> 00:25:53,720
Speaker 4: a wig on, That's.

524
00:25:53,600 --> 00:25:56,240
Speaker 5: What I mean. Yeah, I think you bewitched her, her sister,

525
00:25:56,320 --> 00:25:57,120
Speaker 5: her twin sister.

526
00:25:57,359 --> 00:25:57,560
Speaker 3: She was.

527
00:25:57,960 --> 00:25:59,200
Speaker 5: She was the naughty she was.

528
00:25:59,560 --> 00:26:01,359
Speaker 1: She was yeah stuff, she used to always try and

529
00:26:01,400 --> 00:26:02,000
Speaker 1: crack on the down.

530
00:26:02,600 --> 00:26:06,280
Speaker 2: Yeah, that show was like ahead of its time and

531
00:26:06,640 --> 00:26:08,000
Speaker 2: all sorts of things all the same.

532
00:26:08,960 --> 00:26:10,000
Speaker 1: So good run away.

533
00:26:10,280 --> 00:26:13,960
Speaker 5: Paul In Jodler, Hello.

534
00:26:12,800 --> 00:26:18,399
Speaker 11: Morning, happy for Friday. Sorry, yes, yeah, we we know

535
00:26:18,520 --> 00:26:22,600
Speaker 11: someone who named their son Malcolm. Than there. They're the youngs.

536
00:26:24,160 --> 00:26:24,840
Speaker 3: A C. D C.

537
00:26:25,520 --> 00:26:29,600
Speaker 11: Normally people for Angus, but yeah, they went for Malcolm.

538
00:26:30,200 --> 00:26:32,720
Speaker 5: You don't get the baby malcolms these days.

539
00:26:35,240 --> 00:26:36,639
Speaker 11: Of Hayden's and things like that.

540
00:26:37,000 --> 00:26:39,280
Speaker 4: I want to store the few males in my day.

541
00:26:39,320 --> 00:26:42,280
Speaker 4: But yeah, it was more with the John's and the David's.

542
00:26:42,480 --> 00:26:51,480
Speaker 2: Travel the countryside. Absolutely, Malcolm, Malcolm Douglas. Malcolm Douglas, Yes,

543
00:26:53,080 --> 00:26:53,520
Speaker 2: was prominent.

544
00:26:53,520 --> 00:26:54,280
Speaker 5: Malcolm Fraser.

545
00:26:55,600 --> 00:26:59,119
Speaker 11: Malcolm Douglas or used to own the Crocodile.

546
00:27:00,480 --> 00:27:02,960
Speaker 5: That's right, made all those shows.

547
00:27:03,040 --> 00:27:03,600
Speaker 1: That's right.

548
00:27:03,680 --> 00:27:05,240
Speaker 5: Yes, we're all.

549
00:27:05,160 --> 00:27:07,480
Speaker 1: Down to earth years before stevee ewe.

550
00:27:07,800 --> 00:27:11,440
Speaker 5: Absolutely yeah wa one, yes.

551
00:27:11,760 --> 00:27:14,320
Speaker 1: Thank you, Paul. I believe.

552
00:27:17,200 --> 00:27:19,520
Speaker 11: Any chance of any chance for photo with you.

553
00:27:19,920 --> 00:27:21,040
Speaker 1: God, I don't know about that.

554
00:27:21,160 --> 00:27:29,120
Speaker 4: Look yeah ok, we were too with you, the Sure

555
00:27:29,240 --> 00:27:33,200
Speaker 4: Report on ninety six Air FM.

556
00:27:33,480 --> 00:27:37,600
Speaker 2: Tributes are pouring in for Brian Wilson, the legendary Beach Boy,

557
00:27:37,720 --> 00:27:41,639
Speaker 2: has died at eighty two. Wilson's family broke the news online,

558
00:27:41,880 --> 00:27:44,760
Speaker 2: saying they are at a total loss for words. Following

559
00:27:44,800 --> 00:27:47,560
Speaker 2: the death of his wife, Melinda last year, Brian's family

560
00:27:47,600 --> 00:27:50,840
Speaker 2: filed court documents to obtain a conservatorship, revealing that he

561
00:27:50,880 --> 00:27:55,480
Speaker 2: suffered from a major neuro cognitive disorder. Brian Wilson co

562
00:27:55,560 --> 00:27:58,119
Speaker 2: founded the Beach Boys in nineteen sixty one with his

563
00:27:58,160 --> 00:28:00,920
Speaker 2: brothers Carl and Dennis, cousin Mike Love, and their friend

564
00:28:01,000 --> 00:28:03,719
Speaker 2: Al Jardine when the group was fresh out of high school.

565
00:28:04,000 --> 00:28:07,280
Speaker 2: They went on to embody the California feel of the sixties,

566
00:28:07,320 --> 00:28:10,560
Speaker 2: and with Brian's production and guidance, gave us some of

567
00:28:10,600 --> 00:28:37,760
Speaker 2: the finest harmonies we are ever going to Getmisicus, it's.

568
00:28:37,640 --> 00:28:39,680
Speaker 1: Just sublime section.

569
00:28:40,520 --> 00:28:43,200
Speaker 2: Brian wrote that song in my room as an expression

570
00:28:43,200 --> 00:28:47,040
Speaker 2: of his severe agoraphobia. It's no secret he suffered with

571
00:28:47,120 --> 00:28:50,959
Speaker 2: various anxiety disorders all through his life. It's that fine

572
00:28:51,000 --> 00:28:55,400
Speaker 2: line between genius and anxiety. So, as I said, the

573
00:28:55,440 --> 00:28:57,840
Speaker 2: tributes have been pouring in. Ronnie Wood from the Stones

574
00:28:57,840 --> 00:29:00,960
Speaker 2: as posted Brian Wilson's liestone in week my world is

575
00:29:00,960 --> 00:29:04,440
Speaker 2: in mourning. Sean Lennon called him America's Mozart, saying that

576
00:29:04,480 --> 00:29:06,920
Speaker 2: not many people influenced him as much as he did.

577
00:29:07,280 --> 00:29:10,680
Speaker 2: John Cusack, who played Wilson in the twenty fourteen biopic

578
00:29:10,760 --> 00:29:13,040
Speaker 2: Love and Mercy, wrote, the man was an open heart

579
00:29:13,080 --> 00:29:16,240
Speaker 2: with two legs, with an ear that heard the angels.

580
00:29:16,320 --> 00:29:19,680
Speaker 2: Elton John called him a musical genius and revolutionary, that

581
00:29:19,720 --> 00:29:22,440
Speaker 2: Brian changed the goalpost when it came to writing songs

582
00:29:22,680 --> 00:29:26,240
Speaker 2: and shaped music forever, and Mick Fleetwood wrote on behalf

583
00:29:26,240 --> 00:29:29,400
Speaker 2: of Fleetwood Mac, anyone with a musical bone in their

584
00:29:29,440 --> 00:29:32,720
Speaker 2: body must be grateful for Brian Wilson's genius, magical touch

585
00:29:33,080 --> 00:29:37,800
Speaker 2: and greatly saddened by this major worldly loss. If you

586
00:29:38,200 --> 00:29:41,440
Speaker 2: didn't catch the Beach Boys documentary that came out in

587
00:29:41,480 --> 00:29:44,560
Speaker 2: May last year streaming on Disney Yep, Now's the time.

588
00:29:44,760 --> 00:29:47,960
Speaker 2: It is a wonderful doco featuring interviews with Brian and

589
00:29:48,040 --> 00:29:51,120
Speaker 2: Mike Love and Al Jardine. It chronicles their eyes from

590
00:29:51,160 --> 00:29:54,720
Speaker 2: their modest family origins to becoming a revolutionary force in music.

591
00:29:54,760 --> 00:29:59,520
Speaker 2: I think I'll definitely be revisiting that most weekend More.

592
00:29:59,440 --> 00:30:02,040
Speaker 1: Pleasy, Oh Lisa More podcast.

593
00:30:02,320 --> 00:30:05,360
Speaker 8: Soon we would be singing a man at Work song

594
00:30:05,480 --> 00:30:07,120
Speaker 8: to twelve hundred people and men at.

595
00:30:07,040 --> 00:30:07,880
Speaker 5: Work and began the road.

596
00:30:07,920 --> 00:30:09,719
Speaker 1: I don't need to put people party in the venue,

597
00:30:09,720 --> 00:30:10,080
Speaker 1: but the.

598
00:30:10,000 --> 00:30:13,120
Speaker 4: Bands was a wave like Colesy and lisas person pub

599
00:30:13,200 --> 00:30:15,120
Speaker 4: Crawl at Pinocchio's.

600
00:30:14,560 --> 00:30:19,080
Speaker 7: Magnet House is resurrecting Pinocchio's for one night only Magnet House,

601
00:30:19,200 --> 00:30:21,880
Speaker 7: a maker of dance and diversity right in the heart

602
00:30:21,960 --> 00:30:22,760
Speaker 7: of the city.

603
00:30:22,720 --> 00:30:27,320
Speaker 2: And from the jets. Peter Deeny Dean, how the heck

604
00:30:27,360 --> 00:30:36,160
Speaker 2: are you? What was it like listening to that on

605
00:30:36,200 --> 00:30:37,000
Speaker 2: the radio again?

606
00:30:38,080 --> 00:30:44,520
Speaker 3: I thought, I all right, I remember that one band. Yeah,

607
00:30:44,520 --> 00:30:46,400
Speaker 3: we did that sorry sorry, what was that?

608
00:30:46,560 --> 00:30:48,520
Speaker 1: That sounds like a solid rock band of me? Mate?

609
00:30:49,240 --> 00:30:52,640
Speaker 3: Yeah, yeah, I was papping away to a CDCs like

610
00:30:53,000 --> 00:30:54,920
Speaker 3: just as good to this? Great songs, aren't they?

611
00:30:55,000 --> 00:30:57,719
Speaker 2: Yeah, absolutely take us back to the start, Daney, How

612
00:30:57,760 --> 00:30:58,720
Speaker 2: did the band get together?

613
00:31:00,480 --> 00:31:05,040
Speaker 3: Ah? Well, I basically put it together with a fentol

614
00:31:05,120 --> 00:31:09,680
Speaker 3: meadow and what the band I was in with my

615
00:31:09,760 --> 00:31:12,880
Speaker 3: brother and that we both we split up and so

616
00:31:13,280 --> 00:31:17,320
Speaker 3: the drummer was was living with us and the guitars

617
00:31:17,360 --> 00:31:19,600
Speaker 3: were still here and we're going to go around Australia.

618
00:31:19,640 --> 00:31:23,920
Speaker 3: So which is my wife now? And anyway, so I

619
00:31:24,080 --> 00:31:25,920
Speaker 3: met up with Fenton and he was saying, you know,

620
00:31:25,960 --> 00:31:28,080
Speaker 3: I did that, and I was thinking, that's the same

621
00:31:28,120 --> 00:31:30,400
Speaker 3: sort of music I want to play. So I put

622
00:31:30,440 --> 00:31:33,360
Speaker 3: together in the land room and had a bit of

623
00:31:33,360 --> 00:31:35,600
Speaker 3: a jam and thought this was good. So we just thought,

624
00:31:35,680 --> 00:31:37,320
Speaker 3: you know, went up to crowd and to put the

625
00:31:37,320 --> 00:31:40,200
Speaker 3: band together for two weeks, but we got flooded in

626
00:31:40,960 --> 00:31:43,520
Speaker 3: and couldn't think of a name for the band. Like

627
00:31:43,600 --> 00:31:45,080
Speaker 3: that's the hardest thing in the band is thinking of

628
00:31:45,080 --> 00:31:45,360
Speaker 3: a name.

629
00:31:45,480 --> 00:31:46,960
Speaker 1: Yeah, yeah it was.

630
00:31:47,440 --> 00:31:51,680
Speaker 3: It was Trevor's girlfriend thought what about the Jets and

631
00:31:51,720 --> 00:31:54,160
Speaker 3: we thought it sounds a bit corny, but we had

632
00:31:54,160 --> 00:31:57,120
Speaker 3: to ringing up. Berth was ringing up, the agent was

633
00:31:57,200 --> 00:31:59,000
Speaker 3: ringing up. So what's the name of the band? We

634
00:31:59,040 --> 00:31:59,680
Speaker 3: need some posts?

635
00:32:00,040 --> 00:32:00,920
Speaker 1: Yeah, of course.

636
00:32:01,480 --> 00:32:03,720
Speaker 3: Played the four people at the Civic Hotel.

637
00:32:04,000 --> 00:32:09,560
Speaker 1: Four friends and really no, no, well yeah.

638
00:32:09,400 --> 00:32:12,000
Speaker 3: And there was there was some invited industry people, but yeah,

639
00:32:12,520 --> 00:32:15,720
Speaker 3: loading their own gear. And that went from six gigs

640
00:32:15,720 --> 00:32:18,320
Speaker 3: a week, loading their own gear and where only couldn't

641
00:32:18,320 --> 00:32:21,560
Speaker 3: afford anything all the money winning production. Yeah, it just

642
00:32:21,600 --> 00:32:25,920
Speaker 3: went from there. But honestly, I've been looking at it.

643
00:32:26,160 --> 00:32:29,040
Speaker 3: I can't believe of band's been going for forty five

644
00:32:29,160 --> 00:32:31,680
Speaker 3: years if they have a band and we did a

645
00:32:31,720 --> 00:32:37,120
Speaker 3: show in a long weekend down Ravenswood and like fourteen

646
00:32:37,200 --> 00:32:39,640
Speaker 3: hundred people come sort of band stand alone from.

647
00:32:39,600 --> 00:32:41,200
Speaker 5: Four to fourteen hundred there.

648
00:32:41,280 --> 00:32:45,440
Speaker 4: Yeah, that's a test of time, Dan's some of the

649
00:32:45,520 --> 00:32:47,360
Speaker 4: venues goes just to play. And I mean you mentioned

650
00:32:47,400 --> 00:32:49,120
Speaker 4: the Civic there with not that many there, But you

651
00:32:49,160 --> 00:32:51,240
Speaker 4: played the Morley part the Generator quite a bit morey,

652
00:32:51,240 --> 00:32:51,520
Speaker 4: didn't you.

653
00:32:52,440 --> 00:32:55,040
Speaker 3: Yeah. Yeah, and there was a good band in there

654
00:32:55,120 --> 00:32:58,920
Speaker 3: and good fights on a Friday night. Yeah, the guard

655
00:32:59,000 --> 00:33:00,000
Speaker 3: pack that was entertaining.

656
00:33:00,040 --> 00:33:01,440
Speaker 1: Yeah, yeah, right.

657
00:33:02,600 --> 00:33:05,920
Speaker 3: My favorite pub of all the time in per per

658
00:33:06,040 --> 00:33:08,520
Speaker 3: Put because we did traveling flight that was as a

659
00:33:08,600 --> 00:33:11,800
Speaker 3: rabble stick stick to the.

660
00:33:11,760 --> 00:33:15,160
Speaker 11: Carpet there they.

661
00:33:14,040 --> 00:33:17,920
Speaker 3: Used to rake. It looked like the parpet like it's been.

662
00:33:18,120 --> 00:33:20,000
Speaker 3: It was all white. It was all broken glass. They

663
00:33:20,080 --> 00:33:24,240
Speaker 3: used to rake the glass out to break the carpet. Yes, right,

664
00:33:24,680 --> 00:33:27,600
Speaker 3: the broken glass, you know it was. It was incredible,

665
00:33:27,800 --> 00:33:32,000
Speaker 3: but all the most well, all those venues are gone

666
00:33:32,040 --> 00:33:33,880
Speaker 3: now that I think the Charles is about the only

667
00:33:33,880 --> 00:33:37,560
Speaker 3: one hanging on. I do believe the Civics. I haven't

668
00:33:37,600 --> 00:33:41,280
Speaker 3: lived in Perth over twenty years now, so obviously do

669
00:33:41,440 --> 00:33:43,840
Speaker 3: pop in. But it was the last show I hadn't

670
00:33:43,880 --> 00:33:47,920
Speaker 3: played for five years. So my bass in the case

671
00:33:47,960 --> 00:33:50,400
Speaker 3: and they stayed in the cupboard for five years to

672
00:33:50,400 --> 00:33:53,520
Speaker 3: get it out and basically learned to play again. And

673
00:33:53,600 --> 00:33:56,320
Speaker 3: singing was you never know how you're going to go

674
00:33:56,360 --> 00:33:59,320
Speaker 3: and sing to your rehearse. So I've got to know

675
00:33:59,360 --> 00:34:02,560
Speaker 3: the guitarist is the new lyne guitaris, so they're going

676
00:34:02,600 --> 00:34:05,760
Speaker 3: to find him in me in rehearse and we only

677
00:34:05,800 --> 00:34:07,480
Speaker 3: get a few days to rehearse, and then you've got

678
00:34:07,480 --> 00:34:09,799
Speaker 3: to get out on stage and there's no like a

679
00:34:09,840 --> 00:34:14,960
Speaker 3: warm up. You just got to do it. It's quite scary,

680
00:34:15,320 --> 00:34:16,320
Speaker 3: and you're quite scary.

681
00:34:16,440 --> 00:34:21,759
Speaker 2: You were always you know, the ultimate you know, professionals too.

682
00:34:21,800 --> 00:34:25,200
Speaker 2: We're putting on a show, proper sound, proper lighting. You

683
00:34:25,280 --> 00:34:27,880
Speaker 2: had a whole crew behind you, so you didn't really

684
00:34:28,200 --> 00:34:29,879
Speaker 2: you never cut corners back in the day.

685
00:34:30,680 --> 00:34:34,560
Speaker 3: Well that's what the whole idea was, put on a

686
00:34:34,600 --> 00:34:37,600
Speaker 3: show something people to look at it like. We toured,

687
00:34:38,080 --> 00:34:40,800
Speaker 3: We went to the country towns in w A. And

688
00:34:40,960 --> 00:34:43,760
Speaker 3: he's as well. But I was brought up in Albury

689
00:34:43,880 --> 00:34:45,560
Speaker 3: and Perth. Bands used to come down in the old

690
00:34:45,640 --> 00:34:48,120
Speaker 3: days with nothing, and they say it's only the country

691
00:34:48,200 --> 00:34:51,120
Speaker 3: who gives it out, you know. And I always had

692
00:34:51,160 --> 00:34:54,640
Speaker 3: that and I thought, no, why should Why not if

693
00:34:54,640 --> 00:34:57,120
Speaker 3: you don't see a band in Perth or a show,

694
00:34:57,320 --> 00:35:00,600
Speaker 3: you want to see that show we bring down. I remember,

695
00:35:00,719 --> 00:35:03,120
Speaker 3: I think one of the first places when the band

696
00:35:03,160 --> 00:35:06,600
Speaker 3: was management yep, and they hadn't seen a show like that.

697
00:35:06,680 --> 00:35:08,719
Speaker 3: Now the Pirates and that sort of stuff and just

698
00:35:08,719 --> 00:35:12,240
Speaker 3: blew away and even even like Fitt through a crossing.

699
00:35:12,280 --> 00:35:15,440
Speaker 3: Can you imagine, I don't have anyone's been crossing. Great

700
00:35:15,440 --> 00:35:19,680
Speaker 3: little town. Yeah, we're talking roll up there with with

701
00:35:20,200 --> 00:35:23,560
Speaker 3: a Fami trailer full of gear and you got two

702
00:35:23,600 --> 00:35:28,400
Speaker 3: hundred ten light show. It just blew everyone away. But

703
00:35:29,440 --> 00:35:33,040
Speaker 3: that compromise, you know, like just give everyone the same shape,

704
00:35:33,040 --> 00:35:34,080
Speaker 3: given the quality.

705
00:35:34,160 --> 00:35:37,359
Speaker 1: Yeah, but you speak of that same hymn book as

706
00:35:37,480 --> 00:35:39,160
Speaker 1: Jane Simmons from KIS you always said, he and Paul

707
00:35:39,160 --> 00:35:40,719
Speaker 1: always said they put on the BES show. They came

708
00:35:40,719 --> 00:35:45,200
Speaker 1: wherever they go. Yeah, I remember see that. Yeah.

709
00:35:46,560 --> 00:35:51,880
Speaker 3: Yeah, well, you know, just because you lived somewhere differently,

710
00:35:51,880 --> 00:35:54,400
Speaker 3: why should you have a second grade show? So we

711
00:35:54,560 --> 00:35:56,879
Speaker 3: try and used to go to a place and say

712
00:35:56,960 --> 00:35:59,400
Speaker 3: take all your tail and chairs out of your venue

713
00:36:00,040 --> 00:36:01,800
Speaker 3: as well, people's got to sit. Said they won't be

714
00:36:01,880 --> 00:36:05,840
Speaker 3: round for people to sit, they'll just be standing. Yeah,

715
00:36:06,040 --> 00:36:10,879
Speaker 3: but I cannot believe forty five years, forty five years.

716
00:36:10,960 --> 00:36:12,000
Speaker 5: Stop saying it, you know.

717
00:36:14,520 --> 00:36:19,719
Speaker 3: But a blower with one original member still left in it,

718
00:36:20,400 --> 00:36:24,680
Speaker 3: and it's it's it's still something out. It's like it's

719
00:36:25,239 --> 00:36:25,840
Speaker 3: mind blowing.

720
00:36:26,200 --> 00:36:29,640
Speaker 5: Denny memories have been do well.

721
00:36:29,760 --> 00:36:30,799
Speaker 1: I saw you guys have been doing.

722
00:36:32,280 --> 00:36:34,920
Speaker 3: What did you are glad.

723
00:36:34,600 --> 00:36:36,600
Speaker 4: That would have been doing the nineteen ninety because Diesel

724
00:36:36,680 --> 00:36:40,279
Speaker 4: Young Diesel was the headlining you guys and Nick Parker

725
00:36:40,280 --> 00:36:40,840
Speaker 4: and the reptiles.

726
00:36:40,840 --> 00:36:41,760
Speaker 1: It was a great weekend.

727
00:36:42,440 --> 00:36:50,920
Speaker 3: What full diesel it rained when he was on, they

728
00:36:51,000 --> 00:36:53,719
Speaker 3: used they used to put us on after. I love

729
00:36:53,800 --> 00:36:55,560
Speaker 3: being doing. I used to put us on after to

730
00:36:55,640 --> 00:36:56,560
Speaker 3: keep the player drinking.

731
00:36:56,640 --> 00:36:58,799
Speaker 1: And yeah, yeah's we went.

732
00:36:58,880 --> 00:37:02,640
Speaker 3: We went on after all but headline Accent and we

733
00:37:02,680 --> 00:37:06,200
Speaker 3: did eight out of the ten and yeah that they

734
00:37:06,239 --> 00:37:09,799
Speaker 3: were great, very well organized. Yeah, yeah, there's a lot

735
00:37:09,840 --> 00:37:11,839
Speaker 3: of bad negativity and that sort of stuff, but we

736
00:37:11,920 --> 00:37:16,799
Speaker 3: never ever saw that. We were all the basically all

737
00:37:16,840 --> 00:37:20,759
Speaker 3: the games we did watch of them, there're shows and

738
00:37:20,760 --> 00:37:24,680
Speaker 3: there was never any trouble. Never. They were just professional.

739
00:37:26,320 --> 00:37:29,680
Speaker 3: I feel like an ambass at all. But you never

740
00:37:29,719 --> 00:37:32,960
Speaker 3: had any you know, never had any because people are

741
00:37:33,000 --> 00:37:35,319
Speaker 3: scared to go to the Raffles Hotel because I thought

742
00:37:35,320 --> 00:37:37,480
Speaker 3: it was rough and the people Rand you talk to

743
00:37:37,840 --> 00:37:40,560
Speaker 3: wouldn't go there, and you know what I mean, it's

744
00:37:40,600 --> 00:37:46,040
Speaker 3: just if you've been to the Raffles. Yeah, yeah, there's

745
00:37:46,120 --> 00:37:48,680
Speaker 3: just memories. You've got me thinking you were once about

746
00:37:48,760 --> 00:37:49,080
Speaker 3: thinking of.

747
00:37:50,560 --> 00:37:51,400
Speaker 5: Great memory.

748
00:37:52,200 --> 00:37:54,920
Speaker 3: Yes, you know when you mentioned Peter Dan when I

749
00:37:55,040 --> 00:37:55,759
Speaker 3: listened to the.

750
00:37:55,760 --> 00:37:59,279
Speaker 1: Town nine, Yeah, it's a story for you.

751
00:37:59,800 --> 00:38:01,839
Speaker 3: He used to live fairly close and I was at

752
00:38:01,880 --> 00:38:05,800
Speaker 3: the boat wrapped down. Hillary is there and he's pulling

753
00:38:05,800 --> 00:38:08,359
Speaker 3: his boat out and I went up to him and

754
00:38:08,400 --> 00:38:11,359
Speaker 3: I said, oh you made I said. I said, I'm

755
00:38:11,400 --> 00:38:15,160
Speaker 3: Peter Dean and here you going. And he sort of said,

756
00:38:15,480 --> 00:38:19,520
Speaker 3: he said, right, you're that Feta Dean. So what it was?

757
00:38:19,840 --> 00:38:22,920
Speaker 3: I said, I'm getting phone calls to me, I'm getting

758
00:38:22,920 --> 00:38:26,840
Speaker 3: phone calls to open a furniture store. And he said,

759
00:38:27,440 --> 00:38:33,560
Speaker 3: I'm getting shows to play at a biking party.

760
00:38:35,080 --> 00:38:37,280
Speaker 1: That's it was a big radio.

761
00:38:40,600 --> 00:38:41,360
Speaker 3: Is he still with us?

762
00:38:41,480 --> 00:38:44,440
Speaker 1: No, we've lost Yeah. He was the man who used

763
00:38:44,440 --> 00:38:47,040
Speaker 1: to read it the final total on telephone before Jeff even.

764
00:38:48,239 --> 00:38:51,919
Speaker 3: That's that's another thing is how many great you said,

765
00:38:51,960 --> 00:38:54,800
Speaker 3: legends and all that, But there's so many people that

766
00:38:55,239 --> 00:38:58,560
Speaker 3: we've lost, you know, in music, identities and all that,

767
00:38:58,600 --> 00:39:00,880
Speaker 3: you know, not just Perth but all realistic.

768
00:39:01,640 --> 00:39:05,719
Speaker 1: Yeah, scari well. Brian Wilson Boys over Night Night.

769
00:39:06,040 --> 00:39:08,759
Speaker 5: Yeah, you know you listen to it's like or not

770
00:39:08,840 --> 00:39:10,040
Speaker 5: another one exactly.

771
00:39:10,600 --> 00:39:14,239
Speaker 3: Yeah, I remember when I was young, Remember.

772
00:39:13,880 --> 00:39:16,160
Speaker 2: When we were young. Don't say forty five years again, Jeanny.

773
00:39:16,960 --> 00:39:20,560
Speaker 2: But we have loved reminiscing with you this morning.

774
00:39:20,680 --> 00:39:23,359
Speaker 1: Yeah, good to catch up mate, you will keep Pete

775
00:39:23,440 --> 00:39:23,880
Speaker 1: rocking it.

776
00:39:24,120 --> 00:39:27,640
Speaker 3: Yeah, and thank everyone that's come out and seen the

777
00:39:27,760 --> 00:39:29,960
Speaker 3: Jets and also all the other bands and sort of

778
00:39:29,960 --> 00:39:32,640
Speaker 3: stuff and support live music. It is. It is getting

779
00:39:32,680 --> 00:39:35,160
Speaker 3: hard and hard, and I feel really sorry for the

780
00:39:35,239 --> 00:39:38,719
Speaker 3: up and coming musics. But stick there, hang in there and.

781
00:39:38,600 --> 00:39:41,160
Speaker 1: Do what you love, enjoy beautiful.

782
00:39:41,280 --> 00:39:43,000
Speaker 5: Thanks Danny, thank you.

783
00:39:43,000 --> 00:39:44,759
Speaker 3: Thank you guys for keeping the music alive.

784
00:39:45,239 --> 00:39:47,960
Speaker 5: Thank you and all the best.

785
00:39:47,400 --> 00:39:51,040
Speaker 1: Ye great the flick with.

786
00:39:51,360 --> 00:39:55,800
Speaker 2: Ben, good morning band, good morning, and brought us today

787
00:39:55,960 --> 00:39:57,320
Speaker 2: Pedro Pascal.

788
00:39:58,520 --> 00:39:59,040
Speaker 1: Leave him here?

789
00:39:59,200 --> 00:40:03,240
Speaker 13: Yeah, I just that's that's undone. Yeah, the Internet's boyfriend,

790
00:40:03,280 --> 00:40:06,280
Speaker 13: Pedro Pascal is so hot right now. Everyone loves Pedro

791
00:40:07,000 --> 00:40:11,120
Speaker 13: and so he is one of a love triangle basically

792
00:40:11,239 --> 00:40:15,080
Speaker 13: with Chris Evans and Dakota Johnson in this new film Materialists. Now,

793
00:40:15,120 --> 00:40:18,440
Speaker 13: before I get into this film, it's normally maybe I

794
00:40:18,440 --> 00:40:20,399
Speaker 13: wouldn't go into the director straight away, but I think

795
00:40:20,400 --> 00:40:23,720
Speaker 13: it's important because the director of this film is Selene Song,

796
00:40:23,880 --> 00:40:25,640
Speaker 13: who for people who are not familiar with her, she

797
00:40:26,000 --> 00:40:30,560
Speaker 13: is the Korean Canadian slash American director behind Past Lives,

798
00:40:30,560 --> 00:40:33,400
Speaker 13: a film from a couple of years ago that was

799
00:40:33,520 --> 00:40:36,840
Speaker 13: also a love triangle based on her real life story

800
00:40:36,920 --> 00:40:40,200
Speaker 13: of growing up in Soul, having a childhood sweetheart, moving

801
00:40:40,239 --> 00:40:43,760
Speaker 13: to America, marrying an American, and then her childhood sweetheart

802
00:40:43,840 --> 00:40:46,520
Speaker 13: rocks up. And it's kind of a you know, awkward

803
00:40:46,560 --> 00:40:48,960
Speaker 13: kind of situation like did she make did she make

804
00:40:49,000 --> 00:40:51,879
Speaker 13: the right decision? Well, you know, kind of a sliding doors. Yes,

805
00:40:51,920 --> 00:40:54,759
Speaker 13: she thinks about what might have been. And so that

806
00:40:54,880 --> 00:40:59,480
Speaker 13: film was incredible, emotionally devastating. It was nominated for Best

807
00:40:59,480 --> 00:41:02,600
Speaker 13: Picture at the Oscars. She was also nominated for Best

808
00:41:02,600 --> 00:41:06,440
Speaker 13: Original Screenplay, So two time Oscar nominee for her first film.

809
00:41:06,440 --> 00:41:09,680
Speaker 13: So Selene's Song hit the ground running as a filmmaker,

810
00:41:09,719 --> 00:41:11,160
Speaker 13: and so there was going to be a lot of

811
00:41:11,160 --> 00:41:14,160
Speaker 13: attention around what she did next. And so people might

812
00:41:14,200 --> 00:41:17,160
Speaker 13: look at materialists and certainly at the trailer and go okay,

813
00:41:17,160 --> 00:41:20,399
Speaker 13: So the director of this Best Picture nominee has done

814
00:41:20,719 --> 00:41:24,400
Speaker 13: a generic rom com. It does kind of feel like

815
00:41:24,480 --> 00:41:31,160
Speaker 13: a commercial sellout. But the problem is it's not, and

816
00:41:31,200 --> 00:41:33,600
Speaker 13: it's kind of it's not art house either. It's in between.

817
00:41:33,840 --> 00:41:37,120
Speaker 13: She wrote the film not as an attempt to do

818
00:41:37,160 --> 00:41:39,360
Speaker 13: something more mainstream. She actually wrote it while she was

819
00:41:39,400 --> 00:41:41,480
Speaker 13: waiting for Past Lives to hit the cinema, So she

820
00:41:41,480 --> 00:41:43,600
Speaker 13: didn't even know Past Lives was going to be successful

821
00:41:43,600 --> 00:41:46,120
Speaker 13: when she wrote this movie. It was also based on

822
00:41:46,200 --> 00:41:49,080
Speaker 13: something in her real life. She worked as a matchmaker

823
00:41:49,080 --> 00:41:52,080
Speaker 13: in New York for six months and in this film,

824
00:41:52,520 --> 00:41:55,880
Speaker 13: Dakota Johnson plays a matchmaker in New York. And you

825
00:41:55,920 --> 00:41:57,720
Speaker 13: look at the trailer and you go, this is a classic

826
00:41:57,800 --> 00:42:00,480
Speaker 13: rom com, but that there's not much comm and there's

827
00:42:00,520 --> 00:42:03,480
Speaker 13: also not a lot of rom It's really a movie.

828
00:42:03,600 --> 00:42:08,399
Speaker 13: It's really a movie more about maths. It's mathematics. Oh really, yes,

829
00:42:08,440 --> 00:42:11,560
Speaker 13: maths No sounds weird and it certainly doesn't sound very

830
00:42:11,600 --> 00:42:13,000
Speaker 13: sexy when you look at the poster and you've got

831
00:42:13,080 --> 00:42:16,600
Speaker 13: Chris Evans and Pedro Pascal and Dakota Johnson. Maths no,

832
00:42:16,680 --> 00:42:19,280
Speaker 13: not that sexy. But so basically, as a match makup,

833
00:42:19,800 --> 00:42:22,759
Speaker 13: it really is about a mathematical equation. You've got to

834
00:42:22,800 --> 00:42:27,360
Speaker 13: weigh up variables such as height, weight, age, income and

835
00:42:27,880 --> 00:42:31,040
Speaker 13: determine a person's worth and whether or not that's compatible

836
00:42:31,200 --> 00:42:34,600
Speaker 13: with somebody else's age, height, weight and so on and

837
00:42:34,680 --> 00:42:35,040
Speaker 13: so forth.

838
00:42:35,920 --> 00:42:37,880
Speaker 5: That's not terribly romantic, but that's.

839
00:42:37,840 --> 00:42:40,400
Speaker 13: The business of matchmakers because people come to them and

840
00:42:40,640 --> 00:42:42,879
Speaker 13: they say, look, I want to find my significant other,

841
00:42:43,239 --> 00:42:45,040
Speaker 13: and the matchmaker says, okay, what are you looking for?

842
00:42:45,080 --> 00:42:46,360
Speaker 1: And they're like, I'm looking, I'm looking.

843
00:42:46,520 --> 00:42:48,399
Speaker 13: I'm looking for a guy that's six foot tall. He's

844
00:42:48,400 --> 00:42:50,040
Speaker 13: got to make more than two hundred grand a year,

845
00:42:50,760 --> 00:42:52,960
Speaker 13: he's got to be you know, under thirty five, but

846
00:42:53,160 --> 00:42:56,000
Speaker 13: over thirty. So a lot of numbers get thrown out there,

847
00:42:56,480 --> 00:42:58,360
Speaker 13: and then they start talking about, oh, well, you know,

848
00:42:58,440 --> 00:42:59,719
Speaker 13: like I want someone who's got a good sense of

849
00:42:59,800 --> 00:43:02,600
Speaker 13: you and so on. But in this movie, it explores

850
00:43:02,640 --> 00:43:04,560
Speaker 13: the fact that, you know, people say, you know, I

851
00:43:04,560 --> 00:43:06,719
Speaker 13: want someone with a great personality that I can you know,

852
00:43:06,760 --> 00:43:08,920
Speaker 13: go to the movies with. But in reality, you know,

853
00:43:08,960 --> 00:43:11,319
Speaker 13: sometimes that's not actually what they're looking for, and people

854
00:43:11,360 --> 00:43:14,680
Speaker 13: are quite superficial and it's like, oh, that person's maybe

855
00:43:14,719 --> 00:43:17,360
Speaker 13: carrying a few extra pounds and that's that's a deal breaker.

856
00:43:17,520 --> 00:43:19,719
Speaker 13: And so this film is very unflinching and when it

857
00:43:19,920 --> 00:43:23,840
Speaker 13: examines those types of things. Dakota Johnson's the matchmaker, so

858
00:43:23,920 --> 00:43:27,399
Speaker 13: she's you know, very brutal in her calculations as she's

859
00:43:27,400 --> 00:43:30,200
Speaker 13: setting up these people, and in her own love life

860
00:43:30,239 --> 00:43:32,719
Speaker 13: it's a disaster. Really, she's kind of so she's she

861
00:43:33,320 --> 00:43:36,520
Speaker 13: sees these people try and fail to find love, and

862
00:43:36,560 --> 00:43:40,640
Speaker 13: it's put her right off the whole concept take exactly, counsel.

863
00:43:42,280 --> 00:43:44,759
Speaker 13: And so then she meets then she meets Pedro Pascal,

864
00:43:45,080 --> 00:43:49,480
Speaker 13: a rich hedge fund type, like multi multi millionaire, amazing apartment,

865
00:43:49,520 --> 00:43:54,520
Speaker 13: and he's also Pedro Pascal, and so the surprise surprise,

866
00:43:54,840 --> 00:43:56,680
Speaker 13: she goes, Oh, you know what I'm gonna I'm gonna

867
00:43:57,080 --> 00:44:00,800
Speaker 13: get into the game here my mathematical making brains.

868
00:44:01,000 --> 00:44:02,640
Speaker 1: You're a good but you're a good match.

869
00:44:03,320 --> 00:44:05,000
Speaker 13: I could I could farm you out to some of

870
00:44:05,040 --> 00:44:08,760
Speaker 13: my clients, but no, no, I'm going to keep you. Yes,

871
00:44:08,800 --> 00:44:13,560
Speaker 13: so she starts, she starts dating Pedro Pascal and everything

872
00:44:13,680 --> 00:44:16,000
Speaker 13: do you think, Okay, Like, why is this movie? This

873
00:44:16,040 --> 00:44:17,640
Speaker 13: is the first twenty five minutes. Why do we need

874
00:44:17,640 --> 00:44:18,680
Speaker 13: to even continue anymore?

875
00:44:18,719 --> 00:44:19,919
Speaker 1: This heavy is over?

876
00:44:20,080 --> 00:44:24,080
Speaker 13: Yeah, this romance is done. But then of course Chris Evans,

877
00:44:24,160 --> 00:44:26,800
Speaker 13: who is her old boyfriend, struggling actor, a bit of

878
00:44:26,840 --> 00:44:29,759
Speaker 13: a no hoper, comes onto the scene, and then she's

879
00:44:29,800 --> 00:44:32,600
Speaker 13: faced with this choice. You know, Chris Evans might be

880
00:44:32,640 --> 00:44:35,319
Speaker 13: the love of my life, even though he's got not

881
00:44:35,400 --> 00:44:38,080
Speaker 13: a cent to his name, and if I end up

882
00:44:38,080 --> 00:44:40,920
Speaker 13: with him, life is going to be difficult or do

883
00:44:40,960 --> 00:44:44,239
Speaker 13: I use my head and go and you know, use

884
00:44:44,280 --> 00:44:47,239
Speaker 13: my brain and on paper Pedro Pascal, who's perfect. The

885
00:44:47,320 --> 00:44:51,880
Speaker 13: problem with this film is it attempts to make super

886
00:44:51,960 --> 00:44:57,040
Speaker 13: rich Pedro Pascal the worst option, which makes zero sense.

887
00:44:57,480 --> 00:44:59,879
Speaker 13: Like anybody watching this movie is going like what the heck?

888
00:45:00,360 --> 00:45:07,719
Speaker 13: Like like go with Pedro Divita exactly. And I think that

889
00:45:07,800 --> 00:45:11,760
Speaker 13: is part of the problem. Like Pedro, he's too perfect,

890
00:45:11,760 --> 00:45:14,360
Speaker 13: and their attempts to try and make him less than perfect.

891
00:45:14,280 --> 00:45:19,280
Speaker 1: Just don't make sense. Find some flaw and the and.

892
00:45:19,560 --> 00:45:23,480
Speaker 13: Part of that is, I guess you know, Celene script

893
00:45:23,680 --> 00:45:28,719
Speaker 13: gravitates so much towards Pedro Pascal unintentionally and intentionally that

894
00:45:28,760 --> 00:45:31,480
Speaker 13: when when Chris Evans starts to play more of a role,

895
00:45:31,560 --> 00:45:34,080
Speaker 13: it just doesn't make sense. Like you're just going like

896
00:45:34,160 --> 00:45:36,719
Speaker 13: why would you? And it kind of you know, Chris

897
00:45:36,719 --> 00:45:38,960
Speaker 13: Evans's character this you know, he's a waiter at a

898
00:45:39,000 --> 00:45:42,520
Speaker 13: catering company and acts in these little plays and yeah,

899
00:45:42,840 --> 00:45:45,920
Speaker 13: there's nothing about him and lives in a sharehouse that's filthy.

900
00:45:46,280 --> 00:45:48,839
Speaker 13: There's nothing about it that is actually appealing. And even

901
00:45:48,840 --> 00:45:50,359
Speaker 13: if you talk about, oh, he's the love of my life,

902
00:45:50,360 --> 00:45:52,640
Speaker 13: like you just don't even buy that. And then you've

903
00:45:52,640 --> 00:45:54,840
Speaker 13: got the Dakota Johnson of it all. Who you know,

904
00:45:54,920 --> 00:45:56,480
Speaker 13: she was in one of the worst movies of all

905
00:45:56,480 --> 00:45:59,200
Speaker 13: time in Madam Webb and obviously the fifty the Fifty

906
00:45:59,239 --> 00:46:01,759
Speaker 13: Shades series, and so the jury is out on whether

907
00:46:01,800 --> 00:46:04,879
Speaker 13: Dakotah Johnson is even much of a box office draw

908
00:46:04,960 --> 00:46:07,160
Speaker 13: card in the first place. I think she's okay. This

909
00:46:07,200 --> 00:46:10,799
Speaker 13: is probably the best performance of her career. The good

910
00:46:10,800 --> 00:46:13,960
Speaker 13: thing about this film Sillin Song's direction is incredible, like

911
00:46:14,000 --> 00:46:17,120
Speaker 13: the way the camera lingers on little details to add

912
00:46:17,200 --> 00:46:20,920
Speaker 13: intimacy to a scene. It's beautiful in many many ways.

913
00:46:20,640 --> 00:46:23,960
Speaker 13: It's more art house than rom com, but it's not

914
00:46:24,239 --> 00:46:27,680
Speaker 13: art house enough to appeal to the fans of Past Lives,

915
00:46:27,880 --> 00:46:30,799
Speaker 13: and it's certainly not rom common enough to appeal to

916
00:46:30,960 --> 00:46:34,319
Speaker 13: fans of those Matthew rom coms. Like I've had people

917
00:46:34,360 --> 00:46:36,759
Speaker 13: message me who have seen this film and have gone

918
00:46:37,280 --> 00:46:38,960
Speaker 13: rom com fans, going, oh, you know, I just didn't

919
00:46:39,000 --> 00:46:42,280
Speaker 13: like it at all. And I totally expect that, because

920
00:46:42,440 --> 00:46:45,360
Speaker 13: you know, the trailer sells it as this lighthearted, funny

921
00:46:45,440 --> 00:46:47,319
Speaker 13: rom com romp. That's not what it is.

922
00:46:48,520 --> 00:46:50,360
Speaker 4: So when the Chris comes in I just want to

923
00:46:50,360 --> 00:46:52,120
Speaker 4: get your vibe. Does it start feeling a bit Past

924
00:46:52,160 --> 00:46:54,560
Speaker 4: Lives at all? When the past comes in?

925
00:46:54,600 --> 00:46:55,959
Speaker 1: My Past Live is just so much better.

926
00:46:56,000 --> 00:46:59,080
Speaker 13: And there will be people who you'll you'll know people

927
00:46:59,120 --> 00:47:00,960
Speaker 13: who watch this film and they will try and convince

928
00:47:01,000 --> 00:47:03,840
Speaker 13: you that it's amazing. They'll be trying to convince themselves.

929
00:47:03,520 --> 00:47:05,360
Speaker 1: It's amazing because they're hoping it would.

930
00:47:05,120 --> 00:47:08,080
Speaker 13: Be, and they're hoping. It's more wishful thinking than anything else.

931
00:47:08,480 --> 00:47:09,879
Speaker 13: And you know, go watch Past Live.

932
00:47:10,760 --> 00:47:11,200
Speaker 1: All right.

933
00:47:11,320 --> 00:47:14,240
Speaker 2: It's like I tried to convince myself that The Mountain

934
00:47:14,360 --> 00:47:15,799
Speaker 2: One with interested it was good.

935
00:47:19,000 --> 00:47:19,680
Speaker 5: It was terrible.

936
00:47:20,000 --> 00:47:22,440
Speaker 2: Okay, So how many not exactly Sophy's choices are you

937
00:47:22,560 --> 00:47:23,680
Speaker 2: giving us three?

938
00:47:24,040 --> 00:47:24,400
Speaker 5: Three?

939
00:47:25,000 --> 00:47:27,879
Speaker 13: It's not bad, It's like, it's not a terrible film. Still,

940
00:47:27,880 --> 00:47:29,680
Speaker 13: go and watch it, but just don't expect it. Yeah,

941
00:47:29,760 --> 00:47:32,759
Speaker 13: mid middling, So her next movie will be critical. But

942
00:47:32,800 --> 00:47:35,320
Speaker 13: definitely go watch Past Lives though, because that is incredible.

943
00:47:35,440 --> 00:47:38,680
Speaker 1: All right, thank you, thanks, thanks for your honesty as

944
00:47:38,680 --> 00:47:42,560
Speaker 1: always six S m Clearzy and Lisa