1
00:00:00,880 --> 00:00:04,080
Speaker 1: Powered by the my Heart Radio app from ninety six

2
00:00:04,120 --> 00:00:06,600
Speaker 1: air VAM to where Gabby You're listening today?

3
00:00:06,960 --> 00:00:10,840
Speaker 2: This is Clezy and Lisa's podcast. Coming up of the podcast,

4
00:00:10,960 --> 00:00:12,520
Speaker 2: I asked the question what can you make because I've

5
00:00:12,520 --> 00:00:13,120
Speaker 2: got no skills?

6
00:00:13,320 --> 00:00:17,200
Speaker 3: The unexpected KFC Wellness Company collaboration.

7
00:00:16,840 --> 00:00:19,800
Speaker 4: Well the Sure Report. Lisa spoke about fifty cent turning

8
00:00:19,840 --> 00:00:21,119
Speaker 4: down a huge Trump offer.

9
00:00:21,000 --> 00:00:22,840
Speaker 3: Which had a Todd McKenney. He's going to be in

10
00:00:22,840 --> 00:00:24,400
Speaker 3: town for Wicked the Musical.

11
00:00:24,280 --> 00:00:26,480
Speaker 4: And All Killer No Feller, the story behind the album

12
00:00:26,520 --> 00:00:29,720
Speaker 4: Cold Chisel's Classic East Laurie, My wife and I were

13
00:00:29,720 --> 00:00:31,800
Speaker 4: walking down the street the other day, pretty simple, just

14
00:00:31,800 --> 00:00:33,879
Speaker 4: going for a stroll, and she stopped me at a

15
00:00:33,880 --> 00:00:36,519
Speaker 4: pop up shop and she looked through the glass. The

16
00:00:36,560 --> 00:00:37,960
Speaker 4: shop wasn't open at the time, but she wanted to

17
00:00:37,960 --> 00:00:40,000
Speaker 4: have a look in. She goes, oh, that's and she

18
00:00:40,159 --> 00:00:42,519
Speaker 4: talked about it being the clothing line. She could see

19
00:00:42,520 --> 00:00:44,600
Speaker 4: the clothing line of one of her daughter's friends. And

20
00:00:44,640 --> 00:00:46,440
Speaker 4: she goes, oh, that girl makes her own clothes, and

21
00:00:46,479 --> 00:00:47,400
Speaker 4: she's got this pop up shop.

22
00:00:47,440 --> 00:00:47,880
Speaker 2: Looks great.

23
00:00:48,760 --> 00:00:52,000
Speaker 4: And then I realized, I thought the daughter she's talking about,

24
00:00:52,040 --> 00:00:55,200
Speaker 4: the middle daughter of her three makes handbags from recycled

25
00:00:55,200 --> 00:00:57,520
Speaker 4: puffer jackets and zips and all kinds of thuff ahl

26
00:00:57,600 --> 00:01:00,480
Speaker 4: right and sells them salesman markets or whatever. And then

27
00:01:00,480 --> 00:01:02,760
Speaker 4: I thought about Yeah. Then I thought about Lourrie herself

28
00:01:02,880 --> 00:01:05,960
Speaker 4: makes at home. She makes sour dough and pickles things

29
00:01:06,000 --> 00:01:08,080
Speaker 4: like beetroot and stuff like that, buys a beetric, cuts

30
00:01:08,080 --> 00:01:10,119
Speaker 4: it up, puts it in jars and gives it handy

31
00:01:10,120 --> 00:01:12,200
Speaker 4: with a jar. She's pretty good. Yeah, And the sour

32
00:01:12,200 --> 00:01:14,800
Speaker 4: dough bread mason jar? Oh, which does a sour dough?

33
00:01:15,160 --> 00:01:17,000
Speaker 4: And do you think about those people who make jewelry

34
00:01:17,000 --> 00:01:18,880
Speaker 4: and sell it at the markets and they make trinkets

35
00:01:18,959 --> 00:01:21,280
Speaker 4: or people woodworking and stuff? And I went, I have

36
00:01:21,440 --> 00:01:24,199
Speaker 4: no skills to make anything apart from noise and mess.

37
00:01:24,600 --> 00:01:25,720
Speaker 4: That's that's my gift.

38
00:01:25,920 --> 00:01:26,520
Speaker 2: Not terrific.

39
00:01:26,680 --> 00:01:29,800
Speaker 4: Make noise, make mess, maybe shut up? And I thought,

40
00:01:29,840 --> 00:01:31,200
Speaker 4: wouldn't it be cool to make something?

41
00:01:31,240 --> 00:01:32,479
Speaker 2: Didn't? Is there anything you make?

42
00:01:33,200 --> 00:01:37,840
Speaker 3: I had a very cool line of candle holders when

43
00:01:37,880 --> 00:01:41,000
Speaker 3: I was about twelve, and I would after a Saturday

44
00:01:41,080 --> 00:01:44,199
Speaker 3: night party at my with my parents, you know, bumping

45
00:01:44,240 --> 00:01:46,360
Speaker 3: a long time, what's new pussy cap and all that,

46
00:01:46,520 --> 00:01:50,280
Speaker 3: I'd gather up their Chianti bottles and I would get

47
00:01:50,320 --> 00:01:53,120
Speaker 3: loads of candles of different colors and just let them

48
00:01:53,200 --> 00:01:57,080
Speaker 3: drip on sides. And I mean to quite the little

49
00:01:57,400 --> 00:02:00,960
Speaker 3: artistic sculptures, right, make any and then try to sell

50
00:02:01,000 --> 00:02:01,600
Speaker 3: them back to them.

51
00:02:01,600 --> 00:02:04,000
Speaker 4: But they're so you didn't go to the market and

52
00:02:04,040 --> 00:02:07,280
Speaker 4: zell for young go to the market, yeah sell so

53
00:02:07,800 --> 00:02:08,360
Speaker 4: you didn't.

54
00:02:08,600 --> 00:02:11,600
Speaker 3: That was about for my art career.

55
00:02:11,760 --> 00:02:14,160
Speaker 2: Yeah, you're a step ahead of me. I've never anything.

56
00:02:14,440 --> 00:02:16,000
Speaker 4: So we'd love to open the phones and the text

57
00:02:16,000 --> 00:02:18,760
Speaker 4: line today for seven six ninety six, ninety six ninety

58
00:02:18,760 --> 00:02:21,160
Speaker 4: six or thirty six sixty five. Tell us what you

59
00:02:21,240 --> 00:02:23,160
Speaker 4: or someone you know, someone in your family makes.

60
00:02:23,240 --> 00:02:27,280
Speaker 3: My grandmother did make the world's best pickled onions, always

61
00:02:27,440 --> 00:02:28,480
Speaker 3: just in time for Christmas.

62
00:02:28,480 --> 00:02:28,959
Speaker 2: Beautiful.

63
00:02:29,720 --> 00:02:32,280
Speaker 3: You'd have all the big jars and then they'd be

64
00:02:32,360 --> 00:02:35,000
Speaker 3: out under the you know, like in the shed somewhere

65
00:02:35,440 --> 00:02:38,840
Speaker 3: for months and they were the best. I just never

66
00:02:38,919 --> 00:02:40,520
Speaker 3: had a pickled onion as good as next.

67
00:02:40,560 --> 00:02:41,960
Speaker 4: You know, when you see the bring out your dead

68
00:02:41,960 --> 00:02:43,760
Speaker 4: stuff that people bring out and leave on the on

69
00:02:43,800 --> 00:02:45,600
Speaker 4: the verge, people going to pick up an old chair

70
00:02:45,639 --> 00:02:47,480
Speaker 4: and then make it into this beautiful thing. You know,

71
00:02:48,280 --> 00:02:50,280
Speaker 4: people know that's not me. People have got skills. What

72
00:02:50,320 --> 00:02:51,799
Speaker 4: do you make? It's got to swe vie. You get

73
00:02:51,800 --> 00:02:54,960
Speaker 4: a Michelle's good morning, Michelle. What do you What do

74
00:02:55,000 --> 00:02:55,320
Speaker 4: you make?

75
00:02:55,760 --> 00:02:58,240
Speaker 3: I make nappy cake? What's a nappy cake?

76
00:02:59,200 --> 00:03:02,799
Speaker 5: I'm very surprise if you don't know what that one is. Okay,

77
00:03:02,960 --> 00:03:05,200
Speaker 5: they are mechanie and you're rolling up and you make

78
00:03:05,240 --> 00:03:09,120
Speaker 5: them into like a tea cake. And then during the year,

79
00:03:09,120 --> 00:03:11,720
Speaker 5: as I'm shopping, I'll go and buy one item each shop.

80
00:03:11,800 --> 00:03:14,800
Speaker 5: You know, it's shampoo conditioners, and then you pop all

81
00:03:14,840 --> 00:03:18,120
Speaker 5: these nice little things around it and then you wrap

82
00:03:18,160 --> 00:03:20,680
Speaker 5: it up in clear foil and and give it as

83
00:03:21,160 --> 00:03:21,880
Speaker 5: a gift, you.

84
00:03:21,840 --> 00:03:25,679
Speaker 3: Know, like at the baby shell. Oh okay, cake, Yeah,

85
00:03:25,720 --> 00:03:26,440
Speaker 3: that's lovely.

86
00:03:26,720 --> 00:03:31,119
Speaker 5: I've got five children, so I've made plenty and they

87
00:03:31,320 --> 00:03:32,120
Speaker 5: save a lot of money.

88
00:03:32,120 --> 00:03:33,040
Speaker 6: They're really nice.

89
00:03:34,120 --> 00:03:35,200
Speaker 2: Not used nappis, of course.

90
00:03:35,360 --> 00:03:39,240
Speaker 3: Well thanks, thank you.

91
00:03:39,400 --> 00:03:40,560
Speaker 2: I have a great day you too.

92
00:03:40,800 --> 00:03:41,640
Speaker 3: Sorry I didn't know what.

93
00:03:41,560 --> 00:03:43,640
Speaker 2: They were, nor did I know that all we've got

94
00:03:43,640 --> 00:03:45,360
Speaker 2: it on Cheryl.

95
00:03:45,320 --> 00:03:48,680
Speaker 3: And Kingsley says, I make all my birthday, anniversary and

96
00:03:48,720 --> 00:03:50,800
Speaker 3: Christmas cards, so I love that, Cheryl. I used to too,

97
00:03:50,840 --> 00:03:54,680
Speaker 3: because I used to like to bespoke the little rhyme inside. Really,

98
00:03:56,160 --> 00:04:02,360
Speaker 3: people didn't appreciate really, so I'm just appreciating us. We spoke, honestly.

99
00:04:03,320 --> 00:04:06,320
Speaker 3: You wat that rhyme, that little ditty just for you.

100
00:04:06,600 --> 00:04:08,520
Speaker 3: That's that. They were a bit too. The boy stood

101
00:04:08,520 --> 00:04:10,240
Speaker 3: on the burning deck his pocket full of crackers.

102
00:04:10,280 --> 00:04:16,440
Speaker 7: Yeah yeah, yeah, I'm not Ben Elton, but you used

103
00:04:16,480 --> 00:04:19,919
Speaker 7: to do the candy bottles with it from you this creative,

104
00:04:20,360 --> 00:04:23,680
Speaker 7: there's a creativity in me with the Melch.

105
00:04:25,560 --> 00:04:31,960
Speaker 3: Looks for little ways of coming out. Always on these days,

106
00:04:35,400 --> 00:04:36,400
Speaker 3: I'm going to find something.

107
00:04:36,600 --> 00:04:41,599
Speaker 4: But I'm good at okay job.

108
00:04:42,920 --> 00:04:47,279
Speaker 3: Jenny Balga says she makes glass beaded lamb shades. It's

109
00:04:47,279 --> 00:04:50,680
Speaker 3: a wire fruit basket and Christmas ballball.

110
00:04:50,279 --> 00:04:55,080
Speaker 2: Wire pretty make cycle as well.

111
00:04:55,320 --> 00:05:01,520
Speaker 3: My kniece makes the most insanely beautiful Christmas wreaths. Oh right,

112
00:05:01,640 --> 00:05:03,919
Speaker 3: so she must use that bible wire where it's you

113
00:05:03,960 --> 00:05:07,479
Speaker 3: know all the ball bulls made into a wreck. Yeah yeah,

114
00:05:07,520 --> 00:05:09,800
Speaker 3: I couldn't do it to save my life, but they

115
00:05:09,839 --> 00:05:12,040
Speaker 3: are fantastic. They could totally sell well.

116
00:05:12,040 --> 00:05:13,839
Speaker 2: People got skills. People got skills.

117
00:05:13,839 --> 00:05:15,240
Speaker 4: They know where to find the stuff and quite often

118
00:05:15,240 --> 00:05:17,360
Speaker 4: people get stuff free from marketplace and stuff like that.

119
00:05:17,400 --> 00:05:19,359
Speaker 2: But they also have the patience to do it.

120
00:05:19,400 --> 00:05:24,839
Speaker 3: Which and there is spotlight, there is spot a wonderful shop. Andrew,

121
00:05:24,960 --> 00:05:27,120
Speaker 3: not Helena. What do you make?

122
00:05:29,839 --> 00:05:32,080
Speaker 2: Who is it who makes things?

123
00:05:31,760 --> 00:05:32,760
Speaker 1: Well, it's definitely not me.

124
00:05:32,839 --> 00:05:36,080
Speaker 8: I don't have an estic bone in my body. My

125
00:05:36,120 --> 00:05:39,560
Speaker 8: mother she used to make her own earrings, right, yeah,

126
00:05:40,200 --> 00:05:45,080
Speaker 8: by the little us to buy shoes at Bacon clean right.

127
00:05:46,160 --> 00:05:48,120
Speaker 8: The more eat them all up and they make them

128
00:05:48,120 --> 00:05:51,120
Speaker 8: in the oven. Yeah, and she is the one that

129
00:05:51,160 --> 00:05:53,960
Speaker 8: stands out. And I always remember, but she made a

130
00:05:54,040 --> 00:06:00,440
Speaker 8: bloody knife and uh the male appendage. Oh okay, Lorraine

131
00:06:00,480 --> 00:06:00,920
Speaker 8: above it?

132
00:06:01,279 --> 00:06:03,080
Speaker 2: Yeah, okay, yeah, yeah remember that?

133
00:06:03,160 --> 00:06:03,360
Speaker 8: Yeah?

134
00:06:03,480 --> 00:06:05,520
Speaker 2: I could you forget for me?

135
00:06:05,680 --> 00:06:08,120
Speaker 8: Was we were well, we were walking one day and

136
00:06:08,400 --> 00:06:10,920
Speaker 8: somebody came up and she goes, I must have them

137
00:06:10,960 --> 00:06:12,440
Speaker 8: and offered a six hundred dollars.

138
00:06:12,600 --> 00:06:14,960
Speaker 2: I'm sorry. It was a bond.

139
00:06:15,240 --> 00:06:16,279
Speaker 3: You wear it as a warning.

140
00:06:16,600 --> 00:06:19,040
Speaker 2: It's six hundred bucks.

141
00:06:19,480 --> 00:06:23,800
Speaker 3: Let me. I have questions. Andre, was one ear the

142
00:06:23,880 --> 00:06:28,440
Speaker 3: knife and the other ear the appendage or or was

143
00:06:28,440 --> 00:06:29,279
Speaker 3: it in both?

144
00:06:29,640 --> 00:06:31,760
Speaker 2: Was a knife through the aage knife and.

145
00:06:31,720 --> 00:06:35,640
Speaker 8: Then one appendage had a cut off and blood running

146
00:06:35,640 --> 00:06:36,479
Speaker 8: around and everything.

147
00:06:36,560 --> 00:06:40,080
Speaker 3: Oh, really was very artistic with it, really good at

148
00:06:40,120 --> 00:06:42,400
Speaker 3: it in sud of love to have seen the matching pendant.

149
00:06:42,480 --> 00:06:45,640
Speaker 2: Yeah, absolutely, make me approach.

150
00:06:45,960 --> 00:06:52,320
Speaker 4: Thanks, thanks, but six hundred dollars absolutely serious.

151
00:06:52,360 --> 00:06:54,160
Speaker 2: Cool, you're in the wrong business.

152
00:06:54,240 --> 00:06:55,600
Speaker 3: He's going to have to speak when you go to

153
00:06:55,640 --> 00:06:56,120
Speaker 3: your Eingslite.

154
00:06:56,160 --> 00:06:58,520
Speaker 2: No, that's unreal. That's a fashion statement that's going to

155
00:06:58,600 --> 00:06:59,719
Speaker 2: jur down and gon Liz.

156
00:07:00,440 --> 00:07:06,039
Speaker 9: Hi morning make I make what I call wax icons.

157
00:07:06,200 --> 00:07:09,760
Speaker 9: I have used wax that I put into molds and

158
00:07:10,480 --> 00:07:13,040
Speaker 9: I put them in organs and bags and you can

159
00:07:13,040 --> 00:07:15,680
Speaker 9: put them in your drawers in your bardrobe and they

160
00:07:15,720 --> 00:07:20,160
Speaker 9: smell absolutely beautiful. Yeah. I do try, and I have

161
00:07:20,400 --> 00:07:22,240
Speaker 9: tried to sell them, but I give a lot away

162
00:07:22,400 --> 00:07:22,960
Speaker 9: as well.

163
00:07:23,360 --> 00:07:24,480
Speaker 3: I love that sort of thing.

164
00:07:24,840 --> 00:07:29,280
Speaker 4: Where have you tried amongst friends or to sell or markets?

165
00:07:29,400 --> 00:07:33,080
Speaker 9: I've tried on Facebook, on Marketplace, things like that. But

166
00:07:33,680 --> 00:07:36,200
Speaker 9: you know, if there's any Christmas markets coming up, yes,

167
00:07:36,680 --> 00:07:39,160
Speaker 9: I'd love to try and sell them there I.

168
00:07:39,280 --> 00:07:42,520
Speaker 3: Had, Liz, I've put you know, you could at the market.

169
00:07:42,640 --> 00:07:47,080
Speaker 3: You get those really nice smelling handmade soaps. I've sometimes

170
00:07:47,080 --> 00:07:49,560
Speaker 3: whacked those in an Organza bag and put those in

171
00:07:49,840 --> 00:07:53,760
Speaker 3: the small straws.

172
00:07:52,720 --> 00:07:52,880
Speaker 9: Yea.

173
00:07:53,840 --> 00:08:00,240
Speaker 3: Yeah, we should get a little side hustle shop guy smelling,

174
00:08:00,320 --> 00:08:03,440
Speaker 3: how are you talking?

175
00:08:02,600 --> 00:08:02,920
Speaker 6: Than you.

176
00:08:04,760 --> 00:08:06,120
Speaker 4: Can you get some of those popping me in out

177
00:08:06,120 --> 00:08:09,280
Speaker 4: work fridge today because it stinks.

178
00:08:09,640 --> 00:08:11,840
Speaker 3: What's in the fridge that stinks today because it looks

179
00:08:11,840 --> 00:08:14,640
Speaker 3: like it's being cleaned out. You know what it needs

180
00:08:14,640 --> 00:08:18,640
Speaker 3: needs a bit of bicarb soda. Someone Jonathan and Arelia

181
00:08:18,720 --> 00:08:21,160
Speaker 3: makes costumes and movie props for a hobby and charity.

182
00:08:21,200 --> 00:08:23,000
Speaker 2: Oh that's cool, yeah, he said, a.

183
00:08:22,880 --> 00:08:26,200
Speaker 3: Picture of himself with the incredible works.

184
00:08:26,200 --> 00:08:28,600
Speaker 4: Amazing and people. Now it's nice to have a little

185
00:08:28,600 --> 00:08:31,000
Speaker 4: side hustle, which is pretty cool. You said, people rock

186
00:08:31,040 --> 00:08:33,440
Speaker 4: up to the markets and that kind of thing. It's

187
00:08:33,440 --> 00:08:36,840
Speaker 4: good to Lisa.

188
00:08:37,120 --> 00:08:37,720
Speaker 3: What do you make?

189
00:08:38,320 --> 00:08:39,120
Speaker 6: I don't make it.

190
00:08:39,240 --> 00:08:40,199
Speaker 3: It's my daughter.

191
00:08:40,520 --> 00:08:43,000
Speaker 6: She's a bit of an old soul and she crostious.

192
00:08:43,280 --> 00:08:45,520
Speaker 3: Oh that's a skill, Yes it is.

193
00:08:46,520 --> 00:08:52,240
Speaker 6: She's self taught, so from YouTube or wherever.

194
00:08:53,640 --> 00:08:55,000
Speaker 1: She makes like.

195
00:08:55,040 --> 00:09:00,120
Speaker 6: Blankets, her own clothes. But it's caused us a few dramas.

196
00:09:00,160 --> 00:09:03,600
Speaker 6: We've been stopped at security in the airport and I'm

197
00:09:03,640 --> 00:09:05,800
Speaker 6: kind of saying for what she got, but then we

198
00:09:05,840 --> 00:09:08,319
Speaker 6: opened up and she's got the whole bag full of needles.

199
00:09:08,559 --> 00:09:17,600
Speaker 10: Yeah, okay, these will be confiscated, but they let us

200
00:09:17,640 --> 00:09:19,959
Speaker 10: on the plane, so that was fine.

201
00:09:20,080 --> 00:09:23,560
Speaker 6: And then Bunnings also is an issue when she because

202
00:09:23,600 --> 00:09:27,240
Speaker 6: she carries her stuff with her everywhere. We got search

203
00:09:27,400 --> 00:09:30,400
Speaker 6: there and again she just said, well, it's my crocher rink.

204
00:09:31,840 --> 00:09:38,640
Speaker 6: She works at Spotlight. She has a lot of Celia

205
00:09:38,720 --> 00:09:42,520
Speaker 6: ladies chatting with her, offering her lessons on how as well.

206
00:09:42,679 --> 00:09:48,120
Speaker 3: So she's really really very traditional into the old crass

207
00:09:48,520 --> 00:09:53,760
Speaker 3: working the perfect spot absolutely, and she makes.

208
00:09:53,760 --> 00:09:58,240
Speaker 6: Handbags for a friend present for birthdays and things. So

209
00:09:58,280 --> 00:09:59,920
Speaker 6: she's just and she just.

210
00:10:00,600 --> 00:10:04,839
Speaker 2: Because she's just amazing brilliant. She's fast as well.

211
00:10:07,040 --> 00:10:09,440
Speaker 6: She is I make an awesome.

212
00:10:11,160 --> 00:10:17,160
Speaker 7: Well everyone makes it perfect, right, It's a bit of

213
00:10:17,200 --> 00:10:18,240
Speaker 7: a bit of an act.

214
00:10:21,720 --> 00:10:25,240
Speaker 2: More more Lisa More podcasts soon.

215
00:10:27,720 --> 00:10:30,120
Speaker 3: Hey, have you ever seen the internet rumor that the

216
00:10:30,200 --> 00:10:34,000
Speaker 3: recorded sound of falling rain? You know that people use

217
00:10:34,040 --> 00:10:36,200
Speaker 3: it to help them fall asleep. You get it on

218
00:10:36,320 --> 00:10:39,240
Speaker 3: sleep apps, you can get it all over the place. Well,

219
00:10:39,240 --> 00:10:41,960
Speaker 3: there's a rumor it's actually the sound of frying chicken,

220
00:10:43,080 --> 00:10:47,040
Speaker 3: not falling rain. So o KFC is getting Well and

221
00:10:47,080 --> 00:10:50,240
Speaker 3: Chilly on board with said speculation. They've teamed up with

222
00:10:50,320 --> 00:10:54,360
Speaker 3: a sleep wellness company called Hatch to create a new

223
00:10:54,440 --> 00:10:58,440
Speaker 3: chicken theme sleep sound. Never thought i'd say those words

224
00:10:58,559 --> 00:11:04,199
Speaker 3: chicken themed sleep. So called Kentucky Fried Chicken Rain. They

225
00:11:04,240 --> 00:11:06,640
Speaker 3: came up with the idea after several people on social

226
00:11:06,679 --> 00:11:08,840
Speaker 3: media pointed out that the sound of chicken frying in

227
00:11:08,880 --> 00:11:12,040
Speaker 3: oil is similar to the sound of soothing rain. So

228
00:11:12,080 --> 00:11:15,200
Speaker 3: would you like to hear the Kentucky Fried Chicken rain?

229
00:11:15,360 --> 00:11:16,600
Speaker 2: Please play me the remix.

230
00:11:25,679 --> 00:11:28,320
Speaker 3: Do you think that's original or hot and spicy?

231
00:11:28,559 --> 00:11:30,200
Speaker 2: I'll tell you what. I don't care. I'm just hungry.

232
00:11:30,240 --> 00:11:33,520
Speaker 3: I'm salibating you would more likely go to sleep with

233
00:11:33,600 --> 00:11:37,400
Speaker 3: original or hot and spicy nuggets.

234
00:11:40,240 --> 00:11:42,679
Speaker 2: I don't know. But that's so similar, isn't It's very

235
00:11:42,760 --> 00:11:43,199
Speaker 2: very close.

236
00:11:43,280 --> 00:11:48,040
Speaker 3: I don't they're not saying which that is? Speculate right, Okay,

237
00:11:48,080 --> 00:11:50,160
Speaker 3: I like the speculation. I don't know if that is.

238
00:11:51,000 --> 00:11:52,960
Speaker 4: Yeah, it is soothing and you can't get it for

239
00:11:53,000 --> 00:11:55,120
Speaker 4: free in winter, but it's yeah, but if you want

240
00:11:55,120 --> 00:11:56,800
Speaker 4: to at the time, you need the relaxation.

241
00:11:56,880 --> 00:11:58,439
Speaker 2: I'm hungry now do yeah? Okay?

242
00:11:58,880 --> 00:12:00,720
Speaker 3: So like an onion ring reason.

243
00:12:00,520 --> 00:12:01,880
Speaker 4: I'll tell you what we're going get something. I'll with

244
00:12:01,920 --> 00:12:03,680
Speaker 4: a bucket on my head for the rest of the day.

245
00:12:03,760 --> 00:12:05,920
Speaker 3: You can duck into the sound of Kentucky Fried Chicken

246
00:12:06,000 --> 00:12:08,800
Speaker 3: Rain by playing the sleep sound on both the KFC

247
00:12:09,080 --> 00:12:13,400
Speaker 3: and Hatch YouTube channels. So knock yourself out.

248
00:12:13,640 --> 00:12:15,040
Speaker 2: What your song called Kentucky Rain?

249
00:12:15,400 --> 00:12:20,000
Speaker 3: Somebody so curve so that.

250
00:12:21,520 --> 00:12:22,959
Speaker 2: The other girls got the photo about.

251
00:12:22,880 --> 00:12:28,640
Speaker 3: Is just something about the way, she says the Sure.

252
00:12:28,480 --> 00:12:32,160
Speaker 11: Report on ninety six air FM.

253
00:12:32,600 --> 00:12:34,440
Speaker 3: Well, I do have some sad news to kick it

254
00:12:34,480 --> 00:12:37,800
Speaker 3: off with. Actress Terry Garr has died overnight. She was

255
00:12:37,800 --> 00:12:40,560
Speaker 3: seventy nine. She began her career in the entertainment industry

256
00:12:40,800 --> 00:12:43,920
Speaker 3: as a background dancer in a number of Elvis Presley movies.

257
00:12:44,640 --> 00:12:48,240
Speaker 3: Gar was known for her roles in classics like Young Frankenstein,

258
00:12:48,480 --> 00:12:51,560
Speaker 3: Close Encounters to the Third Kind, Mister Mum, and she

259
00:12:51,640 --> 00:12:54,600
Speaker 3: got an Oscar nomination for playing Sandy Lester in toot

260
00:12:54,600 --> 00:12:55,840
Speaker 3: Sea with Dustin Hoffman.

261
00:12:55,880 --> 00:12:58,920
Speaker 2: I'll tell you the truth, Sandy, I'm in love with

262
00:12:58,960 --> 00:12:59,560
Speaker 2: another woman.

263
00:13:11,480 --> 00:13:14,319
Speaker 8: Friends, I pretend it was someone else.

264
00:13:14,840 --> 00:13:16,280
Speaker 1: Everything we had I never.

265
00:13:16,280 --> 00:13:18,000
Speaker 3: Said I love you. I don't care about it.

266
00:13:18,000 --> 00:13:18,280
Speaker 12: I love you.

267
00:13:18,360 --> 00:13:20,920
Speaker 3: I read the Second Sex, I read the Cinderella complex.

268
00:13:21,080 --> 00:13:22,800
Speaker 3: I was possible for my own aggresonable.

269
00:13:22,840 --> 00:13:23,400
Speaker 12: I don't care.

270
00:13:23,760 --> 00:13:27,000
Speaker 3: I just don't like to be liked. She was great.

271
00:13:29,920 --> 00:13:31,760
Speaker 3: Terry girl was great and everything she was in. She

272
00:13:31,840 --> 00:13:34,839
Speaker 3: had a long battle on sadly with multiple sclerosis, and

273
00:13:34,920 --> 00:13:38,199
Speaker 3: she suffered an aneurysm in two thousand and six. So

274
00:13:38,400 --> 00:13:42,760
Speaker 3: Terry gar gone. It's seventy nine fifty cent rapper, TV

275
00:13:42,920 --> 00:13:46,520
Speaker 3: producer and quite the businessman has revealed Donald Trump's campaign

276
00:13:46,559 --> 00:13:49,079
Speaker 3: offered him three million dollars to perform at Trump's election

277
00:13:49,240 --> 00:13:52,640
Speaker 3: rally at Madison Square Garden this past weekend. Fiddy declined.

278
00:13:53,000 --> 00:13:54,959
Speaker 3: He says, I don't even want to talk to them

279
00:13:54,960 --> 00:13:57,319
Speaker 3: about that kind of stuff. I do not like no

280
00:13:57,520 --> 00:14:01,400
Speaker 3: part of politics. I'm no Gang Bay and no politics.

281
00:14:02,200 --> 00:14:04,880
Speaker 4: I like the cut of Fiddi's jib absolutely, and he

282
00:14:05,240 --> 00:14:06,640
Speaker 4: got a lot of fitting a lot of fiddies.

283
00:14:06,920 --> 00:14:07,160
Speaker 12: He is.

284
00:14:07,960 --> 00:14:08,640
Speaker 3: He's a Stu.

285
00:14:09,320 --> 00:14:10,560
Speaker 2: He's good, He's man.

286
00:14:10,679 --> 00:14:14,120
Speaker 3: The Scary Movie reboot that was announced at cinemacn has

287
00:14:14,280 --> 00:14:17,600
Speaker 3: finally come together, with all the Wayans brothers back on board.

288
00:14:17,840 --> 00:14:19,760
Speaker 3: Stand up of slashes like Scream and I Know What

289
00:14:19,800 --> 00:14:22,320
Speaker 3: You Did last summer. The new Scary Movie will start

290
00:14:22,400 --> 00:14:25,840
Speaker 3: shooting next year. The Wayans brothers, Marlon Sean and Keenan

291
00:14:25,880 --> 00:14:31,040
Speaker 3: Ivory writing and producing the movie. And an Argentinian broadcast

292
00:14:31,120 --> 00:14:35,360
Speaker 3: journalist is claiming their cc TV footage that captures the

293
00:14:35,400 --> 00:14:38,600
Speaker 3: horrifying moment where Liam Payne fell from his third floor

294
00:14:38,640 --> 00:14:41,320
Speaker 3: balcony at a Buenos Aires hotel two weeks ago, and

295
00:14:41,440 --> 00:14:46,080
Speaker 3: she says it shows Liam faints before he falls. She

296
00:14:46,200 --> 00:14:48,320
Speaker 3: also claims the footage has been kept under wraps. Now,

297
00:14:48,320 --> 00:14:51,560
Speaker 3: I have no idea why that would be, but look,

298
00:14:51,760 --> 00:14:53,960
Speaker 3: there you go. That's the latest on that story. No

299
00:14:54,080 --> 00:14:55,600
Speaker 3: doubt there will be more to come.

300
00:14:55,840 --> 00:14:57,640
Speaker 2: Yeah, whatever it was going on, he was in deep peril,

301
00:14:58,360 --> 00:15:02,480
Speaker 2: said more crazy, more Lisa, More podcasts soon.

302
00:15:04,080 --> 00:15:06,720
Speaker 3: Do you know today in the US it's National Wicked Day.

303
00:15:06,880 --> 00:15:10,120
Speaker 3: I was honoring one of Broadway's longest running musicals, Wicked.

304
00:15:10,320 --> 00:15:12,720
Speaker 3: Millions of theater fans from around the world are celebrating

305
00:15:12,800 --> 00:15:16,120
Speaker 3: today as the as the day the musical Wicked premiere

306
00:15:16,440 --> 00:15:21,800
Speaker 3: on Broadway. So what a perfect day to talk about

307
00:15:21,840 --> 00:15:24,320
Speaker 3: Wicked the Musical at Crown Theater from December fifteenth to

308
00:15:24,600 --> 00:15:27,920
Speaker 3: January twenty six. Tickets are available through Ticketmaster And back

309
00:15:28,000 --> 00:15:31,360
Speaker 3: in the role of the Wizard is Todd McKenny and

310
00:15:31,440 --> 00:15:32,240
Speaker 3: he's joining us now.

311
00:15:32,280 --> 00:15:35,880
Speaker 2: Good morning, good night, Happy Wicked Day, mate.

312
00:15:36,600 --> 00:15:39,200
Speaker 1: Thank you. I didn't know it was Wicked Day.

313
00:15:40,600 --> 00:15:42,520
Speaker 3: Well, there you go, Wicked Day.

314
00:15:42,600 --> 00:15:44,320
Speaker 1: I'll be expecting big things from our Matt.

315
00:15:44,840 --> 00:15:45,840
Speaker 2: Yeah, I think so.

316
00:15:47,440 --> 00:15:51,760
Speaker 3: Very long standing ovation that well back in the roles,

317
00:15:51,960 --> 00:15:54,760
Speaker 3: like putting on a comfy old CARDI you haven't worn

318
00:15:54,840 --> 00:15:55,200
Speaker 3: for a while.

319
00:15:56,400 --> 00:15:57,240
Speaker 2: Yeah yeah.

320
00:15:57,280 --> 00:15:59,280
Speaker 1: And I get to go to work because I get

321
00:15:59,360 --> 00:16:01,200
Speaker 1: to put on this pop out and every every night

322
00:16:01,280 --> 00:16:03,120
Speaker 1: when I put this huge top out on, it's got

323
00:16:03,160 --> 00:16:06,560
Speaker 1: Bert Newton's name written in yes in the lining of it,

324
00:16:06,680 --> 00:16:12,120
Speaker 1: so that always feels good. Well, a dear friend of.

325
00:16:12,120 --> 00:16:14,360
Speaker 2: Mine, Yeah, that's some I saw the show. It was Bert, Yeah,

326
00:16:14,760 --> 00:16:18,440
Speaker 2: very good. Yeah, here we are.

327
00:16:18,560 --> 00:16:22,040
Speaker 1: It's it's a it's a huge, huge musical. And so

328
00:16:22,640 --> 00:16:24,640
Speaker 1: to bring it to perse you know where I'm from,

329
00:16:25,640 --> 00:16:27,760
Speaker 1: is just such a such a joy. And I get

330
00:16:27,800 --> 00:16:32,320
Speaker 1: to have Christmas at home and so perfect timing, wonderful, Yeah,

331
00:16:32,440 --> 00:16:34,880
Speaker 1: perfect timing. And my mum's and has moved to Brisbane

332
00:16:34,960 --> 00:16:36,680
Speaker 1: is going to come over so our whole family will

333
00:16:36,680 --> 00:16:39,720
Speaker 1: be together for the first time in many years. It's

334
00:16:39,800 --> 00:16:40,200
Speaker 1: win win.

335
00:16:40,560 --> 00:16:43,840
Speaker 3: It is cose the perfect Christmas present, just once again

336
00:16:43,880 --> 00:16:46,040
Speaker 3: to gets available switch to get us. Now, when you

337
00:16:46,160 --> 00:16:48,000
Speaker 3: reprise a role, do you give it a bit of

338
00:16:48,000 --> 00:16:51,920
Speaker 3: a tweak, you do a little.

339
00:16:51,720 --> 00:16:55,160
Speaker 1: Bit, yes, And it's great to have the initial rehearsals

340
00:16:55,200 --> 00:16:58,720
Speaker 1: and you're the director, you know, directs every step and

341
00:16:58,840 --> 00:17:01,400
Speaker 1: every blink of your eye. And then when she goes

342
00:17:01,480 --> 00:17:03,960
Speaker 1: back to America and you then step away from the

343
00:17:03,960 --> 00:17:06,680
Speaker 1: show for a while, as I did coming back in,

344
00:17:07,080 --> 00:17:09,240
Speaker 1: I get to put in all the little improvements that

345
00:17:09,359 --> 00:17:10,360
Speaker 1: she'll never get to see.

346
00:17:11,480 --> 00:17:11,640
Speaker 12: Ah.

347
00:17:11,840 --> 00:17:14,760
Speaker 2: Yes, absolutely, it's nice.

348
00:17:14,560 --> 00:17:16,880
Speaker 1: To have time away and then you you can when

349
00:17:16,920 --> 00:17:19,359
Speaker 1: you come back, you sort of you come at it

350
00:17:19,440 --> 00:17:21,520
Speaker 1: with fresh eyes. And that's that's how it feels to

351
00:17:21,600 --> 00:17:23,960
Speaker 1: me in the Brisbane season, So there's a little flourishes

352
00:17:24,000 --> 00:17:26,840
Speaker 1: here and there that I didn't, you know, put in

353
00:17:26,920 --> 00:17:29,399
Speaker 1: in the original season. So yeah, I get to do

354
00:17:29,440 --> 00:17:30,520
Speaker 1: all that, Tod.

355
00:17:30,560 --> 00:17:32,760
Speaker 4: I mentioned standing ovations earlier, because you'd love one with

356
00:17:32,840 --> 00:17:35,000
Speaker 4: every performance. But we were talking recently about some of

357
00:17:35,080 --> 00:17:38,159
Speaker 4: the film festivals and the evations can go for twelve

358
00:17:38,359 --> 00:17:41,640
Speaker 4: particular seventeen twenty two minutes. How long is too long

359
00:17:41,720 --> 00:17:43,600
Speaker 4: as a star when you're on stage? Mate, is it

360
00:17:43,680 --> 00:17:44,200
Speaker 4: ever too long?

361
00:17:44,359 --> 00:17:46,520
Speaker 1: That is too long? Let's play it the older we

362
00:17:46,640 --> 00:17:47,880
Speaker 1: get at the end of the night. I just want

363
00:17:47,880 --> 00:17:48,239
Speaker 1: to get home.

364
00:17:49,119 --> 00:17:51,560
Speaker 2: You want to make up off the get out of here,

365
00:17:51,800 --> 00:17:52,280
Speaker 2: have a shower.

366
00:17:53,800 --> 00:17:56,600
Speaker 1: Yeah, but I actually wicked with the two girls who

367
00:17:56,640 --> 00:17:59,760
Speaker 1: are playing the leagues. And these are just mammoth mammoth

368
00:17:59,840 --> 00:18:04,040
Speaker 1: role and physically challenging and vocally challenging. And these girls

369
00:18:04,119 --> 00:18:08,000
Speaker 1: are just incredible. They get a standing ovation at pretty

370
00:18:08,080 --> 00:18:10,840
Speaker 1: much every single show, which is a great accolade to

371
00:18:10,880 --> 00:18:13,520
Speaker 1: them and also to the piece. And the audience is

372
00:18:13,600 --> 00:18:15,479
Speaker 1: just love with them so much, and they love these

373
00:18:15,520 --> 00:18:18,560
Speaker 1: two characters, and so I think they'd be happy with

374
00:18:18,640 --> 00:18:19,960
Speaker 1: all the work they put in. I think they'd be

375
00:18:20,000 --> 00:18:22,520
Speaker 1: happy for the standing ovation to go along with the profitation,

376
00:18:22,880 --> 00:18:23,240
Speaker 1: of course.

377
00:18:23,520 --> 00:18:27,080
Speaker 3: And here's the thing. As you know, people love it already,

378
00:18:27,359 --> 00:18:31,000
Speaker 3: but the movie with Ariana Grande is coming out a

379
00:18:31,119 --> 00:18:34,960
Speaker 3: few weeks before the Perth run of shows. This will

380
00:18:35,040 --> 00:18:40,280
Speaker 3: send perhaps a whole new audience to see the show

381
00:18:40,560 --> 00:18:41,159
Speaker 3: to the theater.

382
00:18:42,440 --> 00:18:46,080
Speaker 1: Yes, I think yes, it will certainly benefit us to

383
00:18:46,760 --> 00:18:49,920
Speaker 1: go and see the movie with her and that terrific

384
00:18:50,000 --> 00:18:53,440
Speaker 1: cast Jeff Goldblum is playing with it in that one.

385
00:18:54,200 --> 00:18:56,520
Speaker 1: And then yeah, and then you can have the luxury

386
00:18:56,520 --> 00:18:58,720
Speaker 1: of then being able to come and see it live

387
00:18:58,960 --> 00:19:01,200
Speaker 1: on stage and in face, and so I think that

388
00:19:01,480 --> 00:19:05,680
Speaker 1: it's going to be a very beneficial timing of be

389
00:19:05,720 --> 00:19:07,720
Speaker 1: coming out, and we're all going as a task to

390
00:19:07,760 --> 00:19:10,119
Speaker 1: see the movie as well, so it sort of puts it.

391
00:19:10,400 --> 00:19:13,080
Speaker 1: It re energizes us as well. And as you say,

392
00:19:13,119 --> 00:19:16,400
Speaker 1: it introduces a whole new audience to Wicked.

393
00:19:16,680 --> 00:19:19,320
Speaker 3: And to going to the theater in general too, which

394
00:19:19,520 --> 00:19:21,360
Speaker 3: as a theater man you would have to love.

395
00:19:22,520 --> 00:19:25,400
Speaker 1: Oh, of course, of course, And you know, and instuts

396
00:19:25,440 --> 00:19:27,920
Speaker 1: in young people to the theater is really what it's

397
00:19:27,960 --> 00:19:30,920
Speaker 1: all about, whether it's the ballet or the opera or

398
00:19:30,960 --> 00:19:35,680
Speaker 1: the symphony orchestra. Getting young bums on seats, as they say,

399
00:19:36,080 --> 00:19:38,800
Speaker 1: is the future of the theater and it keeps it alive.

400
00:19:38,880 --> 00:19:42,439
Speaker 1: And this show definitely has that. I mean, our audience

401
00:19:42,480 --> 00:19:44,800
Speaker 1: has turned up. A lot of them have dressed as

402
00:19:44,840 --> 00:19:47,720
Speaker 1: witches and a lot of pink and a lot of green,

403
00:19:48,240 --> 00:19:51,399
Speaker 1: so it already it already comes with that kind of

404
00:19:52,000 --> 00:19:56,480
Speaker 1: audience participation, which is great to see. And the audience

405
00:19:56,520 --> 00:19:58,400
Speaker 1: has sing the songs, so they already know the songs.

406
00:19:58,440 --> 00:20:01,560
Speaker 1: It's such a phenomenon, this show, and so to have

407
00:20:01,680 --> 00:20:03,080
Speaker 1: the movie to back it up is a great thing.

408
00:20:03,240 --> 00:20:03,400
Speaker 2: Tom.

409
00:20:03,400 --> 00:20:05,760
Speaker 4: We can to hear because you're obviously excited about you know,

410
00:20:05,920 --> 00:20:07,760
Speaker 4: not only the show but coming back home to Perth

411
00:20:07,840 --> 00:20:11,200
Speaker 4: and the family reunion and as such, regular basis, what

412
00:20:11,240 --> 00:20:12,000
Speaker 4: do you miss about Pirth?

413
00:20:12,040 --> 00:20:13,320
Speaker 2: Is there anything that sticks out in your mind?

414
00:20:14,080 --> 00:20:15,119
Speaker 12: Do you know what? Well?

415
00:20:15,119 --> 00:20:17,920
Speaker 1: I miss my friends. I've got two different sets of

416
00:20:17,960 --> 00:20:19,879
Speaker 1: friends in Perth. I've got my school friends and then

417
00:20:19,920 --> 00:20:23,600
Speaker 1: I've also got my mum's dancing school friends. So the

418
00:20:24,280 --> 00:20:26,199
Speaker 1: hundreds and hundreds of people for me to catch up

419
00:20:26,240 --> 00:20:28,119
Speaker 1: with when I get back to Perth. But do you

420
00:20:28,200 --> 00:20:29,639
Speaker 1: know one of the things I noticed when I come

421
00:20:29,680 --> 00:20:31,720
Speaker 1: back to Perth I often spend a lot of time

422
00:20:31,840 --> 00:20:32,560
Speaker 1: up in Kings Park.

423
00:20:32,880 --> 00:20:33,080
Speaker 9: Yeah.

424
00:20:33,600 --> 00:20:36,480
Speaker 1: I just love Kings Park so much is the light.

425
00:20:37,040 --> 00:20:39,840
Speaker 1: The light in Perth and the beaches in Perth. I mean,

426
00:20:39,880 --> 00:20:42,600
Speaker 1: everybody in Sydney goes on about Bondi and mainly for

427
00:20:42,840 --> 00:20:44,800
Speaker 1: years have been saying you've got to get to Perth.

428
00:20:44,920 --> 00:20:47,480
Speaker 1: These aren't beaches, you get it.

429
00:20:47,520 --> 00:20:49,879
Speaker 3: I always talk about the Perth light is you can't

430
00:20:50,080 --> 00:20:53,120
Speaker 3: create in other places. And yeah, I when I lived

431
00:20:53,119 --> 00:20:55,800
Speaker 3: away from Perth for a little while, I didn't realize

432
00:20:55,880 --> 00:20:59,040
Speaker 3: just how much I missed the sun setting over the ocean.

433
00:20:59,240 --> 00:21:01,960
Speaker 3: So you know, getting straight out to see that. I

434
00:21:01,960 --> 00:21:07,280
Speaker 3: would love to ask people where they were when they

435
00:21:07,359 --> 00:21:11,200
Speaker 3: got the call. And I casting mind back nineteen eighty

436
00:21:11,200 --> 00:21:13,760
Speaker 3: three Andrew Lloyd Webber's song and Dance. Do you remember

437
00:21:13,800 --> 00:21:15,800
Speaker 3: where you were when you got the call that you

438
00:21:15,960 --> 00:21:17,280
Speaker 3: got the gig, you got the roll?

439
00:21:18,080 --> 00:21:21,040
Speaker 1: I do. I was at the Morley Roller Drove, no.

440
00:21:24,040 --> 00:21:24,359
Speaker 2: Skating.

441
00:21:25,440 --> 00:21:27,000
Speaker 1: I was skating around the morning.

442
00:21:28,240 --> 00:21:30,440
Speaker 2: That's great, mom.

443
00:21:32,000 --> 00:21:36,639
Speaker 1: Where my mom's there and I've got the skates on

444
00:21:37,000 --> 00:21:39,480
Speaker 1: and she called me over and said, you got it,

445
00:21:39,640 --> 00:21:42,080
Speaker 1: And so I was literally rolling around.

446
00:21:43,040 --> 00:21:43,760
Speaker 3: That is awesome.

447
00:21:45,400 --> 00:21:47,639
Speaker 2: First story and that Bush was playing No.

448
00:21:52,560 --> 00:21:58,240
Speaker 1: Black Betty was the other skate down. Then Black Betty

449
00:21:58,280 --> 00:21:58,680
Speaker 1: would come on.

450
00:21:59,240 --> 00:22:03,560
Speaker 2: I have such memories of absolutely mini wheels.

451
00:22:03,840 --> 00:22:06,040
Speaker 3: Look on that note, which is going to make me

452
00:22:06,119 --> 00:22:09,520
Speaker 3: smile all day. Tom Aketty. We looked forward to you

453
00:22:09,720 --> 00:22:14,840
Speaker 3: coming home. Crowned the fifteenth January twenty six Wicked the

454
00:22:14,920 --> 00:22:18,080
Speaker 3: musical tickets through Ticketmaster. Can't wait to have you back

455
00:22:18,119 --> 00:22:18,360
Speaker 3: in town.

456
00:22:18,480 --> 00:22:25,960
Speaker 2: Switch flight there. That is the best past that location.

457
00:22:26,600 --> 00:22:30,280
Speaker 3: Two days ago, our producer Greg who's on some leave

458
00:22:30,320 --> 00:22:32,640
Speaker 3: at the moment, he used to speed skate. He did

459
00:22:32,880 --> 00:22:36,439
Speaker 3: at the more Rolodrome too black, Betty. He could well

460
00:22:36,520 --> 00:22:38,600
Speaker 3: have been there. That very nice he might have been.

461
00:22:38,680 --> 00:22:41,439
Speaker 2: He was probably part of Snowball as well. Amazing, very

462
00:22:41,520 --> 00:22:44,439
Speaker 2: very cool. Fancy such big news there as well from

463
00:22:44,520 --> 00:22:59,439
Speaker 2: mom lisas the story behind the album.

464
00:23:00,119 --> 00:23:03,480
Speaker 3: Steers the third studio album by Cold Chisel, released in

465
00:23:03,600 --> 00:23:06,000
Speaker 3: June nineteen eighty. The album peaked at number two and

466
00:23:06,080 --> 00:23:12,640
Speaker 3: spent sixty three weeks on the National chart. Sixty three weeks.

467
00:23:12,680 --> 00:23:13,399
Speaker 2: Phenomenal, isn't it.

468
00:23:13,560 --> 00:23:15,960
Speaker 3: Yes, it was the biggest selling Australian album release of

469
00:23:16,160 --> 00:23:19,200
Speaker 3: nineteen eighty. It was the only Cold Chisel album to

470
00:23:19,359 --> 00:23:23,320
Speaker 3: chart in America. As we've said, all killer, no filler.

471
00:23:23,440 --> 00:23:25,760
Speaker 3: The album was preceded by the release of the single

472
00:23:25,840 --> 00:23:28,040
Speaker 3: Choir Girl, which we will get to in just a moment.

473
00:23:28,520 --> 00:23:31,600
Speaker 3: My Baby and Cheap Wine were also released as singles.

474
00:23:31,920 --> 00:23:34,439
Speaker 3: East was the first Cold Chisel album to feature tracks

475
00:23:34,440 --> 00:23:36,400
Speaker 3: written by all the members of the band.

476
00:23:36,480 --> 00:23:38,679
Speaker 4: Yeah true, because even feel smaller bass player come up

477
00:23:38,720 --> 00:23:40,840
Speaker 4: with My Baby. As you mentioned, there such a great,

478
00:23:41,160 --> 00:23:43,080
Speaker 4: very commercial kind of pop song. But it just worked,

479
00:23:43,840 --> 00:23:48,480
Speaker 4: just incredible. So we talk about cheap Wine. What a song, Yes,

480
00:23:48,680 --> 00:23:51,280
Speaker 4: what a great song it was. When you talk about

481
00:23:51,920 --> 00:23:54,720
Speaker 4: you know, having this great songwriter in Don Walker being

482
00:23:54,760 --> 00:23:56,199
Speaker 4: able to come up with those songs and a lot

483
00:23:56,200 --> 00:23:57,960
Speaker 4: of it as we just heard on sending it outside

484
00:23:58,880 --> 00:24:01,120
Speaker 4: piano based Don talking about Cheap One.

485
00:24:01,200 --> 00:24:04,480
Speaker 12: Cheap One was bits and pieces of Verse that were

486
00:24:05,240 --> 00:24:08,159
Speaker 12: fitted fitted to Geza at the last minute.

487
00:24:09,280 --> 00:24:14,440
Speaker 2: Lyrically, I don't think musically it was pretty much like

488
00:24:14,560 --> 00:24:14,959
Speaker 2: that too.

489
00:24:16,200 --> 00:24:19,520
Speaker 12: There's bits and pieces of other half finished songs or

490
00:24:19,560 --> 00:24:20,159
Speaker 12: put together.

491
00:24:20,640 --> 00:24:23,040
Speaker 4: Magical how they can put things together from a starting

492
00:24:23,080 --> 00:24:25,040
Speaker 4: point where you go, I've got a bit of an idea.

493
00:24:24,880 --> 00:24:26,160
Speaker 3: And sounds like mad Max.

494
00:24:26,280 --> 00:24:28,680
Speaker 4: Piece of this, piece of that, yeah, absolutely, look piece

495
00:24:28,680 --> 00:24:30,680
Speaker 4: from here cars in next to some of the outfits.

496
00:24:30,760 --> 00:24:33,560
Speaker 4: It's a similar bar. It's about the same time wrong.

497
00:24:33,640 --> 00:24:35,920
Speaker 4: And then you bring in a player player to the

498
00:24:36,240 --> 00:24:38,919
Speaker 4: to the game called Marco Pis. Yeah, it's a great producer.

499
00:24:38,920 --> 00:24:41,080
Speaker 4: He worked with the boys from ac DC. He later

500
00:24:41,160 --> 00:24:42,760
Speaker 4: worked with the Vinyls and Honesty Crawl and of course

501
00:24:42,800 --> 00:24:44,840
Speaker 4: he was the guy that put together Shabu Shabar with

502
00:24:44,880 --> 00:24:47,840
Speaker 4: an excess Marco Pits and he's done walking talking about

503
00:24:47,880 --> 00:24:49,480
Speaker 4: working with this great producer Mark.

504
00:24:49,560 --> 00:24:52,200
Speaker 12: We've been working with Mark for about twelve months now.

505
00:24:52,520 --> 00:24:56,760
Speaker 12: Initially he was just straight producing it, but he's he's

506
00:24:57,720 --> 00:25:01,520
Speaker 12: he's taught at so many lessons. Now it's more into

507
00:25:01,560 --> 00:25:04,000
Speaker 12: a cope production situation which just work as a team.

508
00:25:05,280 --> 00:25:07,919
Speaker 2: He's very quite bad, very clear man.

509
00:25:07,960 --> 00:25:10,480
Speaker 3: Indeed, so many great songs. One of the big songs

510
00:25:10,480 --> 00:25:16,040
Speaker 3: on it, of course, was Iter, now already a respected journalist.

511
00:25:16,560 --> 00:25:19,119
Speaker 3: Iter made Iter Buttros very cool.

512
00:25:19,640 --> 00:25:22,320
Speaker 13: I had no idea Colchis were writing the song. It

513
00:25:22,440 --> 00:25:25,480
Speaker 13: came as a complete surprise. It's on their album East.

514
00:25:26,760 --> 00:25:28,960
Speaker 13: I didn't know much about that, even quite frankly, and

515
00:25:29,040 --> 00:25:32,560
Speaker 13: I didn't meet them until about twenty eleven. I used

516
00:25:32,560 --> 00:25:35,600
Speaker 13: to present the commercials for the Australian Women's Weekly every

517
00:25:35,640 --> 00:25:37,399
Speaker 13: week on television, and I.

518
00:25:37,480 --> 00:25:38,639
Speaker 3: Was always behind a desk.

519
00:25:39,920 --> 00:25:43,240
Speaker 13: And Jimmy Barnes, the lead singer, recently wrote his own

520
00:25:43,320 --> 00:25:46,720
Speaker 13: book about his last and I interviewed him, of course

521
00:25:46,760 --> 00:25:48,760
Speaker 13: and personal from Studio ten.

522
00:25:49,480 --> 00:25:51,680
Speaker 3: And you know, I made him sing me.

523
00:25:51,800 --> 00:25:53,800
Speaker 13: I made him sing me a few bars of my song,

524
00:25:54,400 --> 00:25:58,680
Speaker 13: and he said to me that the boys, well, excuse me,

525
00:25:58,840 --> 00:26:00,920
Speaker 13: but I have to tell you the boys used to

526
00:26:01,000 --> 00:26:04,399
Speaker 13: fantasize about me because they used to wonder what I

527
00:26:04,520 --> 00:26:07,960
Speaker 13: might be like and what might go on below the

528
00:26:08,080 --> 00:26:10,480
Speaker 13: de and so hits the song.

529
00:26:11,119 --> 00:26:11,679
Speaker 2: That's funny.

530
00:26:13,119 --> 00:26:17,840
Speaker 3: I can't believe it was thirty one years before she

531
00:26:18,080 --> 00:26:21,240
Speaker 3: met them. Isn't thanks for the song?

532
00:26:21,760 --> 00:26:23,320
Speaker 2: She was absolutely chuffed, wasn't she?

533
00:26:23,520 --> 00:26:25,960
Speaker 3: Yes, it would be, wouldn't As you put.

534
00:26:25,800 --> 00:26:28,440
Speaker 4: It perfectly, you know, it made her cool. It did

535
00:26:28,560 --> 00:26:31,520
Speaker 4: not about it all. What about that beautiful song choir.

536
00:26:31,440 --> 00:26:34,480
Speaker 3: GIRLI Girl, Yes, this was the single that came before

537
00:26:34,520 --> 00:26:36,320
Speaker 3: the album. It was assumed in the old days they

538
00:26:36,400 --> 00:26:38,399
Speaker 3: used to release well, I mean they still do a bit,

539
00:26:38,440 --> 00:26:40,920
Speaker 3: but there was always a single and then you know,

540
00:26:41,040 --> 00:26:44,000
Speaker 3: the album would come out maybe a couple of months later.

541
00:26:44,240 --> 00:26:48,560
Speaker 3: Even taste, that's what's coming. And it was Qui Girl,

542
00:26:48,600 --> 00:26:48,920
Speaker 3: A taster.

543
00:26:49,200 --> 00:26:52,359
Speaker 2: That's what a taster was? What a sample? Make op?

544
00:26:52,400 --> 00:26:54,000
Speaker 2: It's the producer talking about that great song.

545
00:26:54,119 --> 00:26:55,800
Speaker 11: Gotta understand no one said to me go and do

546
00:26:55,880 --> 00:26:58,720
Speaker 11: a single. That's what I wanted to do because I

547
00:26:58,840 --> 00:27:01,040
Speaker 11: had that same feeling that the radio guys out of

548
00:27:01,400 --> 00:27:02,960
Speaker 11: give us something to play with integrity.

549
00:27:03,640 --> 00:27:05,399
Speaker 2: And I spotted Qui gole and.

550
00:27:06,119 --> 00:27:09,520
Speaker 11: I applied the technique that I'd picked up working with

551
00:27:09,640 --> 00:27:12,399
Speaker 11: Vanre and Young about where to bring backing vocals in.

552
00:27:12,600 --> 00:27:14,480
Speaker 11: You know, maybe the course is a bit long here

553
00:27:14,600 --> 00:27:17,280
Speaker 11: ort et cetera, et cetera, and give them the solo

554
00:27:17,359 --> 00:27:20,080
Speaker 11: and more melodic feel and all that sort of.

555
00:27:20,080 --> 00:27:23,359
Speaker 2: Thing so damn good, and you had to pick a

556
00:27:23,440 --> 00:27:25,080
Speaker 2: hit to me crazy and

557
00:27:25,320 --> 00:27:27,200
Speaker 1: Lisa ninety six an