1 00:00:00,640 --> 00:00:05,840 Speaker 1: Great the flick with Benoshe. Hooray for Hollywood. The Oscars 2 00:00:06,080 --> 00:00:08,119 Speaker 1: on Monday, and I love that it's on a long 3 00:00:08,160 --> 00:00:10,040 Speaker 1: weekend for us. Yes, we can watch it. 4 00:00:10,119 --> 00:00:13,160 Speaker 2: We can finally watch it. It starts early the stars 5 00:00:13,240 --> 00:00:16,120 Speaker 2: walking down the red carpet, which for a lot of people, 6 00:00:16,200 --> 00:00:18,560 Speaker 2: that's the main event. They want to see what everybody's 7 00:00:18,600 --> 00:00:21,520 Speaker 2: wearing at Hollywood's Night of Nights at the Dolby Theater 8 00:00:22,400 --> 00:00:24,040 Speaker 2: right there in the heart of Hollywood. 9 00:00:25,560 --> 00:00:26,160 Speaker 1: It's going to be. 10 00:00:26,160 --> 00:00:28,560 Speaker 2: Very interesting this year for a number of reasons. A 11 00:00:28,600 --> 00:00:31,080 Speaker 2: few things that we haven't really seen before are going 12 00:00:31,120 --> 00:00:34,440 Speaker 2: to play out. But in terms of an overall broad 13 00:00:34,520 --> 00:00:37,480 Speaker 2: picture of what this Oscars is about, it's really been 14 00:00:37,560 --> 00:00:42,239 Speaker 2: impacted by the writers' strikes and actors strikes of late 15 00:00:42,320 --> 00:00:45,080 Speaker 2: last year. So a lot of films that could have 16 00:00:45,120 --> 00:00:47,640 Speaker 2: been released in twenty twenty four weren't. They were held 17 00:00:47,640 --> 00:00:50,160 Speaker 2: off for this year. So as a result, it's kind 18 00:00:50,159 --> 00:00:54,520 Speaker 2: of the race for Best Picture is filled with films 19 00:00:54,760 --> 00:00:58,440 Speaker 2: that are really really solid, more art house films. Right, 20 00:00:58,760 --> 00:01:02,280 Speaker 2: There's maybe not a lot of really big mainstream hits 21 00:01:02,400 --> 00:01:05,880 Speaker 2: amongst the list of ten films, and so it reminds 22 00:01:05,880 --> 00:01:07,640 Speaker 2: me a little bit of the year that Green Book won, 23 00:01:08,240 --> 00:01:11,080 Speaker 2: where it seemed like it was a very a very 24 00:01:11,280 --> 00:01:14,880 Speaker 2: even even field and there was no obvious contenders here. 25 00:01:15,280 --> 00:01:17,240 Speaker 2: It's a bit like that this year. I'll run through. First, 26 00:01:17,280 --> 00:01:20,319 Speaker 2: the film's in contention for Best Picture. You've got Anora, 27 00:01:20,480 --> 00:01:23,880 Speaker 2: Sean Baker's indie film, which is a great film. I 28 00:01:23,920 --> 00:01:25,840 Speaker 2: personally maybe didn't like it as much as some people, 29 00:01:25,880 --> 00:01:28,880 Speaker 2: but it's it's a very good film that is the 30 00:01:28,959 --> 00:01:32,759 Speaker 2: favorite for Best Picture at this point in time, didn't 31 00:01:32,760 --> 00:01:36,160 Speaker 2: she Yeah, Mikey Mikey Addison, the lead actress for Anora, 32 00:01:36,240 --> 00:01:37,959 Speaker 2: won the bat that she's won some other awards this 33 00:01:38,000 --> 00:01:41,000 Speaker 2: award season, as well as Sean Baker the director, he'll 34 00:01:41,040 --> 00:01:43,440 Speaker 2: be He's probably in a two horse race for Best Director. 35 00:01:44,160 --> 00:01:47,320 Speaker 2: Then its main rival is Ray Fines in Conclave, which 36 00:01:47,360 --> 00:01:51,240 Speaker 2: is a really really great thriller drama about what happens 37 00:01:51,320 --> 00:01:58,200 Speaker 2: after the Pope diesty time. Oh yeah, if that's still 38 00:01:58,200 --> 00:02:01,720 Speaker 2: not in cinemas and put it back on. It's a 39 00:02:01,720 --> 00:02:05,520 Speaker 2: really really great film, and that's probably second, I think 40 00:02:05,520 --> 00:02:09,160 Speaker 2: in the favoritism, and that'll also it's also represented in 41 00:02:09,440 --> 00:02:13,119 Speaker 2: Refines up for Best Actor, and there's Best Adapted Screenplay. 42 00:02:13,160 --> 00:02:15,760 Speaker 2: I think it is an absolute Locke dead set certainty 43 00:02:15,760 --> 00:02:18,959 Speaker 2: to win Best Adapted Screenplay. Amelia Perez is one of 44 00:02:19,000 --> 00:02:22,560 Speaker 2: the most interesting films this award season. At one point 45 00:02:22,639 --> 00:02:24,880 Speaker 2: it was by far the favorite to take home the 46 00:02:24,880 --> 00:02:27,960 Speaker 2: most Oscars. It's got the most nominations with thirteen leads 47 00:02:27,960 --> 00:02:31,600 Speaker 2: the field, but it has been mired in controversy. 48 00:02:31,880 --> 00:02:36,160 Speaker 1: I think that's affected it just alaly took a turn 49 00:02:36,680 --> 00:02:40,000 Speaker 1: from the first couple of awards ceremonies to the last couple. 50 00:02:40,160 --> 00:02:43,440 Speaker 2: Yea, the vibes around Amelia Perez have changed more than 51 00:02:43,480 --> 00:02:45,919 Speaker 2: I think any film I can remember in living memory 52 00:02:46,480 --> 00:02:49,320 Speaker 2: as the award season has process. At the start, the 53 00:02:49,400 --> 00:02:52,080 Speaker 2: vibes were immaculate. It was set to clean up and 54 00:02:52,160 --> 00:02:54,440 Speaker 2: it certainly was winning big at all of those early 55 00:02:54,440 --> 00:02:55,280 Speaker 2: awards ceremonies. 56 00:02:55,320 --> 00:02:57,160 Speaker 1: And it's controversy is it star making some. 57 00:02:57,280 --> 00:03:02,600 Speaker 2: Yep, so start as a trans woman who posted some 58 00:03:02,639 --> 00:03:05,600 Speaker 2: sort of historic tweets that now you look at them 59 00:03:05,600 --> 00:03:07,320 Speaker 2: and you go, it's just a bit racist, you know, 60 00:03:07,440 --> 00:03:10,120 Speaker 2: some racist tweets really, which is kind of a weird 61 00:03:10,160 --> 00:03:13,320 Speaker 2: thing for a Spanish trans woman to be, you know, 62 00:03:13,720 --> 00:03:16,919 Speaker 2: to be kind of like posting that type of stuff 63 00:03:17,200 --> 00:03:19,880 Speaker 2: I expected, and it had gone from a film that 64 00:03:20,120 --> 00:03:24,440 Speaker 2: maybe the sort of the bit lefty liberal arts community 65 00:03:24,520 --> 00:03:27,400 Speaker 2: and voters in Hollywood looked at Amelia Perez's here's a 66 00:03:27,480 --> 00:03:29,240 Speaker 2: Chance to kind of, you know, put the middle finger 67 00:03:29,320 --> 00:03:32,160 Speaker 2: up to you know, some political things happening in America. 68 00:03:32,200 --> 00:03:34,240 Speaker 2: But now all of those people have jumped off the 69 00:03:34,240 --> 00:03:36,800 Speaker 2: bat because of the racism, and so now that is 70 00:03:36,840 --> 00:03:40,920 Speaker 2: going to hurt it. Like Carla Gasson was the favorite 71 00:03:40,920 --> 00:03:44,400 Speaker 2: to win Best Best Actress, she now has zero chance 72 00:03:44,400 --> 00:03:46,839 Speaker 2: and zero chance at that. But the question is will 73 00:03:46,840 --> 00:03:49,720 Speaker 2: it hurt the film in particular Zoe Saldana, who's up 74 00:03:49,760 --> 00:03:54,200 Speaker 2: for Best Supporting Actress. She is just an overwhelming favorite 75 00:03:54,200 --> 00:03:57,000 Speaker 2: to win that award, But will she be She just 76 00:03:57,040 --> 00:03:59,920 Speaker 2: wanted to say so. I feel like voters maybe will 77 00:04:00,080 --> 00:04:02,520 Speaker 2: not hold it against her, which they really shouldn't. They 78 00:04:02,560 --> 00:04:05,880 Speaker 2: really should hold it against But the controversy happened just 79 00:04:06,000 --> 00:04:10,480 Speaker 2: as voting started. Yea, the timing is just terrible. Then 80 00:04:10,520 --> 00:04:12,520 Speaker 2: you've got The Brutalist, which is a film that was 81 00:04:12,560 --> 00:04:14,800 Speaker 2: brutally long. It was three and a half hours long, 82 00:04:15,440 --> 00:04:18,920 Speaker 2: but it's amazing film starring Adrian Brody. He is by 83 00:04:19,000 --> 00:04:20,280 Speaker 2: far the favorite to win. 84 00:04:20,600 --> 00:04:25,279 Speaker 1: But yeah, that's right. That's maybe added a little bit of. 85 00:04:25,279 --> 00:04:27,880 Speaker 2: Intrigue to the Best Actor category because it looked like 86 00:04:28,080 --> 00:04:30,839 Speaker 2: Adrian Brody was a sure thing timidate. Schalo May for 87 00:04:30,880 --> 00:04:33,479 Speaker 2: playing Bob Dylan in a complete unknown one The Sag, 88 00:04:33,520 --> 00:04:35,600 Speaker 2: which is not a bad not a bad predictor for 89 00:04:35,640 --> 00:04:38,040 Speaker 2: the Oscars. He came out of nowhere to make it 90 00:04:38,480 --> 00:04:41,240 Speaker 2: at least a two horse race. I feel like I 91 00:04:41,240 --> 00:04:43,600 Speaker 2: feel like Brody still got the still got the edge 92 00:04:43,600 --> 00:04:46,440 Speaker 2: there because his performance is just just phenomenal in that 93 00:04:46,480 --> 00:04:48,360 Speaker 2: film and also was on screen for three and a 94 00:04:48,360 --> 00:04:48,760 Speaker 2: half hours. 95 00:04:48,760 --> 00:04:50,640 Speaker 1: I want to give you an Oscar sitting through it 96 00:04:51,000 --> 00:04:51,679 Speaker 1: about taking. 97 00:04:52,360 --> 00:04:54,080 Speaker 2: If he had a fifteen minute toilet break in the middle, 98 00:04:54,120 --> 00:04:58,520 Speaker 2: that's incredible. And then you've got Wicked, and so that is, 99 00:04:58,600 --> 00:05:00,960 Speaker 2: you know, sort of in the second tier of Oscar nominations. 100 00:05:00,960 --> 00:05:04,640 Speaker 2: It's got ten nominations along with Conclave. I feel like 101 00:05:04,720 --> 00:05:06,240 Speaker 2: this could be every year there's a film that gets 102 00:05:06,240 --> 00:05:08,880 Speaker 2: heaps of nominations and they end up just kind of 103 00:05:08,920 --> 00:05:11,080 Speaker 2: getting pipped at the post in every category. And I 104 00:05:11,080 --> 00:05:13,160 Speaker 2: think Wicked is going to be that film. It's up 105 00:05:13,160 --> 00:05:17,280 Speaker 2: for Best Picture. It won't win that, it'll do really 106 00:05:17,279 --> 00:05:20,320 Speaker 2: well in the technical category of you know, best set design, 107 00:05:20,520 --> 00:05:24,119 Speaker 2: best makeup, best costume, because in all of those things, 108 00:05:24,320 --> 00:05:27,680 Speaker 2: you know, it is phenomenal, phenomenal piece of work technically. 109 00:05:28,240 --> 00:05:31,039 Speaker 2: But I think you know, Ariana Grande up for you know, 110 00:05:31,120 --> 00:05:33,800 Speaker 2: sort of Best Supporting Actor. You know, she she's got 111 00:05:33,800 --> 00:05:35,479 Speaker 2: a chance the book he is like her, but I 112 00:05:35,480 --> 00:05:38,440 Speaker 2: don't think the voters will and so, you know, and 113 00:05:38,480 --> 00:05:41,080 Speaker 2: then you've got the substance an interesting film starting doing more, 114 00:05:41,800 --> 00:05:45,560 Speaker 2: which you know, she has a pretty good chance at 115 00:05:45,720 --> 00:05:49,680 Speaker 2: Best Actress. I think it's between this is a coin 116 00:05:49,760 --> 00:05:53,960 Speaker 2: toss between between Demi Moore and Mikey Madison. I think, 117 00:05:54,279 --> 00:05:58,560 Speaker 2: you know, Demi Moore has won pretty much everything and 118 00:05:59,040 --> 00:06:01,360 Speaker 2: Mikey Madison's wont to cut couple of Key awards though, 119 00:06:01,440 --> 00:06:04,200 Speaker 2: So it's how you weigh up the relative importance of 120 00:06:04,240 --> 00:06:09,080 Speaker 2: those things. Fernanda Torres is another, you know, another sort 121 00:06:09,120 --> 00:06:10,760 Speaker 2: of a ruffy in this race as well. So she 122 00:06:10,960 --> 00:06:12,720 Speaker 2: was from a film I'm Still Here's kind of a 123 00:06:12,800 --> 00:06:17,120 Speaker 2: Brazilian biographical drama about a political political activist who goes missing. 124 00:06:17,200 --> 00:06:19,960 Speaker 2: Her performance in that film is phenomenal and she has 125 00:06:20,040 --> 00:06:21,800 Speaker 2: won a couple of Key awards as well. 126 00:06:21,720 --> 00:06:22,520 Speaker 1: So set up beautiful. 127 00:06:22,600 --> 00:06:25,120 Speaker 2: So it's between those three and if any any of 128 00:06:25,120 --> 00:06:28,200 Speaker 2: the three win, I don't think anybody would complain about it. 129 00:06:28,839 --> 00:06:31,200 Speaker 2: In terms of one that you can already you know, 130 00:06:31,320 --> 00:06:34,440 Speaker 2: pencil it in that's already been engraved on the bottom 131 00:06:34,480 --> 00:06:38,240 Speaker 2: of the statuette. Kieran Culkin, who played Roman Roy in Succession. 132 00:06:38,320 --> 00:06:42,239 Speaker 2: He is beyond a favorite of winning Best Supporting Actors. 133 00:06:42,240 --> 00:06:46,080 Speaker 1: Gummer of a year for Guy Peers to be unfair actor. 134 00:06:46,160 --> 00:06:48,680 Speaker 2: It's so unfair. Guy Peers is amazing in The Brutalist, 135 00:06:49,720 --> 00:06:52,840 Speaker 2: and Jeremy Strong is amazing in Their Princess. Edward Norton 136 00:06:52,880 --> 00:06:55,640 Speaker 2: is amazing in a Complete Unknown. So there's some really 137 00:06:55,680 --> 00:06:59,000 Speaker 2: great performances. But Kieran Culkin in a Real Pain, directed 138 00:06:59,000 --> 00:07:00,880 Speaker 2: and written by Jesse eisen Berg, who also stars in 139 00:07:00,920 --> 00:07:03,760 Speaker 2: the film. Did you see Karen Colkin's acceptance speech at 140 00:07:03,800 --> 00:07:08,960 Speaker 2: the Sex He is Roman Roy, and I think him 141 00:07:09,080 --> 00:07:12,240 Speaker 2: his acceptance speech could be the highlight of the whole thing. 142 00:07:12,320 --> 00:07:13,800 Speaker 1: You said to him six years ago, You're going to 143 00:07:13,840 --> 00:07:15,240 Speaker 1: be a shoe in from Oscar. 144 00:07:15,360 --> 00:07:18,560 Speaker 2: Yeah, amazing, and so that's certainty. So that's basically all 145 00:07:18,600 --> 00:07:20,720 Speaker 2: of the major awards, and I think some of the 146 00:07:20,760 --> 00:07:22,720 Speaker 2: others will be split. It's going to be hosted by 147 00:07:22,840 --> 00:07:27,560 Speaker 2: Conan O'Brien like a big star started array of presenters. 148 00:07:27,560 --> 00:07:31,080 Speaker 2: On the night, you will see a performance by Ariana 149 00:07:31,080 --> 00:07:34,560 Speaker 2: Grande and Cynthia Aruvco from Wicked, and they're going to 150 00:07:34,600 --> 00:07:36,560 Speaker 2: use them in the in the in the show somehow. 151 00:07:36,560 --> 00:07:38,720 Speaker 2: They're not quite revealing how they're going to use them 152 00:07:38,720 --> 00:07:40,920 Speaker 2: in the broadcast, but look out for that, Wicked fans. 153 00:07:41,640 --> 00:07:44,120 Speaker 2: And the only other thing that I will say is 154 00:07:44,200 --> 00:07:49,800 Speaker 2: the in memoriam is always a huge and someone always 155 00:07:49,800 --> 00:07:52,880 Speaker 2: gets the kind of final lingering shot in Memoriam. Who 156 00:07:52,920 --> 00:07:55,000 Speaker 2: all the people who died in twenty twenty four, and 157 00:07:55,040 --> 00:07:56,200 Speaker 2: so who do you think it's going to be. We've 158 00:07:56,240 --> 00:08:00,480 Speaker 2: got Maggie Smith, We've got David Lynch, Luke go so junior, 159 00:08:00,560 --> 00:08:05,640 Speaker 2: so we've got Oscar winnersly Maggie Smith was late Donald 160 00:08:05,680 --> 00:08:09,120 Speaker 2: Sutherland also, So there's some really really really amazing, amazing 161 00:08:09,560 --> 00:08:12,480 Speaker 2: acclaimed actors who we lost in twenty twenty four, so 162 00:08:12,520 --> 00:08:14,920 Speaker 2: we'll remember those. That'll be a bit of a tear jerker. Yeah, 163 00:08:14,920 --> 00:08:19,640 Speaker 2: absolutely right, Thanks guys. And Channel seven or seven plus 164 00:08:19,680 --> 00:08:21,680 Speaker 2: on Monday morning, so weekend's. 165 00:08:21,280 --> 00:08:24,920 Speaker 1: About eight o'clock. Our time for the you can thank you, 166 00:08:25,000 --> 00:08:26,640 Speaker 1: Thank you guys. We'll get the popcorn. Thanks Bert,