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Speaker 1: Well, what a show it was today.

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Speaker 2: One shall fight for your flashback. We had to come

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Speaker 2: up with songs about the wireless because the Radio Awards

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Speaker 2: are on Saturday.

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Speaker 1: We're going for the two peete the two peat.

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Speaker 2: Yeah, can it be done.

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Speaker 1: I've had the shirts made, so it has to be.

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Speaker 1: It has to happen once it's once it's been put

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Speaker 1: in fabric.

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Speaker 2: Well, I bought a quick on picture just in case,

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Speaker 2: but I screen printed. Oh no, are we put age

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Speaker 2: bias language to the pub test using words like boomer

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Speaker 2: and millennial? Is ageism the last ism we need to

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Speaker 2: tackle with our language.

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Speaker 1: Gordon ramsay is stealing our maateurial Yeah, yeah, yeah, we'll.

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Speaker 2: Tell you all about that. And who's feud is it? Anyway?

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Speaker 2: We're giving away Oasis tickets.

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Speaker 3: Also, if I said this to you, you soft billion celebrities,

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Speaker 3: I take lives, I save lives.

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Speaker 2: I'd be outraging.

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Speaker 4: I'd be straight to hr and Middles in this podcast.

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Speaker 1: A miracle of record. We have so many requests for

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Speaker 1: them to do it again.

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Speaker 5: Mistress Amanda and MS Killer Amanda doesn't work alone.

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Speaker 6: Friend making the tools of the train.

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Speaker 7: I've heard them describe him as a drunken idiot, the

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Speaker 7: legendary poet, Jonesy corect, Amanda the actress.

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Speaker 2: Congratulations man, we're there any right now.

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Speaker 6: And Amanda you're doing a great job.

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Speaker 1: Silk good Radio.

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Speaker 8: Sorry, a bit of a tongue tongue twist set Amanda.

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Speaker 3: Shoot Tim. We're on the air Top of the Morning

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Speaker 3: to Amanda fry Ya fry Ya Radio Awards this weekend.

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Speaker 1: I know, gee, will we win?

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Speaker 2: We won the best show in Australia and that's through

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Speaker 2: breakfast shows, through drive shows, through everything last year.

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Speaker 1: Can we do a two peete?

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Speaker 2: I don't know the spirit of penrith.

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Speaker 3: I've got the shirts already made. It would be a

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Speaker 3: bit of a waist in the shirts. I haven't made

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Speaker 3: any where we've lost. I've just made where we win.

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Speaker 3: So it's going to be foolish if we don't win.

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Speaker 3: What does the shirt say? Just Jonesy demanded two pete

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Speaker 3: and it's you and I just going like this.

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Speaker 2: With two fingers up. Yeah for the two peet. Not

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Speaker 2: to be aggressive? Who were up against everyone?

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Speaker 1: Okay, we're always up against everywhere. It's actually a back weekend.

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Speaker 1: I'm so excited tonight. I'm going to go and see Coaches.

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Speaker 2: Oh yes, I know, I've got just about that one.

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Speaker 2: I think it'll be amazing.

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Speaker 1: Yeah, they got the Grand Shepye Tour.

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Speaker 3: I think they buy it from Sirk to Sleat or

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Speaker 3: though I will say this, Coaches or many years ago

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Speaker 3: did Circus Animals the album back in the eighties and

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Speaker 3: they did a whole bunch of shows under the Big Top.

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Speaker 1: So it's going to be great. I'm so looking forward

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Speaker 1: to it. I just you know, it takes a lot

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Speaker 1: to excite me.

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Speaker 2: That's not true. We got new mugs yesterday, and you're excited.

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Speaker 1: That was pretty good.

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Speaker 2: We've got good hands.

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Speaker 1: Yeah, Task of people bought some.

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Speaker 2: And they've got very good hand Are these mugs that

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Speaker 2: excites you?

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Speaker 3: So I'm just holding this mug up your office mugs

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Speaker 3: happened proportionately.

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Speaker 1: The handle is too small for the volume of the cup.

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Speaker 2: What it does is it jams your fingers into the

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Speaker 2: material of the cup and it burns them. Where's these

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Speaker 2: new ones? Nice and big handles.

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Speaker 1: Yeah.

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Speaker 3: I took my home foolishly my air task cup that

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Speaker 3: they gave me.

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Speaker 2: I can give you a surprise. There's another one here. Really,

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Speaker 2: Because I don't get excited easily. Wow, a cup.

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Speaker 1: Well, I've got my other cup.

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Speaker 2: Can I show you fire?

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Speaker 1: I've got my other cup? How many doughnuts can I

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Speaker 1: fit on.

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Speaker 2: My happy Father's Day? I think that was that one.

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Speaker 1: The coach is a tonight and I'm practicing. I'm just

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Speaker 1: hoping that.

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Speaker 3: My fantasy one day is they get me up on

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Speaker 3: stage and I get to say.

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Speaker 1: If you don't like what have you been standing there

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Speaker 1: for twenty minutes? You know from Saturday night?

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Speaker 2: Why would they get you up on stage?

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Speaker 1: I do your bow very well.

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Speaker 2: You can do that from anywhere.

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Speaker 1: You don't be on stage to it from backstage?

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Speaker 2: No, why would you be backstage? Why don't you just

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Speaker 2: do it from where you're standing on stage? Your backstage?

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Speaker 1: Well?

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Speaker 2: People plane and says I only turn left.

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Speaker 3: Ring Jimmy and say, look, I know you've got a

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Speaker 3: load of but you know you've had healthy use.

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Speaker 2: Which part of the if you want tasered, I'm sure you'll.

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Speaker 1: Be fine right here.

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Speaker 3: So I'm excited about that, and I'm excited about today's

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Speaker 3: show because it's Friday.

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Speaker 1: That means fight for your flashback makes us return.

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Speaker 2: But Aunt Milton on the show today too.

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Speaker 3: Yeah, yeah, I was, I catch it up with antis.

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Speaker 2: Hasn't been using any ant.

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Speaker 3: Rid story story, but the kids, the kids had to

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Speaker 3: put on how much ant rid was going.

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Speaker 2: They suspected their father of poisoning their mother with it

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Speaker 2: and putting it in her.

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Speaker 1: Did they come come to that conclusion?

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Speaker 2: Who would know?

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Speaker 1: Extraordinary?

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Speaker 9: Well?

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Speaker 2: She got chronical ill and no one could tell anyone why.

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Speaker 3: There's a lot of trust with your partner when they're

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Speaker 3: making your meals and stuff.

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Speaker 2: We should go back to like Henry the eighth We

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Speaker 2: have a food taster.

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Speaker 1: He had a food food didn't they all?

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Speaker 2: And I think probably Putin has them too. Food tasters?

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Speaker 2: What's in that job? You can get some nice meals,

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Speaker 2: you may have some side effects.

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Speaker 1: We have a bad week.

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Speaker 3: You lost for six food tasters this week alone.

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Speaker 2: I'm not made of food tastes disgusting. There was no

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Speaker 2: poison in it.

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Speaker 6: I just cooked it.

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Speaker 3: We've also got Oasis tickets to give away, and we

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Speaker 3: can't do anything until we do the Magnificent seven.

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Speaker 2: Question one on which piece of cutlery would you find?

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Speaker 2: Times gem Nation WSFM.

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Speaker 3: Hello there, it's Jonesy demanded texts to moo Joe Holmes.

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Speaker 1: Friday, the eleventh of October. It's my wife's birthday today.

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Speaker 1: Happy birthday, Helen.

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Speaker 2: Birthday Helen, and just go to choosel tonight. Happy birthday, Helen.

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Speaker 3: I got the poise to perform under the Big Top tonight.

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Speaker 1: For her birthday.

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Speaker 2: Did you leave a little prezzy pres?

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Speaker 1: I did? I was, she is impossible to buy for

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Speaker 1: my wife. To buy a gift for Helen knows what

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Speaker 1: she doesn't like. And she said, oh, you know, I'd

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Speaker 1: like to get a new handbag. And I thought, here

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Speaker 1: we go.

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Speaker 2: Didn't this happen a few years ago?

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Speaker 1: Off to Mimco I went, and I was.

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Speaker 3: Just so, I just got to give thatcher and I've

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Speaker 3: put it next to the bed because it's just the

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Speaker 3: best thing to do.

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Speaker 2: Yeah, because remember a few years ago, you tried to

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Speaker 2: find one that she would really like. It's hard to

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Speaker 2: Handbags are personal thing. It's a lovely thing to receive,

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Speaker 2: but you're going to use it a lot. You have

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Speaker 2: to like it.

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Speaker 1: I'm easy to buy gifts for. You know what I like?

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Speaker 2: You like vouchers for beer, for super cheap order, yeah.

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Speaker 1: All that stuff.

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Speaker 3: Yeah, you get me a voucher for anywhere boat and

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Speaker 3: fish and camping whatever.

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Speaker 1: It's called BCF and fun any of that junk you know?

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Speaker 1: RTM Sephora. Yeah, I love the Sephora. I like their

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Speaker 1: range of degreases that they have. There.

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Speaker 3: We have the Happy Birthday Helen, both absolutely blistfully a

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Speaker 3: sleep at the moment. We have the magnificent seven seven questions?

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Speaker 3: Can you go all the way and answer all seven

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Speaker 3: questions correctly?

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Speaker 1: If you do that, Amanda will say I will say happy.

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Speaker 2: Birthday, hell Is. Isn't there a song says have you things.

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Speaker 1: In stone and wood? Happy Birthday Helen?

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Speaker 2: Should we play that?

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Speaker 6: Yeah?

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Speaker 2: You know, Jackie, let's get coming. Hello, Hello Jackie, how

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Speaker 2: are you well? Thank you? Good morning? A question one

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Speaker 2: on which piece of cutlery would you find? Times before.

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Speaker 3: Know if your language, Jackie, true or false? Cleopatra was Egyptian?

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Speaker 1: True?

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Speaker 2: We all think that. But no, Eddie's in More Park? Hiati,

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Speaker 2: Hey here you going?

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Speaker 1: Have you seen the big tent? Eddie? H No? More Park?

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Speaker 2: Well not? Everyone drives past from More Bank?

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Speaker 1: Oh More Bank?

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Speaker 2: Do they have a big tent there, Eddie? So this

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Speaker 2: conversation isn't so awkward?

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Speaker 9: Oh not quite sure.

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Speaker 2: Maybe holds in the barracks.

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Speaker 3: Okay, yeah, the girls in the taping pool are wearing

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Speaker 3: boxing gloves on the keyboard.

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Speaker 2: I see question two for your true or false.

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Speaker 1: I've changed it now good.

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Speaker 2: Cleopatra was Egyptian fault. That's right, she was actually Greek.

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Speaker 2: Let's play Monster.

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Speaker 1: Mash Let's kick off this monro.

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Speaker 2: She was the queen of Egypt, but she was Greek.

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Speaker 2: So we know how did that happen? Because I think

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Speaker 2: her family went there when she was younger, and there

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Speaker 2: was Greek heritage and African heritage, but she wasn't actually Egyptian.

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Speaker 2: Prince Philip, he was Greek phil the Greek, and he

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Speaker 2: did with what all right, Monster mash we have munched

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Speaker 2: two songs.

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Speaker 10: Together, Eddie, what are they?

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Speaker 2: Too good song?

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Speaker 1: Too good song?

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Speaker 6: Well, it's a hard one.

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Speaker 1: I have no idea, guys.

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Speaker 2: Sorry Eddie, Eddie, Eddie's gone back to more bank Amanda podcast.

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Speaker 1: We are under the Magnificent snd ourselves the question number three.

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Speaker 1: It's Monster mash Let's check office.

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Speaker 2: Going out to Danielle and Model Grove. Hi, Daniel Morney,

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Speaker 2: how are you very well? We much two songs together.

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Speaker 2: Have a listen, Janniel, you know what they are?

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Speaker 6: Thanky by George Michael.

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Speaker 1: And crazy, except that crazy your.

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Speaker 2: Queen Bee and this is my olile choice. This is

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Speaker 2: question for The loudest shout ever recorded was by a

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Speaker 2: woman called Anna Lisa Flanagan. What does she do for

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Speaker 2: a living? Is she a a rugby coach? Being an

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Speaker 2: opera singer? See a primary school teacher? Oh? Okay, no,

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Speaker 2: she's not a singer you think, but no, she was

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Speaker 2: in a competition where they measure these things shout. Yeah,

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Speaker 2: you wouldn't be in this competition because you hate a shout.

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Speaker 1: I love a shout, Yeah I do.

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Speaker 2: Sometimes the shout fairies go your way.

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Speaker 3: And sometimes sometimes they do, But that's the way it works.

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Speaker 3: Gregor Blacktown understands that how the shout fairies work, are you, Greg?

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Speaker 9: Of course, if someone's done something wrong with me, yeah,

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Speaker 9: have a shout.

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Speaker 4: Yeah, we're talking about the same kind of what we're

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Speaker 4: talking about.

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Speaker 1: Greg.

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Speaker 2: Anyway, Greg, listener, listen closely. The loudest shout ever recorded

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Speaker 2: was by a woman called Ana Lisa Flannagan. What does

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Speaker 2: she do for a living? Is she a rugby coach

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Speaker 2: or a primary school teacher? Okay, so yeah, she's a

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Speaker 2: primary school teacher.

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Speaker 9: She is.

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Speaker 2: This isn't the day she was recorded being the loudest

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Speaker 2: because that was her set up competition. But this is

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Speaker 2: her just practicing. That's her in school. That's her in school.

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Speaker 3: Did you see that guy at the Canterbury Manly game

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Speaker 3: and he when Manly had the ball, this was him.

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Speaker 11: He's quite loud, pretty loud, and you thought he would

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Speaker 11: be against Manly, but no, when Canterbury had the.

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Speaker 2: Ball, he was yelling at everyone. This woman who's won here,

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Speaker 2: Who's the loudest woman caller in the world. She was

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Speaker 2: clocked at one hundred and twenty one point seven decibels.

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Speaker 2: The lead singer of Slipknot tops out at.

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Speaker 1: One o nine Corey Taylor.

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Speaker 2: She's louder than Slipknot.

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Speaker 3: Well, can you convert this sentence from texting slang to

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Speaker 3: normal English? Greg, G two G but I'll br B

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Speaker 3: just a bit busy eight M What am I saying

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Speaker 3: to you?

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Speaker 1: Greg?

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Speaker 2: So let's break it down G two G Yeah.

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Speaker 1: But I'll be IB just a bit busy at M

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Speaker 1: m hm, no idea.

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Speaker 2: Sound like you're riding on the back of an envelope.

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Speaker 1: Mark's an ingral book mark.

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Speaker 2: Hello G R G G two G sorry, but I'll

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Speaker 2: be r B just a bit busy ATM. What am

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Speaker 2: I saying?

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Speaker 6: I got to go.

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Speaker 2: Back at the climate, but I'll be right back. Just

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Speaker 2: a bit busy ATM at the moment you speak text speak?

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Speaker 1: What is the largest cat species in the world? Mark, Oh,

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Speaker 1: it's been Persian.

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Speaker 2: No cats as well, not just domestic.

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Speaker 1: Little pussy's big, big pussy.

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Speaker 2: Connor's in Mattreville. Hello, Connor, very well, what's the largest

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Speaker 2: cat species in the world?

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Speaker 9: Tiger?

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Speaker 2: No, Oh, yes it is so. I thought it would

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Speaker 2: be a line, but that's second tiger's number.

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Speaker 1: Pet names with the man Connor.

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Speaker 2: I don't get it either, Connor.

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Speaker 1: Pet names calling a tiger? Question seven.

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Speaker 2: Question seven, which former English soldier is best known for

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Speaker 2: his work on the now council canceled show, says Australia.

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Speaker 2: Who do you gives an impression?

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Speaker 1: Brendan, He's on the U.

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Speaker 6: Soft believed celebrities.

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Speaker 1: I've taken lives, have saved lives.

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Speaker 2: That's him. Who is it?

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Speaker 1: That's it.

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Speaker 2: He's on our show today.

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Speaker 1: And we don't need to play that back to him either.

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Speaker 2: Keep that on the down.

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Speaker 1: Congratulations, you've won the jam pack, Connor.

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Speaker 3: It's all coming away a double past the ub forty

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Speaker 3: returning to Australia on their Red Red Wine Tour.

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Speaker 1: Tickets on sale now from ticket Tech.

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Speaker 3: One one hundred and fifty dollars to spend at Rock

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Speaker 3: Sold Restaurant serving delicious modern Australian cuisine in the Southern Shire.

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Speaker 3: Jones no medicarriage to his fear, as well to coloring

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Speaker 3: and some stalear pans as color or anything you'd like

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Speaker 3: to add.

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Speaker 1: So oh real, that's nice.

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Speaker 2: Father and son.

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Speaker 1: Yeah, don't kick her footy with him, mate.

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Speaker 12: Jonesy and Amanda podcast.

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Speaker 2: I'm going to flick through the germanac a bigtrick of

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Speaker 2: musical facts on this day. In nineteen eighty six, Madonna

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Speaker 2: was it number one on the UK Singles Chart with

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Speaker 2: True Blue You Don't Hear True Blue Very Often True.

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Speaker 2: It was the title track from her album and her

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Speaker 2: third UK number one At the time. She was married

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Speaker 2: to Sean Penn, apparently using him as inspiration for the

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Speaker 2: title true Blue, True Blue.

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Speaker 4: Is it Me?

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Speaker 9: And you Blue Blue.

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Speaker 10: Isn't Me?

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Speaker 2: Isn't it?

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Speaker 3: Come on?

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Speaker 1: Amanda? Is it mam?

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Speaker 2: That this is so noddy? If you mentioned out okay,

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Speaker 2: stop stop that's John Williamson between about Madonna the marriage

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00:15:28,080 --> 00:15:30,600
Speaker 2: only lasted four years, but the album, well, has it

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Speaker 2: stood the test of time. Let's see it with this

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Speaker 2: song I can't remember true Blue, True Blue.

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Speaker 3: Oh yes, sorry, I was distracted because there's someone at

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Speaker 3: the door.

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Speaker 2: Oh hello, Hello, it's Rachelle Carmichael. Who's that.

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Speaker 1: That's our jar lady.

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Speaker 2: Excuse me? Can you please not be so over familiar.

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Speaker 2: Your comments are bordering on flirtatious.

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Speaker 1: I said, that's our hr lady.

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Speaker 2: Stop it, please do not flirt with me.

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Speaker 1: Okay, why are you here?

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Speaker 2: Well, I'm here just to run through some of the

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Speaker 2: basics for Saturday Nights Radio awards and the after partyk. Then,

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Speaker 2: so let's start with this and there are will be

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Speaker 2: no inappropriate comments. None, there's one right there. Please do

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00:16:13,560 --> 00:16:16,560
Speaker 2: not make any assumptions about anyone's religious denomination.

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Speaker 1: I meant none.

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Speaker 2: You're doing it again.

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Speaker 1: Well, it's going to be a pretty funless night.

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00:16:20,960 --> 00:16:23,760
Speaker 2: All right. How about this. I will allow you one

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00:16:24,240 --> 00:16:29,560
Speaker 2: of the following. Okay, an inappropriate comment, inappropriate touching, over

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00:16:29,720 --> 00:16:35,120
Speaker 2: consumption of alcohol, or one brown eye. And that's between

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Speaker 2: the two of you.

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00:16:38,000 --> 00:16:39,520
Speaker 1: Wow, wow, I have.

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00:16:39,400 --> 00:16:41,760
Speaker 2: To diving that up anyway. Take this piece of paper

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00:16:41,760 --> 00:16:44,800
Speaker 2: for management. I'm off a spraytown. I'm going for a

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00:16:44,800 --> 00:16:46,480
Speaker 2: lot of side boob this year.

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00:16:46,840 --> 00:16:51,360
Speaker 3: Toodles Ma's own rules one brown eye between the two

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Speaker 3: of us.

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00:16:51,640 --> 00:16:52,600
Speaker 2: Well will we flip a coin?

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00:16:55,800 --> 00:16:57,480
Speaker 1: I really feel that's in your wheelhouse.

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00:17:00,120 --> 00:17:02,760
Speaker 2: I saw my wheelhouse last year. I've never gotten over it.

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00:17:02,960 --> 00:17:07,040
Speaker 3: Saturday Night Sees Radio's Night of Night the Acres or

349
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Speaker 3: Australian Commercial Radio Awards.

350
00:17:08,720 --> 00:17:10,960
Speaker 1: We look forward to seeing your two Peet.

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Speaker 2: We won the award last year radio show Jonesy Demanda

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Speaker 2: two Pete.

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00:17:16,359 --> 00:17:17,840
Speaker 1: So I've got a good lego and everything.

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00:17:18,000 --> 00:17:19,720
Speaker 2: I've brought a quick unpicked just in case.

355
00:17:21,400 --> 00:17:23,240
Speaker 1: Yeah, but I got them screenprinted, not embroidered.

356
00:17:24,040 --> 00:17:29,359
Speaker 3: Today's fight for your flashback radio song Radio song? Okay, packed,

357
00:17:31,080 --> 00:17:35,000
Speaker 3: we can't do radio Gaga, all right, you were going

358
00:17:35,040 --> 00:17:35,920
Speaker 3: to do radio Gaga.

359
00:17:36,119 --> 00:17:37,840
Speaker 1: I hadn't play that every quarter around.

360
00:17:37,840 --> 00:17:38,760
Speaker 2: I hadn't really thought it through.

361
00:17:38,880 --> 00:17:40,960
Speaker 1: Or Radio Gaga is off the table.

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00:17:41,000 --> 00:17:44,120
Speaker 2: Okay, okay, now I'm fine, I've got something. I've got

363
00:17:44,119 --> 00:17:47,479
Speaker 2: something already, have you Okay, good, good, good call on

364
00:17:47,520 --> 00:17:48,720
Speaker 2: you Wheelhouse.

365
00:17:48,880 --> 00:17:52,200
Speaker 1: I bet you it is Nation.

366
00:18:00,359 --> 00:18:05,000
Speaker 3: And Amanda's Here's when you no ten questions sixty seconds

367
00:18:05,000 --> 00:18:05,480
Speaker 3: on the clock.

368
00:18:05,640 --> 00:18:07,159
Speaker 1: You can pass. If you don't know an answer, We'll

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00:18:07,200 --> 00:18:08,040
Speaker 1: come back to that question.

370
00:18:08,080 --> 00:18:10,159
Speaker 3: If time permits, you get all the questions right, you

371
00:18:10,200 --> 00:18:11,280
Speaker 3: win one thousand dollars.

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00:18:11,359 --> 00:18:13,400
Speaker 2: You want to turn it into two thousand dollars where

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00:18:13,440 --> 00:18:16,199
Speaker 2: you can. There's only one bonus question, but it's double

374
00:18:16,320 --> 00:18:18,920
Speaker 2: or nothing. Andrew's in campsy Hi, Andrew?

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00:18:19,560 --> 00:18:19,800
Speaker 1: Good?

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00:18:19,800 --> 00:18:19,919
Speaker 7: Eight?

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00:18:20,000 --> 00:18:21,000
Speaker 1: Guys? How are you?

378
00:18:21,400 --> 00:18:22,840
Speaker 2: We haven't given away money for a little while?

379
00:18:22,880 --> 00:18:23,040
Speaker 3: We do?

380
00:18:23,040 --> 00:18:23,800
Speaker 2: You want to make it? You?

381
00:18:24,600 --> 00:18:25,120
Speaker 1: I hope?

382
00:18:25,160 --> 00:18:26,560
Speaker 2: So, well, let's see what we can do.

383
00:18:27,240 --> 00:18:29,000
Speaker 1: Questions, Let's make it happen.

384
00:18:29,040 --> 00:18:31,359
Speaker 2: You're not sure, say passed, because if you get it wrong,

385
00:18:31,440 --> 00:18:35,080
Speaker 2: it's all over. You're ready to go? Okay, Andrew? Get ready?

386
00:18:35,119 --> 00:18:37,840
Speaker 2: Here comes question number one? How many sides are on

387
00:18:37,880 --> 00:18:42,199
Speaker 2: a rectangle? Question two? If you freeze water, what do

388
00:18:42,280 --> 00:18:45,760
Speaker 2: you get? Question three? Who is Prince Harry married to

389
00:18:46,840 --> 00:18:50,200
Speaker 2: Lega Markle? Question four? Forrest and Jenny are characters from

390
00:18:50,200 --> 00:18:51,000
Speaker 2: which movie?

391
00:18:51,760 --> 00:18:52,320
Speaker 1: Forrest come?

392
00:18:52,520 --> 00:18:56,520
Speaker 2: Question five? True or false? Rainbow paddle pops are flavored parramel.

393
00:18:58,160 --> 00:18:58,600
Speaker 7: True?

394
00:18:58,840 --> 00:19:03,199
Speaker 2: Question six? What country is tennis player Rafael Nadale from Spain?

395
00:19:03,400 --> 00:19:08,800
Speaker 2: Question seven? Who wrote the book Big Little Lies? Question eight?

396
00:19:09,320 --> 00:19:12,639
Speaker 2: Which high school subject did Walter White? Teach in Breaking Bad.

397
00:19:14,119 --> 00:19:14,679
Speaker 1: Chemistry?

398
00:19:14,840 --> 00:19:17,320
Speaker 2: Question nine? What does the acronym loll stand for.

399
00:19:18,920 --> 00:19:19,160
Speaker 11: Loud?

400
00:19:19,240 --> 00:19:21,280
Speaker 2: Question ten? In the nursery rhyme, why did Jack and

401
00:19:21,359 --> 00:19:23,200
Speaker 2: Jill go up the hill?

402
00:19:23,200 --> 00:19:24,359
Speaker 6: Fetch order?

403
00:19:24,480 --> 00:19:26,520
Speaker 2: Let's go back to question seven? Who wrote the book

404
00:19:26,640 --> 00:19:27,600
Speaker 2: Big Little Lies?

405
00:19:29,200 --> 00:19:33,800
Speaker 1: I've gotten no come on mate, come on, you've got time. Ah,

406
00:19:36,400 --> 00:19:39,040
Speaker 1: she's been on Margaret.

407
00:19:39,760 --> 00:19:41,679
Speaker 2: She couldn't give you a clue. She's a straight one

408
00:19:41,680 --> 00:19:44,439
Speaker 2: of Australia's best authors. It's Leanne Moriarty.

409
00:19:45,600 --> 00:19:47,480
Speaker 1: And she's listening to the show I.

410
00:19:47,480 --> 00:19:51,639
Speaker 2: Heard of her, Andrew, I have. She'll be thrilled that

411
00:19:51,680 --> 00:19:53,000
Speaker 2: you thought she was Margaret Atwood.

412
00:19:53,119 --> 00:19:55,600
Speaker 1: Yeah. Her latest book is fantastic. I just finished it

413
00:19:55,600 --> 00:19:56,919
Speaker 1: here one moment. It's great.

414
00:19:57,040 --> 00:20:00,439
Speaker 2: Oh Andrew, you did so well. And and there's no

415
00:20:00,480 --> 00:20:02,199
Speaker 2: point in saying come on mate, if you don't know it,

416
00:20:02,240 --> 00:20:03,040
Speaker 2: you don't you know.

417
00:20:03,080 --> 00:20:05,840
Speaker 3: He might have foraged into the recesses of his brain

418
00:20:05,920 --> 00:20:06,879
Speaker 3: and come up with something.

419
00:20:06,920 --> 00:20:08,360
Speaker 1: It works for me from time to time.

420
00:20:08,880 --> 00:20:11,040
Speaker 2: Andrew us to be getting on with and thank you

421
00:20:11,080 --> 00:20:11,480
Speaker 2: for playing.

422
00:20:11,520 --> 00:20:12,200
Speaker 1: You gave us a thrill.

423
00:20:12,280 --> 00:20:13,920
Speaker 6: Thanks guys, you have a great.

424
00:20:13,960 --> 00:20:16,520
Speaker 1: Thanks Andrew, have a good weekend. It'll be back again

425
00:20:16,560 --> 00:20:17,040
Speaker 1: on Monday.

426
00:20:17,280 --> 00:20:28,160
Speaker 9: Yeah, jam Nation, Fight for your Flashback.

427
00:20:27,680 --> 00:20:31,520
Speaker 3: Two songs Enter one song leaves Saturday Night Sees Radio's

428
00:20:31,760 --> 00:20:35,879
Speaker 3: Night of Night, the Acres or the Australian Commercial Radio Awards.

429
00:20:36,119 --> 00:20:39,360
Speaker 1: We look forward to seeing your two peet a depression.

430
00:20:39,400 --> 00:20:41,639
Speaker 2: Now we've won in the past, but not twice in

431
00:20:41,680 --> 00:20:42,080
Speaker 2: a row.

432
00:20:42,119 --> 00:20:44,280
Speaker 1: Can that happen for these two heroes? Can it?

433
00:20:46,000 --> 00:20:46,560
Speaker 2: I mean yes?

434
00:20:46,640 --> 00:20:48,359
Speaker 1: What do you mean me? I've got the shirts made

435
00:20:48,960 --> 00:20:50,880
Speaker 1: and I've got a great logos. You and me doing that?

436
00:20:51,800 --> 00:20:52,359
Speaker 2: Okay?

437
00:20:52,520 --> 00:20:56,680
Speaker 3: Looks on radio, Today's Fight for your Flashback Radio Songs?

438
00:20:57,080 --> 00:20:58,240
Speaker 2: What have you gone with? You go first?

439
00:20:58,280 --> 00:21:00,199
Speaker 13: Since I've been in this business, when I started in

440
00:21:00,440 --> 00:21:04,000
Speaker 13: nineteen ninety in radio, people the harbinges of doom have

441
00:21:04,119 --> 00:21:07,000
Speaker 13: been forecasting the demise of radio, But here it is

442
00:21:07,280 --> 00:21:08,480
Speaker 13: standing like a sentinel.

443
00:21:08,760 --> 00:21:13,119
Speaker 3: Where are you CD players? Where are you iPods? Where

444
00:21:13,119 --> 00:21:13,720
Speaker 3: are you m.

445
00:21:13,760 --> 00:21:16,040
Speaker 1: P three players? The radio is still here?

446
00:21:16,280 --> 00:21:22,959
Speaker 2: What about the single single? Don't forget the mighty single single?

447
00:21:23,240 --> 00:21:25,600
Speaker 14: When you've got the radio, it's right here, it's right now,

448
00:21:25,600 --> 00:21:28,560
Speaker 14: when it's free and it's happening the sports who listens

449
00:21:28,560 --> 00:21:52,199
Speaker 14: to the radio.

450
00:21:52,920 --> 00:21:54,120
Speaker 2: Are you going to play the whole song here?

451
00:21:55,680 --> 00:21:57,320
Speaker 1: Why would I well, be playing it later.

452
00:21:58,600 --> 00:22:01,760
Speaker 2: I'm got with the single. But I must say I

453
00:22:01,800 --> 00:22:03,840
Speaker 2: know this song very well. I've heard it so many times,

454
00:22:03,840 --> 00:22:05,480
Speaker 2: but it didn't occur to me what the lyrics were about.

455
00:22:05,480 --> 00:22:07,200
Speaker 2: And someone was reading them here. It's a song about

456
00:22:07,640 --> 00:22:11,800
Speaker 2: someone who has found a letter that they wrote and

457
00:22:11,880 --> 00:22:13,960
Speaker 2: it's been turned it's been read out on the radio

458
00:22:14,000 --> 00:22:16,199
Speaker 2: and she's saying, we've broken up, but I'm hearing this.

459
00:22:16,280 --> 00:22:18,320
Speaker 2: Are you hearing this? Maybe we should still be together.

460
00:22:18,720 --> 00:22:20,960
Speaker 2: I didn't know that was the story behind this song.

461
00:22:21,240 --> 00:22:24,520
Speaker 2: Would I get a song from nineteen seventy nine Donna

462
00:22:24,640 --> 00:22:35,359
Speaker 2: Summer on the radio? If you I'd have twigged right

463
00:22:35,400 --> 00:22:42,480
Speaker 2: about there. She wrote this with Giorgio Maruda.

464
00:22:42,680 --> 00:22:49,400
Speaker 3: Of course he's got Marata all over it.

465
00:22:49,359 --> 00:22:55,040
Speaker 4: It's been repetitive, but in a good way.

466
00:22:55,600 --> 00:22:58,000
Speaker 1: Oh so glad. It sounds like a cop show from

467
00:22:58,000 --> 00:22:58,399
Speaker 1: the agent.

468
00:22:58,520 --> 00:23:01,960
Speaker 2: Well, how great is it that a nineteen seventy nine

469
00:23:02,000 --> 00:23:04,320
Speaker 2: the Great Donna Summer ward? Would you like to hear today?

470
00:23:05,640 --> 00:23:05,760
Speaker 7: Oh?

471
00:23:05,760 --> 00:23:06,639
Speaker 2: I wasn't asking you?

472
00:23:08,800 --> 00:23:11,000
Speaker 1: Notion podcast WSFM.

473
00:23:11,040 --> 00:23:14,080
Speaker 3: Hello there, it's Jersey and Amanda. It's the eleventh of October.

474
00:23:14,119 --> 00:23:16,679
Speaker 3: It's my wife's birthday today, Habby birthday that's not me

475
00:23:16,800 --> 00:23:17,920
Speaker 3: just saying happy birthday.

476
00:23:18,000 --> 00:23:19,280
Speaker 1: And I don't have to get a gift.

477
00:23:19,280 --> 00:23:21,879
Speaker 3: I've already propped up a little gift next to the

478
00:23:21,960 --> 00:23:23,320
Speaker 3: on a bedside.

479
00:23:22,800 --> 00:23:25,320
Speaker 1: Table, sabage egg Again it's another.

480
00:23:25,040 --> 00:23:28,199
Speaker 3: Fabul I buy them by the dozen, so just you know,

481
00:23:28,240 --> 00:23:29,520
Speaker 3: you smash one, you get another one.

482
00:23:31,080 --> 00:23:33,160
Speaker 1: Happy Birthday. It's twenty two past seven.

483
00:23:33,280 --> 00:23:36,479
Speaker 3: We're into fight for your flashback and today Saturday Night

484
00:23:36,560 --> 00:23:40,240
Speaker 3: Sees Radios Night of Nights, the ACRAS, the Australian Commercial

485
00:23:40,320 --> 00:23:44,119
Speaker 3: Radio Awards. They are looking management and looking forward to

486
00:23:44,160 --> 00:23:46,720
Speaker 3: us seeing a two peat, a two peat we won

487
00:23:46,800 --> 00:23:47,240
Speaker 3: last year.

488
00:23:47,240 --> 00:23:49,400
Speaker 1: Can we can our two heroes win again this year?

489
00:23:49,520 --> 00:23:53,520
Speaker 2: Has anyone ever done a two peat?

490
00:23:54,400 --> 00:23:56,399
Speaker 1: We might be they You know what I did. I

491
00:23:56,440 --> 00:23:59,720
Speaker 1: won it three times in a row. Before you, before month.

492
00:23:59,560 --> 00:24:01,760
Speaker 2: Spam, before you're doing breakfast radio.

493
00:24:01,840 --> 00:24:03,720
Speaker 1: When I was doing Daytime, when I was a rock

494
00:24:04,000 --> 00:24:04,560
Speaker 1: didn't win.

495
00:24:05,359 --> 00:24:08,320
Speaker 2: I don't that was a great accolade, but it was

496
00:24:08,560 --> 00:24:11,040
Speaker 2: You're winning an award for being a rock DJ, not

497
00:24:11,119 --> 00:24:11,920
Speaker 2: for best show.

498
00:24:11,720 --> 00:24:14,040
Speaker 3: In Australia's Long Weekend.

499
00:24:14,320 --> 00:24:17,280
Speaker 2: The sticker goes, wow, you were the penrith of your time.

500
00:24:17,359 --> 00:24:19,879
Speaker 3: It was a three in a row anyway, Today's five

501
00:24:19,920 --> 00:24:21,160
Speaker 3: few flashback radio songs.

502
00:24:21,280 --> 00:24:24,119
Speaker 1: I've gone with the sports who listens to the radio?

503
00:24:28,320 --> 00:24:30,520
Speaker 3: The podcast people will tell you or no one listens

504
00:24:30,560 --> 00:24:36,040
Speaker 3: to radio. Here's the thing, mate, we're still here.

505
00:24:37,040 --> 00:24:37,800
Speaker 2: I'm confused.

506
00:24:38,280 --> 00:24:40,080
Speaker 1: I've gone to the CD stacker.

507
00:24:40,200 --> 00:24:47,800
Speaker 2: Tell it to Donner Summer should be furious if you deny.

508
00:24:47,920 --> 00:24:55,040
Speaker 3: This feels like this music bit here coming up.

509
00:24:57,400 --> 00:25:01,880
Speaker 1: You're at time, Donna here, it's like.

510
00:25:03,440 --> 00:25:07,480
Speaker 3: One of those I don't know, like a TV cop show,

511
00:25:08,320 --> 00:25:09,200
Speaker 3: Jake and the Fat Man.

512
00:25:09,240 --> 00:25:09,960
Speaker 1: Is that so very.

513
00:25:12,200 --> 00:25:13,119
Speaker 2: What do you want to hear today?

514
00:25:13,160 --> 00:25:13,400
Speaker 1: Hello?

515
00:25:13,480 --> 00:25:15,720
Speaker 2: Lee and whist ride quite for your flashback.

516
00:25:16,840 --> 00:25:17,159
Speaker 1: Morning?

517
00:25:17,200 --> 00:25:18,840
Speaker 2: My too much beautiful football?

518
00:25:18,960 --> 00:25:19,240
Speaker 1: Hello?

519
00:25:19,480 --> 00:25:21,240
Speaker 10: Thank you all the best.

520
00:25:21,320 --> 00:25:23,480
Speaker 15: I hope you do get the two times.

521
00:25:23,080 --> 00:25:23,760
Speaker 12: At the Achoris.

522
00:25:24,480 --> 00:25:27,800
Speaker 2: Lee, Now, Amanda, I normally.

523
00:25:27,480 --> 00:25:28,080
Speaker 16: Vote for you.

524
00:25:28,200 --> 00:25:32,119
Speaker 2: I like Donald Bummer, but the smaller jogie. You're getting

525
00:25:32,119 --> 00:25:35,199
Speaker 2: my vote. I like listen to the radio in the bedroom.

526
00:25:35,840 --> 00:25:42,119
Speaker 1: Okay, that's highly specific you, Lee. Danniel is with us.

527
00:25:41,480 --> 00:25:43,440
Speaker 2: The model growth fight for your flashback, Daniel.

528
00:25:44,560 --> 00:25:45,240
Speaker 1: I'm ready.

529
00:25:48,280 --> 00:25:53,440
Speaker 2: Are you voting for that? I'm real? Thank you.

530
00:25:53,600 --> 00:25:59,000
Speaker 1: Nevill's in North Richmond flashback Neville, good morning, buy Amanda

531
00:25:59,280 --> 00:25:59,879
Speaker 1: your songs.

532
00:26:00,080 --> 00:26:02,680
Speaker 16: I talked pretty slowly than completely papers off, So we'll

533
00:26:02,720 --> 00:26:04,400
Speaker 16: have to go with oh.

534
00:26:04,359 --> 00:26:06,960
Speaker 2: Mine starts slower and then revs are no tapers off.

535
00:26:08,080 --> 00:26:10,200
Speaker 1: Neville has observed that perfectly.

536
00:26:10,760 --> 00:26:14,000
Speaker 2: There's no tapers huge. I'll be more tape that I'll

537
00:26:14,000 --> 00:26:16,760
Speaker 2: be wearing tomorrow night, but this song does not taper.

538
00:26:17,520 --> 00:26:20,800
Speaker 12: Jonesy and Amanda podcast.

539
00:26:29,240 --> 00:26:32,800
Speaker 3: Fight for your Flashback two songs and of one song

540
00:26:32,880 --> 00:26:36,880
Speaker 3: leaves Saturday Night Sees Radios Night of Nights Rights Management

541
00:26:37,000 --> 00:26:39,840
Speaker 3: the ACRESS or Australian Commercial Radio Awards. We look forward

542
00:26:39,880 --> 00:26:42,639
Speaker 3: to seeing your two peet. Last year we won the

543
00:26:42,680 --> 00:26:44,120
Speaker 3: best radio show in my World?

544
00:26:44,200 --> 00:26:44,760
Speaker 2: Well we did.

545
00:26:45,400 --> 00:26:46,520
Speaker 1: Can we do it again this year?

546
00:26:46,600 --> 00:26:47,040
Speaker 2: Can we?

547
00:26:47,480 --> 00:26:48,400
Speaker 1: Who have you paid off?

548
00:26:49,080 --> 00:26:50,360
Speaker 2: Well, you're going to do it this year.

549
00:26:50,640 --> 00:26:52,560
Speaker 1: You've got to pay off I did last year.

550
00:26:52,920 --> 00:26:54,280
Speaker 2: Oh well, there it goes the two peet.

551
00:26:54,720 --> 00:26:56,719
Speaker 3: Today's five for your flacepack. That's a shame. I had

552
00:26:56,760 --> 00:26:59,119
Speaker 3: the shirts made and everything, going to send them off

553
00:26:59,160 --> 00:26:59,600
Speaker 3: to China.

554
00:27:00,040 --> 00:27:01,600
Speaker 1: Little kid over in Guatemalia.

555
00:27:01,720 --> 00:27:05,840
Speaker 2: Well they got to Maria be walking around the peach shirts.

556
00:27:08,760 --> 00:27:10,640
Speaker 2: They say, no thanks, that's called Guatemala.

557
00:27:11,080 --> 00:27:14,200
Speaker 1: There's got a Maria's next door, don't you know about?

558
00:27:14,240 --> 00:27:17,439
Speaker 1: Now with a mated eye radio songs. I've gone with

559
00:27:17,480 --> 00:27:23,720
Speaker 1: a banging radio song, this one the sports Who does

560
00:27:23,840 --> 00:27:25,679
Speaker 1: you do? I do we all do?

561
00:27:26,400 --> 00:27:28,359
Speaker 2: I've gone with this one by Donna Summers on the

562
00:27:28,480 --> 00:27:33,080
Speaker 2: radio when Disco was at a fight.

563
00:27:34,760 --> 00:27:36,400
Speaker 1: Diana's in points clear, Oh.

564
00:27:36,400 --> 00:27:40,720
Speaker 2: Diane, fight for your flashback. Oh, good morning, changing Amanda.

565
00:27:41,080 --> 00:27:44,120
Speaker 2: I'm going with Jonesy this morning. Even though I've got

566
00:27:44,240 --> 00:27:47,080
Speaker 2: Donna Summers record. I'm going to Jonesy songs. It feels

567
00:27:47,080 --> 00:27:47,720
Speaker 2: like a Friday.

568
00:27:48,640 --> 00:27:49,840
Speaker 1: That's too Dane well said.

569
00:27:49,960 --> 00:27:52,080
Speaker 2: Jackie's in Peekers. Fight for your flashback, Jackie.

570
00:27:53,320 --> 00:27:58,840
Speaker 6: Hi, Hi, I'm saying for you, Amanda. I love Donald Summers.

571
00:28:00,160 --> 00:28:01,280
Speaker 2: I'll take any vote about that.

572
00:28:01,359 --> 00:28:03,240
Speaker 1: What was that one when she did all the sexual noise?

573
00:28:03,359 --> 00:28:03,480
Speaker 13: Is it?

574
00:28:03,760 --> 00:28:03,960
Speaker 7: Yeah?

575
00:28:04,400 --> 00:28:05,080
Speaker 2: What was that called?

576
00:28:05,480 --> 00:28:06,720
Speaker 1: Love to love you babe man?

577
00:28:09,760 --> 00:28:12,800
Speaker 2: And then yeah, and then the toilet flushes and it's over.

578
00:28:13,600 --> 00:28:15,520
Speaker 2: It is in more bang Hi, Eddie, fight for your

579
00:28:15,560 --> 00:28:17,840
Speaker 2: flashbacke for.

580
00:28:19,320 --> 00:28:19,520
Speaker 1: Eddie.

581
00:28:19,520 --> 00:28:20,600
Speaker 2: All right, Eddie, well done.

582
00:28:21,119 --> 00:28:23,919
Speaker 1: Don't ask how old Eddie is because he's probably about forty.

583
00:28:24,520 --> 00:28:25,680
Speaker 1: Donna do all the time.

584
00:28:25,800 --> 00:28:28,280
Speaker 2: Donna's in Laylor Park, Donna, because you share a name

585
00:28:28,320 --> 00:28:31,520
Speaker 2: with Donna Summer. Are you going to vote for her. Yes,

586
00:28:34,119 --> 00:28:36,800
Speaker 2: Donna love it. Brad is a brad in milk pair

587
00:28:37,000 --> 00:28:39,240
Speaker 2: is going to announce today's win. A Brad over to you.

588
00:28:40,160 --> 00:28:42,200
Speaker 6: How are you people having a great share this smalleran

589
00:28:42,240 --> 00:28:42,680
Speaker 6: as usual?

590
00:28:42,920 --> 00:28:43,560
Speaker 2: Thank you, thank you.

591
00:28:43,640 --> 00:28:44,880
Speaker 1: I think the show is doing okay.

592
00:28:45,680 --> 00:28:48,800
Speaker 6: Yeah, as much as I love Donna Summer and there

593
00:28:48,840 --> 00:28:52,320
Speaker 6: are songs in the seventies, but sports mate, best to

594
00:28:52,400 --> 00:28:54,320
Speaker 6: saying man ever Jones going for you?

595
00:28:54,520 --> 00:28:54,680
Speaker 7: Man?

596
00:28:55,440 --> 00:28:56,880
Speaker 2: I used to make film clips for him.

597
00:28:57,000 --> 00:28:59,560
Speaker 1: You did work with Stephen Cummins from the It.

598
00:28:59,600 --> 00:29:01,920
Speaker 2: Was very shy, incredibly handsome, but very shy.

599
00:29:02,120 --> 00:29:04,160
Speaker 1: Yeah great, he was a silver Fox when he was twelve.

600
00:29:04,240 --> 00:29:07,120
Speaker 2: Yeah, yeah, yeah, Well, congratulations Brendan.

601
00:29:07,240 --> 00:29:09,200
Speaker 1: That's all by to buy. Put it on.

602
00:29:09,720 --> 00:29:12,000
Speaker 3: This is for the harbinges of doom that have been

603
00:29:12,040 --> 00:29:13,600
Speaker 3: forecasting the demise of radio.

604
00:29:13,800 --> 00:29:15,560
Speaker 2: I shouldn't have done that, Jung.

605
00:29:17,080 --> 00:29:19,960
Speaker 1: Should podcast. Let's get on down to the jerky demanded

606
00:29:20,000 --> 00:29:23,560
Speaker 1: answer in the pub test banning words like boomer and millennial?

607
00:29:23,640 --> 00:29:24,800
Speaker 1: Does this pass the pub test?

608
00:29:24,920 --> 00:29:27,440
Speaker 2: Interesting one? This week, the West Australian Government has launched

609
00:29:27,480 --> 00:29:32,320
Speaker 2: it's Challenge Your Bias campaign because agism has emerged as

610
00:29:32,320 --> 00:29:37,680
Speaker 2: a key diversity, inclusion and equity concern for employees in Australia.

611
00:29:37,960 --> 00:29:41,920
Speaker 2: It's funny because I mean, we have bands on racist language,

612
00:29:41,960 --> 00:29:46,400
Speaker 2: sexist language, all kinds of things, but agism has been

613
00:29:46,480 --> 00:29:49,160
Speaker 2: left alone. And now that I'm getting older, the word

614
00:29:49,280 --> 00:29:52,440
Speaker 2: boomer just winds me up in the same way. And

615
00:29:52,760 --> 00:29:55,360
Speaker 2: you don't like that either. But millennial is on the

616
00:29:55,400 --> 00:29:58,680
Speaker 2: list because both things. Boomer says you're too old to

617
00:29:58,720 --> 00:30:00,360
Speaker 2: be functional, that you're not going to get it, you

618
00:30:00,440 --> 00:30:03,800
Speaker 2: can't keep up. Millennial used by older people, says that

619
00:30:03,960 --> 00:30:05,920
Speaker 2: you don't have a clue and you don't work hard,

620
00:30:05,960 --> 00:30:08,640
Speaker 2: et cetera. There are unfavorable connections to all of it,

621
00:30:09,280 --> 00:30:11,880
Speaker 2: and it's time that we stop saying them. What do

622
00:30:11,960 --> 00:30:17,200
Speaker 2: you think, Well, well, you're not really a boomer, You're no.

623
00:30:17,320 --> 00:30:19,800
Speaker 1: It's not about with someone says, and my younger still.

624
00:30:19,640 --> 00:30:24,040
Speaker 3: Say, okay, generation X, it's not about the most capable generation.

625
00:30:23,680 --> 00:30:26,200
Speaker 2: Of all, not what generation you are. It's it's a

626
00:30:26,280 --> 00:30:30,320
Speaker 2: derogatory term about Okay, you're too old, shut up. And

627
00:30:30,400 --> 00:30:32,560
Speaker 2: the same way millennials is you're too old, you're it's

628
00:30:32,600 --> 00:30:35,800
Speaker 2: too young, you're hopeless. They're saying that this language has

629
00:30:35,920 --> 00:30:38,760
Speaker 2: perceptions attached to it, that it's time to give up

630
00:30:38,840 --> 00:30:41,200
Speaker 2: because people, particularly from the older end of the spectrum,

631
00:30:41,200 --> 00:30:44,040
Speaker 2: are staying in the workforce longer. And those you know

632
00:30:44,160 --> 00:30:48,000
Speaker 2: that little old lady. See you're doing it.

633
00:30:48,120 --> 00:30:50,520
Speaker 1: Now, someone's got to do the work. You're curing it.

634
00:30:50,720 --> 00:30:54,040
Speaker 1: Now you're you're guilty looking nine to eleven.

635
00:30:53,960 --> 00:30:56,520
Speaker 2: You're guilty of doing it to the younger people I work.

636
00:30:56,680 --> 00:30:58,719
Speaker 1: That's fun. I'm just making Jack's likes Jim.

637
00:30:58,840 --> 00:31:01,960
Speaker 2: I right, but this is what they're saying. Let me

638
00:31:02,040 --> 00:31:03,800
Speaker 2: just say this before we get to Ryan. Is it

639
00:31:03,840 --> 00:31:06,120
Speaker 2: a bit of fun because we've ruled out racism and

640
00:31:06,120 --> 00:31:09,320
Speaker 2: sexism and language thinking it's just funny? Is this also?

641
00:31:09,520 --> 00:31:12,320
Speaker 2: Now have a look at your bias with your language?

642
00:31:12,320 --> 00:31:18,480
Speaker 2: That should you start? Ryan, how do you feel sorry? Look,

643
00:31:18,600 --> 00:31:20,480
Speaker 2: I happen to know that Ryan's a very thoughtful young

644
00:31:20,560 --> 00:31:23,200
Speaker 2: man and he's just not being serious about right now.

645
00:31:23,360 --> 00:31:24,720
Speaker 1: He's big serious. Look at him.

646
00:31:25,040 --> 00:31:27,479
Speaker 2: Do you like it when Jonesy makes jokes about how

647
00:31:27,560 --> 00:31:28,080
Speaker 2: dumb you are?

648
00:31:28,200 --> 00:31:30,480
Speaker 1: I never say he's dumb. You say I'm dumb.

649
00:31:31,800 --> 00:31:33,600
Speaker 2: You know what I mean. But you're a flake and

650
00:31:33,640 --> 00:31:37,320
Speaker 2: you're a lightweight. I said that.

651
00:31:38,000 --> 00:31:41,080
Speaker 1: Now, See you're thinking of implication. I don't.

652
00:31:41,480 --> 00:31:44,760
Speaker 3: You're just going off implied, I make jokes about Jim

653
00:31:44,960 --> 00:31:47,880
Speaker 3: y Rye and boomers and stuff like that, but it's

654
00:31:47,880 --> 00:31:49,840
Speaker 3: all it's all Christ for the milk, which is which

655
00:31:50,000 --> 00:31:51,920
Speaker 3: I think we can learn a lot from each other.

656
00:31:52,200 --> 00:31:52,680
Speaker 1: That's the thing.

657
00:31:52,760 --> 00:31:53,240
Speaker 2: That's the thing.

658
00:31:53,360 --> 00:31:54,959
Speaker 1: So you get a lot of these places. I've been

659
00:31:55,000 --> 00:31:56,480
Speaker 1: in places radio stations where you.

660
00:31:56,440 --> 00:31:58,120
Speaker 3: Got young people to come in and they've got no

661
00:31:58,280 --> 00:32:00,640
Speaker 3: idea and you go, well, if you do that, that's

662
00:32:00,720 --> 00:32:01,080
Speaker 3: not going.

663
00:32:01,000 --> 00:32:02,720
Speaker 2: To work when you were younger. You've also worked with

664
00:32:02,800 --> 00:32:04,200
Speaker 2: old people who have no age.

665
00:32:04,920 --> 00:32:07,640
Speaker 3: All the time in this business. But the old blokes

666
00:32:07,760 --> 00:32:09,080
Speaker 3: man explaining everything to me.

667
00:32:09,440 --> 00:32:12,080
Speaker 17: And so have I my entire career. The whole point

668
00:32:12,160 --> 00:32:14,240
Speaker 17: of this though, because you think you've been through it

669
00:32:14,320 --> 00:32:16,000
Speaker 17: for so long, but this is now it's my term.

670
00:32:16,080 --> 00:32:18,600
Speaker 17: But having said that, you also think I wouldn't do

671
00:32:18,680 --> 00:32:19,360
Speaker 17: that to someone else.

672
00:32:19,400 --> 00:32:22,760
Speaker 2: So this isn't about the vituality of these people and

673
00:32:22,840 --> 00:32:26,960
Speaker 2: their jobs. We're talking today specifically about the language, because

674
00:32:27,000 --> 00:32:31,000
Speaker 2: it's the language that begets the perception. And that's what

675
00:32:31,120 --> 00:32:34,000
Speaker 2: we've spoken about with sexism, with racism, with all those

676
00:32:34,080 --> 00:32:38,680
Speaker 2: other isms. Agism is still alive and thriving, and is

677
00:32:38,760 --> 00:32:39,880
Speaker 2: that what we need to look at.

678
00:32:39,800 --> 00:32:42,840
Speaker 1: In our langue, last bastion of what we have, what

679
00:32:42,960 --> 00:32:43,280
Speaker 1: we have.

680
00:32:44,280 --> 00:32:46,920
Speaker 2: About people and make perceptions about the propa.

681
00:32:47,520 --> 00:32:48,640
Speaker 1: It's the last lets.

682
00:32:49,320 --> 00:32:51,640
Speaker 10: As I get older, I want to get rid of it.

683
00:32:51,720 --> 00:32:53,320
Speaker 2: I want to get rid of it. I don't like

684
00:32:53,440 --> 00:32:57,040
Speaker 2: the ageism stuff. That's because now the certain age, you

685
00:32:57,120 --> 00:32:59,080
Speaker 2: can't offend anyone anymore. Where's the world coming to?

686
00:32:59,320 --> 00:32:59,840
Speaker 1: What's happened?

687
00:32:59,880 --> 00:33:02,880
Speaker 2: How do you feel banning words like boomer and millennial?

688
00:33:03,200 --> 00:33:04,320
Speaker 2: Does it pass the pub test?

689
00:33:04,360 --> 00:33:06,560
Speaker 1: Thirteen WSFM will have that for you at eight o'clock.

690
00:33:08,080 --> 00:33:11,239
Speaker 2: I heard a very interesting podcast yesterday from the New

691
00:33:11,320 --> 00:33:15,200
Speaker 2: York Times and it was about intensive parenting and the

692
00:33:15,280 --> 00:33:18,280
Speaker 2: Surgeon General, the US Surgeon General, who will make announcements

693
00:33:18,320 --> 00:33:20,840
Speaker 2: on things like COVID and smoking and important things about

694
00:33:20,880 --> 00:33:24,440
Speaker 2: your health, has come out and spoken about intensive parenting

695
00:33:24,600 --> 00:33:29,120
Speaker 2: and the toxic stress is creating for parents. And they

696
00:33:29,200 --> 00:33:31,080
Speaker 2: looked back at how we got to where we are

697
00:33:31,200 --> 00:33:35,320
Speaker 2: with this. We've moved beyond helicopter parenting to now intensive parenting.

698
00:33:35,720 --> 00:33:37,880
Speaker 2: And in the eighties there was a whole series of

699
00:33:37,920 --> 00:33:43,320
Speaker 2: ads on American television about kidnapping and it was disproportionate

700
00:33:43,360 --> 00:33:45,600
Speaker 2: to the number of children that actually were kidnapped, and

701
00:33:45,680 --> 00:33:48,080
Speaker 2: it started to make parents frighten. The ad campaign said

702
00:33:48,120 --> 00:33:50,040
Speaker 2: where are your kids? Know where your kids are at

703
00:33:50,040 --> 00:33:54,280
Speaker 2: any given moment, and then so you had to know

704
00:33:54,440 --> 00:33:56,400
Speaker 2: where they were, You had to be in their faces.

705
00:33:56,640 --> 00:33:59,400
Speaker 2: And then all that information came up about the mouldable

706
00:33:59,480 --> 00:34:02,800
Speaker 2: brain of nought to three year olds, etc. That could

707
00:34:03,640 --> 00:34:07,520
Speaker 2: that your input meant everything. So those years suddenly became

708
00:34:07,640 --> 00:34:10,480
Speaker 2: so important. And then financial stuff has been on top

709
00:34:10,520 --> 00:34:13,040
Speaker 2: of that, as well as social media that you have

710
00:34:13,200 --> 00:34:17,239
Speaker 2: to make you get one crack and making your kids successful,

711
00:34:17,920 --> 00:34:21,239
Speaker 2: and this has been absolutely terrifying for parents. So there's

712
00:34:21,280 --> 00:34:25,520
Speaker 2: suddenly your parenting has become a contact sport, almost a

713
00:34:25,600 --> 00:34:29,120
Speaker 2: competitive sport. I heard this really interesting, oh And saying

714
00:34:29,160 --> 00:34:31,799
Speaker 2: that everything has to be a teachable moment. You can

715
00:34:31,840 --> 00:34:33,640
Speaker 2: no longer put your kid in front of the TV

716
00:34:33,719 --> 00:34:35,560
Speaker 2: and you go and have a shower. You can no

717
00:34:35,680 --> 00:34:37,479
Speaker 2: longer veg out with your kid in front of the TV.

718
00:34:38,120 --> 00:34:40,480
Speaker 2: You watch the show. You're encouraged to watch the show

719
00:34:40,560 --> 00:34:42,960
Speaker 2: with your child and talk about the content and make

720
00:34:43,000 --> 00:34:46,560
Speaker 2: it a teachable moment. Everything has to be a lesson.

721
00:34:46,960 --> 00:34:49,319
Speaker 2: You have to be involved in everything, and it's giving

722
00:34:49,400 --> 00:34:52,920
Speaker 2: parents incredible burnout. This statistic was really interesting for me,

723
00:34:53,480 --> 00:34:57,160
Speaker 2: is that a working mother today spends as much time

724
00:34:57,239 --> 00:34:59,360
Speaker 2: with her children as a stay at home mother did

725
00:34:59,400 --> 00:35:02,359
Speaker 2: in the seventy Wow. So you wonder how does that happen.

726
00:35:02,600 --> 00:35:04,680
Speaker 2: How it happens is that you give up your leisure time,

727
00:35:04,760 --> 00:35:06,920
Speaker 2: you give up your own social time. It used to

728
00:35:06,960 --> 00:35:08,320
Speaker 2: be that you'd have a game of tennis and the

729
00:35:08,400 --> 00:35:10,920
Speaker 2: kids would be off running around somewhere else. Now your

730
00:35:11,040 --> 00:35:14,040
Speaker 2: kids are involved in you playing tennis. You'd socialize with

731
00:35:14,120 --> 00:35:15,759
Speaker 2: your friends and the kids had been in another room.

732
00:35:16,040 --> 00:35:19,640
Speaker 2: Now everyone socializes together. So the parents, the moms and

733
00:35:19,719 --> 00:35:22,200
Speaker 2: the dads are losing out on what makes them human,

734
00:35:22,480 --> 00:35:24,640
Speaker 2: on what they need to survive a busy life.

735
00:35:24,760 --> 00:35:26,520
Speaker 3: It's true that you look at the pubs, the pub

736
00:35:26,640 --> 00:35:28,440
Speaker 3: scene when we were young in the eighties. You go

737
00:35:28,520 --> 00:35:31,160
Speaker 3: and see the radiators or coaches are performing at the

738
00:35:31,239 --> 00:35:32,000
Speaker 3: local beer bar.

739
00:35:32,040 --> 00:35:33,520
Speaker 1: And I was up more local beer.

740
00:35:33,400 --> 00:35:35,719
Speaker 3: Barn recently and I was looking at the stage where

741
00:35:35,800 --> 00:35:38,799
Speaker 3: the radiators did indeed once play and there's kids all

742
00:35:38,880 --> 00:35:40,600
Speaker 3: running around on it, and I thought it was nice.

743
00:35:40,600 --> 00:35:42,840
Speaker 1: The kids are run around. There a ballroom so they

744
00:35:42,920 --> 00:35:45,680
Speaker 1: can throw the balls around, so kids go to the pub.

745
00:35:45,800 --> 00:35:47,719
Speaker 3: Now, back in our day, if your dad took you

746
00:35:47,800 --> 00:35:50,000
Speaker 3: to the pub, you sat outside in the car drinking

747
00:35:50,040 --> 00:35:52,319
Speaker 3: a lemon squash while he was inside with his mates.

748
00:35:52,400 --> 00:35:55,160
Speaker 2: That wasn't great either, But it means that every moment.

749
00:35:55,560 --> 00:35:57,239
Speaker 1: I'm not lamenting that they were the good old day.

750
00:35:57,280 --> 00:35:58,840
Speaker 2: No, I don't know what you mean, but there's no

751
00:35:59,200 --> 00:36:02,560
Speaker 2: moments that are for you. And the Surgeon General has said,

752
00:36:03,000 --> 00:36:05,320
Speaker 2: make sure you have time out, make sure you have

753
00:36:05,480 --> 00:36:07,440
Speaker 2: moments where you have your own clarity, where you have

754
00:36:07,480 --> 00:36:09,880
Speaker 2: your own social life, where you do your own exercise,

755
00:36:09,920 --> 00:36:11,359
Speaker 2: you go to the gym, you do what you need

756
00:36:11,480 --> 00:36:14,560
Speaker 2: to do. Because this intensive parenting, there been so many

757
00:36:14,600 --> 00:36:16,640
Speaker 2: studies on how it is for the kids, but we're

758
00:36:16,680 --> 00:36:21,760
Speaker 2: finding that for the parents it's hugely toxic. Depression, anxiety, stress,

759
00:36:22,440 --> 00:36:24,960
Speaker 2: These are impacts that are now being called out. So

760
00:36:25,080 --> 00:36:28,160
Speaker 2: this new form of parenting isn't good for anybody. Interesting,

761
00:36:28,239 --> 00:36:28,520
Speaker 2: isn't it.

762
00:36:28,719 --> 00:36:31,840
Speaker 1: It's fascinating. It's fascinating. You're just going to give you

763
00:36:31,920 --> 00:36:33,000
Speaker 1: a bit of a breather.

764
00:36:33,160 --> 00:36:34,240
Speaker 2: We'll give yourself a breather.

765
00:36:34,560 --> 00:36:34,719
Speaker 7: GIF.

766
00:36:34,800 --> 00:36:36,200
Speaker 2: No one else is going to give you a breather.

767
00:36:36,360 --> 00:36:38,560
Speaker 2: Give yourself a breather, well.

768
00:36:38,400 --> 00:36:38,920
Speaker 1: Done, thank you.

769
00:36:38,960 --> 00:36:41,319
Speaker 2: I'm not to take a breather a breathing. I'm dealing

770
00:36:41,360 --> 00:36:47,280
Speaker 2: with you as a child. Podcast when God.

771
00:36:49,160 --> 00:36:49,680
Speaker 1: Right now.

772
00:36:52,200 --> 00:37:02,480
Speaker 16: Your windowsick your head on a yell, turn to the

773
00:37:02,600 --> 00:37:04,160
Speaker 16: Jonty amount of arms for the pub Test.

774
00:37:04,280 --> 00:37:08,800
Speaker 3: And today we're talking about banning words like boomer and millennial.

775
00:37:08,880 --> 00:37:09,960
Speaker 1: Does this pass the pub Test?

776
00:37:10,040 --> 00:37:12,279
Speaker 2: Age bias language It's called And this week the West

777
00:37:12,280 --> 00:37:15,959
Speaker 2: Australian Government has launched a Challenge Your Bias campaign, saying

778
00:37:15,960 --> 00:37:19,400
Speaker 2: that words like boomer and millennial have connotations that are

779
00:37:19,440 --> 00:37:23,200
Speaker 2: no longer appropriate. Ageism is the last ism that we

780
00:37:23,280 --> 00:37:24,919
Speaker 2: seem to be living with, and as I get older,

781
00:37:24,960 --> 00:37:27,000
Speaker 2: I'm very aware of it. It's very easy to be

782
00:37:27,040 --> 00:37:29,480
Speaker 2: dismissed because you're older, but millennials must feel it too,

783
00:37:29,840 --> 00:37:33,560
Speaker 2: dismissed because they're young and inexperienced and all the connotations

784
00:37:33,560 --> 00:37:36,560
Speaker 2: of flakiness that goes with that, which isn't true. But

785
00:37:36,719 --> 00:37:38,800
Speaker 2: it's an easy joke to make same about boomers.

786
00:37:38,800 --> 00:37:40,120
Speaker 1: And now it's good banter as well.

787
00:37:41,440 --> 00:37:43,680
Speaker 3: Ryan, and you enjoyed working those hard hours nine.

788
00:37:43,680 --> 00:37:45,719
Speaker 1: Till eleven is hard work.

789
00:37:46,320 --> 00:37:48,000
Speaker 2: You need to take a day, but that's why we're

790
00:37:48,040 --> 00:37:51,160
Speaker 2: doing this, Brandon, that is not taking a day, You're

791
00:37:51,200 --> 00:37:54,719
Speaker 2: not listening tonight, that it's not about. This is how

792
00:37:54,840 --> 00:37:59,520
Speaker 2: we knock those stereotypes on the head by starting with language.

793
00:38:00,239 --> 00:38:02,440
Speaker 2: This is how we've conquered the other ones. Start with

794
00:38:02,560 --> 00:38:05,000
Speaker 2: being aware of your language and the bias in your language.

795
00:38:05,280 --> 00:38:08,680
Speaker 2: I'm aware that that is very easy to be dismissed

796
00:38:08,680 --> 00:38:11,120
Speaker 2: as someone who as boomer. The word says you can't

797
00:38:11,200 --> 00:38:12,879
Speaker 2: learn new tricks. You too are More and more people

798
00:38:12,920 --> 00:38:14,759
Speaker 2: are just staying in the workforce, and I find it

799
00:38:14,880 --> 00:38:17,200
Speaker 2: very irritating to have those words use. How do you

800
00:38:17,400 --> 00:38:20,719
Speaker 2: feel banging words like boomer or millennial? Does it past

801
00:38:20,760 --> 00:38:21,319
Speaker 2: the pub test?

802
00:38:21,600 --> 00:38:21,759
Speaker 6: Yeah?

803
00:38:21,800 --> 00:38:24,560
Speaker 2: I do take exception through it because I've been a

804
00:38:24,680 --> 00:38:27,239
Speaker 2: victim of ages and trying to get jobs for a

805
00:38:27,360 --> 00:38:28,160
Speaker 2: young managers.

806
00:38:29,040 --> 00:38:31,400
Speaker 9: But like me, so, yeah, let's get rids of a

807
00:38:31,440 --> 00:38:34,480
Speaker 9: word as if we start changing love.

808
00:38:34,400 --> 00:38:39,160
Speaker 4: To interpretation, and I think we are all getting very control.

809
00:38:39,080 --> 00:38:41,560
Speaker 12: And what and what not.

810
00:38:42,800 --> 00:38:43,960
Speaker 1: I never thought of it like that.

811
00:38:44,200 --> 00:38:48,200
Speaker 8: I thought it was just an age with it.

812
00:38:48,520 --> 00:38:49,719
Speaker 1: I sure does, mate.

813
00:38:49,840 --> 00:38:53,040
Speaker 15: I love the word boomer because the sum sub the

814
00:38:53,200 --> 00:38:57,120
Speaker 15: generations that are basically sucking the life out of all

815
00:38:57,239 --> 00:39:02,560
Speaker 15: the younger generations. Financially, they destroyed our environment and now

816
00:39:02,640 --> 00:39:06,319
Speaker 15: they want more, and the younger generations are standing up

817
00:39:06,360 --> 00:39:07,640
Speaker 15: and naming it for what it is.

818
00:39:07,880 --> 00:39:10,799
Speaker 2: Yeah, father, I should do away with boomers and all

819
00:39:10,840 --> 00:39:13,520
Speaker 2: that type of thing. I was born in ninely fifty nine,

820
00:39:13,560 --> 00:39:15,319
Speaker 2: and I do not class myself as a baby.

821
00:39:15,880 --> 00:39:18,279
Speaker 1: I don't see me as an old dude. I just

822
00:39:18,760 --> 00:39:19,280
Speaker 1: still alive.

823
00:39:19,360 --> 00:39:20,440
Speaker 2: We're going to do away with it.

824
00:39:20,760 --> 00:39:24,000
Speaker 15: Look, I think we're in the OS generation over senses.

825
00:39:24,280 --> 00:39:26,880
Speaker 6: Can't call someone man or woman, can't call someone husband

826
00:39:26,920 --> 00:39:27,279
Speaker 6: and wife.

827
00:39:27,680 --> 00:39:28,560
Speaker 9: We need to get over it.

828
00:39:28,840 --> 00:39:30,319
Speaker 2: Jeez, it past the pup tist.

829
00:39:30,680 --> 00:39:31,080
Speaker 6: What next?

830
00:39:31,120 --> 00:39:33,400
Speaker 15: You can't call a banana a banana, an apple or apple?

831
00:39:33,680 --> 00:39:36,120
Speaker 9: It doesn't Yeah, get rid of agism.

832
00:39:36,239 --> 00:39:39,759
Speaker 18: You're never too old and we can contribute to society.

833
00:39:40,080 --> 00:39:42,319
Speaker 2: We have a lot to offer. Never too old to.

834
00:39:42,480 --> 00:39:44,799
Speaker 1: Rock and roll, never too old to rock and roll.

835
00:39:46,080 --> 00:39:47,000
Speaker 1: Just call everything fruit.

836
00:39:48,560 --> 00:39:51,040
Speaker 2: I thank you for my shoulders and something don't.

837
00:39:53,600 --> 00:39:55,520
Speaker 1: So what's this goodon Ramsey stealing amate?

838
00:39:55,800 --> 00:39:58,040
Speaker 2: I'll tell you. Let's go back a day, go back

839
00:39:58,120 --> 00:40:01,640
Speaker 2: to yesterday. Do you Lipa the singer? You know Juwi

840
00:40:01,719 --> 00:40:02,359
Speaker 2: Lipa songs?

841
00:40:03,200 --> 00:40:04,160
Speaker 1: I like your song.

842
00:40:06,840 --> 00:40:13,600
Speaker 2: Now and this one? What's this god is Boomer and

843
00:40:13,760 --> 00:40:20,680
Speaker 2: this one she's great dual ego, one of the most

844
00:40:21,160 --> 00:40:23,360
Speaker 2: famous things in the world at the moment. She shared

845
00:40:23,680 --> 00:40:26,080
Speaker 2: a recipe such as it is for her favorite drink,

846
00:40:26,280 --> 00:40:32,040
Speaker 2: which involves Coca cola, pickle juice, jli pinot juice and

847
00:40:32,160 --> 00:40:34,360
Speaker 2: then garnish it with a pickle and some palapenas we

848
00:40:34,440 --> 00:40:36,480
Speaker 2: did it on TikTok did it on TikTok Tucker. Here's

849
00:40:36,520 --> 00:40:39,920
Speaker 2: what we thought of it. One, two, three, go.

850
00:40:43,520 --> 00:40:43,719
Speaker 1: Wow.

851
00:40:44,840 --> 00:40:47,920
Speaker 2: Surprisingly he's ESTI no, I think I put in too

852
00:40:48,000 --> 00:40:50,640
Speaker 2: much pickle juice. I like pickles and I like Coca Cola.

853
00:40:51,239 --> 00:40:53,160
Speaker 2: I don't think of the combination works for me.

854
00:40:53,360 --> 00:40:54,000
Speaker 1: That sucks.

855
00:40:54,440 --> 00:40:56,440
Speaker 2: It did suck, and I wondered if I put in

856
00:40:56,520 --> 00:40:59,319
Speaker 2: too much pickle juice. And then I saw last night

857
00:40:59,440 --> 00:41:02,839
Speaker 2: the Gordon Ramsey did the same thing, and he put

858
00:41:02,880 --> 00:41:06,080
Speaker 2: in exactly the same measurements. Here's how he went price.

859
00:41:06,920 --> 00:41:13,000
Speaker 8: Okay, cove in a little bit of Halipino juice, little

860
00:41:13,080 --> 00:41:18,520
Speaker 8: pickled juice, pickles in kalipinos in and then literally.

861
00:41:18,280 --> 00:41:21,879
Speaker 1: Top that up. There's some more coke, just a little

862
00:41:21,880 --> 00:41:28,200
Speaker 1: bit more juice. Okay. Here he goes to live, But

863
00:41:28,560 --> 00:41:31,960
Speaker 1: gods say girl, you'll ruin your vocal cords.

864
00:41:33,560 --> 00:41:37,160
Speaker 2: He chucked for Jonesy and sped everywhere he did.

865
00:41:37,239 --> 00:41:38,240
Speaker 1: He's steal on my materials.

866
00:41:38,680 --> 00:41:42,719
Speaker 2: He's stealing your material So yes, Gordon Ramsey thought what

867
00:41:42,840 --> 00:41:44,920
Speaker 2: we did. Thought the same as we did. It's very

868
00:41:45,000 --> 00:41:47,040
Speaker 2: detailed recipes on our socials. If you want to try

869
00:41:47,040 --> 00:41:48,759
Speaker 2: it for yourself. As long as he doesn't steal my

870
00:41:48,960 --> 00:41:55,279
Speaker 2: smooth brow, I think you're safe.

871
00:41:55,440 --> 00:41:56,200
Speaker 1: That'll get back.

872
00:41:57,880 --> 00:42:01,120
Speaker 2: And over eight thousand meters above Sealing, the K two

873
00:42:01,640 --> 00:42:05,320
Speaker 2: is the second highest mountain on after Mount Everest. It

874
00:42:05,440 --> 00:42:07,200
Speaker 2: might just be the deadliest. I think it's even more

875
00:42:07,239 --> 00:42:10,120
Speaker 2: deadly than Mount Everest. There's only one man crazy enough

876
00:42:10,200 --> 00:42:13,839
Speaker 2: to ascend on these most perilous journey yet to find

877
00:42:13,960 --> 00:42:17,279
Speaker 2: crazy and Middleton has documented all this in a new

878
00:42:17,320 --> 00:42:20,439
Speaker 2: show Killer K two and Hello here he is listen.

879
00:42:20,520 --> 00:42:22,920
Speaker 6: Always a pleasure, pleasure to see you guys. How are you?

880
00:42:23,200 --> 00:42:25,080
Speaker 1: We're great, mate, it's good to see you again.

881
00:42:25,239 --> 00:42:26,239
Speaker 6: This, thank you mate, thank you.

882
00:42:26,440 --> 00:42:30,960
Speaker 2: This mountain. I've read about this mountain. It's deadly, it's perilous,

883
00:42:31,160 --> 00:42:33,080
Speaker 2: it's hard going. Where's the pleasure?

884
00:42:33,840 --> 00:42:36,879
Speaker 6: There's no pleasure in it? And I certainly didn't take

885
00:42:36,960 --> 00:42:38,880
Speaker 6: any pleasure in climbing it because I only had a

886
00:42:38,960 --> 00:42:43,200
Speaker 6: little period. I had a four week period to climb it. Yeah,

887
00:42:43,239 --> 00:42:44,920
Speaker 6: I could have gone, I could have gone on holiday

888
00:42:44,960 --> 00:42:48,560
Speaker 6: with the family. Yes, I literally got a three week notice.

889
00:42:48,640 --> 00:42:50,000
Speaker 6: My power called me up. He said, ant, do you

890
00:42:50,040 --> 00:42:51,600
Speaker 6: want to climb a mountain? I said, yeah, I do

891
00:42:51,719 --> 00:42:54,719
Speaker 6: want to climb. I said, I'm due a climb. He said, well,

892
00:42:54,719 --> 00:42:56,880
Speaker 6: in three weeks time on climbing K two, do you

893
00:42:56,920 --> 00:42:59,759
Speaker 6: want to climb it with me? So my wife was

894
00:42:59,840 --> 00:43:01,680
Speaker 6: that sit out shopping at the time, So I made

895
00:43:01,719 --> 00:43:03,759
Speaker 6: the decision. I sort of called his bluff. I said

896
00:43:03,760 --> 00:43:05,920
Speaker 6: to him, yep, let's do it. He says, send me

897
00:43:06,000 --> 00:43:07,840
Speaker 6: your passport, and so I sent my pass word. I

898
00:43:07,840 --> 00:43:09,560
Speaker 6: didn't think much of it, didn't think he's going to

899
00:43:09,600 --> 00:43:11,880
Speaker 6: put it off. Anyway. Within about two hours of the

900
00:43:11,960 --> 00:43:15,040
Speaker 6: phone call, he came back with my clearance that I

901
00:43:15,080 --> 00:43:18,280
Speaker 6: could climb. You know, I could literally get on the mountain.

902
00:43:18,880 --> 00:43:22,680
Speaker 6: So I had to book my tickets to Pakistan thereafter too,

903
00:43:23,640 --> 00:43:26,520
Speaker 6: And then within three weeks I found myself climbing K two,

904
00:43:26,560 --> 00:43:29,400
Speaker 6: which is the second highest mountain in the world, but

905
00:43:29,520 --> 00:43:30,480
Speaker 6: the most dangerous.

906
00:43:30,840 --> 00:43:33,040
Speaker 2: So how do you train do you train for something

907
00:43:33,160 --> 00:43:33,360
Speaker 2: like that.

908
00:43:33,760 --> 00:43:36,400
Speaker 6: I don't because I like to think I was putting

909
00:43:36,440 --> 00:43:38,920
Speaker 6: my ego, that's no. But I like to think that

910
00:43:39,080 --> 00:43:43,360
Speaker 6: throughout my military career that you know, climbing and hiking,

911
00:43:43,400 --> 00:43:46,480
Speaker 6: I was in mountain troops and my very experienced climber anyway,

912
00:43:46,920 --> 00:43:50,160
Speaker 6: that it's more of a psychological journey for me, more

913
00:43:50,160 --> 00:43:52,400
Speaker 6: of a psychological sort of battle for me rather than

914
00:43:52,440 --> 00:43:56,320
Speaker 6: the physical side. So training, no, but I would definitely

915
00:43:56,360 --> 00:43:58,360
Speaker 6: recommend if you're going to you know, hit altitude.

916
00:43:58,560 --> 00:44:03,120
Speaker 3: Yeah, you definitely an altitude sickness. It doesn't it's it's

917
00:44:03,360 --> 00:44:06,080
Speaker 3: non discriminated, isn't it. It just it just picks anyone.

918
00:44:06,239 --> 00:44:08,880
Speaker 6: It doesn't matter how fit you are. You know, you

919
00:44:09,080 --> 00:44:12,359
Speaker 6: experience that you've got if you don't acclimatize correctly. Now,

920
00:44:12,440 --> 00:44:15,200
Speaker 6: I would say anything above three and a half thousand

921
00:44:15,239 --> 00:44:18,360
Speaker 6: meters three five hundred meters, you've got to know what

922
00:44:18,400 --> 00:44:20,000
Speaker 6: you're doing. You've got to listen to your body, and

923
00:44:20,080 --> 00:44:23,200
Speaker 6: you've got to push it slowly in order for your

924
00:44:23,239 --> 00:44:26,279
Speaker 6: body to dial into the lack of oxygen, because that's

925
00:44:26,280 --> 00:44:29,000
Speaker 6: what's happening. The higher you get, less oxygen in the air,

926
00:44:29,040 --> 00:44:31,320
Speaker 6: Therefore the body has to acclimatize and get used to it.

927
00:44:31,680 --> 00:44:34,200
Speaker 2: Yeah, what was what was the hardest part for you?

928
00:44:34,239 --> 00:44:34,359
Speaker 5: All?

929
00:44:34,400 --> 00:44:37,360
Speaker 2: The scariest part because the topography must have been terrifying.

930
00:44:37,960 --> 00:44:41,480
Speaker 6: Yes, it was the with K two. The reason why

931
00:44:41,480 --> 00:44:44,960
Speaker 6: it's so dangerous is because it's literally the steepest and

932
00:44:46,280 --> 00:44:48,360
Speaker 6: so there's no let up you know, you can't. But

933
00:44:48,520 --> 00:44:52,520
Speaker 6: also all the camps are aligned, where for example Mount

934
00:44:52,560 --> 00:44:54,560
Speaker 6: Everest the camps are sort of you know, they're not

935
00:44:54,960 --> 00:44:57,480
Speaker 6: aligned in one line when you go up, but on

936
00:44:57,719 --> 00:45:00,200
Speaker 6: K two they are. So if you've got client is

937
00:45:00,239 --> 00:45:02,719
Speaker 6: in front of you and they knock any rocks off

938
00:45:02,840 --> 00:45:07,759
Speaker 6: for aegevity, So like bullets flying past you, they pick

939
00:45:07,840 --> 00:45:11,000
Speaker 6: up the momentum from thousands of meters and this is snow,

940
00:45:11,200 --> 00:45:15,000
Speaker 6: this is rock. So the danger of being hit and

941
00:45:15,120 --> 00:45:18,200
Speaker 6: potentially being you know, thrown off that mountain by by

942
00:45:18,320 --> 00:45:20,680
Speaker 6: snow or rocks is high.

943
00:45:20,880 --> 00:45:24,880
Speaker 1: So Ever, it's just for pussies, say so, yeah, definitely.

944
00:45:25,400 --> 00:45:28,040
Speaker 1: And now you I watched you on Dancing with the Stars.

945
00:45:28,120 --> 00:45:30,080
Speaker 1: Can I say this? You surprised me of how good

946
00:45:30,160 --> 00:45:31,680
Speaker 1: you were on Dancing with the Stars.

947
00:45:31,760 --> 00:45:33,719
Speaker 2: Are you in that unit of the army as well?

948
00:45:35,760 --> 00:45:40,600
Speaker 6: We're talking about but Dancing with the Stars isn't.

949
00:45:42,239 --> 00:45:45,520
Speaker 3: Amanda's absolutely devastated that essays Australia is not coming back

950
00:45:45,520 --> 00:45:46,400
Speaker 3: because she was ready to go.

951
00:45:46,600 --> 00:45:51,120
Speaker 6: It was coming back, Yes, Brendan, all I'm saying. All

952
00:45:51,160 --> 00:45:54,000
Speaker 6: I'm going to say is it's not We've had it.

953
00:45:54,239 --> 00:45:55,719
Speaker 6: Put it this way. We just had a year off.

954
00:45:56,360 --> 00:45:58,960
Speaker 6: That's all I'm going to say. So will we be

955
00:45:59,040 --> 00:46:01,880
Speaker 6: filming next year? I would say a high probability that

956
00:46:02,000 --> 00:46:03,600
Speaker 6: we will be filming a new series.

957
00:46:03,760 --> 00:46:07,319
Speaker 1: That's good for you, Amanda, Yes, you were saying you were.

958
00:46:08,480 --> 00:46:10,480
Speaker 6: You know what is funny because as soon as people

959
00:46:10,560 --> 00:46:12,560
Speaker 6: thought that it wasn't coming back though, oh I was

960
00:46:12,560 --> 00:46:16,920
Speaker 6: going to do that. So I'm just taking notes, Amanda,

961
00:46:17,040 --> 00:46:17,440
Speaker 6: your name.

962
00:46:18,480 --> 00:46:20,480
Speaker 2: So I ask with when you're filming something like this

963
00:46:20,760 --> 00:46:24,080
Speaker 2: about climbing a mountain. I know people sort of make

964
00:46:24,160 --> 00:46:26,360
Speaker 2: fun of bier grills that there. I'm out here alone

965
00:46:26,440 --> 00:46:29,839
Speaker 2: and there's a ten part cameras not through there. How

966
00:46:29,920 --> 00:46:30,960
Speaker 2: did you go about doing it?

967
00:46:31,480 --> 00:46:36,359
Speaker 6: So I climb just for myself and two sherpers. I've

968
00:46:36,480 --> 00:46:41,839
Speaker 6: got a very Peter Jackson, No, he's not that would

969
00:46:41,880 --> 00:46:47,719
Speaker 6: be entertainment. So I go with a very small team

970
00:46:48,600 --> 00:46:52,040
Speaker 6: and the sherpers that I use a good friends of mine.

971
00:46:52,040 --> 00:46:54,680
Speaker 6: I've climbing them before and one of them was in

972
00:46:54,760 --> 00:46:56,920
Speaker 6: the military. For myself, he was a girkha before, he

973
00:46:57,080 --> 00:46:58,120
Speaker 6: was a sheer.

974
00:46:58,880 --> 00:47:00,840
Speaker 1: Before he was a Sherpery where do you go after that?

975
00:47:01,120 --> 00:47:04,839
Speaker 6: There you can become a burper there, so you mix

976
00:47:04,920 --> 00:47:07,040
Speaker 6: it up. There you go burpa, will will invent a

977
00:47:07,120 --> 00:47:08,359
Speaker 6: new role for someone.

978
00:47:08,600 --> 00:47:09,680
Speaker 2: Did they help you film it?

979
00:47:10,040 --> 00:47:13,520
Speaker 6: Yes, so that's what I've done. I literally filmed it POV.

980
00:47:13,960 --> 00:47:16,360
Speaker 6: A lot of it's you know, just've got go pros,

981
00:47:16,400 --> 00:47:18,719
Speaker 6: we've got cameras. But then I just chucked my shirpers

982
00:47:19,200 --> 00:47:20,960
Speaker 6: that you know, chuck them in a couple of cameras

983
00:47:21,000 --> 00:47:23,759
Speaker 6: and just said capture what you can and believe it

984
00:47:23,800 --> 00:47:27,640
Speaker 6: or not, we captured so much footage. And what we

985
00:47:27,760 --> 00:47:31,760
Speaker 6: really concentrated on on this documentary was was the suffering,

986
00:47:32,040 --> 00:47:34,759
Speaker 6: was the emotional journey. Because I could I could have

987
00:47:34,800 --> 00:47:37,239
Speaker 6: put out a documentary like Everest, where I hit the

988
00:47:37,320 --> 00:47:39,480
Speaker 6: summit and I've got chested out and I'm like, yeah,

989
00:47:39,560 --> 00:47:43,480
Speaker 6: this was you know, successful, But we we chose the

990
00:47:43,560 --> 00:47:47,399
Speaker 6: bits that were really sort of where vulnerability was there

991
00:47:47,560 --> 00:47:52,200
Speaker 6: because the emotional rollercoaster of it because once you hit altitude,

992
00:47:52,239 --> 00:47:55,680
Speaker 6: the lack of oxygen to the brain, it triggers emotional

993
00:47:55,760 --> 00:47:58,719
Speaker 6: responses and you become really emotional, believe it or not.

994
00:48:00,360 --> 00:48:02,320
Speaker 6: So we sort of captured that side with Killer K

995
00:48:02,480 --> 00:48:07,560
Speaker 6: to the vulnerability, the emotional rollercoaster that it was, and

996
00:48:07,760 --> 00:48:11,279
Speaker 6: the time scale I only had when I hit a

997
00:48:11,480 --> 00:48:13,640
Speaker 6: base camp K two base camp, I only had twenty

998
00:48:13,840 --> 00:48:16,080
Speaker 6: or twenty two days to get to the summit and

999
00:48:16,200 --> 00:48:18,839
Speaker 6: back down again. Taken into account of people put six

1000
00:48:18,960 --> 00:48:20,279
Speaker 6: to eight weeks aside.

1001
00:48:20,000 --> 00:48:20,239
Speaker 7: For this.

1002
00:48:21,920 --> 00:48:24,439
Speaker 1: And who yelled at you? Did you yell at yourself? Yeah,

1003
00:48:24,800 --> 00:48:26,000
Speaker 1: so you just go, that's not it.

1004
00:48:26,080 --> 00:48:31,240
Speaker 6: You climb a mountain, grabbing my ear and putting myself

1005
00:48:31,360 --> 00:48:35,680
Speaker 6: up the mountain, have a word with myself. Imagine Amanda

1006
00:48:35,880 --> 00:48:37,840
Speaker 6: was behind me that mountain.

1007
00:48:38,000 --> 00:48:38,160
Speaker 2: Boy.

1008
00:48:38,320 --> 00:48:40,480
Speaker 3: Well, I've got all the paperwork for Amanda here, she's

1009
00:48:40,600 --> 00:48:41,040
Speaker 3: ready to go.

1010
00:48:41,200 --> 00:48:45,600
Speaker 6: I'd rather do K two. Actually, I don't blame you, Amanda.

1011
00:48:45,719 --> 00:48:47,200
Speaker 1: And it's great to talk to you again.

1012
00:48:47,280 --> 00:48:50,080
Speaker 3: Killer K two with Aunt Middleton premiers Thursday, the twenty

1013
00:48:50,160 --> 00:48:52,160
Speaker 3: fourth of October on seventh plus.

1014
00:48:52,520 --> 00:48:53,920
Speaker 1: It's just always great to see you.

1015
00:48:54,360 --> 00:48:56,239
Speaker 6: There, always a pleasure to come in and that's why

1016
00:48:56,239 --> 00:48:59,239
Speaker 6: I love coming in. I actually flew in yesterday last night,

1017
00:48:59,320 --> 00:49:01,080
Speaker 6: late last night, and they were like, do you want

1018
00:49:01,120 --> 00:49:02,200
Speaker 6: to go on Josie and Amanda.

1019
00:49:02,239 --> 00:49:05,520
Speaker 1: I was like, yes, you didn't even have to yell

1020
00:49:05,520 --> 00:49:06,920
Speaker 1: at himself for that. It was happening.

1021
00:49:07,040 --> 00:49:08,640
Speaker 6: That's happening up, ready to go.

1022
00:49:08,880 --> 00:49:12,520
Speaker 1: We're happy for you to summon our north face. There

1023
00:49:12,560 --> 00:49:13,120
Speaker 1: you go. Listen.

1024
00:49:13,200 --> 00:49:16,399
Speaker 6: Climbing talk, climbing talking? Is it is climbing talk?

1025
00:49:16,960 --> 00:49:22,200
Speaker 12: Tire you ed, Jonesy and Amanda podcast.

1026
00:49:33,440 --> 00:49:36,040
Speaker 1: Oats are coming to town. Can't wait?

1027
00:49:36,200 --> 00:49:38,280
Speaker 2: Give us a call right now if you want tickets

1028
00:49:38,320 --> 00:49:38,960
Speaker 2: thirteen W.

1029
00:49:39,239 --> 00:49:39,680
Speaker 7: S F M.

1030
00:49:40,520 --> 00:49:43,239
Speaker 1: You know, because those boys they like a good few,

1031
00:49:43,440 --> 00:49:43,839
Speaker 1: don't they.

1032
00:49:43,800 --> 00:49:47,560
Speaker 2: Give it to me? Give it to me, you stupid man.

1033
00:49:48,040 --> 00:49:50,759
Speaker 1: I can't tell that's Oasis or Us. He gets off.

1034
00:49:52,680 --> 00:49:53,320
Speaker 6: I'm must.

1035
00:49:58,080 --> 00:49:59,000
Speaker 1: Up shut up.

1036
00:50:01,400 --> 00:50:02,600
Speaker 6: So they like a feud.

1037
00:50:03,000 --> 00:50:06,400
Speaker 2: Jonesy likes a feud, so we thought we would quiz

1038
00:50:06,480 --> 00:50:09,759
Speaker 2: you on whose feud is it? Anyway, Ryan is going

1039
00:50:09,800 --> 00:50:13,600
Speaker 2: to read out a transcript of a feud, and if

1040
00:50:13,640 --> 00:50:16,120
Speaker 2: you can say if it's Jonesy or Us and get

1041
00:50:16,160 --> 00:50:17,720
Speaker 2: it right, you win the tickets.

1042
00:50:17,920 --> 00:50:21,000
Speaker 1: Mecca's in Holesworth Jones r Us, Jones Rus all.

1043
00:50:20,880 --> 00:50:22,440
Speaker 2: The feuding for all of us Oasis.

1044
00:50:22,480 --> 00:50:24,239
Speaker 1: All right, yeah, Jones r Us, I like it to

1045
00:50:24,400 --> 00:50:29,680
Speaker 1: my new franchise. I'm branching out. Hello, Mecca, Hi, how

1046
00:50:29,760 --> 00:50:32,680
Speaker 1: are you cat? Thank you we've come to Mecca.

1047
00:50:33,400 --> 00:50:36,440
Speaker 2: And are you excited about the prospect of being fifty

1048
00:50:36,440 --> 00:50:38,520
Speaker 2: to fifty chance away from going to Oasis?

1049
00:50:39,320 --> 00:50:39,520
Speaker 7: Yeah?

1050
00:50:39,640 --> 00:50:40,080
Speaker 2: Definitely.

1051
00:50:40,440 --> 00:50:41,919
Speaker 1: You're a big Oasis fan, Mecca.

1052
00:50:42,760 --> 00:50:45,120
Speaker 2: Oh, I grew up listening to their music. My uncle

1053
00:50:45,160 --> 00:50:47,840
Speaker 2: would play it all the time. So yeah, it's just

1054
00:50:47,920 --> 00:50:48,840
Speaker 2: going to be nostalgy.

1055
00:50:49,280 --> 00:50:51,719
Speaker 3: It's going to be a lot of people really want

1056
00:50:51,800 --> 00:50:53,520
Speaker 3: these tickets. That's that's all I'm saying.

1057
00:50:53,840 --> 00:50:55,719
Speaker 2: You know, they've announced a second show for Sydney on

1058
00:50:55,760 --> 00:50:57,759
Speaker 2: the eighth of November, so they performing the seventh and

1059
00:50:57,840 --> 00:50:58,120
Speaker 2: the eighth.

1060
00:50:58,239 --> 00:50:58,960
Speaker 1: That's optimistic.

1061
00:51:01,000 --> 00:51:02,600
Speaker 2: Well all right, let's see what we can do. Let's

1062
00:51:02,640 --> 00:51:04,719
Speaker 2: if we can get you there, Mecca. Genoy right, is

1063
00:51:04,800 --> 00:51:07,279
Speaker 2: going to read a transcript of a feud. Is it

1064
00:51:07,400 --> 00:51:08,480
Speaker 2: us or is it them? Here we go?

1065
00:51:10,560 --> 00:51:13,360
Speaker 7: Can you believe this? He was going to sue me

1066
00:51:13,960 --> 00:51:16,240
Speaker 7: liable for ruining his character?

1067
00:51:17,960 --> 00:51:21,800
Speaker 2: Was this Oasis or is it Jonesy and Amanda Jones

1068
00:51:21,920 --> 00:51:28,440
Speaker 2: and Amanda no wrong? That means sounds like it was us. No,

1069
00:51:28,760 --> 00:51:30,640
Speaker 2: we have to see if Amy has been paying attention.

1070
00:51:31,000 --> 00:51:35,839
Speaker 1: Amy is in Blacktown, Amy, Hello, Hello, listen. How much

1071
00:51:35,880 --> 00:51:39,719
Speaker 1: of an Oasis fan? Are you pretty big? You sound

1072
00:51:39,800 --> 00:51:41,720
Speaker 1: a little bit a little bit jazz there, Amy?

1073
00:51:41,800 --> 00:51:45,200
Speaker 2: Yeah? Well, Jen y right, I just have to check

1074
00:51:45,239 --> 00:51:47,439
Speaker 2: whether you've been listening, Jen y R read it again?

1075
00:51:47,760 --> 00:51:48,560
Speaker 2: Can you believe this?

1076
00:51:49,280 --> 00:51:53,080
Speaker 7: He was going to sue me liable for ruining his character?

1077
00:51:53,440 --> 00:51:55,880
Speaker 2: Is that Oasis or is it Jonesy and Amanda?

1078
00:51:56,760 --> 00:51:57,200
Speaker 1: That would be.

1079
00:52:01,000 --> 00:52:03,440
Speaker 2: Yes, it is Amy, and you are off to see Oasis.

1080
00:52:03,600 --> 00:52:07,040
Speaker 2: They're playing a Core Stadium November seventh and eighth, twenty

1081
00:52:07,120 --> 00:52:10,280
Speaker 2: twenty five. Sign up now for first access at Oasis

1082
00:52:10,360 --> 00:52:13,080
Speaker 2: on it dot com. Pre sale starts Monday, the fourteenth

1083
00:52:13,160 --> 00:52:16,480
Speaker 2: of October. You sound pretty happy, Amy, Oh.

1084
00:52:16,640 --> 00:52:17,319
Speaker 13: Over the moon?

1085
00:52:17,719 --> 00:52:19,120
Speaker 3: Absolutely over the moon.

1086
00:52:19,680 --> 00:52:21,440
Speaker 1: Oh you need to take Mecca.

1087
00:52:21,800 --> 00:52:28,440
Speaker 3: Yes, thank you so much, Oh Amy, Amy, I love

1088
00:52:28,520 --> 00:52:30,560
Speaker 3: How excited we get a servid winner right there?

1089
00:52:30,719 --> 00:52:33,160
Speaker 2: Absolutely, we'll go on, Amy, Amy.

1090
00:52:33,160 --> 00:52:36,520
Speaker 1: If we could play an Oasis song, say Champagne super Nova,

1091
00:52:36,560 --> 00:52:37,239
Speaker 1: would you like that?

1092
00:52:38,160 --> 00:52:38,279
Speaker 2: Oh?

1093
00:52:38,400 --> 00:52:40,440
Speaker 1: Yes, pase, let's put an named for Amy.

1094
00:52:40,600 --> 00:52:41,360
Speaker 2: This is for Amy.

1095
00:52:42,160 --> 00:52:45,239
Speaker 1: Thank you for playing. Looking forward to Oasis. Coming to town,

1096
00:52:46,440 --> 00:52:47,560
Speaker 1: Miss Sham.

1097
00:52:47,440 --> 00:53:00,600
Speaker 2: Notion podcast twenty thousand dollars. We will give that away

1098
00:53:00,640 --> 00:53:02,520
Speaker 2: to our favorite gooolie of the year thanks to here

1099
00:53:02,600 --> 00:53:06,400
Speaker 2: informs machinery House, your one stop machinery shop. Visit machinery

1100
00:53:06,440 --> 00:53:06,960
Speaker 2: house dot com.

1101
00:53:07,040 --> 00:53:07,960
Speaker 1: Do are you what have we got?

1102
00:53:08,800 --> 00:53:09,880
Speaker 2: Hi, Jens and Amanda.

1103
00:53:10,160 --> 00:53:13,279
Speaker 5: What really gets my ghoulies is when you do a

1104
00:53:13,360 --> 00:53:16,120
Speaker 5: lot of watching you go to take it out in

1105
00:53:16,160 --> 00:53:19,920
Speaker 5: the machine and you realize, oh no, I forgot to

1106
00:53:20,000 --> 00:53:23,120
Speaker 5: put the watching powder in. Oh so then you've got

1107
00:53:23,160 --> 00:53:27,960
Speaker 5: to do the cycle again. It really really gets my goolies.

1108
00:53:29,239 --> 00:53:31,759
Speaker 2: And sometimes I weigh it up. I think is water

1109
00:53:31,840 --> 00:53:33,840
Speaker 2: and this is okay, I got to get those skinnies

1110
00:53:33,880 --> 00:53:38,200
Speaker 2: out and does it? Brendan next ghoolie.

1111
00:53:39,600 --> 00:53:41,759
Speaker 18: Hi, guys, what gets my goolies is when people have

1112
00:53:41,840 --> 00:53:45,360
Speaker 18: a conversation on their phone and walk around the supermarket

1113
00:53:45,480 --> 00:53:48,200
Speaker 18: but have it on a loud speaker. Everyone gets to

1114
00:53:48,239 --> 00:53:50,600
Speaker 18: hear what they are saying and no one cares. It's

1115
00:53:50,719 --> 00:53:53,560
Speaker 18: like a radio that hasn't been tuned properly. It's just

1116
00:53:53,640 --> 00:53:56,760
Speaker 18: completely inconsiderate. Even worse is when you're in a coffee

1117
00:53:56,760 --> 00:54:00,680
Speaker 18: shop or a restaurant and do this really gets my goolies.

1118
00:54:00,960 --> 00:54:01,680
Speaker 2: I hate them.

1119
00:54:02,040 --> 00:54:05,600
Speaker 1: I'd rather listening listen to the soothing strains of the radio.

1120
00:54:06,400 --> 00:54:08,960
Speaker 2: Give it to me, Give it to me, you stupid,

1121
00:54:09,440 --> 00:54:11,840
Speaker 2: stupid man. It's very soothing now you mentioned it.

1122
00:54:12,280 --> 00:54:14,000
Speaker 3: I'm about him with a good If youtub Dad doesn't

1123
00:54:14,000 --> 00:54:16,839
Speaker 3: make you can always contact us via the iHeartRadio app.

1124
00:54:17,080 --> 00:54:19,000
Speaker 1: For the week that was jim Y Raie.

1125
00:54:20,040 --> 00:54:21,040
Speaker 2: Jimmy Jammer's next.

1126
00:54:21,120 --> 00:54:23,240
Speaker 1: You ready, I'm gonna go to the toilet?

1127
00:54:24,560 --> 00:54:24,840
Speaker 2: Fuck?

1128
00:54:28,280 --> 00:54:31,480
Speaker 4: We think it's coming up next, jem jam Na Jemi

1129
00:54:31,600 --> 00:54:33,800
Speaker 4: right has been working harder than the T twenty in

1130
00:54:33,840 --> 00:54:34,640
Speaker 4: the men's.

1131
00:54:38,760 --> 00:54:41,719
Speaker 1: He's given forty and he's come up with this. Jen

1132
00:54:41,840 --> 00:54:43,640
Speaker 1: White Rise, Jimmy Jabb.

1133
00:54:46,480 --> 00:54:48,360
Speaker 7: But I was just about to head off to Kelly

1134
00:54:48,440 --> 00:54:51,920
Speaker 7: Country for my suit for this Saturday Night's Radio Awards

1135
00:54:52,920 --> 00:54:55,680
Speaker 7: Information and Entertainment.

1136
00:54:56,239 --> 00:54:57,480
Speaker 1: That's what you get on this show.

1137
00:54:57,760 --> 00:54:59,440
Speaker 2: Can a sheep and a goat mate to produce a

1138
00:54:59,480 --> 00:54:59,879
Speaker 2: sheep goat?

1139
00:55:01,440 --> 00:55:02,759
Speaker 1: Yeah, that's true. It's true.

1140
00:55:02,840 --> 00:55:05,120
Speaker 2: It's very rare, but it is possible. It's known as

1141
00:55:05,160 --> 00:55:07,880
Speaker 2: a geep or as a shout. It's a jumper that

1142
00:55:07,960 --> 00:55:09,400
Speaker 2: eats itself off the clothesline.

1143
00:55:12,800 --> 00:55:16,400
Speaker 1: This is your good Josh say this, I've amused myself.

1144
00:55:17,800 --> 00:55:20,319
Speaker 1: I'm enjoying it, or I mean Josh is having a titter.

1145
00:55:20,680 --> 00:55:24,560
Speaker 2: Josh, are you enjoying my joke? Josh good, absolutely, thank you.

1146
00:55:25,160 --> 00:55:26,840
Speaker 3: I think we're going to get any massurgeons so he

1147
00:55:26,880 --> 00:55:29,440
Speaker 3: can stitch up those sides and just split.

1148
00:55:30,800 --> 00:55:34,400
Speaker 7: It seems there was a problem with Mexican coke, fentanyl

1149
00:55:34,560 --> 00:55:38,239
Speaker 7: and asbestos. These are hardcore trash metal bands, by the way.

1150
00:55:38,360 --> 00:55:40,920
Speaker 1: Breaking news overnight Mexican coke.

1151
00:55:40,880 --> 00:55:44,840
Speaker 3: Has been thrown off the Fentanyl Slash Asbestos tour in

1152
00:55:44,960 --> 00:55:45,759
Speaker 3: Salt Lake City.

1153
00:55:46,080 --> 00:55:48,400
Speaker 1: For those that aren't familiar with Mexican coke, do.

1154
00:55:48,440 --> 00:55:51,880
Speaker 2: They sound like ibraprofen, the parasita.

1155
00:55:51,440 --> 00:55:56,200
Speaker 1: Moles that Mexican cokes?

1156
00:55:56,239 --> 00:55:57,120
Speaker 11: This is what they sound like.

1157
00:56:01,760 --> 00:56:03,200
Speaker 2: Who knew that he could get aggressive?

1158
00:56:03,440 --> 00:56:07,240
Speaker 3: It comes on stage in a bella clava and someone

1159
00:56:07,320 --> 00:56:10,239
Speaker 3: said that he was drunken, mumbling and I.

1160
00:56:10,360 --> 00:56:12,800
Speaker 1: Like to hear the lyrics more cussing the young audience.

1161
00:56:13,640 --> 00:56:19,759
Speaker 3: They were supporting fentanyl and then the og asbestos have.

1162
00:56:19,880 --> 00:56:21,439
Speaker 1: Been around for a long time, write the tour.

1163
00:56:21,880 --> 00:56:23,560
Speaker 3: You didn't want him to break up because it's fan

1164
00:56:23,680 --> 00:56:24,320
Speaker 3: if you break.

1165
00:56:24,200 --> 00:56:27,720
Speaker 2: Up asbestos they looked in my roof for some times.

1166
00:56:29,040 --> 00:56:32,760
Speaker 3: That's Susan's roadie would be working overtime.

1167
00:56:32,600 --> 00:56:36,239
Speaker 7: A world away from hardcore forrash metal is old made

1168
00:56:36,400 --> 00:56:40,640
Speaker 7: Darryl Braithwait. Even Amanda would break her no camping rule

1169
00:56:40,719 --> 00:56:41,200
Speaker 7: for Daryl.

1170
00:56:41,320 --> 00:56:43,920
Speaker 2: I know that sometimes when you're touring, rather than staying

1171
00:56:43,920 --> 00:56:45,960
Speaker 2: in a big punsy hotel, you camp.

1172
00:56:46,239 --> 00:56:46,439
Speaker 6: Yeah.

1173
00:56:46,600 --> 00:56:48,600
Speaker 1: Yeah, No, I like camping. And I've had people in

1174
00:56:48,719 --> 00:56:49,440
Speaker 1: being caravans.

1175
00:56:49,480 --> 00:56:49,520
Speaker 7: Go.

1176
00:56:49,760 --> 00:56:50,520
Speaker 1: Can't you afford it?

1177
00:56:50,600 --> 00:56:50,799
Speaker 7: Cam?

1178
00:56:53,640 --> 00:56:55,319
Speaker 1: A caravan you came with jail?

1179
00:56:55,560 --> 00:56:56,879
Speaker 2: Of course I would. He said, he's got a two

1180
00:56:56,920 --> 00:56:59,480
Speaker 2: man tent. Only a one person tense necessary when I'm

1181
00:56:59,520 --> 00:56:59,680
Speaker 2: with you.

1182
00:57:01,000 --> 00:57:04,160
Speaker 3: But you know, as long as amenities, it can be

1183
00:57:04,239 --> 00:57:05,960
Speaker 3: used to a weir outside the tenth though, don't you.

1184
00:57:06,120 --> 00:57:12,840
Speaker 1: And in a full moon everyone can see Sarah full mood. Jesus,

1185
00:57:13,040 --> 00:57:14,040
Speaker 1: he's got a good stream.

1186
00:57:15,680 --> 00:57:17,040
Speaker 2: Jeeus seventy five has.

1187
00:57:16,920 --> 00:57:17,840
Speaker 1: Got a good stream.

1188
00:57:19,560 --> 00:57:24,000
Speaker 7: Sometimes the most innocent of comments can get lost in translation.

1189
00:57:24,400 --> 00:57:26,920
Speaker 2: Someone who tweeted this, A man sits by me on

1190
00:57:27,000 --> 00:57:30,000
Speaker 2: a train. Man loads of psychopaths around here?

1191
00:57:30,440 --> 00:57:30,480
Speaker 9: Me?

1192
00:57:31,120 --> 00:57:33,040
Speaker 2: Really man loads?

1193
00:57:33,120 --> 00:57:33,360
Speaker 7: Mate?

1194
00:57:33,680 --> 00:57:33,720
Speaker 2: Me?

1195
00:57:34,360 --> 00:57:34,880
Speaker 12: How do you know?

1196
00:57:35,520 --> 00:57:35,760
Speaker 6: Man?

1197
00:57:36,200 --> 00:57:37,360
Speaker 2: There's signs, aren't there?

1198
00:57:37,720 --> 00:57:37,760
Speaker 12: Me?

1199
00:57:38,120 --> 00:57:42,200
Speaker 2: Well, I guess man, I love them. Forty seven minutes

1200
00:57:42,240 --> 00:57:46,480
Speaker 2: of awkward silence ensue man leaves the train. He has

1201
00:57:46,520 --> 00:57:50,640
Speaker 2: a bike. I realized he was saying cycle paths. Loads

1202
00:57:50,680 --> 00:57:52,240
Speaker 2: of cycle paths around here.

1203
00:57:56,080 --> 00:57:59,840
Speaker 7: I don't know what Amanda's social media algorithm is trying

1204
00:57:59,880 --> 00:58:00,480
Speaker 7: to tell us.

1205
00:58:00,640 --> 00:58:03,760
Speaker 2: I'm not sure about my algorithm on socials. I saw

1206
00:58:03,920 --> 00:58:06,240
Speaker 2: this one last night that came through for me. A

1207
00:58:06,320 --> 00:58:08,600
Speaker 2: woman in church and this is in America and they're

1208
00:58:08,600 --> 00:58:10,560
Speaker 2: all talking about their blessings for the week and he

1209
00:58:10,840 --> 00:58:12,120
Speaker 2: was hers.

1210
00:58:11,840 --> 00:58:13,520
Speaker 12: Later up prayer last night in Hell.

1211
00:58:13,760 --> 00:58:15,320
Speaker 1: Yeah. I know this is terrible, but I had two

1212
00:58:15,360 --> 00:58:19,880
Speaker 1: balmums in one day. Yeah, Jesus your life.

1213
00:58:20,120 --> 00:58:22,720
Speaker 2: You know, Parol. Jesus is going about his business and

1214
00:58:23,040 --> 00:58:24,880
Speaker 2: he says, I'm having trouble doing a poop.

1215
00:58:25,200 --> 00:58:28,000
Speaker 1: Yeah, but I've practical him many times not to a poop.

1216
00:58:28,240 --> 00:58:29,760
Speaker 1: Please Jesus help now.

1217
00:58:31,520 --> 00:58:31,880
Speaker 2: Okay.

1218
00:58:32,640 --> 00:58:34,480
Speaker 7: Also, I'm going to need some petty cash for my

1219
00:58:34,520 --> 00:58:37,360
Speaker 7: Awards night outfit. This has been jen y rised.

1220
00:58:37,400 --> 00:58:39,200
Speaker 1: You a Jabba's.

1221
00:58:40,120 --> 00:58:42,720
Speaker 2: Your favorite caller email or Facebook friend wins a big

1222
00:58:42,800 --> 00:58:45,320
Speaker 2: day out package to Cable's Wake and Aqua Park, the

1223
00:58:45,360 --> 00:58:47,520
Speaker 2: most fun you can have in and on the water.

1224
00:58:47,720 --> 00:58:49,960
Speaker 1: You also get the jonesy amount of tetowel and keyring

1225
00:58:50,040 --> 00:58:50,440
Speaker 1: to boot.

1226
00:58:50,760 --> 00:58:53,120
Speaker 2: Every day we play Instagram for your chance to win

1227
00:58:53,240 --> 00:58:56,400
Speaker 2: two thousand dollars. Ten questions sixty seconds on the clock.

1228
00:58:56,720 --> 00:58:59,160
Speaker 2: The fast you answer the questions, the better chances. We've

1229
00:58:59,200 --> 00:59:01,560
Speaker 2: got more time up this. But that doesn't mean anything

1230
00:59:01,640 --> 00:59:03,920
Speaker 2: if you don't know the answer. And that's what happened

1231
00:59:04,120 --> 00:59:07,440
Speaker 2: to Andrew of Campsey, who wrote the book Big Little Lies.

1232
00:59:09,160 --> 00:59:13,479
Speaker 1: Got no Come on mate, come on, you've got time. Ah,

1233
00:59:16,040 --> 00:59:16,560
Speaker 1: she's been on.

1234
00:59:18,360 --> 00:59:18,720
Speaker 6: Margaret.

1235
00:59:19,440 --> 00:59:21,320
Speaker 2: She couldn't give you a clue. She's a straight one

1236
00:59:21,360 --> 00:59:24,040
Speaker 2: of Australia's best authors. It's Leanne Moriarty.

1237
00:59:25,280 --> 00:59:27,480
Speaker 1: And she's listening to the show I heard.

1238
00:59:27,360 --> 00:59:31,400
Speaker 2: Of her, Andrew, I have. She'll be thrilled that you

1239
00:59:31,440 --> 00:59:32,640
Speaker 2: thought she was Margaret Atwood.

1240
00:59:33,640 --> 00:59:34,800
Speaker 1: Who is Margaret Atwood?

1241
00:59:34,840 --> 00:59:37,640
Speaker 2: She was a Canadian writer who wrote a Handmaid's Tale,

1242
00:59:37,680 --> 00:59:39,480
Speaker 2: amongst other things. I have to get round to not

1243
00:59:39,600 --> 00:59:43,440
Speaker 2: reading that right, Auto, That's something not for you. Brendan

1244
00:59:43,960 --> 00:59:46,560
Speaker 2: only fills up next. Remember we guarantee to repeat a

1245
00:59:46,760 --> 00:59:48,000
Speaker 2: song that we play.

1246
00:59:49,080 --> 00:59:51,200
Speaker 1: We've got so much on today, I forgot all about it.

1247
00:59:51,360 --> 00:59:54,439
Speaker 2: Song is need You Tonight by in excess. This will

1248
00:59:54,440 --> 00:59:56,760
Speaker 2: be played again before six o'clock. Make sure you give

1249
00:59:56,800 --> 00:59:58,560
Speaker 2: us a call. Thirteen wis a fem You win one

1250
00:59:58,600 --> 00:59:59,120
Speaker 2: thousand bucks.

1251
00:59:59,160 --> 01:00:01,440
Speaker 1: We'll be back from six tonight for jam nation for you. Then,

1252
01:00:01,520 --> 01:00:04,040
Speaker 1: good day to you. Well, thank god, that's over.

1253
01:00:04,200 --> 01:00:09,440
Speaker 6: Good good bite, wipe the two. You're right.

1254
01:00:09,480 --> 01:00:12,760
Speaker 12: You catch Jonesy and Amanda's podcast on the iHeartRadio app

1255
01:00:12,960 --> 01:00:25,560
Speaker 12: or wherever you get your podcasts. Catch up on what

1256
01:00:25,680 --> 01:00:27,960
Speaker 12: you've missed on the free iHeartRadio app