1 00:00:01,040 --> 00:00:04,480 Speaker 1: Here we go. Sorry you're looking. We record there, and 2 00:00:04,519 --> 00:00:06,240 Speaker 1: I appreciate. I've got a role to play here and 3 00:00:06,280 --> 00:00:10,160 Speaker 1: that is what's up. You need to get his itinerary music. 4 00:00:10,240 --> 00:00:12,559 Speaker 1: If you got that, yeah, you're right. Do you want 5 00:00:12,600 --> 00:00:15,040 Speaker 1: to stick with working classman's Ye know, yeah, there's there's 6 00:00:15,080 --> 00:00:16,440 Speaker 1: a theme. There we go. 7 00:00:16,800 --> 00:00:21,119 Speaker 2: I didn't say itinery, but itinery number one. 8 00:00:22,440 --> 00:00:24,480 Speaker 1: It's good. You can move mom with the music. Now 9 00:00:24,520 --> 00:00:26,360 Speaker 1: that we know that, I don't need moving on. I'm 10 00:00:26,360 --> 00:00:27,880 Speaker 1: actually running a pretty touch she reckon. 11 00:00:28,320 --> 00:00:32,680 Speaker 3: So itinerary number one is Tina arena. 12 00:00:33,159 --> 00:00:36,000 Speaker 1: So I've got nothing really to add here. But she 13 00:00:36,080 --> 00:00:37,120 Speaker 1: hasn't got back to Michelle. 14 00:00:37,360 --> 00:00:40,199 Speaker 3: Sorry, yeah, it's still nothing. So if you're just joining us, 15 00:00:40,200 --> 00:00:42,159 Speaker 3: I'll try and recap this. Really, I think if you're 16 00:00:42,240 --> 00:00:45,040 Speaker 3: joining us, well, basically we've reached out of tena arena 17 00:00:45,120 --> 00:00:48,080 Speaker 3: through a third party, and nor has through. 18 00:00:47,880 --> 00:00:49,479 Speaker 1: Your partner's mum. 19 00:00:50,040 --> 00:00:53,000 Speaker 2: Still no response and that happened four days ago, five 20 00:00:53,080 --> 00:00:53,880 Speaker 2: days a question. 21 00:00:53,720 --> 00:00:55,400 Speaker 4: Of where they did hook up, and it's awkward. That's 22 00:00:55,480 --> 00:00:57,000 Speaker 4: just there's a couple of people that have said that 23 00:00:57,040 --> 00:01:01,480 Speaker 4: to us in the DMS. Now that they're not my thoughts. 24 00:01:01,520 --> 00:01:03,400 Speaker 4: I'm just relaying what people are saying on the DM. 25 00:01:03,600 --> 00:01:05,119 Speaker 4: I haven't seen the DM, so I have to take 26 00:01:05,120 --> 00:01:07,880 Speaker 4: your word for it. But I have a great relationship 27 00:01:07,920 --> 00:01:08,759 Speaker 4: with Michelle, and. 28 00:01:08,959 --> 00:01:09,840 Speaker 1: No one's christing that. 29 00:01:09,880 --> 00:01:11,720 Speaker 4: Why do you keep having to reiterate that we know 30 00:01:11,800 --> 00:01:14,080 Speaker 4: that you've got a good relationship with Michelle. 31 00:01:14,080 --> 00:01:16,080 Speaker 1: It doesn't get weird doing it. 32 00:01:16,120 --> 00:01:17,320 Speaker 3: I was just going to finish my point and say 33 00:01:17,319 --> 00:01:19,959 Speaker 3: that because of my great relationship with Michelle, she would 34 00:01:19,959 --> 00:01:23,040 Speaker 3: have told me if she'd had a alliance with Tenna Arena, and. 35 00:01:22,760 --> 00:01:25,280 Speaker 1: I don't think she would absolutely. You don't know how 36 00:01:25,319 --> 00:01:30,520 Speaker 1: good our relationship is. You don't know, but how mother 37 00:01:30,600 --> 00:01:33,520 Speaker 1: in law's treat that like you think when she get 38 00:01:33,840 --> 00:01:34,280 Speaker 1: we get loose. 39 00:01:34,400 --> 00:01:36,440 Speaker 2: I get loose around the pool, we get real loose. 40 00:01:36,520 --> 00:01:37,440 Speaker 1: What else has she told you? 41 00:01:37,440 --> 00:01:39,240 Speaker 3: Well, I can't, I can't, I couldn't possibly share with 42 00:01:39,280 --> 00:01:41,840 Speaker 3: you guys. It's very personal and private things, sometimes of 43 00:01:41,840 --> 00:01:42,600 Speaker 3: a sexual nature. 44 00:01:43,319 --> 00:01:45,880 Speaker 1: You have sexual conversations with your mother in law. 45 00:01:45,920 --> 00:01:47,920 Speaker 2: After a couple of Andrew Garrett's Bloody Earth, we do 46 00:01:48,360 --> 00:01:49,160 Speaker 2: What does she say? 47 00:01:49,280 --> 00:01:51,120 Speaker 1: No, I cannot, I cannot break that trust. 48 00:01:51,200 --> 00:01:53,600 Speaker 3: But know that we do, and I think within those 49 00:01:53,960 --> 00:01:57,400 Speaker 3: awesome conversations, I think Tenner would have come up because 50 00:01:57,400 --> 00:01:57,760 Speaker 3: anything that. 51 00:01:57,920 --> 00:02:00,000 Speaker 4: You could think could you be crossing a line there? 52 00:02:00,600 --> 00:02:06,640 Speaker 4: What's that being sexual conversation? Conversations You came in conversations 53 00:02:06,720 --> 00:02:08,480 Speaker 4: with sexual nature with your mother in law. 54 00:02:08,639 --> 00:02:10,760 Speaker 2: MIM's there, it's not as me and her by ourselves. 55 00:02:10,840 --> 00:02:12,000 Speaker 1: Okay, I'm just asking the question. 56 00:02:12,160 --> 00:02:15,359 Speaker 2: No, and Terry's there as well, we're all we're all there, Okay, I'm. 57 00:02:15,200 --> 00:02:17,000 Speaker 1: Just asking the question. I kind of feel like you 58 00:02:17,040 --> 00:02:20,040 Speaker 1: also have conversations of a sexual nature with your mother 59 00:02:20,120 --> 00:02:20,680 Speaker 1: in law as well. 60 00:02:20,720 --> 00:02:23,480 Speaker 2: Yeah, she walked in on you and was like totally 61 00:02:23,520 --> 00:02:24,560 Speaker 2: fine with it, happy for you. 62 00:02:24,639 --> 00:02:28,160 Speaker 4: Yeah, yeah, yeah, She's like, she's far too sexually progressive 63 00:02:28,200 --> 00:02:30,480 Speaker 4: for me to have any sort of you know she 64 00:02:30,480 --> 00:02:33,120 Speaker 4: would dude, Yeah, I'd get terrified of talking to PIM 65 00:02:33,160 --> 00:02:36,360 Speaker 4: about sex. Gets very real, very fast. Okay, she just 66 00:02:36,480 --> 00:02:39,000 Speaker 4: she goes straight to there's no rules there, there's no boundaries. 67 00:02:39,040 --> 00:02:40,680 Speaker 4: Sam has banned me from talking to her mom about 68 00:02:40,680 --> 00:02:41,959 Speaker 4: sex because it just gets. 69 00:02:41,800 --> 00:02:42,760 Speaker 1: Very real, very quickly. 70 00:02:42,840 --> 00:02:43,120 Speaker 3: Wow. 71 00:02:43,320 --> 00:02:49,880 Speaker 4: Yeah, anyway, let's move on, Tina Arena. Yeah nice, Okay, 72 00:02:50,040 --> 00:02:52,280 Speaker 4: So the only option here is that we message your back. 73 00:02:52,400 --> 00:02:55,360 Speaker 4: You'd think that's the only option. I did realize yes, 74 00:02:55,440 --> 00:02:57,919 Speaker 4: and I've realized it's too much. I'm going to look 75 00:02:57,919 --> 00:03:00,240 Speaker 4: like a I'm going to look like a very desperate X. Yeah, 76 00:03:00,240 --> 00:03:02,720 Speaker 4: because I want to look desperate. Michelle brought your Michelle 77 00:03:02,800 --> 00:03:03,640 Speaker 4: actually knows her. 78 00:03:03,960 --> 00:03:04,960 Speaker 1: She hasn't responded. 79 00:03:05,840 --> 00:03:08,520 Speaker 4: You'd think to yourself, it's in the toilet, right, but 80 00:03:08,680 --> 00:03:12,040 Speaker 4: then woods, Yeah, I was watching Lord of the Rings 81 00:03:12,080 --> 00:03:13,720 Speaker 4: the Twin Towers over the weekend. 82 00:03:13,800 --> 00:03:14,840 Speaker 1: It's my favorite. 83 00:03:15,200 --> 00:03:18,480 Speaker 4: Sorry, no, you regret that You've offended a lot of people, 84 00:03:18,600 --> 00:03:21,320 Speaker 4: because that is the greatest film franchise of all time. 85 00:03:21,440 --> 00:03:25,120 Speaker 1: It's you watch fucking anime, you dork now because you 86 00:03:25,680 --> 00:03:29,400 Speaker 1: suggest I was watching the Twin Down it's the best thing. 87 00:03:29,520 --> 00:03:30,639 Speaker 1: Argue with the best movie of the. 88 00:03:31,960 --> 00:03:33,919 Speaker 4: Should have one actually got nominated the third one one, 89 00:03:33,960 --> 00:03:34,920 Speaker 4: but that was more of a tribute. 90 00:03:35,000 --> 00:03:38,080 Speaker 2: The trilogy is Brilliants, Walk Mountain, throw it in the volcano. 91 00:03:38,200 --> 00:03:43,440 Speaker 4: Okay, so so Battle of Helm's Deep, right, great battle, 92 00:03:43,440 --> 00:03:44,440 Speaker 4: and I was inspired by this. 93 00:03:44,520 --> 00:03:46,000 Speaker 1: I argue with the best battle of Lord of the Rings. 94 00:03:46,000 --> 00:03:47,600 Speaker 1: It's the Arakai. Refresh my memory. 95 00:03:47,640 --> 00:03:49,560 Speaker 2: What happens in the Battle of the held Helder Deep. 96 00:03:49,680 --> 00:03:52,040 Speaker 1: Well, obviously they were herem the people of Rohan. 97 00:03:52,200 --> 00:03:55,080 Speaker 4: They have fled to their ancient Yeah, they fled to 98 00:03:55,080 --> 00:03:57,600 Speaker 4: their ancient fortress, which is Helm's Deep, right were they're 99 00:03:57,600 --> 00:03:59,080 Speaker 4: going to save the people because they're trying to get 100 00:03:59,080 --> 00:04:02,520 Speaker 4: extinguished by eyes and guard and Saramon. He makes these 101 00:04:02,560 --> 00:04:05,000 Speaker 4: aurra Kai their rock up. Their shields are big, their 102 00:04:05,120 --> 00:04:07,800 Speaker 4: armors thick. In the words of legal ass, they rock up. 103 00:04:07,840 --> 00:04:10,960 Speaker 4: They've got the white hand of Saramon on their shields. 104 00:04:11,080 --> 00:04:15,840 Speaker 4: They are about to crash their skulls of their humans walking. 105 00:04:16,080 --> 00:04:18,320 Speaker 2: No, no, no, bit isn't it? 106 00:04:18,800 --> 00:04:21,680 Speaker 1: Sorry, God, what happens in the Helm there? They're there. 107 00:04:21,800 --> 00:04:24,359 Speaker 4: They're about to lose, right, And then Gandalf said he 108 00:04:24,440 --> 00:04:27,320 Speaker 4: said he'd said to Aragon earlier on the third day, 109 00:04:27,800 --> 00:04:30,480 Speaker 4: look to the east right, because there's his lost row 110 00:04:30,520 --> 00:04:32,840 Speaker 4: herem anyway, look sure where the east was, Like, yeah, 111 00:04:32,880 --> 00:04:35,400 Speaker 4: one hundred percent back in that time. So they're having 112 00:04:35,400 --> 00:04:38,800 Speaker 4: the battle on the third day. Aragon looks to the 113 00:04:38,839 --> 00:04:41,880 Speaker 4: east right, and then all of a sudden, there's Gandalf 114 00:04:41,960 --> 00:04:42,320 Speaker 4: on the hill. 115 00:04:42,320 --> 00:04:44,000 Speaker 1: Why could he come on the first day because he 116 00:04:44,080 --> 00:04:46,320 Speaker 1: was finding the lost riders. Okay, they couldn't find it. 117 00:04:46,320 --> 00:04:48,760 Speaker 1: No one can find that. Gandalf and he goes look 118 00:04:48,800 --> 00:04:51,720 Speaker 1: to the east. He looks up the hill. The son's there, Gandalf, 119 00:04:51,800 --> 00:04:58,960 Speaker 1: silhouetted on his horse. So he's so he's lad his horse. 120 00:04:58,960 --> 00:05:01,039 Speaker 3: He's on his horse, right, Lad, two days of people 121 00:05:01,080 --> 00:05:03,360 Speaker 3: getting killed, yeah, but he knew he was going to 122 00:05:03,400 --> 00:05:03,800 Speaker 3: come on the third. 123 00:05:03,920 --> 00:05:04,560 Speaker 1: Yeah, So he rocks up. 124 00:05:04,600 --> 00:05:07,400 Speaker 4: He's on shadow Facts his horse, right, one of the 125 00:05:07,400 --> 00:05:09,080 Speaker 4: male lass. One of the male lass. 126 00:05:09,560 --> 00:05:11,320 Speaker 1: Right. So it's he's on the It took me the 127 00:05:11,320 --> 00:05:14,680 Speaker 1: whistle to remember who it was that is one of 128 00:05:14,720 --> 00:05:17,599 Speaker 1: the males shadow facts. Whist my eyes to see me. Yeah, 129 00:05:17,680 --> 00:05:19,520 Speaker 1: just reminding you we've either got four minutes. Shit. 130 00:05:19,839 --> 00:05:22,080 Speaker 4: So he rocks up on this horse, Gandalf, he's on 131 00:05:22,120 --> 00:05:24,840 Speaker 4: the hill. Aragon looks to the hill and he goes, 132 00:05:24,839 --> 00:05:26,840 Speaker 4: oh my god, it's fucking Gandalf. He's going to come 133 00:05:26,880 --> 00:05:30,920 Speaker 4: and save the day. And Gandalf says, and king starms alone, 134 00:05:33,120 --> 00:05:33,600 Speaker 4: not a lot. 135 00:05:35,480 --> 00:05:47,720 Speaker 1: Rock it up to the king, hit me and they 136 00:05:47,800 --> 00:05:49,440 Speaker 1: charged down the hill. They win the battle. He says, 137 00:05:49,520 --> 00:05:51,520 Speaker 1: hit me to the king. He says to the king, Oh, 138 00:05:51,560 --> 00:05:51,920 Speaker 1: to the king. 139 00:05:52,000 --> 00:05:54,400 Speaker 4: Okay, so I'm watching this. 140 00:05:54,480 --> 00:05:56,520 Speaker 3: You want to get Anthony Albineasi to send a message 141 00:05:56,520 --> 00:05:57,360 Speaker 3: to Tina Arena. 142 00:05:57,880 --> 00:05:58,560 Speaker 1: I don't mind it. 143 00:05:58,720 --> 00:06:01,080 Speaker 2: I actually don't mind it because he's our king. 144 00:06:01,760 --> 00:06:03,200 Speaker 1: Is that what you're thinking? Note at all? But I 145 00:06:03,200 --> 00:06:06,000 Speaker 1: don't mind it because she would definitely ride back to 146 00:06:06,040 --> 00:06:09,159 Speaker 1: Anthony Albanezi. He's the prime minister to the king. You're saying, 147 00:06:09,200 --> 00:06:11,520 Speaker 1: go to the king. Yeah, I don't mind it. It's 148 00:06:11,520 --> 00:06:13,200 Speaker 1: not what I had in mind. But what are you thinking? 149 00:06:13,400 --> 00:06:15,159 Speaker 2: How could you possibly go anywhere else from there? 150 00:06:15,880 --> 00:06:18,760 Speaker 1: Julian Albert would send a message to Teena. He loves us, 151 00:06:18,760 --> 00:06:19,640 Speaker 1: albout loves us. 152 00:06:21,640 --> 00:06:24,839 Speaker 4: He's Greek, they're both Greek. No, he's Italian, Anthony Albany. 153 00:06:24,880 --> 00:06:27,440 Speaker 1: What's your plan? Okay? So my plan? Get a horse 154 00:06:27,680 --> 00:06:32,200 Speaker 1: so Aragon? Yeah? Sorry sorry, sorry, sorry sorry? Okay, So 155 00:06:32,240 --> 00:06:34,880 Speaker 1: my favorite Tina Arena song is this. 156 00:06:37,400 --> 00:06:41,920 Speaker 3: Oh as the greatest gift? Wow, get her a present 157 00:06:42,480 --> 00:06:44,320 Speaker 3: a horse like the Trojans. 158 00:06:44,520 --> 00:06:46,880 Speaker 1: I'm not hiding in a horse, and I'm not giving it. 159 00:06:47,360 --> 00:06:50,000 Speaker 1: You're giving so many clues. Stop jumping in. 160 00:06:50,040 --> 00:06:52,400 Speaker 2: But it's gift horse when it's forty five? 161 00:06:52,520 --> 00:06:53,360 Speaker 1: Oh my god. 162 00:06:53,560 --> 00:06:55,520 Speaker 4: Okay, this is my idea. I'm only going to be 163 00:06:55,560 --> 00:06:57,200 Speaker 4: able to get the idea out and then we're just 164 00:06:57,200 --> 00:06:59,159 Speaker 4: gonna have to everyone's gonna have to think about whether 165 00:06:59,240 --> 00:07:04,400 Speaker 4: or not it's a good idea. Okay, okay, sorry. The 166 00:07:04,440 --> 00:07:06,560 Speaker 4: reason that that battle inspired me and Lord of the 167 00:07:06,640 --> 00:07:09,040 Speaker 4: Rings is because no, just listen, you need I need 168 00:07:09,040 --> 00:07:11,720 Speaker 4: the reason why. So Aragon he puts himself out there, right, 169 00:07:11,760 --> 00:07:12,840 Speaker 4: he puts himself out there. 170 00:07:12,880 --> 00:07:14,240 Speaker 1: He's like he vulnerable? 171 00:07:14,320 --> 00:07:19,320 Speaker 4: He exactly exactly, Aragon makes himself vulnerable. Right, he puts 172 00:07:19,400 --> 00:07:21,280 Speaker 4: himself out there. He goes, well, you ride out with me? 173 00:07:21,440 --> 00:07:23,040 Speaker 4: Will you ride out with me? They're ride out there, 174 00:07:23,080 --> 00:07:26,600 Speaker 4: They're certain to lose, right, and then yeah, it's a 175 00:07:26,600 --> 00:07:31,600 Speaker 4: good bit, that bit anyway, Drew minutes Fad and Aragon 176 00:07:31,640 --> 00:07:32,240 Speaker 4: they ride out. 177 00:07:32,280 --> 00:07:35,320 Speaker 1: It's epic, right. I think I need to ride. 178 00:07:35,120 --> 00:07:38,800 Speaker 4: Out on a horse somewhere, on a horse somewhere, somehow. 179 00:07:38,840 --> 00:07:42,000 Speaker 4: I need to ride out, make myself vulnerable. Just it's 180 00:07:42,040 --> 00:07:45,600 Speaker 4: a metaphor. I need to ride out, make myself vulnerable, 181 00:07:45,640 --> 00:07:47,240 Speaker 4: and then I need Tina Arena. 182 00:07:46,920 --> 00:07:47,400 Speaker 1: To save me. 183 00:07:48,240 --> 00:07:50,440 Speaker 2: Okay, can you give me like so much metaphor? 184 00:07:50,440 --> 00:07:51,520 Speaker 1: Here? What do you actually want to do? 185 00:07:51,600 --> 00:07:54,480 Speaker 4: So what I was thinking of doing is assembling myself 186 00:07:54,520 --> 00:07:59,800 Speaker 4: on a stage somewhere with a choir and blind folding 187 00:07:59,800 --> 00:08:00,360 Speaker 4: my self. 188 00:08:01,200 --> 00:08:04,240 Speaker 1: I'm folding yourself, waters for the theater and like ten 189 00:08:04,240 --> 00:08:04,960 Speaker 1: things I Hate about you. 190 00:08:05,000 --> 00:08:07,240 Speaker 3: Kind of think like when Heath Ledger starts singing yes, yeah, 191 00:08:07,240 --> 00:08:09,280 Speaker 3: and it's very embarrassing, but it's like it's a great. 192 00:08:09,080 --> 00:08:15,600 Speaker 4: Show and launching into greatest gift, right, and then when 193 00:08:15,640 --> 00:08:19,800 Speaker 4: the chorus comes along at that moment of the chorus 194 00:08:19,800 --> 00:08:22,840 Speaker 4: getting emotional, I am banking on the fact that Tina 195 00:08:22,880 --> 00:08:25,760 Speaker 4: Arena will walk up next to me and sing the 196 00:08:25,840 --> 00:08:26,440 Speaker 4: chorus with me. 197 00:08:26,480 --> 00:08:27,640 Speaker 1: How do you know she'll be there? How do you 198 00:08:27,640 --> 00:08:29,040 Speaker 1: know she'll hear it? I think we just need to 199 00:08:29,080 --> 00:08:30,200 Speaker 1: make a bit of noise about it. 200 00:08:30,680 --> 00:08:32,640 Speaker 3: We just start announcing that this is where you're going 201 00:08:32,640 --> 00:08:34,600 Speaker 3: to be, and we hope that Tina hears that. It's 202 00:08:34,600 --> 00:08:36,600 Speaker 3: just like the scene had never been kissed, where she's like, 203 00:08:36,640 --> 00:08:37,599 Speaker 3: I'm going to stand. 204 00:08:37,360 --> 00:08:41,079 Speaker 4: Here metaphor Yeah, perfect bit, that's a better that's a 205 00:08:41,080 --> 00:08:44,000 Speaker 4: better film metaphor, that's a better film metaphor embarrassing, I'm 206 00:08:44,000 --> 00:08:45,200 Speaker 4: going to be I'm going to be on the on 207 00:08:45,240 --> 00:08:47,800 Speaker 4: the pictures hill. Yeah, that that's a better film metaphor. 208 00:08:47,840 --> 00:08:52,319 Speaker 4: But for the for there, But I'm Drew Barrymore, I 209 00:08:52,360 --> 00:08:57,040 Speaker 4: don't and she's Michael Matthew Horne, Michael Board I'm not 210 00:08:57,040 --> 00:08:57,560 Speaker 4: going to kiss. 211 00:08:57,720 --> 00:09:00,920 Speaker 1: We're just singing the song you hug Hugger's friend. That's 212 00:09:00,960 --> 00:09:03,640 Speaker 1: the idea. I think I love it. It's pretty good, right. 213 00:09:04,280 --> 00:09:05,920 Speaker 1: What do you think, ed Poop Pence. 214 00:09:07,360 --> 00:09:10,160 Speaker 2: Michael Barton, excuse me, very good on alias. 215 00:09:10,200 --> 00:09:13,840 Speaker 4: I really fell off a cliff anyhow that's the plan. 216 00:09:14,240 --> 00:09:16,600 Speaker 1: What do you think? I love it initially? I love 217 00:09:16,640 --> 00:09:25,640 Speaker 1: it initially. In the Kingdom said not a lot. Get up.