1 00:00:00,400 --> 00:00:05,080 Speaker 1: Bread the Flick with Beno on ninety six FM. 2 00:00:05,519 --> 00:00:08,080 Speaker 2: Good Morning Bad, Good morning guys. 3 00:00:08,119 --> 00:00:10,240 Speaker 3: I got some bad news for you, Liz. You're gonna 4 00:00:10,240 --> 00:00:12,480 Speaker 3: get some feels you're gonna have. I am there's going 5 00:00:12,560 --> 00:00:13,320 Speaker 3: to be feeling. 6 00:00:13,880 --> 00:00:15,960 Speaker 2: Okay to say I imagined. 7 00:00:16,160 --> 00:00:19,119 Speaker 3: No, No, it's not just you don't worry. So like 8 00:00:19,200 --> 00:00:22,320 Speaker 3: you think about romantic movies that it can be tear jerkers, 9 00:00:22,360 --> 00:00:25,520 Speaker 3: like the Notebook comes to my Oh yes, I don't 10 00:00:25,520 --> 00:00:27,560 Speaker 3: get it personally this but past. 11 00:00:27,280 --> 00:00:29,720 Speaker 2: Line marginally better than the English patient. 12 00:00:29,720 --> 00:00:33,200 Speaker 3: Past Lives makes the Notebook look like an Adam Sandler comedy. 13 00:00:33,280 --> 00:00:34,720 Speaker 4: Oh really seriously. 14 00:00:35,920 --> 00:00:39,960 Speaker 3: So it's the debut feature from Selene's song and it 15 00:00:40,040 --> 00:00:43,400 Speaker 3: stars Greta Lee from Morning Wars, Who's just she's so 16 00:00:43,479 --> 00:00:47,000 Speaker 3: hot right now? And like it follows like a number 17 00:00:47,040 --> 00:00:49,680 Speaker 3: of films and TV shows lately that are kind of 18 00:00:49,720 --> 00:00:52,560 Speaker 3: like Korean based content that have just becomes so massive 19 00:00:52,560 --> 00:00:55,160 Speaker 3: in pop culture. So Parasite won the Oscar a couple 20 00:00:55,160 --> 00:00:58,400 Speaker 3: of years ago, TV shows like Beefer, Netflix, Love It, 21 00:00:58,920 --> 00:01:02,880 Speaker 3: the Bts in the musical sphere super super popular. So 22 00:01:02,960 --> 00:01:05,200 Speaker 3: Korean pop culture is having a moment right now. This 23 00:01:05,280 --> 00:01:07,679 Speaker 3: is kind of this is kind of yeah, a combination 24 00:01:07,800 --> 00:01:11,200 Speaker 3: of Korean and American culture. So Selene Song had this 25 00:01:11,280 --> 00:01:13,840 Speaker 3: experience in her own life that inspired the movie. She 26 00:01:14,000 --> 00:01:18,720 Speaker 3: was sitting in a bar with a childhood friend from 27 00:01:18,800 --> 00:01:23,720 Speaker 3: Korea and her husband, an American man, and she's Korean herself, 28 00:01:23,840 --> 00:01:26,040 Speaker 3: and so it's two Koreans and an American sitting in 29 00:01:26,080 --> 00:01:26,320 Speaker 3: a bar. 30 00:01:26,400 --> 00:01:28,160 Speaker 4: So I set up for a joke. 31 00:01:28,680 --> 00:01:30,440 Speaker 3: And she looked as she looked across this bar in 32 00:01:30,480 --> 00:01:32,280 Speaker 3: New York, she saw a couple on the other side 33 00:01:32,280 --> 00:01:34,360 Speaker 3: of the bar sort of looking puzzled in her direction, 34 00:01:34,680 --> 00:01:36,360 Speaker 3: and clearly they were trying to figure out what the 35 00:01:36,440 --> 00:01:40,080 Speaker 3: dynamic was at play between these three people. Was it 36 00:01:40,120 --> 00:01:44,200 Speaker 3: a Korean Korean siblings and an American tour guide? Was it, 37 00:01:44,720 --> 00:01:47,240 Speaker 3: you know, a Korean husband and wife and their American friend. 38 00:01:47,240 --> 00:01:49,040 Speaker 3: What was exactly going on here? And she thought, you 39 00:01:49,040 --> 00:01:51,360 Speaker 3: know what, what a great idea for a film, And 40 00:01:51,400 --> 00:01:55,160 Speaker 3: so Past Lives starts with this exact setup, three people 41 00:01:55,200 --> 00:01:57,120 Speaker 3: sitting in a bar, and off camera you hear a 42 00:01:57,120 --> 00:02:00,560 Speaker 3: couple debating who they are to each other, and then 43 00:02:00,600 --> 00:02:02,840 Speaker 3: the film unfolds as a kind of like almost like 44 00:02:02,840 --> 00:02:03,480 Speaker 3: a who Done It? 45 00:02:03,520 --> 00:02:03,600 Speaker 4: Like? 46 00:02:03,640 --> 00:02:06,600 Speaker 3: It unravels the mystery of who these three people are 47 00:02:06,640 --> 00:02:08,919 Speaker 3: to each other. And it starts off back in Korea, 48 00:02:09,040 --> 00:02:14,080 Speaker 3: like twenty four years earlier, with a young schoolgirl and 49 00:02:14,160 --> 00:02:17,360 Speaker 3: her best friend, this boy. They help each other with 50 00:02:17,400 --> 00:02:19,880 Speaker 3: their schoolwork. They have this really really close bond, and 51 00:02:19,919 --> 00:02:22,840 Speaker 3: then one day she is kind of ripped from soul 52 00:02:23,000 --> 00:02:26,640 Speaker 3: in Korea by her parents that emigrate to Canada and 53 00:02:26,680 --> 00:02:31,480 Speaker 3: she never sees her bff from school again. Twenty five 54 00:02:31,520 --> 00:02:35,960 Speaker 3: years later, she's now an aspiring playwright in Manhattan and 55 00:02:36,360 --> 00:02:39,880 Speaker 3: this kid from Korea reaches out on Facebook says, hey, 56 00:02:39,960 --> 00:02:43,520 Speaker 3: you know are you Hey Sung? It's me. We were schoolmates, 57 00:02:44,440 --> 00:02:47,600 Speaker 3: and they start chatting and all of a sudden, they 58 00:02:47,680 --> 00:02:50,400 Speaker 3: sort of start to wonder what might have been if 59 00:02:50,440 --> 00:02:53,679 Speaker 3: they hadn't been separated as kids, and how their lives 60 00:02:53,720 --> 00:02:58,240 Speaker 3: would have turned out differently. And she gets married to 61 00:02:58,240 --> 00:03:01,520 Speaker 3: a bloke actor played by John Magaro from a great 62 00:03:01,520 --> 00:03:04,680 Speaker 3: movie called First Cow, and it instantly becomes this kind 63 00:03:04,720 --> 00:03:09,639 Speaker 3: of a love triangle situation, and it is so powerful 64 00:03:09,760 --> 00:03:13,520 Speaker 3: because Selene's song. The director uses this Koreen concept of 65 00:03:13,600 --> 00:03:17,040 Speaker 3: in young, which is like the idea that people have 66 00:03:17,240 --> 00:03:20,799 Speaker 3: past connections from previous lives, and so it's like say, 67 00:03:20,800 --> 00:03:23,000 Speaker 3: you're on a train and you just catch some random 68 00:03:23,040 --> 00:03:24,919 Speaker 3: person's eye and you sort of have a bit of 69 00:03:24,960 --> 00:03:27,040 Speaker 3: a moment, like it's just an instant, little fleeting moment 70 00:03:27,080 --> 00:03:29,280 Speaker 3: and you just have a connection. It's the idea that 71 00:03:29,320 --> 00:03:32,040 Speaker 3: in a past life, maybe you were married, and that's 72 00:03:32,080 --> 00:03:36,160 Speaker 3: why deja vu kind of vibe. And so that's kind 73 00:03:36,200 --> 00:03:38,480 Speaker 3: of in this in this film as well. And it 74 00:03:38,560 --> 00:03:42,360 Speaker 3: is so beautiful, Like the film is just just incredibly 75 00:03:42,400 --> 00:03:46,760 Speaker 3: beautiful to watch. Celen Song's script is just incredible. I'm 76 00:03:46,760 --> 00:03:48,800 Speaker 3: not going to give too much away because as you 77 00:03:48,840 --> 00:03:51,560 Speaker 3: watch it, as these little pieces come together, that's the 78 00:03:51,600 --> 00:03:54,120 Speaker 3: real joy of watching this movie. But I will tell you, 79 00:03:54,480 --> 00:03:57,760 Speaker 3: like it is an emotional punch in the guts, Like 80 00:03:57,920 --> 00:04:02,680 Speaker 3: it is just an incredibly poignant film. It really makes 81 00:04:02,720 --> 00:04:05,040 Speaker 3: you think about your own life, choices that you've made, 82 00:04:05,200 --> 00:04:07,360 Speaker 3: choices that you didn't make, and what might have been 83 00:04:08,760 --> 00:04:11,600 Speaker 3: depending on you know, how your life has unfolded, and 84 00:04:11,760 --> 00:04:14,480 Speaker 3: it's it doesn't happen how you would expect. There's a 85 00:04:14,480 --> 00:04:18,200 Speaker 3: few surprises along the way, it doesn't necessarily you know, 86 00:04:18,279 --> 00:04:20,680 Speaker 3: sort of wrap things up in a neat bow, which 87 00:04:20,680 --> 00:04:22,960 Speaker 3: is I think the best movies are like that. Sometimes Yeah. 88 00:04:23,400 --> 00:04:25,400 Speaker 1: What I liked about the trailer the idea I got 89 00:04:25,480 --> 00:04:27,960 Speaker 1: from it, and when I liked it was it seemed 90 00:04:27,960 --> 00:04:29,800 Speaker 1: like it was so much more subtle than a lot 91 00:04:29,800 --> 00:04:31,960 Speaker 1: of movies like this you would see where the husband 92 00:04:31,960 --> 00:04:35,880 Speaker 1: doesn't it look like he's not competing with a straight up. 93 00:04:35,760 --> 00:04:37,359 Speaker 2: You know, other guy situation. 94 00:04:37,760 --> 00:04:40,919 Speaker 1: He's competing with something so much stronger as sort of 95 00:04:41,279 --> 00:04:43,279 Speaker 1: what could have been, what could be? What you know, 96 00:04:43,400 --> 00:04:46,800 Speaker 1: if what, and that's way harder to deal with than 97 00:04:46,920 --> 00:04:50,080 Speaker 1: just you know, fair or something. 98 00:04:50,240 --> 00:04:52,800 Speaker 3: And at one point the husband even sort of remarks, well, 99 00:04:52,960 --> 00:04:55,000 Speaker 3: You're like, you know, like, how can I compete with this? 100 00:04:55,080 --> 00:04:57,240 Speaker 3: Like You've got this incredible kind of like parallel live 101 00:04:57,360 --> 00:05:00,479 Speaker 3: situation and I'm just the evil American husband and so 102 00:05:00,800 --> 00:05:04,560 Speaker 3: you can't. But there's no villains, there's no heroes, and 103 00:05:04,600 --> 00:05:08,279 Speaker 3: certainly Greta Lee's character Nora is no hero herself. But 104 00:05:08,640 --> 00:05:13,200 Speaker 3: it's just so fascinating and so kind of finally designed 105 00:05:13,880 --> 00:05:16,440 Speaker 3: with that nuance that's just like everyday life, you know, 106 00:05:16,560 --> 00:05:18,880 Speaker 3: Like it's such a such a beautiful film, I would 107 00:05:18,920 --> 00:05:20,240 Speaker 3: say my favorite film of the year. 108 00:05:20,279 --> 00:05:23,279 Speaker 4: So when a trailer does an option often capture a movie, 109 00:05:23,320 --> 00:05:26,560 Speaker 4: yet that doesn't really does a really good job. 110 00:05:26,760 --> 00:05:29,400 Speaker 2: And I'm getting goose hearing you talking about. 111 00:05:29,120 --> 00:05:34,279 Speaker 4: It, so at least you gonna end up like rachelmad Look, 112 00:05:34,440 --> 00:05:35,520 Speaker 4: this is this is such a good film. 113 00:05:35,520 --> 00:05:37,080 Speaker 3: I don't know anybody who's seen it who hasn't come 114 00:05:37,120 --> 00:05:40,919 Speaker 3: away just thinking wow, like I've had a real emotional experience. 115 00:05:41,560 --> 00:05:43,800 Speaker 3: It's uplifting in its own way as well, Like it's 116 00:05:43,880 --> 00:05:46,520 Speaker 3: kind of life affirming, and it certainly makes you think 117 00:05:46,560 --> 00:05:48,159 Speaker 3: about you know, like how you can make the most 118 00:05:48,160 --> 00:05:50,640 Speaker 3: of your life. It's one of it's a very special movie. 119 00:05:51,480 --> 00:05:53,800 Speaker 2: So how many sounds like someone got it right? So 120 00:05:53,839 --> 00:05:54,320 Speaker 2: you're giving it. 121 00:05:54,480 --> 00:05:56,040 Speaker 3: I'm going to give this one four and a half. 122 00:05:56,200 --> 00:06:00,560 Speaker 4: Stuff it is your favorite of the years, like Cracker. 123 00:06:01,760 --> 00:06:03,640 Speaker 2: Thanks Ben, I'm so glad that he said it's as 124 00:06:03,640 --> 00:06:04,200 Speaker 2: good as I thought. 125 00:06:04,240 --> 00:06:07,400 Speaker 4: Thanks for not giving too much. Thanks guys say talking movies.