WEBVTT - ELIMINATED QUEENS Week 5 - RUPAUL'S DRAG RACE DOWN UNDER - Reality TV Contestant

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload, the podcast past week that might welcome back

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<v Speaker 1>gys to TV Reload. As you may know, my name

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<v Speaker 1>is Benjamin Norris and this is your podcast to get

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<v Speaker 1>all the inside goss on the popular TV shows you

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<v Speaker 1>their exclusive stories and gain access to the biggest names

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<v Speaker 1>in Australian television. I want to thank you for downloading

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<v Speaker 1>or subscribing to this podcast however you've found me. I

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<v Speaker 1>love hearing your feedback, so make sure you leave a

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<v Speaker 1>review or a comment on your chosen podcast platform. Today's episode,

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<v Speaker 1>I'm joined by this week's eliminated queen from RuPaul's Drag

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<v Speaker 1>Race down Under season three. It is the fabulous Ashley Madison.

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<v Speaker 1>The Melbourne based drag queen started her career over eight

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<v Speaker 1>years ago and is now a staple amongst the ever

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<v Speaker 1>increasing queer entertainers we have in Australia, even starting our

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<v Speaker 1>own talent agency book A Queen, which I'm sure is

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<v Speaker 1>going to go gang busters over the next few years.

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<v Speaker 1>This is in Some viewers found Ashley Madison a bit

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<v Speaker 1>savage to start with, but after a hit Snatch Game

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<v Speaker 1>performance as Jesus, she quickly developed a cult following around

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<v Speaker 1>the world down Under. It will not be the same

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<v Speaker 1>without her, and today we are going to unpack the

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<v Speaker 1>third season like never before. I will find out how

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<v Speaker 1>Ashley's Jesus character was received by Rue Paul and if

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<v Speaker 1>producers tried to censor her. We will talk bump a

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<v Speaker 1>Love and what the truth is behind their past relationship

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<v Speaker 1>and how that has affected this season. Ashley will open

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<v Speaker 1>up about her inner saboteur, why she thought she probably

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<v Speaker 1>couldn't do season three, and what she thinks of an

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<v Speaker 1>all star season for next year. Plus, we will get

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<v Speaker 1>plenty of exclusives from behind the scenes of RuPaul's Drag

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<v Speaker 1>Race down Under, which is now available to watch on

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<v Speaker 1>STAN Australia. Full disclosure, as I was recording this episode,

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<v Speaker 1>I did have a power outage and my audio doesn't

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<v Speaker 1>sound as polished as usual, so I kind of apologize

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<v Speaker 1>for that, and I hope you can put up with it. Anyway.

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<v Speaker 1>Let's bring Ashley Madison into the podcasting guys. I hope

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<v Speaker 1>you enjoy this very special look at RuPaul's Drag Race

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<v Speaker 1>Week five. Hi Ashley, how are you? Hi?

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<v Speaker 2>How are you?

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<v Speaker 1>I'm actually really good. You know what's really funny was

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<v Speaker 1>that I was driving along Chapel Street on Sunday, you know,

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<v Speaker 1>just had to pop down to JB Hi Fi, and

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<v Speaker 1>you walked past, like you literally were at the window

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<v Speaker 1>of my car as you walk past, and I straightway

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<v Speaker 1>rang my partner to be like, oh my god, there's

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<v Speaker 1>RuPaul's Drag Race queens walking past the car.

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<v Speaker 2>A are you stalking me?

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<v Speaker 1>One? I love a good stork. But you know what

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<v Speaker 1>was really surprising as well was I'm really shocked at

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<v Speaker 1>how tall you are.

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<v Speaker 3>Well, yeah, i mean I'm six foot two, so you know,

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<v Speaker 3>and then and then you tuck on heels and you

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<v Speaker 3>tuck on a wig.

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<v Speaker 2>And that gets even bigger.

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<v Speaker 1>Well, I'm assuming that you were heading down to the Emerson,

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<v Speaker 1>which is like a popular Sunday haunt for us. Melbournian's right, absolutely, yeah, yeah.

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<v Speaker 2>I wasborn in menimous, and I think we did.

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<v Speaker 1>Being out at the clubs of Melbourne. What is it

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<v Speaker 1>that the partners are coming up and talking to you about,

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<v Speaker 1>Like what do they want to know when they get

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<v Speaker 1>a chance to meet you face to face? Oh?

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<v Speaker 3>Well, in the last week it's been Snatch Game. You know,

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<v Speaker 3>everyone everyone wants to talk about Snatch Game. Everyone wants

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<v Speaker 3>to talk about Jesus. Everyone wants to talk about, you know,

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<v Speaker 3>how good they thought the character was or whatever. And

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<v Speaker 3>that's been lovely. I mean everyone, it's interesting now. Obviously

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<v Speaker 3>I came across apparently quite caddie or quite bitchy in

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<v Speaker 3>the first couple episodes, but it's now interesting that people

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<v Speaker 3>will come up to me and they're like, I didn't

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<v Speaker 3>like it at the start, but I think I'm okay

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<v Speaker 3>with you now, and I'm like, great, that's an amazing

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<v Speaker 3>thing to hear.

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<v Speaker 1>I think that the Snatch Game character is this season's

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<v Speaker 1>highlight for me. Like I think that there might be

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<v Speaker 1>other queens that are doing just a little bit better

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<v Speaker 1>job than what you've been doing all over, but that

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<v Speaker 1>particular moment is iconic, and I think that's what people

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<v Speaker 1>are going to remember this season.

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<v Speaker 2>For I hope.

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<v Speaker 3>So, I mean it's been very divisive, you know, and

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<v Speaker 3>we mentioned that when we filmed the show, we don't

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<v Speaker 3>know how this is going to come across, and we

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<v Speaker 3>don't know how people are going to feel, but you know,

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<v Speaker 3>it'll leave its mark no matter which way.

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<v Speaker 1>How nervous were you though that you might offend audience

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<v Speaker 1>is because were you worried that, you know, you'd be

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<v Speaker 1>savaged online by taking on, you know, our religious character

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<v Speaker 1>like that.

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<v Speaker 2>There was a concern.

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<v Speaker 3>Obviously, I've had a couple of months to come to

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<v Speaker 3>terms with the fact that that might have been a reality,

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<v Speaker 3>and so I kind of prepared for that mentally, knowing

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<v Speaker 3>that that could come. You know, I'm more like when

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<v Speaker 3>it came to drag Race, I was more worried about

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<v Speaker 3>you know, offending my peers than than than you know,

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<v Speaker 3>right wing religious folk.

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<v Speaker 2>But I was quite concerned.

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<v Speaker 3>But then I realized when watching the episode that you know,

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<v Speaker 3>Rue and Michelle and Reese all said that I'd done

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<v Speaker 3>it quite respectfully, and so I was hopeful that that

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<v Speaker 3>was going to make the cut, so that like, you know,

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<v Speaker 3>the audience would feel that way too, and thankfully it did.

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<v Speaker 1>Were there conversations with producers or with Rue before you

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<v Speaker 1>actually took it on, Like, were there conversations about how

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<v Speaker 1>far you could go? Was there any nervousness.

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<v Speaker 3>Or well, I didn't have any conversations with producers when

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<v Speaker 3>it came to whether or not I could do Jesus.

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<v Speaker 3>I mean when when we're preparing, we are asked to

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<v Speaker 3>like tell them what our ideas are, you know, because

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<v Speaker 3>I believe there are some characters that you can't do.

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<v Speaker 3>But I told them I wanted to Jesus. They didn't

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<v Speaker 3>have any issue with that. There was a lot of

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<v Speaker 3>conversation in the walk.

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<v Speaker 2>Through with Ruth.

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<v Speaker 3>They didn't quite make the cut in the edit about

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<v Speaker 3>Jesus in the back because obviously she's she's is religious.

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<v Speaker 2>In some way or another.

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<v Speaker 3>And so my my worry really walking walking into that,

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<v Speaker 3>because I prepared most for Jesus. My worry was that

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<v Speaker 3>I was going to walk in and was going to

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<v Speaker 3>be like, absolutely not. But thankfully that didn't happen.

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<v Speaker 2>But Rus seemed.

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<v Speaker 3>Ruth sense of humor is kind of like an old

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<v Speaker 3>sense of humor, you know, they like to laugh at

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<v Speaker 3>the things that are a little bit riskuy, and so

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<v Speaker 3>I think that really played into me being successful in

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<v Speaker 3>sept Gem too.

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<v Speaker 1>Who are these.

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<v Speaker 2>Characters that you can't do?

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<v Speaker 1>Like? Do you know that? Is that like an underground

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<v Speaker 1>known thing that there's some characters that you're not allowed

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<v Speaker 1>to touch?

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<v Speaker 3>So I I will say I haven't been told by

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<v Speaker 3>any producers or anything that that that I can't do anything,

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<v Speaker 3>But there's there's been rumors on on the grapevine that

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<v Speaker 3>Chris Lilly characters are not allowed.

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<v Speaker 2>That there was a rumored that the Dame Edna.

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<v Speaker 3>Wasn't allowed because of her transphobic comments, but obviously that

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<v Speaker 3>changed in season two. I guess yeah, But I believe

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<v Speaker 3>that the Chris Lily characters, so no Jamay and obviously

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<v Speaker 3>no like Jonah from Tonga or anything like that, because

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<v Speaker 3>you know, you can't go on and write Jimmay on

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<v Speaker 3>that piece of paper. You have to write Chris Lily.

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<v Speaker 3>So that might be the issue there. I believe we

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<v Speaker 3>also are allowed to do Pauline Hanson because she's too

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<v Speaker 3>likely to suit.

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<v Speaker 1>I kind of think, you know, if someone did do

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<v Speaker 1>a Chris Lily character, they might do it better than him.

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<v Speaker 1>So maybe that's the concern.

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<v Speaker 2>That's definitely possible.

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<v Speaker 1>Do you know what it comes to snatch game. Everyone

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<v Speaker 1>wants to know how long you're actually sitting there and

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<v Speaker 1>doing it. Is it a lot longer experience or is

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<v Speaker 1>that exactly how it happens.

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<v Speaker 2>That's more or less exactly how it happens.

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<v Speaker 3>When we're not there for long, I mean, we're not

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<v Speaker 3>told in advance how many questions we're going to be asked.

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<v Speaker 3>So we're sitting there, like, we don't know if it's

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<v Speaker 3>we don't know if it's three, we don't know if

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<v Speaker 3>it's five, we don't know if it's ten.

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<v Speaker 2>We were asked four. We were asked four questions.

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<v Speaker 3>I think we were maybe there sitting there for like

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<v Speaker 3>thirty minutes or so, and Rue just goes down the

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<v Speaker 3>line and she asked each person the answer to each question,

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<v Speaker 3>and then you know, afterwards, production decides which ones are

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<v Speaker 3>funny enough and which one's you know, bomb enough to

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<v Speaker 3>make the cut.

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<v Speaker 2>But we're not really there for long, and so I

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<v Speaker 2>think people have this.

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<v Speaker 3>People have this opinion that you've got to like go

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<v Speaker 3>somewhere with your character, and you've got to like to

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<v Speaker 3>be highs and lows.

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<v Speaker 2>It's very difficult to do that in the short amount

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<v Speaker 2>of time that you're allocated and.

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<v Speaker 1>Everything was put on the show, so there was nothing censored. Well,

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<v Speaker 1>there was nothing censored.

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<v Speaker 3>I don't think that there was anything that was necessarily

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<v Speaker 3>like offensive or anything that I said that they cut out.

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<v Speaker 3>I was a little I was a little worried that

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<v Speaker 3>they were going to cut out my two thousand years

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<v Speaker 3>a guy I was black comment.

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<v Speaker 2>I was worried that that wasn't going to make the cut.

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<v Speaker 3>There was a joke I said in there because I

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<v Speaker 3>in the edit, I didn't answer the the Jason Momoa one,

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<v Speaker 3>and I said something along the lines of like Moses

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<v Speaker 3>led men through the desert for forty years, which just

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<v Speaker 3>goes to show that even back then, men couldn't ask

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<v Speaker 3>for directions. And reu loved at that too. But obviously

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<v Speaker 3>they're probably not going to show everybody's answers for everything.

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<v Speaker 3>But I guess that one was maybe the least funniest

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<v Speaker 3>that they showed.

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<v Speaker 2>I guess, well, I love this.

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<v Speaker 1>For you because you know that for the rest of

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<v Speaker 1>your life people are going to be talking to you

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<v Speaker 1>about that snatch game.

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<v Speaker 2>Well, I hope, so you know, I'm glad that I

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<v Speaker 2>went on and did something successfully. No, I don't know,

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<v Speaker 2>you were great.

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<v Speaker 1>I mean the thing for me was that you started

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<v Speaker 1>super strong, like I love that sort of not bitchy,

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<v Speaker 1>because I didn't necessarily think it was that bitchy anyway,

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<v Speaker 1>but I love that stronger drag Queens style that you

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<v Speaker 1>were doing right at the start. But you definitely saw

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<v Speaker 1>the wheels come off this week. Sorry about the Bear

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<v Speaker 1>Mex Bandit's accidental pun there. I mean, I really didn't

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<v Speaker 1>think i'd be talking to you today. I thought I

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<v Speaker 1>would be talking to Bumper, But here we are. What

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<v Speaker 1>was going on in your head? Because I felt like

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<v Speaker 1>it was teased last episode that you were going to

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<v Speaker 1>start to feel less confident, and that it was sort

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<v Speaker 1>of in full swing by the time we were watching

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<v Speaker 1>this episode. What happened.

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<v Speaker 3>I think what happened was I when I got cast

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<v Speaker 3>with Drag Race, I wasn't one hundred percent sure why

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<v Speaker 3>I was cast. I was happy to be cast, and

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<v Speaker 3>I was happy to go on and have a fun

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<v Speaker 3>time and meet Rue and show the world to I

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<v Speaker 3>am but I'm not someone that's like, oh, I'm amazing

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<v Speaker 3>at this, and I'm you know, I'm great on whatever.

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<v Speaker 3>And as much as that may have come across in

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<v Speaker 3>the show, that's all of us sad that, you know

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<v Speaker 3>Drake Quen's build up over their career. So I walked

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<v Speaker 3>onto the show being like, I'm not I'm not going

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<v Speaker 3>to make it more than halfway. I didn't even prepare

0:09:10.040 --> 0:09:11.720
<v Speaker 3>a finale dress. I didn't even get one made because

0:09:11.720 --> 0:09:13.160
<v Speaker 3>I didn't think that I was going to make it

0:09:13.280 --> 0:09:15.839
<v Speaker 3>to the end. And then winning Snatch Game, I think

0:09:15.880 --> 0:09:17.800
<v Speaker 3>broke me a little bit because I was like, wait, wait,

0:09:17.840 --> 0:09:20.839
<v Speaker 3>who wha, whoa, I've done something successfully here, Like I

0:09:21.280 --> 0:09:22.080
<v Speaker 3>did something well.

0:09:22.440 --> 0:09:22.800
<v Speaker 2>I didn't.

0:09:22.840 --> 0:09:25.079
<v Speaker 3>I didn't even fathom that that was a possibility for me,

0:09:25.440 --> 0:09:28.320
<v Speaker 3>And then I started kind of questioning why I never

0:09:28.679 --> 0:09:30.920
<v Speaker 3>thought of that for myself and why I've.

0:09:30.800 --> 0:09:33.280
<v Speaker 2>Come in with this idea that I was going to

0:09:33.360 --> 0:09:35.120
<v Speaker 2>go home and I think once I want Snash Game.

0:09:35.160 --> 0:09:36.760
<v Speaker 2>I was like, I don't know what else I have

0:09:36.840 --> 0:09:37.320
<v Speaker 2>to show here.

0:09:37.320 --> 0:09:38.640
<v Speaker 3>I don't know what else I have to give, because

0:09:38.640 --> 0:09:41.360
<v Speaker 3>I feel like I've shown I've shown everything, and I've

0:09:41.400 --> 0:09:42.160
<v Speaker 3>had such a high.

0:09:42.200 --> 0:09:43.440
<v Speaker 2>It's all going to be down from here.

0:09:43.520 --> 0:09:46.120
<v Speaker 1>You know, it's a really interesting thing that you talk

0:09:46.160 --> 0:09:49.440
<v Speaker 1>about this, because you know, winning Snatch Game and doing

0:09:49.640 --> 0:09:51.840
<v Speaker 1>such a great job at that I would have thought

0:09:52.080 --> 0:09:54.440
<v Speaker 1>would be giving you the confidence to be like, well,

0:09:55.080 --> 0:09:56.520
<v Speaker 1>I'm going to pull this together and I've got a

0:09:56.559 --> 0:09:58.640
<v Speaker 1>level up because I felt like the character leveled up

0:09:58.880 --> 0:10:00.880
<v Speaker 1>and I definitely feel like it's in you. You know,

0:10:01.000 --> 0:10:03.800
<v Speaker 1>watching the show, you could definitely see that you could

0:10:03.920 --> 0:10:06.319
<v Speaker 1>be one of Australia's best drag queens that we've ever

0:10:06.360 --> 0:10:09.319
<v Speaker 1>had on the show. It's interesting how that inner saboteur

0:10:09.440 --> 0:10:12.440
<v Speaker 1>comes into the minds of people when they're in that place.

0:10:12.920 --> 0:10:14.880
<v Speaker 1>But it is disappointing to hear that. You know, going

0:10:14.920 --> 0:10:17.120
<v Speaker 1>into this competition, you thought, why are they picking me?

0:10:17.480 --> 0:10:20.760
<v Speaker 1>What could they possibly have to gain by putting you

0:10:20.840 --> 0:10:22.960
<v Speaker 1>in the show if if they didn't think you were ready.

0:10:23.360 --> 0:10:25.040
<v Speaker 3>I mean there's a lot that they could because you know,

0:10:25.120 --> 0:10:26.840
<v Speaker 3>you've got to have There's always there's always a queen.

0:10:27.160 --> 0:10:28.679
<v Speaker 3>I just I didn't know what I didn't know what

0:10:29.240 --> 0:10:31.280
<v Speaker 3>my place was because in drag Race that there tends

0:10:31.320 --> 0:10:32.800
<v Speaker 3>to be there, tends to be placed there, tends to

0:10:32.800 --> 0:10:35.960
<v Speaker 3>be like one legendary queen. There's always like one lipstick assassin,

0:10:36.000 --> 0:10:38.520
<v Speaker 3>and there's always one one bitchy character. There's always a

0:10:38.559 --> 0:10:41.559
<v Speaker 3>comedy queen, like there's all there's always these like specific

0:10:42.000 --> 0:10:44.800
<v Speaker 3>people that are really good at at one thing, and

0:10:45.200 --> 0:10:47.760
<v Speaker 3>and when I got cast, I wasn't sure where I

0:10:47.880 --> 0:10:51.079
<v Speaker 3>fit in that And because dun unders so small, I

0:10:51.200 --> 0:10:53.559
<v Speaker 3>walked into drag Race knowing who the entire cast was

0:10:53.840 --> 0:10:57.120
<v Speaker 3>prior to walking into that workroom, and I still couldn't.

0:10:56.880 --> 0:10:58.760
<v Speaker 2>Quite work out where I fit.

0:10:59.120 --> 0:11:01.439
<v Speaker 3>I mean, I run I run a booking agency, and

0:11:01.480 --> 0:11:04.440
<v Speaker 3>I run a jewelry business, and I've worked with Bumper

0:11:04.440 --> 0:11:06.160
<v Speaker 3>and isis a lot. So I thought that maybe that

0:11:06.480 --> 0:11:08.120
<v Speaker 3>was the roles that I was going to play. But

0:11:08.840 --> 0:11:10.719
<v Speaker 3>looking back at the season that's aired so far, I

0:11:10.800 --> 0:11:13.040
<v Speaker 3>think that I was cast to be someone that was

0:11:13.080 --> 0:11:16.400
<v Speaker 3>going to have opinions and was going to be opinionated

0:11:16.440 --> 0:11:17.920
<v Speaker 3>and was going to speak what to my mind and

0:11:17.960 --> 0:11:20.520
<v Speaker 3>do all these different kinds of things. Like like we mentioned,

0:11:20.559 --> 0:11:23.520
<v Speaker 3>my reputation was in that first episode, but I don't

0:11:23.520 --> 0:11:26.440
<v Speaker 3>think that like the producers or whoever cast me really

0:11:26.480 --> 0:11:29.280
<v Speaker 3>realized that, Like I'm a real person underneath it, and

0:11:29.400 --> 0:11:31.079
<v Speaker 3>I and I you know, I have faults and I

0:11:31.400 --> 0:11:33.240
<v Speaker 3>think about my faults, and I think that that all

0:11:33.320 --> 0:11:34.280
<v Speaker 3>came out in this episode.

0:11:34.600 --> 0:11:35.920
<v Speaker 1>This is what I say to everyone, if you just

0:11:36.000 --> 0:11:39.400
<v Speaker 1>relax into your insanity and unpack your bag of shit

0:11:39.480 --> 0:11:42.559
<v Speaker 1>in front of the camera that resonates with audiences. I

0:11:42.720 --> 0:11:45.719
<v Speaker 1>think better than being the most creative or you know,

0:11:46.040 --> 0:11:47.439
<v Speaker 1>the person who can sew the best, do you know

0:11:47.480 --> 0:11:47.800
<v Speaker 1>what I mean?

0:11:48.160 --> 0:11:50.320
<v Speaker 3>Yeah, And it's interesting because I thought the same thing,

0:11:50.360 --> 0:11:53.839
<v Speaker 3>and especially in episode one when I broke down, I

0:11:54.080 --> 0:11:55.959
<v Speaker 3>was like, I spoke to the producers afterwards and I

0:11:56.080 --> 0:11:58.480
<v Speaker 3>was like, I'm hoping that this comes across like vulnerable,

0:11:58.520 --> 0:12:00.920
<v Speaker 3>and this comes across real because I want people to

0:12:01.000 --> 0:12:02.880
<v Speaker 3>show I want people to see who who I am.

0:12:03.160 --> 0:12:04.959
<v Speaker 3>And it was interesting looking back to the way that

0:12:05.080 --> 0:12:07.040
<v Speaker 3>that ends up being edited, because I looked at it

0:12:07.040 --> 0:12:09.439
<v Speaker 3>and I was like, that's That's not how it was

0:12:09.520 --> 0:12:11.199
<v Speaker 3>in the moment because I when I sat there on

0:12:11.280 --> 0:12:12.920
<v Speaker 3>that on that couch and I took off my lashes

0:12:12.960 --> 0:12:14.880
<v Speaker 3>and I started crying. The first thing I said was,

0:12:14.880 --> 0:12:16.640
<v Speaker 3>I'm so embarrassed to be in this position in front

0:12:16.640 --> 0:12:18.439
<v Speaker 3>of Bumper and isis because I have so much respect

0:12:18.480 --> 0:12:20.400
<v Speaker 3>for Bumper and Isis you know, Bumper gave me my

0:12:20.480 --> 0:12:22.360
<v Speaker 3>career in Isis It's been an inspiration for my career

0:12:22.400 --> 0:12:24.599
<v Speaker 3>this whole time. And I really spoke about how I

0:12:24.720 --> 0:12:26.439
<v Speaker 3>was embarrassed to be in this position in front of

0:12:26.480 --> 0:12:28.640
<v Speaker 3>them for such a small problem and that I could

0:12:28.679 --> 0:12:30.800
<v Speaker 3>go home in the first episode because of that small problem.

0:12:31.080 --> 0:12:32.959
<v Speaker 3>Then then when it aired, it was like, well, well,

0:12:33.040 --> 0:12:35.920
<v Speaker 3>Ash's crying and I was like, oh okay, especially when

0:12:35.960 --> 0:12:38.360
<v Speaker 3>Ivory had a lot of the same kind of embarrassment feelings.

0:12:38.400 --> 0:12:40.680
<v Speaker 2>Then she cried and it came across quite vulnerable.

0:12:40.840 --> 0:12:42.319
<v Speaker 3>And there was even a moment that we filmed where

0:12:42.320 --> 0:12:44.440
<v Speaker 3>they took as they took me out into the car

0:12:44.559 --> 0:12:46.520
<v Speaker 3>park with Gabriella and had any cry out there too,

0:12:46.800 --> 0:12:48.760
<v Speaker 3>that didn't make it didn't make the cut either. So

0:12:48.840 --> 0:12:51.160
<v Speaker 3>there's all of these really emotional parts that happened in

0:12:51.240 --> 0:12:53.120
<v Speaker 3>that first episode that didn't make it to air. And

0:12:53.200 --> 0:12:54.920
<v Speaker 3>maybe that's because they knew that this was coming, you know,

0:12:54.920 --> 0:12:56.319
<v Speaker 3>when they were editing it all together, that they knew

0:12:56.320 --> 0:12:58.439
<v Speaker 3>that I was going to be vulnerable eventually. But you know,

0:12:58.600 --> 0:13:01.319
<v Speaker 3>it's it's hard hard looking back and being like, you know,

0:13:01.640 --> 0:13:04.319
<v Speaker 3>be vulnerable in all of those moments. But it's interesting

0:13:04.400 --> 0:13:06.520
<v Speaker 3>that some of those vulnerable moments can be taken from

0:13:06.559 --> 0:13:09.560
<v Speaker 3>you and be edited in a way that is a.

0:13:09.600 --> 0:13:12.719
<v Speaker 2>Bit like, oh, well, you know, poor her, you know.

0:13:13.480 --> 0:13:15.679
<v Speaker 1>Yeah, it's an interesting it's an interesting show. But I

0:13:15.720 --> 0:13:18.000
<v Speaker 1>guess you've kind of leaned into something there, which is

0:13:18.160 --> 0:13:20.199
<v Speaker 1>maybe a bit of a tease to this answer. But

0:13:20.320 --> 0:13:22.880
<v Speaker 1>you know, last week I noticed something a little unusual,

0:13:23.000 --> 0:13:26.079
<v Speaker 1>which was you complimenting Bumper and saying that you know,

0:13:26.160 --> 0:13:28.360
<v Speaker 1>Bumper should be in the top two or top three.

0:13:28.400 --> 0:13:30.880
<v Speaker 1>I'm sort of paraphrasing here, but it seemed like you

0:13:31.000 --> 0:13:34.280
<v Speaker 1>were not necessarily being genuine And then Floor called you

0:13:34.440 --> 0:13:37.520
<v Speaker 1>out for it and said, is that true? And so

0:13:37.720 --> 0:13:39.760
<v Speaker 1>I was trying to work out your motivations. Why would

0:13:39.800 --> 0:13:42.240
<v Speaker 1>you want to give Bumper a compliment.

0:13:42.240 --> 0:13:43.319
<v Speaker 2>Like, well, it's interesting.

0:13:43.400 --> 0:13:45.240
<v Speaker 3>So I guess I've got a question for you if

0:13:45.280 --> 0:13:48.160
<v Speaker 3>it wasn't because obviously we're walking into this situation going

0:13:48.160 --> 0:13:49.600
<v Speaker 3>there's going to be a top three and bottom three,

0:13:49.679 --> 0:13:51.640
<v Speaker 3>So who would you have put in that position instead

0:13:51.640 --> 0:13:52.040
<v Speaker 3>of Bumper?

0:13:52.320 --> 0:13:55.400
<v Speaker 1>Definitely wouldn't have put Bumper. It was not an obvious choice.

0:13:55.480 --> 0:13:57.720
<v Speaker 1>It was not I did not think that Bumper deserved

0:13:57.760 --> 0:13:59.040
<v Speaker 1>to be in the top three. It seemed like an

0:13:59.040 --> 0:14:01.040
<v Speaker 1>odd choice for you, And.

0:14:01.080 --> 0:14:02.920
<v Speaker 3>That's an interesting I guess that that all comes down

0:14:02.920 --> 0:14:05.320
<v Speaker 3>to the way that things were shown on the episode,

0:14:05.400 --> 0:14:07.760
<v Speaker 3>because you know, I look at Holly Snatch Game that

0:14:08.000 --> 0:14:10.360
<v Speaker 3>that that happened, and I know for a fact that

0:14:10.400 --> 0:14:12.719
<v Speaker 3>there were zero laughs that happened when we filmed that,

0:14:12.840 --> 0:14:15.319
<v Speaker 3>and now there's there's there's laughs in the edit.

0:14:15.559 --> 0:14:17.319
<v Speaker 2>And so when it came to the Snatch Game, I

0:14:17.440 --> 0:14:19.320
<v Speaker 2>was looking at it and I was going, Okay, so

0:14:20.160 --> 0:14:21.120
<v Speaker 2>Holly got no laughs.

0:14:21.240 --> 0:14:23.600
<v Speaker 3>So she there's there's no way that she could be

0:14:23.720 --> 0:14:26.120
<v Speaker 3>in the top three with us, and I obviously read

0:14:26.160 --> 0:14:28.640
<v Speaker 3>Reader got none and so and I really feel for

0:14:28.680 --> 0:14:30.160
<v Speaker 3>her in that moment. So I was like, Okay, so

0:14:30.240 --> 0:14:34.120
<v Speaker 3>it's not Reader and Flaw. Flaw was Charro and she

0:14:34.240 --> 0:14:35.840
<v Speaker 3>was a chari to an intro into an inch of

0:14:35.880 --> 0:14:38.600
<v Speaker 3>her life. But it wasn't necessarily funny, and it was

0:14:38.680 --> 0:14:41.720
<v Speaker 3>interesting because you know, and you know, you'll you know,

0:14:41.800 --> 0:14:43.600
<v Speaker 3>I guess at some stage you'll talk to Bumper about this.

0:14:43.760 --> 0:14:46.200
<v Speaker 3>But Bumpa did get laughs in Snatch Game, and the

0:14:46.280 --> 0:14:48.320
<v Speaker 3>first half of her Snatch Game was funny, and she

0:14:48.440 --> 0:14:51.240
<v Speaker 3>did have this character that that that that she put on,

0:14:51.680 --> 0:14:53.520
<v Speaker 3>and so when I was thinking about it, I was like, well,

0:14:53.880 --> 0:14:55.960
<v Speaker 3>I guess I guess it's Bumper or Gabriella. It could

0:14:55.960 --> 0:14:57.760
<v Speaker 3>be it could be either of those two. And so

0:14:57.880 --> 0:14:59.360
<v Speaker 3>in that moment, I was like, I mean, I guess

0:14:59.400 --> 0:15:02.760
<v Speaker 3>it's Bumper. It's interesting that afterwards it looks like, you know,

0:15:02.800 --> 0:15:04.640
<v Speaker 3>I may have been playing tricks, or I may have

0:15:04.680 --> 0:15:07.840
<v Speaker 3>been delusional or whatever, But in that moment, I absolutely

0:15:07.920 --> 0:15:10.680
<v Speaker 3>and legitimately thought, if there's a top three, I thought

0:15:10.720 --> 0:15:11.160
<v Speaker 3>Bumper was.

0:15:11.160 --> 0:15:11.560
<v Speaker 2>There with us.

0:15:11.720 --> 0:15:14.120
<v Speaker 1>I'm a viewer watching the edit, and I assumed the

0:15:14.200 --> 0:15:16.360
<v Speaker 1>same thing. Flaw did. She called you out for it,

0:15:16.520 --> 0:15:20.160
<v Speaker 1>so you know, it obviously was more than just the

0:15:20.240 --> 0:15:22.200
<v Speaker 1>way in which you know or maybe the lack of

0:15:22.240 --> 0:15:23.160
<v Speaker 1>what the audience saw.

0:15:23.520 --> 0:15:24.280
<v Speaker 2>I don't think that.

0:15:24.560 --> 0:15:27.400
<v Speaker 3>I think if you watch it back, Flaw wasn't necessarily

0:15:27.480 --> 0:15:29.080
<v Speaker 3>calling me out on the fact that she thinks that

0:15:29.120 --> 0:15:33.080
<v Speaker 3>Bumper was high because she's got her own opinions of Bumper,

0:15:33.200 --> 0:15:35.360
<v Speaker 3>especially in that exact moment. I know Bumper and Floor

0:15:35.400 --> 0:15:37.840
<v Speaker 3>get along very well now, but in that moment there

0:15:37.920 --> 0:15:40.880
<v Speaker 3>was that tension there. I think Flaw was and Flora

0:15:40.880 --> 0:15:43.840
<v Speaker 3>and I got along very very well throughout filming. We

0:15:44.040 --> 0:15:46.720
<v Speaker 3>were like, very very close throughout filming, so when we

0:15:46.840 --> 0:15:49.640
<v Speaker 3>had that moment, I think she was more questioning whether

0:15:49.760 --> 0:15:52.560
<v Speaker 3>she should have been in that top three instead of Bumper,

0:15:52.760 --> 0:15:55.160
<v Speaker 3>rather than calling me out for putting Bumper there instead

0:15:55.160 --> 0:15:57.640
<v Speaker 3>of anybody else. I mean flaor got Last too, not

0:15:57.720 --> 0:15:59.880
<v Speaker 3>that they really made it in the edit, but Flaora

0:16:00.240 --> 0:16:04.920
<v Speaker 3>laughs in Snatch Game, and she she she wasn't funny

0:16:05.000 --> 0:16:07.080
<v Speaker 3>in the sense of like telling jokes or whatever, but

0:16:07.200 --> 0:16:09.120
<v Speaker 3>there were some laughs from Rue that I mean, may

0:16:09.160 --> 0:16:11.160
<v Speaker 3>have been sympathy laughs, I don't know, but there were

0:16:11.320 --> 0:16:13.920
<v Speaker 3>some laughs there. So it was it was interesting to

0:16:14.000 --> 0:16:17.040
<v Speaker 3>me in that moment because I definitely wasn't being dis

0:16:17.160 --> 0:16:19.800
<v Speaker 3>genuine or disingenuous at any point.

0:16:20.080 --> 0:16:23.440
<v Speaker 1>I think the obvious question here is about an established

0:16:23.480 --> 0:16:26.360
<v Speaker 1>relationship with Bumper before you did the show. Did you

0:16:26.720 --> 0:16:30.760
<v Speaker 1>owe or feel like you owed a support to Bumper

0:16:30.920 --> 0:16:34.040
<v Speaker 1>because of that pre established relationship, I'll say.

0:16:33.960 --> 0:16:37.240
<v Speaker 3>No, and you know, and I say that I think obviously,

0:16:37.320 --> 0:16:41.160
<v Speaker 3>obviously we all have hidden biases. But I've worked with

0:16:41.240 --> 0:16:43.200
<v Speaker 3>Isis a lot through throughout my career. I worked with

0:16:43.240 --> 0:16:45.920
<v Speaker 3>Bumper a lot throughout my career. I know Ivory very well.

0:16:46.040 --> 0:16:48.200
<v Speaker 3>Like I've run a booking agency. I book Ivory.

0:16:48.520 --> 0:16:51.120
<v Speaker 2>I know amil and and so I knew a lot

0:16:51.200 --> 0:16:53.120
<v Speaker 2>of the girls that were there. So those biases are

0:16:53.120 --> 0:16:55.160
<v Speaker 2>probably there with all of those characters. I didn't.

0:16:55.200 --> 0:16:58.360
<v Speaker 3>I didn't feel that I owed Bumper anything. And it's

0:16:58.400 --> 0:17:00.840
<v Speaker 3>interesting that a lot of our history wasn't mentioned on

0:17:00.920 --> 0:17:03.760
<v Speaker 3>the show because we leading up to the show, there

0:17:03.920 --> 0:17:06.560
<v Speaker 3>was a lot of stuff that happened prior to filming

0:17:06.600 --> 0:17:08.400
<v Speaker 3>Drag Race, and prior to doing Drag Race, we're Bumper

0:17:08.400 --> 0:17:12.160
<v Speaker 3>and I were not on a good level. We did

0:17:12.320 --> 0:17:15.240
<v Speaker 3>not get along, and so we have this big history

0:17:15.480 --> 0:17:18.440
<v Speaker 3>of very highs and very low s Bumper and I.

0:17:18.680 --> 0:17:20.520
<v Speaker 3>And so I walked into the show being like I'm

0:17:20.600 --> 0:17:23.080
<v Speaker 3>going to be I mean, I know how to work

0:17:23.119 --> 0:17:25.000
<v Speaker 3>around Bumper, and I know what she's like, I know

0:17:25.320 --> 0:17:27.640
<v Speaker 3>what working with her is like, and so I knew

0:17:27.840 --> 0:17:30.359
<v Speaker 3>how to navigate that. But I definitely don't feel like

0:17:30.440 --> 0:17:32.280
<v Speaker 3>I went out of my way to bullshit her in

0:17:32.320 --> 0:17:32.680
<v Speaker 3>any way.

0:17:32.880 --> 0:17:35.159
<v Speaker 1>It seemed like gameplay to me, Like, you know, we

0:17:35.240 --> 0:17:37.920
<v Speaker 1>followed it up this week while everyone said that Flaw

0:17:37.960 --> 0:17:40.480
<v Speaker 1>should be in the bottom and not Bumper, and even

0:17:40.560 --> 0:17:43.080
<v Speaker 1>Rue Paul calls it out and says, I don't think

0:17:43.160 --> 0:17:45.520
<v Speaker 1>that they're being honest here. You know, I think that

0:17:45.600 --> 0:17:48.080
<v Speaker 1>they would have all said Bumper, but they just did

0:17:48.160 --> 0:17:50.240
<v Speaker 1>want to say it to her face. So if Ru's

0:17:50.280 --> 0:17:52.440
<v Speaker 1>saying that, how do you feel about that? Now?

0:17:53.240 --> 0:17:56.600
<v Speaker 3>Well, it's interesting because I think I mentioned that briefly

0:17:56.720 --> 0:17:59.920
<v Speaker 3>in the episode, and is that I said Flaw's name

0:18:00.119 --> 0:18:02.040
<v Speaker 3>on the runway for one reason, and I would have

0:18:02.080 --> 0:18:04.240
<v Speaker 3>said Bumper's name for it for another reason. I said

0:18:04.280 --> 0:18:06.680
<v Speaker 3>Flaw's name throughout the season because of the way that

0:18:06.760 --> 0:18:08.680
<v Speaker 3>the judges have placed Flaw.

0:18:09.080 --> 0:18:10.679
<v Speaker 2>Flaw was high in.

0:18:10.760 --> 0:18:13.040
<v Speaker 3>The first episode, she was safe in the second episode,

0:18:13.400 --> 0:18:15.440
<v Speaker 3>she was high in the first in the third episode,

0:18:15.640 --> 0:18:17.159
<v Speaker 3>and then she was obviously in the bottom two in

0:18:17.200 --> 0:18:20.159
<v Speaker 3>the third episode, and then Bumper was safe in the

0:18:20.200 --> 0:18:22.399
<v Speaker 3>first episode, high in the second episode, high in the

0:18:22.440 --> 0:18:26.600
<v Speaker 3>third episode, and then safe in the fourth episode. So

0:18:27.080 --> 0:18:30.320
<v Speaker 3>I said Flaw's name because that's the way that the

0:18:30.440 --> 0:18:33.120
<v Speaker 3>trajectory was happening on the show. But if we were

0:18:33.160 --> 0:18:34.560
<v Speaker 3>to go by and I mentioned it, I don't know

0:18:34.560 --> 0:18:35.879
<v Speaker 3>if it makes an editor. I don't know if it

0:18:35.920 --> 0:18:38.080
<v Speaker 3>makes it in the cut. But when I talk about

0:18:39.920 --> 0:18:41.920
<v Speaker 3>I spoke about the fact that if I was going

0:18:41.960 --> 0:18:44.840
<v Speaker 3>by the way that I think people were on the show,

0:18:44.880 --> 0:18:47.320
<v Speaker 3>and that where I would have placed people throughout their

0:18:47.760 --> 0:18:49.760
<v Speaker 3>positions on the show, then I would have said Bumper's name.

0:18:49.800 --> 0:18:52.080
<v Speaker 3>I absolutely would have said Bumper's name, But in that moment,

0:18:52.200 --> 0:18:54.800
<v Speaker 3>I was thinking about the track records of everybody in

0:18:54.880 --> 0:18:57.120
<v Speaker 3>that situation. Up until that point, it just was giving

0:18:57.200 --> 0:18:59.159
<v Speaker 3>me pimp vibes. And I know this is going to

0:18:59.240 --> 0:19:00.879
<v Speaker 3>sound really strange. She's going to have to come with

0:19:01.000 --> 0:19:04.879
<v Speaker 3>me on this very strange analysis. But it seemed like

0:19:05.359 --> 0:19:07.879
<v Speaker 3>everyone was scared of the pimp, you know what I mean,

0:19:08.000 --> 0:19:10.680
<v Speaker 3>like that she's the secret boss behind the scenes, And

0:19:10.760 --> 0:19:12.119
<v Speaker 3>that's how it came across to me.

0:19:12.600 --> 0:19:14.080
<v Speaker 1>And I guess you know, when you're watching a show

0:19:14.160 --> 0:19:15.560
<v Speaker 1>like this, you're going to pull it apart and make

0:19:15.600 --> 0:19:18.480
<v Speaker 1>your own assumptions and go down your own delusion. But

0:19:19.119 --> 0:19:20.760
<v Speaker 1>is there a chance that all of you were scared

0:19:20.760 --> 0:19:22.199
<v Speaker 1>of saying Bumper's name in front of her?

0:19:23.240 --> 0:19:26.480
<v Speaker 3>Absolutely not. It may come across that way in the show.

0:19:26.840 --> 0:19:28.480
<v Speaker 3>And we all have a lot of respect for Bumper.

0:19:28.760 --> 0:19:32.000
<v Speaker 3>Don't get me wrong. I think that what she's done

0:19:32.040 --> 0:19:33.600
<v Speaker 3>with her career is amazing in the way that she's

0:19:33.640 --> 0:19:35.040
<v Speaker 3>helped people, in the way that she helped my career

0:19:35.119 --> 0:19:38.240
<v Speaker 3>is amazing. But I definitely don't think that any of

0:19:38.359 --> 0:19:42.000
<v Speaker 3>us were kind of playing a game or I mean,

0:19:42.040 --> 0:19:44.000
<v Speaker 3>and there may be those hidden biases that I'm not

0:19:44.080 --> 0:19:47.280
<v Speaker 3>quite considering, But I think that we all were quite

0:19:47.440 --> 0:19:49.120
<v Speaker 3>genuine and we were all quite real when it came

0:19:49.200 --> 0:19:52.560
<v Speaker 3>to Bumper's positioning in the show, and we spoke about

0:19:52.560 --> 0:19:54.000
<v Speaker 3>that in the third episode. When it came to the

0:19:54.040 --> 0:19:56.040
<v Speaker 3>acting challenge. We were all very honest that we thought

0:19:56.040 --> 0:19:58.200
<v Speaker 3>Bumper should have been in the bottom in the acting challenge.

0:19:58.240 --> 0:20:00.600
<v Speaker 3>There wasn't this grand pooba oh when going to say it.

0:20:00.800 --> 0:20:01.359
<v Speaker 2>No, we said it.

0:20:01.440 --> 0:20:02.800
<v Speaker 3>We said that we thought the Bumper should have been

0:20:02.800 --> 0:20:04.159
<v Speaker 3>in the bottom of the acting charge because she was

0:20:04.160 --> 0:20:06.440
<v Speaker 3>playing Bumper, she wasn't playing a character. So I don't

0:20:06.480 --> 0:20:09.040
<v Speaker 3>think that in episode five suddenly we've changed our minds

0:20:09.200 --> 0:20:10.879
<v Speaker 3>and we have that respect that we wouldn't mention her

0:20:10.920 --> 0:20:11.639
<v Speaker 3>name could to remember.

0:20:11.720 --> 0:20:14.120
<v Speaker 1>Like as viewers as well, we're more surface level watching

0:20:14.200 --> 0:20:17.360
<v Speaker 1>this sort of stuff and interpreting it versus your real

0:20:17.440 --> 0:20:20.320
<v Speaker 1>world experience of being there. I mean, being inside the

0:20:20.440 --> 0:20:22.680
<v Speaker 1>Roupol bubble for twenty four hours a day, seven days

0:20:22.720 --> 0:20:24.879
<v Speaker 1>a week throughout the whole shoot is probably one of

0:20:24.920 --> 0:20:27.760
<v Speaker 1>the most intensive reality shows you could possibly do. I

0:20:27.880 --> 0:20:30.440
<v Speaker 1>have full respect for everybody in that situation.

0:20:30.840 --> 0:20:32.800
<v Speaker 3>Yeah, And I think I think honestly I think being

0:20:33.359 --> 0:20:35.639
<v Speaker 3>in being in that bubble is what broke me this

0:20:35.760 --> 0:20:37.920
<v Speaker 3>episode and what made me quite vulnerable in this episode.

0:20:38.200 --> 0:20:40.040
<v Speaker 3>We don't have access to our phones, we don't have

0:20:40.160 --> 0:20:43.000
<v Speaker 3>access to our support networks, we don't have our best

0:20:43.040 --> 0:20:45.480
<v Speaker 3>friends that we talk to every day, and there is

0:20:45.480 --> 0:20:47.960
<v Speaker 3>a castminder with us at all moments of the day.

0:20:48.040 --> 0:20:50.720
<v Speaker 3>There's someone outside our hotel room doors. And when we're

0:20:50.760 --> 0:20:52.640
<v Speaker 3>on set, they put us on what they call hard eyes,

0:20:52.640 --> 0:20:55.000
<v Speaker 3>which means you cannot talk, or soft dies, which means

0:20:55.040 --> 0:20:56.840
<v Speaker 3>you can talk about anything that isn't the show. And

0:20:56.920 --> 0:20:59.119
<v Speaker 3>so when we're in those moments, you know, obviously you

0:20:59.320 --> 0:21:01.080
<v Speaker 3>are able to get your emotions out, you aren't able

0:21:01.080 --> 0:21:02.840
<v Speaker 3>to get your feelings out, So it's hard to regulate

0:21:03.119 --> 0:21:04.919
<v Speaker 3>what that's like. And you kind of in this bubble

0:21:05.320 --> 0:21:07.560
<v Speaker 3>in your own world, and you kind of lose a

0:21:07.600 --> 0:21:08.280
<v Speaker 3>sense of reality.

0:21:08.320 --> 0:21:13.200
<v Speaker 1>Maybe absolutely, This BMX Bandit's challenge seemed to be a

0:21:13.280 --> 0:21:15.760
<v Speaker 1>big waste of opportunity that no one put on the

0:21:15.840 --> 0:21:18.320
<v Speaker 1>Nicole Kidman curly red hair. Did no one have a

0:21:18.400 --> 0:21:20.959
<v Speaker 1>curly red wig? What the hell was going on with that? Well?

0:21:21.000 --> 0:21:21.480
<v Speaker 2>I don't think so.

0:21:21.560 --> 0:21:23.399
<v Speaker 3>I mean, we were told, you know, when we were

0:21:23.480 --> 0:21:25.680
<v Speaker 3>cast on the show that were it just said eighties.

0:21:25.920 --> 0:21:28.960
<v Speaker 3>It said eighties dance outfit. I think was what we

0:21:29.040 --> 0:21:32.119
<v Speaker 3>were told. So we weren't told like, oh, this is

0:21:32.160 --> 0:21:34.960
<v Speaker 3>BMX band It's like, you know, here's here's a costume opportunity.

0:21:35.000 --> 0:21:37.000
<v Speaker 2>We were just told eighties dance outfits. So that's what

0:21:37.080 --> 0:21:37.879
<v Speaker 2>we had see this.

0:21:38.080 --> 0:21:40.240
<v Speaker 1>I thought it would have been like BMX Bandits Challenge

0:21:40.320 --> 0:21:42.840
<v Speaker 1>and then I was just expecting someone was going to

0:21:42.840 --> 0:21:44.560
<v Speaker 1>bring a curly red wig alogue, you know what I mean.

0:21:44.720 --> 0:21:46.680
<v Speaker 3>No, So what happened was we didn't find out that

0:21:46.760 --> 0:21:50.200
<v Speaker 3>it was being X Bandits until the day before, and

0:21:50.320 --> 0:21:53.600
<v Speaker 3>so then they told us and then they allowed us

0:21:53.680 --> 0:21:57.119
<v Speaker 3>all to go into it was Isis's hotel room, and

0:21:57.200 --> 0:21:59.280
<v Speaker 3>we all sat there together and we watched the movie

0:21:59.720 --> 0:22:02.320
<v Speaker 3>and it entirety to kind of get an idea of

0:22:03.160 --> 0:22:05.159
<v Speaker 3>what we were, what we were doing, and what our

0:22:05.240 --> 0:22:08.160
<v Speaker 3>lyrics might be, because a lot of this didn't really

0:22:08.200 --> 0:22:08.840
<v Speaker 3>have an idea of.

0:22:08.880 --> 0:22:11.320
<v Speaker 2>What that movie was before that moment. And then we'll

0:22:11.359 --> 0:22:11.920
<v Speaker 2>watched it together.

0:22:12.000 --> 0:22:14.960
<v Speaker 1>You guys are all twelve. Yeah, not one single person

0:22:15.080 --> 0:22:15.800
<v Speaker 1>was even alive in.

0:22:15.840 --> 0:22:17.679
<v Speaker 2>The eighties except Bumper.

0:22:17.800 --> 0:22:19.360
<v Speaker 1>I love that we've said that at the same time,

0:22:19.680 --> 0:22:22.320
<v Speaker 1>you know, the choreography was so confusing to me. I

0:22:22.520 --> 0:22:25.280
<v Speaker 1>was watching the show and granted your their in real life,

0:22:25.320 --> 0:22:28.120
<v Speaker 1>and so you're getting a longer explanation. But I've never

0:22:28.240 --> 0:22:30.680
<v Speaker 1>been more confused by a choreographer and the history of

0:22:30.760 --> 0:22:31.760
<v Speaker 1>Ruphoulse drag race.

0:22:32.200 --> 0:22:35.879
<v Speaker 3>It was really hard in that moment, especially because so

0:22:36.040 --> 0:22:38.320
<v Speaker 3>I know that Bumper is a trained dancer. She hasn't

0:22:38.400 --> 0:22:40.359
<v Speaker 3>danced for a long time. But Bumper is a trained dancer,

0:22:40.800 --> 0:22:42.840
<v Speaker 3>but Flora and I are not, in any sense of

0:22:42.880 --> 0:22:44.840
<v Speaker 3>the word dancers. And so I walked into this being like,

0:22:45.000 --> 0:22:46.360
<v Speaker 3>I hope he's going to be kind and I hope

0:22:46.359 --> 0:22:48.040
<v Speaker 3>it's going to be easier on us. But he kind

0:22:48.080 --> 0:22:50.160
<v Speaker 3>of went balls to the wall straight out the gate

0:22:50.240 --> 0:22:52.720
<v Speaker 3>and was like, here's all of this stuff, and I'm like, whoa, whoa,

0:22:53.119 --> 0:22:54.960
<v Speaker 3>I have no idea what's going on. I don't know

0:22:55.080 --> 0:22:57.280
<v Speaker 3>what this is meant to be, like, we know nothing.

0:22:57.640 --> 0:22:59.960
<v Speaker 3>And then there's this all of this choreography picking up

0:23:00.080 --> 0:23:01.840
<v Speaker 3>bikes and doing all these hand moves and doing all

0:23:01.920 --> 0:23:04.520
<v Speaker 3>these kinds of things, and so Adhd.

0:23:04.080 --> 0:23:06.280
<v Speaker 1>Would have been so confused by that jacket that he

0:23:06.400 --> 0:23:08.200
<v Speaker 1>was wearing. I wouldn't have learnt anything because I'd just

0:23:08.240 --> 0:23:11.040
<v Speaker 1>be staring at that hideous jacket bang like what I

0:23:11.080 --> 0:23:12.840
<v Speaker 1>hang a sec. I've got to concentrate, and then I'd

0:23:12.880 --> 0:23:14.960
<v Speaker 1>be like just drifting back off to why is he

0:23:15.040 --> 0:23:18.680
<v Speaker 1>wearing this hideous put yourself together? Yeah?

0:23:19.280 --> 0:23:22.200
<v Speaker 3>Yeah, I mean look, it was interesting because he I

0:23:22.240 --> 0:23:24.680
<v Speaker 3>will give him credit, he did stick around until very

0:23:24.800 --> 0:23:27.240
<v Speaker 3>very late at night that night off camera, and did

0:23:27.480 --> 0:23:30.200
<v Speaker 3>teach us more and did go more into each of

0:23:30.240 --> 0:23:32.520
<v Speaker 3>the specific moves and each of that kind of stuff. Obviously,

0:23:32.560 --> 0:23:34.040
<v Speaker 3>I think he's kind of played it up for TV

0:23:34.200 --> 0:23:36.320
<v Speaker 3>and and tried to make it look like even more

0:23:36.400 --> 0:23:38.040
<v Speaker 3>difficult and make us look like we were doing worse

0:23:38.119 --> 0:23:40.480
<v Speaker 3>than we might we might have been in that moment,

0:23:40.600 --> 0:23:43.960
<v Speaker 3>but he did. Afterwards, after the camera's cut, he was like,

0:23:44.240 --> 0:23:46.800
<v Speaker 3>he told us, he goes they they they told me

0:23:46.840 --> 0:23:50.280
<v Speaker 3>to be bitchy, and I'm like, okay, and so that

0:23:50.440 --> 0:23:52.840
<v Speaker 3>you know that that's what he did, and and then

0:23:52.880 --> 0:23:55.359
<v Speaker 3>he was really genuine and nice afterwards, and he was

0:23:55.400 --> 0:23:56.000
<v Speaker 3>really helpful, and.

0:23:56.000 --> 0:23:57.400
<v Speaker 2>He even came back the next day.

0:23:57.680 --> 0:23:59.320
<v Speaker 1>Well, I was gazumped by it, Like, you know what

0:23:59.480 --> 0:24:01.159
<v Speaker 1>I did the rock as Dedford, I could do a

0:24:01.200 --> 0:24:04.000
<v Speaker 1>few dance moves, but I was confused. I was like,

0:24:04.160 --> 0:24:06.040
<v Speaker 1>oh my god, And so I had a lot of

0:24:06.040 --> 0:24:09.440
<v Speaker 1>sympathy for you struggling with that. So anyway, it'll be

0:24:09.480 --> 0:24:10.920
<v Speaker 1>interesting to hear what you have to say about that

0:24:11.000 --> 0:24:13.200
<v Speaker 1>once you've got a chance to watch the episode and

0:24:13.320 --> 0:24:16.320
<v Speaker 1>see how that is. You know, there's so many people

0:24:16.440 --> 0:24:19.320
<v Speaker 1>in my inner circle talking about this series and talking

0:24:19.400 --> 0:24:25.359
<v Speaker 1>about the Hollywood star. Isis storyline or narrative that's being

0:24:25.440 --> 0:24:28.560
<v Speaker 1>created that they're the most obvious choice to win the show.

0:24:29.200 --> 0:24:30.920
<v Speaker 1>I don't want to know who you think is going

0:24:31.000 --> 0:24:33.200
<v Speaker 1>to win this show, because you probably know more. But

0:24:33.640 --> 0:24:37.200
<v Speaker 1>could you feel a narrative being built in real time

0:24:38.160 --> 0:24:40.960
<v Speaker 1>that those two were probably the strongest queens?

0:24:41.280 --> 0:24:44.240
<v Speaker 3>I think so for Isis, I wouldn't necessarily say that

0:24:44.280 --> 0:24:45.960
<v Speaker 3>I think that there's a narrative. I think that Isis

0:24:46.600 --> 0:24:49.960
<v Speaker 3>like she just legitimately did quite well. You know, up

0:24:50.040 --> 0:24:52.800
<v Speaker 3>until this point in the competition. She is like a

0:24:52.880 --> 0:24:56.320
<v Speaker 3>really genuine nice person. She won Miscongeniality at the Melbourn

0:24:56.359 --> 0:24:59.200
<v Speaker 3>Drag Awards in twenty eighteen, twenty nineteen. I think so

0:24:59.440 --> 0:25:01.760
<v Speaker 3>she is a nice person and she was very helpful

0:25:01.800 --> 0:25:03.480
<v Speaker 3>to a lot of the girls there, and she is

0:25:03.560 --> 0:25:06.720
<v Speaker 3>an absolutely brilliant drag queen. There were some things with Hollywood,

0:25:07.040 --> 0:25:09.719
<v Speaker 3>like Hollywood's placement in the Design Challenge and Hollywood being

0:25:09.760 --> 0:25:11.639
<v Speaker 3>safe in the Snatch Game, where I was kind of like, okay,

0:25:11.880 --> 0:25:14.119
<v Speaker 3>like I think that, and even even Hollywood thought that

0:25:14.119 --> 0:25:17.200
<v Speaker 3>she was going to be in the bottom in the

0:25:17.240 --> 0:25:19.560
<v Speaker 3>Snatch Gream episode, and even if you look back on

0:25:19.800 --> 0:25:22.439
<v Speaker 3>the runway, she even had a blonde wig under her

0:25:22.520 --> 0:25:24.199
<v Speaker 3>brown wig so that she could reveal if she had

0:25:24.240 --> 0:25:26.359
<v Speaker 3>to lip sync because she was so certain that she

0:25:26.520 --> 0:25:28.280
<v Speaker 3>was going to be in the bottom too, because she

0:25:28.359 --> 0:25:30.520
<v Speaker 3>got no laughs, And so when she was safe, even

0:25:30.600 --> 0:25:33.480
<v Speaker 3>she was confused in that moment. And it's moments like

0:25:33.560 --> 0:25:36.480
<v Speaker 3>that where I look at you know, I look, I

0:25:36.600 --> 0:25:38.359
<v Speaker 3>kind of look kind of look into production and I

0:25:38.440 --> 0:25:40.719
<v Speaker 3>look into that and I'm like, if all of us

0:25:41.080 --> 0:25:42.480
<v Speaker 3>think that she should have been in the bottom, and

0:25:42.560 --> 0:25:44.159
<v Speaker 3>even if she thinks that she should have been in

0:25:44.160 --> 0:25:46.200
<v Speaker 3>the bottom, what happened? How does someone how does someone

0:25:46.240 --> 0:25:47.800
<v Speaker 3>manage to be safe? And other people have put there

0:25:47.800 --> 0:25:48.320
<v Speaker 3>in that position.

0:25:48.800 --> 0:25:50.399
<v Speaker 1>For the first two seasons, we didn't see a lot

0:25:50.440 --> 0:25:53.399
<v Speaker 1>of Melbourne queens and Melbourne queens in Australia are so iconic.

0:25:53.480 --> 0:25:55.639
<v Speaker 1>I'm from Melbourne and I've watched you know, I've been

0:25:55.680 --> 0:25:58.359
<v Speaker 1>going to drag shows since the nineties. Why do you

0:25:58.480 --> 0:26:00.480
<v Speaker 1>think we haven't seen some of those old queens in

0:26:00.520 --> 0:26:02.400
<v Speaker 1>the show. Do you think it's because they won't audition

0:26:02.840 --> 0:26:05.359
<v Speaker 1>and they want the producers to come after them, or

0:26:05.640 --> 0:26:08.040
<v Speaker 1>do you think that it's just not on brand and

0:26:08.119 --> 0:26:10.760
<v Speaker 1>we're looking for younger queens to do the job.

0:26:11.200 --> 0:26:14.439
<v Speaker 2>I mean, look, I would absolutely adore if there were

0:26:14.560 --> 0:26:16.000
<v Speaker 2>some old the queens on the show. There are some

0:26:16.480 --> 0:26:20.440
<v Speaker 2>absolutely spectacular drag queens in Melbourne that haven't been on

0:26:20.520 --> 0:26:22.399
<v Speaker 2>the show. I know for a fact that there are

0:26:22.560 --> 0:26:23.560
<v Speaker 2>some queens. I won't mention.

0:26:23.440 --> 0:26:25.359
<v Speaker 3>Anybody's nas specifically, don't want to call anybody out, but

0:26:25.400 --> 0:26:27.359
<v Speaker 3>there I know there are some queens that will not

0:26:27.560 --> 0:26:30.359
<v Speaker 3>go on the show, have absolutely no interest whatsoever. And

0:26:30.520 --> 0:26:32.679
<v Speaker 3>I know that there are some queens that have been

0:26:32.680 --> 0:26:35.879
<v Speaker 3>specifically asked by production kind of more or less like

0:26:35.920 --> 0:26:37.840
<v Speaker 3>please audition, we would love to see you and have

0:26:38.000 --> 0:26:40.080
<v Speaker 3>chosen not to. So a lot of those big names

0:26:40.119 --> 0:26:42.760
<v Speaker 3>that I would absolutely adore to to be on the show,

0:26:42.960 --> 0:26:45.240
<v Speaker 3>I think production is knocking at their door being like

0:26:45.680 --> 0:26:48.120
<v Speaker 3>come on like, well we'll have you, like you'll you'll

0:26:48.160 --> 0:26:50.680
<v Speaker 3>be great. But I think, and I think for a

0:26:50.720 --> 0:26:52.440
<v Speaker 3>lot of them, I think that they're happy with what

0:26:52.480 --> 0:26:54.320
<v Speaker 3>they've got, They're happy with their career that they've built,

0:26:54.359 --> 0:26:57.200
<v Speaker 3>and there's too many unknowns, perhaps with reality TV.

0:26:57.520 --> 0:27:00.560
<v Speaker 1>I like Susie Ridge, Laura Gravity, Paris, you know all

0:27:00.640 --> 0:27:01.040
<v Speaker 1>of those.

0:27:01.040 --> 0:27:03.960
<v Speaker 3>Parish I literally I spoke to one of the producers

0:27:04.000 --> 0:27:05.600
<v Speaker 3>on set about Paris and I said, if you ever

0:27:05.640 --> 0:27:07.520
<v Speaker 3>get Paris on, you're gonna need You're gonna need to

0:27:07.520 --> 0:27:09.760
<v Speaker 3>give her more than five suitcases, because she's that's merely

0:27:09.880 --> 0:27:10.560
<v Speaker 3>one costume.

0:27:10.640 --> 0:27:14.080
<v Speaker 1>Five suitcases just for her ego. No, I'm not just

0:27:14.119 --> 0:27:18.560
<v Speaker 1>for the libs. And everyone's talking season four. Oh, if

0:27:18.560 --> 0:27:20.600
<v Speaker 1>they're doing a season four, we know it's going to

0:27:20.680 --> 0:27:23.080
<v Speaker 1>be All Stars. Everyone's saying that it's going to be

0:27:23.240 --> 0:27:25.560
<v Speaker 1>all Stars. Are you hearing that narrative as well?

0:27:25.720 --> 0:27:28.399
<v Speaker 3>I've heard it mentioned I. Look, I I don't think

0:27:28.440 --> 0:27:31.200
<v Speaker 3>it's probably going to happen. I know the drag Races,

0:27:31.280 --> 0:27:33.600
<v Speaker 3>spun Yard I think has an All Stars after after

0:27:33.720 --> 0:27:36.240
<v Speaker 3>the third season. Look, I don't know if that's necessarily

0:27:36.320 --> 0:27:38.560
<v Speaker 3>going to happen. We've done I would love if that

0:27:38.640 --> 0:27:43.680
<v Speaker 3>happened for for down Under, especially because there are other

0:27:43.800 --> 0:27:46.760
<v Speaker 3>queens in in uh In Drag Race that have that

0:27:46.840 --> 0:27:48.920
<v Speaker 3>have won the same challenges as me that have gone

0:27:48.960 --> 0:27:51.560
<v Speaker 3>on to do All Stars and things, and so that's

0:27:51.600 --> 0:27:53.399
<v Speaker 3>definitely something that might be in my purview.

0:27:53.560 --> 0:27:54.680
<v Speaker 2>I would absolutely adore that.

0:27:54.760 --> 0:27:56.359
<v Speaker 3>I don't know if there's going to be an All Stars,

0:27:56.560 --> 0:27:58.520
<v Speaker 3>but I know that I'm contractably obliged to do it

0:27:58.560 --> 0:27:59.200
<v Speaker 3>if there is one.

0:27:59.400 --> 0:28:00.919
<v Speaker 1>You know, I I just really want to see an

0:28:00.960 --> 0:28:03.360
<v Speaker 1>art Simone Quen Kong challenge, you know what I mean,

0:28:03.440 --> 0:28:06.480
<v Speaker 1>Like those two kill each other to win that prize, Like.

0:28:06.520 --> 0:28:07.959
<v Speaker 2>Oh, I would love to see a lip sync art

0:28:07.960 --> 0:28:11.240
<v Speaker 2>Simon and quin Kong. That that would be something.

0:28:11.640 --> 0:28:13.520
<v Speaker 1>Well, I just want to say, I think you are

0:28:13.600 --> 0:28:16.560
<v Speaker 1>so fantastic. And just before you go, ask everyone who

0:28:16.600 --> 0:28:19.240
<v Speaker 1>joins the pod, what's something from behind the scenes, something

0:28:19.280 --> 0:28:21.160
<v Speaker 1>that we don't see that we won't see?

0:28:21.400 --> 0:28:23.320
<v Speaker 3>Actually, you know what, there is one thing that I

0:28:23.400 --> 0:28:25.320
<v Speaker 3>had no idea how to director, and I don't think

0:28:25.359 --> 0:28:27.680
<v Speaker 3>it's really peeking behind the curtains at all. But when

0:28:27.760 --> 0:28:30.000
<v Speaker 3>we are on the stage in rousters, like it's your

0:28:30.040 --> 0:28:31.600
<v Speaker 3>time to lip syncuse they have to take us off

0:28:31.680 --> 0:28:34.119
<v Speaker 3>stage too, d MICUs so that we're not you know,

0:28:34.160 --> 0:28:35.720
<v Speaker 3>if we take anything off during our lip sync, that

0:28:35.800 --> 0:28:38.880
<v Speaker 3>our microphone isn't going flying everywhere. And while we do that,

0:28:39.120 --> 0:28:44.760
<v Speaker 3>they get either producers or cast minders or stage hands

0:28:45.000 --> 0:28:46.920
<v Speaker 3>and they get them to lip sync to the song

0:28:47.120 --> 0:28:49.680
<v Speaker 3>that we're about to perform on this stage in front

0:28:49.680 --> 0:28:52.480
<v Speaker 3>of Ruin the judges, and then we come out afterwards.

0:28:52.520 --> 0:28:55.280
<v Speaker 3>And so that was really fun every week, trying to

0:28:55.320 --> 0:28:56.719
<v Speaker 3>work out we were trying to get, trying to get

0:28:56.760 --> 0:28:57.880
<v Speaker 3>which we were trying to push.

0:28:57.800 --> 0:29:00.239
<v Speaker 2>Which producer to go on and do that. And then

0:29:00.480 --> 0:29:04.440
<v Speaker 2>there was one person that works there that was doing

0:29:04.480 --> 0:29:05.960
<v Speaker 2>like flips and kicks and all of this kind of

0:29:05.960 --> 0:29:07.480
<v Speaker 2>stuff in front of Root Poulet. It was amazing.

0:29:07.800 --> 0:29:10.719
<v Speaker 1>There's some amazing people work on that Chino Pip, I've

0:29:10.760 --> 0:29:14.160
<v Speaker 1>had her on the podcast before. Yeah, some fantastic people

0:29:14.240 --> 0:29:17.920
<v Speaker 1>that are putting that show together. Ashley Madison, I am

0:29:18.000 --> 0:29:20.120
<v Speaker 1>obsessed with you. Good luck with where you want to

0:29:20.160 --> 0:29:21.800
<v Speaker 1>take this, and I really appreciate you for being so

0:29:21.960 --> 0:29:24.640
<v Speaker 1>generous and and sharing a story and talking to me today.

0:29:25.040 --> 0:29:26.360
<v Speaker 2>Thank you so much. I've had so much fun