1
00:00:00,160 --> 00:00:04,200
Speaker 1: Happy Wednesday. It's the jam Nation Podcast with your podcast buddies,

2
00:00:04,360 --> 00:00:05,760
Speaker 1: Jonesy and Amanda Well.

3
00:00:06,320 --> 00:00:08,959
Speaker 2: Is the Grand Final, the NRL Grand Final going to

4
00:00:09,039 --> 00:00:10,560
Speaker 2: have to move to Townsville?

5
00:00:10,600 --> 00:00:11,159
Speaker 1: Imagine that.

6
00:00:11,360 --> 00:00:13,000
Speaker 2: Imagine that there's going to be.

7
00:00:13,000 --> 00:00:15,560
Speaker 1: A lot of crepe paper in Townsville getting sold out

8
00:00:15,600 --> 00:00:16,479
Speaker 1: of the two dollar shop.

9
00:00:16,920 --> 00:00:18,880
Speaker 2: What's going to happen? We talk about all of that

10
00:00:19,280 --> 00:00:22,360
Speaker 2: are fussy eaters. The pandemic is changing how our kids

11
00:00:22,360 --> 00:00:24,480
Speaker 2: are eating. Do you have a fussy eater in your house?

12
00:00:24,600 --> 00:00:26,200
Speaker 1: And to the Jonesy demand a rouse to the pub

13
00:00:26,239 --> 00:00:29,520
Speaker 1: test home rapid antigen tests. Do they passed the pub test?

14
00:00:30,000 --> 00:00:32,760
Speaker 2: William Shatner, he's going to be joining us.

15
00:00:32,800 --> 00:00:35,160
Speaker 1: Yeah, and we'll put on our acting shops for scenes

16
00:00:35,200 --> 00:00:47,240
Speaker 1: to enjoy the podcast. I won't know about a miracle

17
00:00:47,280 --> 00:00:49,640
Speaker 1: of recording. We have so many requests for them to

18
00:00:49,680 --> 00:00:50,200
Speaker 1: do it again.

19
00:00:50,320 --> 00:00:52,479
Speaker 3: Mistress Amanda's MS killer.

20
00:00:52,080 --> 00:00:54,200
Speaker 4: Amanda doesn't work alone.

21
00:00:55,720 --> 00:00:58,200
Speaker 3: Good friend is in a back room making the tools

22
00:00:58,200 --> 00:00:58,680
Speaker 3: of the train.

23
00:00:58,760 --> 00:01:01,520
Speaker 1: I've heard them describe as a drunken idiot.

24
00:01:02,960 --> 00:01:08,080
Speaker 4: The legendary party Jonesy, Amanda the actress, Congratulations Murder.

25
00:01:08,080 --> 00:01:08,920
Speaker 2: We're in the readio right now.

26
00:01:10,200 --> 00:01:14,080
Speaker 1: And Amanda you're doing a great job for anyone. See

27
00:01:14,959 --> 00:01:16,920
Speaker 1: now the good radio.

28
00:01:17,200 --> 00:01:23,880
Speaker 5: Sorry but it's a tangled twist set Amanda, shoot time.

29
00:01:24,400 --> 00:01:27,640
Speaker 1: We're on the air. Hello amigo, how are you?

30
00:01:27,840 --> 00:01:30,679
Speaker 2: I'm very well tell you what I won't tell you

31
00:01:30,760 --> 00:01:33,400
Speaker 2: what happens, but you need to watch the TV show Vigil.

32
00:01:34,160 --> 00:01:40,000
Speaker 2: It's a six parts British series, Scottish submarine. It's a

33
00:01:40,040 --> 00:01:44,920
Speaker 2: Scottish Navy and or was it the British Navy, But anyway,

34
00:01:45,120 --> 00:01:48,480
Speaker 2: there's been a murder on the on the on the

35
00:01:48,760 --> 00:01:51,240
Speaker 2: and someone has to go in. Female doctor, a female

36
00:01:51,240 --> 00:01:53,760
Speaker 2: investigators to going to investigate, and it's all it's just

37
00:01:54,280 --> 00:02:00,720
Speaker 2: if you it's it's claustrophobic, it's traumatic, it's suspenseful, it's everything,

38
00:02:00,760 --> 00:02:02,720
Speaker 2: and it's a whole other world in a submarine. Have

39
00:02:02,760 --> 00:02:04,160
Speaker 2: you ever been in a submarine.

40
00:02:04,440 --> 00:02:07,440
Speaker 1: I've been on one, you know, the Maritime Museum here,

41
00:02:07,600 --> 00:02:09,400
Speaker 1: but I didn't go in. I just walked around the

42
00:02:09,400 --> 00:02:10,720
Speaker 1: top of it and there's a big qu to get

43
00:02:10,720 --> 00:02:12,720
Speaker 1: into it and I went I couldn't be bothered.

44
00:02:12,919 --> 00:02:16,079
Speaker 2: Well, that kind of commitment that's made the Navy great.

45
00:02:16,480 --> 00:02:19,040
Speaker 2: But it's this whole other world just below the surface,

46
00:02:19,520 --> 00:02:22,760
Speaker 2: just below but you know therein there's a certain hierarchy

47
00:02:22,760 --> 00:02:24,720
Speaker 2: which they have to be kind of have anarchy in there.

48
00:02:24,760 --> 00:02:27,560
Speaker 2: But it's like, yes, captain, and they've got iron suits,

49
00:02:27,600 --> 00:02:30,880
Speaker 2: and someone's making you know, someone's cooking, and someone's it's

50
00:02:32,200 --> 00:02:36,239
Speaker 2: it's it's like a colony of ants.

51
00:02:37,400 --> 00:02:38,520
Speaker 1: You've been in sub, have you?

52
00:02:38,600 --> 00:02:39,200
Speaker 2: Yeah?

53
00:02:39,240 --> 00:02:42,800
Speaker 1: It wasn't that your how you auditioned for beyond two thousands?

54
00:02:42,800 --> 00:02:45,639
Speaker 2: Oh that was a different kind of a sub. Maybe

55
00:02:45,720 --> 00:02:46,600
Speaker 2: tell that story.

56
00:02:46,760 --> 00:02:48,480
Speaker 1: This is where I had to.

57
00:02:48,440 --> 00:02:51,360
Speaker 2: Find I had to find a story from my own audition.

58
00:02:51,800 --> 00:02:55,480
Speaker 2: And my cousin was at university and knew a professor

59
00:02:55,520 --> 00:02:58,120
Speaker 2: who was doing some work along Sydney coastline in a

60
00:02:58,280 --> 00:03:02,560
Speaker 2: like pretty much a one person's mercible, and so we

61
00:03:02,600 --> 00:03:05,480
Speaker 2: went out. Well for the day, I get very seasick.

62
00:03:06,360 --> 00:03:11,680
Speaker 2: So anyway, I'm gonna have to tell it. So had

63
00:03:11,919 --> 00:03:16,320
Speaker 2: I had to be in this with this professor squatting down,

64
00:03:17,280 --> 00:03:20,240
Speaker 2: and then what was supposed to happen was that the

65
00:03:20,280 --> 00:03:22,840
Speaker 2: hatch would open and I'd say to the camera and

66
00:03:22,880 --> 00:03:25,760
Speaker 2: it's because of craft like these, we can pursue our

67
00:03:25,800 --> 00:03:29,880
Speaker 2: coastline lines and we'll never have pollution anymore. Something like that.

68
00:03:30,600 --> 00:03:35,040
Speaker 2: But we'd been bobbing around. Look, so I opened the hatch,

69
00:03:35,280 --> 00:03:38,440
Speaker 2: popped my head up, and I opened up Nature's hatch.

70
00:03:39,640 --> 00:03:43,880
Speaker 2: That's did a giant spew. And the cameraman very kindly,

71
00:03:44,360 --> 00:03:47,680
Speaker 2: and imagine this, it's my audition day, and I'm ghosh,

72
00:03:49,360 --> 00:03:51,280
Speaker 2: it's not like I'm a seasoned reporter. This is going

73
00:03:51,320 --> 00:03:55,000
Speaker 2: to be my first reporting job. Terrible, And so he

74
00:03:55,440 --> 00:03:58,280
Speaker 2: buttoned the camera off discreetly as all the fish came

75
00:03:58,320 --> 00:04:01,200
Speaker 2: around to see what was happening. And at the same time,

76
00:04:01,240 --> 00:04:04,040
Speaker 2: it's poor professor who's crouched down behind me in this

77
00:04:04,240 --> 00:04:08,760
Speaker 2: tiny one person submersible or my gus went and I

78
00:04:09,040 --> 00:04:14,000
Speaker 2: just passed some wind in his face. You know. I

79
00:04:14,040 --> 00:04:16,719
Speaker 2: got that job, and they said they liked it, except

80
00:04:16,800 --> 00:04:18,880
Speaker 2: they weren't sure about my hair and my clothes, right,

81
00:04:19,120 --> 00:04:22,160
Speaker 2: so really nothing went my way that day. I don't

82
00:04:22,160 --> 00:04:24,840
Speaker 2: know who the other people they must have been. They

83
00:04:24,920 --> 00:04:28,160
Speaker 2: must have been like gas cylinders, people who aren't even

84
00:04:28,240 --> 00:04:30,960
Speaker 2: human auditioning. If I got it, they didn't like my

85
00:04:31,000 --> 00:04:32,640
Speaker 2: hair and my clothes, and I spewed, and I first

86
00:04:32,680 --> 00:04:36,160
Speaker 2: still got the job. Yeah, good lord, good lord, indeed,

87
00:04:36,640 --> 00:04:39,320
Speaker 2: good lord. Well good by you are now I've told

88
00:04:39,360 --> 00:04:42,360
Speaker 2: you the storylines Ofi vigil. That's exactly what happens.

89
00:04:43,200 --> 00:04:45,679
Speaker 1: Action back shatted. I guess his Jody is on the shot.

90
00:04:45,760 --> 00:04:47,440
Speaker 1: Tell me William Shatner.

91
00:04:48,400 --> 00:04:48,719
Speaker 6: Wow.

92
00:04:48,920 --> 00:04:51,080
Speaker 1: Yeah, last time we spoke to William Shatner, it was

93
00:04:51,080 --> 00:04:51,559
Speaker 1: a mess.

94
00:04:51,600 --> 00:04:52,880
Speaker 2: It's a little bit Lucy Goosey.

95
00:04:52,839 --> 00:04:53,760
Speaker 1: He was a giant.

96
00:04:53,839 --> 00:04:55,000
Speaker 2: Man is ninety one.

97
00:04:55,120 --> 00:04:57,040
Speaker 1: He's in a new movie. He's in a new movie.

98
00:04:57,040 --> 00:04:58,839
Speaker 1: And I watched. It's got senior moments. It looks like

99
00:04:58,839 --> 00:05:01,080
Speaker 1: someone shut the whole thing on a but it's really good.

100
00:05:01,120 --> 00:05:05,680
Speaker 1: I really enjoyed it. He plays he plays seventy one

101
00:05:05,760 --> 00:05:09,640
Speaker 1: year old. Really Yeah, he looks fantastic for a.

102
00:05:10,400 --> 00:05:11,640
Speaker 2: Bulldog at the back of the neck.

103
00:05:11,720 --> 00:05:12,919
Speaker 1: No, it looks for the dog clip.

104
00:05:12,960 --> 00:05:15,080
Speaker 5: And he kisses there's a kissing scene in there with

105
00:05:15,160 --> 00:05:18,200
Speaker 5: it not who with a woman? How old is she

106
00:05:18,320 --> 00:05:19,840
Speaker 5: your age? Well, there was a bit where I thought

107
00:05:19,880 --> 00:05:21,599
Speaker 5: he was going to get onto a young girl. I thought, oh,

108
00:05:21,600 --> 00:05:25,200
Speaker 5: this is a bit weird, but no, she would be sixties.

109
00:05:25,279 --> 00:05:27,640
Speaker 2: Yeah, so woman half his age is still an old lady.

110
00:05:29,839 --> 00:05:31,840
Speaker 1: So I'm looking forward to catch it up. That's going

111
00:05:31,880 --> 00:05:34,000
Speaker 1: to be the loosest. I don't know what we're going

112
00:05:34,040 --> 00:05:34,680
Speaker 1: to do in the show.

113
00:05:34,839 --> 00:05:38,320
Speaker 2: Also, isn't he preparing to go into space with Jeff Bezos?

114
00:05:38,440 --> 00:05:38,680
Speaker 1: Yeah?

115
00:05:39,080 --> 00:05:41,120
Speaker 2: Yeah, I mean gravity does great things for you.

116
00:05:41,400 --> 00:05:43,120
Speaker 1: To remember the interview we had with Leo Say, I

117
00:05:43,120 --> 00:05:46,080
Speaker 1: remember how loose that got when he talked about how

118
00:05:46,080 --> 00:05:47,400
Speaker 1: he dressed up like a Nazi.

119
00:05:47,720 --> 00:05:49,520
Speaker 2: That went and how everyone loved it.

120
00:05:49,600 --> 00:05:52,320
Speaker 1: I went to a fancy dress party, said William Shatner

121
00:05:52,400 --> 00:05:54,360
Speaker 1: is going to provide the entertainment. I'm sure.

122
00:05:54,360 --> 00:05:56,120
Speaker 2: Well, let's get on with the Magnificent Seven. Shall we

123
00:05:56,200 --> 00:06:00,000
Speaker 2: question one? How many eyes? Or germination? Pause? Let's call

124
00:06:00,520 --> 00:06:01,560
Speaker 2: does a coconut have?

125
00:06:04,320 --> 00:06:07,400
Speaker 1: Podcast? We have the Magnificent Seven? There are seven questions?

126
00:06:07,440 --> 00:06:08,839
Speaker 1: Can you go all the way and answer all seven

127
00:06:08,920 --> 00:06:12,480
Speaker 1: questions correctly? If you do that, you get why you're

128
00:06:12,520 --> 00:06:13,080
Speaker 1: not distracted?

129
00:06:13,080 --> 00:06:15,920
Speaker 2: What's the matter, Oh, Brenda, it's freezing in here.

130
00:06:16,279 --> 00:06:18,480
Speaker 1: Well, Jimmy the Millennial's back. He's been slacking off for

131
00:06:18,520 --> 00:06:19,039
Speaker 1: a couple of weeks.

132
00:06:19,080 --> 00:06:21,680
Speaker 2: We'll tell you what happened. Jimmy the Millennial in here

133
00:06:22,200 --> 00:06:25,760
Speaker 2: normally adjusts the air con when he wasn't here. You

134
00:06:25,920 --> 00:06:28,920
Speaker 2: played with those events. There's now I don't know what

135
00:06:28,960 --> 00:06:31,960
Speaker 2: you've done, but there are freezing jets pouring down on me.

136
00:06:32,080 --> 00:06:34,040
Speaker 2: Can you feel them on your side or is it

137
00:06:34,160 --> 00:06:34,839
Speaker 2: just my side?

138
00:06:34,880 --> 00:06:38,040
Speaker 1: It feels nice, Oh, it does feel nice. You've got

139
00:06:38,040 --> 00:06:39,200
Speaker 1: it feels like ambience.

140
00:06:39,240 --> 00:06:40,320
Speaker 2: I can see your breath.

141
00:06:41,880 --> 00:06:43,880
Speaker 1: I'll just say this. There's a lot going on in

142
00:06:43,920 --> 00:06:47,040
Speaker 1: the studio, and while Jimmy the Millennial was away, I

143
00:06:47,040 --> 00:06:49,360
Speaker 1: had to do all his work and my own work,

144
00:06:49,640 --> 00:06:52,080
Speaker 1: and I found you constantly saying that's a little bit

145
00:06:52,120 --> 00:06:53,480
Speaker 1: cold in him. I can't do my.

146
00:06:53,520 --> 00:06:55,520
Speaker 2: Work if I feel like I'm in an ice bath

147
00:06:55,640 --> 00:06:56,799
Speaker 2: with members of the NRL.

148
00:06:56,960 --> 00:07:01,200
Speaker 1: You're not in an ice bath. You're fine. Jimmy. What's

149
00:07:01,240 --> 00:07:01,800
Speaker 1: the temperature?

150
00:07:01,839 --> 00:07:03,400
Speaker 2: What is the temperature? Well, it's not so much. The

151
00:07:03,400 --> 00:07:04,440
Speaker 2: temperature is freezing.

152
00:07:04,800 --> 00:07:06,680
Speaker 1: Did you go go out and what's the temperatures? Go

153
00:07:06,760 --> 00:07:08,120
Speaker 1: and go and check the temperature.

154
00:07:08,240 --> 00:07:08,720
Speaker 2: Sorry about it.

155
00:07:08,960 --> 00:07:10,600
Speaker 1: So now we're just going to do this. Sorry, Helen

156
00:07:10,640 --> 00:07:12,640
Speaker 1: A Peakers. Look, you know, Jimmy's going out.

157
00:07:13,160 --> 00:07:15,840
Speaker 2: I could have waited till the ad break to winge.

158
00:07:15,960 --> 00:07:18,720
Speaker 1: No, because you've distracted me. It's one and a half,

159
00:07:18,760 --> 00:07:22,240
Speaker 1: twenty three and a half. That's beautiful. That's beautiful. See

160
00:07:22,280 --> 00:07:26,000
Speaker 1: what happens four now? And then you know what mark

161
00:07:26,120 --> 00:07:26,720
Speaker 1: my words?

162
00:07:27,320 --> 00:07:28,880
Speaker 2: And of course it'll get too hot.

163
00:07:28,720 --> 00:07:31,520
Speaker 1: In five minutes, Jimmy, it's too hot in and it

164
00:07:31,560 --> 00:07:34,240
Speaker 1: will be. There was a story about a bunch of

165
00:07:34,360 --> 00:07:37,800
Speaker 1: pilots and it was a tragic aircraft accident because the

166
00:07:37,840 --> 00:07:39,440
Speaker 1: plane crashed into the everglades.

167
00:07:39,440 --> 00:07:40,360
Speaker 2: Because pretty tragic.

168
00:07:40,400 --> 00:07:43,280
Speaker 1: They were mucking around with a stupid light globe that

169
00:07:43,360 --> 00:07:47,200
Speaker 1: had gone out, which was inconsequential to the whole operation.

170
00:07:46,880 --> 00:07:49,680
Speaker 2: Of the plane. My temperature and my comfort level is

171
00:07:49,720 --> 00:07:54,000
Speaker 2: not inconsequential. Thank you, the magnificence sere heading to the everglades.

172
00:07:54,080 --> 00:07:54,840
Speaker 2: Let's pull it out.

173
00:07:55,600 --> 00:07:59,960
Speaker 1: Helen's in peakers, Hello, Helen, great hell.

174
00:08:00,080 --> 00:08:05,160
Speaker 2: And it's also well known that air conditioning units in

175
00:08:05,200 --> 00:08:09,080
Speaker 2: office blocks are set historically to the male body temperature.

176
00:08:09,360 --> 00:08:13,600
Speaker 2: That's it is true. It is Excuse me, it's true,

177
00:08:13,920 --> 00:08:16,160
Speaker 2: which means that women are often uncomfortable in a work

178
00:08:16,200 --> 00:08:18,080
Speaker 2: situation in more ways than why.

179
00:08:17,960 --> 00:08:20,840
Speaker 1: Maybe they should be at home after their husbands.

180
00:08:22,280 --> 00:08:25,160
Speaker 2: Helen. Hello, here's question number one. How many eyes does

181
00:08:25,160 --> 00:08:25,920
Speaker 2: a coconut have?

182
00:08:27,040 --> 00:08:27,280
Speaker 6: Three?

183
00:08:27,440 --> 00:08:28,400
Speaker 2: It has three?

184
00:08:29,080 --> 00:08:33,040
Speaker 1: What does the eye in sim card stand for? You've

185
00:08:33,080 --> 00:08:35,680
Speaker 1: got sim card? What does the eye and it stand for?

186
00:08:35,960 --> 00:08:40,800
Speaker 2: A subscriber? Something? Module? What's the eye?

187
00:08:41,880 --> 00:08:41,920
Speaker 7: No?

188
00:08:42,240 --> 00:08:42,440
Speaker 6: Sorry?

189
00:08:42,520 --> 00:08:45,760
Speaker 2: He Helen hung on for all that inane conversation we had.

190
00:08:45,920 --> 00:08:48,200
Speaker 1: Amanda's in tune, Gabbie, I believe Amanda's just in it

191
00:08:48,240 --> 00:08:49,440
Speaker 1: for the conversation.

192
00:08:49,920 --> 00:08:53,480
Speaker 2: Hi, Amanda, by how you guys? Not too bad? So

193
00:08:53,640 --> 00:08:57,920
Speaker 2: sim card subscriber something module? What does the eye stand for?

194
00:08:58,720 --> 00:08:58,880
Speaker 8: ID?

195
00:08:59,440 --> 00:09:00,959
Speaker 2: Yes, indeed, let's.

196
00:09:00,760 --> 00:09:05,160
Speaker 1: Play lyrical assassin. This is where I quote the lyrics

197
00:09:05,160 --> 00:09:06,880
Speaker 1: to a song, Amanda, and you have to guess where

198
00:09:06,880 --> 00:09:11,480
Speaker 1: those lyrics are from. You ready, a schoolboys dream? You

199
00:09:11,559 --> 00:09:15,600
Speaker 1: act so shy. Your very first kiss was your first kiss?

200
00:09:15,600 --> 00:09:16,880
Speaker 1: Goodbye a man?

201
00:09:19,320 --> 00:09:21,560
Speaker 2: Do it again, Jones. It sounds like Amanda is almost there.

202
00:09:21,640 --> 00:09:25,160
Speaker 1: A school boys dream. You act so shy, Your very

203
00:09:25,200 --> 00:09:35,600
Speaker 1: first kiss was your first kiss? Goodbye? Oh well, a

204
00:09:35,679 --> 00:09:40,319
Speaker 1: schoolboys dream. You act so shy, your very first kiss

205
00:09:40,520 --> 00:09:47,679
Speaker 1: was your first kiss. Goodbye?

206
00:09:48,960 --> 00:09:53,160
Speaker 2: I know, kick yourself, Amanda. I'm sorry.

207
00:09:53,240 --> 00:09:55,000
Speaker 1: At least you got your name. Conversation.

208
00:09:55,360 --> 00:09:57,160
Speaker 2: Oh well, do you know what that song is? Give

209
00:09:57,240 --> 00:09:57,600
Speaker 2: us a call?

210
00:09:59,800 --> 00:10:03,080
Speaker 1: Make different. Seven. We find ourselves at question number three.

211
00:10:03,280 --> 00:10:08,240
Speaker 2: Question three is lyrical assassin, Jones. He quotes the lyrics

212
00:10:08,240 --> 00:10:08,760
Speaker 2: to a song.

213
00:10:08,880 --> 00:10:12,040
Speaker 1: Here we go a scowboys dream. You act so shy,

214
00:10:12,440 --> 00:10:14,880
Speaker 1: your very first kiss was your first kiss goodbye?

215
00:10:14,960 --> 00:10:17,480
Speaker 2: What as tuneful as it might be if you were singing.

216
00:10:17,840 --> 00:10:19,360
Speaker 2: But let's see if someone knows what it is. Let's

217
00:10:19,400 --> 00:10:22,120
Speaker 2: if Daniel and Winston Hills knows what it is? Hi, Daniel,

218
00:10:22,160 --> 00:10:22,760
Speaker 2: what's the song?

219
00:10:24,480 --> 00:10:26,920
Speaker 8: Is you give have a bad name?

220
00:10:27,000 --> 00:10:27,200
Speaker 1: Yes?

221
00:10:27,240 --> 00:10:37,280
Speaker 2: It is? Brings you to question four. This is a

222
00:10:37,320 --> 00:10:40,120
Speaker 2: multiple choice for you, Daniel. What do Cookie Monster and

223
00:10:40,160 --> 00:10:42,840
Speaker 2: Miss Piggy have in common? A? They're voiced by the

224
00:10:42,880 --> 00:10:46,560
Speaker 2: same person. B they have the same colored eyes. See

225
00:10:46,800 --> 00:10:48,440
Speaker 2: they're a couple in real life.

226
00:10:51,960 --> 00:10:52,880
Speaker 8: I'll have a guess that. A.

227
00:10:53,240 --> 00:10:55,280
Speaker 2: It is a Frank Oz did their voices?

228
00:10:55,280 --> 00:10:57,480
Speaker 1: They couldn't be a couple in real life. Cookie Monster

229
00:10:57,559 --> 00:11:06,240
Speaker 1: is a vegetarian. He just teats cookies. Dear me, what

230
00:11:06,400 --> 00:11:08,760
Speaker 1: is a group of Daniel? You just here for the questions?

231
00:11:08,760 --> 00:11:11,720
Speaker 1: Are you? You're here for the questions? And ub forty

232
00:11:11,760 --> 00:11:12,160
Speaker 1: and that's it?

233
00:11:12,280 --> 00:11:13,000
Speaker 2: Yeah, I am too.

234
00:11:13,240 --> 00:11:15,600
Speaker 1: What is a group of five performers called Daniel?

235
00:11:20,200 --> 00:11:23,520
Speaker 2: Don't say human nature? Say again, it's called a pair. No,

236
00:11:23,600 --> 00:11:24,200
Speaker 2: it's not a bed.

237
00:11:26,240 --> 00:11:27,200
Speaker 1: What's Daniel here for?

238
00:11:27,480 --> 00:11:31,960
Speaker 2: Lorraine's in Helensburg? Hello, Lorraine? Hello, Hello, are you very well?

239
00:11:32,000 --> 00:11:32,080
Speaker 6: So?

240
00:11:32,120 --> 00:11:35,080
Speaker 2: If you've got three year a trio? If there's a

241
00:11:35,120 --> 00:11:37,240
Speaker 2: group of five performers. What are they called.

242
00:11:38,160 --> 00:11:39,320
Speaker 9: They're called a quol tet.

243
00:11:39,440 --> 00:11:43,080
Speaker 1: Yes, they are shadea Blaze. Neil Whittaker and Darren Palmer

244
00:11:43,160 --> 00:11:47,280
Speaker 1: are all judges on what TV show The Block? Yes,

245
00:11:47,360 --> 00:11:49,160
Speaker 1: the Block? Have you been watching the Block? I fell

246
00:11:49,200 --> 00:11:51,000
Speaker 1: off the block wagon a little bit. There have you

247
00:11:51,400 --> 00:11:52,120
Speaker 1: been fighting?

248
00:11:52,360 --> 00:11:52,480
Speaker 10: Oh?

249
00:11:52,960 --> 00:11:53,640
Speaker 11: Yes and no.

250
00:11:53,840 --> 00:11:56,400
Speaker 12: My daughters is starting to be an interior designer. So

251
00:11:56,600 --> 00:11:57,840
Speaker 12: we have had it on here and there.

252
00:11:58,880 --> 00:12:00,200
Speaker 2: We've got Neil on the show today.

253
00:12:00,240 --> 00:12:00,440
Speaker 1: Yeah.

254
00:12:00,960 --> 00:12:04,240
Speaker 2: Question seven, Lorraine, here we go. Are you ready? Which

255
00:12:04,440 --> 00:12:08,360
Speaker 2: NRL commentator announced this year's season will be his last?

256
00:12:09,800 --> 00:12:12,280
Speaker 2: He's going to quit his media commitments. Who is it?

257
00:12:13,559 --> 00:12:17,880
Speaker 12: Oh, my husband's going to kill me. He probably knows.

258
00:12:17,640 --> 00:12:21,520
Speaker 2: This very much. Love we love him NRL commentator.

259
00:12:21,640 --> 00:12:24,640
Speaker 1: He worked with us for a few years. O.

260
00:12:25,720 --> 00:12:31,160
Speaker 5: Sorry, Lorae Adam's innov Adam Hello?

261
00:12:31,200 --> 00:12:34,240
Speaker 2: Which NRL commentator announce it this season is going to

262
00:12:34,240 --> 00:12:36,960
Speaker 2: be the last and much loved NRL commentator former player

263
00:12:37,559 --> 00:12:42,280
Speaker 2: Baldie Well, that's the farebell speech, I'll mate.

264
00:12:43,240 --> 00:12:44,000
Speaker 4: I'm pretty sure.

265
00:12:45,880 --> 00:12:48,760
Speaker 1: I'm looking forward to your speech. And he's farewell player

266
00:12:50,640 --> 00:12:52,080
Speaker 1: and you're going to pat him on the head like.

267
00:12:52,880 --> 00:12:53,760
Speaker 2: We love sterlow.

268
00:12:53,920 --> 00:12:56,600
Speaker 1: We do. I wish you get him out of some stea. Yeah,

269
00:12:56,640 --> 00:12:59,520
Speaker 1: congratulationss you have won the jam pack, Adam. It's all

270
00:12:59,520 --> 00:13:03,280
Speaker 1: coming away A Country Culture Hamper, high quality Australian corporate

271
00:13:03,320 --> 00:13:05,559
Speaker 1: and personal gifts, A one hundred dollars baby Is to

272
00:13:05,600 --> 00:13:08,480
Speaker 1: Dessert bar Voucher world famous desserts, Bavies to Barra, Matter

273
00:13:08,520 --> 00:13:10,960
Speaker 1: and Brighton the Sands and Jonsey nomadic character cheers, fear

274
00:13:11,000 --> 00:13:12,520
Speaker 1: to coloring and some stayed the pencils.

275
00:13:12,559 --> 00:13:16,240
Speaker 8: There you go, Adam, great, thank you very much. Guys

276
00:13:16,320 --> 00:13:16,760
Speaker 8: love the show.

277
00:13:17,000 --> 00:13:19,920
Speaker 2: Thank you, Adam. That's very nice. Well, we've got lots

278
00:13:19,920 --> 00:13:21,559
Speaker 2: of things come up on our show today. We will

279
00:13:21,559 --> 00:13:24,160
Speaker 2: be joined by Neil Whittaker William Shatner.

280
00:13:25,120 --> 00:13:27,439
Speaker 1: Yes, Willie, and I've just looked up. It's going to

281
00:13:27,480 --> 00:13:30,640
Speaker 1: be a zoom meeting with William zoom meeting, a zoom call.

282
00:13:30,920 --> 00:13:34,240
Speaker 1: So it's going to be the messiest radio, the messiest

283
00:13:34,320 --> 00:13:36,320
Speaker 1: radio since Messy Affair.

284
00:13:36,440 --> 00:13:38,719
Speaker 2: Why does having a zoom make a mess?

285
00:13:38,760 --> 00:13:40,880
Speaker 1: Are always messy and it's going to be a mess

286
00:13:40,880 --> 00:13:42,120
Speaker 1: because it's William Shatner.

287
00:13:42,160 --> 00:13:44,360
Speaker 2: I hate that you say meetings. It's like you don't

288
00:13:44,400 --> 00:13:46,440
Speaker 2: like it when your sister says twenty four hours seven

289
00:13:46,800 --> 00:13:49,160
Speaker 2: when you say we're having a zoom meeting with him, Now.

290
00:13:49,040 --> 00:13:52,040
Speaker 1: She's taken an irritating phrase and made it even more irritating. Well,

291
00:13:52,040 --> 00:13:56,160
Speaker 1: it's just a zoom zoom call zoom catchup with William Shatner.

292
00:13:56,280 --> 00:13:58,040
Speaker 2: Yeah, well there's a sentence, isn't it.

293
00:13:58,559 --> 00:14:01,559
Speaker 3: Jonesy and Amanda the podcast.

294
00:14:05,400 --> 00:14:09,080
Speaker 1: Drinking Okay, maybe just one bottoms up thumbing through the

295
00:14:09,120 --> 00:14:11,839
Speaker 1: jermanac Our Big Book of Musical Facts. On this day

296
00:14:11,840 --> 00:14:14,600
Speaker 1: in nineteen ninety, Maria McKee was at the number one

297
00:14:14,800 --> 00:14:17,760
Speaker 1: on the UK Singles charts, which show Me Heaven? You

298
00:14:17,800 --> 00:14:18,720
Speaker 1: remember show Me Heaven?

299
00:14:18,840 --> 00:14:19,800
Speaker 2: Was that from a film?

300
00:14:19,880 --> 00:14:20,120
Speaker 1: Yes?

301
00:14:20,320 --> 00:14:20,480
Speaker 10: Was it?

302
00:14:20,560 --> 00:14:21,040
Speaker 2: Top Gun?

303
00:14:21,360 --> 00:14:24,200
Speaker 1: No Days of Thunder same thing which had Tom Cruise.

304
00:14:24,480 --> 00:14:26,960
Speaker 2: Was not the same movie, but instead of planes there

305
00:14:26,960 --> 00:14:27,520
Speaker 2: were cars.

306
00:14:27,560 --> 00:14:32,800
Speaker 1: There was a chaff fly boys in Top Gun, and

307
00:14:32,840 --> 00:14:36,080
Speaker 1: then in this there were chaff race car driver.

308
00:14:36,200 --> 00:14:41,160
Speaker 2: With a beautiful psychologist. No off cider.

309
00:14:41,160 --> 00:14:45,040
Speaker 1: That was in Top Gun, and in and Days of

310
00:14:45,080 --> 00:14:50,320
Speaker 1: Thunders Nicole Kidman played that surgeon. Yeah, did you know

311
00:14:50,360 --> 00:14:53,680
Speaker 1: what else peaked? Because the song that I'm about to play,

312
00:14:53,720 --> 00:14:55,960
Speaker 1: show Me Heaven, that that peaked And the movie was

313
00:14:56,040 --> 00:14:57,320
Speaker 1: quite a success. But do you know what? I was

314
00:14:57,600 --> 00:15:00,760
Speaker 1: peaked during that movie? Their love were the cast and

315
00:15:00,800 --> 00:15:03,640
Speaker 1: crew's love life. The director of the film, Tony Scott,

316
00:15:03,880 --> 00:15:07,400
Speaker 1: met his wife on set, an actress called Donna Wilson,

317
00:15:07,520 --> 00:15:10,000
Speaker 1: who only had one line in the whole film. They

318
00:15:10,040 --> 00:15:11,600
Speaker 1: were together for twenty two years.

319
00:15:11,720 --> 00:15:13,680
Speaker 2: That's Ridley Scott's brother, Tony Scott.

320
00:15:13,760 --> 00:15:15,840
Speaker 1: I think it was that she was like the stripper,

321
00:15:15,920 --> 00:15:18,480
Speaker 1: police officer, stripper, it goes onto the bus.

322
00:15:18,600 --> 00:15:22,320
Speaker 2: Well, if you're the director, that's your first pickens. What

323
00:15:22,440 --> 00:15:23,400
Speaker 2: was her one line?

324
00:15:23,720 --> 00:15:27,160
Speaker 1: I do I'm not too sure. I can't remember. And

325
00:15:27,240 --> 00:15:30,000
Speaker 1: of course Nicole and Tom, yes, that's where they met.

326
00:15:30,040 --> 00:15:33,440
Speaker 1: It was Nicole's first American film and she started dating

327
00:15:33,480 --> 00:15:36,480
Speaker 1: Tom while the movie was being shot, though even they

328
00:15:36,480 --> 00:15:39,240
Speaker 1: were married on Christmas Eve, six months after the film's release.

329
00:15:39,720 --> 00:15:40,800
Speaker 1: How are those guys going?

330
00:15:41,040 --> 00:15:47,560
Speaker 2: I think they're still together. Let's picture the policewoman stripper

331
00:15:47,640 --> 00:15:49,160
Speaker 2: right now, shus.

332
00:15:49,720 --> 00:15:52,160
Speaker 1: How nervous would you be if you were the Queensland

333
00:15:52,160 --> 00:15:55,960
Speaker 1: premier Anastasia Paliche with the Grand Final? So all she's

334
00:15:55,960 --> 00:15:59,000
Speaker 1: wanted is this Grand Final coming to Queensland.

335
00:15:59,240 --> 00:16:03,040
Speaker 2: To Sydney teams in the Grand Final. We can't host

336
00:16:03,080 --> 00:16:06,000
Speaker 2: it here because we're in the midst of a COVID crisis.

337
00:16:06,400 --> 00:16:09,720
Speaker 2: She has been very I don't want to say gloaty,

338
00:16:10,200 --> 00:16:15,320
Speaker 2: but let's say gloaty, as she says, I'm protecting my

339
00:16:15,520 --> 00:16:20,720
Speaker 2: people by keeping this border slam shut. We have no cases. Well,

340
00:16:21,800 --> 00:16:23,720
Speaker 2: it's never a good time to have a delta outbreak,

341
00:16:24,200 --> 00:16:26,880
Speaker 2: but it's a really bad time right now for Queensland

342
00:16:26,920 --> 00:16:27,960
Speaker 2: to have a couple of cases.

343
00:16:28,720 --> 00:16:32,640
Speaker 1: Campbell Newman, the former Queensland Premier, has said that this

344
00:16:32,680 --> 00:16:35,200
Speaker 1: will be the ultimate test for Plagic, who has been

345
00:16:35,200 --> 00:16:38,040
Speaker 1: looking for toasting the NRL Grand Final. If the Premier

346
00:16:38,160 --> 00:16:41,400
Speaker 1: was being consistent, she would go into lockdown, overdrive. Everything

347
00:16:41,400 --> 00:16:44,280
Speaker 1: would be shut down and there would be no NRL

348
00:16:44,400 --> 00:16:46,040
Speaker 1: Grand Final. Brisbane.

349
00:16:46,040 --> 00:16:51,240
Speaker 2: Well, in August Brisbane had four cases. They shut down.

350
00:16:51,720 --> 00:16:53,119
Speaker 2: They've now got six.

351
00:16:54,960 --> 00:16:57,000
Speaker 1: And the options are Townsville.

352
00:16:57,080 --> 00:17:02,560
Speaker 2: Yeah, but Anastasia Palichet keeping their options open. Epidemiologists. We've

353
00:17:02,600 --> 00:17:04,640
Speaker 2: had Professor Mary Louise mclau's on our show.

354
00:17:04,680 --> 00:17:05,560
Speaker 1: But yes, she's good.

355
00:17:05,680 --> 00:17:09,560
Speaker 2: She said it has to stop or postpone or move it.

356
00:17:09,960 --> 00:17:13,640
Speaker 2: This is a flash point. But Anastasia is saying no, well,

357
00:17:13,680 --> 00:17:17,959
Speaker 2: we're not alarmed. Where we're just looking out. We're not concerned.

358
00:17:18,400 --> 00:17:19,960
Speaker 2: We're just keeping an eye on it.

359
00:17:20,160 --> 00:17:23,120
Speaker 1: The chief medical officer up there is Jeanette Young. She's

360
00:17:23,160 --> 00:17:26,440
Speaker 1: our carry chand and Jeanette is when they asked.

361
00:17:26,400 --> 00:17:28,920
Speaker 2: She's there carry chand she's there carry chat.

362
00:17:28,960 --> 00:17:32,080
Speaker 1: She's the Quinsan version of carry chat. So she when

363
00:17:32,119 --> 00:17:35,560
Speaker 1: asked when what's the latest notice, she could cancel the

364
00:17:35,560 --> 00:17:36,560
Speaker 1: Grand Final.

365
00:17:37,080 --> 00:17:41,479
Speaker 2: The morning of the NRL. Oh imagine this makes me anxious.

366
00:17:41,520 --> 00:17:45,040
Speaker 2: I'm not even involved. Fifty thousand tickets have been sold

367
00:17:45,320 --> 00:17:50,120
Speaker 2: to this game at Suncourt Stadium. So what happens? They say, hey, players,

368
00:17:50,440 --> 00:17:53,119
Speaker 2: you're going up to Townsville and if you just anyone

369
00:17:53,119 --> 00:17:54,440
Speaker 2: in towns will want to come and have a look.

370
00:17:54,800 --> 00:17:57,960
Speaker 1: Just come alide that movie, the dish, the Townsville Grand

371
00:17:57,960 --> 00:18:00,919
Speaker 1: Final thing. There'll be people getting crape paper out. Okay,

372
00:18:01,200 --> 00:18:04,520
Speaker 1: anyone got some. Callis Penrith again and we're gonna get

373
00:18:04,560 --> 00:18:07,040
Speaker 1: some South Sydney gonna go some green and red crepe paper.

374
00:18:07,320 --> 00:18:08,320
Speaker 1: I'm gonna put that about.

375
00:18:08,520 --> 00:18:10,560
Speaker 2: That's the heart I mean. I want for both the

376
00:18:10,680 --> 00:18:13,439
Speaker 2: Sydney teams to have a great, rollicking Grand Final. I

377
00:18:13,480 --> 00:18:15,399
Speaker 2: want to watch it and love it, so wherever it

378
00:18:15,440 --> 00:18:18,520
Speaker 2: has to be. But I can see why their premiere

379
00:18:18,800 --> 00:18:21,439
Speaker 2: can't afford to look hip a critical But at the

380
00:18:21,440 --> 00:18:23,920
Speaker 2: same time, it's holding on to try and host that thing.

381
00:18:24,000 --> 00:18:27,359
Speaker 1: Well, Campbell Newman went on. He said that she's going

382
00:18:27,440 --> 00:18:29,280
Speaker 1: to try and keep the stayed open through the Grand

383
00:18:29,320 --> 00:18:32,800
Speaker 1: Final before plunging the state into another lockdown. So that's what.

384
00:18:32,960 --> 00:18:35,080
Speaker 2: So let's have a super spreader event and the next I'll

385
00:18:35,080 --> 00:18:35,720
Speaker 2: lock you all down.

386
00:18:35,840 --> 00:18:37,400
Speaker 1: You're going to sit and breathe on each other.

387
00:18:38,960 --> 00:18:42,680
Speaker 2: Oh wow, you would script it, would you?

388
00:18:45,119 --> 00:18:45,760
Speaker 3: Podcast?

389
00:18:45,960 --> 00:18:48,520
Speaker 1: Was watching sas last night you were still on Essays.

390
00:18:48,680 --> 00:18:49,159
Speaker 1: I watched a.

391
00:18:49,160 --> 00:18:51,639
Speaker 2: Little bit of it where they had to this whole

392
00:18:51,800 --> 00:18:58,760
Speaker 2: a lot of stuff and Kobe Abon Aberton had to

393
00:18:58,800 --> 00:19:01,520
Speaker 2: remove some so his team could get through, and then

394
00:19:01,560 --> 00:19:04,440
Speaker 2: he put them back to block the others. And apparently

395
00:19:04,480 --> 00:19:07,040
Speaker 2: that's a big scandal, But isn't aren't they competing against

396
00:19:07,040 --> 00:19:07,440
Speaker 2: the others.

397
00:19:07,520 --> 00:19:09,280
Speaker 1: I don't know. I lost track. I don't know.

398
00:19:09,359 --> 00:19:10,680
Speaker 2: Bring on the toilet stories.

399
00:19:10,880 --> 00:19:14,399
Speaker 1: Yeah, they had to fess up and say something that

400
00:19:14,520 --> 00:19:17,440
Speaker 1: was tragic in their life, and I I was thinking,

401
00:19:17,440 --> 00:19:18,920
Speaker 1: if I was on that show, I don't think i'd

402
00:19:18,920 --> 00:19:19,760
Speaker 1: have anything to say.

403
00:19:20,200 --> 00:19:23,399
Speaker 2: I'd give him a list, Well you would, you'd be straight.

404
00:19:24,320 --> 00:19:26,720
Speaker 2: Here's a list of things he's said and done that

405
00:19:26,800 --> 00:19:28,560
Speaker 2: he should be ashamed.

406
00:19:27,920 --> 00:19:30,040
Speaker 1: Of his staffer. That was only five minutes ago on

407
00:19:30,080 --> 00:19:34,120
Speaker 1: the lot train. But then the Ladbrokes commercial popped up

408
00:19:34,160 --> 00:19:36,439
Speaker 1: on the Telly with and this is the ad with

409
00:19:36,480 --> 00:19:40,960
Speaker 1: Mark Wahlberg in it, or he plays his character Mike icebergs,

410
00:19:41,080 --> 00:19:43,520
Speaker 1: Mike icebergs. Have you seen the ad?

411
00:19:43,680 --> 00:19:45,720
Speaker 2: I kind of have, but I've zoned out, so I'm

412
00:19:45,760 --> 00:19:46,919
Speaker 2: not sure what's going on.

413
00:19:47,119 --> 00:19:48,840
Speaker 1: One of the family were just all sitting there, and

414
00:19:48,880 --> 00:19:51,359
Speaker 1: we've got a pretty broad demographic in our family. My

415
00:19:51,400 --> 00:19:54,119
Speaker 1: youngester is nineteen, then it comes up to man Helen

416
00:19:54,119 --> 00:19:56,359
Speaker 1: and my daughter's twenty four. So we're all watching the

417
00:19:56,400 --> 00:19:58,560
Speaker 1: ad together. This is the ad. We are going to

418
00:19:58,640 --> 00:20:01,480
Speaker 1: lad Rock the actions. We're not going to start there.

419
00:20:06,800 --> 00:20:10,720
Speaker 1: At this point, I said, does anyone actually understand what

420
00:20:10,800 --> 00:20:13,920
Speaker 1: that ad is about? Why is Mark Wahlberg playing a

421
00:20:14,000 --> 00:20:17,320
Speaker 1: character called Mike Iceberg when he's clearly Mark Wahlburg.

422
00:20:17,359 --> 00:20:18,960
Speaker 2: How do you know his name is Mike Iceberg? And

423
00:20:18,960 --> 00:20:19,199
Speaker 2: it does.

424
00:20:20,640 --> 00:20:22,840
Speaker 1: It's like when you remember when the Americans own this

425
00:20:22,960 --> 00:20:25,920
Speaker 1: radio station and they get these wacky consultants in and stuff.

426
00:20:25,960 --> 00:20:27,639
Speaker 1: It's like that the Americans go, well, let's bring in

427
00:20:27,680 --> 00:20:30,359
Speaker 1: a consultant. So that's what I'm thinking, what they do

428
00:20:30,400 --> 00:20:32,520
Speaker 1: with the ads over We all have these theories. So

429
00:20:32,520 --> 00:20:37,040
Speaker 1: I've broaken it down into three possible cases as to

430
00:20:37,119 --> 00:20:40,440
Speaker 1: why why we're seeing this ad. Yeah, so a Ladbrokes

431
00:20:40,440 --> 00:20:43,239
Speaker 1: thought if they get a big time Hollywood star in

432
00:20:43,280 --> 00:20:45,720
Speaker 1: the ad, they'll get attention no matter what and get

433
00:20:45,760 --> 00:20:48,120
Speaker 1: people talking, which is what we're doing. What you're doing now.

434
00:20:48,480 --> 00:20:51,440
Speaker 1: B Mark Wahlburg happened to be in Australa at the time.

435
00:20:51,760 --> 00:20:53,959
Speaker 1: He's got a billion kids and thought, no one's going

436
00:20:54,000 --> 00:20:55,679
Speaker 1: to see this ad back home, so I might as

437
00:20:55,720 --> 00:20:56,600
Speaker 1: well just give it a shot.

438
00:20:56,640 --> 00:20:59,200
Speaker 2: But he would have had to quarantine. Yeah, so it's

439
00:20:59,240 --> 00:21:00,680
Speaker 2: not as easy as that. You to be the flight

440
00:21:00,680 --> 00:21:01,760
Speaker 2: Australia to do an ad.

441
00:21:02,080 --> 00:21:05,679
Speaker 1: See. The online gambling market is so huge here that

442
00:21:05,720 --> 00:21:09,679
Speaker 1: they can afford to get a Hollywood star to do

443
00:21:09,800 --> 00:21:12,840
Speaker 1: their ad and they don't care regardless if it makes

444
00:21:12,880 --> 00:21:14,919
Speaker 1: sense or not or d all of the above.

445
00:21:15,160 --> 00:21:15,320
Speaker 10: Yeah.

446
00:21:15,359 --> 00:21:16,960
Speaker 2: I think it's a bit of all of those things,

447
00:21:17,000 --> 00:21:17,359
Speaker 2: isn't it.

448
00:21:17,359 --> 00:21:18,720
Speaker 1: Because you've got all the other ads. You got the

449
00:21:18,760 --> 00:21:20,840
Speaker 1: sports bad ad with the guy that sounds like Mick molloy,

450
00:21:20,840 --> 00:21:22,879
Speaker 1: but it's not mc malloy. I like those ads. And

451
00:21:22,880 --> 00:21:23,960
Speaker 1: what about shacko neal?

452
00:21:24,080 --> 00:21:27,080
Speaker 2: How much made a shack O'Neil need? He apparently was

453
00:21:27,080 --> 00:21:31,400
Speaker 2: one of the few NFL, nral A, what's it called NBL.

454
00:21:31,240 --> 00:21:33,359
Speaker 1: That's base NBA baseball.

455
00:21:34,960 --> 00:21:37,359
Speaker 2: He's on a few NBA players who when he was young,

456
00:21:37,840 --> 00:21:40,320
Speaker 2: was advised to put some money aside. A lot of

457
00:21:40,320 --> 00:21:43,399
Speaker 2: people lost their fortunes. He's amassed a lot of money.

458
00:21:43,720 --> 00:21:47,000
Speaker 2: Why is he doing ads for an Australian online being?

459
00:21:47,280 --> 00:21:49,600
Speaker 1: And the one I saw last night he talked about

460
00:21:49,640 --> 00:21:51,680
Speaker 1: backing the dogs at dapdo and.

461
00:21:52,080 --> 00:21:53,640
Speaker 6: Just loaded up on the past.

462
00:21:53,680 --> 00:21:56,040
Speaker 1: I just backed the one dog and the next adapt

463
00:21:56,080 --> 00:22:02,440
Speaker 1: job to do? Jump on the bandwagon. South Sydney supporter

464
00:22:02,520 --> 00:22:02,840
Speaker 1: as well.

465
00:22:02,960 --> 00:22:05,840
Speaker 2: Remember was that Samuel L. Jackson was doing sports as

466
00:22:06,080 --> 00:22:08,159
Speaker 2: You're right, they all think no one in America is

467
00:22:08,160 --> 00:22:11,080
Speaker 2: going to see these ads, but that is how much money?

468
00:22:11,080 --> 00:22:14,680
Speaker 2: And they're all all those people that you've just mentioned

469
00:22:15,359 --> 00:22:18,600
Speaker 2: are targeting young men. They're the people who are the

470
00:22:18,680 --> 00:22:20,719
Speaker 2: new who are the betters. This is where the problems are.

471
00:22:20,720 --> 00:22:23,040
Speaker 2: They've all got it on their phone, all the young

472
00:22:23,080 --> 00:22:26,640
Speaker 2: guys are into having a punt, and those people are

473
00:22:26,720 --> 00:22:28,920
Speaker 2: exactly the people they're trying to lure to do it.

474
00:22:29,000 --> 00:22:31,040
Speaker 1: Right in the drop signe, right in the drop zone.

475
00:22:31,240 --> 00:22:33,400
Speaker 1: When we were kids, it was just Ready the eating eader.

476
00:22:33,760 --> 00:22:36,040
Speaker 1: She'd just appear in a hot air balloon and make

477
00:22:36,160 --> 00:22:37,159
Speaker 1: sandwiches for everyone.

478
00:22:37,200 --> 00:22:40,480
Speaker 2: Didn't encourage us to bet. She didn't, right, she does

479
00:22:40,600 --> 00:22:43,240
Speaker 2: makes sandwiches. And there was someone who'd encourages toweet Coco

480
00:22:43,280 --> 00:22:44,320
Speaker 2: pops and lose our teeth.

481
00:22:45,800 --> 00:22:54,080
Speaker 1: That was simple times. Gamlation Shall.

482
00:22:54,040 --> 00:22:58,919
Speaker 8: Faster, the Street of Light Jones and Amanda's five Day Fast.

483
00:22:58,640 --> 00:23:01,960
Speaker 1: Five you in our heads? Can you match our fast

484
00:23:02,000 --> 00:23:04,320
Speaker 1: five to five things that relate to one random category?

485
00:23:04,359 --> 00:23:06,679
Speaker 1: All you must do is match your answers with ours

486
00:23:06,760 --> 00:23:08,440
Speaker 1: and you'll win the cash. You get one hundred dollars

487
00:23:08,480 --> 00:23:10,560
Speaker 1: for every single match, but if you get on five,

488
00:23:10,800 --> 00:23:13,440
Speaker 1: you win five thousand dollars.

489
00:23:14,280 --> 00:23:17,879
Speaker 2: Well, our category today was body parts. I thought of

490
00:23:17,920 --> 00:23:19,879
Speaker 2: five and this went blook. I can see why they

491
00:23:19,880 --> 00:23:22,440
Speaker 2: gave me this category and not you. But I wonder

492
00:23:22,440 --> 00:23:24,200
Speaker 2: what Trish in Liverpool wrote down.

493
00:23:24,240 --> 00:23:26,200
Speaker 1: Hello Trish, Hi.

494
00:23:26,119 --> 00:23:26,879
Speaker 11: How are you today?

495
00:23:27,080 --> 00:23:29,400
Speaker 2: Very well Trish, I hope we're thinking the same way.

496
00:23:29,480 --> 00:23:32,040
Speaker 2: I hope we can get you five thousand dollars.

497
00:23:32,200 --> 00:23:33,640
Speaker 1: Give us your body parts.

498
00:23:33,359 --> 00:23:41,640
Speaker 12: Trish, Okay, I've got arm, heart, leg and an ankle.

499
00:23:42,000 --> 00:23:45,960
Speaker 2: All right, Wow, it's an eclectic array.

500
00:23:46,040 --> 00:23:51,440
Speaker 1: You've gone body parts and organs Trish.

501
00:23:50,359 --> 00:23:51,560
Speaker 12: From sure which one of the code?

502
00:23:51,720 --> 00:23:53,760
Speaker 2: Yeah, you've gone in and out.

503
00:23:54,359 --> 00:23:59,119
Speaker 1: Trish, you said arms, Amanda, She said arms.

504
00:23:59,200 --> 00:24:00,720
Speaker 2: One hundred bucks, Trish.

505
00:24:00,600 --> 00:24:03,520
Speaker 1: Trish you got legs. You've got legs, you know how

506
00:24:03,520 --> 00:24:05,840
Speaker 1: to use them? And sad as Amanda.

507
00:24:05,520 --> 00:24:07,480
Speaker 2: Two hundred dollars. Trish.

508
00:24:08,320 --> 00:24:11,000
Speaker 1: You went with your heart, Amanda went with a head.

509
00:24:13,440 --> 00:24:17,600
Speaker 1: Where you said hand, Amanda said shoulder Trish. Where you

510
00:24:17,640 --> 00:24:22,560
Speaker 1: said ankle Amanda? Where we knee? So how much did

511
00:24:22,600 --> 00:24:25,840
Speaker 1: Trish get you?

512
00:24:23,320 --> 00:24:23,439
Speaker 4: Two?

513
00:24:25,920 --> 00:24:29,320
Speaker 1: Take you two hundred bucks in gas under the Mecano set?

514
00:24:29,480 --> 00:24:35,199
Speaker 2: Very much thanks, Trish. She goes, thank you.

515
00:24:35,280 --> 00:24:37,080
Speaker 1: Chrish has got no time to talk, don't talk and

516
00:24:37,200 --> 00:24:38,600
Speaker 1: drive on.

517
00:24:38,720 --> 00:24:41,159
Speaker 2: As we know, lockdown has changed a lot of our behaviors,

518
00:24:41,200 --> 00:24:44,280
Speaker 2: including how we eat. We'll talk about it next.

519
00:24:46,600 --> 00:24:47,240
Speaker 1: Podcast.

520
00:24:47,480 --> 00:24:51,080
Speaker 2: Oh so so many changes to family life with our

521
00:24:51,119 --> 00:24:54,800
Speaker 2: families being in lockdown. It's been really hard, and our

522
00:24:54,880 --> 00:24:59,000
Speaker 2: kids are being homeschooled. A lot of parents their jobs

523
00:24:59,000 --> 00:25:01,679
Speaker 2: have changed, They've had to pivot, maye've lost jobs working

524
00:25:01,720 --> 00:25:05,720
Speaker 2: from home. One of the ways that this is manifesting

525
00:25:05,800 --> 00:25:08,720
Speaker 2: is in changes the way we eat and a surge

526
00:25:09,119 --> 00:25:14,399
Speaker 2: in fussy eating children. Pandemic stress, they're saying, has triggered

527
00:25:14,440 --> 00:25:16,280
Speaker 2: a surge in fussy eating children. There are a number

528
00:25:16,320 --> 00:25:18,879
Speaker 2: of reasons. Why is it. The kids are bored? I

529
00:25:18,880 --> 00:25:21,439
Speaker 2: don't know when if you're busy, you sit down at

530
00:25:21,440 --> 00:25:22,840
Speaker 2: the table and know what are we having for dinner?

531
00:25:23,280 --> 00:25:25,720
Speaker 2: If you're bored from ten in the morning, what's for dinner?

532
00:25:25,720 --> 00:25:28,600
Speaker 2: What's for dinner? What's for dinner? So you're more fussy

533
00:25:28,640 --> 00:25:31,919
Speaker 2: in that way. But they're also saying that parental guilt

534
00:25:32,000 --> 00:25:34,320
Speaker 2: is playing a role. I can understand this. We're all

535
00:25:34,359 --> 00:25:36,240
Speaker 2: concerned that our kids aren't having the lives at the

536
00:25:36,240 --> 00:25:38,600
Speaker 2: moment we want them to have. And so you think, oh,

537
00:25:38,600 --> 00:25:40,680
Speaker 2: a bit of treat food. What can I do? Let's

538
00:25:40,680 --> 00:25:42,399
Speaker 2: not have a fight. What can I do to make

539
00:25:42,440 --> 00:25:43,800
Speaker 2: this right for you? I'm not going to make you

540
00:25:43,840 --> 00:25:46,680
Speaker 2: eat as zachini if you don't want to. And also,

541
00:25:46,840 --> 00:25:49,680
Speaker 2: kids are parents are tired and stressed, And I thought

542
00:25:49,720 --> 00:25:53,840
Speaker 2: this phrase was interesting. Increased stress on working parents reduces

543
00:25:53,920 --> 00:25:58,000
Speaker 2: their levels of resilience and ability to manage the pester power.

544
00:25:58,400 --> 00:26:01,200
Speaker 2: And that's what it takes. It's being a parent when

545
00:26:01,200 --> 00:26:05,480
Speaker 2: your kids push back, whether it's food, whether it's consumerism,

546
00:26:05,520 --> 00:26:08,439
Speaker 2: whether it's whatever. But if you're at the end of

547
00:26:08,440 --> 00:26:10,960
Speaker 2: your tether, it's very hard to hold a line. So

548
00:26:11,000 --> 00:26:13,960
Speaker 2: I can see for all of these reasons why kids

549
00:26:14,000 --> 00:26:14,880
Speaker 2: are becoming fus.

550
00:26:14,680 --> 00:26:16,240
Speaker 1: So there's a rise of the fussy eater.

551
00:26:16,480 --> 00:26:18,360
Speaker 2: Yeah, but you see it too. What about when Jack

552
00:26:18,400 --> 00:26:22,439
Speaker 2: kenny On says, apparently when he was interviewed by the

553
00:26:22,440 --> 00:26:24,879
Speaker 2: paper about his experience, he said he found the food

554
00:26:24,920 --> 00:26:27,240
Speaker 2: the hardest thing. Dad oats in the morning. He said,

555
00:26:27,280 --> 00:26:28,920
Speaker 2: I can't stand eating oats.

556
00:26:28,720 --> 00:26:30,840
Speaker 1: And his mum and dad advertised Uncle Toby's.

557
00:26:30,840 --> 00:26:32,280
Speaker 2: Oh yeah, he said, I'm not a fan of oats.

558
00:26:32,280 --> 00:26:34,920
Speaker 2: I'd rather eat McDonald's. He said on the show, because

559
00:26:34,920 --> 00:26:37,080
Speaker 2: he had to keep his strength up, he ate a

560
00:26:37,080 --> 00:26:38,680
Speaker 2: banana for the first time.

561
00:26:38,840 --> 00:26:40,600
Speaker 1: You know, I worked with Jet before and he never

562
00:26:40,640 --> 00:26:44,800
Speaker 1: eat when we're doing that show. He didn't need before

563
00:26:44,840 --> 00:26:48,240
Speaker 1: Monty he said, I don't need bananas and I said, really,

564
00:26:48,520 --> 00:26:50,439
Speaker 1: is that a thing? What you've never eaten a banana?

565
00:26:50,480 --> 00:26:50,920
Speaker 2: Incredible?

566
00:26:51,000 --> 00:26:55,280
Speaker 1: Isn't so he's actually popped his cherry and eaten a banaa.

567
00:26:54,880 --> 00:26:56,960
Speaker 2: Well, he had to because he had nothing else to eat,

568
00:26:57,040 --> 00:27:00,600
Speaker 2: and you've given that food and that's it. Yeah, I'm

569
00:27:00,600 --> 00:27:02,760
Speaker 2: not a fussy eater, are you? I don't think I am. You.

570
00:27:02,640 --> 00:27:05,080
Speaker 1: You'll eat anything. I've seen you eat anything.

571
00:27:05,119 --> 00:27:08,120
Speaker 2: But having said that, you know I'm late to cucumbers.

572
00:27:08,920 --> 00:27:12,240
Speaker 2: I was in my fifties when I realized I didn't

573
00:27:12,600 --> 00:27:14,919
Speaker 2: hate cucumbers. I've always thought I hated them. Now I

574
00:27:14,920 --> 00:27:15,920
Speaker 2: can eat thee Well, every.

575
00:27:15,720 --> 00:27:17,240
Speaker 1: Time you go and get one of your big salad,

576
00:27:17,280 --> 00:27:18,160
Speaker 1: you know, can you not.

577
00:27:18,119 --> 00:27:21,080
Speaker 2: Put you now I'm buying cucumber. I don't know what's

578
00:27:21,080 --> 00:27:21,560
Speaker 2: happened to me.

579
00:27:23,119 --> 00:27:25,520
Speaker 1: I think I eat everything you do. You're except for tripe.

580
00:27:25,760 --> 00:27:29,040
Speaker 2: Watching you eat is like watching the cookie monster, because

581
00:27:29,280 --> 00:27:31,520
Speaker 2: it's like the back of your mouth is sealed because

582
00:27:31,560 --> 00:27:33,159
Speaker 2: stuff just comes out of the sides.

583
00:27:33,520 --> 00:27:35,439
Speaker 1: Oh, it's exactly.

584
00:27:35,400 --> 00:27:37,760
Speaker 2: I watched you eat a salada the other day and

585
00:27:37,800 --> 00:27:40,240
Speaker 2: you shoveled it in with your hand and crumbs just

586
00:27:40,280 --> 00:27:44,679
Speaker 2: fell out the side. So we're not good examples of

587
00:27:44,720 --> 00:27:48,240
Speaker 2: fussy eating. But the tribal drum is going to be

588
00:27:48,440 --> 00:27:51,640
Speaker 2: for this fussy eater a kid, an adult could be sure,

589
00:27:51,680 --> 00:27:54,000
Speaker 2: you could be someone else, shures.

590
00:27:54,560 --> 00:27:57,680
Speaker 1: So there's a surge in fussy eating children a mid

591
00:27:57,720 --> 00:28:01,720
Speaker 1: COVID nineteen pandemic. So this is pandemic stress, you were saying,

592
00:28:01,880 --> 00:28:04,040
Speaker 1: and it's triggered a surge and fussy eating children because

593
00:28:04,040 --> 00:28:05,280
Speaker 1: we just want to please the kids.

594
00:28:05,320 --> 00:28:08,040
Speaker 2: The kids go to school, combination of you need, they

595
00:28:08,040 --> 00:28:11,520
Speaker 2: can't go to work. Yeah, so parents are stressed and

596
00:28:11,680 --> 00:28:14,760
Speaker 2: don't have the resources to have the fight to deal

597
00:28:14,800 --> 00:28:17,480
Speaker 2: with it. And also parents are feeling guilty about the

598
00:28:17,560 --> 00:28:19,639
Speaker 2: change lives for the kids. So we're giving in and

599
00:28:19,640 --> 00:28:22,160
Speaker 2: giving them more treat foods, and we're letting them push

600
00:28:22,200 --> 00:28:23,919
Speaker 2: back a little bit. I don't want to eat this

601
00:28:24,119 --> 00:28:26,160
Speaker 2: and go, well, okay, have a packet of chips instead

602
00:28:26,160 --> 00:28:27,000
Speaker 2: of a Brussels sprout.

603
00:28:27,200 --> 00:28:29,280
Speaker 1: As you know, I've always done the cooking at my house,

604
00:28:29,560 --> 00:28:32,200
Speaker 1: and over the years, I've made separate meals for everyone

605
00:28:32,280 --> 00:28:32,760
Speaker 1: in the house.

606
00:28:32,920 --> 00:28:35,199
Speaker 2: Do you do that. I've never given in to doing that.

607
00:28:35,320 --> 00:28:36,960
Speaker 1: I don't mind the challenge, but there was a point

608
00:28:37,000 --> 00:28:41,360
Speaker 1: there because it's just sometimes easier. You can't fight city hall,

609
00:28:41,640 --> 00:28:43,640
Speaker 1: so you just end up just making different meals. I

610
00:28:43,640 --> 00:28:45,920
Speaker 1: remember one time I said, this place is in Sizzly,

611
00:28:46,000 --> 00:28:47,840
Speaker 1: you know, And then I walked into the kitchen and

612
00:28:47,880 --> 00:28:49,440
Speaker 1: my daughter had written a sign Sizzler.

613
00:28:49,880 --> 00:28:53,240
Speaker 2: Really, so you would do that because we often panic.

614
00:28:53,280 --> 00:28:54,920
Speaker 2: We think our kids aren't going to eat enough if

615
00:28:54,920 --> 00:28:58,520
Speaker 2: they don't eat dinner, but experts say if they're hungry,

616
00:28:58,560 --> 00:29:02,120
Speaker 2: they will eat. You got to push through. But any

617
00:29:02,200 --> 00:29:02,880
Speaker 2: times you can be.

618
00:29:02,840 --> 00:29:06,000
Speaker 1: Bothered, essays Australia Jet Kenny, who has never eaten a banana.

619
00:29:06,360 --> 00:29:09,040
Speaker 2: Life And look at the you know his dad's an

620
00:29:09,080 --> 00:29:12,239
Speaker 2: iron man, mum and olympian. They're both olympians.

621
00:29:11,880 --> 00:29:13,720
Speaker 1: Starving to death. You're gonna eat that banana?

622
00:29:13,800 --> 00:29:16,080
Speaker 2: Yeah? All right, Well the tribal drum is beating for

623
00:29:16,120 --> 00:29:16,920
Speaker 2: fussy eaters.

624
00:29:17,080 --> 00:29:20,280
Speaker 1: Sarah has joined us. Hello Sarah, Hello.

625
00:29:20,280 --> 00:29:23,280
Speaker 2: Hi, who's the fussy eater? Sarah?

626
00:29:23,400 --> 00:29:27,200
Speaker 9: That would be myself? Yeah, tell us and I have

627
00:29:27,360 --> 00:29:29,520
Speaker 9: not eaten a single vegetable since I was eight?

628
00:29:30,160 --> 00:29:30,440
Speaker 6: Wow?

629
00:29:30,520 --> 00:29:34,360
Speaker 2: How old are you now? Sarah? Have all your teeth

630
00:29:34,360 --> 00:29:36,560
Speaker 2: fallen out? What happens if you don't eat vegetables?

631
00:29:37,600 --> 00:29:38,560
Speaker 12: I just I don't know.

632
00:29:38,680 --> 00:29:40,320
Speaker 9: Do you know what people are like? You're gonna get

633
00:29:40,320 --> 00:29:43,640
Speaker 9: scirvy with something, But I don't know. I just just

634
00:29:43,680 --> 00:29:46,000
Speaker 9: had like a traumatic experience when I was eight, and

635
00:29:46,040 --> 00:29:47,480
Speaker 9: I haven't touched on since.

636
00:29:47,640 --> 00:29:50,320
Speaker 1: What was the traumatic experience that you had that triggered you.

637
00:29:51,280 --> 00:29:54,760
Speaker 9: Oh? So, my mom used to go get my dad

638
00:29:54,760 --> 00:29:57,520
Speaker 9: from work, so the older kids were in charge of

639
00:29:57,920 --> 00:30:00,880
Speaker 9: like stirring the peas and stuff, and my brother found

640
00:30:01,000 --> 00:30:04,240
Speaker 9: a worm in one of the peas, and all the

641
00:30:04,320 --> 00:30:06,640
Speaker 9: kids decided to pin me down and make me eat it.

642
00:30:09,240 --> 00:30:11,440
Speaker 2: I'm never eating vegetables again now.

643
00:30:17,480 --> 00:30:18,640
Speaker 1: I'm just digesting this.

644
00:30:18,760 --> 00:30:19,280
Speaker 2: As it were.

645
00:30:20,360 --> 00:30:22,760
Speaker 9: It's true, and I laugh now I think it's so stupid.

646
00:30:22,840 --> 00:30:25,760
Speaker 9: But the funniest thing is I've got thirteen months old now,

647
00:30:25,800 --> 00:30:28,800
Speaker 9: so I'm having to teach her how to eat vegetables

648
00:30:28,840 --> 00:30:31,080
Speaker 9: and I have to like fake eat it and then

649
00:30:31,160 --> 00:30:33,200
Speaker 9: like put it in my hand pretend I'm eating it,

650
00:30:33,240 --> 00:30:35,080
Speaker 9: so she thinks I'm eating VEGGIESE.

651
00:30:35,400 --> 00:30:40,760
Speaker 1: Wow, potato. Surely you gotta eat potato. Potatoes a gateway vegetable, Sarah,

652
00:30:40,800 --> 00:30:41,200
Speaker 1: you eat that?

653
00:30:41,920 --> 00:30:44,360
Speaker 9: Oh yeah I do? Oh yeah, that's yes, technically a

654
00:30:44,360 --> 00:30:48,400
Speaker 9: potato only like roasted. I don't do mashed potato or anything.

655
00:30:48,520 --> 00:30:50,520
Speaker 2: Right, And maybe we'll let you off the hook with peas,

656
00:30:50,560 --> 00:30:52,120
Speaker 2: but you're going to as you say with your child,

657
00:30:52,120 --> 00:30:52,920
Speaker 2: you don't have to get.

658
00:30:52,760 --> 00:30:55,120
Speaker 1: Back chomp down on those vegees.

659
00:30:55,160 --> 00:30:58,640
Speaker 2: Oh, good luck, Sarah, that would have been traumatic experience.

660
00:30:58,960 --> 00:31:01,800
Speaker 1: In what world do your siblings hold you down and

661
00:31:01,880 --> 00:31:02,680
Speaker 1: make you it work?

662
00:31:03,120 --> 00:31:05,040
Speaker 2: You're here thinking you wish you thought of it?

663
00:31:05,360 --> 00:31:05,960
Speaker 1: In what world?

664
00:31:06,040 --> 00:31:07,680
Speaker 2: I've heard the fights you've had with your brother?

665
00:31:08,040 --> 00:31:08,920
Speaker 1: Dwaine has joined us.

666
00:31:08,960 --> 00:31:10,800
Speaker 2: Hello Dwayne Gray?

667
00:31:11,320 --> 00:31:11,760
Speaker 1: Hello?

668
00:31:12,160 --> 00:31:12,880
Speaker 2: Who doesn't eat?

669
00:31:12,880 --> 00:31:12,960
Speaker 4: What?

670
00:31:13,920 --> 00:31:14,160
Speaker 8: Oh?

671
00:31:14,440 --> 00:31:18,320
Speaker 10: T and l My wife is the most fushiest eater

672
00:31:18,480 --> 00:31:21,200
Speaker 10: in the world. Ok, now we'll have We'll have a

673
00:31:21,240 --> 00:31:21,840
Speaker 10: baked dinner.

674
00:31:21,920 --> 00:31:22,120
Speaker 6: Right.

675
00:31:22,320 --> 00:31:24,920
Speaker 10: I'll put the gravy on the meat, but if the

676
00:31:25,000 --> 00:31:28,760
Speaker 10: gravy touches the veggies, we don't eat the veggies. If

677
00:31:28,800 --> 00:31:31,240
Speaker 10: there's anything leftover, she'll go straight to the bin.

678
00:31:32,000 --> 00:31:33,080
Speaker 4: I just drag her off in the bin.

679
00:31:33,120 --> 00:31:34,680
Speaker 10: I'll go hang on, I could have eaten it, and

680
00:31:34,680 --> 00:31:36,280
Speaker 10: she'll say, no, it's my play.

681
00:31:36,280 --> 00:31:37,440
Speaker 4: I can do what I want with it.

682
00:31:38,080 --> 00:31:39,320
Speaker 6: And in any.

683
00:31:39,200 --> 00:31:44,240
Speaker 11: Leftovers they'll go in the fridge. But we don't reheat leftovers.

684
00:31:44,280 --> 00:31:46,760
Speaker 11: They will sit there until bin dates.

685
00:31:48,640 --> 00:31:50,160
Speaker 2: What's it all about, Dwayne?

686
00:31:51,400 --> 00:31:55,040
Speaker 10: Uh fussy eater, very fussy And she could ride her

687
00:31:55,160 --> 00:31:58,600
Speaker 10: own tinkermanments on bow shoer not eat the veggies and

688
00:31:58,600 --> 00:32:00,200
Speaker 10: all those sort of things.

689
00:32:01,200 --> 00:32:03,360
Speaker 1: So the gravy goes on the meat, but the gravy

690
00:32:03,400 --> 00:32:04,440
Speaker 1: can't touch the veggies.

691
00:32:04,520 --> 00:32:06,160
Speaker 2: And what happens if you go to someone's house and

692
00:32:06,160 --> 00:32:07,360
Speaker 2: they serve up the veggies.

693
00:32:08,880 --> 00:32:11,600
Speaker 10: I should probably say no gravy, just to make sure

694
00:32:11,600 --> 00:32:12,240
Speaker 10: it doesn't touch.

695
00:32:13,400 --> 00:32:14,560
Speaker 1: You can't have a dry meal.

696
00:32:14,880 --> 00:32:17,200
Speaker 2: No, no, there's nothing better than gravy on veggie.

697
00:32:17,320 --> 00:32:21,000
Speaker 1: Yeah, that's great, you get the wow.

698
00:32:21,240 --> 00:32:22,719
Speaker 2: All right, Well we're going to take more of your

699
00:32:22,760 --> 00:32:24,120
Speaker 2: calls fussy eaters.

700
00:32:24,560 --> 00:32:27,600
Speaker 3: Jonesy and Amanda Gama podcast.

701
00:32:28,880 --> 00:32:32,160
Speaker 12: Couple the money into you Wow look for Fine decided

702
00:32:32,200 --> 00:32:33,040
Speaker 12: to get out of there.

703
00:32:33,760 --> 00:32:36,719
Speaker 1: There's a surge in fussy eating children amid the COVID

704
00:32:36,800 --> 00:32:37,840
Speaker 1: nineteen pandemic.

705
00:32:37,880 --> 00:32:40,280
Speaker 2: A couple of reasons for this. Parents are tired and

706
00:32:40,360 --> 00:32:45,640
Speaker 2: stressed and don't have the wherewithal to fight back. Kids

707
00:32:45,680 --> 00:32:48,320
Speaker 2: are bored from early in the morning they're just at

708
00:32:48,360 --> 00:32:49,560
Speaker 2: home and going, oh, what are we going to have

709
00:32:49,600 --> 00:32:52,280
Speaker 2: for dinner? And also parents are concerned that kids are

710
00:32:52,280 --> 00:32:53,760
Speaker 2: missing out on a whole lot of stuff, so they

711
00:32:54,320 --> 00:32:56,400
Speaker 2: feel guilty, so they go, you know what, you don't

712
00:32:56,400 --> 00:32:57,800
Speaker 2: have to eat that if you don't want to all

713
00:32:57,880 --> 00:32:59,880
Speaker 2: of that is creating a surge in fussy eaters.

714
00:33:00,240 --> 00:33:01,760
Speaker 1: To you, fussy it this has been around for a

715
00:33:01,800 --> 00:33:02,240
Speaker 1: long time.

716
00:33:02,320 --> 00:33:05,400
Speaker 2: Well, you know that is absolutely true. We've had calls

717
00:33:05,400 --> 00:33:08,800
Speaker 2: this morning never eaten vegetables. We saw Jet Kenny saying

718
00:33:08,800 --> 00:33:10,760
Speaker 2: he's never eaten a banana before he went on.

719
00:33:10,800 --> 00:33:12,600
Speaker 1: Essays and send him to the front.

720
00:33:12,800 --> 00:33:14,440
Speaker 2: Well that's pretty much when it's already a.

721
00:33:14,560 --> 00:33:17,560
Speaker 5: Rating of some sort of trench and you're happy for it,

722
00:33:17,640 --> 00:33:19,560
Speaker 5: and you're happy final caught in her back.

723
00:33:19,680 --> 00:33:24,320
Speaker 1: Same, Please more rats delicious. Shane has joined us.

724
00:33:24,360 --> 00:33:25,880
Speaker 2: Hello Shane, are you a fussy eater?

725
00:33:27,520 --> 00:33:29,040
Speaker 8: I'm not, but my father is.

726
00:33:29,280 --> 00:33:30,080
Speaker 2: Yeah, tell us.

727
00:33:30,160 --> 00:33:34,480
Speaker 8: So as a kid growing up, we didn't have much

728
00:33:34,560 --> 00:33:36,640
Speaker 8: variety in our diet. We always had the steak in

729
00:33:36,720 --> 00:33:40,240
Speaker 8: three veggies and I've always thought that was mainly because

730
00:33:40,240 --> 00:33:42,640
Speaker 8: my mom can't cook. You know, she can't boil water.

731
00:33:42,680 --> 00:33:44,120
Speaker 8: She burns a salad person.

732
00:33:44,240 --> 00:33:44,560
Speaker 2: Right.

733
00:33:45,720 --> 00:33:48,320
Speaker 8: But years ago we're living in Brisbane and my parents

734
00:33:48,360 --> 00:33:50,560
Speaker 8: came up for dinner and knowing that my dad was

735
00:33:50,560 --> 00:33:52,240
Speaker 8: a little bit of a fussy year and my wife

736
00:33:52,400 --> 00:33:55,440
Speaker 8: mates was going to make steady bowl and a's but

737
00:33:55,520 --> 00:33:58,440
Speaker 8: he complained having the garlic taste in there, so we

738
00:33:58,520 --> 00:34:01,480
Speaker 8: left that out, or she left it out, and she

739
00:34:01,640 --> 00:34:04,280
Speaker 8: served up instead of spaghetti past as, she served up

740
00:34:04,320 --> 00:34:07,360
Speaker 8: the spirals. And my father wouldn't lead it because the

741
00:34:07,400 --> 00:34:10,080
Speaker 8: spiral tastes different apparently than the spaghetti.

742
00:34:10,239 --> 00:34:14,520
Speaker 7: Ah no different, Ah taste different.

743
00:34:14,640 --> 00:34:16,600
Speaker 1: Well, it holds more swords, but it doesn't.

744
00:34:16,640 --> 00:34:20,719
Speaker 2: It's the same thing. It's just a different shape. Yes, Oh,

745
00:34:20,800 --> 00:34:24,160
Speaker 2: your poor wife, Shane having to cater for father and

746
00:34:24,200 --> 00:34:24,799
Speaker 2: all like that.

747
00:34:25,120 --> 00:34:25,760
Speaker 1: Thank you, Shane.

748
00:34:26,000 --> 00:34:32,560
Speaker 2: Oh, Liz, Hello, who's the is it you?

749
00:34:32,560 --> 00:34:36,439
Speaker 12: No, it's not me, it's a friend of mine. So

750
00:34:37,080 --> 00:34:39,680
Speaker 12: I arrived here as a backpacker thirty years ago with

751
00:34:40,400 --> 00:34:45,280
Speaker 12: a girlfriend Anita, and we both got together with guys

752
00:34:45,320 --> 00:34:46,920
Speaker 12: and we're still with them, which is a good thing

753
00:34:47,560 --> 00:34:50,880
Speaker 12: all this time later. But anyway, we were at that

754
00:34:50,920 --> 00:34:54,960
Speaker 12: sort of early stage of you know, living together pseudo backpacking,

755
00:34:55,320 --> 00:34:58,200
Speaker 12: you know, living off beans on toast and not very

756
00:34:58,239 --> 00:35:01,120
Speaker 12: elaborate meals. But we basically bited them around to dinner

757
00:35:01,120 --> 00:35:06,560
Speaker 12: one night, standard fair bolonnais, and Anita rang and said, look,

758
00:35:06,600 --> 00:35:09,759
Speaker 12: you know, Ash is quite fussy and I said, oh,

759
00:35:09,760 --> 00:35:15,359
Speaker 12: it's all right because bolon a surely well that's right.

760
00:35:16,560 --> 00:35:18,680
Speaker 12: She said, no, he really he just kind of he

761
00:35:18,840 --> 00:35:25,200
Speaker 12: likes fish, fish and chips and bread and beer. I said, okay,

762
00:35:25,600 --> 00:35:29,200
Speaker 12: I didn't think anything of it, honestly. Anyway, they turned

763
00:35:29,280 --> 00:35:33,080
Speaker 12: up and he bought his frozen fish fingers and his

764
00:35:33,200 --> 00:35:36,400
Speaker 12: loaf of bread, and he grilled his fish fingers to

765
00:35:36,560 --> 00:35:42,600
Speaker 12: cook to eat. So about thirty years ago, your backpack

766
00:35:42,719 --> 00:35:47,440
Speaker 12: is right. Fast forward two years ago, obviously, just pre pandemic,

767
00:35:47,440 --> 00:35:51,840
Speaker 12: because people could still travel. They traveled back to Australia.

768
00:35:51,880 --> 00:35:53,480
Speaker 12: They'd moved back to the UK, and then they came

769
00:35:53,560 --> 00:35:56,200
Speaker 12: back on a trip, well tripped with their kids' four

770
00:35:56,200 --> 00:35:59,600
Speaker 12: grown children. Obviously we had them round for dinner. It

771
00:35:59,680 --> 00:36:02,600
Speaker 12: was still life. So I beat a slow cut lamb

772
00:36:02,680 --> 00:36:06,600
Speaker 12: roast and he proceeded to bring his packet of bread.

773
00:36:06,520 --> 00:36:09,440
Speaker 1: And his bag.

774
00:36:09,520 --> 00:36:13,239
Speaker 2: And not as a joke. It wasn't as a remember this, No,

775
00:36:13,320 --> 00:36:13,800
Speaker 2: it wasn't.

776
00:36:14,080 --> 00:36:16,560
Speaker 12: And the thing is, I'd already made a joke about it.

777
00:36:18,040 --> 00:36:19,839
Speaker 12: I've been joking with this kids, saying, oh, your dad

778
00:36:19,960 --> 00:36:24,560
Speaker 12: used to be such a fussy and out and there

779
00:36:24,600 --> 00:36:28,200
Speaker 12: was bread on the table and his even his wife said, ash,

780
00:36:28,239 --> 00:36:30,560
Speaker 12: there's breadday. He said, I'll just finish off this piece.

781
00:36:31,120 --> 00:36:31,520
Speaker 1: Wow.

782
00:36:31,800 --> 00:36:34,439
Speaker 2: I'll tell you if his wife's name is Anita. Yeah,

783
00:36:34,480 --> 00:36:39,160
Speaker 2: as opposed to him being a non eater. Wow, thank you, Liz.

784
00:36:39,280 --> 00:36:42,440
Speaker 1: It's like a concentration game as well. Lamb roast four kids,

785
00:36:42,800 --> 00:36:44,080
Speaker 1: fish fingers bread.

786
00:36:44,719 --> 00:36:46,560
Speaker 2: I'm traveling at five k's an hour.

787
00:36:46,560 --> 00:36:48,880
Speaker 1: I remembered all those bricks of detail, Liz, Do I

788
00:36:48,880 --> 00:36:50,640
Speaker 1: get a prize? Would be good if someone gave us

789
00:36:50,680 --> 00:36:52,920
Speaker 1: a prize like we give the man of the match prize.

790
00:36:53,560 --> 00:36:55,520
Speaker 1: This is something you know you can bring to the table.

791
00:36:55,520 --> 00:36:57,200
Speaker 2: This perhaps, well, you've brought it to the table and

792
00:36:57,200 --> 00:36:58,080
Speaker 2: you've rigged everything.

793
00:37:00,320 --> 00:37:02,239
Speaker 1: Let's get on down to the Jones and demand rounds

794
00:37:02,280 --> 00:37:06,120
Speaker 1: for the pub test today. Rapid antigen testing. Does it

795
00:37:06,160 --> 00:37:07,200
Speaker 1: pass the pub test?

796
00:37:07,360 --> 00:37:10,759
Speaker 2: I had one of these sometimes when you're and I'm

797
00:37:10,760 --> 00:37:12,640
Speaker 2: sure a lot of people have had them. Rather than

798
00:37:12,800 --> 00:37:15,000
Speaker 2: having the swab in your nose and in your throat

799
00:37:15,160 --> 00:37:17,560
Speaker 2: and you maybe wait till the next day or later

800
00:37:17,600 --> 00:37:20,440
Speaker 2: that night to get your results, these are tests that

801
00:37:20,480 --> 00:37:22,560
Speaker 2: are done on the spot. You wait twenty minutes and

802
00:37:22,600 --> 00:37:25,080
Speaker 2: you get your result. It tests in a different way

803
00:37:25,200 --> 00:37:28,120
Speaker 2: and it's only to texts a high level of the virus.

804
00:37:28,719 --> 00:37:31,399
Speaker 2: It doesn't test for its absence, which the other ones

805
00:37:31,440 --> 00:37:34,520
Speaker 2: can do as well. I think this detects proteins on

806
00:37:34,600 --> 00:37:37,920
Speaker 2: the surface of the virus, so you have to have

807
00:37:37,960 --> 00:37:40,080
Speaker 2: a high viral load for this to pick it up.

808
00:37:40,080 --> 00:37:42,080
Speaker 2: And that is the concern is that if your viral

809
00:37:42,120 --> 00:37:44,680
Speaker 2: load is low, you may get a negative result. But

810
00:37:44,719 --> 00:37:47,440
Speaker 2: if you're testing yourself three times a week, say, it

811
00:37:47,520 --> 00:37:49,800
Speaker 2: will pick it up. If you're only having one test,

812
00:37:49,840 --> 00:37:51,640
Speaker 2: and if you go to work or school or whatever,

813
00:37:52,440 --> 00:37:55,359
Speaker 2: it may not be properly representative. They're hoping to use

814
00:37:55,400 --> 00:37:58,719
Speaker 2: these in big areas like schools and workplaces. At the

815
00:37:58,800 --> 00:38:00,839
Speaker 2: moment when they're used, this is the only way they're

816
00:38:00,840 --> 00:38:02,799
Speaker 2: allowed to be used. It still is in conjunction with

817
00:38:02,840 --> 00:38:05,560
Speaker 2: a certain protocol. You get tested, and there's some kind

818
00:38:05,600 --> 00:38:08,080
Speaker 2: of health official that reads your result for you and

819
00:38:08,160 --> 00:38:10,719
Speaker 2: tells you what the follow up means. If you're just

820
00:38:10,760 --> 00:38:14,560
Speaker 2: doing this at home, yeah, where's the impetus to tell

821
00:38:14,600 --> 00:38:18,480
Speaker 2: your boss to stay home to whatever? It is pretty

822
00:38:18,520 --> 00:38:20,960
Speaker 2: much going to be up to you as to how

823
00:38:21,040 --> 00:38:22,560
Speaker 2: you use your own information.

824
00:38:22,840 --> 00:38:26,280
Speaker 1: It's like having a home breath testing unit for alcohol

825
00:38:26,360 --> 00:38:29,040
Speaker 1: and seeing if you're right to drive. It's the same thing.

826
00:38:29,840 --> 00:38:32,640
Speaker 2: That's right. Having said that, if you have to have

827
00:38:32,680 --> 00:38:35,359
Speaker 2: a test and isolate for the day to find out

828
00:38:35,400 --> 00:38:38,000
Speaker 2: you don't have it. We're wasting a lot of time

829
00:38:38,120 --> 00:38:38,399
Speaker 2: and a.

830
00:38:38,320 --> 00:38:38,600
Speaker 6: Lot of it.

831
00:38:38,760 --> 00:38:40,799
Speaker 1: I remember Jimmy the Millennial a couple of weeks ago.

832
00:38:40,800 --> 00:38:43,480
Speaker 1: He was off for six days almost because the Lavity

833
00:38:43,520 --> 00:38:45,480
Speaker 1: people took so long to give the result back. So

834
00:38:45,520 --> 00:38:47,560
Speaker 1: he was feeling unwell, or he's in a unit or

835
00:38:47,560 --> 00:38:49,200
Speaker 1: something where he went and got the test, did the

836
00:38:49,239 --> 00:38:49,560
Speaker 1: right tea.

837
00:38:49,600 --> 00:38:51,520
Speaker 2: He wasn't even unwell. Someone in his unit blog had it.

838
00:38:51,640 --> 00:38:53,919
Speaker 1: So it took six days. So we had six days

839
00:38:53,960 --> 00:38:57,080
Speaker 1: of no Jimmy the Millennial, Yeah, hanging around the station.

840
00:38:57,640 --> 00:39:00,520
Speaker 2: If he could have done a series of regular tests

841
00:39:00,680 --> 00:39:03,000
Speaker 2: at home, it might have been different. So there are

842
00:39:03,040 --> 00:39:06,080
Speaker 2: pros and there are cons. Will make your life easier,

843
00:39:06,200 --> 00:39:08,680
Speaker 2: but who knows how it is all going to play out.

844
00:39:08,719 --> 00:39:12,080
Speaker 2: What do you think rapid andigen testing? Does it pass

845
00:39:12,120 --> 00:39:18,080
Speaker 2: the pub test? Pomcast well. Our next guest is the

846
00:39:18,120 --> 00:39:22,120
Speaker 2: former editor in chief of Vogue Living. He's the ever

847
00:39:22,239 --> 00:39:24,799
Speaker 2: current design guru who watches a Judge on the Block.

848
00:39:24,840 --> 00:39:26,839
Speaker 2: He's been there for over ten years and as if

849
00:39:26,840 --> 00:39:28,879
Speaker 2: he's not busy enough, he's back tonight with his other

850
00:39:28,960 --> 00:39:31,080
Speaker 2: hit show, Love It All. Listened Neil Whittiker.

851
00:39:31,120 --> 00:39:34,440
Speaker 4: Hello, hello guy, good morning.

852
00:39:34,680 --> 00:39:36,760
Speaker 1: Great to talk to you, Neil. So in ten years

853
00:39:37,040 --> 00:39:39,160
Speaker 1: you would have seen the rise of the feature wall,

854
00:39:39,160 --> 00:39:41,200
Speaker 1: and the fall of the feature wall, and now the

855
00:39:41,280 --> 00:39:42,680
Speaker 1: rise again of the feature wall.

856
00:39:42,760 --> 00:39:44,719
Speaker 4: Exactly, it's back again, isn't it.

857
00:39:45,080 --> 00:39:45,279
Speaker 10: Yep?

858
00:39:45,960 --> 00:39:47,879
Speaker 4: Wow, A few things like that going in and out

859
00:39:47,880 --> 00:39:48,320
Speaker 4: of fashion.

860
00:39:48,360 --> 00:39:50,000
Speaker 1: Actually, how do you feel.

861
00:39:49,840 --> 00:39:51,480
Speaker 2: When you see them come back? Because when I think that,

862
00:39:51,520 --> 00:39:55,359
Speaker 2: when I see flares and high heels, I think, oh,

863
00:39:55,440 --> 00:39:57,520
Speaker 2: I can't wear that again. I did it the first time.

864
00:39:58,120 --> 00:40:00,960
Speaker 4: Well, yeah, I'm exactly the same as you. But I

865
00:40:01,000 --> 00:40:04,720
Speaker 4: guess everything comes back in a slightly different way, and

866
00:40:04,920 --> 00:40:08,080
Speaker 4: that it's the same with feature walls. So you know,

867
00:40:08,120 --> 00:40:12,080
Speaker 4: I guess each each new incarnation puts a slightly different

868
00:40:12,080 --> 00:40:12,719
Speaker 4: twist on it.

869
00:40:13,640 --> 00:40:16,560
Speaker 2: We'd love it all listed. This is a very interesting premise.

870
00:40:16,640 --> 00:40:19,560
Speaker 2: You find couples who or families through at the crossroads

871
00:40:19,600 --> 00:40:22,759
Speaker 2: of making a decision. They're either going to revamp the

872
00:40:22,800 --> 00:40:25,399
Speaker 2: house they're in or sell it and go, and you

873
00:40:25,480 --> 00:40:27,680
Speaker 2: show them the difference that this will make with you.

874
00:40:27,840 --> 00:40:29,719
Speaker 2: They can see both sides now.

875
00:40:30,280 --> 00:40:35,640
Speaker 4: Yes, yes, absolutely, I mean so often the solution to

876
00:40:35,680 --> 00:40:39,200
Speaker 4: the family's problems or that the house's problems is kind

877
00:40:39,200 --> 00:40:41,319
Speaker 4: of right there under their noses, and they don't see

878
00:40:41,320 --> 00:40:42,960
Speaker 4: it because they've been living there too long. You know

879
00:40:43,000 --> 00:40:44,920
Speaker 4: how you get used to your house the way it is,

880
00:40:45,239 --> 00:40:47,279
Speaker 4: and you start putting up with all its little, you know,

881
00:40:47,480 --> 00:40:51,439
Speaker 4: faults and foibles, and you just can't see it. And

882
00:40:51,680 --> 00:40:54,040
Speaker 4: I guess my job is to show them that quite

883
00:40:54,120 --> 00:40:56,800
Speaker 4: often all the problems can so easily be solved.

884
00:40:57,560 --> 00:41:00,120
Speaker 1: And I know that when I was growing out, we

885
00:41:00,160 --> 00:41:02,359
Speaker 1: lived in the one house for a long time, and

886
00:41:02,400 --> 00:41:05,000
Speaker 1: my mum and dad just not over capitalized, but it

887
00:41:05,040 --> 00:41:07,239
Speaker 1: was like renovation on renovation. It's like a house of

888
00:41:07,280 --> 00:41:09,840
Speaker 1: cards by the end of it. And then I've always

889
00:41:10,680 --> 00:41:12,440
Speaker 1: I guess I'm like a rolling stone. Or I have

890
00:41:12,520 --> 00:41:14,520
Speaker 1: a house, I live in it for about ten years,

891
00:41:14,600 --> 00:41:16,400
Speaker 1: and then I sell it and I buy another house.

892
00:41:16,880 --> 00:41:18,920
Speaker 1: But the problem with that is the last house I bought,

893
00:41:19,080 --> 00:41:21,239
Speaker 1: we just renovated the kitchen in the old house, and

894
00:41:21,280 --> 00:41:23,560
Speaker 1: now I've moved into a house which has got an unrenovated.

895
00:41:23,600 --> 00:41:25,600
Speaker 1: We know it's a good kitchen, but it's not as

896
00:41:25,640 --> 00:41:26,879
Speaker 1: good as the kitchen I left.

897
00:41:26,920 --> 00:41:30,080
Speaker 2: And you get stamped duty, renovation, moving costs, all of that.

898
00:41:30,960 --> 00:41:35,000
Speaker 4: Yeah, It's a term expensive thing, isn't it. Moving? So

899
00:41:35,320 --> 00:41:37,719
Speaker 4: sometimes it really is in their best interest to stay

900
00:41:37,760 --> 00:41:39,520
Speaker 4: exactly where they are. But you know, I have to

901
00:41:39,560 --> 00:41:41,640
Speaker 4: say there are other times where I totally get it.

902
00:41:41,719 --> 00:41:43,520
Speaker 4: I can see why they would want to move on.

903
00:41:43,840 --> 00:41:46,279
Speaker 4: And when I hear the amount of money, you know,

904
00:41:46,400 --> 00:41:49,640
Speaker 4: that they've made through the renovation that I've done for them.

905
00:41:49,880 --> 00:41:53,080
Speaker 4: You know, I sometimes privately think to myself, my God,

906
00:41:53,120 --> 00:41:54,080
Speaker 4: if I was you, i'd move.

907
00:41:54,400 --> 00:41:56,000
Speaker 2: It must be very half of them though, when they

908
00:41:56,080 --> 00:41:59,000
Speaker 2: see their own house looking amazing to still choose to go.

909
00:41:59,080 --> 00:42:01,600
Speaker 2: It's easier that you'd you move and you don't look back.

910
00:42:01,640 --> 00:42:04,200
Speaker 2: It's very hard to see a good job done on

911
00:42:04,200 --> 00:42:04,440
Speaker 2: on it.

912
00:42:05,280 --> 00:42:07,640
Speaker 4: Well, yes it is. I think that happens a lot.

913
00:42:08,040 --> 00:42:11,120
Speaker 4: They're very torn at the final decision. But of course,

914
00:42:11,160 --> 00:42:13,399
Speaker 4: you know, Andrew, my co host, has shown them all

915
00:42:13,400 --> 00:42:17,080
Speaker 4: this amazing real estate. He's tempted them with all these

916
00:42:17,320 --> 00:42:19,880
Speaker 4: shiny ball balls, all the things that they could afford

917
00:42:19,920 --> 00:42:23,920
Speaker 4: if they were to sell. So there's always a genuine

918
00:42:24,000 --> 00:42:26,400
Speaker 4: dilemma and a sense of jeopardy there. And you know,

919
00:42:26,520 --> 00:42:29,800
Speaker 4: Andrew and I actually never know which way the couple

920
00:42:29,880 --> 00:42:32,200
Speaker 4: is going to go until that very moment when we're

921
00:42:32,200 --> 00:42:34,480
Speaker 4: standing in front of them and we asked the question,

922
00:42:34,760 --> 00:42:37,520
Speaker 4: we don't want to know. We asked the producers not

923
00:42:37,560 --> 00:42:39,520
Speaker 4: to tell us which way they're going to go. So

924
00:42:39,560 --> 00:42:42,000
Speaker 4: it's a genuine reveal moment for us as well.

925
00:42:42,400 --> 00:42:46,440
Speaker 2: What's got an interesting sideline here? You've got some home

926
00:42:46,480 --> 00:42:49,480
Speaker 2: fragrances that you've named after your dogs. Do they smell

927
00:42:49,600 --> 00:42:50,240
Speaker 2: like dogs?

928
00:42:52,520 --> 00:42:57,319
Speaker 4: No, fortunately they don't. They don't. Yeah. I decided that

929
00:42:57,360 --> 00:42:59,880
Speaker 4: when I was adding candles and home fragrances into my

930
00:43:00,040 --> 00:43:04,360
Speaker 4: home wares range, it will be lovely to pay tribute

931
00:43:04,400 --> 00:43:07,160
Speaker 4: to the dogs. So yes, I've got an Otis, a

932
00:43:07,280 --> 00:43:11,760
Speaker 4: te Bow, and a mister Graham, and the smell smell

933
00:43:11,840 --> 00:43:15,359
Speaker 4: like the dogs, but they're fragrances that are inspired by

934
00:43:15,440 --> 00:43:18,919
Speaker 4: the dog's characters, like mister Graham, for example, he loves

935
00:43:18,920 --> 00:43:22,400
Speaker 4: the run on the beach, so that particular fragrance is

936
00:43:22,560 --> 00:43:25,200
Speaker 4: very sort of fresh and smells a bit like the ocean.

937
00:43:26,280 --> 00:43:28,520
Speaker 2: I've got two friends that I went to Tokyo with

938
00:43:28,600 --> 00:43:31,440
Speaker 2: many years ago, and they bought this beautiful fragrance that

939
00:43:31,440 --> 00:43:33,440
Speaker 2: they were spraying on themselves, and we went back to

940
00:43:33,440 --> 00:43:35,880
Speaker 2: Tokyo ten years later. They'd run out of this, couldn't

941
00:43:35,880 --> 00:43:38,239
Speaker 2: find it anywhere. They went back to the store and said,

942
00:43:38,239 --> 00:43:40,760
Speaker 2: do you still sell this? And they said, oh, this home,

943
00:43:40,840 --> 00:43:44,239
Speaker 2: this room deodorizer, Yes we do. They've been spraying it

944
00:43:44,480 --> 00:43:46,280
Speaker 2: on themselves for ten years.

945
00:43:47,920 --> 00:43:49,680
Speaker 1: Thanks, Hilarius Good.

946
00:43:50,320 --> 00:43:52,120
Speaker 2: Maybe you could put a hint of mister Graham behind

947
00:43:52,160 --> 00:43:53,040
Speaker 2: your ears.

948
00:43:53,840 --> 00:43:56,080
Speaker 4: And there'll be another one coming because I've added another

949
00:43:56,160 --> 00:43:59,040
Speaker 4: dog to our lives. The range was designed, but there's

950
00:43:59,040 --> 00:44:02,080
Speaker 4: going to be a fourth dog fragrance called Teddy coming

951
00:44:02,160 --> 00:44:03,080
Speaker 4: up sometime soon.

952
00:44:03,280 --> 00:44:04,200
Speaker 1: Smells like Teddy.

953
00:44:05,239 --> 00:44:07,040
Speaker 2: I have to be careful what you call your dog.

954
00:44:09,200 --> 00:44:11,600
Speaker 1: Well, I'm pleased. I'm pleased to hear that the feature

955
00:44:11,640 --> 00:44:14,320
Speaker 1: wall is back. What about the feature naked Lady tyle?

956
00:44:14,400 --> 00:44:15,520
Speaker 1: Will that ever come back?

957
00:44:16,440 --> 00:44:16,640
Speaker 11: Oh?

958
00:44:16,719 --> 00:44:19,160
Speaker 4: I know exactly what you mean. No, I don't think

959
00:44:19,200 --> 00:44:21,120
Speaker 4: it will, you know, no, I think we've moved on

960
00:44:21,280 --> 00:44:24,440
Speaker 4: with our tile taste. Tiles have become pretty sophisticated. But

961
00:44:24,480 --> 00:44:26,360
Speaker 4: I grew up with those tiles too in England in

962
00:44:26,400 --> 00:44:28,640
Speaker 4: the seventies. I know exactly what you're talking about.

963
00:44:28,719 --> 00:44:31,840
Speaker 1: What was with the naked lady tyle? However, naked lady wallpaper,

964
00:44:31,840 --> 00:44:34,000
Speaker 1: it was just a thing in the seventies. Was it

965
00:44:33,520 --> 00:44:37,400
Speaker 1: just a thing? Neil? Thank you?

966
00:44:38,719 --> 00:44:40,719
Speaker 4: Oh no, look at it. It's a pleasure. I would

967
00:44:40,719 --> 00:44:42,920
Speaker 4: love to talk tiles and feature walls with you guys

968
00:44:42,920 --> 00:44:43,600
Speaker 4: all morning, but.

969
00:44:45,640 --> 00:44:52,680
Speaker 1: You've fragrance is to crack open. It returns tonight Graham,

970
00:44:52,719 --> 00:44:57,360
Speaker 1: mister Graham, just Graham, not mister Graham, tonight eight thirty

971
00:44:57,719 --> 00:44:59,520
Speaker 1: on Foxtale near what he could think.

972
00:44:59,640 --> 00:45:01,920
Speaker 2: Nice talk to you, Neil Gers.

973
00:45:02,000 --> 00:45:02,239
Speaker 4: Guys.

974
00:45:02,600 --> 00:45:04,719
Speaker 2: Okay, see you're by sham.

975
00:45:06,800 --> 00:45:09,520
Speaker 1: God again right now.

976
00:45:11,400 --> 00:45:15,280
Speaker 6: Now go to your windowsick your head on a yell.

977
00:45:19,320 --> 00:45:21,879
Speaker 1: Down to the jonesy demand of rams to the pub test,

978
00:45:22,400 --> 00:45:25,120
Speaker 1: rapid andigen testing. Does it pass the pub test?

979
00:45:25,160 --> 00:45:29,480
Speaker 2: From November one? I think we the medical regulator has

980
00:45:29,480 --> 00:45:32,680
Speaker 2: announced would they have been approved for home use? These

981
00:45:32,719 --> 00:45:36,200
Speaker 2: are the kids where you test yourself or you get

982
00:45:36,200 --> 00:45:38,560
Speaker 2: tested and it takes just twenty minutes for a result

983
00:45:38,600 --> 00:45:39,239
Speaker 2: to come back.

984
00:45:39,520 --> 00:45:41,080
Speaker 1: Are these free? No?

985
00:45:41,440 --> 00:45:43,600
Speaker 2: I think it might be twenty bucks ago, right, so you.

986
00:45:43,640 --> 00:45:45,600
Speaker 1: Know the ones that we do now, I'm pretty sure

987
00:45:45,640 --> 00:45:46,720
Speaker 1: that's eighty five bucks.

988
00:45:46,719 --> 00:45:49,200
Speaker 2: The government covers that eighty five bucks ago. I wonder

989
00:45:49,200 --> 00:45:50,920
Speaker 2: if you'd have to pay for these ones yourself. But

990
00:45:50,960 --> 00:45:53,080
Speaker 2: a big part of this is it already they're used

991
00:45:53,160 --> 00:45:56,040
Speaker 2: in many industries at the moment, but it only picks

992
00:45:56,120 --> 00:45:59,279
Speaker 2: up a high viral load, so you have to maybe

993
00:45:59,360 --> 00:46:02,799
Speaker 2: test yourself every couple of days to see if you

994
00:46:02,880 --> 00:46:05,799
Speaker 2: have it, because you may have coronavirus but you haven't

995
00:46:05,800 --> 00:46:07,719
Speaker 2: built up to your biggest load yet and it won't

996
00:46:07,760 --> 00:46:10,440
Speaker 2: detect that. It's not as specific as the ones you

997
00:46:10,480 --> 00:46:12,520
Speaker 2: do that take a variety of hours a day or

998
00:46:12,520 --> 00:46:13,239
Speaker 2: so to get back.

999
00:46:13,400 --> 00:46:16,240
Speaker 1: Will they be used responsibly? Well, say the home breath

1000
00:46:16,280 --> 00:46:16,960
Speaker 1: testing kit.

1001
00:46:17,200 --> 00:46:19,239
Speaker 2: Yeah, you're doing it at home, so you're not in

1002
00:46:19,239 --> 00:46:21,799
Speaker 2: a workplace where there's someone who monitors your result and

1003
00:46:21,880 --> 00:46:24,319
Speaker 2: follows up your result with you. And if you have

1004
00:46:24,480 --> 00:46:26,919
Speaker 2: COVID here with the protocols, you're doing it at home.

1005
00:46:27,040 --> 00:46:30,480
Speaker 2: What does that mean? So rapid androgen testing? What do

1006
00:46:30,520 --> 00:46:31,919
Speaker 2: you think does it pass the pub test?

1007
00:46:32,080 --> 00:46:35,400
Speaker 12: I've been it's a definite place for it because I

1008
00:46:35,440 --> 00:46:37,520
Speaker 12: had a test a few months ago and I had

1009
00:46:37,560 --> 00:46:39,080
Speaker 12: to be off work for five days.

1010
00:46:39,120 --> 00:46:40,000
Speaker 4: So if I'd had.

1011
00:46:39,840 --> 00:46:42,160
Speaker 10: That at home, and assuming that everyone that.

1012
00:46:42,160 --> 00:46:46,120
Speaker 12: Uses them has enormous integrity and honesty, it will be good.

1013
00:46:46,520 --> 00:46:49,680
Speaker 9: No, not at all. I mean, seriously, people aren't coming

1014
00:46:49,719 --> 00:46:52,879
Speaker 9: forward when they're sick already. Can you imagine them doing

1015
00:46:52,880 --> 00:46:57,840
Speaker 9: the finding out their positives and not doing anything about it.

1016
00:46:57,840 --> 00:47:01,239
Speaker 8: It does because I'm currently doing that for work is mandatory.

1017
00:47:01,400 --> 00:47:03,480
Speaker 9: I have to do it every single morning, and I

1018
00:47:03,520 --> 00:47:05,000
Speaker 9: have to send the photter through to my boss to

1019
00:47:05,000 --> 00:47:05,879
Speaker 9: say that I can come to work.

1020
00:47:06,280 --> 00:47:09,360
Speaker 1: Wow. Coming up on the show, we're going to be

1021
00:47:09,440 --> 00:47:12,160
Speaker 1: joined by William Shatner. Remember the last time William Shatner

1022
00:47:12,200 --> 00:47:14,880
Speaker 1: was on the show Lucy Goosey. And it's going to

1023
00:47:14,920 --> 00:47:18,360
Speaker 1: be a zoom meeting as well. With William, It's break

1024
00:47:18,360 --> 00:47:22,800
Speaker 1: out their breads and the croissants.

1025
00:47:22,960 --> 00:47:23,600
Speaker 3: Comcast.

1026
00:47:23,960 --> 00:47:26,920
Speaker 2: Do you think you're a little OCD?

1027
00:47:27,680 --> 00:47:29,040
Speaker 1: What do you mean? What have you heard?

1028
00:47:30,440 --> 00:47:33,560
Speaker 2: I'm not much. I've mentioned this before that I have

1029
00:47:33,680 --> 00:47:36,960
Speaker 2: to buy things in even numbers. I can't buy three oranges,

1030
00:47:36,960 --> 00:47:39,319
Speaker 2: I have to get two or four. If I take

1031
00:47:39,360 --> 00:47:41,080
Speaker 2: a slurp out of the tap in the middle of

1032
00:47:41,120 --> 00:47:43,239
Speaker 2: the night, if I've had a salty meal drinking out

1033
00:47:43,280 --> 00:47:46,279
Speaker 2: of the toilet like the dog, I'll I have to

1034
00:47:46,320 --> 00:47:49,760
Speaker 2: take eight slurps or six. I can't down to odd numbers.

1035
00:47:49,760 --> 00:47:53,160
Speaker 2: Odd numbers, But I think I think I'm getting worse

1036
00:47:53,600 --> 00:47:57,520
Speaker 2: because I've become the person that does this, the person

1037
00:47:57,560 --> 00:48:00,600
Speaker 2: has to check on things. We've got a a spare

1038
00:48:00,680 --> 00:48:04,800
Speaker 2: fridge in the garage downstairs, and there's a small freezer

1039
00:48:04,800 --> 00:48:06,759
Speaker 2: in there. And I went to get something out of

1040
00:48:06,800 --> 00:48:08,319
Speaker 2: the freezer the other day and I went back up

1041
00:48:08,360 --> 00:48:10,879
Speaker 2: to the top of the stairs and I thought, did

1042
00:48:10,880 --> 00:48:11,840
Speaker 2: I close that door?

1043
00:48:11,920 --> 00:48:13,080
Speaker 1: Oh? Yeah.

1044
00:48:13,520 --> 00:48:15,560
Speaker 2: I went back down and just looked from the doorway.

1045
00:48:16,400 --> 00:48:19,200
Speaker 2: I thought, yep, that looks closed. Went back upstairs and

1046
00:48:19,239 --> 00:48:22,799
Speaker 2: I thought I didn't actually check. Yeah, went back down

1047
00:48:22,840 --> 00:48:25,279
Speaker 2: the stairs. Of course it was closed, but I had

1048
00:48:25,280 --> 00:48:28,120
Speaker 2: to push it to make sure. At night when I

1049
00:48:28,120 --> 00:48:31,640
Speaker 2: set my alarm for four o'clock in the morning, I

1050
00:48:31,840 --> 00:48:35,399
Speaker 2: check it, turn the phone off, check it again during

1051
00:48:35,400 --> 00:48:38,560
Speaker 2: the night, check it. I'm getting worse. Does that happen

1052
00:48:38,600 --> 00:48:39,320
Speaker 2: as you get older?

1053
00:48:39,719 --> 00:48:41,879
Speaker 1: I used to be like that all the time, very

1054
00:48:41,880 --> 00:48:44,000
Speaker 1: oced each you've gone the other way? Locked doors and

1055
00:48:44,040 --> 00:48:45,440
Speaker 1: things like that. Well, what I do. I've got a

1056
00:48:45,440 --> 00:48:47,560
Speaker 1: remedy because I spoke to a guy, an expert in

1057
00:48:47,600 --> 00:48:49,920
Speaker 1: this field, and he said, what you've got to do

1058
00:48:49,960 --> 00:48:51,680
Speaker 1: is you've got to break the cycle. So when you

1059
00:48:51,760 --> 00:48:56,239
Speaker 1: lock the door, you actually I actually mentally zone in

1060
00:48:56,280 --> 00:48:59,000
Speaker 1: on the door being locked, and then when I walk

1061
00:48:59,040 --> 00:49:02,759
Speaker 1: away from it. He said, to ask yourself, like to

1062
00:49:03,160 --> 00:49:05,040
Speaker 1: mentally picture you locking the door.

1063
00:49:05,239 --> 00:49:07,080
Speaker 2: The hard thing is if you do the same action

1064
00:49:07,200 --> 00:49:11,400
Speaker 2: every time. For example, I think, was I drive away

1065
00:49:11,400 --> 00:49:15,000
Speaker 2: from the house. Have I used the garage closed to

1066
00:49:15,040 --> 00:49:17,600
Speaker 2: close the door? I'll go around the block to check.

1067
00:49:18,040 --> 00:49:19,839
Speaker 2: Because if it's the same action every day, you think,

1068
00:49:19,840 --> 00:49:22,160
Speaker 2: am I remembering myself doing it today? Or is that

1069
00:49:22,200 --> 00:49:22,680
Speaker 2: another day?

1070
00:49:22,760 --> 00:49:23,800
Speaker 1: Yeah, that's a tough one.

1071
00:49:24,000 --> 00:49:26,239
Speaker 2: You know what I heard. You could do? Also, is

1072
00:49:26,280 --> 00:49:27,960
Speaker 2: you either when you do it, you pull on your

1073
00:49:27,960 --> 00:49:33,160
Speaker 2: ear or you squawk like a chicken and you remember

1074
00:49:33,320 --> 00:49:38,359
Speaker 2: the moment. Because you've done that, your neighbors will probably remember.

1075
00:49:38,680 --> 00:49:41,320
Speaker 1: That nut job next to us squawking.

1076
00:49:41,160 --> 00:49:43,360
Speaker 2: And she can see the eggs she laid on our doorstep.

1077
00:49:44,440 --> 00:49:46,200
Speaker 1: It doesn't affect my wife. She drives out of the

1078
00:49:46,239 --> 00:49:47,920
Speaker 1: house like she's in Batman?

1079
00:49:48,600 --> 00:49:51,080
Speaker 2: Does she expect it's like the thunderbird.

1080
00:49:52,880 --> 00:49:56,680
Speaker 1: Bang. She's gone and the door doesn't shine it or anything.

1081
00:49:56,800 --> 00:49:58,919
Speaker 2: She needs a bit more of it. I needed less

1082
00:49:58,920 --> 00:49:59,160
Speaker 2: of it?

1083
00:49:59,719 --> 00:50:02,680
Speaker 1: Is what imagine Batman he and exits the bat cave.

1084
00:50:02,760 --> 00:50:05,200
Speaker 2: Imagine if he panicked? Have I closed the bat cave?

1085
00:50:05,440 --> 00:50:08,080
Speaker 1: I'm in a joker. Listen I'll be back at a minute.

1086
00:50:08,120 --> 00:50:10,000
Speaker 2: I've got some sausages out of the freezer. I just

1087
00:50:10,040 --> 00:50:10,520
Speaker 2: wanted to check.

1088
00:50:10,560 --> 00:50:12,719
Speaker 1: Bringing in Robin Robert, can you see if I left

1089
00:50:12,760 --> 00:50:13,200
Speaker 1: the Iron?

1090
00:50:13,200 --> 00:50:20,560
Speaker 2: On podcast, we are shaffed to catch up with our

1091
00:50:20,560 --> 00:50:24,200
Speaker 2: next guest. He's the Hollywood heavyweight we've been watching for decades,

1092
00:50:24,239 --> 00:50:27,239
Speaker 2: most notably as your favorite character from Star Trek, but

1093
00:50:27,400 --> 00:50:30,440
Speaker 2: hundreds of shows, dozens of movies. He's got a new

1094
00:50:30,480 --> 00:50:33,359
Speaker 2: film called Senior Moment, and we hope he's not having

1095
00:50:33,400 --> 00:50:35,760
Speaker 2: one right now because he's on the wireless. William Shatner

1096
00:50:35,880 --> 00:50:36,320
Speaker 2: a loss.

1097
00:50:37,760 --> 00:50:38,520
Speaker 6: Who are you trying to do?

1098
00:50:39,600 --> 00:50:39,759
Speaker 8: Oh?

1099
00:50:39,760 --> 00:50:43,319
Speaker 6: That's a Senior Moment? Okay, trying to be funny and

1100
00:50:43,360 --> 00:50:46,080
Speaker 6: the music is Jonesy and Amanda are funny.

1101
00:50:46,239 --> 00:50:49,439
Speaker 2: Well, well, sometimes we try our best, but we also

1102
00:50:49,640 --> 00:50:51,680
Speaker 2: like to be meeting. Let's get to the meat of

1103
00:50:52,239 --> 00:50:53,839
Speaker 2: William Shatner as it were.

1104
00:50:54,800 --> 00:50:57,680
Speaker 6: Senior Moments is the name of the film. Yeah, since

1105
00:50:57,680 --> 00:51:03,760
Speaker 6: you guys are in lock up, it's available for drigital

1106
00:51:03,920 --> 00:51:08,680
Speaker 6: rental and purchase. Yeah, and October twentieth is when it

1107
00:51:08,719 --> 00:51:11,520
Speaker 6: comes on. And if you want to laugh while you're

1108
00:51:11,560 --> 00:51:15,960
Speaker 6: all sad because you can't go out, get senior moments.

1109
00:51:16,000 --> 00:51:17,759
Speaker 6: It's filled with laughs and you'll have a good time.

1110
00:51:17,800 --> 00:51:20,680
Speaker 1: Well, I've already seen it, and you play Victor, a

1111
00:51:20,719 --> 00:51:24,440
Speaker 1: retired pilot who is in love with these cars, a

1112
00:51:24,480 --> 00:51:27,520
Speaker 1: poor spider, and you're a bit of a lead foot

1113
00:51:27,520 --> 00:51:29,959
Speaker 1: where your characters are lead foot, and your license gets

1114
00:51:30,000 --> 00:51:35,040
Speaker 1: taken away and your life well yeah, and you're in

1115
00:51:35,120 --> 00:51:38,480
Speaker 1: Palm Springs, which is like a large retirement community, and

1116
00:51:38,520 --> 00:51:39,960
Speaker 1: you don't want to be one of those old guys

1117
00:51:40,280 --> 00:51:44,200
Speaker 1: driving around in one of those little mobility scooters.

1118
00:51:45,120 --> 00:51:48,520
Speaker 6: On a little scooter pushing the scooter. Yeah, don't want

1119
00:51:48,520 --> 00:51:52,560
Speaker 6: to do that. Yes, So you've just talked about the plot.

1120
00:51:52,760 --> 00:51:54,840
Speaker 6: Now I got to get my car back or my

1121
00:51:55,440 --> 00:51:59,959
Speaker 6: mojo back, and I meet Jeane Smart and she's got

1122
00:52:00,040 --> 00:52:01,200
Speaker 6: plenty of mojo despair.

1123
00:52:01,440 --> 00:52:01,920
Speaker 1: Yeah.

1124
00:52:02,120 --> 00:52:04,600
Speaker 2: Is she your love interest, the fabulous Jane Smart.

1125
00:52:04,600 --> 00:52:05,280
Speaker 1: It's beautiful.

1126
00:52:05,719 --> 00:52:10,200
Speaker 6: Yes, she's fabulous. Yes, she is the love interest. She's

1127
00:52:10,320 --> 00:52:14,280
Speaker 6: very funny too, by the way, and she's a great combination.

1128
00:52:14,320 --> 00:52:19,000
Speaker 6: It's a lovely, lovely lady and Christopher Lloyd, who is

1129
00:52:19,360 --> 00:52:22,719
Speaker 6: also extremely funny. So the three of us had a

1130
00:52:22,719 --> 00:52:23,160
Speaker 6: good time.

1131
00:52:23,719 --> 00:52:23,880
Speaker 4: You know.

1132
00:52:23,960 --> 00:52:26,799
Speaker 6: What was interesting for me was that, as you mentioned it,

1133
00:52:26,800 --> 00:52:29,040
Speaker 6: was in Palm Springs, was about one hundred miles from

1134
00:52:29,080 --> 00:52:32,680
Speaker 6: Los Angeles, and so too far to drive come home

1135
00:52:32,719 --> 00:52:35,560
Speaker 6: at night. So I stayed in a hotel except for weekends,

1136
00:52:35,560 --> 00:52:39,120
Speaker 6: and I'd come back on the weekend. But staying alone

1137
00:52:39,200 --> 00:52:42,319
Speaker 6: in a hotel room with just this big job to

1138
00:52:42,400 --> 00:52:47,040
Speaker 6: do every morning, get up six thirty and go to

1139
00:52:47,080 --> 00:52:51,560
Speaker 6: bed at eight nine o'clock, learn the words, figure out

1140
00:52:51,560 --> 00:52:55,520
Speaker 6: where to go and what to do. I approached it

1141
00:52:55,640 --> 00:52:57,480
Speaker 6: like a monk. I approached it like I used to

1142
00:52:57,560 --> 00:52:59,800
Speaker 6: when I was a kid and didn't have to answer

1143
00:52:59,840 --> 00:53:03,240
Speaker 6: the orbell or you know, write a letter or whatever.

1144
00:53:04,520 --> 00:53:07,879
Speaker 6: I my sole focus was on this film. So I'm

1145
00:53:07,920 --> 00:53:11,080
Speaker 6: delighted it's gotten the wonderful reviews it has, and if

1146
00:53:11,080 --> 00:53:13,680
Speaker 6: you had a laugh or two, I'm delighted because that

1147
00:53:13,760 --> 00:53:15,640
Speaker 6: attention I think paid off.

1148
00:53:15,800 --> 00:53:19,160
Speaker 1: Yeah, and the car, the poor Spider, is that the

1149
00:53:19,200 --> 00:53:21,640
Speaker 1: similar one to what James Dean was killed in.

1150
00:53:21,960 --> 00:53:28,760
Speaker 6: Oh, you know, you're right, we don't know what happened

1151
00:53:28,760 --> 00:53:32,040
Speaker 6: to that car. That car is a good car. That

1152
00:53:32,080 --> 00:53:35,040
Speaker 6: car is. That car is a racing car. It's a solid,

1153
00:53:35,640 --> 00:53:40,399
Speaker 6: solid car, old now, but in its time. He had

1154
00:53:40,400 --> 00:53:44,759
Speaker 6: a crash and he got killed in the crash and

1155
00:53:44,840 --> 00:53:48,960
Speaker 6: that shouldn't have happened. So maybe he was Maybe you speeding,

1156
00:53:49,040 --> 00:53:52,560
Speaker 6: I mean speeding in that car is I don't know

1157
00:53:52,560 --> 00:53:55,160
Speaker 6: what it is? Kilometers one hundred and sixty kilometers an

1158
00:53:55,200 --> 00:53:56,479
Speaker 6: hour is that's quick.

1159
00:53:56,719 --> 00:54:01,240
Speaker 2: If you're a fan of speed, not the drug, Brendan,

1160
00:54:01,280 --> 00:54:01,960
Speaker 2: you don't need to look at me.

1161
00:54:02,320 --> 00:54:04,680
Speaker 1: Sorry, that's right in my speed.

1162
00:54:05,400 --> 00:54:07,880
Speaker 2: Tell me about this story I've heard about you going

1163
00:54:07,920 --> 00:54:11,320
Speaker 2: into space with Jeff Bezis.

1164
00:54:12,719 --> 00:54:15,319
Speaker 6: The problem is I can't talk about it because we're

1165
00:54:15,360 --> 00:54:17,839
Speaker 6: in the middle of something. So I got it. I

1166
00:54:17,840 --> 00:54:21,719
Speaker 6: got it, just like close the conversation. But if I

1167
00:54:21,840 --> 00:54:25,399
Speaker 6: have the opportunity to talk to you again, I will

1168
00:54:25,400 --> 00:54:29,520
Speaker 6: tell you about it because it could be something quite

1169
00:54:29,560 --> 00:54:33,719
Speaker 6: extraordinary for me. So let me get off that subject, okay.

1170
00:54:33,480 --> 00:54:35,880
Speaker 1: Of course, because I would have imagined you would have

1171
00:54:35,880 --> 00:54:37,719
Speaker 1: already been to space, like I know you did it

1172
00:54:37,760 --> 00:54:38,800
Speaker 1: in the show.

1173
00:54:38,960 --> 00:54:40,080
Speaker 2: But no, that was a show.

1174
00:54:40,360 --> 00:54:41,040
Speaker 1: It was a show.

1175
00:54:42,080 --> 00:54:44,799
Speaker 6: Yeah, No, I sat in the pretent chair and they

1176
00:54:44,880 --> 00:54:46,240
Speaker 6: made noises.

1177
00:54:45,840 --> 00:54:50,440
Speaker 2: Like moment for the sliding doors.

1178
00:54:51,719 --> 00:54:54,600
Speaker 1: Your your character in this is well I noticed is

1179
00:54:55,440 --> 00:54:58,919
Speaker 1: seventy two, so you're you're playing younger in this.

1180
00:55:00,400 --> 00:55:03,759
Speaker 6: It's it's a far reach. It's a long jump for

1181
00:55:03,880 --> 00:55:09,240
Speaker 6: me to play seven. I can't tell you from your perspective,

1182
00:55:09,239 --> 00:55:11,959
Speaker 6: it's one thing, but from my perspective, like I don't

1183
00:55:12,000 --> 00:55:17,120
Speaker 6: think I think ninety is like I can't even imagine ninety.

1184
00:55:17,280 --> 00:55:21,960
Speaker 6: I'm thinking thirty thirty five. You know, I'm riding horses

1185
00:55:21,960 --> 00:55:26,160
Speaker 6: in competition. I'm driving fast cars. What did I do recently?

1186
00:55:26,480 --> 00:55:31,759
Speaker 6: I was Porsche. There's a Porsche track in Los Angeles. No,

1187
00:55:31,880 --> 00:55:33,919
Speaker 6: it was somebody said, let's go to the Porsche track.

1188
00:55:33,960 --> 00:55:36,719
Speaker 6: And I go, and you know, and I'm driving the

1189
00:55:36,840 --> 00:55:39,920
Speaker 6: Porsche track and the guy saying, hey, that's fast, and

1190
00:55:40,000 --> 00:55:43,279
Speaker 6: I'm because I have learned. I've been taught how to

1191
00:55:43,320 --> 00:55:46,239
Speaker 6: go fast, you know, to find the apex slowly in

1192
00:55:46,440 --> 00:55:49,279
Speaker 6: fast out, I was kidding the instructors, saying, you mean

1193
00:55:49,440 --> 00:55:54,880
Speaker 6: fast and slowt now seeing your moment, you know, And

1194
00:55:56,400 --> 00:56:02,359
Speaker 6: so I'm I'm a fan of going speeding along. Last year,

1195
00:56:02,440 --> 00:56:05,040
Speaker 6: I was on tour with a thing and I was

1196
00:56:05,080 --> 00:56:08,200
Speaker 6: four hundred miles away from the next venue and it

1197
00:56:08,239 --> 00:56:10,840
Speaker 6: was either get up that morning and take a plane

1198
00:56:10,920 --> 00:56:14,359
Speaker 6: or train or something, and I said, no, let's drive it.

1199
00:56:14,600 --> 00:56:17,640
Speaker 6: So ten thirty the curtain came down. We jumped in

1200
00:56:17,680 --> 00:56:19,839
Speaker 6: a rental car the guy running the show for me,

1201
00:56:20,200 --> 00:56:23,080
Speaker 6: and I was driving. He didn't drive, And I drove

1202
00:56:23,160 --> 00:56:25,759
Speaker 6: four hundred miles at one hundred miles an hour in

1203
00:56:25,800 --> 00:56:28,760
Speaker 6: an American car. And I say that because an American

1204
00:56:28,760 --> 00:56:32,560
Speaker 6: car is big and heavy and cling. So I could

1205
00:56:32,640 --> 00:56:38,040
Speaker 6: feel as we went along essentially the Autuba, these big

1206
00:56:38,080 --> 00:56:41,040
Speaker 6: broad highways, and it was in the Midwest, and you

1207
00:56:41,080 --> 00:56:46,799
Speaker 6: could feel the wheels, the adhesion just beginning. And three

1208
00:56:46,880 --> 00:56:51,440
Speaker 6: times I learned that cops can tell your speed. Cops

1209
00:56:51,520 --> 00:56:53,719
Speaker 6: coming this way, you're going that way, they can tell

1210
00:56:53,760 --> 00:56:54,240
Speaker 6: your speed.

1211
00:56:54,280 --> 00:56:57,960
Speaker 1: What you've just lent these? What you just lent these?

1212
00:56:58,880 --> 00:57:02,000
Speaker 1: That's been a renfaye. Did you know what? Well, when

1213
00:57:02,000 --> 00:57:04,120
Speaker 1: you're going along fast and the coppers are coming in

1214
00:57:04,120 --> 00:57:05,440
Speaker 1: out of the way, you know that they can tell

1215
00:57:05,480 --> 00:57:05,960
Speaker 1: you speed?

1216
00:57:06,520 --> 00:57:09,640
Speaker 6: Well I did. Why would I know that? Well, I

1217
00:57:09,760 --> 00:57:15,080
Speaker 6: just I've never been arrested. I didn't know. I've never

1218
00:57:15,200 --> 00:57:18,680
Speaker 6: I've never been stopped. All of a sudden behind me

1219
00:57:18,760 --> 00:57:22,240
Speaker 6: and the guy stops, thinking well and he takes my

1220
00:57:22,320 --> 00:57:24,560
Speaker 6: license to come into the car. I go into the

1221
00:57:24,560 --> 00:57:26,720
Speaker 6: car and as I pull the door open, the light

1222
00:57:26,800 --> 00:57:29,800
Speaker 6: goes off and my fight face is lit he says,

1223
00:57:29,880 --> 00:57:36,400
Speaker 6: no ship Shatner and and I'm off it happened three

1224
00:57:36,520 --> 00:57:37,760
Speaker 6: times in the whole.

1225
00:57:39,040 --> 00:57:40,880
Speaker 2: I feel sorry for the guy sitting next to you

1226
00:57:40,920 --> 00:57:43,880
Speaker 2: in that car. What hell of the day he was

1227
00:57:43,880 --> 00:57:45,520
Speaker 2: at to sleep?

1228
00:57:46,480 --> 00:57:49,400
Speaker 1: I feel sorry for the rental company car for the people.

1229
00:57:49,440 --> 00:57:55,040
Speaker 6: Then well there with stuntman. That stunt men will go

1230
00:57:55,040 --> 00:57:58,440
Speaker 6: out and rent a car and you'll play with it

1231
00:57:58,600 --> 00:58:00,760
Speaker 6: is like rehearse a move that they're going to make

1232
00:58:01,520 --> 00:58:04,760
Speaker 6: on film. The next day they'll write a car and

1233
00:58:04,800 --> 00:58:06,840
Speaker 6: then next day you rendered.

1234
00:58:09,440 --> 00:58:11,479
Speaker 1: Well, I'm going to put that on my coffee cup.

1235
00:58:11,640 --> 00:58:15,720
Speaker 1: No shit chat now, I think that's William. It's great

1236
00:58:15,720 --> 00:58:19,440
Speaker 1: to talk to you, senior moments on your streaming platforms

1237
00:58:19,440 --> 00:58:22,760
Speaker 1: from October twenty which sounds a little bit odd streaming

1238
00:58:22,760 --> 00:58:24,680
Speaker 1: platforms thought we talking about.

1239
00:58:25,280 --> 00:58:28,360
Speaker 2: We'll go with it this, William. It was a pleasure

1240
00:58:28,400 --> 00:58:30,240
Speaker 2: to talk to you. You take care and next time

1241
00:58:30,280 --> 00:58:32,320
Speaker 2: we talk to you, tell us about your new project.

1242
00:58:32,360 --> 00:58:35,960
Speaker 6: Yes, I will I've got all kinds like a new

1243
00:58:36,000 --> 00:58:40,400
Speaker 6: album called Bill. You got to play it. Oh, it's

1244
00:58:40,440 --> 00:58:42,600
Speaker 6: the best thing I've ever done. It's getting the kind

1245
00:58:42,600 --> 00:58:44,080
Speaker 6: of reviews I've never had before.

1246
00:58:44,760 --> 00:58:46,680
Speaker 2: So much to discuss, So I will save that for

1247
00:58:46,800 --> 00:58:50,880
Speaker 2: next time. Yep, thank you so much. You take care.

1248
00:58:51,120 --> 00:58:52,040
Speaker 1: Over and out.

1249
00:58:53,680 --> 00:58:56,680
Speaker 3: Jonesy and Amanda podcast.

1250
00:59:01,080 --> 00:59:01,800
Speaker 1: Scene stealers.

1251
00:59:01,840 --> 00:59:03,960
Speaker 2: Absolutely, we're going to act out a scene from a

1252
00:59:04,000 --> 00:59:06,240
Speaker 2: movie or a TV show. Tell us where it's from.

1253
00:59:06,240 --> 00:59:08,880
Speaker 2: You get one hundred dollars Hoyt Cinema voucher. We are

1254
00:59:08,960 --> 00:59:11,520
Speaker 2: on the cusp of going back into the movie.

1255
00:59:11,640 --> 00:59:12,800
Speaker 1: It's happening, man.

1256
00:59:13,000 --> 00:59:15,120
Speaker 2: Man, all right, we've got a film. We'll say it's

1257
00:59:15,120 --> 00:59:17,360
Speaker 2: a film because it is a film, and we're going

1258
00:59:17,440 --> 00:59:19,000
Speaker 2: to act it out and you'll tell us what it is.

1259
00:59:19,000 --> 00:59:21,000
Speaker 2: A ready brendan a member? Do you got a color?

1260
00:59:21,120 --> 00:59:22,640
Speaker 2: Do I know where I can do?

1261
00:59:22,720 --> 00:59:26,400
Speaker 1: Yeah? I'm not doing America? Okay, okay, sure get in here.

1262
00:59:26,840 --> 00:59:27,680
Speaker 2: What's up, daddy?

1263
00:59:27,840 --> 00:59:30,720
Speaker 1: What the hell is that address?

1264
00:59:31,320 --> 00:59:32,120
Speaker 2: Calvin Klein?

1265
00:59:32,480 --> 00:59:35,400
Speaker 1: It looks like underwear. Go upstairs and put something over.

1266
00:59:35,840 --> 00:59:36,000
Speaker 4: Duh.

1267
00:59:36,120 --> 00:59:38,920
Speaker 2: I was just going to hey you, anything happens to

1268
00:59:39,000 --> 00:59:39,520
Speaker 2: my daughter?

1269
00:59:39,720 --> 00:59:42,320
Speaker 1: I got a forty five and a shovel. I doubt

1270
00:59:42,400 --> 00:59:44,520
Speaker 1: anyone would miss you.

1271
00:59:44,520 --> 00:59:46,760
Speaker 2: You've made it sound like a gangster film, not a

1272
00:59:46,840 --> 00:59:51,720
Speaker 2: gangster film. Debrasent Akasha Gardens, Hello, Debrah, oh, hel you

1273
00:59:51,840 --> 00:59:54,040
Speaker 2: very well? Any idea what this any clue what this

1274
00:59:54,120 --> 00:59:54,640
Speaker 2: film might be?

1275
00:59:56,440 --> 01:00:00,960
Speaker 7: IM not really sorry, We'll just say a movie, Deborah,

1276
01:00:01,080 --> 01:00:08,400
Speaker 7: any movie?

1277
01:00:08,520 --> 01:00:09,960
Speaker 2: We get to do it again? Do it quickly?

1278
01:00:10,480 --> 01:00:11,840
Speaker 1: Sure? Get in here?

1279
01:00:12,440 --> 01:00:13,280
Speaker 2: What's up, daddy?

1280
01:00:13,360 --> 01:00:15,160
Speaker 1: What the hell is that? Addressed?

1281
01:00:15,440 --> 01:00:17,120
Speaker 2: Says who Calvin Klein.

1282
01:00:17,400 --> 01:00:20,480
Speaker 1: It looks like underwear. Go upstairs and put something over it.

1283
01:00:20,960 --> 01:00:23,480
Speaker 1: I was just going to hey you, anything happens to

1284
01:00:23,560 --> 01:00:26,160
Speaker 1: my daughter? I got a forty five and a shovel.

1285
01:00:26,520 --> 01:00:28,360
Speaker 1: I doubt anyone would miss you.

1286
01:00:28,400 --> 01:00:31,439
Speaker 2: I think you're over egging the New Yorker kind of thing.

1287
01:00:32,000 --> 01:00:34,480
Speaker 1: Let's see if people know I'm working with Bill Collins, now.

1288
01:00:34,520 --> 01:00:37,400
Speaker 2: Nicholes and Silverdale. Hello, Nicole, do you know what it is?

1289
01:00:38,560 --> 01:00:39,920
Speaker 12: Yeah? I think it's clearer.

1290
01:00:39,720 --> 01:00:40,680
Speaker 2: It is clueless.

1291
01:00:40,840 --> 01:00:41,720
Speaker 1: You're right about that.

1292
01:00:41,960 --> 01:00:43,400
Speaker 2: Let's hear how the pros did it?

1293
01:00:44,000 --> 01:00:44,200
Speaker 6: Share?

1294
01:00:44,320 --> 01:00:44,880
Speaker 1: Get in here?

1295
01:00:45,040 --> 01:00:46,800
Speaker 6: What's what the hell is that?

1296
01:00:47,480 --> 01:00:48,000
Speaker 7: Address?

1297
01:00:48,560 --> 01:00:50,240
Speaker 2: Says who Calvin Klein.

1298
01:00:50,520 --> 01:00:53,640
Speaker 1: It looks like underwear. Go upstairs and put something over it.

1299
01:00:54,040 --> 01:00:58,200
Speaker 2: So I was just going to, hey you.

1300
01:00:59,360 --> 01:01:00,640
Speaker 6: Anything happened to my daughter?

1301
01:01:00,720 --> 01:01:03,280
Speaker 1: I got a forty five and a shovel. I doubt

1302
01:01:03,320 --> 01:01:04,240
Speaker 1: anybody would miss you.

1303
01:01:04,680 --> 01:01:08,160
Speaker 2: It's less good Fellas than you made it sound. But yes, Nicole,

1304
01:01:08,200 --> 01:01:09,400
Speaker 2: congratulations and one.

1305
01:01:09,240 --> 01:01:10,880
Speaker 1: Of my funny to you, I'm McLoud.

1306
01:01:11,760 --> 01:01:14,400
Speaker 2: You have one hundred dollars hot cinema voucher. Extra Comfy

1307
01:01:14,400 --> 01:01:16,760
Speaker 2: recliners are just the beginning. The best cinema seats in

1308
01:01:16,800 --> 01:01:19,280
Speaker 2: Sydnea at Houts and pretty soon you'll be able to go.

1309
01:01:19,400 --> 01:01:20,720
Speaker 2: So book now at houts dot com.

1310
01:01:20,720 --> 01:01:23,200
Speaker 1: Today, when this s show is all over, Nicole, you'll

1311
01:01:23,240 --> 01:01:24,080
Speaker 1: be there front and set.

1312
01:01:24,240 --> 01:01:26,400
Speaker 2: I think the cinemas are opening watching.

1313
01:01:26,240 --> 01:01:28,600
Speaker 1: William Shatner's new movie Senior Moments.

1314
01:01:30,240 --> 01:01:30,760
Speaker 12: Thank you.

1315
01:01:30,920 --> 01:01:32,040
Speaker 2: I can watch that one at home.

1316
01:01:32,080 --> 01:01:35,280
Speaker 1: Actually you could have just said, okay, I will.

1317
01:01:46,320 --> 01:01:48,960
Speaker 2: You have a hotline number nine oh six one seven

1318
01:01:49,040 --> 01:01:51,640
Speaker 2: nine eighty four. You can call it anytime you like.

1319
01:01:51,760 --> 01:01:52,320
Speaker 1: What have we got?

1320
01:01:53,560 --> 01:01:56,880
Speaker 13: My callie is when you're running way for your tennis

1321
01:01:56,960 --> 01:02:00,200
Speaker 13: lesson and you go to put your whites on, and

1322
01:02:00,280 --> 01:02:04,800
Speaker 13: you realize that your white shirt is still soaking in

1323
01:02:04,840 --> 01:02:07,960
Speaker 13: the nappy sand that you left it in the night before,

1324
01:02:08,440 --> 01:02:11,480
Speaker 13: and you go and sitting in that bucket there soaking,

1325
01:02:11,880 --> 01:02:15,360
Speaker 13: and you've got no time to get it washed and

1326
01:02:15,440 --> 01:02:16,480
Speaker 13: cleaned and put it on.

1327
01:02:16,600 --> 01:02:19,800
Speaker 1: That's my gully, It's true. Get a sharp attennis with

1328
01:02:19,840 --> 01:02:21,959
Speaker 1: the wet t shirt all.

1329
01:02:21,920 --> 01:02:24,480
Speaker 2: That woman who was famously in the poster from Remember

1330
01:02:24,480 --> 01:02:26,560
Speaker 2: when We grew up? You see the post she was

1331
01:02:26,720 --> 01:02:28,560
Speaker 2: she had was lifting a skirt as if to put

1332
01:02:28,600 --> 01:02:31,320
Speaker 2: the ball in her unders and off underpants.

1333
01:02:31,480 --> 01:02:33,120
Speaker 1: Can happen, It can happen anyway.

1334
01:02:33,160 --> 01:02:34,920
Speaker 2: Happened to Billy Jean all the time the.

1335
01:02:34,960 --> 01:02:37,120
Speaker 1: Next time we played doubles. You're going on the baseline,

1336
01:02:37,120 --> 01:02:37,320
Speaker 1: by the.

1337
01:02:37,320 --> 01:02:42,640
Speaker 4: Way, Hi, James and Amanda, look at my goolies.

1338
01:02:42,880 --> 01:02:44,720
Speaker 8: When I told my daughter that I was in the

1339
01:02:44,720 --> 01:02:47,000
Speaker 8: city one day and I saw Amanda and she was

1340
01:02:47,080 --> 01:02:49,640
Speaker 8: checking me out, my daughter gives me the line from

1341
01:02:49,640 --> 01:02:50,800
Speaker 8: the Castle Green.

1342
01:02:52,200 --> 01:02:54,640
Speaker 1: Well, here we go. Wow, what were you doing? I

1343
01:02:54,640 --> 01:02:57,400
Speaker 1: don't know you are kellying around the city.

1344
01:02:57,560 --> 01:03:01,080
Speaker 2: What was I doing? What were you your daughter's sake? Yes,

1345
01:03:01,160 --> 01:03:05,360
Speaker 2: I was checking you out and you and you. Wow,

1346
01:03:05,520 --> 01:03:07,400
Speaker 2: I must have had wandering eyes.

1347
01:03:07,200 --> 01:03:08,479
Speaker 1: Walking past building sides.

1348
01:03:08,520 --> 01:03:11,439
Speaker 2: Again, I see whistling from my car, banging the door

1349
01:03:11,440 --> 01:03:15,400
Speaker 2: as I go by. You're the front or lobe on

1350
01:03:15,480 --> 01:03:18,280
Speaker 2: that Okay.

1351
01:03:18,080 --> 01:03:19,240
Speaker 1: The bat him with the good of you did Dad.

1352
01:03:19,240 --> 01:03:21,200
Speaker 1: You can always call that hotline nine oh six one

1353
01:03:21,240 --> 01:03:22,320
Speaker 1: seven nine eighty four.

1354
01:03:22,680 --> 01:03:27,440
Speaker 2: It's our favorite callery, email or Facebook friend wins An

1355
01:03:27,520 --> 01:03:30,720
Speaker 2: o Poh Watch monitors your heart rate, your sleep and

1356
01:03:30,720 --> 01:03:32,240
Speaker 2: it tracks real time fitness.

1357
01:03:32,680 --> 01:03:35,040
Speaker 1: You also get the Jones you demounded bubblehead and branded

1358
01:03:35,040 --> 01:03:35,600
Speaker 1: tea towel.

1359
01:03:35,880 --> 01:03:38,680
Speaker 2: This is interesting because of lockdown. Apparently kids have become

1360
01:03:38,800 --> 01:03:41,920
Speaker 2: fussy eaters. Parents don't have the time or energy to

1361
01:03:42,000 --> 01:03:44,160
Speaker 2: push back against cranky kids, and they feel a bit

1362
01:03:44,200 --> 01:03:46,520
Speaker 2: of guilt that kids' lives are a bit tough. Everyone's

1363
01:03:46,520 --> 01:03:48,720
Speaker 2: at home, so let's let them eat garbage.

1364
01:03:48,880 --> 01:03:51,600
Speaker 1: Jet Kenny even said this week that he's never eaten

1365
01:03:51,600 --> 01:03:55,080
Speaker 1: a banana or oats until he went on Essays Australia.

1366
01:03:54,600 --> 01:03:58,320
Speaker 2: And his parents were you know the faces of Uncle Toby's. Anyway,

1367
01:03:58,440 --> 01:04:02,720
Speaker 2: Tribal Drum was beating four. Fussy eater is Dwayne from Windsor,

1368
01:04:03,120 --> 01:04:04,160
Speaker 2: Oh g and L.

1369
01:04:04,440 --> 01:04:08,240
Speaker 10: My wife is the most fushiest eater in the world.

1370
01:04:08,520 --> 01:04:10,880
Speaker 10: We'll have we'll have a baked dinner. Right. I'll put

1371
01:04:10,880 --> 01:04:14,040
Speaker 10: the gravy on the meat. But if the gravy touches

1372
01:04:14,040 --> 01:04:18,200
Speaker 10: of veggies, we don't eat the veggies. If there's anything left.

1373
01:04:18,000 --> 01:04:19,480
Speaker 12: Over, she'll go straight to the bin.

1374
01:04:20,200 --> 01:04:21,280
Speaker 10: I just straight off in the bin.

1375
01:04:21,320 --> 01:04:21,880
Speaker 12: I'll go hang on.

1376
01:04:21,960 --> 01:04:24,040
Speaker 8: I sort of eating that and she'll say no, it's

1377
01:04:24,080 --> 01:04:24,480
Speaker 8: my play.

1378
01:04:24,480 --> 01:04:25,640
Speaker 4: I'm gona do what I want with it.

1379
01:04:26,280 --> 01:04:28,040
Speaker 10: And in any left.

1380
01:04:27,760 --> 01:04:32,440
Speaker 11: Govers they'll go in the fish, but we don't reheat leftovers.

1381
01:04:32,480 --> 01:04:34,880
Speaker 11: They will sit there until'll bin date.

1382
01:04:35,280 --> 01:04:36,200
Speaker 2: What's it all about?

1383
01:04:36,320 --> 01:04:40,760
Speaker 11: Dwayne fussy eater very fus she ride her own chinker,

1384
01:04:40,800 --> 01:04:41,320
Speaker 11: mamas on.

1385
01:04:41,400 --> 01:04:44,320
Speaker 10: Bow shower, not eat the veggies and all those sort of.

1386
01:04:44,280 --> 01:04:50,520
Speaker 1: Thing oz harvest. Anyone that's enough, well, oddly fill us up.

1387
01:04:50,560 --> 01:04:55,080
Speaker 2: Next postcode Payday begins. Here's outworks, you're ready, explain it

1388
01:04:55,120 --> 01:04:57,320
Speaker 2: to me. You register your name in your postcode at

1389
01:04:57,400 --> 01:05:00,000
Speaker 2: WSFM dot com DoD Are you right? What's your postcode?

1390
01:05:00,000 --> 01:05:03,120
Speaker 2: For example two three zero and your name Brendan O.

1391
01:05:03,720 --> 01:05:06,320
Speaker 2: We're going to call out a postcode, then a suburb,

1392
01:05:06,600 --> 01:05:10,640
Speaker 2: then a name. If that's you and you've registered, duh,

1393
01:05:11,560 --> 01:05:12,240
Speaker 2: you win the cash.

1394
01:05:12,280 --> 01:05:14,320
Speaker 1: When do I get my money?

1395
01:05:14,360 --> 01:05:15,200
Speaker 2: I haven't called it out.

1396
01:05:15,920 --> 01:05:18,200
Speaker 1: We'll be back from six o'clock tonight for jam Nation.

1397
01:05:18,280 --> 01:05:19,360
Speaker 2: See you then, good day to you.

1398
01:05:19,520 --> 01:05:21,280
Speaker 1: Well, thank god, that's over.

1399
01:05:21,440 --> 01:05:23,640
Speaker 6: Good bite, good bite.

1400
01:05:24,480 --> 01:05:25,120
Speaker 4: Wipe two.

1401
01:05:26,880 --> 01:05:29,800
Speaker 3: A podcast of today's show is available.

1402
01:05:29,280 --> 01:05:31,600
Speaker 9: To download from the iHeartRadio app.

1403
01:05:31,680 --> 01:05:40,920
Speaker 11: All the Cool Kids are doing It

1404
01:05:41,240 --> 01:05:45,080
Speaker 3: Jonesy and Amanda podcast Catch up on what you've missed

1405
01:05:45,120 --> 01:05:46,919
Speaker 3: on the free iHeartRadio app.