1 00:00:01,080 --> 00:00:04,720 Speaker 1: Powered by the IHRVE Radio wapp from ninety six AIRFM. 2 00:00:04,960 --> 00:00:09,799 Speaker 2: So whereever you're listening today, this is Clearsy and Lisa's podcast. 3 00:00:09,960 --> 00:00:12,960 Speaker 3: Coming up on the podcast today, Benochet reviews The Killer. 4 00:00:13,240 --> 00:00:15,080 Speaker 1: We took calls on what happened to your package? There 5 00:00:15,160 --> 00:00:17,000 Speaker 1: was nothing to do with Matt Shervington. We heard all 6 00:00:17,040 --> 00:00:18,279 Speaker 1: about deal or no Deal. 7 00:00:18,600 --> 00:00:23,200 Speaker 3: Ireland, Brittany's memoir and cheer and her young fella in 8 00:00:23,280 --> 00:00:24,280 Speaker 3: the Shore Report. 9 00:00:24,440 --> 00:00:26,160 Speaker 1: She's had a lot of young fellas over the years. 10 00:00:26,160 --> 00:00:30,360 Speaker 2: Great the flick with ben O'shey on ninety six AFM. 11 00:00:30,680 --> 00:00:36,320 Speaker 3: He Now I do love David Fincher, and you've got 12 00:00:36,360 --> 00:00:37,920 Speaker 3: a David Fincher film for us today. 13 00:00:38,000 --> 00:00:40,600 Speaker 4: Yeah, well, look, dial down your expectation. 14 00:00:41,080 --> 00:00:42,800 Speaker 1: No, look, I already hate but I saw what it 15 00:00:42,840 --> 00:00:43,400 Speaker 1: was based on. 16 00:00:43,479 --> 00:00:47,280 Speaker 4: But go on, okay, so you met you mentioned fight Club. 17 00:00:47,840 --> 00:00:50,800 Speaker 4: So David Fincher course gave us fight Club seven. The 18 00:00:50,880 --> 00:00:53,920 Speaker 4: Social Network MANK a couple of years ago was his 19 00:00:54,000 --> 00:00:56,920 Speaker 4: most recent film. And so this is a filmmaker who 20 00:00:57,000 --> 00:01:01,440 Speaker 4: is renowned for giving us these really interesting, innovative films 21 00:01:01,440 --> 00:01:03,200 Speaker 4: that make you think, maybe have a bit of a 22 00:01:03,240 --> 00:01:06,040 Speaker 4: twist at the end, and you come away from them going, 23 00:01:06,200 --> 00:01:08,520 Speaker 4: you know, I've really watched a piece of cinema here 24 00:01:09,520 --> 00:01:13,920 Speaker 4: with The Killer. This is his most straightforward film, probably 25 00:01:13,959 --> 00:01:17,760 Speaker 4: that he's ever done. It's based on a French graphic 26 00:01:17,880 --> 00:01:20,600 Speaker 4: novel series of the same name by a French writer 27 00:01:20,680 --> 00:01:24,360 Speaker 4: called Matt And so, you know, you might be thinking, 28 00:01:24,720 --> 00:01:27,840 Speaker 4: is David Fincher the great director, the bloke we really 29 00:01:27,880 --> 00:01:31,880 Speaker 4: want attached to adapting a comic book movie about an assassin, 30 00:01:32,200 --> 00:01:35,680 Speaker 4: And is the great Michael Fassbender the guy we want 31 00:01:35,760 --> 00:01:39,399 Speaker 4: playing that character and so. And the answer to that 32 00:01:39,520 --> 00:01:44,560 Speaker 4: question is ultimately probably not, because they are two overqualified 33 00:01:44,600 --> 00:01:49,320 Speaker 4: to this sort of material. Yeah, and that's that's the reality. First, 34 00:01:49,360 --> 00:01:51,400 Speaker 4: I'll say it's not terrible. So I know some of 35 00:01:51,440 --> 00:01:53,360 Speaker 4: what I'll say might make it sound like this is 36 00:01:53,360 --> 00:01:55,680 Speaker 4: the worst movie of all time, but that's only because, 37 00:01:56,040 --> 00:02:00,120 Speaker 4: like ulse, I went into this very very enthusiastically thinking, 38 00:02:00,160 --> 00:02:02,480 Speaker 4: you know, like this is going to be great with 39 00:02:02,520 --> 00:02:05,400 Speaker 4: this sort of collaboration till the Swinton is in it 40 00:02:05,440 --> 00:02:08,320 Speaker 4: as well, and so on the surface it looked like 41 00:02:08,320 --> 00:02:10,280 Speaker 4: there was a lot to like. Basically, the plot is 42 00:02:10,919 --> 00:02:15,959 Speaker 4: Michael Fassbender plays this contract killer who is in Paris 43 00:02:16,160 --> 00:02:18,960 Speaker 4: to put a hit on some businessman. The hit goes wrong, 44 00:02:19,720 --> 00:02:23,640 Speaker 4: and then he in turn is sort of being chased 45 00:02:23,639 --> 00:02:26,200 Speaker 4: by assassins who are trying to kind of like clean 46 00:02:26,280 --> 00:02:28,800 Speaker 4: up all the loose ends, and he realizes that the 47 00:02:28,800 --> 00:02:31,280 Speaker 4: only way to get his life back is to you know, 48 00:02:31,400 --> 00:02:34,960 Speaker 4: sort of track down these other assassins, track down the 49 00:02:35,000 --> 00:02:38,520 Speaker 4: people who hide them, track down his boss, track down 50 00:02:38,560 --> 00:02:41,919 Speaker 4: the original client, and just kill them all in classic 51 00:02:42,000 --> 00:02:48,280 Speaker 4: kind of vengeance movie style John Wicks. Right, but the 52 00:02:48,320 --> 00:02:52,760 Speaker 4: thing is unlike a John Wick movie, this one doesn't 53 00:02:52,760 --> 00:02:56,000 Speaker 4: have a lot of action. This one has a central 54 00:02:56,080 --> 00:03:00,880 Speaker 4: character in Michael Fassbender's kind of like nameless killer who 55 00:03:01,440 --> 00:03:03,960 Speaker 4: listens to the Smiths, which is kind of a fun twist, 56 00:03:04,040 --> 00:03:08,560 Speaker 4: but you know, after about the seventeenth smith song, you go, like, 57 00:03:08,639 --> 00:03:13,840 Speaker 4: we get it. He likes the Smiths, and you know, 58 00:03:13,960 --> 00:03:17,480 Speaker 4: he spends more time doing yoga than any sort of action, 59 00:03:18,120 --> 00:03:21,440 Speaker 4: and so it's you watch it and you go like, 60 00:03:22,120 --> 00:03:24,040 Speaker 4: you know what it's like. You know, some comic books 61 00:03:24,040 --> 00:03:28,480 Speaker 4: are just purely for sort of teenage boys. This film, 62 00:03:31,760 --> 00:03:35,280 Speaker 4: this and this film is kind of the movie equivalent, right, 63 00:03:35,360 --> 00:03:37,800 Speaker 4: like it is it is kind of just like shameless 64 00:03:37,840 --> 00:03:41,400 Speaker 4: male narcissism, and it's hard to know whether that's Fincher 65 00:03:41,520 --> 00:03:45,080 Speaker 4: getting a bit carried away with himself, whether it's fast Spender, 66 00:03:45,200 --> 00:03:47,200 Speaker 4: or whether it's just the original comic book. And they 67 00:03:47,200 --> 00:03:50,200 Speaker 4: couldn't really do much about it. But it's not to 68 00:03:50,200 --> 00:03:55,480 Speaker 4: say it's all bad. The score features the longtime David 69 00:03:55,480 --> 00:03:59,440 Speaker 4: Fincher collaborators, Trent Reznor from Nine Inch Nails and Atticus Ross, 70 00:03:59,480 --> 00:04:01,680 Speaker 4: So they have done the scores for all of his 71 00:04:02,240 --> 00:04:05,480 Speaker 4: films recently and they are absolutely amazing, and. 72 00:04:05,400 --> 00:04:08,880 Speaker 1: The scoring more than just a score though, Oh yeah, unfortunately, 73 00:04:11,360 --> 00:04:11,680 Speaker 1: well you. 74 00:04:11,640 --> 00:04:13,360 Speaker 4: Know, you know it's bad when I start talking about 75 00:04:13,360 --> 00:04:19,360 Speaker 4: the cinematographer. Yeah, yeah, the cinematographer, Eric Meshersmith. There's a 76 00:04:19,440 --> 00:04:21,560 Speaker 4: name for you. So he was that he was the 77 00:04:21,640 --> 00:04:25,760 Speaker 4: cinematographer on Mank and Gone Girl. And it's really a 78 00:04:25,800 --> 00:04:28,480 Speaker 4: pretty film to watch as well until the Swinton is 79 00:04:28,520 --> 00:04:32,279 Speaker 4: great in a very small role. Fassbender does the best 80 00:04:32,440 --> 00:04:35,280 Speaker 4: that he can. But you know, like I guess it, 81 00:04:35,400 --> 00:04:37,400 Speaker 4: just your enjoyment of this film will depend on how 82 00:04:37,480 --> 00:04:41,480 Speaker 4: much you like the idea of you know, Fastbender's character 83 00:04:41,640 --> 00:04:46,400 Speaker 4: just doing this endless internal monologue in his head about 84 00:04:46,640 --> 00:04:49,799 Speaker 4: you know, sort of the morality of being a contract 85 00:04:49,920 --> 00:04:53,960 Speaker 4: killer just just incessantly. It's like, dude, like see a 86 00:04:53,960 --> 00:05:00,440 Speaker 4: therapist or something. Don't your voices in your head? Andultimately, 87 00:05:01,120 --> 00:05:03,279 Speaker 4: I have to say it doesn't probably really go anywhere. 88 00:05:03,320 --> 00:05:04,680 Speaker 4: It's a film where you sort of watch it and 89 00:05:04,720 --> 00:05:07,559 Speaker 4: you go, you know, it's entertaining, like I'm going along 90 00:05:07,600 --> 00:05:09,360 Speaker 4: for the ride, and then you get to the end 91 00:05:09,360 --> 00:05:11,720 Speaker 4: and you go, well, what was the point? What was 92 00:05:11,760 --> 00:05:13,960 Speaker 4: the payoff? And the idea that he's kind of, you know, 93 00:05:14,000 --> 00:05:16,800 Speaker 4: out for vengeance because of something that happens at the 94 00:05:16,800 --> 00:05:18,800 Speaker 4: start of the film to his sort of you know, 95 00:05:18,839 --> 00:05:22,280 Speaker 4: sort of his girlfriend or love or whatever she and 96 00:05:22,360 --> 00:05:23,960 Speaker 4: he gets a one minute of screen time, so you 97 00:05:23,960 --> 00:05:27,279 Speaker 4: don't feel any investment in that storyline whatsoever, and it 98 00:05:27,400 --> 00:05:31,119 Speaker 4: just becomes this you know, male ego trip. And so yeah, 99 00:05:31,440 --> 00:05:34,159 Speaker 4: some good and bad, but ultimately it's definitely not in 100 00:05:34,200 --> 00:05:38,559 Speaker 4: the same category as those eight some of those great 101 00:05:39,480 --> 00:05:42,040 Speaker 4: assassin movies of the past, like whether It's No Country 102 00:05:42,040 --> 00:05:46,599 Speaker 4: for Old Man or Porn Trilogy in or Collateral, so 103 00:05:47,120 --> 00:05:49,080 Speaker 4: all of those, all of those are probably. 104 00:05:48,680 --> 00:05:51,480 Speaker 1: A high standard. 105 00:05:51,480 --> 00:05:54,800 Speaker 3: How many not quite the social networks are you giving it? 106 00:05:56,240 --> 00:05:59,120 Speaker 4: Well, it just scraped two A three. 107 00:06:00,120 --> 00:06:02,760 Speaker 1: Okay, okay, you're watch it on Netflix. 108 00:06:03,120 --> 00:06:05,680 Speaker 4: Netflix, Yes, Netflix standards five stars. 109 00:06:06,240 --> 00:06:07,799 Speaker 3: I mean, this is the thing is that it's getting 110 00:06:07,800 --> 00:06:12,080 Speaker 3: a little movie release today for and then it's November ten. 111 00:06:12,120 --> 00:06:13,320 Speaker 1: It's on Netflix. 112 00:06:14,720 --> 00:06:17,120 Speaker 4: Catching the cinemas and then it'll be out on Netflix. 113 00:06:17,160 --> 00:06:21,200 Speaker 3: And the same with the new Scorsese Killers of the Flower, 114 00:06:21,279 --> 00:06:25,359 Speaker 3: which is just too long. It is like three and 115 00:06:25,360 --> 00:06:27,880 Speaker 3: a half hours long or something that's on Apple plus 116 00:06:28,680 --> 00:06:29,600 Speaker 3: just a couple of weeks. 117 00:06:30,520 --> 00:06:34,640 Speaker 4: Yeah, exactly. They get these limited theatrical windows to give them, 118 00:06:34,760 --> 00:06:36,360 Speaker 4: to give them chances at the Oscars. 119 00:06:40,920 --> 00:06:44,479 Speaker 1: Yeah, very quick. Yeah, okay, all right, thank you, Ben. 120 00:06:44,520 --> 00:06:48,760 Speaker 1: We'll talk you next week. More Crazy, more Lisa, more 121 00:06:48,839 --> 00:06:49,960 Speaker 1: podcasts soon. 122 00:06:52,800 --> 00:06:57,680 Speaker 3: All right, this is happening. People are having problems online shopping. 123 00:06:57,920 --> 00:07:00,320 Speaker 3: Compare the Market has done a bit of a a 124 00:07:00,440 --> 00:07:03,840 Speaker 3: survey of how we go with our parcels. I got 125 00:07:03,880 --> 00:07:07,279 Speaker 3: to admit I've been touch wood. I've been very lucky. 126 00:07:07,360 --> 00:07:10,360 Speaker 3: I don't think I've ever not received my parcel. Okay, 127 00:07:10,400 --> 00:07:12,320 Speaker 3: I mean the Australian Post guy and I are on 128 00:07:12,520 --> 00:07:17,000 Speaker 3: first name basis. You know it always arives. But a 129 00:07:17,080 --> 00:07:20,720 Speaker 3: quarter of people said their online order hasn't arrived on time. 130 00:07:20,920 --> 00:07:23,920 Speaker 3: Fourteen percent said their package had not arrived at all, 131 00:07:24,400 --> 00:07:27,360 Speaker 3: ten percent had a parcel delivered to a different address entirely, 132 00:07:27,920 --> 00:07:31,800 Speaker 3: and four percent had a package left in an inappropriate place. 133 00:07:32,040 --> 00:07:34,360 Speaker 3: I'm not too sure what that means. I need appropriate for. 134 00:07:36,080 --> 00:07:36,600 Speaker 4: I reckon. 135 00:07:37,120 --> 00:07:40,480 Speaker 3: Another three percent had items damaged, and two and a 136 00:07:40,480 --> 00:07:43,800 Speaker 3: half percent had their item completely destroyed by the weather. 137 00:07:44,280 --> 00:07:46,880 Speaker 1: That was the inappropriate It's going to be a rainy 138 00:07:46,920 --> 00:07:48,680 Speaker 1: day and you leave it out just sitting there getting soggy. 139 00:07:48,800 --> 00:07:50,800 Speaker 1: How do you go with yours? Look like I don't 140 00:07:50,800 --> 00:07:52,440 Speaker 1: do a lot another the Lucky One. Yeah, I don't 141 00:07:52,440 --> 00:07:54,600 Speaker 1: do a lot of online shopping, but Lorrie does, and 142 00:07:55,200 --> 00:07:57,320 Speaker 1: sometimes it feels like there's something rolling up every day. 143 00:07:57,360 --> 00:08:00,840 Speaker 1: I'm thinking, are you a prize professional winning? She goes, no, 144 00:08:01,200 --> 00:08:04,560 Speaker 1: that's another great purchase, just a shopping enthusiasm. But I 145 00:08:04,600 --> 00:08:07,120 Speaker 1: do find it surprising, and that restores your faith in 146 00:08:07,160 --> 00:08:10,160 Speaker 1: human nature when someone comes down the street and it's 147 00:08:10,200 --> 00:08:12,280 Speaker 1: been delivered to the wrong address. So so you live 148 00:08:12,280 --> 00:08:14,360 Speaker 1: at number ten and number one hundred and ten comes 149 00:08:14,360 --> 00:08:16,680 Speaker 1: down and goes this parcels for you, guys, I believe, 150 00:08:16,760 --> 00:08:18,640 Speaker 1: I go really, it happened to us not that long ago. 151 00:08:18,920 --> 00:08:21,560 Speaker 1: I thought that was pretty cool. But yeah, so delivered 152 00:08:21,560 --> 00:08:23,640 Speaker 1: to the wrong place. Yeah, there we go again, Paul 153 00:08:23,680 --> 00:08:25,600 Speaker 1: and tapping. Did you have a problem with your package? 154 00:08:25,720 --> 00:08:28,680 Speaker 5: Yeah, my daughter did a graphic design course on a 155 00:08:28,840 --> 00:08:32,520 Speaker 5: right tablet one and she had a certificate sent which 156 00:08:32,559 --> 00:08:36,400 Speaker 5: had don't been written all over it. Oh yeah and hm, 157 00:08:36,600 --> 00:08:38,720 Speaker 5: and they folded it put it in our letter box. 158 00:08:39,040 --> 00:08:39,439 Speaker 1: Terrific. 159 00:08:39,440 --> 00:08:41,760 Speaker 5: But that wasn't the bad bit. We have a hedge 160 00:08:42,280 --> 00:08:45,840 Speaker 5: attached to our letter box, and the snails got in 161 00:08:45,880 --> 00:08:49,040 Speaker 5: there and ate right through the envelope and certificate. Yeah, 162 00:08:49,440 --> 00:08:51,920 Speaker 5: I like that, So we had to get another one sent. 163 00:08:52,040 --> 00:08:54,439 Speaker 5: And like, the funny thing is, we have a bench 164 00:08:54,520 --> 00:08:57,000 Speaker 5: seat out the front that's got storage in it, and 165 00:08:57,040 --> 00:09:00,520 Speaker 5: there's a sign there saying please put all packages, anything 166 00:09:00,600 --> 00:09:03,160 Speaker 5: being than an envelope in the seat. Just put it 167 00:09:03,160 --> 00:09:06,199 Speaker 5: in the seat. Never do not one, don't look, no 168 00:09:06,480 --> 00:09:07,559 Speaker 5: one knows, just does it. 169 00:09:07,679 --> 00:09:09,719 Speaker 3: You can fit it in my letter box. Doesn't mean 170 00:09:09,760 --> 00:09:11,640 Speaker 3: I wanted in my letter box. Is a reason why 171 00:09:11,640 --> 00:09:14,000 Speaker 3: I ordered it separately to be delivered to my door. 172 00:09:14,160 --> 00:09:14,439 Speaker 6: Yeah. 173 00:09:14,720 --> 00:09:17,760 Speaker 1: Those great, Yeah, those great snails, those little slugs. 174 00:09:17,400 --> 00:09:22,080 Speaker 3: Like I know, problem with that, but yeah, my bags 175 00:09:22,840 --> 00:09:23,439 Speaker 3: that might be good. 176 00:09:23,679 --> 00:09:26,079 Speaker 1: It might be good. Welcome to it, eat up for 177 00:09:26,160 --> 00:09:27,319 Speaker 1: its Thank you, Paul. 178 00:09:27,440 --> 00:09:30,599 Speaker 5: Yeah, all no saints, so long. 179 00:09:30,520 --> 00:09:32,840 Speaker 1: Rub it in Bayswater. Hello, what's happened? 180 00:09:33,000 --> 00:09:35,599 Speaker 7: Well, I made the mistake of ordering something from Microsoft. 181 00:09:35,600 --> 00:09:37,880 Speaker 7: I wanted to copy the office sweet so that I 182 00:09:37,880 --> 00:09:41,360 Speaker 7: could do all my work. Yeah, they said, look, you 183 00:09:41,360 --> 00:09:43,800 Speaker 7: can have a download copy and we'll send you the 184 00:09:43,840 --> 00:09:46,000 Speaker 7: hard copy because I always want one on disc. I 185 00:09:46,040 --> 00:09:48,160 Speaker 7: paid about twelve dollars extra, so that was all right, 186 00:09:48,200 --> 00:09:50,120 Speaker 7: But you know, I live in Beaswater, as I said, 187 00:09:50,160 --> 00:09:52,040 Speaker 7: but it ended up in Bozwater, Victoria. 188 00:09:53,480 --> 00:09:53,680 Speaker 4: Yeah. 189 00:09:53,720 --> 00:09:56,000 Speaker 7: Well I checked online and I said to them, hey, guys, 190 00:09:56,120 --> 00:09:56,720 Speaker 7: wrong address. 191 00:09:56,840 --> 00:09:58,719 Speaker 4: They said, no worries, we'll sort it out for you know, 192 00:09:58,840 --> 00:10:00,320 Speaker 4: as good as we are, not a problem. 193 00:10:00,400 --> 00:10:03,319 Speaker 7: And a couple of weeks passed again still no copy, 194 00:10:03,360 --> 00:10:05,480 Speaker 7: and I thought, you know what, over twelve dollars, I 195 00:10:05,520 --> 00:10:09,080 Speaker 7: don't care. Yeah, I've got a copy. But the funny 196 00:10:09,080 --> 00:10:11,959 Speaker 7: thing was, it was seriously eighteen months later, a little 197 00:10:11,960 --> 00:10:14,640 Speaker 7: parcel comes into my letter box. I go, what on earth, 198 00:10:14,640 --> 00:10:17,439 Speaker 7: it's just what did I order from Microsoft? It turned 199 00:10:17,480 --> 00:10:20,560 Speaker 7: out it turned up in the letterbox about eighteen months later. 200 00:10:20,920 --> 00:10:22,600 Speaker 1: Of course, it did amazy. 201 00:10:23,080 --> 00:10:25,600 Speaker 4: Yeah, it's got there. 202 00:10:25,800 --> 00:10:27,400 Speaker 1: Yeah. It's like you know when you're looking at the 203 00:10:27,440 --> 00:10:29,320 Speaker 1: tracking and it gets to you, go, it's meant to 204 00:10:29,320 --> 00:10:32,079 Speaker 1: be landing in Midland and now it's in Melbourne. Do 205 00:10:32,280 --> 00:10:33,200 Speaker 1: you love tracking? 206 00:10:33,280 --> 00:10:35,840 Speaker 8: That's one of the greatest, one of the greatest additions 207 00:10:35,840 --> 00:10:36,360 Speaker 8: to my life. 208 00:10:36,400 --> 00:10:39,520 Speaker 1: But no one has gone to Victoria in technology terms. Yeah. 209 00:10:39,720 --> 00:10:41,600 Speaker 3: Not when it's going to Victoria. You're watching it go 210 00:10:41,640 --> 00:10:47,480 Speaker 3: across the country. Go, no, come back? Thanks Robert Wow, 211 00:10:47,679 --> 00:10:51,200 Speaker 3: Robina can e t in Parmelia. 212 00:10:51,240 --> 00:10:55,560 Speaker 1: Hello, Hello, how are you good? What happened with your parcel? 213 00:10:55,800 --> 00:10:55,959 Speaker 2: Well? 214 00:10:56,000 --> 00:10:57,080 Speaker 9: I didn't order anything. 215 00:10:57,120 --> 00:10:59,720 Speaker 10: I was trying to get rid of something. What happened 216 00:10:59,800 --> 00:11:05,960 Speaker 10: was diick and died and the rubbish man has already 217 00:11:06,000 --> 00:11:07,880 Speaker 10: been and I'm thinking, oh, I can't bear it because 218 00:11:07,920 --> 00:11:11,439 Speaker 10: the dog will dig it up. Said well, I'll put 219 00:11:11,480 --> 00:11:13,560 Speaker 10: it in this big w bad and I'll take it 220 00:11:13,600 --> 00:11:15,880 Speaker 10: down the shopping center and I'll show it in that 221 00:11:15,960 --> 00:11:18,440 Speaker 10: bin because that gets empty. And I said, oh, good, idea. 222 00:11:18,640 --> 00:11:20,040 Speaker 1: He ain't going to stand away from real place. 223 00:11:20,200 --> 00:11:20,440 Speaker 6: Yeah. 224 00:11:20,559 --> 00:11:22,839 Speaker 10: So he puts it in this plastic bag, big w 225 00:11:22,960 --> 00:11:24,840 Speaker 10: bad and he puts on his sky through and off 226 00:11:24,840 --> 00:11:27,720 Speaker 10: he goes down the shop anyway, he stops at the 227 00:11:27,720 --> 00:11:30,000 Speaker 10: bin and he saw he thought he saw ten dollars 228 00:11:30,000 --> 00:11:32,920 Speaker 10: on the floor. So he gets his guy fer and 229 00:11:32,960 --> 00:11:34,800 Speaker 10: he bends down and pick it up. But as he's 230 00:11:34,840 --> 00:11:38,040 Speaker 10: doing that, a car quickly stops. A man jumps out, 231 00:11:38,280 --> 00:11:40,760 Speaker 10: grabs his big w bag, crows it in the car 232 00:11:40,840 --> 00:11:41,480 Speaker 10: and takes off. 233 00:11:41,679 --> 00:11:43,560 Speaker 1: No joke. 234 00:11:43,920 --> 00:11:46,439 Speaker 10: Yeah, and I had ants all over it, and I 235 00:11:46,559 --> 00:11:49,520 Speaker 10: was disgusting, and my brother just stood there and just laughed. 236 00:11:52,720 --> 00:12:00,280 Speaker 1: I don't even know what to say. Yeah, wow, it's 237 00:12:00,360 --> 00:12:07,280 Speaker 1: unbelievable anything. Oh yeah, no person got a surprise at 238 00:12:07,320 --> 00:12:11,000 Speaker 1: the end. Yeah, okay, escalator. 239 00:12:11,480 --> 00:12:14,959 Speaker 3: I think if you find yourself in Kneta's position, you 240 00:12:15,000 --> 00:12:19,040 Speaker 3: can probably take your sadly deceased foul to. 241 00:12:21,160 --> 00:12:21,840 Speaker 1: The council. 242 00:12:23,000 --> 00:12:26,559 Speaker 3: To the council, or they will dispose of it in 243 00:12:26,600 --> 00:12:27,600 Speaker 3: a disposable way. 244 00:12:27,960 --> 00:12:33,480 Speaker 1: Lisa's found tip for today. So Baseball's Leahne in lower tittering. 245 00:12:33,160 --> 00:12:35,439 Speaker 6: Hello, Hello, how are you good? 246 00:12:35,480 --> 00:12:37,839 Speaker 1: Did you have a problem with your parcel? I do? 247 00:12:38,400 --> 00:12:38,720 Speaker 6: I did? 248 00:12:38,760 --> 00:12:41,440 Speaker 9: Hello Fresh? 249 00:12:40,280 --> 00:12:41,920 Speaker 1: Okay? 250 00:12:43,400 --> 00:12:43,679 Speaker 4: Hello? 251 00:12:44,200 --> 00:12:47,920 Speaker 1: Yeah, I thought I was gonna. I thought I'll order 252 00:12:47,920 --> 00:12:49,080 Speaker 1: some Hello Fresh and. 253 00:12:49,080 --> 00:12:51,400 Speaker 9: You know, make my kids some nice meals. 254 00:12:51,760 --> 00:12:55,400 Speaker 6: And I requested deliverree for a Saturday morning between five 255 00:12:55,440 --> 00:12:56,480 Speaker 6: am and seven am. 256 00:12:56,679 --> 00:12:58,240 Speaker 1: Okay, I got. 257 00:12:58,080 --> 00:13:01,280 Speaker 6: Up about quarter past five out to feed my animals 258 00:13:01,840 --> 00:13:08,320 Speaker 6: and my horses were missing. Freaked out, I ran down, 259 00:13:08,400 --> 00:13:10,760 Speaker 6: hoping these people hadn't opened the gate because I had 260 00:13:10,800 --> 00:13:12,000 Speaker 6: requested that they leave it. 261 00:13:11,960 --> 00:13:13,200 Speaker 9: Outside of our front gate. 262 00:13:13,320 --> 00:13:16,560 Speaker 6: Yes, running down the driveway to see my horse standing 263 00:13:16,559 --> 00:13:18,600 Speaker 6: there with a bag of lettuce hanging out of her 264 00:13:18,640 --> 00:13:20,200 Speaker 6: mouth and the. 265 00:13:20,120 --> 00:13:22,199 Speaker 9: Two boxes of food destroyed. 266 00:13:22,720 --> 00:13:25,959 Speaker 6: There was a half eaten potato, there was no garlic, 267 00:13:26,080 --> 00:13:27,199 Speaker 6: a half eaten onion. 268 00:13:28,440 --> 00:13:29,760 Speaker 4: The dogs thought it was great. 269 00:13:29,840 --> 00:13:33,720 Speaker 9: They came running down the meat packets and just disappeared. 270 00:13:33,880 --> 00:13:36,800 Speaker 9: So there was no food for my kids from that day. 271 00:13:36,960 --> 00:13:39,439 Speaker 1: But the animals were so happy they. 272 00:13:39,240 --> 00:13:41,800 Speaker 9: Were My horse thought it was amazing. It was the 273 00:13:41,800 --> 00:13:42,440 Speaker 9: best day ever. 274 00:13:42,520 --> 00:13:49,640 Speaker 1: It was Christmas. That's great. So goodbye fresh. 275 00:13:50,880 --> 00:13:53,200 Speaker 3: Rewording as to where to leave it on the high 276 00:13:53,200 --> 00:14:01,359 Speaker 3: shelf exactly than line secret Harbor. Hello, good morning, Janine. 277 00:14:01,679 --> 00:14:04,000 Speaker 3: What problem did you have with your parcel delivery? 278 00:14:04,160 --> 00:14:07,600 Speaker 9: Well, we've got a beautiful rescue dog called Banjo the 279 00:14:07,640 --> 00:14:11,280 Speaker 9: Wonder Dog, and we also have big front gates, yes, 280 00:14:11,720 --> 00:14:14,240 Speaker 9: with a sign on saying please do not throw parcels 281 00:14:14,240 --> 00:14:18,200 Speaker 9: over the gate, and we've lost many parcels by them 282 00:14:18,280 --> 00:14:23,600 Speaker 9: basically feeding them to Banjo. Yeah yeah, even two days 283 00:14:23,640 --> 00:14:26,440 Speaker 9: ago I found a small, little padded envelope addressed to 284 00:14:26,480 --> 00:14:28,480 Speaker 9: me on the in the corner of the yard, but 285 00:14:28,520 --> 00:14:30,800 Speaker 9: the contents are nowhere. 286 00:14:30,440 --> 00:14:30,960 Speaker 4: To be seen. 287 00:14:31,840 --> 00:14:33,120 Speaker 1: What kind of dog is Banjo? 288 00:14:33,440 --> 00:14:34,800 Speaker 9: Oh my goodness, what isn't he? 289 00:14:35,120 --> 00:14:40,040 Speaker 1: Oh okay, it's a bit of everything. Curious. 290 00:14:39,120 --> 00:14:41,920 Speaker 9: It's yeah, he's just got a bit of anxiety and 291 00:14:41,920 --> 00:14:42,600 Speaker 9: he gets bored. 292 00:14:42,720 --> 00:14:44,800 Speaker 4: So parcel toyam. 293 00:14:44,840 --> 00:14:48,480 Speaker 1: It's like it's a game. Absolutely throw to a dog. 294 00:14:48,480 --> 00:14:50,640 Speaker 1: They going to think that that's the game, even if 295 00:14:50,640 --> 00:14:52,160 Speaker 1: it's like a family. 296 00:14:53,560 --> 00:14:55,720 Speaker 9: I've had to give a Christmas present to my nephew 297 00:14:55,800 --> 00:14:57,720 Speaker 9: last year with a few tue marks on it. 298 00:14:59,200 --> 00:15:01,640 Speaker 1: Two marks. Never I heard anyone personal time. 299 00:15:02,760 --> 00:15:07,320 Speaker 3: It was a you know, flotation device or thank you Janine. 300 00:15:07,520 --> 00:15:16,920 Speaker 1: More Clezy more Lisa Poor podcast soon there's sure report 301 00:15:17,120 --> 00:15:20,880 Speaker 1: on ninety six a FM. 302 00:15:20,960 --> 00:15:25,560 Speaker 3: Richard Rowntree, best known for portraying Detective John Shaft in 303 00:15:25,600 --> 00:15:28,560 Speaker 3: the original Shaft movies and TV show. 304 00:15:28,760 --> 00:15:30,600 Speaker 1: Has died. He was eighty one. 305 00:15:31,080 --> 00:15:32,640 Speaker 5: He was your black private Duke. 306 00:15:32,800 --> 00:15:39,600 Speaker 2: There's a Saxon Shorn shus It's Dan Da right Roundtree 307 00:15:39,640 --> 00:15:42,680 Speaker 2: worked in the industry for over fifty years, appearing in 308 00:15:42,760 --> 00:15:44,840 Speaker 2: movies like Seven Brick and Speed Racer. 309 00:15:44,920 --> 00:15:47,000 Speaker 3: One of his final roles was in last year's Moving 310 00:15:47,040 --> 00:15:51,520 Speaker 3: On with Lily Tomlin and Jane Fonder. What a Spotting Time, 311 00:15:51,800 --> 00:15:53,640 Speaker 3: What's a Long Shafts Show? 312 00:15:54,400 --> 00:15:56,800 Speaker 1: Incredible cool music legend. 313 00:15:56,920 --> 00:16:01,520 Speaker 3: Share is loving life with her thirty year old boyfriend, 314 00:16:02,120 --> 00:16:05,040 Speaker 3: but she concedes there is one big issue with their 315 00:16:05,080 --> 00:16:12,520 Speaker 3: forty year age gap. She has opened up about her 316 00:16:12,640 --> 00:16:17,360 Speaker 3: relationship with Alexander Edwards, admitting that he often doesn't have 317 00:16:17,440 --> 00:16:21,760 Speaker 3: a clue what she's talking. See, this is the thing 318 00:16:22,200 --> 00:16:25,320 Speaker 3: I mean, you know, Share, He's thirty seven and Shares 319 00:16:25,400 --> 00:16:28,120 Speaker 3: seventy seven. They met last year and they've been sort 320 00:16:28,120 --> 00:16:29,920 Speaker 3: of on and off ever since. But she says, we 321 00:16:29,960 --> 00:16:33,120 Speaker 3: can talk about music. He's he's got a great sense 322 00:16:33,120 --> 00:16:36,280 Speaker 3: of humor. We get each other, but sometimes he doesn't 323 00:16:36,280 --> 00:16:39,600 Speaker 3: know who I'm talking about because he wasn't born yet. 324 00:16:39,720 --> 00:16:41,720 Speaker 1: Did she have that trouble like a generation to go 325 00:16:41,800 --> 00:16:44,240 Speaker 1: with Rob CAMERLEENI or those years ago he was. She's 326 00:16:44,240 --> 00:16:48,240 Speaker 1: always liked them a little on the fresh fresh from 327 00:16:48,280 --> 00:16:49,119 Speaker 1: the bus stop. 328 00:16:50,040 --> 00:16:54,960 Speaker 8: Fresh side Britney spears memoir The Woman In Me has 329 00:16:55,040 --> 00:16:57,760 Speaker 8: been released and is already in just a couple of days, 330 00:16:57,800 --> 00:17:02,000 Speaker 8: the highest selling celebrity auto bio biography of all time. 331 00:17:02,280 --> 00:17:05,720 Speaker 1: Mind you, that is according to Brittany. I haven't Britney numbers. 332 00:17:06,400 --> 00:17:09,000 Speaker 3: I haven't seen anything official from the publisher, but it 333 00:17:09,040 --> 00:17:11,879 Speaker 3: has done very well. Ahead of its release yesterday there'd 334 00:17:11,920 --> 00:17:14,800 Speaker 3: been more than nine million pre order copies sold. That's 335 00:17:14,840 --> 00:17:17,399 Speaker 3: a lot and Britney stands to make a fortune off it. 336 00:17:17,520 --> 00:17:20,040 Speaker 3: She got twelve and a half million up front and 337 00:17:20,119 --> 00:17:22,840 Speaker 3: she's pulling in twenty five percent of the net profits. 338 00:17:23,080 --> 00:17:26,240 Speaker 1: Oh that is a big up forward for you know, 339 00:17:26,720 --> 00:17:28,119 Speaker 1: full disclosure. I'll probably read it. 340 00:17:28,400 --> 00:17:31,680 Speaker 3: And as you know, the other day Channel ten announced 341 00:17:31,680 --> 00:17:34,520 Speaker 3: they're bringing back Deal or No Deal with Grant Jenure 342 00:17:34,560 --> 00:17:36,680 Speaker 3: at the Helm next year. This is the money in 343 00:17:36,720 --> 00:17:41,280 Speaker 3: the suitcases. They're calling it a new look Deal or 344 00:17:41,280 --> 00:17:43,399 Speaker 3: No Deal, but I don't think it's going to be 345 00:17:43,560 --> 00:17:47,560 Speaker 3: quite as new look as the US version. They're doing 346 00:17:47,640 --> 00:17:52,600 Speaker 3: Deal or No Deal Island No, No, really, and they've 347 00:17:52,640 --> 00:17:57,040 Speaker 3: got Sophia Vigara's ex Hotty husband Joe Mandanello hosting it. 348 00:17:57,720 --> 00:18:01,240 Speaker 3: The show is taking thirteen players a private island to 349 00:18:01,400 --> 00:18:04,560 Speaker 3: compete for cash in a season long, fully immersive competition 350 00:18:04,920 --> 00:18:09,000 Speaker 3: combining challenges, mind bending dilemmas, and the classic game of 351 00:18:09,040 --> 00:18:11,280 Speaker 3: deal or No Dealers, contestants try to beat the banker. 352 00:18:11,480 --> 00:18:17,439 Speaker 3: Now TV loves to make reality shows on islands, but 353 00:18:17,560 --> 00:18:23,840 Speaker 3: I cannot fathom a more tenuous link than this one. 354 00:18:23,960 --> 00:18:27,120 Speaker 1: Absolutely all the way to the island. It's ridiculous. It's 355 00:18:27,200 --> 00:18:29,600 Speaker 1: ridiculous combo. There is no link. 356 00:18:31,640 --> 00:18:34,760 Speaker 3: Okay, it's it's saved by Joe and Apparis in a 357 00:18:34,840 --> 00:18:35,639 Speaker 3: fair of body. 358 00:18:36,560 --> 00:18:39,560 Speaker 1: But there's no there's nothing. I mean, I'll give it 359 00:18:39,600 --> 00:18:44,560 Speaker 1: a go, of course. And Lisa