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Speaker 1: Jersey and Amanda gam Nation.

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Speaker 2: Well, the last time we spoke to our next guests,

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Speaker 2: we were celebrating thirty years of Australia's favorite song, The Horses. Well,

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Speaker 2: this man has showed no signs of slowing down. In

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Speaker 2: twenty twenty, he released new music and he formed a

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Speaker 2: band called The Fabulous Caprettos.

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Speaker 3: This man himself is Darryl braith Waite. He joins us. Now, Hello, Darryl.

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Speaker 1: Good morning or good afternoon.

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Speaker 4: It could be both.

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Speaker 3: It could be either in both at the same time.

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Speaker 4: But you're not in a different time zone in Melbourne. Darryl.

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Speaker 1: Well, we've gone into winter again today we're raining at

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Speaker 1: twenty one. You know, lovely could be anything.

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Speaker 3: Ask you the Fabulous Caprettos. What is a carpretto at cheese?

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Speaker 5: Oh?

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Speaker 1: Okay, that can be a cheese now. I the history

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Speaker 1: of it comes from I think Russell Morris told me

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Speaker 1: the story that the initial idea came from Billy Thorpe

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Speaker 1: way back of forming a cluster of people to be

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Speaker 1: on stage and play each other's songs and all that.

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Speaker 1: And so Russell hung on to that for a long

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Speaker 1: time and he put it into action about maybe about

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Speaker 1: two years ago. And he asked, Ray and Jack and myself,

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Speaker 1: do you know do you want to be part of

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Speaker 1: this the fabulous corpredos We said, oh, okay, yeah, that'll

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Speaker 1: be good.

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Speaker 3: We should say who they are. It's Russell Morris, Daryl Braith.

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Speaker 2: I don't know if you've heard heard of him, Jack

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Speaker 2: Jones from Seven Sounds and Ray this is wait from

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Speaker 2: Thirsty Merch.

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Speaker 1: Yes exactly, And it seems it's a great combination. It's

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Speaker 1: because we all enjoy it, we all take part in

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Speaker 1: each other's songs, and the people seem to like it

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Speaker 1: so far.

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Speaker 3: But what's a kapreso?

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Speaker 5: I don't know.

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Speaker 3: So you're the fabulous.

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Speaker 5: It's Italian.

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Speaker 1: I think it's it's googling to do with ghost to google.

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Speaker 2: It as in the greatest of all time or goat.

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Speaker 4: Yeah that it's a roundabout way. Russell's saying he is

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Speaker 4: the greatest of all times.

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Speaker 3: He's saying he's an old goat, but he's.

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Speaker 1: Doing it's yeah, he's a little bit up himself.

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Speaker 2: And is it when you sing each other songs? Were

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Speaker 2: you ever embarrassed when you didn't know them? So they'd

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Speaker 2: all join it on horses And then we come to

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Speaker 2: one of theirs you go and you.

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Speaker 1: Just mumble, no, no, there's no need to be like that.

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Speaker 5: Really, well know that there's there's a couple there of

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Speaker 5: well no, you know, you know everyone's song because we're

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Speaker 5: singing maybe the four or five of each other.

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Speaker 1: So and they get a chance to also join me

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Speaker 1: in singing. How is that? Which is really? Well? I

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Speaker 1: have to pull them up because I go, no, no, no,

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Speaker 1: the harmonies have to be really right else Garth will

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Speaker 1: come in and kill us.

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Speaker 4: You know what about Old Sid? Does Old Sid get

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Speaker 4: a run?

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Speaker 5: Please?

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Speaker 1: No?

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Speaker 3: No, We had this debate before.

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Speaker 2: I thought Old Sid was about a dog, but it's

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Speaker 2: about his father.

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Speaker 1: It's Warren Morgan wrote it, who played with Billy Thorpe

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Speaker 1: and also now plays with John Paul Young, a keyboard

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Speaker 1: player and organ player, and he wrote it and it

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Speaker 1: is about his father.

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Speaker 4: It's a sad, sad it's a sad song.

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Speaker 5: It is.

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Speaker 3: It's still sad when I thought it was a dog.

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Speaker 1: It can be, yeah, you can, I guess you can

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Speaker 1: transpose it to whatever you can make.

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Speaker 2: You the State Theater a young Darryl braithwait, did you

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Speaker 2: ever imagine that you'd be performing at the State Theater.

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Speaker 3: How fab Yeah.

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Speaker 1: No, I was looking at it this morning. I thought,

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Speaker 1: what a magnificent venue to play. Yeah, I don't. I

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Speaker 1: don't think I have actually ever played there before. Even then,

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Speaker 1: you know, I'm just trying to think if I was

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Speaker 1: in a musical. But no, I wasn't the time you were.

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Speaker 4: You were in a musical? Were which one?

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Speaker 5: Yeah?

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Speaker 4: Chess? Chess?

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Speaker 1: Oh that didn't go that well, but that was all right.

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Speaker 4: Not because of you, though, No.

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Speaker 1: No. And one of my greatest achievements was Macbeth down

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Speaker 1: here in Melbourne.

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Speaker 3: Do you join you in Macbeth?

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Speaker 1: Yeah? I played McBeth.

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Speaker 3: Really, what did you do?

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Speaker 1: Yeah?

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Speaker 3: Macbeth? The way?

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Speaker 4: Did you actually play McBeth?

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Speaker 1: No? It was a It was a trial production written

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Speaker 1: by David Hobson, who people might know as the opera singer. Yes,

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Speaker 1: And he and his friend from a regional area of

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Speaker 1: Melbourne wrote it and put it together and and I

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Speaker 1: played Macbeth for about I think we did about eight

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Speaker 1: shows and it was so good.

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Speaker 2: It was just I like the idea that Shakespeare wrote Macbeth. Bey,

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Speaker 2: if we can do better than that, let's get other

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Speaker 2: writers in there.

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Speaker 4: Need some work?

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Speaker 1: Yeah, exactly.

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Speaker 4: Well, well, Darryl sounds like common with Amanda because she

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Speaker 4: played a skull in Hamlet.

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Speaker 3: He's mocking me.

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Speaker 2: He wants me to go alas poor you reck I

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Speaker 2: knew him well, but no I haven't done any theater

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Speaker 2: like that.

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Speaker 1: No, no, you should, I should.

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Speaker 3: Would you be in one with me, Darrel? If I

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Speaker 3: wrote it, you wrote it?

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Speaker 1: Yeah, yeah, no, of course I would.

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Speaker 3: Okay, we'll know to change any of it.

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Speaker 4: If a man was on if Amanda was on stage,

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Speaker 4: we'd all be climbing up the mildrom style nod.

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Speaker 3: Yes, we saw.

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Speaker 1: Yeah.

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Speaker 3: We thought he was wearing some long Johns for a while,

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Speaker 3: but that was just skin.

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Speaker 1: Don't don't. It's just it's just a Melbourne thing.

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Speaker 3: Really well really, I wouldn't want that thing.

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Speaker 1: No, no, we didn't really, no, no, no, But anyway,

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Speaker 1: how are things up?

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Speaker 3: There's great moving along.

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Speaker 4: We miss you, you know what I miss having a

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Speaker 4: beer with you. We can do that.

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Speaker 1: We are playing at the the Sydney Zoo March the third,

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Speaker 1: not you comprdos, but my band really looking forward to

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Speaker 1: because it's been canceled or postpone now for the last

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Speaker 1: year or two.

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Speaker 4: So March the second.

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Speaker 2: Of the Zoo the third and now that's some of

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Speaker 2: those lines are on the loose. They thought let's get Darylyn.

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Speaker 1: And they love a good animal song.

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Speaker 4: That's I'm going to come along. Can I come along?

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Speaker 5: Yeah?

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Speaker 1: I can't get your ticket, but you're I can. I

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Speaker 1: can try.

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Speaker 4: I promise I won't climb up on stage. Molly meld s. O.

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Speaker 2: Well, Daryl, this is some great shows coming up. So

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Speaker 2: the Fabulous Caprettos are going to be the State Theater

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Speaker 2: on the second of feb third of March.

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Speaker 3: You're at the zoo.

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Speaker 4: A man, it's become your personal assistant, mate. I think

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Speaker 4: you'd be prepared for some disappointment.

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Speaker 3: Would you.

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Speaker 4: You're talking to me because you're hope. That's in organizing things.

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Speaker 4: So find yourself at the wrong gig every week.

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Speaker 1: And you'll probably need a special pass. Samanda.

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Speaker 3: Oh, fair enough, Here we go, Here we go, Here

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Speaker 3: we go. I'm getting my lanyard ready.

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Speaker 2: Daryl's relationships, well, Darryl, thank you, always lovely to always

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Speaker 2: a treat mate.

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Speaker 1: Well, thank you both, and all the best for the

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Speaker 1: new year. I forgot to mention that you two.

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Speaker 3: Yeah, all right, we'll see you before too long.

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Speaker 1: We'll do