1
00:00:01,080 --> 00:00:05,040
Speaker 1: Dowered by the radio WAPP from ninety six AIRFM to

2
00:00:05,080 --> 00:00:06,800
Speaker 1: whereever you're listening today.

3
00:00:07,160 --> 00:00:10,479
Speaker 2: This is Clearsy and Lisa's podcast.

4
00:00:10,080 --> 00:00:12,280
Speaker 1: Coming up on the podcast we call for a medic

5
00:00:12,400 --> 00:00:14,200
Speaker 1: And of course it Depp related for Lissa because we

6
00:00:14,280 --> 00:00:16,680
Speaker 1: caught up with Text Perkins ahead of his show, Oh

7
00:00:16,840 --> 00:00:18,720
Speaker 1: thirty years Moneyman is over.

8
00:00:18,880 --> 00:00:21,120
Speaker 2: I'm only him. We took your calls on what took

9
00:00:21,160 --> 00:00:22,400
Speaker 2: you a long time to learn?

10
00:00:22,880 --> 00:00:25,759
Speaker 1: Kate Soebrano joined us and was always love let it

11
00:00:25,800 --> 00:00:27,600
Speaker 1: catch up with the incredibly talented Humble one.

12
00:00:27,800 --> 00:00:31,280
Speaker 2: And is Nicholas Cage close to retiring? Hey?

13
00:00:31,320 --> 00:00:35,520
Speaker 3: In the UK, a learner driver who failed their test

14
00:00:35,720 --> 00:00:41,320
Speaker 3: fifty nine times has been praised for their amazing commitment

15
00:00:41,800 --> 00:00:45,440
Speaker 3: after finally passing on the sixtieth effort.

16
00:00:45,760 --> 00:00:48,600
Speaker 2: There was so much wrong with this. They shouldn't be praised.

17
00:00:48,640 --> 00:00:51,680
Speaker 3: They should be banned from ever holding a driver's license.

18
00:00:52,000 --> 00:00:54,960
Speaker 3: Their face should be on roadside billboards say if you

19
00:00:55,000 --> 00:00:58,480
Speaker 3: see this person behind the wheel, pull over, immediately run

20
00:00:58,520 --> 00:00:59,080
Speaker 3: for your life.

21
00:00:59,120 --> 00:01:02,320
Speaker 2: For Partha Sozi person can not drive?

22
00:01:03,320 --> 00:01:06,080
Speaker 4: Do you think it was like? All right, well I

23
00:01:06,160 --> 00:01:07,880
Speaker 4: do maybe I.

24
00:01:07,800 --> 00:01:13,560
Speaker 3: Find it absolutely amazing that this you know, driving a

25
00:01:13,640 --> 00:01:17,319
Speaker 3: car is being in control of a giant weapon of

26
00:01:17,360 --> 00:01:21,000
Speaker 3: destruction project that can kill people and does, and yet

27
00:01:21,040 --> 00:01:25,200
Speaker 3: any old moron can get it is handed a driver's license.

28
00:01:25,240 --> 00:01:27,880
Speaker 3: It does not make sense to me that every single

29
00:01:27,920 --> 00:01:29,800
Speaker 3: person out there is capable of driving.

30
00:01:30,520 --> 00:01:31,560
Speaker 2: There's got to be.

31
00:01:31,720 --> 00:01:36,640
Speaker 3: But there's you know, a certain percentage by sheer you

32
00:01:36,640 --> 00:01:37,600
Speaker 3: know life.

33
00:01:37,760 --> 00:01:40,640
Speaker 1: Do you think these people realized they had drive? You

34
00:01:40,720 --> 00:01:42,160
Speaker 1: had to pay every time I went, so they had

35
00:01:42,200 --> 00:01:42,959
Speaker 1: a regular income.

36
00:01:43,600 --> 00:01:43,880
Speaker 5: There is.

37
00:01:44,319 --> 00:01:47,319
Speaker 3: But some people just obviously are not meant to drive.

38
00:01:47,360 --> 00:01:49,800
Speaker 3: And this is a good sign that this person's.

39
00:01:49,400 --> 00:01:52,000
Speaker 4: One of so successful on the sixtieth attempt.

40
00:01:51,760 --> 00:01:55,320
Speaker 3: And yet they're praising them. It's a driving school manager said, oh,

41
00:01:55,320 --> 00:01:58,200
Speaker 3: there's no doubt. It's a tough test and this learner's

42
00:01:58,240 --> 00:02:00,240
Speaker 3: commitment to passing is amazing.

43
00:02:00,680 --> 00:02:01,360
Speaker 2: No, it's not.

44
00:02:02,160 --> 00:02:05,000
Speaker 1: Some people might fail once or twice, but fifty nine five.

45
00:02:05,120 --> 00:02:07,240
Speaker 2: That's the universe saying not for you.

46
00:02:08,160 --> 00:02:08,480
Speaker 4: Move on.

47
00:02:08,760 --> 00:02:10,200
Speaker 2: A smart rider is.

48
00:02:10,120 --> 00:02:13,200
Speaker 3: For you, or walk or walk, or get lifts or

49
00:02:13,280 --> 00:02:14,400
Speaker 3: ubers or anything.

50
00:02:14,440 --> 00:02:16,960
Speaker 2: But do not turn on that ignition.

51
00:02:17,240 --> 00:02:20,119
Speaker 1: Ye, no, they're there, they've got it now. In the UK,

52
00:02:20,360 --> 00:02:22,520
Speaker 1: some people take away. Yeah, some people take a while

53
00:02:22,560 --> 00:02:24,480
Speaker 1: to learn and it doesn't sink in for a long

54
00:02:24,520 --> 00:02:24,960
Speaker 1: long time.

55
00:02:25,160 --> 00:02:26,720
Speaker 3: That's what we want to ask this morning, is what

56
00:02:26,880 --> 00:02:29,760
Speaker 3: took you a long time to learn tolerance?

57
00:02:30,000 --> 00:02:34,400
Speaker 2: Obviously still working on it? Yah, Yeah, patients.

58
00:02:34,360 --> 00:02:36,519
Speaker 4: What are you like with musical instruments? Be honest, God,

59
00:02:37,080 --> 00:02:37,360
Speaker 4: come on.

60
00:02:37,800 --> 00:02:40,960
Speaker 3: It's one of my greatest disappointments that I would love

61
00:02:41,000 --> 00:02:42,680
Speaker 3: to be able to play the cello and I would

62
00:02:42,680 --> 00:02:44,280
Speaker 3: love to sell. Yeah, and I would love to be

63
00:02:44,320 --> 00:02:46,720
Speaker 3: able to play the piano. But if I can't do

64
00:02:46,800 --> 00:02:50,560
Speaker 3: it by tomorrow, yeah, are you struggling? I get frustrated.

65
00:02:50,639 --> 00:02:52,480
Speaker 2: I get angry. Do you know how much damage it

66
00:02:52,520 --> 00:02:53,919
Speaker 2: does throwing a piano at a window?

67
00:02:53,960 --> 00:02:55,720
Speaker 4: If it's a Steinway or something, it's a problem.

68
00:02:56,440 --> 00:03:00,000
Speaker 3: So I have no patience for it, which is very disappointed.

69
00:03:00,040 --> 00:03:02,840
Speaker 4: And you need to throw years of practice in.

70
00:03:03,720 --> 00:03:05,560
Speaker 2: I can't think see terms of years.

71
00:03:05,639 --> 00:03:06,240
Speaker 4: I'm like that.

72
00:03:06,320 --> 00:03:09,280
Speaker 1: I like playing, I like sports, right, but squash was

73
00:03:09,320 --> 00:03:10,520
Speaker 1: one thing I just couldn't get.

74
00:03:10,600 --> 00:03:11,440
Speaker 2: Oh that's dangerous.

75
00:03:12,240 --> 00:03:14,640
Speaker 4: So I've got a small black ball, you've got a

76
00:03:14,680 --> 00:03:15,400
Speaker 4: tiny room.

77
00:03:15,600 --> 00:03:17,640
Speaker 1: Mile Man was a really good player, which made it

78
00:03:17,680 --> 00:03:20,000
Speaker 1: worse because you got to you know how they work

79
00:03:20,000 --> 00:03:20,840
Speaker 1: out those squash courts.

80
00:03:20,840 --> 00:03:21,840
Speaker 4: People can stand up.

81
00:03:21,720 --> 00:03:25,040
Speaker 1: And watch you the newbie make an idiot of himself

82
00:03:25,040 --> 00:03:27,240
Speaker 1: because you can stand up the top and watch anyone playing. Yeah,

83
00:03:27,400 --> 00:03:29,720
Speaker 1: and I always ran into the walls, never got it.

84
00:03:29,919 --> 00:03:34,000
Speaker 3: No, it's a fast game. Shuttlecock was more my style.

85
00:03:34,840 --> 00:03:37,160
Speaker 3: I enjoyed your Betty, You love Betty. You enjoy the

86
00:03:37,160 --> 00:03:40,160
Speaker 3: game of shuttlecock. In the backyard with my grandmother, Oh lovely.

87
00:03:40,400 --> 00:03:44,840
Speaker 3: She used to watch Wimbledon, watch Wimbolden. This is back

88
00:03:44,840 --> 00:03:46,600
Speaker 3: in the days where you know wimboedded and make you

89
00:03:46,640 --> 00:03:48,640
Speaker 3: want to become a famous Oh yeah, of course we'd

90
00:03:48,640 --> 00:03:50,440
Speaker 3: watch wing Buden and then after the game would go

91
00:03:50,440 --> 00:03:52,000
Speaker 3: out side and have a quick round.

92
00:03:51,760 --> 00:03:52,280
Speaker 2: Of shuttle car.

93
00:03:52,320 --> 00:03:53,400
Speaker 4: You wouldn't even play tennis.

94
00:03:53,520 --> 00:03:55,160
Speaker 3: No, I did play tennis, but you know I don't

95
00:03:55,720 --> 00:03:59,600
Speaker 3: don't go there off the wound yet. That's my ankle

96
00:04:00,080 --> 00:04:06,720
Speaker 3: doing in my my tennis career. Wendy in Fremantle High Morning.

97
00:04:06,920 --> 00:04:09,040
Speaker 2: What took you a long time to learn, Wendy.

98
00:04:08,920 --> 00:04:12,920
Speaker 6: Well, I'm still learning it, and that's old land right,

99
00:04:14,400 --> 00:04:16,880
Speaker 6: because I work with a student who was dead for

100
00:04:17,160 --> 00:04:20,720
Speaker 6: many years and that's sort of been an ongoing thing.

101
00:04:21,000 --> 00:04:24,039
Speaker 6: The other thing is passwords on my computer.

102
00:04:28,920 --> 00:04:29,280
Speaker 7: Memory.

103
00:04:29,400 --> 00:04:32,440
Speaker 1: So you're not writing it down and making you exposing those.

104
00:04:32,640 --> 00:04:36,520
Speaker 3: Value coming up with weird ways to you know, sort

105
00:04:36,560 --> 00:04:40,400
Speaker 3: of camouflage them somewhere in another you know, something you've

106
00:04:40,400 --> 00:04:42,680
Speaker 3: written down and then try and remember what it was.

107
00:04:42,640 --> 00:04:45,679
Speaker 2: You wrote down. That's got your password camouflage.

108
00:04:46,560 --> 00:04:50,920
Speaker 3: Had I wish we could just have one universal password

109
00:04:50,960 --> 00:04:51,839
Speaker 3: for everything we do.

110
00:04:52,279 --> 00:04:53,760
Speaker 4: Well you have? You told me it was least one

111
00:04:53,760 --> 00:04:56,720
Speaker 4: two three. That's a gym two three.

112
00:04:59,400 --> 00:05:01,960
Speaker 6: It's a bit of a phone of contention with myself.

113
00:05:02,120 --> 00:05:06,600
Speaker 3: I understand, Wendy, I really really do know the bane

114
00:05:06,600 --> 00:05:08,599
Speaker 3: about existence because we've got we've all got thirty seven

115
00:05:08,640 --> 00:05:08,880
Speaker 3: of them.

116
00:05:08,920 --> 00:05:11,479
Speaker 4: That's the problem. Wendy. Yeah, I know that's.

117
00:05:13,320 --> 00:05:13,440
Speaker 8: That.

118
00:05:13,480 --> 00:05:16,000
Speaker 2: Thank you, that's yeah. Good luck with the Is it

119
00:05:16,040 --> 00:05:17,279
Speaker 2: hard to learn us?

120
00:05:18,120 --> 00:05:21,719
Speaker 6: No, it's a fantastic language. When you talk to somebody

121
00:05:21,760 --> 00:05:24,680
Speaker 6: that knows that, it just makes so much sense.

122
00:05:25,400 --> 00:05:29,840
Speaker 3: Okay, well thanks Wendy. Ann in Osborne Park, Hello.

123
00:05:29,920 --> 00:05:30,560
Speaker 4: Good morning.

124
00:05:30,640 --> 00:05:32,080
Speaker 8: How are you well?

125
00:05:32,160 --> 00:05:34,240
Speaker 2: What took you a while to get there?

126
00:05:34,640 --> 00:05:38,200
Speaker 6: I'll tell you what the hardest part for me was.

127
00:05:38,240 --> 00:05:40,520
Speaker 9: The master is a hille start.

128
00:05:42,480 --> 00:05:44,640
Speaker 4: Yeah, he'll start.

129
00:05:44,680 --> 00:05:47,560
Speaker 9: He'll start with my car with my dad.

130
00:05:47,760 --> 00:05:49,840
Speaker 10: I was drying, I was learning to drive on a

131
00:05:49,960 --> 00:05:54,960
Speaker 10: redub comby going.

132
00:05:54,760 --> 00:05:56,119
Speaker 8: Back in the aies of course.

133
00:05:58,279 --> 00:06:02,480
Speaker 10: Yeah, and I was just hoping and praying. I was saying,

134
00:06:02,720 --> 00:06:05,479
Speaker 10: oh God, I hope there's no cast coming around the

135
00:06:05,520 --> 00:06:08,160
Speaker 10: corner like the you know, I can just go on

136
00:06:08,320 --> 00:06:12,800
Speaker 10: second and just dry wall rolling and rolling.

137
00:06:13,200 --> 00:06:15,000
Speaker 3: Comby wouldn't have been the easiest thing to do. The

138
00:06:15,040 --> 00:06:17,480
Speaker 3: three point turning either A probably not.

139
00:06:18,480 --> 00:06:21,120
Speaker 9: No, it wasn't too bad. I mean, I've got my

140
00:06:21,240 --> 00:06:23,320
Speaker 9: license in second time.

141
00:06:24,560 --> 00:06:28,560
Speaker 10: The first time the first time, because I think the

142
00:06:28,600 --> 00:06:31,680
Speaker 10: first time it was like not indicating sort of quiet

143
00:06:31,680 --> 00:06:32,159
Speaker 10: on time.

144
00:06:32,240 --> 00:06:34,280
Speaker 8: But but they do that to guys, you.

145
00:06:34,279 --> 00:06:37,560
Speaker 10: Know too, blokes they do that too, so they're not

146
00:06:37,680 --> 00:06:38,560
Speaker 10: cocky on the right.

147
00:06:38,720 --> 00:06:41,440
Speaker 4: Oh yeah, give a bit of st down the first time. Yeah,

148
00:06:41,480 --> 00:06:42,000
Speaker 4: fair enough.

149
00:06:42,640 --> 00:06:44,400
Speaker 1: But you're right by trying to get that friction point,

150
00:06:44,480 --> 00:06:45,720
Speaker 1: especially with the hill start.

151
00:06:45,720 --> 00:06:48,560
Speaker 3: Oh yeah point.

152
00:06:49,440 --> 00:06:51,680
Speaker 9: That was the hardest part to master.

153
00:06:51,600 --> 00:06:52,320
Speaker 11: For me, you know.

154
00:06:52,839 --> 00:06:56,720
Speaker 3: And we all learned to drive a manual, as everyone should.

155
00:06:56,760 --> 00:06:59,520
Speaker 3: But nowadays they can give people their license in a automatic.

156
00:06:59,560 --> 00:07:01,440
Speaker 4: Yeah, look what's a clutch?

157
00:07:01,640 --> 00:07:07,480
Speaker 2: What what's a clutching? The hill starts they worked, and yeah,

158
00:07:07,520 --> 00:07:08,280
Speaker 2: it was you.

159
00:07:08,240 --> 00:07:12,960
Speaker 3: Know, that whole finding that happy medium of doing the dance, yep.

160
00:07:12,960 --> 00:07:14,800
Speaker 1: And it takes me back to sitting in the car

161
00:07:14,800 --> 00:07:16,360
Speaker 1: where my kids are learning how to drive.

162
00:07:16,520 --> 00:07:19,960
Speaker 4: Yeah, and you're drifting back, getting back, And I've got.

163
00:07:19,880 --> 00:07:22,480
Speaker 3: A manual, as you know, so I'll still give a

164
00:07:22,560 --> 00:07:26,600
Speaker 3: hill a bit of a berth. You know, you forget

165
00:07:26,640 --> 00:07:28,600
Speaker 3: after your driver and automatic for a while, and then

166
00:07:28,640 --> 00:07:31,680
Speaker 3: you get a manual again when you stop at the

167
00:07:31,760 --> 00:07:35,200
Speaker 3: lights on a hill. Yeah, yeah, yeah, remember again, don't stare,

168
00:07:35,280 --> 00:07:35,800
Speaker 3: don't store.

169
00:07:35,840 --> 00:07:37,520
Speaker 1: How embarrassing it is a bit like when you're driven

170
00:07:37,560 --> 00:07:40,800
Speaker 1: all that time. Though it does come back fairly quickly, absolutely,

171
00:07:40,840 --> 00:07:41,520
Speaker 1: but you do forgive it.

172
00:07:42,120 --> 00:07:44,800
Speaker 2: It comes back to you. Imagine Heath with a hello,

173
00:07:45,760 --> 00:07:48,040
Speaker 2: good what took you a long time to learn?

174
00:07:49,480 --> 00:07:53,160
Speaker 9: Well? I, over the last thirty years have been burning

175
00:07:53,160 --> 00:07:55,920
Speaker 9: myself trying to get the hard boiled eggs out of

176
00:07:56,080 --> 00:07:58,559
Speaker 9: the wet the pot.

177
00:07:58,720 --> 00:07:59,160
Speaker 4: Oh yeah.

178
00:07:59,600 --> 00:08:03,200
Speaker 9: And then recently my mum while watching her do it.

179
00:08:03,360 --> 00:08:05,800
Speaker 9: I mean she didn't teach me this my whole life.

180
00:08:06,680 --> 00:08:09,080
Speaker 9: Last week I saw it doing it. She grabbed a

181
00:08:09,120 --> 00:08:12,480
Speaker 9: metal whisk and she pushed on the hard boiled egg

182
00:08:12,880 --> 00:08:16,680
Speaker 9: and it comes open and the egg pops in and

183
00:08:16,720 --> 00:08:19,920
Speaker 9: you can just pull it out with a whisk. You

184
00:08:19,960 --> 00:08:22,160
Speaker 9: don't have to drain anything. You get a metal whisk

185
00:08:22,240 --> 00:08:23,960
Speaker 9: and you push it on the hard board egg and

186
00:08:24,000 --> 00:08:25,880
Speaker 9: it pops into the middle and you just take it

187
00:08:25,920 --> 00:08:27,520
Speaker 9: out and drain it on the side of the things

188
00:08:27,600 --> 00:08:28,160
Speaker 9: or something.

189
00:08:27,960 --> 00:08:33,439
Speaker 4: So it ends up inside the whisk. Yeah, yeah, there.

190
00:08:33,480 --> 00:08:35,360
Speaker 2: You could bag it against the wall and crack it

191
00:08:35,400 --> 00:08:36,360
Speaker 2: to peel it as well.

192
00:08:36,840 --> 00:08:38,240
Speaker 9: Oh god, I was going to slap.

193
00:08:38,520 --> 00:08:41,199
Speaker 4: Haven't told me thirty years ago what was going on?

194
00:08:41,280 --> 00:08:44,400
Speaker 4: Maybe she thought she had yeah, simple skill.

195
00:08:44,559 --> 00:08:47,199
Speaker 2: It was hard, hard boiling yesterday.

196
00:08:47,320 --> 00:08:49,920
Speaker 3: And I actually did just like maybe burn the tip

197
00:08:49,920 --> 00:08:52,200
Speaker 3: of my finger when I was just pouring out the

198
00:08:52,200 --> 00:08:53,679
Speaker 3: hot water because I didn't want the eggs to fly.

199
00:08:54,360 --> 00:08:56,160
Speaker 2: And then I filled the pot up and told the water.

200
00:08:56,600 --> 00:08:59,400
Speaker 3: But there's always that one little, you know, moment of

201
00:08:59,400 --> 00:09:02,040
Speaker 3: ouch to fingertip to stop it from falling out.

202
00:09:02,480 --> 00:09:06,679
Speaker 2: I'll be getting the whisk out onto that. Matt. Thanks

203
00:09:07,120 --> 00:09:11,480
Speaker 2: and you and Helena Hello, you know you a long

204
00:09:11,559 --> 00:09:12,040
Speaker 2: time to.

205
00:09:12,080 --> 00:09:16,760
Speaker 9: Learn embarrassed enough to tie my own shoelaces properly.

206
00:09:17,640 --> 00:09:18,840
Speaker 4: Really, okay, you struggled.

207
00:09:18,840 --> 00:09:21,679
Speaker 11: There's a kid, a kid I could never manage to

208
00:09:21,720 --> 00:09:24,160
Speaker 11: figure out around the tree and through the hole.

209
00:09:24,520 --> 00:09:28,040
Speaker 4: Okay, yeah, my brain.

210
00:09:27,800 --> 00:09:30,800
Speaker 9: Did not comprehend. It's just actually taught me to tie them.

211
00:09:30,800 --> 00:09:32,360
Speaker 8: You know how you did a first bit of shoelace,

212
00:09:32,400 --> 00:09:33,600
Speaker 8: you cross over and pull it through.

213
00:09:33,800 --> 00:09:38,280
Speaker 4: Yeah, the two bunnys and do that again. Okay, that

214
00:09:38,400 --> 00:09:39,520
Speaker 4: was the way to remember.

215
00:09:40,720 --> 00:09:42,200
Speaker 8: That's how I tied my shoelaces.

216
00:09:42,200 --> 00:09:44,199
Speaker 4: It was only in probably the last five six years

217
00:09:44,240 --> 00:09:45,280
Speaker 4: there I thought, no, I'm going.

218
00:09:45,280 --> 00:09:46,760
Speaker 9: To take to do it properly.

219
00:09:46,840 --> 00:09:49,800
Speaker 1: Yeah, yeah, something's just uncon naturally.

220
00:09:49,880 --> 00:09:53,360
Speaker 3: Well this is why they invented velgo and don't worry

221
00:09:53,400 --> 00:09:53,880
Speaker 3: about it.

222
00:09:56,120 --> 00:09:58,440
Speaker 4: We'll get you some crop cross.

223
00:09:58,200 --> 00:10:03,160
Speaker 8: From my wardrobe.

224
00:10:03,440 --> 00:10:07,800
Speaker 4: Well then can you hauld? I can?

225
00:10:07,920 --> 00:10:10,000
Speaker 2: Really, I cannot haul it. I couldn't be bothered.

226
00:10:10,000 --> 00:10:11,880
Speaker 4: It's not something important to a fifty eight year old man.

227
00:10:11,920 --> 00:10:15,720
Speaker 2: But I can. But you've got no hips.

228
00:10:15,840 --> 00:10:16,760
Speaker 4: I've got no hips.

229
00:10:16,840 --> 00:10:18,600
Speaker 2: Hey, hips don't lie, I know.

230
00:10:18,600 --> 00:10:21,240
Speaker 4: Because I'm just a stick, not any last.

231
00:10:21,800 --> 00:10:23,959
Speaker 2: It does help to have some hips.

232
00:10:23,640 --> 00:10:27,360
Speaker 1: Yeah, okay when you're hooping. Maybe a bit of flexibility style, yeah.

233
00:10:27,280 --> 00:10:29,440
Speaker 2: Okay, and a bit of Hawaiian music.

234
00:10:29,720 --> 00:10:33,839
Speaker 4: Yeah, maybe I should try more. I've tried today.

235
00:10:33,840 --> 00:10:36,839
Speaker 3: When I get home Jane and Bergoon, Hello, Hi, how

236
00:10:36,880 --> 00:10:37,719
Speaker 3: are you?

237
00:10:37,880 --> 00:10:39,000
Speaker 2: I took a while, Jane.

238
00:10:39,160 --> 00:10:41,400
Speaker 11: One thing that really stands out is learning how to drive.

239
00:10:41,760 --> 00:10:45,760
Speaker 2: How yah many time did you have it? Getting your license?

240
00:10:46,120 --> 00:10:49,120
Speaker 11: Well it was food unlucky on the cast, but it

241
00:10:49,200 --> 00:10:51,400
Speaker 11: was several years of driving lessons.

242
00:10:52,320 --> 00:10:53,440
Speaker 4: Okay, yeah that.

243
00:10:53,559 --> 00:10:56,679
Speaker 11: After two years because I'm just so bad and I

244
00:10:56,720 --> 00:10:58,080
Speaker 11: was a bit of a nervous wreck. You know how

245
00:10:58,120 --> 00:11:02,200
Speaker 11: those people then says sorry, slow down, slow down. For me,

246
00:11:02,280 --> 00:11:04,320
Speaker 11: it was speed up, speed up. You know you've got

247
00:11:04,360 --> 00:11:07,560
Speaker 11: to trying to speed limit. Yeah, very very nervous driver.

248
00:11:08,000 --> 00:11:11,360
Speaker 11: Still can't reverse part now, but yeah, yeah, money, I

249
00:11:11,400 --> 00:11:13,800
Speaker 11: managed to get through it, but a lot of blood sweats.

250
00:11:13,679 --> 00:11:17,280
Speaker 2: Is shopping must be found for you. You're only looking

251
00:11:17,320 --> 00:11:22,280
Speaker 2: for a park. You can drive right run the street, absolutely.

252
00:11:21,920 --> 00:11:25,880
Speaker 1: Yeah, Jane. Do you know how many driving lessons you

253
00:11:25,920 --> 00:11:26,480
Speaker 1: reckon your head?

254
00:11:27,120 --> 00:11:28,160
Speaker 6: Hundreds and hundreds?

255
00:11:28,200 --> 00:11:29,160
Speaker 4: Well really that many?

256
00:11:29,360 --> 00:11:30,960
Speaker 9: Okay, that that many.

257
00:11:31,040 --> 00:11:33,920
Speaker 11: I've spent so much money on it. Yeah, could so

258
00:11:34,000 --> 00:11:36,439
Speaker 11: much money. And I learned in the manual car as well.

259
00:11:36,520 --> 00:11:38,520
Speaker 11: So the other thing was the clutch. So I had

260
00:11:38,760 --> 00:11:43,439
Speaker 11: terrible trouble with the clutch. Yeah, or years years, a

261
00:11:43,679 --> 00:11:45,000
Speaker 11: lot of money. But there in the air.

262
00:11:45,160 --> 00:11:46,920
Speaker 2: Unless you got at less, you got it on your

263
00:11:47,120 --> 00:11:47,520
Speaker 2: third go.

264
00:11:47,760 --> 00:11:50,520
Speaker 3: It wasn't like this person who had sixty attempts at

265
00:11:50,559 --> 00:11:51,400
Speaker 3: the actual test.

266
00:11:51,600 --> 00:11:52,280
Speaker 4: That's ridiculous.

267
00:11:52,360 --> 00:11:55,840
Speaker 3: Yeah, okay, Jane. Good like we're parking over Christmas.

268
00:11:55,920 --> 00:11:58,480
Speaker 4: Yeah, if you're shopping, will give you.

269
00:11:58,440 --> 00:12:01,719
Speaker 2: A lift erin? Well, hello, er, who took you?

270
00:12:04,400 --> 00:12:05,040
Speaker 4: What's your story?

271
00:12:05,800 --> 00:12:08,240
Speaker 7: So it's quite embarrassing and I still can't live it

272
00:12:08,280 --> 00:12:11,720
Speaker 7: down to this day. But it took me swimming, and

273
00:12:11,760 --> 00:12:15,880
Speaker 7: one of the swimming components was holding your breath still

274
00:12:15,960 --> 00:12:17,840
Speaker 7: under the water for more than twenty seconds.

275
00:12:17,880 --> 00:12:20,800
Speaker 3: And I could never do that, okay, because you'd panic

276
00:12:21,000 --> 00:12:22,520
Speaker 3: or because you'd run out of breath.

277
00:12:23,360 --> 00:12:26,160
Speaker 7: I think I think I did panic, which made me

278
00:12:26,240 --> 00:12:26,880
Speaker 7: run out of breath.

279
00:12:27,440 --> 00:12:28,040
Speaker 3: Yeah, it's fine.

280
00:12:28,080 --> 00:12:30,560
Speaker 7: I was able to pass that with flying talent. But

281
00:12:30,679 --> 00:12:33,839
Speaker 7: it was it was like that survival.

282
00:12:33,520 --> 00:12:35,480
Speaker 6: As they wanted you to complete and I can never

283
00:12:35,559 --> 00:12:35,880
Speaker 6: do it.

284
00:12:36,080 --> 00:12:38,079
Speaker 7: But I soon learned it. It took me for six

285
00:12:38,200 --> 00:12:40,400
Speaker 7: months and my mom, who was Italian, you know the

286
00:12:40,440 --> 00:12:42,800
Speaker 7: proper Italian waves, smack you guys over the head when

287
00:12:42,880 --> 00:12:48,480
Speaker 7: you couldn't do coming right. So I managed to do it.

288
00:12:51,000 --> 00:12:51,520
Speaker 5: Yeah that's.

289
00:12:53,080 --> 00:13:01,000
Speaker 3: All Italian way, teacher, Well well done, because we are

290
00:13:01,280 --> 00:13:06,320
Speaker 3: by sea, so it is it's important, yep, but definitely.

291
00:13:06,000 --> 00:13:08,520
Speaker 1: Understand that feeling a panic when you're underwater, going it's

292
00:13:08,559 --> 00:13:09,200
Speaker 1: twelve seconds.

293
00:13:09,200 --> 00:13:10,800
Speaker 3: I can't know you when your mother's just thrown you

294
00:13:10,840 --> 00:13:16,079
Speaker 3: in the deep end. Thanks Aaron, Darren in ellen Brook.

295
00:13:16,120 --> 00:13:17,320
Speaker 3: What took you a long time to learn?

296
00:13:17,440 --> 00:13:21,320
Speaker 8: Well, it didn't take me a long time to from you.

297
00:13:21,360 --> 00:13:22,040
Speaker 2: Well, what.

298
00:13:24,080 --> 00:13:25,120
Speaker 8: On your sofa.

299
00:13:27,720 --> 00:13:28,040
Speaker 4: Knife?

300
00:13:28,240 --> 00:13:31,080
Speaker 2: Why do we have to bring this up again? There's

301
00:13:31,120 --> 00:13:33,520
Speaker 2: already a picture of me under idiot in the dictionary?

302
00:13:33,800 --> 00:13:34,720
Speaker 4: Were anytime?

303
00:13:34,800 --> 00:13:35,079
Speaker 9: Darren?

304
00:13:36,679 --> 00:13:38,240
Speaker 4: We need to refresh the story?

305
00:13:38,480 --> 00:13:39,320
Speaker 2: No, we don't.

306
00:13:40,240 --> 00:13:42,560
Speaker 4: What were you doing freaking around with a Stanley.

307
00:13:42,240 --> 00:13:43,680
Speaker 2: Knife cutting a box down?

308
00:13:43,720 --> 00:13:44,680
Speaker 4: Cutting a box down?

309
00:13:44,720 --> 00:13:46,800
Speaker 2: For some reason? And I never cut down boxes. I

310
00:13:46,880 --> 00:13:47,560
Speaker 2: just swished them in.

311
00:13:47,600 --> 00:13:49,880
Speaker 3: But for some reason I was being really efficient, a

312
00:13:49,880 --> 00:13:52,520
Speaker 3: bit too efficient, and I got a bit too close

313
00:13:52,559 --> 00:13:55,080
Speaker 3: to the couch. I wasn't so stupid that I was

314
00:13:55,160 --> 00:13:57,480
Speaker 3: like resting the box on the couch or anythow. I

315
00:13:57,520 --> 00:13:58,880
Speaker 3: just didn't realize how close I was.

316
00:13:58,920 --> 00:14:01,480
Speaker 4: You're only like, how long? Only about ten centimeters?

317
00:14:01,480 --> 00:14:01,760
Speaker 7: Stupid?

318
00:14:01,880 --> 00:14:02,160
Speaker 4: Will you?

319
00:14:02,440 --> 00:14:06,359
Speaker 3: It tends to a nice neat sharp stupid Fanley?

320
00:14:07,120 --> 00:14:09,400
Speaker 4: Thank you, Darren, you'd morning.

321
00:14:09,640 --> 00:14:13,440
Speaker 2: Well I'm back last time, last time, this year that.

322
00:14:13,880 --> 00:14:15,040
Speaker 4: Old chestnut, maybe.

323
00:14:14,800 --> 00:14:20,440
Speaker 9: Not more crazy more Lisa more podcasts.

324
00:14:22,000 --> 00:14:22,760
Speaker 4: Kate Sobrano.

325
00:14:22,880 --> 00:14:24,440
Speaker 2: Kate is joining us now.

326
00:14:24,520 --> 00:14:28,360
Speaker 5: Good morning, morning, Ky, Good morning, Fine Perst people.

327
00:14:28,520 --> 00:14:31,560
Speaker 2: Now are you very well? Now?

328
00:14:32,760 --> 00:14:36,840
Speaker 3: You celebrated this year one of the most enduring and

329
00:14:36,960 --> 00:14:40,600
Speaker 3: inspirational careers in Australian music with the release of your

330
00:14:40,640 --> 00:14:44,640
Speaker 3: thirtieth album, My Life Is a Symphony. It went straight

331
00:14:45,080 --> 00:14:49,280
Speaker 3: to the top of the charts. Congratulations, thank you had.

332
00:14:49,120 --> 00:14:50,360
Speaker 5: A bit of a labor of love.

333
00:14:50,440 --> 00:14:52,960
Speaker 2: Oh sorry, no, no, I don't tell you.

334
00:14:53,040 --> 00:14:55,560
Speaker 3: I was going to say, when when you're reaching album

335
00:14:55,640 --> 00:14:58,960
Speaker 3: number thirty at what number do you ever get? Do

336
00:14:59,000 --> 00:15:02,200
Speaker 3: you get scared that? I think, I don't is are they

337
00:15:02,200 --> 00:15:03,560
Speaker 3: going to buy this one? Are they going to like

338
00:15:03,600 --> 00:15:04,000
Speaker 3: this one?

339
00:15:04,160 --> 00:15:04,240
Speaker 8: Is?

340
00:15:04,240 --> 00:15:07,080
Speaker 3: It's gone straight to the top of the charts.

341
00:15:08,080 --> 00:15:11,000
Speaker 5: I think when you're in the business as long as

342
00:15:11,080 --> 00:15:13,080
Speaker 5: up in, I feel like the last of the Mohicans.

343
00:15:13,120 --> 00:15:15,000
Speaker 9: I just I just I just.

344
00:15:14,960 --> 00:15:17,720
Speaker 5: Sort of feel like I do what I do and

345
00:15:17,800 --> 00:15:19,280
Speaker 5: I think you just got to keep doing what you

346
00:15:19,360 --> 00:15:23,880
Speaker 5: do and don't think. Yeah, I really think in the

347
00:15:24,000 --> 00:15:27,880
Speaker 5: end that it's a it's a career, it's a whole, living,

348
00:15:28,160 --> 00:15:31,960
Speaker 5: breathing art form. Really and it's like anything if you yeah,

349
00:15:32,000 --> 00:15:34,440
Speaker 5: you're just in it. And and the other thing I

350
00:15:34,480 --> 00:15:36,720
Speaker 5: just want to mention is that the public that I've

351
00:15:36,800 --> 00:15:40,320
Speaker 5: known for forty years as an audience and it's people

352
00:15:40,360 --> 00:15:43,240
Speaker 5: to sing with and sing for, they're the ones that.

353
00:15:43,240 --> 00:15:44,360
Speaker 6: Actually put it on the charts.

354
00:15:44,360 --> 00:15:48,160
Speaker 5: It's really it's because of their commitment and their community

355
00:15:48,840 --> 00:15:51,080
Speaker 5: with me, and I have so much to love them.

356
00:15:51,080 --> 00:15:55,320
Speaker 5: For Australians, they just keep on coming up, the showing up,

357
00:15:55,320 --> 00:15:56,200
Speaker 5: they keep on buying.

358
00:15:56,520 --> 00:15:57,840
Speaker 9: So I love that.

359
00:15:58,160 --> 00:16:00,600
Speaker 5: I just feel like as an Australian artist and as

360
00:16:00,640 --> 00:16:03,440
Speaker 5: one of the last of my generation of women in music,

361
00:16:04,040 --> 00:16:10,680
Speaker 5: it's just it's just a really strong, lovely handhold into well,

362
00:16:11,040 --> 00:16:11,680
Speaker 5: very modest.

363
00:16:11,720 --> 00:16:13,960
Speaker 3: There's also the fact that you're damn good and that's

364
00:16:14,000 --> 00:16:17,240
Speaker 3: why we keep coming versatility.

365
00:16:17,520 --> 00:16:19,680
Speaker 2: Yes exactly.

366
00:16:20,040 --> 00:16:24,640
Speaker 3: You're on stage with the orchestra on Saturday night, which time.

367
00:16:25,400 --> 00:16:26,040
Speaker 2: No, not my.

368
00:16:26,000 --> 00:16:28,440
Speaker 5: First rodeo, but I'm telling you, if you're playing your

369
00:16:28,440 --> 00:16:31,960
Speaker 5: own music in this country with an orchestra, symphony orchestra,

370
00:16:32,240 --> 00:16:35,200
Speaker 5: it's a privilege beyond belief. I mean, it's it's like

371
00:16:35,280 --> 00:16:40,560
Speaker 5: having someone naming a star in a galaxy. Yeah, it's

372
00:16:40,640 --> 00:16:42,840
Speaker 5: like you just you are Andromeda. You sit in the

373
00:16:42,840 --> 00:16:46,600
Speaker 5: middle of this just like you know, a world of

374
00:16:47,240 --> 00:16:50,200
Speaker 5: sound and inspiration around. The other thing is too they're

375
00:16:50,240 --> 00:16:54,680
Speaker 5: so so genuinely talented. They seem to make it effortless,

376
00:16:56,080 --> 00:16:58,600
Speaker 5: and it's a lovely feeling. It's lovely feeling.

377
00:17:00,080 --> 00:17:02,600
Speaker 1: All the arrangements and everything that can be quite complex,

378
00:17:02,680 --> 00:17:04,399
Speaker 1: can't it at times when you all of a sudden

379
00:17:04,400 --> 00:17:06,680
Speaker 1: you're doing some of these chams with the symphony.

380
00:17:07,840 --> 00:17:10,520
Speaker 5: Well yeah, and I think to the symphony as well,

381
00:17:10,560 --> 00:17:14,000
Speaker 5: like sometimes pop music can seem like a bit of

382
00:17:14,000 --> 00:17:20,800
Speaker 5: a doll for them with three Actually I don't think

383
00:17:20,800 --> 00:17:21,119
Speaker 5: they do.

384
00:17:21,280 --> 00:17:24,000
Speaker 2: Actually I thought they did.

385
00:17:25,160 --> 00:17:27,200
Speaker 5: No, Well, I mean you know what they what they

386
00:17:27,280 --> 00:17:30,040
Speaker 5: love is when make an arranger like the chap He's

387
00:17:30,080 --> 00:17:32,600
Speaker 5: done my arrangements. He does work for the cat Empire,

388
00:17:33,359 --> 00:17:36,879
Speaker 5: the Bamboos, and he's very contemporary. He's sort of taken

389
00:17:36,960 --> 00:17:40,040
Speaker 5: the spirit of symphonic music, and he's a very symphonic

390
00:17:40,680 --> 00:17:44,680
Speaker 5: trained artist. And he's given the orchestra a gift because

391
00:17:44,680 --> 00:17:47,080
Speaker 5: it isn't just three chords, it's their whole pieces, their

392
00:17:47,080 --> 00:17:51,000
Speaker 5: whole arrangements. And when I asked him, you know what,

393
00:17:51,040 --> 00:17:52,760
Speaker 5: he said, how do you want to see this, I'm like,

394
00:17:52,960 --> 00:17:55,600
Speaker 5: I want you to throw Polar Express in there. I

395
00:17:55,600 --> 00:17:58,560
Speaker 5: want love Actually, I want West Side Story, I want

396
00:17:58,560 --> 00:18:01,720
Speaker 5: the whole, I want the whole Intilada.

397
00:18:01,840 --> 00:18:04,000
Speaker 2: I want that song you did from Bagdad Cafe. That's

398
00:18:04,040 --> 00:18:04,760
Speaker 2: sort of my favorite.

399
00:18:04,920 --> 00:18:05,120
Speaker 9: Yeah.

400
00:18:05,280 --> 00:18:08,720
Speaker 3: Yeah, is there a particular song of yours that you

401
00:18:08,760 --> 00:18:13,000
Speaker 3: feel just is so elevated by the inclusion of the orchestra.

402
00:18:14,080 --> 00:18:18,040
Speaker 5: Yeah, well, a lot of the material, there are hips

403
00:18:18,119 --> 00:18:20,960
Speaker 5: in amongst material. But I guess the greatest privilege is

404
00:18:21,000 --> 00:18:23,320
Speaker 5: that these are all songs written by me. To have

405
00:18:23,359 --> 00:18:26,520
Speaker 5: a whole set of original music. There's one song that

406
00:18:26,720 --> 00:18:30,720
Speaker 5: was maybe not in the top charts of anyone particularly,

407
00:18:30,760 --> 00:18:32,680
Speaker 5: but they might have found it on an album within

408
00:18:32,720 --> 00:18:37,520
Speaker 5: an album. It's called Urthan Sky. And the reason why

409
00:18:37,560 --> 00:18:40,520
Speaker 5: I love it is it probably tells the story of

410
00:18:40,560 --> 00:18:43,280
Speaker 5: my yearning for forty years to sort of just keep

411
00:18:43,680 --> 00:18:46,760
Speaker 5: to my lane and keep walking, don't stop, and just

412
00:18:46,880 --> 00:18:50,000
Speaker 5: keep on trucking and don't ask permission, just get in there,

413
00:18:50,040 --> 00:18:50,760
Speaker 5: get amongst it.

414
00:18:50,880 --> 00:18:52,520
Speaker 9: And that's what I love about the song.

415
00:18:52,680 --> 00:18:53,560
Speaker 4: Yeah, it's wonderful.

416
00:18:53,640 --> 00:18:55,280
Speaker 1: Okay, last time we were in a room together, it

417
00:18:55,320 --> 00:18:57,159
Speaker 1: wasn't a radio interview because COVID gotten the way and

418
00:18:57,160 --> 00:18:59,040
Speaker 1: all that. It was at the Dockers function for International

419
00:18:59,080 --> 00:19:02,000
Speaker 1: Women's Day about four years ago, and the room stopped

420
00:19:02,080 --> 00:19:04,000
Speaker 1: when you got up to seeing the room stopped and

421
00:19:04,080 --> 00:19:06,680
Speaker 1: you could hear a pin drop. What's it like when

422
00:19:06,720 --> 00:19:09,320
Speaker 1: an audience responds like that because people were just listening

423
00:19:09,320 --> 00:19:10,400
Speaker 1: to that voice.

424
00:19:10,560 --> 00:19:12,200
Speaker 6: Oh that's gorgeous.

425
00:19:12,560 --> 00:19:14,960
Speaker 5: Yeah, well, I mean in way, it's kind of it's

426
00:19:14,960 --> 00:19:17,880
Speaker 5: the cinematic moment that every artist wish you saw, don't they.

427
00:19:18,040 --> 00:19:21,440
Speaker 5: It's the moment you can, yeah, like you have one

428
00:19:21,480 --> 00:19:24,600
Speaker 5: service in this life, and that's too, I guess to

429
00:19:24,800 --> 00:19:30,240
Speaker 5: give people a soundtrack to their own internal world. And

430
00:19:30,480 --> 00:19:33,200
Speaker 5: I think that's what's happening. When you're doing that, something happens.

431
00:19:33,200 --> 00:19:35,240
Speaker 5: They're sort of they stopped for a minute from everything

432
00:19:35,240 --> 00:19:37,600
Speaker 5: they're doing in all the busyness of life, and they

433
00:19:37,680 --> 00:19:41,800
Speaker 5: just find a moment within themselves that they can respond

434
00:19:41,840 --> 00:19:43,840
Speaker 5: to emotionally without words.

435
00:19:43,920 --> 00:19:44,400
Speaker 4: Yeah.

436
00:19:44,440 --> 00:19:46,240
Speaker 1: And when it's a lunch and there's no cutlery noises,

437
00:19:46,280 --> 00:19:48,720
Speaker 1: you know you're cutting through no Well, I know.

438
00:19:48,760 --> 00:19:50,280
Speaker 9: And I've had a lot of people. I've had a

439
00:19:50,320 --> 00:19:51,560
Speaker 9: lot of people lead through mindset.

440
00:19:54,280 --> 00:19:57,120
Speaker 3: Well, this is why you were awarded the Lifetime Achievement

441
00:19:57,160 --> 00:19:59,760
Speaker 3: awarded the annual Australian Women in Music Awards recently.

442
00:20:00,680 --> 00:20:04,159
Speaker 5: A lot to you, it did mean a lot to me.

443
00:20:04,520 --> 00:20:05,600
Speaker 2: It meant the world.

444
00:20:06,040 --> 00:20:09,160
Speaker 5: I mean, I come from a family of very strong

445
00:20:09,200 --> 00:20:12,000
Speaker 5: women and I've raised as a free range chicken and

446
00:20:12,720 --> 00:20:16,120
Speaker 5: as a woman to go forth and go and tell

447
00:20:16,160 --> 00:20:18,280
Speaker 5: the world. But it's safe to come out. It's safe

448
00:20:18,280 --> 00:20:20,600
Speaker 5: to go out and be who you are and be

449
00:20:20,720 --> 00:20:24,960
Speaker 5: powerful and be noisy and strong and have ambition. You

450
00:20:25,000 --> 00:20:28,560
Speaker 5: know that's a very UnAustralian thing. Yeah to me, and

451
00:20:28,640 --> 00:20:32,359
Speaker 5: I just I love I love knowing that. Yeah, yeah,

452
00:20:32,359 --> 00:20:33,080
Speaker 5: it's really good.

453
00:20:33,359 --> 00:20:33,760
Speaker 2: It's good.

454
00:20:34,400 --> 00:20:40,360
Speaker 3: Well, Kate is at the Concert Hall on Saturday night,

455
00:20:40,880 --> 00:20:44,080
Speaker 3: the perfect venue, the perfect night, and my daughter is

456
00:20:44,119 --> 00:20:47,720
Speaker 3: coming too and is coming, Gypsy is coming.

457
00:20:48,080 --> 00:20:50,520
Speaker 5: I'm bringing the cart itself, and so I just thought,

458
00:20:50,600 --> 00:20:54,960
Speaker 5: just throw that in. She's a great thing and she's

459
00:20:55,000 --> 00:20:55,760
Speaker 5: a great artist.

460
00:20:55,960 --> 00:20:57,200
Speaker 2: Also. Oh that's great.

461
00:20:57,520 --> 00:21:01,160
Speaker 3: Can I just san also that Kate's released her memoir

462
00:21:01,280 --> 00:21:05,640
Speaker 3: this year, Unsung, So you know that's.

463
00:21:05,400 --> 00:21:06,480
Speaker 6: What it's doing.

464
00:21:06,480 --> 00:21:08,520
Speaker 2: Great, it's all out there, and you know, I don't

465
00:21:08,520 --> 00:21:09,320
Speaker 2: want to say the words of.

466
00:21:09,359 --> 00:21:13,439
Speaker 3: The perfect Christmas gave Christmas a memoir always is the

467
00:21:13,480 --> 00:21:18,440
Speaker 3: perfect Christift, So Kate lovely to talk to you have

468
00:21:18,480 --> 00:21:18,760
Speaker 3: fun on.

469
00:21:18,800 --> 00:21:21,320
Speaker 5: Say okay, thanks for having.

470
00:21:23,280 --> 00:21:24,280
Speaker 4: The sure report.

471
00:21:24,480 --> 00:21:29,720
Speaker 3: On ninety six Am, Nicholas Cage, who I assume is

472
00:21:29,720 --> 00:21:32,600
Speaker 3: still down South making that surfing movie, says he's got

473
00:21:32,600 --> 00:21:34,040
Speaker 3: three or four more movies.

474
00:21:33,760 --> 00:21:34,840
Speaker 2: In him and then he's done.

475
00:21:35,160 --> 00:21:37,600
Speaker 3: In a new interview with Vanity Fair, Cage says, I

476
00:21:37,640 --> 00:21:41,280
Speaker 3: feel I've said what I've had to say with cinema,

477
00:21:41,400 --> 00:21:43,960
Speaker 3: but this doesn't mean he's done with acting. In fact,

478
00:21:44,000 --> 00:21:46,800
Speaker 3: he talks about wanting to switch formats, with a particular

479
00:21:46,840 --> 00:21:50,520
Speaker 3: interest in television. He sites Brian Cranston's turn in Breaking

480
00:21:50,600 --> 00:21:53,520
Speaker 3: Bad as an example of the challenge of developing a

481
00:21:53,680 --> 00:21:58,000
Speaker 3: episodic character over several years. I can see him doing

482
00:21:58,000 --> 00:21:58,399
Speaker 3: something like that.

483
00:21:58,440 --> 00:22:00,880
Speaker 4: So him over Christmas asking is it Dave Warner?

484
00:22:00,880 --> 00:22:01,000
Speaker 9: Now?

485
00:22:01,040 --> 00:22:02,760
Speaker 4: Is he his timing his own retirement? That's weird.

486
00:22:02,880 --> 00:22:07,080
Speaker 3: I'd rather you didn't like Nick we Cage to Dave Warner,

487
00:22:07,800 --> 00:22:10,320
Speaker 3: you make a TV show about because one is a

488
00:22:10,400 --> 00:22:16,560
Speaker 3: hugely talented talent the other. Yeah, Dave Warner, boss of Marvel,

489
00:22:16,680 --> 00:22:18,640
Speaker 3: Kevin Page is confirmed there will be no more Iron

490
00:22:18,720 --> 00:22:21,240
Speaker 3: Man movies. Well, death can be like that, And he

491
00:22:21,359 --> 00:22:24,639
Speaker 3: was killed off in endgame. Apparently there'd been talk that

492
00:22:24,680 --> 00:22:27,760
Speaker 3: they'd resurrect Robert Downey Junior's character somehow, perhaps fire and

493
00:22:27,800 --> 00:22:31,959
Speaker 3: alternate universe. Well, they can do what they like, but

494
00:22:32,359 --> 00:22:35,359
Speaker 3: says they worked too hard to get to the moment

495
00:22:35,640 --> 00:22:41,640
Speaker 3: of farewelling Tony Stark. They wouldn't want to magically undo it. Yeah.

496
00:22:41,720 --> 00:22:44,479
Speaker 3: Fairytale of New York has hit number one on the

497
00:22:44,520 --> 00:22:47,840
Speaker 3: iTunes UK charts following the death of Shane McGowan, lead

498
00:22:47,880 --> 00:22:51,960
Speaker 3: singer of The Pogues. On the Australian iTunes chart, it's

499
00:22:52,080 --> 00:22:56,600
Speaker 3: number seven Wow, and the Pogue's album Rum Sodomy and

500
00:22:56,640 --> 00:23:01,920
Speaker 3: the Lash is number seven on Our Album Chart. McGowan

501
00:23:02,000 --> 00:23:04,639
Speaker 3: died soon after being discharged from hospital last week. The

502
00:23:04,680 --> 00:23:07,000
Speaker 3: sixty five year old had been battling health issues for

503
00:23:07,080 --> 00:23:10,840
Speaker 3: some time. That'd be lovely to see that song finally

504
00:23:10,880 --> 00:23:12,040
Speaker 3: have a Christmas number one.

505
00:23:12,080 --> 00:23:14,800
Speaker 4: Absolutely yeah.

506
00:23:14,800 --> 00:23:18,480
Speaker 1: Around the place wherever people love the Pogues, and there's

507
00:23:18,560 --> 00:23:20,800
Speaker 1: been a lot of people on social media saying this absolutely.

508
00:23:20,800 --> 00:23:21,600
Speaker 2: I produced Greg.

509
00:23:22,200 --> 00:23:26,400
Speaker 3: He was in the UK for Christmas not so long

510
00:23:26,440 --> 00:23:28,320
Speaker 3: ago and he said there is nothing like being in

511
00:23:28,400 --> 00:23:31,399
Speaker 3: a UK pub. When fairy Told New York comes on

512
00:23:31,440 --> 00:23:33,720
Speaker 3: at Christmas time and the whole place sings it and

513
00:23:34,560 --> 00:23:35,040
Speaker 3: goes off.

514
00:23:35,119 --> 00:23:38,360
Speaker 1: Yeah, that's very warm inside, a lot of swaying. Yeah,

515
00:23:38,560 --> 00:23:39,960
Speaker 1: as you look through the window and look at the

516
00:23:39,960 --> 00:23:41,320
Speaker 1: snow and all that kind of stuff.

517
00:23:41,359 --> 00:23:45,480
Speaker 9: Beautiful, more crazy, More Lisa podcasts.

518
00:23:45,600 --> 00:23:51,560
Speaker 3: Soon, The Cruelty are performing at Freo Prison this Saturday.

519
00:23:51,560 --> 00:23:55,360
Speaker 3: Tickets are available through Ticketmaster. Tex Perkins is joining us now.

520
00:23:55,480 --> 00:24:02,200
Speaker 3: Good morning, good morning, indeed good congratulates on the album

521
00:24:02,400 --> 00:24:07,000
Speaker 3: The Honeymoon is Over, celebrating its thirtieth birthday. I can't

522
00:24:07,080 --> 00:24:09,960
Speaker 3: quite believe it because I still very clearly remember when

523
00:24:10,000 --> 00:24:13,159
Speaker 3: it came out. But do you I mentioned before that

524
00:24:13,200 --> 00:24:17,280
Speaker 3: it won five ARIA Awards at the ninety four arias.

525
00:24:17,320 --> 00:24:20,280
Speaker 2: Do you remember this moment we read in the paper

526
00:24:21,760 --> 00:24:23,560
Speaker 2: yesterday that we're expected.

527
00:24:23,200 --> 00:24:24,400
Speaker 4: To clean up at these awards.

528
00:24:24,480 --> 00:24:27,399
Speaker 8: So if you get held by stacking your chairs and

529
00:24:28,040 --> 00:24:31,359
Speaker 8: pick our bass phrase, man, that was.

530
00:24:31,920 --> 00:24:34,840
Speaker 3: That was can when you accepted the Best Album award,

531
00:24:34,960 --> 00:24:38,240
Speaker 3: so clearly not taking it too seriously on the night.

532
00:24:40,040 --> 00:24:40,280
Speaker 7: Yeah.

533
00:24:40,440 --> 00:24:45,840
Speaker 8: Well, I think we were well, indeed we were. It

534
00:24:45,880 --> 00:24:53,439
Speaker 8: was predicted that may may occur. I mean it was.

535
00:24:54,040 --> 00:24:59,360
Speaker 8: I think we swept the pool because basically the Pharnsis

536
00:24:59,440 --> 00:25:02,480
Speaker 8: and the barn these and the inexcesses, and the and

537
00:25:02,560 --> 00:25:06,080
Speaker 8: the crowded houses, and that they had their day, and

538
00:25:07,000 --> 00:25:10,960
Speaker 8: the silver chairs and the and theo urgitators and the

539
00:25:11,000 --> 00:25:15,080
Speaker 8: new ms and the savage gardens that they yet to come.

540
00:25:15,560 --> 00:25:18,640
Speaker 4: Yeah, I was gonna say so we had we had a.

541
00:25:18,560 --> 00:25:22,440
Speaker 8: Cap of about two years. It was sort of ours.

542
00:25:22,680 --> 00:25:25,800
Speaker 2: Yeah, I think that's a touch modest, but anyway, I.

543
00:25:25,760 --> 00:25:27,600
Speaker 1: Couldn't do anything wrong though with that album and then

544
00:25:27,600 --> 00:25:29,600
Speaker 1: the Three Legged Dog in to straight the number one mode.

545
00:25:29,640 --> 00:25:31,720
Speaker 1: It was a little it was a sweet little purple patch,

546
00:25:31,760 --> 00:25:32,760
Speaker 1: wasn't it.

547
00:25:33,200 --> 00:25:36,720
Speaker 8: Yes, And they expect the Three Legged Dog Anniversary too

548
00:25:37,240 --> 00:25:37,760
Speaker 8: in a couple of.

549
00:25:37,760 --> 00:25:39,000
Speaker 4: Years, of course.

550
00:25:40,160 --> 00:25:41,240
Speaker 2: It's yeah.

551
00:25:41,280 --> 00:25:43,280
Speaker 3: Look it's been thirty years and I still have yet

552
00:25:43,280 --> 00:25:45,960
Speaker 3: to see a sexier film clip than the Honeymoon's text Perkins.

553
00:25:46,680 --> 00:25:47,680
Speaker 2: Now it's the brands.

554
00:25:47,720 --> 00:25:50,520
Speaker 3: It's the bands, I should say, first proper tour in

555
00:25:50,560 --> 00:25:53,360
Speaker 3: a decade. Why has it taken so long? And how

556
00:25:53,400 --> 00:25:55,480
Speaker 3: has it been getting back on the road together. It's

557
00:25:55,560 --> 00:25:59,239
Speaker 3: like riding a bike, Uh.

558
00:25:58,720 --> 00:26:05,000
Speaker 8: Well a bike with that needed the tires pumped up

559
00:26:05,040 --> 00:26:08,480
Speaker 8: and the chaining gone. The china definitely gone rusty, but

560
00:26:10,560 --> 00:26:14,760
Speaker 8: I've taken us a while. Well, I guess mainly because

561
00:26:15,760 --> 00:26:18,880
Speaker 8: one of our members, James Crookshank, passed away eight years ago.

562
00:26:19,880 --> 00:26:22,400
Speaker 8: So I mean that was the biggest hurdle to get

563
00:26:22,440 --> 00:26:26,440
Speaker 8: it over and and I don't know, we just all

564
00:26:26,480 --> 00:26:30,000
Speaker 8: went on and did other things in them and then

565
00:26:30,080 --> 00:26:35,040
Speaker 8: there's a very very persistent promoter called Dwayne McDonald. So

566
00:26:35,200 --> 00:26:37,280
Speaker 8: you get the cruise, so you're back together and get

567
00:26:37,359 --> 00:26:40,440
Speaker 8: to the thirtieth anniversary. And I said, oh, well, it's

568
00:26:40,440 --> 00:26:45,080
Speaker 8: not as simple as that. But anyway, we decided to

569
00:26:45,119 --> 00:26:48,920
Speaker 8: ask my very good friend and good friend of the band,

570
00:26:49,720 --> 00:26:54,920
Speaker 8: and we've known him since the nineties, Matt Walker, great

571
00:26:54,960 --> 00:26:59,600
Speaker 8: great musician, great guitar player, great great human beings. He's

572
00:26:59,680 --> 00:27:05,680
Speaker 8: joined the band and and it's taking the place well,

573
00:27:06,119 --> 00:27:08,200
Speaker 8: no one can take the place of Crooks.

574
00:27:09,400 --> 00:27:10,159
Speaker 2: Exactly, but.

575
00:27:11,680 --> 00:27:15,400
Speaker 8: It's it's it's going well. We've done four shows now

576
00:27:15,440 --> 00:27:18,240
Speaker 8: and it's getting better and better, and I think we'll

577
00:27:18,280 --> 00:27:20,639
Speaker 8: be peaking by the time we get to Free that's what.

578
00:27:20,680 --> 00:27:21,800
Speaker 4: We want to hear now.

579
00:27:21,840 --> 00:27:23,960
Speaker 1: I remember seeing those two nights with the Stones at

580
00:27:24,000 --> 00:27:26,840
Speaker 1: Perry Lakes. It was nineteen ninety five, so you know,

581
00:27:26,880 --> 00:27:29,240
Speaker 1: a lot has changed lost lost James and lost Charlie

582
00:27:29,280 --> 00:27:31,600
Speaker 1: Watts and lost Perry Lakes itself. It's all houses now,

583
00:27:31,640 --> 00:27:33,800
Speaker 1: but they were. That was a couple of great nights, mate.

584
00:27:33,840 --> 00:27:35,240
Speaker 1: You must have fond memories of it.

585
00:27:35,800 --> 00:27:37,760
Speaker 8: We did two Nice did, Yeah, it was.

586
00:27:38,119 --> 00:27:40,440
Speaker 4: I remember I was there both nights, just one big

587
00:27:40,560 --> 00:27:41,640
Speaker 4: night for he wasn't.

588
00:27:42,200 --> 00:27:48,600
Speaker 8: Well well a little while ago. But I particularly remember

589
00:27:48,640 --> 00:27:52,760
Speaker 8: about that one because I was we were being the

590
00:27:52,800 --> 00:27:56,000
Speaker 8: support man. We were privy to the Stone sound checks

591
00:27:56,280 --> 00:28:02,399
Speaker 8: Nice and and they'd always play music that they didn't

592
00:28:02,440 --> 00:28:06,280
Speaker 8: play in the actual show. They would play sort of

593
00:28:06,680 --> 00:28:09,800
Speaker 8: you know, like a obscure more obscure tracks, which was

594
00:28:10,480 --> 00:28:14,000
Speaker 8: like a real treat. And they also just play the

595
00:28:14,160 --> 00:28:17,399
Speaker 8: music without putting on a big show and you know

596
00:28:17,640 --> 00:28:21,680
Speaker 8: and running around and you know, they actually play the songs.

597
00:28:22,000 --> 00:28:25,520
Speaker 8: And it was that I was adored.

598
00:28:25,119 --> 00:28:27,800
Speaker 4: This, especially.

599
00:28:29,040 --> 00:28:29,800
Speaker 8: Way more than the.

600
00:28:30,840 --> 00:28:32,959
Speaker 4: Muddy Waters or something like here we Go.

601
00:28:34,040 --> 00:28:37,600
Speaker 8: Yeah, well, you know, things like a Fool to Cry,

602
00:28:37,680 --> 00:28:39,880
Speaker 8: which they didn't put in the show, and things like that.

603
00:28:41,080 --> 00:28:42,840
Speaker 8: It was, as a Stone say, it was. It was

604
00:28:42,880 --> 00:28:43,480
Speaker 8: a real treat.

605
00:28:43,840 --> 00:28:47,239
Speaker 3: Yeah, you I think you just may have wrapped up

606
00:28:47,240 --> 00:28:49,600
Speaker 3: another tour of the Man in Black.

607
00:28:50,200 --> 00:28:52,200
Speaker 2: I read and now You've.

608
00:28:52,040 --> 00:28:54,440
Speaker 3: Got the Cruel Sea shows, and I'd love to see

609
00:28:54,480 --> 00:28:55,640
Speaker 3: some more lady boys stuff.

610
00:28:55,680 --> 00:28:56,360
Speaker 2: Is it?

611
00:28:56,400 --> 00:29:00,920
Speaker 3: Is it keeping it mixed up that keeps you so fresh?

612
00:29:01,000 --> 00:29:07,720
Speaker 8: Yeah? Absolutely, as boring as this saying is, but it's true.

613
00:29:07,760 --> 00:29:11,920
Speaker 8: It change is as good as a holiday, especially for me,

614
00:29:12,000 --> 00:29:17,240
Speaker 8: which I can't afford to take holidays. But actually, any

615
00:29:17,280 --> 00:29:19,640
Speaker 8: holidays that I give my family, it's a working holiday.

616
00:29:19,640 --> 00:29:22,400
Speaker 8: It's usually done. You know, let's go to Africa. I'm

617
00:29:22,400 --> 00:29:26,320
Speaker 8: playing in Africa, and yeah, that's sort of yeah, So

618
00:29:26,520 --> 00:29:31,440
Speaker 8: I mean, but yeah, I just feel very fortunate, and

619
00:29:31,480 --> 00:29:34,040
Speaker 8: I'm very grateful that I do have all these things

620
00:29:34,920 --> 00:29:38,760
Speaker 8: and this history that I can revisit, and especially with

621
00:29:38,800 --> 00:29:43,120
Speaker 8: the Cruel Sea, but all these things that a bit

622
00:29:43,160 --> 00:29:45,640
Speaker 8: of time goes by and then I come back to

623
00:29:46,640 --> 00:29:51,320
Speaker 8: I get to I get to view it, and I

624
00:29:51,360 --> 00:29:58,600
Speaker 8: get to participate in it with a completely fresh Perspective's wonderful.

625
00:29:59,280 --> 00:30:02,160
Speaker 1: They're doing the same every night with the same time exactly.

626
00:30:02,720 --> 00:30:05,200
Speaker 8: We haven't been channing it out all this time. It's

627
00:30:06,160 --> 00:30:09,680
Speaker 8: all all this all this stuff is like wow, And

628
00:30:09,240 --> 00:30:12,840
Speaker 8: I kind of understand why it worked more now than

629
00:30:13,360 --> 00:30:17,280
Speaker 8: than when I was in it. What's happened? Yeah, I

630
00:30:17,280 --> 00:30:21,120
Speaker 8: can't sort of have an objectivity of the of the

631
00:30:21,200 --> 00:30:24,600
Speaker 8: work and our work. Yeah, and I kind of get

632
00:30:25,920 --> 00:30:26,640
Speaker 8: why it worked.

633
00:30:28,000 --> 00:30:30,880
Speaker 1: Things things text can change pretty quickly too. I was

634
00:30:30,920 --> 00:30:32,880
Speaker 1: just remembering chatting with you, getting you to sign a

635
00:30:32,880 --> 00:30:35,480
Speaker 1: shirt for Lisa here by the Sea at City Beach

636
00:30:35,920 --> 00:30:38,360
Speaker 1: two years ago, and we're having a bit of chat

637
00:30:38,400 --> 00:30:40,520
Speaker 1: and that was the night that Pete Murray got escorted

638
00:30:40,520 --> 00:30:42,280
Speaker 1: after he said off the stage by the police because

639
00:30:42,320 --> 00:30:43,400
Speaker 1: he had COVID or.

640
00:30:43,400 --> 00:30:45,360
Speaker 4: There was a COVID scare something else.

641
00:30:45,640 --> 00:30:47,959
Speaker 1: There was a COVID scare, and I was remembering how

642
00:30:48,040 --> 00:30:49,400
Speaker 1: much fear there was backstage.

643
00:30:49,480 --> 00:30:50,360
Speaker 4: It was so bizarre.

644
00:30:50,400 --> 00:30:52,600
Speaker 1: But you must really love the fact that the fans

645
00:30:52,600 --> 00:30:54,160
Speaker 1: are just out there and just can do you know,

646
00:30:54,200 --> 00:30:55,560
Speaker 1: pretty much whatever right now.

647
00:30:55,680 --> 00:31:02,240
Speaker 8: Yeah, absolutely COVID. COVID was a big plus for many people,

648
00:31:02,240 --> 00:31:07,040
Speaker 8: but especially the music industry. We're still getting over it

649
00:31:07,080 --> 00:31:13,400
Speaker 8: really actually think. I mean it's there's the landscape is

650
00:31:13,400 --> 00:31:17,280
Speaker 8: different after COVID. I mean everything's more expensive as well.

651
00:31:18,280 --> 00:31:23,400
Speaker 8: But now, yeah, we're very very grateful to be able

652
00:31:23,400 --> 00:31:27,400
Speaker 8: to play in front of people, and lots of people too.

653
00:31:28,400 --> 00:31:30,360
Speaker 3: Well, we're very grateful to have you coming back to

654
00:31:30,360 --> 00:31:33,200
Speaker 3: town for you a prison this Saturday. It makes me

655
00:31:33,800 --> 00:31:36,360
Speaker 3: a little bit sick to think that the honeymoon is over.

656
00:31:36,520 --> 00:31:38,360
Speaker 2: Is thirty a.

657
00:31:38,320 --> 00:31:42,640
Speaker 8: Little bit well and not a big lot. It's not

658
00:31:42,680 --> 00:31:45,600
Speaker 8: a large amount of time as we as as we

659
00:31:45,720 --> 00:31:46,920
Speaker 8: have realized.

660
00:31:48,000 --> 00:31:52,480
Speaker 2: True true, disturbing.

661
00:31:53,960 --> 00:31:58,720
Speaker 8: You in your season some time.

662
00:31:58,920 --> 00:32:00,560
Speaker 1: We wouldn't be funny if we were still here talking

663
00:32:00,560 --> 00:32:01,640
Speaker 1: to you on the phone about that text.

664
00:32:01,680 --> 00:32:02,280
Speaker 4: That would be great.

665
00:32:02,800 --> 00:32:03,520
Speaker 8: Let's make it out.

666
00:32:04,560 --> 00:32:06,240
Speaker 2: Definitely will be at the show anyway.

667
00:32:06,280 --> 00:32:08,720
Speaker 3: So tickets through Ticketmaster with the cruel seat for a

668
00:32:08,840 --> 00:32:09,840
Speaker 3: prison this Saturday night.

669
00:32:10,640 --> 00:32:13,040
Speaker 2: God text Perkins, thank you good.

670
00:32:12,920 --> 00:32:13,280
Speaker 4: To talk to me.

671
00:32:13,280 --> 00:32:16,600
Speaker 8: Man. It's a pleasure, looking really looking forward to get

672
00:32:16,680 --> 00:32:17,080
Speaker 8: the person.

673
00:32:17,120 --> 00:32:22,320
Speaker 4: Yeah we'll see Becky. You're in the prison. Someone's going

674
00:32:22,360 --> 00:32:24,280
Speaker 4: to yell o prison my way away.

675
00:32:25,600 --> 00:32:26,680
Speaker 8: I won't be able to help.

676
00:32:28,280 --> 00:32:28,800
Speaker 4: Catch up with him.

677
00:32:29,200 --> 00:32:34,680
Speaker 1: Take texts than text Perkins oxygen fore Lisa, Okay?

678
00:32:35,920 --> 00:32:36,320
Speaker 5: Is it gone?

679
00:32:37,200 --> 00:32:37,360
Speaker 8: Oh?

680
00:32:37,400 --> 00:32:39,920
Speaker 4: Actually I didn't hang out? Sorry still there. That's embarrassing.

681
00:32:41,160 --> 00:32:44,720
Speaker 4: He's flattered you've changed color.

682
00:32:45,040 --> 00:32:47,400
Speaker 2: Do you get many letters delivered to your house these days?

683
00:32:47,600 --> 00:32:48,440
Speaker 2: Very a lot of.

684
00:32:48,480 --> 00:32:50,280
Speaker 1: Post I get a lot of letters for people I

685
00:32:50,360 --> 00:32:52,240
Speaker 1: used to live in my place. That's always weird.

686
00:32:52,280 --> 00:32:53,160
Speaker 2: What's your cut off date?

687
00:32:54,200 --> 00:32:55,760
Speaker 4: Five minutes we're in.

688
00:32:55,880 --> 00:32:58,280
Speaker 3: I give him six months and then if there's if

689
00:32:58,280 --> 00:33:01,160
Speaker 3: I'm still getting stuff, it's sorry.

690
00:33:01,240 --> 00:33:02,120
Speaker 4: The problem being if you.

691
00:33:02,160 --> 00:33:03,760
Speaker 1: Don't return to send her at the start, if you

692
00:33:03,800 --> 00:33:05,360
Speaker 1: don't have affords, well I will.

693
00:33:05,360 --> 00:33:07,760
Speaker 4: I'm fraid return to say. Otherwise you keep getting them.

694
00:33:07,880 --> 00:33:11,640
Speaker 3: Actually I'm I actually probably give them a year. If

695
00:33:11,680 --> 00:33:15,800
Speaker 3: I'm still getting your staff after a year. Bin Australia

696
00:33:15,880 --> 00:33:19,440
Speaker 3: Post is phasing out daily letter delivery nationwide as part

697
00:33:19,480 --> 00:33:22,760
Speaker 3: of a planned cut costs. And they're doing excuse me,

698
00:33:22,800 --> 00:33:26,040
Speaker 3: they're doing a trial in a few places across the country,

699
00:33:26,560 --> 00:33:29,520
Speaker 3: one in each state. By the looks of it, they're

700
00:33:29,560 --> 00:33:33,400
Speaker 3: gonna They've phased out daily letter delivery in six locations

701
00:33:33,760 --> 00:33:36,160
Speaker 3: and the one that they've chosen in West Australia is Butler.

702
00:33:36,480 --> 00:33:38,280
Speaker 2: Oh I love you, Butler, Butler.

703
00:33:38,640 --> 00:33:43,840
Speaker 3: The trial model revolves around prioritizing parcel delivery, maintaining a

704
00:33:43,960 --> 00:33:48,080
Speaker 3: five day week schedule for posters to distribute packages, and

705
00:33:48,200 --> 00:33:51,440
Speaker 3: letter deliveries are now being spaced out, occurring every second

706
00:33:51,680 --> 00:33:56,719
Speaker 3: or third day, they say. Let Letter deliveries have steadily

707
00:33:56,800 --> 00:33:59,600
Speaker 3: declined in Australia, with the average household receiving just two

708
00:33:59,600 --> 00:34:03,480
Speaker 3: point two address letters a week compared to eight point

709
00:34:03,640 --> 00:34:05,840
Speaker 3: five in two thousand and eight.

710
00:34:06,720 --> 00:34:09,120
Speaker 2: I'm good with this. I'd be happy if they just

711
00:34:09,239 --> 00:34:10,120
Speaker 2: did it once.

712
00:34:09,920 --> 00:34:12,080
Speaker 3: A week because I probably only checked my letter box

713
00:34:12,160 --> 00:34:12,600
Speaker 3: once a week.

714
00:34:12,640 --> 00:34:13,200
Speaker 2: I'm being back.

715
00:34:13,320 --> 00:34:14,359
Speaker 4: Go over there and walk out there.

716
00:34:14,520 --> 00:34:16,720
Speaker 2: Now while you're out there doing the bin, there's an outing.

717
00:34:16,920 --> 00:34:19,440
Speaker 1: And we know Australia Posts needed to shad a few

718
00:34:19,480 --> 00:34:21,200
Speaker 1: things and save some money because you know they had

719
00:34:21,239 --> 00:34:24,800
Speaker 1: that executive, the chief executive who got the push of

720
00:34:25,080 --> 00:34:26,839
Speaker 1: a couple of years ago and they were in deep

721
00:34:27,200 --> 00:34:28,320
Speaker 1: financial trouble.

722
00:34:28,760 --> 00:34:30,200
Speaker 4: You just can't do this to the old.

723
00:34:30,120 --> 00:34:32,440
Speaker 2: Something like Australia Posts getting deep financial trouble.

724
00:34:32,239 --> 00:34:33,439
Speaker 4: With no idea you have one job.

725
00:34:33,520 --> 00:34:35,240
Speaker 1: Yeah, well too well, they gave away a lot of watches,

726
00:34:35,280 --> 00:34:39,680
Speaker 1: apparently they gave it watches stuff. And also you don't

727
00:34:39,680 --> 00:34:41,959
Speaker 1: want to, I mean, you can't do this to Chrissy

728
00:34:42,040 --> 00:34:43,720
Speaker 1: Kardzough because the oldies will get very upset.

729
00:34:44,560 --> 00:34:47,359
Speaker 3: So absolutely there'll be nothing hanging on their string across

730
00:34:47,520 --> 00:34:50,120
Speaker 3: the across the front for the ground.

731
00:34:50,200 --> 00:34:50,840
Speaker 2: He still does that?

732
00:34:51,000 --> 00:34:53,560
Speaker 4: Does she really was that the string things over the car?

733
00:34:53,760 --> 00:34:55,080
Speaker 1: She did what my mum used to do in her

734
00:34:55,160 --> 00:34:57,480
Speaker 1: later years. Did she put up once from the previous

735
00:34:57,560 --> 00:34:58,399
Speaker 1: years to make it look self.

736
00:34:59,040 --> 00:34:59,400
Speaker 2: She does not.

737
00:35:00,000 --> 00:35:00,480
Speaker 4: I'm a dad.

738
00:35:01,160 --> 00:35:03,279
Speaker 2: That is a bit a little bit sad.

739
00:35:03,320 --> 00:35:05,960
Speaker 4: We cool, right, yeah? I from one in eighty six

740
00:35:06,040 --> 00:35:09,680
Speaker 4: months crazy and Lisa says, am