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Speaker 1: We've got Jessel and Carlson in the studio with the boys.

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Speaker 2: Welcome, Hi boys, how's it going?

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Speaker 3: God?

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Speaker 4: God, look forward disclosure as this chat was supposed to

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Speaker 4: be yesterday at this time, you stood us up. What well?

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Speaker 2: I didn't want to come.

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Speaker 5: I had a massify with my publicist. I said, look,

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Speaker 5: I've done it before. I've got load, no return on

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Speaker 5: investment with these boys. I don't know why I keep coming.

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Speaker 5: And she's like, look, you've got to go, and I

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Speaker 5: said I'm not going, and then I refuse to go,

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Speaker 5: and then today she found some needs of me and

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Speaker 5: then said, you let it go.

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Speaker 6: So I'm here, And what can I just say? What

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Speaker 6: a privilege and an honor.

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Speaker 4: Loving I'm surprised that you're uncomfortable about your nudes, being like, oh, look.

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Speaker 5: If you know what it is, because it's right after

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Speaker 5: Tina Turner died, do you know, which was a very

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Speaker 5: personal journey for me, and I had right around my

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Speaker 5: anus tattooed nut Bush City limits and I wasn't.

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Speaker 2: Ready to released that photo.

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Speaker 5: You know, that was a personal photo that I sent

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Speaker 5: her and I here we are today, you know, but

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Speaker 5: I am ready to reveal it live right now. Not yet,

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Speaker 5: not not it's a holiday.

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Speaker 1: My god. I will watch a horse get flogged around

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Speaker 1: the track, but I will not watch a woman exposer

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Speaker 1: in the studio at very similar.

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Speaker 2: Because I also put the sheet up around me.

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Speaker 1: Someone down with the Hey ticks to show's got a

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Speaker 1: brand new show. It's called Just Jokes, available at Carlson

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Speaker 1: dot com and Live Nation dot com dot au. And

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Speaker 1: last time we spoke to you, you were touring a

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Speaker 1: show and just drawing a thread from last time as

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Speaker 1: well in stealing things, you've been stealing things well, most

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Speaker 1: recently you posted something on the socials where you found

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Speaker 1: a Tiffany bracelet.

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Speaker 2: Look, did you see blood on that bracelet? No, so

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Speaker 2: I picked it up. If I had son that there's

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Speaker 2: still be.

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Speaker 6: A hand attached to that.

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Speaker 5: Last time, yeah, I may have taken one or two avocados,

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Speaker 5: which is nicest way of giving.

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Speaker 6: It's a giving tree.

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Speaker 1: So this is what I wanted to This is the

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Speaker 1: audio for the last time. You came in like a

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Speaker 1: freight train and you stick avocados about these avocados that

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Speaker 1: you saw growing just.

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Speaker 6: In the wild, mate, just in the water, just out here.

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Speaker 2: This is over the edge of the fence.

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Speaker 5: I simply stood on the sabari that's parked out there

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Speaker 5: and took a jump with a stick.

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Speaker 2: Like I didn't. I didn't trespass.

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Speaker 4: Oh did you have a plan for if the owner

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Speaker 4: of the house walked out?

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Speaker 2: Might I had a stick?

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Speaker 5: I mean, I rest my case like no one's ever confronted. No,

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Speaker 5: I'm not ever confront of you if you're wearing a

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Speaker 5: stick and big guys.

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Speaker 4: So when you had the Tiffany's bracelet as well, were

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Speaker 4: you holding a stick when you found that?

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Speaker 2: No?

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Speaker 5: But I must I still have that differently, so do

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Speaker 5: you want to see it?

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Speaker 2: It's right here?

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Speaker 1: So you found it? So where did you find it?

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Speaker 1: At the airport?

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Speaker 2: At the airport, I just crawled in under this counter.

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Speaker 5: I mean it was just in front of the coffee

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Speaker 5: councut and I just went, you know what, I recognized

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Speaker 5: that class.

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Speaker 6: That's a class of something I can't afford.

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Speaker 1: Wow, you've still got it? Well she just pulled it

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Speaker 1: out of you, and well is it?

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Speaker 2: That is legit?

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Speaker 5: Tools and everything and a little diamond and someone there

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Speaker 5: was some accusations, it's beautiful.

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Speaker 2: You say that it is fake. It is not fake,

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Speaker 2: my friends, How do you know?

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Speaker 5: Because other people. You know how social media is. One

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Speaker 5: person says something and you're freaking it is No, it isn't.

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Speaker 5: And then I had a look at it, but no,

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Speaker 5: it's not. It's not fake at all. It's got the

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Speaker 5: number and it's got a diamond. I didn't post the

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Speaker 5: whole thing just in case someone came forward, but so

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Speaker 5: far they haven't.

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Speaker 1: So no one, are you going to claim it as

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Speaker 1: your own?

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Speaker 5: No, I will give it a whole twelve months if

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Speaker 5: no one claims, I'm getting it polished up.

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Speaker 2: From my mind, Oh it's great.

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Speaker 3: I think twelve months is a great amount of time

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Speaker 3: as well.

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Speaker 1: But youish up for your mum off your mom so.

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Speaker 6: The one that squeezed me into this wheel.

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Speaker 4: So how will someone so say if I came forward

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Speaker 4: and I was like, that's my bracelet, what sort of

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Speaker 4: evidence will you be.

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Speaker 2: Asked to seat?

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Speaker 6: Because you buy something at Tiffany, you've got the receipt.

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Speaker 2: That's how it works.

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Speaker 5: I'm going to need some photos, you know, because if

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Speaker 5: you have this, you will obviously have a photo of it.

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Speaker 5: And then you have to beat me at an arm

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Speaker 5: wrestling contract. And I'm judging by this, like I tried

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Speaker 5: to put it around my fat wrist and it wouldn't

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Speaker 5: go twice.

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Speaker 2: I can go once, but it can't go twice.

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Speaker 5: I reckon, it'll be a skinny bitch, And so I

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Speaker 5: can take it.

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Speaker 1: If you crush it, well, she won't need it.

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Speaker 2: She's going to be in a cast.

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Speaker 1: Very excited to say that the Carlson's back in the

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Speaker 1: studio with the boys. She's touring. Just Brandison dot com,

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Speaker 1: Live Nation dot com dot au.

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Speaker 4: I want to talk as if I can about a

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Speaker 4: Danish donkey. So you were in Denmark eight weeks ago

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Speaker 4: and you you what's that? I nearly lost the accent, mate,

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Speaker 4: And you were trying to find your way to an airport,

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Speaker 4: and so is this is? Is this Google Maps or

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Speaker 4: something said that traveling by donkey was quicker than public transport.

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Speaker 2: Yeah, so I.

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Speaker 5: Went online like I'm like, how do I I was

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Speaker 5: leaving the airport to get to my hotel. I did

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Speaker 5: a show and I was like, okay, how do I leave?

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Speaker 5: And one of the options was to take a donkey

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Speaker 5: and it was faster than a bus.

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Speaker 3: Did you do the donkey?

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Speaker 1: Then?

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Speaker 2: No, mate, I did not do the donkey.

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Speaker 1: You take the donkey?

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Speaker 3: Did you take.

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Speaker 2: How many people.

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Speaker 5: How many tourists will be taking photos of a fat

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Speaker 5: lady with two.

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Speaker 2: Bags on a donkey.

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Speaker 5: I don't think so, bro, I'm like, no, I even.

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Speaker 3: Though it was slower though, Like that's that's a slower moment.

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Speaker 3: Was that was that hard for you to grab?

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Speaker 2: Because what do you think I.

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Speaker 5: Need to get to in a hurry? Donkey is your

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Speaker 5: faster option. I'm like, this is why people are always

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Speaker 5: in a hurry. You know those people they walk too fast.

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Speaker 5: You know, it's like running down the escalators.

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Speaker 2: Go on the stairs.

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Speaker 5: That's what they made for. Don't come pressure rize me

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Speaker 5: on the escalator. I'm standing here.

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Speaker 3: Did you did you say?

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Speaker 1: Do you know you so you don't stand to one

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Speaker 1: side of the escalator.

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Speaker 2: No, no, I will because I'm not an animal.

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Speaker 1: But I do think like if we were talking about

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Speaker 1: a donkey.

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Speaker 2: Pass me the escalator.

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Speaker 5: Fine, Like I'm still get annoyed, but I will stay left.

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Speaker 5: But when they do that running thing that people do downstairs,

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Speaker 5: I'm like, use the stairs for the running?

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Speaker 1: Ah yeah yeah yeah.

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Speaker 2: Yeah, so I do feel I do feel.

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Speaker 5: I must say, you know those travel lighters, yeah yeah, yeah,

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Speaker 5: you have to sort of move a little even if

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Speaker 5: you just wonder you've got to because it's a travel

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Speaker 5: light and not a standard lighter.

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Speaker 6: Yeah, you feel really cool.

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Speaker 2: You walk a little, it feels like you will.

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Speaker 1: You're flying, flying like an athlete.

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Speaker 2: I'm like, here, I go here, I am.

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Speaker 1: Yeah yeah, yes, you almost feel like flipping the bird

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Speaker 1: to every one of the suckers is walking, don't you

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Speaker 1: because it's slightly.

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Speaker 5: I've been in a really cool car, you know, like yeah, yeah, yeah,

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Speaker 5: yeah yeah.

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Speaker 2: So say you're like in an a really cool car.

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Speaker 5: Yeah, you drive past someone and like this little jelop

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Speaker 5: it like the Suzuki swea. You try not to look

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Speaker 5: at them, but you know they see you and they yeah,

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Speaker 5: of course, you know you have this vibe where you're

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Speaker 5: not going to look at them because you know they

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Speaker 5: deserve Yeah, and you know you can feel their eyes

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Speaker 5: and you bro, if you do turn your head, they're

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Speaker 5: quickly going to look.

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Speaker 2: Better than other people. You are made a mistake.

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Speaker 3: Once you miss it.

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Speaker 4: Once you miss it, you can't go back those moments

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Speaker 4: when you walk past the entrance.

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Speaker 3: And you're like, I can't go back. I can't walk

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Speaker 3: backwards to travelator.

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Speaker 5: No, No, You've got to go and go Oh, you

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Speaker 5: made your mistake.

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Speaker 2: What other mistakes have you made in your life?

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Speaker 1: You're walking at normal even speed when.

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Speaker 2: You could be walking at this speed huge.

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Speaker 1: Before we get I want to ask you about something

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Speaker 1: you said when you walked in it, because it's really

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Speaker 1: nice day outside.

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Speaker 2: It is a nice day outside. In fact, it's.

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Speaker 5: Almost too hot, too hot, you know, it's that time

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Speaker 5: of the year. It's just that before, like if it's before,

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Speaker 5: somehow I wouldn't know, like I'm not out there, but like.

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Speaker 2: Now, how do you go?

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Speaker 1: How do you go in the in the heat?

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Speaker 2: No, I don't. I don't because I'm in a pausal.

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Speaker 5: So when you're standing like in Australian heat on that tarmac,

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Speaker 5: you know, you're on the tie on the road. You

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Speaker 5: get out of the car and that heat hits you

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Speaker 5: from underneath. You know, it hits you on your undercarriage.

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Speaker 2: Right, But then you have.

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Speaker 1: That sorry as if the heat hits you in the

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Speaker 1: reflection off the from.

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Speaker 6: The road, like you didn't feel it, like yeah.

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Speaker 2: Yeah, I'm not here, Like I don't want to do a.

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Speaker 5: Whole physics thing, but like the heat rises, so it

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Speaker 5: just hits you and right, and then you know, and

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Speaker 5: then your menopause comes, the heat comes from up top.

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Speaker 5: So then they sort of meet in the middle on

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Speaker 5: the vagina and you're like, oh, there's a lot of heat.

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Speaker 6: There's a lot of heat here. I got to get

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Speaker 6: inside quickly.

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Speaker 3: It's like a perfect storm.

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Speaker 4: Yeah, it's like when two weather fronts hit each other

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Speaker 4: and you do.

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Speaker 2: Not want to rest. That that's when you know when.

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Speaker 5: Your mom's just furiousn't you for no reason, because those

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Speaker 5: two of me.

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Speaker 2: And there was no intercep. You need the intercepe.

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Speaker 1: That's so true. It's so true that some days we

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Speaker 1: just had to get out of the way.

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Speaker 5: Yeah, yeah, you're you should ring your mom if you

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Speaker 5: listen to this right now.

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Speaker 2: I'll ring your mom and.

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Speaker 6: Go, I'm sorry.

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Speaker 3: I finally get it. I finally get it.

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Speaker 1: It was all above thirty five degrees on those days.

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Speaker 1: Thanks for coming in. It's always so good to see you.

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Speaker 1: Always such a funny chat. Go and get tickets to

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Speaker 1: his brand new show, it's called Just Jokes, Availablecarlson dot

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Speaker 1: com or Live Nation dot com. Do to you you're

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Speaker 1: listening to them, You pick a card pick a card pick,

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Speaker 1: a card pick, a card pick, a card pick, a

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Speaker 1: card pick a card.

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Speaker 4: Don't believe your thoughts in a heat, pick a card

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Speaker 4: and take a leap. On Tuesdays, we like to get lazy.

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Speaker 4: We came by the coming up with an idea. So

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Speaker 4: basically we just pick a card from these thought thought

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Speaker 4: provoking decks that are everywhere.

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Speaker 2: Now.

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Speaker 4: The imperfects have got one, Esther Perel's got one. You

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Speaker 4: find them in libraries, whatever, bookstores, everything. Anyway, we just

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Speaker 4: like to come on here and ask this question and

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Speaker 4: effectively engage with it.

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Speaker 3: The card I've picked today.

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Speaker 1: Is but particularly thought provoking question.

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Speaker 3: Yeah. The card we picked today is when you think

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Speaker 3: a baby is ugly? Yep, what do you do?

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Speaker 1: And this is near from the Imperfects? Was it? No?

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Speaker 3: Not from the Imperfects.

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Speaker 4: Is from a I was in a bookstore and I

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Speaker 4: picked up one of these decks.

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Speaker 3: I can't remember the name of it. I think School

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Speaker 3: of Life are the ones who make it.

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Speaker 1: And first School of Life Alan de Berton's School on

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Speaker 1: Philosophy synthesizing different school from the antiquity l y.

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Speaker 3: Fe School of Life. Yeah, trendiar School of Life.

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Speaker 4: Anyway, let's not worry about where I got the card

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Speaker 4: for Let's just focus on the question at thirteen one

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Speaker 4: oh sixty five is our number. I mean, maybe you've

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Speaker 4: experienced this, you know, when you do when you see

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Speaker 4: a baby, you know what you're supposed to do. You're

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Speaker 4: supposed to be like, oh my god, adorable, so cute, amazing.

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Speaker 4: But if you genuinely think or that's that's a that's

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Speaker 4: an ugly baby, that's that's a bad that's a bad

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Speaker 4: looking baby, do you tell them the truth? Or should

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Speaker 4: you lie to their face and go, oh, you know,

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Speaker 4: play play the role. Oh my god, beautiful.

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Speaker 1: I don't I don't see where you see an issue here?

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Speaker 3: So what would you do?

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Speaker 1: I just you'd say, the child looks beautiful.

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Speaker 3: So you're a liar, sure you you you've always told

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Speaker 3: me that. In factly the truth shall set you free.

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Speaker 3: And there's no situation where a lie is the part.

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Speaker 1: And apart from telling parents that their child's ugly, that

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Speaker 1: is I have also actually I learned this from the

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Speaker 1: real and land to birch On, from the actual school

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Speaker 1: of life. Telling a white lie in some circumstances is

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Speaker 1: one hundred the best course of action. Yeah, you're just

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Speaker 1: not a nice person if you're telling someone their babies ugly.

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Speaker 4: So you probably need to say, but so would you

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Speaker 4: go would you always go like adorable, beautiful? Or maybe

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Speaker 4: if you see a baby and it's like Struth, that's

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Speaker 4: an ugly one, would you like, oh so much character

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Speaker 4: in their face.

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Speaker 1: I don't know why you've got such a thing about this,

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Speaker 1: because I remember when I.

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Speaker 3: Picked a card mate, I just picked a card.

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Speaker 1: Sorry, this is my It must just be a confirmation

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Speaker 1: biased thing for me. Then that's come up again. But

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Speaker 1: I remember when Min was pregnant with Remy. You found

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Speaker 1: a photo of Mimi as a baby.

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Speaker 4: Hideous and you hideous, you brought burned the photo brought

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Speaker 4: she brought the home and I was like, we're not

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Speaker 4: putting that up in the living room.

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Speaker 3: We want people to eat their dinner.

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Speaker 1: She's a child.

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Speaker 3: I appreciated.

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Speaker 1: Emily is called Emily. What do you reckon? Hey?

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Speaker 4: Yeah, so my mom she calls them look at you babies.

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Speaker 4: So if she sees a bubble baby that's not so cute,

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Speaker 4: she'll come up and say, oh, look.

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Speaker 3: At you smart, ugly smart. That's a great way out.

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Speaker 1: Have you ever told a parent that their child got

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Speaker 1: you went to a baby shower on the weekend? Yeah?

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Speaker 1: Any children ugly there.

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Speaker 3: So here's the thing. Here's a thing.

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Speaker 4: One of the games my sister play, because my sister's

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Speaker 4: baby showered beautiful. One of the games that she played

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Speaker 4: was she got a baby photo of everyone who attended,

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Speaker 4: and then the game was we have to match the

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Speaker 4: baby photo with the attendee. Oh no, okay, my mum,

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Speaker 4: quite an ugly baby. Like looked like a little bit devilish,

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Speaker 4: like it was kind of like really quite creepy.

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Speaker 1: Yeah, I had.

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Speaker 3: I told her a point blank. I told her.

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Speaker 1: But as an adult, you told her that she was

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Speaker 1: an ugly baby. Yeah?

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Speaker 3: Yeah, yeah.

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Speaker 1: You haven't told a child that they looked ugly in

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Speaker 1: front of their parents.

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Speaker 4: But a baby doesn't understand words, so I'd probably feel

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Speaker 4: more comfortable saying it to my baby bum. Anyway, let's

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Speaker 4: go to Evan here six five Evan, what should you say?

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Speaker 5: Hi?

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Speaker 4: Well, it looks like he's going to have a great personality.

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Speaker 1: Oh god, but see but see there you go? You know, like,

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Speaker 1: why are you still haven't given me a why?

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Speaker 3: It's just that I think people feel uncomfortable about lying. Yeah,

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Speaker 3: I don't think people like to.

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Speaker 4: Lie, so, but that that's just focusing on something something

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Speaker 4: else right, you go like, wow, personality unbelievable.

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Speaker 3: I can feel it permeating out of the little the

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Speaker 3: little guy girl.

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Speaker 1: They can take they can catch you off guard. I

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Speaker 1: think that's a bit. They surprise you and you're like, yeah,

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Speaker 1: you're right.

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Speaker 3: The face pops out of the Mezslin cloth.

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Speaker 4: It's whoas truth, right, And if it looks like et,

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Speaker 4: it's going to be Taylor's going to subscribe.

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Speaker 1: Taylor, what do you reckon? Hey?

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Speaker 2: Boys?

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Speaker 1: How are we going? Good?

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Speaker 2: Good?

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Speaker 3: Thank you?

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Speaker 4: I always say if I think a child's face is

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Speaker 4: something I can't comment on, I always go for the toes.

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Speaker 1: I go, oh my god, what cute toes?

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Speaker 6: Bad foot?

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Speaker 1: It's true, baby has a bad foot.

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Speaker 3: It's actually true. All babies have a durable feet.

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Speaker 1: Clever, No, you're a foot sorry, Taylor? Are you a

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Speaker 1: foot person now? Like as an adult?

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Speaker 2: No?

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Speaker 4: I mean I would never call on people's feet.

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Speaker 1: Now, that's a fetish these days you're doing it to kids, mate,

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Speaker 1: So why did I ever think about that?

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Speaker 4: That's an even more specific and probably weird finish. Baby

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Speaker 4: jes Let's go to Johnny here, now, let's go to Johnny.

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Speaker 4: Let's go to Johnny.

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Speaker 3: John what does what are you? We're all figuring we're

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Speaker 3: moving on.

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Speaker 4: Well, Johnny, what do you say mate? If you think

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Speaker 4: of babies ugly boy?

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Speaker 1: How are you?

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Speaker 3: Very good?

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Speaker 1: Very good? Yeah?

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Speaker 4: I think him we need to be suddle and saying

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Speaker 4: what the hell is that?

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Speaker 1: Anthony Alban Easy. Look, he's bouncing around, dodging the difficult

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Speaker 1: questions with regards to his visit to go and see

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Speaker 1: Jijin Ping as the two prepared to meet in Beijing,

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00:16:41,680 --> 00:16:45,160
Speaker 1: and rhymed, that was nice. How was it this? You

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Speaker 1: convinced that you can trust prisons?

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Speaker 7: I'm convinced that we're building a relationship that's constructive one.

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00:16:54,080 --> 00:16:57,880
Speaker 7: We're we're able to talk with each other directly, and

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Speaker 7: in the discussions I have had with him, the formal discussion,

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Speaker 7: but the other discussions as well, they have been positive

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Speaker 7: and respectful.

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Speaker 3: Just did not answer the question at all, not at all.

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Speaker 3: That's quite extraordinary.

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Speaker 1: It's an amazing ability from politicians to be asked a

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Speaker 1: question do you think you trust j jimping and just

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Speaker 1: answer in a way where I think the answer is

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Speaker 1: so boring as well that you actually forget what they're saying.

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Speaker 1: By the end of it.

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Speaker 3: You say a lot without saying anything at all.

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Speaker 1: You forget what and you forget what question you ask,

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Speaker 1: because then they managed to talk you into a place

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Speaker 1: where they can segue into their own thing. Yeah. It's

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Speaker 1: brilliant and I think it's a real skill, and I

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Speaker 1: think it'd be a great thing to be able to do.

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Speaker 1: So what I want to do with you, Woods is

400
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Speaker 1: if you and I can go head to head, we'll

401
00:17:50,640 --> 00:17:54,360
Speaker 1: both ask each other quite controversial questions about the other. Yeah,

402
00:17:54,800 --> 00:17:57,399
Speaker 1: and then we've got to try and answer politically to

403
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Speaker 1: get out of the question. Oh, I'm not going to

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Speaker 1: be good at this, all right, Well, I wouldn't mind

405
00:18:01,800 --> 00:18:03,000
Speaker 1: trialing one on you if I can.

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00:18:03,359 --> 00:18:04,120
Speaker 3: Yeah, okay, okay.

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00:18:04,160 --> 00:18:06,640
Speaker 1: So imagine you're at the press conference, yeah right.

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Speaker 4: Oh bloody hell, and the world's watching, right, the world's

409
00:18:09,200 --> 00:18:11,400
Speaker 4: watching you, and then every single word that comes out

410
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Speaker 4: of your mouth can be taken out of context and

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Speaker 4: it's construed.

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Speaker 3: Yeah, okay, here we go.

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Speaker 1: Yes, can you confirm that we had Nando's for lunch

414
00:18:22,680 --> 00:18:26,320
Speaker 1: today and wearing Kylon Jackie Oh's studio and you've had

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Speaker 1: really spicy farts and completely desecrated Jackie's chair for the

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Speaker 1: last hour and a half. Two hours.

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Speaker 3: Thanks so much for the question.

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Speaker 4: Will look the human body, it's a beautiful thing and

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Speaker 4: part of the processes within the human body is to consume, digest,

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Speaker 4: and then excrete waste in any form possible. And I'm

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Speaker 4: very happy to confirm at this press conference here in

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Speaker 4: front of all of you here that my body is

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Speaker 4: working beautifully and doing all of those.

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Speaker 1: Things that's not bad, actually not too bad.

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Speaker 4: And I turned into a compliment to say that my

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00:19:00,040 --> 00:19:05,359
Speaker 4: body's working. Yes, okay, your term. Mister mcmaht. Would you

427
00:19:05,440 --> 00:19:07,840
Speaker 4: like to comment on the fact that you once called

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Speaker 4: Ryan Maloney by his character's named Toady when attempting to

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Speaker 4: console him over neighbours, ending.

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Speaker 1: Thank you for the question. Yeah. Look, I think that

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Speaker 1: over many years, mister Maloney has done a brilliant job

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Speaker 1: in characterizing Jared the Toadfish Rebeccy in such a in

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Speaker 1: such a way that it is almost impossible to discern

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Speaker 1: the two, so strong as his performance been, and I

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Speaker 1: think it is truly a compliment to the quality of

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Speaker 1: his acting that it is almost impossible to discern between

437
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Speaker 1: Jared the Toadfish Rebecy and the person that is Ryan Maloney. Actually,

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Speaker 1: thank you.

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Speaker 3: I feel like you're going to be very good at this.

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00:19:53,960 --> 00:19:58,960
Speaker 1: I've just got dodging questions. This is just what you

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Speaker 1: do in normal lif Okay, here we go. Woulds can

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00:20:09,400 --> 00:20:13,200
Speaker 1: you confirm or deny that you know all the outfits

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00:20:13,280 --> 00:20:16,160
Speaker 1: that Sheeryl Cole wears in the Fight for this Love

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00:20:16,240 --> 00:20:18,720
Speaker 1: film clip? Because you've seen it over two hundred times.

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Speaker 3: Thanks for the question.

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00:20:24,080 --> 00:20:25,960
Speaker 4: And I always love it when great art is brought

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Speaker 4: up in these press conferences. So I spent a lot

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Speaker 4: of my time as a male trying to trying to

449
00:20:32,200 --> 00:20:35,040
Speaker 4: rid society of that traditional idea of what it is

450
00:20:35,080 --> 00:20:36,720
Speaker 4: to be a man. And you know, part of that

451
00:20:36,800 --> 00:20:41,080
Speaker 4: for me is taking interest in fashion. And since that day,

452
00:20:41,840 --> 00:20:44,280
Speaker 4: I love commenting on fashion. I have no shame around

453
00:20:44,280 --> 00:20:45,960
Speaker 4: the faith that I love fashion and the fact that

454
00:20:46,119 --> 00:20:49,920
Speaker 4: I mean, she was really pushing the boundaries of incredible

455
00:20:49,920 --> 00:20:52,760
Speaker 4: fashion in the late nineties early two thousands.

456
00:20:53,440 --> 00:20:57,080
Speaker 3: Sure guilty. So yeah, that's my answer.

457
00:21:00,160 --> 00:21:03,000
Speaker 1: Not bad, not too bad.

458
00:21:03,359 --> 00:21:04,359
Speaker 3: I started thinking about the.

459
00:21:07,600 --> 00:21:10,360
Speaker 1: Started to unravel, ok you any question? Yeah?

460
00:21:10,400 --> 00:21:12,240
Speaker 3: Okay, mister McMahon.

461
00:21:12,400 --> 00:21:14,639
Speaker 4: Is it true that you once ruined an interview with

462
00:21:14,720 --> 00:21:17,480
Speaker 4: Emily Blunt and Jason Siegel because your package was so

463
00:21:17,720 --> 00:21:19,399
Speaker 4: prominent in the outfit you were wearing.

464
00:21:22,080 --> 00:21:25,560
Speaker 1: Yeah, thank you for the question. Yeah, look, I think

465
00:21:26,000 --> 00:21:33,399
Speaker 1: as a young as a young man, Yeah, we can't

466
00:21:33,480 --> 00:21:36,600
Speaker 1: get Morgan Freeman out of our heads yesterday.

467
00:21:37,080 --> 00:21:39,520
Speaker 4: If not that, then you get good at something along

468
00:21:39,560 --> 00:21:39,880
Speaker 4: the way.

469
00:21:41,160 --> 00:21:43,159
Speaker 1: And I think Morgan Freeman has become very good at

470
00:21:43,200 --> 00:21:47,360
Speaker 1: bs along the way because look, he's a loved man,

471
00:21:47,480 --> 00:21:50,639
Speaker 1: he's a great actor. But yesterday he said that he

472
00:21:50,960 --> 00:21:53,359
Speaker 1: the reason he's worn these gold earrings on his ears

473
00:21:53,440 --> 00:21:58,760
Speaker 1: for fifty years is because sailors used to wear ear

474
00:21:58,800 --> 00:22:02,000
Speaker 1: rings on there. Hears they died in a strange place.

475
00:22:02,440 --> 00:22:06,280
Speaker 1: The earrings were just enough money to get them a coffin.

476
00:22:07,160 --> 00:22:10,320
Speaker 3: I know that when he died, his eyes were closed

477
00:22:11,280 --> 00:22:12,440
Speaker 3: and his heart was open.

478
00:22:13,040 --> 00:22:14,720
Speaker 4: And then you start listening to some of his quotes

479
00:22:14,760 --> 00:22:19,080
Speaker 4: and they actually don't make any sense. That's just because

480
00:22:19,119 --> 00:22:22,879
Speaker 4: his voice sounds so good. He could say anything absolutely once.

481
00:22:24,240 --> 00:22:27,280
Speaker 3: The world is a fine place and worth fighting for.

482
00:22:28,000 --> 00:22:28,719
Speaker 3: That's just stupid.

483
00:22:28,800 --> 00:22:31,080
Speaker 4: I don't reckon SEMy Way even said that that's just

484
00:22:31,160 --> 00:22:34,520
Speaker 4: a lie again, because okay, let's let's run the hypothetical again, right,

485
00:22:34,640 --> 00:22:37,840
Speaker 4: So what he is he's claiming, that's all right, so

486
00:22:37,960 --> 00:22:38,520
Speaker 4: he dies.

487
00:22:39,400 --> 00:22:41,399
Speaker 1: First of all, he dies in a strange place.

488
00:22:41,520 --> 00:22:41,840
Speaker 2: All right?

489
00:22:42,080 --> 00:22:44,159
Speaker 3: How old a strange place? How old he'd be in

490
00:22:44,200 --> 00:22:45,200
Speaker 3: his sixties or seventies are.

491
00:22:45,320 --> 00:22:46,720
Speaker 1: I think he's got to be close to his eighties,

492
00:22:47,000 --> 00:22:49,720
Speaker 1: like he Yeah, he is old Morgan and is old.

493
00:22:49,960 --> 00:22:50,920
Speaker 1: So a strange place.

494
00:22:51,280 --> 00:22:52,160
Speaker 3: Give me a strange place.

495
00:22:52,600 --> 00:22:54,359
Speaker 1: Well, what's the strangest place he could be? And like

496
00:22:54,440 --> 00:22:58,080
Speaker 1: he's going to be? I'm going to say so, the

497
00:22:58,160 --> 00:22:59,880
Speaker 1: strangest place he's going to be in is the park

498
00:23:00,040 --> 00:23:00,760
Speaker 1: the end of his street.

499
00:23:01,680 --> 00:23:03,520
Speaker 3: No, I think he's still traveling. I think he's still

500
00:23:03,520 --> 00:23:04,160
Speaker 3: in that movie.

501
00:23:04,160 --> 00:23:04,960
Speaker 2: I don't think he is.

502
00:23:05,880 --> 00:23:08,440
Speaker 1: I don't think he is anything. He's going to be

503
00:23:08,520 --> 00:23:11,160
Speaker 1: traveling with a bodyguard or a cara. Let's say he's

504
00:23:11,200 --> 00:23:15,159
Speaker 1: eighty six. I don't will he's still doing. That's the

505
00:23:15,160 --> 00:23:16,760
Speaker 1: strangest place. Do you think's going to be on some

506
00:23:16,960 --> 00:23:18,280
Speaker 1: rogue island in the Pacific?

507
00:23:18,440 --> 00:23:20,040
Speaker 3: I think he's Morgan Freeman made.

508
00:23:20,080 --> 00:23:24,880
Speaker 1: He's exactly. He's Morgan Freeman. Mate, he's not going anywhere

509
00:23:25,520 --> 00:23:26,679
Speaker 1: outside of La.

510
00:23:26,640 --> 00:23:29,320
Speaker 3: All right, fine, let's go with Let's go with park.

511
00:23:30,280 --> 00:23:32,880
Speaker 1: Strangest place he's going to be. Give me a strange

512
00:23:32,960 --> 00:23:35,560
Speaker 1: place that's not going to recognize him as Morgan Freeman,

513
00:23:35,680 --> 00:23:37,840
Speaker 1: not going to call an ambulance, and not going to

514
00:23:37,880 --> 00:23:40,959
Speaker 1: get him in somewhere where he's physically recognizable, hence contact

515
00:23:41,080 --> 00:23:43,520
Speaker 1: his estate and then pay for a decent sarcophacus.

516
00:23:43,800 --> 00:23:46,000
Speaker 4: I'm going to say, and this is only from experience,

517
00:23:46,840 --> 00:23:48,280
Speaker 4: I was once in a place that was like one

518
00:23:48,359 --> 00:23:51,000
Speaker 4: hundred and twenty k's south of Broom in Western Australia.

519
00:23:51,040 --> 00:23:53,320
Speaker 3: All right, Okay, he decides to have a holiday.

520
00:23:53,400 --> 00:23:58,119
Speaker 4: Okay, he carks it right, Okay, Okay, I don't know

521
00:23:58,200 --> 00:24:00,640
Speaker 4: we're going to howe, but okay, he dies.

522
00:24:00,520 --> 00:24:02,399
Speaker 1: And he dies one hundred and twenty k south of

523
00:24:02,480 --> 00:24:03,760
Speaker 1: Broome in Western Australia.

524
00:24:03,880 --> 00:24:06,040
Speaker 3: Yep, that's what he's done. Okay, he's got his gold

525
00:24:06,080 --> 00:24:07,000
Speaker 3: earrings in thank god.

526
00:24:07,240 --> 00:24:10,880
Speaker 4: His view is as soon as someone finds him, yeah,

527
00:24:11,480 --> 00:24:15,280
Speaker 4: they're going to go, oh, we would obviously just leave

528
00:24:15,400 --> 00:24:18,000
Speaker 4: this here unless I had so many I'll hang on

529
00:24:18,080 --> 00:24:21,600
Speaker 4: a second coffin. He's wearing gold ear rings. Okay, maybe

530
00:24:21,920 --> 00:24:23,479
Speaker 4: we should buy this guy in a coffin.

531
00:24:23,720 --> 00:24:25,280
Speaker 1: Looks like just enough money to buy.

532
00:24:27,240 --> 00:24:27,640
Speaker 2: Totally.

533
00:24:27,680 --> 00:24:31,879
Speaker 1: It's outraged, totally, it's more and more outrageous, right, And

534
00:24:31,920 --> 00:24:34,480
Speaker 1: I think as a general rule, we shouldn't all live

535
00:24:34,560 --> 00:24:36,440
Speaker 1: by things that people used to live by in the

536
00:24:36,520 --> 00:24:38,960
Speaker 1: seventeen hundreds. Otherwise we may as well all wear swords

537
00:24:38,960 --> 00:24:40,840
Speaker 1: and if someone offends you, you can stab them, so

538
00:24:41,440 --> 00:24:43,520
Speaker 1: like it's just outrageous swords.

539
00:24:43,960 --> 00:24:45,560
Speaker 3: Yep, I think you think of a pirate.

540
00:24:46,280 --> 00:24:47,879
Speaker 1: I think I Saylor would have had a sword as well.

541
00:24:48,000 --> 00:24:50,920
Speaker 3: Yeah, I don't really know the history, so I'm not sure.

542
00:24:50,920 --> 00:24:58,240
Speaker 1: Absolutely aber yeahers absolutely absolutely, Okay. So I think what

543
00:24:58,320 --> 00:25:00,480
Speaker 1: we need to do though, because we are ragging on

544
00:25:00,600 --> 00:25:04,560
Speaker 1: this thing without any empirical evidence. And it might be

545
00:25:05,280 --> 00:25:08,840
Speaker 1: that coffin makers around the world do accept gold earrings

546
00:25:08,880 --> 00:25:09,960
Speaker 1: as payment for a coffin.

547
00:25:10,080 --> 00:25:11,240
Speaker 3: Might be a rule we don't know about.

548
00:25:11,280 --> 00:25:16,480
Speaker 1: Well, we're gonna call the coffin maker right up next,

549
00:25:17,000 --> 00:25:19,240
Speaker 1: coffin cobbler, and we're gonna we don't know they're called that,

550
00:25:19,720 --> 00:25:22,840
Speaker 1: and we're going to offer them two gold earrings for

551
00:25:22,920 --> 00:25:24,959
Speaker 1: a brand new coffin.

552
00:25:25,280 --> 00:25:27,000
Speaker 3: See if Morgan Freeman's telling the truth.

553
00:25:29,320 --> 00:25:31,719
Speaker 1: But we were having a good time until Morgan Freeman.

554
00:25:32,720 --> 00:25:34,680
Speaker 1: He's really ticked us off in here. He said something

555
00:25:34,760 --> 00:25:39,040
Speaker 1: absolutely ridiculous yesterday. Well, he always wears these gold earrings everywhere,

556
00:25:39,040 --> 00:25:40,480
Speaker 1: and he said the reason he wears him is because

557
00:25:40,480 --> 00:25:43,240
Speaker 1: if he dies in a strange place, then like the

558
00:25:43,359 --> 00:25:48,480
Speaker 1: sailors from Yesteryear, whoever finds him has just enough money

559
00:25:48,560 --> 00:25:51,440
Speaker 1: to pay for a coffin. Just ridiculous, It's absolutely outrageous.

560
00:25:51,480 --> 00:25:55,159
Speaker 1: Now now we're gonna call another coffin wholesaler. But like

561
00:25:55,920 --> 00:25:58,640
Speaker 1: cards on the table, we spent a lot of last

562
00:25:58,760 --> 00:26:02,200
Speaker 1: night calling coffin holess people that make coffins, and we

563
00:26:02,359 --> 00:26:05,760
Speaker 1: ran into the same issue, which is if you call

564
00:26:05,840 --> 00:26:10,680
Speaker 1: a coffin place and just start asking them them for

565
00:26:10,920 --> 00:26:14,119
Speaker 1: a coffin, or even just how much a coffin is

566
00:26:14,640 --> 00:26:17,520
Speaker 1: naturally and good to see, like good test for the industry,

567
00:26:18,000 --> 00:26:20,960
Speaker 1: they get a bits us. First. The first thought is

568
00:26:21,480 --> 00:26:24,240
Speaker 1: who's dead? Why do you want the do you want

569
00:26:24,280 --> 00:26:27,160
Speaker 1: to bury someone? Totally, which is again a really good

570
00:26:27,200 --> 00:26:29,360
Speaker 1: thing that there are responsible people who are dishing out

571
00:26:29,400 --> 00:26:31,600
Speaker 1: these things. So we found out last night after about

572
00:26:31,600 --> 00:26:33,960
Speaker 1: the tenth person who was like, sorry, mate, we don't

573
00:26:33,960 --> 00:26:35,600
Speaker 1: sell a whole sit. They wouldn't even give us a price.

574
00:26:36,280 --> 00:26:40,159
Speaker 1: We're going to call someone now, another coffin wholesaler, and

575
00:26:40,280 --> 00:26:42,040
Speaker 1: I think we just need to go in. I think

576
00:26:42,080 --> 00:26:44,639
Speaker 1: we just need to drop there because we were just actually,

577
00:26:44,680 --> 00:26:46,479
Speaker 1: now I think about it sounded very soissic. We were

578
00:26:46,480 --> 00:26:51,040
Speaker 1: just calling people, going hi there, hypothetically if someone died,

579
00:26:51,600 --> 00:26:54,720
Speaker 1: how much would a coffin cost? They were all going,

580
00:26:55,200 --> 00:26:57,399
Speaker 1: so I need to call the police. It's like a

581
00:26:57,440 --> 00:26:59,800
Speaker 1: pre murder chat. It was very very odd. Absolutely, so

582
00:27:00,040 --> 00:27:01,400
Speaker 1: we're going to call this place now. And the first

583
00:27:01,400 --> 00:27:03,960
Speaker 1: thing is, hey, we're calling from a radio station.

584
00:27:04,240 --> 00:27:06,080
Speaker 3: Good thinking, there's no there's.

585
00:27:05,920 --> 00:27:10,399
Speaker 1: Nobody, there's no matter. Just could we pay for a

586
00:27:10,440 --> 00:27:15,159
Speaker 1: coffin with a set of gold earrings? Hello? Speaking, Ah,

587
00:27:15,400 --> 00:27:17,640
Speaker 1: my name is Will. Are you going? I just wanted

588
00:27:17,680 --> 00:27:20,720
Speaker 1: to firstly call up and let you know that no

589
00:27:20,840 --> 00:27:25,440
Speaker 1: one's died. Got a never got a phone call with

590
00:27:25,480 --> 00:27:27,960
Speaker 1: the intro of no one to die. I'm just calling

591
00:27:28,000 --> 00:27:29,800
Speaker 1: from a radio show because I just want to know

592
00:27:30,080 --> 00:27:32,480
Speaker 1: if I had, if I had a set of gold earrings,

593
00:27:32,680 --> 00:27:36,600
Speaker 1: would I be able to pay for for a coffin.

594
00:27:37,440 --> 00:27:39,680
Speaker 2: Set of gold earrings with and in trading?

595
00:27:40,680 --> 00:27:40,880
Speaker 1: Yeah?

596
00:27:41,000 --> 00:27:41,280
Speaker 3: Trading?

597
00:27:42,200 --> 00:27:45,879
Speaker 1: Yeah, it's definitely not how many carrots.

598
00:27:47,520 --> 00:27:50,680
Speaker 3: So hypothetically, Morgan Freeman, he wears a gold earring.

599
00:27:50,840 --> 00:27:55,200
Speaker 1: There's two gold ears, real goal. I'm not sure.

600
00:27:57,080 --> 00:28:03,159
Speaker 4: A big, No, No, it's Morgan Freeman's gold earrings, though,

601
00:28:03,240 --> 00:28:05,080
Speaker 4: because he has claimed that the reason he wears them

602
00:28:05,080 --> 00:28:06,879
Speaker 4: all the time is so he can buy a coffin

603
00:28:06,920 --> 00:28:08,560
Speaker 4: if he does somewhere weird in the world.

604
00:28:09,000 --> 00:28:09,840
Speaker 3: You wouldn't accept that.

605
00:28:10,640 --> 00:28:12,680
Speaker 1: I need I need full proof that it's solid gold.

606
00:28:13,400 --> 00:28:15,880
Speaker 1: More importantly than here's a hypothetical. You're walking down the street,

607
00:28:15,880 --> 00:28:19,240
Speaker 1: you find Morgan Freeman dead. Okay, no foul play, No

608
00:28:19,359 --> 00:28:23,920
Speaker 1: foul play is just he's died. Do you grab the

609
00:28:24,200 --> 00:28:27,640
Speaker 1: earrings off his ears and then go to the nearest

610
00:28:27,720 --> 00:28:29,560
Speaker 1: funeral home and go, hey, can I have a coffin?

611
00:28:29,600 --> 00:28:37,280
Speaker 1: Because Morgan Freeman's dead? Way exactly exactly, the phone and

612
00:28:37,400 --> 00:28:41,520
Speaker 1: your corn ablate exactly, and I'll put my business card

613
00:28:41,640 --> 00:28:43,240
Speaker 1: in his in his right pockets.

614
00:28:45,960 --> 00:28:47,920
Speaker 3: What if he's nerds? What if he's nerds?

615
00:28:47,960 --> 00:28:53,160
Speaker 1: All right, thank you so much, really appreciate it.

616
00:28:53,360 --> 00:28:54,600
Speaker 3: What else do you do you sell anything else?

617
00:28:54,600 --> 00:28:54,760
Speaker 1: There?

618
00:28:54,800 --> 00:28:56,640
Speaker 4: Like, what could you get for gold earrings? What part

619
00:28:56,680 --> 00:28:59,960
Speaker 4: of the service could maybe be supplied for the gold gold.

620
00:29:00,080 --> 00:29:00,560
Speaker 6: You could get?

621
00:29:00,600 --> 00:29:02,080
Speaker 1: You get yourself a nice casket?

622
00:29:02,560 --> 00:29:04,360
Speaker 3: What to do with a casket and a coffin?

623
00:29:04,960 --> 00:29:08,000
Speaker 1: Are the saints really? Yeah?

624
00:29:08,080 --> 00:29:11,280
Speaker 7: The caskets are a rectangle and the coffin to tape

625
00:29:11,320 --> 00:29:13,120
Speaker 7: it top and bottom.

626
00:29:13,400 --> 00:29:14,040
Speaker 2: Is that right?

627
00:29:16,240 --> 00:29:18,040
Speaker 1: So casket's probably cheaper than a coffin.

628
00:29:18,840 --> 00:29:20,880
Speaker 2: No, caskets are twice the price.

629
00:29:21,440 --> 00:29:23,080
Speaker 1: Oh fair enough?

630
00:29:23,240 --> 00:29:24,800
Speaker 3: With all the coffins line around, you have just like

631
00:29:25,080 --> 00:29:27,000
Speaker 3: lie down in a coffin? Did you ever do that?

632
00:29:27,160 --> 00:29:27,720
Speaker 1: Hi? Every day?

633
00:29:28,720 --> 00:29:29,400
Speaker 3: Do you have like naps?

634
00:29:29,440 --> 00:29:32,040
Speaker 1: You have a nice I have a beer in it,

635
00:29:32,520 --> 00:29:34,000
Speaker 1: stair at the stir at the blue sky?

636
00:29:37,040 --> 00:29:38,440
Speaker 3: How do you fit in there with the other body?

637
00:29:40,240 --> 00:29:42,479
Speaker 2: I get the weirdest I get the weirdest emails too.

638
00:29:43,240 --> 00:29:43,600
Speaker 2: Do you what?

639
00:29:44,120 --> 00:29:45,280
Speaker 3: What's the weirdest email you've got?

640
00:29:45,840 --> 00:29:46,000
Speaker 1: Hi?

641
00:29:46,160 --> 00:29:47,160
Speaker 2: I was wonder if you could tell me?

642
00:29:47,400 --> 00:29:48,120
Speaker 4: Can I breathe in it?

643
00:29:48,920 --> 00:29:49,000
Speaker 2: Now?

644
00:29:49,080 --> 00:29:50,080
Speaker 3: It's aching to reply?

645
00:29:50,840 --> 00:29:51,200
Speaker 2: I don't know.

646
00:29:51,240 --> 00:29:54,400
Speaker 1: Why don't you test me and let me know? Oh me,

647
00:29:54,400 --> 00:29:55,440
Speaker 1: why don't you test and let me know?

648
00:29:55,600 --> 00:29:56,760
Speaker 2: Here? That is so?

649
00:29:58,160 --> 00:30:01,120
Speaker 1: Can you breathe in it? Breathe not breathed?

650
00:30:01,400 --> 00:30:02,440
Speaker 2: What you said, breed?

651
00:30:03,640 --> 00:30:06,080
Speaker 3: I want you to have sex in the coffins?

652
00:30:06,120 --> 00:30:07,520
Speaker 2: I was like, that is wild?

653
00:30:08,520 --> 00:30:11,320
Speaker 1: Can keep breathing it? And I really wanted to start

654
00:30:11,320 --> 00:30:14,440
Speaker 1: a typing. Why don't you test it and let me know?

655
00:30:15,040 --> 00:30:18,080
Speaker 4: You can't you put in your Google reviews.

656
00:30:18,320 --> 00:30:19,960
Speaker 3: What is the answer that? What is the answer? No,

657
00:30:20,160 --> 00:30:24,280
Speaker 3: you can't, you can't. Yeah, yeah, it makes sense. I'm

658
00:30:24,320 --> 00:30:24,480
Speaker 3: in a.

659
00:30:24,520 --> 00:30:27,800
Speaker 4: Massive dispute at my family home at the moment. And

660
00:30:27,880 --> 00:30:29,920
Speaker 4: here's the question, guys. Thirty one oh sixty five is

661
00:30:29,960 --> 00:30:32,920
Speaker 4: the number if you're watching a movie or a TV

662
00:30:33,040 --> 00:30:35,760
Speaker 4: show with your partner and one of you falls asleep?

663
00:30:36,640 --> 00:30:38,040
Speaker 3: Are you allowed to keep watching?

664
00:30:38,560 --> 00:30:40,479
Speaker 4: Now, I'm going to go into specifically what happened with us.

665
00:30:40,680 --> 00:30:43,640
Speaker 4: So Saturday night, we're watching a film Past Lives. It's extraordinary.

666
00:30:43,800 --> 00:30:46,959
Speaker 4: Go on, watch the film Past Lives. Okay, mim falls asleep.

667
00:30:47,600 --> 00:30:51,000
Speaker 4: Now I'm in I'm invested in the film, right, So

668
00:30:51,120 --> 00:30:55,320
Speaker 4: obviously when I noticed that she nods off, I keep going, right,

669
00:30:56,000 --> 00:30:57,040
Speaker 4: she was angry about that.

670
00:30:57,640 --> 00:30:58,800
Speaker 3: She's very unhappy about that.

671
00:30:59,160 --> 00:31:00,840
Speaker 1: Oh really to what extent?

672
00:31:01,200 --> 00:31:03,080
Speaker 4: Well, she just woke she well she went did she

673
00:31:03,160 --> 00:31:04,560
Speaker 4: wake up at the end or did she work out

674
00:31:04,600 --> 00:31:06,920
Speaker 4: like halfway though it was over? And then in the

675
00:31:07,000 --> 00:31:09,160
Speaker 4: morning was when she realized that I had kept watching

676
00:31:09,240 --> 00:31:11,440
Speaker 4: the film. Like she thought she was out for thirty seconds.

677
00:31:11,480 --> 00:31:13,640
Speaker 4: Turns out she was out for like fifty five minutes. Right,

678
00:31:13,760 --> 00:31:15,360
Speaker 4: you know that kind of thing. And then on Sunday

679
00:31:15,360 --> 00:31:17,000
Speaker 4: when I told her I watched the movie, she was

680
00:31:17,120 --> 00:31:18,680
Speaker 4: angry at me. She was like, oh, we can finish

681
00:31:18,720 --> 00:31:21,200
Speaker 4: the movie today and I was like, no, you fel

682
00:31:21,280 --> 00:31:23,120
Speaker 4: so you felt like that that's your fault. And then

683
00:31:23,400 --> 00:31:26,040
Speaker 4: she had the nerve last night she took the main

684
00:31:26,160 --> 00:31:28,600
Speaker 4: TV in the house right, and then she watches the

685
00:31:28,680 --> 00:31:30,640
Speaker 4: end of the movie and it's like, well, I wanted

686
00:31:30,640 --> 00:31:31,160
Speaker 4: to watch TV.

687
00:31:33,040 --> 00:31:35,239
Speaker 3: It gets me will Let's go to Beck here. I'm

688
00:31:35,320 --> 00:31:37,760
Speaker 3: thirteen one or sixty five? Beck, what are your thoughts?

689
00:31:37,840 --> 00:31:39,440
Speaker 3: Do you keep watching or should you stop? If one

690
00:31:39,440 --> 00:31:40,160
Speaker 3: of your falls asleep?

691
00:31:41,080 --> 00:31:42,720
Speaker 6: If it's a movie, it's fair game.

692
00:31:42,840 --> 00:31:44,840
Speaker 4: You keep watching what TV?

693
00:31:45,160 --> 00:31:47,880
Speaker 6: So you have to stop? You were spend the rest

694
00:31:47,920 --> 00:31:49,840
Speaker 6: of the week explaining to them what happened.

695
00:31:50,240 --> 00:31:51,760
Speaker 3: Well, no, see, I disagreed, Beck.

696
00:31:51,880 --> 00:31:54,280
Speaker 4: I think that they need to find their own time,

697
00:31:54,320 --> 00:31:56,239
Speaker 4: their own personal time where they can catch up.

698
00:31:56,280 --> 00:31:58,040
Speaker 3: So whether they wake up early in the morning, w.

699
00:31:58,360 --> 00:32:03,320
Speaker 1: She's so tired, mim? Can I ask? She's quite an

700
00:32:03,400 --> 00:32:05,640
Speaker 1: evil laugh from you in the background there she's been

701
00:32:05,720 --> 00:32:06,960
Speaker 1: the second job as a Disney villain.

702
00:32:06,960 --> 00:32:10,600
Speaker 3: Anytime you like, I can't speak to why men was tired?

703
00:32:10,640 --> 00:32:12,360
Speaker 1: Why was she tired. Was it she was looking after

704
00:32:12,400 --> 00:32:16,200
Speaker 1: your child all day, or like moving your entire house Saturday?

705
00:32:16,480 --> 00:32:18,640
Speaker 1: So it was after the big move that you'd moved

706
00:32:18,680 --> 00:32:20,360
Speaker 1: the house together, but she'd done the whole move.

707
00:32:20,640 --> 00:32:23,320
Speaker 3: Let's go to actually hear thirty one six five. Actually,

708
00:32:24,800 --> 00:32:26,360
Speaker 3: you've got a rule with your partner of one who

709
00:32:26,400 --> 00:32:27,560
Speaker 3: falls asleep during a movie.

710
00:32:28,240 --> 00:32:31,000
Speaker 4: Yes, so if I fall asleep during a TV show movie,

711
00:32:31,040 --> 00:32:31,840
Speaker 4: he has to stop it.

712
00:32:32,000 --> 00:32:34,560
Speaker 6: But if he falls asleep, then I keep watching it.

713
00:32:36,360 --> 00:32:39,080
Speaker 3: That situation been said up because.

714
00:32:38,760 --> 00:32:41,280
Speaker 1: We're currently watching Graves Anatomy and I've never seen.

715
00:32:41,120 --> 00:32:41,760
Speaker 2: It and he has.

716
00:32:42,320 --> 00:32:45,600
Speaker 1: I've seen it before that it's absolutely fair game. No,

717
00:32:45,720 --> 00:32:49,280
Speaker 1: I think you actually answered your your own conundrum here. Woods.

718
00:32:49,320 --> 00:32:52,160
Speaker 1: When you started this. You started off by saying the

719
00:32:52,400 --> 00:32:54,760
Speaker 1: quality of the film or the quality of the TV

720
00:32:54,880 --> 00:33:00,440
Speaker 1: show masses matters massively. If you're watching trash TV together

721
00:33:00,600 --> 00:33:02,360
Speaker 1: and you both admit it's like that, it's like we're

722
00:33:02,400 --> 00:33:05,960
Speaker 1: watching where we rewatching Friends or rewatching Grays or something

723
00:33:06,000 --> 00:33:08,360
Speaker 1: like that. I know that you've paid for this movie

724
00:33:08,360 --> 00:33:09,000
Speaker 1: because you told me.

725
00:33:09,320 --> 00:33:10,880
Speaker 3: Yeah, of course, I was not happy about it.

726
00:33:10,920 --> 00:33:12,720
Speaker 1: You always tell me when you pay for things, not happy.

727
00:33:12,760 --> 00:33:14,280
Speaker 1: But you came in here. You're like, mate, you've got

728
00:33:14,360 --> 00:33:17,520
Speaker 1: to watch Past Lives. It's unbelievable. Had to pay for it,

729
00:33:17,640 --> 00:33:21,200
Speaker 1: And I was like, you're kidding, it doesn't sound that good,

730
00:33:21,240 --> 00:33:23,920
Speaker 1: and you're like, it's amazing. So already the quality of

731
00:33:23,960 --> 00:33:26,480
Speaker 1: the film sounds really good. Did you know that Mim

732
00:33:27,120 --> 00:33:29,240
Speaker 1: also loved the movie? Did you know that she was

733
00:33:29,280 --> 00:33:31,480
Speaker 1: also loving it but was struggling to keep her eyes open?

734
00:33:32,320 --> 00:33:35,640
Speaker 1: But how what level of investment do you think she

735
00:33:35,800 --> 00:33:36,400
Speaker 1: had in the film.

736
00:33:36,480 --> 00:33:38,320
Speaker 3: We have a no chat policy during movies.

737
00:33:38,480 --> 00:33:40,520
Speaker 1: Wow, you with an iron fist, don't you you know?

738
00:33:40,560 --> 00:33:41,200
Speaker 3: I love movies.

739
00:33:42,080 --> 00:33:43,920
Speaker 1: Glad I don't have to watch TV with you anymore.

740
00:33:44,960 --> 00:33:47,200
Speaker 1: And you also just mock anything that anyone else watches

741
00:33:47,240 --> 00:33:47,840
Speaker 1: that you don't.

742
00:33:47,760 --> 00:33:50,080
Speaker 3: Like either, pretty much. Yeah, you watched Wheels of Time

743
00:33:50,120 --> 00:33:50,960
Speaker 3: and we were just a.

744
00:33:50,960 --> 00:33:54,400
Speaker 1: Wheel of time. It's just the wheel of time. But

745
00:33:54,480 --> 00:33:57,000
Speaker 1: you laugh at other people's movies, but they can't talk

746
00:33:57,080 --> 00:34:00,280
Speaker 1: during yours. Yes, so Mim fell asleep. It was like it.

747
00:34:00,440 --> 00:34:02,600
Speaker 1: See if I was watching something with Sam and I

748
00:34:02,720 --> 00:34:04,440
Speaker 1: thought she was loving it, and she felt like I

749
00:34:04,440 --> 00:34:06,480
Speaker 1: would stop out of respect because I'd go, I know,

750
00:34:07,040 --> 00:34:08,560
Speaker 1: I'm going to have to rewatch this with you because

751
00:34:08,560 --> 00:34:10,200
Speaker 1: I know you're loving it. I know you're enjoying watching

752
00:34:10,239 --> 00:34:10,560
Speaker 1: it with me.

753
00:34:11,080 --> 00:34:13,080
Speaker 4: Wow, you're a better man than I am. Well, let's

754
00:34:13,080 --> 00:34:15,800
Speaker 4: go to Sarah here. Sarah, you and your partner have

755
00:34:15,920 --> 00:34:16,960
Speaker 4: different approaches here.

756
00:34:17,640 --> 00:34:21,920
Speaker 6: Oh absolutely, I will one percent keep watchicking if I've seen.

757
00:34:21,800 --> 00:34:24,040
Speaker 4: That he's falling asleep as soon as you love.

758
00:34:24,600 --> 00:34:27,480
Speaker 1: But if he keeps watching when I've fallen asleep, I.

759
00:34:27,600 --> 00:34:28,200
Speaker 2: Have the ship.

760
00:34:29,200 --> 00:34:29,399
Speaker 1: Yeah.

761
00:34:29,760 --> 00:34:32,239
Speaker 4: They just can't be a double standard there. There can't

762
00:34:32,239 --> 00:34:34,240
Speaker 4: be a double standard there, because I would.

763
00:34:34,080 --> 00:34:36,200
Speaker 1: You have been angry at Mim if she kept watching

764
00:34:36,280 --> 00:34:38,239
Speaker 1: the movie and you fell asleep and it's passed like

765
00:34:38,320 --> 00:34:41,200
Speaker 1: it's that movie it's past lives. No, it means it

766
00:34:41,280 --> 00:34:42,600
Speaker 1: means you have to pay to rent it again.

767
00:34:42,840 --> 00:34:44,719
Speaker 4: If I know forty eight hour rent on my friend,

768
00:34:44,760 --> 00:34:46,200
Speaker 4: I've got forty eight hours to go and watch the

769
00:34:46,280 --> 00:34:49,000
Speaker 4: end of the movie. Now, unfortunately, my partner, Mim has

770
00:34:49,040 --> 00:34:51,160
Speaker 4: also called here. Now, Mim, I think you've heard the

771
00:34:51,239 --> 00:34:54,240
Speaker 4: calls here. I think at this stage you're probably willing

772
00:34:54,280 --> 00:34:56,400
Speaker 4: to agree that I was well within my rights to

773
00:34:56,520 --> 00:34:58,640
Speaker 4: keep watching your audacity.

774
00:34:58,840 --> 00:34:59,759
Speaker 1: That's all I have to say.

775
00:35:00,040 --> 00:35:03,080
Speaker 4: Absolutely, or Dusty, I the only time in the day

776
00:35:03,440 --> 00:35:05,360
Speaker 4: is when my daughter's fallen to sleep.

777
00:35:06,880 --> 00:35:09,000
Speaker 1: Yeah, so I've got I've got.

778
00:35:08,960 --> 00:35:09,640
Speaker 7: This little window.

779
00:35:09,719 --> 00:35:12,040
Speaker 6: You were making dinner, you came home later from work,

780
00:35:12,160 --> 00:35:13,840
Speaker 6: and then I start put it on, and then you

781
00:35:14,160 --> 00:35:17,560
Speaker 6: disappeared into another room and I could hear you watching

782
00:35:17,640 --> 00:35:18,200
Speaker 6: something else.

783
00:35:18,320 --> 00:35:20,320
Speaker 4: I was like, okay, well, we're all good to go.

784
00:35:22,080 --> 00:35:24,160
Speaker 2: This was the last night, great idea.

785
00:35:24,800 --> 00:35:26,120
Speaker 3: This was last night.

786
00:35:26,520 --> 00:35:28,600
Speaker 1: I'm so confused, and NIMS jumped ahead.

787
00:35:29,000 --> 00:35:31,800
Speaker 6: You had forty eight hours to watch this movie.

788
00:35:32,239 --> 00:35:38,120
Speaker 4: Yeah, you keep saying they ahead MS talking about last

789
00:35:38,200 --> 00:35:41,200
Speaker 4: night when she then took control.

790
00:35:42,080 --> 00:35:42,759
Speaker 3: You've jumped ahead.

791
00:35:43,360 --> 00:35:46,520
Speaker 1: Have you been listening to the last five minutes I

792
00:35:46,840 --> 00:35:49,280
Speaker 1: put the baby in the car. Have you a baby

793
00:35:49,360 --> 00:35:49,719
Speaker 1: in the car?

794
00:35:49,840 --> 00:35:50,160
Speaker 2: Woody?

795
00:35:50,200 --> 00:35:52,680
Speaker 4: And then they've start screaming soon because I.

796
00:35:52,760 --> 00:35:55,919
Speaker 3: Have, of course I have. Anyway, You're obviously tired

797
00:36:00,040 --> 00:36:00,759
Speaker 1: All the time, right,