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Speaker 1: Hour by the iHeart Radio aff from ninety six AIRVM

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Speaker 1: to whereever you're listening today.

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Speaker 2: This is Clezy and Lisa's podcast.

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Speaker 3: Coming up on the podcast today, Ryan Daniels on the

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Speaker 3: eve of a big weekend in football.

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Speaker 4: You mean the award winning Ryan Daniels, I do, yes.

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Speaker 4: John Pinder talks. I've bet a lot of things, including death,

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Speaker 4: and we asked.

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Speaker 3: The question, you've been kidnapped? Two hours later they release

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Speaker 3: you because dot dot dot dot.

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Speaker 5: Get out of here. Drive me nuts.

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Speaker 3: This is just really out there scenario type question. Listen

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Speaker 3: very closely.

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Speaker 5: Did make me laugh when you tell me you.

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Speaker 3: Have been kidnapped? Two hours later? They release you because dot.

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Speaker 4: Can I tell you for the first time ever, you

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Speaker 4: sound a little bit likely in Lisa and you did?

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Speaker 5: You can be kidnapp You did? That's great.

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Speaker 6: Yes, they released you two hours later because now for me,

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Speaker 6: it was able to do because I talk too much. No,

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Speaker 6: she wouldn't stop talking.

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Speaker 5: I'm not having that back, No, stop it.

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Speaker 6: What about you any thoughts?

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Speaker 4: Yeah, because I would bore them silly about flag mantle,

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Speaker 4: and I'd say, and I bore them, I'd run through

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Speaker 4: every game this year that any bracure should get browd

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Speaker 4: low boats. I said, you know, in round thirteen against

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Speaker 4: the Hawks, he got thirty seven disposal of.

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Speaker 6: Enough back doing impersonation.

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Speaker 5: Yeah, exactly.

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Speaker 6: All right, you've been kidnapped two hours later.

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Speaker 3: That later they release you because dot dot you say

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Speaker 3: two years you're doing later they release you because Tracy

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Speaker 3: and Alexander Heights fill in the dog. Because I'm saying

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Speaker 3: bananas in pajamas for two hours and I can't sing.

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Speaker 5: I didn't even baby shark.

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Speaker 3: That might have got to kill it, right, good thinking, Yeah,

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Speaker 3: you know all the words.

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Speaker 5: Tracy Nore coming down the stairs. That's better, I know.

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Speaker 4: Well, yeah, I just made up whatever.

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Speaker 6: Yeah, So bananas in pajamas and a loop. All right,

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Speaker 6: thanks Tray. That's yes, that's that's the plan.

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Speaker 5: That's a good player starting point, isn't it.

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Speaker 6: Chris in Heley Brook fill in the dots.

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Speaker 5: Keep on farting, as simple as that, Chris brunch Away

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Speaker 5: to freedom.

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Speaker 6: Well, if you can do it on cue, it would help. Yeah.

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Speaker 6: I imagine not much else I can say that that

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Speaker 6: stums it up.

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Speaker 7: Just excuse me, yeah, pardon about it.

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Speaker 6: Thanks Chris.

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Speaker 3: You gotta hope they have a dog don't you can

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Speaker 3: blame blame the dog, Steven Sterling filling the dots.

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Speaker 2: Yeah, I've got barley belly and there's no toilet. Horrible.

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Speaker 5: Oh dear, Yeah, you're in a bad.

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Speaker 3: Way, all right, yeah, yeah, it's not good.

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Speaker 5: No, it's not think released with that question.

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Speaker 6: Renee and Bold ives hello, Renee, Hello, hell are you good? Renee?

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Speaker 6: You've been kidnapped. Two hours later they release.

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Speaker 5: You because their secret hearing about my footy moltie.

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Speaker 6: You're funy moltis.

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Speaker 2: Oh.

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Speaker 6: People give us an example, how would it be You're

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Speaker 6: in the back of the car. What's happening?

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Speaker 5: Howdy? Dropping nuts?

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Speaker 7: Needing a play?

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Speaker 2: That one more disposed for someone to kick a second goal?

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Speaker 2: Or yeah, total game points to be over one hundred

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Speaker 2: and sixty five.

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Speaker 5: Yeah, turn the corner, open the door, lace, get her out.

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Speaker 6: He's not even like.

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Speaker 4: Some people get so passionate about their multis that they

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Speaker 4: actually direct message players games and say what are you doing?

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Speaker 4: Oh yeah, Dave, did a couple of those money? Know

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Speaker 4: what it is?

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Speaker 6: Thanks, Renee?

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Speaker 2: Thank you?

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Speaker 6: Bye?

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Speaker 3: All right? We have one uncle did well? Hello, oh no,

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Speaker 3: there will be another. And Wellard, Oh, why have you

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Speaker 3: been released?

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Speaker 1: Because I didn't want to leave.

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Speaker 5: Reverse psychology, Jo.

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Speaker 1: I want to go home to my kids in the house.

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Speaker 6: Wad up your options and hostage situations.

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Speaker 5: Evil, thank.

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Speaker 4: You.

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Speaker 6: Now we have a last call we do. It's Stephen Coburn. Hello,

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Speaker 6: good morning, good morning. How are we all good?

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Speaker 3: Why?

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Speaker 6: Why?

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Speaker 1: I know that please please? He can do the voice

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Speaker 1: better than I can.

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Speaker 2: But Liam lieson.

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Speaker 1: I have a particular set of skills. Do not release

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Speaker 1: me within two hours.

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Speaker 5: I'm going to kill you all, but you're gonna threaten

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Speaker 5: you know you're Liam out of activity.

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Speaker 2: I don't have the boy.

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Speaker 6: I think. I think the idea is there though, Steve.

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Speaker 6: I think you're our winner.

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Speaker 3: Thanks an Alternatively, I think sitting in the back and

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Speaker 3: just reciting that would get a bit annoyed.

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Speaker 5: I think it would be so annoyed I annoy you

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Speaker 5: in the.

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Speaker 6: Back of a car. But it is anyway true.

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Speaker 1: More more Lisa, More podcasts soon, ninety six.

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Speaker 5: The Sure Report on ninety six FM.

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Speaker 3: James Bond fans are working themselves into an absolute tiss.

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Speaker 3: As Ian Fleming's Instagram account has teased a special announcement

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Speaker 3: coming up. The account, which is just under the late

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Speaker 3: writer's name. He died in nineteen sixty four is teasing

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Speaker 3: the announcement for October five, which has been officially dubbed

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Speaker 3: James Bonday. It comes as rumors continued to circulate over

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Speaker 3: who will be the new Bond, with Tom Hardy and

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Speaker 3: Henry Cavill looking to be the front runners. The account

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Speaker 3: says see you on James Bonday hashtag double seven complete

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Speaker 3: with eyeball emojis.

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Speaker 5: Sweet that'd be finning out soon.

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Speaker 3: Clairefoy has paid tribute to the Queen at the Toronto

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Speaker 3: Film Festival. Foy portrayed her majesty in the first two

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Speaker 3: seasons of The Crown. She's described the opportunity to act

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Speaker 3: out her life as an honor. And It's been more

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Speaker 3: than twenty five years since the infamous rapper Tupac Shakur

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Speaker 3: was murdered fatally shot in the car he was traveling

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Speaker 3: in in Las Vegas, but a Vegas podcaster has just

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Speaker 3: put a big reward for information on the table. The

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Speaker 3: Action Junkies podcast is offering one hundred thousand dollars for

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Speaker 3: information that leads to the arrest and prosecution of whoever

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Speaker 3: is responsible for Tupark's death. Now not sure if these

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Speaker 3: guys know it's been previously fairly well documented by Pulitzer

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Speaker 3: Prize winning journalist Chuck Phillips that South Side Crip's member

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Speaker 3: Orlando Anderson killed two park after TWUPARC beat him up

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Speaker 3: in the lobby of a Mike Tyson fight. Unfortunately, Anderson

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Speaker 3: was killed in nineteen nine eight. Such is the life,

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Speaker 3: and so we'll never really know. Do you think I

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Speaker 3: can claim the reward?

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Speaker 5: I think with that information, well, I reckon, you're probably

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Speaker 5: well not truly up there. And it was a dangerous

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Speaker 5: time to be in rap, wasn't it.

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Speaker 6: Let's be honest, very dangerous time to be in rap.

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Speaker 5: Lisa, were in very good company this morning.

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Speaker 3: Oh gosh, I thought you were going to just introduce

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Speaker 3: him as Ryan Daniels Seven's Ryan Daniels.

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Speaker 6: Nay it is ATHMA Award winning.

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Speaker 3: Ryan Daniels AFMA Award received for the Best News Reporting

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Speaker 3: by an individual. Mister Ryan Daniels earned the title for

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Speaker 3: his exceptional AFL coverage over the last two seasons, including

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Speaker 3: stories surrounding Locky Neil's interest in returning to fremantle, former

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Speaker 3: Eagle Daniel Venable's brain injury, and the twenty twenty one

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Speaker 3: AFL Grand.

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Speaker 7: Final in perfect gratulations.

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Speaker 2: Congratulations, Thank you guys.

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Speaker 5: Quite an interest, so you won't talk yourself up so

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Speaker 5: we can.

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Speaker 2: No, I appreciate that. No, it is I know people

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Speaker 2: say this, but it was really a nice, beautiful on

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Speaker 2: it to be receiving in a big room. It was over.

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Speaker 2: It was well, big names in a big room. All

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Speaker 2: the big dogs are in there. Actually it was funny

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Speaker 2: because it was over in Melbourne, and so you know,

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Speaker 2: at the start of the night, everyone looks for their table,

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Speaker 2: and a lot of big fish in this room. Gill

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Speaker 2: was there, Andrew Dillon was in there, and everyone's looking

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Speaker 2: for their table, and I'm on the seven News table

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Speaker 2: of course, Tom Brown, Mitch Cleary, Hipsley and we're all

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Speaker 2: sitting around and then Alistair Clarkson's come over and he

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Speaker 2: starts shaking her hands. He goes, I'm also on this table, Clarko.

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Speaker 2: I didn't say at the time, were just pretended, Hey

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Speaker 2: this is pretty yeah, no worries, of course you're here, coach.

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Speaker 5: The whole night he's sort of sitting.

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Speaker 2: There awkwardly between all these journos, not knowing what to say,

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Speaker 2: and at the end of the night someone comes up

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Speaker 2: to him and goes, oh, Clark, you're actually supposed to

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Speaker 2: be on table four. There's an empty seat next to Gili.

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Speaker 6: Of course there was.

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Speaker 2: He's not supposed to be sitting with us numties like

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Speaker 2: this is Alistair Clarks.

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Speaker 5: She doesn't want say anything.

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Speaker 2: You might reply, no, he's the poor guy. He was

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Speaker 2: really lovely and my wife kel was there and when

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Speaker 2: he was doing his introduction, she goes, you look really familiar.

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Speaker 2: She doesn't really follow, actually you're the Hawthorne coach and

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Speaker 2: I said no, no, no, no, no, no no no Melbourne.

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Speaker 5: Alright, let's get to.

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Speaker 3: It, and let's start with Frio's exit meetings, which I

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Speaker 3: find a very strange term for a meeting that hasn't

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Speaker 3: exactly established the direxiting.

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Speaker 2: It doesn't sound good.

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Speaker 6: It's not at the end of season chat.

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Speaker 2: It's basically like saying, assume you're gone, and if you don't,

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Speaker 2: you'll be lucky.

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Speaker 3: There's a hint in the title post season reviews or

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Speaker 3: something reviews should yeah agree.

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Speaker 2: And even funnier, they actually they make them all clean

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Speaker 2: out their locker as well and walk out with their bags,

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Speaker 2: socks and shoes and gear and stuff. It's very final,

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Speaker 2: isn't it well, they have to approach it this way

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Speaker 2: because if you get traded, or if you leave, or

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Speaker 2: if you get delisted, it's going to be awkward if

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Speaker 2: you have to come back in and have another meeting.

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Speaker 2: So I guess that's why they do it that way.

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Speaker 2: So it's like, take your stuff and hopefully we'll see

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Speaker 2: you again, but we might not.

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Speaker 5: Probably won't love No, I don't think, well he's gone.

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Speaker 2: Probably not. But Freemantle are digging their heels in. So

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Speaker 2: he said to them that he wants to trade to

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Speaker 2: the Western Bulldogs. Remember he asked for trade to the

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Speaker 2: Giants last year. Nope, we need you this year. He

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Speaker 2: was very good for them. He kicked thirty six goals

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Speaker 2: with the leading goalkicker and really central to everything that

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Speaker 2: they did in attack. So they're saying, well, mate, you

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Speaker 2: contracted for another year. I had year two years last year,

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Speaker 2: so he's got a whole another year to run his contract.

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Speaker 2: And he's saying, I really want to go to Melbourne.

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Speaker 2: I've got my girlfriend's over there. I see my life

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Speaker 2: being over there. Freeman was saying, well, we see your

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Speaker 2: life in our forward line because we really need to

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Speaker 2: kick someone for something to a really tall person up there. True,

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Speaker 2: So it's going to be a fascinating watch that one.

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Speaker 2: And I think it's it's going to be depending on

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Speaker 2: a couple of other things happening. I still think you'll

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Speaker 2: probably get to the dogs. But the Dockers at the

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Speaker 2: moment have every right to dig their heels in and say, no, mate,

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Speaker 2: you're staying signed, you signed a contract, you got to stay.

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Speaker 2: I'll tell you, Like I was saying this to someone yesterday.

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Speaker 2: If if Channel nine said to me Ryan, we want

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Speaker 2: to come and work for you, and I had a

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Speaker 2: year left on my contract, Channel seven wouldn't be saying yeah,

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Speaker 2: no worries mate, So you go off, you go chance.

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Speaker 3: There's something to be said for you know, do you

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Speaker 3: really want someone who doesn't want to be there.

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Speaker 2: Well, that's the other part of this.

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Speaker 7: I mean, we want you.

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Speaker 2: Moping around, just walking around sucking all the time. And

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Speaker 2: that is part of this too. Like if Rory isn't

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Speaker 2: brought into what they they're going to be doing and

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Speaker 2: they're trying to win premierships, then maybe it is the

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Speaker 2: best thing to let him go and start his life

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Speaker 2: and then you can move on one.

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Speaker 3: No, it's no point sort of tanking yourself at the

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Speaker 3: club having a sook, because then you won't be a

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Speaker 3: verdy appeal to it.

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Speaker 6: But at the same time, and to.

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Speaker 2: His credit this year he stuck up, you know, he's

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Speaker 2: stuck fat and got his thirty six goals and nearly

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Speaker 2: led their forward line. So maybe Freeman, I'm thinking he

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Speaker 2: could do that again.

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Speaker 5: Clarify something. Ryan Daniel is not going to Channel nine

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Speaker 5: absolutely now.

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Speaker 4: Ryan of a lot of Freo people not happy online

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Speaker 4: yesterday about the Gryffin Log situation.

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Speaker 2: So Gryffin Log is a bit of a different case.

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Speaker 2: He's out of contract, he's free to do whatever he

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Speaker 2: wants to do. They still need to work out trades

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Speaker 2: and such. But he went in yesterday and told them

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Speaker 2: that he wants to go to North Melbourne. Now by

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Speaker 2: all accounts, he doesn't really want to leave. Like he

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Speaker 2: loves Freemantle. He's so close with a lot of the players.

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Speaker 2: You know, he did that great podcast with David Monday

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Speaker 2: all year. He is really part of the furniture there.

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Speaker 2: But the money that North Melbourne are offering is far

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Speaker 2: higher than what Freemantle can offer, right, and is a business.

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Speaker 2: It is a business, and they're also you know your life.

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Speaker 2: Well it is and he's a young man. And North

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Speaker 2: Melbourne also they're struggling, right, he's going to play in

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Speaker 2: that back line where he wants to play every week

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Speaker 2: at Freemantle. He's kind of stuck forward and a bit back.

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Speaker 2: So I get it, I get it, I understand it.

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Speaker 2: But it does sound by all accounts that he's pretty

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Speaker 2: flat about it and in a perfect world he'd be staying.

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Speaker 2: But he's going to go.

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Speaker 5: Yeah, is are there any surprises like as in who's

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Speaker 5: staying that you may have thought.

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Speaker 2: The only other one leaving at the moment definitely as

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Speaker 2: Blake Akus to Carlton, Darcy Tucker might probably be going

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Speaker 2: to North Melbourne staying Leam Henry is going to stay

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Speaker 2: like there was some sort of talk that he might go.

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Speaker 2: He's got another year to run on his contract, so

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Speaker 2: he'll be staying there. And the one of course to

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Speaker 2: keep an eye in terms of coming in is Luke Jackson,

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Speaker 2: big fish, young w a kid, won a premiership with Melbourne,

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Speaker 2: great mullet. He's got everything that you need in the

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Speaker 2: modern day footballer. No, I one hundred percent expect him

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Speaker 2: to get to Freemantle. I know West Coast are doing

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Speaker 2: their diligence and they're making offers, but he wants to

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Speaker 2: be a Docker. The Dockers are definitely keen on him, and.

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Speaker 4: The Eagles just signing Nick Natt and Bailey Williams. So

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Speaker 4: that's the Is that a signature always saying.

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Speaker 2: That they sily not necessarily because you'd love to pair

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Speaker 2: Luke Jackson with Nick nadan Nuiy and that would be

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Speaker 2: a fantastic pairing. And I know that Luke modeled his

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Speaker 2: game on Nick Nadannuiy, But I still think it's going

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Speaker 2: to be Freemantle, and those negotiations will start now. Basically

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Speaker 2: straight away Freemantle of Melbourne will sit down and go

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Speaker 2: Melbourne will ask for the world. They'll ask for Matthew Pavlich,

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Speaker 2: Nat Five, Peter Bell, everybody, and then Freemanner will push

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Speaker 2: back and say and actually we will give you this.

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Speaker 2: So it'll take a while.

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Speaker 3: I know people have short memories, but James heard back

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Speaker 3: at Essendon. Even for the short memories that people have

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Speaker 3: is beyond me.

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Speaker 2: I feel like remember Men in Black with that little

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Speaker 2: device that they used to use to erase It's like

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Speaker 2: someone's gone to the Essendon board and just gone just

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Speaker 2: look into this little Yeah, I can't I can't quite

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Speaker 2: grasp the possibility of him being back there.

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Speaker 6: But he had a meeting.

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Speaker 2: He had a meeting, and look, it could be a

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Speaker 2: couple of things. One it could be just that, you know,

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Speaker 2: they're doing the variety by you know, a favorite son

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Speaker 2: who yes, he screwed the club a lot, a lot,

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Speaker 2: but you know, yes, you can go through the process,

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Speaker 2: but we're not going to hire you now that hopefully

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Speaker 2: that's the case.

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Speaker 5: It just a piece a couple of people.

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Speaker 2: Well, mate, I think that could be it. We know

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Speaker 2: Kevin Sheedy is on the board making a lot of

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Speaker 2: decisions and he loves James Hurdle like a son. So

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Speaker 2: there is that. But there's also another part to this.

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Speaker 2: I mean, wh else are they get to higher? You know,

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Speaker 2: Ross Lyne has said no, Brad Scott has said no,

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Speaker 2: Leon Cameron has said no. Even the assistance that everybody

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Speaker 2: thinks like Jamie Graham's probably the best assistant in the AFILM,

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Speaker 2: he doesn't even want to go for it, and desperate

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Speaker 2: getting to that point where there's not really many people

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Speaker 2: left to give you. It's a lot of people, it is,

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Speaker 2: So it's fascinating to watch. Surely they can't do it right,

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Speaker 2: surely lovely not well.

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Speaker 4: Also, if the zip and ten after ten rounds, imagine

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Speaker 4: the knives coming out there.

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Speaker 2: Well, here's the thing about Hrdie, just quickly, I'm not

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Speaker 2: even sure he could coach. So even when he was coaching,

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Speaker 2: they weren't winning finals. I mean he was there a while.

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Speaker 6: It was No, it wasn't very good football.

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Speaker 2: It's not like he was Clarko and you're going, well,

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Speaker 2: you know what, like as much as everything went to hell,

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Speaker 2: the guy can coach. We might win a flag. There's

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Speaker 2: no guarantee and I'm not sure it's best for anybody,

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Speaker 2: including James Hurd.

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Speaker 5: Okay, so.

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Speaker 6: It is prelimit final weekend.

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Speaker 2: It is. Some people say it's the better weekend because

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Speaker 2: it's the fans games. Everyone can go. It's not a

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Speaker 2: corporate event. Well, in terms of the spectacle Grand Finals

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00:16:10,080 --> 00:16:11,640
Speaker 2: you get a lot of corporates, you know, a lot

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Speaker 2: of because this is like the fans, they go to

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Speaker 2: the prelimb So Collingwood, Sydney, that's tomorrow in the afternoon.

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00:16:17,200 --> 00:16:18,800
Speaker 2: That's going to get a fascinating one for me. I

350
00:16:19,520 --> 00:16:22,280
Speaker 2: think Sydney wins, but Collingwood could do it. They absolutely could.

351
00:16:22,280 --> 00:16:24,360
Speaker 2: They're running a hot right now. They've caught lightning in

352
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Speaker 2: a bottle. And then the other one is tonight Gelong Brisbane.

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00:16:26,600 --> 00:16:28,520
Speaker 2: I think everybody expects you Long to win that game,

354
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Speaker 2: but who knows. Brisbane were giant killers last week. And

355
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Speaker 2: on Sunday it's the Brownlow Medal.

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Speaker 5: Let's move from Monday it has for.

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Speaker 2: The Queen's funerals, so they've moved it forward. Can you

358
00:16:37,960 --> 00:16:40,800
Speaker 2: imagine the logistical nightmare of trying to move the Brownlow?

359
00:16:41,000 --> 00:16:43,440
Speaker 2: All the players who stay at the hotel that night,

360
00:16:43,600 --> 00:16:46,040
Speaker 2: the flights that everything would have cost a lot.

361
00:16:47,240 --> 00:16:52,440
Speaker 6: Dresses done to day guys sitting there going, well, you say.

362
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Speaker 2: I think Bracecool is going to get a lot brace schoore,

363
00:16:56,840 --> 00:16:59,200
Speaker 2: We're going to get a lot of those three voters.

364
00:16:59,680 --> 00:17:01,680
Speaker 2: I expect him to be leading at the halfway mark

365
00:17:01,760 --> 00:17:04,840
Speaker 2: by quite a bit. And then my tip is actually

366
00:17:05,359 --> 00:17:07,560
Speaker 2: a tie between Locky Nil and Andy Brashaw.

367
00:17:08,160 --> 00:17:09,800
Speaker 5: Yeah together, that's right.

368
00:17:09,840 --> 00:17:11,960
Speaker 2: I love a narrative. I love a narrative. So and

369
00:17:12,040 --> 00:17:16,680
Speaker 2: they're both grocers. Yeah, two medals, That's what I'm going with. Yeah, right,

370
00:17:16,840 --> 00:17:18,159
Speaker 2: So just we'll see how he.

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00:17:18,200 --> 00:17:21,439
Speaker 4: Goes, let's be honest, at Frio, some good performance assistant him,

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Speaker 4: but not many blokes to take votes off him.

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Speaker 2: I agree, he's if he doesn't win at Brayshaw, he's

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Speaker 2: going to poll like somewhere in the high twenties and

375
00:17:28,000 --> 00:17:30,280
Speaker 2: be unlucky. So it's going to be right there. And

376
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Speaker 2: he's the kind of player that does pole votes. So yeah,

377
00:17:32,840 --> 00:17:34,199
Speaker 2: I'm pretty excited for Andy Brayshaw.

378
00:17:34,280 --> 00:17:40,680
Speaker 3: So the brown Lows or perhaps brown Smowree votes.

379
00:17:41,680 --> 00:17:43,200
Speaker 6: Great man has caught it quick.

380
00:17:43,800 --> 00:17:46,719
Speaker 2: Yeah, really sad, really sad. It's sort of I mean,

381
00:17:46,880 --> 00:17:48,760
Speaker 2: I think we all saw this coming. Roger Feder he

382
00:17:48,800 --> 00:17:51,159
Speaker 2: hasn't been able to get on the court recently, and

383
00:17:51,280 --> 00:17:54,600
Speaker 2: it's kind of fitting in a way that Serena's done

384
00:17:54,680 --> 00:17:57,200
Speaker 2: and now Roger has done as well. There's an argument

385
00:17:57,240 --> 00:18:00,000
Speaker 2: they're the two greatest in male and female tennis players

386
00:18:00,119 --> 00:18:03,080
Speaker 2: we've ever seen. I think they probably are. Yeah, so yeah,

387
00:18:03,160 --> 00:18:06,000
Speaker 2: Fed's caught at quits. He's going to play the labor.

388
00:18:05,760 --> 00:18:06,440
Speaker 6: Cum line too.

389
00:18:06,480 --> 00:18:06,639
Speaker 1: For you.

390
00:18:09,160 --> 00:18:12,920
Speaker 2: I will take that call, thank you, Margaret. Labor Cup

391
00:18:13,320 --> 00:18:15,840
Speaker 2: he will play in which is fitting as well because

392
00:18:16,200 --> 00:18:17,080
Speaker 2: Rod Labor.

393
00:18:17,400 --> 00:18:19,359
Speaker 5: He loves me. He's not so much respect a lot.

394
00:18:19,400 --> 00:18:22,640
Speaker 2: There's a massive bromance going in there between Roger and Rod.

395
00:18:23,720 --> 00:18:25,640
Speaker 2: So he'll play in the Labour Cup in London later.

396
00:18:25,920 --> 00:18:29,200
Speaker 2: But just a remarkable career. Twenty Grand Slam win six

397
00:18:29,240 --> 00:18:32,160
Speaker 2: of those, the Aussie opens, played until he was forty one,

398
00:18:32,560 --> 00:18:34,760
Speaker 2: and he was world number one for two hundred and

399
00:18:34,880 --> 00:18:36,760
Speaker 2: thirty seven weeks in a row at one point. Wow,

400
00:18:37,280 --> 00:18:39,600
Speaker 2: it's clearly a record no one's ever done. He was

401
00:18:40,200 --> 00:18:42,720
Speaker 2: just a really nice guy. I've got to interview him once.

402
00:18:43,119 --> 00:18:45,199
Speaker 2: I'd say, I think I'd put him up there as

403
00:18:45,200 --> 00:18:46,800
Speaker 2: the most famous person I've interviewed.

404
00:18:47,280 --> 00:18:47,920
Speaker 5: He's the real deal.

405
00:18:48,280 --> 00:18:51,399
Speaker 2: Yeah, he's absolutely the real deal, really nice guy, humble

406
00:18:51,480 --> 00:18:53,080
Speaker 2: and just an amazing tennis Anything.

407
00:18:52,960 --> 00:18:55,560
Speaker 5: Rod Labor is anywhere near him, he will cry. Yeah,

408
00:18:55,640 --> 00:18:56,959
Speaker 5: you know, he's an emotional man.

409
00:18:57,000 --> 00:18:59,399
Speaker 2: It's great when you see like people like Roger Federer,

410
00:18:59,480 --> 00:19:02,480
Speaker 2: even fan girling, because it makes you feel normal for

411
00:19:02,520 --> 00:19:05,960
Speaker 2: fangirl Roger, I love it.

412
00:19:06,119 --> 00:19:07,760
Speaker 6: Good luck to him. I hope you had some good time.

413
00:19:07,920 --> 00:19:09,080
Speaker 2: Yeah, that's it.

414
00:19:09,200 --> 00:19:11,440
Speaker 5: On the way out, is it good exit meeting or

415
00:19:11,480 --> 00:19:12,119
Speaker 5: what's going on there?

416
00:19:12,280 --> 00:19:14,680
Speaker 2: I don't think he gets one. He takes his little

417
00:19:14,720 --> 00:19:16,920
Speaker 2: bag of trophies out of the exit meeting.

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00:19:17,040 --> 00:19:19,560
Speaker 5: Well, you have got possibly the biggest week in your year.

419
00:19:20,320 --> 00:19:22,200
Speaker 2: I've been Melbourne from Sunday. We'll see how we go.

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00:19:22,320 --> 00:19:22,720
Speaker 6: I enjoy.

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00:19:23,000 --> 00:19:23,800
Speaker 5: Yeah, it takes guys.

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00:19:25,840 --> 00:19:28,240
Speaker 2: More Lisa, more podcasts soon.

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Speaker 5: John in the good morning right now, good morning.

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00:19:34,040 --> 00:19:35,760
Speaker 6: I could talk old words with you all day.

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00:19:35,880 --> 00:19:36,800
Speaker 7: Yeah, we were just talking.

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00:19:37,200 --> 00:19:39,800
Speaker 1: Yeah, old words of the business aren't flouncing. We were

427
00:19:40,200 --> 00:19:46,960
Speaker 1: to flouncing and sauntering Dave. Dave Kallen says that ghastly, ghastly, ghastly, great,

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00:19:47,000 --> 00:19:52,160
Speaker 1: ghastly is a good fun word, ghastly, rascal like rascal,

429
00:19:54,440 --> 00:19:59,600
Speaker 1: Yeah sah. Dave Callen says, perhaps he sauntered in will

430
00:19:59,680 --> 00:20:02,040
Speaker 1: saun are about like cops.

431
00:20:01,840 --> 00:20:02,359
Speaker 2: Of the walk?

432
00:20:02,680 --> 00:20:05,440
Speaker 7: He says, like the cock, like the cock of the walk.

433
00:20:05,760 --> 00:20:06,960
Speaker 5: Yes, because it should be.

434
00:20:08,560 --> 00:20:10,200
Speaker 2: Yes, yeah, yeah, yeah.

435
00:20:10,200 --> 00:20:12,040
Speaker 7: I think it's in the rooster sense.

436
00:20:13,600 --> 00:20:17,400
Speaker 1: Otherwise I wouldn't have blurted attack blurted is also moving

437
00:20:17,480 --> 00:20:18,120
Speaker 1: on to blurted.

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00:20:18,200 --> 00:20:21,720
Speaker 5: Now we've got all the cocks in the ro John, we.

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00:20:21,760 --> 00:20:22,400
Speaker 6: Missed your last.

440
00:20:22,960 --> 00:20:28,879
Speaker 1: Yes, I last week saw an advert for a movie

441
00:20:29,080 --> 00:20:30,960
Speaker 1: that appears to be coming out, might already be out

442
00:20:31,000 --> 00:20:33,040
Speaker 1: by now. I come to these things quite late, but

443
00:20:33,119 --> 00:20:37,320
Speaker 1: it appears to be about a lady who finds a

444
00:20:37,520 --> 00:20:43,080
Speaker 1: genie who is, yes, who is? And they nearly messaged

445
00:20:43,119 --> 00:20:47,680
Speaker 1: you and said, have you by any chance written and

446
00:20:48,000 --> 00:20:50,760
Speaker 1: cast a movie? Like?

447
00:20:50,920 --> 00:20:52,399
Speaker 7: Oh yeah, you would put yourself in it?

448
00:20:52,520 --> 00:20:53,480
Speaker 6: I was going to rub that.

449
00:20:53,960 --> 00:20:57,560
Speaker 7: That's perfect, isn't it? What a genie?

450
00:20:57,680 --> 00:21:03,000
Speaker 1: Buttlene you you could, you'd get any genie and you go,

451
00:21:03,520 --> 00:21:04,520
Speaker 1: my first wish.

452
00:21:05,960 --> 00:21:09,040
Speaker 7: You that's true, that's good. What would you?

453
00:21:09,160 --> 00:21:10,600
Speaker 1: What would you have if you were going to cast

454
00:21:10,640 --> 00:21:15,119
Speaker 1: a perfect movie for you crazy Genie?

455
00:21:15,200 --> 00:21:16,200
Speaker 5: As I dream of Genie?

456
00:21:16,359 --> 00:21:18,359
Speaker 7: Oh yeah, oh yeah, yeah, Geenie, that was Genie.

457
00:21:18,359 --> 00:21:19,280
Speaker 5: Do you know I think i'd do.

458
00:21:20,119 --> 00:21:22,760
Speaker 1: I'd do Billy Connolly as Jesus Christ. May I reckon

459
00:21:22,800 --> 00:21:27,080
Speaker 1: that'd be a wicked yeah. Place it o the pooring spirits,

460
00:21:27,280 --> 00:21:33,520
Speaker 1: you know, Heaven forgive them a perfect he mix it

461
00:21:33,600 --> 00:21:34,520
Speaker 1: all up a little bit.

462
00:21:35,040 --> 00:21:37,160
Speaker 7: I saw I saw last week as well.

463
00:21:37,160 --> 00:21:39,880
Speaker 1: I did a gig sometimes I was talking about tattoos

464
00:21:39,920 --> 00:21:43,399
Speaker 1: on on stage and often I'll ask to see if

465
00:21:43,640 --> 00:21:45,679
Speaker 1: just what sort of stories come on? If anybody's got

466
00:21:45,720 --> 00:21:48,480
Speaker 1: any rubbish tattoos, because we're in Perth and quite often

467
00:21:48,560 --> 00:21:50,200
Speaker 1: they are are someome well.

468
00:21:50,200 --> 00:21:51,840
Speaker 7: Well it's a thing especially.

469
00:21:52,960 --> 00:21:55,920
Speaker 1: I've seen them all me because during the mining boom

470
00:21:56,440 --> 00:21:58,560
Speaker 1: there were a lot of young lads with more money

471
00:21:58,600 --> 00:21:59,080
Speaker 1: than sense.

472
00:21:59,400 --> 00:22:01,040
Speaker 5: Yes, do you know what I mean?

473
00:22:01,119 --> 00:22:01,840
Speaker 7: So you got them.

474
00:22:01,960 --> 00:22:05,119
Speaker 6: There's a lot of questionnaires something pulling off period.

475
00:22:05,200 --> 00:22:09,280
Speaker 1: You'd always get lads called Dameo or Brodie like coming

476
00:22:09,320 --> 00:22:11,600
Speaker 1: off the mines with their rats tails and their mullets,

477
00:22:11,640 --> 00:22:14,040
Speaker 1: you know, and they turn up and they thought they

478
00:22:14,080 --> 00:22:16,280
Speaker 1: were hilarious. They were all getting the mustache tattooed on

479
00:22:16,320 --> 00:22:18,000
Speaker 1: the inside of their finger. Do you remember that one?

480
00:22:18,480 --> 00:22:23,680
Speaker 7: Did you never see it? I thought they were the

481
00:22:23,720 --> 00:22:24,920
Speaker 7: first guy to ever do it.

482
00:22:25,040 --> 00:22:25,800
Speaker 6: I've never heard of it.

483
00:22:25,960 --> 00:22:27,880
Speaker 7: But there were another one.

484
00:22:27,920 --> 00:22:30,680
Speaker 1: Another big one around that time was the words your

485
00:22:30,880 --> 00:22:34,680
Speaker 1: name and they'd get it on their bomb name. That

486
00:22:34,800 --> 00:22:36,880
Speaker 1: was That was their party trick. That was the joke

487
00:22:37,040 --> 00:22:41,320
Speaker 1: in north Bridge and then they'd be telling people hold

488
00:22:41,400 --> 00:22:45,320
Speaker 1: their finger up, yeah, the mustache.

489
00:22:44,920 --> 00:22:46,960
Speaker 5: On the bomb dono.

490
00:22:50,240 --> 00:22:50,680
Speaker 2: I don't.

491
00:22:51,560 --> 00:22:55,360
Speaker 1: I can't help myself, mate. I'll knock an impractical tak back,

492
00:22:55,440 --> 00:22:58,200
Speaker 1: but a silly tattoo on, very very fond in fact,

493
00:22:58,240 --> 00:23:00,520
Speaker 1: if you see me Instagram. Recently a good friend of mine,

494
00:23:00,600 --> 00:23:05,520
Speaker 1: Cam has got a tattoo of Russell Crow. I just

495
00:23:05,600 --> 00:23:07,920
Speaker 1: did did you say it an actual crow but with

496
00:23:08,040 --> 00:23:11,800
Speaker 1: Russell Crow's Oh yeah, it's from very good Yeah, it's

497
00:23:11,840 --> 00:23:12,879
Speaker 1: from It's from a line in.

498
00:23:12,880 --> 00:23:14,920
Speaker 7: One of my show because it's like my worst, most

499
00:23:15,000 --> 00:23:17,159
Speaker 7: cringing joke. But he loves it. So we got it,

500
00:23:17,560 --> 00:23:18,600
Speaker 7: and it's a birthday present.

501
00:23:18,680 --> 00:23:20,040
Speaker 5: Fine. They could have got John Hughes.

502
00:23:20,520 --> 00:23:24,439
Speaker 1: Yeah, hey, I heard that John Hughs has heard by

503
00:23:24,520 --> 00:23:27,680
Speaker 1: John Hughes bit and he liked it. They played it

504
00:23:27,760 --> 00:23:32,800
Speaker 1: in an office meeting. Yeah, yeah, that's that's my that's

505
00:23:32,840 --> 00:23:34,680
Speaker 1: a little claim to fame for me. I feel pleased

506
00:23:34,680 --> 00:23:35,000
Speaker 1: about that.

507
00:23:35,040 --> 00:23:36,840
Speaker 5: I'd be telling people on the lot that he bumps

508
00:23:36,880 --> 00:23:37,680
Speaker 5: into all those customers.

509
00:23:37,840 --> 00:23:38,560
Speaker 7: Yeah yeah, yeah.

510
00:23:39,240 --> 00:23:42,240
Speaker 1: So I'm at this gig doing my thing, asking if

511
00:23:42,240 --> 00:23:45,440
Speaker 1: anybody's got any rubbish tattoos, and this one, it was

512
00:23:45,480 --> 00:23:47,920
Speaker 1: the most beautifully ironic story.

513
00:23:48,119 --> 00:23:48,639
Speaker 7: I loved it.

514
00:23:49,640 --> 00:23:51,679
Speaker 1: She goes, I've this. Lady goes, I've got one. It's

515
00:23:51,720 --> 00:23:54,760
Speaker 1: a spelling mistake, okay, And I was like, oh, excellent,

516
00:23:54,800 --> 00:23:56,320
Speaker 1: I love these. I said, is it is it a

517
00:23:56,480 --> 00:23:59,680
Speaker 1: name or like a sentence or something? She goes, it's

518
00:23:59,680 --> 00:24:02,639
Speaker 1: a quote, And I was even better. So what's the

519
00:24:02,800 --> 00:24:07,680
Speaker 1: quote with the spelling mistake in its because it's no expectations,

520
00:24:08,000 --> 00:24:09,080
Speaker 1: no disappointments.

521
00:24:09,880 --> 00:24:10,800
Speaker 2: I know, I know.

522
00:24:11,240 --> 00:24:14,560
Speaker 7: Is that not alarmist morisset level ironic?

523
00:24:15,000 --> 00:24:21,080
Speaker 3: Well no, but it's properly iron Actually, yeah, wow, isn't

524
00:24:21,119 --> 00:24:22,719
Speaker 3: that mistake disappointment?

525
00:24:23,119 --> 00:24:28,640
Speaker 7: It's I think that I am the wrong way around.

526
00:24:28,720 --> 00:24:33,880
Speaker 1: So instead of disappointments, its disappearintments, disappearment.

527
00:24:34,640 --> 00:24:38,560
Speaker 7: It's like French, it's a little bit of disap regret,

528
00:24:40,119 --> 00:24:46,440
Speaker 7: just disapp Isn't that excellent? Because what do you do

529
00:24:46,560 --> 00:24:48,840
Speaker 7: with that? Yeah? No regreds it's like but it's like

530
00:24:48,960 --> 00:24:50,159
Speaker 7: the real life version.

531
00:24:50,440 --> 00:24:52,639
Speaker 1: Do you want like a flower in the middle of

532
00:24:53,280 --> 00:24:55,800
Speaker 1: you go back to the geezer and you go, excuse me,

533
00:24:56,000 --> 00:24:59,280
Speaker 1: this is spelled like, well, what do you just point

534
00:24:59,320 --> 00:25:00,760
Speaker 1: out forever? Yeah?

535
00:25:01,160 --> 00:25:03,080
Speaker 5: Does that become a should have.

536
00:25:03,160 --> 00:25:08,400
Speaker 1: Expected it and you wouldn't have been disappointed for Yeah,

537
00:25:08,440 --> 00:25:09,960
Speaker 1: that's great, never so pleased with it?

538
00:25:10,440 --> 00:25:12,359
Speaker 5: Did she show it to you or just tell you?

539
00:25:12,680 --> 00:25:14,560
Speaker 1: Now, she was in the distance and the lights were

540
00:25:14,600 --> 00:25:16,440
Speaker 1: in my eyes. She wouldn't have been able to. But

541
00:25:16,640 --> 00:25:21,000
Speaker 1: for the first time I've I've exploited her what's the

542
00:25:21,040 --> 00:25:22,600
Speaker 1: word misfortune?

543
00:25:22,760 --> 00:25:23,280
Speaker 5: Disappointment?

544
00:25:23,400 --> 00:25:27,760
Speaker 7: For other people's entertainment and hello to her if she's listening.

545
00:25:28,600 --> 00:25:29,360
Speaker 5: John, what have you saying?

546
00:25:29,359 --> 00:25:30,000
Speaker 2: What's right?

547
00:25:30,280 --> 00:25:33,080
Speaker 1: I've been thinking about my mortality, you know, I'm like

548
00:25:34,320 --> 00:25:36,280
Speaker 1: my mind wanders No, I tell you why it is.

549
00:25:36,800 --> 00:25:40,760
Speaker 1: It's possibly to do with the queen's passing. I think, God,

550
00:25:41,040 --> 00:25:45,400
Speaker 1: it was ninety six, John. Yeah, No, I'm not fearful

551
00:25:45,440 --> 00:25:48,320
Speaker 1: about it. But I was thinking about, you know, funerals

552
00:25:48,359 --> 00:25:50,399
Speaker 1: and all that sort of stuff, and I guess, you

553
00:25:50,480 --> 00:25:53,040
Speaker 1: know the barred her Minehoff phenomenon. Something happens and then

554
00:25:53,040 --> 00:25:54,200
Speaker 1: you start seeing it everywhere.

555
00:25:54,400 --> 00:25:56,320
Speaker 5: Yeah, this is our friend, John overthinker.

556
00:25:57,560 --> 00:25:58,000
Speaker 7: That's right.

557
00:25:58,359 --> 00:26:01,320
Speaker 1: I noticed that there's a quite a lot of funeral

558
00:26:01,400 --> 00:26:06,000
Speaker 1: services about the place. They're always in industrial areas. If

559
00:26:06,040 --> 00:26:09,200
Speaker 1: you notice that there's like Malaga or when like places

560
00:26:09,359 --> 00:26:15,040
Speaker 1: like that and their whole which funeral funeral services services.

561
00:26:14,880 --> 00:26:18,199
Speaker 7: Like where you would go to ferize the funeral. I'm

562
00:26:18,240 --> 00:26:20,080
Speaker 7: not suggesting that funeral home.

563
00:26:21,119 --> 00:26:23,680
Speaker 1: Is that what it's called funeral home with the businesses

564
00:26:23,800 --> 00:26:25,080
Speaker 1: services right?

565
00:26:25,200 --> 00:26:31,800
Speaker 3: Happening on the day, right, Yeah, yeah, yeah, funeral home

566
00:26:32,960 --> 00:26:34,080
Speaker 3: time just coming to the way.

567
00:26:36,680 --> 00:26:39,080
Speaker 7: When they wake up, right. I didn't know it's called the.

568
00:26:39,080 --> 00:26:41,200
Speaker 6: Funeral Yeah, but you're right, there are they're all like,

569
00:26:41,520 --> 00:26:42,280
Speaker 6: it seems.

570
00:26:42,000 --> 00:26:44,239
Speaker 1: Strange to me, there's a lot of them. I mean

571
00:26:44,800 --> 00:26:46,800
Speaker 1: it's a fairly popular thing, death as well in it,

572
00:26:47,800 --> 00:26:48,879
Speaker 1: like everyone's.

573
00:26:48,680 --> 00:26:49,320
Speaker 5: Really big business.

574
00:26:49,520 --> 00:26:52,119
Speaker 1: Yeah yeah, yeah, but it's it's always strikes me as

575
00:26:52,119 --> 00:26:54,960
Speaker 1: strange that they're always in. It just feels not the

576
00:26:55,080 --> 00:26:58,400
Speaker 1: right place a woman. It should be in a place

577
00:26:58,480 --> 00:27:00,399
Speaker 1: where there are I don't know in this you know

578
00:27:00,440 --> 00:27:02,080
Speaker 1: where you'd put a fancy jeweler.

579
00:27:01,880 --> 00:27:02,600
Speaker 7: Or something like that.

580
00:27:05,600 --> 00:27:08,960
Speaker 6: Somewhere, Yeah, clanging plan.

581
00:27:09,119 --> 00:27:11,119
Speaker 1: You're trying to plan a funeral and like there's a

582
00:27:11,160 --> 00:27:13,600
Speaker 1: Geezer stood out the front in a luminous yellow T

583
00:27:13,720 --> 00:27:17,000
Speaker 1: shirt knocking on a curry pie. So you think about

584
00:27:17,040 --> 00:27:23,280
Speaker 1: blowing dorry smoke. I'm just trying to bury my ground.

585
00:27:26,240 --> 00:27:27,959
Speaker 1: It just seems a strange way. And the other thing

586
00:27:28,000 --> 00:27:32,359
Speaker 1: that I not is their marketing ploy right for for around,

587
00:27:32,400 --> 00:27:34,800
Speaker 1: they do it a lot of places marketing things is

588
00:27:35,200 --> 00:27:37,320
Speaker 1: this is cheap, we've got the best prices, or we've

589
00:27:37,320 --> 00:27:39,840
Speaker 1: got the most luxury things we've got. And you would

590
00:27:39,840 --> 00:27:42,480
Speaker 1: think that funerals would be like give them the send

591
00:27:42,520 --> 00:27:45,719
Speaker 1: off they really desert, but they're not. Their whole marketing

592
00:27:45,760 --> 00:27:49,400
Speaker 1: thing is simplicity. It's like it's simple. It's like they're

593
00:27:49,400 --> 00:27:52,960
Speaker 1: all called things like simplicity, funerals or just funeral like,

594
00:27:53,119 --> 00:27:56,359
Speaker 1: and the whole marketing thing is just be dead simple.

595
00:27:56,840 --> 00:27:57,119
Speaker 2: It'll be.

596
00:27:57,520 --> 00:28:01,359
Speaker 1: It's just a gray room with a cardboard box in

597
00:28:01,400 --> 00:28:03,400
Speaker 1: the middle. We just we just bang them in there.

598
00:28:04,400 --> 00:28:06,440
Speaker 1: We don't even think about it. Ten minutes, you're in

599
00:28:06,560 --> 00:28:08,840
Speaker 1: and out. Don't worry about quickly like that. And it's

600
00:28:08,840 --> 00:28:13,480
Speaker 1: almost like they're competing for simplicity, easy, breezy funeral like.

601
00:28:13,680 --> 00:28:15,840
Speaker 7: Do you know what I mean. It's a strange thing.

602
00:28:15,960 --> 00:28:17,200
Speaker 7: You never see a funeral place.

603
00:28:17,320 --> 00:28:21,080
Speaker 6: It's like you a huge bill for that simple, cut simple.

604
00:28:23,119 --> 00:28:26,040
Speaker 1: I couldn't figure out why it is. And then it

605
00:28:26,200 --> 00:28:31,560
Speaker 1: dawned on me because of old people lying what so

606
00:28:31,720 --> 00:28:34,560
Speaker 1: you know, in their wishes. Old people will always tell

607
00:28:34,600 --> 00:28:35,400
Speaker 1: you they don't.

608
00:28:35,160 --> 00:28:35,920
Speaker 7: Want any fuss.

609
00:28:36,200 --> 00:28:40,080
Speaker 1: Ye used to say any old people. Ever, I don't

610
00:28:40,120 --> 00:28:43,800
Speaker 1: want a fuss. I don't worry about putting on a

611
00:28:43,840 --> 00:28:47,720
Speaker 1: big procession for me. Just roll me affectionately down a

612
00:28:47,800 --> 00:28:51,440
Speaker 1: hill into a babbling stream. I'll be fine, don't worry.

613
00:28:51,440 --> 00:28:53,880
Speaker 1: I don't want a big fu And of course you do, though,

614
00:28:53,920 --> 00:28:54,680
Speaker 1: don't you want to.

615
00:28:55,280 --> 00:28:57,560
Speaker 6: In their minds, the opportunity for a big yeah.

616
00:28:57,600 --> 00:28:59,880
Speaker 1: Yeah, in your head, you'd be thinking they're best horses.

617
00:29:01,960 --> 00:29:05,800
Speaker 1: I want a gold carriage. I want the whole balloons, blimps,

618
00:29:06,360 --> 00:29:09,760
Speaker 1: blimp yeah, fighter jets, I want the whole lot. Mate,

619
00:29:09,880 --> 00:29:12,120
Speaker 1: never mind pushing it. But they don't say it that.

620
00:29:12,240 --> 00:29:14,240
Speaker 1: I just put me, put me in the risk, ycle

621
00:29:14,280 --> 00:29:17,000
Speaker 1: in sweet, I'll be fine. Do you know what made

622
00:29:17,640 --> 00:29:18,400
Speaker 1: I think that's?

623
00:29:18,520 --> 00:29:18,720
Speaker 5: Yeah?

624
00:29:19,440 --> 00:29:21,080
Speaker 7: The funeral companies homes.

625
00:29:21,160 --> 00:29:23,560
Speaker 1: If you will have cashed in on that, they've gone

626
00:29:23,560 --> 00:29:25,320
Speaker 1: all right, you want it simple, you will make it.

627
00:29:27,040 --> 00:29:29,000
Speaker 7: Yeah, we'll just put in a cannon roll you away.

628
00:29:30,560 --> 00:29:31,080
Speaker 7: What I think?

629
00:29:32,040 --> 00:29:34,040
Speaker 6: Okay, Well there's something to go on with.

630
00:29:36,400 --> 00:29:36,440
Speaker 1: You.

631
00:29:36,560 --> 00:29:37,640
Speaker 2: Look at me so perplexed.

632
00:29:37,680 --> 00:29:39,000
Speaker 7: You have a look at funeral arms.

633
00:29:39,160 --> 00:29:40,920
Speaker 5: I'm telling you suburbs.

634
00:29:41,040 --> 00:29:43,440
Speaker 4: Yeah, and your business family trying to buy a casket,

635
00:29:43,760 --> 00:29:45,400
Speaker 4: the casket and there's a mechanic next door.

636
00:29:45,480 --> 00:29:47,840
Speaker 1: Yeah, you're what I'm saying. I'm laying the groundwork for

637
00:29:48,360 --> 00:29:50,480
Speaker 1: if I go make a big fuss. You want to

638
00:29:50,920 --> 00:29:54,400
Speaker 1: I want to dragon, I want everything parade cheery. Note

639
00:29:55,680 --> 00:29:57,600
Speaker 1: you want to think about these things? I'm getting on

640
00:29:57,720 --> 00:30:00,400
Speaker 1: now me, Sean, I pulled my on here theyre doing

641
00:30:00,440 --> 00:30:03,080
Speaker 1: a one too, but oh did you that's not goods.

642
00:30:03,080 --> 00:30:05,400
Speaker 7: The most basic of movements had.

643
00:30:05,360 --> 00:30:05,680
Speaker 1: To go on.

644
00:30:05,880 --> 00:30:07,920
Speaker 5: You'll get the top notch basket. I don't worry I

645
00:30:08,320 --> 00:30:09,120
Speaker 5: have anything to do with it.

646
00:30:09,400 --> 00:30:11,960
Speaker 7: Thank you, John Friday, have a good Friday.

647
00:30:12,480 --> 00:30:14,800
Speaker 5: John, Pinda, don't die before next Friday. We want to laugh.

648
00:30:15,280 --> 00:30:17,959
Speaker 5: Ninety six AFM Crazzie and Lisa