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Speaker 1: The Will and Woody Podcast.

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Speaker 2: I'm gonna heard the soft drinker.

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Speaker 3: Darcy No, Darcy no, Darcy.

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Speaker 4: Alrighty first cab off the rank saiday, Will, but we've

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Speaker 4: got Jemma.

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Speaker 5: Hello, jem Hello, how are you going?

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Speaker 1: Really good? Thank you? Really good? You know the rules.

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Speaker 4: If you break the record and get sixteen cans in

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Speaker 4: a row, you get ten thousand dollars.

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Speaker 1: It starts with can one though, one can of the time. Jemma,

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Speaker 1: here we go.

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Speaker 5: All right, Oh all right, that's beer.

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Speaker 1: Nice, jem really solid, really solid. I heard a little

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Speaker 1: bit of uncertainty in your voice. Jemmy.

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Speaker 5: Sure, but I'm feeling good now.

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Speaker 1: Okay, good, got your eye in or you're hearing he

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Speaker 1: can't too?

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Speaker 2: Soft drink?

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Speaker 3: Bang bang?

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Speaker 1: That was certainty, Jim. Let's go one more and then

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Speaker 1: we'll get to know you a little bit. Here's cana.

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Speaker 4: Oh here, sorry, Jim.

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Speaker 1: Sorry, I did want to get to know you, Jim,

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Speaker 1: but I'm sorry that was soft drink. Thanks for applying.

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Speaker 1: Let's go to Britt, Brittany you ready to go?

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Speaker 6: All right?

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Speaker 3: Great?

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Speaker 1: He can one?

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Speaker 5: Yeah?

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Speaker 1: Sorry Brett.

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Speaker 4: Sorry Britt, but I hate to honk my own horn

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Speaker 4: or toot my own trumpet here.

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Speaker 1: But it was a perfect crack.

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Speaker 3: Your cracking has been actually excellent. I've got to say

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Speaker 3: that must.

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Speaker 4: Be said, thank you. Well, it doesn't have to be said,

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Speaker 4: but it's nice that it was said.

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Speaker 3: No, it does, because normally it's awful, so good to

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Speaker 3: point out.

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Speaker 1: Fair enough.

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Speaker 4: All right, we got Sharon here, Shads, you want to

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Speaker 4: win ten thousand dollars, you got to get sixteen in

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Speaker 4: a row.

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Speaker 1: Do you play the game in your car every week.

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Speaker 7: All the time?

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Speaker 3: I decided? Beer nicely good, Shad, clean, crisp beers one

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Speaker 3: down his canto Shads.

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Speaker 8: Beer again, very sorry, thanks for playing.

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Speaker 3: It's nice to meet you.

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Speaker 1: Sound like a bit of a flat soft drink. If

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Speaker 1: I'm being honest.

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Speaker 3: I thought the crack was solid, the.

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Speaker 1: Crack was good, the crack was good. I thought it

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Speaker 1: was a bit of a here we go. It was

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Speaker 1: a flat softing.

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Speaker 3: Good work never blames his tools, that's fair, and I'm

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Speaker 3: not a good workman.

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Speaker 6: Frankie.

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Speaker 3: We're going to go to Frankie right now. Okay, let's get.

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Speaker 1: Let's start with Frankie. Start with Frankie. Frankie. You're good

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Speaker 1: to go. I'm good, Frankie.

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Speaker 4: I'm about to make you a whole lot better by

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Speaker 4: cracking you some cans.

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Speaker 6: He's number one.

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Speaker 4: Sorry, Frank, Sorry Frank, I heard you, Frank, I heard

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Speaker 4: your Frank.

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Speaker 1: We started, well, we're in a bit of a cold

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Speaker 1: snap Australia. Let's go to Angela.

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Speaker 4: Here, Angela, you've had some time to breathe, to calm down. Alright, Angela,

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Speaker 4: here we go. He's getting one beer nice for you

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Speaker 4: and for you away we're away.

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Speaker 1: Let's go can number two and your account.

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Speaker 7: Oh, oh soft drink nice.

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Speaker 4: And you have to deal with the fact that I

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Speaker 4: did I hit can on mic and that may have

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Speaker 4: those those.

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Speaker 5: Soft drinks distorted a little bit.

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Speaker 1: And that's my bad. Ange. I'll put my hand out.

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Speaker 1: I can on mic.

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Speaker 3: They're exploding those softies at the moment. They've been vacuum packed. Yeah,

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Speaker 3: they probably have anyway.

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Speaker 1: And you're on two cans. You're feeling good. Let's get

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Speaker 1: you to three, shall we Here we.

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Speaker 8: Go, oh.

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Speaker 4: Soft drink and you go, and you've got three cans.

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Speaker 1: I reckon. You deserve a bit of a bit of.

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Speaker 2: A chat coming through when it's sleeping.

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Speaker 5: At the same time.

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Speaker 1: Just hang, who's calling? Who's calling?

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Speaker 8: Edge?

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Speaker 7: I don't know, I don't really want to look.

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Speaker 9: I'm concentrating on.

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Speaker 1: The conferences in We'll tell them to piss off conference conference.

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Speaker 3: We'll tell them you've gone.

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Speaker 4: Now you've got if they call back again, conference me

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Speaker 4: in all that, and we'll let them know they're live

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Speaker 4: on radio and to piss off.

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Speaker 1: All right, and it's going to can for Here.

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Speaker 8: We go.

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Speaker 3: Beah bang angela, angela, angela. Gee whiz what are we

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Speaker 3: going to do with angel How many she needs? Sixteen

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Speaker 3: ten grand? Is that right? Woods, that's the exurcent equation.

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Speaker 1: We better keep moving.

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Speaker 3: I think we should you get through. I love this

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Speaker 3: feeling a player on the hook.

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Speaker 1: It been it's been a while, it has been a while.

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Speaker 1: It feels good, feels good, brings it to life. Here

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Speaker 1: we go can.

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Speaker 3: Fife beer Ah, we most sorry.

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Speaker 1: We definitely do with us Sorry and.

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Speaker 3: And we loved you though, so you're gonna have a

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Speaker 3: double pass to regretting you. Yeah, which a little movie

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Speaker 3: that's out and about right now. Experience a second chance

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Speaker 3: at love Regretting you in cinemas October twenty three.

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Speaker 8: Hoover will thank you so much, Thank you.

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Speaker 1: No worries, And Colleen who a book.

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Speaker 3: Sorry, reading you're talking movies back gams mate, Yes, my

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Speaker 3: comprehensive review of Life of a show Girl Taylor Swifts album,

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Speaker 3: and he's just around the corner Woods before we get

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Speaker 3: to that though, Worth mean the Woods and I are

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Speaker 3: both expecting Woods firmly, and the drop zine we're about

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Speaker 3: twenty five weeks, so.

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Speaker 4: We're not quite there yet, Worth mentioning we like to

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Speaker 4: do these things together as best mates.

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Speaker 1: It only makes sense that we sync that up as well.

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Speaker 3: The deal, that's the deal. So my partner Sem is

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Speaker 3: not accepting any of my proposed baby names, and.

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Speaker 1: It's hard for me to hear.

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Speaker 4: Like for Mim and I, it was a very collaborative

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Speaker 4: process where you know, we pitched names at each other.

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Speaker 4: We were both very respectful that were pitched most couples,

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Speaker 4: it is for us, it's not it adds hard to hear.

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Speaker 3: It's really hard to hear, and you know, like any

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Speaker 3: mature adult, my response has been to antagonize her. Yeah,

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Speaker 3: So henceforth, probably four or five times a day now,

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Speaker 3: I just pitched really rogue, really bad names, but genuinely though. So, Yeah,

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Speaker 3: we haven't had a serious conversation about baby names in

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Speaker 3: a long time. If you missed any ever have listened

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Speaker 3: Randy Randy Pegasus for el that can be Peggy. I

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Speaker 3: like Peggy's fact danker. What do you think about Herbie?

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Speaker 3: You get one?

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Speaker 10: You get one?

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Speaker 3: Good Emperor Hockey, you might have found it.

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Speaker 1: There we go one more.

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Speaker 3: God, how's she feeling about all of this? Because we

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Speaker 3: have a bit as well, come a bit as well.

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Speaker 3: Like everyone's enjoying it. A number of people say to me,

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Speaker 3: by the way, loving that bit where you're pissing off

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Speaker 3: your partner, which I'd like to say, I'm putting my

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Speaker 3: body on the line here. She's twenty five weeks pregnant.

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Speaker 3: This is not a nice thing to do, but it

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Speaker 3: is entertaining. Yeah, and we carry on. Yeah, I appreciate it.

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Speaker 3: I'm glad that's what it's all about.

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Speaker 1: To call her again.

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Speaker 4: She did say yesterday she's just not going to answer

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Speaker 4: your calls anymore. See what happens to you the best bit?

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Speaker 7: Oh my god, I was just about to call you.

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Speaker 3: Oh you're okay.

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Speaker 7: Yeah, I just got off the phone with me, And

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Speaker 7: she seems it's like sort of starting, but she doesn't

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Speaker 7: want to worry Woody yet, so she's like can you

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Speaker 7: please call Will so that if you think Michelle's already

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Speaker 7: over there or is coming. I didn't quite understand that bit.

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Speaker 4: I'm in the I'm in the studio with Woody now.

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Speaker 4: So it's obviously a convincing performance. It's a convincing performance.

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Speaker 4: She would call me.

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Speaker 1: She would call me.

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Speaker 3: Wow, you tried to flip it, saim, well done. Now,

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Speaker 3: I wasn't a part of that. That's none of the

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Speaker 3: producers were either. Woll Wait, well done.

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Speaker 7: I know you were. Baby names, well done.

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Speaker 3: That was really good. And I think it's something that

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Speaker 3: our little baby's staying. It will probably love in the future.

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Speaker 3: Little stain, little ship stain.

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Speaker 7: Wait, how do we spell that?

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Speaker 3: S T A I N probably what about SG? Like t?

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Speaker 3: All right?

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Speaker 5: Nice?

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Speaker 3: Good for you, very good of all the names he's

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Speaker 3: in that's huge. All right, great, I'll lock it in.

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Speaker 3: Mornay birthplays.

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Speaker 10: I've got a list. I'm going to list.

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Speaker 3: You're trying to come at me. No, this is there's

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Speaker 3: not other bit works.

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Speaker 11: Mornay really reality bringing you back to.

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Speaker 7: Rhythm.

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Speaker 3: Shut up.

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Speaker 1: I like this.

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Speaker 4: I think this is what this is. Next week it's

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Speaker 4: just Sam pitching baby namester well.

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Speaker 12: Very well, Wow, Wow, she's done it.

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Speaker 3: Very good.

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Speaker 13: Gain daydream to be going to the library and thinking

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Speaker 13: of names all weekend, would trow.

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Speaker 3: After dissing the Taylor swift record, the Swifties came out

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Speaker 3: in force as they as they tend to do, and

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Speaker 3: they said, well, you can't can it unless you've heard it?

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Speaker 3: And that is fair. Absolutely so I sat in a

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Speaker 3: dark room and an orange Kid dazzled earlier today, Yes,

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Speaker 3: and I listened to the Full Life of a show

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Speaker 3: Girl record cover to cover, back to back, and as promised,

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Speaker 3: I have a review ready to go. And before you

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Speaker 3: get into that interactive review sound bites.

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Speaker 1: Wow, look at that you put the effort in.

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Speaker 3: I have I've done never heard anything in bloody warm.

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Speaker 3: Now before we were scared, we're scared. We're worried like

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Speaker 3: Taylor's We know Taylor's vexatious. She's a vexatious litigant like

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Speaker 3: she should be coming for us. And as I said,

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Speaker 3: even if she doesn't sue us, she could buy the company.

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Speaker 3: She's a billionaire and then just fly us. You to

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Speaker 3: do why you mate, we're a company?

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Speaker 1: You know that is fair? Well, maybe he's up.

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Speaker 3: A little bit, might love it, but I might love it.

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Speaker 3: I gave it, I got it an objective listen.

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Speaker 1: That's true and I trust you on that. Now, before

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Speaker 1: you start your.

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Speaker 4: Twice rehearsed review of Taylor's album, I just want to

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Speaker 4: put it out there. Thirteen one oh six five is

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Speaker 4: the number. Obviously, don't call yet, but when you hear

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Speaker 4: Will's review, would love to hear your thoughts.

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Speaker 3: Yeah cool.

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Speaker 4: If you're a Taylor fan or you've heard the album

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Speaker 4: and you want to comment on what Will said about it,

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Speaker 4: Thirteen one oh sixty five is the number, But why

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Speaker 4: don't you crack in?

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Speaker 3: Okay? Cool? So my review is called can a Billionaire

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Speaker 3: Make art good?

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Speaker 1: Deep question?

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Speaker 3: Great question?

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Speaker 4: Right?

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Speaker 1: Yeah, here we go.

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Speaker 3: The second or multiple album curse is common in music

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Speaker 3: because once you get famous, you lose touch with the

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Speaker 3: magic which made you famous in the first place. At

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Speaker 3: that point, musicians have two options, lean in and sing

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Speaker 3: about their money, or become a reclusive hermit and maintain

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Speaker 3: a thread to who they previously were. But with friendship, bracelets,

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Speaker 3: album announcements on her NFL Boyfriend's podcast, and Disney paywalls,

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Speaker 3: I think we can all agree that Taylor private jettison

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Speaker 3: to herself out of that company a long time ago.

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Speaker 3: Taylor strikes somewhere in the unhappy middle between those two

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Speaker 3: and tries to make her detach reality seemed normal. The

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Speaker 3: result a song about her ex bff Charlie XCX, the

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Speaker 3: misunderstanding of a Shakespearean tragedy, and a song about her

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Speaker 3: boyfriend's penis entire wood. Together they read like subheadings in

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Speaker 3: one of those twenty first speeches read by six different girls.

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Speaker 3: So when our show this week, I was challenged by

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Speaker 3: Swifties to listen to this album because I was dissing

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Speaker 3: it without having listened. Fair cop, I have a crack.

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Speaker 3: I chucked the headphones on. It's a good start Woods.

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Speaker 3: It's unlike her live show. She doesn't start by stating

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Speaker 3: her name and year and burr and year of birth,

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Speaker 3: as if she was appearing for jury Judy. I'll be

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Speaker 3: your host this evening. My name is Taylor. So the

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Speaker 3: first song is called Ophelia, and by the end of

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Speaker 3: the first bar I was reminded of something Beethoven once said,

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Speaker 3: to play a wrong note is insignificant. To play without

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Speaker 3: passion is inexcusable, not to shame whichever year six with

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Speaker 3: garage band and a cassio that Taylor has used for

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Speaker 3: all her production on this record. But with this in mind,

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Speaker 3: it doesn't surprise me that the first song, Ophelia is

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Speaker 3: getting all the heat online, because it's probably as far

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Speaker 3: as most people got. I laugh out loud as just

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Speaker 3: like bill NY's desperate character and love Actually she tries

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Speaker 3: to to squeeze an extra syllable into a line at

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Speaker 3: the beginning of the second verse.

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Speaker 9: Particularly enjoy the incredible crassness of the moment when we

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Speaker 9: try to squeeze an extra syllable into the fourth line.

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Speaker 3: I think you're referring to if you really love Christmas.

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Speaker 9: Come on and let it snow.

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Speaker 3: Her version the eldest daughter of a novel of really

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Speaker 3: living fact, oh pH Evan. Now, repetition in music is beautiful.

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Speaker 3: Now brains adore it. But it has to be varied,

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Speaker 3: It has to be subtle, otherwise it quickly becomes what

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Speaker 3: this is a nursery rhyme. Ironic that for a woman,

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Speaker 3: despite desperate for cultural validity, she wrote a nursery rhyme

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Speaker 3: about the most intricate piece of literature ever. Made a

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Speaker 3: quick search, I assume she hasn't read Hamlet, would have

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Speaker 3: told her that Aphelia is driven mad betwixt extremities of

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Speaker 3: judy and love, and some have argued pregnancy she actually suicides,

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Speaker 3: and this song insists that Taylor was saved from what

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Speaker 3: invalidity by her beefcake boyfriend. I continue surprised that Jack

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Speaker 3: Johnson hasn't been cited as a collaborator because she's borrowed

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Speaker 3: his idea of repeating the same song twelve times.

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Speaker 7: She just won.

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Speaker 3: She's up to her old tricks of layering, and some

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Speaker 3: of the melodies are pretty. She'll never lose that. But

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Speaker 3: I just don't know what I'm listening to. Oh that's right,

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Speaker 3: a haphazard mishmash of half banked ideas jammed together from

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Speaker 3: within the echo chamber of a private jet. I'm suddenly

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Speaker 3: grateful I'm using a work computer so this doesn't poison

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Speaker 3: my Spotify. And that's saying something from a man whose

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Speaker 3: algorithm is is in the Dorothy the Dinosaur's toilet. The

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Speaker 3: dinosaur wow now Adele famously said when asked why she

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Speaker 3: wasn't making any more music, she said, because I'm happy.

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Speaker 3: I've got no inspiration to make anything of worth. Artists

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Speaker 3: have to suffer, They have to reach deep for saking

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Speaker 3: their own sanity and relationships. If they're lucky, some of

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Speaker 3: them might even make enough money to let them keep

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Speaker 3: doing what they love. And that's not everything, by the way,

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Speaker 3: Regardless of money, artists will continue to break themselves on

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Speaker 3: the rock of their passion. Van Goth died broke, having

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Speaker 3: only sold one painting in his whole life. I've got

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Speaker 3: mates who are dads with little kids, still gigging at

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Speaker 3: sticky carpeted pubs until the wee hours of the morning,

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Speaker 3: stretching themselves and their wives just to be back on

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Speaker 3: that hill. But their struggle is what makes the art

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Speaker 3: goodwoods so money ruins art. I don't think a billionaire

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Speaker 3: can make art. There's nothing new there. But that theory

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Speaker 3: was proved when the biggest pop star in the world,

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Speaker 3: for whom money is more of a monopoly prop than

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Speaker 3: a commodity, tried to make a new album. And I

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Speaker 3: think tried is the operative word there. As I write this,

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Speaker 3: my dog is whining so that I can let her

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Speaker 3: out to WI. It reminds me of something. Oh that's right.

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Speaker 3: That was Life of a Showgirl. Twelve tracks, forty minutes

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Speaker 3: of overly cryptic, privileged whining by someone pining for attention.

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Speaker 3: They've lost something my dog can actually relate to since

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Speaker 3: my daughter was born. And I'm not saying that's easy,

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Speaker 3: but maybe as our adoration turns to the Olivia Deans,

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Speaker 3: Billie Eilishes or Lowly Young's of the world. Rather than

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Speaker 3: panicking and farting out this, Pith Taylor could have done

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Speaker 3: what artists are admired for, actually engaging in her feelings

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Speaker 3: and writing a record that portrays them, rather than dissimulating

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Speaker 3: who she is Behind a whitewash of hollow Easter eggs

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Speaker 3: and swag. She found it a costume shop.

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Speaker 1: Oh mercy, I let my dog out.

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Speaker 3: Turns out she need to do a boom and as

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Speaker 3: I pick it up, it also reminds me of the record.

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Speaker 3: That's it.

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Speaker 1: That's that's the complete you've read it.

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Speaker 3: Wow.

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Speaker 4: So I'm gonna say that was the negative review. I

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Speaker 4: don't know if I've misunderstood that, and all I'm going

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Speaker 4: to say.

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Speaker 3: I tried. Let's hear from third I did my best.

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Speaker 1: As we got it wrong.

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Speaker 3: You're a swifty fan. We're here from you?

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Speaker 1: Has he got it wrong? So what is you have

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Speaker 1: to do? That, so she's donate all her money or

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Speaker 1: do that?

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Speaker 3: Bruce Wayne personal and as a business woman, I respect

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Speaker 3: the hell out of her. She made an empire. It's incredible.

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Speaker 3: I just don't think with that much money, being that

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Speaker 3: detached from what life and suffering is, you can actually

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Speaker 3: make any art.

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Speaker 1: Yeah.

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Speaker 3: Wow, aren't you have the lean into that and you

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Speaker 3: do the whole rapper thing or what Ricky Gervais does

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Speaker 3: or what Madonna does, which is like, I'm just I'm

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Speaker 3: worth so much money, Yeah, this is funny, right, Or

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Speaker 3: you go reclusive daft punk. We're helmets for a reason.

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Speaker 3: You don't know who they are. Bob Dylan speak to

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Speaker 3: everyone through his Twitter. Ya lives in a castle. J K.

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Speaker 3: Rowling lives in a castle because they go, if I'm

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Speaker 3: going to make art, I need to be removed from

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Speaker 3: the world.

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Speaker 1: Castle life would be good.

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Speaker 3: I think she's trying to do I think she's trying

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Speaker 3: to do both. Yeah, and I think she tried to

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Speaker 3: make this artist this you know, suffering style record, whereas

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Speaker 3: we just heard Lady Gaga. Right, she just goes, you

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Speaker 3: know what, I'm rich and I'm famous. I'm not going

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Speaker 3: to try and tell you that I'm a suffering person. Yeah, yeah, yeah, I'm.

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Speaker 1: Not going to give you a banger. And that was

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Speaker 1: a banger that we just heard from Lady Gaga. Will

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Speaker 1: did like that one.

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Speaker 3: I love.

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Speaker 4: But so we've opened up the phone lines for you

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Speaker 4: guys now thirteen one oh sixty five, just as you know,

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Speaker 4: an opportunity to respond to Will's review of Taylor Swift's

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Speaker 4: new album Life of a Show Girl.

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Speaker 3: Got Lily here. Hi Lily, Hi, Hi Lily. How old

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Speaker 3: are you?

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Speaker 2: I'm fifteen.

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Speaker 3: Good good to know.

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Speaker 4: Thanks for calling, Lily, appreciate your calling. What were your

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Speaker 4: thoughts on Will's review?

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Speaker 3: I think that.

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Speaker 2: Will is full of himself and he was. He's always

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Speaker 2: negative and he thinks he's really smart. But I think

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Speaker 2: Taylor Swift she writes from the purpose of her fans,

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Speaker 2: and she wants them to connect with her, right and

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Speaker 2: she's a really good musician and in the way what

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Speaker 2: she does.

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Speaker 3: That's great, and Lily like, that's honestly the fact that

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Speaker 3: you're sticking by yeah after this absolute festering none, I'm joking, no, no, no,

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Speaker 3: I know, Lily. I think the great thing about music

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Speaker 3: is as well and you know, did you hear the

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Speaker 3: audio we played just before Lily of Taylor Swift on

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Speaker 3: zayin Low. Did you hear that? Oh? So she literally said,

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Speaker 3: I can play it for you. Have a listen. This

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Speaker 3: is her on zay Low. Have a listen.

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Speaker 14: If it's the first week of my album release and

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Speaker 14: you are saying either my name or my album title,

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Speaker 14: you're helping. And I have a lot of respect for

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Speaker 14: people's subjective opinions on art. I'm not the art, please.

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Speaker 14: What our goal is as entertainers is to be a mirror.

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Speaker 14: Oftentimes an album is a really really wild way to

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Speaker 14: look at yourself. I know that. Like on the theme

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Speaker 14: of what the show Girl is, all of this is

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Speaker 14: part of it.

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Speaker 3: So there you go. So she said two things there

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Speaker 3: that I think are important. The first thing she said

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Speaker 3: was and sorry if this is making me sound arrogant,

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Speaker 3: Lily just ran me in any second. The first thing

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Speaker 3: she said was the fact that you're talking about it

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Speaker 3: means I win. Yeah, so we're talking about it. The

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Speaker 3: pr machine lives on and I've got full respect for that.

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Speaker 3: And the second thing is for you, Taylor. The second

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Speaker 3: thing this is for Tayler. The second thing she says

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Speaker 3: was she's not the art, per everyone's everyone's opinion is subjective.

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Speaker 3: So this is what's good about art is that you

414
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Speaker 3: can love it, I can hate it. We're there, yes,

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Speaker 3: So thank you for providing the other side of the coin.

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Speaker 1: Thanks Lely, Thanks having the courage to call up as well, Lily,

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Speaker 1: I'm a.

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Speaker 3: Double pass to go to what's it called Woods the movie?

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Speaker 4: Regretting you reading you she might be a bit young

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Speaker 4: for that.

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Speaker 2: I was going to see that movie.

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Speaker 4: And anytime you want to call the show and just

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Speaker 4: say that, you know, Will's full of himself, arrogant and things.

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Speaker 1: He's really smart.

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Speaker 4: You call any time, you call anytime, give me the

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Speaker 4: whole line.

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Speaker 1: All right, let's go to Lauren here.

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Speaker 4: Oh now, Lauren, you are rejoining us on the radio

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Speaker 4: show you were on yesterday. Yes, having a bit of

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Speaker 4: a chat with Will, just about the whole Taylor Swift movement,

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00:22:52,920 --> 00:22:56,439
Speaker 4: the album, etc. What are your initial thoughts on Will's

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Speaker 4: review of the album?

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Speaker 5: Look, I am I hasn'tenthusiasm and the dedication, but at

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Speaker 5: the end of the day, perhaps he's not the target

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Speaker 5: demographic and that's fine.

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Speaker 3: Yeah, that's pretty much summed it up. I reckon would

437
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Speaker 3: be part of it.

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Speaker 4: She writes music for her fans, and you're not one

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00:23:14,920 --> 00:23:15,440
Speaker 4: of her fans.

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00:23:16,840 --> 00:23:20,359
Speaker 5: Yeah, exactly, that's okay. So it still doesn't mean that

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Speaker 5: I don't think it's a bop and I love the

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Speaker 5: songs and the music, and if you don't, all good.

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Speaker 3: That's so fine, So fine. We all agree.

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Speaker 4: This is what the world's supposed to be, isn't it.

445
00:23:30,760 --> 00:23:32,760
Speaker 4: Us and I still haven't respect for each other.

446
00:23:33,280 --> 00:23:35,920
Speaker 3: Don't you actually don't think really respected me? She called

447
00:23:35,920 --> 00:23:36,119
Speaker 3: me a.

448
00:23:37,640 --> 00:23:40,199
Speaker 5: Look, she's younger. That's okay. I appreciate that you actually

449
00:23:40,240 --> 00:23:42,400
Speaker 5: listened and then had an opinion as opposed to having

450
00:23:42,400 --> 00:23:45,080
Speaker 5: an opinion before you listened. That's the only feedback I'll

451
00:23:45,119 --> 00:23:46,880
Speaker 5: give you. But you know, it's all good.

452
00:23:47,160 --> 00:23:48,960
Speaker 1: He was doing that a lot though, to be fair,

453
00:23:49,400 --> 00:23:49,720
Speaker 1: and to.

454
00:23:49,680 --> 00:23:51,719
Speaker 5: Be fair, she doesn't need you to listen, right, I mean,

455
00:23:51,760 --> 00:23:53,359
Speaker 5: you sort of proved your own point and the things

456
00:23:53,440 --> 00:23:54,440
Speaker 5: that she's got enough money.

457
00:23:55,240 --> 00:23:57,840
Speaker 4: Now we started attacking, and now we start attacking it again.

458
00:23:58,240 --> 00:24:13,600
Speaker 15: Right now, I feel like she is he it's willing

459
00:24:14,040 --> 00:24:15,360
Speaker 15: Rob Beckets in the studio.

460
00:24:15,640 --> 00:24:21,360
Speaker 16: Welcome from Oh yes lads, oh the appro Yeah yeahs on.

461
00:24:21,359 --> 00:24:24,680
Speaker 3: There live crowd. What are you talking about? So Rob's

462
00:24:24,680 --> 00:24:26,920
Speaker 3: gonna Brandy show. It's called Giraffe of Albert b I

463
00:24:27,119 --> 00:24:29,080
Speaker 3: HM Presents dot com. If you're gonna go see a

464
00:24:29,160 --> 00:24:31,520
Speaker 3: robbing at comedy dot Com doing all.

465
00:24:31,400 --> 00:24:33,280
Speaker 10: The cities, can I stop you there?

466
00:24:33,560 --> 00:24:35,560
Speaker 16: Basically they're all sold out apart from Gold Coast, so

467
00:24:35,600 --> 00:24:38,880
Speaker 16: let's focus on that Gold Coast, Kay ruggling sixty six

468
00:24:38,880 --> 00:24:40,040
Speaker 16: percent sold not good enough?

469
00:24:40,080 --> 00:24:41,400
Speaker 1: Do you know much about gold Coast?

470
00:24:42,119 --> 00:24:47,720
Speaker 16: Yeah, it's like the double concentrated version of Australia, Australian.

471
00:24:47,800 --> 00:24:51,400
Speaker 3: Super Queensland gets very Australia.

472
00:24:51,440 --> 00:24:53,480
Speaker 16: Oh yeah, it's almost like that, Like every morning they

473
00:24:53,480 --> 00:24:55,800
Speaker 16: wake up common lads. Remember we're carry the flag here

474
00:24:56,520 --> 00:24:58,600
Speaker 16: we are without us all.

475
00:24:58,560 --> 00:25:04,680
Speaker 4: Turns camera maintained the identity Coast Cambridge, mad, isn't it?

476
00:25:04,840 --> 00:25:06,520
Speaker 1: Did you go to the Parliament House?

477
00:25:08,280 --> 00:25:10,359
Speaker 10: It's it's just not very Australian at all.

478
00:25:10,400 --> 00:25:12,359
Speaker 16: And you've decided to build a capital city. That's the

479
00:25:12,440 --> 00:25:13,920
Speaker 16: least Australian place I've ever been.

480
00:25:14,080 --> 00:25:15,000
Speaker 1: I think I'm wrong.

481
00:25:15,040 --> 00:25:17,959
Speaker 4: Will We just couldn't decide the capital between Melbourne and Sydney.

482
00:25:18,119 --> 00:25:20,960
Speaker 1: So yeah, yeah, some compromise.

483
00:25:20,640 --> 00:25:26,000
Speaker 3: Longer, don't You aren't playing for station it's quite an

484
00:25:26,000 --> 00:25:28,760
Speaker 3: important decision that you're making here. There's no compromise.

485
00:25:28,960 --> 00:25:29,800
Speaker 10: Keep talking.

486
00:25:30,200 --> 00:25:32,879
Speaker 3: I nearly got to civil war between New South Wales

487
00:25:32,880 --> 00:25:33,280
Speaker 3: and Victoria.

488
00:25:33,359 --> 00:25:37,359
Speaker 16: That would have been a great wars. One of the

489
00:25:37,359 --> 00:25:41,200
Speaker 16: best civil wars started off with daylight saving and ended

490
00:25:41,280 --> 00:25:42,040
Speaker 16: up in the streets.

491
00:25:44,520 --> 00:25:48,120
Speaker 10: Your time zones are mental not liking that laid half

492
00:25:48,119 --> 00:25:50,960
Speaker 10: an hour? Are you sure? Are you sure half doesn't

493
00:25:50,960 --> 00:25:52,120
Speaker 10: exist anywhere else in the world.

494
00:25:52,200 --> 00:25:52,800
Speaker 1: I can't expect.

495
00:25:53,000 --> 00:25:54,200
Speaker 10: I've been all over the world.

496
00:25:54,600 --> 00:25:57,359
Speaker 3: Nowhere the only half our is that the only city?

497
00:25:57,840 --> 00:26:04,240
Speaker 16: Wow, I don't know, but for this, yeah.

498
00:26:02,520 --> 00:26:04,199
Speaker 1: We'll go with it.

499
00:26:06,119 --> 00:26:08,840
Speaker 16: I was an anilide right PERF, which I get is

500
00:26:09,000 --> 00:26:10,960
Speaker 16: behind because it fair enough.

501
00:26:11,000 --> 00:26:13,160
Speaker 4: I'm pretty sure in Perth the reason they didn't want

502
00:26:13,160 --> 00:26:15,480
Speaker 4: to do like saving is because the cows would get confused,

503
00:26:16,280 --> 00:26:19,480
Speaker 4: and then also the with what extra they got.

504
00:26:19,359 --> 00:26:21,640
Speaker 10: On what's the cows schedule?

505
00:26:21,680 --> 00:26:26,240
Speaker 16: Looking like that they're going to get confused by.

506
00:26:28,600 --> 00:26:29,920
Speaker 1: I was at the part and I heard the guys

507
00:26:29,960 --> 00:26:30,480
Speaker 1: say that the.

508
00:26:30,400 --> 00:26:33,119
Speaker 4: Cows, we were worried with the extra sunlight, that the

509
00:26:33,160 --> 00:26:34,360
Speaker 4: curtains are going to get stained.

510
00:26:34,440 --> 00:26:37,320
Speaker 3: Yeah, the curtains was a thing I heard about. I

511
00:26:37,400 --> 00:26:39,760
Speaker 3: heard about the curtains thing. Yeah, it was a thing.

512
00:26:39,840 --> 00:26:42,119
Speaker 3: It was a thing that was just people not understanding it.

513
00:26:43,440 --> 00:26:45,680
Speaker 3: Understanding the cows were lobbying part of the house.

514
00:26:47,240 --> 00:26:49,480
Speaker 16: But yeah, but I do love doing Australia on tour.

515
00:26:49,520 --> 00:26:51,800
Speaker 16: Though crowds are quality, there's so much more up for it.

516
00:26:52,520 --> 00:26:56,959
Speaker 16: In the UK there are really drunk northern places like that.

517
00:26:56,960 --> 00:26:59,919
Speaker 16: You go to Newcastle, right man, or you go to

518
00:27:00,040 --> 00:27:03,199
Speaker 16: Cambridge and they're just like they laugh inwards. They enjoy themselves,

519
00:27:03,200 --> 00:27:06,280
Speaker 16: but there's no naise really where Australia is much more

520
00:27:06,320 --> 00:27:07,600
Speaker 16: everyone's a bit more relaxing up for it.

521
00:27:07,760 --> 00:27:10,320
Speaker 3: Well, they've got your class you have from overseas, so

522
00:27:10,440 --> 00:27:12,440
Speaker 3: I think we're just happy that it's someone here, you.

523
00:27:12,400 --> 00:27:19,560
Speaker 10: Know, puff they do get so yeah that it's great.

524
00:27:19,560 --> 00:27:22,159
Speaker 10: It's been, it's been brilliant. So just Gold Coast the last.

525
00:27:22,359 --> 00:27:25,560
Speaker 3: Okay, just a quick plug unless he's made that obvious

526
00:27:27,040 --> 00:27:29,720
Speaker 3: before sold out.

527
00:27:30,320 --> 00:27:32,440
Speaker 4: Made It's a nice day from aar and thanks gold

528
00:27:32,440 --> 00:27:34,880
Speaker 4: Coast for not buying tickets to this man so competing.

529
00:27:35,560 --> 00:27:37,840
Speaker 4: So the show is called Giraffe, Yes, and you also

530
00:27:38,400 --> 00:27:41,800
Speaker 4: went to the brit Awards last year dressed in an

531
00:27:41,840 --> 00:27:44,240
Speaker 4: inflatable giraffe suit.

532
00:27:44,440 --> 00:27:46,520
Speaker 1: Yes, it feels like there's a lot of giraffe going

533
00:27:46,520 --> 00:27:47,720
Speaker 1: on with you. Can you explain that?

534
00:27:48,040 --> 00:27:50,080
Speaker 16: Well, Basically, I thought the post will be funny because

535
00:27:50,080 --> 00:27:51,920
Speaker 16: of me with a massive neck. I ain't got much

536
00:27:51,920 --> 00:27:55,800
Speaker 16: of a neck anyway, shoulders and head right. It's not

537
00:27:56,480 --> 00:28:01,760
Speaker 16: no whatsoever living out my neck dreams your past. Every

538
00:28:01,800 --> 00:28:02,960
Speaker 16: city I go to, do you want to come to

539
00:28:03,040 --> 00:28:04,639
Speaker 16: the zoo meet the giraffe? I'm not some sort of

540
00:28:04,680 --> 00:28:05,520
Speaker 16: draft of her.

541
00:28:05,600 --> 00:28:07,680
Speaker 3: Like you've done it to yourself.

542
00:28:08,720 --> 00:28:10,200
Speaker 10: I'm going to call it next door Ferrari.

543
00:28:12,600 --> 00:28:14,320
Speaker 16: When I went to the Bricks, I got invited to

544
00:28:14,320 --> 00:28:15,840
Speaker 16: give out an award and thought I was gonna take

545
00:28:15,840 --> 00:28:17,160
Speaker 16: a photo. So I thought, what I'll do is I'll

546
00:28:17,200 --> 00:28:19,600
Speaker 16: dress have as a giraffe and in that way I'll

547
00:28:19,680 --> 00:28:20,480
Speaker 16: steal the attention.

548
00:28:21,040 --> 00:28:21,399
Speaker 1: Brilliant.

549
00:28:21,440 --> 00:28:22,000
Speaker 10: So I went there.

550
00:28:22,080 --> 00:28:26,960
Speaker 16: Absolutely in every paper it's all all the people in

551
00:28:27,040 --> 00:28:28,679
Speaker 16: their wacky outfits.

552
00:28:28,560 --> 00:28:33,159
Speaker 1: Livid getting there there because you're in a full inflatable draft,

553
00:28:33,320 --> 00:28:34,440
Speaker 1: like the massive draft.

554
00:28:34,840 --> 00:28:36,879
Speaker 16: If you are going to dress up in an inflatable

555
00:28:36,920 --> 00:28:44,360
Speaker 16: suit for pathetic attention seeking needs, travel deflated, travel deflated,

556
00:28:44,520 --> 00:28:46,560
Speaker 16: and then you have your finger on the button and

557
00:28:46,600 --> 00:28:48,280
Speaker 16: then as you get out of the car, that's where

558
00:28:48,280 --> 00:28:50,680
Speaker 16: it goes, I will also admit batteries of your friend.

559
00:28:50,720 --> 00:28:52,400
Speaker 16: You need, because I was starting to deflate at the

560
00:28:52,480 --> 00:28:53,120
Speaker 16: end of the red.

561
00:28:53,000 --> 00:28:54,680
Speaker 10: Carpet, so you need.

562
00:28:54,800 --> 00:28:56,920
Speaker 16: But I've sat there with my wife and she bless her.

563
00:28:56,920 --> 00:28:58,920
Speaker 16: She's like, you know, she knows it's something my job

564
00:28:58,920 --> 00:28:59,959
Speaker 16: will have to do. But no one wants to go

565
00:29:00,040 --> 00:29:01,040
Speaker 16: with the bloke dressed.

566
00:29:00,760 --> 00:29:01,320
Speaker 1: As a draft.

567
00:29:02,320 --> 00:29:03,640
Speaker 10: She wants to the cool.

568
00:29:06,800 --> 00:29:07,000
Speaker 7: Yeah.

569
00:29:07,720 --> 00:29:11,040
Speaker 16: So I'm sat there and I'm like, as we pull up,

570
00:29:11,040 --> 00:29:14,080
Speaker 16: because there's all these amazing rappers and the cool rock stars,

571
00:29:14,640 --> 00:29:16,360
Speaker 16: I'm pulling up and I'm like, look, I'm regretting this.

572
00:29:18,280 --> 00:29:18,840
Speaker 10: A bit later.

573
00:29:19,520 --> 00:29:21,160
Speaker 1: Did you have like a tax on underneath?

574
00:29:22,960 --> 00:29:26,520
Speaker 10: You had a T shirt and track like normal clothes naked.

575
00:29:26,200 --> 00:29:30,120
Speaker 16: In the DRAFTA discuss the aura in the rye.

576
00:29:32,360 --> 00:29:33,600
Speaker 10: I was getting out there. Do you have to show

577
00:29:33,600 --> 00:29:34,520
Speaker 10: adolescents over it?

578
00:29:35,560 --> 00:29:37,959
Speaker 16: Ashley Waters, who's an ex rapper, he's an actor now,

579
00:29:38,000 --> 00:29:41,560
Speaker 16: and he's in a Yeah, he's late to the table, right,

580
00:29:41,600 --> 00:29:43,640
Speaker 16: and then I've put me drafting off down the table.

581
00:29:43,680 --> 00:29:44,920
Speaker 10: I'm just sort of having a drink and trying to

582
00:29:44,920 --> 00:29:45,280
Speaker 10: be normal.

583
00:29:45,400 --> 00:29:47,160
Speaker 16: Yeah, And he goes, oh, sorry, I'm late everyone, And

584
00:29:47,680 --> 00:29:49,120
Speaker 16: it was a bit delaying the ceremony.

585
00:29:49,160 --> 00:29:56,560
Speaker 10: I've just got stuck on some prick dressers. Ad what

586
00:29:56,640 --> 00:29:57,400
Speaker 10: people will do.

587
00:30:01,080 --> 00:30:02,840
Speaker 3: During all over the country. If you're on the Gold Coast,

588
00:30:03,040 --> 00:30:07,240
Speaker 3: o buy a ticket your bricks comedy dot com.

589
00:30:07,840 --> 00:30:09,640
Speaker 16: I love you the way you can just say whatever

590
00:30:09,680 --> 00:30:10,840
Speaker 16: you want and swear in Australia.

591
00:30:11,240 --> 00:30:12,560
Speaker 10: I can't get away with a lot of it in

592
00:30:12,560 --> 00:30:12,960
Speaker 10: the UK.

593
00:30:13,160 --> 00:30:15,520
Speaker 1: Have you come across some swearing since you've been here?

594
00:30:15,560 --> 00:30:18,280
Speaker 16: Everyone just freely does it, even the doctor. The doctor

595
00:30:18,320 --> 00:30:20,000
Speaker 16: sworn me the other day, which I've never had before.

596
00:30:20,120 --> 00:30:21,840
Speaker 16: I had to get spanned bosics went well when I

597
00:30:21,880 --> 00:30:23,840
Speaker 16: arrived and he was going through like you know, saying

598
00:30:23,840 --> 00:30:25,480
Speaker 16: like what the symptoms and he was like do you smoke?

599
00:30:25,840 --> 00:30:27,440
Speaker 10: Do you drink? And I was like, well yeah, but

600
00:30:27,560 --> 00:30:29,120
Speaker 10: I've had like three beers since I got it.

601
00:30:29,200 --> 00:30:36,000
Speaker 16: When I will called in, Wow, absolutely, doctor, you're await

602
00:30:36,040 --> 00:30:38,400
Speaker 16: in Australia on tour about your thinker.

603
00:30:41,880 --> 00:30:43,800
Speaker 10: I was like, fair enough, okay, I love it.

604
00:30:43,800 --> 00:30:44,080
Speaker 3: It's good.

605
00:30:44,120 --> 00:30:44,760
Speaker 10: It's more relaxed.

606
00:30:44,880 --> 00:30:47,880
Speaker 16: Yeah, I'm not really a sort of like edgy comic,

607
00:30:47,960 --> 00:30:49,680
Speaker 16: you know, I'm not sort of going on and tackling

608
00:30:49,720 --> 00:30:51,400
Speaker 16: these big issues. I sort of moretal about me and

609
00:30:51,440 --> 00:30:53,400
Speaker 16: what I'm going through and make that funny and stuff

610
00:30:53,440 --> 00:30:55,880
Speaker 16: like that. But I've got routine about my pubic hair, sure,

611
00:30:56,040 --> 00:30:58,160
Speaker 16: my pubes right, and basically that I've got a pubed

612
00:30:58,200 --> 00:31:04,040
Speaker 16: up really late essentially to age yeah, sixteen six or seventeen, right, yeah,

613
00:31:04,040 --> 00:31:05,320
Speaker 16: but I did that like the UK.

614
00:31:05,200 --> 00:31:07,160
Speaker 10: Once, I said, peered up late, right, this is starting

615
00:31:07,160 --> 00:31:08,000
Speaker 10: the routine I talked about.

616
00:31:08,080 --> 00:31:14,480
Speaker 16: And the woman in Disgusting sat there like she ain't airy,

617
00:31:14,760 --> 00:31:16,800
Speaker 16: She's just sat there balled from birth to now.

618
00:31:18,520 --> 00:31:20,800
Speaker 10: In a different play, just grow up.

619
00:31:20,920 --> 00:31:22,720
Speaker 3: It's funny that you mention, because the word pricks we

620
00:31:22,720 --> 00:31:25,360
Speaker 3: were throwing around just afoid. You were saying, say that

621
00:31:25,440 --> 00:31:28,640
Speaker 3: was really funny. So you so so analy That producer

622
00:31:28,640 --> 00:31:30,719
Speaker 3: came in before to tell us that you're playing a

623
00:31:30,760 --> 00:31:33,440
Speaker 3: parrot called Enzo in a new animation movie, and she

624
00:31:33,520 --> 00:31:36,920
Speaker 3: said called the Grand Pricks of Europe, and I was like,

625
00:31:38,680 --> 00:31:40,440
Speaker 3: I would watch that, but I'm finish sure it's going

626
00:31:40,520 --> 00:31:41,240
Speaker 3: to be the Grand pre.

627
00:31:41,560 --> 00:31:44,120
Speaker 10: It's definitely the Grand the Grand Prick of Europe.

628
00:31:44,120 --> 00:31:47,880
Speaker 16: What an animated films?

629
00:31:48,040 --> 00:31:49,200
Speaker 1: Who's the Grand Prick of Europe?

630
00:31:49,200 --> 00:31:49,680
Speaker 10: The Grand Prick?

631
00:31:49,800 --> 00:31:54,880
Speaker 16: Well, I was thinking more in anatomy terms, not personality.

632
00:31:55,600 --> 00:31:57,640
Speaker 16: Imagine what the cartoonist could.

633
00:31:57,440 --> 00:32:00,720
Speaker 10: Get away with. Look at the size of it. Look

634
00:32:00,720 --> 00:32:05,560
Speaker 10: at it the Eifefel towers. But yeah, pre grandad talking

635
00:32:05,600 --> 00:32:06,240
Speaker 10: parrot in the.

636
00:32:07,560 --> 00:32:10,760
Speaker 4: I heard that your kids they helped you with your

637
00:32:10,800 --> 00:32:12,240
Speaker 4: audition to become the parent.

638
00:32:12,360 --> 00:32:13,040
Speaker 10: Yeah, movie, I.

639
00:32:12,960 --> 00:32:14,240
Speaker 16: Was looking after him, and I liked to do like

640
00:32:14,280 --> 00:32:16,920
Speaker 16: a self tape thing, but like obviously just audio. So

641
00:32:17,160 --> 00:32:18,760
Speaker 16: they were in the room with me when I was

642
00:32:18,760 --> 00:32:20,520
Speaker 16: doing it, and I was doing this mad little parrot thing,

643
00:32:20,720 --> 00:32:23,200
Speaker 16: welcome to the grand prix of you. They're just like

644
00:32:23,320 --> 00:32:26,000
Speaker 16: pissing themselves laughing in the back. And then I was like, oh, sorry,

645
00:32:26,040 --> 00:32:27,400
Speaker 16: my kids are gonna have to listen to some with them.

646
00:32:27,440 --> 00:32:29,360
Speaker 16: But that actually sort of helped. If the kids are laughing,

647
00:32:29,360 --> 00:32:34,240
Speaker 16: it's almost like, yeah, this is good, they're already laughing.

648
00:32:37,120 --> 00:32:37,520
Speaker 1: Children.

649
00:32:37,640 --> 00:32:37,840
Speaker 8: Yeah.

650
00:32:38,520 --> 00:32:41,000
Speaker 1: But yeah, but you say that to the studio.

651
00:32:41,200 --> 00:32:42,920
Speaker 3: By the way, guys, just my kids.

652
00:32:43,000 --> 00:32:44,280
Speaker 16: Well, I said, just if you hear anything in the

653
00:32:44,280 --> 00:32:45,840
Speaker 16: Background'm looking after the kids on my own, so you

654
00:32:45,880 --> 00:32:46,400
Speaker 16: might hear something.

655
00:32:46,800 --> 00:32:48,200
Speaker 3: It helps, that's absolutely.

656
00:32:48,240 --> 00:32:50,120
Speaker 16: I'm just trying to bring my kids everywhere. Should I

657
00:32:50,120 --> 00:32:51,880
Speaker 16: should have brought them here biting his gold coast.

658
00:32:51,920 --> 00:32:52,440
Speaker 10: They're hungry.

659
00:32:54,760 --> 00:32:57,480
Speaker 3: So speaking of these touring places I find so we

660
00:32:57,600 --> 00:33:00,640
Speaker 3: got Gold Coast in Melbourne last night. If people want

661
00:33:00,680 --> 00:33:01,920
Speaker 3: to go and buy a ticket to see Rob again,

662
00:33:02,000 --> 00:33:04,280
Speaker 3: robicket Comedy dot com. But we're looking through these places

663
00:33:04,320 --> 00:33:06,160
Speaker 3: and I heard you talking about the places that you

664
00:33:06,160 --> 00:33:07,520
Speaker 3: were going to. He's a little bit of audio of

665
00:33:07,560 --> 00:33:09,280
Speaker 3: you talking about the tour that you're on in Australia.

666
00:33:09,800 --> 00:33:11,440
Speaker 9: Got a call from the office, Rob, can you do

667
00:33:11,600 --> 00:33:13,920
Speaker 9: some PR interviews for Australia?

668
00:33:13,920 --> 00:33:14,680
Speaker 3: I have never good news?

669
00:33:14,720 --> 00:33:15,800
Speaker 10: Is it happens to do extra PR?

670
00:33:15,880 --> 00:33:17,800
Speaker 9: Looks at it camera. I don't know what your plan

671
00:33:17,840 --> 00:33:20,160
Speaker 9: app but pull your finger. That's acolutely disgrace. I've been

672
00:33:20,240 --> 00:33:22,240
Speaker 9: to camera. Let's face fact, there's not a lot going on.

673
00:33:22,400 --> 00:33:26,880
Speaker 9: So I don't know why the byril they ain't bought tickets.

674
00:33:26,880 --> 00:33:29,640
Speaker 10: First of all, don't remember agreeing to go. I don't

675
00:33:29,640 --> 00:33:30,960
Speaker 10: know where it is. Going to have to say it

676
00:33:31,440 --> 00:33:32,760
Speaker 10: that Sydney all sold out.

677
00:33:32,760 --> 00:33:35,600
Speaker 3: What's Tyrol's excuse, Tyl.

678
00:33:35,440 --> 00:33:38,160
Speaker 10: Therill, I've been told it's thrill.

679
00:33:38,440 --> 00:33:39,480
Speaker 1: How's the real going.

680
00:33:39,560 --> 00:33:41,640
Speaker 16: Well, I've not been there yet, but he sold out.

681
00:33:41,680 --> 00:33:44,920
Speaker 16: So look, and the more of the story is, if

682
00:33:44,960 --> 00:33:47,960
Speaker 16: you shame people online, it works.

683
00:33:47,960 --> 00:33:50,600
Speaker 10: So an interesting it is, isn't it a camera that work?

684
00:33:51,000 --> 00:33:51,480
Speaker 10: They boked some.

685
00:33:52,040 --> 00:33:54,440
Speaker 16: I was going when I got there that the guys went, well,

686
00:33:54,480 --> 00:33:56,120
Speaker 16: the thing is, Rob, you are going up against the.

687
00:33:56,080 --> 00:33:58,400
Speaker 1: Floria Art Florida. What's the Floria?

688
00:33:58,720 --> 00:33:58,840
Speaker 7: Now?

689
00:33:58,840 --> 00:34:01,480
Speaker 10: I don't want to pick a pick an enemy in camera.

690
00:34:03,880 --> 00:34:05,800
Speaker 16: I think I might just have to sacrifice camera and

691
00:34:05,800 --> 00:34:07,120
Speaker 16: then just come back and do the other places.

692
00:34:07,160 --> 00:34:08,239
Speaker 10: And that may be the whipping Boy.

693
00:34:08,320 --> 00:34:12,120
Speaker 16: But Floridad is when because obviously here your spring starts

694
00:34:12,400 --> 00:34:15,480
Speaker 16: when it's not Easter. So Melburne Hemisphere we know springs

695
00:34:15,480 --> 00:34:18,000
Speaker 16: coming because there's chocolate and Easter bunnies and all that, right,

696
00:34:18,239 --> 00:34:20,360
Speaker 16: but here there's no real like this is a start spring.

697
00:34:20,480 --> 00:34:23,720
Speaker 16: So they do florid Ad, which is basically they've loaded

698
00:34:23,760 --> 00:34:26,120
Speaker 16: tulips in the pow.

699
00:34:26,320 --> 00:34:27,920
Speaker 1: Yeah, and that's your own competition.

700
00:34:27,960 --> 00:34:33,000
Speaker 16: Exactly what kind of serial killer is walking in the

701
00:34:33,000 --> 00:34:36,160
Speaker 16: park at night when it's there for two weeks.

702
00:34:36,200 --> 00:34:39,040
Speaker 10: When I'm on for one night the Florida and it's

703
00:34:39,040 --> 00:34:40,960
Speaker 10: a night fest? Who was looking at chulip at night?

704
00:34:41,000 --> 00:34:43,640
Speaker 16: Also, you're in a capital seat of Australia. It's a

705
00:34:43,719 --> 00:34:47,600
Speaker 16: Dutch flower. It's got nothing to do with Australia six

706
00:34:47,640 --> 00:34:53,120
Speaker 16: of eucalyptus in get the temperature up? Can you move camera?

707
00:34:54,120 --> 00:34:58,640
Speaker 16: You've moved it once, Give another one. Start the discussions again,

708
00:34:58,880 --> 00:35:02,200
Speaker 16: Melbourne camera se which one's gonna be capital as we

709
00:35:02,280 --> 00:35:03,280
Speaker 16: know you won't agree.

710
00:35:03,760 --> 00:35:07,560
Speaker 10: Build a nuba? Is that possible?

711
00:35:07,719 --> 00:35:10,800
Speaker 3: In therell maybe.

712
00:35:11,280 --> 00:35:13,160
Speaker 10: Australians replied to Instagram, going, I don't know where that

713
00:35:13,280 --> 00:35:13,600
Speaker 10: is either.

714
00:35:14,320 --> 00:35:15,799
Speaker 3: We had to look it up.

715
00:35:15,800 --> 00:35:17,920
Speaker 16: It's now from Sydney according to my promoter. And if

716
00:35:17,920 --> 00:35:19,080
Speaker 16: it's not, I'll be having words.

717
00:35:22,360 --> 00:35:24,640
Speaker 3: Hey, do you get to see Rob's show draft available?

718
00:35:24,719 --> 00:35:27,040
Speaker 3: Rob Beckett Comedy dot com. Rob is great to have

719
00:35:27,080 --> 00:35:28,879
Speaker 3: you on the studio. Thanks for the laughs, man, thanks

720
00:35:28,880 --> 00:35:31,080
Speaker 3: for having us. Go and check out his show. Rob

721
00:35:31,080 --> 00:35:36,280
Speaker 3: Beckett in Australia, Rob Becktt Comedy dot Com. As I said, man, cheers, cheers, guys, Woodrow.

722
00:35:36,440 --> 00:35:37,879
Speaker 3: Right now, we're taking over the radio for the next

723
00:35:37,880 --> 00:35:40,719
Speaker 3: ten minutes with Freedom Fridays, we take our life.

724
00:35:46,480 --> 00:35:49,880
Speaker 4: We pitch a lot of ideas, a lot of great ideas,

725
00:35:50,320 --> 00:35:52,600
Speaker 4: rare that we pitch a bad one. The problem is

726
00:35:52,600 --> 00:35:55,520
Speaker 4: there's only so much room in the radio show, so

727
00:35:55,600 --> 00:35:58,480
Speaker 4: you guys don't hear a lot of those purely Golden

728
00:35:58,560 --> 00:36:01,400
Speaker 4: Crispy Ideas. Every Friday we get to re pitch an

729
00:36:01,440 --> 00:36:04,520
Speaker 4: idea that didn't make the show, now will I've got

730
00:36:04,520 --> 00:36:06,840
Speaker 4: a feeling it's just been a little bit of chatter

731
00:36:06,920 --> 00:36:10,680
Speaker 4: going on behind the scenes here that we both want

732
00:36:10,680 --> 00:36:12,680
Speaker 4: to get an idea in the show which comes off

733
00:36:12,719 --> 00:36:13,640
Speaker 4: the same audio.

734
00:36:14,000 --> 00:36:16,399
Speaker 3: Yes, yes, well you said the cringiest thing it's ever

735
00:36:16,440 --> 00:36:17,600
Speaker 3: been said in the world.

736
00:36:17,719 --> 00:36:19,799
Speaker 1: Yeah sure, okay, of all times.

737
00:36:19,840 --> 00:36:21,920
Speaker 3: Let's stay it on the history of radio, in the

738
00:36:22,040 --> 00:36:26,000
Speaker 3: history of human parlance. You said something yesterday which was crucifiable.

739
00:36:26,239 --> 00:36:26,439
Speaker 6: Yep.

740
00:36:26,480 --> 00:36:27,279
Speaker 1: And why don't we hear it?

741
00:36:28,360 --> 00:36:31,879
Speaker 3: You once crashed your old car, George, the Toyota into

742
00:36:31,920 --> 00:36:34,120
Speaker 3: a poll George. Yeah, when you were the captain of

743
00:36:34,120 --> 00:36:37,600
Speaker 3: our school fence at the schools, at the school Trust

744
00:36:37,600 --> 00:36:41,080
Speaker 3: training and Monday morning he goes do the math and

745
00:36:41,640 --> 00:36:45,520
Speaker 3: you and I shouldn't have said that.

746
00:36:45,520 --> 00:36:46,520
Speaker 1: That was also very lame.

747
00:36:47,600 --> 00:36:48,719
Speaker 3: So it was so lame.

748
00:36:48,760 --> 00:36:51,520
Speaker 1: I was very lame. It was such a in my head,

749
00:36:51,520 --> 00:36:53,040
Speaker 1: it seemed school when I was at.

750
00:36:53,000 --> 00:36:58,560
Speaker 3: School, guys, guys, how good? What a legend.

751
00:36:59,320 --> 00:37:01,759
Speaker 4: So I did become a laughing stock for the rest

752
00:37:01,760 --> 00:37:04,640
Speaker 4: of the radio show yesterday hit some more Audio.

753
00:37:05,840 --> 00:37:07,799
Speaker 3: Thirteen when I six five, you guys do the math?

754
00:37:08,840 --> 00:37:09,399
Speaker 1: Please don't.

755
00:37:09,480 --> 00:37:12,560
Speaker 4: I'm sorry, I'm sorry, I should be probably talking about it.

756
00:37:12,560 --> 00:37:13,040
Speaker 3: I love the show.

757
00:37:13,480 --> 00:37:14,879
Speaker 1: That hapn't for the entire radio show.

758
00:37:14,960 --> 00:37:19,160
Speaker 4: So look, my idea of that is that at this

759
00:37:19,239 --> 00:37:23,520
Speaker 4: point in time, it's impossible to make the same you

760
00:37:23,560 --> 00:37:24,760
Speaker 4: do the math sound cool?

761
00:37:25,000 --> 00:37:27,080
Speaker 3: Oh my god, we have the same idea, i'd say.

762
00:37:27,040 --> 00:37:29,480
Speaker 1: Sometimes great minds. So that's it.

763
00:37:29,600 --> 00:37:33,200
Speaker 4: So yeah, exactly, So throwing down the gauntlet for anyone

764
00:37:33,280 --> 00:37:35,560
Speaker 4: right now on thirteen the double though.

765
00:37:35,480 --> 00:37:37,279
Speaker 3: Right, Like, first of all, you were flexing about the

766
00:37:37,320 --> 00:37:39,480
Speaker 3: fact that you were hungover because you were drinking while

767
00:37:39,480 --> 00:37:41,160
Speaker 3: you were at school and hence crashed your car. So

768
00:37:41,160 --> 00:37:43,480
Speaker 3: that was the first part that was super dorky, weird,

769
00:37:43,760 --> 00:37:46,799
Speaker 3: kind of like dad style. You never should be said

770
00:37:46,800 --> 00:37:49,560
Speaker 3: against flex it's very sad. And then on the other hand,

771
00:37:49,920 --> 00:37:52,880
Speaker 3: after you've finished that, it really do you guys do

772
00:37:53,000 --> 00:37:53,600
Speaker 3: the math? Bit?

773
00:37:53,800 --> 00:37:57,000
Speaker 1: Yeah, you do the math, That's what I say. Oh yeah, shocking.

774
00:37:57,200 --> 00:38:00,000
Speaker 3: It was like a combination of like it felt like

775
00:38:00,000 --> 00:38:06,680
Speaker 3: I was watching a workout video, you know, like a hack, you.

776
00:38:06,640 --> 00:38:07,160
Speaker 12: Know what I mean.

777
00:38:07,239 --> 00:38:09,360
Speaker 3: It's like, you know, you've just done ten presses at

778
00:38:09,360 --> 00:38:11,759
Speaker 3: one hundred and you do the math. I won't know

779
00:38:11,800 --> 00:38:14,480
Speaker 3: how much I just lifted. You do the math. So

780
00:38:14,560 --> 00:38:17,200
Speaker 3: I think I think you think it's very I think

781
00:38:17,320 --> 00:38:19,200
Speaker 3: that the trick here, because we want to try it.

782
00:38:19,239 --> 00:38:21,080
Speaker 3: You guys have to say you guys do the math

783
00:38:21,120 --> 00:38:23,680
Speaker 3: and make it sound cool. Yes, the trick is you've

784
00:38:23,719 --> 00:38:25,080
Speaker 3: kind of got a bet. It's on two fronts here

785
00:38:25,080 --> 00:38:27,439
Speaker 3: because you got you guys do the math on its

786
00:38:27,440 --> 00:38:31,600
Speaker 3: own is really bad lame. We learned that yesterday obviously, Lane,

787
00:38:31,600 --> 00:38:34,960
Speaker 3: well we all knew that before yesterday. You just only

788
00:38:35,000 --> 00:38:38,319
Speaker 3: one person that before yesterday. And then the other part

789
00:38:38,320 --> 00:38:40,200
Speaker 3: of this that was actually the thing that you're saying

790
00:38:40,680 --> 00:38:42,280
Speaker 3: that we need to do the math about.

791
00:38:42,560 --> 00:38:44,320
Speaker 1: Yeah, I mean that's.

792
00:38:44,080 --> 00:38:47,680
Speaker 3: Got to be cool. Yeah, So I think this is impossible,

793
00:38:47,719 --> 00:38:50,160
Speaker 3: That's what I'm saying. I don't think anyone can make

794
00:38:50,200 --> 00:38:52,560
Speaker 3: the expression you guys do the math cool.

795
00:38:52,640 --> 00:38:55,719
Speaker 4: I don't try it. Thirteen one O six five is

796
00:38:55,760 --> 00:38:59,359
Speaker 4: the number. Say something and then finish it with you

797
00:38:59,360 --> 00:39:03,080
Speaker 4: do the math, and it has to be math, not maths. Yeah,

798
00:39:03,160 --> 00:39:07,600
Speaker 4: you do the math. If anyone can do that, bloody hell.

799
00:39:07,920 --> 00:39:10,919
Speaker 3: It was a very very you do the math, Yes,

800
00:39:11,239 --> 00:39:16,239
Speaker 3: is a desperately invalid dad one clinging to something, and

801
00:39:16,280 --> 00:39:18,520
Speaker 3: that's he's told a story from his past. He's had

802
00:39:18,520 --> 00:39:20,440
Speaker 3: a couple of beers, still got it. His sixteen year

803
00:39:20,480 --> 00:39:22,319
Speaker 3: old's got to gathering going on, got it, and he's

804
00:39:22,320 --> 00:39:24,600
Speaker 3: telling a story about an athletics record. You guys do

805
00:39:24,680 --> 00:39:25,040
Speaker 3: the math?

806
00:39:25,320 --> 00:39:25,920
Speaker 1: Still got it?

807
00:39:26,480 --> 00:39:28,719
Speaker 4: So the gauntlet was thrown down, which again you and

808
00:39:28,760 --> 00:39:30,360
Speaker 4: I both agree we think it's impossible.

809
00:39:30,400 --> 00:39:30,640
Speaker 16: I do.

810
00:39:30,880 --> 00:39:33,600
Speaker 4: Can you possibly put you do the math in a

811
00:39:33,640 --> 00:39:35,560
Speaker 4: sentence and make it sound cool?

812
00:39:36,840 --> 00:39:38,800
Speaker 3: I don't think it's possible. Would I really don't.

813
00:39:39,040 --> 00:39:42,200
Speaker 1: Let's go to Sharon here. Sharon. Firstly, a lot of

814
00:39:42,200 --> 00:39:43,480
Speaker 1: respects for you having to crack it.

815
00:39:43,480 --> 00:39:46,480
Speaker 5: This, Sharon, Oh thank you?

816
00:39:47,680 --> 00:39:50,360
Speaker 4: All right, I mean, Sharon, let's just crack into it.

817
00:39:50,400 --> 00:39:51,399
Speaker 4: Shall we go for it?

818
00:39:52,840 --> 00:39:53,240
Speaker 5: Yes?

819
00:39:53,400 --> 00:39:56,279
Speaker 2: Okay, So well, you know they've been married for six

820
00:39:56,400 --> 00:39:58,320
Speaker 2: months and they've just had a baby.

821
00:39:58,440 --> 00:39:59,880
Speaker 5: So you do the math.

822
00:40:01,320 --> 00:40:06,480
Speaker 15: You've done Wow, Wow, she's done it.

823
00:40:06,600 --> 00:40:10,520
Speaker 3: Yeah, he's done it. So you just make it. You

824
00:40:10,640 --> 00:40:11,560
Speaker 3: just make it factual.

825
00:40:11,960 --> 00:40:12,600
Speaker 1: That's what she did.

826
00:40:12,880 --> 00:40:13,680
Speaker 3: No ego there.

827
00:40:14,680 --> 00:40:16,959
Speaker 1: I wonder though, you can you get hey on sharing?

828
00:40:17,000 --> 00:40:18,799
Speaker 3: Can you give me the alternative? Now? Can you do

829
00:40:18,840 --> 00:40:19,560
Speaker 3: it with ego?

830
00:40:24,040 --> 00:40:24,680
Speaker 2: Not really?

831
00:40:25,360 --> 00:40:26,560
Speaker 3: Just give us another scenario.

832
00:40:28,760 --> 00:40:31,560
Speaker 5: Oh god, now you put me on the spot.

833
00:40:31,560 --> 00:40:32,200
Speaker 11: Me in one in.

834
00:40:34,280 --> 00:40:36,200
Speaker 4: Because I have to say here. I've got to say here,

835
00:40:36,280 --> 00:40:40,720
Speaker 4: like I think you've you've used the saying appropriately loophole,

836
00:40:40,800 --> 00:40:42,560
Speaker 4: but I don't think you sounded cool.

837
00:40:42,680 --> 00:40:42,839
Speaker 3: Then.

838
00:40:42,960 --> 00:40:45,280
Speaker 4: I think you just went like I've used it correctly.

839
00:40:45,760 --> 00:40:47,400
Speaker 4: So you're gonna get the prize.

840
00:40:47,440 --> 00:40:49,719
Speaker 3: Showcase here, she gets the showcase.

841
00:40:50,400 --> 00:40:51,080
Speaker 1: I think she does it.

842
00:40:51,160 --> 00:40:53,919
Speaker 4: She can make it sound cool now because you've used

843
00:40:53,920 --> 00:40:54,800
Speaker 4: it appropriately.

844
00:40:54,960 --> 00:40:55,920
Speaker 1: If you can now.

845
00:40:55,920 --> 00:40:58,280
Speaker 3: She may found a bit of a loophole. Didn't she

846
00:40:58,800 --> 00:41:00,920
Speaker 3: find a loophole? You just got You're basically saying this

847
00:41:00,960 --> 00:41:03,759
Speaker 3: adds up. It's like Meg, my bladder's empty. I just

848
00:41:03,760 --> 00:41:08,040
Speaker 3: took away. You do the math. Yeah there's no yeah, right,

849
00:41:08,280 --> 00:41:11,920
Speaker 3: that's just got strange. But like one plus one equals too. Well, no,

850
00:41:12,040 --> 00:41:14,080
Speaker 3: but that's that's just that is just math, you know

851
00:41:14,080 --> 00:41:15,880
Speaker 3: what I mean. No, but that's what I'm saying, Like

852
00:41:16,080 --> 00:41:19,359
Speaker 3: she's just very factual. Yeah, sure works, But she's taken

853
00:41:19,400 --> 00:41:19,960
Speaker 3: out the ego.

854
00:41:20,040 --> 00:41:22,760
Speaker 1: Yeah yeah, yeah, yeah, we want to bring back the ego. Sharon.

855
00:41:22,960 --> 00:41:24,680
Speaker 4: I want you to say something and I want you

856
00:41:24,719 --> 00:41:25,680
Speaker 4: to sound cool.

857
00:41:25,840 --> 00:41:26,600
Speaker 1: At the end of it.

858
00:41:32,400 --> 00:41:34,080
Speaker 3: You can have a second, Sharon, you never seeking to

859
00:41:34,080 --> 00:41:35,440
Speaker 3: think about it. I'm gonna go to Jess. You ever

860
00:41:35,480 --> 00:41:37,520
Speaker 3: think about it? Okay, because I think I don't want to.

861
00:41:37,560 --> 00:41:38,600
Speaker 3: You know, it is tough. I'll put it on the

862
00:41:38,640 --> 00:41:39,920
Speaker 3: spotches in peak aunt traffic.

863
00:41:40,000 --> 00:41:41,960
Speaker 1: Jess, you've heard the conversation behaving with Sharon.

864
00:41:42,000 --> 00:41:44,760
Speaker 4: It sounds like Sharon used it appropriately but didn't sound cool.

865
00:41:45,160 --> 00:41:46,560
Speaker 4: You think you can sound cool.

866
00:41:47,560 --> 00:41:48,439
Speaker 2: I can try, my Beth.

867
00:41:48,960 --> 00:41:50,680
Speaker 1: You better go Jess.

868
00:41:51,120 --> 00:41:54,000
Speaker 2: All right, So my best friend and her boyfriend have

869
00:41:54,120 --> 00:41:57,319
Speaker 2: recently broken up, and now there's one less friend in

870
00:41:57,320 --> 00:41:58,520
Speaker 2: our group. You do the math?

871
00:42:00,760 --> 00:42:01,640
Speaker 1: They just come on.

872
00:42:01,840 --> 00:42:05,360
Speaker 4: I think, once again, you've just used it appropriate, which

873
00:42:05,400 --> 00:42:06,560
Speaker 4: is you know, if you had to do a head

874
00:42:06,600 --> 00:42:07,600
Speaker 4: count of your friendship group.

875
00:42:07,600 --> 00:42:10,040
Speaker 1: I get it, because they've broken up. It's not going

876
00:42:10,120 --> 00:42:10,440
Speaker 1: to make it.

877
00:42:10,640 --> 00:42:12,839
Speaker 3: The flex would be like my best friend and her

878
00:42:12,880 --> 00:42:16,080
Speaker 3: boyfriend just broke up and I got myself a new boyfriend.

879
00:42:16,200 --> 00:42:16,959
Speaker 1: You do the math.

880
00:42:18,719 --> 00:42:20,640
Speaker 8: That would have been good, well, not cool.

881
00:42:20,800 --> 00:42:23,920
Speaker 3: But you know it was actually nasty. Yeah, very nasty,

882
00:42:24,120 --> 00:42:28,760
Speaker 3: But you thought I had to be. Let's going to Sharon. Yeah, sure, sure, sure, Sharon.

883
00:42:28,880 --> 00:42:30,359
Speaker 4: I think that's the closest we've come by the way

884
00:42:30,440 --> 00:42:32,919
Speaker 4: you there, because that that had that arrogance. Yeah again,

885
00:42:33,040 --> 00:42:35,720
Speaker 4: nasty behavior got to be the egos that you've stolen

886
00:42:35,760 --> 00:42:38,759
Speaker 4: someone's partner, Sharon, Sharon, you've had something to think.

887
00:42:38,800 --> 00:42:40,400
Speaker 1: Come on, make it sound cool, Sharon.

888
00:42:42,480 --> 00:42:45,000
Speaker 2: Oh, I didn't even hear what the other like said

889
00:42:45,040 --> 00:42:45,399
Speaker 2: the phone.

890
00:42:45,680 --> 00:42:48,640
Speaker 3: Don't worry about it. You play your own game, Shares,

891
00:42:48,719 --> 00:42:49,520
Speaker 3: play your own game.

892
00:42:54,680 --> 00:42:57,960
Speaker 2: Look, it's Friday afternoon, and I think that that's probably

893
00:42:58,040 --> 00:43:00,279
Speaker 2: all I've got trying to focus on this. I think

894
00:43:00,320 --> 00:43:02,120
Speaker 2: so that I don't have a car accident.

895
00:43:02,800 --> 00:43:06,360
Speaker 3: And then what do you say?

896
00:43:08,200 --> 00:43:09,040
Speaker 1: Finish at Sharon?

897
00:43:10,160 --> 00:43:10,480
Speaker 3: Finish?

898
00:43:10,719 --> 00:43:11,080
Speaker 10: What's that?

899
00:43:11,160 --> 00:43:11,359
Speaker 3: Mame?

900
00:43:13,960 --> 00:43:14,879
Speaker 4: Can you do the math?

901
00:43:17,640 --> 00:43:24,600
Speaker 3: Sharon? The arrogance? The arrogance? Well, wait, cards you do

902
00:43:25,360 --> 00:43:29,520
Speaker 3: Peak Hour the Buddy math? Well done, Chaz. You can

903
00:43:29,520 --> 00:43:32,200
Speaker 3: have yourself. Do I say the showcase today?

904
00:43:32,640 --> 00:43:32,799
Speaker 7: Oh?

905
00:43:32,960 --> 00:43:33,760
Speaker 1: I threw that around?

906
00:43:33,960 --> 00:43:34,439
Speaker 8: You did?

907
00:43:34,520 --> 00:43:37,400
Speaker 3: Just say? The showcase ran in prising at the moment,

908
00:43:37,400 --> 00:43:39,000
Speaker 3: the producers there hating me at the moment. But I

909
00:43:39,000 --> 00:43:40,080
Speaker 3: feel like I'm going to give it to it. I

910
00:43:40,080 --> 00:43:42,440
Speaker 3: don't know. I said I said we would. No, I

911
00:43:42,440 --> 00:43:43,759
Speaker 3: don't have to give it to it. What you say

912
00:43:43,840 --> 00:43:45,320
Speaker 3: you can have a can you hear at Stubby Holder?

913
00:43:45,360 --> 00:43:49,560
Speaker 2: Sharon, Oh, thank you.

914
00:43:49,560 --> 00:43:50,239
Speaker 3: You do the math.

915
00:43:50,400 --> 00:43:51,799
Speaker 1: We don't have many brass left