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Speaker 1: Welcome to Tina Arena, Gabe. That's what behind the scenes

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Speaker 1: has become.

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Speaker 2: That's happening again.

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Speaker 1: So okay, So just in case you might just joined us, well,

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Speaker 1: Rob Mills gave you Tina Arena's number.

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Speaker 3: Yep.

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Speaker 1: You can tell everyone how much you love Tena Arena.

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Speaker 3: Well, look, I'll tell you what. I'll go to my

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Speaker 3: Spotify right now.

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Speaker 2: And you me and iHeart Radio.

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Speaker 3: Yeah, and on my iHeartRadio account, it will tell me

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Speaker 3: most listened to song or record this year. Yes, I

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Speaker 3: don't actually know how to find that, but the number

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Speaker 3: one album that I would have listened to this whole year,

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Speaker 3: and I reckon it would have been upwards of fifty

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Speaker 3: to sixty times. You listened to a lot of muses,

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Speaker 3: don't ask by Tina Arena. Yep. Namely the song Greatest

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Speaker 3: Gift has been my most played song. I would say you, Yeah,

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Speaker 3: I listened to it all throughout my childhood. Yeah, I'm

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Speaker 3: completely obsessed with there at the moment. She's so good.

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Speaker 3: I just can't get over how good she is, can't.

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Speaker 3: I just this voice. I mean, like when we spoke

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Speaker 3: to Darren Hayz yesterday, he converted his words, She's the

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Speaker 3: best singer in the world. She I just love her.

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Speaker 3: I love her style, I love her sass, I love

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Speaker 3: her artistry. I want more than anything to speak to

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Speaker 3: this woman.

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Speaker 2: So why why?

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Speaker 3: Because I have a chance to talk to somebody who

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Speaker 3: I love and adore as an artist more than a

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Speaker 3: lot of other people. I want to speak to her,

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Speaker 3: and I've got an opportunity. It's like if you were

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Speaker 3: into Van Hach the painter and he was alive, you'd

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Speaker 3: be like, Wow, I'm going to talk to that guy.

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Speaker 3: You know.

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Speaker 2: I think he'd be a pretty aggree like a tough chat.

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Speaker 1: He did.

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Speaker 3: He did cuddies here off.

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Speaker 2: Yeah. I mean if if we had five on zoom

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Speaker 2: with Van Goch, yeah.

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Speaker 3: If you're tied five, he'd be interesting guy, though, very

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Speaker 3: interesting guy.

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Speaker 1: I mean, look, if we were saying, hey, guys, ten

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Speaker 1: minutes time, Van Gok is going to be on the show,

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Speaker 1: take you, you're probably sticking around with Ok. But with

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Speaker 1: ten ten a Rena So and where do you foresee

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Speaker 1: this going into your dream scenario? So you do talk

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Speaker 1: to her, because at the end of that you've got

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Speaker 1: a number you can call her straight away. But I

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Speaker 1: think we're we're at a bit of a predicament is

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Speaker 1: you don't want to, you know, ruin the relationship by

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Speaker 1: cold colin her, which is a pretty aggressive moment.

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Speaker 3: An aggressive thing to do. And you know, as Darren

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Speaker 3: said yesterday, good luck, she probably won't if you're going

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Speaker 3: to cold call tena arena, good luck, like she's a

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Speaker 3: she's a tour de force. That's the sort of what

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Speaker 3: you know. It's like, it's like, would you cold called Beyonce?

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Speaker 3: I think that's the kind of areas that we're in.

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Speaker 2: Well, you see, I would cold call Beyonce.

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Speaker 3: Be cold call Beyonce, way Beyonce.

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Speaker 1: Let me explain why, because I don't see a world

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Speaker 1: where there's a good relationship. I'm never going to be

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Speaker 1: friends with Beyonce. So if she hates me, I don't care.

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Speaker 1: I still got this.

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Speaker 3: Cold still terrifying though, Like she'd make you withther on

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Speaker 3: the wither and die. It'd be like cold calling the Donna,

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Speaker 3: Like I don't think I get my I don't think

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Speaker 3: i'd get my essence back. I feel like she'd just

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Speaker 3: think so she cold called Madonna. Yeah, you'd be like,

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Speaker 3: oh my god.

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Speaker 2: I think it's a story for the age.

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Speaker 1: I can go eye one's called Madonna and she took

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Speaker 1: my soul out of me. Like, what an amazing story.

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Speaker 1: So Beyonce to that story. I'm fine with that. But

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Speaker 1: because I don't, I don't care about a relationship going forward,

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Speaker 1: because I'm never going to be friends with beyond.

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Speaker 3: You care about the Tina relationship as.

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Speaker 2: Well, I don't. I'm I think you do.

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Speaker 1: I think you the reason you don't want to cold

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Speaker 1: caller off the bat is because you can foresee maybe

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Speaker 1: going to have a picnic with her on a Saturday

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Speaker 1: or like you, I think you see a text relationship

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Speaker 1: made between you and Tina Arena and that excites you.

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Speaker 4: Do you know if you've got anything.

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Speaker 3: I'd love it. I'd love I'd love for her to

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Speaker 3: I'd love for her to, yeah sing like sing with

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Speaker 3: me at one stage exactly.

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Speaker 2: This is what's going on, and this is why you

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Speaker 2: need this to go.

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Speaker 3: Well, I have a concert in my background.

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Speaker 2: I don't think she's going to do that. That that

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Speaker 2: that's not like a friend thing either.

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Speaker 3: Like you could be a friend if I was friends

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Speaker 3: with her. I don't know.

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Speaker 2: No, your friends can't make you sing. You treat her

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Speaker 2: as a normal human being, will Yeah, you're going out

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Speaker 2: for a drink?

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Speaker 3: Would be good?

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Speaker 2: Like what are you having going with her?

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Speaker 3: Actually, that's true. I'd love to have a bend with her.

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Speaker 2: Sorry, like reasonably responsible, a.

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Speaker 3: Good time, nice, nice meal or.

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Speaker 2: Even like you know, like I'm coming to your concert tonight.

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Speaker 1: I'll have you say good eight year backstage, Like that's.

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Speaker 2: That's your dream?

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Speaker 3: Right?

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Speaker 2: So I think the predicament we're in is you need

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Speaker 2: to get into contact with her.

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Speaker 3: But I speak, she speaks French.

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Speaker 2: Nice, good area nice, that's nice, Yes, definitely. What else.

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Speaker 3: I love her?

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Speaker 2: She might love herself, she might love her, she might

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Speaker 2: be into herself.

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Speaker 3: What else do I know about her?

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Speaker 4: How do you feel about I don't feel.

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Speaker 2: That Her song Sorrento is about the morning and peninsula.

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Speaker 2: You've been there? Yeah, oh yeah, bring up that.

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Speaker 3: I think.

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Speaker 4: I think, Okay, I think if.

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Speaker 2: I was Tina Arena arena, that's a a question.

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Speaker 3: If I was Teina, If I was Tina Arena, yes,

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Speaker 3: and I got a call from me, yeah, I'd want

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Speaker 3: to just be like, look, hey, this is a cold call,

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Speaker 3: but she whiz if I've got a great compliment for

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Speaker 3: your haying, and then just hit her between the eyes.

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Speaker 2: Yeah, she might be.

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Speaker 1: She's a long time in the industry, probably had a

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Speaker 1: lot of that, and I think it's like, oh, he's

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Speaker 1: a super fan, and she'll always see it as a

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Speaker 1: super fan if you lead in with that. But I

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Speaker 1: think you need to start thinking of what have you

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Speaker 1: got that Tina needs off you.

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Speaker 3: No, we just said that we wanted to be transactional.

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Speaker 3: You said you want me to be friends with her.

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Speaker 3: I don't know. That's what I'm going to call her

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Speaker 3: and go like, hey, Tina, this is what you need.

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Speaker 2: We both you want to No, No, you need to be

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Speaker 2: more subtle.

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Speaker 3: What are you thinking?

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Speaker 1: I'm thinking like like like again, I don't know why,

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Speaker 1: but I keep thinking, we need to figure out where

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Speaker 1: she lives, and then you need to randomly bump into

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Speaker 1: her and I just think she and then help her

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Speaker 1: with her shopping. She's carrying her shopping bags and you're like,

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Speaker 1: need a hand.

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Speaker 3: But what do I what, Tina A Rena doesn't carry

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Speaker 3: her own shopping. She's Tina Arena.

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Speaker 2: Well she's doing I mean to figure out where she lives.

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Speaker 2: That's all I'm saying. A random bumping is crucial.

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Speaker 3: Hell well, well we will address this again in two seconds. Okay,

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Speaker 3: So before we carry on with this, though, I just

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Speaker 3: think there's only that needs to be addressed, and that

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Speaker 3: is we don't know whether we've got ten Arena's number.

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Speaker 2: Rob Mills gave you the name.

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Speaker 3: I know, but I just think that we need to

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Speaker 3: call it and check if it's TENA Arena.

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Speaker 2: But this can go. You know we're recording this.

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Speaker 3: Well, I know we're recording this, but like I just reckon,

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Speaker 3: we just call it. It's a private number we're calling off.

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Speaker 3: If we go to voicemail and no it's ten Arena,

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Speaker 3: if it's Tina Arena in answers, we just hang it

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Speaker 3: and then we will.

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Speaker 2: Be tracked back to you.

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Speaker 3: She's not gonna be able to check it back.

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Speaker 1: Imagine this, will imagine this. You become best friends with

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Speaker 1: TENA Arena. You're regriting this, we're recording this.

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Speaker 4: We're recording this, and then we're publishing of the internet.

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Speaker 2: Just picture is you're you know that right?

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Speaker 4: Like the words you're saying now yes and then being broadcast.

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Speaker 3: But I'm okay, I'm okay with that. Is this she

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Speaker 3: can hear like how keen I am? You know? Friends?

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Speaker 2: She doesn't want to be friends with a super fan.

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Speaker 3: Well, I'm fucked. I mean, if she's listening to the

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Speaker 3: last podcasts, it's.

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Speaker 2: A good point.

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Speaker 3: Already. I call it.

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Speaker 2: Yeah, fair enough. I mean, we can't make any worse.

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Speaker 3: To find out whether or not it is Tina Arena.

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Speaker 5: And then we can go from there. Can you please

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Speaker 5: bring my phone in here? It's on the it's on

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Speaker 5: the table. This is going to go so badly because

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Speaker 5: please bring my phone in here, Like that was a

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Speaker 5: sign that you shouldn't do it. You didn't have your

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Speaker 5: phone on.

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Speaker 3: You on the table. It's a at least my phone's

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Speaker 3: on the table in front of you.

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Speaker 2: Or you just don't want to get it.

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Speaker 3: If juices don't want to get the produce is scared,

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Speaker 3: it's like the world is telling you over there, get

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Speaker 3: the phone please.

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Speaker 2: There's no one doing it.

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Speaker 3: Get the phone please.

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Speaker 2: Hey, you're not doing it because you're against the idea.

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Speaker 3: LJ say something.

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Speaker 2: You just blink at me.

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Speaker 6: That was a blink we've talked about when I blink

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Speaker 6: at you, would you me a danger?

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Speaker 2: Danger and totally giving.

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Speaker 1: Me up there you're really worried about You're like, this

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Speaker 1: is bad, this is a bad idea.

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Speaker 5: I wonder if.

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Speaker 6: You're letting the excitement of talking to Tina Rena the

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Speaker 6: common over you right now? Are you sure you want

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Speaker 6: to do this?

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Speaker 2: You do some emotional you do like this is a

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Speaker 2: dumb idea, but we.

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Speaker 3: Need to check if it's her. What I don't want

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Speaker 3: to do is, like, you know, carry on this wild

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Speaker 3: goose chase, find out where she lives. Yes, carry her

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Speaker 3: shopping for her.

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Speaker 2: Yes, you know all these yes.

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Speaker 3: Brilliant ideas that we've had so far, and they're the

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Speaker 3: only two, by the way. But I don't want to

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Speaker 3: go down this wild goose chase and then find out

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Speaker 3: that we haven't got her number.

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Speaker 2: You don't need a number if your carry her shopping.

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Speaker 3: That's true, that's true. But but the point is she

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Speaker 3: actually we don't know whether we have Tina Arena's number.

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Speaker 3: I think we don't even know. I thought analyst was

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Speaker 3: getting gone a week. She's going to do something.

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Speaker 1: I I think I think you need to get her number,

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Speaker 1: like in the normal way she needs to give you

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Speaker 1: her number. I think you having her number is already

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Speaker 1: a bit weird. So hence carry the shopping, and then

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Speaker 1: you go, hey, why don't we connect later on?

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Speaker 3: So you're still down this path of let's not call her,

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Speaker 3: Let's find out where she lives, which is, by the way,

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Speaker 3: is going to be really hard.

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Speaker 2: It's that suburb.

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Speaker 3: What and just patrol the streets?

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Speaker 2: What about already megaphones?

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Speaker 4: Already that she did an interview with the Guardian and

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Speaker 4: they did it at a Couyong cafe.

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Speaker 3: Okay, she lives in Koong.

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Speaker 2: Possibly, Well she wouldn't.

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Speaker 4: Surely she would have go to done recovering from a

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Speaker 4: cold swamped in a big jumper.

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Speaker 3: She lives in Koong, possibly.

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Speaker 4: Mate, that's that's according to the Guardian article from twenty nineteen.

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Speaker 1: I say, I say we get all the street teamers

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Speaker 1: at the station and just go, guys, new.

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Speaker 3: New job, the area.

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Speaker 1: You guys just need to be in that area walking

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Speaker 1: around first one to see ten arena. Let us know

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Speaker 1: it's a twenty four hour job. Do as many hours

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Speaker 1: as you can. Not a bad idea?

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Speaker 3: Right?

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Speaker 2: How about this? How about this?

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Speaker 6: Have this?

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Speaker 3: Why don't we need someone? We need someone to call it.

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Speaker 3: I don't think someone could call her.

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Speaker 6: But twenty four hours ago, will you sat in that

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Speaker 6: chair and said you couldn't possibly call You didn't want

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Speaker 6: to destroy your relationship you don't even have yet, and

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Speaker 6: now twenty four hours later, the emotion and the excitement

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Speaker 6: of it, or you're like, call.

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Speaker 3: Her, so what what are you suggesting that?

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Speaker 6: I would suggest she's sit on it for another twenty

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Speaker 6: four and hours there, twenty four hours and if you

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Speaker 6: come back calm, resolute and ready to call Tina Arena,

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Speaker 6: we'll give you your phone.

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Speaker 3: You're not taking my phone off. I have this.

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Speaker 4: I've just looked up Tina Arena Management. Right, there's this

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Speaker 4: place called Apples and Pears Entertainment dot comity.

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Speaker 2: It literally says, book Tina Arena.

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Speaker 4: Book now interesting booking her?

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Speaker 3: You can book her now?

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Speaker 4: Should we call these guys and book her for an interview?

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Speaker 2: It's not as fun.

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Speaker 3: And I think, all of a sudden, I'm in the

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Speaker 3: professionals sphere.

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Speaker 2: I think that's hard to go to a professional first.

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Speaker 3: No, I'm trying to leap frog that and just be

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Speaker 3: friends with her.

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Speaker 1: Because as soon as it's the you're the guy who

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Speaker 1: interviewed it, it's a work.

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Speaker 2: I agree, I'd go down there. Yeah, you don't want,

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Speaker 2: you don't want, and you don't want an.

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Speaker 3: Interview with her. I think if we have an interview

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Speaker 3: with her. We'd take the interview, but then I need

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Speaker 3: to figure out a way for it to be friendly

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Speaker 3: in the interview so that I can then text her.

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Speaker 4: Why wouldn't you do something like, Hey, I've got this

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Speaker 4: podcast idea. I'd love to put you on my podcast, right,

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Speaker 4: because you've got a podcast idea.

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Speaker 2: That's if you do an interview, then you do the.

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Speaker 4: Podcast and at that stage like yeah, come to my

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Speaker 4: home studio, sit down, we'll do the podcast, and then

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Speaker 4: you text him.

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Speaker 2: That's actually not bad.

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Speaker 1: Hugh van Khenberg famously mates with Missy Higgins after.

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Speaker 3: Just got it on the podcast. Get her on the podcast.

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Speaker 2: So maybe you can go from work to friends, all right.

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Speaker 3: Leave it for twenty four hours. If I come back

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Speaker 3: here in twenty four hours and I want to call it,

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Speaker 3: I want to call it. I want that to be.

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Speaker 1: If you had twenty four hours to think about it to.

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Speaker 2: A small cooling off period. Okay, bloody. It's like when you.

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Speaker 6: Buy a car. You've put five hundred dollars down right

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Speaker 6: to buy the car. You got twenty four hours to

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Speaker 6: think about it, and if you don't want to buy

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Speaker 6: the car, you get your five hundred dollars back, and

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Speaker 6: if you do, you make the purchase. That's what's happening here.

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Speaker 3: I didn't do that when I bought a car.

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Speaker 2: I didn't do that.

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Speaker 3: Just gave them money.

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Speaker 2: You put five hundred dollars down, you can get money back.

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Speaker 2: If you don't want the car, then you.

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Speaker 6: Just get cooling off period?

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Speaker 5: Would he.

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Speaker 2: When you buy a house, you're talking about a deposit. Yeah,

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Speaker 2: I've heard about it in a house, but not a car.

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Speaker 3: I think someone just robbed you at five hundred dollars.

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Speaker 3: All right, so here's the deal. Sweet, you give me

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Speaker 3: five hundred bucks cash. Now you'll never see it again.

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Speaker 3: Tomorrow the car will be you waiting for you, and

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Speaker 3: you can pay for the full thing. Well, that doesn't

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Speaker 3: sound reasonable.

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Speaker 2: I do need to cool off, I do.

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Speaker 3: I'm a bit hot under the collar about the car.

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Speaker 2: Can you take the cash cooling off period?

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Speaker 3: Yes, that's what they do with houses, and every time

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Speaker 3: they see you coming, it's just everything you get out.

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Speaker 3: You want to buy the fridge? Oh yeah, great, we'll

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Speaker 3: take one hundred dollars now.

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Speaker 1: All right, that's a good plan there, despite that weird

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Speaker 1: example that that's a great plan.

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Speaker 3: That would nice. We would you worry,