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Speaker 1: Pleasure.

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Speaker 2: This is Will and Wood.

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Speaker 1: Will and what are you getting you guys home on

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Speaker 1: Monday with just a booming show. This it's not very

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Speaker 1: off and I say that Woods, but we have pulled

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Speaker 1: out all stops and spent all money getting the guests

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Speaker 1: that we've got for you guys. This week it's star started.

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Speaker 1: We're going to have the Veronicas Ava Max Andy Lee

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Speaker 1: is going to join us a little bit later on

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Speaker 1: this week as well.

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Speaker 3: Plus in today's show we are joined by Matt Preston

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Speaker 3: Master Chef's Matt Preston Plas the birds Will. The birds

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Speaker 3: are Tokyo birds and they are going to be doing

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Speaker 3: this song which is number one on iTunes right now

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Speaker 3: live in the studio.

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Speaker 1: Come wait for that. I cannot wait for that.

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Speaker 3: It's actually going to be a great shot.

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Speaker 1: I mean, we've done it. We've done it's taking us.

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Speaker 1: You're in a bit but open, we've got a good show.

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Speaker 3: Put your feet up.

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Speaker 1: Well we actually have to do the show.

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Speaker 3: Yeah, good point.

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Speaker 1: Now I'm excited about those guests. I'm also very excited

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Speaker 1: to tell you about a parrot which was arrested in Brazil.

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Speaker 1: Parrot was arrested in Brazil.

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Speaker 3: Laugh at the you know, at the poor parrot.

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Speaker 1: No, he should have been. He deserved to get.

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Speaker 3: Arrested, right, Yeah, what the hell's the parrot done?

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Speaker 1: Great question, mate, I'm going to tell you what the

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Speaker 1: parrot's done. But in the meantime, I know this is

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Speaker 1: a little bit Radio one oho one, these sorts of stories,

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Speaker 1: but I don't think i've heard it for a while.

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Speaker 1: I want to know from other people, you know, those

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Speaker 1: like those bird talking stories that you hear about how

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Speaker 1: you know a bird's dobbed someone in? Oh yeah, and

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Speaker 1: do they actually happen.

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Speaker 3: I've heard stories about parrots replicating what someone said and

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Speaker 3: then it caused a whole lot of controversy.

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Speaker 1: Okay, okay, so I want to hear about them. So

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Speaker 1: third and one and six five, And anybody heard of

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Speaker 1: or been on the wrong end of a parrot causing

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Speaker 1: a whole bunch of controversy because it's something it's said. Yeah,

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Speaker 1: and I'll tell you because this parrot.

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Speaker 3: Big trouble, all right, what's been arrested?

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Speaker 1: It's been arrested? Goodness gracious, I know they had to

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Speaker 1: put him in a cage.

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Speaker 4: Woods.

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Speaker 1: Oh hot, show, very good, thirty one oh six five?

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Speaker 1: You got these parents choice and take next talking parrot controversies, Yep,

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Speaker 1: what did a parent say that caused a whole bunch

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Speaker 1: of trouble?

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Speaker 3: And I read about this this this is a story

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Speaker 3: that happened a few years ago. There was a family

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Speaker 3: parrot and basically, parrots will will replicate, they will copy

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Speaker 3: what you're saying.

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Speaker 1: Well, I think if you can train them to say

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Speaker 1: things and then they get used to mimicking, and then

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Speaker 1: I think that's where the trouble. Well, this is something

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Speaker 1: you've seen in the movies. Like I realized that a

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Speaker 1: lot of people driving in their cars may not have

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Speaker 1: experienced this.

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Speaker 3: But this is like a story out of a movie

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Speaker 3: because basically, this parrot started going saying another man's name.

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Speaker 3: So there's a married couple they own a parrot. The

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Speaker 3: parrots start saying Jacob, Jacob, Jacob and hanting like that,

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Speaker 3: like ah, Jacob, Jacob.

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Speaker 1: And I get it, get get it. Sorry, I thought

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Speaker 1: the parrot was just a obsessive, but no, no, just

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Speaker 1: mimicking something else that's been going on.

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Speaker 3: And how's this. There was there was a worker who

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Speaker 3: used to come to the house who was called Jacob.

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Speaker 3: Oh and in the lawsuit, for the divorce. That was

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Speaker 3: actually evidence in the court case.

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Speaker 5: Wow.

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Speaker 3: Fact that the parrot would mimic Jacob Jacob, Wow phenomena?

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Speaker 6: Is that?

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Speaker 3: Yeah? That's true story. Where did you hear that by

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Speaker 3: the news? News not come, I imagine great reputable.

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Speaker 1: Well I also got this on news dot com. It's

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Speaker 1: a parrot in Brazil has been taken into custody, into custody,

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Speaker 1: taken into custody for questioning. Well he can talk, damn him. Yeah,

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Speaker 1: he'll be questioned for for warning his drug dealing owner

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Speaker 1: that the cops were about to launch a raid.

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Speaker 3: No way.

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Speaker 1: Yeah, So apparently the cops are rocked up. The parent

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Speaker 1: sees them first, and the parents start saying my best

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Speaker 1: part voice mummy.

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Speaker 3: That's your best, parent, that that was your best didn't cookie? Monster?

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Speaker 3: Now go again?

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Speaker 1: He says the parents is mummy police. I can't do

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Speaker 1: it in the parent boys anymore.

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Speaker 3: I don't try. It's embarrassing.

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Speaker 1: Mummy police, Mummy police in Portuguese And apparently as soon

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Speaker 1: as they happen, obviously these guys knew that there were

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Speaker 1: cops out in the front who trained them to look

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Speaker 1: for police. Yells out, police are here. The guys bail

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Speaker 1: out the window and they got away, but they rested

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Speaker 1: the parrot. How good is that? Have we got a little.

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Speaker 3: Both good stories. I'm always say I'm against drugged feeling, obviously,

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Speaker 3: I don't know. I think it goes without sobviously how

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Speaker 3: clever craft tarrot at the front warning you of a

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Speaker 3: police right, I know, very crafty. We could think of

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Speaker 3: different ways to do that, like, you know, cleaner, more

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Speaker 3: ethical ways to do that. Maybe will of what.

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Speaker 1: Having a parrot at the front of your house so

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Speaker 1: you might warn you about your mum coming home, so

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Speaker 1: you clean things.

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Speaker 4: Here we go and there he is.

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Speaker 1: Yeah, yeah, rather.

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Speaker 3: Than helping out drug dealers escape now because we are

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Speaker 3: very against uh drug.

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Speaker 1: Dealing quite obviously. Anyway, he's the guy's got away parrot's

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Speaker 1: been arrested and it's looking at ten to twelve years

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Speaker 1: in jail. Yeah, squealed, he squawked. Should I say, get

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Speaker 1: you home? Mad person is going to join us up

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Speaker 1: for four thirty check where's we are. It's pretty brutal

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Speaker 1: what we're doing to him, but he deserves it. In

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Speaker 1: the meantime, though, Woods, it's a Monday, that's also the

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Speaker 1: end of school holidays, so you and I figure that

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Speaker 1: there are a lot of kids who have spent all

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Speaker 1: of their pocket money.

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Speaker 2: Have a dog.

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Speaker 4: You have a dog, well, pocket.

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Speaker 3: Money, rest assured, kids, if you have burned your pocket money,

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Speaker 3: which is exactly what you and I would have done,

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Speaker 3: well school, I would have burned him in the first

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Speaker 3: twelve hours of school holidays, rest assured, mate. Probably no,

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Speaker 3: not footy cards. Probably like a like a table to

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Speaker 3: set up my lemonade lemonade stand, because I was a

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Speaker 3: bit of an entrepreneur when I was a child. Will

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Speaker 3: but you know it to be an entrepreneur. Here's the thing.

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Speaker 3: You just got to call us on thirteen one oh

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Speaker 3: six five, kids, because now is a chance for you

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Speaker 3: to just top up your pocket money.

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Speaker 1: Yep.

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Speaker 3: All you got to do is call us and then

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Speaker 3: tell us why you need some more pocket money.

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Speaker 1: Yeah, that's right. And and in the spirit of fair

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Speaker 1: play here, Yeah, it's got to be a good reason.

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Speaker 1: I mean, we've we've pulled together our hard earned cash here.

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Speaker 3: Yeah, and full disclosure, it is the leftovers from lunch effectively,

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Speaker 3: that's rue.

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Speaker 1: That's well, don't laugh, because we haven't got any money

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Speaker 1: and we have to have lunch. And here we are

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Speaker 1: with the goodness of our heart, we've pulled together. I

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Speaker 1: think it's seventeen dollars and thirty cents today it.

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Speaker 3: Was twenty, but I bought a raw ball after lunch

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Speaker 3: treat myself on a Monday, so we sorry about that.

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Speaker 3: We have seventeen dollars thirty kids rule ball two dollars

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Speaker 3: and seventy It was absolutely bark and I thought that's

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Speaker 3: actually pretty good and it was deliciously.

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Speaker 4: Got a raw ball as well.

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Speaker 3: No, then we would have been fifteen dollars. That's embarrassing.

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Speaker 1: Yes, so seventeen dollars and thirty cents is the pool.

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Speaker 1: But you've got to convince us that you need the

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Speaker 1: pocket money. So just to get your head around at kids,

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Speaker 1: here's some other calls we've had and we have to

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Speaker 1: divvy it up, so haven't ok I.

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Speaker 6: Am looking on for saving us for at like a

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Speaker 6: like a hairy play person.

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Speaker 1: Harry Lego, Harry Potter Castle.

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Speaker 3: Okay, definitely the hot gendering nuts.

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Speaker 1: Oh, they're pretty good.

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Speaker 7: This is the reason I'm going to give it to

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Speaker 7: my older sister.

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Speaker 6: She's saving up to get a poppy to make it

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Speaker 6: in the systems dog.

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Speaker 1: Oh, we're giving you thirteen dollars and fifty cents, Cassie,

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Speaker 1: And that sounds bad at the end there that we

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Speaker 1: only gave her thirty and fifty, but that's all we

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Speaker 1: had left.

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Speaker 4: I ended up actually just.

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Speaker 1: Wiring her one hundred dollars on the side because I

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Speaker 1: felt bad for her.

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Speaker 3: He didn't, he's just trying to sound like a hero.

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Speaker 1: Go to a song thirty one oh six ' five

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Speaker 1: if you'd like to get your hands on our slim pool.

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Speaker 8: But nevertheless, a bit.

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Speaker 1: Of extra pocket money for you guys down there, if

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Speaker 1: you've already spent your pocket money at the end of

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Speaker 1: the holidays over the weekend, thirty mine or six miles

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Speaker 1: a phone number and get your hands on it. Right

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Speaker 1: up next, Matt Preston's joining us very very shortly. And yeah,

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Speaker 1: look he doesn't know it, but it's an episodes, did

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Speaker 1: Chap look forward to that tokyo a little bit later on.

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Speaker 1: But in the meantime wards, if you're a kid you've

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Speaker 1: spent your pocket money, either over the weekend or over

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Speaker 1: the school holidays, we've got a chance to top yourself

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Speaker 1: up again.

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Speaker 6: Yeah, have a dog a.

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Speaker 3: Pocket money for a national radio show. So where you've

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Speaker 3: got a national radio show's budget. Yes, that is seventeen

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Speaker 3: dollars thirty to give away to kids.

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Speaker 1: And it's not even our budget because we haven't got

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Speaker 1: a budget. But that's our cash, that's our lunch money

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Speaker 1: now left over there like here, we do this, but

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Speaker 1: we realize that it's cute and the people love cute wood.

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Speaker 4: I mean people love cute.

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Speaker 8: I love cute.

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Speaker 1: So I've got seventeen dollars thirty here, we've got to

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Speaker 1: divide it up between you guys, but you've got to

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Speaker 1: tell us why you deserve the pocket money.

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Speaker 3: Yeah, we've got marcros here. Hi, Marcris?

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Speaker 2: Hi?

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Speaker 3: How do you Marcrius?

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Speaker 2: I'm eleven eleven?

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Speaker 3: Okay, what do you want some money for? Marcris?

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Speaker 5: I want to buy some left over Easter eggs from

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Speaker 5: the stores since they're all going on sale.

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Speaker 3: That you're a genius, Marcris. That's that's that's barefoot investor stuff.

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Speaker 3: That's smart.

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Speaker 1: What do you mean why is it smart?

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Speaker 3: Because all the leftover Easter eggs that you get him

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Speaker 3: fifty percent off? Will you're a jay?

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Speaker 8: Do you know that?

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Speaker 3: Marcus? You're a genius. Thank you, You're welcome.

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Speaker 1: How much do you want Marcus to get down to

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Speaker 1: brass tacks out five dollars. That's outrageous, how much how

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Speaker 1: many ease drinks? Is five dollars going to get you thirty?

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Speaker 7: Ye?

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Speaker 3: Here's the thing, Marcus, give you two fifty. Well wait,

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Speaker 3: here's the thing, Marcros. If we give you two dollars thirty,

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Speaker 3: I've just got the belief that Marcus is going to

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Speaker 3: be an incredible businessman later in life. I truly believe

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Speaker 3: that he's getting these streaks fifty percent off. He's a genius. Marcus.

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Speaker 3: If we give you two dollars fifty, do you promise

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Speaker 3: to give us fifty percent of all the money you

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Speaker 3: ever make in your life after eighteen Yes, yes, have

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Speaker 3: two dollars fifty. Marcros have two dollars fifty. And that

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Speaker 3: is a legally binding contract. That is a verbal binding contract.

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Speaker 3: My people will call your people, Marcus. Where business.

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Speaker 1: No, no, no, no, it's a difference between partnerships and thievery.

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Speaker 1: And you're about to learn that. My friend Amelia is

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Speaker 1: called on thirty one and six five. Hey Amelia, Hi, Hi,

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Speaker 1: So we had seventeen dollars thirty to split amongst you

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Speaker 1: guys as your pocket money. We've now got wood.

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Speaker 3: How much of fourteen dollars ninety fourteen.

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Speaker 1: Dollars did you give them to? Fifty?

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Speaker 3: Sorry?

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Speaker 1: Carry the two there, big fellow, Amelia, Amelia, So we've

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Speaker 1: got fourteen dollars eighty What would you like the pocket

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Speaker 1: money for?

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Speaker 2: What?

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Speaker 1: You need to tell us what you deserve it for?

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Speaker 3: Mate, I'm saving it up for a budgy because my

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Speaker 3: other pet bird die.

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Speaker 1: Oh that is so I just gave Marcrus two fifteen.

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Speaker 9: Was crying forever.

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Speaker 1: Oh god, you kids now to players.

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Speaker 3: Don't you do well with your parents?

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Speaker 1: Are? How much do you want? Amelia?

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Speaker 3: As much as I can of course?

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Speaker 8: Oh my god?

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Speaker 3: This is how much does a budge? Amelia?

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Speaker 2: About fifteen dollars fifteen.

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Speaker 1: Fifty to fifty zero eight dollars? Okay, Amelia, Gee whizy.

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Speaker 1: I don't know why we do this anymore, because we're

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Speaker 1: damned if we don't damned, if we don't.

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Speaker 3: Know, I think we're we're doing good. Regardless of ount

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Speaker 3: money we give. Cash is cash, bill, That's what Richard

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Speaker 3: Branson always says. Cash is cash. Amelia, how does four

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Speaker 3: dollars eighty sound?

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Speaker 8: Give her?

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Speaker 7: Please?

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Speaker 6: Ten?

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Speaker 2: Yeah, that's all right.

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Speaker 1: No, boody, no, Amelia, we'll give you ten ten bucks.

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Speaker 3: Alright, we'll give me. That's all right, great stuff.

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Speaker 1: Over a dead paris bringing her down to bring her back.

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Speaker 1: We're not dealing with stockbrokers. We're dealing with children.

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Speaker 4: They need to learn the world of business.

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Speaker 3: Okay, so we've got four we've got four dollars later, Ada,

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Speaker 3: how are you going?

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Speaker 1: How long?

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Speaker 7: I'm going good?

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Speaker 4: You're going good?

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Speaker 1: How old are you later? I'm eight years old?

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Speaker 3: Eight years old. We've got we've got four dollars eighty left.

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Speaker 3: What are you wanting some money for? Aida?

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Speaker 10: I want to buy ice bocks for my friends.

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Speaker 3: That is a nice thing to do.

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Speaker 1: How many friends have.

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Speaker 5: You got, Ada, I've got four friends.

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Speaker 4: You've only got four.

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Speaker 3: Yeah, that's all right, that's that's more than Ada, I reckon. Yeah,

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Speaker 3: definitely good stuff. Uh okay. So if it's got four

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Speaker 3: friends for four friends, four archy poles?

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Speaker 1: Four? How much of the icy poles these days? Ada?

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Speaker 9: Ice box is one dollar?

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Speaker 3: You can have four four bucks? Mm hmmm, I'm just

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Speaker 3: giving you four dollars.

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Speaker 5: Master Cheffs, master chefs, the flam point King of Cravats.

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Speaker 3: Disgustingly good, always a trade.

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Speaker 8: What what are you not happy with your I was

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Speaker 8: one to hear the female hostging Matt Preston because that's

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Speaker 8: wigs and neither of you got a voice like that.

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Speaker 3: We've got to have a female presence in the show.

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Speaker 8: Yeah, you did really well with the voice, sober woman.

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Speaker 3: Thank you already produced.

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Speaker 1: Good to have you here.

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Speaker 8: It's great to be on will Woody and Mell again because.

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Speaker 1: We've had a bit of a salty start to our

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Speaker 1: relationship on the show.

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Speaker 8: Yeah, well it was. It all went so well in

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Speaker 8: the early days. You know, there's very well.

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Speaker 1: You and I had plans to go to a concert together.

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Speaker 8: I've I don't like the silence, by the way. It

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Speaker 8: always makes me nervous when you're trying to pluck up

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Speaker 8: the carriage to say what you're gonna say, you're trying

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Speaker 8: to put it in the least least offensive way possible.

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Speaker 8: That just just man up and give it to us.

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Speaker 1: I have forgotten an anniversary with my girlfriend, and you

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Speaker 1: got a girlfriend. I've got a girlfriend. Yeah, yeah, she's got.

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Speaker 3: A dog together. He's moved on from Mini from what

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Speaker 3: season three of Master Chef Mimi, sorry not Minni.

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Speaker 8: He was another one Mini Mini Mimmy.

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Speaker 1: She's a good friend.

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Speaker 8: But you kiss though, didn't you had a hookup? Will

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Speaker 8: you've said you hooked up?

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Speaker 1: It was a long time. A guy was a very

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Speaker 1: very long time.

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Speaker 8: Quickly the tables turn.

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Speaker 1: If you're listening, it was it was good fun. It

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Speaker 1: was good fun. Now missed out in the anniversary, Matt

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Speaker 1: and I think I need to spice it up a

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Speaker 1: little bit. It's three years. I was hoping you could

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Speaker 1: bring in a little bit that sled pool.

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Speaker 8: You've got.

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Speaker 3: Make a call to.

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Speaker 1: Verdemond, which is Shannon Bennett's restaurant. He's on Masters there

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Speaker 1: and there he was four years. For people that don't know,

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Speaker 1: I mean it pretty much the best restaurant Australia. It's

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Speaker 1: at the top of a really really tall building in Melbourne,

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Speaker 1: not to exactly which one, but very very tall building

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Speaker 1: in Melbourne. One of the best restaurants in Australia. And

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Speaker 1: essentially call them and get us a table for two

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Speaker 1: for tonight or no.

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Speaker 8: Would you say, would never do that? You're never in

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Speaker 8: the restaurant. You always text Shannon Beney.

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Speaker 1: Well, I was just thinking we just call the restaurant

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Speaker 1: right now.

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Speaker 8: Have you got a credit card in order to secure.

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Speaker 3: The But what what if, Matt, you also not only

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Speaker 3: do you get will a table but also get it

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Speaker 3: on the house?

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Speaker 8: Impossible to do.

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Speaker 1: That, that'sible.

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Speaker 8: There's nothing on the house. But the roof is the

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Speaker 8: old line.

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Speaker 1: I thought.

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Speaker 3: I thought Dmont was on the rooftop though, so technically.

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Speaker 8: It's still a roof.

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Speaker 2: On the top.

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Speaker 8: So yeah, we've got the weekend. Okay, why why don't

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Speaker 8: we wring them?

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Speaker 1: We'll call them now, Yeah, let's go's give them all

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Speaker 1: all right, beautiful, good luck, good luck.

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Speaker 5: Thank you for calling for Deemond, Louis Bar and few events.

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Speaker 5: We are located at level fifty five rialto at fifty

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Speaker 5: five Colin Street, Melbourne to make a reservation at Pudemont.

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Speaker 7: Please press one?

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Speaker 3: Did you press one?

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Speaker 8: Beautiful? Yeah, that's patience.

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Speaker 1: It's a big moment for me. This is Toby.

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Speaker 8: Hi, Toby, it's Matt pressing from master chef. How are

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Speaker 8: you good?

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Speaker 4: Thanks very well.

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Speaker 8: It's Shannon down at the moment is still stood up

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Speaker 8: a bush.

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Speaker 1: Shon's not here at the moment.

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Speaker 6: He's after greed.

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Speaker 8: Great, okay, yeah, I want to see if I get

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Speaker 8: a table for two tonight for a vi P friend

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Speaker 8: of mine is in the who's in the media, and

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Speaker 8: I wanted to see if you had any availability tonight

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Speaker 8: for two people. So so for tonight, Well, what what

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Speaker 8: about in the Louis Bar. They're one of those nice

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Speaker 8: tables in the Louis Bar, amazing view of the of

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Speaker 8: the docklands.

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Speaker 7: So what was Can you say your name again?

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Speaker 8: Sorry? Yeah, my name is Matt Preston. I was on

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Speaker 8: a show with Shannon Bennett for four years called Master Chef.

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Speaker 1: Can I can I put you on hold for a second?

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Speaker 6: I was going to chat the matridy quickly.

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Speaker 8: Thank you very much.

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Speaker 1: Jeez.

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Speaker 8: Yeah, well you know and understandably, like I said, it

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Speaker 8: could be anyone.

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Speaker 1: Well you know you did say Matt Preston massa if

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Speaker 1: you think you know?

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Speaker 8: Yeah, you know he works the whole time. He doesn't

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Speaker 8: know the Master Monday night at seventeen. Yeah, hello, sorry,

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Speaker 8: I'm the.

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Speaker 7: Matre deal also doesn't know Matt from my kitchen rules.

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Speaker 6: Is there is there any other way we can identify you?

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Speaker 1: Yeah?

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Speaker 8: Sure. If you look on my my my, my Instagram page,

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Speaker 8: it's Manu, not Matt, Manu, m a n Manu. I

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Speaker 8: think you will have my number. You will have my

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Speaker 8: number in your file. I think if you want charity

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Speaker 8: column fastest here, how about a table column fastening?

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Speaker 1: Is that digital producer from from out the.

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Speaker 8: Yeah, you know what. The moment the moment not like

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Speaker 8: very very funny, very funny. By the way, by the way,

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Speaker 8: I'll just texted Shannon Benett, You're never get to the tables.

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Speaker 1: Much appreciated, Very good Matt, thanks for coming in, as

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Speaker 1: I said, mast Cheff Premiere seven Digital, Thanks back. I

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00:18:59,680 --> 00:19:04,840
Speaker 1: want to couple people. If you're listening, should you have

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Speaker 1: to tell your partner that you're being hit on? We'll

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Speaker 1: get to the birds of Tokyo fun. But you know

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Speaker 1: I like to Jez get the hands dirty and dissect

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Speaker 1: the issues. Now. The reason I bring this up is

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00:19:20,240 --> 00:19:23,159
Speaker 1: because a friend, a friend of ours, and where we

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Speaker 1: where we were listening to this conversation. He was telling

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Speaker 1: us let's call him Sean for the sake of the story.

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00:19:29,680 --> 00:19:34,280
Speaker 1: Sean was telling us that he was getting messages from

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Speaker 1: a girl.

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Speaker 3: Yep, a girl that he had met at a music

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Speaker 3: do a do and that's.

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Speaker 1: He said that he hit it off. She then goes

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Speaker 1: on to send her a message and this actually happened

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Speaker 1: while we were talking to him about this, she sent

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Speaker 1: a message saying still out question mark, which for all

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Speaker 1: the kids in the car is code for still out

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Speaker 1: or still a question mark? Is I want to be

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Speaker 1: on you? And yeah, it's true. Yeah, And we we

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Speaker 1: pulled him up on this, We said, mate, you know,

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Speaker 1: I don't know if that's okay. His defense, which and

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Speaker 1: this is why I want to talk about it. On

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Speaker 1: thirteen one and sixty five. His defense was that he

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Speaker 1: knew he could tell what was going on. It was

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Speaker 1: obvious that she was flirting with him, but he said

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Speaker 1: that he was in control of the situation, like he

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Speaker 1: knew that he wasn't going to let it get anywhere.

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Speaker 1: And he said that it was actually beneficial for him

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Speaker 1: in his relationship that he didn't pass that on to

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Speaker 1: his partner because that would just create issues which he

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Speaker 1: was in control of, so it didn't need to open

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Speaker 1: up that can of worms.

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Speaker 3: Yeah, he was like, that'll make an issue, where in

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Speaker 3: his view, there is no issue. Yes, now I agree

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Speaker 3: to an extent with what he said. Yeah, I think

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Speaker 3: a little bit of casual flirting with other people when

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Speaker 3: you're in a relationship is okay. And I don't think

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00:21:04,160 --> 00:21:06,920
Speaker 3: you do need to talk about every single time you

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Speaker 3: have a little.

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Speaker 1: Bit of you make any his on. Yeah.

448
00:21:10,880 --> 00:21:15,200
Speaker 3: So say if I did have, for example, a local

449
00:21:15,240 --> 00:21:19,480
Speaker 3: cafe where I knew that the barista at the local

450
00:21:19,520 --> 00:21:21,280
Speaker 3: cafe was was flirting with me, but it.

451
00:21:21,240 --> 00:21:22,520
Speaker 4: Was a bit of a treat for me, like like

452
00:21:22,520 --> 00:21:23,600
Speaker 4: the one at the bottom of this building.

453
00:21:24,400 --> 00:21:26,320
Speaker 3: Well, it's a male barista, and I don't think he's

454
00:21:26,320 --> 00:21:26,960
Speaker 3: flirting with me.

455
00:21:27,119 --> 00:21:29,520
Speaker 4: No, no, the women, but the girls were behind the cabinet.

456
00:21:29,680 --> 00:21:35,280
Speaker 3: They do call me sweet they do call me sweet boy. Okay,

457
00:21:35,320 --> 00:21:37,480
Speaker 3: let's think about it, and let's in this hypothetical put

458
00:21:37,520 --> 00:21:41,480
Speaker 3: me into a relationship. I wouldn't go home and say, hey, girlfriend,

459
00:21:41,680 --> 00:21:44,280
Speaker 3: yes the girls at the cafe, my god, are they

460
00:21:44,280 --> 00:21:46,320
Speaker 3: flirting with me? But if they sent me a message,

461
00:21:46,359 --> 00:21:47,800
Speaker 3: if they had my number and they sent a message

462
00:21:47,840 --> 00:21:50,200
Speaker 3: at midnight on Saturday night saying you up, I would

463
00:21:50,200 --> 00:21:50,880
Speaker 3: tell my girlfriend.

464
00:21:51,960 --> 00:21:52,320
Speaker 8: Yeah.

465
00:21:52,560 --> 00:21:56,239
Speaker 1: Because so I've been in this situation before where I

466
00:21:56,320 --> 00:22:02,040
Speaker 1: had I had someone calling me at wrong times of

467
00:22:02,080 --> 00:22:03,879
Speaker 1: the night, like two golong in the morning, and I

468
00:22:03,960 --> 00:22:05,960
Speaker 1: knew it was going on, but I was I was

469
00:22:06,000 --> 00:22:08,080
Speaker 1: in our friend Sean's position as well, where I was like, look,

470
00:22:08,080 --> 00:22:08,800
Speaker 1: this is under control.

471
00:22:08,880 --> 00:22:09,880
Speaker 4: That thing's going to happen here.

472
00:22:10,200 --> 00:22:13,640
Speaker 1: I'm very in love, I'm very happy. But I went

473
00:22:13,680 --> 00:22:16,840
Speaker 1: down the same path, which was I may as well

474
00:22:16,880 --> 00:22:19,239
Speaker 1: not tell her because there's just a whole issue and

475
00:22:19,320 --> 00:22:21,800
Speaker 1: I just can't be bothered with those two girls having

476
00:22:21,800 --> 00:22:28,280
Speaker 1: issues with each other, so I chose not to. Don't

477
00:22:28,280 --> 00:22:28,960
Speaker 1: you judge me?

478
00:22:29,200 --> 00:22:30,600
Speaker 3: Well, jun Mine, man, you're a bit.

479
00:22:30,560 --> 00:22:31,080
Speaker 8: Of a big.

480
00:22:33,560 --> 00:22:36,640
Speaker 1: But my girlfriend said to me like she wasn't. My girl,

481
00:22:36,680 --> 00:22:39,080
Speaker 1: marent is incredibly reasonable, And yeah, Sam said to me,

482
00:22:39,080 --> 00:22:42,680
Speaker 1: and she said, I My test for that, she said,

483
00:22:43,000 --> 00:22:46,800
Speaker 1: is if you had have sat me down and talked

484
00:22:46,840 --> 00:22:49,240
Speaker 1: me through what the messages were or when the phone

485
00:22:49,240 --> 00:22:53,000
Speaker 1: calls were, would I have been upset about that? And

486
00:22:53,080 --> 00:22:55,520
Speaker 1: I think that when you have your casual flirting or whatever,

487
00:22:55,760 --> 00:22:57,280
Speaker 1: it's a good thing to run through your mind. Like

488
00:22:57,320 --> 00:23:00,680
Speaker 1: if my partner was watching me have this conversation, would

489
00:23:00,720 --> 00:23:03,840
Speaker 1: they be okay with how I've acted that? If I

490
00:23:03,960 --> 00:23:06,720
Speaker 1: showed my partner that verbati and what the tech said,

491
00:23:06,840 --> 00:23:09,600
Speaker 1: would they be okay with it? But I don't know,

492
00:23:09,720 --> 00:23:11,720
Speaker 1: maybe that would create more issues. Thirty one and six

493
00:23:11,760 --> 00:23:13,679
Speaker 1: five's a phone number I love to hear from you guys.

494
00:23:14,080 --> 00:23:16,000
Speaker 1: Do you have to tell your partner you're being hit on?

495
00:23:16,040 --> 00:23:18,240
Speaker 1: And what's the threshold? As you said Woods, there's a

496
00:23:18,240 --> 00:23:20,440
Speaker 1: couple of women behind the counter calling you sweet boy,

497
00:23:21,480 --> 00:23:24,520
Speaker 1: sweet guy, sweet guy? Does that amount? Does that amount?

498
00:23:25,080 --> 00:23:30,840
Speaker 1: Does that amount? To be hit on? Next? Should you

499
00:23:30,880 --> 00:23:33,000
Speaker 1: have to tell your partner that you're being hit on?

500
00:23:33,080 --> 00:23:36,080
Speaker 1: That's are asking. Sarah is called Sarah, what are you reckon?

501
00:23:37,240 --> 00:23:37,480
Speaker 2: Yeah?

502
00:23:37,640 --> 00:23:41,159
Speaker 6: Look, I think it's totally fine. You know, I go

503
00:23:41,320 --> 00:23:43,960
Speaker 6: out and I get hit on, and I come home

504
00:23:44,000 --> 00:23:45,960
Speaker 6: the next day and to my husband and we laugh

505
00:23:46,040 --> 00:23:48,119
Speaker 6: about it, and he goes on, did you least get

506
00:23:48,160 --> 00:23:50,680
Speaker 6: a please drink out of it? If we trust one

507
00:23:50,680 --> 00:23:51,200
Speaker 6: another other?

508
00:23:52,080 --> 00:23:55,960
Speaker 1: Yes, once it's open and you kind of put it

509
00:23:55,960 --> 00:23:57,600
Speaker 1: out there, it takes a sting out of it.

510
00:23:57,960 --> 00:24:01,159
Speaker 3: And exactly it takes. That's the way any naughtiness in it,

511
00:24:01,160 --> 00:24:03,040
Speaker 3: doesn't it if you're so open about it. Yeah, it's

512
00:24:03,040 --> 00:24:04,239
Speaker 3: a really good points there, and it sounds that you've

513
00:24:04,240 --> 00:24:07,160
Speaker 3: got a really comfortable, secure relationship. So well done.

514
00:24:07,720 --> 00:24:08,760
Speaker 1: I feel like you just crusted it.

515
00:24:09,119 --> 00:24:09,320
Speaker 6: Yeah.

516
00:24:09,480 --> 00:24:13,040
Speaker 1: So I don't even know if any more calls into

517
00:24:13,119 --> 00:24:15,119
Speaker 1: so can I just say there would be some guys

518
00:24:15,160 --> 00:24:16,600
Speaker 1: and I would put my hand up and say that

519
00:24:16,640 --> 00:24:17,560
Speaker 1: I'm one of them.

520
00:24:17,600 --> 00:24:21,280
Speaker 3: That because of my insecurities, I would hate waking up

521
00:24:21,320 --> 00:24:23,479
Speaker 3: every Sunday morning and hearing about the guys that hit

522
00:24:23,520 --> 00:24:26,240
Speaker 3: on my girlfriend. And that's my cross to bed, that's

523
00:24:26,240 --> 00:24:28,720
Speaker 3: my problem. But I would I would say to my

524
00:24:28,760 --> 00:24:31,720
Speaker 3: girlfriend at the time, I don't need to hear about

525
00:24:31,720 --> 00:24:33,160
Speaker 3: all the guys that are hitting on you. I would

526
00:24:33,240 --> 00:24:34,240
Speaker 3: rather you just keep that on you.

527
00:24:34,520 --> 00:24:37,040
Speaker 1: Okay, But that that creates more issues than woods, as

528
00:24:37,040 --> 00:24:39,199
Speaker 1: we said, because there's more stuff in the dark that

529
00:24:39,240 --> 00:24:43,280
Speaker 1: you're not hearing about that stews and becomes a bit toxic.

530
00:24:43,440 --> 00:24:45,960
Speaker 3: No, because I still trust my girlfriend. I just don't

531
00:24:46,000 --> 00:24:47,960
Speaker 3: need to hear how many guys are hitting on it.

532
00:24:48,720 --> 00:24:50,720
Speaker 1: Right, Okay, Well you've tempted me to go to another

533
00:24:50,760 --> 00:24:53,439
Speaker 1: call kid. Sarah had clocked it. Jacob, how are you?

534
00:24:54,119 --> 00:24:54,359
Speaker 2: Yeah?

535
00:24:54,359 --> 00:24:57,040
Speaker 1: Good, thank You've had a little bit of experience with this, Mike.

536
00:24:57,920 --> 00:25:01,959
Speaker 6: Yeah, Sunday morning, you share about four thirty five o'clock.

537
00:25:02,040 --> 00:25:04,680
Speaker 3: Yeah, come up to me and asked me or said

538
00:25:04,720 --> 00:25:07,399
Speaker 3: she was going skinny different, Oh my goodness, gracious in

539
00:25:07,440 --> 00:25:07,879
Speaker 3: the morning.

540
00:25:08,640 --> 00:25:09,199
Speaker 2: Yeah, she was.

541
00:25:09,560 --> 00:25:11,439
Speaker 3: It was cold. She was sort of hitting at me

542
00:25:11,800 --> 00:25:13,520
Speaker 3: to go over there, and I was it's all good

543
00:25:13,520 --> 00:25:16,160
Speaker 3: a girlfriend, and I was, now, we're right to see

544
00:25:16,200 --> 00:25:18,159
Speaker 3: the way I ever told the misses and she just

545
00:25:18,240 --> 00:25:21,760
Speaker 3: laughed about it. So I think that definitely one of

546
00:25:21,760 --> 00:25:23,840
Speaker 3: those ones that you should tell your partner about. And well,

547
00:25:24,960 --> 00:25:26,800
Speaker 3: obviously good that you said no to the to the

548
00:25:27,200 --> 00:25:32,919
Speaker 3: did yeah race? Jacob? He said it was tempting?

549
00:25:34,720 --> 00:25:38,480
Speaker 1: What Jacob, sorry, I assume you're Where were you when

550
00:25:38,680 --> 00:25:39,880
Speaker 1: you're on the boat? Did you say?

551
00:25:40,520 --> 00:25:42,480
Speaker 6: Now? I'm frightened here?

552
00:25:42,640 --> 00:25:44,879
Speaker 1: You want to peer? What the hell was a woman

553
00:25:44,920 --> 00:25:47,200
Speaker 1: doing skinny? Did were at four thirty in the morning?

554
00:25:47,760 --> 00:25:49,359
Speaker 8: I do not know? Right?

555
00:25:49,480 --> 00:25:50,879
Speaker 3: That is an interesting morning, isn't it all?

556
00:25:51,240 --> 00:25:52,280
Speaker 1: Just a very interesting story?

557
00:25:52,320 --> 00:25:57,160
Speaker 3: Thanks Jacob? He did the right thing, though, Jacob fancy

558
00:25:57,240 --> 00:25:57,920
Speaker 3: and skinny dip.

559
00:25:58,119 --> 00:26:01,480
Speaker 1: I would have loved to see this at four thirty

560
00:26:01,520 --> 00:26:04,040
Speaker 1: in the morning on the bright and beer Julia's Gold

561
00:26:05,080 --> 00:26:07,320
Speaker 1: five Julia. I feel like both of the people that

562
00:26:07,320 --> 00:26:11,800
Speaker 1: are called haven't quite ticked off the scenario where there's

563
00:26:11,800 --> 00:26:16,000
Speaker 1: a where there's a consistent flirting going on that might

564
00:26:16,040 --> 00:26:17,679
Speaker 1: create some sort of guilt or trouble.

565
00:26:17,680 --> 00:26:17,920
Speaker 8: What are you?

566
00:26:18,040 --> 00:26:19,800
Speaker 1: What are your thoughts? I'm telling your partner about that?

567
00:26:20,920 --> 00:26:23,399
Speaker 6: Basically? Okay, So you guys need a real woman just

568
00:26:23,560 --> 00:26:27,800
Speaker 6: to set this straight, because I'm a real woman.

569
00:26:27,840 --> 00:26:28,480
Speaker 10: I'm all woman.

570
00:26:29,240 --> 00:26:32,119
Speaker 6: But everyone's missed the point number.

571
00:26:33,640 --> 00:26:34,160
Speaker 7: Number one.

572
00:26:34,240 --> 00:26:36,240
Speaker 6: Why has he got her phone number? Why are they

573
00:26:36,280 --> 00:26:37,040
Speaker 6: texting each other?

574
00:26:37,720 --> 00:26:39,719
Speaker 1: My friend? Okay, this is my friend? Okay, so they

575
00:26:39,720 --> 00:26:42,240
Speaker 1: were made on Facebook already and then you can just

576
00:26:42,359 --> 00:26:43,400
Speaker 1: hit somebody up my messenger.

577
00:26:43,480 --> 00:26:45,320
Speaker 3: So that was okay, that's all right.

578
00:26:46,119 --> 00:26:48,800
Speaker 6: The flirting is one thing, but if they're constantly texting

579
00:26:48,840 --> 00:26:52,040
Speaker 6: each other, that's going that's crossing the line. He needs

580
00:26:52,040 --> 00:26:59,720
Speaker 6: to freaking stop texting her because he's loving the attention. Yeah, seriously, stops.

581
00:27:00,160 --> 00:27:03,920
Speaker 6: It's going to go further. And if it's her doing it,

582
00:27:04,200 --> 00:27:05,280
Speaker 6: he wouldn't like it either.

583
00:27:05,359 --> 00:27:06,760
Speaker 1: Yeah, that's one thing.

584
00:27:07,520 --> 00:27:10,679
Speaker 6: There's one thing flirting. If you see someone you smile.

585
00:27:11,040 --> 00:27:13,480
Speaker 6: Guys are texting this, Guys are talking. Guys are going

586
00:27:13,520 --> 00:27:14,920
Speaker 6: to get something more.

587
00:27:15,040 --> 00:27:18,200
Speaker 1: Back and forth. Messaging flirting flirting messaging back and forth

588
00:27:18,280 --> 00:27:21,159
Speaker 1: is I think definitely a danger area. I think in general,

589
00:27:21,400 --> 00:27:22,760
Speaker 1: there's effort going both ways.

590
00:27:22,920 --> 00:27:25,240
Speaker 6: Yeah, he needs to be a real man and say,

591
00:27:25,320 --> 00:27:27,840
Speaker 6: you know what, I'm in a relationship. I don't want

592
00:27:27,840 --> 00:27:29,920
Speaker 6: to be doing this. He needs to be a.

593
00:27:29,880 --> 00:27:32,359
Speaker 3: Real man, I like it, Julia, No, I think I

594
00:27:32,440 --> 00:27:33,000
Speaker 3: like your passion.

595
00:27:33,040 --> 00:27:33,359
Speaker 1: Julia?

596
00:27:34,960 --> 00:27:35,159
Speaker 8: Do it?

597
00:27:35,200 --> 00:27:37,679
Speaker 3: Do you do you think it's possible for people of

598
00:27:37,880 --> 00:27:40,159
Speaker 3: opposite sexes to be friends, like so they would be

599
00:27:40,160 --> 00:27:41,280
Speaker 3: texting each other all the time.

600
00:27:42,000 --> 00:27:44,240
Speaker 6: Okay, but being friends is not going to be going.

601
00:27:44,280 --> 00:27:46,760
Speaker 6: Are you still are.

602
00:27:48,359 --> 00:27:48,879
Speaker 3: Julia?

603
00:27:48,960 --> 00:27:51,120
Speaker 1: I agree? I agree, mate, I think you're right.

604
00:27:51,160 --> 00:27:51,800
Speaker 3: I've spoken.

605
00:27:51,840 --> 00:27:54,040
Speaker 1: As soon as there's words along the lines of are

606
00:27:54,040 --> 00:27:56,920
Speaker 1: you still out at eleven o'clock twelve o'clock on a

607
00:27:56,960 --> 00:27:59,480
Speaker 1: Friday night, you need to be telling the person that

608
00:27:59,480 --> 00:28:00,960
Speaker 1: you're with it in those text messages.

609
00:28:01,160 --> 00:28:01,360
Speaker 8: Yep.

610
00:28:01,440 --> 00:28:03,560
Speaker 3: I like Julia's passion. That was good, that's gee.

611
00:28:03,640 --> 00:28:05,879
Speaker 1: She was great? Was it came in hot? Jesus had

612
00:28:05,880 --> 00:28:07,840
Speaker 1: a few people coming pretty hot? The didn't we? We

613
00:28:07,880 --> 00:28:09,040
Speaker 1: had truth Almighty.

614
00:28:08,720 --> 00:28:10,720
Speaker 3: Jacob getting off with skinny Dips at four thirty in

615
00:28:10,760 --> 00:28:14,240
Speaker 3: the morning. It was an amazing five minutes of radio.

616
00:28:15,920 --> 00:28:18,440
Speaker 3: Let's talk about what you slept at mine on Saturday night?

617
00:28:19,720 --> 00:28:23,800
Speaker 3: The boys weren't back Saturday night. You had to sleep

618
00:28:23,840 --> 00:28:24,560
Speaker 3: over at mine?

619
00:28:24,760 --> 00:28:25,120
Speaker 8: We did.

620
00:28:25,160 --> 00:28:26,560
Speaker 1: We We had a good time.

621
00:28:26,720 --> 00:28:29,000
Speaker 3: I haven't what Why did you sleep in?

622
00:28:29,080 --> 00:28:29,359
Speaker 8: Mind?

623
00:28:30,200 --> 00:28:32,879
Speaker 3: When we've got to tell anyone what happened doesn't matter.

624
00:28:33,560 --> 00:28:34,200
Speaker 1: It doesn't matter.

625
00:28:34,760 --> 00:28:36,560
Speaker 3: No, No, I think it does because I think when

626
00:28:36,680 --> 00:28:39,520
Speaker 3: you hear that, you know obviously things something's happened, and

627
00:28:39,680 --> 00:28:40,240
Speaker 3: nothing happened.

628
00:28:40,280 --> 00:28:43,640
Speaker 1: I just thought it spent a bit of time with you.

629
00:28:43,640 --> 00:28:46,280
Speaker 1: You know, you're a bit lonely in your apartment, and

630
00:28:46,360 --> 00:28:48,000
Speaker 1: I just thought we'd spent a bit of time together.

631
00:28:48,320 --> 00:28:50,280
Speaker 3: Well, I don't know, when you just rock up at

632
00:28:50,280 --> 00:28:52,720
Speaker 3: ten thirty on a Saturday night, it smells to me

633
00:28:52,880 --> 00:28:59,560
Speaker 3: like there was a little bit of doghouse. It's just

634
00:28:59,680 --> 00:29:02,080
Speaker 3: it's just what it sensed or felt like for me.

635
00:29:02,200 --> 00:29:02,880
Speaker 3: Happy to have you.

636
00:29:02,920 --> 00:29:04,360
Speaker 1: No, no, no, no, nothing like that.

637
00:29:04,400 --> 00:29:04,960
Speaker 2: It was all good.

638
00:29:05,080 --> 00:29:05,840
Speaker 8: It's all good, mate.

639
00:29:05,840 --> 00:29:07,760
Speaker 1: I just came around to say good e.

640
00:29:08,400 --> 00:29:10,040
Speaker 3: Surely there's more to it than that July. There's a

641
00:29:10,040 --> 00:29:10,440
Speaker 3: little bit of.

642
00:29:10,440 --> 00:29:13,800
Speaker 1: A story here, Yes, there is, obviously, Yeah, lot of

643
00:29:13,880 --> 00:29:15,240
Speaker 1: we let's talk about it joking.

644
00:29:15,720 --> 00:29:16,680
Speaker 3: No, I think I told you.

645
00:29:16,720 --> 00:29:18,520
Speaker 1: I don't want to talk about this, mate, I told

646
00:29:18,560 --> 00:29:20,840
Speaker 1: you earlier, and I wish we had gone to a

647
00:29:20,880 --> 00:29:22,720
Speaker 1: song earlier. I was trying to point at you, Maddie.

648
00:29:23,120 --> 00:29:25,720
Speaker 3: Yeah, no, hang on, we filmed on my first date.

649
00:29:26,680 --> 00:29:27,720
Speaker 1: This is this is my life.

650
00:29:27,720 --> 00:29:29,240
Speaker 3: So we're not to talk about a little tiff you've

651
00:29:29,240 --> 00:29:30,000
Speaker 3: had with your partner.

652
00:29:30,720 --> 00:29:33,680
Speaker 1: If I'm going over to your house and staying with

653
00:29:33,800 --> 00:29:36,760
Speaker 1: you at ten thirty on a Saturday night, Mate, I'm sorry.

654
00:29:38,200 --> 00:29:38,800
Speaker 1: That's enough.

655
00:29:43,000 --> 00:29:45,320
Speaker 3: Not bad, not a bad performance. I mean, did it

656
00:29:45,440 --> 00:29:49,080
Speaker 3: sound awkward? That was pretty good, you know. I mean,

657
00:29:49,160 --> 00:29:52,640
Speaker 3: I'd love to hear if people out there may have

658
00:29:52,680 --> 00:29:54,480
Speaker 3: bought that reason I've done that. By the way, Sorry,

659
00:29:54,480 --> 00:29:56,440
Speaker 3: if you have just been listening, it sounded super awkward,

660
00:29:56,960 --> 00:30:00,960
Speaker 3: being uncomfortable here. We'll just noticed on news dot com. Well, yeah,

661
00:30:01,280 --> 00:30:03,840
Speaker 3: every story that gets it's a clickbait sort of story

662
00:30:03,840 --> 00:30:06,680
Speaker 3: that you know, TV host loses it or.

663
00:30:06,760 --> 00:30:09,560
Speaker 1: Yeah that's right. You know the radio hosts erupts, and

664
00:30:09,840 --> 00:30:12,640
Speaker 1: they've got all these great tensions in their shows. Yes,

665
00:30:12,680 --> 00:30:14,320
Speaker 1: and you know, you and I just we don't have

666
00:30:14,400 --> 00:30:17,040
Speaker 1: enough fights. No, no, not a lot of times you

667
00:30:17,080 --> 00:30:18,720
Speaker 1: listen to our show and you're like, wow, the boys

668
00:30:18,720 --> 00:30:20,400
Speaker 1: are really going hammer and tong.

669
00:30:20,520 --> 00:30:22,680
Speaker 4: So so we just we thought we'd mock one up.

670
00:30:22,880 --> 00:30:24,920
Speaker 3: Yeah, and and hopefully you guys believed it out there

671
00:30:24,920 --> 00:30:26,360
Speaker 3: in your cars. And I just love to hear thirty

672
00:30:26,400 --> 00:30:28,480
Speaker 3: one or six fives the number I love it. Did

673
00:30:28,480 --> 00:30:30,160
Speaker 3: you did you did you enjoy that?

674
00:30:30,640 --> 00:30:30,840
Speaker 2: Yeah?

675
00:30:31,120 --> 00:30:32,280
Speaker 3: What did you think were your driving?

676
00:30:32,440 --> 00:30:33,160
Speaker 2: Go geez?

677
00:30:33,560 --> 00:30:35,600
Speaker 1: I mean have a listen to have listened to the boys,

678
00:30:35,680 --> 00:30:37,280
Speaker 1: Oh god, it's getting a bit, you know, getting a

679
00:30:37,280 --> 00:30:38,200
Speaker 1: bit hot in the kitchen.

680
00:30:38,280 --> 00:30:39,720
Speaker 3: And then I'm I listening to Willan. What do you

681
00:30:39,840 --> 00:30:40,880
Speaker 3: the bachelor in Paradise?

682
00:30:41,000 --> 00:30:44,600
Speaker 1: You know, yeah, paradise. But that's pretty good.

683
00:30:44,640 --> 00:30:46,520
Speaker 3: Chance got a tension in it.

684
00:30:47,000 --> 00:30:49,880
Speaker 1: We're trying to crate some clickbait. So so if you

685
00:30:49,920 --> 00:30:52,479
Speaker 1: listen to that, did you think was it?

686
00:30:52,520 --> 00:30:52,960
Speaker 3: Was it good?

687
00:30:53,080 --> 00:30:53,960
Speaker 1: Would you click on it?

688
00:30:54,360 --> 00:30:54,560
Speaker 8: Yeah?

689
00:30:54,600 --> 00:30:55,240
Speaker 3: Yeah, good question?

690
00:30:55,400 --> 00:30:57,200
Speaker 1: Would you click on that? If we saw a headline

691
00:30:57,240 --> 00:30:59,240
Speaker 1: like with our faces and you know, me going like,

692
00:30:59,280 --> 00:31:01,120
Speaker 1: oh don't me about the doghouse?

693
00:31:01,280 --> 00:31:01,480
Speaker 7: Yeah?

694
00:31:01,520 --> 00:31:03,000
Speaker 4: Yeah, would you click on it?

695
00:31:03,000 --> 00:31:06,959
Speaker 3: Thirty one and six foot impersonation of you then exactly

696
00:31:07,000 --> 00:31:07,480
Speaker 3: what you were like?

697
00:31:09,280 --> 00:31:11,880
Speaker 1: Sorry if we alarmed you as well? Yeah, a lot

698
00:31:11,880 --> 00:31:13,600
Speaker 1: of it.

699
00:31:13,680 --> 00:31:15,960
Speaker 3: Well I'm keen to here actually trying to make it

700
00:31:16,000 --> 00:31:17,920
Speaker 3: as real as we could. Yeah, and maybe people maybe

701
00:31:17,960 --> 00:31:19,200
Speaker 3: you want to cause and just going no, boys, I

702
00:31:19,200 --> 00:31:21,000
Speaker 3: didn't bit at all. I knew you were I knew

703
00:31:21,000 --> 00:31:22,800
Speaker 3: you were lying. I want to hear that as well.

704
00:31:22,800 --> 00:31:24,600
Speaker 3: Thirty one and six fight because if this was entertaining,

705
00:31:24,680 --> 00:31:27,040
Speaker 3: we can have more We could fight where you can

706
00:31:27,120 --> 00:31:30,320
Speaker 3: have more fights. Oh it's for thirty fivey you know

707
00:31:30,880 --> 00:31:32,960
Speaker 3: for forty five.

708
00:31:33,560 --> 00:31:35,600
Speaker 1: Yeah, well we'll think about the name, about the name

709
00:31:35,640 --> 00:31:37,280
Speaker 1: of it, but we want to have a fight segment.

710
00:31:37,360 --> 00:31:40,080
Speaker 1: So yeah, I give us a call. Was that good clickbait?

711
00:31:40,080 --> 00:31:42,640
Speaker 1: We're talking about thirty one six? Sorry for alarming you

712
00:31:42,720 --> 00:31:46,400
Speaker 1: on a Monday night. If you just joined us, you

713
00:31:46,480 --> 00:31:48,880
Speaker 1: might have heard something you wouldn't normally hear on this show,

714
00:31:49,360 --> 00:31:52,760
Speaker 1: and we're trying something different. You asked me woods about

715
00:31:53,280 --> 00:31:56,280
Speaker 1: staying over at your place on Saturday nights, suggesting that

716
00:31:56,320 --> 00:31:58,520
Speaker 1: I might have had a fight with my girlfriend. And

717
00:31:58,640 --> 00:32:00,560
Speaker 1: here's here's how it out sounded.

718
00:32:01,000 --> 00:32:02,840
Speaker 3: Surely there's more to it than that. There's a little

719
00:32:02,840 --> 00:32:03,120
Speaker 3: bit of.

720
00:32:03,040 --> 00:32:06,080
Speaker 1: A story here, Yes, there is, obviously. Are you joking?

721
00:32:06,600 --> 00:32:06,719
Speaker 8: No?

722
00:32:06,760 --> 00:32:07,600
Speaker 3: I think I told you.

723
00:32:07,600 --> 00:32:09,400
Speaker 1: I don't want to talk about this, mate, Yeah, no,

724
00:32:09,520 --> 00:32:12,960
Speaker 1: hang on, we filmed on my first this is this

725
00:32:13,000 --> 00:32:14,360
Speaker 1: is my life talking.

726
00:32:14,200 --> 00:32:15,880
Speaker 3: About a little tiff you've had with your partner.

727
00:32:16,520 --> 00:32:19,520
Speaker 1: If I'm going over to your house and staying with

728
00:32:19,600 --> 00:32:24,320
Speaker 1: you at ten thirty on a Saturday night, mate, So we.

729
00:32:24,200 --> 00:32:25,239
Speaker 3: Were doing pretend he's there.

730
00:32:25,320 --> 00:32:28,920
Speaker 1: Yes, sorry, yeah, and this is this is a little

731
00:32:28,920 --> 00:32:32,000
Speaker 1: bit annoyingly. We don't have fights on our show.

732
00:32:32,440 --> 00:32:33,880
Speaker 3: Yes, yes, so yeah.

733
00:32:33,800 --> 00:32:36,120
Speaker 1: They kill like they're killing. We need good people, we

734
00:32:36,120 --> 00:32:38,920
Speaker 1: need some pr and yah. I'm sure anybody that browses

735
00:32:38,960 --> 00:32:41,640
Speaker 1: the news site these days you see oh TV show

736
00:32:41,720 --> 00:32:44,600
Speaker 1: host or ups radio shows, and we haven't got that

737
00:32:44,600 --> 00:32:45,320
Speaker 1: that tension.

738
00:32:45,560 --> 00:32:46,360
Speaker 3: Yes, exactly.

739
00:32:46,480 --> 00:32:48,280
Speaker 4: So we mocked up a bit of a fight.

740
00:32:50,160 --> 00:32:53,760
Speaker 1: Just to see whether it was good, whether it was byable.

741
00:32:53,920 --> 00:32:55,600
Speaker 3: Yeah, that's right. So I've actually the call on thirteen

742
00:32:55,600 --> 00:32:57,280
Speaker 3: one or six five? Did you buy the fight we

743
00:32:57,360 --> 00:32:58,840
Speaker 3: just had? And yet did you enjoy it? We got

744
00:32:58,920 --> 00:33:03,640
Speaker 3: Chelsea here, Chelsea, Hey, guys, did you believe it? Chelse?

745
00:33:04,320 --> 00:33:05,280
Speaker 7: I do believe it.

746
00:33:05,320 --> 00:33:07,800
Speaker 6: I just got in my car after doing the groceries.

747
00:33:08,120 --> 00:33:12,200
Speaker 6: You mid conversation and I'm like, surely this is not happening. Guys,

748
00:33:12,240 --> 00:33:14,160
Speaker 6: like and this could embarrass yourself like that.

749
00:33:14,880 --> 00:33:16,000
Speaker 1: We had a real go, didn't we?

750
00:33:16,000 --> 00:33:16,560
Speaker 4: So you bought it?

751
00:33:16,600 --> 00:33:19,280
Speaker 1: So, Chelsea, if you saw that on a news website

752
00:33:19,400 --> 00:33:21,520
Speaker 1: like you click on you click on that story, you'd

753
00:33:21,560 --> 00:33:23,040
Speaker 1: be like, oh, will and what are you massive?

754
00:33:23,120 --> 00:33:23,440
Speaker 8: Tif?

755
00:33:24,320 --> 00:33:24,880
Speaker 6: Yeah?

756
00:33:26,360 --> 00:33:27,560
Speaker 3: Maybe not maybe maybe?

757
00:33:29,040 --> 00:33:29,080
Speaker 5: No?

758
00:33:29,440 --> 00:33:31,440
Speaker 6: You know what My problem would click on it. Especially

759
00:33:31,520 --> 00:33:32,160
Speaker 6: it was you guys.

760
00:33:32,600 --> 00:33:34,920
Speaker 3: Okay, all right, Chell's good. It's good to hear. Thanks

761
00:33:34,960 --> 00:33:35,520
Speaker 3: for your honesty.

762
00:33:35,560 --> 00:33:38,360
Speaker 1: Sorry, Chelse, Chelsea, where Chelsea? Who do you think was

763
00:33:38,360 --> 00:33:40,120
Speaker 1: winning the fight? Oh?

764
00:33:43,080 --> 00:33:45,280
Speaker 3: Take it on your Chelse. Love your work, Chelse, call

765
00:33:45,360 --> 00:33:46,040
Speaker 3: the show any time.

766
00:33:46,120 --> 00:33:48,920
Speaker 1: Obviously your opinion doesn't matter as much. Now. Unfortunately Penelope

767
00:33:48,960 --> 00:33:50,239
Speaker 1: is called. But we won't ask people who was going

768
00:33:50,280 --> 00:33:50,560
Speaker 1: to win the.

769
00:33:50,520 --> 00:33:52,640
Speaker 3: Fight just because I'm winning.

770
00:33:52,680 --> 00:33:55,000
Speaker 1: It was a fake fight, so it's a redundant question.

771
00:33:55,080 --> 00:33:56,120
Speaker 3: I think it's a sillar question.

772
00:33:56,200 --> 00:33:58,600
Speaker 1: We're acting, were acting good. Having an actual fight, I

773
00:33:58,640 --> 00:34:04,000
Speaker 1: would have beaten you. Penelope called on thirty one hours this, Penelope,

774
00:34:04,080 --> 00:34:08,000
Speaker 1: did you I've got a real fight in I hands, Right, Penelope,

775
00:34:08,040 --> 00:34:09,680
Speaker 1: did you buy the Did you buy the fight? Mate?

776
00:34:09,680 --> 00:34:11,600
Speaker 1: What did you think? Yes?

777
00:34:11,800 --> 00:34:15,000
Speaker 6: I almost had a bloody car accident. I was trying

778
00:34:15,000 --> 00:34:17,080
Speaker 6: to turn up the speaker and I couldn't reach us.

779
00:34:17,239 --> 00:34:18,640
Speaker 10: Not my god.

780
00:34:18,719 --> 00:34:20,680
Speaker 6: I was thinking I was watching like keeping up with

781
00:34:20,719 --> 00:34:22,400
Speaker 6: a cut action some drama.

782
00:34:22,200 --> 00:34:22,600
Speaker 7: Here, you know?

783
00:34:23,000 --> 00:34:26,799
Speaker 3: So Penelope, you liked it? You thought it was entertaining radio? Yes,

784
00:34:27,680 --> 00:34:30,440
Speaker 3: there you go. So, Penelope, if you knew there was

785
00:34:30,480 --> 00:34:32,919
Speaker 3: going to be a four forty fight every day? Would

786
00:34:32,920 --> 00:34:34,680
Speaker 3: you be like, oh, can't wait a tune in, you

787
00:34:34,680 --> 00:34:36,200
Speaker 3: know at four forty to listen to the boys have

788
00:34:36,200 --> 00:34:36,560
Speaker 3: a fight?

789
00:34:37,280 --> 00:34:39,839
Speaker 6: One hundred percent. I'm telling my boss right now, pulling

790
00:34:39,880 --> 00:34:41,600
Speaker 6: off work four forty five every day.

791
00:34:43,440 --> 00:34:44,960
Speaker 3: That's interesting. That's really interesting.

792
00:34:45,000 --> 00:34:46,759
Speaker 1: So I think what we're learning here is that the

793
00:34:46,800 --> 00:34:49,640
Speaker 1: reason these people watch these show is the fights are entertaining.

794
00:34:49,680 --> 00:34:50,440
Speaker 3: I love the drama.

795
00:34:50,760 --> 00:34:52,560
Speaker 1: Is what we need. We need to have a fight.

796
00:34:52,640 --> 00:34:54,360
Speaker 1: I love the drama. Your bold, bastard, Look at me.

797
00:34:54,360 --> 00:34:57,880
Speaker 1: Get stopped, Billy, what Danielle you've called?

798
00:34:58,760 --> 00:34:59,640
Speaker 7: Hey, how are you going?

799
00:35:00,080 --> 00:35:03,759
Speaker 1: You heard the fight we had? What did you think?

800
00:35:04,680 --> 00:35:07,680
Speaker 6: Oh my god, butterflies. I absolutely freaked out because I

801
00:35:07,680 --> 00:35:09,719
Speaker 6: didn't hear the leader. I thought it was all real

802
00:35:10,320 --> 00:35:11,200
Speaker 6: when I got in the car.

803
00:35:11,800 --> 00:35:12,960
Speaker 1: I think we got a little bit here. I people

804
00:35:12,960 --> 00:35:14,200
Speaker 1: were just turning in. I mean, this is the fight

805
00:35:14,239 --> 00:35:15,000
Speaker 1: we mocked up before.

806
00:35:15,040 --> 00:35:17,480
Speaker 3: This isn't real, By the way, surely there's more to

807
00:35:17,560 --> 00:35:18,920
Speaker 3: it than that chili. There's a little bit of a.

808
00:35:18,840 --> 00:35:21,800
Speaker 1: Story here, Yes, there is, obviously. Are you joking?

809
00:35:22,320 --> 00:35:22,440
Speaker 8: No?

810
00:35:22,480 --> 00:35:23,320
Speaker 3: I think I told you.

811
00:35:23,360 --> 00:35:25,520
Speaker 1: I want to talk about this, mate. Yeah, and hang on.

812
00:35:25,960 --> 00:35:28,759
Speaker 3: We filmed on my first date. This is this was

813
00:35:28,880 --> 00:35:31,040
Speaker 3: my life talking about a little tiff you've had with

814
00:35:31,080 --> 00:35:31,600
Speaker 3: your partner.

815
00:35:32,239 --> 00:35:35,680
Speaker 1: If I'm going over your head right, so don't hear it?

816
00:35:35,680 --> 00:35:37,200
Speaker 4: It does sound good, doesn't it?

817
00:35:37,320 --> 00:35:38,360
Speaker 3: Did you enjoy it? Daniella?

818
00:35:39,120 --> 00:35:40,359
Speaker 1: Amazing?

819
00:35:42,480 --> 00:35:44,799
Speaker 3: And actually the producers saying that you actually have got

820
00:35:44,800 --> 00:35:47,480
Speaker 3: a headline idea. If this was a clickbait article, what

821
00:35:47,520 --> 00:35:48,600
Speaker 3: would the headline be, Daniel?

822
00:35:48,840 --> 00:35:53,799
Speaker 7: I do radio host crosses line causes in studio blow up?

823
00:35:55,280 --> 00:35:55,799
Speaker 1: And would you.

824
00:35:55,719 --> 00:35:56,120
Speaker 3: Click on that?

825
00:35:56,200 --> 00:35:59,880
Speaker 8: Danny Ligin on the story, Absolutely click on it.

826
00:36:00,400 --> 00:36:02,520
Speaker 1: This is what we need. Yes, we're not going to

827
00:36:02,600 --> 00:36:03,439
Speaker 1: make the Daily Mail.

828
00:36:03,680 --> 00:36:04,360
Speaker 2: We never have.

829
00:36:04,760 --> 00:36:11,920
Speaker 1: No, we nearly killed and Hughey Hewittson, but but accidentally accidentally.

830
00:36:12,239 --> 00:36:13,799
Speaker 1: But we're not going to get on there having a

831
00:36:13,800 --> 00:36:14,719
Speaker 1: good time with each other.

832
00:36:14,719 --> 00:36:17,959
Speaker 3: We've got a where a controversial prank was on Daily

833
00:36:17,960 --> 00:36:18,600
Speaker 3: Mail as well.

834
00:36:19,440 --> 00:36:22,040
Speaker 1: But that was controversial. That's why people thought we'd killed someone.

835
00:36:22,080 --> 00:36:23,400
Speaker 3: I've just read the lawyer said not to bring that

836
00:36:23,480 --> 00:36:23,840
Speaker 3: up on it.

837
00:36:24,239 --> 00:36:29,279
Speaker 1: Amelily is called really how you going?

838
00:36:29,880 --> 00:36:30,560
Speaker 7: I'm good? Thanks?

839
00:36:30,800 --> 00:36:32,640
Speaker 1: You heard the fight? You bought it?

840
00:36:33,400 --> 00:36:33,839
Speaker 7: I did?

841
00:36:33,960 --> 00:36:34,640
Speaker 1: Did you like it?

842
00:36:34,920 --> 00:36:38,440
Speaker 7: Just like I didn't like it? I liked that I

843
00:36:38,440 --> 00:36:41,680
Speaker 7: would like if you had have stopped interrogating him, because

844
00:36:41,719 --> 00:36:44,440
Speaker 7: clearly he made it hurt, but he did not want to.

845
00:36:44,400 --> 00:36:48,439
Speaker 1: Talk about it. Was just pretending he was interrogating because

846
00:36:48,440 --> 00:36:50,239
Speaker 1: I told him to. There was actually no fight that

847
00:36:50,239 --> 00:36:52,600
Speaker 1: happened at all. I didn't stay at his house. It

848
00:36:52,640 --> 00:36:52,839
Speaker 1: was all.

849
00:36:52,960 --> 00:36:54,839
Speaker 7: I was ready to call you up and go yeo,

850
00:36:55,120 --> 00:36:57,440
Speaker 7: clearly you shouldn't talk to him like that. So you

851
00:36:57,560 --> 00:37:02,120
Speaker 7: bought it really uncomfortable? It was really I did buy it.

852
00:37:02,200 --> 00:37:05,520
Speaker 1: Let's say you're browsing the internet. You're looking for something

853
00:37:05,560 --> 00:37:08,560
Speaker 1: to read on your Monday morning. I mean, what's the

854
00:37:08,600 --> 00:37:09,600
Speaker 1: headline for the argument?

855
00:37:09,640 --> 00:37:10,160
Speaker 8: What do you reckon?

856
00:37:10,280 --> 00:37:14,080
Speaker 7: So radio duo fight over personal issues? Will this be

857
00:37:14,200 --> 00:37:15,200
Speaker 7: the beginning of the end?

858
00:37:15,600 --> 00:37:17,080
Speaker 2: Oh?

859
00:37:17,560 --> 00:37:18,279
Speaker 1: Clicking on it?

860
00:37:18,520 --> 00:37:18,960
Speaker 2: Jeez?

861
00:37:19,360 --> 00:37:20,680
Speaker 1: What do you need to have a fight every day?

862
00:37:20,760 --> 00:37:23,480
Speaker 3: Get on your mel Amelia, leave it with us. Yep,

863
00:37:23,560 --> 00:37:25,160
Speaker 3: I'm going to absolutely torp you to morrow.

864
00:37:25,400 --> 00:37:26,240
Speaker 1: So angry tomorrow.

865
00:37:26,360 --> 00:37:31,160
Speaker 3: The size of your head, your big headed bloody or pumpkin. Yeah,

866
00:37:31,280 --> 00:37:33,759
Speaker 3: we'll work on it, guys, we'll work on We're not good.

867
00:37:33,760 --> 00:37:34,960
Speaker 1: I think we've had enough for fighting.

868
00:37:35,920 --> 00:37:38,640
Speaker 3: Oh yeah, you've had enough of fighting, your bloody stop

869
00:37:40,760 --> 00:37:42,120
Speaker 3: the entitamic.

870
00:37:48,880 --> 00:37:59,200
Speaker 1: Anyway, there's a Tokyo the Boys from w A in

871
00:37:59,280 --> 00:38:01,480
Speaker 1: the studio. Now I've got to mention on their Good

872
00:38:01,560 --> 00:38:07,400
Speaker 1: Lord tour in September all across the country, So Adelaide, Perth, Brisbane,

873
00:38:07,520 --> 00:38:10,080
Speaker 1: Melbourne and Sydney. Birdstokyo dot com if you want to

874
00:38:10,080 --> 00:38:14,400
Speaker 1: see the boys. But we've got two ian's in the studio.

875
00:38:14,560 --> 00:38:17,160
Speaker 1: But just just just confirm one of you wants to

876
00:38:17,160 --> 00:38:18,320
Speaker 1: be called Kenny and one of you wants to be

877
00:38:18,360 --> 00:38:22,000
Speaker 1: called Bernie. Otherwise it's so much easier than I wanted.

878
00:38:22,520 --> 00:38:25,960
Speaker 1: That's right. Yeah, remember playing at home if if you

879
00:38:26,000 --> 00:38:27,360
Speaker 1: thought we were listening to Birds of Tokyo and we

880
00:38:27,480 --> 00:38:30,200
Speaker 1: just had your names wrong the whole time. You've actually

881
00:38:30,239 --> 00:38:34,160
Speaker 1: elected for pseudonyms, which is fine. I would like to

882
00:38:34,160 --> 00:38:37,719
Speaker 1: be called Tom for the record, Tom, it is.

883
00:38:37,800 --> 00:38:38,520
Speaker 3: Let's really.

884
00:38:42,000 --> 00:38:44,600
Speaker 1: All right, So no Birds tokyood Boys. It's a pleasure

885
00:38:44,600 --> 00:38:45,239
Speaker 1: to have you in here.

886
00:38:45,280 --> 00:38:46,600
Speaker 3: You guys are hot right now. You've got the number

887
00:38:46,640 --> 00:38:55,439
Speaker 3: one song and I good Lord, well absolutely smashing. Now

888
00:38:55,480 --> 00:38:57,600
Speaker 3: for some people that don't know, you guys still lovning't it.

889
00:38:59,640 --> 00:39:01,840
Speaker 1: One of it?

890
00:39:02,480 --> 00:39:05,080
Speaker 3: But for some people that don't know there's a background

891
00:39:05,080 --> 00:39:09,759
Speaker 3: to this song. Kenny from true life for you.

892
00:39:10,280 --> 00:39:13,400
Speaker 11: Yeah, it's a song that I guess, fortunately or unfortunately,

893
00:39:13,400 --> 00:39:18,080
Speaker 11: I can draw from a bit of real life.

894
00:39:17,920 --> 00:39:19,840
Speaker 3: From a breakup, a pretty heavy breakup.

895
00:39:20,280 --> 00:39:22,800
Speaker 11: And it was funny with this song. I found myself

896
00:39:22,800 --> 00:39:24,080
Speaker 11: on the floor. I'd been down there in the dark

897
00:39:24,120 --> 00:39:26,120
Speaker 11: for a long time, and I figured the only way

898
00:39:26,120 --> 00:39:27,440
Speaker 11: to get out of it was just a head back

899
00:39:27,520 --> 00:39:30,080
Speaker 11: up to the surface. And I was thinking while I

900
00:39:30,120 --> 00:39:31,479
Speaker 11: was down there, I can't be the only one who's

901
00:39:31,480 --> 00:39:33,040
Speaker 11: gone through this. I can't be anyone.

902
00:39:33,120 --> 00:39:34,239
Speaker 3: Who's felt like this.

903
00:39:34,320 --> 00:39:37,040
Speaker 11: And with that and sort of thinking on that started

904
00:39:37,080 --> 00:39:40,439
Speaker 11: to pan out Good Lord. And now the song's come

905
00:39:40,440 --> 00:39:43,080
Speaker 11: to light and a lot of people are connecting with

906
00:39:43,160 --> 00:39:45,960
Speaker 11: this song. I feel it because they've been through something similar,

907
00:39:46,280 --> 00:39:47,120
Speaker 11: so it's taken off.

908
00:39:47,600 --> 00:39:50,480
Speaker 3: Is there a weird emotion that you feel when you

909
00:39:50,520 --> 00:39:53,439
Speaker 3: are performing Good Lord or when you're seeing that Good

910
00:39:53,440 --> 00:39:55,040
Speaker 3: Lord is the number one song? There's got to be

911
00:39:55,080 --> 00:39:57,600
Speaker 3: some level of happiness for one of a better word

912
00:39:57,600 --> 00:39:59,280
Speaker 3: that it's doing so well. But on the other hand,

913
00:39:59,640 --> 00:40:02,080
Speaker 3: you're out they're performing this is what is an incredibly

914
00:40:02,080 --> 00:40:04,839
Speaker 3: emotional song. Does it still hurt when you when you

915
00:40:04,880 --> 00:40:05,919
Speaker 3: sing it, when you hear it?

916
00:40:05,920 --> 00:40:10,319
Speaker 11: It's truly bittersweet, kind of wonderful. It hurts from time

917
00:40:10,360 --> 00:40:11,600
Speaker 11: to time, and now we've got to sing it for

918
00:40:11,640 --> 00:40:19,560
Speaker 11: the next how long? It's actually the good Lord, I'll

919
00:40:19,560 --> 00:40:22,120
Speaker 11: have to get a thick skin for that's that's like all.

920
00:40:22,160 --> 00:40:24,920
Speaker 1: You know, emotionally creative songs. I imagine.

921
00:40:25,000 --> 00:40:27,839
Speaker 11: Fortunately, some of the best art of music comes from

922
00:40:27,880 --> 00:40:28,840
Speaker 11: the hardest spaces.

923
00:40:28,840 --> 00:40:30,960
Speaker 3: So yeah, you know you got to you gotta roll

924
00:40:30,960 --> 00:40:31,160
Speaker 3: with it.

925
00:40:31,239 --> 00:40:34,239
Speaker 1: Can I talk to you, Bernie about your position all that?

926
00:40:34,360 --> 00:40:36,520
Speaker 1: And you know, if we can pull the wall down

927
00:40:36,560 --> 00:40:39,480
Speaker 1: a little bit. I struggle mentally sometimes as well. I

928
00:40:39,520 --> 00:40:41,320
Speaker 1: go through pretty dark patches and I know that what

929
00:40:41,480 --> 00:40:44,279
Speaker 1: he's got to play pretty interesting role for me to

930
00:40:44,360 --> 00:40:47,000
Speaker 1: get in the radio studio as well, can be really

931
00:40:47,040 --> 00:40:48,600
Speaker 1: tough sort of when you're talking about when you're in

932
00:40:48,600 --> 00:40:50,680
Speaker 1: a pretty dark spot and you're trying to like lift

933
00:40:50,719 --> 00:40:54,200
Speaker 1: yourself up into a creative space. I suppose speaking broadly

934
00:40:54,239 --> 00:40:56,480
Speaker 1: about knowing someone that you work with or and I

935
00:40:56,480 --> 00:41:00,200
Speaker 1: imagine you likes of great friends as well, how is

936
00:41:00,200 --> 00:41:02,120
Speaker 1: it knowing that you've got someone that you know, you

937
00:41:02,200 --> 00:41:05,279
Speaker 1: love and care about who's in that spot, and not

938
00:41:05,360 --> 00:41:07,040
Speaker 1: only do you want to back for your friendship but

939
00:41:07,120 --> 00:41:10,200
Speaker 1: you kind of also need them back for you for

940
00:41:10,280 --> 00:41:12,640
Speaker 1: your career. What sort of space do you play in there?

941
00:41:12,719 --> 00:41:14,560
Speaker 9: It was kind of funny because when we were writings,

942
00:41:14,640 --> 00:41:16,640
Speaker 9: there's a lot of actual there's quite a few songs

943
00:41:16,640 --> 00:41:19,080
Speaker 9: that are sort of tapping into the emotions that he

944
00:41:19,120 --> 00:41:21,120
Speaker 9: went through. Yeah, it was also part of his process

945
00:41:21,120 --> 00:41:23,680
Speaker 9: of dealing with his heartbreak was to write this music.

946
00:41:23,719 --> 00:41:26,839
Speaker 9: It needed to come out all it was the only

947
00:41:26,840 --> 00:41:29,799
Speaker 9: thing on his mind. But it was some beautiful music

948
00:41:29,840 --> 00:41:32,640
Speaker 9: coming from that. So it was almost a gift, even

949
00:41:32,640 --> 00:41:34,640
Speaker 9: though it's a bit of sweet gift, like he's saying,

950
00:41:35,320 --> 00:41:37,799
Speaker 9: and it was our job to really help nurture him

951
00:41:37,800 --> 00:41:43,040
Speaker 9: through some really bad times as mates, but also take funtain,

952
00:41:44,480 --> 00:41:46,480
Speaker 9: there's some magic coming out of this and we just

953
00:41:46,560 --> 00:41:48,160
Speaker 9: have to let it land in the right spot.

954
00:41:48,680 --> 00:41:50,480
Speaker 1: Is that rare? I mean, like, you know, you go

955
00:41:50,480 --> 00:41:53,680
Speaker 1: into the studio wherever you guys write music together, perform

956
00:41:53,719 --> 00:41:56,120
Speaker 1: music together, and somebody is that comes in on a heater.

957
00:41:56,719 --> 00:41:58,319
Speaker 1: You know you just kind of just step back and

958
00:41:58,360 --> 00:42:01,239
Speaker 1: you just like just to let you roll here. You're

959
00:42:01,280 --> 00:42:02,080
Speaker 1: you're tapping into.

960
00:42:01,960 --> 00:42:05,200
Speaker 9: Something like now, there's nothing more disheartening than when you're

961
00:42:05,200 --> 00:42:08,280
Speaker 9: writing music and there's no inspiration at all. Yeah, let's

962
00:42:08,320 --> 00:42:10,640
Speaker 9: make music for the sake of making music. Yeah, pretty

963
00:42:10,680 --> 00:42:12,239
Speaker 9: boring situation to be.

964
00:42:13,800 --> 00:42:17,440
Speaker 3: Yeah, so it was it was Yeah, when you made

965
00:42:17,440 --> 00:42:18,879
Speaker 3: the move to go into the studio, was that your

966
00:42:18,920 --> 00:42:21,440
Speaker 3: call Kenny or Bernie? You was the bandmate sort of

967
00:42:21,440 --> 00:42:24,120
Speaker 3: trying to get Kenny back into the studio or.

968
00:42:24,320 --> 00:42:26,560
Speaker 9: I think we just planned to write music and then

969
00:42:26,600 --> 00:42:29,920
Speaker 9: he had this explosion in his life's life where he

970
00:42:29,960 --> 00:42:31,719
Speaker 9: was always going to come over And when we started writing,

971
00:42:31,840 --> 00:42:35,120
Speaker 9: was like, scrap everything we've got in the pipeline. We've

972
00:42:35,160 --> 00:42:37,799
Speaker 9: got to focus on this is coming out and there's

973
00:42:38,200 --> 00:42:39,799
Speaker 9: no other words are going to come out.

974
00:42:41,520 --> 00:42:42,520
Speaker 8: Yeah, it's kind of how we're down.

975
00:42:42,560 --> 00:42:44,000
Speaker 11: We had a few things on the go, and then

976
00:42:44,040 --> 00:42:45,799
Speaker 11: when this sort of hit home and I actually sort

977
00:42:45,840 --> 00:42:48,600
Speaker 11: of returned back to a creative space, it was like, oh,

978
00:42:48,680 --> 00:42:51,719
Speaker 11: hang on, here it is and I'm grateful that I

979
00:42:52,160 --> 00:42:54,960
Speaker 11: have the band and I have that the guys in

980
00:42:55,040 --> 00:42:56,920
Speaker 11: the band who can understand that, see it for what

981
00:42:56,960 --> 00:42:59,480
Speaker 11: it is and and get around that, and you know,

982
00:42:59,600 --> 00:43:02,479
Speaker 11: nurture that and work with what the situation that comes

983
00:43:02,480 --> 00:43:04,120
Speaker 11: without super cool.

984
00:43:05,000 --> 00:43:07,440
Speaker 1: There times like when you're performing and I don't want

985
00:43:07,480 --> 00:43:09,560
Speaker 1: to get too personal here, but like, while you're trying

986
00:43:09,560 --> 00:43:11,680
Speaker 1: to put it all down and you are singing, because

987
00:43:11,680 --> 00:43:14,759
Speaker 1: I know singing can be an incredibly emotional thing to do.

988
00:43:14,840 --> 00:43:17,759
Speaker 4: Sometimes there are times when you're kind of stopping and.

989
00:43:17,719 --> 00:43:20,960
Speaker 1: You're like, look, this is really breaking me trying to

990
00:43:20,960 --> 00:43:23,520
Speaker 1: go through this again, like sort of tear it, dragging

991
00:43:23,520 --> 00:43:25,879
Speaker 1: yourself back through the emotions as you're releasing them. Are

992
00:43:25,880 --> 00:43:28,320
Speaker 1: you too emotionally You're overly emotional?

993
00:43:28,360 --> 00:43:28,600
Speaker 7: Are you?

994
00:43:29,480 --> 00:43:35,040
Speaker 11: I'm fairly calculated with my emotions. I've become good over

995
00:43:35,040 --> 00:43:37,360
Speaker 11: the years that regulating that.

996
00:43:37,280 --> 00:43:39,359
Speaker 1: So you could harness it without being overwhelmed by it.

997
00:43:39,480 --> 00:43:39,719
Speaker 8: Yeah.

998
00:43:39,800 --> 00:43:40,600
Speaker 3: Not always though.

999
00:43:40,920 --> 00:43:42,880
Speaker 11: I remember when we finished Good Lord in the studio,

1000
00:43:43,840 --> 00:43:46,200
Speaker 11: when I heard it back for the first time, that

1001
00:43:46,360 --> 00:43:49,120
Speaker 11: busted me in pieces. I remember having to leave the

1002
00:43:49,120 --> 00:43:51,359
Speaker 11: studio and sort of go into the next room and

1003
00:43:51,520 --> 00:43:54,680
Speaker 11: just sit with that and come undone. And that's okay.

1004
00:43:54,920 --> 00:43:56,560
Speaker 11: I understand why that happens, but.

1005
00:43:57,239 --> 00:43:58,200
Speaker 3: That was pretty heavy.

1006
00:43:59,080 --> 00:44:01,479
Speaker 11: It was actually like, oh God, now and now it's done,

1007
00:44:01,640 --> 00:44:04,719
Speaker 11: the song's done. I can now start to move yeah,

1008
00:44:04,840 --> 00:44:07,080
Speaker 11: start to move on. Yeah, because the song was killing

1009
00:44:07,080 --> 00:44:08,680
Speaker 11: me up until that point. It just wasn't finished and

1010
00:44:08,719 --> 00:44:10,520
Speaker 11: I just I needed it to be out.

1011
00:44:11,040 --> 00:44:11,279
Speaker 8: Wow.

1012
00:44:11,480 --> 00:44:13,359
Speaker 3: All right, well, well we're going to finish it, becau.

1013
00:44:13,360 --> 00:44:16,000
Speaker 3: It's a bloody good song speaking. There's a reason why

1014
00:44:16,000 --> 00:44:18,400
Speaker 3: it's number one on iTunes. We have got an absolute

1015
00:44:18,440 --> 00:44:19,120
Speaker 3: treat right now.

1016
00:44:19,080 --> 00:44:21,360
Speaker 1: Absolutely yeah. Now we're going to drag you through that

1017
00:44:21,560 --> 00:44:26,719
Speaker 1: help it again because you guys, please do you guys

1018
00:44:26,760 --> 00:44:28,279
Speaker 1: are going to be performing Good Lord Live in the

1019
00:44:28,280 --> 00:44:35,640
Speaker 1: Studio Tokyo with Good Lord Live on will what are

1020
00:44:35,640 --> 00:44:35,839
Speaker 1: you here?

1021
00:44:35,880 --> 00:44:52,360
Speaker 2: We go those lines.

1022
00:44:54,200 --> 00:44:57,959
Speaker 1: Me and mart you are dressed in word.

1023
00:45:02,160 --> 00:45:04,120
Speaker 4: When the band played Hey now.

1024
00:45:06,440 --> 00:45:10,320
Speaker 10: Families danced celebrating our ves.

1025
00:45:12,560 --> 00:45:14,960
Speaker 1: Nobody loved you like I did.

1026
00:45:15,480 --> 00:45:19,120
Speaker 10: Don't you be bothered to my ket got it all

1027
00:45:19,320 --> 00:45:25,040
Speaker 10: changed when I saw you with someone else goodlogodlong, good lording.

1028
00:45:26,280 --> 00:45:29,600
Speaker 1: You made almost promises, but.

1029
00:45:29,680 --> 00:45:34,000
Speaker 10: You broke them like my heart, saying things like don

1030
00:45:34,040 --> 00:45:39,040
Speaker 10: and I do until death do a supper now the

1031
00:45:39,200 --> 00:45:43,920
Speaker 10: tuntra not on other. I've gotta lead these files behind.

1032
00:45:44,960 --> 00:45:54,800
Speaker 10: They were empty promises. You steal me every now in

1033
00:45:54,960 --> 00:46:01,320
Speaker 10: our city of home his new husband and wild you

1034
00:46:01,480 --> 00:46:06,280
Speaker 10: can in fit try pop still too, singing those Fleetwood.

1035
00:46:05,760 --> 00:46:06,600
Speaker 3: Songs with you.

1036
00:46:07,680 --> 00:46:11,160
Speaker 10: Don't change When I saw you with someone else.

1037
00:46:11,360 --> 00:46:13,800
Speaker 3: Good luck, good lord, good loaded.

1038
00:46:15,000 --> 00:46:19,560
Speaker 10: You made all those promises, but you broke them like

1039
00:46:19,719 --> 00:46:24,439
Speaker 10: my heart, saying things like Donna and I do until

1040
00:46:24,719 --> 00:46:28,759
Speaker 10: death do I support now the time riding down on

1041
00:46:28,920 --> 00:46:35,240
Speaker 10: our bow. I'm gonna leave these fathers behind empty promises.

1042
00:46:35,640 --> 00:46:38,640
Speaker 3: Good luck, good lord, good loading.

1043
00:46:41,800 --> 00:46:44,000
Speaker 4: I felt so hid your mind.

1044
00:46:44,000 --> 00:46:48,920
Speaker 2: This is man, I said, no.

1045
00:46:49,200 --> 00:46:50,000
Speaker 3: This can't be.

1046
00:46:53,640 --> 00:46:55,040
Speaker 6: Who was that guy?

1047
00:46:55,200 --> 00:46:56,080
Speaker 2: Here? Me?

1048
00:46:59,600 --> 00:47:01,960
Speaker 3: Good lord, good loading.

1049
00:47:03,200 --> 00:47:07,719
Speaker 10: You made all those promises, but you broke them like

1050
00:47:07,880 --> 00:47:11,160
Speaker 10: my heart, saying things like Donna and I.

1051
00:47:11,200 --> 00:47:15,680
Speaker 6: Do to death, doom offs the part now the.

1052
00:47:15,680 --> 00:47:18,400
Speaker 3: Time trap now on ow loo, I'm.

1053
00:47:18,280 --> 00:47:20,320
Speaker 10: Gonna lead these files behind.

1054
00:47:21,239 --> 00:47:25,120
Speaker 3: They were empty promises. But goodlad, good lod.

1055
00:47:25,040 --> 00:47:25,840
Speaker 2: Good loading.

1056
00:47:27,120 --> 00:47:32,160
Speaker 10: You made almost promises, but you broke them black hord,

1057
00:47:33,239 --> 00:47:36,959
Speaker 10: saying things like Dona and I do oh till death

1058
00:47:37,080 --> 00:47:39,720
Speaker 10: do masterpond now.

1059
00:47:39,560 --> 00:47:42,960
Speaker 4: The timetra now on now love, I'm gonna.

1060
00:47:42,840 --> 00:47:47,240
Speaker 10: Lead these files behind because they were empty promises.

1061
00:47:50,600 --> 00:48:01,879
Speaker 3: Good load, goodlad, good loading. Yeah, thank you very much much.

1062
00:48:02,320 --> 00:48:08,040
Speaker 1: Yeah here that was absolute pleasure the chat. Thanks so much. Guys,

1063
00:48:08,120 --> 00:48:10,280
Speaker 1: really appreciate you coming in. You want to see you guys.

1064
00:48:10,320 --> 00:48:13,480
Speaker 1: September all over the country. Birds Totokyo dot Comedy Go

1065
00:48:13,480 --> 00:48:14,120
Speaker 1: and check them out.

1066
00:48:14,360 --> 00:48:15,960
Speaker 3: Yeah, we'll be doing that with the rest of the band.

1067
00:48:16,480 --> 00:48:19,360
Speaker 1: Look for that, guys, Thanks so much for coming in.

1068
00:48:19,400 --> 00:48:20,080
Speaker 4: It's been a pleasure.

1069
00:48:20,080 --> 00:48:23,760
Speaker 3: Thank you. Quit was that even Max singing before?

1070
00:48:25,440 --> 00:48:28,960
Speaker 1: Yes, super Superstar, that was a Max. What about her?

1071
00:48:29,040 --> 00:48:31,520
Speaker 3: Well, she's joining us on the show later this week.

1072
00:48:32,000 --> 00:48:32,320
Speaker 2: Max.

1073
00:48:33,600 --> 00:48:35,720
Speaker 3: She is on top of the world right now, hottest

1074
00:48:35,800 --> 00:48:37,400
Speaker 3: artist in the world and she is going to be

1075
00:48:37,440 --> 00:48:39,759
Speaker 3: joined the boys Lader this week and doing this song

1076
00:48:39,800 --> 00:48:43,560
Speaker 3: live in this She's gonna do it lives sweet but

1077
00:48:43,760 --> 00:48:47,000
Speaker 3: Psycho will and I haven't finished. No, I haven't finished.

1078
00:48:47,680 --> 00:48:49,640
Speaker 1: You haven't finished. I got these to saying I don't care.

1079
00:48:49,680 --> 00:48:55,400
Speaker 3: These girls, the Veronicas. Oh, they're coming in tomorrow.

1080
00:48:55,440 --> 00:48:56,880
Speaker 1: I don't know what is coming in tomorrow.

1081
00:48:57,000 --> 00:48:59,959
Speaker 3: I don't know what we are getting huge gets.

1082
00:49:00,360 --> 00:49:02,959
Speaker 4: Something's happening. We've we've warmed, what have we done?

1083
00:49:03,440 --> 00:49:05,400
Speaker 3: I have no bloody idea? And I should mentioned as well,

1084
00:49:05,400 --> 00:49:07,239
Speaker 3: by the way, later this week and he's going to

1085
00:49:07,280 --> 00:49:09,360
Speaker 3: be popping, AND's gonna be.

1086
00:49:09,320 --> 00:49:11,839
Speaker 1: Popping early afternoons with the stars, isn't They do.

1087
00:49:11,880 --> 00:49:14,719
Speaker 3: Not want to miss a show here. If you miss it,

1088
00:49:14,760 --> 00:49:16,839
Speaker 3: you're you're an idiot. You regret that for the rest

1089
00:49:16,840 --> 00:49:17,239
Speaker 3: of your life.

1090
00:49:17,239 --> 00:49:18,000
Speaker 1: I don't know if you will.

1091
00:49:18,160 --> 00:49:19,839
Speaker 3: You could also podcasts if you want to. You miss

1092
00:49:19,840 --> 00:49:22,440
Speaker 3: one iHeart Radio to get the boys there, get the

1093
00:49:22,440 --> 00:49:24,319
Speaker 3: old download numbers apparently they're a bit low.

1094
00:49:24,440 --> 00:49:25,920
Speaker 1: It doesn't matter if you do miss it, because you

1095
00:49:25,920 --> 00:49:27,600
Speaker 1: can get it on the on the on the on

1096
00:49:27,680 --> 00:49:29,920
Speaker 1: the phone. You get the.

1097
00:49:29,840 --> 00:49:31,759
Speaker 3: Podcast on the fun on the iHeart Radio app, on

1098
00:49:31,760 --> 00:49:32,520
Speaker 3: the Heart Radio app.

1099
00:49:32,520 --> 00:49:33,000
Speaker 1: That's what I'm saying.

1100
00:49:33,040 --> 00:49:34,759
Speaker 3: We can get it on any tablet. If I'm being honest,

1101
00:49:34,760 --> 00:49:35,640
Speaker 3: I heard radio.

1102
00:49:35,440 --> 00:49:42,439
Speaker 1: Any device and we will see you guys. We'll see

1103
00:49:42,440 --> 00:49:43,120
Speaker 1: you guys tomorrow.

1104
00:49:43,400 --> 00:49:46,800
Speaker 3: From apologizing for see what you're hearing.

1105
00:49:47,000 --> 00:49:50,200
Speaker 1: Find us on Instagram and Facebook search Will and Woody

1106
00:49:50,320 --> 00:49:50,640
Speaker 1: and the.

1107
00:49:50,600 --> 00:49:51,800
Speaker 2: Parents start saying

1108
00:49:53,320 --> 00:49:58,760
Speaker 1: My best parent voice, Mummy, that's your best parent