WEBVTT - 🎙️ Peter Helliar - Comedic Royalty 🤣

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<v Speaker 1>Welcome back to The Mason Cox Show, ladies and gentle man.

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<v Speaker 1>First of all, amazing, thank you for everyone for jumping

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<v Speaker 1>on the first few episodes we've had and all the

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<v Speaker 1>people that have shared and liked in comment and everything.

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<v Speaker 1>We've really loved your support and we're really looking forward

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<v Speaker 1>to the future. And today we've got an amazing person

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<v Speaker 1>on and Peter Helliard. Now he's done everything from TV radio, news, project, movies.

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<v Speaker 1>He's a guy that's all over the media. He's got

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<v Speaker 1>some amazing, amazing stories that he's told with us here today,

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<v Speaker 1>and I'm really excited for you all to get stuck

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<v Speaker 1>into this and check it out. Suck listen in all right, everyone,

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<v Speaker 1>welcome back to The Mason Cox Show. It is episode two.

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<v Speaker 1>We've got an amazing guest on today, someone who I

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<v Speaker 1>idolized and has been such a successful person in his career.

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<v Speaker 1>He's a comedian, actor, TV star, radio presenter, writer, producer, director,

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<v Speaker 1>anything and everything he's done. He's been nominated for Gold Logie,

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<v Speaker 1>the most Popular Personality on Television even and he's one

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<v Speaker 1>of my favorite player, favorite people in the media. Right now,

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<v Speaker 1>we've got the man, the myth, the legend, Peter Hellier.

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<v Speaker 2>Welcome to the podcast, Mason Cox. Thanks for having me.

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<v Speaker 2>Usually I wouldn't get in the strangers van, but it

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<v Speaker 2>was yeah, you're not a stranger, your friend and yeah,

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<v Speaker 2>here we are. What a setup.

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<v Speaker 1>Yeah, it's amazing, man, it's so good to have you on.

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<v Speaker 1>I think a lot of people probably recognize you from

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<v Speaker 1>the project. Is I guess the biggesting you're probably doing

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<v Speaker 1>right now. It's on television on a weekly basis with

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<v Speaker 1>people like Carrie Bigmore, Willyaly and Lisa Wilkinson. Carrie Bigmore,

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<v Speaker 1>you've worked with quite a bit. I've done a bit

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<v Speaker 1>of research. You've worked quite a bit with Carry Bigmore

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<v Speaker 1>and I have a lot of different things and we'll

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<v Speaker 1>jump into it, but we're gonna stay topical for the

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<v Speaker 1>first bit of this. You're wearing a Celtics hat and

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<v Speaker 1>I have to go into this because I know you're mad,

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<v Speaker 1>mad mad Celtics man. They're in the finals, your team

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<v Speaker 1>in the finals, the NBA Finals, and the biggest things

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<v Speaker 1>in the world.

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<v Speaker 2>How are you feeling? Like?

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<v Speaker 1>We're about a week because this is being recorded a

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<v Speaker 1>bit earlier, but how are you feeling about.

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<v Speaker 2>This when this goes out? I don't know what has happened.

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<v Speaker 2>We had a day out from game one, and I'm

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<v Speaker 2>feeling excited. I always think, you know, to go back

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<v Speaker 2>to twenty eighteen. You know, it was obviously a tough day.

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<v Speaker 2>Two minutes I say, key, I'm saying the two minutes

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<v Speaker 2>away from being the greatest day of my life. This

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<v Speaker 2>is obviously calling goood West Coast grand fun. But I

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<v Speaker 2>always look back at it and I remind myself that

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<v Speaker 2>that week leading up to it and the game, which

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<v Speaker 2>you played a massive party in the day before, was

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<v Speaker 2>one of the greatest nights I've ever had at the football.

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<v Speaker 2>So I think if you follow any team and the

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<v Speaker 2>only and you commit to, the only joy you get

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<v Speaker 2>out of it is if you win the whole thing,

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<v Speaker 2>then you're not hiding to nothing. So I'm loving that

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<v Speaker 2>we did get to the Eastern Sorry that the championship.

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<v Speaker 2>We won the Eastern Conference's We've had a couple of

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<v Speaker 2>gos recently. I love this team, particularly the Boston Celtics.

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<v Speaker 2>They are They've been drafted to Boston, you know, as

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<v Speaker 2>have Golden State. But I love when Jannis went it

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<v Speaker 2>last year he kind of said it takes more to

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<v Speaker 2>build a team than actually you know, by one, and

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<v Speaker 2>it's really true. So full credit to Yannis last year.

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<v Speaker 2>But I'm glad Brooklyn didn't get done. I'm glad the

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<v Speaker 2>Lakers didn't get it done. You know, I yeah, I love.

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<v Speaker 2>It's a rookie coach, you know, they they changed the

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<v Speaker 2>way they played halfway through the year, or at least

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<v Speaker 2>a message got through from the coach to the players,

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<v Speaker 2>you know that it needs to be defense first. You know,

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<v Speaker 2>there was Boston fans but like Collingwood fans in a

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<v Speaker 2>way that can be pretty you know, full on. They're passionate.

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<v Speaker 2>And some were saying they split up our two superstars

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<v Speaker 2>the Jays, Jason Tatum and Jaylen Brown, you know, should

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<v Speaker 2>you trade Marcus Smart? And they just held their course.

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<v Speaker 2>They stayed patient, and we are, you know, one step away,

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<v Speaker 2>one step away. We have a way. We haven't wonted

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<v Speaker 2>niting yet besides Thesetern Conference, but Banneraden hopefully is getting closer.

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<v Speaker 1>I'm a massive fan of the Celtics myself, MICUs Smart

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<v Speaker 1>actually at my high school and I also played college

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<v Speaker 1>ball with them, so massive, massive Celtics.

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<v Speaker 2>Man.

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<v Speaker 1>I hate to break it to you, but I actually

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<v Speaker 1>don't think they're going to want to, but we'll find

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<v Speaker 1>out a week's time. We'll find out a week's time.

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<v Speaker 1>We weren't all cut that out of the podcast.

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<v Speaker 2>You but everyone, everyone, it's easy to jump on Golden State.

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<v Speaker 2>They've been there before, they want it, They've got step Curry,

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<v Speaker 2>absolutely I get, and they've got home court advantage. Game

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<v Speaker 2>seven we've played in Golden State. If we get there,

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<v Speaker 2>But I don't know. I feel like we met We

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<v Speaker 2>man up well against them. We smashed them in San

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<v Speaker 2>Francisco during the season. They got over the line against

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<v Speaker 2>us in a close game in Boston. So I don't know.

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<v Speaker 2>It's gonna be different than the games we've played against

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<v Speaker 2>Milwaukee and and Miami, the very physical games. This would

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<v Speaker 2>be I think slightly less physical but more tactical.

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<v Speaker 1>Perhaps I love this because you actually know a lot

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<v Speaker 1>about the team. Now Here in Australia, there's a lot

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<v Speaker 1>of people. I don't know if you know this, but

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<v Speaker 1>a lot of people just wear hats with symbols and

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<v Speaker 1>logos of a team.

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<v Speaker 2>Never know. You never know.

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<v Speaker 1>As the to go, oh, yeah, you're a Celtics fan.

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<v Speaker 1>Who the Celtics. Yeah, the blank look comes on their face.

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<v Speaker 1>It's like, oh, okay, your uncle brought that back from America.

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<v Speaker 1>Fair enough, there's no no worse. Feeling a bigger fan

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<v Speaker 1>seeing that and going okay, maybe night.

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<v Speaker 2>Yeah.

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<v Speaker 1>Also you're massive fan Star Wars. Yes, there is o

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<v Speaker 1>we Wan kenobia right now.

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<v Speaker 2>Oh so I just on it. I watched episode three

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<v Speaker 2>last night. Oh my god, have you an episode three?

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<v Speaker 2>So I watched the last night, absolutely happy it was.

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<v Speaker 1>I mean, I want to give away too much because

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<v Speaker 1>there's only some people listening that haven't seen it, but

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<v Speaker 1>there was something that happened in that episode that we've

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<v Speaker 1>all been waiting for for a very long time, and

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<v Speaker 1>it's the biggest question might probably go on into this

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<v Speaker 1>thing if this was going to happen, And it did.

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<v Speaker 2>And it was so well done, and hopefully that's not

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<v Speaker 2>the end of it. Won't be the end of it.

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<v Speaker 2>And I feel like three more episodes is not enough. Yes,

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<v Speaker 2>So if they're not starting to work on series two,

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<v Speaker 2>shame on you. I interviewed you and McGregor a couple

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<v Speaker 2>of weeks ago, and I said, are we going to

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<v Speaker 2>see you know, the duel? Because you know Obi Wan

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<v Speaker 2>versus Dart in the original nineteen seventy seven. That was

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<v Speaker 2>a new hope. You know, it's emotional and it means

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<v Speaker 2>a lart, but it's not. It's a sixty eight year

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<v Speaker 2>old man versus a guy in a suit. That's a bit,

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<v Speaker 2>you know, cumbersome. So it's and he said, well, we've

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<v Speaker 2>come a long way since then, and you know, as

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<v Speaker 2>we saw with Darth Maul and and Obi Wan and

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<v Speaker 2>quie Gin or Quiegen I forget his name, lean listen,

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<v Speaker 2>you know, like they were doing summersaults and all of

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<v Speaker 2>a sudden, you know. So, But what I loved about it,

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<v Speaker 2>and that's a quick spoiler. I mean this just just

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<v Speaker 2>pressed thirty seconds a couple of times and yeah, yeah,

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<v Speaker 2>forward forward, yeah, forward forward. So Darth Vader's in it,

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<v Speaker 2>and this is gonna happen, so it's not a big spoiler.

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<v Speaker 2>But what I loved about it was he And I've

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<v Speaker 2>always wanted to see Darth Vader when he's at his

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<v Speaker 2>absolute asshole bests, you know, like when he's absolutely evil like,

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<v Speaker 2>and he's certainly evil and scary when we meet him

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<v Speaker 2>in Star Wars, but I wanted to see when he's

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<v Speaker 2>at his height and he's at his apex of his evil,

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<v Speaker 2>and I feel like this is like he's just cracking

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<v Speaker 2>next and he came to and he just felt you

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<v Speaker 2>saw Obi Wan fear him, you know, And I love that.

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<v Speaker 2>And I just thought and that that when the fight

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<v Speaker 2>started and he's almost crept up on him and it

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<v Speaker 2>was starting, it was on and then the fire, it

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<v Speaker 2>was just next love. It was incredible. It's the best episode.

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<v Speaker 2>Three was the best episode of any of the standalone

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<v Speaker 2>series Andalauri and everything else. Absolutely, Mandline final episode of

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<v Speaker 2>menaurin series two is in the conversation. But I thought

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<v Speaker 2>last night was absolutely I think because this is more connected,

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<v Speaker 2>even though obviously Luke and that was in Mandalorian and

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<v Speaker 2>and and that, But this is more connected to the

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<v Speaker 2>original trilogy, I think. And so it's got our our

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<v Speaker 2>emotional investment pretty quickly.

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<v Speaker 1>And all the big names are in there, Layer, Luke,

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<v Speaker 1>everything else, everything goes in the play and it all

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<v Speaker 1>kind of ties it up really well.

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<v Speaker 2>I think, Yeah, it's really good. There's three episodes.

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<v Speaker 1>Laugh, we're in the We're ignorant still the second half

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<v Speaker 1>of this whole thing.

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<v Speaker 2>You be listening to this going, oh, you guys don't

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<v Speaker 2>even know what's ahead of you. I mean, layer is

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<v Speaker 2>La was a lovely touch, and I, you know, I

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<v Speaker 2>saw something on Twitter kind of said me today, I

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<v Speaker 2>wasn't into It's Disney with a cute kid, and it's like, yeah,

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<v Speaker 2>but and they made the point she does run away

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<v Speaker 2>from maybe one a little bit too easily, and I

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<v Speaker 2>get that, but it's like, if that's going to ruin

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<v Speaker 2>your like love of this franchise, and even you know

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<v Speaker 2>you have episode three to come, then you know that's

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<v Speaker 2>that's that's that's on you. That's on you. Yeah, the

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<v Speaker 2>minor gripes. So I think you should be able to

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<v Speaker 2>get over because Star Wars isn't it has never been perfect.

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<v Speaker 1>I agree, it's never been perfect, but it is one

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<v Speaker 1>of the most iconic things that's ever been built, and

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<v Speaker 1>it's it's an amazing thing to see Disney kind of

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<v Speaker 1>go back and start kind of really telling these stories

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<v Speaker 1>and everything else. But we'll move on because people will

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<v Speaker 1>probably hit forward a few more times. But you're also

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<v Speaker 1>doing a podcast. I want to shout this out because

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<v Speaker 1>I want to support other people that are doing amazing things.

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<v Speaker 2>You're doing podcasts, shouted out, what is it called? You

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<v Speaker 2>ain't seen nothing yet? And give us a bit of

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<v Speaker 2>a background on it. It's a podcast. Were atchat to

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<v Speaker 2>a movie lover about a classic movie they haven't seen

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<v Speaker 2>and basically until now, so they watch it either the

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<v Speaker 2>morning of the night before, we chat and we talk

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<v Speaker 2>about it. So we've had people like Judith Lucy had

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<v Speaker 2>never seen the Sound of Music, Tony Martin had never

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<v Speaker 2>seen Top Gun, Cilly Picole hadn't seen Jaws. We've had

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<v Speaker 2>an amazing Osha Ginsburg did Roman Holiday. Like it's been,

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<v Speaker 2>it's quite a wide gamut of films that we've done.

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<v Speaker 2>We've done Get Out, a more recent film with Matt Preston.

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<v Speaker 2>You know, we've done The Terminator recently. So it's it's

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<v Speaker 2>it's been. It's I love cinema and I always have

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<v Speaker 2>people say, oh, you're such a film buff and you know,

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<v Speaker 2>and I was like, yeah, but there's so many things

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<v Speaker 2>I haven't seen. So part of it was for me

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<v Speaker 2>that during Lockdown I started that was just to celebrate

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<v Speaker 2>the joy of cinema and and but also to catch

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<v Speaker 2>up on films that I actually hadn't seen. And it's

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<v Speaker 2>when you were watching a film knowing you're going to

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<v Speaker 2>have to talk about it, that you watch it a

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<v Speaker 2>little bit differently, and you take and you do a

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<v Speaker 2>bit more research about you know, the history of the

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<v Speaker 2>film and and you know the character, yeah, and some

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<v Speaker 2>of the trivia behind it. And it's and it's great

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<v Speaker 2>because we I think we have this romantic idea that

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<v Speaker 2>we go to movies and then we'll go to a

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<v Speaker 2>cafe with our friends, we'll talk about the movie. We'll

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<v Speaker 2>go to a wine bar and talk about that. It

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<v Speaker 2>never happens. I'm a comedian. I usually can see a

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<v Speaker 2>movie by myself at ten thirty or eleven o'clock in

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<v Speaker 2>the morning, you know, with six other people in the cinema,

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<v Speaker 2>and then I you know, I may occasionally walk by

0:10:08.920 --> 0:10:11.319
<v Speaker 2>somebody in the corridor for three minutes and say I've

0:10:11.320 --> 0:10:14.199
<v Speaker 2>be seen, you know, everything everywhere all at once, and

0:10:14.480 --> 0:10:15.880
<v Speaker 2>I like, yeah, how good was that. It's like, okay,

0:10:15.840 --> 0:10:17.679
<v Speaker 2>we'll go get back to work, you know. So it's

0:10:17.720 --> 0:10:21.959
<v Speaker 2>kind of it was about having a conversation, you know,

0:10:22.280 --> 0:10:25.880
<v Speaker 2>with somebody I admire and like and who love movies.

0:10:26.040 --> 0:10:30.160
<v Speaker 2>And it's been the reaction has been beautiful. We've had

0:10:30.200 --> 0:10:32.480
<v Speaker 2>this gorgeous reaction. We did a live show that Judiful

0:10:32.520 --> 0:10:35.760
<v Speaker 2>Lucy at the Melbourne Comedy festival and just walking on stage,

0:10:36.960 --> 0:10:39.640
<v Speaker 2>the cheer and the warmth that were coming from those

0:10:39.679 --> 0:10:42.720
<v Speaker 2>who had been obviously been following the podcast and we're

0:10:42.760 --> 0:10:45.040
<v Speaker 2>now seeing it live was just it was one of

0:10:45.040 --> 0:10:46.840
<v Speaker 2>the nicest feelings I've had for a long time.

0:10:47.000 --> 0:10:49.720
<v Speaker 1>That's beautiful, man, you toasted on it. Melbourne Comedy Festival.

0:10:49.960 --> 0:10:52.000
<v Speaker 1>We'll get straight out to this because this is something

0:10:52.240 --> 0:10:55.040
<v Speaker 1>very well known for. You have an amazing you know,

0:10:55.080 --> 0:10:57.480
<v Speaker 1>skid out right now called Loopy. It's on Paramount Plus. Yeah,

0:10:57.480 --> 0:10:59.040
<v Speaker 1>it's a bit of a little shout out also, thank

0:10:59.080 --> 0:11:01.440
<v Speaker 1>you check it out. But you've been doing comedy for

0:11:01.440 --> 0:11:03.360
<v Speaker 1>a long time and that was see the last two

0:11:03.400 --> 0:11:04.719
<v Speaker 1>years taken away a bit.

0:11:04.840 --> 0:11:05.600
<v Speaker 2>I want to go back.

0:11:05.600 --> 0:11:07.800
<v Speaker 1>How was the feeling going back to the Melbourne and

0:11:07.920 --> 0:11:10.280
<v Speaker 1>Arsenal Comedy Festival and being able to see all that

0:11:10.320 --> 0:11:12.480
<v Speaker 1>and have all your friends doing their skits and everything else,

0:11:12.520 --> 0:11:14.840
<v Speaker 1>and having everyone be able to go back and do

0:11:14.960 --> 0:11:16.480
<v Speaker 1>that again after being off for two year.

0:11:16.559 --> 0:11:19.080
<v Speaker 2>Yeah, I think you hit on something. I think that's

0:11:19.240 --> 0:11:24.160
<v Speaker 2>really important. It really was just the being around comedians

0:11:24.200 --> 0:11:27.480
<v Speaker 2>again doing what we do, you know, being on stage,

0:11:27.559 --> 0:11:32.200
<v Speaker 2>being at festivals, and because I was in Adelaide when

0:11:32.200 --> 0:11:34.439
<v Speaker 2>everything kind of got shut down at the Fringe Festival

0:11:34.920 --> 0:11:38.080
<v Speaker 2>Adelaide Fringe in twenty twenty, was fortunate enough to get

0:11:38.120 --> 0:11:42.120
<v Speaker 2>through their entire run, which is about five weeks, and

0:11:42.200 --> 0:11:46.480
<v Speaker 2>I was there with other comedians who, you know, people

0:11:46.679 --> 0:11:53.000
<v Speaker 2>like Tom Ballard, Nathan Valvo and Edmunds and these were

0:11:53.080 --> 0:11:59.920
<v Speaker 2>largely people who really Sam Thornton, who really were relying

0:12:00.360 --> 0:12:05.000
<v Speaker 2>on touring, you know, you know, to make their make

0:12:05.040 --> 0:12:09.199
<v Speaker 2>their living. I was, you know, I don't necessarily rely

0:12:09.320 --> 0:12:12.640
<v Speaker 2>on my touring to make my living. I'm fortunate enough

0:12:12.679 --> 0:12:17.439
<v Speaker 2>to have the project and some other projects that that

0:12:17.440 --> 0:12:19.920
<v Speaker 2>that you know, that pay my way in a way.

0:12:20.760 --> 0:12:24.960
<v Speaker 2>So that was kind of pretty gut wrenching knowing that

0:12:25.840 --> 0:12:29.080
<v Speaker 2>there were friends who what does this mean for them?

0:12:30.000 --> 0:12:35.200
<v Speaker 2>So everyone pivoted, everyone diversified everyone. There were Zoom gigs

0:12:35.200 --> 0:12:37.320
<v Speaker 2>that we all pretended we were awesome, but we're kind of,

0:12:37.360 --> 0:12:40.600
<v Speaker 2>you know, pretty hard. I think, you know, when you

0:12:40.679 --> 0:12:42.720
<v Speaker 2>take that audience away and it's not the same. I

0:12:42.720 --> 0:12:46.880
<v Speaker 2>couldn't some committees really, you know, Kersey Webeck did really

0:12:46.960 --> 0:12:51.000
<v Speaker 2>great these really great comedy gigs on Zoom that people loved,

0:12:51.000 --> 0:12:53.199
<v Speaker 2>and that was really important. And Kursey was amazing during

0:12:53.200 --> 0:12:58.560
<v Speaker 2>the pandemic. But I I just couldn't convince myself that

0:12:59.120 --> 0:13:01.120
<v Speaker 2>it was good for me to be doing those things,

0:13:01.120 --> 0:13:02.640
<v Speaker 2>just just because we all had to look at what

0:13:02.760 --> 0:13:07.160
<v Speaker 2>is good for me. I wanted to spread content, so

0:13:07.200 --> 0:13:09.440
<v Speaker 2>I did. I started doing Strongy videos again. I started

0:13:09.480 --> 0:13:12.360
<v Speaker 2>doing little pictures of pub crawls around the house with

0:13:12.480 --> 0:13:16.360
<v Speaker 2>my wife. You know. I started the podcast. You know,

0:13:16.440 --> 0:13:19.040
<v Speaker 2>we did a segment on the project called Life in Lockdown,

0:13:19.160 --> 0:13:24.079
<v Speaker 2>which is viral Wednesday continue. Yeah, it runs you Wednesday

0:13:24.600 --> 0:13:30.840
<v Speaker 2>maysoys it's such an obvious set. I can't believe people

0:13:30.840 --> 0:13:33.440
<v Speaker 2>haven't done that before. So it was important for me

0:13:33.480 --> 0:13:36.600
<v Speaker 2>to put content out in the world. But I just

0:13:36.640 --> 0:13:41.120
<v Speaker 2>decided that zoom gigs weren't for me. So so to

0:13:41.120 --> 0:13:42.959
<v Speaker 2>answer your question, to be back on stage, and I've

0:13:42.960 --> 0:13:45.400
<v Speaker 2>been like the Queensland now about six or seven times

0:13:45.440 --> 0:13:47.600
<v Speaker 2>this year. I've been the Adelaide Fringe, I've been over

0:13:48.040 --> 0:13:51.360
<v Speaker 2>to Perth, I've been in all the States, been then

0:13:51.559 --> 0:13:55.880
<v Speaker 2>the Tazzi and in Sydney, and I've done it all

0:13:56.040 --> 0:13:58.240
<v Speaker 2>and it's it's been awesome to be back on stage.

0:13:58.200 --> 0:14:00.719
<v Speaker 2>It is a great feeling in the order adience that

0:14:01.720 --> 0:14:07.040
<v Speaker 2>they love being back and and you know, comedians were

0:14:07.040 --> 0:14:09.200
<v Speaker 2>talking throughout the pandemic and it was like, people are

0:14:09.200 --> 0:14:10.640
<v Speaker 2>going to want to hear about the pandemic when we

0:14:10.720 --> 0:14:14.160
<v Speaker 2>come out of it, and the same rules exist as before.

0:14:14.200 --> 0:14:17.680
<v Speaker 2>If it's funny, they're happy to hear about it. Yeah. Yeah,

0:14:17.800 --> 0:14:19.960
<v Speaker 2>So I've been doing quite a lot about the pandemic,

0:14:20.240 --> 0:14:22.400
<v Speaker 2>more so about my own COVID experience and a little

0:14:22.400 --> 0:14:27.440
<v Speaker 2>bit of anti VAXXS stuff, and it still it rings true. Yeah.

0:14:27.480 --> 0:14:28.920
<v Speaker 1>Well, I kind of ask you a bit of a

0:14:29.040 --> 0:14:32.240
<v Speaker 1>question because I'm terrible telling jokes, Like I'm absolutely dreadful,

0:14:32.320 --> 0:14:36.120
<v Speaker 1>and as a comedian, obviously it's storytelling one on one,

0:14:36.360 --> 0:14:38.840
<v Speaker 1>and I want to know, is there a secret kind

0:14:38.880 --> 0:14:41.080
<v Speaker 1>of not probably secret, but is there a formula to

0:14:41.560 --> 0:14:44.720
<v Speaker 1>setting up a joke, getting the punchline, and like going

0:14:44.760 --> 0:14:47.000
<v Speaker 1>through that process to really get a crowd to get

0:14:47.000 --> 0:14:47.720
<v Speaker 1>a laugh out of them?

0:14:47.920 --> 0:14:50.960
<v Speaker 2>Well, is storytelling? That's it's good that you mentioned that,

0:14:51.080 --> 0:14:53.840
<v Speaker 2>like that's one of these but I a would I'm

0:14:53.880 --> 0:14:55.960
<v Speaker 2>not sure there's a formula. So, I mean, there's certainly

0:14:56.000 --> 0:14:57.760
<v Speaker 2>kind of you know, some rules you're going to learn,

0:14:57.800 --> 0:15:00.240
<v Speaker 2>all tricks that you learn along the way, But I

0:15:00.280 --> 0:15:03.440
<v Speaker 2>would say the best thing of advice I can give

0:15:03.680 --> 0:15:05.760
<v Speaker 2>somebody starting out, and I have to remind myself of

0:15:05.800 --> 0:15:09.240
<v Speaker 2>this is the way you get into a joke is

0:15:09.280 --> 0:15:11.520
<v Speaker 2>as important as the way you come out of it,

0:15:11.600 --> 0:15:15.280
<v Speaker 2>for example, or easier. You know, the setup is as

0:15:15.280 --> 0:15:19.760
<v Speaker 2>important as the punchline. Yeah, so you may have a

0:15:19.760 --> 0:15:22.080
<v Speaker 2>punchline it's not working. You can't think it's a good punchline.

0:15:22.080 --> 0:15:25.280
<v Speaker 2>Why isn't it working. It's probably because outside of maybe

0:15:25.320 --> 0:15:28.400
<v Speaker 2>the idea isn't funny that you know. But sometimes yeah, yeah,

0:15:28.400 --> 0:15:29.760
<v Speaker 2>pretty good in these things over the years ago, and

0:15:29.760 --> 0:15:32.120
<v Speaker 2>this should be working. Wise in this working, and often

0:15:32.160 --> 0:15:34.960
<v Speaker 2>it is something wrong with the way you are setting

0:15:35.000 --> 0:15:37.920
<v Speaker 2>it up, and it could be like it could just

0:15:37.920 --> 0:15:40.080
<v Speaker 2>been a bit of information that the audience needs to,

0:15:41.120 --> 0:15:44.000
<v Speaker 2>you know, hang on to, or you should make it

0:15:44.040 --> 0:15:47.280
<v Speaker 2>more personal. There as sometimes reasons why comedians say something

0:15:47.320 --> 0:15:48.720
<v Speaker 2>funny happened to me on the way to the gig,

0:15:48.760 --> 0:15:52.800
<v Speaker 2>because because it makes it feel like it's more immediate

0:15:53.000 --> 0:15:57.760
<v Speaker 2>and it just happened. Or a comedian might here, you know,

0:15:57.760 --> 0:15:59.400
<v Speaker 2>know that this happened to a friend of his, So

0:15:59.440 --> 0:16:01.480
<v Speaker 2>they're going to make it seem like it happened to them,

0:16:01.800 --> 0:16:04.760
<v Speaker 2>And it's just that is just a way of kind

0:16:04.760 --> 0:16:07.000
<v Speaker 2>of going, I'm just going to cut through and not

0:16:07.080 --> 0:16:09.360
<v Speaker 2>distract you with the idea that you are imagining as

0:16:09.360 --> 0:16:11.120
<v Speaker 2>somebody else. You know, it's going to be more personal

0:16:11.200 --> 0:16:12.880
<v Speaker 2>to me. So there are things that you know, you

0:16:12.920 --> 0:16:15.680
<v Speaker 2>know that you can look at when you put the

0:16:15.680 --> 0:16:18.360
<v Speaker 2>hood up on a joke and see what's wrong with

0:16:18.400 --> 0:16:21.000
<v Speaker 2>it to work out? You know, why isn't why it

0:16:21.040 --> 0:16:21.520
<v Speaker 2>isn't working.

0:16:21.600 --> 0:16:25.680
<v Speaker 1>Obviously, today things get taken very seriously. There's this cancel culture,

0:16:25.680 --> 0:16:28.520
<v Speaker 1>all this kind of stuff. How hard is it to

0:16:28.560 --> 0:16:30.960
<v Speaker 1>be able to be a comedian in today's world where

0:16:31.040 --> 0:16:33.360
<v Speaker 1>you're probably afraid that everything that comes out in your

0:16:33.360 --> 0:16:36.280
<v Speaker 1>mouth is going to be dissected to the nth degree

0:16:36.680 --> 0:16:39.240
<v Speaker 1>and you might offend whoever it is out there. Like,

0:16:39.280 --> 0:16:41.000
<v Speaker 1>it's going to be a tough thing to be able

0:16:41.080 --> 0:16:41.640
<v Speaker 1>to navigate.

0:16:41.840 --> 0:16:45.360
<v Speaker 2>Yeah, I mean I personally, I love the challenge of it.

0:16:46.400 --> 0:16:50.480
<v Speaker 2>I don't I like I like that when I do

0:16:50.520 --> 0:16:54.600
<v Speaker 2>a stand up show, it is a time capsule of

0:16:54.640 --> 0:16:57.520
<v Speaker 2>that time. And I remember doing your early stand up

0:16:57.520 --> 0:16:59.720
<v Speaker 2>shows when I was talking about text messaging and it

0:16:59.760 --> 0:17:01.960
<v Speaker 2>was material. I was like, this is cool, this is

0:17:01.960 --> 0:17:04.600
<v Speaker 2>like not everyone's even got the phones yet you know,

0:17:04.680 --> 0:17:06.800
<v Speaker 2>and and I was doing stuff about you know how

0:17:06.960 --> 0:17:09.359
<v Speaker 2>walking while sex messaging slows you down because you know,

0:17:09.440 --> 0:17:11.800
<v Speaker 2>you know, you know, and that kind of stuff, and

0:17:11.800 --> 0:17:15.439
<v Speaker 2>and you know, and that is of that time. And

0:17:15.440 --> 0:17:17.800
<v Speaker 2>and then you know, even if you go about not

0:17:17.880 --> 0:17:19.840
<v Speaker 2>that many years ago, I was doing a show called

0:17:19.880 --> 0:17:23.199
<v Speaker 2>One Hot Mess, and that was you know, and I

0:17:23.240 --> 0:17:24.840
<v Speaker 2>did the show called One Hot Mess and the two years,

0:17:24.880 --> 0:17:26.480
<v Speaker 2>like I usually, it was show for two years because

0:17:26.520 --> 0:17:29.240
<v Speaker 2>I allow me to evolve, and I allow the world

0:17:29.240 --> 0:17:31.439
<v Speaker 2>to evolve and change, and then I can kind of

0:17:31.560 --> 0:17:34.160
<v Speaker 2>have enough distance to kind of comment on it. And

0:17:34.320 --> 0:17:37.199
<v Speaker 2>from between One hot Mess and Big Boy Pants, I

0:17:37.200 --> 0:17:41.720
<v Speaker 2>think like it went from like Donald Trump wasn't in

0:17:41.760 --> 0:17:44.320
<v Speaker 2>my in my thoughts or considerations at all. In One

0:17:44.320 --> 0:17:46.320
<v Speaker 2>hot Mess and Big Boy Pants, it's like Donald Trump's

0:17:46.320 --> 0:17:49.160
<v Speaker 2>president and same sex marriage is legal. You know, it's great.

0:17:49.320 --> 0:17:52.680
<v Speaker 2>So so you know, the world changes so quickly, so

0:17:52.720 --> 0:17:54.560
<v Speaker 2>I think it's good to see them through the prism.

0:17:54.720 --> 0:17:57.320
<v Speaker 2>I've stand up comedy. That's where I think sometimes when

0:17:57.320 --> 0:17:59.439
<v Speaker 2>you go back and find a show and kind of

0:17:59.440 --> 0:18:00.919
<v Speaker 2>go look at or a tweeting, you kind of go

0:18:00.960 --> 0:18:03.000
<v Speaker 2>look at that person said in two thousand and five.

0:18:03.040 --> 0:18:05.280
<v Speaker 2>So yeah, the person's a different person seventeen years ago.

0:18:06.760 --> 0:18:10.119
<v Speaker 2>So we need to let people evolve and people I

0:18:10.240 --> 0:18:12.560
<v Speaker 2>teach my kids you goin to make a mistake as

0:18:12.560 --> 0:18:15.960
<v Speaker 2>long as you acknowledge it and move on. I think

0:18:16.000 --> 0:18:19.760
<v Speaker 2>another word for political correctness is decency. And I think

0:18:19.800 --> 0:18:23.240
<v Speaker 2>it's just about being decent with each other. And I

0:18:23.240 --> 0:18:25.320
<v Speaker 2>think I do this in loopy. I say, you know

0:18:25.359 --> 0:18:28.760
<v Speaker 2>that maybe we stop using terms like politically correct or

0:18:28.800 --> 0:18:32.560
<v Speaker 2>work or cancel culture and it's court decency or inclusion

0:18:32.760 --> 0:18:36.000
<v Speaker 2>or kindness. It's it's hard to weaponize those words. You

0:18:36.000 --> 0:18:39.359
<v Speaker 2>can weaponize, you know, the word woke, but you can't

0:18:39.400 --> 0:18:41.440
<v Speaker 2>weaponize the word decency. You can't say you can even

0:18:41.440 --> 0:18:44.800
<v Speaker 2>try it. You can go gets stuff. Yeah your kind

0:18:44.840 --> 0:18:46.840
<v Speaker 2>prick and it's like that doesn't work. You know, that

0:18:46.880 --> 0:18:51.240
<v Speaker 2>doesn't work at all. So so yeah, it's listen, comedy

0:18:51.280 --> 0:18:53.639
<v Speaker 2>is changing, but I love that it's changing. If we

0:18:53.720 --> 0:18:57.399
<v Speaker 2>were still doing mother in law gags and and the

0:18:57.400 --> 0:19:00.199
<v Speaker 2>fat people gags and you know, comedy would be poor

0:19:00.240 --> 0:19:00.800
<v Speaker 2>for it. Yeah.

0:19:00.920 --> 0:19:02.720
<v Speaker 1>I hate to go on this, but like obviously people

0:19:02.720 --> 0:19:04.359
<v Speaker 1>probably ask you if you like one, have you ever

0:19:04.440 --> 0:19:06.840
<v Speaker 1>been heckled too? Have you ever had a joke that

0:19:06.880 --> 0:19:09.520
<v Speaker 1>just didn't land, and maybe it was too intelligent or

0:19:09.560 --> 0:19:17.080
<v Speaker 1>something that always the audience just goes ahea, like five

0:19:17.119 --> 0:19:18.399
<v Speaker 1>seconds later it kind of clicks.

0:19:18.640 --> 0:19:21.239
<v Speaker 2>Well, I mean sometimes that happens. Sometimes, Yeah, you hear

0:19:21.280 --> 0:19:23.520
<v Speaker 2>different parts of the audience kind of get jokes at

0:19:23.520 --> 0:19:28.600
<v Speaker 2>different times. And but I mean, I've had funnily enough

0:19:29.040 --> 0:19:30.840
<v Speaker 2>to go back to that famous night at the MCG

0:19:31.080 --> 0:19:34.960
<v Speaker 2>the prelimity Grand Final. I did a gig the night before.

0:19:36.040 --> 0:19:43.679
<v Speaker 2>Rene Kink, famous Collingwood cult hero, Incredible Hulk. He he

0:19:43.800 --> 0:19:45.320
<v Speaker 2>rang me and asked me to do a gig the

0:19:45.440 --> 0:19:49.080
<v Speaker 2>night before that prelim final for the past players, and

0:19:49.119 --> 0:19:51.520
<v Speaker 2>it was the quickest yes I've ever given. I was like, yeah, absolutely,

0:19:51.520 --> 0:19:53.240
<v Speaker 2>I'm doing the project and I can, I can, I

0:19:53.280 --> 0:19:57.720
<v Speaker 2>can be here by by h and yeah, yeah, absolutely

0:19:57.720 --> 0:19:59.600
<v Speaker 2>love to do it. Everyone's pumped up. We're in a

0:19:59.640 --> 0:20:05.639
<v Speaker 2>prelim and I got there and admittedly I got on

0:20:05.680 --> 0:20:08.960
<v Speaker 2>stage and there's a warm welcome. Brian Taylor introduced me,

0:20:09.560 --> 0:20:12.800
<v Speaker 2>so warm welcome. I was on a table with Swannee

0:20:12.840 --> 0:20:20.119
<v Speaker 2>and Benny Johnson, Ellen Danak, and I did notice that

0:20:20.160 --> 0:20:22.879
<v Speaker 2>they were like the youngest in the room and everyone

0:20:22.960 --> 0:20:26.400
<v Speaker 2>else was probably ten fifteen years older than they were.

0:20:27.440 --> 0:20:28.760
<v Speaker 2>And I didn't even think much of it. I was

0:20:28.800 --> 0:20:31.040
<v Speaker 2>just like, oh, there's legends over there over there, and

0:20:32.840 --> 0:20:35.680
<v Speaker 2>be T introduced me nice around of applause most of them. No,

0:20:35.720 --> 0:20:40.800
<v Speaker 2>I'm calling the tragic. And I get up there and

0:20:40.800 --> 0:20:43.960
<v Speaker 2>and Renekin had said to me earlier, Yeah, he goes,

0:20:44.119 --> 0:20:45.000
<v Speaker 2>do you want to do you or do you want

0:20:45.000 --> 0:20:46.480
<v Speaker 2>to do straw? And I said, I do me because

0:20:46.480 --> 0:20:48.000
<v Speaker 2>I'm coming from the project and this is easy, and

0:20:48.000 --> 0:20:49.359
<v Speaker 2>I've been doing a lot of gigs recently, so I'm

0:20:49.359 --> 0:20:52.600
<v Speaker 2>pretty much fit with material that I'll do. And so

0:20:52.760 --> 0:20:55.959
<v Speaker 2>I got up there and start, and pretty quickly I

0:20:56.000 --> 0:20:57.760
<v Speaker 2>know that this isn't going well. And I look out

0:20:57.800 --> 0:21:00.640
<v Speaker 2>and there's this a sea of gray headed man and

0:21:00.720 --> 0:21:03.439
<v Speaker 2>like no women, like basically like it was all the

0:21:03.440 --> 0:21:05.439
<v Speaker 2>guys come the wives had stayed at home, and it

0:21:05.520 --> 0:21:09.600
<v Speaker 2>was all men, and they just were not getting my

0:21:09.640 --> 0:21:14.520
<v Speaker 2>hot takes on, you know. And And admittedly, in hindsight,

0:21:15.400 --> 0:21:18.720
<v Speaker 2>I didn't probably tailor the gig. And if I had

0:21:18.760 --> 0:21:20.240
<v Speaker 2>to tail the gig up, maybe I would have said no.

0:21:20.280 --> 0:21:22.160
<v Speaker 2>But maybe I could have done some broader stuff. Mate.

0:21:22.200 --> 0:21:26.399
<v Speaker 2>I was talking about like fomo, like a twist on

0:21:26.480 --> 0:21:28.760
<v Speaker 2>fomo I do. I used to do a joke that

0:21:29.000 --> 0:21:32.920
<v Speaker 2>I don't have phomo, I have I have phobe, which

0:21:33.000 --> 0:21:36.840
<v Speaker 2>is the fear of being invited, and always went really well,

0:21:36.880 --> 0:21:39.919
<v Speaker 2>you know, And but I don't think they knew what

0:21:40.000 --> 0:21:43.000
<v Speaker 2>FOMO was. So they're talking about set up at the touchline.

0:21:43.000 --> 0:21:45.960
<v Speaker 2>They didn't quite understand what fomo was. And then I

0:21:46.000 --> 0:21:49.719
<v Speaker 2>was talking about doing runners. I said, I just I

0:21:49.720 --> 0:21:51.440
<v Speaker 2>did my first runner, you know, when you run away

0:21:51.440 --> 0:21:55.520
<v Speaker 2>from paying for something, and and I said, yeah, baby steps.

0:21:55.520 --> 0:21:58.800
<v Speaker 2>I did it from an uber, which always gets in

0:21:58.840 --> 0:22:01.000
<v Speaker 2>good luck because the audio on his nose. They know.

0:22:01.280 --> 0:22:04.520
<v Speaker 2>But but this is you know, this is like when was

0:22:04.520 --> 0:22:08.920
<v Speaker 2>this two thousand and eighteen, so you know, Uber was

0:22:08.960 --> 0:22:11.680
<v Speaker 2>still for you know, any guy in who's seventy five.

0:22:12.119 --> 0:22:14.320
<v Speaker 2>Probably I'm not catching a lot of ubers by by stage,

0:22:14.320 --> 0:22:18.119
<v Speaker 2>I didn't quite understand. They didn't click. So what I

0:22:18.119 --> 0:22:21.560
<v Speaker 2>should have maybe aged the you know, the material up.

0:22:21.800 --> 0:22:23.960
<v Speaker 2>But it was it was truly awful because I was like,

0:22:24.920 --> 0:22:26.879
<v Speaker 2>I'm dying. I'm dying in front of my here like

0:22:26.920 --> 0:22:30.480
<v Speaker 2>your hearts. Just like there was a drink that I

0:22:30.560 --> 0:22:33.120
<v Speaker 2>put on like a leg turn and it fell off

0:22:33.119 --> 0:22:36.760
<v Speaker 2>at one and and I just left it there. I

0:22:36.760 --> 0:22:40.080
<v Speaker 2>thought I looked at it, I had accepted. I was like,

0:22:41.080 --> 0:22:44.800
<v Speaker 2>I was like, if Craig McCrae or Nathan Buckley were

0:22:44.840 --> 0:22:46.560
<v Speaker 2>coaching at the time, they would have pulled me aside

0:22:46.600 --> 0:22:47.920
<v Speaker 2>and said, make it your head back in the game.

0:22:48.119 --> 0:22:49.679
<v Speaker 2>You can still you know, it may not be your night,

0:22:49.720 --> 0:22:54.200
<v Speaker 2>but it could be your moment. And then it was

0:22:54.720 --> 0:22:57.240
<v Speaker 2>Tony Shaw or Peter Dakers came up and like they've

0:22:57.280 --> 0:22:58.560
<v Speaker 2>got the beer in this book and put it up.

0:23:00.160 --> 0:23:01.840
<v Speaker 2>Who doesn't need to be you need a hard bear?

0:23:02.160 --> 0:23:04.760
<v Speaker 2>And I left the stage. I did like I was

0:23:04.760 --> 0:23:06.920
<v Speaker 2>supposally maybe fifteen. I did like maybe eight. I cut

0:23:06.960 --> 0:23:08.320
<v Speaker 2>it in half and I just went eight. And I

0:23:08.400 --> 0:23:11.159
<v Speaker 2>was like, you start getting angry because you're kind of

0:23:11.240 --> 0:23:15.800
<v Speaker 2>so used to gigs going well yeah, And I was like,

0:23:15.920 --> 0:23:16.960
<v Speaker 2>I'm doing this.

0:23:17.160 --> 0:23:19.960
<v Speaker 1>But this three gigs you have people come to your

0:23:20.040 --> 0:23:23.320
<v Speaker 1>show because exactly well, this was more of exactly yeah,

0:23:23.359 --> 0:23:25.000
<v Speaker 1>and this is just in the moment, like I can't

0:23:25.000 --> 0:23:25.679
<v Speaker 1>find it funny now.

0:23:25.720 --> 0:23:29.280
<v Speaker 2>I wouldn't be telling the story if I didn't. And

0:23:29.280 --> 0:23:32.120
<v Speaker 2>and I remember seeing Rund kink as I walked back

0:23:32.119 --> 0:23:34.160
<v Speaker 2>and he said, hey, you probably should have done Strawny

0:23:35.760 --> 0:23:38.119
<v Speaker 2>and then and then I go to the table with

0:23:38.320 --> 0:23:41.840
<v Speaker 2>the DIDs and Swanny and I said to him. I

0:23:41.880 --> 0:23:44.399
<v Speaker 2>said to him, I hope you buddy lose tomorrow night.

0:23:44.480 --> 0:23:47.320
<v Speaker 2>And I just walk out. I walk out, and I

0:23:47.440 --> 0:23:48.960
<v Speaker 2>go to the game the next day. Funny enough, I'm

0:23:48.960 --> 0:23:52.359
<v Speaker 2>doing a gig for the AFL function before the big game,

0:23:52.480 --> 0:23:54.680
<v Speaker 2>and I see Brian Taylor there and BT says, mate,

0:23:54.680 --> 0:23:56.399
<v Speaker 2>they're just soul pricks. You just want to catch up

0:23:56.440 --> 0:23:58.760
<v Speaker 2>with each other and talk about the old days. And

0:23:58.840 --> 0:24:02.000
<v Speaker 2>so I get that. And sometimes you do. You do

0:24:02.080 --> 0:24:06.000
<v Speaker 2>a corporate and you just have to accept that they're

0:24:06.000 --> 0:24:08.240
<v Speaker 2>not necessarily there to see you. Most propers, I must say,

0:24:08.240 --> 0:24:11.119
<v Speaker 2>I've had really pleasant experiences. Comedians were often kind of

0:24:11.920 --> 0:24:15.080
<v Speaker 2>you grudge kind of corporates a bit. Yes, they pay well,

0:24:15.119 --> 0:24:17.040
<v Speaker 2>but sometimes they can be tough. I always just find

0:24:17.080 --> 0:24:20.120
<v Speaker 2>that there's people in their work environment. They're just wearing

0:24:20.119 --> 0:24:22.600
<v Speaker 2>suits tonight. You know, they're usually they're usually pretty good,

0:24:24.040 --> 0:24:26.840
<v Speaker 2>but yeah, there there there are times when you just

0:24:26.880 --> 0:24:30.399
<v Speaker 2>have to accept that. I did a gig for Coca

0:24:30.400 --> 0:24:34.919
<v Speaker 2>Cola at the Opera House. The Opera House restaurant has

0:24:35.040 --> 0:24:37.399
<v Speaker 2>been alone in front of it, and they put me

0:24:37.440 --> 0:24:39.040
<v Speaker 2>in this weird place where it's kind of like on

0:24:39.160 --> 0:24:43.680
<v Speaker 2>the on the mezzanine of a stair stairway like that

0:24:43.800 --> 0:24:46.119
<v Speaker 2>goes up to the restaurant and someone looking up and

0:24:46.119 --> 0:24:47.760
<v Speaker 2>there's people up there and the people a little bit

0:24:47.760 --> 0:24:49.639
<v Speaker 2>below there's people are walking in, like walking past me,

0:24:49.880 --> 0:24:53.560
<v Speaker 2>and I'm doing like a you know, minutes whole area. Yeah,

0:24:53.680 --> 0:24:54.760
<v Speaker 2>I would have been better if I was up near

0:24:54.800 --> 0:24:56.280
<v Speaker 2>the bar where everyone can kind of see me. There's

0:24:56.280 --> 0:24:58.199
<v Speaker 2>people then look over the edge and look down on

0:24:58.320 --> 0:25:02.040
<v Speaker 2>me to see me do a spot. And it went okay,

0:25:02.640 --> 0:25:05.000
<v Speaker 2>I think as well as I could have gone. And

0:25:05.000 --> 0:25:06.800
<v Speaker 2>then I was chatting to the Sea of Coca Cola

0:25:06.880 --> 0:25:10.199
<v Speaker 2>in Australia at the bar afterwards and he said, I said, oh,

0:25:10.400 --> 0:25:12.480
<v Speaker 2>just he that was great. I said, yeah, I said,

0:25:12.640 --> 0:25:15.720
<v Speaker 2>I reckon. Maybe next time, just as a bit of feedback,

0:25:16.080 --> 0:25:18.919
<v Speaker 2>have the comedian where everyone more people can see them.

0:25:19.119 --> 0:25:21.760
<v Speaker 2>He has got to be absolutely honest. I just wanted

0:25:21.800 --> 0:25:23.360
<v Speaker 2>the people to walk in and go, oh they got

0:25:23.359 --> 0:25:30.360
<v Speaker 2>the guy from the TV. Yeah, yeah, viral guy. So

0:25:30.680 --> 0:25:32.560
<v Speaker 2>and that kind of taught me a little bit. Sometimes

0:25:32.600 --> 0:25:34.680
<v Speaker 2>it's not about you as much as you want to

0:25:34.720 --> 0:25:35.840
<v Speaker 2>have the best gig. You want to have the best

0:25:35.840 --> 0:25:37.080
<v Speaker 2>gig for yourself, but you and you want to have

0:25:37.080 --> 0:25:40.000
<v Speaker 2>the best gig for them. They will create the conditions.

0:25:40.000 --> 0:25:42.880
<v Speaker 2>You can suggest stuff, but ultimately they may have their

0:25:42.880 --> 0:25:46.000
<v Speaker 2>own reasons for having you on. And sometimes it's about

0:25:46.160 --> 0:25:48.480
<v Speaker 2>the audience. They want to catch up. It's not actually

0:25:48.480 --> 0:25:50.040
<v Speaker 2>about the entertainment. They just want to catch up. So

0:25:50.040 --> 0:25:51.440
<v Speaker 2>all you can do is go and do a gig

0:25:51.480 --> 0:25:52.800
<v Speaker 2>and see how it goes.

0:25:53.000 --> 0:25:55.439
<v Speaker 1>I've had a few, I've gone, I've gone to I

0:25:55.440 --> 0:25:58.280
<v Speaker 1>think it was when they did the fundros of game

0:25:58.440 --> 0:26:00.480
<v Speaker 1>was like fl Vic versus the rest of the country

0:26:00.480 --> 0:26:01.800
<v Speaker 1>wherever it is, you know. And I did an appearance

0:26:01.840 --> 0:26:04.600
<v Speaker 1>there and there was no Callingwood fans really in the crowd,

0:26:04.640 --> 0:26:06.480
<v Speaker 1>and the god just asked me Collingwood fans the whole

0:26:06.520 --> 0:26:08.400
<v Speaker 1>like calling Wood questions the whole time.

0:26:08.200 --> 0:26:09.880
<v Speaker 2>And I just sat there and no one was paying attention.

0:26:09.960 --> 0:26:12.280
<v Speaker 1>No one's even facing me on stage, and I was

0:26:12.280 --> 0:26:15.159
<v Speaker 1>just thinking, they're awkwardly answer these questions, going I just

0:26:15.280 --> 0:26:18.120
<v Speaker 1>don't think this is my crowd. But I don't think

0:26:18.160 --> 0:26:20.800
<v Speaker 1>we're really nailing it, buddy, I don't, I really don't.

0:26:21.600 --> 0:26:23.440
<v Speaker 1>Just everyone else is just talking just totally ignoring you,

0:26:23.480 --> 0:26:24.800
<v Speaker 1>and then everyone just wants to say high off and

0:26:24.800 --> 0:26:27.000
<v Speaker 1>take your photout. But it's like at that time they

0:26:27.080 --> 0:26:29.080
<v Speaker 1>just could not care less. They're more interested in the

0:26:29.080 --> 0:26:31.159
<v Speaker 1>beer they were drinking and the mates around them. It

0:26:31.280 --> 0:26:31.879
<v Speaker 1>was up on stage.

0:26:31.920 --> 0:26:33.920
<v Speaker 2>And what you mentioned is sometimes I find that it's

0:26:34.200 --> 0:26:36.560
<v Speaker 2>as important that the hanging around to get it for yourself.

0:26:36.600 --> 0:26:40.440
<v Speaker 2>He's afterwards, he's as important as whatever you do on stage.

0:26:40.440 --> 0:26:44.760
<v Speaker 2>But yeah, yes, yeah, that's a good example of sometimes

0:26:44.760 --> 0:26:46.160
<v Speaker 2>they just want to do their own thing.

0:26:46.800 --> 0:26:49.560
<v Speaker 1>We'll go back to the project knowing. I guess, as

0:26:49.640 --> 0:26:52.399
<v Speaker 1>you said earlier, the project, Man, how cool is it

0:26:52.400 --> 0:26:54.360
<v Speaker 1>working on there? Because I find the project as one

0:26:54.359 --> 0:26:56.640
<v Speaker 1>of the most unique I think news shows in the world.

0:26:56.720 --> 0:26:59.080
<v Speaker 1>Like it's a very different take on news. It's got

0:26:59.160 --> 0:27:00.920
<v Speaker 1>comedy in it, you know, it's got serious stuff, has

0:27:00.920 --> 0:27:03.840
<v Speaker 1>got very important things along the way, and they somehow

0:27:03.960 --> 0:27:07.360
<v Speaker 1>kind of maneuver in the right direction without really kind

0:27:07.359 --> 0:27:08.200
<v Speaker 1>of going off track.

0:27:08.600 --> 0:27:09.560
<v Speaker 2>And it's a pretty amazing.

0:27:09.600 --> 0:27:11.640
<v Speaker 1>I think that the producers and everyone credit to them

0:27:11.840 --> 0:27:13.160
<v Speaker 1>the way they'll be able to put it all together.

0:27:13.200 --> 0:27:15.320
<v Speaker 1>How is it actually working on the set with everyone else,

0:27:15.359 --> 0:27:17.919
<v Speaker 1>and what's your experience been like, it's been amazing. I

0:27:17.920 --> 0:27:20.480
<v Speaker 1>mean it's a beast of a show to get to

0:27:20.520 --> 0:27:23.000
<v Speaker 1>wear every night. We do six nights a week.

0:27:24.280 --> 0:27:26.320
<v Speaker 2>I do four in one of the Thursdays, and it's

0:27:26.400 --> 0:27:31.480
<v Speaker 2>it's an incredible team, the everything from the field producers

0:27:31.560 --> 0:27:35.159
<v Speaker 2>to the daily producers to the graphics team, which are

0:27:35.280 --> 0:27:37.560
<v Speaker 2>just the best, absolutely the best, and the is And

0:27:37.600 --> 0:27:40.840
<v Speaker 2>it's funny you being an American, you know, having your

0:27:41.560 --> 0:27:44.320
<v Speaker 2>your view on it, because a lot of Americans and

0:27:44.600 --> 0:27:46.320
<v Speaker 2>Brits as well who come on the show, whether they

0:27:46.320 --> 0:27:48.560
<v Speaker 2>be celebrities or you know, just people we have on

0:27:48.600 --> 0:27:53.240
<v Speaker 2>the show, just it's like nothing they've ever seen. I

0:27:53.280 --> 0:27:57.000
<v Speaker 2>think in Australia we can kind of realize there are

0:27:57.119 --> 0:28:00.560
<v Speaker 2>some really we bat really high for our weight division.

0:28:00.600 --> 0:28:03.480
<v Speaker 2>I think, you know, as far as I'm mixing sporting metaphors,

0:28:03.480 --> 0:28:09.680
<v Speaker 2>there betting high in their weight division. Bradwill, Jeff Fanick.

0:28:10.720 --> 0:28:14.560
<v Speaker 2>But yeah, it's a really unique show and they really recognized.

0:28:14.600 --> 0:28:16.919
<v Speaker 2>They're like, you know, Sarah Jessica Parker, I remember it

0:28:16.960 --> 0:28:18.160
<v Speaker 2>was one of the first who came on. I said,

0:28:18.160 --> 0:28:21.080
<v Speaker 2>I've never seen anything like this, you know, And that

0:28:21.200 --> 0:28:23.919
<v Speaker 2>happens a lot with the show, and I think it

0:28:23.960 --> 0:28:26.359
<v Speaker 2>becomes wallpaper to a degree in Australia because it's like

0:28:26.359 --> 0:28:29.440
<v Speaker 2>we're were used to it. But it's a really unique show.

0:28:29.560 --> 0:28:33.240
<v Speaker 2>With Craig Campbell, our former EP came up with a

0:28:33.280 --> 0:28:36.800
<v Speaker 2>great you know, slugline which is basically a motto or

0:28:36.880 --> 0:28:39.680
<v Speaker 2>mantra which is used to deliver differently. We we remind

0:28:39.680 --> 0:28:43.280
<v Speaker 2>ourselves of that constantly and when people sometimes people get

0:28:43.280 --> 0:28:45.640
<v Speaker 2>critical of the show will say, oh, oh yeah, what's

0:28:45.640 --> 0:28:47.200
<v Speaker 2>the approach? Is supposed to be a new show, And

0:28:47.200 --> 0:28:50.240
<v Speaker 2>then you got you know, Pete Hellier showing people getting

0:28:50.360 --> 0:28:53.840
<v Speaker 2>kicked in the nuts, you know, which is exactly but

0:28:53.960 --> 0:28:55.880
<v Speaker 2>it's a very important scene when I do called oh nuts,

0:28:55.920 --> 0:28:57.920
<v Speaker 2>you know, and people need to see people getting kicked

0:28:57.920 --> 0:29:01.000
<v Speaker 2>in the nuts. But it's like we could not put

0:29:01.040 --> 0:29:03.600
<v Speaker 2>our mantra out any more than any other show. It

0:29:03.640 --> 0:29:06.479
<v Speaker 2>is news delivered differently, which gives us permission really to

0:29:06.520 --> 0:29:08.760
<v Speaker 2>do anything we like, whether you know we do yes

0:29:08.800 --> 0:29:11.920
<v Speaker 2>delivered news. You know, it's not satires, it's not the

0:29:11.960 --> 0:29:14.440
<v Speaker 2>Daily Show. I think a lot of people thought initially

0:29:14.480 --> 0:29:16.000
<v Speaker 2>it was going to be like the Daily Show. It's

0:29:16.000 --> 0:29:17.720
<v Speaker 2>not that it's not that we love the Daily Show,

0:29:17.720 --> 0:29:20.920
<v Speaker 2>but that's not what we do. We tackle news pretty

0:29:21.040 --> 0:29:22.880
<v Speaker 2>you know, straight, with some twists and in it, but

0:29:23.440 --> 0:29:26.480
<v Speaker 2>the information that goes out is you know, is you know,

0:29:27.480 --> 0:29:30.200
<v Speaker 2>the information is presented and and then we just find

0:29:30.240 --> 0:29:32.960
<v Speaker 2>ways to have from My job in the show is

0:29:33.000 --> 0:29:37.080
<v Speaker 2>to make news palatable for you know, families to watch.

0:29:37.120 --> 0:29:39.680
<v Speaker 2>Really it's and the biggest, one of the biggest comments

0:29:39.680 --> 0:29:43.000
<v Speaker 2>I get is that you know, families watch it together

0:29:43.040 --> 0:29:46.160
<v Speaker 2>and it opens conversations. And that's that's I think the

0:29:46.280 --> 0:29:48.840
<v Speaker 2>role of the show. It's one of the strongest things

0:29:48.840 --> 0:29:51.080
<v Speaker 2>about the show is that it just opens up conversations.

0:29:51.120 --> 0:29:54.120
<v Speaker 2>We're not telling you what to think. If if there

0:29:54.160 --> 0:29:55.960
<v Speaker 2>are a lot of defensive people in the world and

0:29:56.000 --> 0:29:59.160
<v Speaker 2>they you know, they're just all opinions, you know, and

0:29:59.160 --> 0:30:02.040
<v Speaker 2>whether it's myself or Walid or Carrie or Lisa, they're

0:30:02.080 --> 0:30:04.440
<v Speaker 2>just opinions, and you know, and that can be a

0:30:04.480 --> 0:30:07.120
<v Speaker 2>portal to open up a wider conversation with you, your

0:30:07.160 --> 0:30:09.480
<v Speaker 2>own family, your own kids, your own friends. Yeah, exactly,

0:30:09.520 --> 0:30:09.800
<v Speaker 2>And I.

0:30:09.720 --> 0:30:11.760
<v Speaker 1>Think that's that's what's so good about it is it

0:30:11.800 --> 0:30:13.200
<v Speaker 1>is a family show. You can look at it and

0:30:13.200 --> 0:30:15.400
<v Speaker 1>you come away with a laugh, something serious, you know,

0:30:15.640 --> 0:30:17.280
<v Speaker 1>understanding of what's going on in the world, and you

0:30:17.320 --> 0:30:19.560
<v Speaker 1>get so much information put to you in a correct

0:30:19.560 --> 0:30:22.560
<v Speaker 1>way that's entertaining for not only yourself but everyone else involved.

0:30:22.560 --> 0:30:24.720
<v Speaker 1>And that's the credit to him. But I want to

0:30:24.720 --> 0:30:27.320
<v Speaker 1>ask another question about the project. You've obviously interviewed people

0:30:27.320 --> 0:30:28.800
<v Speaker 1>on there. Who's your favorite?

0:30:30.120 --> 0:30:34.120
<v Speaker 2>Yeah, I mean, I've had a stunning run recently. I

0:30:34.240 --> 0:30:40.600
<v Speaker 2>recently has been Tom Cruise, Jim Carrey, you know, County Reeves,

0:30:40.640 --> 0:30:45.640
<v Speaker 2>and Sandra Bullock and Maggie Johnson. You know. The one

0:30:45.680 --> 0:30:49.120
<v Speaker 2>that is the one that I'm like, I can't believe

0:30:49.120 --> 0:30:54.200
<v Speaker 2>I've got to interview him was Francis Ford Coppola, the

0:30:54.240 --> 0:30:58.040
<v Speaker 2>godfather of my favorite films and my only I mean,

0:30:58.080 --> 0:31:00.160
<v Speaker 2>it's it's such a catch twenty two because it's it's

0:31:00.160 --> 0:31:02.720
<v Speaker 2>great that you get to spend, you know, ten minutes

0:31:02.760 --> 0:31:07.280
<v Speaker 2>with them, but it's not enough. After I've bactually got

0:31:07.320 --> 0:31:09.320
<v Speaker 2>three questions into into Frances for a complain and he

0:31:09.320 --> 0:31:10.560
<v Speaker 2>gave us a little bit of extra time because he

0:31:10.600 --> 0:31:13.160
<v Speaker 2>knew he'd like, really taken one answer and just gone

0:31:13.200 --> 0:31:15.760
<v Speaker 2>for like six minutes. And you're doing you're doing it.

0:31:17.120 --> 0:31:19.280
<v Speaker 2>You can't and you know you've only got ten minutes,

0:31:19.320 --> 0:31:21.640
<v Speaker 2>but you know, that there's only one story. We can't

0:31:21.680 --> 0:31:25.200
<v Speaker 2>just do an interview that's one story, and he kind of,

0:31:25.440 --> 0:31:27.280
<v Speaker 2>I think realized that and he kind of say, gave

0:31:27.280 --> 0:31:29.880
<v Speaker 2>me a little bit extra time. But he was one,

0:31:30.320 --> 0:31:34.720
<v Speaker 2>you know, Lebron and Magic Johnson right up there as well.

0:31:36.080 --> 0:31:39.640
<v Speaker 2>It's really fascinating because I even talking about the ones

0:31:39.640 --> 0:31:41.880
<v Speaker 2>I've done recently, I'm sure there's even a few that

0:31:41.960 --> 0:31:48.120
<v Speaker 2>I've I've missed. You get used to interviewing these people

0:31:48.200 --> 0:31:50.960
<v Speaker 2>and you kind of forget. My dad gave me one

0:31:50.960 --> 0:31:52.560
<v Speaker 2>of the sweetest things anyone's ever done for me. My

0:31:52.640 --> 0:31:55.120
<v Speaker 2>dad gave me like a photo book that he'd made

0:31:55.720 --> 0:31:58.400
<v Speaker 2>of people I had interviewed over one year, interviewed on

0:31:58.480 --> 0:32:02.640
<v Speaker 2>the on the project and he'd taken literal photos off

0:32:02.680 --> 0:32:06.360
<v Speaker 2>the TV and then like Brittain, and it was genuinely

0:32:06.400 --> 0:32:09.240
<v Speaker 2>so sweet. I mean, he did have like the names

0:32:09.240 --> 0:32:11.880
<v Speaker 2>of people that I had interviewed underneath. So there was

0:32:11.880 --> 0:32:13.760
<v Speaker 2>one where it was Daniel Ricardo and Coli, Me and

0:32:13.840 --> 0:32:15.640
<v Speaker 2>I got on the same desk and they were sitting

0:32:15.640 --> 0:32:17.040
<v Speaker 2>both next to me. That's the three of us sitting

0:32:17.040 --> 0:32:19.840
<v Speaker 2>all altogether, and had Daniel Ricardo on coling minogue. But

0:32:19.880 --> 0:32:22.240
<v Speaker 2>then there were times when he maybe got the names wrong,

0:32:22.480 --> 0:32:26.640
<v Speaker 2>Like we interviewed and out and he had Sampang written

0:32:26.720 --> 0:32:33.640
<v Speaker 2>underneath Dawn French was Robin Butler. So you've got to

0:32:33.680 --> 0:32:35.720
<v Speaker 2>be embarrassed that he made a few mistakes, particularly the

0:32:35.760 --> 0:32:39.680
<v Speaker 2>Sampang one but done. But it was genuinely so sweet.

0:32:39.680 --> 0:32:41.160
<v Speaker 2>But it really taught me. I was like, wow, this

0:32:41.200 --> 0:32:47.200
<v Speaker 2>is only one year. I I I do. Yeah, I

0:32:47.200 --> 0:32:49.720
<v Speaker 2>would like to catalog at more the people I've I've

0:32:49.720 --> 0:32:53.040
<v Speaker 2>gotten to speak to, and you know, you know I've

0:32:53.040 --> 0:32:56.200
<v Speaker 2>had done Sasha Baron Carwen and we he did one

0:32:56.200 --> 0:32:59.680
<v Speaker 2>on one with Justin Bieber Britney Spears, you know, and

0:32:59.680 --> 0:33:01.720
<v Speaker 2>then there's ones you do. This is what weird ones.

0:33:01.760 --> 0:33:03.280
<v Speaker 2>You know, I've interviewed now a few weeks, you know

0:33:03.360 --> 0:33:05.479
<v Speaker 2>ex prime ministers and prime minister is when they're beat

0:33:05.520 --> 0:33:08.000
<v Speaker 2>in office and we need a couple of times recently

0:33:08.040 --> 0:33:09.600
<v Speaker 2>a next Finnish Prime minister and you kind of like

0:33:09.640 --> 0:33:11.440
<v Speaker 2>you're doing that, but that going to go one of

0:33:11.520 --> 0:33:13.360
<v Speaker 2>my what am I doing? This is kind of nuts?

0:33:13.400 --> 0:33:15.640
<v Speaker 2>You know, it makes more sense with me interviewing you know,

0:33:15.720 --> 0:33:18.920
<v Speaker 2>Jake Jillenholl or someone, but the next Finnish Prime minister

0:33:19.080 --> 0:33:19.560
<v Speaker 2>is a bit weird.

0:33:19.800 --> 0:33:22.200
<v Speaker 1>Yeah, but now you've you interviewed someone. I want to

0:33:22.200 --> 0:33:23.840
<v Speaker 1>go into this because you created a movie actually with

0:33:23.880 --> 0:33:27.760
<v Speaker 1>this person. Peter did English The Think and Theydink. Obviously

0:33:27.800 --> 0:33:30.840
<v Speaker 1>he's known for Game of Thrones, hugely successful with that.

0:33:31.280 --> 0:33:33.680
<v Speaker 1>How was creating the movie I Love You Too with him? Like,

0:33:33.720 --> 0:33:35.880
<v Speaker 1>how is he as a person? As an actor? Like,

0:33:36.040 --> 0:33:37.680
<v Speaker 1>give us a bit of an idea of kind of

0:33:38.080 --> 0:33:40.320
<v Speaker 1>the day to day of creating a television show or

0:33:40.360 --> 0:33:43.280
<v Speaker 1>a movie and how you go about with the different

0:33:43.320 --> 0:33:45.440
<v Speaker 1>actors and the producers and the chaos of everything, and

0:33:45.440 --> 0:33:47.440
<v Speaker 1>then also writing one of these things.

0:33:47.720 --> 0:33:48.440
<v Speaker 2>There's so much to it.

0:33:48.480 --> 0:33:50.480
<v Speaker 1>I feel like you've experienced in your life in these

0:33:50.520 --> 0:33:52.440
<v Speaker 1>kind of media opportunities. I'd just love to get an

0:33:52.440 --> 0:33:54.600
<v Speaker 1>idea of kind of a day on set. What does

0:33:54.640 --> 0:33:55.120
<v Speaker 1>it look like?

0:33:55.480 --> 0:33:59.720
<v Speaker 2>Yeah, well, I mean on set. I always feel like film,

0:34:00.040 --> 0:34:01.880
<v Speaker 2>if you make a film, a film set or a

0:34:01.880 --> 0:34:05.880
<v Speaker 2>TV set is a nice It feels like a hybrid

0:34:06.280 --> 0:34:10.799
<v Speaker 2>of a construction set and school camp. Yeah, because you

0:34:10.880 --> 0:34:13.320
<v Speaker 2>have like, yeah, you see what we see on camera,

0:34:13.360 --> 0:34:16.120
<v Speaker 2>and that's usually looks like whatever they wanted to look like,

0:34:16.160 --> 0:34:18.800
<v Speaker 2>whether it's a you know, a nice family home or

0:34:18.840 --> 0:34:22.160
<v Speaker 2>a garbage tip or a you know. But then behind that,

0:34:22.360 --> 0:34:28.120
<v Speaker 2>obviously behind the cameras, you have these extraordinarily talented you know,

0:34:28.200 --> 0:34:30.680
<v Speaker 2>men and women who are going about their job and

0:34:30.719 --> 0:34:33.360
<v Speaker 2>when something needs to be fixed, there's somebody a gaffer

0:34:33.440 --> 0:34:36.239
<v Speaker 2>or getting there and and fix something so quickly. And

0:34:36.320 --> 0:34:40.080
<v Speaker 2>other side of sometimes standing back and looking at cruise work,

0:34:40.440 --> 0:34:42.200
<v Speaker 2>you know. So that's almost the construction side of it,

0:34:42.239 --> 0:34:43.920
<v Speaker 2>and the other side feels like it was a school camp,

0:34:43.960 --> 0:34:46.360
<v Speaker 2>but also just we all et lunch together, you know,

0:34:46.560 --> 0:34:49.960
<v Speaker 2>and you get really close for that period of time

0:34:49.960 --> 0:34:53.840
<v Speaker 2>because it's usually if you're you know, if you're heavily involved,

0:34:53.880 --> 0:34:55.719
<v Speaker 2>as opposed to just maybe a day player who you

0:34:56.000 --> 0:35:00.120
<v Speaker 2>come to for a day to do a role, you know,

0:35:00.200 --> 0:35:02.200
<v Speaker 2>and that's that's a skill in itself to come in

0:35:02.239 --> 0:35:06.200
<v Speaker 2>and do that. But if it's if you're there every day,

0:35:06.360 --> 0:35:08.840
<v Speaker 2>you know, it's really the only thing you're doing like

0:35:08.960 --> 0:35:11.600
<v Speaker 2>you you are, you know, completely focused. When I did

0:35:12.040 --> 0:35:14.080
<v Speaker 2>How to Stay Married, I took time off the project

0:35:14.120 --> 0:35:16.000
<v Speaker 2>to do that, and I took like six or six

0:35:16.120 --> 0:35:17.920
<v Speaker 2>seven eight weeks to go and do that, and that

0:35:18.000 --> 0:35:21.560
<v Speaker 2>was my life for eight weeks. And so it takes

0:35:21.560 --> 0:35:24.040
<v Speaker 2>about seven years, you know, on average to write a

0:35:24.080 --> 0:35:25.719
<v Speaker 2>script and get it up and get it made. And

0:35:26.160 --> 0:35:30.600
<v Speaker 2>that's you know, I congratuate anyone who's even finished the script.

0:35:30.760 --> 0:35:34.840
<v Speaker 2>You know, it's it's it's But yeah, being and hanging

0:35:34.840 --> 0:35:37.319
<v Speaker 2>with like Peter Thinklage is another offense. But he's the

0:35:37.320 --> 0:35:42.360
<v Speaker 2>coolest man I've ever made. He's super cool. He's so funny,

0:35:42.400 --> 0:35:46.120
<v Speaker 2>like he has the I kept on saying that. I said,

0:35:46.360 --> 0:35:49.440
<v Speaker 2>I interviewed him funny enough. He did a movie Serrho,

0:35:49.520 --> 0:35:51.040
<v Speaker 2>and I got an interview him on the project, which

0:35:51.040 --> 0:35:52.600
<v Speaker 2>I've had done a couple of times, and it was

0:35:52.600 --> 0:35:54.399
<v Speaker 2>just hilarious because you just wanted to talk and catch

0:35:54.520 --> 0:35:57.160
<v Speaker 2>up and I'm trying to talk about this movie to

0:35:57.239 --> 0:36:03.040
<v Speaker 2>an extent, and and he is just lovely, you know,

0:36:03.080 --> 0:36:05.759
<v Speaker 2>and he's just super funny. I keep saying to him,

0:36:05.760 --> 0:36:07.960
<v Speaker 2>you should. Why haven't you done stand up? You know,

0:36:08.040 --> 0:36:11.640
<v Speaker 2>and you know, and he just, you know, acting has

0:36:11.680 --> 0:36:15.200
<v Speaker 2>been been this thing and that was such a special experience.

0:36:15.280 --> 0:36:18.279
<v Speaker 2>And I remember him telling me, like, you you just

0:36:18.320 --> 0:36:21.560
<v Speaker 2>got to enjoy being on set and being you know,

0:36:21.600 --> 0:36:25.160
<v Speaker 2>this part of it, because if you're a bit like

0:36:25.200 --> 0:36:27.080
<v Speaker 2>what I was saying about football before, maybe I've taken

0:36:27.200 --> 0:36:31.239
<v Speaker 2>what I learned from Peter Dinklish to my sporting you

0:36:31.280 --> 0:36:39.880
<v Speaker 2>know passion. Yeah, surely we'll get to that too. But yeah,

0:36:40.400 --> 0:36:43.040
<v Speaker 2>like if you're just invested in and tied up in

0:36:43.200 --> 0:36:45.160
<v Speaker 2>what the box office result will be or what the

0:36:45.200 --> 0:36:48.200
<v Speaker 2>critical reaction will be, then then you'll drive yourself mad.

0:36:48.280 --> 0:36:50.520
<v Speaker 2>You have to enjoy the experience of making it, and

0:36:50.560 --> 0:36:53.239
<v Speaker 2>it is. It is really joyful. And then yeah, I

0:36:53.280 --> 0:36:55.520
<v Speaker 2>love you. You did really well, you know, like comparatively to

0:36:55.560 --> 0:36:57.360
<v Speaker 2>a lot. You know, it didn't. It wasn't. It wasn't

0:36:57.520 --> 0:37:00.560
<v Speaker 2>as bust out, you know, a successful as you would

0:37:00.640 --> 0:37:02.719
<v Speaker 2>hope for and love. It wasn't. It didn't become full

0:37:02.719 --> 0:37:05.160
<v Speaker 2>weddings and the funeral. But you know it made you know,

0:37:05.440 --> 0:37:07.400
<v Speaker 2>he made you know, some money in Australia. It had

0:37:07.560 --> 0:37:09.760
<v Speaker 2>this weird life where it could be quite well in Russia,

0:37:09.800 --> 0:37:14.440
<v Speaker 2>and which was cool anymore. I get it. And you

0:37:14.600 --> 0:37:17.239
<v Speaker 2>played the Jerusalem Film Festival and so it's just this

0:37:17.360 --> 0:37:19.520
<v Speaker 2>weird kind of thing. And then you get letters from

0:37:19.520 --> 0:37:21.680
<v Speaker 2>people and emails from people around the world. And I

0:37:21.719 --> 0:37:24.160
<v Speaker 2>remember Queensland farmer, you know, writing me an email. He

0:37:24.200 --> 0:37:27.000
<v Speaker 2>lovely letters saying yeah he cried. It really touched him,

0:37:27.000 --> 0:37:28.799
<v Speaker 2>you know, and that was what I loved. It made

0:37:28.840 --> 0:37:30.520
<v Speaker 2>people cry as much as it did laugh. That was

0:37:30.560 --> 0:37:34.160
<v Speaker 2>always the intent. But we had you know, Evon stra Hosky,

0:37:34.200 --> 0:37:37.640
<v Speaker 2>who's you know, gone on to do Handmaid's Tail, and

0:37:37.920 --> 0:37:40.840
<v Speaker 2>Brendan cow who's just a great mate and the greatest

0:37:40.840 --> 0:37:43.960
<v Speaker 2>Traine actor, and you know meet and Gail and Rose

0:37:43.960 --> 0:37:46.040
<v Speaker 2>Byrne came and did a role at literally for a day,

0:37:46.880 --> 0:37:51.440
<v Speaker 2>and you know Ron Jacobs and you know Shane Shane

0:37:51.480 --> 0:37:53.880
<v Speaker 2>and Clay's dad. Yeah, we just had such a great

0:37:54.800 --> 0:37:59.359
<v Speaker 2>bunch of people. Katrina Melazovich from Wentworth, It's just you know, Chad,

0:37:59.400 --> 0:38:01.440
<v Speaker 2>Mick Mahon, Brady Card. It was just for me. It

0:38:01.480 --> 0:38:04.719
<v Speaker 2>was like a masterclass for me to be I didn't

0:38:04.719 --> 0:38:06.680
<v Speaker 2>have a lot of acting experience. I've done more sketches

0:38:06.719 --> 0:38:11.839
<v Speaker 2>and so yeah, yeah, absolutely and strong. You know, I've

0:38:11.880 --> 0:38:13.719
<v Speaker 2>done that. So it was kind of for me to

0:38:13.760 --> 0:38:16.760
<v Speaker 2>be in scenes all of a sudden with Peter dinkleyge

0:38:16.760 --> 0:38:18.680
<v Speaker 2>and this is the next thing he done with Game

0:38:18.680 --> 0:38:20.760
<v Speaker 2>of Thrones. So we spoke a bit of Game of Thrones,

0:38:21.160 --> 0:38:25.200
<v Speaker 2>got on set, was just and Brendan and Yvonne and variety,

0:38:25.239 --> 0:38:28.560
<v Speaker 2>and you know, and then more recently to work with

0:38:28.640 --> 0:38:32.960
<v Speaker 2>Lisa mckewn is just like you're just better the actors.

0:38:32.960 --> 0:38:35.200
<v Speaker 2>Because when we castle some mchun, I was almost like, oh,

0:38:35.239 --> 0:38:37.879
<v Speaker 2>should we get somebody who's like, you know, not as

0:38:37.920 --> 0:38:40.320
<v Speaker 2>good an actor so I don't get shown up completely

0:38:40.600 --> 0:38:43.480
<v Speaker 2>and to make yourself look good. Yeah, maybe we get

0:38:43.480 --> 0:38:47.880
<v Speaker 2>a crappy actor you know the show. But what you

0:38:48.000 --> 0:38:50.520
<v Speaker 2>learn is that the better the actor you're working with,

0:38:50.800 --> 0:38:56.200
<v Speaker 2>you become better. You know, I'm not at their level,

0:38:56.239 --> 0:39:00.480
<v Speaker 2>but you do. You do feel yourself becoming better and

0:39:00.800 --> 0:39:03.200
<v Speaker 2>you know, yeah, it somehow works. Do you want to

0:39:03.200 --> 0:39:05.560
<v Speaker 2>do more movies and TV? I mean I would love

0:39:05.560 --> 0:39:09.520
<v Speaker 2>to be my oni, my schedule with the project, like scheduling,

0:39:09.840 --> 0:39:12.480
<v Speaker 2>because I've produced as well. I know the things you

0:39:12.640 --> 0:39:15.520
<v Speaker 2>need to look for when you're casting actors. And if

0:39:15.520 --> 0:39:19.520
<v Speaker 2>they've got you know, you know, things they can't do,

0:39:19.640 --> 0:39:22.120
<v Speaker 2>like they can't do Mondays Tuesdays, they have to be

0:39:22.280 --> 0:39:24.280
<v Speaker 2>gone by two. Like if I looked at my schedule,

0:39:24.320 --> 0:39:27.359
<v Speaker 2>I can't do Monday, Tuesday, Wednesday, Thursday. Or if I

0:39:27.360 --> 0:39:29.000
<v Speaker 2>if I am, I've got to be clear by one o'clock.

0:39:29.040 --> 0:39:32.239
<v Speaker 2>It's like no, no, that's just one headache unless they

0:39:32.360 --> 0:39:35.719
<v Speaker 2>absolutely needed exactly if I offer them something that they

0:39:35.760 --> 0:39:40.000
<v Speaker 2>couldn't get anywhere else, which I don't. Yeah, if it

0:39:40.040 --> 0:39:42.839
<v Speaker 2>was strongy, yeah, okay, they might make it work. But

0:39:42.920 --> 0:39:45.279
<v Speaker 2>if it's if it's if they can get it somewhere else,

0:39:45.440 --> 0:39:47.640
<v Speaker 2>you know, get us somewhere else. And I I would

0:39:47.640 --> 0:39:49.200
<v Speaker 2>love to do more of it, but I think it'll

0:39:49.239 --> 0:39:52.600
<v Speaker 2>be more as a real serious thing, maybe a post

0:39:53.080 --> 0:39:57.520
<v Speaker 2>project whenever that may happen. And I'll even to direct more.

0:39:57.600 --> 0:39:59.920
<v Speaker 2>And the directings are saying I'd love to direct another project,

0:40:00.040 --> 0:40:02.560
<v Speaker 2>becasually being asked to direct on other projects. But again

0:40:02.600 --> 0:40:04.560
<v Speaker 2>it's just it's just like, you know, I can't do

0:40:04.600 --> 0:40:06.319
<v Speaker 2>it till one o'clock. Yeah, it's a.

0:40:06.320 --> 0:40:08.440
<v Speaker 1>Bit of a time crunch. It's going so well with

0:40:08.480 --> 0:40:10.040
<v Speaker 1>the project, you would you'd be silly, I think to

0:40:11.760 --> 0:40:13.400
<v Speaker 1>so I'm not going to do that. I'm like, I

0:40:13.440 --> 0:40:16.400
<v Speaker 1>don't know. Sometimes though you want to interest shot, the

0:40:16.440 --> 0:40:17.319
<v Speaker 1>time will come out of the channel.

0:40:17.320 --> 0:40:18.960
<v Speaker 2>Team will tap me on the shoulder, or I'll say,

0:40:19.080 --> 0:40:20.960
<v Speaker 2>you know it's time to pass the torch. That the

0:40:21.040 --> 0:40:26.040
<v Speaker 2>Tommy or you know somebody and and and but it's

0:40:26.080 --> 0:40:29.719
<v Speaker 2>not going to be It's not going to be anytime soon.

0:40:30.120 --> 0:40:32.960
<v Speaker 1>Yeah, well we'll go back. Let's go back a few years,

0:40:33.280 --> 0:40:34.839
<v Speaker 1>go back to start with us. We're doing this bit

0:40:34.960 --> 0:40:38.880
<v Speaker 1>tuarantine now star if you started on Rove, yeah, bro,

0:40:39.080 --> 0:40:41.040
<v Speaker 1>which I'm American, I don't I don't have to do

0:40:41.080 --> 0:40:42.399
<v Speaker 1>a bit of research and look up what the heck

0:40:42.400 --> 0:40:44.400
<v Speaker 1>Grove was because idea.

0:40:45.320 --> 0:40:45.560
<v Speaker 2>OK.

0:40:45.840 --> 0:40:48.880
<v Speaker 1>Yeah, but you did some some pretty cool stuff. I've

0:40:48.880 --> 0:40:50.799
<v Speaker 1>seen some videos on there, and it's how was it

0:40:50.840 --> 0:40:54.239
<v Speaker 1>in the early days of getting into the industry. Was

0:40:54.280 --> 0:40:56.279
<v Speaker 1>it a struggle, was it a grind? Or was it

0:40:56.360 --> 0:40:58.359
<v Speaker 1>just be yourself and hopefully things stick.

0:40:58.520 --> 0:41:00.520
<v Speaker 2>I mean, I've I've always been very clear on this.

0:41:00.600 --> 0:41:03.920
<v Speaker 2>I was extraordinarily lucky. You know. I met you know,

0:41:04.040 --> 0:41:07.200
<v Speaker 2>but the two people who I met and this had

0:41:07.239 --> 0:41:11.759
<v Speaker 2>chemistry with early on. We're American russo who were on

0:41:11.840 --> 0:41:14.640
<v Speaker 2>Triple J and doing these amazing live shows, and they

0:41:14.680 --> 0:41:18.319
<v Speaker 2>got me to support them. Americ I met first, and

0:41:18.360 --> 0:41:20.080
<v Speaker 2>he just became I actually interviewed him when I was

0:41:20.080 --> 0:41:23.480
<v Speaker 2>in community radio through a friend, a mutual friend, and

0:41:23.840 --> 0:41:25.960
<v Speaker 2>you know, he's a man calling a sporter and it's

0:41:25.960 --> 0:41:27.400
<v Speaker 2>from the same neckat Woods as I was. So we

0:41:27.440 --> 0:41:29.839
<v Speaker 2>just got along, you know, and then in Russo got

0:41:29.840 --> 0:41:32.400
<v Speaker 2>along and they were having me do these challenges on

0:41:32.440 --> 0:41:36.000
<v Speaker 2>Triple J where I tracked down you know bill Ottie

0:41:36.040 --> 0:41:38.839
<v Speaker 2>from the Goodies and you know Bevan from Young Talent

0:41:38.920 --> 0:41:42.520
<v Speaker 2>Time and then do a song about Bevan, which became

0:41:43.840 --> 0:41:46.400
<v Speaker 2>It's Got Bevin the Musical and that became spot hit.

0:41:46.800 --> 0:41:49.640
<v Speaker 2>It may be a Spotify, but thirty number thirty five

0:41:49.719 --> 0:41:55.239
<v Speaker 2>on Triple J's Hottest one hundred huge, Yeah, thank you,

0:41:55.560 --> 0:41:57.440
<v Speaker 2>thank you, it's still so did I feel pretty cool

0:41:57.480 --> 0:42:01.600
<v Speaker 2>about you know, and I a friends, but musician also

0:42:03.440 --> 0:42:10.279
<v Speaker 2>redid the intro, and then I and then I and

0:42:10.320 --> 0:42:13.120
<v Speaker 2>then and Rove. I met Rove and we just became

0:42:13.200 --> 0:42:16.160
<v Speaker 2>became became really fast friends as well. I think I

0:42:16.160 --> 0:42:18.000
<v Speaker 2>think fast friends just means he became quickly friends, I

0:42:18.080 --> 0:42:20.040
<v Speaker 2>must if it means anything else. But what I mean

0:42:20.120 --> 0:42:25.120
<v Speaker 2>is became quickly became friends. And and and then Rover

0:42:25.200 --> 0:42:26.879
<v Speaker 2>was doing a Channel thirty one show, which is really

0:42:26.960 --> 0:42:29.840
<v Speaker 2>local community TV, and he invited me on and we

0:42:30.000 --> 0:42:34.040
<v Speaker 2>started doing what we ended up doing for about ten years,

0:42:34.040 --> 0:42:36.560
<v Speaker 2>which was just me at the desk and showing sketches

0:42:36.600 --> 0:42:40.880
<v Speaker 2>and talking shit, and it was it was kind of beautiful.

0:42:40.880 --> 0:42:42.959
<v Speaker 2>And when he got off of the go to Channel nine.

0:42:43.040 --> 0:42:46.600
<v Speaker 2>He asked me along. And it was an incredible year,

0:42:46.640 --> 0:42:49.960
<v Speaker 2>you know, maybe even six months where we just you know,

0:42:50.040 --> 0:42:52.960
<v Speaker 2>Channel nine back then was set up in Richmond, in

0:42:53.000 --> 0:42:56.680
<v Speaker 2>Melbourne and and it was just like the old Hollywood

0:42:56.680 --> 0:42:59.200
<v Speaker 2>system where they had like bungalows of you know.

0:42:59.560 --> 0:43:01.279
<v Speaker 1>The top of the street. I used to live in.

0:43:01.360 --> 0:43:06.040
<v Speaker 1>Channel Isine Studio renovated the whole thing. Yeah, there's great cafe.

0:43:05.800 --> 0:43:09.360
<v Speaker 2>There too, now three cafe up yeah, yeah, yeah, Maria,

0:43:09.480 --> 0:43:13.560
<v Speaker 2>that's a free coffee next time. So and it was

0:43:13.920 --> 0:43:16.000
<v Speaker 2>safe for us to go from you know, stand up

0:43:16.040 --> 0:43:18.600
<v Speaker 2>and doing your little sketched on Channel thirty one to

0:43:18.680 --> 0:43:22.839
<v Speaker 2>have a I remember writing a sketch that involved us

0:43:22.920 --> 0:43:26.480
<v Speaker 2>talking in German, so we had to learn German, which

0:43:26.760 --> 0:43:28.680
<v Speaker 2>Kaering Grant, who was on, did it very well and

0:43:28.719 --> 0:43:30.560
<v Speaker 2>I did it really badly. But this is back in

0:43:30.600 --> 0:43:32.399
<v Speaker 2>the time when you could, you know, you could butcher

0:43:32.480 --> 0:43:37.560
<v Speaker 2>accents without being canceled, yeah, or inappropriate. So and then

0:43:38.200 --> 0:43:41.319
<v Speaker 2>and it was us in a field and it was

0:43:41.360 --> 0:43:43.480
<v Speaker 2>like this game show where I was dressed up in

0:43:43.600 --> 0:43:45.480
<v Speaker 2>you know, it's called what I Lied to You, nobod,

0:43:45.520 --> 0:43:48.120
<v Speaker 2>I Lie to you something like that, and it was

0:43:48.160 --> 0:43:51.200
<v Speaker 2>a guy, Dave Callen, who's this big hairy irishman, was

0:43:51.480 --> 0:43:56.439
<v Speaker 2>strapped into a chair, strapped to a bomb, and Karin

0:43:56.520 --> 0:43:58.799
<v Speaker 2>and I were to a megaphone and she would yell

0:43:58.840 --> 0:44:01.040
<v Speaker 2>at have you been have you been cheating on me?

0:44:01.160 --> 0:44:04.359
<v Speaker 2>In German? And they would respond and he lied and

0:44:04.360 --> 0:44:07.440
<v Speaker 2>then we blew him up, you know, and you know,

0:44:07.520 --> 0:44:08.960
<v Speaker 2>so it was silly, It was nonsense. It was a

0:44:09.040 --> 0:44:13.520
<v Speaker 2>very silly show, but really funny. And I I just

0:44:13.560 --> 0:44:16.560
<v Speaker 2>remember writing it and then all of a sudden production

0:44:16.600 --> 0:44:18.960
<v Speaker 2>stuff would go to work, find the location. We had

0:44:18.960 --> 0:44:20.960
<v Speaker 2>to drive out the point cook and film it, and

0:44:21.080 --> 0:44:23.239
<v Speaker 2>you know, because we were exploding, you know, Dave, and

0:44:24.200 --> 0:44:25.759
<v Speaker 2>it was just like, oh my god, fall in love.

0:44:25.800 --> 0:44:28.120
<v Speaker 2>I was like, this is amazing. And another sketch I wrote,

0:44:28.320 --> 0:44:31.319
<v Speaker 2>this is a very simple game show. And they they

0:44:31.360 --> 0:44:35.240
<v Speaker 2>had these great studios at Channel nine, and I remember

0:44:35.239 --> 0:44:37.040
<v Speaker 2>walking to the studio and they built this set and

0:44:37.040 --> 0:44:38.960
<v Speaker 2>I was like, oh my god, these built this separid idea.

0:44:39.320 --> 0:44:42.359
<v Speaker 2>I wrote three pages. You know, this is amazing. So

0:44:43.120 --> 0:44:44.960
<v Speaker 2>that was really special because when we went to Channel ten,

0:44:45.040 --> 0:44:47.279
<v Speaker 2>we had nothing quite like that. We were a bit

0:44:47.440 --> 0:44:50.400
<v Speaker 2>kind of more on location all the time, like we

0:44:50.440 --> 0:44:54.760
<v Speaker 2>didn't have access a lot to studios, but we said

0:44:54.760 --> 0:44:57.360
<v Speaker 2>that we you know, because we had that year of

0:44:57.440 --> 0:45:00.040
<v Speaker 2>challenge about ten episodes of Channel nine, and they he

0:45:00.400 --> 0:45:02.839
<v Speaker 2>wanted to move on. They wanted to keep Rove and

0:45:02.920 --> 0:45:05.200
<v Speaker 2>kind of let the referess go and Rove to his

0:45:05.440 --> 0:45:08.719
<v Speaker 2>endless credit and you know, to be twenty two twenty

0:45:08.760 --> 0:45:10.879
<v Speaker 2>three years old at the time and to basically walk

0:45:10.920 --> 0:45:12.480
<v Speaker 2>away from I think the offer was around about a

0:45:12.520 --> 0:45:15.239
<v Speaker 2>million bucks because he wanted these mates to kind of

0:45:15.880 --> 0:45:19.960
<v Speaker 2>still be part of it is incredible and he deserves

0:45:20.080 --> 0:45:25.640
<v Speaker 2>He's got my endless gratitude for that. And so we

0:45:25.680 --> 0:45:27.080
<v Speaker 2>went to Channel ten and then we had ten years

0:45:27.120 --> 0:45:29.680
<v Speaker 2>of Channel ten and it was it was great. It

0:45:29.840 --> 0:45:32.360
<v Speaker 2>show changed a little bit. I mean, I do wish

0:45:32.400 --> 0:45:35.239
<v Speaker 2>the Channel nine version of the Channel nine show had

0:45:35.239 --> 0:45:38.759
<v Speaker 2>of continued because we're doing these weird kind of eight

0:45:38.800 --> 0:45:42.120
<v Speaker 2>minute sketches, you know, and at the end of the series,

0:45:42.200 --> 0:45:44.719
<v Speaker 2>we all got killed off, you know, one by one

0:45:44.760 --> 0:45:48.520
<v Speaker 2>by Tanya Toddman, who was this kind of Martha Stewart

0:45:48.600 --> 0:45:52.839
<v Speaker 2>type of the day. And yeah, she was great fun.

0:45:52.880 --> 0:45:54.640
<v Speaker 2>And the idea was that the end of each series,

0:45:54.680 --> 0:45:56.520
<v Speaker 2>we'll get killed off, and I mean we're going to

0:45:56.560 --> 0:45:58.320
<v Speaker 2>Channel ten, and the show had changed a bit. It

0:45:58.400 --> 0:46:01.919
<v Speaker 2>shifted a little bit, and it's still lots of fun

0:46:01.920 --> 0:46:04.279
<v Speaker 2>and I loved it, you know, but I remember again

0:46:04.320 --> 0:46:06.239
<v Speaker 2>at one point, okay, how are we going to kill

0:46:06.239 --> 0:46:09.960
<v Speaker 2>ourselves at the end of the episode, was like, we're

0:46:10.000 --> 0:46:16.160
<v Speaker 2>kind of moving on from that idea. Yeah, but it was.

0:46:16.200 --> 0:46:20.359
<v Speaker 2>It was great times and you had to be And

0:46:20.400 --> 0:46:22.680
<v Speaker 2>we did a radio version of the show for a while,

0:46:23.120 --> 0:46:26.440
<v Speaker 2>rove greening myself and yeah, really good memories.

0:46:26.440 --> 0:46:28.560
<v Speaker 1>It would be beautiful just to see something that's an idea

0:46:28.680 --> 0:46:31.520
<v Speaker 1>and see it blossom into an actual physical thing. Oh

0:46:31.719 --> 0:46:34.080
<v Speaker 1>and that's I think to be as a creator, to

0:46:34.120 --> 0:46:35.719
<v Speaker 1>see that and to be able to have that, there'd

0:46:35.760 --> 0:46:37.800
<v Speaker 1>be one I think your confidence would go through the

0:46:37.840 --> 0:46:40.239
<v Speaker 1>roof and you go, oh my gosh, the sky's the limit, Like, yeah,

0:46:40.360 --> 0:46:42.080
<v Speaker 1>I just had this idea at home, and now all

0:46:42.080 --> 0:46:44.280
<v Speaker 1>of a sudden, like there's a whole set and there's people,

0:46:44.320 --> 0:46:46.520
<v Speaker 1>and there's actors and everything else is all coming together,

0:46:46.640 --> 0:46:49.040
<v Speaker 1>like it's almost like a dream come true.

0:46:49.040 --> 0:46:51.680
<v Speaker 2>At some point, I remind myself, this is exactly what

0:46:51.719 --> 0:46:53.520
<v Speaker 2>I wanted to be doing, you know. I've got to

0:46:53.520 --> 0:46:56.759
<v Speaker 2>work on the tonight show, a sketch show, an AFL show,

0:46:56.880 --> 0:47:00.319
<v Speaker 2>you know, you know, a new show. Now, I've done

0:47:00.320 --> 0:47:05.080
<v Speaker 2>a sitcom, you know, a movie like I Am. You know,

0:47:05.160 --> 0:47:07.520
<v Speaker 2>nothing more could happen ever, and I'll be you know,

0:47:08.760 --> 0:47:10.920
<v Speaker 2>I won't tell'll be happy because actually, to me, I'm

0:47:10.920 --> 0:47:13.920
<v Speaker 2>more ambitious to do other things, and I've got a

0:47:15.200 --> 0:47:16.920
<v Speaker 2>hunger to do other things. But I want to go

0:47:16.960 --> 0:47:20.520
<v Speaker 2>into different areas now, and you know, whether it be

0:47:20.600 --> 0:47:24.960
<v Speaker 2>animation or you know, darker material as opposed to some

0:47:25.000 --> 0:47:26.640
<v Speaker 2>of the domestic stuff that I've been doing.

0:47:26.840 --> 0:47:29.600
<v Speaker 1>Yeah, and you mentioned it, you did Skihouse. Yeah, I

0:47:29.640 --> 0:47:31.560
<v Speaker 1>want to ask this questions. I looked this up online.

0:47:31.640 --> 0:47:33.320
<v Speaker 1>Was it be called shithouse?

0:47:34.960 --> 0:47:38.560
<v Speaker 2>Well? It was funny because Stephen Gates from Tripod were

0:47:38.600 --> 0:47:41.160
<v Speaker 2>coming out trying to come up with names and he

0:47:41.320 --> 0:47:45.040
<v Speaker 2>said as a joke, what about the house, and everyone

0:47:45.120 --> 0:47:49.200
<v Speaker 2>going OK, and our EP at the time or you know,

0:47:49.520 --> 0:47:51.759
<v Speaker 2>Craig Campbell just loved it, and he just thought, let's

0:47:51.800 --> 0:47:53.760
<v Speaker 2>do it. And we're like, you realize we're setting ourselves

0:47:53.840 --> 0:47:56.920
<v Speaker 2>up for people to make shithouse jokes, you know, And

0:47:56.920 --> 0:48:01.879
<v Speaker 2>and here we are years later, I mean a van

0:48:02.080 --> 0:48:05.640
<v Speaker 2>with Mason Cox. Yeah, so no, it's that was a

0:48:05.680 --> 0:48:07.400
<v Speaker 2>really fun experience as well. I mean that, you know,

0:48:08.120 --> 0:48:11.800
<v Speaker 2>we had Tom Gleeson, you know, a tripod, Damien Callen

0:48:11.880 --> 0:48:15.800
<v Speaker 2>and Cal Wilson. You know, it was a really fun

0:48:15.840 --> 0:48:20.920
<v Speaker 2>bunch of people and and yeah it was really you know,

0:48:21.040 --> 0:48:23.279
<v Speaker 2>I still have people come up to me and there

0:48:23.280 --> 0:48:25.799
<v Speaker 2>are a couple of sketches they kind of I did

0:48:25.800 --> 0:48:27.919
<v Speaker 2>that they really liked, which was there's a guy who

0:48:29.400 --> 0:48:31.319
<v Speaker 2>just spoke about how much he'd love to be but

0:48:31.360 --> 0:48:33.120
<v Speaker 2>he could never actually drink it, like he was actually

0:48:33.160 --> 0:48:35.600
<v Speaker 2>kind of almost dry reach with every kind of it's

0:48:35.800 --> 0:48:37.680
<v Speaker 2>gagging on be like sculling beer. But it'd be going

0:48:37.680 --> 0:48:38.920
<v Speaker 2>down the store and he'd be like he love the

0:48:38.920 --> 0:48:43.480
<v Speaker 2>commercials now have essentially alcohol. Yeah exactly, Yeah, yeah, but

0:48:43.560 --> 0:48:45.640
<v Speaker 2>yeah that's probably what I was drinking, to be honest,

0:48:45.640 --> 0:48:47.439
<v Speaker 2>because said they had to make a little like beers.

0:48:47.560 --> 0:48:50.040
<v Speaker 2>He probably was one of the first zero alcohol beers.

0:48:50.280 --> 0:48:53.120
<v Speaker 2>And then so I get a lot of people occasionally

0:48:53.160 --> 0:48:55.600
<v Speaker 2>asked about that. And then another one was about this

0:48:55.680 --> 0:49:00.200
<v Speaker 2>guy who this strange lit come in and say his

0:49:00.320 --> 0:49:06.880
<v Speaker 2>boss in an office, uh you know the figures. I

0:49:06.920 --> 0:49:08.840
<v Speaker 2>haven't been able to do him yet, but can I

0:49:08.880 --> 0:49:10.920
<v Speaker 2>get him to you, you know, tomorrow, and the bus

0:49:10.960 --> 0:49:14.160
<v Speaker 2>will say, oh no, it's too late, it's too late anywhere. Okay,

0:49:14.160 --> 0:49:17.480
<v Speaker 2>But what if I dance for you? But what if

0:49:17.520 --> 0:49:20.560
<v Speaker 2>if I just dance for you? And that doesn't make

0:49:20.560 --> 0:49:22.680
<v Speaker 2>any sense, Just let me dance and he just like

0:49:22.840 --> 0:49:24.680
<v Speaker 2>press play on a little geto blast and you just

0:49:24.719 --> 0:49:27.799
<v Speaker 2>like bad dance and that's all. That's all it was.

0:49:28.320 --> 0:49:30.440
<v Speaker 2>So somebody will say to me, you know, what if

0:49:30.440 --> 0:49:31.000
<v Speaker 2>I dance.

0:49:30.840 --> 0:49:33.839
<v Speaker 1>For it was just coming up to you the mill

0:49:33.880 --> 0:49:36.279
<v Speaker 1>of grocery stores here. Yeah, dance for you.

0:49:36.360 --> 0:49:37.960
<v Speaker 2>Yeah. It might take a little while of tweet that

0:49:38.000 --> 0:49:38.399
<v Speaker 2>it's yeah.

0:49:38.400 --> 0:49:41.560
<v Speaker 1>But occasionally another thing he did before the game, and

0:49:41.600 --> 0:49:45.160
<v Speaker 1>that is where the personality of Austrony came from. Amazing

0:49:45.480 --> 0:49:47.400
<v Speaker 1>kind of I guess, like side gig of yours and

0:49:47.440 --> 0:49:49.600
<v Speaker 1>a side personality that you've really enjoyed. I think being

0:49:49.640 --> 0:49:53.480
<v Speaker 1>a Cain good fan I work goggles and games now

0:49:53.640 --> 0:49:54.279
<v Speaker 1>is what they call it.

0:49:54.320 --> 0:49:55.960
<v Speaker 2>But I think you're the original one where Sonny is.

0:49:56.000 --> 0:49:58.480
<v Speaker 1>And be honest with you, I want to say I

0:49:58.520 --> 0:50:01.040
<v Speaker 1>got the idea from you. I might have to die

0:50:01.080 --> 0:50:03.640
<v Speaker 1>my hair blond. I think little Jack in Evan's already

0:50:03.640 --> 0:50:07.560
<v Speaker 1>done that. But the sun is blonde hair. You call

0:50:07.600 --> 0:50:09.280
<v Speaker 1>it good run out and just give a little tribute

0:50:09.280 --> 0:50:09.920
<v Speaker 1>to Strini one.

0:50:09.920 --> 0:50:12.719
<v Speaker 2>Day, put a fifty nine on your back. You could

0:50:12.760 --> 0:50:14.640
<v Speaker 2>change you number if you're pretty close. You're pretty close.

0:50:14.680 --> 0:50:18.480
<v Speaker 2>Forty six is pretty close. But yeah, I mean Strawny.

0:50:18.520 --> 0:50:22.319
<v Speaker 2>It was just and it's I've often said to people,

0:50:22.360 --> 0:50:27.920
<v Speaker 2>it may be it may be the funniest creation I

0:50:28.600 --> 0:50:33.480
<v Speaker 2>ever made, because it just it just. People just were

0:50:33.520 --> 0:50:36.760
<v Speaker 2>amazed at how quickly people loved him, and the breadth

0:50:36.840 --> 0:50:39.360
<v Speaker 2>of the demographic that loved him. I would have kids

0:50:39.440 --> 0:50:42.160
<v Speaker 2>coming up and saying it they love Strawny, but also

0:50:42.480 --> 0:50:46.280
<v Speaker 2>signing the cards that they made, the actual footy cards

0:50:46.280 --> 0:50:48.080
<v Speaker 2>they made. You know, can you sign this for my

0:50:48.120 --> 0:50:50.600
<v Speaker 2>eighty nine year old grandmother? You know she loves strawngag.

0:50:50.960 --> 0:50:52.640
<v Speaker 2>Can you do a video message for my ninety eight

0:50:52.719 --> 0:50:55.600
<v Speaker 2>year old grandmother? It was just And then when we

0:50:55.640 --> 0:50:57.040
<v Speaker 2>did the Legends game, I kind of went to a

0:50:57.040 --> 0:51:00.279
<v Speaker 2>new level because you could actually go and see him play.

0:51:00.320 --> 0:51:02.279
<v Speaker 2>You know, I remember, I remember, do you have to

0:51:02.719 --> 0:51:06.960
<v Speaker 2>kind of practice a bit? Well? Growing up? No, I

0:51:06.960 --> 0:51:08.640
<v Speaker 2>didn't really practice at all. In fact, one of the

0:51:08.719 --> 0:51:11.480
<v Speaker 2>early days we were shooting straw because it happened so quickly,

0:51:11.520 --> 0:51:13.680
<v Speaker 2>like we had a meeting it before the game about

0:51:13.719 --> 0:51:16.879
<v Speaker 2>what ideas might we have And and Paul Colligiah, he's

0:51:16.880 --> 0:51:21.439
<v Speaker 2>a great writer and sound up comedian, said he knew

0:51:21.440 --> 0:51:24.400
<v Speaker 2>that I love doing these kind of mockumentary kind of

0:51:24.480 --> 0:51:28.480
<v Speaker 2>you know, kind of characters I've done on Rove and

0:51:28.480 --> 0:51:32.040
<v Speaker 2>and and characters with big ego but with the talent

0:51:32.480 --> 0:51:38.440
<v Speaker 2>a bit you know, missing lacking. Just yeah, yeah, and

0:51:38.480 --> 0:51:41.000
<v Speaker 2>I just always like there's something you know, Yeah, we

0:51:41.040 --> 0:51:43.200
<v Speaker 2>did these characters on you know, I did these characters

0:51:43.200 --> 0:51:45.840
<v Speaker 2>on Rove the first season where I was like chasing

0:51:45.840 --> 0:51:49.440
<v Speaker 2>black thunders, you know, around through wing radio contests and

0:51:49.440 --> 0:51:52.120
<v Speaker 2>and you know, and a guy who like would would

0:51:52.360 --> 0:51:55.080
<v Speaker 2>you know, shoot his own funnyes home video movies, but

0:51:55.080 --> 0:51:57.440
<v Speaker 2>they're all kind of staged and and and and all that.

0:51:57.560 --> 0:52:01.799
<v Speaker 2>So he said, what doesn't play like a guy gets

0:52:01.800 --> 0:52:03.879
<v Speaker 2>strapped like he's last in the draft and his name

0:52:03.920 --> 0:52:06.040
<v Speaker 2>is up Brian Strawn and he plays for you know, Collingwood.

0:52:06.400 --> 0:52:08.120
<v Speaker 2>And that was and that was kind of and then

0:52:08.160 --> 0:52:10.520
<v Speaker 2>we just kind of trying to work out, okay, well

0:52:10.520 --> 0:52:12.560
<v Speaker 2>what you know, where's he from? And you know, maybe

0:52:12.560 --> 0:52:14.920
<v Speaker 2>he's from Horsham, you know, got down and then and

0:52:14.960 --> 0:52:18.600
<v Speaker 2>then like we shot him getting drafted. And the reason

0:52:18.719 --> 0:52:22.080
<v Speaker 2>there's a storyline extrawny that his mum's Asian, but he

0:52:22.080 --> 0:52:24.640
<v Speaker 2>hasn't quite worked out these somehow, you know, like he

0:52:24.680 --> 0:52:27.560
<v Speaker 2>adopted or because he's not he's not Asian, so there's

0:52:27.560 --> 0:52:30.200
<v Speaker 2>no there's no part of it. But he takes a

0:52:30.239 --> 0:52:31.680
<v Speaker 2>lot of pride in it. And the only reason that

0:52:31.719 --> 0:52:34.280
<v Speaker 2>storyline came about because the only woman in our office

0:52:34.640 --> 0:52:37.440
<v Speaker 2>who was of that age that he could actually be

0:52:37.520 --> 0:52:40.120
<v Speaker 2>extra on his mum was she worked in at the

0:52:40.120 --> 0:52:43.719
<v Speaker 2>finance department, Margaret Chong, and she she was was she was,

0:52:43.960 --> 0:52:47.440
<v Speaker 2>she was, so she's like, you're gonna play my mum.

0:52:47.920 --> 0:52:51.600
<v Speaker 2>So then we got was like he really was, he

0:52:51.640 --> 0:52:53.480
<v Speaker 2>really was, and she she didn't have to do much.

0:52:54.440 --> 0:53:00.319
<v Speaker 2>And then his dad was Michelle White's dad, Frankie, who ladies,

0:53:00.360 --> 0:53:02.480
<v Speaker 2>they didn't appear that much, but he was, you know,

0:53:02.560 --> 0:53:04.279
<v Speaker 2>he was much older as well. So we had this

0:53:04.360 --> 0:53:06.560
<v Speaker 2>you know kind of thing that his dad was constantly

0:53:06.560 --> 0:53:11.480
<v Speaker 2>having like a ridiculous amount of strokes, and it just

0:53:11.640 --> 0:53:14.200
<v Speaker 2>was only because it was there was never never a script.

0:53:14.640 --> 0:53:16.480
<v Speaker 2>I don't think it was ever a script. Ever written

0:53:16.480 --> 0:53:19.080
<v Speaker 2>for Straw and which made it kind of good. You know,

0:53:19.080 --> 0:53:21.040
<v Speaker 2>we had Jeff Rolsh and Neil Bam who were Collingwood

0:53:21.040 --> 0:53:22.440
<v Speaker 2>at the time. He said, yeah, come down, and they

0:53:22.480 --> 0:53:25.120
<v Speaker 2>trusted me, knowing I was a calling and supporter to

0:53:25.239 --> 0:53:28.600
<v Speaker 2>get in there and then and and not not take

0:53:28.600 --> 0:53:30.799
<v Speaker 2>the piss too much and to respect the club, Like

0:53:30.920 --> 0:53:32.520
<v Speaker 2>we saw anything down there that we went so I

0:53:32.600 --> 0:53:35.200
<v Speaker 2>to see, we wouldn't, you know, use it as news

0:53:35.280 --> 0:53:38.480
<v Speaker 2>or anything. And Mick Moldhouse slowly started to get involved,

0:53:38.520 --> 0:53:40.719
<v Speaker 2>and I reckon he'd be a tough one to turn

0:53:41.360 --> 0:53:42.719
<v Speaker 2>for a while, he didn't know what was going on.

0:53:42.760 --> 0:53:46.240
<v Speaker 2>And then we started using his daughter Christie in sketches

0:53:46.280 --> 0:53:47.960
<v Speaker 2>because she was a Channel ten at the time. And

0:53:48.000 --> 0:53:50.920
<v Speaker 2>then something clicked and He's like, okay, I mean I

0:53:50.960 --> 0:53:54.360
<v Speaker 2>mean I I mean so yeah, and then you know,

0:53:54.440 --> 0:53:56.840
<v Speaker 2>we had this weird thing. He won AFL Personality of

0:53:56.840 --> 0:53:59.120
<v Speaker 2>the Year, he won, which is the first non real

0:53:59.120 --> 0:54:01.160
<v Speaker 2>person to win it. He won an award at the

0:54:01.200 --> 0:54:05.839
<v Speaker 2>can Advertising Awards because there was a campaign we did

0:54:05.840 --> 0:54:09.960
<v Speaker 2>with Mars Bar and won an Integration Award. Calm like

0:54:10.200 --> 0:54:13.560
<v Speaker 2>it's it's it's a surreal so it's funny and I

0:54:13.600 --> 0:54:16.160
<v Speaker 2>still get people saying when when Strahnie coming back, you know,

0:54:16.160 --> 0:54:19.200
<v Speaker 2>people yelling it out at me. I'm actually considering bringing

0:54:19.280 --> 0:54:22.680
<v Speaker 2>him back, maybe some kind of podcast form.

0:54:22.200 --> 0:54:24.439
<v Speaker 1>You should because I know his career kind of ended

0:54:24.440 --> 0:54:27.239
<v Speaker 1>e Jo Whitten's game. He broke his ankle and there

0:54:27.360 --> 0:54:29.520
<v Speaker 1>was a statement that he said at the end of

0:54:29.560 --> 0:54:31.479
<v Speaker 1>his career that he might coach.

0:54:31.520 --> 0:54:33.000
<v Speaker 2>I know, did Stroanie put an.

0:54:32.960 --> 0:54:35.160
<v Speaker 1>Application in last year at all or was that just

0:54:36.080 --> 0:54:39.239
<v Speaker 1>there's rumor There is rumor he was maybe going to

0:54:39.239 --> 0:54:40.000
<v Speaker 1>be the next coach.

0:54:40.400 --> 0:54:45.560
<v Speaker 2>We love Craig mcraig absolutely, but Stroanie. I think what

0:54:46.040 --> 0:54:48.200
<v Speaker 2>I reckon? He was high up there? Yeah, I reckon

0:54:48.280 --> 0:54:50.960
<v Speaker 2>what what what made it fall over? In the end,

0:54:51.040 --> 0:54:54.600
<v Speaker 2>he wanted the captain coach. Mmm, so Pendles actually wasn't

0:54:55.040 --> 0:54:58.400
<v Speaker 2>cool with it. Yeah, that's that actually makes total sense, makeense.

0:54:59.040 --> 0:55:02.480
<v Speaker 2>But Pedal was knocking to retire as captain. He'll be

0:55:02.480 --> 0:55:06.480
<v Speaker 2>in the stands and he's still be captaining. No, so yeah,

0:55:06.560 --> 0:55:08.279
<v Speaker 2>it was I mean, he was a lot of It's

0:55:08.280 --> 0:55:10.080
<v Speaker 2>a lot of fun to play and there's something about

0:55:10.080 --> 0:55:13.120
<v Speaker 2>putting putting that that wig on that mullet that that

0:55:13.320 --> 0:55:15.920
<v Speaker 2>kind of put it straight straight in the zone. And

0:55:15.920 --> 0:55:20.040
<v Speaker 2>it's like, you know, and yeah, he's fun. So I yeah,

0:55:20.080 --> 0:55:23.200
<v Speaker 2>I I it's more of the time. I would still

0:55:23.239 --> 0:55:26.200
<v Speaker 2>love to be doing him, but it's time that I

0:55:26.280 --> 0:55:29.360
<v Speaker 2>need to find, really and I do like to move forward.

0:55:29.360 --> 0:55:32.440
<v Speaker 2>And if if you keep looking back, but if I

0:55:32.440 --> 0:55:33.640
<v Speaker 2>was ever going to go back and do something, I

0:55:33.680 --> 0:55:35.160
<v Speaker 2>think Stronie would be the thing that I kind of

0:55:35.160 --> 0:55:35.560
<v Speaker 2>love doing.

0:55:35.680 --> 0:55:38.240
<v Speaker 1>We would love to have Stronie back at the Collinwood

0:55:38.239 --> 0:55:39.000
<v Speaker 1>Football Club.

0:55:39.440 --> 0:55:43.279
<v Speaker 2>Companies for the club. Yes, well I did go down

0:55:43.280 --> 0:55:45.160
<v Speaker 2>a couple of years ago actually, and we shot some

0:55:45.160 --> 0:55:48.200
<v Speaker 2>stuff that finals time. Actually, they've got they got some

0:55:48.200 --> 0:55:51.000
<v Speaker 2>stuff in that. So yeah, he's never gone forever. Well

0:55:51.120 --> 0:55:55.080
<v Speaker 2>not this stage. Yeah, yeah, I love it man. So Stronie.

0:55:55.120 --> 0:55:59.200
<v Speaker 1>You've also written books, correct, Yeah, and you've also traveled.

0:55:59.200 --> 0:56:01.760
<v Speaker 1>I read this you willed Europe, Eastern Europe with your family,

0:56:01.800 --> 0:56:05.120
<v Speaker 1>you d your wife and you three boys. Any great stories.

0:56:05.200 --> 0:56:08.520
<v Speaker 1>Obviously backpacking with three kids and a wife.

0:56:08.640 --> 0:56:11.319
<v Speaker 2>I could not. I cannot fathom. No, I just don't

0:56:11.360 --> 0:56:14.320
<v Speaker 2>know how in the world you got that over the line. Yeah,

0:56:14.400 --> 0:56:17.279
<v Speaker 2>so we wrote, Yeah, we write a book based on

0:56:17.320 --> 0:56:20.279
<v Speaker 2>this called Tripping with Kids, which we released during a

0:56:20.320 --> 0:56:22.520
<v Speaker 2>pandemic A global pandemic. I suggest if you're gonna write

0:56:22.520 --> 0:56:24.840
<v Speaker 2>a travel book, don't release it during a global pandemic

0:56:25.520 --> 0:56:29.000
<v Speaker 2>when borders are closed. So it was that was unfortunate.

0:56:29.239 --> 0:56:30.799
<v Speaker 2>But if you, if you, if you, if you're looking

0:56:30.840 --> 0:56:34.400
<v Speaker 2>at traveling with kids, you've got small kids. Me and

0:56:34.480 --> 0:56:36.239
<v Speaker 2>my wife wrote a book case Tripping with Kids, and

0:56:36.280 --> 0:56:39.920
<v Speaker 2>it's it's about it's just tips on things to consider.

0:56:41.280 --> 0:56:44.880
<v Speaker 2>People who have reached out saying they really love that

0:56:44.960 --> 0:56:48.080
<v Speaker 2>it helped their preparing and also just anecdotes and when

0:56:48.080 --> 0:56:53.520
<v Speaker 2>we were away, actual destination tips and and all that.

0:56:53.560 --> 0:56:56.000
<v Speaker 2>So check it out if you can be much appreciated,

0:56:56.000 --> 0:57:00.080
<v Speaker 2>because yeah, we release that in a global pandemic. So

0:57:00.239 --> 0:57:02.719
<v Speaker 2>but yeah, I mean, we went to France for six

0:57:02.800 --> 0:57:05.440
<v Speaker 2>weeks when O school was two. He's the youngest. He's

0:57:05.480 --> 0:57:08.080
<v Speaker 2>now thirteen. So we had a two year old, of

0:57:08.120 --> 0:57:09.839
<v Speaker 2>five year old and a seven year old, and two

0:57:09.880 --> 0:57:13.040
<v Speaker 2>years after that we did Eastern Europe with you know,

0:57:13.120 --> 0:57:15.880
<v Speaker 2>they were two years older than they were then. But

0:57:16.080 --> 0:57:20.120
<v Speaker 2>I got to say it is it was in a way,

0:57:20.120 --> 0:57:23.720
<v Speaker 2>it was tough, but not as tough as you might think,

0:57:24.280 --> 0:57:27.920
<v Speaker 2>and it was those memories are the best memories of

0:57:28.040 --> 0:57:31.640
<v Speaker 2>my lifetime. Like just being away from everything in a

0:57:31.640 --> 0:57:35.560
<v Speaker 2>different time zone where things that you think matter here

0:57:36.280 --> 0:57:41.959
<v Speaker 2>don't matter anymore, and you're just you're not getting phone

0:57:42.000 --> 0:57:44.240
<v Speaker 2>calls at weird times, you know, or during the day.

0:57:44.240 --> 0:57:48.000
<v Speaker 2>You're in the moment and you know, it's my kids

0:57:48.000 --> 0:57:51.520
<v Speaker 2>are now, you know, nineteen seventeen and thirteen and you

0:57:51.520 --> 0:57:53.720
<v Speaker 2>know we're going to Port Douglas soon and we had

0:57:53.760 --> 0:57:56.520
<v Speaker 2>to beg them to come, you know. So it's kind

0:57:56.560 --> 0:57:59.200
<v Speaker 2>of this negotiation you do now and back then it

0:57:59.320 --> 0:58:00.840
<v Speaker 2>was like this is where we go and everyone's happy,

0:58:00.840 --> 0:58:04.000
<v Speaker 2>and so a little bit of a melancholy over lockdown

0:58:04.080 --> 0:58:06.440
<v Speaker 2>is thinking are those times are you know, kind of

0:58:06.680 --> 0:58:11.440
<v Speaker 2>over now in a way. So we went to a

0:58:11.480 --> 0:58:15.600
<v Speaker 2>crack out and in Poland and you bought a pest

0:58:15.840 --> 0:58:20.960
<v Speaker 2>and yeah, Berlin and it was just it's incredible.

0:58:21.160 --> 0:58:23.920
<v Speaker 1>Yeah, some beautiful memories, I think when you talk about that,

0:58:24.080 --> 0:58:26.240
<v Speaker 1>just being able to pull yourself out of the situation

0:58:26.320 --> 0:58:28.600
<v Speaker 1>that you're at in Australia wherever you're living and just

0:58:28.680 --> 0:58:30.640
<v Speaker 1>kind of realize how big the world is. Yeah, it

0:58:30.760 --> 0:58:33.840
<v Speaker 1>just makes such amazing memories and it's amazing and awesome

0:58:33.840 --> 0:58:35.000
<v Speaker 1>that you got to be able to share that with

0:58:35.040 --> 0:58:37.760
<v Speaker 1>your family, because, like you say, you probably stressed out

0:58:37.800 --> 0:58:39.320
<v Speaker 1>and it's all happening, but once it all kind of

0:58:39.320 --> 0:58:41.240
<v Speaker 1>goes through and you realize how many amazing memories you

0:58:41.280 --> 0:58:43.479
<v Speaker 1>get out of it, and you really start to get

0:58:43.840 --> 0:58:45.640
<v Speaker 1>how special I really was and being able to do

0:58:45.680 --> 0:58:48.520
<v Speaker 1>that so great to you. Man, that's awesome. He's got

0:58:48.520 --> 0:58:51.160
<v Speaker 1>his own podcast. You ain't seen nothing yet. He's also

0:58:51.200 --> 0:58:54.280
<v Speaker 1>on the project every single night, and it's so good

0:58:54.400 --> 0:58:54.680
<v Speaker 1>to have.

0:58:54.680 --> 0:58:55.080
<v Speaker 2>You on, mate.

0:58:55.080 --> 0:58:57.320
<v Speaker 1>It's an absolutely pleasure. It's absolute honored to have you

0:58:57.360 --> 0:58:59.800
<v Speaker 1>on Amazing can Show. And thanks so much for joining us.

0:59:00.080 --> 0:59:05.640
<v Speaker 1>You gotta get a flag, maam, I will do. Thanks

0:59:05.680 --> 0:59:07.880
<v Speaker 1>everyone for listening in. What a great chat with Peter

0:59:07.960 --> 0:59:10.120
<v Speaker 1>Hell here. And he's got so many different stories and

0:59:10.160 --> 0:59:11.840
<v Speaker 1>so many things he's done in life, and I'm really

0:59:11.840 --> 0:59:13.160
<v Speaker 1>excited for what he's going to do in the future.

0:59:13.440 --> 0:59:14.880
<v Speaker 1>One of those people you're always going to have an

0:59:14.880 --> 0:59:17.080
<v Speaker 1>eye out for, whether it be on the Project or

0:59:17.080 --> 0:59:19.160
<v Speaker 1>everything else. He's just been so successful in his career

0:59:19.200 --> 0:59:22.080
<v Speaker 1>and he's told some amazing stories here today. But like

0:59:22.120 --> 0:59:24.760
<v Speaker 1>share comment all the good stuff, keep giving us feedback.

0:59:24.760 --> 0:59:26.440
<v Speaker 1>We really appreciate it, and we're really excited to grow

0:59:26.480 --> 0:59:29.160
<v Speaker 1>this community, so check it out and really appreciate it.

0:59:29.240 --> 0:59:29.880
<v Speaker 2>You all listening in