1 00:00:00,120 --> 00:00:02,759 Speaker 1: Good morning, Against Jonesy and Amanda. We are off this week. 2 00:00:02,800 --> 00:00:03,880 Speaker 1: Why are we off this week? 3 00:00:04,000 --> 00:00:04,120 Speaker 2: Oh? 4 00:00:04,360 --> 00:00:07,680 Speaker 3: Well, you're probably relaxing or stand up paddle boarding or something. 5 00:00:07,680 --> 00:00:09,720 Speaker 3: But I'm going to be having a hip replacement. Brendan. 6 00:00:09,960 --> 00:00:14,000 Speaker 1: I'm outside the hospital right now holding a candlelight vigil. 7 00:00:15,120 --> 00:00:15,400 Speaker 2: For you. 8 00:00:15,760 --> 00:00:17,040 Speaker 1: Sure, I am. 9 00:00:17,120 --> 00:00:17,280 Speaker 2: Well. 10 00:00:17,280 --> 00:00:20,160 Speaker 3: We're still celebrating our eighteenth birthday by going back through 11 00:00:20,160 --> 00:00:23,120 Speaker 3: our eighteenth birthday greatest hits. We're reliving moments from back 12 00:00:23,160 --> 00:00:26,120 Speaker 3: in twenty ten where we decided to audition for other 13 00:00:26,200 --> 00:00:28,240 Speaker 3: radio stations. Do you remember that? I do. 14 00:00:28,680 --> 00:00:30,480 Speaker 1: I was in two minds with this story on a 15 00:00:30,520 --> 00:00:31,800 Speaker 1: current affair last night. 16 00:00:31,840 --> 00:00:34,559 Speaker 2: First to Night to this breaking story about Steve Wisart 17 00:00:34,640 --> 00:00:37,080 Speaker 2: and the announcement he is many fans have been hoping 18 00:00:37,120 --> 00:00:37,440 Speaker 2: to hear. 19 00:00:37,680 --> 00:00:41,320 Speaker 1: What you're watching is the rebirth of a celebrity. Steve 20 00:00:41,360 --> 00:00:45,040 Speaker 1: Weisart set to step up behind the microphone and become 21 00:00:45,080 --> 00:00:48,519 Speaker 1: one of Australia's biggest radio stars. He ticks all the 22 00:00:48,520 --> 00:00:50,319 Speaker 1: boxes if you like, of the sort of person you'd 23 00:00:50,320 --> 00:00:52,040 Speaker 1: want to have on a radio station, he. 24 00:00:52,120 --> 00:00:54,600 Speaker 3: Said, to become one of the biggest stars. That's breaking news. 25 00:00:55,360 --> 00:00:57,440 Speaker 1: What alarms me about this I'm a huge fan of 26 00:00:57,480 --> 00:01:01,040 Speaker 1: Steve Weizard, and I didn't understand his You when you 27 00:01:01,080 --> 00:01:03,120 Speaker 1: do that inside of training, I don't get that so. 28 00:01:04,520 --> 00:01:07,480 Speaker 3: Ting what he's doing, crunches at lunchtime. 29 00:01:07,200 --> 00:01:09,399 Speaker 1: Whatever he was doing. But I'm glad to see that. 30 00:01:09,440 --> 00:01:11,600 Speaker 1: But at the same time, it puts the cat amongst 31 00:01:11,600 --> 00:01:14,240 Speaker 1: the pigeons for people like you and me, because people 32 00:01:14,280 --> 00:01:15,440 Speaker 1: think radio is easy. 33 00:01:15,840 --> 00:01:17,800 Speaker 3: It's not and it's not easy, but you do have 34 00:01:17,880 --> 00:01:20,360 Speaker 3: to stay adaptable. I mean, people like that will be 35 00:01:20,440 --> 00:01:22,920 Speaker 3: nipping at our heels because we're the most successful gig 36 00:01:22,959 --> 00:01:23,240 Speaker 3: in town. 37 00:01:23,319 --> 00:01:25,760 Speaker 1: Let's face it, we have to look out for our future. 38 00:01:25,800 --> 00:01:28,600 Speaker 1: We have to be we have to be adaptable. And 39 00:01:29,160 --> 00:01:30,600 Speaker 1: I look at you and I look at me, and 40 00:01:30,640 --> 00:01:32,640 Speaker 1: I tell you what we are adaptable. You could put 41 00:01:32,680 --> 00:01:35,480 Speaker 1: us anywhere. And this is like a bit of an 42 00:01:35,560 --> 00:01:38,039 Speaker 1: ad for any prospective employers because you know, one day 43 00:01:38,080 --> 00:01:40,120 Speaker 1: these guys will wake up to themselves and get rid 44 00:01:40,120 --> 00:01:42,080 Speaker 1: of us. So I'm just saying that you could put 45 00:01:42,160 --> 00:01:44,080 Speaker 1: us anywhere. You could put us on the kids station. 46 00:01:48,120 --> 00:01:48,680 Speaker 2: TODAYFM. 47 00:01:48,760 --> 00:01:51,640 Speaker 1: That's case. Yeah, it's Jonesy Demanda coming out. We talk Dorihana, 48 00:01:51,840 --> 00:01:54,960 Speaker 1: Jeff the gay newsreader will have his nether Regions watst 49 00:01:55,000 --> 00:02:00,760 Speaker 1: while reading the stock report. No he wants that is 50 00:02:00,800 --> 00:02:02,400 Speaker 1: this because you have put on waste. 51 00:02:02,720 --> 00:02:04,080 Speaker 3: Stop it coming up. 52 00:02:04,120 --> 00:02:11,639 Speaker 1: We open that prize volt. You can be off to 53 00:02:11,800 --> 00:02:15,080 Speaker 1: La to mo Chris notth's morn. It's called. 54 00:02:16,560 --> 00:02:18,520 Speaker 2: God Chris is grass. 55 00:02:19,080 --> 00:02:21,280 Speaker 3: And then we'll throw the lines open to any parents 56 00:02:21,280 --> 00:02:23,120 Speaker 3: who want to exploit their troubled teams on the off 57 00:02:23,200 --> 00:02:24,720 Speaker 3: chance of getting a prize. 58 00:02:25,000 --> 00:02:27,079 Speaker 1: See, we can work there, We could work. 59 00:02:27,120 --> 00:02:27,800 Speaker 3: We were good at that. 60 00:02:27,880 --> 00:02:30,760 Speaker 1: We could work at the racing station, racing two k 61 00:02:31,000 --> 00:02:33,240 Speaker 1: Y with Jonesy and Amanda and just crossing to the 62 00:02:33,320 --> 00:02:35,839 Speaker 1: musclebook Trots where we see the gathering of the Ron 63 00:02:35,960 --> 00:02:39,600 Speaker 1: car thump cup and it's over to race caller Amanda. 64 00:02:39,240 --> 00:02:43,400 Speaker 3: Rose, red lights flashing in and racing home for dinner 65 00:02:43,440 --> 00:02:45,720 Speaker 3: is out in front collar my Carjack, Crispy Skin. Here's 66 00:02:45,800 --> 00:02:48,239 Speaker 3: Ryan Tainter bringing up the rear round the first turn 67 00:02:48,280 --> 00:02:51,040 Speaker 3: home for dinner Carjack with here's Ron making paste. Krispy 68 00:02:51,120 --> 00:02:53,000 Speaker 3: Skin has falling off and taint is still behind home 69 00:02:53,080 --> 00:02:55,880 Speaker 3: straight Carjacks falling behind. The heroes run, but it's Tainter 70 00:02:55,960 --> 00:02:57,920 Speaker 3: that's sitting the pace, going on home for dinner. If 71 00:02:57,919 --> 00:02:58,600 Speaker 3: the do horse race. 72 00:02:58,680 --> 00:03:01,160 Speaker 2: Tainter neck an neck with home it chrispy skin is 73 00:03:01,160 --> 00:03:02,880 Speaker 2: firmed into third last one hundred meters. 74 00:03:02,880 --> 00:03:06,680 Speaker 3: Now it's Tainter time for dinner. Tainter dinner Taint across 75 00:03:06,720 --> 00:03:08,720 Speaker 3: the line is a photo finish. We'll have the results 76 00:03:08,720 --> 00:03:10,919 Speaker 3: and dividends next. Back to you, Jonesie. 77 00:03:11,080 --> 00:03:15,440 Speaker 1: Yes, and wasn't Tainter truly stretched there? We could? 78 00:03:16,520 --> 00:03:17,679 Speaker 3: I'm not sure about that one. 79 00:03:17,880 --> 00:03:19,079 Speaker 1: We'd kill it on talkback? 80 00:03:22,520 --> 00:03:23,000 Speaker 3: Should you be? 81 00:03:23,080 --> 00:03:25,680 Speaker 1: Talk back with Jonesie and Amanda twenty six and a 82 00:03:25,680 --> 00:03:28,799 Speaker 1: three quarter minutes to eight. Thanks to the erectile dysfunction 83 00:03:28,880 --> 00:03:32,120 Speaker 1: warehouse now opening three big locations, we'll be crossing to 84 00:03:32,200 --> 00:03:35,040 Speaker 1: the Priceline Chopper for the Commonwealth Bank traffic shortly. 85 00:03:35,240 --> 00:03:38,320 Speaker 3: But first, well, a pedophile in court today for shooting 86 00:03:38,320 --> 00:03:40,920 Speaker 3: an illegal immigrant. Don't know how to stand on that, well, 87 00:03:40,960 --> 00:03:44,080 Speaker 3: we'll tell you. But now this a legal immigrants. Surely 88 00:03:44,120 --> 00:03:47,120 Speaker 3: the rud government must stem the tsunami. We're currently a wash. 89 00:03:47,160 --> 00:03:50,160 Speaker 3: With your thoughts. On thirteen thirteen thirty two, Michaels on 90 00:03:50,200 --> 00:03:50,560 Speaker 3: the line. 91 00:03:50,640 --> 00:03:53,960 Speaker 2: Hello, Michael, Yeah, I'm not racist, but they just can't 92 00:03:54,040 --> 00:03:56,360 Speaker 2: jump the queue. We sure we should do. We should 93 00:03:56,360 --> 00:03:57,040 Speaker 2: take out some. 94 00:03:57,000 --> 00:04:00,320 Speaker 1: Fuel fill their tanks. And send them back. What do 95 00:04:00,360 --> 00:04:01,160 Speaker 1: they do when they get it? 96 00:04:01,840 --> 00:04:06,800 Speaker 2: They just shut up in quote enclaves, Yeah yeah, yeah, 97 00:04:06,840 --> 00:04:08,120 Speaker 2: they don't estimate. 98 00:04:07,840 --> 00:04:10,360 Speaker 3: No assimilate. Yeah that thanks Michael. 99 00:04:10,520 --> 00:04:12,720 Speaker 1: If you're suffering from a rect older's function, you'll know 100 00:04:12,760 --> 00:04:15,480 Speaker 1: how embarrassing it can be. Now thanks to up the 101 00:04:15,520 --> 00:04:18,280 Speaker 1: nose and doesn't it Go technology, that will be a 102 00:04:18,320 --> 00:04:20,839 Speaker 1: distant memory. It's twenty three and a half minutes to 103 00:04:20,920 --> 00:04:23,120 Speaker 1: eight on the time X clock. We'll be right back 104 00:04:23,160 --> 00:04:26,560 Speaker 1: after these commercials brought to you by Shonko Lawyers. So 105 00:04:26,760 --> 00:04:28,320 Speaker 1: we could do that in our sleep. 106 00:04:28,560 --> 00:04:29,400 Speaker 3: That one was good. 107 00:04:29,440 --> 00:04:31,560 Speaker 1: We could even work at the cruisy middle of the 108 00:04:31,640 --> 00:04:35,039 Speaker 1: road Love Song Dedication station when something. 109 00:04:34,839 --> 00:04:40,000 Speaker 3: Keeps you apast? Where this song? Bringing together Love Song Dedications. 110 00:04:39,560 --> 00:04:42,640 Speaker 1: Mix one of six point five Jonesy and Demander on 111 00:04:42,720 --> 00:04:45,400 Speaker 1: Love Song Dedications And yeah. 112 00:04:45,160 --> 00:04:47,920 Speaker 3: We've got Catherine on the line. And hey, Sweenard, you'd 113 00:04:47,960 --> 00:04:48,800 Speaker 3: like to make a dedication? 114 00:04:49,360 --> 00:04:49,600 Speaker 2: Yeah? 115 00:04:49,720 --> 00:04:53,080 Speaker 3: Yeah, this is the Jake because he's gone Why to 116 00:04:53,200 --> 00:04:54,120 Speaker 3: wear Catherine? 117 00:04:54,240 --> 00:04:55,159 Speaker 2: He's gone to silver Water? 118 00:04:55,600 --> 00:04:57,000 Speaker 1: And what can we play? You? 119 00:04:57,040 --> 00:04:58,680 Speaker 3: Can you play had Only Without You? 120 00:04:58,760 --> 00:04:59,280 Speaker 1: By Art? 121 00:04:59,600 --> 00:04:59,960 Speaker 2: You would? 122 00:05:00,040 --> 00:05:02,320 Speaker 3: It's from Connick but yeah, I hate to think can 123 00:05:02,360 --> 00:05:02,719 Speaker 3: you play it? 124 00:05:02,720 --> 00:05:05,640 Speaker 1: Before like that. Sure, Catherine, as long as you can 125 00:05:05,680 --> 00:05:08,920 Speaker 1: make a dedication that finishes before Tressher starts singing. 126 00:05:09,279 --> 00:05:11,960 Speaker 3: Sure, Sure, I'll talk up to the vocal now, are 127 00:05:12,040 --> 00:05:15,200 Speaker 3: listened to you? Jim I'm missing so much. 128 00:05:15,480 --> 00:05:17,080 Speaker 2: Jez Hazen, Jane Braid. 129 00:05:17,640 --> 00:05:20,920 Speaker 3: They also high and he's an ex conjugal visit. Love 130 00:05:20,960 --> 00:05:28,839 Speaker 3: you baby, So look you be worried about. Catch Jonesy 131 00:05:28,839 --> 00:05:32,120 Speaker 3: and Amanda's podcast on the iHeartRadio app one O one 132 00:05:32,240 --> 00:05:33,839 Speaker 3: point ws F