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Speaker 1: It's Georgios Cuffy. You like taking your photo on your phone,

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Speaker 1: don't you you go to.

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Speaker 2: Why what have you seen? What have I done? Did

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Speaker 2: you go through my phone? It wasn't me. Someone else

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Speaker 2: took it.

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Speaker 1: But it's not my bomb. I thought it was your armpit.

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Speaker 3: There's a guy who's in trouble because people in the

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Speaker 3: quest for a good photo, I don't think they're realizing

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Speaker 3: the consequences of their actions.

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Speaker 1: So there's this Spanish guy.

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Speaker 3: He's allegedly damaged cave paintings that are thousands of years old,

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Speaker 3: so he wanted to make them pop for the photo,

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Speaker 3: so he poured water over them, so that can bring

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Speaker 3: out It's like putting a lacquer over the particular paintings.

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Speaker 4: So these weren't etchings because water wouldn't damage. And this

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Speaker 4: was a painting.

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Speaker 1: I wouldn't have destroyed it so much.

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Speaker 3: But it can't be good for it, but it will

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Speaker 3: make the painting stand out.

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Speaker 2: He's got in trouble. I presume, of course.

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Speaker 3: He's got in trouble because he's trying to do it

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Speaker 3: for social media.

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Speaker 1: But the cave paintings.

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Speaker 3: Were made on limestone, which contains water soluble salts.

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Speaker 1: It's like if you had a fresco.

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Speaker 3: A fresco is painting on wet plaster, and if you

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Speaker 3: took water with the paint, the pigmentation sits into the plaster,

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Speaker 3: but if you tip water on that, you would make

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Speaker 3: the colors run.

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Speaker 2: You know when you.

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Speaker 4: See people at art galleries taking selfies in front of

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Speaker 4: the art, and I thought, well, that's so cheesy, But

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Speaker 4: that's how modern art is appreciated now. It gets a

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Speaker 4: whole lot of people to go and see the Mona

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Speaker 4: Lisa because they went a photo with her.

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Speaker 2: It's an interesting thing.

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Speaker 4: People don't stand there anymore and just look at paintings

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Speaker 4: that has walk up and go yep, and you just

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Speaker 4: get a photo off. You stand next with it, so

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Speaker 4: you get evidence.

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Speaker 3: There's you doing veggie fingers in of the Monal Lisa.

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Speaker 2: She loved it. I left the last supper alone.

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Speaker 3: You have you ever restored anything? Like when I say

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Speaker 3: restored but broken something? I guess this is different to

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Speaker 3: breaking like a ladder. Remember that kid in that ad

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Speaker 3: that broke the laddro and he.

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Speaker 2: Was trying to yellow pages commercial so he's gluing it.

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Speaker 3: Do you remember that time there was a picture it

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Speaker 3: was a small fresco, now that we're talking about frescoes

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Speaker 3: in a small village in Spain, and it was of Jesus.

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Speaker 4: Oh, just a woman who restored it and made him

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Speaker 4: look like a potato.

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Speaker 1: I just like that.

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Speaker 4: She took all the features away from him. Have you

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Speaker 4: ever seen the documentaries about how they restore them.

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Speaker 2: You've got to be so careful.

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Speaker 4: It's with tiny little cotton buds, taking away one molecule

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Speaker 4: of grime at a time. I don't know what she

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Speaker 4: did to it, but she's turned him into a potato

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Speaker 4: looking monkey.

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Speaker 2: Yeah, this is what the artist was going for. I'm sure.

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Speaker 1: Also it must be the Spaniards.

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Speaker 3: I don't know what's with the Spaniards, because now there's

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Speaker 3: another one botched restoration of a Spanish church has left

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Speaker 3: restorers and officials upset. So you got the little cherubs

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Speaker 3: at the front of the church. But they've painted them,

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Speaker 3: and the cherubs are like a little human monkey type cherrups.

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Speaker 3: They're a bit of a combo. But they've painted them

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Speaker 3: and as you can see, they look, they look a

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Speaker 3: little bit alarmed.

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Speaker 4: They've given them bright red lipstick, so they've painted them white.

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Speaker 2: And now it looks like event Sulik was dull.

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Speaker 1: Yeah, it looks they look dude.

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Speaker 2: Imagine Van Suk was dull on the news. That be alarming.

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Speaker 3: I'd be feeling alarmed too. That high up on a

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Speaker 3: building in no clothes. No one looks good.

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Speaker 1: Remember the picture of Muntz's scream Edvard Munch, Munch, Munch,

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Speaker 1: I'm thinking of you the months Edvard Munch.

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Speaker 2: Remember his scream like he was in home alone.

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Speaker 1: Yes, someone stole that one type.

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Speaker 3: And I often wondered, as the robber is running away

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Speaker 3: with his bella clava.

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Speaker 1: And he's got Edvard Munch the scream under his arm.

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Speaker 1: He's running down the road.

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Speaker 3: They'd see the painting they think needs help.

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Speaker 1: If you saw another painting of.

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Speaker 2: Dogs playing pokey some day, look relaxed, they're happy.

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Speaker 1: If you saw some ken donat he's stealing that pokakeds

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Speaker 1: that's it? What come back tomorrow for moral Chauncey and

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Speaker 1: Amanda's clotting