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Speaker 1: Well, what a show it was today.

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Speaker 2: We patted ourselves on the back for a moment because

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Speaker 2: we won the Big Daddy at the Radio Awards on

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Speaker 2: Me Daddy OL Award, the Big Daddy O Award, which

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Speaker 2: is the best on Air team.

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Speaker 1: And you said to me, twelve months at mine, never

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Speaker 1: at yours.

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Speaker 2: I did. And because you're bout it, Matthew said, okays, reasonable,

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Speaker 2: what a reasonable deal? The travel drum is going to

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Speaker 2: beat for punts in the wild? Is there a more

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Speaker 2: Melbourne site on public transport? And abandoned cheese board.

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Speaker 3: Live bands back in suburbia? Does that pass the pub test?

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Speaker 3: It's all well and good if you don't live next

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Speaker 3: door to a pub.

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Speaker 2: Tim Winton is going to be joining us. He's got

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Speaker 2: a new book out called Juice. Do you think this

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Speaker 2: book is about when he joined when he bought shares

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Speaker 2: actually in the Boost Choice franchise.

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Speaker 3: Okay, are you saying that because I missed that opportunity

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Speaker 3: all those years.

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Speaker 2: You are to invest And what did you say?

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Speaker 1: I said, who drinks juice?

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Speaker 3: I'm going to buy this Harley Davidson instead, which I

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Speaker 3: still have.

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Speaker 2: It's like when you're asked to invest in to pizza

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Speaker 2: and you said, no, who eats crust?

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Speaker 1: I'm not eating that man. Anyway.

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Speaker 4: That's our show, a miracle of recording.

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Speaker 1: We have so many requests for them to do it again.

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Speaker 4: Mistress Amanda and miss call Amanda doesn't work alone.

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Speaker 1: Friend making the tools of the train.

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Speaker 3: I've heard them describe him as a drunken idiot.

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Speaker 5: The legendary part Jonesy Amanda the actress.

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Speaker 2: Congratulations, man, we're the ready.

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Speaker 1: Right now, need Jersey and Amanda, you're doing a great job.

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Speaker 1: Anyone Silk Giant now good good radio.

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Speaker 5: Sorry, but it's a total to twist set and Amanda,

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Speaker 5: Shoot Tim, we're on there.

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Speaker 1: Top of the money to you, Amanda.

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Speaker 2: Well well, well Brennan, looking out over our city, look

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Speaker 2: at this. The cruise ship's coming and it's beautiful and

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Speaker 2: we are winners, the two peat, the two peaks. You know,

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Speaker 2: someone on the night said to me, you know, there's

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Speaker 2: a word for it. It's called repeatn't occurred to me.

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Speaker 1: I got the shirts made. It's too late, it's too late.

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Speaker 2: We won the best on air team.

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Speaker 1: Big deal.

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Speaker 2: We didn't thank you to our team.

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Speaker 1: I was totally surprised.

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Speaker 3: I loved your heartfelt words at the speech. I was

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Speaker 3: just here for the Screaming Jets, to be honest, and

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Speaker 3: to see if I made it.

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Speaker 1: Into the memorial.

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Speaker 3: And Amida said she wouldn't watch it if I was

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Speaker 3: in there.

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Speaker 2: Oh, I said I would. I'd be clapping. I went

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Speaker 2: on to say, sincere things. That was just a light

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Speaker 2: I don't even remember saying that.

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Speaker 1: What's it liked?

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Speaker 6: It was?

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Speaker 2: It just took us completely by surprise to win that.

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Speaker 2: We've won it five times. Someone pointed out to me,

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Speaker 2: for the length of time we've been on air, we've

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Speaker 2: won a radio award for being the best show twenty

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Speaker 2: five percent of the time.

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Speaker 1: Well that's a pretty poor statistic.

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Speaker 2: Well we've won it five times.

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Speaker 1: Yeah, sure, sure.

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Speaker 2: Did you think that sounds diminishing as opposed.

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Speaker 1: To grow, Not at all.

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Speaker 3: I never thought of it that way though. But it

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Speaker 3: was a great night. It was a truly great night.

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Speaker 3: And how good were the.

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Speaker 2: Screaming Jimmy's were amazing?

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Speaker 7: You know?

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Speaker 3: At that point I just said how when they came

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Speaker 3: on and did better, I just thought it was just amazing.

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Speaker 2: And Baker Boys started the show. The energy of that

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Speaker 2: he was fantastic. It was a great, great night. I

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Speaker 2: didn't even have that much to drink. I had no

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Speaker 2: hangover the next day. You were a bit dusty.

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Speaker 3: I talked to a lot of people. I've been going

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Speaker 3: to those particular awards for.

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Speaker 1: A long long time.

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Speaker 2: I answering the question.

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Speaker 3: I know a lot of people in the business, and

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Speaker 3: I like to think that I get on with everyone.

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Speaker 1: I didn't have any trouble. There was nothing.

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Speaker 2: No, no, it wasn't suggesting a.

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Speaker 3: Great chat with Whipper outside the casino for sometimes It's

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Speaker 3: quite funny because he walked out and this woman came.

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Speaker 1: Up to both of us. I guess why, No, where

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Speaker 1: do I know you guys from?

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Speaker 2: And I'm in the venue.

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Speaker 3: No, we're outside. Where do I know you guys from?

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Speaker 3: And we're standing there and he said, oh, this is Jones.

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Speaker 1: He guess who?

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Speaker 3: And I said, Nick, she has what about you? And

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Speaker 3: I said Whipper And I said, she says, where do

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Speaker 3: I know you from?

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Speaker 8: It?

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Speaker 1: I said, excuse me, that is Russell Crowe. You're not

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Speaker 1: Russell effing grow.

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Speaker 3: Yes, it is to the to the voice, because Whipper

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Speaker 3: does a really good Russell Crowe impersonation.

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Speaker 1: So we're just goes at my signal onlyhall. It's Russell

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Speaker 1: Crowe and it's brilliant. The bogan mates, No it's not

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Speaker 1: not Russell Crowe.

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Speaker 3: And then she's getting a photo and I said, I'll

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Speaker 3: see it later. And that was Whipper in his seat

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Speaker 3: surrounded by all these Bogans and not Russell Crowe.

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Speaker 2: That's that's the nation alive, isn't it. It was just great.

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Speaker 3: It was just great action pack show for you today.

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Speaker 3: Tim Winton is going to be joinings.

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Speaker 1: I'm ready.

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Speaker 9: Yeah.

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Speaker 2: He's an incredible writer. Isn't he all such a review? Whoa?

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Speaker 1: Well?

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Speaker 3: No, really, it's he he has such a turn of

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Speaker 3: phrase when he writes it's it's quite hard to read.

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Speaker 3: I've been reading Leanne Murriarty's latest book for example. Just

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Speaker 3: different styles of writing with Tim Winton. It's all he

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Speaker 3: writes in almost like a poetic style. If that makes

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Speaker 3: any sense. Is that a good thing to say to him?

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Speaker 2: Don't say it's hard to read.

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Speaker 1: It's just you've just got to retrain your brain a bit,

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Speaker 1: that's all.

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Speaker 2: Yeah, there's a beauty and if there's a huge and

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Speaker 2: you want to go back and savor.

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Speaker 1: Every sentence, that sounds a lot. It sounds a lot nicer,

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Speaker 1: not like clapping when i'd watch.

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Speaker 2: We're not saying it's hard to read.

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Speaker 3: Okay, Instagram makes us return and we can't do anything

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Speaker 3: till we do the Magnificent seven.

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Speaker 2: Question one who wrote the novel Cloud Street gam Nation.

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Speaker 3: We have for you the Magnificent Seven. There are seven questions.

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Speaker 3: Can you go all the way and answer all seven

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Speaker 3: questions correctly? If you do that, a man it will say, see.

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Speaker 2: I'm all out of thoughts today. Give me a thought

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Speaker 2: to have.

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Speaker 1: I can't control your thoughts. F him.

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Speaker 2: Really that little box you came around and go?

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Speaker 3: Will just say to Pete, to Pete, just say win

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Speaker 3: and win a Munsie dinner.

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Speaker 2: That's exactly what I will say.

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Speaker 1: Jackie's an ingle, Hello Jackie.

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Speaker 10: Good morning, congression Jackie.

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Speaker 1: Did you just see it's on the news. Well there

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Speaker 1: was a.

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Speaker 10: Yeah, I did see it in the paper, the leaf.

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Speaker 2: Right in the paper, some of the headlines where Carl

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Speaker 2: Sanderlands didn't win.

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Speaker 1: But this is what clickbait is.

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Speaker 3: And also Kyle and Jackie O are sponsored by the

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Speaker 3: Daily Failed, so the Daily Mail will constantly write about them.

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Speaker 1: In a good way. So and good on them. All

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Speaker 1: power to you.

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Speaker 2: Question one who wrote the novel Cloud Street, Jim wins

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Speaker 2: on our show.

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Speaker 3: I'm ready use new book of the moment, Juice. It's

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Speaker 3: it's very very good. True and false. Spam email got

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Speaker 3: its name from a Monty Python sketch in which shounting spam.

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Speaker 1: Drowns out all other conversation. True it is true.

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Speaker 2: I've known of this sketch for years and he's had

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Speaker 2: no idea. That's why spam is called spam. Just spam,

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Speaker 2: spam and exits. Wow, that makes a lot of sense.

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Speaker 2: What a clever name for spam.

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Speaker 3: Let's play the not so secret sound, Jackie.

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Speaker 2: What is his sound? And it's not spam.

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Speaker 10: It's like a party tutor.

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Speaker 2: Think, yeah, yeah, What do you call a teacher who

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Speaker 2: passes wind in front of the class quietly? Don't know,

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Speaker 2: I've stuffed it. I think it's a private tutor. Okay,

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Speaker 2: thank you Ryan for saving me. That's why that's why

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Speaker 2: we won this show.

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Speaker 1: You're hearing this entry for next year.

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Speaker 3: You're hearing this Jimmy and Nathan and over there quaking

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Speaker 3: in their boots. Which country has the world's oldest national anthem?

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Speaker 1: Jackie? Want to have a crack at this without the

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Speaker 1: multiple choice, no.

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Speaker 3: Go modil choice is its b United Kingdom or s Spain.

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Speaker 1: That's the oldest, oldest.

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Speaker 11: Spain.

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Speaker 2: No, it's not Spain.

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Speaker 3: Do you like the Spaniards? What's Miguel?

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Speaker 2: He'd be sobbing into that bolt up right in bed.

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Speaker 1: Sorry for that, Sasha.

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Speaker 2: Suppriser, What a surprise, Sam podcast.

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Speaker 3: We are into the magnificent seven weeks by ourselves A

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Speaker 3: question number four.

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Speaker 2: It's going to Donna in Laylo Park. Hello, Donna, Hello, Hello,

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Speaker 2: that's apoculations on the.

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Speaker 10: Point to tell you about this market.

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Speaker 1: What do you get your hand over the fire?

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Speaker 2: Sound like you're talking from prison.

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Speaker 1: Fix that up.

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Speaker 2: Oh okay, that sounds the same.

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Speaker 3: It's like when you used to do a crank call

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Speaker 3: to someone and you cover up them. You know how

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Speaker 3: I was, mister wall there missus.

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Speaker 2: To get that, and you know I've never lived with.

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Speaker 1: Donna.

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Speaker 2: Donna, Hello, talk to it.

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Speaker 10: Hello, James, you actually talking about supermarket sloop when you

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Speaker 10: were talking about it the other week. Actually, I was

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Speaker 10: actually a contestant on thirty odd years ago.

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Speaker 2: And is that where you had to run up and

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Speaker 2: down the current like the ours of a shopping sent

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Speaker 2: supermarket and pulling items in and you had to get

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Speaker 2: the most expensive items is at the point?

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Speaker 10: Yes, And whoever gets so nice was the winner? And

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Speaker 10: they just did the lost the thought and all I

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Speaker 10: got got was the top lot for a car and

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Speaker 10: it was nice to me because I don't have a car.

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Speaker 2: The top lot stealing wheel lost.

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Speaker 10: A cut lot across the people from pinching your car over.

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Speaker 1: The So you and who was hosting? Was it the

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Speaker 1: interpy terps?

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Speaker 10: Yes?

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Speaker 1: So yes?

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Speaker 10: And I've got her on my friendly Facebook? Who Tenure

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Speaker 10: Toyota was the model?

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Speaker 1: Was I did you know? Ten years aid? It was

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Speaker 1: on Super Maggots And what was her role?

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Speaker 10: She was the model and like you know, just was

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Speaker 10: there and hold it up the whatever.

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Speaker 1: The hold up whatever.

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Speaker 3: He had a name, it was the Interpey and he

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Speaker 3: was a good friend of ours. You know, I miss

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Speaker 3: Tenure on TV. There was a time the cold of

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Speaker 3: ten years Aida, remember with Mike Whitney Gray that her

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Speaker 3: or him? Galena bug and a big feeder is the.

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Speaker 2: Beginning, don't You're up to question four of the mag

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Speaker 2: seven Let's eve can get you a crook lock? Which

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Speaker 2: country has the world's oldest national anthem? We've ruled out Spain.

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Speaker 2: Is it the Netherlands or the United Kingdom, Neverland. It

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Speaker 2: is fifteen sixty eight. The English one, obviously, is What's

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Speaker 2: Saved the Queen from seventeen forty five.

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Speaker 3: This is from fifteen sixty Good morning, if you're visiting

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Speaker 3: from the Netherlands or perhaps a recent immigrant to our country.

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Speaker 2: If you're an immigrant, you're welcome. Have you learned English?

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Speaker 1: When you hear Australian, we speak Australian?

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Speaker 3: Mate, has Rappae Nadal won more or less than twenty

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Speaker 3: grand slams?

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Speaker 1: Dotter more or less? Yeah? Twenty two?

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Speaker 5: Two?

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Speaker 2: Guess here we go? Don I guess the album based

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Speaker 2: on our description of the cover. Are you ready? This

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Speaker 2: album cover features bright psychedelic colors and fifty eight celebrities

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Speaker 2: such as Edgar Allan Poe that I'm celebrity, I'm not

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Speaker 2: asking you, Marilyn Monroe, Oscar Wilde, Albert Einstein. There are

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Speaker 2: many props featured, two such as three stringed flower guitar.

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Speaker 2: The name of the band who made the album is

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Speaker 2: spelled out with flowers. What's the album?

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Speaker 10: It's not?

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Speaker 2: Sorry, interesting question. I like this.

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Speaker 1: It's thet I'll give you that. Greg's in Blacktown?

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Speaker 8: Hello?

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Speaker 2: Greg? From that description, can you tell what the album is?

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Speaker 2: Lots of flowers, lots trying to give you a clue.

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Speaker 3: Greg's forecast the supposed death of the bass player.

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Speaker 1: Of this band.

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Speaker 3: I did that album and forecast because the bass guitar

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Speaker 3: is immortalized in flowers.

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Speaker 1: In Lily's Also.

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Speaker 2: They are wearing sort of military uniform, if that's a

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Speaker 2: clue for your brass buttons.

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Speaker 1: Kate is in Bannavia.

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Speaker 10: All okay, he Hello?

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Speaker 2: Do you know the album? Yes?

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Speaker 12: Is it Sergeant.

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Speaker 9: Pepper's Lonely Heart Club? Bear?

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Speaker 1: It is, Kate.

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Speaker 2: There's one more question for you to get to win.

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Speaker 2: Here we go, Question seven. Which royals are going to

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Speaker 2: touchdown in Australia on Friday.

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Speaker 13: Oh it's Chin Chows and Queen Camilla.

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Speaker 2: Yes, your studies have paid off.

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Speaker 3: Kate's enunciating perfectly in case she raises the ire of Amanda.

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Speaker 2: No, not at all. It's nice to have a bit

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Speaker 2: of quality on the show.

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Speaker 1: You've changed since you won that award.

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Speaker 3: Congratulations Kate, you have won the jam Packets All coming Away, Samsonite,

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Speaker 3: BLI five bag. Amanda got on the Bags on Saturday night.

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Speaker 3: Sam Tonite is seriously tough. Peace of mind on every trip.

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Speaker 3: One hundred and fifty dollars to spend it. Bread Fern Bakery.

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Speaker 2: We've got on the carbs on Friday Saturday.

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Speaker 3: Whatever it wants, Redfern's most cherished Artisian Bakery. Nice and

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Speaker 3: Jonesie to medicate cho Is fit color in some Staler pencils.

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Speaker 1: Kate, anything you'd like to add to this?

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Speaker 2: Thank you so much, Thank you, Kate, Jonesie and Amanda.

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Speaker 3: Podcastle's combing through the Jermanac Bigo the New Facts this week.

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Speaker 3: In nineteen eighty three, Cold Chisel were on their final tour,

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Speaker 3: The Last Stand. The twur consisted of twenty eight dates

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Speaker 3: and culminated in a five night extravaganza at the Sydney

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Speaker 3: Entertainment Center.

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Speaker 1: Can I ask you the.

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Speaker 2: Question it was called the Last Stand? Did they know

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Speaker 2: that was their last that was their last stand? Did

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Speaker 2: they know it was going to.

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Speaker 1: Be that was the end of their time together?

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Speaker 2: And they knew it? I mean it wasn't It was

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Speaker 2: their last stand, right, so they went into it knowing

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Speaker 2: they were going to break.

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Speaker 1: Yeah, they curiously coaches are are still going.

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Speaker 3: But in nineteen eighty three, it ran from the twenty

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Speaker 3: seventh September right up to the fifteenth of December, so

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Speaker 3: it was quite the last stand.

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Speaker 1: I mean, sick of each other, sick to death of

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Speaker 1: each other by the end of it.

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Speaker 3: Curious though, on the weekend Coaches or some forty years

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Speaker 3: later are performing again under the Big Top at More Part.

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Speaker 2: Amazing, isn't it?

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Speaker 8: And I was so.

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Speaker 3: Honored to be a part of that air performance. What

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Speaker 3: at the Friday night show?

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Speaker 2: What do you mean?

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Speaker 9: I was.

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Speaker 1: Had a co lab with Cold Chisel, so it was.

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Speaker 2: Like like a musical colab or a toilet colab.

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Speaker 1: That was a musical collab. Crowd love me.

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Speaker 2: You've always wanted for as long as I have known

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Speaker 2: you to be called up to do that. Yep, and

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Speaker 2: there it was there it was so Were you next

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Speaker 2: to them on the stage?

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Speaker 1: No? I was like, I had my own little area.

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Speaker 2: Did you call out from your seat?

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Speaker 8: No?

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Speaker 1: No, it's close to the stage, shouted.

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Speaker 2: Out from the crowd, and it sounds great. I'm glad

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Speaker 2: you had your moment.

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Speaker 3: If you get to see Cold Chisel, actually just go

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Speaker 3: and see them for this fiftieth anniversary show.

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Speaker 1: I swear they just get and better. How does this

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Speaker 1: even happen?

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Speaker 3: Happy Birthday boys or Happy anniversary gam.

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Speaker 1: It was so nice to be a part of that collaboration.

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Speaker 2: Although let's be clear, your heroes up on stuff.

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Speaker 1: I think I think the piece speaks for itself.

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Speaker 2: I'll ask you where you've been when you performed your piece.

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Speaker 2: You said in your own cordoned off area, in your

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Speaker 2: own area, calls your seat a.

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Speaker 1: Special area, and the crowd beloving it.

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Speaker 3: Well timed. People were saying, well timed. I tell you

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Speaker 3: you go and see Cold Chisel. I just can't believe

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Speaker 3: how great they had I've been I've been seeing those guys.

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Speaker 3: The first time I saw Cold Chisel was in nineteen

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Speaker 3: ninety seven, because I missed the bait when they split

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Speaker 3: up in nineteen eighty four, I was a bit too

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Speaker 3: young to go and see them.

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Speaker 1: I wasn't in that wheelhouse. They weren't in my wheelhouse musically.

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Speaker 3: But because of commerci Radio when I first started in

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Speaker 3: nineteen ninety you played so much.

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Speaker 1: Cultures or Cultures had a real resurgence in the nineties.

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Speaker 2: Well, I made the film clip for Flame Trees.

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Speaker 1: You did too.

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Speaker 2: Yeah, so that and I wasn't aware, in my naivety

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Speaker 2: that they were breaking up at the time. So all

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Speaker 2: the other band members were part of the film clip.

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Speaker 2: We could only use footage of Jimmy Barnes and he

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Speaker 2: later told me that he didn't even know the film

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Speaker 2: clip was being made. Yeah, so I had no idea

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Speaker 2: of I was just a production assistant and had to

364
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Speaker 2: find I was We found the locations and organized the

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Speaker 2: locals in the pub and all that kind of stuff

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Speaker 2: and work with the crew.

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Speaker 1: But I was of that crazy guy throwm Wood on

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Speaker 1: the pile.

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Speaker 2: That was our cameraman. Of course, there was a camera

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Speaker 2: man who'd been our camera He was a camera van

371
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Speaker 2: who was we'd worked with him at Simon town EN's

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Speaker 2: wonder Well. That was our sort of crew that was

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Speaker 2: doing all the work. And so yeah, I had no

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Speaker 2: idea of the politics that were going on around it.

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Speaker 3: When Flame Trees came on, that song has got a

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Speaker 3: life of its time, and when it came on, I

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00:18:01,400 --> 00:18:05,119
Speaker 3: was weeping like a baby. And these songs and like

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Speaker 3: case in Points of the Screaming Jets on Saturday night

379
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Speaker 3: and they performed at the Acras. They just killed those songs.

380
00:18:11,320 --> 00:18:13,320
Speaker 3: They get a life of their own. It's like Dalel

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Speaker 3: Braithwaite with horses.

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Speaker 2: And the songs have a life of their own, but

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Speaker 2: they trigger you to the points of your life when

384
00:18:19,720 --> 00:18:22,360
Speaker 2: you've heard it. That's what unites us all too, isn't

385
00:18:22,400 --> 00:18:25,200
Speaker 2: it is who you were, what this song has been

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Speaker 2: at the different points of your life.

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Speaker 3: Yeah, I will admit that I left the after party

388
00:18:30,000 --> 00:18:32,080
Speaker 3: it says I had a rap version of UB forty's

389
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Speaker 3: Red Red Wine.

390
00:18:33,040 --> 00:18:34,600
Speaker 2: I just went because you hate the originals.

391
00:18:35,280 --> 00:18:37,600
Speaker 3: Yeah, there's two things I hate, rap and hip hop.

392
00:18:38,040 --> 00:18:41,480
Speaker 3: So that's three and UB forty four. That's why I

393
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Speaker 3: don't know.

394
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Speaker 2: There's a lot.

395
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Speaker 1: I won't be doing a co lab with them.

396
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Speaker 10: Get off.

397
00:18:52,840 --> 00:18:55,479
Speaker 3: I've often said, the dopes that run this country now

398
00:18:55,520 --> 00:18:57,800
Speaker 3: that I'm at the age of fifty six. When i

399
00:18:57,880 --> 00:18:59,800
Speaker 3: was younger, I'd look at politicians and I'd said, well,

400
00:18:59,800 --> 00:19:01,040
Speaker 3: they seem to know what they're doing.

401
00:19:01,240 --> 00:19:02,400
Speaker 1: But now I'm fifty six.

402
00:19:02,240 --> 00:19:04,240
Speaker 3: I'm older than most of them, and I think, honestly,

403
00:19:04,280 --> 00:19:06,080
Speaker 3: these guys have no idea what they're doing.

404
00:19:06,200 --> 00:19:08,080
Speaker 2: You should do it. Have you thought of that? Why

405
00:19:08,119 --> 00:19:10,879
Speaker 2: don't you quit this and on a high and go

406
00:19:11,000 --> 00:19:14,520
Speaker 2: into politics and you could be that I'm no dope

407
00:19:14,640 --> 00:19:15,440
Speaker 2: pop party.

408
00:19:15,680 --> 00:19:18,359
Speaker 3: The dopes that run this country, Well, that's all you

409
00:19:18,440 --> 00:19:21,480
Speaker 3: got to do. You just keep repeating something, and it

410
00:19:21,520 --> 00:19:22,040
Speaker 3: seems to me it.

411
00:19:22,000 --> 00:19:24,359
Speaker 2: Would your phrasebee, stay in school and learn school.

412
00:19:24,520 --> 00:19:27,320
Speaker 3: That would be I find with Donald Trump, and he goes,

413
00:19:27,480 --> 00:19:28,560
Speaker 3: it's a beautiful country.

414
00:19:28,960 --> 00:19:31,960
Speaker 2: This is a beautiful take country back trying to kill

415
00:19:31,960 --> 00:19:32,720
Speaker 2: our beautiful country.

416
00:19:32,720 --> 00:19:33,240
Speaker 1: It's beautiful.

417
00:19:33,240 --> 00:19:34,720
Speaker 3: And if you just say that, people go yeah, right on.

418
00:19:35,520 --> 00:19:37,160
Speaker 3: When I talk about the dopes to run this country

419
00:19:37,320 --> 00:19:40,680
Speaker 3: for too long, it's been hard for the live music

420
00:19:40,960 --> 00:19:44,240
Speaker 3: scene in pubs and clubs in We shut the city

421
00:19:44,320 --> 00:19:47,560
Speaker 3: down for a start exactly, and I think of like

422
00:19:48,000 --> 00:19:52,359
Speaker 3: say grey Gums Cafe up. But puddy there, there's this

423
00:19:52,480 --> 00:19:54,400
Speaker 3: place in the middle of nowhere. It's a destination place

424
00:19:54,480 --> 00:19:57,280
Speaker 3: for motorcycles to ride to. They have so much grief

425
00:19:57,280 --> 00:20:00,920
Speaker 3: from Singleton Council about having a and perform there in

426
00:20:01,000 --> 00:20:03,480
Speaker 3: the middle of nowhere. But the stupid council wants a

427
00:20:03,600 --> 00:20:07,120
Speaker 3: DA for this and all that stuff. There's some good

428
00:20:07,200 --> 00:20:10,640
Speaker 3: news on the horizon on the news last night. They're

429
00:20:10,680 --> 00:20:12,320
Speaker 3: going to get rid of a lot of the red

430
00:20:12,400 --> 00:20:15,760
Speaker 3: tape that stops a lot of performers performing in these

431
00:20:15,760 --> 00:20:19,160
Speaker 3: small venues. And we're not talking about having Mexican Coke

432
00:20:19,400 --> 00:20:22,640
Speaker 3: performing at the new Town at a pub in Newtown.

433
00:20:22,840 --> 00:20:23,240
Speaker 1: These are just.

434
00:20:23,320 --> 00:20:26,320
Speaker 3: Small little bands performing. On the news last night, a

435
00:20:26,400 --> 00:20:29,800
Speaker 3: detailed the story of this local publican.

436
00:20:29,800 --> 00:20:34,240
Speaker 14: Brett Davis recently reopened a renovated mid hotel in Alexandria,

437
00:20:34,680 --> 00:20:35,920
Speaker 14: wanting to create.

438
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Speaker 1: A community hub.

439
00:20:37,080 --> 00:20:40,520
Speaker 14: There are no pokes, no tab but there's also no

440
00:20:40,800 --> 00:20:44,639
Speaker 14: music even on a Sunday afternoon because his development consent

441
00:20:45,000 --> 00:20:46,400
Speaker 14: doesn't allow entertainment.

442
00:20:46,720 --> 00:20:49,639
Speaker 15: That's about that solo duo and acoustic as It's not

443
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Speaker 15: about creating a nightclub.

444
00:20:51,000 --> 00:20:52,879
Speaker 1: It's not about having big bands.

445
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Speaker 14: In fact, that provision means technically even a mine couldn't perform.

446
00:20:57,840 --> 00:21:01,480
Speaker 14: Among other examples, for the Petersham pubblic House no amplified

447
00:21:01,600 --> 00:21:05,760
Speaker 14: music even quietly in the beer Garden Barangaroo House can't

448
00:21:05,800 --> 00:21:08,920
Speaker 14: have a disco ball, the Pocket Bar Interegle had to

449
00:21:08,960 --> 00:21:12,080
Speaker 14: turn away a choir because it had more than three members,

450
00:21:12,400 --> 00:21:16,080
Speaker 14: and the southbo Tavern could have a small ACDC cover

451
00:21:16,200 --> 00:21:19,760
Speaker 14: band but not the original. Venues can apply to change

452
00:21:19,800 --> 00:21:23,359
Speaker 14: their development consent, but the process can be complex, lengthy

453
00:21:23,520 --> 00:21:27,720
Speaker 14: and costly. The Government says its reforms once past Parliament,

454
00:21:27,920 --> 00:21:30,960
Speaker 14: would eliminate the no entertainment clause altogether.

455
00:21:31,280 --> 00:21:34,720
Speaker 1: It's not government's role to tell people what to listen to.

456
00:21:35,160 --> 00:21:38,280
Speaker 14: That's really the key principle here when it's the DA

457
00:21:38,600 --> 00:21:39,160
Speaker 14: not the DJ.

458
00:21:39,640 --> 00:21:42,240
Speaker 1: True, my very good. You know the system's gone wrong.

459
00:21:42,480 --> 00:21:45,200
Speaker 2: Nice, the system has gone wrong, particularly as Anthony albanize.

460
00:21:45,200 --> 00:21:46,920
Speaker 2: I know this is state government, but he's a big

461
00:21:47,000 --> 00:21:51,760
Speaker 2: music guy and in a west that's his domain. But

462
00:21:51,840 --> 00:21:53,480
Speaker 2: if you live next door to it, you probably think,

463
00:21:53,520 --> 00:21:57,720
Speaker 2: I don't want an ACDC cover band or the actual

464
00:21:57,760 --> 00:21:59,960
Speaker 2: band self aligning. You would love it.

465
00:22:00,160 --> 00:22:00,760
Speaker 1: I would love that.

466
00:22:00,920 --> 00:22:02,359
Speaker 2: Yeah, well a lot of us would, but a lot

467
00:22:02,400 --> 00:22:04,480
Speaker 2: of people wouldn't. Interesting, isn't it. So if you go

468
00:22:04,520 --> 00:22:06,280
Speaker 2: to a place in the entertainment's badge, you can say, well,

469
00:22:06,280 --> 00:22:08,240
Speaker 2: obviously they're not paying the entertainment tax. That's why we

470
00:22:08,320 --> 00:22:08,520
Speaker 2: got that.

471
00:22:10,520 --> 00:22:12,080
Speaker 1: That's but this is great. You know when you look

472
00:22:12,080 --> 00:22:13,880
Speaker 1: at coaches are performing on the weekend.

473
00:22:14,520 --> 00:22:17,680
Speaker 2: I mean, imagine living somewhere minding your own business on

474
00:22:17,720 --> 00:22:19,800
Speaker 2: a Saturday afternoon. There's a beer garden next to it,

475
00:22:19,800 --> 00:22:20,320
Speaker 2: and you hear this.

476
00:22:31,560 --> 00:22:35,520
Speaker 1: People are talking about it already. People that my phone,

477
00:22:36,000 --> 00:22:41,520
Speaker 1: let me see, hand your phone over. It's but I

478
00:22:41,560 --> 00:22:43,040
Speaker 1: can feel that, I can see it flashing.

479
00:22:43,200 --> 00:22:46,159
Speaker 13: Okay, there's just people telling you to shut up. Just

480
00:22:46,200 --> 00:22:51,280
Speaker 13: from that bit the council's complain. Jimmy was weeping. He said,

481
00:22:51,359 --> 00:22:53,800
Speaker 13: thank you for the is it getting me meet? Thanks

482
00:22:53,840 --> 00:22:54,520
Speaker 13: for the cool lab.

483
00:22:56,080 --> 00:22:57,800
Speaker 2: I think they want me to go on tour even

484
00:22:57,880 --> 00:23:00,480
Speaker 2: though you were in your own special air when you

485
00:23:00,560 --> 00:23:00,760
Speaker 2: did it.

486
00:23:01,000 --> 00:23:04,600
Speaker 1: Cheap to run. Give me some mid strength bees and

487
00:23:04,680 --> 00:23:07,240
Speaker 1: I'm fine. Jem jam Nason.

488
00:23:10,560 --> 00:23:15,320
Speaker 2: Instance and Amanda's.

489
00:23:16,520 --> 00:23:19,159
Speaker 1: Got the keys to the city baby. Ten questions sixty

490
00:23:19,200 --> 00:23:20,040
Speaker 1: seconds on the clock.

491
00:23:20,080 --> 00:23:21,560
Speaker 3: You can pass if you don't know an answer. We'll

492
00:23:21,560 --> 00:23:23,720
Speaker 3: come back to that question of time permits. You get

493
00:23:23,720 --> 00:23:26,200
Speaker 3: all the questions right, one thousand dollars, you can.

494
00:23:26,200 --> 00:23:29,400
Speaker 2: Make it two thousand dollars double or nothing. Though that's

495
00:23:29,480 --> 00:23:32,480
Speaker 2: the risk we play because you have one bonus question.

496
00:23:32,800 --> 00:23:33,840
Speaker 1: Steve's in Claymore.

497
00:23:34,000 --> 00:23:37,720
Speaker 2: Hi, Steve, good morning, how I thank you. Let's see

498
00:23:37,760 --> 00:23:39,240
Speaker 2: what we can do for you today. Now, if you're

499
00:23:39,240 --> 00:23:41,639
Speaker 2: not sure, say pass. It's usually the best way because

500
00:23:41,640 --> 00:23:43,119
Speaker 2: if you're on you're ount Is that okay?

501
00:23:44,240 --> 00:23:44,440
Speaker 16: Yep?

502
00:23:45,359 --> 00:23:48,200
Speaker 2: Do you accept these rules? Because we're about to start, Steve,

503
00:23:48,280 --> 00:23:51,320
Speaker 2: he comes to question number one, which farm animal does

504
00:23:51,400 --> 00:23:55,840
Speaker 2: dairy milk come from? Question two? Traditionally, what's the highest

505
00:23:55,880 --> 00:24:00,920
Speaker 2: single number on a dice. Question three, Which Looney tunes

506
00:24:01,040 --> 00:24:06,320
Speaker 2: character is the mascot for Warner Brothers? Question four? Who

507
00:24:06,440 --> 00:24:09,159
Speaker 2: is the chief instructor on Sas Australia.

508
00:24:10,440 --> 00:24:10,640
Speaker 16: Pas?

509
00:24:11,359 --> 00:24:14,359
Speaker 2: Question five? True or false? In a cake red velvet

510
00:24:14,440 --> 00:24:20,040
Speaker 2: flavor is a mix of chocolate and vanilla. Terrible, Sorry,

511
00:24:20,080 --> 00:24:24,600
Speaker 2: that's a true. No, it's true, it is it is true.

512
00:24:24,640 --> 00:24:26,840
Speaker 2: It's true in a cake red velvet flavor. I didn't

513
00:24:26,840 --> 00:24:28,159
Speaker 2: know that is a mixture of chocolate.

514
00:24:27,880 --> 00:24:29,800
Speaker 1: And I don't know that that was a bit of

515
00:24:29,840 --> 00:24:30,360
Speaker 1: a headjat.

516
00:24:30,400 --> 00:24:32,080
Speaker 2: You had a little bit of a little brain fart there.

517
00:24:32,200 --> 00:24:34,480
Speaker 2: Question three, Which Looney Tunes's character is a mascot for

518
00:24:34,560 --> 00:24:39,680
Speaker 2: Warner Brothers' Bugs Bunny? And the chief instructor for Essays

519
00:24:39,680 --> 00:24:40,760
Speaker 2: Australia was Aunt Middleton.

520
00:24:40,800 --> 00:24:44,560
Speaker 13: You believed celebrities, I'm taking laves, slaves, et cetera.

521
00:24:45,119 --> 00:24:50,920
Speaker 3: Steven with yourself, you've got a hundred No, you did not.

522
00:24:51,119 --> 00:24:53,200
Speaker 2: It's hard. It's hard. You've got a hundred bucks to

523
00:24:53,240 --> 00:24:53,800
Speaker 2: be getting on with.

524
00:24:54,359 --> 00:25:01,919
Speaker 1: Thank you, well, carry on. Disappointed in himself, It's okay.

525
00:25:03,520 --> 00:25:05,280
Speaker 1: Sham Notion podcast.

526
00:25:05,480 --> 00:25:08,520
Speaker 2: I saw hilarious photo of the day. It says this

527
00:25:08,680 --> 00:25:12,240
Speaker 2: is possibly the most Melbourne image ever public transport littered

528
00:25:12,280 --> 00:25:15,399
Speaker 2: with an abandoned cheeseboard, and there's a photo of the floor.

529
00:25:15,560 --> 00:25:17,359
Speaker 2: There's a cheeseboard, there's a piece of cheese and a

530
00:25:17,480 --> 00:25:19,440
Speaker 2: knife scattered across the floor.

531
00:25:19,720 --> 00:25:20,359
Speaker 1: That's nice.

532
00:25:20,760 --> 00:25:22,480
Speaker 2: Remember that footage of that guy at the footy and

533
00:25:22,560 --> 00:25:24,680
Speaker 2: everyone around him was eating pies and sausage rolls, and

534
00:25:24,760 --> 00:25:29,760
Speaker 2: he unpacked from his bag an entire charcouterie board. When

535
00:25:29,760 --> 00:25:33,879
Speaker 2: you say a plowman's lunch. When you see in the wild,

536
00:25:34,480 --> 00:25:36,240
Speaker 2: your daughter was once a punce in the winter.

537
00:25:36,160 --> 00:25:37,879
Speaker 1: My daughter is still a puns in the well.

538
00:25:37,960 --> 00:25:40,280
Speaker 2: She was about five. Remember at the other radio station

539
00:25:40,359 --> 00:25:43,480
Speaker 2: and we were having a barbecue and someone had bought

540
00:25:43,520 --> 00:25:45,560
Speaker 2: a big crate of oysters and blue cheese as.

541
00:25:45,480 --> 00:25:47,600
Speaker 1: Well as all the usual buzz and caa.

542
00:25:47,920 --> 00:25:50,440
Speaker 2: And I looked over and she had a plate of

543
00:25:51,080 --> 00:25:54,399
Speaker 2: she was a kid, a plate of blue cheese and oysters,

544
00:25:54,760 --> 00:25:58,120
Speaker 2: and a lot of the adults weren't going there. Oysters

545
00:25:58,160 --> 00:25:59,840
Speaker 2: in a park. I'm not sure.

546
00:26:00,160 --> 00:26:04,560
Speaker 1: Rome's always had a very exotic palate. Yeah, I think

547
00:26:04,600 --> 00:26:05,879
Speaker 1: this is the tribal drums to do.

548
00:26:06,000 --> 00:26:08,679
Speaker 2: What how we'll call it this punts in the wild.

549
00:26:12,240 --> 00:26:13,600
Speaker 1: The greatest punts in the wild.

550
00:26:13,680 --> 00:26:16,520
Speaker 2: There, When have you seen in the wild? If you're

551
00:26:16,520 --> 00:26:19,240
Speaker 2: a man of the match a Chandon Sydney Harbor long

552
00:26:19,359 --> 00:26:21,920
Speaker 2: lunch for two, you could be a four punts get

553
00:26:22,000 --> 00:26:27,480
Speaker 2: on board the Jackson Sydney's hot at super Yacht this spring. Well,

554
00:26:27,600 --> 00:26:29,360
Speaker 2: I saw a photo and it says possibly the most

555
00:26:29,400 --> 00:26:33,399
Speaker 2: Melbourne imach ever public transport little with an abandoned cheese board.

556
00:26:33,560 --> 00:26:37,320
Speaker 2: So they're everywhere. Punces tlibal drum is beating for punts

557
00:26:37,359 --> 00:26:37,879
Speaker 2: in the wild.

558
00:26:40,560 --> 00:26:41,919
Speaker 1: Katrina has joined us.

559
00:26:41,960 --> 00:26:44,439
Speaker 2: Hi, Katrina, where did you see a punce in the wild?

560
00:26:45,280 --> 00:26:48,520
Speaker 9: My little son he went to he went to a

561
00:26:48,600 --> 00:26:51,720
Speaker 9: friend's friend's birthday and they all had pizza for lunch,

562
00:26:52,240 --> 00:26:54,639
Speaker 9: and he do want to get his friends his hands dirty,

563
00:26:55,040 --> 00:26:56,440
Speaker 9: so he asked for a knife and fork.

564
00:26:56,720 --> 00:26:59,800
Speaker 1: Ah, I know, I know.

565
00:27:00,119 --> 00:27:01,919
Speaker 2: Did he have to flush his own head down the toilet,

566
00:27:03,480 --> 00:27:03,760
Speaker 2: isn't he?

567
00:27:04,600 --> 00:27:04,760
Speaker 7: Oh?

568
00:27:04,880 --> 00:27:06,159
Speaker 1: That is cute.

569
00:27:06,359 --> 00:27:08,280
Speaker 2: That is cute. That'll be spoken about for some time,

570
00:27:08,359 --> 00:27:08,760
Speaker 2: I'm sure.

571
00:27:08,880 --> 00:27:10,879
Speaker 1: And you know when you sometimes when you eat pizza,

572
00:27:10,960 --> 00:27:12,600
Speaker 1: it's good to eat it with a knife and fork.

573
00:27:13,240 --> 00:27:15,000
Speaker 2: And you know, when you're six and at a party,

574
00:27:15,280 --> 00:27:18,000
Speaker 2: I don't know it's going to be talked about. Yeah, Katrina, thanks,

575
00:27:18,000 --> 00:27:19,200
Speaker 2: thank you Katrina.

576
00:27:18,960 --> 00:27:22,280
Speaker 1: And we with Heill held his name as well, just

577
00:27:22,359 --> 00:27:24,480
Speaker 1: so you know it doesn't blow back on him. No,

578
00:27:24,920 --> 00:27:26,240
Speaker 1: Taniel is joined Neil.

579
00:27:26,800 --> 00:27:27,520
Speaker 12: Good morning, guys.

580
00:27:27,560 --> 00:27:28,320
Speaker 5: How are you great?

581
00:27:28,440 --> 00:27:29,199
Speaker 2: Who is the punts?

582
00:27:29,800 --> 00:27:30,000
Speaker 7: Well?

583
00:27:30,119 --> 00:27:32,239
Speaker 12: I'm ringing to dob in a punts, but how are

584
00:27:32,280 --> 00:27:33,440
Speaker 12: you the knife and fork as well?

585
00:27:33,760 --> 00:27:34,359
Speaker 1: I'm a pizza.

586
00:27:37,080 --> 00:27:39,280
Speaker 2: I think a six year old doing it different because

587
00:27:39,280 --> 00:27:41,600
Speaker 2: at that age you shouldn't care about being dirty, although

588
00:27:41,680 --> 00:27:44,600
Speaker 2: we wish our children did, so tell me about you

589
00:27:44,800 --> 00:27:45,879
Speaker 2: to Neil, who's the punts?

590
00:27:46,640 --> 00:27:49,560
Speaker 12: I have a family member who will remain unnamed because

591
00:27:49,560 --> 00:27:52,880
Speaker 12: they listen to your show and they go. They take

592
00:27:52,920 --> 00:27:55,840
Speaker 12: their two dogs to the dog park every day. But

593
00:27:56,000 --> 00:27:58,159
Speaker 12: because they live in quite a hilly area and they

594
00:27:58,160 --> 00:27:59,680
Speaker 12: don't want to be tired when they get to the

595
00:27:59,760 --> 00:28:01,680
Speaker 12: dog park, they have a daily uber.

596
00:28:05,760 --> 00:28:10,119
Speaker 2: I love it. I love it. You know I've been

597
00:28:10,160 --> 00:28:12,080
Speaker 2: known to do that. If I drive to the gym

598
00:28:12,280 --> 00:28:15,920
Speaker 2: and I can't park closely enough, I go home and

599
00:28:16,040 --> 00:28:20,639
Speaker 2: my punts lazy. I love that. So they get an

600
00:28:20,720 --> 00:28:23,200
Speaker 2: uber to the dog park that is brilliant.

601
00:28:23,880 --> 00:28:24,080
Speaker 1: Love it.

602
00:28:24,119 --> 00:28:28,480
Speaker 2: We're gonna take more of your calls Jonesy and Amanda podcast.

603
00:28:31,280 --> 00:28:33,400
Speaker 1: Today's gonna be a great beautiful.

604
00:28:35,000 --> 00:28:36,080
Speaker 4: That's easy for you to say.

605
00:28:37,920 --> 00:28:40,800
Speaker 3: An abandoned cheese board on a Melbourne commuter train has

606
00:28:40,960 --> 00:28:42,240
Speaker 3: raised our interest today.

607
00:28:42,640 --> 00:28:46,520
Speaker 2: Punts in the wild? When have you seen them? What

608
00:28:46,640 --> 00:28:48,720
Speaker 2: were they doing? A friend of mine said she was

609
00:28:48,720 --> 00:28:50,960
Speaker 2: at a restaurant the other day and sitting outside, and

610
00:28:51,000 --> 00:28:53,280
Speaker 2: there's a woman who sat at the next table who

611
00:28:53,440 --> 00:28:56,640
Speaker 2: had a dog on a lead and a very ornate lead.

612
00:28:56,960 --> 00:29:00,040
Speaker 2: The woman herself was covered in the Sachi logo. She

613
00:29:00,160 --> 00:29:02,640
Speaker 2: just had a cat, a jeweled cat on a lead

614
00:29:03,520 --> 00:29:04,320
Speaker 2: in a restaurant.

615
00:29:04,480 --> 00:29:06,480
Speaker 1: Was he planning world domination? And all?

616
00:29:06,560 --> 00:29:07,000
Speaker 17: Not sure?

617
00:29:07,640 --> 00:29:08,480
Speaker 1: Brad has joined us?

618
00:29:08,520 --> 00:29:09,760
Speaker 2: Oh Brad? Who is the punts?

619
00:29:11,120 --> 00:29:13,600
Speaker 8: We went to a grandparents' day and we were told

620
00:29:13,680 --> 00:29:16,840
Speaker 8: to bring snacks, and so I brought caves the lazy way.

621
00:29:16,960 --> 00:29:20,800
Speaker 8: Parents bought cookies and sandwiches, and then one of the

622
00:29:20,840 --> 00:29:23,479
Speaker 8: grandparents turned up with a sixty year old picnic basket

623
00:29:23,600 --> 00:29:28,040
Speaker 8: had silverware, hounds, tooth blanket and then lobster bisk and

624
00:29:28,200 --> 00:29:30,680
Speaker 8: Quint's paste and it was all so fancy.

625
00:29:30,760 --> 00:29:33,320
Speaker 16: And where other parents are sitting there and going aboard?

626
00:29:33,360 --> 00:29:36,320
Speaker 10: I bought as m kids are going, Wow, you've got.

627
00:29:36,200 --> 00:29:39,080
Speaker 1: A dirty burden lobster bisk God?

628
00:29:39,120 --> 00:29:40,120
Speaker 2: It was it all for sharing?

629
00:29:41,640 --> 00:29:42,840
Speaker 10: Well, it wasn't the start we've been.

630
00:29:42,880 --> 00:29:44,640
Speaker 9: Everyone tried and that was actually delicious.

631
00:29:44,800 --> 00:29:46,800
Speaker 5: I didn't even know what point Quin's paste was, but

632
00:29:46,880 --> 00:29:47,600
Speaker 5: it was delicious.

633
00:29:47,640 --> 00:29:48,120
Speaker 10: It was a dip.

634
00:29:49,200 --> 00:29:52,120
Speaker 2: It's nice you mix up with the KFC, you know

635
00:29:52,560 --> 00:29:55,840
Speaker 2: traditionally maybe not, but sure, why not? Thank you, Brad,

636
00:29:56,000 --> 00:29:58,640
Speaker 2: Thank you Brad. LeAnn has joined us so slow Leanne.

637
00:29:58,400 --> 00:30:00,800
Speaker 1: Who was the punts with me?

638
00:30:01,000 --> 00:30:03,880
Speaker 16: Actually, how are you guys? Congracts on your award to

639
00:30:04,200 --> 00:30:04,480
Speaker 16: thank you?

640
00:30:06,680 --> 00:30:06,880
Speaker 7: Yes?

641
00:30:07,240 --> 00:30:09,960
Speaker 16: Or many years ago I went to the danny Ute

642
00:30:10,040 --> 00:30:15,600
Speaker 16: Muster with my boyfriend and yeah, I took a bottle

643
00:30:15,600 --> 00:30:19,680
Speaker 16: of Muwey champagne in with a crystal glass. How that's

644
00:30:19,800 --> 00:30:22,480
Speaker 16: how I rolled? And yea, it wasn't quite sure.

645
00:30:22,960 --> 00:30:23,640
Speaker 6: I looked like a.

646
00:30:25,400 --> 00:30:26,360
Speaker 16: Very out of thoughts there.

647
00:30:26,520 --> 00:30:29,800
Speaker 2: Yeah, so you had your crystal champagne and a crystal

648
00:30:29,880 --> 00:30:32,320
Speaker 2: glass and what were other people drinking?

649
00:30:33,600 --> 00:30:36,920
Speaker 16: They were drinking their bundy out of you quite wild

650
00:30:37,000 --> 00:30:38,480
Speaker 16: and look at you me very strangely.

651
00:30:38,720 --> 00:30:40,719
Speaker 1: Anyone reveal your breasts?

652
00:30:42,600 --> 00:30:44,000
Speaker 16: Yeah, there was a little song.

653
00:30:46,080 --> 00:30:47,440
Speaker 11: Yeah what was the song?

654
00:30:48,360 --> 00:30:48,520
Speaker 7: Oh?

655
00:30:50,360 --> 00:30:51,200
Speaker 16: I can't repeat it?

656
00:30:51,960 --> 00:30:54,840
Speaker 2: Fair enough sage eggs might be.

657
00:30:55,000 --> 00:30:57,000
Speaker 1: As I was saying, what was the song? I was thinking?

658
00:30:57,160 --> 00:31:02,320
Speaker 1: Is this wise? Thank you Leanne Jones podcast.

659
00:31:02,760 --> 00:31:04,960
Speaker 3: Let's get on down to the Jonty demand of arms

660
00:31:05,400 --> 00:31:06,760
Speaker 3: live music in suburbia.

661
00:31:06,840 --> 00:31:08,080
Speaker 1: Does it pass the pub test?

662
00:31:08,360 --> 00:31:11,000
Speaker 3: The state government is pushing back to put live music

663
00:31:11,040 --> 00:31:14,520
Speaker 3: where it belongs at the pub. They have revealed plans

664
00:31:14,560 --> 00:31:17,720
Speaker 3: to eliminate battling red tape. Case in point, the Gray

665
00:31:17,800 --> 00:31:21,760
Speaker 3: Gums Cafe up there at Putty has some incredibly stupid

666
00:31:22,360 --> 00:31:24,160
Speaker 3: live music restrictions.

667
00:31:24,360 --> 00:31:25,400
Speaker 1: They're in the middle of nowhere.

668
00:31:25,560 --> 00:31:28,320
Speaker 3: There's no one there, but Singleton Council have been very

669
00:31:28,600 --> 00:31:31,720
Speaker 3: ham fisted with how they handle their das for the

670
00:31:32,200 --> 00:31:32,800
Speaker 3: entertainment there.

671
00:31:32,920 --> 00:31:35,600
Speaker 1: It's going to drive the Gray Gums Cafe out of business.

672
00:31:35,680 --> 00:31:39,560
Speaker 2: See places that don't pokins, that's right place that people want.

673
00:31:39,440 --> 00:31:39,640
Speaker 5: To go to.

674
00:31:39,720 --> 00:31:42,280
Speaker 2: Places where there's no pokings, there's a bit of music

675
00:31:42,400 --> 00:31:45,720
Speaker 2: and so the places that are those places are find

676
00:31:45,760 --> 00:31:47,040
Speaker 2: it very hard to fund themselves.

677
00:31:47,120 --> 00:31:49,880
Speaker 3: Case in point one publican here in Sydney. He has

678
00:31:49,960 --> 00:31:52,480
Speaker 3: no pokys, he has no ta B but he also can't.

679
00:31:52,240 --> 00:31:53,000
Speaker 1: Have live music.

680
00:31:53,320 --> 00:31:56,400
Speaker 14: But there's also no music even on a Sunday afternoon

681
00:31:56,800 --> 00:32:00,000
Speaker 14: because his development consent doesn't allow entertainment.

682
00:32:00,480 --> 00:32:03,440
Speaker 15: That's about that solid duo and acoustic axe. It's not

683
00:32:03,520 --> 00:32:06,640
Speaker 15: about creating a nightclub. It's not about having big bands.

684
00:32:07,120 --> 00:32:11,040
Speaker 14: In fact, that provision means technically even a mind couldn't perform.

685
00:32:11,600 --> 00:32:15,240
Speaker 14: Among other examples, for the Petersham Public House, no amplified

686
00:32:15,360 --> 00:32:19,520
Speaker 14: music even quietly in the beer Garden Barangaroo House can't

687
00:32:19,560 --> 00:32:22,680
Speaker 14: have a disco ball, the Pocket Bar Interegle had to

688
00:32:22,720 --> 00:32:25,840
Speaker 14: turn away a choir because it had more than three members.

689
00:32:26,160 --> 00:32:28,960
Speaker 14: And the South Dubo Tavern could have a small ac

690
00:32:29,200 --> 00:32:31,520
Speaker 14: DC cover band, but not the original.

691
00:32:31,720 --> 00:32:35,280
Speaker 3: So acdcs show up in Dubbo and they can't perform.

692
00:32:36,000 --> 00:32:37,840
Speaker 3: These are the dopes that run our country.

693
00:32:37,920 --> 00:32:42,680
Speaker 2: Yeah, playing Devil's Advocate live music. Everyone's lamenting the loss

694
00:32:42,720 --> 00:32:45,760
Speaker 2: of live music, But to play Devil's Advocate. What if

695
00:32:45,800 --> 00:32:47,800
Speaker 2: you live next door to one of these places and

696
00:32:48,200 --> 00:32:52,959
Speaker 2: the music's loud, the music's, you know, infringing on your

697
00:32:53,000 --> 00:32:55,920
Speaker 2: suburban life. What if you go to see you know,

698
00:32:55,960 --> 00:32:58,440
Speaker 2: you're sitting at home on a Saturday afternoon and next

699
00:32:58,640 --> 00:33:10,680
Speaker 2: minute you hear this from the public Stop you here,

700
00:33:10,720 --> 00:33:12,880
Speaker 2: Brendan Jones shouting out above the jukebox.

701
00:33:13,040 --> 00:33:16,840
Speaker 1: No, that's Brendan Jones performing with Cold Collab.

702
00:33:16,560 --> 00:33:17,960
Speaker 2: You said, And I said, but you also on stage

703
00:33:17,960 --> 00:33:19,120
Speaker 2: with him, You said, No, I was in my own

704
00:33:19,160 --> 00:33:20,960
Speaker 2: special robe off zone.

705
00:33:20,800 --> 00:33:21,520
Speaker 1: Which is seat.

706
00:33:22,160 --> 00:33:26,000
Speaker 3: My phone has been running off the hawk with what

707
00:33:26,600 --> 00:33:28,560
Speaker 3: just you know, offers coming in and people just.

708
00:33:28,600 --> 00:33:33,080
Speaker 1: You know, just wash my phone, haven't it's the council.

709
00:33:33,080 --> 00:33:33,520
Speaker 1: I show you.

710
00:33:33,640 --> 00:33:36,120
Speaker 2: It's a council saying stop, I prefer a disco ball.

711
00:33:36,320 --> 00:33:37,680
Speaker 1: Say, but it's my time lapse.

712
00:33:37,920 --> 00:33:40,760
Speaker 2: Well, let's put it to you. Live music in Suburbia.

713
00:33:41,000 --> 00:33:48,320
Speaker 2: Does it pass the pump test? M Oasis? Put on

714
00:33:48,440 --> 00:33:49,240
Speaker 2: your dancing shoes.

715
00:33:49,280 --> 00:33:49,960
Speaker 6: Don't give me your.

716
00:33:50,000 --> 00:33:57,440
Speaker 1: Fast shot from the Daily Os. She is the editor M. Gillespie.

717
00:33:57,480 --> 00:33:58,360
Speaker 1: Is he You are the editor?

718
00:33:58,400 --> 00:34:00,560
Speaker 3: Aren't you keep making your face when I say that, Oh,

719
00:34:00,680 --> 00:34:02,640
Speaker 3: it's just you know, I haven't been demoted.

720
00:34:02,840 --> 00:34:04,760
Speaker 17: No, just imposter syndrome. I don't know.

721
00:34:04,840 --> 00:34:07,080
Speaker 6: You make it sound very important. And then we talked

722
00:34:07,080 --> 00:34:08,480
Speaker 6: about Presidente.

723
00:34:09,040 --> 00:34:09,279
Speaker 1: Thanks.

724
00:34:10,000 --> 00:34:12,200
Speaker 6: Yes, well it's actually our Presidente on the LinkedIn, so

725
00:34:12,320 --> 00:34:16,320
Speaker 6: thank you, Amanda, thank you. We're talking today about another celebrity,

726
00:34:16,400 --> 00:34:19,440
Speaker 6: speaking of high status, important people in the community and

727
00:34:19,719 --> 00:34:23,799
Speaker 6: Hathaway is being well a little bit canceled over an

728
00:34:23,840 --> 00:34:25,680
Speaker 6: interview that she did twelve years ago.

729
00:34:26,360 --> 00:34:28,160
Speaker 2: She was clearly having a bad day.

730
00:34:28,200 --> 00:34:31,239
Speaker 6: It was during the sort of press junket promotion for

731
00:34:31,640 --> 00:34:35,040
Speaker 6: Lame miss Le Miserable back in twenty twelve, of which,

732
00:34:35,080 --> 00:34:37,239
Speaker 6: of course she won an oscar for sure. And this

733
00:34:37,520 --> 00:34:41,839
Speaker 6: journalist from Norway has resurfaced this cringe interview and it's

734
00:34:41,880 --> 00:34:42,560
Speaker 6: gone viral.

735
00:34:42,840 --> 00:34:44,359
Speaker 2: Here's a little bit of it. So I was going

736
00:34:44,400 --> 00:34:46,440
Speaker 2: to ask you to do the first question in singing?

737
00:34:46,520 --> 00:34:48,120
Speaker 2: Can I sing it to you and you can sing

738
00:34:48,280 --> 00:34:48,920
Speaker 2: back the answer?

739
00:34:49,160 --> 00:34:50,400
Speaker 17: Oh, I won't be doing that, but you're more than

740
00:34:50,400 --> 00:34:51,040
Speaker 17: welcome to sing.

741
00:34:51,440 --> 00:34:54,000
Speaker 1: Kirstive Flaw from TVSHU Norway.

742
00:34:53,800 --> 00:34:56,080
Speaker 2: And you have speeding. Okay, we'll try it.

743
00:34:56,680 --> 00:34:59,200
Speaker 16: So were there any awkward moments like this on the

744
00:34:59,280 --> 00:35:02,239
Speaker 16: SAT because it had to sing and talk?

745
00:35:02,440 --> 00:35:03,719
Speaker 2: Do you feel that love was more.

746
00:35:03,680 --> 00:35:06,879
Speaker 10: Passionate back then or people would sacrifice more for love

747
00:35:06,960 --> 00:35:07,719
Speaker 10: than we did today?

748
00:35:07,960 --> 00:35:12,200
Speaker 6: No, it's the whole interview is just one word answers.

749
00:35:12,239 --> 00:35:13,960
Speaker 6: She goes on to ask her, oh, do you remember

750
00:35:14,000 --> 00:35:15,760
Speaker 6: your childhood crush? The first time we had a crushed

751
00:35:15,760 --> 00:35:18,239
Speaker 6: and she says no, She clearly doesn't want to be

752
00:35:18,320 --> 00:35:19,840
Speaker 6: there and it's all one word answers.

753
00:35:20,280 --> 00:35:21,440
Speaker 2: But that was twelve years ago.

754
00:35:21,680 --> 00:35:24,160
Speaker 6: It was twelve years ago, and in a kind of

755
00:35:24,239 --> 00:35:27,160
Speaker 6: unusual turn of events, her publicist has reached out to

756
00:35:27,239 --> 00:35:27,800
Speaker 6: that journalist.

757
00:35:27,840 --> 00:35:29,520
Speaker 17: So her name's Kirsty Flower from Norway.

758
00:35:29,640 --> 00:35:32,760
Speaker 6: She posted that on TikTok and that's eleven million views,

759
00:35:33,120 --> 00:35:35,200
Speaker 6: and then she did a follow up video revealing that

760
00:35:35,239 --> 00:35:38,759
Speaker 6: she got this long email from Hathaway's publicist, written by

761
00:35:38,760 --> 00:35:42,080
Speaker 6: Anne Hathaway, explaining what she was dealing with at the time.

762
00:35:42,600 --> 00:35:47,600
Speaker 6: She apologized apparently was this really lengthy, thoughtful response. The

763
00:35:47,719 --> 00:35:51,080
Speaker 6: journalist said that they had both decided to keep it private,

764
00:35:51,200 --> 00:35:54,080
Speaker 6: So whatever the kind of decided now to keep private

765
00:35:54,480 --> 00:35:57,719
Speaker 6: whatever she said to explain her behavior. Obviously she was

766
00:35:58,200 --> 00:36:02,399
Speaker 6: going through something. She is a famously lovely person out away.

767
00:36:02,600 --> 00:36:06,560
Speaker 1: We've spoken to Anne, I'm sure we have. Well.

768
00:36:06,840 --> 00:36:10,640
Speaker 6: Either way, it created this huge pylon and Kirsty flaher

769
00:36:10,840 --> 00:36:12,799
Speaker 6: the Norwegian journalist who shared the video.

770
00:36:12,880 --> 00:36:14,799
Speaker 17: If that name is familiar, it's because she.

771
00:36:15,000 --> 00:36:18,880
Speaker 6: Also resurfaced the Blake Lively video that kicked off this

772
00:36:19,080 --> 00:36:21,960
Speaker 6: whole suger recently with it ends with us that you

773
00:36:22,080 --> 00:36:25,120
Speaker 6: might have heard a grab from that where Blake Lively

774
00:36:25,239 --> 00:36:28,920
Speaker 6: is pregnant and the journal says to her like, oh, congratulations.

775
00:36:28,239 --> 00:36:28,719
Speaker 1: On your bump.

776
00:36:29,280 --> 00:36:31,680
Speaker 17: She says, congratulations on your bump and they're.

777
00:36:31,640 --> 00:36:34,800
Speaker 2: Obviously not pregnant and very rude yes, And that started

778
00:36:34,800 --> 00:36:36,800
Speaker 2: a whole cascade against Blake Lively.

779
00:36:36,920 --> 00:36:39,719
Speaker 1: Exactly why is this journal? Maybe the Norwegians, because they're

780
00:36:39,719 --> 00:36:41,840
Speaker 1: a little bit how you saying?

781
00:36:42,120 --> 00:36:45,560
Speaker 2: It's uners this nuance really when they talk to you. So,

782
00:36:45,960 --> 00:36:47,480
Speaker 2: but is this the new thing that you can get

783
00:36:47,560 --> 00:36:49,759
Speaker 2: canceled for having an off day? It's interesting, isn't it?

784
00:36:49,880 --> 00:36:52,800
Speaker 2: A number of years ago reading an interview that was

785
00:36:52,840 --> 00:36:55,839
Speaker 2: really slagging off Shirley Bessie of all people, she had

786
00:36:55,840 --> 00:36:59,040
Speaker 2: an album out and the guy was really slagging her off.

787
00:36:59,080 --> 00:37:01,239
Speaker 2: And it's only afterwards I sort of thought differently about

788
00:37:01,280 --> 00:37:04,640
Speaker 2: it because she said, I just want to put an

789
00:37:04,680 --> 00:37:07,200
Speaker 2: album out and I do publicity for it. But they

790
00:37:07,239 --> 00:37:11,480
Speaker 2: were raking over the coals of her family had involved suicide,

791
00:37:11,800 --> 00:37:14,360
Speaker 2: estrangement from the children, blah blah blah. She said, do

792
00:37:14,480 --> 00:37:17,200
Speaker 2: I have to rake over my entire life to do

793
00:37:17,280 --> 00:37:18,640
Speaker 2: an interview with you about an album?

794
00:37:19,000 --> 00:37:20,879
Speaker 3: When Keith Urban came on our show, and you asked

795
00:37:20,880 --> 00:37:23,879
Speaker 3: about Nicole and you just said, and you started talking

796
00:37:23,880 --> 00:37:25,920
Speaker 3: about how you first I met it, take it out,

797
00:37:26,239 --> 00:37:27,960
Speaker 3: and I could tell instantly he didn't want to go

798
00:37:28,040 --> 00:37:30,239
Speaker 3: into it because he wants to talk about his tour.

799
00:37:30,280 --> 00:37:31,719
Speaker 1: He wants to talk about what he's doing. He doesn't

800
00:37:31,719 --> 00:37:32,720
Speaker 1: want to talk about his missile.

801
00:37:33,000 --> 00:37:35,040
Speaker 3: And that's what happened because you've only got a finite

802
00:37:35,160 --> 00:37:37,879
Speaker 3: time to talk in these segments, so he doesn want

803
00:37:37,880 --> 00:37:40,200
Speaker 3: to bang on about her for the most of the interviews.

804
00:37:39,880 --> 00:37:42,480
Speaker 6: Especially, I think TikTok's really changed the way that celebrity

805
00:37:42,520 --> 00:37:43,200
Speaker 6: interviews work.

806
00:37:43,280 --> 00:37:45,359
Speaker 17: It's the long form interview has kind of died.

807
00:37:45,440 --> 00:37:47,600
Speaker 6: Unless you're ready to sit down and pick up a

808
00:37:47,680 --> 00:37:50,520
Speaker 6: glossy magazine and read a profile on someone, no one

809
00:37:50,640 --> 00:37:53,200
Speaker 6: really cares about the full thirty minute context or the

810
00:37:53,239 --> 00:37:55,719
Speaker 6: ten minute context of the chat. It's you know what's

811
00:37:55,760 --> 00:37:58,840
Speaker 6: going to make the fascinating twenty second SoundBite that's going

812
00:37:58,920 --> 00:38:01,759
Speaker 6: to go viral, And you're exactly right that you could

813
00:38:01,880 --> 00:38:04,120
Speaker 6: just be having that bad day and then it goes viral.

814
00:38:04,200 --> 00:38:06,919
Speaker 6: But the intentions of this journalists have really been called

815
00:38:06,920 --> 00:38:10,279
Speaker 6: into question. Whereas after the Blake Lively moment, people were

816
00:38:10,320 --> 00:38:13,279
Speaker 6: really sympathetic and saying that was really unfair that she'd

817
00:38:13,280 --> 00:38:15,879
Speaker 6: had to copy that behavior from a celebrity. But now

818
00:38:15,960 --> 00:38:18,520
Speaker 6: that she's dug up old content a second time and

819
00:38:18,640 --> 00:38:22,280
Speaker 6: recirculated that and gone viral, things have sort of shifted

820
00:38:22,440 --> 00:38:24,520
Speaker 6: where people have come to Anne Hathaway's defect.

821
00:38:24,560 --> 00:38:25,799
Speaker 1: I'm seeing Hathaway on this one.

822
00:38:25,920 --> 00:38:27,759
Speaker 17: Yeah, they've said, you know, she didn't do anything wrong.

823
00:38:27,920 --> 00:38:28,879
Speaker 17: She was firm in her.

824
00:38:28,840 --> 00:38:31,120
Speaker 1: Answers, and the thing was what she was doing in

825
00:38:31,200 --> 00:38:33,400
Speaker 1: that is lame when you watch it, it's just lame,

826
00:38:33,640 --> 00:38:34,680
Speaker 1: don't you know.

827
00:38:34,800 --> 00:38:37,360
Speaker 2: We've interviewed Mark Wahlberg a couple of times. One was

828
00:38:37,360 --> 00:38:39,239
Speaker 2: the best interview we've ever done, one was the worst.

829
00:38:39,320 --> 00:38:40,759
Speaker 1: Memory flirted with you on the last one.

830
00:38:40,800 --> 00:38:44,040
Speaker 2: But it's also the same as Ashton Kutcher. You catch

831
00:38:44,120 --> 00:38:45,839
Speaker 2: people on a bad day, but you think, how you're

832
00:38:45,840 --> 00:38:48,120
Speaker 2: here to publicize a movie When they go on those

833
00:38:49,280 --> 00:38:51,920
Speaker 2: talk shows. Yeah, they'll go on ConA Conan and how

834
00:38:52,000 --> 00:38:54,480
Speaker 2: old's that now? But they'll go on that stuff Jimmy

835
00:38:54,560 --> 00:38:56,640
Speaker 2: Kimmel and give everything and give everything.

836
00:38:56,680 --> 00:38:58,400
Speaker 17: Oh, they give their best exactly, So.

837
00:38:58,440 --> 00:39:00,719
Speaker 2: It's frustrating when you don't get something from them.

838
00:39:00,800 --> 00:39:03,160
Speaker 6: Yeah, And I'm sure for the journalists it feels awful.

839
00:39:03,200 --> 00:39:04,840
Speaker 6: You walk away and you think, oh wow, that was

840
00:39:04,920 --> 00:39:06,640
Speaker 6: my hero when I met them, and they were awful

841
00:39:06,719 --> 00:39:08,360
Speaker 6: to me. But you know, in the context of that

842
00:39:09,120 --> 00:39:11,759
Speaker 6: famous person's day, they might have three hours of it's

843
00:39:11,800 --> 00:39:13,200
Speaker 6: exactly rive minute blocks.

844
00:39:13,600 --> 00:39:15,920
Speaker 2: So I forgive them for that. That's absolutely right.

845
00:39:16,000 --> 00:39:17,400
Speaker 6: I think we've just got to be a little bit

846
00:39:17,440 --> 00:39:20,719
Speaker 6: more forgiving. Ask ourselves, Okay, what's the broader context of this?

847
00:39:21,200 --> 00:39:22,040
Speaker 17: What else have they done?

848
00:39:22,200 --> 00:39:24,480
Speaker 6: If you know, loads and loads of interviews come out

849
00:39:24,520 --> 00:39:26,240
Speaker 6: and we start to think, all right, this person doesn't

850
00:39:26,320 --> 00:39:27,920
Speaker 6: know how to treat people in the media, or or

851
00:39:28,000 --> 00:39:29,640
Speaker 6: they don't know how to do their job, well, well

852
00:39:29,680 --> 00:39:32,200
Speaker 6: they're not very nice. Then you get a reputation. Yeah,

853
00:39:32,239 --> 00:39:34,120
Speaker 6: sure it's worth calling into question. But I think you

854
00:39:34,200 --> 00:39:36,520
Speaker 6: know one TikTok that shows Anne.

855
00:39:36,360 --> 00:39:39,319
Speaker 17: Hathaway having a bad a little bit, yeah, bad mood.

856
00:39:39,719 --> 00:39:40,799
Speaker 17: I don't know. I forgive her.

857
00:39:41,080 --> 00:39:42,520
Speaker 1: That's why I stick with what do you think of

858
00:39:42,560 --> 00:39:43,440
Speaker 1: Australia so far?

859
00:39:43,920 --> 00:39:46,000
Speaker 2: Because that doesn't take up any time in an interview.

860
00:39:46,200 --> 00:39:48,600
Speaker 1: Urban comes into what do you think of Australia's sofa?

861
00:39:48,960 --> 00:39:49,880
Speaker 2: This is your first time here?

862
00:39:50,080 --> 00:39:51,759
Speaker 1: Do you like Australia. You love it you live here.

863
00:39:52,160 --> 00:39:53,920
Speaker 17: I think some Yanks would think you were saying sofa.

864
00:39:54,000 --> 00:39:54,759
Speaker 17: They won't understand you.

865
00:39:55,960 --> 00:39:57,839
Speaker 2: Jade Van said, easy, he'sid prick up.

866
00:40:01,000 --> 00:40:02,800
Speaker 1: Thank you the editor machine.

867
00:40:02,920 --> 00:40:12,840
Speaker 3: You I'm BLESTI from the Daily Osa podcast When God wanted.

868
00:40:12,600 --> 00:40:13,560
Speaker 1: To get right now?

869
00:40:14,880 --> 00:40:19,320
Speaker 18: Crazy your windowsick your head on a yell.

870
00:40:20,400 --> 00:40:25,200
Speaker 1: He live music in the pub? Does it past the

871
00:40:25,239 --> 00:40:25,719
Speaker 1: pub test?

872
00:40:25,840 --> 00:40:29,000
Speaker 3: The state government is pushing back to put live music

873
00:40:29,040 --> 00:40:32,040
Speaker 3: where it belongs the pub are They revealed plans to

874
00:40:32,320 --> 00:40:35,400
Speaker 3: eliminate battling red tape. The red tape is ridiculously Just

875
00:40:35,480 --> 00:40:37,920
Speaker 3: ask poor old Kim who runs the Gray Gums Cafe

876
00:40:38,160 --> 00:40:38,920
Speaker 3: up there at Puddy.

877
00:40:39,360 --> 00:40:40,680
Speaker 1: It's actually mental.

878
00:40:40,520 --> 00:40:42,200
Speaker 2: And people who are trying to run pubs that don't

879
00:40:42,239 --> 00:40:44,120
Speaker 2: have pokies in them and don't have all that kind

880
00:40:44,160 --> 00:40:46,359
Speaker 2: of stuff of finding it financially. It's so hard.

881
00:40:46,600 --> 00:40:49,719
Speaker 3: This poor publican, he's trying to create a community in

882
00:40:49,840 --> 00:40:50,239
Speaker 3: his pub.

883
00:40:50,320 --> 00:40:52,040
Speaker 1: He's got no pokey, he's got no ta B.

884
00:40:52,440 --> 00:40:55,520
Speaker 14: But there's also no music even on a Sunday afternoon

885
00:40:55,920 --> 00:40:59,239
Speaker 14: because his development consent doesn't allow entertainment.

886
00:40:59,520 --> 00:41:02,880
Speaker 15: That's about solid duo and acoustic acts. It's not about

887
00:41:02,960 --> 00:41:05,720
Speaker 15: creating a nightclub, it's not about having big bands.

888
00:41:06,200 --> 00:41:10,120
Speaker 14: In fact, that provision means technically even a mine couldn't perform.

889
00:41:10,680 --> 00:41:14,319
Speaker 14: Among other examples, for the Petersham Public House no amplified

890
00:41:14,440 --> 00:41:18,640
Speaker 14: music even quietly in the beer Garden Barangaroo House can't

891
00:41:18,680 --> 00:41:21,759
Speaker 14: have a disco ball, the Pocket Bar Interegle had to

892
00:41:21,840 --> 00:41:24,960
Speaker 14: turn away a choir because it had more than three members.

893
00:41:25,239 --> 00:41:28,520
Speaker 14: And the South Doubo Tavern could have a small ACDC

894
00:41:28,719 --> 00:41:30,640
Speaker 14: cover band but not the original.

895
00:41:31,360 --> 00:41:33,520
Speaker 1: I know it sounds ridiculous, it's crazy, but that's all

896
00:41:33,520 --> 00:41:35,040
Speaker 1: well and good. But what if you live next door

897
00:41:35,040 --> 00:41:35,640
Speaker 1: to well, well, this is.

898
00:41:35,640 --> 00:41:37,560
Speaker 2: The devil's advocate part of it. I think live music

899
00:41:37,600 --> 00:41:39,960
Speaker 2: would be wonderful. But say that you're at home watching

900
00:41:40,040 --> 00:41:42,920
Speaker 2: Tipping Point, for example, pub next door, and you hear this,

901
00:41:53,800 --> 00:41:57,040
Speaker 2: You hear Brendan Jones trying to do a collab with Cold.

902
00:41:56,920 --> 00:42:03,200
Speaker 3: Chisnel, trying successfully colaborate, in fact so much. The boys

903
00:42:03,239 --> 00:42:04,600
Speaker 3: have just approached me. They want me to go on

904
00:42:04,680 --> 00:42:06,040
Speaker 3: to us, so I'm going to have to take where's can.

905
00:42:06,000 --> 00:42:06,720
Speaker 2: I see the paperwork?

906
00:42:06,719 --> 00:42:12,000
Speaker 1: Where they've asked that PaperWorks? Jimmy said me, what are

907
00:42:12,000 --> 00:42:12,480
Speaker 1: you doing.

908
00:42:13,200 --> 00:42:15,879
Speaker 2: So live music in suburbia. Does it pass the pub test?

909
00:42:16,120 --> 00:42:18,200
Speaker 12: Yes, it does, so if you live near it, take

910
00:42:18,239 --> 00:42:19,080
Speaker 12: advantage of it.

911
00:42:19,560 --> 00:42:19,960
Speaker 1: Join in.

912
00:42:20,239 --> 00:42:23,080
Speaker 12: His life is too short, enjoy it, I say, I

913
00:42:23,160 --> 00:42:23,960
Speaker 12: think it's.

914
00:42:23,719 --> 00:42:24,319
Speaker 10: The pub test.

915
00:42:24,400 --> 00:42:24,680
Speaker 1: Fifth.

916
00:42:25,120 --> 00:42:27,520
Speaker 10: If you've got to play for you, Paul, and you think.

917
00:42:27,520 --> 00:42:30,879
Speaker 9: Your pub with the possibility of I think if you're coming,

918
00:42:30,960 --> 00:42:32,040
Speaker 9: that's all. That's your own problem.

919
00:42:32,239 --> 00:42:35,080
Speaker 11: Looking at this way for entertainment of closer parts of

920
00:42:35,239 --> 00:42:38,080
Speaker 11: the pub test. Where's the avenue for the young people

921
00:42:38,200 --> 00:42:41,520
Speaker 11: to get their music out there these days? There's no countdown,

922
00:42:42,200 --> 00:42:45,680
Speaker 11: there's no pubs for them to plane, there's no venues.

923
00:42:46,000 --> 00:42:47,920
Speaker 11: You know, we've got to give our young artists in

924
00:42:48,040 --> 00:42:50,719
Speaker 11: Australia a chance to get their music out there.

925
00:42:50,840 --> 00:42:51,000
Speaker 9: Well.

926
00:42:51,040 --> 00:42:52,680
Speaker 10: I think they definitely need to bring it back.

927
00:42:52,840 --> 00:42:54,680
Speaker 9: I think Sidney's not the same like he used to be.

928
00:42:54,680 --> 00:42:55,400
Speaker 12: In the old days.

929
00:42:55,800 --> 00:42:55,960
Speaker 7: You know.

930
00:42:56,160 --> 00:42:58,879
Speaker 12: I think all the pubs they benefit from having live bands.

931
00:42:58,880 --> 00:42:59,799
Speaker 2: You're going to pract a lot.

932
00:42:59,760 --> 00:43:02,520
Speaker 10: More people, you're going to you know, those businesses are

933
00:43:02,520 --> 00:43:03,279
Speaker 10: going to be doing well.

934
00:43:03,760 --> 00:43:07,200
Speaker 1: Bring back the band, bring back the bands. Thank you

935
00:43:07,320 --> 00:43:08,160
Speaker 1: for your calls.

936
00:43:09,480 --> 00:43:11,279
Speaker 2: And we did win a big award on Saturday Night.

937
00:43:11,320 --> 00:43:14,279
Speaker 2: We've been I didn't think we would and you were saying, oh,

938
00:43:15,040 --> 00:43:16,680
Speaker 2: the two peat, and someone on the night said, you know,

939
00:43:16,760 --> 00:43:19,279
Speaker 2: it's called a repeat. It occurred to me that a

940
00:43:19,400 --> 00:43:22,160
Speaker 2: two peep was a repeat. You go two peak two peak.

941
00:43:22,160 --> 00:43:24,600
Speaker 2: Because we won Best Team on Air last year, I

942
00:43:24,640 --> 00:43:25,759
Speaker 2: didn't think we could do it again.

943
00:43:26,040 --> 00:43:29,920
Speaker 3: And the Daily Fail says, that's the big one. That's

944
00:43:29,960 --> 00:43:31,680
Speaker 3: the over reach old logive radio.

945
00:43:31,760 --> 00:43:33,640
Speaker 1: That's the big one. It's not like some hour show

946
00:43:34,040 --> 00:43:36,040
Speaker 1: that gets played at eight o'clock at night.

947
00:43:36,280 --> 00:43:38,800
Speaker 2: No, that's the big final award of the night. And

948
00:43:38,840 --> 00:43:42,839
Speaker 2: we were thrilled and humbled to win it. So thank

949
00:43:42,880 --> 00:43:44,960
Speaker 2: you to our team for turning up every day and

950
00:43:45,040 --> 00:43:47,640
Speaker 2: helping us do what we do. So yes, w WES

951
00:43:47,719 --> 00:43:51,080
Speaker 2: won a lot Best on Air Team, Best Digital Content

952
00:43:51,200 --> 00:43:54,720
Speaker 2: Creator is Jenna Benson, Our Jenna. She also won Digital

953
00:43:54,760 --> 00:43:57,040
Speaker 2: Team of the Year. That was You and Me and Jenna.

954
00:43:58,000 --> 00:44:01,360
Speaker 2: Best Music Host, Ugly Feel O'Neil the whole rumor I

955
00:44:01,560 --> 00:44:02,160
Speaker 2: love dead for.

956
00:44:02,239 --> 00:44:03,560
Speaker 1: Him for Ugly Phillis.

957
00:44:03,719 --> 00:44:03,959
Speaker 8: Yeah.

958
00:44:05,080 --> 00:44:08,160
Speaker 2: Yeah, And it was a big deal, wasn't it. And

959
00:44:08,360 --> 00:44:10,520
Speaker 2: you know, because it's the only it's the only award

960
00:44:10,640 --> 00:44:12,640
Speaker 2: where you get to make a speech, so you have

961
00:44:12,719 --> 00:44:14,799
Speaker 2: to quickly scramble is what are you going to say?

962
00:44:15,640 --> 00:44:17,680
Speaker 3: Because I was about I think I was about six

963
00:44:17,840 --> 00:44:19,920
Speaker 3: years deep when the announcement came.

964
00:44:20,160 --> 00:44:23,560
Speaker 1: Best on Air Team for Metro. The actor goes to.

965
00:44:25,360 --> 00:44:29,560
Speaker 3: Jonesy and Amanda, so quite frankly, as I said in

966
00:44:29,600 --> 00:44:31,440
Speaker 3: my speech, I was just there for the screaming jets.

967
00:44:31,960 --> 00:44:33,720
Speaker 1: I was just here for the screaming.

968
00:44:33,400 --> 00:44:36,000
Speaker 3: Jets, to be honest, and to see if I made

969
00:44:36,040 --> 00:44:37,960
Speaker 3: it into the Memoriamanda.

970
00:44:39,200 --> 00:44:41,640
Speaker 1: And Amanda said she wouldn't watch it if I was

971
00:44:41,680 --> 00:44:41,960
Speaker 1: in there.

972
00:44:42,080 --> 00:44:44,360
Speaker 2: Oh, I said I would, I'd be clappy. Oh And

973
00:44:44,480 --> 00:44:46,120
Speaker 2: I just said that as I don't even remember having

974
00:44:46,160 --> 00:44:48,560
Speaker 2: said that. I said that as a throwaway joke. Did

975
00:44:48,600 --> 00:44:50,200
Speaker 2: I say more than that? I can't even remember.

976
00:44:50,400 --> 00:44:52,319
Speaker 1: You did say some very heart filts.

977
00:44:52,080 --> 00:44:55,040
Speaker 2: Did I. We often talk about the difference we make

978
00:44:55,080 --> 00:44:57,160
Speaker 2: in listeners lives. I just want to say a word

979
00:44:57,200 --> 00:44:59,719
Speaker 2: about the difference that makes in my life. Is that

980
00:45:00,000 --> 00:45:03,160
Speaker 2: doing somewhere to go every day? And we all have

981
00:45:03,280 --> 00:45:05,000
Speaker 2: this thing. I learned this great word the other day.

982
00:45:05,000 --> 00:45:07,400
Speaker 2: I've probably said it to you recently. Is that the

983
00:45:07,480 --> 00:45:11,720
Speaker 2: word sonder, which means that everyone the realization that everyone

984
00:45:11,840 --> 00:45:14,480
Speaker 2: is going through a complex life and we know that

985
00:45:14,560 --> 00:45:17,160
Speaker 2: through our listeners. We know that through our friends, we

986
00:45:17,320 --> 00:45:20,520
Speaker 2: know that throughout all of us, we're all going through

987
00:45:20,680 --> 00:45:23,960
Speaker 2: stuff and that we share it together on air and

988
00:45:24,120 --> 00:45:27,600
Speaker 2: off air and in this industry is an amazing thing.

989
00:45:27,680 --> 00:45:29,239
Speaker 2: And we all know that when you go to work,

990
00:45:29,800 --> 00:45:32,279
Speaker 2: you set your intention on the way into work and

991
00:45:32,360 --> 00:45:34,759
Speaker 2: want to be your best self for everyone else. But

992
00:45:34,840 --> 00:45:37,040
Speaker 2: it also is your best self because it saves you

993
00:45:37,280 --> 00:45:40,719
Speaker 2: as well. And so what an accolade. I love working

994
00:45:40,800 --> 00:45:43,120
Speaker 2: in radio. I love the job I have, I love

995
00:45:43,200 --> 00:45:45,680
Speaker 2: the team I work with. I love arn And thank

996
00:45:45,719 --> 00:45:49,200
Speaker 2: you so much to all of us here. Thank you

997
00:45:50,840 --> 00:45:53,160
Speaker 2: and Brandon, I love you too. Although I want to

998
00:45:53,239 --> 00:45:54,920
Speaker 2: Cheessee grate your face every other day.

999
00:45:55,360 --> 00:45:57,160
Speaker 1: You've got some glitter and your.

1000
00:45:57,640 --> 00:46:03,200
Speaker 2: What a love you have that glitter, that that stuff.

1001
00:46:03,480 --> 00:46:06,920
Speaker 2: My skin is still stained with it. Yeah, it's like

1002
00:46:07,000 --> 00:46:08,040
Speaker 2: a tat from the night.

1003
00:46:08,880 --> 00:46:11,480
Speaker 1: No one one's glitter in that cleavage as.

1004
00:46:11,360 --> 00:46:15,480
Speaker 2: You get it in your Kardashian look you were going for.

1005
00:46:15,760 --> 00:46:16,520
Speaker 2: I thought it was brave.

1006
00:46:16,600 --> 00:46:18,759
Speaker 1: It was very very brave. It was a great night,

1007
00:46:19,120 --> 00:46:21,800
Speaker 1: Young podcast.

1008
00:46:22,280 --> 00:46:24,640
Speaker 2: Oh, our next guest, he's a favorite of ours. He's

1009
00:46:24,640 --> 00:46:27,799
Speaker 2: an Australian icon, so much so that Tim Winton has

1010
00:46:27,840 --> 00:46:31,279
Speaker 2: been named a National Living Treasure. The acclaimed author has

1011
00:46:31,280 --> 00:46:34,040
Speaker 2: written over thirty books during his forty plus year career,

1012
00:46:34,120 --> 00:46:37,440
Speaker 2: earning him the Miles Franklin Award four times. He's back

1013
00:46:37,480 --> 00:46:39,440
Speaker 2: with a new book called Juice, and we're thrilled to

1014
00:46:39,520 --> 00:46:40,359
Speaker 2: augmim to the show.

1015
00:46:40,680 --> 00:46:40,879
Speaker 5: Tim.

1016
00:46:41,000 --> 00:46:44,680
Speaker 1: Hello, great things. Tim.

1017
00:46:44,840 --> 00:46:48,080
Speaker 3: We love apocalyptic sort of futuristic books, and I'm just

1018
00:46:48,239 --> 00:46:49,640
Speaker 3: churning through this thing at the moment.

1019
00:46:49,680 --> 00:46:50,440
Speaker 1: I just love it. Here.

1020
00:46:50,480 --> 00:46:54,920
Speaker 5: Tell us about Juice, Well, I mean, it's a it's

1021
00:46:54,920 --> 00:46:58,279
Speaker 5: a kind of an adventure story, really, a kind of

1022
00:46:58,320 --> 00:47:02,640
Speaker 5: a survival story. It starts off with a guy who's

1023
00:47:03,760 --> 00:47:07,880
Speaker 5: plugging away on his sort of homemade vehicle through a

1024
00:47:08,480 --> 00:47:11,600
Speaker 5: pretty bited sort of landscape. And he's got a kid

1025
00:47:11,719 --> 00:47:14,399
Speaker 5: with him who's, as it turns out, not his kid,

1026
00:47:14,880 --> 00:47:19,280
Speaker 5: but he's responsible for her, and he's looking for somewhere

1027
00:47:19,480 --> 00:47:23,040
Speaker 5: safe to stay. Really, he's just looking for some kind

1028
00:47:23,040 --> 00:47:25,520
Speaker 5: of settlement that he might be able to rest in.

1029
00:47:25,600 --> 00:47:29,040
Speaker 5: He's a kind of an internal refugee, if if you like.

1030
00:47:29,160 --> 00:47:32,680
Speaker 5: He's become homeless and landless, and he's he's from the

1031
00:47:32,800 --> 00:47:35,760
Speaker 5: north of Australia and he ends up in the south

1032
00:47:36,640 --> 00:47:39,000
Speaker 5: as as the weather changes, and he's just trying to

1033
00:47:39,040 --> 00:47:43,279
Speaker 5: find somewhere somewhere to sort of somewhere safe to be,

1034
00:47:43,600 --> 00:47:46,840
Speaker 5: you know, because things aren't. Things are going very quickly

1035
00:47:47,480 --> 00:47:48,480
Speaker 5: down the jouney.

1036
00:47:49,719 --> 00:47:51,960
Speaker 2: As the weather changing. It's interesting you say. Juice has

1037
00:47:52,000 --> 00:47:54,320
Speaker 2: been described as a love letter to Australia and a

1038
00:47:54,400 --> 00:47:56,680
Speaker 2: hate mail to those who lay waste to the earth.

1039
00:47:57,040 --> 00:47:58,800
Speaker 2: But I read that you resisted writing it for a

1040
00:47:58,880 --> 00:47:59,359
Speaker 2: long time.

1041
00:47:59,440 --> 00:48:02,720
Speaker 10: Why was that, Well, it's a tough subject.

1042
00:48:02,760 --> 00:48:06,319
Speaker 5: I mean, who really wants to write about the end

1043
00:48:06,360 --> 00:48:08,680
Speaker 5: of the world, you know, all the possible end of

1044
00:48:08,719 --> 00:48:13,440
Speaker 5: the world. So it's pretty confronting, and you know, it's

1045
00:48:13,480 --> 00:48:16,279
Speaker 5: a kind of a it's a vision of hell, if

1046
00:48:16,640 --> 00:48:19,120
Speaker 5: you know what I mean. I mean, it's basically, you know,

1047
00:48:19,280 --> 00:48:22,440
Speaker 5: the people in my book are sort of having to

1048
00:48:22,520 --> 00:48:26,520
Speaker 5: deal with a kind of world that you know, I

1049
00:48:26,640 --> 00:48:29,480
Speaker 5: don't want to see come about. And so I guess

1050
00:48:29,520 --> 00:48:32,040
Speaker 5: I'm just, you know, with the help of the you know,

1051
00:48:32,200 --> 00:48:35,920
Speaker 5: the science, just try to imagine my way into a

1052
00:48:36,040 --> 00:48:39,520
Speaker 5: possible future if we don't pull our finger out about

1053
00:48:39,600 --> 00:48:42,640
Speaker 5: taking meaningful and urgent action on climate change.

1054
00:48:42,719 --> 00:48:45,440
Speaker 1: And the book depicts how far into the future is this.

1055
00:48:45,840 --> 00:48:48,440
Speaker 3: I'm trying to think like, is it one hundred years

1056
00:48:48,480 --> 00:48:49,800
Speaker 3: out of where we are now.

1057
00:48:49,840 --> 00:48:52,600
Speaker 1: Or fifty or I think it's no.

1058
00:48:52,719 --> 00:48:54,680
Speaker 5: I think it's probably more than one hundred years. I mean,

1059
00:48:54,719 --> 00:48:59,600
Speaker 5: I think, I mean, you know, I'm probably dancing around

1060
00:49:00,880 --> 00:49:03,040
Speaker 5: in the book not being too specific on that front

1061
00:49:03,160 --> 00:49:06,920
Speaker 5: because because a lot of records have been lost and

1062
00:49:06,960 --> 00:49:09,200
Speaker 5: people are not sure where they are really by the stage,

1063
00:49:09,800 --> 00:49:13,319
Speaker 5: society is broken down. But I think, you know, we're

1064
00:49:13,400 --> 00:49:18,400
Speaker 5: finding that things are changing very quickly. So all the

1065
00:49:18,719 --> 00:49:21,080
Speaker 5: worse predictions that people were making, you know, when I

1066
00:49:21,200 --> 00:49:24,040
Speaker 5: was in high school, not only have they come true,

1067
00:49:24,200 --> 00:49:28,160
Speaker 5: that things are much worse than people predicted already. I mean,

1068
00:49:28,160 --> 00:49:31,279
Speaker 5: we're at winter temperatures in the north of Australia in

1069
00:49:31,320 --> 00:49:32,239
Speaker 5: the forties this winter.

1070
00:49:32,560 --> 00:49:35,000
Speaker 3: Yeah yeah, And if you got when I worked aw

1071
00:49:35,000 --> 00:49:36,560
Speaker 3: around Western Australia to Karatha.

1072
00:49:37,040 --> 00:49:38,879
Speaker 1: Admitutedly, it's been a long time since I've been there,

1073
00:49:38,880 --> 00:49:39,560
Speaker 1: but there was one.

1074
00:49:39,480 --> 00:49:42,279
Speaker 2: Day it was like thirty eight degrees in winter.

1075
00:49:42,800 --> 00:49:44,000
Speaker 1: No, not in winter islands.

1076
00:49:44,920 --> 00:49:46,960
Speaker 3: When do you be in a beautiful twenty nine thirty

1077
00:49:47,000 --> 00:49:50,359
Speaker 3: eight degrees thirty eight degrees celsius like every day that's

1078
00:49:50,520 --> 00:49:51,640
Speaker 3: just today thirty eight.

1079
00:49:51,960 --> 00:49:53,880
Speaker 2: And fine, Well we're going to make parts of the

1080
00:49:53,920 --> 00:49:54,640
Speaker 2: world I in habit.

1081
00:49:54,880 --> 00:49:57,680
Speaker 1: But in this book it gives you you can't even

1082
00:49:57,760 --> 00:49:58,760
Speaker 1: live above the ground.

1083
00:49:58,960 --> 00:50:01,200
Speaker 3: All the people live underg around because the heat is

1084
00:50:01,280 --> 00:50:03,560
Speaker 3: such and all the water table, the salt waters will

1085
00:50:03,560 --> 00:50:05,399
Speaker 3: come up and take it away, all the fresh water.

1086
00:50:05,560 --> 00:50:07,239
Speaker 1: So these are the things whoa.

1087
00:50:08,760 --> 00:50:11,759
Speaker 5: Yeah, Look, I don't think people have in Australia have

1088
00:50:11,840 --> 00:50:13,600
Speaker 5: really much of an idea of what's going to happen.

1089
00:50:13,680 --> 00:50:16,360
Speaker 5: The northern and part of Australia will be uninhabitable, and

1090
00:50:16,440 --> 00:50:19,400
Speaker 5: of course they're all going to end up in Melbourne

1091
00:50:19,440 --> 00:50:22,000
Speaker 5: and Sydney. And I don't know if Melbourne and Sydney

1092
00:50:22,120 --> 00:50:25,160
Speaker 5: is ready for that. I mean everyone when it runs

1093
00:50:25,160 --> 00:50:27,360
Speaker 5: on about stopping the boats, how are you going to

1094
00:50:27,360 --> 00:50:28,120
Speaker 5: stop the utes?

1095
00:50:28,840 --> 00:50:29,120
Speaker 1: Stop?

1096
00:50:30,600 --> 00:50:30,839
Speaker 7: Yeah?

1097
00:50:31,480 --> 00:50:32,040
Speaker 2: In concept?

1098
00:50:33,800 --> 00:50:37,000
Speaker 3: Yeah, because but when I look at futuristic stuff like

1099
00:50:37,120 --> 00:50:38,960
Speaker 3: Mad Max and stuff, you know how they dress in

1100
00:50:39,040 --> 00:50:42,279
Speaker 3: Mad Max. At what point do they change into the

1101
00:50:42,360 --> 00:50:45,000
Speaker 3: outfit to the leather stuff, Because it's sort of like

1102
00:50:45,280 --> 00:50:47,560
Speaker 3: is it overnight? Does that happen or does it like

1103
00:50:47,680 --> 00:50:48,319
Speaker 3: you know, is.

1104
00:50:50,040 --> 00:50:51,520
Speaker 5: Where are they finding the leather? Yeah?

1105
00:50:51,520 --> 00:50:51,880
Speaker 1: Exactly.

1106
00:50:51,920 --> 00:51:01,440
Speaker 5: If if cattle have become completely unable to be raised,

1107
00:51:01,440 --> 00:51:02,960
Speaker 5: where are you going to find the letter unless you've

1108
00:51:02,960 --> 00:51:04,760
Speaker 5: got a nice pleasure factory set up somewhere.

1109
00:51:07,640 --> 00:51:11,040
Speaker 2: Can I ask you this too, as a national living treasure,

1110
00:51:11,080 --> 00:51:13,239
Speaker 2: does that mean that once a year they put scaffolding

1111
00:51:13,280 --> 00:51:14,719
Speaker 2: around you and get a bit of the bird poo

1112
00:51:14,880 --> 00:51:15,280
Speaker 2: or something.

1113
00:51:17,800 --> 00:51:19,480
Speaker 5: Yeah? Well, I mean you'd think that i'd look after

1114
00:51:19,560 --> 00:51:23,239
Speaker 5: myself better than I do. But yeah, yeah, when the

1115
00:51:23,320 --> 00:51:29,200
Speaker 5: cherry picker comes out and they've got the jet in

1116
00:51:29,320 --> 00:51:31,800
Speaker 5: terms of dem abrasion, that's very extreme.

1117
00:51:32,840 --> 00:51:36,440
Speaker 1: When they break out the gurney and Tim Winton, that's.

1118
00:51:36,400 --> 00:51:38,799
Speaker 5: Right, you know, just knock all my freckles off.

1119
00:51:39,200 --> 00:51:43,279
Speaker 3: Well, you don't want to gurneyne your frenkle. Tim, It's

1120
00:51:43,400 --> 00:51:45,720
Speaker 3: great to talk to you again. The book is fantastic.

1121
00:51:45,800 --> 00:51:48,239
Speaker 3: I'm just enjoying it. Such a page turner. It's at

1122
00:51:48,280 --> 00:51:51,239
Speaker 3: all good bookstores. It's called Juice, Tim Winton, thank you

1123
00:51:51,320 --> 00:51:52,000
Speaker 3: for joining.

1124
00:51:51,800 --> 00:51:54,239
Speaker 5: Us Pleasure guys. Have a good morning.

1125
00:51:54,320 --> 00:51:58,640
Speaker 2: Thank you, Tim. Carry on Jonesy and Amanda podcast.

1126
00:52:02,560 --> 00:52:02,880
Speaker 7: I was.

1127
00:52:06,000 --> 00:52:07,759
Speaker 1: Okay. I just wanted to make sure that I was

1128
00:52:07,880 --> 00:52:08,360
Speaker 1: ready for it.

1129
00:52:08,640 --> 00:52:10,160
Speaker 2: Like we've sort of become a bit of book club

1130
00:52:10,239 --> 00:52:12,200
Speaker 2: in here. Today we just interviewed Tim Winton and his

1131
00:52:12,320 --> 00:52:15,160
Speaker 2: new book juice. I've also been reading a book called

1132
00:52:15,200 --> 00:52:18,560
Speaker 2: From Here to the Great Unknown Memoir. This is a

1133
00:52:18,600 --> 00:52:22,760
Speaker 2: book that Lisa Marie Presley had started to put on tape,

1134
00:52:22,920 --> 00:52:25,840
Speaker 2: some of the bits and pieces for a memoir that

1135
00:52:26,000 --> 00:52:29,400
Speaker 2: she didn't get to finish, and her daughter Riley Keoh

1136
00:52:29,560 --> 00:52:34,120
Speaker 2: has compiled it. So it's written by Lisa Marie, her

1137
00:52:34,600 --> 00:52:38,120
Speaker 2: bits in her first voice, and Riley and her feeling

1138
00:52:38,160 --> 00:52:42,160
Speaker 2: about it all. It's quite an extraordinary and sad insight

1139
00:52:42,280 --> 00:52:44,359
Speaker 2: into Lisa's life. We'll talk about it next, Webb.

1140
00:52:44,480 --> 00:52:47,040
Speaker 1: How they wrapped up Game of Thrones and then she

1141
00:52:47,280 --> 00:52:48,120
Speaker 1: died the end.

1142
00:52:48,480 --> 00:52:50,279
Speaker 2: Well, spoiler alert, you know she's dead.

1143
00:52:50,400 --> 00:52:52,480
Speaker 1: Of course. I'm looking forward to your review.

1144
00:52:53,440 --> 00:52:59,359
Speaker 2: That's it, Amanda Podcast. So I was reading this book

1145
00:52:59,520 --> 00:53:02,480
Speaker 2: with it you'd Lissa Marie Presley before and found her

1146
00:53:02,680 --> 00:53:07,480
Speaker 2: engagingly funny and warm and surprisingly charming. Did you agree

1147
00:53:07,480 --> 00:53:07,640
Speaker 2: with that?

1148
00:53:07,920 --> 00:53:08,560
Speaker 1: Yeah, very much.

1149
00:53:08,719 --> 00:53:10,640
Speaker 2: Yeah, And so I've been reading this book. This is

1150
00:53:10,719 --> 00:53:12,640
Speaker 2: bits of a memoir she set out to write that

1151
00:53:12,719 --> 00:53:15,759
Speaker 2: she recorded bits for, and then when she passed away,

1152
00:53:15,880 --> 00:53:19,759
Speaker 2: her daughter, the actress Riley Keo, has taken over and

1153
00:53:19,800 --> 00:53:22,560
Speaker 2: there's bits from Lisa Marie and bits from Riley and

1154
00:53:22,640 --> 00:53:24,840
Speaker 2: it's called From Here to the Great Unknown, a memoir.

1155
00:53:25,320 --> 00:53:27,120
Speaker 2: I just thought i'd read out a few bits and pieces,

1156
00:53:27,200 --> 00:53:30,920
Speaker 2: such an insight into her life. She talks about how

1157
00:53:31,239 --> 00:53:34,880
Speaker 2: she says my mom meaning Priscilla. So this is Lisa

1158
00:53:34,960 --> 00:53:37,279
Speaker 2: Marie saying my mom was an Air Force brat. She

1159
00:53:37,440 --> 00:53:39,560
Speaker 2: met my dad at fourteen, and her parents allowed it.

1160
00:53:39,640 --> 00:53:42,440
Speaker 2: It was a different time back then. Women were admitting

1161
00:53:42,480 --> 00:53:44,480
Speaker 2: to the hospital while they were in labor. They'd get

1162
00:53:44,520 --> 00:53:46,799
Speaker 2: knocked out and wake up with a baby. She went

1163
00:53:46,840 --> 00:53:49,120
Speaker 2: into hospital looking glamorous, beautiful, and when she came to

1164
00:53:49,560 --> 00:53:51,960
Speaker 2: she was handed a child. She didn't want to gain

1165
00:53:52,000 --> 00:53:54,680
Speaker 2: pregnancy weight. She thought she wouldn't look good for as

1166
00:53:54,760 --> 00:53:57,759
Speaker 2: Elvis's wife. There were many women after them after him,

1167
00:53:57,760 --> 00:54:00,360
Speaker 2: all of them beautiful. She was so upset when she

1168
00:54:00,480 --> 00:54:02,920
Speaker 2: was pregnant that she initially said she'd only eat apples

1169
00:54:02,960 --> 00:54:05,719
Speaker 2: and eggs to never gain weight. I was a pain

1170
00:54:05,800 --> 00:54:08,480
Speaker 2: in her ass immediately, and I always felt she didn't

1171
00:54:08,520 --> 00:54:11,560
Speaker 2: want me. I believe in energy in utero, so maybe

1172
00:54:11,560 --> 00:54:13,480
Speaker 2: I already felt her vibe of trying to get rid

1173
00:54:13,520 --> 00:54:15,239
Speaker 2: of me. At the time. She didn't have a great

1174
00:54:15,280 --> 00:54:18,840
Speaker 2: maternal instinct, so she's hard on Priscilla through all this

1175
00:54:19,200 --> 00:54:21,960
Speaker 2: because during all of this stuff, when she was a kid,

1176
00:54:22,160 --> 00:54:26,000
Speaker 2: she spent a lot of time her dad indulged her

1177
00:54:26,160 --> 00:54:29,480
Speaker 2: with everything that she would He'd wake up in the

1178
00:54:29,480 --> 00:54:30,560
Speaker 2: middle of the night and say, let's go on the

1179
00:54:30,600 --> 00:54:32,680
Speaker 2: golf carts, and they'd get on these golf carts and

1180
00:54:32,800 --> 00:54:36,960
Speaker 2: just right around he'd shut down an amusement park for her.

1181
00:54:37,680 --> 00:54:40,520
Speaker 2: They'd sleep all day and she'd get up late afternoon

1182
00:54:40,560 --> 00:54:42,640
Speaker 2: and everyone would be asleep, but they'd party all night.

1183
00:54:42,760 --> 00:54:44,480
Speaker 2: She was a little kid when all this was happening,

1184
00:54:44,800 --> 00:54:46,960
Speaker 2: and then when her father died and her mother kind

1185
00:54:47,000 --> 00:54:49,279
Speaker 2: of tried to put some well, when the parents broke up,

1186
00:54:49,480 --> 00:54:50,840
Speaker 2: she'd spent a lot of time with Dad, and then

1187
00:54:50,880 --> 00:54:52,759
Speaker 2: when she was with mum, her mother tried to be

1188
00:54:52,880 --> 00:54:54,800
Speaker 2: more strict with her, and she felt her mother was

1189
00:54:54,920 --> 00:54:55,840
Speaker 2: cold and brittle.

1190
00:54:56,440 --> 00:54:59,120
Speaker 1: Lest Marie would have been what nine when Elvis.

1191
00:54:58,840 --> 00:55:02,440
Speaker 2: Died, Yeah, she was nine, And so this is what

1192
00:55:02,600 --> 00:55:03,200
Speaker 2: she said here.

1193
00:55:03,440 --> 00:55:04,239
Speaker 1: She said.

1194
00:55:06,239 --> 00:55:08,560
Speaker 2: That when her father died. This is the quote that

1195
00:55:08,680 --> 00:55:10,760
Speaker 2: was the first time I really felt the loss, obviously

1196
00:55:10,840 --> 00:55:13,359
Speaker 2: from my dad passing, but more than anything, I felt

1197
00:55:13,400 --> 00:55:15,279
Speaker 2: I was stuck with this woman. It was a two

1198
00:55:15,360 --> 00:55:17,919
Speaker 2: punch one two punch. He's dead and now I'm stuck

1199
00:55:17,960 --> 00:55:20,520
Speaker 2: with her. So her whole life changed a lot, and

1200
00:55:20,840 --> 00:55:22,960
Speaker 2: you could just see she was this kid who had

1201
00:55:23,160 --> 00:55:28,080
Speaker 2: everything but had no anchor. She didn't listen enough, As

1202
00:55:28,120 --> 00:55:30,080
Speaker 2: she says later, she got on with her mother in

1203
00:55:30,160 --> 00:55:34,080
Speaker 2: her afterwards when she was a mother herself, but she careered,

1204
00:55:34,440 --> 00:55:38,000
Speaker 2: careened and careered all over the place and didn't want discipline.

1205
00:55:38,000 --> 00:55:40,520
Speaker 2: She'd scream and scream until she was taken out of school.

1206
00:55:40,920 --> 00:55:43,040
Speaker 2: She was all over the shop and was looking for

1207
00:55:43,120 --> 00:55:46,439
Speaker 2: an anchor and couldn't find one, And bizarrely she found

1208
00:55:46,480 --> 00:55:49,440
Speaker 2: an anchor in Michael Jackson. And she says that was

1209
00:55:49,480 --> 00:55:51,640
Speaker 2: the most normal she ever felt. Just shows you how

1210
00:55:51,719 --> 00:55:52,680
Speaker 2: crazy her life was.

1211
00:55:52,880 --> 00:55:53,600
Speaker 1: Are you kidding me?

1212
00:55:53,680 --> 00:55:56,160
Speaker 2: And she said he was when he didn't have the

1213
00:55:56,360 --> 00:55:59,480
Speaker 2: artifice around him, he was really normal. And he was

1214
00:55:59,520 --> 00:56:02,799
Speaker 2: the person who reminded her of her dad Red Flag much.

1215
00:56:03,120 --> 00:56:05,640
Speaker 2: But she said, here he knew I understood him, that

1216
00:56:05,719 --> 00:56:08,600
Speaker 2: we really connected because I didn't judge him. I completely

1217
00:56:08,640 --> 00:56:11,600
Speaker 2: got who he was and why he thought the stuff

1218
00:56:11,680 --> 00:56:14,279
Speaker 2: he thought we'd come from, and we were now in

1219
00:56:14,440 --> 00:56:18,839
Speaker 2: similar circumstances. Everything about our lives was incredibly abnormal. There

1220
00:56:18,920 --> 00:56:22,279
Speaker 2: was no reason why we shouldn't connect. Hadn't they meet him, Well,

1221
00:56:22,600 --> 00:56:24,520
Speaker 2: they'd met first of all when she was a little kid.

1222
00:56:24,840 --> 00:56:27,680
Speaker 2: She didn't remember any of it. He remembered every detail,

1223
00:56:28,200 --> 00:56:30,480
Speaker 2: even the dress she was wearing, everything.

1224
00:56:30,400 --> 00:56:32,920
Speaker 1: Because we asked her. Because he did meet there was

1225
00:56:32,920 --> 00:56:34,200
Speaker 1: a time when he met Elvis.

1226
00:56:34,520 --> 00:56:36,600
Speaker 2: That was the time. So that was the time time.

1227
00:56:37,080 --> 00:56:40,120
Speaker 2: And then when she started to produce a bit of music,

1228
00:56:40,239 --> 00:56:43,080
Speaker 2: he reached out to her and she just found him

1229
00:56:43,080 --> 00:56:47,120
Speaker 2: instantly warm. They had this instant connection, extraordinary And by

1230
00:56:47,200 --> 00:56:49,640
Speaker 2: then she had two little kids with Danny Keo and

1231
00:56:49,719 --> 00:56:51,360
Speaker 2: she went home and said, I'm marrying Michael.

1232
00:56:52,000 --> 00:56:54,920
Speaker 1: It was just Danny Yeah, well, kind.

1233
00:56:54,800 --> 00:56:56,440
Speaker 2: Of bid on and offish, but she said, hey, how

1234
00:56:56,480 --> 00:56:57,720
Speaker 2: about this. I'm going to marry Michael.

1235
00:56:57,719 --> 00:56:58,319
Speaker 1: Here's some news.

1236
00:56:58,480 --> 00:57:01,320
Speaker 2: Yeah, here's some news. And she said this, this is

1237
00:57:01,360 --> 00:57:03,400
Speaker 2: from the book. He told me he was still a virgin.

1238
00:57:04,160 --> 00:57:06,000
Speaker 2: I think he had kissed Tatum O'Neil, and he had

1239
00:57:06,000 --> 00:57:08,120
Speaker 2: had a thing with Brooks Shields, which hadn't been physical

1240
00:57:08,160 --> 00:57:10,600
Speaker 2: apart from a kiss. He said Madonna had tried to

1241
00:57:10,640 --> 00:57:13,240
Speaker 2: hook up with him once too, but nothing had happened,

1242
00:57:13,760 --> 00:57:16,560
Speaker 2: and so they were actually She says, it was a

1243
00:57:16,760 --> 00:57:20,720
Speaker 2: very loving, normal relationship in the midst of all of that.

1244
00:57:21,480 --> 00:57:23,680
Speaker 2: But then he was desperate to have children with her,

1245
00:57:23,720 --> 00:57:25,480
Speaker 2: and she didn't feel right about it.

1246
00:57:26,160 --> 00:57:27,560
Speaker 1: And this is a quote.

1247
00:57:27,880 --> 00:57:29,920
Speaker 2: He said, if you're not going to have children with me,

1248
00:57:30,040 --> 00:57:32,280
Speaker 2: then I'm going to find someone he will, who will?

1249
00:57:32,720 --> 00:57:35,240
Speaker 2: He would also say, Debbie Row told me she'll have

1250
00:57:35,360 --> 00:57:39,600
Speaker 2: my children, to which my mother, because this is Riley

1251
00:57:39,800 --> 00:57:42,240
Speaker 2: telling the story to which my mother would respond jealously,

1252
00:57:42,640 --> 00:57:46,280
Speaker 2: go and beep Debbie Row. And this is what Riley says.

1253
00:57:46,360 --> 00:57:47,840
Speaker 2: All I knew of Debbie was that she was a

1254
00:57:47,920 --> 00:57:50,400
Speaker 2: kind lady who helped me with my ear infections.

1255
00:57:51,760 --> 00:57:53,160
Speaker 1: Wow, she was a nurse.

1256
00:57:53,640 --> 00:57:55,600
Speaker 2: What about this bit? Can I keep reading? Tell me

1257
00:57:55,640 --> 00:57:57,960
Speaker 2: when I'm boring you, because this bit is so fascinating.

1258
00:57:58,440 --> 00:58:00,720
Speaker 2: That Michael was about to do an HB special. This

1259
00:58:00,840 --> 00:58:03,040
Speaker 2: is Lisa Marie writing. He didn't want to do it.

1260
00:58:03,120 --> 00:58:05,320
Speaker 2: He feigned a falloman into hospital, and she started to

1261
00:58:05,360 --> 00:58:07,800
Speaker 2: get a suspicion he was taking some industrial strength drugs

1262
00:58:08,440 --> 00:58:10,400
Speaker 2: gave away. Well, I'll tell you what gave that away.

1263
00:58:10,440 --> 00:58:11,960
Speaker 2: I flew to New York where he was in hospital

1264
00:58:12,000 --> 00:58:14,840
Speaker 2: and was with him every day. His mother was there too,

1265
00:58:14,920 --> 00:58:19,680
Speaker 2: along with his team, including his own anesotist, and she said,

1266
00:58:19,760 --> 00:58:22,919
Speaker 2: no one has their own anesotist. Every hospital has their own.

1267
00:58:23,280 --> 00:58:27,800
Speaker 2: This was a red flag. She said he needed some

1268
00:58:28,080 --> 00:58:30,560
Speaker 2: or deemarole he was taking, which is a giant opioid.

1269
00:58:30,880 --> 00:58:33,400
Speaker 2: She said he needed someone around who could legally administer

1270
00:58:33,480 --> 00:58:36,400
Speaker 2: the drugs. Anyway, the whole relationship started to fall apart.

1271
00:58:37,040 --> 00:58:40,800
Speaker 2: And this is really sad, insight. This is one of

1272
00:58:40,840 --> 00:58:43,000
Speaker 2: the things. She wrote that she had a son called

1273
00:58:43,080 --> 00:58:47,120
Speaker 2: Ben with Danny Keo and as from the minute he

1274
00:58:47,240 --> 00:58:50,200
Speaker 2: was born, he was everything to Lisa Marie and she

1275
00:58:50,320 --> 00:58:53,320
Speaker 2: said here Ben was similar to his grandfather. This is Marie.

1276
00:58:53,520 --> 00:58:55,880
Speaker 2: Lisa Marie is saying he was similar to Elvis, very

1277
00:58:56,000 --> 00:58:58,080
Speaker 2: very similar. He even looked like him. Ben was so

1278
00:58:58,200 --> 00:58:59,920
Speaker 2: much like him it scared me. I didn't want to

1279
00:59:00,000 --> 00:59:01,240
Speaker 2: tell him. I thought it was too much to put

1280
00:59:01,240 --> 00:59:03,800
Speaker 2: on a kid. We were very close. He told me everything.

1281
00:59:04,440 --> 00:59:07,280
Speaker 2: I had the same relationship with Ben that my father

1282
00:59:07,400 --> 00:59:11,000
Speaker 2: had with his mother. It was a generational effing cycle.

1283
00:59:11,440 --> 00:59:14,000
Speaker 2: She said. Gladys loved my dad so much she drank

1284
00:59:14,040 --> 00:59:17,000
Speaker 2: herself to death worrying about him. And then my dad

1285
00:59:17,120 --> 00:59:19,720
Speaker 2: had his demons and acted on them. I have everything

1286
00:59:19,800 --> 00:59:21,960
Speaker 2: in me that wants to do the same thing, and

1287
00:59:22,120 --> 00:59:25,080
Speaker 2: my son's got that same genetic makeup. Ben didn't stand

1288
00:59:25,120 --> 00:59:25,880
Speaker 2: an effing chance.

1289
00:59:26,120 --> 00:59:27,280
Speaker 1: So Ben's dead, isn't he?

1290
00:59:27,400 --> 00:59:29,480
Speaker 2: Ben took his own life. He was the sunshine in

1291
00:59:29,560 --> 00:59:31,920
Speaker 2: their lives. He had and he started well. When she,

1292
00:59:32,280 --> 00:59:35,160
Speaker 2: at the age of forty, got a drug addiction, and

1293
00:59:35,400 --> 00:59:38,760
Speaker 2: Ben was so close to her, watching her fall into

1294
00:59:38,800 --> 00:59:42,960
Speaker 2: a spiral put him in a bad place. That's what

1295
00:59:43,080 --> 00:59:45,200
Speaker 2: happened there. And in the midst of all that, you're

1296
00:59:45,200 --> 00:59:48,000
Speaker 2: hearing these stories about her marrying Nicholas Cage. Have I

1297
00:59:48,040 --> 00:59:49,240
Speaker 2: got time to tell you that bit?

1298
00:59:49,360 --> 00:59:49,400
Speaker 7: Not?

1299
00:59:49,560 --> 00:59:51,400
Speaker 2: Really, We've got more have about I.

1300
00:59:51,560 --> 00:59:54,760
Speaker 1: I'll give you the rest, which gets like a Manda's

1301
00:59:54,800 --> 00:59:55,480
Speaker 1: bedtime story.

1302
00:59:55,680 --> 00:59:59,240
Speaker 2: Nick bought my mom, Lisa, this is not Riley. Nick

1303
00:59:59,320 --> 01:00:02,000
Speaker 2: bought my mom two beautiful old cars, a nineteen fifty

1304
01:00:02,080 --> 01:00:04,680
Speaker 2: nine blue Corvette Convoidable and a Cadillac from the sixties.

1305
01:00:05,080 --> 01:00:06,920
Speaker 2: We went on lots of trips. On one of those trips,

1306
01:00:07,320 --> 01:00:09,120
Speaker 2: she and Nick got into a fight and a sixty

1307
01:00:09,200 --> 01:00:11,600
Speaker 2: five thousand dollars engagement ring ended up in the ocean.

1308
01:00:12,160 --> 01:00:14,120
Speaker 2: A diver was immediately killed. Out to find that there

1309
01:00:14,200 --> 01:00:16,240
Speaker 2: was no chance, so we bought her another bigger, more

1310
01:00:16,320 --> 01:00:19,800
Speaker 2: expensive ring. After that, it just goes on and on

1311
01:00:20,000 --> 01:00:23,840
Speaker 2: and the cycle of addiction, and it's such a sad

1312
01:00:23,960 --> 01:00:27,400
Speaker 2: story where no one has in any inner love for themselves.

1313
01:00:27,640 --> 01:00:30,600
Speaker 2: It's an incredible book with more juicy bits. But we've

1314
01:00:30,640 --> 01:00:31,320
Speaker 2: run out of time.

1315
01:00:32,000 --> 01:00:33,160
Speaker 1: No, we haven't run out of time.

1316
01:00:34,040 --> 01:00:35,560
Speaker 2: I'm shutting me down.

1317
01:00:35,600 --> 01:00:37,040
Speaker 1: I'm not shutting you down at all. You can do

1318
01:00:37,120 --> 01:00:37,760
Speaker 1: whatever you want.

1319
01:00:37,880 --> 01:00:38,800
Speaker 2: Well, let's keep reading.

1320
01:00:38,880 --> 01:00:41,120
Speaker 1: Tune in tomorrow, kids for more advantage.

1321
01:00:41,200 --> 01:00:42,360
Speaker 2: Another installment.

1322
01:00:42,720 --> 01:00:46,120
Speaker 1: We're all gathered around, look at Jim Rai, Raye Sittings, Elvis.

1323
01:00:47,560 --> 01:00:48,440
Speaker 2: I need a coffee.

1324
01:00:49,120 --> 01:00:53,160
Speaker 1: Yea. Everything's peachy pie, everything feels great.

1325
01:00:54,000 --> 01:00:57,360
Speaker 3: Thank you for all the accolades for winning best on

1326
01:00:57,520 --> 01:00:58,840
Speaker 3: Air Show in the whole way.

1327
01:00:59,080 --> 01:01:01,400
Speaker 2: No, when you hear some of our contents, you know

1328
01:01:01,560 --> 01:01:02,720
Speaker 2: exactly what do you.

1329
01:01:02,760 --> 01:01:05,320
Speaker 1: Know what got us over the line? Digital?

1330
01:01:05,400 --> 01:01:07,240
Speaker 3: Jenney just said, this is what got us, this is

1331
01:01:07,320 --> 01:01:09,360
Speaker 3: what made us, got us to win out of all

1332
01:01:09,400 --> 01:01:12,880
Speaker 3: the radio stations in this country and the breakfast radio shows.

1333
01:01:13,280 --> 01:01:15,320
Speaker 1: This is what got us over the line. Did you

1334
01:01:15,320 --> 01:01:17,480
Speaker 1: want she cons hold on that on your Barbie Chicken,

1335
01:01:17,680 --> 01:01:18,360
Speaker 1: or do you want it on.

1336
01:01:18,680 --> 01:01:22,200
Speaker 2: You what Bbi, you want an onion mormiging?

1337
01:01:23,400 --> 01:01:26,400
Speaker 1: What do you mean that was on our tape? That's

1338
01:01:27,080 --> 01:01:29,320
Speaker 1: that is what got us to have the line. Wow,

1339
01:01:29,640 --> 01:01:30,600
Speaker 1: that's what got us to win.

1340
01:01:30,960 --> 01:01:31,200
Speaker 7: Wow.

1341
01:01:31,440 --> 01:01:45,560
Speaker 2: You should hear the other stations. Twenty thousand dollars, that's

1342
01:01:45,560 --> 01:01:47,160
Speaker 2: what you will win if you're a favorite Coolie of

1343
01:01:47,200 --> 01:01:47,480
Speaker 2: the year.

1344
01:01:47,560 --> 01:01:48,680
Speaker 1: That's a lot of Barbie cheek.

1345
01:01:49,080 --> 01:01:52,440
Speaker 18: What have we got, Well, what gets my gulies is

1346
01:01:52,560 --> 01:01:55,040
Speaker 18: the Google Maps for the walking mode.

1347
01:01:55,480 --> 01:01:58,600
Speaker 2: Now you're walking ahead, you're half a blockdown, and then

1348
01:01:58,680 --> 01:02:02,080
Speaker 2: you hear that silly noise. You walk across the road

1349
01:02:02,280 --> 01:02:04,520
Speaker 2: or back the other way, you hear the noise again.

1350
01:02:04,560 --> 01:02:06,720
Speaker 18: You've got this arrow showing are you supposed to be

1351
01:02:06,800 --> 01:02:09,040
Speaker 18: going that way or that the way you are going?

1352
01:02:09,560 --> 01:02:12,160
Speaker 18: Just give me a scrunched up old piece of paper

1353
01:02:12,240 --> 01:02:14,560
Speaker 18: with a hand drawn map any old day.

1354
01:02:14,880 --> 01:02:17,800
Speaker 2: I know I'm not the only one Google Maps walk

1355
01:02:18,080 --> 01:02:19,800
Speaker 2: mode does.

1356
01:02:20,040 --> 01:02:22,280
Speaker 3: And then very true, when you realize you are going

1357
01:02:22,320 --> 01:02:24,400
Speaker 3: the wrong way, you refuse to acknowledge it.

1358
01:02:24,520 --> 01:02:24,800
Speaker 7: You go on.

1359
01:02:25,040 --> 01:02:27,480
Speaker 2: You ended up in Toronto, I'm meant to do this.

1360
01:02:28,600 --> 01:02:29,400
Speaker 2: What else have we got?

1361
01:02:30,120 --> 01:02:32,560
Speaker 7: Jonesy and Amanda, what gets one of the goolies is

1362
01:02:32,600 --> 01:02:35,240
Speaker 7: when you use those trolleys that you have to put

1363
01:02:35,280 --> 01:02:38,280
Speaker 7: a coin in to release the trolley, and then when

1364
01:02:38,320 --> 01:02:40,640
Speaker 7: you finish using the trolley, you go to put it

1365
01:02:40,720 --> 01:02:44,240
Speaker 7: in the trolley day and the idiot before you has

1366
01:02:44,320 --> 01:02:47,520
Speaker 7: put the trolley in back to front so you can't

1367
01:02:47,560 --> 01:02:53,120
Speaker 7: put your the chain in to release the coin from

1368
01:02:53,200 --> 01:02:55,800
Speaker 7: your trolley. That's what gets my goolies.

1369
01:02:56,200 --> 01:02:58,440
Speaker 2: Yeah, it's true, it's happened to me too.

1370
01:02:58,520 --> 01:03:01,600
Speaker 1: But Gemina, there might be a chicken.

1371
01:03:03,400 --> 01:03:08,240
Speaker 2: Yes, Brendan, there might be someone else's loss is always

1372
01:03:08,280 --> 01:03:09,600
Speaker 2: your game from the.

1373
01:03:09,760 --> 01:03:12,600
Speaker 3: Lord, abandon with the good. If you do Dad doesn't matter.

1374
01:03:12,640 --> 01:03:15,240
Speaker 3: You can always contact us. Fire the iHeartRadio app. It's

1375
01:03:15,280 --> 01:03:16,040
Speaker 3: four to nine.

1376
01:03:17,560 --> 01:03:21,320
Speaker 2: A favorite Luorium Halifacebok. Friend wins a Chandon Sydney Harbor

1377
01:03:21,440 --> 01:03:24,640
Speaker 2: long lunch for two. Get on board the Jackson Sydney's

1378
01:03:24,680 --> 01:03:26,440
Speaker 2: hot at super Yacht this spring.

1379
01:03:26,480 --> 01:03:28,720
Speaker 1: You can see it now look at it. You also

1380
01:03:28,760 --> 01:03:30,760
Speaker 1: get the Jones demanded tea towel and key ring.

1381
01:03:30,640 --> 01:03:33,080
Speaker 2: As well tribal drummers beating this morning on the back

1382
01:03:33,160 --> 01:03:33,320
Speaker 2: of this.

1383
01:03:34,000 --> 01:03:34,400
Speaker 5: I saw it.

1384
01:03:34,920 --> 01:03:36,880
Speaker 2: I saw a photo, it says, possibly the most Melbourne

1385
01:03:36,880 --> 01:03:40,120
Speaker 2: image ever public transport. Little with an abandoned cheese board

1386
01:03:40,400 --> 01:03:44,560
Speaker 2: tribal drumas beating for punts in the wild is Katrina

1387
01:03:44,600 --> 01:03:45,280
Speaker 2: from Bella Vista.

1388
01:03:45,520 --> 01:03:48,120
Speaker 9: My little son, he went two friends birthday and they

1389
01:03:48,160 --> 01:03:50,600
Speaker 9: all had pizza for lunch, and he do want to

1390
01:03:50,640 --> 01:03:53,439
Speaker 9: get his fans thirty She asked for a knife and fork.

1391
01:03:53,760 --> 01:03:56,840
Speaker 1: Ah, I know, I know.

1392
01:03:57,040 --> 01:03:58,920
Speaker 2: Did he have to flush his own head down the toilet?

1393
01:04:00,760 --> 01:04:02,440
Speaker 2: Six year old asking for a knife and four?

1394
01:04:02,640 --> 01:04:04,920
Speaker 1: We suppressed his name, right, are you two?

1395
01:04:05,360 --> 01:04:08,880
Speaker 13: That's Ugly Phill is up next award winning the greatest

1396
01:04:08,920 --> 01:04:10,640
Speaker 13: broadcast from the history of the world.

1397
01:04:11,000 --> 01:04:13,320
Speaker 1: That's what happened on Saturday night for Ugly phil.

1398
01:04:13,280 --> 01:04:17,320
Speaker 2: Now, remember we guarantee to repeat Invisible Touch by Genesis

1399
01:04:17,360 --> 01:04:19,600
Speaker 2: before six pm today. First call us through will get

1400
01:04:19,600 --> 01:04:20,520
Speaker 2: a thousand dollars.

1401
01:04:20,640 --> 01:04:22,360
Speaker 1: We'll be back from six to night for jam Nation.

1402
01:04:22,480 --> 01:04:24,919
Speaker 1: See you then, Good day to you. Well, thank God,

1403
01:04:25,080 --> 01:04:29,240
Speaker 1: that's over, good fight, goode wipe.

1404
01:04:31,000 --> 01:04:31,040
Speaker 8: You.

1405
01:04:31,240 --> 01:04:34,440
Speaker 2: Catch Jonesy and Amanda's podcast on the iHeartRadio app for

1406
01:04:34,600 --> 01:04:48,800
Speaker 2: wherever you get your podcasts. Catch up on what you've

1407
01:04:48,840 --> 01:04:50,919
Speaker 2: missed on the free iHeartRadio app.