1 00:00:00,720 --> 00:00:03,760 Speaker 1: Powered by the my Heart Radio app from ninety six 2 00:00:03,840 --> 00:00:07,880 Speaker 1: AIRFM to whenever You're listening Today This is Clezy and 3 00:00:07,960 --> 00:00:09,080 Speaker 1: Lisa's podcast. 4 00:00:09,280 --> 00:00:11,080 Speaker 2: Coming up on the podcast, we take your calls on 5 00:00:11,119 --> 00:00:13,880 Speaker 2: your favorite karaoke song after our list of the top 6 00:00:13,920 --> 00:00:16,760 Speaker 2: songs with a scientific explanation was revealed. 7 00:00:16,920 --> 00:00:20,239 Speaker 3: Very nice. Benochet reviews The Fantastic four First Step, starring 8 00:00:20,280 --> 00:00:21,560 Speaker 3: the One and Only Pedro postcar. 9 00:00:21,760 --> 00:00:25,360 Speaker 2: Stephen Colbert has responded to President Donald Trump's comments about 10 00:00:25,400 --> 00:00:27,080 Speaker 2: his show being canceled. 11 00:00:27,280 --> 00:00:30,000 Speaker 3: We had a chat about yesterday's crazy weather, including the 12 00:00:30,040 --> 00:00:31,400 Speaker 3: tornado and City Beach. 13 00:00:31,360 --> 00:00:34,400 Speaker 2: And Michael Theo and Natalie Abbott chat about season two 14 00:00:34,400 --> 00:00:37,159 Speaker 2: of Austin, which starts on Sunday night on the ABC. 15 00:00:37,600 --> 00:00:39,520 Speaker 3: Wanted to win the Loki Well. 16 00:00:39,640 --> 00:00:42,839 Speaker 2: Season two of Austin starts on the ABC this Sunday 17 00:00:42,920 --> 00:00:46,880 Speaker 2: night at seven o'clock. Michael Their returning in the lead role, 18 00:00:46,960 --> 00:00:50,479 Speaker 2: and newcast member Natalie Abbott both joined us this morning. 19 00:00:50,520 --> 00:00:51,839 Speaker 3: Hello, welcome you too. 20 00:00:51,960 --> 00:00:53,040 Speaker 4: Hello one duel. 21 00:00:55,240 --> 00:00:56,000 Speaker 3: How have you been. 22 00:00:56,840 --> 00:00:58,680 Speaker 4: I've been doing well? Thanks about you. 23 00:00:58,800 --> 00:01:02,000 Speaker 2: I've been doing very well well, Thank you. Now, what 24 00:01:02,120 --> 00:01:04,720 Speaker 2: is happening in Austin's world in season two? 25 00:01:05,200 --> 00:01:08,360 Speaker 4: In Season two what's happening is Austin publishes a book. 26 00:01:08,840 --> 00:01:11,759 Speaker 4: He becomes a bad boy poor instructions of his new agent, 27 00:01:12,360 --> 00:01:14,600 Speaker 4: but he also gets caught in a love triangle. So 28 00:01:14,959 --> 00:01:16,880 Speaker 4: love is an theme in this season. 29 00:01:17,400 --> 00:01:20,160 Speaker 2: He's a bad boy in a love triangle that I 30 00:01:20,200 --> 00:01:20,600 Speaker 2: love it. 31 00:01:20,600 --> 00:01:22,479 Speaker 3: That sounds like, yeah, that sounds like a movie. 32 00:01:24,440 --> 00:01:26,919 Speaker 4: Not quite, it's show technically. 33 00:01:26,640 --> 00:01:28,039 Speaker 3: Yeah, exactly exactly. 34 00:01:28,640 --> 00:01:29,840 Speaker 4: That's where Natalie comes in. 35 00:01:30,200 --> 00:01:30,720 Speaker 3: That's right. 36 00:01:31,400 --> 00:01:32,640 Speaker 2: Tell us about your role, Nte. 37 00:01:33,640 --> 00:01:37,840 Speaker 5: Hi, everyone, I'm very excited to have joined Austin season two. 38 00:01:37,920 --> 00:01:42,559 Speaker 5: I play Hayley, who is a production assistant, and her 39 00:01:42,640 --> 00:01:46,760 Speaker 5: and Austin have a very quick and immediate bond. They 40 00:01:46,800 --> 00:01:50,160 Speaker 5: share a lot of similar interests and she kind of, 41 00:01:50,440 --> 00:01:52,240 Speaker 5: you know, is maybe a bit of an angel on 42 00:01:52,280 --> 00:01:54,560 Speaker 5: Austin's shoulder and sort of calls him out on a 43 00:01:54,600 --> 00:01:55,560 Speaker 5: few things. 44 00:01:55,600 --> 00:01:56,400 Speaker 4: Which is exciting. 45 00:01:57,640 --> 00:02:01,440 Speaker 3: See. I just need to know, Michael, there's some romantic 46 00:02:01,480 --> 00:02:03,320 Speaker 3: scenes in here. If you're in a love triangle, man, 47 00:02:04,080 --> 00:02:05,400 Speaker 3: how was that? How did that work for you? 48 00:02:05,880 --> 00:02:10,480 Speaker 4: I don't recall there being many romantic scenes, but there 49 00:02:11,840 --> 00:02:14,880 Speaker 4: there is a couple where Austin was performing a romantic 50 00:02:14,960 --> 00:02:17,520 Speaker 4: gesture for Haley. But I can't reveal too much about 51 00:02:17,560 --> 00:02:21,040 Speaker 4: that because you should see it for yourselves. Yes, but 52 00:02:21,800 --> 00:02:24,000 Speaker 4: what was a scene where Austin was yelling at Haley 53 00:02:24,040 --> 00:02:26,960 Speaker 4: a lot and inside I was dying? 54 00:02:27,280 --> 00:02:27,480 Speaker 1: Yeah? 55 00:02:28,120 --> 00:02:28,960 Speaker 3: Yeah, of course. 56 00:02:29,080 --> 00:02:31,560 Speaker 2: Oh that's acting and truest. 57 00:02:32,320 --> 00:02:35,280 Speaker 4: Yeah, that's true. Even though it was just acting, it 58 00:02:35,360 --> 00:02:40,320 Speaker 4: felt real because I was required to yell at someone 59 00:02:40,320 --> 00:02:45,440 Speaker 4: that I immensely Adore's tough. 60 00:02:46,320 --> 00:02:52,120 Speaker 2: Michael Austin grapples with the sudden fame of you know 61 00:02:52,200 --> 00:02:55,840 Speaker 2: that comes from being a successful author. And I guess 62 00:02:55,560 --> 00:02:59,839 Speaker 2: in real life you had the same situation after Love 63 00:02:59,919 --> 00:03:03,040 Speaker 2: or the Spectrum made you very famous. So were you 64 00:03:03,160 --> 00:03:06,840 Speaker 2: able to, you know, use what you felt in real 65 00:03:06,880 --> 00:03:08,480 Speaker 2: life in the in the role? 66 00:03:09,440 --> 00:03:10,800 Speaker 4: Can you ask me that again? Please? 67 00:03:11,280 --> 00:03:14,560 Speaker 2: When you were after Love on the Spectrum, people would 68 00:03:14,600 --> 00:03:17,600 Speaker 2: recognize you, do you sort of you dealt with sudden 69 00:03:17,680 --> 00:03:21,280 Speaker 2: fame and in the show in Austin you grapple you 70 00:03:21,320 --> 00:03:25,839 Speaker 2: have a similar situation where as a successful author, you're 71 00:03:25,919 --> 00:03:30,760 Speaker 2: suddenly a bit famous. So did you use the Love 72 00:03:30,800 --> 00:03:33,080 Speaker 2: on the Spectrum experience in the show. 73 00:03:34,440 --> 00:03:37,920 Speaker 4: I wouldn't say that I didn't because I get recognized 74 00:03:37,960 --> 00:03:40,080 Speaker 4: on the public a lot for Love and the Spectrum. 75 00:03:40,080 --> 00:03:44,320 Speaker 4: It's a very regular experience. But I'm flattered by people 76 00:03:44,360 --> 00:03:46,800 Speaker 4: coming up to me and all that. But I don't 77 00:03:46,840 --> 00:03:48,840 Speaker 4: go out out there looking for attention. 78 00:03:49,000 --> 00:03:52,640 Speaker 3: I just rather just let it come. 79 00:03:51,360 --> 00:03:56,920 Speaker 6: Yes, And because people go about their lives and if 80 00:03:56,920 --> 00:03:59,160 Speaker 6: they ever asked for a selfie, I always allow it 81 00:03:59,200 --> 00:04:02,800 Speaker 6: because if a smaller the face that it makes their day, because. 82 00:04:04,080 --> 00:04:05,720 Speaker 4: Giving you a moment of their time is the least 83 00:04:05,720 --> 00:04:06,880 Speaker 4: you can do for their support. 84 00:04:07,320 --> 00:04:10,560 Speaker 3: Yes, styles could learn from you. Michael. By the way, 85 00:04:10,640 --> 00:04:13,080 Speaker 3: have you practiced a LOGI speech? Just in case? 86 00:04:13,120 --> 00:04:16,960 Speaker 4: My friend I actually have one prepared it. I don't know. 87 00:04:17,680 --> 00:04:19,479 Speaker 4: I don't know a word by word yet. It's only 88 00:04:19,520 --> 00:04:25,279 Speaker 4: two paragraphs. Well, but I'm intending to thank my parents, 89 00:04:25,279 --> 00:04:29,279 Speaker 4: my siblings, their partners, my extended family, giant circle of 90 00:04:29,360 --> 00:04:33,280 Speaker 4: close friends and fan base. But also giving a special 91 00:04:33,320 --> 00:04:35,840 Speaker 4: mercy ball call to the cast and crew of Boston 92 00:04:37,120 --> 00:04:42,080 Speaker 4: that opportunity, especially the five people at Northern Pictures, because 93 00:04:42,080 --> 00:04:44,240 Speaker 4: it wasn't for them, I wouldn't even be in this 94 00:04:44,279 --> 00:04:45,080 Speaker 4: position today. 95 00:04:45,440 --> 00:04:45,719 Speaker 2: Right. 96 00:04:45,839 --> 00:04:47,800 Speaker 3: Well, you are just in case, so all the best 97 00:04:47,839 --> 00:04:48,479 Speaker 3: of it you have. 98 00:04:48,560 --> 00:04:51,000 Speaker 2: You chosen what you're going to wear because I know 99 00:04:51,080 --> 00:04:55,800 Speaker 2: you like to look nice about that. 100 00:04:55,800 --> 00:04:56,760 Speaker 4: That's being worked on. 101 00:04:57,839 --> 00:05:03,200 Speaker 2: Good Okay, Nadly, we'll give you some some feedback, I'm sure, 102 00:05:03,279 --> 00:05:04,760 Speaker 2: and help you out with that one. 103 00:05:04,920 --> 00:05:08,200 Speaker 4: Oh well, he looks wonderful all the time, you know. 104 00:05:10,839 --> 00:05:13,080 Speaker 2: Well, guys, we can't wait to see Austin back on 105 00:05:13,120 --> 00:05:15,599 Speaker 2: the screen on Sunday night. It was such a beautiful 106 00:05:15,640 --> 00:05:18,360 Speaker 2: series the first time round. Thank you for joining us 107 00:05:18,400 --> 00:05:20,080 Speaker 2: this morning, pleasure. 108 00:05:20,200 --> 00:05:27,600 Speaker 3: Thank you. 109 00:05:28,200 --> 00:05:30,720 Speaker 2: We're going to go online and vote. 110 00:05:31,400 --> 00:05:33,320 Speaker 3: You have two more coming from Perth, So all the. 111 00:05:33,240 --> 00:05:38,080 Speaker 1: Best, morey More podcast soon. 112 00:05:39,440 --> 00:05:42,480 Speaker 2: Doctor Tom Crawford is the Oxford professor who's declared bon 113 00:05:42,560 --> 00:05:44,599 Speaker 2: Jovi's Living on a Prayer to be the greatest karaoke 114 00:05:44,720 --> 00:05:49,120 Speaker 2: song ever using scientific research. He applied a custom formula. 115 00:05:49,400 --> 00:05:53,160 Speaker 2: It's the Crawford formula, based on the songs tempo, number 116 00:05:53,200 --> 00:05:57,080 Speaker 2: of verses, chorus repeats, and release date, among other factors. 117 00:05:57,440 --> 00:06:00,359 Speaker 2: He also did it in America. Yeah Okay, Even on 118 00:06:00,360 --> 00:06:02,920 Speaker 2: a Prayer scored ninety one out of a possible one 119 00:06:03,000 --> 00:06:06,320 Speaker 2: hundred on the Crawford scale, followed by Whitney Houston's I 120 00:06:06,360 --> 00:06:08,760 Speaker 2: Want to Dance with Somebody with a score of ninety. 121 00:06:08,920 --> 00:06:12,480 Speaker 2: The top five also included Oasis as I Don't Look 122 00:06:12,480 --> 00:06:15,080 Speaker 2: Back in Anger, Shanaia's twain Man I Feel like a woman, 123 00:06:15,160 --> 00:06:17,960 Speaker 2: and the Proclaimers I'm going to be five hundred miles. 124 00:06:18,360 --> 00:06:21,400 Speaker 2: Crawford found that karaoke singers prefer average beats per minute 125 00:06:21,400 --> 00:06:23,720 Speaker 2: of one hundred and twenty six. I didn't know they 126 00:06:23,720 --> 00:06:26,360 Speaker 2: were so discerning, as well as a ratio of three 127 00:06:26,480 --> 00:06:29,840 Speaker 2: chorus repetitions for every two verses, which he calls the 128 00:06:29,839 --> 00:06:33,520 Speaker 2: standard structure of most pop songs. I think the number 129 00:06:33,520 --> 00:06:36,320 Speaker 2: of beers you've had plays a imp factors into it 130 00:06:36,360 --> 00:06:36,760 Speaker 2: as well. 131 00:06:36,920 --> 00:06:39,440 Speaker 3: Yeah, and it's about stickability, isn't it. You know if 132 00:06:39,440 --> 00:06:42,040 Speaker 3: something becomes an earworm easily. And there are certain songs 133 00:06:42,080 --> 00:06:44,600 Speaker 3: that are and some that are just a little more forgettable. 134 00:06:44,680 --> 00:06:48,200 Speaker 2: Now I would probably rather stick pins in my legs 135 00:06:48,279 --> 00:06:49,440 Speaker 2: than go to karaoke. 136 00:06:49,680 --> 00:06:54,560 Speaker 3: But I really, yes, come here, I reckon. 137 00:06:54,560 --> 00:06:56,400 Speaker 2: If I did, it would have to be I Will 138 00:06:56,400 --> 00:07:00,880 Speaker 2: Survive You. Yes, that strikes me as the ultimate karaoke song. 139 00:07:01,560 --> 00:07:03,000 Speaker 3: Great disco classic, wasn't it. 140 00:07:03,240 --> 00:07:03,400 Speaker 7: Well? 141 00:07:03,560 --> 00:07:05,400 Speaker 3: Like I said, I'm terrible at remembering lyrics, so it 142 00:07:05,480 --> 00:07:07,400 Speaker 3: have to be something with very few lyrics. So for me, 143 00:07:07,480 --> 00:07:12,280 Speaker 3: I'm thinking rock and roll. No, come on, thanks very much. 144 00:07:12,960 --> 00:07:15,400 Speaker 3: I sticking not true? But I was thinking more Kiss 145 00:07:15,440 --> 00:07:17,280 Speaker 3: rock and roll a night part every day did they 146 00:07:17,320 --> 00:07:19,360 Speaker 3: sing it over and over? But one song that I 147 00:07:19,400 --> 00:07:21,720 Speaker 3: do really love that I do remember the lyrics too, 148 00:07:21,760 --> 00:07:24,280 Speaker 3: is Lionel Richie and the Commodorees or Faith No More 149 00:07:24,280 --> 00:07:26,800 Speaker 3: doing Easy, Yeah Easy, like Sunday Morning. I think that's 150 00:07:26,800 --> 00:07:27,840 Speaker 3: a great karaoke song. 151 00:07:27,920 --> 00:07:29,800 Speaker 2: I reicon Sweet Caroline's a great carry out. 152 00:07:30,320 --> 00:07:33,840 Speaker 3: People love their that's always hands reaching over hands. 153 00:07:34,040 --> 00:07:37,360 Speaker 2: What's your go to karaoke songs? On the text line, 154 00:07:37,400 --> 00:07:40,440 Speaker 2: Melon Woodridge says, my baby Jimmy Barnes is the go 155 00:07:40,560 --> 00:07:45,440 Speaker 2: to always Matthew and Belden. His go to karaoke song 156 00:07:45,520 --> 00:07:48,080 Speaker 2: is one of my favorite driving songs of all time. 157 00:07:48,120 --> 00:07:51,000 Speaker 3: It's this, Oh you go on the driving song of 158 00:07:51,040 --> 00:07:51,440 Speaker 3: this one? 159 00:07:51,640 --> 00:07:56,320 Speaker 8: Oh the great dais Learal real good one. 160 00:07:56,360 --> 00:07:57,320 Speaker 2: Matthew, I love that. 161 00:07:57,320 --> 00:08:00,120 Speaker 3: That's stick in your head all day, the one to 162 00:08:00,120 --> 00:08:00,720 Speaker 3: go to wellen Brook. 163 00:08:01,000 --> 00:08:05,040 Speaker 8: Josh, Hey, yeah, are you going to sing it? 164 00:08:05,120 --> 00:08:05,720 Speaker 4: Go and sing it? 165 00:08:06,160 --> 00:08:07,760 Speaker 7: Yeah, I'm going to sing it. Oh, by the way, 166 00:08:07,760 --> 00:08:11,520 Speaker 7: I'm I'm the boy with the javelin through my brother's. 167 00:08:10,960 --> 00:08:12,360 Speaker 3: Anyway, remember the story? 168 00:08:12,480 --> 00:08:16,200 Speaker 7: Yeah, yeah, all right, all right, you can get this one, okay. 169 00:08:17,360 --> 00:08:20,559 Speaker 7: I work hard. He works hard. Every day of my life. 170 00:08:21,200 --> 00:08:24,840 Speaker 7: I work till I and my bone at the at 171 00:08:24,920 --> 00:08:28,400 Speaker 7: the end of the day, I take home my pride all. 172 00:08:30,520 --> 00:08:33,920 Speaker 7: I just gotta get out of this prison. So one 173 00:08:34,040 --> 00:08:36,040 Speaker 7: day I'm gonna be free. 174 00:08:37,360 --> 00:08:38,680 Speaker 3: I think you know that song? 175 00:08:40,120 --> 00:08:40,840 Speaker 7: Why did you say? 176 00:08:40,960 --> 00:08:42,280 Speaker 3: Because I wanted to hear more of Josh. 177 00:08:42,600 --> 00:08:46,360 Speaker 2: Okay, that's good, Josh done, Josh, thank you, both the 178 00:08:47,480 --> 00:08:48,520 Speaker 2: vocals and the backing. 179 00:08:48,720 --> 00:08:51,280 Speaker 3: Yeah, that was beautiful. You were I'm a. 180 00:08:51,280 --> 00:08:54,240 Speaker 7: Little bit I'm a little bit autistic, so that's I 181 00:08:54,360 --> 00:08:57,400 Speaker 7: love it, love it, Thank you very much, thank you. 182 00:08:57,760 --> 00:08:59,079 Speaker 3: I really didn't want to cut him off because I 183 00:08:59,120 --> 00:08:59,560 Speaker 3: was enjoying it. 184 00:08:59,640 --> 00:09:01,600 Speaker 2: I was, I wasn't there yet. 185 00:09:02,880 --> 00:09:07,679 Speaker 3: Okay, is a bohemian waiting for a big miller, Carolyn. 186 00:09:07,320 --> 00:09:11,520 Speaker 2: In your counk of morning, more money, all right, now 187 00:09:11,640 --> 00:09:12,280 Speaker 2: hit us with it. 188 00:09:12,559 --> 00:09:13,160 Speaker 3: Okay, what do you. 189 00:09:13,160 --> 00:09:14,840 Speaker 7: Got you're. 190 00:09:16,920 --> 00:09:17,400 Speaker 1: Resty? 191 00:09:21,120 --> 00:09:24,319 Speaker 7: Oh my god, that's don't be e garrassed. 192 00:09:24,360 --> 00:09:26,280 Speaker 3: That was very I want to hit duke box money, 193 00:09:26,320 --> 00:09:35,320 Speaker 3: come on upstairs, upstairs, nice one. 194 00:09:35,400 --> 00:09:38,480 Speaker 2: Thanks Carolyn, well done, by. 195 00:09:39,559 --> 00:09:41,200 Speaker 3: God? Did you couldn't have got that one quicker than. 196 00:09:41,320 --> 00:09:45,560 Speaker 2: Mel just melon Woodwinde just wanted to sort of qualify 197 00:09:45,600 --> 00:09:47,679 Speaker 2: that it's cold. 198 00:09:47,240 --> 00:09:51,200 Speaker 3: Because it's yours. We know my baby, my baby. 199 00:09:50,840 --> 00:09:53,280 Speaker 2: My baby. Jimmy is always in there as well. 200 00:09:54,040 --> 00:09:55,080 Speaker 3: He's hanging around me. 201 00:09:55,200 --> 00:09:58,079 Speaker 2: He never let someone sink on their own. You could 202 00:09:58,080 --> 00:10:01,560 Speaker 2: be humming and it's louder than singing belladuro, what's yours? 203 00:10:02,160 --> 00:10:04,720 Speaker 9: Some day somebody's going to make you want to turn 204 00:10:04,760 --> 00:10:08,679 Speaker 9: around and say goodbye baby? 205 00:10:08,920 --> 00:10:10,880 Speaker 3: Are you gonna let him hold you down and make 206 00:10:10,960 --> 00:10:11,440 Speaker 3: you cry? 207 00:10:11,920 --> 00:10:12,480 Speaker 4: Don't you know? 208 00:10:13,000 --> 00:10:16,880 Speaker 2: Don't know thing to change, thing to go away? 209 00:10:17,080 --> 00:10:18,520 Speaker 9: If you hold. 210 00:10:20,040 --> 00:10:26,800 Speaker 10: One Monday, if you one Monday. 211 00:10:28,280 --> 00:10:35,360 Speaker 2: Way, that's brilliant. Stop you just let you go and 212 00:10:37,000 --> 00:10:40,400 Speaker 2: stop that. 213 00:10:40,400 --> 00:10:42,520 Speaker 3: That was really good, le, very good. 214 00:10:43,080 --> 00:10:43,840 Speaker 7: Thank you Lane. 215 00:10:44,679 --> 00:10:49,040 Speaker 2: We've had We've had lots come through. Also on the text, 216 00:10:49,160 --> 00:10:54,479 Speaker 2: Nicole in Mouchet says, depending on my mood, it's the Angels, 217 00:10:54,480 --> 00:10:56,760 Speaker 2: Am I ever going to see your face skin? Or 218 00:10:56,960 --> 00:11:02,000 Speaker 2: it's Neil Diamond's sweet Caroline Adley in Winthrop goes way 219 00:11:02,080 --> 00:11:08,520 Speaker 2: back and says this Onela Brand's not old last one, 220 00:11:08,559 --> 00:11:13,360 Speaker 2: that's a good choice The Sure Report on ninety six 221 00:11:13,440 --> 00:11:17,959 Speaker 2: air FM. You know someone really made an impact when 222 00:11:18,000 --> 00:11:21,680 Speaker 2: even Kermit the Frog pays tribute to the Muppets official 223 00:11:21,760 --> 00:11:25,040 Speaker 2: social media channels of shared a statement on Ozzy Osbourne. 224 00:11:25,120 --> 00:11:28,040 Speaker 2: Kermit wrote, no one rocked harder than the great Ozzy 225 00:11:28,120 --> 00:11:31,720 Speaker 2: Osbourne recording Born to Be Wild with Miss Piggy. It 226 00:11:31,880 --> 00:11:35,400 Speaker 2: was the perfect song for both of them. 227 00:11:36,280 --> 00:11:55,199 Speaker 10: Down we were wow, Wow. 228 00:11:56,240 --> 00:11:56,640 Speaker 7: Why. 229 00:12:01,480 --> 00:12:02,520 Speaker 8: Cant continued. 230 00:12:02,559 --> 00:12:04,839 Speaker 2: We feel so lucky to have known him. Every time 231 00:12:04,920 --> 00:12:07,440 Speaker 2: we bumped into Ozzie over the years, he made us 232 00:12:07,520 --> 00:12:09,599 Speaker 2: feel just as cool as he was. 233 00:12:10,480 --> 00:12:10,640 Speaker 7: Now. 234 00:12:11,040 --> 00:12:14,760 Speaker 2: You would have heard that US Late Show host Stephen Colbert, 235 00:12:14,960 --> 00:12:18,240 Speaker 2: great show. He's had his show canceled. They've been coming 236 00:12:18,280 --> 00:12:20,240 Speaker 2: up with all sorts of excuses. He is still on 237 00:12:20,280 --> 00:12:22,360 Speaker 2: air this week, and last night he responded to President 238 00:12:22,440 --> 00:12:28,120 Speaker 2: Donald Trump's very unkind online posts celebrating the cancelation. Doesn't 239 00:12:28,120 --> 00:12:28,959 Speaker 2: he have other things to do? 240 00:12:29,000 --> 00:12:31,000 Speaker 3: Should be busy, so dancers on graves. 241 00:12:31,320 --> 00:12:34,640 Speaker 2: Many believe that CBS's decision to cancel Colbert's show was 242 00:12:34,720 --> 00:12:38,720 Speaker 2: influenced by political pressure stemming from its parent company's merger. 243 00:12:38,920 --> 00:12:41,880 Speaker 2: It's all very murky. It's putting the murk in merger. 244 00:12:42,440 --> 00:12:46,480 Speaker 2: Colbert was understandably unimpressed with the President's response. 245 00:12:46,720 --> 00:12:50,760 Speaker 9: On Friday, Donald Trump posted, I absolutely love that Colbert 246 00:12:50,920 --> 00:12:54,800 Speaker 9: got fired. His talent was even less than his ratings. 247 00:12:58,320 --> 00:13:01,880 Speaker 9: How dare you, sir, an untalented man, be able to 248 00:13:01,960 --> 00:13:08,520 Speaker 9: compose the following satirical witticism got yourself yes, and I. 249 00:13:08,559 --> 00:13:09,200 Speaker 3: Didn't end there. 250 00:13:09,280 --> 00:13:11,720 Speaker 2: Jimmy Kimmel is going after Donald Trump after he hinted 251 00:13:11,760 --> 00:13:14,920 Speaker 2: that his show is next. Trump posted the word is 252 00:13:15,160 --> 00:13:17,120 Speaker 2: and it's a strong word at that. Jimmy Kimmel is 253 00:13:17,240 --> 00:13:20,280 Speaker 2: next to go in the untalented late night sweepstakes. 254 00:13:21,080 --> 00:13:23,400 Speaker 3: Roy it again, doesn't he have other things to do? 255 00:13:23,679 --> 00:13:27,720 Speaker 2: Sawcer milk, and shortly thereafter Fallon will be gone as well. 256 00:13:28,080 --> 00:13:31,480 Speaker 2: Jimmy Kimmel took to Instagram to report to repost Trump's 257 00:13:31,520 --> 00:13:35,319 Speaker 2: post and captioned it, I'm hearing your next actually, or 258 00:13:35,400 --> 00:13:39,120 Speaker 2: maybe that's just another wonderful secret from the book Ways 259 00:13:39,200 --> 00:13:42,640 Speaker 2: to Waste one hundred million dollars Number forty six. Megan 260 00:13:42,720 --> 00:13:45,160 Speaker 2: Markle and Prince Harry's deal with Netflix is not going 261 00:13:45,240 --> 00:13:47,560 Speaker 2: to be renewed. It runs out next month. The pair 262 00:13:47,640 --> 00:13:51,120 Speaker 2: signed a multimillion, multi year deal back in twenty twenty. 263 00:13:51,520 --> 00:13:54,319 Speaker 2: A couple of years into the reported one hundred million 264 00:13:54,400 --> 00:13:58,360 Speaker 2: dollar partnership, a report emerged about all the Netflix projects 265 00:13:58,440 --> 00:14:00,880 Speaker 2: that reportedly did not work out out for the Royals. 266 00:14:01,440 --> 00:14:04,480 Speaker 2: They promised this, they promised that, and then they didn't deliver. 267 00:14:05,480 --> 00:14:08,559 Speaker 2: Sources now say the deal is done. No more shows 268 00:14:08,559 --> 00:14:10,800 Speaker 2: will be made. Netflix fills They've got all they can 269 00:14:10,920 --> 00:14:12,520 Speaker 2: from the couple. So what did we get? We got 270 00:14:12,559 --> 00:14:18,280 Speaker 2: an interview and a really weird cookie thing with Meghan 271 00:14:18,320 --> 00:14:19,360 Speaker 2: a couple of months ago. 272 00:14:19,400 --> 00:14:20,880 Speaker 3: I think they might need some royal money again. 273 00:14:21,360 --> 00:14:24,040 Speaker 2: Season five of Only Murders in the Building has a 274 00:14:24,120 --> 00:14:26,640 Speaker 2: premiere dated. It'll be back on September nine at streams 275 00:14:26,680 --> 00:14:30,360 Speaker 2: on Disney. Of course, new cast members for season five, now, 276 00:14:30,440 --> 00:14:33,520 Speaker 2: let's just keep in mind these people are joining Martin Short, 277 00:14:33,640 --> 00:14:40,160 Speaker 2: Steve Martin, Meryl Streep, Nathan Lane. New ones include Bobby Carnavale, 278 00:14:40,560 --> 00:14:45,200 Speaker 2: Rene Zellweger, Christoph Waltz, Tayo Leoni, and Diane Weese. 279 00:14:45,240 --> 00:14:46,720 Speaker 3: I was going to do a little ding sound effects 280 00:14:47,080 --> 00:14:48,840 Speaker 3: for it, but I would have burned a finger. 281 00:14:49,920 --> 00:14:53,000 Speaker 2: They say about all Killer, no Feller, that is amazing. 282 00:14:53,160 --> 00:14:55,760 Speaker 3: Just start with the Stellar Interstellar. 283 00:14:55,640 --> 00:15:02,040 Speaker 2: Inter Yeah in Interstellar, Yeah, people, it's incredible. You know 284 00:15:02,120 --> 00:15:05,160 Speaker 2: it's been on my list for so long Because I 285 00:15:05,240 --> 00:15:07,560 Speaker 2: play musical streaming services, I will have one for a 286 00:15:07,600 --> 00:15:10,080 Speaker 2: while and then I'll drop it, and I keep dropping 287 00:15:10,160 --> 00:15:14,160 Speaker 2: Disney and before I've watched only Murders in the Building, 288 00:15:14,160 --> 00:15:15,520 Speaker 2: and then I keep getting it back to watch it, 289 00:15:15,560 --> 00:15:17,120 Speaker 2: and I don't get I don't know what it is 290 00:15:17,280 --> 00:15:19,720 Speaker 2: that's stopping me from getting around to watching it, because 291 00:15:19,880 --> 00:15:21,600 Speaker 2: by the sounds of it, it's one of the best 292 00:15:21,600 --> 00:15:22,240 Speaker 2: shows on telling. 293 00:15:22,400 --> 00:15:23,720 Speaker 1: You need to make a list and check it twice 294 00:15:24,840 --> 00:15:30,800 Speaker 1: more pleasy, Oh, Lisa, More podcast soon, Great per flick 295 00:15:31,120 --> 00:15:34,000 Speaker 1: with Benohe oh. 296 00:15:34,120 --> 00:15:37,800 Speaker 8: Ben Hello, hello, Hello, you've been off on a junker. 297 00:15:38,080 --> 00:15:38,440 Speaker 7: Yes, I know. 298 00:15:38,560 --> 00:15:41,600 Speaker 8: Here's the hands. There's the hand that has touched Pedro Pascal. 299 00:15:42,000 --> 00:15:42,720 Speaker 3: Don't watch it. 300 00:15:42,800 --> 00:15:44,960 Speaker 2: There was a queue to touch your hand this morning 301 00:15:45,000 --> 00:15:47,320 Speaker 2: because it's touched Pedro Pasca. Can you tell us quickly 302 00:15:47,520 --> 00:15:50,640 Speaker 2: why the hand ended up in the hands? 303 00:15:50,800 --> 00:15:50,920 Speaker 7: Oh? 304 00:15:51,040 --> 00:15:54,600 Speaker 8: Yes. So I interviewed Pedro Pascal and that interview is 305 00:15:55,280 --> 00:15:57,160 Speaker 8: on the cover of Play magazine in the West Austrain 306 00:15:57,240 --> 00:16:00,280 Speaker 8: on Saturday this weekend. And so I went to Sydney 307 00:16:00,360 --> 00:16:02,520 Speaker 8: to interview Pedro Pascal and his cast mates from the 308 00:16:02,600 --> 00:16:06,320 Speaker 8: Fantastic four First Steps movie and we hit it off. 309 00:16:07,200 --> 00:16:09,080 Speaker 8: We really got on very well. And at the end 310 00:16:09,280 --> 00:16:12,360 Speaker 8: he came across the room and shook my hand, took 311 00:16:12,400 --> 00:16:15,880 Speaker 8: my hand in both of his and held it double hands, 312 00:16:16,360 --> 00:16:18,040 Speaker 8: and he held it tight as he stared into my 313 00:16:18,160 --> 00:16:20,000 Speaker 8: eyes and said, Ben, thank you so much. I really 314 00:16:20,040 --> 00:16:24,320 Speaker 8: appreciated your questions today. Very insightful, really lovely to meet you. 315 00:16:24,600 --> 00:16:26,800 Speaker 8: And he probably talked to me for another minute or so, 316 00:16:26,920 --> 00:16:35,080 Speaker 8: just staring into my eyes. I was hypnotized. And connections 317 00:16:36,040 --> 00:16:40,840 Speaker 8: five stars, No, no, not five stars. But so the 318 00:16:40,960 --> 00:16:44,920 Speaker 8: Fantastic Four First Steps comes along. For the Marvel cinematic universe, 319 00:16:44,960 --> 00:16:46,800 Speaker 8: it's in a kind of a bit of an awkward 320 00:16:46,840 --> 00:16:49,520 Speaker 8: phase at the moment. They've had a couple of duds. 321 00:16:50,240 --> 00:16:53,440 Speaker 8: They've had some off off camera issues and some and 322 00:16:53,600 --> 00:16:56,920 Speaker 8: some of their main characters had some scandals and had 323 00:16:56,960 --> 00:16:59,080 Speaker 8: to get the boots. So they've kind of sort of 324 00:16:59,120 --> 00:17:02,320 Speaker 8: reimagined where the future of this franchise is going, and 325 00:17:02,400 --> 00:17:04,560 Speaker 8: the Fantastic Four itself is going to be a key 326 00:17:04,720 --> 00:17:07,200 Speaker 8: part of that future. It So it's the first movie 327 00:17:07,320 --> 00:17:11,040 Speaker 8: of the Marvel Phase six slate of films, which finishes, 328 00:17:11,080 --> 00:17:14,320 Speaker 8: I think in twenty twenty seven with Avengers Doomsday. So 329 00:17:14,400 --> 00:17:16,359 Speaker 8: they map all this stuff out. Billions of dollars at 330 00:17:16,359 --> 00:17:19,400 Speaker 8: stake if these films don't work out. And the Fantastic Four, 331 00:17:19,520 --> 00:17:23,080 Speaker 8: you might remember, was originally adapted for the big screen 332 00:17:23,200 --> 00:17:27,600 Speaker 8: back in the early two thousands with Ian Griffin as 333 00:17:27,720 --> 00:17:33,000 Speaker 8: Mister Fantastic, Jessica Alba as the Invisible Woman, Chris Evans 334 00:17:33,240 --> 00:17:36,959 Speaker 8: as the Human Torch. Those movies weren't that great. Did 335 00:17:37,040 --> 00:17:40,800 Speaker 8: have Julian McMahon, the late Great Julian as Victor von Doom, 336 00:17:41,920 --> 00:17:44,879 Speaker 8: and so those films, they weren't that amazing. They made 337 00:17:44,920 --> 00:17:46,239 Speaker 8: a bit of money at the box office, and then 338 00:17:46,280 --> 00:17:49,960 Speaker 8: in twenty fifteen they rebuilt the franchise. Yeah, okay four, 339 00:17:50,080 --> 00:17:54,000 Speaker 8: But then in twenty fifteen The Fantastic Four was the terrible. 340 00:17:54,840 --> 00:17:57,639 Speaker 8: It was an absolute stinker and it was a huge 341 00:17:57,760 --> 00:18:00,920 Speaker 8: bomb at the box office. It had a pretty good cast, 342 00:18:01,000 --> 00:18:04,600 Speaker 8: Miles Teller Mister Fantastic, Michael B. Jordan was the Human Torch, 343 00:18:05,760 --> 00:18:07,760 Speaker 8: but it just was not good. So most of the 344 00:18:07,840 --> 00:18:11,639 Speaker 8: Fantastic Four movies honestly have been pretty average. This is 345 00:18:11,840 --> 00:18:15,639 Speaker 8: by far the best of all of them, and it 346 00:18:15,760 --> 00:18:19,240 Speaker 8: does so by really leans into the sixties aesthetic of 347 00:18:19,280 --> 00:18:22,040 Speaker 8: the original comic book, which was released in nineteen sixty 348 00:18:22,080 --> 00:18:25,720 Speaker 8: one by Jack Kirby and Stanley and so, but it's 349 00:18:25,800 --> 00:18:28,240 Speaker 8: not set on our version of Earth. So in the 350 00:18:28,359 --> 00:18:31,360 Speaker 8: Marvel world, as everybody knows, it's a multiverse, so there's 351 00:18:31,480 --> 00:18:34,400 Speaker 8: parallel universes. So this is a different version of Earth, 352 00:18:34,400 --> 00:18:36,960 Speaker 8: which means they don't have to really be that authentic. 353 00:18:37,280 --> 00:18:41,560 Speaker 8: It's sixties, but it's also futuristic, retro futuristic, and so 354 00:18:41,640 --> 00:18:44,040 Speaker 8: that's why they've got flying cars and and other kind 355 00:18:44,080 --> 00:18:47,800 Speaker 8: of quite advanced technology. But everyone's wearing you know, turtlenecks 356 00:18:48,760 --> 00:18:51,560 Speaker 8: and the brown leather jacket, so the vibe is cool. 357 00:18:51,600 --> 00:18:54,639 Speaker 8: I would say, for my money, this is the best 358 00:18:54,840 --> 00:19:01,000 Speaker 8: looking superhero movie that has ever been made. Beautiful every frame. 359 00:19:01,480 --> 00:19:03,040 Speaker 8: You could print it out and hang it on your 360 00:19:03,080 --> 00:19:06,280 Speaker 8: wall as a piece of art. It is absolutely beautiful 361 00:19:06,359 --> 00:19:10,119 Speaker 8: to look at. Director Max Shackman, who made the wander 362 00:19:10,200 --> 00:19:12,560 Speaker 8: Vision Marvel TV series, is a bit of a visionary. 363 00:19:13,800 --> 00:19:16,600 Speaker 8: It's stunning film to look at. And you're Pedro Pascal, 364 00:19:16,720 --> 00:19:19,320 Speaker 8: who is perfectly cast as mister Fantastic. Most of the time, 365 00:19:19,400 --> 00:19:22,520 Speaker 8: he's not fantastic. He's mister anxious, which is which is 366 00:19:22,680 --> 00:19:25,880 Speaker 8: Pedro in real life has some anxiety issues. So it's 367 00:19:25,960 --> 00:19:31,240 Speaker 8: so believable when he's worried about his incoming baby with 368 00:19:31,960 --> 00:19:34,640 Speaker 8: with Vanessa Kirby, who plays the Invisible Woman, his wife. 369 00:19:35,400 --> 00:19:37,280 Speaker 8: So they're having this baby, they're not sure. 370 00:19:37,440 --> 00:19:38,080 Speaker 7: Can you be sure? 371 00:19:38,200 --> 00:19:40,879 Speaker 3: Yeah, that's visible Princess. 372 00:19:42,160 --> 00:19:45,000 Speaker 8: She actually gives birth during the film and it turns 373 00:19:45,040 --> 00:19:46,119 Speaker 8: in visible in the middle of it. 374 00:19:46,320 --> 00:19:49,280 Speaker 3: I know, yea, and just want to make it for 375 00:19:49,440 --> 00:19:49,679 Speaker 3: this to. 376 00:19:49,680 --> 00:19:52,360 Speaker 8: Make it more interesting. It's also in space in zero gravity. 377 00:19:52,400 --> 00:19:56,040 Speaker 8: It's a crazy sequence. You've also got Julia Garner from 378 00:19:56,160 --> 00:20:00,760 Speaker 8: Ozark and the and a Delvi story as the Silver Surfer. 379 00:20:02,160 --> 00:20:05,600 Speaker 8: Ralph Inoson, who's a fantastic character actor, is Galactus, who's 380 00:20:05,640 --> 00:20:08,480 Speaker 8: the big bad guy who's coming to destroy the Earth, 381 00:20:09,240 --> 00:20:12,159 Speaker 8: and he Galactus does a deal basically, I will spare 382 00:20:12,240 --> 00:20:15,280 Speaker 8: the Earth on one condition, mister fantastic, You've got to 383 00:20:15,280 --> 00:20:15,920 Speaker 8: give me a baby. 384 00:20:17,840 --> 00:20:18,240 Speaker 3: That's a deal. 385 00:20:18,320 --> 00:20:20,600 Speaker 8: That's a deal that mister Fantastic doesn't want to do. 386 00:20:20,760 --> 00:20:22,399 Speaker 8: So then, of course, you know, the whole fate of 387 00:20:22,440 --> 00:20:24,040 Speaker 8: the Earth comes down to whether or not they can 388 00:20:24,320 --> 00:20:31,200 Speaker 8: they can save So not only does it look good, 389 00:20:31,240 --> 00:20:34,040 Speaker 8: you have some great performances from Pedro Pascal and Vanessa 390 00:20:34,119 --> 00:20:37,119 Speaker 8: Kirby in particular, you've got Evan Moss Backrack from the 391 00:20:37,240 --> 00:20:46,040 Speaker 8: From the Bear who plays that thing Backrack. He's an 392 00:20:46,040 --> 00:20:49,160 Speaker 8: amazing actor. Cousin the cousin from the From the Bear 393 00:20:49,320 --> 00:20:53,000 Speaker 8: and so he's the thing clobroom time. And you've got 394 00:20:53,480 --> 00:20:57,080 Speaker 8: Joseph Quinn who was Eddie Munson in Stranger Things, who's 395 00:20:57,080 --> 00:21:00,600 Speaker 8: amazing English actor. He plays the human Torch Johnny Storm. 396 00:21:00,680 --> 00:21:03,120 Speaker 8: He's fantastic as well. So the cast is really good. 397 00:21:04,119 --> 00:21:06,720 Speaker 8: You could make the case that maybe the pacing is 398 00:21:06,760 --> 00:21:09,800 Speaker 8: a little bit slow, and they really put the emphasis 399 00:21:09,920 --> 00:21:14,200 Speaker 8: on the family dynamic of the Fantastic Four at the 400 00:21:14,280 --> 00:21:17,680 Speaker 8: expense of other aspects of the film, which I think 401 00:21:17,800 --> 00:21:19,879 Speaker 8: is very interesting and I think, you know, good on 402 00:21:19,960 --> 00:21:22,080 Speaker 8: them for doing that. Like it's not very often where 403 00:21:22,119 --> 00:21:25,520 Speaker 8: a superhero movie starts the opening sequence is, you know, 404 00:21:25,920 --> 00:21:27,800 Speaker 8: one of the characters sitting on the toilet, but that's 405 00:21:27,880 --> 00:21:29,960 Speaker 8: Vanessa Kirby doing the pregnancy test. 406 00:21:30,359 --> 00:21:31,639 Speaker 3: Which isible. 407 00:21:35,400 --> 00:21:38,560 Speaker 8: So they they make some choices like that, which I 408 00:21:38,600 --> 00:21:41,320 Speaker 8: think a little bit left of center for a superhero blockbuster. 409 00:21:42,080 --> 00:21:44,280 Speaker 8: Some people might find it a bit slow going at times, 410 00:21:44,960 --> 00:21:46,720 Speaker 8: but you've got to stick with it, and I think 411 00:21:46,800 --> 00:21:49,399 Speaker 8: it really bodes well for the future of the Marvel 412 00:21:49,480 --> 00:21:52,600 Speaker 8: cinematic universe if you've got these characters as a part 413 00:21:52,640 --> 00:21:55,399 Speaker 8: of it. At times it's a little bit like The 414 00:21:55,480 --> 00:21:58,560 Speaker 8: Incredibles because you've got a baby in there. But then 415 00:21:58,640 --> 00:22:01,120 Speaker 8: you know, the Incredibles is really spied by the Fantastic 416 00:22:01,200 --> 00:22:04,200 Speaker 8: Four originally, So it all goes around and comes around 417 00:22:04,200 --> 00:22:05,919 Speaker 8: and it looks good and it looks very wonderful. 418 00:22:06,000 --> 00:22:10,080 Speaker 2: Well, how many are calling Pedro Pascal mister Fantastic is 419 00:22:10,160 --> 00:22:11,320 Speaker 2: basically a cameos? 420 00:22:11,440 --> 00:22:13,080 Speaker 8: Are you basically just being himself? 421 00:22:13,119 --> 00:22:13,399 Speaker 3: Isn't he? 422 00:22:14,200 --> 00:22:16,240 Speaker 8: I'm going to give it three and a half, So 423 00:22:16,760 --> 00:22:19,480 Speaker 8: this and Superman. Recently, we've had two good superhero movies 424 00:22:19,520 --> 00:22:21,840 Speaker 8: in a row, which is very unusual these days. 425 00:22:22,320 --> 00:22:23,680 Speaker 3: The genre has been in a bit of a low 426 00:22:23,760 --> 00:22:25,439 Speaker 3: kind of times, maybe very promising 427 00:22:26,160 --> 00:22:27,479 Speaker 7: Crazy and Lisa