WEBVTT - Ooh Mrs Miggins

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<v Speaker 1>The Christian O'Connell Breakfast Show Podcast, Melbourne's Gold one oh

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<v Speaker 1>four point three.

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<v Speaker 2>Hey, thank you very much for downloading this podcast. This

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<v Speaker 2>is Christian o'connorg just went here today's show show number

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<v Speaker 2>nineteen and if you've got anything you ever want to

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<v Speaker 2>email about anything you hear on the podcast. By the way,

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<v Speaker 2>sorry about show number eighteen's audio quality. We have fixed it.

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<v Speaker 2>Please email me love getting the new emails now. Christian

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<v Speaker 2>at Gold one four to three dot com dot au.

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<v Speaker 2>Thank you very much supporting the podcast and oi kind

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<v Speaker 2>comments as well. Rummer to rate and review it on

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<v Speaker 2>iTunes as well.

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<v Speaker 1>Here is the show live from Level two twenty one

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<v Speaker 1>for thirty one good Wood Street.

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<v Speaker 2>Wreshman.

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<v Speaker 1>This is the Christian Oldcondinal Breakfast Show on Melbourn's Gold

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<v Speaker 1>one oh four point three.

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<v Speaker 2>I promise my kids sunshine that they've never seen before

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<v Speaker 2>whilst we get to Australia. Kids, trust me you are man.

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<v Speaker 2>We lives you sunshine all you round.

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<v Speaker 3>Frost Falk God for a swim in the bak.

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<v Speaker 2>Yet, what's going on Melbourne? The fog was quite nice.

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<v Speaker 2>It makes me feel quite nostalgic, like I might see

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<v Speaker 2>Sherlock Holmes coming out of the fog with holding a

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<v Speaker 2>lantern looking for the scarlet pimpernel. But frost. I didn't

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<v Speaker 2>think you got frost.

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<v Speaker 4>Yeah, not common, actually, I've got to say.

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<v Speaker 2>But regional Victoria definitely, but the city not so well.

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<v Speaker 3>Harbrich McLaughlin takes us a photo of his chicken coop

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<v Speaker 3>video is building earlier this week. It looks like he

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<v Speaker 3>lives at sleepy hollows, the arms of trees in fog

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<v Speaker 3>and frost on the ground.

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<v Speaker 2>He's back on this morning show. We'll be giving him,

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<v Speaker 2>you'll be hoping as well, a brand new phrase that

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<v Speaker 2>pays a phrase that he'd be saying just hearing Patch

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<v Speaker 2>talk about the the Big Games. Tonight, Hamish is on TV.

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<v Speaker 2>He's obviously the anchorman for all the coverage. We will

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<v Speaker 2>be giving a brand new phrase the pace that he

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<v Speaker 2>needs to work into his TV commentary tonight. I have

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<v Speaker 2>a couple of contenders, but I'm looking to We'll get

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<v Speaker 2>into that later on this morning. Hey, so we can

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<v Speaker 2>now funny talk about it soccer use.

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<v Speaker 3>Yeah, I mean now that everybody knows that everybody's.

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<v Speaker 2>On board, we won you yesterday. Apart from you, the

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<v Speaker 2>only man in Australia who didn't know that the soccer

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<v Speaker 2>us were out the World Cup. It's real shame.

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<v Speaker 3>I thank you yesterday for putting up with me. Why

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<v Speaker 3>I didn't know the scores. I honestly believed when I

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<v Speaker 3>left here that Australia was going to win because you

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<v Speaker 3>told me, or you would tell me is the score

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<v Speaker 3>is too nil? You wouldn't tell me which way. I

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<v Speaker 3>believed it was us, and I was shocked when Peru scored.

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<v Speaker 2>You shouldn't have been beaten by Peru. Should You should

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<v Speaker 2>be in the quarter finals.

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<v Speaker 3>That's why I thought we won.

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<v Speaker 2>Be you were gusted when you find out it.

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<v Speaker 3>Was so sad I was. I was looking forward to

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<v Speaker 3>spending today's show talking about how lated everybody is there.

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<v Speaker 2>Yeah, and that's a nice listen for people. Isn't it

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<v Speaker 2>to have like a delayed forty eight hours after something,

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<v Speaker 2>a breakfast show dealing with events. You know, that's a

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<v Speaker 2>real win for us. That's a usp for this show.

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<v Speaker 2>We're talking about what you care about. Two days after

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<v Speaker 2>it happened. We're in.

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<v Speaker 1>The Christian O'Connell breakfast. Joe Melbourne's gold one oh four points.

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<v Speaker 2>It's a Christian I couldnel backfast show here on god

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<v Speaker 2>one of four point three with jeans for Jean's time

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<v Speaker 2>for the Early Morning Game. Hello, Hello, you sometimes have earworms,

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<v Speaker 2>you know where There might be a song that you're

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<v Speaker 2>just totally just listening to a lot at the moments, Repeat, repeat,

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<v Speaker 2>for it might be a new song on old one

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<v Speaker 2>you rediscover that genuinely is mine. I'm finding myself walking

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<v Speaker 2>around the house. It's mumbling to myself, Hello, is it's

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<v Speaker 2>my ear one?

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<v Speaker 3>So does that make you more likely or less likely

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<v Speaker 3>to want to keep the game?

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<v Speaker 2>More likely? I like it. It fills like red up chili peppers,

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<v Speaker 2>or like a Chris Cornell kind of homage as well.

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<v Speaker 2>And I like that all right, So Jack, let's remind

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<v Speaker 2>them how does the new improved Early Morning Game? How

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<v Speaker 2>long does that list work go?

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<v Speaker 3>There's two contestants now, each will get their own list.

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<v Speaker 3>Whoever makes the biggest list is the winner of the game.

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<v Speaker 2>Boom, that's it. That's all she wrote. What all right? Cooling?

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<v Speaker 2>Now to play two? If you go back up against

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<v Speaker 2>each other next nine four one four one oh four three,

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<v Speaker 2>We've got some fantastic prizes for you. We're aiming to

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<v Speaker 2>get nine out of ten by the judge on this

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<v Speaker 2>feature Roscoe, who is primed and waiting nine four one

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<v Speaker 2>four one o four three.

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<v Speaker 1>We're playing next the Christian O'Connell Breakfast Show on Gold

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<v Speaker 1>one oh four point three.

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<v Speaker 2>This is such a great song, Dream Academy life in

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<v Speaker 2>a northern town. Pop factory about this song not gonna

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<v Speaker 2>be all ridized. This was actually produced by David Gilmour

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<v Speaker 2>of Pink Floyd. I said, with a bit more reaction, Jack,

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<v Speaker 2>you know that's a pretty good by pop factors laid

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<v Speaker 2>down there. It's just staring at me like you don't

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<v Speaker 2>know what the time is.

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<v Speaker 3>That's a very interesting Christian.

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<v Speaker 2>Thank you very much, Jacqueline. Hello, hell all right, let's

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<v Speaker 2>play this now, and we need to get nine out

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<v Speaker 2>of ten from the judge Roscoe. I've had an idea.

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<v Speaker 2>You know, we have two callers going up against each other.

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<v Speaker 2>What say today make it interesting for Rosco? We chuck

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<v Speaker 2>him in as a second contestant.

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<v Speaker 3>Oh risky, to let the judge be one of the players.

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<v Speaker 2>You've heard the game, you've marked the game, Now be

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<v Speaker 2>the game.

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<v Speaker 3>If he lose. What I'm worried about is if he

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<v Speaker 3>loses and he scores slowly.

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<v Speaker 2>Don't judge the Roscoe. He judges us partial. I know,

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<v Speaker 2>I don't know why we've got this situation either. Anyway,

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<v Speaker 2>we're here where we are.

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<v Speaker 3>He's going to give us a nine out of ten

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<v Speaker 3>this morning for the game to live on.

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<v Speaker 2>We want him to. Okay, all right, Jackie, Yes, all right, Jackie.

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<v Speaker 2>Let's find out what the three topics are.

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<v Speaker 3>What have you got, jack Nineties movies, Australian cities, race horses.

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<v Speaker 2>All right, Jackie, I'm gonna go Australian cities.

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<v Speaker 5>Off you go, Sydney, Melbourne, Brisbane, Perth.

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<v Speaker 6>Oh see Adelaide.

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<v Speaker 2>What about your capital?

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<v Speaker 6>Oh I'm sorry, I know that you're on five at the.

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<v Speaker 7>Moment, Victoria.

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<v Speaker 6>No men missed out five?

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<v Speaker 2>Are you under pressure there, Jackie? You're under pressure that

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<v Speaker 2>it might be enough? Five be enough to get the win?

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<v Speaker 2>All right now we're see stay there, Jackie. Don't worry Roscoe.

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<v Speaker 2>Good morning, Good morning, judge Roscoe. Listen to the power

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<v Speaker 2>he's wagger. Yeah, all right, So I'm going to go

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<v Speaker 2>for you. Nineties movies.

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<v Speaker 3>Off you go, pretty intink breakfast club?

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<v Speaker 2>Which one? Happy Gilmour? Yes, yeah, big guddy yep, got

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<v Speaker 2>a Soundler.

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<v Speaker 8>Oh you put me under it?

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<v Speaker 2>Oha?

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<v Speaker 3>Oh No, rather five was the score, Bill, it was.

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<v Speaker 2>There's the lowest score we've ever got on this game. Amazing.

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<v Speaker 2>I just give it.

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<v Speaker 3>Too, Jackie.

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<v Speaker 2>Jackie is the winner, jack he got the easy life. Yeah,

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<v Speaker 2>I know, he screwed it up, Jackie. The win is yours.

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<v Speaker 2>Well done, Well done, Jackie. All right, now let's go

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<v Speaker 2>to the awkward bit o Roscoe. We throw ourselves before

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<v Speaker 2>you yesterday yesterday seven point five. We need the nine

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<v Speaker 2>for the game to stay on. I'm hoping that your

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<v Speaker 2>terrible performance won't affect your witness Roscoe. I'm not bitter

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<v Speaker 2>or anything.

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<v Speaker 8>Honestly, Look I thought a better two because you put

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<v Speaker 8>me under pressure. But no, I will give you the

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<v Speaker 8>nine and a half.

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<v Speaker 7>So much Ross God, you're.

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<v Speaker 1>Rock your James stays on The Gay Stays on The

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<v Speaker 1>Christian O'Connell Breakfast Show, Melbourne's Gold one oh four point three.

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<v Speaker 2>Bon Jovi Living on a brag Good Morning Thursday Morning

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<v Speaker 2>Show number nineteen on the Christian O'Connell The Show. We

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<v Speaker 2>have a stack show today half an hour's time. He's back.

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<v Speaker 2>The smoothest man on your TV screens. Hamish macglocklin, and

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<v Speaker 2>I've got a gift for him, a brand new phrase

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<v Speaker 2>that pays. You've seen the one are going to go

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<v Speaker 2>for and this is the phrase that I will give

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<v Speaker 2>to him. And then Hamish us to work into tonight's

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<v Speaker 2>TV work that he's doing calling the games. So Hamish

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<v Speaker 2>is on in about half an hour's time. Ross Noble

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<v Speaker 2>Brilliant Comedium is also going to be on the show

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<v Speaker 2>this morning. We have something new and exciting in the

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<v Speaker 2>studio which we want to try and use in an

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<v Speaker 2>hour's time. Tomorrow's show all request like we do every Friday.

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<v Speaker 2>Now on this breakfast show, you're picking all the songs

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<v Speaker 2>between six and ten. I love this one that's coming early.

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<v Speaker 2>What a polite way to contact us, Sir slash madam,

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<v Speaker 2>Sir Madam Leo Sayer two thousand and four, Touch me

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<v Speaker 2>baby brackets. I'm always yours. CBS Records, thank you for

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<v Speaker 2>having a little bit of detail. They're like, we're going

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<v Speaker 2>to leg it down to the record library, but thank

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<v Speaker 2>you very much for getting in that early requests for

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<v Speaker 2>some classic Leo Sayer. So yesterday we finally got our

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<v Speaker 2>brand new family car. Everyone's been excited about this I's

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<v Speaker 2>been waiting for it. You may remember two weeks ago

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<v Speaker 2>my wife texted me in the middle of the show

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<v Speaker 2>and I was irritated because asking me about what color

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<v Speaker 2>it should be. And I said, listen, you're gonna be

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<v Speaker 2>driving it, you'll be doing the school right, and it's

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<v Speaker 2>your car. I don't really mind. She said, well, I'm

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<v Speaker 2>thinking about pearl white, and I went, oh, it feels

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<v Speaker 2>like like a pimps car or some of that rocking

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<v Speaker 2>around in pearl white. Just go for gray.

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<v Speaker 3>Well what's the difference between white and pearl white?

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<v Speaker 2>No idea, probably money. Yeah, you add pearl in front

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<v Speaker 2>of something, it means extra money, you know, and us

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<v Speaker 2>snobs out in the Bayside area. Oh yeah, No, I'd

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<v Speaker 2>hate to have something that North Melbourne might have, like

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<v Speaker 2>just white. You know, if you're going to be rocking

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<v Speaker 2>around in uh in the Bayside, you need pearl white.

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<v Speaker 2>So I go, yeah, I did just great. But listen,

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<v Speaker 2>it's your choice. I don't mind. I don't care. I

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<v Speaker 2>don't have an opinion on it. Really, She goes, great,

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<v Speaker 2>she bottles out of it. The car turns up yesterday.

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<v Speaker 2>This is a great car. It's fantastic. However, I come home,

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<v Speaker 2>my wife's going straight away. She doesn't say anything. She

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<v Speaker 2>just looks at me and she goes, I don't like

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<v Speaker 2>the color and cool, but you're in the car. It

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<v Speaker 2>doesn't matter. You get in the car, you drive it around,

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<v Speaker 2>it doesn't really matter. You're not aware of the color

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<v Speaker 2>once you once you use it, it's not an issue.

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<v Speaker 2>I don't like it, and the kids don't like it either.

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<v Speaker 2>I want to say, who cares? Are they paying for it?

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<v Speaker 7>All right?

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<v Speaker 2>So an eleven year old and a thirteen year old

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<v Speaker 2>don't like the color, and so they go.

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<v Speaker 3>Yes, so neutral, just what they said, don't they.

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<v Speaker 2>Go, it's so boring, dad, just because you're like wearing gray.

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<v Speaker 2>It's just another gray car. It's really boring. We wanted

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<v Speaker 2>the pearl white. Now.

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<v Speaker 3>It's not the flashiest thing I've ever heard of.

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<v Speaker 2>It's not. And it didn't help because the sales director here,

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<v Speaker 2>pretty boy Pete, he told me the the day that

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<v Speaker 2>his wife has the pearl white one of what we've got. Right,

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<v Speaker 2>I mistakenly tell my wife that and you pats you know.

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<v Speaker 2>It's like you say something a woman. It's all used

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<v Speaker 2>later on in Core is little.

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<v Speaker 4>Cross exation I did the same with our family car.

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<v Speaker 4>I still think we should have got the Navy. I

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<v Speaker 4>still don't like its.

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<v Speaker 2>Listen to what my wife has made me do. I've

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<v Speaker 2>got to call the Garrets today to say, can we

0:11:15.679 --> 0:11:18.920
<v Speaker 2>swap it? You can't. Please, don't make me do the

0:11:19.280 --> 0:11:21.840
<v Speaker 2>you call? Why make me do it?

0:11:21.840 --> 0:11:26.480
<v Speaker 4>It's probably devalued by about ten grands since you've driven it.

0:11:26.920 --> 0:11:28.880
<v Speaker 3>The packaging and you've driven it.

0:11:28.960 --> 0:11:33.080
<v Speaker 2>And also why am I calling? It's not my mistake.

0:11:33.120 --> 0:11:34.560
<v Speaker 2>I said to you you could have the white. I

0:11:34.559 --> 0:11:36.959
<v Speaker 2>don't care. No, I listened to you. That's it. I

0:11:36.960 --> 0:11:40.199
<v Speaker 2>shouldn't have done that. I've got to call them today.

0:11:40.200 --> 0:11:45.360
<v Speaker 2>Ago love the car? What a car? Can we change

0:11:45.440 --> 0:11:47.040
<v Speaker 2>it for the peol.

0:11:49.720 --> 0:11:52.120
<v Speaker 3>I just how many cases have been driven in just

0:11:52.240 --> 0:11:54.079
<v Speaker 3>I've guessing you if you had it one day, how

0:11:54.120 --> 0:11:55.079
<v Speaker 3>much have you driven it?

0:11:55.600 --> 0:11:58.520
<v Speaker 2>I think it's done, like maybe two or three k's.

0:12:00.080 --> 0:12:02.199
<v Speaker 2>That's it, all right, God delivered to us. We drove

0:12:02.280 --> 0:12:04.400
<v Speaker 2>a little ride around and they kept moaning the whole

0:12:04.440 --> 0:12:07.280
<v Speaker 2>time about the gray. It's not affecting your enjoyment of

0:12:07.320 --> 0:12:09.640
<v Speaker 2>the car. You don't know what the colors you're on

0:12:09.679 --> 0:12:10.400
<v Speaker 2>the inside.

0:12:10.920 --> 0:12:12.840
<v Speaker 3>Well, maybe if you can wind it back to zero

0:12:13.080 --> 0:12:16.120
<v Speaker 3>like they do in Farrist Feelers Dat you can take

0:12:16.160 --> 0:12:16.959
<v Speaker 3>it back to the shop.

0:12:17.080 --> 0:12:19.840
<v Speaker 2>So I'm dying to know has anyone done this before?

0:12:20.520 --> 0:12:23.280
<v Speaker 2>Is anyone listening who works for a car showroom? Do

0:12:23.800 --> 0:12:27.080
<v Speaker 2>people do this? Is it possible? And also it is

0:12:27.080 --> 0:12:30.560
<v Speaker 2>there a cost involved? Please? Could he let me know asap?

0:12:30.720 --> 0:12:33.839
<v Speaker 2>These really important questions because I'm dreading today's show ending,

0:12:34.160 --> 0:12:37.520
<v Speaker 2>I've got to make a really embarrassing call nine four

0:12:37.000 --> 0:12:39.080
<v Speaker 2>one four one O four three.

0:12:39.120 --> 0:12:42.520
<v Speaker 1>The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

0:12:42.559 --> 0:12:45.079
<v Speaker 1>point three, and.

0:12:45.040 --> 0:12:46.679
<v Speaker 2>I stays here on Gold one oh four point three.

0:12:46.720 --> 0:12:48.880
<v Speaker 2>Come on ins to Christian O'Connor Breakfast Show. Not if

0:12:48.920 --> 0:12:51.280
<v Speaker 2>you want to know what the car is? Oh yeah, nosey,

0:12:51.640 --> 0:12:53.559
<v Speaker 2>you make a judgment on you try and work out

0:12:53.559 --> 0:12:55.360
<v Speaker 2>all how much money is he on? What's he got?

0:12:56.080 --> 0:12:58.319
<v Speaker 2>All right? It's a Toyo to Kluger. And I tell

0:12:58.360 --> 0:12:59.800
<v Speaker 2>you why I got that couple of weeks ago as

0:12:59.800 --> 0:13:02.800
<v Speaker 2>an uber, because I've been living in ubers and I

0:13:02.800 --> 0:13:05.160
<v Speaker 2>got in the back, I said, go is this comfy?

0:13:05.240 --> 0:13:07.440
<v Speaker 2>What's this? He says? A Toyota Clugan And he was

0:13:07.559 --> 0:13:10.559
<v Speaker 2>really proud. He went toys to Clugar. Look, behnd you

0:13:10.600 --> 0:13:13.840
<v Speaker 2>see the boot space and I did, went impressive. He said,

0:13:14.160 --> 0:13:16.480
<v Speaker 2>I can pop up seats and net. Suddenly this four

0:13:16.559 --> 0:13:20.160
<v Speaker 2>seater goes boom seven seater. I was like, went home

0:13:20.200 --> 0:13:23.520
<v Speaker 2>and said we're getting the Toyota Clugar. My overdriver had one.

0:13:23.600 --> 0:13:24.640
<v Speaker 2>I'm so aspirational.

0:13:25.120 --> 0:13:27.000
<v Speaker 3>Anyway, what color did drive head?

0:13:27.320 --> 0:13:31.760
<v Speaker 2>Yeah? Great, That's why I went great. So anyway, it

0:13:31.760 --> 0:13:33.960
<v Speaker 2>turned up yesterday it's gray. My wife does not the

0:13:33.960 --> 0:13:36.679
<v Speaker 2>gray order my two daughters. My wife is making me

0:13:36.720 --> 0:13:39.320
<v Speaker 2>call the showroom to that ten to say can we

0:13:39.400 --> 0:13:42.559
<v Speaker 2>swap it for a pearl white one. I don't want

0:13:42.559 --> 0:13:45.319
<v Speaker 2>to make the call and I don't think we can. Jessica,

0:13:45.360 --> 0:13:48.480
<v Speaker 2>Good morning, Good morning, Jessica. How can you help me

0:13:48.559 --> 0:13:50.240
<v Speaker 2>to Have you worked for a car showroom?

0:13:50.840 --> 0:13:53.280
<v Speaker 5>Yes, I used to work for a car dealership, and

0:13:53.320 --> 0:13:53.720
<v Speaker 5>I'm sorry.

0:13:53.760 --> 0:13:57.080
<v Speaker 6>I have to say, Christian, it's an expensive order that

0:13:57.120 --> 0:13:59.920
<v Speaker 6>you've just done appreciation.

0:14:00.240 --> 0:14:02.800
<v Speaker 2>How can it be? We've just driven it to take

0:14:02.800 --> 0:14:05.880
<v Speaker 2>one of the kids to her first soccer practice yesterday.

0:14:05.840 --> 0:14:09.960
<v Speaker 3>Driving through of the soccer field, little gravel stones.

0:14:11.280 --> 0:14:12.559
<v Speaker 2>Spotless is a maculate.

0:14:13.480 --> 0:14:15.320
<v Speaker 6>As soon as you drive it out of that shy room.

0:14:15.360 --> 0:14:17.440
<v Speaker 6>That's it that can't appreciates straight away.

0:14:17.800 --> 0:14:20.040
<v Speaker 2>Come on, that's just what you say. Surely you guys

0:14:20.080 --> 0:14:21.720
<v Speaker 2>aren't going to really notice if I bring it back

0:14:21.720 --> 0:14:24.320
<v Speaker 2>in today suddenly I drive out in a pearl white one.

0:14:24.440 --> 0:14:26.560
<v Speaker 2>No one is any the wiser. You got the old

0:14:26.600 --> 0:14:29.120
<v Speaker 2>grease monkey mechanics out the back. Who can take the

0:14:29.200 --> 0:14:30.600
<v Speaker 2>miles off and do something there?

0:14:31.960 --> 0:14:33.360
<v Speaker 6>Or should have taken the pearl white?

0:14:34.480 --> 0:14:41.400
<v Speaker 2>Should I? She was told, Oh god, Jessica, you're ruining

0:14:41.440 --> 0:14:44.280
<v Speaker 2>my life, Jessica, and just go tell me this. My

0:14:44.320 --> 0:14:46.480
<v Speaker 2>wife is telling me that apparently it's more popular to

0:14:46.560 --> 0:14:50.800
<v Speaker 2>have with the pearl white and it's better for resale. Well,

0:14:51.320 --> 0:14:51.880
<v Speaker 2>it looks good.

0:14:51.920 --> 0:14:53.760
<v Speaker 6>We have black and white slim line tape.

0:14:55.280 --> 0:14:59.840
<v Speaker 2>Yeah yeah, dear, oh dear. Okay, this is uh this

0:15:00.200 --> 0:15:03.400
<v Speaker 2>bad news. Okay, Jessica, thank you, but not thank you. Okay,

0:15:03.480 --> 0:15:05.280
<v Speaker 2>but thanks cool the show, all right, have a good day.

0:15:05.800 --> 0:15:06.080
<v Speaker 3>Thank you.

0:15:06.360 --> 0:15:09.120
<v Speaker 2>Bye. Pep good a Christian?

0:15:09.200 --> 0:15:09.720
<v Speaker 5>How are you doing?

0:15:09.960 --> 0:15:14.640
<v Speaker 2>Awful? Absolutely awful? I actually think, yes, this is this

0:15:14.800 --> 0:15:17.120
<v Speaker 2>is just a terrible, terrible moment for me right now.

0:15:17.240 --> 0:15:19.200
<v Speaker 2>Pet please help me out here. You can swap the car,

0:15:19.280 --> 0:15:21.760
<v Speaker 2>can't you? You work for all Diota. Thank you very much.

0:15:23.400 --> 0:15:28.680
<v Speaker 5>Look, you know how Toyota's logo is O what a feeling? Yeah, yeah,

0:15:28.760 --> 0:15:36.680
<v Speaker 5>well you're not there, Okay, you are, as they say

0:15:36.720 --> 0:15:43.560
<v Speaker 5>in the vernacular, somewhat disadvantaged in that the vehicle.

0:15:43.680 --> 0:15:44.480
<v Speaker 1>Have you bought it?

0:15:44.560 --> 0:15:45.920
<v Speaker 5>It's registered in your name?

0:15:46.040 --> 0:15:50.560
<v Speaker 2>Yes, yes, yes, yes, yeah, you are in it. Yeah,

0:15:50.600 --> 0:15:52.440
<v Speaker 2>that's what I own it, and I can swap it.

0:15:53.240 --> 0:15:53.280
<v Speaker 1>No.

0:15:54.120 --> 0:15:56.560
<v Speaker 2>If I buy bad trainers, I own them. Swap them

0:15:56.800 --> 0:15:57.640
<v Speaker 2>for the other ones.

0:15:58.320 --> 0:16:00.560
<v Speaker 5>Not if you've gone out running in them, even one.

0:16:00.760 --> 0:16:02.640
<v Speaker 2>I haven't been running in the car. We took it

0:16:02.640 --> 0:16:03.400
<v Speaker 2>around the corner.

0:16:03.680 --> 0:16:05.480
<v Speaker 5>You've been driving, you drive out of it.

0:16:05.640 --> 0:16:08.080
<v Speaker 2>Editay had to drive it to me to bring it

0:16:08.160 --> 0:16:09.920
<v Speaker 2>to me. They must have done that. In fact, I

0:16:10.000 --> 0:16:11.720
<v Speaker 2>take that. I've just said, take it up. The podcast

0:16:11.880 --> 0:16:12.800
<v Speaker 2>hasn't been used.

0:16:13.960 --> 0:16:17.000
<v Speaker 5>Has been used, has been registered. It is now a

0:16:17.160 --> 0:16:21.280
<v Speaker 5>used car. You could sell and your dealership. You could

0:16:21.320 --> 0:16:22.520
<v Speaker 5>sell it back to the dealership.

0:16:23.760 --> 0:16:28.760
<v Speaker 1>O'Connell breakfast show on Gold one oh four point three, Christian.

0:16:28.760 --> 0:16:31.040
<v Speaker 2>If allouse fells, you can pay to have the car

0:16:31.240 --> 0:16:36.480
<v Speaker 2>finyl coated in the color of your wife. That's not

0:16:38.840 --> 0:16:41.680
<v Speaker 2>I can't go back into the house today. Mixed it.

0:16:42.520 --> 0:16:44.920
<v Speaker 2>Someone out with the special clean film kids, I've got

0:16:45.800 --> 0:16:50.360
<v Speaker 2>there's bubbles on the morning final the cars that gonna

0:16:50.440 --> 0:16:56.720
<v Speaker 2>look like I'm screwed anyway, seven nine Mornings to Christian

0:16:56.720 --> 0:16:59.040
<v Speaker 2>O'Connor Breadthor show here on God one of four point three.

0:16:59.160 --> 0:17:01.960
<v Speaker 2>So coming up with fifty minutes time, here's back the

0:17:02.080 --> 0:17:05.400
<v Speaker 2>face of swamp afl. Tonight on Channel seven, our friend

0:17:05.480 --> 0:17:08.840
<v Speaker 2>Hamish McLaughlin. We started a new game with him on

0:17:09.440 --> 0:17:12.960
<v Speaker 2>Friday's Breakfast show. We did this the phrase to work

0:17:13.040 --> 0:17:18.000
<v Speaker 2>in over the weekend. I mean flying monkeys come on

0:17:20.160 --> 0:17:24.080
<v Speaker 2>monkey as you can hear there. Hamish really loves this

0:17:24.160 --> 0:17:26.840
<v Speaker 2>new game that I've come up with. And so fast

0:17:26.880 --> 0:17:30.119
<v Speaker 2>forward to round about almost midnight. Who knew that the

0:17:30.200 --> 0:17:33.520
<v Speaker 2>show is still going on then and they're dying few

0:17:33.560 --> 0:17:35.359
<v Speaker 2>minutes but fair play. Did he do it?

0:17:35.680 --> 0:17:35.720
<v Speaker 1>No?

0:17:35.880 --> 0:17:38.200
<v Speaker 2>He got his two other former players who were there,

0:17:38.240 --> 0:17:42.520
<v Speaker 2>so was it ling? And all right? They actually say

0:17:42.560 --> 0:17:45.160
<v Speaker 2>it as soon as they flying monkeys than.

0:17:47.200 --> 0:17:48.119
<v Speaker 3>You say flying monkeys.

0:17:48.200 --> 0:17:52.240
<v Speaker 2>Yeah, flying monkeys. He's all over it once they sat.

0:17:52.480 --> 0:17:55.720
<v Speaker 2>So we've have to get him back and he's agreed

0:17:55.760 --> 0:17:57.520
<v Speaker 2>to come back on to do it properly tonight with

0:17:57.600 --> 0:18:01.000
<v Speaker 2>a brand new phrase. So users how well, I'm gonna

0:18:01.000 --> 0:18:03.000
<v Speaker 2>pick one of your phrases and we'll give it to

0:18:03.040 --> 0:18:06.320
<v Speaker 2>Hamish to work into tonight's TV show text in what

0:18:06.440 --> 0:18:09.560
<v Speaker 2>do you think the phrase should be? Four seven five

0:18:09.840 --> 0:18:12.600
<v Speaker 2>o three one oh four three. You can create a

0:18:12.640 --> 0:18:15.440
<v Speaker 2>phrase surreal that's honors anything. Let's make him work hard.

0:18:15.520 --> 0:18:17.360
<v Speaker 2>Let's make him to his monkey tap dance for once.

0:18:18.400 --> 0:18:21.880
<v Speaker 2>Four seven five o three one oh four three.

0:18:22.280 --> 0:18:25.640
<v Speaker 1>The Christian O'Connell Breakfast, Joe Melbourne's gold one oh four

0:18:25.680 --> 0:18:26.160
<v Speaker 1>point three.

0:18:27.680 --> 0:18:30.000
<v Speaker 2>I love Ody Vedder's voice, Pearl Jam Daughter, Come on,

0:18:30.080 --> 0:18:32.080
<v Speaker 2>it's to Christian O'Connor Breakfast show and gone one o

0:18:32.119 --> 0:18:35.240
<v Speaker 2>four point three. It's going up for seven thirty nine.

0:18:36.040 --> 0:18:39.159
<v Speaker 2>You're enjoying this new game. The phrase that pays with

0:18:39.359 --> 0:18:42.000
<v Speaker 2>your friend, our friend, the most beautiful man on TV.

0:18:42.840 --> 0:18:46.520
<v Speaker 2>He's there on Channel seven tonight grinning Hamish McLaughlin and

0:18:46.760 --> 0:18:49.840
<v Speaker 2>the phrases that are coming in at the moment. Oh,

0:18:49.920 --> 0:18:51.480
<v Speaker 2>we just know why we can do this. But thank

0:18:51.520 --> 0:18:53.879
<v Speaker 2>you very much. Nancy. The phrase for Hamish squeeze my

0:18:53.960 --> 0:18:58.280
<v Speaker 2>nipples and call me Nancy. Can't see how he can

0:18:58.400 --> 0:19:00.480
<v Speaker 2>work that in. I know it's a big tonight with

0:19:00.520 --> 0:19:02.359
<v Speaker 2>the Swans and app But how the hell are you

0:19:02.400 --> 0:19:05.280
<v Speaker 2>going to do that? Suddenly? Well, squeeze my nipples and

0:19:05.359 --> 0:19:06.960
<v Speaker 2>call me now is it? We got a game tonight.

0:19:07.000 --> 0:19:07.639
<v Speaker 2>As we go into the.

0:19:07.640 --> 0:19:10.040
<v Speaker 3>Second half, I feel like it actually works quite well.

0:19:10.119 --> 0:19:14.600
<v Speaker 2>All right, Yeah, Christian, he should say purple monkey dishwasher.

0:19:14.600 --> 0:19:15.680
<v Speaker 3>Shout out to the Simpsons.

0:19:15.840 --> 0:19:19.639
<v Speaker 2>Yeah, hey, what about raspberry sorbet? It's from Catherine? No,

0:19:20.320 --> 0:19:22.600
<v Speaker 2>holy guacamole, it's another one.

0:19:23.440 --> 0:19:23.919
<v Speaker 1>I like that.

0:19:25.800 --> 0:19:28.960
<v Speaker 2>He's got more feet than legs. That's too easy, you know,

0:19:29.080 --> 0:19:32.439
<v Speaker 2>when there's a player who's trumbling around with the ball. Christian,

0:19:32.440 --> 0:19:35.600
<v Speaker 2>what about Hamish to suddenly say my wife's in labor.

0:19:37.320 --> 0:19:42.800
<v Speaker 2>Dell is suggesting chicken, schnitzel and chips. All right, keep

0:19:42.840 --> 0:19:46.320
<v Speaker 2>this coming, Hamish is Lizzie right now? Probably squeaky bum time?

0:19:46.440 --> 0:19:49.600
<v Speaker 2>That might be another phrase text in four seven five

0:19:50.320 --> 0:19:52.680
<v Speaker 2>three one oh four three. Hamish is up next the

0:19:52.920 --> 0:19:57.000
<v Speaker 2>Christian O'Connell Breakfast Show on Gold one oh four point three.

0:19:57.320 --> 0:19:59.919
<v Speaker 2>On as the Christian O'Connor Breakfast Show on Gold one

0:20:00.200 --> 0:20:04.119
<v Speaker 2>four point three. Let's get Hamish McLaughlin back on Good Morning, Hamish.

0:20:04.520 --> 0:20:07.639
<v Speaker 9>Morning, Christian jacko nickol be lurking around somewhere, so morning to.

0:20:07.640 --> 0:20:11.480
<v Speaker 2>You, Nick, Hey, how are you legend? Very very well,

0:20:11.680 --> 0:20:12.000
<v Speaker 2>very well?

0:20:12.280 --> 0:20:13.760
<v Speaker 9>Germany out of the World Cup. But I know that's

0:20:13.760 --> 0:20:15.960
<v Speaker 9>what we're talking about. We're talking about the AFL tonight

0:20:16.320 --> 0:20:19.720
<v Speaker 9>seven pm on seven, Tigers v. Swans and this phrase

0:20:19.800 --> 0:20:20.280
<v Speaker 9>that pays.

0:20:20.320 --> 0:20:20.720
<v Speaker 2>I love this.

0:20:21.200 --> 0:20:23.560
<v Speaker 3>No one's paying anyone anything regardless.

0:20:23.119 --> 0:20:27.159
<v Speaker 2>Of what happens. So listen, have you heard some of

0:20:27.160 --> 0:20:29.639
<v Speaker 2>the ones that the listeners have been coming up with.

0:20:30.840 --> 0:20:32.560
<v Speaker 2>Squeeze my nipples.

0:20:32.160 --> 0:20:35.000
<v Speaker 3>And call me Nancy, Tigers get four in a row.

0:20:36.359 --> 0:20:38.440
<v Speaker 2>Works, That's not working.

0:20:39.040 --> 0:20:41.680
<v Speaker 9>My wife said, labor Mum would be texting straight.

0:20:41.400 --> 0:20:44.600
<v Speaker 2>Away and your wife, she want to know what's going on.

0:20:45.680 --> 0:20:47.880
<v Speaker 9>You imagine if I said, if you said you can't

0:20:47.960 --> 0:20:50.160
<v Speaker 9>touch this, thes have a time, Bruce Becovanie would look

0:20:50.160 --> 0:20:51.919
<v Speaker 9>at me and go, whoa that.

0:20:51.920 --> 0:20:52.560
<v Speaker 2>Can be on?

0:20:52.640 --> 0:20:55.000
<v Speaker 3>You actually used every week hand Yeah.

0:20:55.560 --> 0:20:58.120
<v Speaker 2>Yeah, yeah, this is the worst game.

0:20:58.320 --> 0:21:00.480
<v Speaker 9>All I can do is get it right or be

0:21:00.560 --> 0:21:02.800
<v Speaker 9>looked at sideways from one of the greatest broadcasters of

0:21:02.800 --> 0:21:05.399
<v Speaker 9>all time, or be sort of heckled the next day

0:21:05.440 --> 0:21:06.399
<v Speaker 9>for getting it wrong by you.

0:21:06.720 --> 0:21:08.040
<v Speaker 2>No, no, no, that's not going to happen.

0:21:08.080 --> 0:21:08.280
<v Speaker 10>I know.

0:21:08.440 --> 0:21:10.720
<v Speaker 2>Let's fast forward. I know tomorrow morning, there's gonna be

0:21:10.800 --> 0:21:13.119
<v Speaker 2>nothing but kudos given to you because you are going

0:21:13.200 --> 0:21:17.560
<v Speaker 2>to smash this one. I have chosen a phrase, so it's.

0:21:17.400 --> 0:21:21.560
<v Speaker 9>All it's you who chooses is of course? Okay, and Jacko,

0:21:21.720 --> 0:21:24.200
<v Speaker 9>just before we get this, are there any rules? Last week,

0:21:24.240 --> 0:21:26.440
<v Speaker 9>when Lingy and Jimmy Bartel went with it first and

0:21:26.520 --> 0:21:28.959
<v Speaker 9>I threw it over the top, that was deemed by

0:21:29.080 --> 0:21:31.919
<v Speaker 9>the phrase that pays committee as being high treason.

0:21:31.960 --> 0:21:33.320
<v Speaker 2>So just let me get the rules.

0:21:33.560 --> 0:21:37.920
<v Speaker 3>It was determined that you deferred the contest to somebody else.

0:21:38.280 --> 0:21:41.520
<v Speaker 3>The rules today you have to say it first, and

0:21:41.760 --> 0:21:44.120
<v Speaker 3>it's going to be before eleven forty five pm.

0:21:44.920 --> 0:21:49.359
<v Speaker 2>Yeah, okay, I get that. You ready? Okay? Sure, okay.

0:21:49.440 --> 0:21:55.800
<v Speaker 2>The phrase that pays, oh, missus meggans.

0:21:57.680 --> 0:22:00.879
<v Speaker 3>What I didn't know what I meant either, and it

0:22:00.960 --> 0:22:02.200
<v Speaker 3>turns out it doesn't mean anything.

0:22:03.080 --> 0:22:05.480
<v Speaker 2>Okay. The phrase that pays for you to work into

0:22:05.600 --> 0:22:09.200
<v Speaker 2>tonight's work is oh, missus mggins.

0:22:10.320 --> 0:22:13.960
<v Speaker 9>Oh that that is actually I think it's impossible, no

0:22:14.880 --> 0:22:16.719
<v Speaker 9>doing that, Missus miggans.

0:22:16.800 --> 0:22:18.879
<v Speaker 2>See there you go, already, you're get in the field

0:22:18.920 --> 0:22:21.240
<v Speaker 2>of it. You're playing with What does it mean? Does matter?

0:22:21.880 --> 0:22:24.360
<v Speaker 2>None of these phrases need to mean anything. What does

0:22:24.440 --> 0:22:26.920
<v Speaker 2>banana hammock mean? Actually, we do know what that will means.

0:22:26.960 --> 0:22:30.240
<v Speaker 3>So coming out with a new catch phrase means that

0:22:30.280 --> 0:22:32.440
<v Speaker 3>you got to take It doesn't need to be derivative

0:22:32.440 --> 0:22:33.080
<v Speaker 3>of anything else.

0:22:33.160 --> 0:22:36.879
<v Speaker 2>It can just be brand new and oh, missus Higgins,

0:22:36.920 --> 0:22:37.639
<v Speaker 2>you can easily do that.

0:22:38.119 --> 0:22:38.320
<v Speaker 11>Wow.

0:22:38.440 --> 0:22:40.960
<v Speaker 2>We look at a kick that was Oh missus Miggins.

0:22:41.040 --> 0:22:43.359
<v Speaker 2>Can you see that I've done it for you?

0:22:44.960 --> 0:22:47.600
<v Speaker 9>Yeah, but you're not live in front of a national

0:22:47.640 --> 0:22:50.120
<v Speaker 9>audience that would be thinking what a dick.

0:22:50.440 --> 0:22:52.400
<v Speaker 2>No, they're not. They're going to go wow. We I'm

0:22:52.440 --> 0:22:55.280
<v Speaker 2>liking this new hamish. He needs a few new catchphrases.

0:22:55.359 --> 0:22:59.560
<v Speaker 2>This is great. Oh missus Miggins, you were that way

0:22:59.720 --> 0:23:00.560
<v Speaker 2>that works as well.

0:23:01.400 --> 0:23:06.520
<v Speaker 9>Okay, this is unlikely to happen, but come on and

0:23:07.080 --> 0:23:09.440
<v Speaker 9>we trush, come on, Okay.

0:23:10.400 --> 0:23:11.040
<v Speaker 3>Rest assured.

0:23:11.040 --> 0:23:13.760
<v Speaker 9>I'll be trying very hard to get oh missus Miggins

0:23:13.920 --> 0:23:17.920
<v Speaker 9>in at some point with absolutely no context at all,

0:23:18.000 --> 0:23:20.879
<v Speaker 9>when one is playing two on a Thursday night on

0:23:21.000 --> 0:23:23.560
<v Speaker 9>a free to air audience, it's fantastic.

0:23:23.800 --> 0:23:27.400
<v Speaker 2>Ye okay, so listen, I said my wife's in labor.

0:23:27.440 --> 0:23:30.919
<v Speaker 2>That's somehow seems easy. No, no, oh missus mggins.

0:23:32.160 --> 0:23:35.720
<v Speaker 3>Okay, just say hey, am I got something for you?

0:23:36.440 --> 0:23:39.720
<v Speaker 3>Is Richmond player Jack Higgins playing tonight? Maybe you could

0:23:39.720 --> 0:23:42.040
<v Speaker 3>go yeah that That's the only thing I was thinking,

0:23:42.400 --> 0:23:44.240
<v Speaker 3>Missus Higgins. It's Jack Higgins.

0:23:45.240 --> 0:23:49.200
<v Speaker 2>That's not the phrase. That's not the phrase, the phrases.

0:23:50.040 --> 0:23:55.200
<v Speaker 2>The phrase is simply, oh, missus mggins, how how is

0:23:55.280 --> 0:23:56.040
<v Speaker 2>that going to work?

0:23:56.200 --> 0:23:57.800
<v Speaker 7>That's for you to work out, my friend.

0:23:57.920 --> 0:24:00.919
<v Speaker 2>I'll be watching tonight, that's all. Wait, sure, we're watching

0:24:01.160 --> 0:24:04.280
<v Speaker 2>Channel seven Great game and the other great game. The

0:24:04.320 --> 0:24:05.960
<v Speaker 2>phrase that bays Hamish good luck.

0:24:07.640 --> 0:24:11.000
<v Speaker 1>The Christian O'Connell Breakfast show, Melbourne's Gold one oh four

0:24:11.080 --> 0:24:11.560
<v Speaker 1>point three.

0:24:12.359 --> 0:24:14.600
<v Speaker 2>That's an exists and listen love the good mon next

0:24:14.640 --> 0:24:17.080
<v Speaker 2>to Christian O'Connor Bedford Show are Gold one of four

0:24:17.119 --> 0:24:21.040
<v Speaker 2>point three, eleven minutes past eight Thursday morning. So there's

0:24:21.040 --> 0:24:23.600
<v Speaker 2>all buzz coming through you speakers. That is the familiar

0:24:23.640 --> 0:24:25.840
<v Speaker 2>buzz to some of us of a certain age of

0:24:25.960 --> 0:24:28.880
<v Speaker 2>a vinyl player. We've plugged it into the desk. Yesterday's

0:24:28.880 --> 0:24:30.480
<v Speaker 2>song brought me as a present. How about this a

0:24:30.640 --> 0:24:33.720
<v Speaker 2>vinyl player? We think about getting one and then wasting

0:24:33.800 --> 0:24:35.720
<v Speaker 2>my money buying about the vinyl that I gave away

0:24:35.920 --> 0:24:37.880
<v Speaker 2>decades ago. Though wish I'd home on too now because

0:24:37.880 --> 0:24:41.080
<v Speaker 2>it's worth a fortune and Producer Becks, So if you

0:24:41.080 --> 0:24:43.080
<v Speaker 2>have ever called the show, you probably speak to Producer Breaks.

0:24:43.119 --> 0:24:45.760
<v Speaker 2>She's great and she kindly brought in a load of

0:24:45.840 --> 0:24:49.520
<v Speaker 2>her vinyls. She's got some great stuff, including one that

0:24:49.600 --> 0:24:53.680
<v Speaker 2>leapt out straight away, Violent Fames Dave Barkle brilliant album

0:24:54.040 --> 0:24:57.200
<v Speaker 2>and track four Blister on the Sun. I love that song.

0:24:57.680 --> 0:25:00.320
<v Speaker 2>So we've plugged this in. We should be able to

0:25:00.359 --> 0:25:02.080
<v Speaker 2>play you. I think this will be a first for

0:25:02.119 --> 0:25:04.280
<v Speaker 2>Melbourne Radio on a breakfast show for quite a few years.

0:25:04.680 --> 0:25:06.560
<v Speaker 2>We're going to play a song on vinyl now.

0:25:06.720 --> 0:25:08.840
<v Speaker 3>Or did you start your career playing songs off vinyl?

0:25:08.920 --> 0:25:11.600
<v Speaker 2>Yeah, when I first started in college radio, and even

0:25:12.080 --> 0:25:15.119
<v Speaker 2>my first radio show twenty years ago was vinyl. You

0:25:15.240 --> 0:25:17.199
<v Speaker 2>just have to just spend like twenty minutes getting all

0:25:17.240 --> 0:25:20.000
<v Speaker 2>out the record library. Now it's just a hard drive,

0:25:20.040 --> 0:25:20.600
<v Speaker 2>it's just there.

0:25:20.800 --> 0:25:22.640
<v Speaker 3>So this little hun that we can hear. You put

0:25:22.720 --> 0:25:24.320
<v Speaker 3>up with that just the whole time on radio and

0:25:24.400 --> 0:25:24.920
<v Speaker 3>back in the day.

0:25:25.520 --> 0:25:27.280
<v Speaker 2>But I'll tell you what you're about to hear. This

0:25:27.400 --> 0:25:29.240
<v Speaker 2>is a musical education for some of the younger people

0:25:29.280 --> 0:25:32.119
<v Speaker 2>listening right now, there'll be a crackle when that needle

0:25:32.200 --> 0:25:35.000
<v Speaker 2>hits the groove and is the best most exciting sound

0:25:35.160 --> 0:25:38.359
<v Speaker 2>in radio. And you know I love Spotify and all that. However,

0:25:38.680 --> 0:25:42.200
<v Speaker 2>nothing replaces that warm, deeper sound you get from the

0:25:42.320 --> 0:25:45.320
<v Speaker 2>needle on the grooves just before the music kicks in.

0:25:45.359 --> 0:25:47.960
<v Speaker 2>It's the anticipation, it's part of the ritual. Even earlier,

0:25:47.960 --> 0:25:50.480
<v Speaker 2>I was just getting the vinyl out. I was looking

0:25:50.520 --> 0:25:51.919
<v Speaker 2>at how it used to be, the great days when

0:25:51.920 --> 0:25:54.560
<v Speaker 2>there were side one and side too, and you get

0:25:54.600 --> 0:25:57.159
<v Speaker 2>out the sleeve and you're putting it on. It all

0:25:57.240 --> 0:25:58.920
<v Speaker 2>takes a while to set up, and he's so excited

0:25:58.920 --> 0:26:01.520
<v Speaker 2>about the music that's about to come. So I needed

0:26:01.520 --> 0:26:03.680
<v Speaker 2>to take it to track four, side to.

0:26:04.520 --> 0:26:07.520
<v Speaker 3>I don't have much experience with the needle dropping the

0:26:07.560 --> 0:26:09.520
<v Speaker 3>needle on, but here.

0:26:09.440 --> 0:26:15.720
<v Speaker 2>We we gently, gently jack gently track four.

0:26:16.520 --> 0:26:17.880
<v Speaker 3>I'm just looking for the fourth group.

0:26:18.000 --> 0:26:23.879
<v Speaker 2>That's it. Ain't wait now, I did you need to

0:26:23.920 --> 0:26:27.320
<v Speaker 2>go back a bit? M hm. This is called one

0:26:27.320 --> 0:26:31.360
<v Speaker 2>of four point three paying you Finyl Vinyl Violent Femmes.

0:26:33.200 --> 0:26:43.480
<v Speaker 7>Enjoy listen to that crackle.

0:26:48.680 --> 0:26:50.760
<v Speaker 2>There you go. That is viol and Fems Blister of

0:26:50.840 --> 0:26:53.720
<v Speaker 2>the Sun on vinyl, folks, you need to need lock

0:26:53.760 --> 0:27:01.760
<v Speaker 2>otherwise going to stranger the next track. Man, Sorry Melbourne,

0:27:01.760 --> 0:27:07.080
<v Speaker 2>your ears? Ah, how you enjoyed that we did? That

0:27:07.320 --> 0:27:10.840
<v Speaker 2>sounded great? You good? Amit? I mean, obviously you're a millennial.

0:27:11.040 --> 0:27:14.399
<v Speaker 2>Didn't you appreciate how warm and fuzzy that sounded?

0:27:14.440 --> 0:27:14.600
<v Speaker 7>Well?

0:27:14.600 --> 0:27:16.439
<v Speaker 3>It reminds me of my parents, and I'm actually excited

0:27:16.480 --> 0:27:18.600
<v Speaker 3>to go home tonight and look through my dad's record

0:27:18.640 --> 0:27:20.840
<v Speaker 3>collection and see what I can bring in for tomorrow show.

0:27:20.960 --> 0:27:24.080
<v Speaker 2>So I'm thinking, is that sounded so good? It was

0:27:24.119 --> 0:27:26.640
<v Speaker 2>so much fun playing vinyl? I guarantee if you flick

0:27:26.720 --> 0:27:28.720
<v Speaker 2>up and down the dial. Most radio stations don't have

0:27:28.800 --> 0:27:31.480
<v Speaker 2>a vinyl player. The only reason we've got one is

0:27:31.480 --> 0:27:33.720
<v Speaker 2>because someone brought one for me yesterday as a present.

0:27:33.760 --> 0:27:34.920
<v Speaker 2>So I thought we could have some fun with this.

0:27:35.520 --> 0:27:39.200
<v Speaker 2>So my old local pub these are a thing every

0:27:39.280 --> 0:27:42.600
<v Speaker 2>Thursday called Vinyl Thursday, where you could turn up with

0:27:42.760 --> 0:27:44.560
<v Speaker 2>vinyl and you put your name down on a waiting

0:27:44.600 --> 0:27:47.800
<v Speaker 2>this because we civilized, were English, everyone likes to qbe

0:27:47.920 --> 0:27:50.600
<v Speaker 2>and wait. We'd have a list and put down kind

0:27:50.640 --> 0:27:55.760
<v Speaker 2>it turn up on and so you wait for your turn,

0:27:55.840 --> 0:27:57.800
<v Speaker 2>and then you would play a song and I still

0:27:57.800 --> 0:27:59.600
<v Speaker 2>love this. It's like a kind of ve I kind

0:27:59.600 --> 0:28:01.840
<v Speaker 2>of dube. Now. We start this a couple of weeks

0:28:01.840 --> 0:28:03.960
<v Speaker 2>ago on Friday's break for show where it's all requests,

0:28:03.960 --> 0:28:05.720
<v Speaker 2>and I mean every single song we play is picked

0:28:05.760 --> 0:28:08.000
<v Speaker 2>by you. We're doing the last couple of Fridays and

0:28:08.080 --> 0:28:11.320
<v Speaker 2>it sounds amazing Tomorrow, wouldn't it be great? We've got

0:28:11.359 --> 0:28:14.560
<v Speaker 2>the vinyl player. Do any of you have any vinyl?

0:28:15.040 --> 0:28:18.400
<v Speaker 2>A you fancy dropping it in tomorrow to us here

0:28:18.760 --> 0:28:21.879
<v Speaker 2>during the show. You can come on up and you

0:28:21.960 --> 0:28:23.800
<v Speaker 2>can put your own song on. I'll put your name

0:28:23.840 --> 0:28:28.120
<v Speaker 2>on the list first, yeahst in reception. Then you come

0:28:28.200 --> 0:28:30.000
<v Speaker 2>up in the lift to level two where we broadcasts

0:28:30.000 --> 0:28:32.280
<v Speaker 2>from you come and see us with the vinyl. So

0:28:32.400 --> 0:28:34.680
<v Speaker 2>have any of you got vinyl? What have you got?

0:28:35.000 --> 0:28:37.240
<v Speaker 2>And could you make it here tomorrow morning between six

0:28:37.440 --> 0:28:39.800
<v Speaker 2>and ten. Okay, so we're going to hold kind of

0:28:39.840 --> 0:28:42.160
<v Speaker 2>like open auditions right now. All right, let us know

0:28:42.280 --> 0:28:44.400
<v Speaker 2>what vinyl have you got? What could we be playing

0:28:44.440 --> 0:28:47.080
<v Speaker 2>on our new vinyl player tomorrow as we take radio

0:28:47.280 --> 0:28:51.240
<v Speaker 2>back decades nine one O four three Give us a

0:28:51.280 --> 0:28:52.640
<v Speaker 2>call nine four four one.

0:28:53.240 --> 0:28:57.520
<v Speaker 1>Christian O'Connell Breakfast Show on Gold one oh four point three.

0:28:59.720 --> 0:28:59.960
<v Speaker 7>Club.

0:29:00.280 --> 0:29:02.840
<v Speaker 2>I'm a comedian coome onst to Christian o'clor Breakfast show

0:29:02.880 --> 0:29:06.200
<v Speaker 2>on Gold one oh four point three. We're taking radio

0:29:06.240 --> 0:29:09.760
<v Speaker 2>back proper old school now. I've got a vinyl turntable.

0:29:09.920 --> 0:29:13.400
<v Speaker 2>We've plugged it into the studio desk here. Obviously, music

0:29:13.520 --> 0:29:15.400
<v Speaker 2>now on radios up and down the dal all over

0:29:15.400 --> 0:29:17.240
<v Speaker 2>the world. It still coming off hard drive. But the

0:29:17.280 --> 0:29:19.800
<v Speaker 2>best musical format in the world is vinyl. We just

0:29:19.880 --> 0:29:22.200
<v Speaker 2>tested out early by playing in full great song Blister

0:29:22.240 --> 0:29:25.000
<v Speaker 2>and the Sun by Violent fans. It sounded great. PRODUCEA

0:29:25.000 --> 0:29:26.560
<v Speaker 2>Becks has brought a load of vinus. We can test

0:29:26.600 --> 0:29:28.720
<v Speaker 2>this out this morning. I'm looking now at a compilation

0:29:29.800 --> 0:29:31.600
<v Speaker 2>double album. Let's do it.

0:29:31.880 --> 0:29:33.800
<v Speaker 3>I've never seen a compilation vinyl.

0:29:34.120 --> 0:29:36.960
<v Speaker 2>They used to be great summer nineteen ninety. There were

0:29:37.120 --> 0:29:41.440
<v Speaker 2>some great songs out there. They got Farsie with Communication, Madonna,

0:29:44.280 --> 0:29:47.320
<v Speaker 2>True Blue So Fine, Young Cannibals, Jenny Morris, don't remember

0:29:47.360 --> 0:29:50.360
<v Speaker 2>Jenny Morris, Alice Cooper on side too.

0:29:50.440 --> 0:29:52.680
<v Speaker 3>And everyone made the transition from vinyl to CD.

0:29:52.920 --> 0:29:55.160
<v Speaker 2>Sadly not my friend. There were casualties, and Jenny Morris

0:29:55.240 --> 0:29:58.880
<v Speaker 2>was one of them. Bobby Brown don't be cruel every

0:29:58.880 --> 0:30:02.000
<v Speaker 2>little step and then this, can you cure this up? Then?

0:30:02.320 --> 0:30:04.160
<v Speaker 2>Let me just turn it up. It sounds like crackle.

0:30:04.240 --> 0:30:08.400
<v Speaker 2>This is our turntable Easy mixed Master Mike Motley Crue

0:30:09.680 --> 0:30:17.800
<v Speaker 2>Dot to feel Good for track foury track four four Yeah,

0:30:19.440 --> 0:30:23.120
<v Speaker 2>Finyl Baby Vinyl track four Motney Crue dot to feel Good.

0:30:26.240 --> 0:30:28.240
<v Speaker 2>All right, So we want to know do you have vinyl?

0:30:28.960 --> 0:30:32.000
<v Speaker 2>Do you fancy dropping in tomorrow and us sticking some

0:30:32.120 --> 0:30:33.520
<v Speaker 2>of it on an all request Friday?

0:30:35.240 --> 0:30:35.560
<v Speaker 7>Nicole?

0:30:35.680 --> 0:30:39.040
<v Speaker 2>Good morning, Good morning, Nicole. So have you got some

0:30:39.200 --> 0:30:40.760
<v Speaker 2>vinyl for us? Oh?

0:30:40.920 --> 0:30:41.560
<v Speaker 6>A few hundred?

0:30:42.080 --> 0:30:43.840
<v Speaker 2>Have you really? That'll be worth a fortune?

0:30:43.920 --> 0:30:46.800
<v Speaker 6>Now, yeah, they probably will. And every time I think

0:30:47.120 --> 0:30:49.920
<v Speaker 6>I should do this myself of them, they just scream

0:30:49.960 --> 0:30:51.080
<v Speaker 6>at me, your nuts?

0:30:52.960 --> 0:30:54.640
<v Speaker 2>What have you got? Then? Take us through? What's some

0:30:54.680 --> 0:30:58.640
<v Speaker 2>of the highlights, What some of the hits I've got?

0:30:58.880 --> 0:31:03.000
<v Speaker 6>Slayer like Got Chicago. I'm giggling about the culture Club

0:31:03.040 --> 0:31:08.120
<v Speaker 6>that you just play the vinyls Hush single Sweet Gary.

0:31:07.960 --> 0:31:13.440
<v Speaker 2>Moore from Gary more from Yeah We Do Great Taste.

0:31:15.000 --> 0:31:21.440
<v Speaker 6>Yes, you've got the Blue I've got Public cru Ripper

0:31:23.080 --> 0:31:25.720
<v Speaker 6>as compilation cat better.

0:31:27.800 --> 0:31:30.800
<v Speaker 2>Right, Okay, listen, sounds like our actual playlist. So we

0:31:30.920 --> 0:31:32.720
<v Speaker 2>need you in here tomorrow, Nicole, can we get you

0:31:32.760 --> 0:31:34.560
<v Speaker 2>in tomorrow from Frankston VESSI coming.

0:31:34.440 --> 0:31:37.120
<v Speaker 6>In absolutely sounds like a plan.

0:31:37.400 --> 0:31:39.640
<v Speaker 2>Brilliant, Okay, So I mean not sure we've got room

0:31:39.840 --> 0:31:41.880
<v Speaker 2>to get all six hundred on tomorrow show. I try

0:31:41.920 --> 0:31:44.920
<v Speaker 2>my best, but we're definitely go through some of those.

0:31:44.920 --> 0:31:49.320
<v Speaker 6>All right, Nicole fantasy, I've been a selection, all right, Okay.

0:31:49.400 --> 0:31:51.440
<v Speaker 2>Let us know the new fancy coming in tomorrow with

0:31:51.520 --> 0:31:55.280
<v Speaker 2>your vinyl on nine four one four three Travelers on

0:31:55.320 --> 0:31:55.560
<v Speaker 2>the way.

0:31:55.720 --> 0:32:00.040
<v Speaker 1>The Christian O'Connell Breakfast Show on Gold one oh four point.

0:31:59.800 --> 0:32:05.520
<v Speaker 2>Three, Very visors, Learn to Fly. It is coming up

0:32:05.560 --> 0:32:06.960
<v Speaker 2>for twenty to nine. I hope you well this morning.

0:32:06.960 --> 0:32:09.200
<v Speaker 2>Thanks for tuning in. It's a Christian O'Connor breakfast show

0:32:09.360 --> 0:32:11.360
<v Speaker 2>on Gold one a four point three. So I'm having

0:32:11.400 --> 0:32:14.920
<v Speaker 2>fun with this vinyl turntable. I've got someone gave it

0:32:15.000 --> 0:32:16.320
<v Speaker 2>to me to stay as a present. I've plugged it

0:32:16.360 --> 0:32:19.880
<v Speaker 2>into to the station. We've kind of hard wine old technology,

0:32:20.200 --> 0:32:23.280
<v Speaker 2>old analog meet digital. That's what we've done this morning.

0:32:23.320 --> 0:32:25.320
<v Speaker 3>Maybe that's why we were getting all those area messages

0:32:25.320 --> 0:32:26.440
<v Speaker 3>at six o'clock this morning.

0:32:26.560 --> 0:32:27.160
<v Speaker 7>I didn't like it.

0:32:27.480 --> 0:32:30.160
<v Speaker 2>It does not compute. And so we're going tomorrow on

0:32:30.200 --> 0:32:32.520
<v Speaker 2>our all Request Friday show is if you've got vinyl,

0:32:32.600 --> 0:32:36.320
<v Speaker 2>any fancy dropp an instring him by ours here in Richmond,

0:32:36.760 --> 0:32:39.000
<v Speaker 2>then come on up. We'll stick some of your music on.

0:32:39.200 --> 0:32:41.240
<v Speaker 2>What I need to teach you to do because you'll

0:32:41.240 --> 0:32:43.880
<v Speaker 2>buy the turntable, whether it's side the studio desk. There's

0:32:43.920 --> 0:32:45.520
<v Speaker 2>an art to queuing up a song on the radio.

0:32:45.560 --> 0:32:47.120
<v Speaker 2>You never would have had to worry about this, but

0:32:47.160 --> 0:32:48.960
<v Speaker 2>I had to do this when I started radio. You

0:32:49.040 --> 0:32:50.640
<v Speaker 2>give it, look at, you find out where it starts,

0:32:50.680 --> 0:32:53.640
<v Speaker 2>and you take it back. You take it back like

0:32:53.760 --> 0:32:55.720
<v Speaker 2>three quarters and then when you hit play it.

0:32:57.400 --> 0:32:59.720
<v Speaker 3>So you weren't having to actually drop the needle onlike us.

0:33:00.120 --> 0:33:01.360
<v Speaker 2>What do you think what I used to sound like?

0:33:01.680 --> 0:33:03.320
<v Speaker 2>Like that? W just said? Did you go, hey it's

0:33:03.360 --> 0:33:07.120
<v Speaker 2>Tampa stay. Oh that's not the right one said.

0:33:09.160 --> 0:33:11.720
<v Speaker 3>I'm happy to be the DJ to tomorrow though people trust.

0:33:11.560 --> 0:33:14.480
<v Speaker 2>Me with the records. But yes, let's do that. Joe,

0:33:14.560 --> 0:33:16.880
<v Speaker 2>Good morning, Good morning, Saw.

0:33:16.880 --> 0:33:17.320
<v Speaker 8>We're traveling.

0:33:17.760 --> 0:33:19.880
<v Speaker 2>We're traveling pretty well. See do you faste swinging by

0:33:19.920 --> 0:33:21.080
<v Speaker 2>tomorrow with some of your vinyl?

0:33:21.840 --> 0:33:23.360
<v Speaker 8>I'd be there at the drop of the hat.

0:33:23.480 --> 0:33:25.160
<v Speaker 2>Oh please do What have you got? What could we

0:33:25.240 --> 0:33:25.920
<v Speaker 2>be playing tomorrow?

0:33:26.000 --> 0:33:29.400
<v Speaker 8>Joel, I've got I've got a des equation which I

0:33:29.440 --> 0:33:31.000
<v Speaker 8>pick and choose as I go when I'm out hugging

0:33:31.080 --> 0:33:34.000
<v Speaker 8>the vinyls. But I'd like to bring in kisses double

0:33:34.000 --> 0:33:34.400
<v Speaker 8>play them.

0:33:35.040 --> 0:33:38.600
<v Speaker 2>You've got double platinum of kiss Yes, I'll be worth

0:33:38.680 --> 0:33:40.880
<v Speaker 2>quite a bit. Kiss fans spending a lot of money

0:33:40.920 --> 0:33:43.120
<v Speaker 2>buying up old original vinyl pressings.

0:33:43.440 --> 0:33:45.200
<v Speaker 8>There is a small crease in the color, but it's

0:33:45.280 --> 0:33:47.560
<v Speaker 8>original pressing. With the cash blank of records to we

0:33:47.600 --> 0:33:48.120
<v Speaker 8>get inside?

0:33:48.520 --> 0:33:50.520
<v Speaker 2>Well, have you gone on eBay or any of the

0:33:50.600 --> 0:33:52.320
<v Speaker 2>record shops online to see what that's worth?

0:33:53.520 --> 0:33:55.280
<v Speaker 8>I've tried to, but every time I look it up,

0:33:55.720 --> 0:33:57.720
<v Speaker 8>especially with record shops, they can't tell you till they

0:33:57.800 --> 0:33:59.040
<v Speaker 8>see it, and then when they do look at it,

0:33:59.080 --> 0:34:01.680
<v Speaker 8>they generally go by the sorry to.

0:34:01.680 --> 0:34:08.520
<v Speaker 2>Hear that, bloody Pommy pound all right? And Joe, what's

0:34:08.560 --> 0:34:09.960
<v Speaker 2>on the double leven? What have you got on the

0:34:10.080 --> 0:34:11.040
<v Speaker 2>Detroit Rock City?

0:34:11.840 --> 0:34:17.920
<v Speaker 8>Detroit Rock City Hard Luck woman Strata she I do

0:34:18.080 --> 0:34:19.080
<v Speaker 8>believe theft's on there?

0:34:21.719 --> 0:34:25.839
<v Speaker 2>On that or not? I think it is what a song?

0:34:26.160 --> 0:34:30.120
<v Speaker 2>Love gun very subtle as well, I mean it's Sharan's

0:34:30.160 --> 0:34:36.480
<v Speaker 2>never going to write a song as Subtler's love Gun Joe, Joe,

0:34:36.640 --> 0:34:40.520
<v Speaker 2>we'll see you tomorrow morning. Okay, all right, now, let's

0:34:40.520 --> 0:34:42.080
<v Speaker 2>see if we can get someone we met last week

0:34:42.160 --> 0:34:47.400
<v Speaker 2>on the show. DJ Steve Strange. Good morning, DJ Steve Strange,

0:34:48.200 --> 0:34:49.040
<v Speaker 2>Good morning Christian.

0:34:49.080 --> 0:34:49.400
<v Speaker 3>How are you?

0:34:49.560 --> 0:34:51.960
<v Speaker 2>I'm pretty good? Listen to that voice. Welcome back to

0:34:52.000 --> 0:34:54.000
<v Speaker 2>the show. Now, buddy, you must be DJing tonight. Where

0:34:54.040 --> 0:34:55.520
<v Speaker 2>about you're going to be give yourself a plug.

0:34:56.200 --> 0:34:57.200
<v Speaker 8>I'm not on tonight.

0:34:57.280 --> 0:34:58.319
<v Speaker 3>I'm actually on right now.

0:34:58.400 --> 0:34:59.600
<v Speaker 6>As the Gami's reser.

0:35:01.880 --> 0:35:05.040
<v Speaker 11>Early Morning DJ says, stay early morning, bingo. Believe it,

0:35:05.080 --> 0:35:08.120
<v Speaker 11>I like I am while people having a breakfast. You're

0:35:08.120 --> 0:35:10.200
<v Speaker 11>playing the hits, not the hits.

0:35:10.320 --> 0:35:13.759
<v Speaker 2>This is actually traditional bingo. Oh I see it. Read

0:35:13.960 --> 0:35:17.239
<v Speaker 2>numbers this morning. Yes, I'm working numbers this morning and

0:35:17.360 --> 0:35:20.759
<v Speaker 2>next weekgain we'll be working music. All right? And how

0:35:20.800 --> 0:35:22.399
<v Speaker 2>many records have you got in your collection? And you're

0:35:22.400 --> 0:35:25.320
<v Speaker 2>a professional DJ, what have you got? Between me and

0:35:25.440 --> 0:35:28.000
<v Speaker 2>my mate lives, we've probably we've got over twenty thousand.

0:35:31.480 --> 0:35:33.200
<v Speaker 12>We can pretty much give you anything you want.

0:35:33.200 --> 0:35:34.480
<v Speaker 7>What's your favorite I'll bring it in.

0:35:34.760 --> 0:35:37.520
<v Speaker 2>Oh, this is great. Okay, Steve, we have to get

0:35:37.600 --> 0:35:39.960
<v Speaker 2>you and your mate less on tomorrow's show with your

0:35:40.000 --> 0:35:42.839
<v Speaker 2>final okay, not a problem, all right. Enjoy the Binger

0:35:42.880 --> 0:35:43.239
<v Speaker 2>this morning.

0:35:43.280 --> 0:35:43.400
<v Speaker 3>Brother.

0:35:43.400 --> 0:35:45.799
<v Speaker 2>I'll see you tomorrow. Thank you very much.

0:35:45.920 --> 0:35:48.920
<v Speaker 1>I'll tell you there on Christian O'Connell Breakfast Show on

0:35:49.160 --> 0:35:51.080
<v Speaker 1>Gold one oh four point three.

0:35:52.880 --> 0:35:56.040
<v Speaker 2>Strong stuff there from Pats. Keep this there between now

0:35:56.160 --> 0:36:03.240
<v Speaker 2>and six pm tomorrow. Stay up right, do not sleep

0:36:03.320 --> 0:36:06.360
<v Speaker 2>on this one or you will lose ten thousand dollars votes.

0:36:07.040 --> 0:36:10.080
<v Speaker 2>All right. The Red Hot Summer Tour we announced this week.

0:36:10.120 --> 0:36:13.439
<v Speaker 2>It is back in January twenty nineteen. Tickets on sale

0:36:13.600 --> 0:36:15.920
<v Speaker 2>right now. You know this will set out very quickly.

0:36:16.280 --> 0:36:18.200
<v Speaker 2>You can get your tickets through ticket Master. They're on

0:36:18.280 --> 0:36:20.960
<v Speaker 2>sale right now. You've got Jimmy Barnes, Jon Jet and

0:36:21.000 --> 0:36:23.080
<v Speaker 2>the Black Hearts, the Living End Diesel. You can stick

0:36:23.120 --> 0:36:26.400
<v Speaker 2>some diesel on in a minute. Richard Clapton and Chocolate Starfish.

0:36:27.120 --> 0:36:30.200
<v Speaker 2>Tickets are on sale right now. Good luck. Today's that

0:36:30.280 --> 0:36:32.879
<v Speaker 2>work time waster. This is for you to loaf off

0:36:33.520 --> 0:36:35.560
<v Speaker 2>now we get into work. You don't get straight down

0:36:35.560 --> 0:36:37.319
<v Speaker 2>to work. You can still take part in the Breakfast Show.

0:36:39.840 --> 0:36:45.080
<v Speaker 2>Change a letter, change a song, change a letter, change

0:36:45.120 --> 0:36:47.719
<v Speaker 2>a song. When are you're saying this for the benefit? Really,

0:36:47.760 --> 0:36:49.440
<v Speaker 2>I'll producer becks he's had a lot of trouble with this.

0:36:50.040 --> 0:36:51.560
<v Speaker 2>He's adding letters or.

0:36:51.560 --> 0:36:52.279
<v Speaker 3>Taking them away.

0:36:52.440 --> 0:36:56.279
<v Speaker 2>Yeah, it's some sort of an Egyptian hieroglyphic sort the

0:36:56.400 --> 0:36:59.360
<v Speaker 2>name of an uber driver I don't understand, okay, and

0:37:00.040 --> 0:37:00.800
<v Speaker 2>rears of a clown.

0:37:02.000 --> 0:37:04.920
<v Speaker 3>Good, very good actually, because the more you think about it,

0:37:04.960 --> 0:37:05.759
<v Speaker 3>the funnier it gets.

0:37:06.440 --> 0:37:09.040
<v Speaker 2>Keep on thinking, then laugh and give me a goals?

0:37:09.120 --> 0:37:13.000
<v Speaker 2>What do I get? Gold siper goals in my wife

0:37:13.200 --> 0:37:16.319
<v Speaker 2>beats with song? Very good?

0:37:17.719 --> 0:37:18.520
<v Speaker 3>Gold plus plus.

0:37:19.480 --> 0:37:20.400
<v Speaker 2>I put a smell on you.

0:37:20.920 --> 0:37:22.960
<v Speaker 3>Oh my god, you're it's three from.

0:37:22.840 --> 0:37:25.839
<v Speaker 2>Three first of the way. That's the first of the way.

0:37:25.880 --> 0:37:28.320
<v Speaker 2>I've never had this. Oh my word, this is incredible.

0:37:28.360 --> 0:37:30.200
<v Speaker 2>What have you got for ustand free from three? Gold?

0:37:30.239 --> 0:37:32.640
<v Speaker 3>Well a bitter man.

0:37:35.040 --> 0:37:35.560
<v Speaker 2>Bronze plus.

0:37:35.880 --> 0:37:37.320
<v Speaker 3>It gets funnier the more you think about it.

0:37:37.360 --> 0:37:39.120
<v Speaker 2>No, actually gets worse. I said to a trap that

0:37:39.200 --> 0:37:39.800
<v Speaker 2>bronze minus.

0:37:41.080 --> 0:37:47.520
<v Speaker 3>Don't stop relieving, Nick, Can I ask you if I

0:37:47.560 --> 0:37:50.000
<v Speaker 3>can say this one? Actually? Can you read in the

0:37:50.080 --> 0:37:53.920
<v Speaker 3>meantime when doves fry is another one I've got? Can

0:37:54.000 --> 0:38:01.000
<v Speaker 3>I say we get the nod from Brian killing me

0:38:01.120 --> 0:38:02.080
<v Speaker 3>softly with his doll.

0:38:02.960 --> 0:38:06.080
<v Speaker 2>Oh my god. I mean I'm not easily offended, but

0:38:06.200 --> 0:38:09.479
<v Speaker 2>I'm stunned at that killing me softly with his doll.

0:38:10.360 --> 0:38:12.680
<v Speaker 2>You happy with that? I'm not happy. Go around to

0:38:12.719 --> 0:38:15.520
<v Speaker 2>your mom and dad's tonight. How was work today? Killing

0:38:15.600 --> 0:38:17.400
<v Speaker 2>me softly with his dog? Dad? Say that?

0:38:17.880 --> 0:38:18.160
<v Speaker 7>Wow?

0:38:18.680 --> 0:38:22.360
<v Speaker 2>We okay? Carl and Jackie over there in the corner,

0:38:22.400 --> 0:38:23.000
<v Speaker 2>what's you up to?

0:38:25.400 --> 0:38:25.880
<v Speaker 3>I'm sorry.

0:38:25.960 --> 0:38:29.720
<v Speaker 2>Actually, let's go back to Wars of a Clown. Actually

0:38:29.760 --> 0:38:31.880
<v Speaker 2>that's not any better anyway. I see what you can

0:38:31.920 --> 0:38:35.120
<v Speaker 2>do now? Then change a letter, get us fired. No,

0:38:35.360 --> 0:38:37.920
<v Speaker 2>change a letter, change a song, to take a song title,

0:38:38.080 --> 0:38:41.200
<v Speaker 2>change a letter oh four seven five three one oh

0:38:41.239 --> 0:38:44.719
<v Speaker 2>four three oh four seven five three one oh four

0:38:44.840 --> 0:38:47.160
<v Speaker 2>three to text in and Jack will martin them in

0:38:47.239 --> 0:38:49.600
<v Speaker 2>ten minutes time. And you can also tweet me if

0:38:49.640 --> 0:38:51.800
<v Speaker 2>you want it. It's easier at OC. Let's stick on

0:38:51.880 --> 0:38:54.120
<v Speaker 2>some diesel now. Tickets are on sale for your Red

0:38:54.120 --> 0:38:56.520
<v Speaker 2>Hot Summer tour a Ticketmaster, The.

0:38:56.600 --> 0:39:00.560
<v Speaker 1>Christian O'Connell Breakfast Show, Melbourne's Gold one oh four three.

0:39:02.480 --> 0:39:04.759
<v Speaker 2>Love Shaqman fifty Two's on Gold one A four point

0:39:04.800 --> 0:39:08.319
<v Speaker 2>three Christian O'Connor Breakfast Show for Jeans for Jeans nine

0:39:08.440 --> 0:39:10.960
<v Speaker 2>twenty time, Now for Jack to mark. You're at work

0:39:11.040 --> 0:39:15.160
<v Speaker 2>time wasters this morning. We're asking you to change a letter,

0:39:15.640 --> 0:39:19.640
<v Speaker 2>change a song. You ready to mark, Ready to go? Okay,

0:39:20.880 --> 0:39:24.680
<v Speaker 2>enter Grandma, enter gron Oh no, enter Grandma.

0:39:27.120 --> 0:39:28.000
<v Speaker 6>I really like a bit.

0:39:28.280 --> 0:39:30.080
<v Speaker 3>I're going to take a technical point off for and

0:39:30.200 --> 0:39:32.440
<v Speaker 3>a Sandman should finish with an and.

0:39:32.760 --> 0:39:34.839
<v Speaker 2>I guess it's all quite the same though, Enter grand Man.

0:39:36.840 --> 0:39:41.319
<v Speaker 2>It's a silver all right, tublat pork Sunday, bloody fun day,

0:39:41.520 --> 0:39:49.000
<v Speaker 2>different song, good, silver, alive and licking, basic functional works,

0:39:49.080 --> 0:39:53.840
<v Speaker 2>civil plus. That's for Jason. The hardest part coldplay, You

0:39:53.920 --> 0:39:54.680
<v Speaker 2>are the hardest part.

0:39:56.800 --> 0:39:57.960
<v Speaker 3>I hate to give something with.

0:39:58.040 --> 0:40:01.560
<v Speaker 2>Far or poo a gold Okay, yeah, of course that's

0:40:01.600 --> 0:40:03.560
<v Speaker 2>what I forgot. Who's the guy on the show that

0:40:03.760 --> 0:40:07.279
<v Speaker 2>just now said, well you just did no you now

0:40:07.320 --> 0:40:09.600
<v Speaker 2>you're judging them hard, judging judge face.

0:40:09.760 --> 0:40:11.440
<v Speaker 3>Hardest part is gold.

0:40:12.840 --> 0:40:18.799
<v Speaker 2>Piano Nan Finny Joel like that. Well there's some Christian guy.

0:40:19.640 --> 0:40:21.239
<v Speaker 2>It's a long way to the shop if you want

0:40:21.239 --> 0:40:21.880
<v Speaker 2>a sausage roll.

0:40:22.440 --> 0:40:24.320
<v Speaker 3>Heard it before, Bronze.

0:40:24.480 --> 0:40:27.120
<v Speaker 2>Oh yeah, yes, someone's a little bit jaded. This morning,

0:40:28.719 --> 0:40:37.800
<v Speaker 2>young buns. Wow, instead of young guns. That's rubbish. Oh no,

0:40:37.920 --> 0:40:43.960
<v Speaker 2>it's another No, we're not doing those. That's rubbish, working class.

0:40:43.840 --> 0:40:46.560
<v Speaker 3>Ban working class ben.

0:40:46.880 --> 0:40:50.520
<v Speaker 2>Yeah, I'm afraid to say, guys, you haven't done your

0:40:50.520 --> 0:40:51.320
<v Speaker 2>best work this morning.

0:40:51.400 --> 0:40:54.000
<v Speaker 3>So you got all the best ones when you did

0:40:54.239 --> 0:40:54.839
<v Speaker 3>a triple gold.

0:40:54.880 --> 0:40:56.719
<v Speaker 2>Oh no, your dog was there like a real high

0:40:56.719 --> 0:41:00.560
<v Speaker 2>point for today's scratched out for the coast. That did

0:41:00.640 --> 0:41:02.239
<v Speaker 2>not sound right? Do you're not get a grab of that?

0:41:02.280 --> 0:41:03.000
<v Speaker 2>I don't want to hear that.

0:41:03.239 --> 0:41:06.120
<v Speaker 1>The Christian O'Connell breakfast show Melbourne's Gold one.

0:41:06.200 --> 0:41:09.040
<v Speaker 2>Oh four point three, mon, it's a Christian O'Connor breakfast

0:41:09.080 --> 0:41:10.839
<v Speaker 2>show on Gold one. I four point three.

0:41:11.440 --> 0:41:11.560
<v Speaker 9>Uh.

0:41:11.760 --> 0:41:14.080
<v Speaker 2>This is exciting for me. I've known this man, the

0:41:14.120 --> 0:41:17.319
<v Speaker 2>brilliant comedian Ross Noble for years now. He's living here

0:41:17.480 --> 0:41:18.279
<v Speaker 2>and I'm living here.

0:41:18.480 --> 0:41:20.680
<v Speaker 10>Usually I haven't told anyone I'm living here, so now

0:41:20.800 --> 0:41:21.719
<v Speaker 10>that's an exclusive.

0:41:21.880 --> 0:41:24.440
<v Speaker 2>Oh what a show. TMZ are just turning up with

0:41:24.480 --> 0:41:25.480
<v Speaker 2>the helicopter outside.

0:41:26.040 --> 0:41:29.040
<v Speaker 12>Used to live here, move living back in the UK

0:41:29.200 --> 0:41:29.879
<v Speaker 12>for eight years.

0:41:30.000 --> 0:41:31.520
<v Speaker 2>This is so weird, isn't Mary.

0:41:31.760 --> 0:41:34.880
<v Speaker 12>It just feels odd talking to you in this country.

0:41:35.200 --> 0:41:37.239
<v Speaker 2>Yeah, and I guess you're doing a radio interview with

0:41:37.520 --> 0:41:40.200
<v Speaker 2>someone with a British accent as well. When he used

0:41:40.200 --> 0:41:42.759
<v Speaker 2>to just chat to people like Jack. Yeah, I didn't

0:41:42.760 --> 0:41:43.120
<v Speaker 2>say people.

0:41:45.600 --> 0:41:47.560
<v Speaker 12>You've really made the effort to fit in here.

0:41:47.600 --> 0:41:50.640
<v Speaker 2>I'm integrating really well.

0:41:50.719 --> 0:41:52.719
<v Speaker 12>Have you stopped using the word savages?

0:41:59.719 --> 0:42:03.399
<v Speaker 2>That's who would never use that word? I say, ever,

0:42:03.520 --> 0:42:05.520
<v Speaker 2>just in the car, I don't know what I found, right,

0:42:05.560 --> 0:42:07.840
<v Speaker 2>because you you've lived here for some half the in

0:42:07.880 --> 0:42:10.080
<v Speaker 2>the back of the UK and flitted now you're permanently here.

0:42:10.600 --> 0:42:12.960
<v Speaker 2>One thing I'm still getting used to is the wild

0:42:13.080 --> 0:42:17.239
<v Speaker 2>West roads here. The driving is so aggressive it's terrified.

0:42:17.719 --> 0:42:20.000
<v Speaker 2>I feel like it's Daisy on the roads here. No

0:42:20.080 --> 0:42:21.319
<v Speaker 2>one lets each other out.

0:42:21.640 --> 0:42:24.480
<v Speaker 10>What's what What you've done there, right, is you've come

0:42:24.520 --> 0:42:26.600
<v Speaker 10>from London where the traffic doesn't move.

0:42:27.120 --> 0:42:28.279
<v Speaker 2>That's what you see. What I mean.

0:42:28.800 --> 0:42:31.640
<v Speaker 12>You sit in the car and if you're actually driving

0:42:31.680 --> 0:42:34.040
<v Speaker 12>in the center of London and you just go like, oh,

0:42:34.120 --> 0:42:34.920
<v Speaker 12>he's letting me out.

0:42:35.160 --> 0:42:35.600
<v Speaker 2>No he's not.

0:42:36.040 --> 0:42:40.279
<v Speaker 10>He's not moving, so therefore he can't actually speed up

0:42:40.920 --> 0:42:41.800
<v Speaker 10>to block you.

0:42:41.960 --> 0:42:44.320
<v Speaker 2>So it's a physics things. Time is going that slowly.

0:42:44.440 --> 0:42:47.000
<v Speaker 2>He just appears that he's let me out. I actually

0:42:47.080 --> 0:42:48.960
<v Speaker 2>refused to hook turn the moment. I don't think I'm

0:42:48.960 --> 0:42:49.400
<v Speaker 2>ready for that.

0:42:49.680 --> 0:42:52.760
<v Speaker 3>Christian single handedly is keeping uber afloat in Melbourne because

0:42:52.800 --> 0:42:53.799
<v Speaker 3>he refuses to drive.

0:42:53.880 --> 0:42:57.120
<v Speaker 12>The hook turns hilarious because because I like hoop turned,

0:42:57.160 --> 0:42:57.680
<v Speaker 12>but the trick with.

0:42:57.760 --> 0:42:59.839
<v Speaker 2>Hoops, why would you like it? It makes no sense.

0:43:00.080 --> 0:43:02.719
<v Speaker 2>Don't do it anywhere else in Australia or anywhere else

0:43:02.800 --> 0:43:04.680
<v Speaker 2>in the world. They've all seen the hooks on gone. No,

0:43:04.800 --> 0:43:06.160
<v Speaker 2>we don't need that, you haven't.

0:43:06.160 --> 0:43:08.040
<v Speaker 12>What I like about it is that even people that

0:43:08.160 --> 0:43:10.160
<v Speaker 12>lived here all their life aren't quite sure about it.

0:43:10.480 --> 0:43:13.280
<v Speaker 12>So there's a moment where everyone's sort of started. Everyone's

0:43:13.320 --> 0:43:15.560
<v Speaker 12>looking at each other and it's kind of a bit

0:43:15.600 --> 0:43:17.279
<v Speaker 12>of it. It's like a spaghetti western out.

0:43:17.320 --> 0:43:19.840
<v Speaker 10>All the eyes are looking and you go, anything can

0:43:19.880 --> 0:43:22.759
<v Speaker 10>happen now, and it's like the lights and everyone is

0:43:24.760 --> 0:43:26.480
<v Speaker 10>if you once you get used to them and you're

0:43:26.520 --> 0:43:28.640
<v Speaker 10>driving in the city all the time and you're over there.

0:43:29.000 --> 0:43:31.839
<v Speaker 10>The trick is to is to wait until somebody else

0:43:31.960 --> 0:43:34.160
<v Speaker 10>is about a hook turn and then just stay on

0:43:34.200 --> 0:43:34.640
<v Speaker 10>their bumper.

0:43:35.360 --> 0:43:37.759
<v Speaker 2>Because early in the morning, when I could be driving in,

0:43:37.840 --> 0:43:39.160
<v Speaker 2>I could be waiting for an hour or two and

0:43:39.200 --> 0:43:42.000
<v Speaker 2>the breakfast show's already started West Christian. He's still waiting

0:43:42.040 --> 0:43:43.279
<v Speaker 2>for someone else to do a hook turn.

0:43:43.480 --> 0:43:46.719
<v Speaker 10>Well, people don't literally, There's I know, people who drive

0:43:46.800 --> 0:43:49.319
<v Speaker 10>into the city and we'll just go, oh, this one's

0:43:49.320 --> 0:43:51.000
<v Speaker 10>a hook turn. I'll just go to the next one.

0:43:51.200 --> 0:43:55.560
<v Speaker 10>And there's people end up in Geelong. It's just that's

0:43:55.600 --> 0:43:58.319
<v Speaker 10>why you know, Geelong's on the on the rise. There's

0:43:58.400 --> 0:44:03.120
<v Speaker 10>like you know, there's it's exploded bendergre boom.

0:44:03.760 --> 0:44:05.640
<v Speaker 12>That's not because you want to move there.

0:44:05.840 --> 0:44:08.279
<v Speaker 2>And do you find that when you when you like

0:44:08.360 --> 0:44:09.759
<v Speaker 2>tour the UK and then when you come over and

0:44:09.800 --> 0:44:12.680
<v Speaker 2>you do Australia, do you have to quickly make some

0:44:12.840 --> 0:44:16.719
<v Speaker 2>adjustments otherwise those things are going to get lost in translation, right.

0:44:16.760 --> 0:44:20.000
<v Speaker 12>Just little little things like obviously have you oh yeah,

0:44:20.000 --> 0:44:24.000
<v Speaker 12>have you learned this one yet? A strimmer here whip

0:44:24.120 --> 0:44:25.600
<v Speaker 12>a snipper? Is that true?

0:44:25.760 --> 0:44:28.680
<v Speaker 2>That sounds great, but it's not. But it's a strimmer strimmer.

0:44:28.840 --> 0:44:31.239
<v Speaker 2>But the streamer also makes sense because it's strims. The

0:44:31.400 --> 0:44:33.279
<v Speaker 2>noise feels like it's strimmer and it whips and its

0:44:33.360 --> 0:44:37.839
<v Speaker 2>nips stream. I have two words. You know, Australians are

0:44:37.840 --> 0:44:40.800
<v Speaker 2>so into shortening words. I won't even called someone Steve,

0:44:40.840 --> 0:44:41.719
<v Speaker 2>it'd rather be Steve O.

0:44:42.239 --> 0:44:45.360
<v Speaker 10>So hang on, are you suggesting that Australian's shortened words

0:44:46.000 --> 0:44:49.600
<v Speaker 10>Steve O is longer? Have you noticed they take short

0:44:49.640 --> 0:44:52.480
<v Speaker 10>words and make them longer? Ross that like people call

0:44:52.520 --> 0:44:57.160
<v Speaker 10>me Roscoe, I've got less to call me Ross here Rosco.

0:44:57.600 --> 0:45:01.239
<v Speaker 3>We feel uncomfortable with names not ending in A or y.

0:45:01.640 --> 0:45:04.200
<v Speaker 2>I guess we got to add. You know, like the

0:45:04.360 --> 0:45:06.600
<v Speaker 2>day there was a cooler called called Damien who called

0:45:06.640 --> 0:45:11.279
<v Speaker 2>in and I went, good morning, Damien. You went if

0:45:11.280 --> 0:45:14.760
<v Speaker 2>I was some sort of fancy prints, why he scored

0:45:14.880 --> 0:45:15.560
<v Speaker 2>him Damien.

0:45:15.840 --> 0:45:19.000
<v Speaker 12>But you would never christen someone dear Moore, because then

0:45:19.080 --> 0:45:20.000
<v Speaker 12>they'd be called.

0:45:26.480 --> 0:45:26.680
<v Speaker 2>Yeah.

0:45:27.719 --> 0:45:34.840
<v Speaker 10>People think that your new is Christian Connell. That's what

0:45:35.080 --> 0:45:36.840
<v Speaker 10>people think, you're second of Connell.

0:45:37.200 --> 0:45:42.120
<v Speaker 12>But it's actually Christian Crystal, Christian Old Chrystal.

0:45:41.960 --> 0:45:46.680
<v Speaker 2>Like a magician, the Great Chrystal Crystal Connell. All right,

0:45:46.719 --> 0:45:49.840
<v Speaker 2>so people want to go and see you in Australia

0:45:49.840 --> 0:45:51.560
<v Speaker 2>as you're doing these various states over the next couple

0:45:51.560 --> 0:45:53.200
<v Speaker 2>of weeks. Where can they find out more? Ross?

0:45:53.200 --> 0:45:55.120
<v Speaker 12>Noble dot com it's all on there, you know what

0:45:55.160 --> 0:45:55.359
<v Speaker 12>I mean?

0:45:55.400 --> 0:45:56.560
<v Speaker 2>You're not got dot com to au.

0:45:57.160 --> 0:45:59.880
<v Speaker 12>Oh that's interesting. I did have hear you, but the

0:46:00.080 --> 0:46:00.520
<v Speaker 12>shortened it.

0:46:02.120 --> 0:46:05.200
<v Speaker 1>The Christian Who Connwill Breakfast Show Melbourne's Gold one oh

0:46:05.320 --> 0:46:06.240
<v Speaker 1>four point three.

0:46:07.640 --> 0:46:08.640
<v Speaker 7>God one a four point three.

0:46:08.719 --> 0:46:11.160
<v Speaker 2>Come on it to Christian O'Connor Breakfast Show. So Jack,

0:46:11.200 --> 0:46:13.840
<v Speaker 2>you know how this works? The ten k no repeat workday.

0:46:13.880 --> 0:46:16.160
<v Speaker 2>Tell them how it works. Over the next twenty four hours.

0:46:16.440 --> 0:46:20.920
<v Speaker 3>One song will be played. Then within the bracket of

0:46:21.000 --> 0:46:23.360
<v Speaker 3>six am to six pm, the same song will be

0:46:23.440 --> 0:46:26.200
<v Speaker 3>played again. If that happens to call in, you win

0:46:26.320 --> 0:46:27.839
<v Speaker 3>ten thousand dollars if you're the first caller.

0:46:28.160 --> 0:46:29.960
<v Speaker 2>Fair play. You actually did that a lot better than

0:46:30.000 --> 0:46:32.400
<v Speaker 2>I thought you'd be. Damn it. I didn't think you

0:46:32.480 --> 0:46:34.400
<v Speaker 2>do it that. Well, that's that works. Keep listening to

0:46:34.480 --> 0:46:35.520
<v Speaker 2>Gold one of four point.

0:46:35.360 --> 0:46:38.360
<v Speaker 1>Three The Christian Who conn Will Breakfast Show Melbourne's Gold

0:46:38.480 --> 0:46:39.600
<v Speaker 1>one oh four point three.

0:46:40.000 --> 0:46:42.480
<v Speaker 2>Well we are back tomorrow morning. Whenever you wake up

0:46:42.520 --> 0:46:46.160
<v Speaker 2>Tomorrow's show. All request Friday, some of them on vinyl.

0:46:46.239 --> 0:46:48.040
<v Speaker 2>If you've got vinyl and you want to drop by

0:46:48.160 --> 0:46:51.120
<v Speaker 2>us here in Richmond, let us know on our Facebook page.

0:46:51.200 --> 0:46:53.839
<v Speaker 2>You can find us on Facebook OC one oh four

0:46:53.920 --> 0:46:55.320
<v Speaker 2>three where you got some people coming in.

0:46:55.560 --> 0:46:57.680
<v Speaker 3>I'll be dropping the needle on the songs as well.

0:47:00.160 --> 0:47:00.960
<v Speaker 12>Rick RB.

0:47:01.239 --> 0:47:03.759
<v Speaker 2>He said, that's a midnight DJ from the sixties, RB

0:47:03.880 --> 0:47:07.200
<v Speaker 2>dropping the needle on some hits. And also well make

0:47:07.239 --> 0:47:09.680
<v Speaker 2>sure you watch Channel seven tonight the Big Game and

0:47:09.880 --> 0:47:12.680
<v Speaker 2>so you're can find out how Hamish McLaughlin gets in

0:47:12.800 --> 0:47:15.120
<v Speaker 2>the phrase oh missus Miggins.

0:47:15.360 --> 0:47:18.719
<v Speaker 1>The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

0:47:18.760 --> 0:47:19.239
<v Speaker 1>point three