1
00:00:00,200 --> 00:00:04,160
Speaker 1: The Christian O'Connell Breakfast Show Podcast, Melbourne's Gold one oh

2
00:00:04,280 --> 00:00:05,040
Speaker 1: four point three.

3
00:00:05,200 --> 00:00:08,039
Speaker 2: Hey, thank you very much for downloading this podcast. This

4
00:00:08,119 --> 00:00:11,080
Speaker 2: is Christian o'connorg just went here today's show show number

5
00:00:11,200 --> 00:00:13,480
Speaker 2: nineteen and if you've got anything you ever want to

6
00:00:13,520 --> 00:00:15,920
Speaker 2: email about anything you hear on the podcast. By the way,

7
00:00:16,000 --> 00:00:19,919
Speaker 2: sorry about show number eighteen's audio quality. We have fixed it.

8
00:00:20,880 --> 00:00:23,560
Speaker 2: Please email me love getting the new emails now. Christian

9
00:00:23,640 --> 00:00:26,240
Speaker 2: at Gold one four to three dot com dot au.

10
00:00:26,560 --> 00:00:28,760
Speaker 2: Thank you very much supporting the podcast and oi kind

11
00:00:28,800 --> 00:00:30,920
Speaker 2: comments as well. Rummer to rate and review it on

12
00:00:30,960 --> 00:00:31,880
Speaker 2: iTunes as well.

13
00:00:32,080 --> 00:00:36,600
Speaker 1: Here is the show live from Level two twenty one

14
00:00:36,680 --> 00:00:38,479
Speaker 1: for thirty one good Wood Street.

15
00:00:38,520 --> 00:00:38,960
Speaker 2: Wreshman.

16
00:00:39,920 --> 00:00:44,600
Speaker 1: This is the Christian Oldcondinal Breakfast Show on Melbourn's Gold

17
00:00:44,720 --> 00:00:46,080
Speaker 1: one oh four point three.

18
00:00:47,320 --> 00:00:50,920
Speaker 2: I promise my kids sunshine that they've never seen before

19
00:00:51,159 --> 00:00:53,840
Speaker 2: whilst we get to Australia. Kids, trust me you are man.

20
00:00:53,920 --> 00:00:57,320
Speaker 2: We lives you sunshine all you round.

21
00:00:57,520 --> 00:01:01,080
Speaker 3: Frost Falk God for a swim in the bak.

22
00:01:01,160 --> 00:01:06,280
Speaker 2: Yet, what's going on Melbourne? The fog was quite nice.

23
00:01:06,319 --> 00:01:08,400
Speaker 2: It makes me feel quite nostalgic, like I might see

24
00:01:08,600 --> 00:01:10,520
Speaker 2: Sherlock Holmes coming out of the fog with holding a

25
00:01:10,600 --> 00:01:14,199
Speaker 2: lantern looking for the scarlet pimpernel. But frost. I didn't

26
00:01:14,200 --> 00:01:15,200
Speaker 2: think you got frost.

27
00:01:15,400 --> 00:01:18,440
Speaker 4: Yeah, not common, actually, I've got to say.

28
00:01:18,560 --> 00:01:22,080
Speaker 2: But regional Victoria definitely, but the city not so well.

29
00:01:22,400 --> 00:01:25,320
Speaker 3: Harbrich McLaughlin takes us a photo of his chicken coop

30
00:01:25,400 --> 00:01:27,679
Speaker 3: video is building earlier this week. It looks like he

31
00:01:27,720 --> 00:01:31,639
Speaker 3: lives at sleepy hollows, the arms of trees in fog

32
00:01:31,680 --> 00:01:32,760
Speaker 3: and frost on the ground.

33
00:01:33,160 --> 00:01:35,720
Speaker 2: He's back on this morning show. We'll be giving him,

34
00:01:36,120 --> 00:01:38,240
Speaker 2: you'll be hoping as well, a brand new phrase that

35
00:01:38,360 --> 00:01:41,240
Speaker 2: pays a phrase that he'd be saying just hearing Patch

36
00:01:41,280 --> 00:01:43,920
Speaker 2: talk about the the Big Games. Tonight, Hamish is on TV.

37
00:01:44,360 --> 00:01:47,360
Speaker 2: He's obviously the anchorman for all the coverage. We will

38
00:01:47,360 --> 00:01:49,560
Speaker 2: be giving a brand new phrase the pace that he

39
00:01:49,680 --> 00:01:53,680
Speaker 2: needs to work into his TV commentary tonight. I have

40
00:01:53,720 --> 00:01:56,560
Speaker 2: a couple of contenders, but I'm looking to We'll get

41
00:01:56,560 --> 00:01:58,640
Speaker 2: into that later on this morning. Hey, so we can

42
00:01:58,680 --> 00:02:01,360
Speaker 2: now funny talk about it soccer use.

43
00:02:01,840 --> 00:02:05,120
Speaker 3: Yeah, I mean now that everybody knows that everybody's.

44
00:02:04,640 --> 00:02:07,640
Speaker 2: On board, we won you yesterday. Apart from you, the

45
00:02:07,680 --> 00:02:09,640
Speaker 2: only man in Australia who didn't know that the soccer

46
00:02:09,760 --> 00:02:11,840
Speaker 2: us were out the World Cup. It's real shame.

47
00:02:12,040 --> 00:02:14,640
Speaker 3: I thank you yesterday for putting up with me. Why

48
00:02:14,720 --> 00:02:18,320
Speaker 3: I didn't know the scores. I honestly believed when I

49
00:02:18,400 --> 00:02:21,840
Speaker 3: left here that Australia was going to win because you

50
00:02:21,960 --> 00:02:23,640
Speaker 3: told me, or you would tell me is the score

51
00:02:23,720 --> 00:02:26,760
Speaker 3: is too nil? You wouldn't tell me which way. I

52
00:02:27,000 --> 00:02:30,600
Speaker 3: believed it was us, and I was shocked when Peru scored.

53
00:02:31,040 --> 00:02:33,959
Speaker 2: You shouldn't have been beaten by Peru. Should You should

54
00:02:33,960 --> 00:02:35,080
Speaker 2: be in the quarter finals.

55
00:02:35,080 --> 00:02:35,960
Speaker 3: That's why I thought we won.

56
00:02:37,160 --> 00:02:38,639
Speaker 2: Be you were gusted when you find out it.

57
00:02:38,639 --> 00:02:40,880
Speaker 3: Was so sad I was. I was looking forward to

58
00:02:41,040 --> 00:02:44,120
Speaker 3: spending today's show talking about how lated everybody is there.

59
00:02:44,200 --> 00:02:46,080
Speaker 2: Yeah, and that's a nice listen for people. Isn't it

60
00:02:46,080 --> 00:02:49,480
Speaker 2: to have like a delayed forty eight hours after something,

61
00:02:49,639 --> 00:02:53,000
Speaker 2: a breakfast show dealing with events. You know, that's a

62
00:02:53,040 --> 00:02:55,440
Speaker 2: real win for us. That's a usp for this show.

63
00:02:55,720 --> 00:02:58,400
Speaker 2: We're talking about what you care about. Two days after

64
00:02:58,440 --> 00:02:59,960
Speaker 2: it happened. We're in.

65
00:03:01,600 --> 00:03:05,240
Speaker 1: The Christian O'Connell breakfast. Joe Melbourne's gold one oh four points.

66
00:03:05,680 --> 00:03:07,440
Speaker 2: It's a Christian I couldnel backfast show here on god

67
00:03:07,480 --> 00:03:09,600
Speaker 2: one of four point three with jeans for Jean's time

68
00:03:09,639 --> 00:03:18,760
Speaker 2: for the Early Morning Game. Hello, Hello, you sometimes have earworms,

69
00:03:18,760 --> 00:03:20,399
Speaker 2: you know where There might be a song that you're

70
00:03:20,520 --> 00:03:23,200
Speaker 2: just totally just listening to a lot at the moments, Repeat, repeat,

71
00:03:23,200 --> 00:03:24,880
Speaker 2: for it might be a new song on old one

72
00:03:24,960 --> 00:03:29,440
Speaker 2: you rediscover that genuinely is mine. I'm finding myself walking

73
00:03:29,440 --> 00:03:34,600
Speaker 2: around the house. It's mumbling to myself, Hello, is it's

74
00:03:34,680 --> 00:03:35,400
Speaker 2: my ear one?

75
00:03:35,480 --> 00:03:38,200
Speaker 3: So does that make you more likely or less likely

76
00:03:38,240 --> 00:03:39,280
Speaker 3: to want to keep the game?

77
00:03:39,480 --> 00:03:42,840
Speaker 2: More likely? I like it. It fills like red up chili peppers,

78
00:03:42,960 --> 00:03:45,760
Speaker 2: or like a Chris Cornell kind of homage as well.

79
00:03:45,800 --> 00:03:48,280
Speaker 2: And I like that all right, So Jack, let's remind

80
00:03:48,320 --> 00:03:50,960
Speaker 2: them how does the new improved Early Morning Game? How

81
00:03:51,000 --> 00:03:52,120
Speaker 2: long does that list work go?

82
00:03:52,400 --> 00:03:55,360
Speaker 3: There's two contestants now, each will get their own list.

83
00:03:55,600 --> 00:03:58,600
Speaker 3: Whoever makes the biggest list is the winner of the game.

84
00:03:59,000 --> 00:04:02,360
Speaker 2: Boom, that's it. That's all she wrote. What all right? Cooling?

85
00:04:02,440 --> 00:04:04,040
Speaker 2: Now to play two? If you go back up against

86
00:04:04,040 --> 00:04:06,800
Speaker 2: each other next nine four one four one oh four three,

87
00:04:07,080 --> 00:04:09,800
Speaker 2: We've got some fantastic prizes for you. We're aiming to

88
00:04:09,880 --> 00:04:12,120
Speaker 2: get nine out of ten by the judge on this

89
00:04:12,160 --> 00:04:15,720
Speaker 2: feature Roscoe, who is primed and waiting nine four one

90
00:04:15,760 --> 00:04:16,719
Speaker 2: four one o four three.

91
00:04:16,720 --> 00:04:20,560
Speaker 1: We're playing next the Christian O'Connell Breakfast Show on Gold

92
00:04:20,720 --> 00:04:21,960
Speaker 1: one oh four point three.

93
00:04:22,760 --> 00:04:24,919
Speaker 2: This is such a great song, Dream Academy life in

94
00:04:24,960 --> 00:04:27,839
Speaker 2: a northern town. Pop factory about this song not gonna

95
00:04:27,839 --> 00:04:31,320
Speaker 2: be all ridized. This was actually produced by David Gilmour

96
00:04:31,520 --> 00:04:35,320
Speaker 2: of Pink Floyd. I said, with a bit more reaction, Jack,

97
00:04:35,360 --> 00:04:37,159
Speaker 2: you know that's a pretty good by pop factors laid

98
00:04:37,160 --> 00:04:39,240
Speaker 2: down there. It's just staring at me like you don't

99
00:04:39,279 --> 00:04:40,000
Speaker 2: know what the time is.

100
00:04:41,279 --> 00:04:42,880
Speaker 3: That's a very interesting Christian.

101
00:04:43,000 --> 00:04:50,560
Speaker 2: Thank you very much, Jacqueline. Hello, hell all right, let's

102
00:04:50,560 --> 00:04:52,680
Speaker 2: play this now, and we need to get nine out

103
00:04:52,680 --> 00:04:55,280
Speaker 2: of ten from the judge Roscoe. I've had an idea.

104
00:04:55,680 --> 00:04:57,680
Speaker 2: You know, we have two callers going up against each other.

105
00:04:57,760 --> 00:05:00,680
Speaker 2: What say today make it interesting for Rosco? We chuck

106
00:05:00,760 --> 00:05:02,320
Speaker 2: him in as a second contestant.

107
00:05:02,680 --> 00:05:05,799
Speaker 3: Oh risky, to let the judge be one of the players.

108
00:05:05,800 --> 00:05:07,599
Speaker 2: You've heard the game, you've marked the game, Now be

109
00:05:07,720 --> 00:05:08,080
Speaker 2: the game.

110
00:05:08,880 --> 00:05:10,800
Speaker 3: If he lose. What I'm worried about is if he

111
00:05:10,880 --> 00:05:12,880
Speaker 3: loses and he scores slowly.

112
00:05:13,200 --> 00:05:18,080
Speaker 2: Don't judge the Roscoe. He judges us partial. I know,

113
00:05:18,120 --> 00:05:20,440
Speaker 2: I don't know why we've got this situation either. Anyway,

114
00:05:20,440 --> 00:05:21,200
Speaker 2: we're here where we are.

115
00:05:21,360 --> 00:05:22,680
Speaker 3: He's going to give us a nine out of ten

116
00:05:22,720 --> 00:05:23,839
Speaker 3: this morning for the game to live on.

117
00:05:23,960 --> 00:05:28,119
Speaker 2: We want him to. Okay, all right, Jackie, Yes, all right, Jackie.

118
00:05:28,160 --> 00:05:29,880
Speaker 2: Let's find out what the three topics are.

119
00:05:30,000 --> 00:05:36,000
Speaker 3: What have you got, jack Nineties movies, Australian cities, race horses.

120
00:05:37,600 --> 00:05:41,760
Speaker 2: All right, Jackie, I'm gonna go Australian cities.

121
00:05:41,800 --> 00:05:46,400
Speaker 5: Off you go, Sydney, Melbourne, Brisbane, Perth.

122
00:05:47,680 --> 00:05:50,600
Speaker 6: Oh see Adelaide.

123
00:05:51,760 --> 00:05:52,679
Speaker 2: What about your capital?

124
00:05:54,160 --> 00:05:59,280
Speaker 6: Oh I'm sorry, I know that you're on five at the.

125
00:05:59,200 --> 00:06:00,520
Speaker 7: Moment, Victoria.

126
00:06:01,080 --> 00:06:05,320
Speaker 6: No men missed out five?

127
00:06:05,360 --> 00:06:07,320
Speaker 2: Are you under pressure there, Jackie? You're under pressure that

128
00:06:07,400 --> 00:06:09,400
Speaker 2: it might be enough? Five be enough to get the win?

129
00:06:09,640 --> 00:06:13,920
Speaker 2: All right now we're see stay there, Jackie. Don't worry Roscoe.

130
00:06:14,600 --> 00:06:18,919
Speaker 2: Good morning, Good morning, judge Roscoe. Listen to the power

131
00:06:18,920 --> 00:06:22,839
Speaker 2: he's wagger. Yeah, all right, So I'm going to go

132
00:06:22,920 --> 00:06:25,120
Speaker 2: for you. Nineties movies.

133
00:06:25,200 --> 00:06:30,040
Speaker 3: Off you go, pretty intink breakfast club?

134
00:06:33,279 --> 00:06:39,680
Speaker 2: Which one? Happy Gilmour? Yes, yeah, big guddy yep, got

135
00:06:39,680 --> 00:06:40,200
Speaker 2: a Soundler.

136
00:06:41,960 --> 00:06:43,480
Speaker 8: Oh you put me under it?

137
00:06:43,640 --> 00:06:44,400
Speaker 2: Oha?

138
00:06:44,640 --> 00:06:48,280
Speaker 3: Oh No, rather five was the score, Bill, it was.

139
00:06:48,360 --> 00:06:51,560
Speaker 2: There's the lowest score we've ever got on this game. Amazing.

140
00:06:51,680 --> 00:06:53,000
Speaker 2: I just give it.

141
00:06:53,800 --> 00:06:57,480
Speaker 3: Too, Jackie.

142
00:06:58,839 --> 00:07:01,800
Speaker 2: Jackie is the winner, jack he got the easy life. Yeah,

143
00:07:01,839 --> 00:07:04,279
Speaker 2: I know, he screwed it up, Jackie. The win is yours.

144
00:07:04,320 --> 00:07:11,800
Speaker 2: Well done, Well done, Jackie. All right, now let's go

145
00:07:11,880 --> 00:07:17,400
Speaker 2: to the awkward bit o Roscoe. We throw ourselves before

146
00:07:17,440 --> 00:07:22,160
Speaker 2: you yesterday yesterday seven point five. We need the nine

147
00:07:22,200 --> 00:07:24,360
Speaker 2: for the game to stay on. I'm hoping that your

148
00:07:24,480 --> 00:07:32,240
Speaker 2: terrible performance won't affect your witness Roscoe. I'm not bitter

149
00:07:32,400 --> 00:07:32,840
Speaker 2: or anything.

150
00:07:32,880 --> 00:07:37,880
Speaker 8: Honestly, Look I thought a better two because you put

151
00:07:37,920 --> 00:07:40,120
Speaker 8: me under pressure. But no, I will give you the

152
00:07:40,240 --> 00:07:41,200
Speaker 8: nine and a half.

153
00:07:44,080 --> 00:07:45,800
Speaker 7: So much Ross God, you're.

154
00:07:45,680 --> 00:07:50,200
Speaker 1: Rock your James stays on The Gay Stays on The

155
00:07:50,280 --> 00:07:54,880
Speaker 1: Christian O'Connell Breakfast Show, Melbourne's Gold one oh four point three.

156
00:07:54,720 --> 00:07:57,360
Speaker 2: Bon Jovi Living on a brag Good Morning Thursday Morning

157
00:07:57,440 --> 00:08:00,680
Speaker 2: Show number nineteen on the Christian O'Connell The Show. We

158
00:08:00,720 --> 00:08:03,680
Speaker 2: have a stack show today half an hour's time. He's back.

159
00:08:03,760 --> 00:08:07,600
Speaker 2: The smoothest man on your TV screens. Hamish macglocklin, and

160
00:08:07,680 --> 00:08:11,120
Speaker 2: I've got a gift for him, a brand new phrase

161
00:08:11,160 --> 00:08:12,960
Speaker 2: that pays. You've seen the one are going to go

162
00:08:13,040 --> 00:08:16,440
Speaker 2: for and this is the phrase that I will give

163
00:08:16,480 --> 00:08:19,160
Speaker 2: to him. And then Hamish us to work into tonight's

164
00:08:19,160 --> 00:08:22,040
Speaker 2: TV work that he's doing calling the games. So Hamish

165
00:08:22,160 --> 00:08:24,800
Speaker 2: is on in about half an hour's time. Ross Noble

166
00:08:24,840 --> 00:08:27,040
Speaker 2: Brilliant Comedium is also going to be on the show

167
00:08:27,080 --> 00:08:30,000
Speaker 2: this morning. We have something new and exciting in the

168
00:08:30,000 --> 00:08:31,960
Speaker 2: studio which we want to try and use in an

169
00:08:32,000 --> 00:08:35,679
Speaker 2: hour's time. Tomorrow's show all request like we do every Friday.

170
00:08:35,760 --> 00:08:37,760
Speaker 2: Now on this breakfast show, you're picking all the songs

171
00:08:37,760 --> 00:08:40,319
Speaker 2: between six and ten. I love this one that's coming early.

172
00:08:41,080 --> 00:08:48,480
Speaker 2: What a polite way to contact us, Sir slash madam,

173
00:08:48,559 --> 00:08:51,760
Speaker 2: Sir Madam Leo Sayer two thousand and four, Touch me

174
00:08:51,840 --> 00:08:55,000
Speaker 2: baby brackets. I'm always yours. CBS Records, thank you for

175
00:08:55,040 --> 00:08:56,440
Speaker 2: having a little bit of detail. They're like, we're going

176
00:08:56,480 --> 00:08:58,880
Speaker 2: to leg it down to the record library, but thank

177
00:08:58,920 --> 00:09:00,719
Speaker 2: you very much for getting in that early requests for

178
00:09:00,800 --> 00:09:05,960
Speaker 2: some classic Leo Sayer. So yesterday we finally got our

179
00:09:06,080 --> 00:09:10,560
Speaker 2: brand new family car. Everyone's been excited about this I's

180
00:09:10,600 --> 00:09:13,240
Speaker 2: been waiting for it. You may remember two weeks ago

181
00:09:13,360 --> 00:09:15,200
Speaker 2: my wife texted me in the middle of the show

182
00:09:15,240 --> 00:09:17,800
Speaker 2: and I was irritated because asking me about what color

183
00:09:17,840 --> 00:09:19,360
Speaker 2: it should be. And I said, listen, you're gonna be

184
00:09:19,440 --> 00:09:21,079
Speaker 2: driving it, you'll be doing the school right, and it's

185
00:09:21,120 --> 00:09:23,400
Speaker 2: your car. I don't really mind. She said, well, I'm

186
00:09:23,440 --> 00:09:26,559
Speaker 2: thinking about pearl white, and I went, oh, it feels

187
00:09:26,600 --> 00:09:28,480
Speaker 2: like like a pimps car or some of that rocking

188
00:09:28,480 --> 00:09:31,080
Speaker 2: around in pearl white. Just go for gray.

189
00:09:31,640 --> 00:09:33,840
Speaker 3: Well what's the difference between white and pearl white?

190
00:09:34,440 --> 00:09:37,440
Speaker 2: No idea, probably money. Yeah, you add pearl in front

191
00:09:37,440 --> 00:09:41,160
Speaker 2: of something, it means extra money, you know, and us

192
00:09:41,160 --> 00:09:45,040
Speaker 2: snobs out in the Bayside area. Oh yeah, No, I'd

193
00:09:45,080 --> 00:09:47,120
Speaker 2: hate to have something that North Melbourne might have, like

194
00:09:47,280 --> 00:09:49,240
Speaker 2: just white. You know, if you're going to be rocking

195
00:09:49,280 --> 00:09:52,840
Speaker 2: around in uh in the Bayside, you need pearl white.

196
00:09:53,240 --> 00:09:54,920
Speaker 2: So I go, yeah, I did just great. But listen,

197
00:09:55,040 --> 00:09:56,960
Speaker 2: it's your choice. I don't mind. I don't care. I

198
00:09:56,960 --> 00:10:00,000
Speaker 2: don't have an opinion on it. Really, She goes, great,

199
00:10:00,160 --> 00:10:02,640
Speaker 2: she bottles out of it. The car turns up yesterday.

200
00:10:02,640 --> 00:10:05,280
Speaker 2: This is a great car. It's fantastic. However, I come home,

201
00:10:05,679 --> 00:10:07,959
Speaker 2: my wife's going straight away. She doesn't say anything. She

202
00:10:08,040 --> 00:10:09,840
Speaker 2: just looks at me and she goes, I don't like

203
00:10:09,880 --> 00:10:13,640
Speaker 2: the color and cool, but you're in the car. It

204
00:10:13,640 --> 00:10:15,439
Speaker 2: doesn't matter. You get in the car, you drive it around,

205
00:10:15,440 --> 00:10:17,160
Speaker 2: it doesn't really matter. You're not aware of the color

206
00:10:17,160 --> 00:10:19,000
Speaker 2: once you once you use it, it's not an issue.

207
00:10:19,200 --> 00:10:21,000
Speaker 2: I don't like it, and the kids don't like it either.

208
00:10:21,120 --> 00:10:23,439
Speaker 2: I want to say, who cares? Are they paying for it?

209
00:10:23,559 --> 00:10:23,840
Speaker 7: All right?

210
00:10:23,920 --> 00:10:25,439
Speaker 2: So an eleven year old and a thirteen year old

211
00:10:25,440 --> 00:10:28,640
Speaker 2: don't like the color, and so they go.

212
00:10:28,960 --> 00:10:32,760
Speaker 3: Yes, so neutral, just what they said, don't they.

213
00:10:32,640 --> 00:10:35,040
Speaker 2: Go, it's so boring, dad, just because you're like wearing gray.

214
00:10:35,320 --> 00:10:38,680
Speaker 2: It's just another gray car. It's really boring. We wanted

215
00:10:38,679 --> 00:10:41,920
Speaker 2: the pearl white. Now.

216
00:10:42,559 --> 00:10:44,240
Speaker 3: It's not the flashiest thing I've ever heard of.

217
00:10:44,440 --> 00:10:48,520
Speaker 2: It's not. And it didn't help because the sales director here,

218
00:10:48,760 --> 00:10:51,440
Speaker 2: pretty boy Pete, he told me the the day that

219
00:10:51,559 --> 00:10:55,000
Speaker 2: his wife has the pearl white one of what we've got. Right,

220
00:10:55,200 --> 00:10:57,480
Speaker 2: I mistakenly tell my wife that and you pats you know.

221
00:10:57,520 --> 00:10:59,319
Speaker 2: It's like you say something a woman. It's all used

222
00:10:59,360 --> 00:11:00,680
Speaker 2: later on in Core is little.

223
00:11:00,480 --> 00:11:03,160
Speaker 4: Cross exation I did the same with our family car.

224
00:11:03,400 --> 00:11:07,520
Speaker 4: I still think we should have got the Navy. I

225
00:11:07,559 --> 00:11:09,200
Speaker 4: still don't like its.

226
00:11:09,240 --> 00:11:12,080
Speaker 2: Listen to what my wife has made me do. I've

227
00:11:12,080 --> 00:11:15,600
Speaker 2: got to call the Garrets today to say, can we

228
00:11:15,679 --> 00:11:18,920
Speaker 2: swap it? You can't. Please, don't make me do the

229
00:11:19,280 --> 00:11:21,840
Speaker 2: you call? Why make me do it?

230
00:11:21,840 --> 00:11:26,480
Speaker 4: It's probably devalued by about ten grands since you've driven it.

231
00:11:26,920 --> 00:11:28,880
Speaker 3: The packaging and you've driven it.

232
00:11:28,960 --> 00:11:33,080
Speaker 2: And also why am I calling? It's not my mistake.

233
00:11:33,120 --> 00:11:34,560
Speaker 2: I said to you you could have the white. I

234
00:11:34,559 --> 00:11:36,959
Speaker 2: don't care. No, I listened to you. That's it. I

235
00:11:36,960 --> 00:11:40,199
Speaker 2: shouldn't have done that. I've got to call them today.

236
00:11:40,200 --> 00:11:45,360
Speaker 2: Ago love the car? What a car? Can we change

237
00:11:45,440 --> 00:11:47,040
Speaker 2: it for the peol.

238
00:11:49,720 --> 00:11:52,120
Speaker 3: I just how many cases have been driven in just

239
00:11:52,240 --> 00:11:54,079
Speaker 3: I've guessing you if you had it one day, how

240
00:11:54,120 --> 00:11:55,079
Speaker 3: much have you driven it?

241
00:11:55,600 --> 00:11:58,520
Speaker 2: I think it's done, like maybe two or three k's.

242
00:12:00,080 --> 00:12:02,199
Speaker 2: That's it, all right, God delivered to us. We drove

243
00:12:02,280 --> 00:12:04,400
Speaker 2: a little ride around and they kept moaning the whole

244
00:12:04,440 --> 00:12:07,280
Speaker 2: time about the gray. It's not affecting your enjoyment of

245
00:12:07,320 --> 00:12:09,640
Speaker 2: the car. You don't know what the colors you're on

246
00:12:09,679 --> 00:12:10,400
Speaker 2: the inside.

247
00:12:10,920 --> 00:12:12,840
Speaker 3: Well, maybe if you can wind it back to zero

248
00:12:13,080 --> 00:12:16,120
Speaker 3: like they do in Farrist Feelers Dat you can take

249
00:12:16,160 --> 00:12:16,959
Speaker 3: it back to the shop.

250
00:12:17,080 --> 00:12:19,840
Speaker 2: So I'm dying to know has anyone done this before?

251
00:12:20,520 --> 00:12:23,280
Speaker 2: Is anyone listening who works for a car showroom? Do

252
00:12:23,800 --> 00:12:27,080
Speaker 2: people do this? Is it possible? And also it is

253
00:12:27,080 --> 00:12:30,560
Speaker 2: there a cost involved? Please? Could he let me know asap?

254
00:12:30,720 --> 00:12:33,839
Speaker 2: These really important questions because I'm dreading today's show ending,

255
00:12:34,160 --> 00:12:37,520
Speaker 2: I've got to make a really embarrassing call nine four

256
00:12:37,000 --> 00:12:39,080
Speaker 2: one four one O four three.

257
00:12:39,120 --> 00:12:42,520
Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

258
00:12:42,559 --> 00:12:45,079
Speaker 1: point three, and.

259
00:12:45,040 --> 00:12:46,679
Speaker 2: I stays here on Gold one oh four point three.

260
00:12:46,720 --> 00:12:48,880
Speaker 2: Come on ins to Christian O'Connor Breakfast Show. Not if

261
00:12:48,920 --> 00:12:51,280
Speaker 2: you want to know what the car is? Oh yeah, nosey,

262
00:12:51,640 --> 00:12:53,559
Speaker 2: you make a judgment on you try and work out

263
00:12:53,559 --> 00:12:55,360
Speaker 2: all how much money is he on? What's he got?

264
00:12:56,080 --> 00:12:58,319
Speaker 2: All right? It's a Toyo to Kluger. And I tell

265
00:12:58,360 --> 00:12:59,800
Speaker 2: you why I got that couple of weeks ago as

266
00:12:59,800 --> 00:13:02,800
Speaker 2: an uber, because I've been living in ubers and I

267
00:13:02,800 --> 00:13:05,160
Speaker 2: got in the back, I said, go is this comfy?

268
00:13:05,240 --> 00:13:07,440
Speaker 2: What's this? He says? A Toyota Clugan And he was

269
00:13:07,559 --> 00:13:10,559
Speaker 2: really proud. He went toys to Clugar. Look, behnd you

270
00:13:10,600 --> 00:13:13,840
Speaker 2: see the boot space and I did, went impressive. He said,

271
00:13:14,160 --> 00:13:16,480
Speaker 2: I can pop up seats and net. Suddenly this four

272
00:13:16,559 --> 00:13:20,160
Speaker 2: seater goes boom seven seater. I was like, went home

273
00:13:20,200 --> 00:13:23,520
Speaker 2: and said we're getting the Toyota Clugar. My overdriver had one.

274
00:13:23,600 --> 00:13:24,640
Speaker 2: I'm so aspirational.

275
00:13:25,120 --> 00:13:27,000
Speaker 3: Anyway, what color did drive head?

276
00:13:27,320 --> 00:13:31,760
Speaker 2: Yeah? Great, That's why I went great. So anyway, it

277
00:13:31,760 --> 00:13:33,960
Speaker 2: turned up yesterday it's gray. My wife does not the

278
00:13:33,960 --> 00:13:36,679
Speaker 2: gray order my two daughters. My wife is making me

279
00:13:36,720 --> 00:13:39,320
Speaker 2: call the showroom to that ten to say can we

280
00:13:39,400 --> 00:13:42,559
Speaker 2: swap it for a pearl white one. I don't want

281
00:13:42,559 --> 00:13:45,319
Speaker 2: to make the call and I don't think we can. Jessica,

282
00:13:45,360 --> 00:13:48,480
Speaker 2: Good morning, Good morning, Jessica. How can you help me

283
00:13:48,559 --> 00:13:50,240
Speaker 2: to Have you worked for a car showroom?

284
00:13:50,840 --> 00:13:53,280
Speaker 5: Yes, I used to work for a car dealership, and

285
00:13:53,320 --> 00:13:53,720
Speaker 5: I'm sorry.

286
00:13:53,760 --> 00:13:57,080
Speaker 6: I have to say, Christian, it's an expensive order that

287
00:13:57,120 --> 00:13:59,920
Speaker 6: you've just done appreciation.

288
00:14:00,240 --> 00:14:02,800
Speaker 2: How can it be? We've just driven it to take

289
00:14:02,800 --> 00:14:05,880
Speaker 2: one of the kids to her first soccer practice yesterday.

290
00:14:05,840 --> 00:14:09,960
Speaker 3: Driving through of the soccer field, little gravel stones.

291
00:14:11,280 --> 00:14:12,559
Speaker 2: Spotless is a maculate.

292
00:14:13,480 --> 00:14:15,320
Speaker 6: As soon as you drive it out of that shy room.

293
00:14:15,360 --> 00:14:17,440
Speaker 6: That's it that can't appreciates straight away.

294
00:14:17,800 --> 00:14:20,040
Speaker 2: Come on, that's just what you say. Surely you guys

295
00:14:20,080 --> 00:14:21,720
Speaker 2: aren't going to really notice if I bring it back

296
00:14:21,720 --> 00:14:24,320
Speaker 2: in today suddenly I drive out in a pearl white one.

297
00:14:24,440 --> 00:14:26,560
Speaker 2: No one is any the wiser. You got the old

298
00:14:26,600 --> 00:14:29,120
Speaker 2: grease monkey mechanics out the back. Who can take the

299
00:14:29,200 --> 00:14:30,600
Speaker 2: miles off and do something there?

300
00:14:31,960 --> 00:14:33,360
Speaker 6: Or should have taken the pearl white?

301
00:14:34,480 --> 00:14:41,400
Speaker 2: Should I? She was told, Oh god, Jessica, you're ruining

302
00:14:41,440 --> 00:14:44,280
Speaker 2: my life, Jessica, and just go tell me this. My

303
00:14:44,320 --> 00:14:46,480
Speaker 2: wife is telling me that apparently it's more popular to

304
00:14:46,560 --> 00:14:50,800
Speaker 2: have with the pearl white and it's better for resale. Well,

305
00:14:51,320 --> 00:14:51,880
Speaker 2: it looks good.

306
00:14:51,920 --> 00:14:53,760
Speaker 6: We have black and white slim line tape.

307
00:14:55,280 --> 00:14:59,840
Speaker 2: Yeah yeah, dear, oh dear. Okay, this is uh this

308
00:15:00,200 --> 00:15:03,400
Speaker 2: bad news. Okay, Jessica, thank you, but not thank you. Okay,

309
00:15:03,480 --> 00:15:05,280
Speaker 2: but thanks cool the show, all right, have a good day.

310
00:15:05,800 --> 00:15:06,080
Speaker 3: Thank you.

311
00:15:06,360 --> 00:15:09,120
Speaker 2: Bye. Pep good a Christian?

312
00:15:09,200 --> 00:15:09,720
Speaker 5: How are you doing?

313
00:15:09,960 --> 00:15:14,640
Speaker 2: Awful? Absolutely awful? I actually think, yes, this is this

314
00:15:14,800 --> 00:15:17,120
Speaker 2: is just a terrible, terrible moment for me right now.

315
00:15:17,240 --> 00:15:19,200
Speaker 2: Pet please help me out here. You can swap the car,

316
00:15:19,280 --> 00:15:21,760
Speaker 2: can't you? You work for all Diota. Thank you very much.

317
00:15:23,400 --> 00:15:28,680
Speaker 5: Look, you know how Toyota's logo is O what a feeling? Yeah, yeah,

318
00:15:28,760 --> 00:15:36,680
Speaker 5: well you're not there, Okay, you are, as they say

319
00:15:36,720 --> 00:15:43,560
Speaker 5: in the vernacular, somewhat disadvantaged in that the vehicle.

320
00:15:43,680 --> 00:15:44,480
Speaker 1: Have you bought it?

321
00:15:44,560 --> 00:15:45,920
Speaker 5: It's registered in your name?

322
00:15:46,040 --> 00:15:50,560
Speaker 2: Yes, yes, yes, yes, yeah, you are in it. Yeah,

323
00:15:50,600 --> 00:15:52,440
Speaker 2: that's what I own it, and I can swap it.

324
00:15:53,240 --> 00:15:53,280
Speaker 1: No.

325
00:15:54,120 --> 00:15:56,560
Speaker 2: If I buy bad trainers, I own them. Swap them

326
00:15:56,800 --> 00:15:57,640
Speaker 2: for the other ones.

327
00:15:58,320 --> 00:16:00,560
Speaker 5: Not if you've gone out running in them, even one.

328
00:16:00,760 --> 00:16:02,640
Speaker 2: I haven't been running in the car. We took it

329
00:16:02,640 --> 00:16:03,400
Speaker 2: around the corner.

330
00:16:03,680 --> 00:16:05,480
Speaker 5: You've been driving, you drive out of it.

331
00:16:05,640 --> 00:16:08,080
Speaker 2: Editay had to drive it to me to bring it

332
00:16:08,160 --> 00:16:09,920
Speaker 2: to me. They must have done that. In fact, I

333
00:16:10,000 --> 00:16:11,720
Speaker 2: take that. I've just said, take it up. The podcast

334
00:16:11,880 --> 00:16:12,800
Speaker 2: hasn't been used.

335
00:16:13,960 --> 00:16:17,000
Speaker 5: Has been used, has been registered. It is now a

336
00:16:17,160 --> 00:16:21,280
Speaker 5: used car. You could sell and your dealership. You could

337
00:16:21,320 --> 00:16:22,520
Speaker 5: sell it back to the dealership.

338
00:16:23,760 --> 00:16:28,760
Speaker 1: O'Connell breakfast show on Gold one oh four point three, Christian.

339
00:16:28,760 --> 00:16:31,040
Speaker 2: If allouse fells, you can pay to have the car

340
00:16:31,240 --> 00:16:36,480
Speaker 2: finyl coated in the color of your wife. That's not

341
00:16:38,840 --> 00:16:41,680
Speaker 2: I can't go back into the house today. Mixed it.

342
00:16:42,520 --> 00:16:44,920
Speaker 2: Someone out with the special clean film kids, I've got

343
00:16:45,800 --> 00:16:50,360
Speaker 2: there's bubbles on the morning final the cars that gonna

344
00:16:50,440 --> 00:16:56,720
Speaker 2: look like I'm screwed anyway, seven nine Mornings to Christian

345
00:16:56,720 --> 00:16:59,040
Speaker 2: O'Connor Breadthor show here on God one of four point three.

346
00:16:59,160 --> 00:17:01,960
Speaker 2: So coming up with fifty minutes time, here's back the

347
00:17:02,080 --> 00:17:05,400
Speaker 2: face of swamp afl. Tonight on Channel seven, our friend

348
00:17:05,480 --> 00:17:08,840
Speaker 2: Hamish McLaughlin. We started a new game with him on

349
00:17:09,440 --> 00:17:12,960
Speaker 2: Friday's Breakfast show. We did this the phrase to work

350
00:17:13,040 --> 00:17:18,000
Speaker 2: in over the weekend. I mean flying monkeys come on

351
00:17:20,160 --> 00:17:24,080
Speaker 2: monkey as you can hear there. Hamish really loves this

352
00:17:24,160 --> 00:17:26,840
Speaker 2: new game that I've come up with. And so fast

353
00:17:26,880 --> 00:17:30,119
Speaker 2: forward to round about almost midnight. Who knew that the

354
00:17:30,200 --> 00:17:33,520
Speaker 2: show is still going on then and they're dying few

355
00:17:33,560 --> 00:17:35,359
Speaker 2: minutes but fair play. Did he do it?

356
00:17:35,680 --> 00:17:35,720
Speaker 1: No?

357
00:17:35,880 --> 00:17:38,200
Speaker 2: He got his two other former players who were there,

358
00:17:38,240 --> 00:17:42,520
Speaker 2: so was it ling? And all right? They actually say

359
00:17:42,560 --> 00:17:45,160
Speaker 2: it as soon as they flying monkeys than.

360
00:17:47,200 --> 00:17:48,119
Speaker 3: You say flying monkeys.

361
00:17:48,200 --> 00:17:52,240
Speaker 2: Yeah, flying monkeys. He's all over it once they sat.

362
00:17:52,480 --> 00:17:55,720
Speaker 2: So we've have to get him back and he's agreed

363
00:17:55,760 --> 00:17:57,520
Speaker 2: to come back on to do it properly tonight with

364
00:17:57,600 --> 00:18:01,000
Speaker 2: a brand new phrase. So users how well, I'm gonna

365
00:18:01,000 --> 00:18:03,000
Speaker 2: pick one of your phrases and we'll give it to

366
00:18:03,040 --> 00:18:06,320
Speaker 2: Hamish to work into tonight's TV show text in what

367
00:18:06,440 --> 00:18:09,560
Speaker 2: do you think the phrase should be? Four seven five

368
00:18:09,840 --> 00:18:12,600
Speaker 2: o three one oh four three. You can create a

369
00:18:12,640 --> 00:18:15,440
Speaker 2: phrase surreal that's honors anything. Let's make him work hard.

370
00:18:15,520 --> 00:18:17,360
Speaker 2: Let's make him to his monkey tap dance for once.

371
00:18:18,400 --> 00:18:21,880
Speaker 2: Four seven five o three one oh four three.

372
00:18:22,280 --> 00:18:25,640
Speaker 1: The Christian O'Connell Breakfast, Joe Melbourne's gold one oh four

373
00:18:25,680 --> 00:18:26,160
Speaker 1: point three.

374
00:18:27,680 --> 00:18:30,000
Speaker 2: I love Ody Vedder's voice, Pearl Jam Daughter, Come on,

375
00:18:30,080 --> 00:18:32,080
Speaker 2: it's to Christian O'Connor Breakfast show and gone one o

376
00:18:32,119 --> 00:18:35,240
Speaker 2: four point three. It's going up for seven thirty nine.

377
00:18:36,040 --> 00:18:39,159
Speaker 2: You're enjoying this new game. The phrase that pays with

378
00:18:39,359 --> 00:18:42,000
Speaker 2: your friend, our friend, the most beautiful man on TV.

379
00:18:42,840 --> 00:18:46,520
Speaker 2: He's there on Channel seven tonight grinning Hamish McLaughlin and

380
00:18:46,760 --> 00:18:49,840
Speaker 2: the phrases that are coming in at the moment. Oh,

381
00:18:49,920 --> 00:18:51,480
Speaker 2: we just know why we can do this. But thank

382
00:18:51,520 --> 00:18:53,879
Speaker 2: you very much. Nancy. The phrase for Hamish squeeze my

383
00:18:53,960 --> 00:18:58,280
Speaker 2: nipples and call me Nancy. Can't see how he can

384
00:18:58,400 --> 00:19:00,480
Speaker 2: work that in. I know it's a big tonight with

385
00:19:00,520 --> 00:19:02,359
Speaker 2: the Swans and app But how the hell are you

386
00:19:02,400 --> 00:19:05,280
Speaker 2: going to do that? Suddenly? Well, squeeze my nipples and

387
00:19:05,359 --> 00:19:06,960
Speaker 2: call me now is it? We got a game tonight.

388
00:19:07,000 --> 00:19:07,639
Speaker 2: As we go into the.

389
00:19:07,640 --> 00:19:10,040
Speaker 3: Second half, I feel like it actually works quite well.

390
00:19:10,119 --> 00:19:14,600
Speaker 2: All right, Yeah, Christian, he should say purple monkey dishwasher.

391
00:19:14,600 --> 00:19:15,680
Speaker 3: Shout out to the Simpsons.

392
00:19:15,840 --> 00:19:19,639
Speaker 2: Yeah, hey, what about raspberry sorbet? It's from Catherine? No,

393
00:19:20,320 --> 00:19:22,600
Speaker 2: holy guacamole, it's another one.

394
00:19:23,440 --> 00:19:23,919
Speaker 1: I like that.

395
00:19:25,800 --> 00:19:28,960
Speaker 2: He's got more feet than legs. That's too easy, you know,

396
00:19:29,080 --> 00:19:32,439
Speaker 2: when there's a player who's trumbling around with the ball. Christian,

397
00:19:32,440 --> 00:19:35,600
Speaker 2: what about Hamish to suddenly say my wife's in labor.

398
00:19:37,320 --> 00:19:42,800
Speaker 2: Dell is suggesting chicken, schnitzel and chips. All right, keep

399
00:19:42,840 --> 00:19:46,320
Speaker 2: this coming, Hamish is Lizzie right now? Probably squeaky bum time?

400
00:19:46,440 --> 00:19:49,600
Speaker 2: That might be another phrase text in four seven five

401
00:19:50,320 --> 00:19:52,680
Speaker 2: three one oh four three. Hamish is up next the

402
00:19:52,920 --> 00:19:57,000
Speaker 2: Christian O'Connell Breakfast Show on Gold one oh four point three.

403
00:19:57,320 --> 00:19:59,919
Speaker 2: On as the Christian O'Connor Breakfast Show on Gold one

404
00:20:00,200 --> 00:20:04,119
Speaker 2: four point three. Let's get Hamish McLaughlin back on Good Morning, Hamish.

405
00:20:04,520 --> 00:20:07,639
Speaker 9: Morning, Christian jacko nickol be lurking around somewhere, so morning to.

406
00:20:07,640 --> 00:20:11,480
Speaker 2: You, Nick, Hey, how are you legend? Very very well,

407
00:20:11,680 --> 00:20:12,000
Speaker 2: very well?

408
00:20:12,280 --> 00:20:13,760
Speaker 9: Germany out of the World Cup. But I know that's

409
00:20:13,760 --> 00:20:15,960
Speaker 9: what we're talking about. We're talking about the AFL tonight

410
00:20:16,320 --> 00:20:19,720
Speaker 9: seven pm on seven, Tigers v. Swans and this phrase

411
00:20:19,800 --> 00:20:20,280
Speaker 9: that pays.

412
00:20:20,320 --> 00:20:20,720
Speaker 2: I love this.

413
00:20:21,200 --> 00:20:23,560
Speaker 3: No one's paying anyone anything regardless.

414
00:20:23,119 --> 00:20:27,159
Speaker 2: Of what happens. So listen, have you heard some of

415
00:20:27,160 --> 00:20:29,639
Speaker 2: the ones that the listeners have been coming up with.

416
00:20:30,840 --> 00:20:32,560
Speaker 2: Squeeze my nipples.

417
00:20:32,160 --> 00:20:35,000
Speaker 3: And call me Nancy, Tigers get four in a row.

418
00:20:36,359 --> 00:20:38,440
Speaker 2: Works, That's not working.

419
00:20:39,040 --> 00:20:41,680
Speaker 9: My wife said, labor Mum would be texting straight.

420
00:20:41,400 --> 00:20:44,600
Speaker 2: Away and your wife, she want to know what's going on.

421
00:20:45,680 --> 00:20:47,880
Speaker 9: You imagine if I said, if you said you can't

422
00:20:47,960 --> 00:20:50,160
Speaker 9: touch this, thes have a time, Bruce Becovanie would look

423
00:20:50,160 --> 00:20:51,919
Speaker 9: at me and go, whoa that.

424
00:20:51,920 --> 00:20:52,560
Speaker 2: Can be on?

425
00:20:52,640 --> 00:20:55,000
Speaker 3: You actually used every week hand Yeah.

426
00:20:55,560 --> 00:20:58,120
Speaker 2: Yeah, yeah, this is the worst game.

427
00:20:58,320 --> 00:21:00,480
Speaker 9: All I can do is get it right or be

428
00:21:00,560 --> 00:21:02,800
Speaker 9: looked at sideways from one of the greatest broadcasters of

429
00:21:02,800 --> 00:21:05,399
Speaker 9: all time, or be sort of heckled the next day

430
00:21:05,440 --> 00:21:06,399
Speaker 9: for getting it wrong by you.

431
00:21:06,720 --> 00:21:08,040
Speaker 2: No, no, no, that's not going to happen.

432
00:21:08,080 --> 00:21:08,280
Speaker 10: I know.

433
00:21:08,440 --> 00:21:10,720
Speaker 2: Let's fast forward. I know tomorrow morning, there's gonna be

434
00:21:10,800 --> 00:21:13,119
Speaker 2: nothing but kudos given to you because you are going

435
00:21:13,200 --> 00:21:17,560
Speaker 2: to smash this one. I have chosen a phrase, so it's.

436
00:21:17,400 --> 00:21:21,560
Speaker 9: All it's you who chooses is of course? Okay, and Jacko,

437
00:21:21,720 --> 00:21:24,200
Speaker 9: just before we get this, are there any rules? Last week,

438
00:21:24,240 --> 00:21:26,440
Speaker 9: when Lingy and Jimmy Bartel went with it first and

439
00:21:26,520 --> 00:21:28,959
Speaker 9: I threw it over the top, that was deemed by

440
00:21:29,080 --> 00:21:31,919
Speaker 9: the phrase that pays committee as being high treason.

441
00:21:31,960 --> 00:21:33,320
Speaker 2: So just let me get the rules.

442
00:21:33,560 --> 00:21:37,920
Speaker 3: It was determined that you deferred the contest to somebody else.

443
00:21:38,280 --> 00:21:41,520
Speaker 3: The rules today you have to say it first, and

444
00:21:41,760 --> 00:21:44,120
Speaker 3: it's going to be before eleven forty five pm.

445
00:21:44,920 --> 00:21:49,359
Speaker 2: Yeah, okay, I get that. You ready? Okay? Sure, okay.

446
00:21:49,440 --> 00:21:55,800
Speaker 2: The phrase that pays, oh, missus meggans.

447
00:21:57,680 --> 00:22:00,879
Speaker 3: What I didn't know what I meant either, and it

448
00:22:00,960 --> 00:22:02,200
Speaker 3: turns out it doesn't mean anything.

449
00:22:03,080 --> 00:22:05,480
Speaker 2: Okay. The phrase that pays for you to work into

450
00:22:05,600 --> 00:22:09,200
Speaker 2: tonight's work is oh, missus mggins.

451
00:22:10,320 --> 00:22:13,960
Speaker 9: Oh that that is actually I think it's impossible, no

452
00:22:14,880 --> 00:22:16,719
Speaker 9: doing that, Missus miggans.

453
00:22:16,800 --> 00:22:18,879
Speaker 2: See there you go, already, you're get in the field

454
00:22:18,920 --> 00:22:21,240
Speaker 2: of it. You're playing with What does it mean? Does matter?

455
00:22:21,880 --> 00:22:24,360
Speaker 2: None of these phrases need to mean anything. What does

456
00:22:24,440 --> 00:22:26,920
Speaker 2: banana hammock mean? Actually, we do know what that will means.

457
00:22:26,960 --> 00:22:30,240
Speaker 3: So coming out with a new catch phrase means that

458
00:22:30,280 --> 00:22:32,440
Speaker 3: you got to take It doesn't need to be derivative

459
00:22:32,440 --> 00:22:33,080
Speaker 3: of anything else.

460
00:22:33,160 --> 00:22:36,879
Speaker 2: It can just be brand new and oh, missus Higgins,

461
00:22:36,920 --> 00:22:37,639
Speaker 2: you can easily do that.

462
00:22:38,119 --> 00:22:38,320
Speaker 11: Wow.

463
00:22:38,440 --> 00:22:40,960
Speaker 2: We look at a kick that was Oh missus Miggins.

464
00:22:41,040 --> 00:22:43,359
Speaker 2: Can you see that I've done it for you?

465
00:22:44,960 --> 00:22:47,600
Speaker 9: Yeah, but you're not live in front of a national

466
00:22:47,640 --> 00:22:50,120
Speaker 9: audience that would be thinking what a dick.

467
00:22:50,440 --> 00:22:52,400
Speaker 2: No, they're not. They're going to go wow. We I'm

468
00:22:52,440 --> 00:22:55,280
Speaker 2: liking this new hamish. He needs a few new catchphrases.

469
00:22:55,359 --> 00:22:59,560
Speaker 2: This is great. Oh missus Miggins, you were that way

470
00:22:59,720 --> 00:23:00,560
Speaker 2: that works as well.

471
00:23:01,400 --> 00:23:06,520
Speaker 9: Okay, this is unlikely to happen, but come on and

472
00:23:07,080 --> 00:23:09,440
Speaker 9: we trush, come on, Okay.

473
00:23:10,400 --> 00:23:11,040
Speaker 3: Rest assured.

474
00:23:11,040 --> 00:23:13,760
Speaker 9: I'll be trying very hard to get oh missus Miggins

475
00:23:13,920 --> 00:23:17,920
Speaker 9: in at some point with absolutely no context at all,

476
00:23:18,000 --> 00:23:20,879
Speaker 9: when one is playing two on a Thursday night on

477
00:23:21,000 --> 00:23:23,560
Speaker 9: a free to air audience, it's fantastic.

478
00:23:23,800 --> 00:23:27,400
Speaker 2: Ye okay, so listen, I said my wife's in labor.

479
00:23:27,440 --> 00:23:30,919
Speaker 2: That's somehow seems easy. No, no, oh missus mggins.

480
00:23:32,160 --> 00:23:35,720
Speaker 3: Okay, just say hey, am I got something for you?

481
00:23:36,440 --> 00:23:39,720
Speaker 3: Is Richmond player Jack Higgins playing tonight? Maybe you could

482
00:23:39,720 --> 00:23:42,040
Speaker 3: go yeah that That's the only thing I was thinking,

483
00:23:42,400 --> 00:23:44,240
Speaker 3: Missus Higgins. It's Jack Higgins.

484
00:23:45,240 --> 00:23:49,200
Speaker 2: That's not the phrase. That's not the phrase, the phrases.

485
00:23:50,040 --> 00:23:55,200
Speaker 2: The phrase is simply, oh, missus mggins, how how is

486
00:23:55,280 --> 00:23:56,040
Speaker 2: that going to work?

487
00:23:56,200 --> 00:23:57,800
Speaker 7: That's for you to work out, my friend.

488
00:23:57,920 --> 00:24:00,919
Speaker 2: I'll be watching tonight, that's all. Wait, sure, we're watching

489
00:24:01,160 --> 00:24:04,280
Speaker 2: Channel seven Great game and the other great game. The

490
00:24:04,320 --> 00:24:05,960
Speaker 2: phrase that bays Hamish good luck.

491
00:24:07,640 --> 00:24:11,000
Speaker 1: The Christian O'Connell Breakfast show, Melbourne's Gold one oh four

492
00:24:11,080 --> 00:24:11,560
Speaker 1: point three.

493
00:24:12,359 --> 00:24:14,600
Speaker 2: That's an exists and listen love the good mon next

494
00:24:14,640 --> 00:24:17,080
Speaker 2: to Christian O'Connor Bedford Show are Gold one of four

495
00:24:17,119 --> 00:24:21,040
Speaker 2: point three, eleven minutes past eight Thursday morning. So there's

496
00:24:21,040 --> 00:24:23,600
Speaker 2: all buzz coming through you speakers. That is the familiar

497
00:24:23,640 --> 00:24:25,840
Speaker 2: buzz to some of us of a certain age of

498
00:24:25,960 --> 00:24:28,880
Speaker 2: a vinyl player. We've plugged it into the desk. Yesterday's

499
00:24:28,880 --> 00:24:30,480
Speaker 2: song brought me as a present. How about this a

500
00:24:30,640 --> 00:24:33,720
Speaker 2: vinyl player? We think about getting one and then wasting

501
00:24:33,800 --> 00:24:35,720
Speaker 2: my money buying about the vinyl that I gave away

502
00:24:35,920 --> 00:24:37,880
Speaker 2: decades ago. Though wish I'd home on too now because

503
00:24:37,880 --> 00:24:41,080
Speaker 2: it's worth a fortune and Producer Becks, So if you

504
00:24:41,080 --> 00:24:43,080
Speaker 2: have ever called the show, you probably speak to Producer Breaks.

505
00:24:43,119 --> 00:24:45,760
Speaker 2: She's great and she kindly brought in a load of

506
00:24:45,840 --> 00:24:49,520
Speaker 2: her vinyls. She's got some great stuff, including one that

507
00:24:49,600 --> 00:24:53,680
Speaker 2: leapt out straight away, Violent Fames Dave Barkle brilliant album

508
00:24:54,040 --> 00:24:57,200
Speaker 2: and track four Blister on the Sun. I love that song.

509
00:24:57,680 --> 00:25:00,320
Speaker 2: So we've plugged this in. We should be able to

510
00:25:00,359 --> 00:25:02,080
Speaker 2: play you. I think this will be a first for

511
00:25:02,119 --> 00:25:04,280
Speaker 2: Melbourne Radio on a breakfast show for quite a few years.

512
00:25:04,680 --> 00:25:06,560
Speaker 2: We're going to play a song on vinyl now.

513
00:25:06,720 --> 00:25:08,840
Speaker 3: Or did you start your career playing songs off vinyl?

514
00:25:08,920 --> 00:25:11,600
Speaker 2: Yeah, when I first started in college radio, and even

515
00:25:12,080 --> 00:25:15,119
Speaker 2: my first radio show twenty years ago was vinyl. You

516
00:25:15,240 --> 00:25:17,199
Speaker 2: just have to just spend like twenty minutes getting all

517
00:25:17,240 --> 00:25:20,000
Speaker 2: out the record library. Now it's just a hard drive,

518
00:25:20,040 --> 00:25:20,600
Speaker 2: it's just there.

519
00:25:20,800 --> 00:25:22,640
Speaker 3: So this little hun that we can hear. You put

520
00:25:22,720 --> 00:25:24,320
Speaker 3: up with that just the whole time on radio and

521
00:25:24,400 --> 00:25:24,920
Speaker 3: back in the day.

522
00:25:25,520 --> 00:25:27,280
Speaker 2: But I'll tell you what you're about to hear. This

523
00:25:27,400 --> 00:25:29,240
Speaker 2: is a musical education for some of the younger people

524
00:25:29,280 --> 00:25:32,119
Speaker 2: listening right now, there'll be a crackle when that needle

525
00:25:32,200 --> 00:25:35,000
Speaker 2: hits the groove and is the best most exciting sound

526
00:25:35,160 --> 00:25:38,359
Speaker 2: in radio. And you know I love Spotify and all that. However,

527
00:25:38,680 --> 00:25:42,200
Speaker 2: nothing replaces that warm, deeper sound you get from the

528
00:25:42,320 --> 00:25:45,320
Speaker 2: needle on the grooves just before the music kicks in.

529
00:25:45,359 --> 00:25:47,960
Speaker 2: It's the anticipation, it's part of the ritual. Even earlier,

530
00:25:47,960 --> 00:25:50,480
Speaker 2: I was just getting the vinyl out. I was looking

531
00:25:50,520 --> 00:25:51,919
Speaker 2: at how it used to be, the great days when

532
00:25:51,920 --> 00:25:54,560
Speaker 2: there were side one and side too, and you get

533
00:25:54,600 --> 00:25:57,159
Speaker 2: out the sleeve and you're putting it on. It all

534
00:25:57,240 --> 00:25:58,920
Speaker 2: takes a while to set up, and he's so excited

535
00:25:58,920 --> 00:26:01,520
Speaker 2: about the music that's about to come. So I needed

536
00:26:01,520 --> 00:26:03,680
Speaker 2: to take it to track four, side to.

537
00:26:04,520 --> 00:26:07,520
Speaker 3: I don't have much experience with the needle dropping the

538
00:26:07,560 --> 00:26:09,520
Speaker 3: needle on, but here.

539
00:26:09,440 --> 00:26:15,720
Speaker 2: We we gently, gently jack gently track four.

540
00:26:16,520 --> 00:26:17,880
Speaker 3: I'm just looking for the fourth group.

541
00:26:18,000 --> 00:26:23,879
Speaker 2: That's it. Ain't wait now, I did you need to

542
00:26:23,920 --> 00:26:27,320
Speaker 2: go back a bit? M hm. This is called one

543
00:26:27,320 --> 00:26:31,360
Speaker 2: of four point three paying you Finyl Vinyl Violent Femmes.

544
00:26:33,200 --> 00:26:43,480
Speaker 7: Enjoy listen to that crackle.

545
00:26:48,680 --> 00:26:50,760
Speaker 2: There you go. That is viol and Fems Blister of

546
00:26:50,840 --> 00:26:53,720
Speaker 2: the Sun on vinyl, folks, you need to need lock

547
00:26:53,760 --> 00:27:01,760
Speaker 2: otherwise going to stranger the next track. Man, Sorry Melbourne,

548
00:27:01,760 --> 00:27:07,080
Speaker 2: your ears? Ah, how you enjoyed that we did? That

549
00:27:07,320 --> 00:27:10,840
Speaker 2: sounded great? You good? Amit? I mean, obviously you're a millennial.

550
00:27:11,040 --> 00:27:14,399
Speaker 2: Didn't you appreciate how warm and fuzzy that sounded?

551
00:27:14,440 --> 00:27:14,600
Speaker 7: Well?

552
00:27:14,600 --> 00:27:16,439
Speaker 3: It reminds me of my parents, and I'm actually excited

553
00:27:16,480 --> 00:27:18,600
Speaker 3: to go home tonight and look through my dad's record

554
00:27:18,640 --> 00:27:20,840
Speaker 3: collection and see what I can bring in for tomorrow show.

555
00:27:20,960 --> 00:27:24,080
Speaker 2: So I'm thinking, is that sounded so good? It was

556
00:27:24,119 --> 00:27:26,640
Speaker 2: so much fun playing vinyl? I guarantee if you flick

557
00:27:26,720 --> 00:27:28,720
Speaker 2: up and down the dial. Most radio stations don't have

558
00:27:28,800 --> 00:27:31,480
Speaker 2: a vinyl player. The only reason we've got one is

559
00:27:31,480 --> 00:27:33,720
Speaker 2: because someone brought one for me yesterday as a present.

560
00:27:33,760 --> 00:27:34,920
Speaker 2: So I thought we could have some fun with this.

561
00:27:35,520 --> 00:27:39,200
Speaker 2: So my old local pub these are a thing every

562
00:27:39,280 --> 00:27:42,600
Speaker 2: Thursday called Vinyl Thursday, where you could turn up with

563
00:27:42,760 --> 00:27:44,560
Speaker 2: vinyl and you put your name down on a waiting

564
00:27:44,600 --> 00:27:47,800
Speaker 2: this because we civilized, were English, everyone likes to qbe

565
00:27:47,920 --> 00:27:50,600
Speaker 2: and wait. We'd have a list and put down kind

566
00:27:50,640 --> 00:27:55,760
Speaker 2: it turn up on and so you wait for your turn,

567
00:27:55,840 --> 00:27:57,800
Speaker 2: and then you would play a song and I still

568
00:27:57,800 --> 00:27:59,600
Speaker 2: love this. It's like a kind of ve I kind

569
00:27:59,600 --> 00:28:01,840
Speaker 2: of dube. Now. We start this a couple of weeks

570
00:28:01,840 --> 00:28:03,960
Speaker 2: ago on Friday's break for show where it's all requests,

571
00:28:03,960 --> 00:28:05,720
Speaker 2: and I mean every single song we play is picked

572
00:28:05,760 --> 00:28:08,000
Speaker 2: by you. We're doing the last couple of Fridays and

573
00:28:08,080 --> 00:28:11,320
Speaker 2: it sounds amazing Tomorrow, wouldn't it be great? We've got

574
00:28:11,359 --> 00:28:14,560
Speaker 2: the vinyl player. Do any of you have any vinyl?

575
00:28:15,040 --> 00:28:18,400
Speaker 2: A you fancy dropping it in tomorrow to us here

576
00:28:18,760 --> 00:28:21,879
Speaker 2: during the show. You can come on up and you

577
00:28:21,960 --> 00:28:23,800
Speaker 2: can put your own song on. I'll put your name

578
00:28:23,840 --> 00:28:28,120
Speaker 2: on the list first, yeahst in reception. Then you come

579
00:28:28,200 --> 00:28:30,000
Speaker 2: up in the lift to level two where we broadcasts

580
00:28:30,000 --> 00:28:32,280
Speaker 2: from you come and see us with the vinyl. So

581
00:28:32,400 --> 00:28:34,680
Speaker 2: have any of you got vinyl? What have you got?

582
00:28:35,000 --> 00:28:37,240
Speaker 2: And could you make it here tomorrow morning between six

583
00:28:37,440 --> 00:28:39,800
Speaker 2: and ten. Okay, so we're going to hold kind of

584
00:28:39,840 --> 00:28:42,160
Speaker 2: like open auditions right now. All right, let us know

585
00:28:42,280 --> 00:28:44,400
Speaker 2: what vinyl have you got? What could we be playing

586
00:28:44,440 --> 00:28:47,080
Speaker 2: on our new vinyl player tomorrow as we take radio

587
00:28:47,280 --> 00:28:51,240
Speaker 2: back decades nine one O four three Give us a

588
00:28:51,280 --> 00:28:52,640
Speaker 2: call nine four four one.

589
00:28:53,240 --> 00:28:57,520
Speaker 1: Christian O'Connell Breakfast Show on Gold one oh four point three.

590
00:28:59,720 --> 00:28:59,960
Speaker 7: Club.

591
00:29:00,280 --> 00:29:02,840
Speaker 2: I'm a comedian coome onst to Christian o'clor Breakfast show

592
00:29:02,880 --> 00:29:06,200
Speaker 2: on Gold one oh four point three. We're taking radio

593
00:29:06,240 --> 00:29:09,760
Speaker 2: back proper old school now. I've got a vinyl turntable.

594
00:29:09,920 --> 00:29:13,400
Speaker 2: We've plugged it into the studio desk here. Obviously, music

595
00:29:13,520 --> 00:29:15,400
Speaker 2: now on radios up and down the dal all over

596
00:29:15,400 --> 00:29:17,240
Speaker 2: the world. It still coming off hard drive. But the

597
00:29:17,280 --> 00:29:19,800
Speaker 2: best musical format in the world is vinyl. We just

598
00:29:19,880 --> 00:29:22,200
Speaker 2: tested out early by playing in full great song Blister

599
00:29:22,240 --> 00:29:25,000
Speaker 2: and the Sun by Violent fans. It sounded great. PRODUCEA

600
00:29:25,000 --> 00:29:26,560
Speaker 2: Becks has brought a load of vinus. We can test

601
00:29:26,600 --> 00:29:28,720
Speaker 2: this out this morning. I'm looking now at a compilation

602
00:29:29,800 --> 00:29:31,600
Speaker 2: double album. Let's do it.

603
00:29:31,880 --> 00:29:33,800
Speaker 3: I've never seen a compilation vinyl.

604
00:29:34,120 --> 00:29:36,960
Speaker 2: They used to be great summer nineteen ninety. There were

605
00:29:37,120 --> 00:29:41,440
Speaker 2: some great songs out there. They got Farsie with Communication, Madonna,

606
00:29:44,280 --> 00:29:47,320
Speaker 2: True Blue So Fine, Young Cannibals, Jenny Morris, don't remember

607
00:29:47,360 --> 00:29:50,360
Speaker 2: Jenny Morris, Alice Cooper on side too.

608
00:29:50,440 --> 00:29:52,680
Speaker 3: And everyone made the transition from vinyl to CD.

609
00:29:52,920 --> 00:29:55,160
Speaker 2: Sadly not my friend. There were casualties, and Jenny Morris

610
00:29:55,240 --> 00:29:58,880
Speaker 2: was one of them. Bobby Brown don't be cruel every

611
00:29:58,880 --> 00:30:02,000
Speaker 2: little step and then this, can you cure this up? Then?

612
00:30:02,320 --> 00:30:04,160
Speaker 2: Let me just turn it up. It sounds like crackle.

613
00:30:04,240 --> 00:30:08,400
Speaker 2: This is our turntable Easy mixed Master Mike Motley Crue

614
00:30:09,680 --> 00:30:17,800
Speaker 2: Dot to feel Good for track foury track four four Yeah,

615
00:30:19,440 --> 00:30:23,120
Speaker 2: Finyl Baby Vinyl track four Motney Crue dot to feel Good.

616
00:30:26,240 --> 00:30:28,240
Speaker 2: All right, So we want to know do you have vinyl?

617
00:30:28,960 --> 00:30:32,000
Speaker 2: Do you fancy dropping in tomorrow and us sticking some

618
00:30:32,120 --> 00:30:33,520
Speaker 2: of it on an all request Friday?

619
00:30:35,240 --> 00:30:35,560
Speaker 7: Nicole?

620
00:30:35,680 --> 00:30:39,040
Speaker 2: Good morning, Good morning, Nicole. So have you got some

621
00:30:39,200 --> 00:30:40,760
Speaker 2: vinyl for us? Oh?

622
00:30:40,920 --> 00:30:41,560
Speaker 6: A few hundred?

623
00:30:42,080 --> 00:30:43,840
Speaker 2: Have you really? That'll be worth a fortune?

624
00:30:43,920 --> 00:30:46,800
Speaker 6: Now, yeah, they probably will. And every time I think

625
00:30:47,120 --> 00:30:49,920
Speaker 6: I should do this myself of them, they just scream

626
00:30:49,960 --> 00:30:51,080
Speaker 6: at me, your nuts?

627
00:30:52,960 --> 00:30:54,640
Speaker 2: What have you got? Then? Take us through? What's some

628
00:30:54,680 --> 00:30:58,640
Speaker 2: of the highlights, What some of the hits I've got?

629
00:30:58,880 --> 00:31:03,000
Speaker 6: Slayer like Got Chicago. I'm giggling about the culture Club

630
00:31:03,040 --> 00:31:08,120
Speaker 6: that you just play the vinyls Hush single Sweet Gary.

631
00:31:07,960 --> 00:31:13,440
Speaker 2: Moore from Gary more from Yeah We Do Great Taste.

632
00:31:15,000 --> 00:31:21,440
Speaker 6: Yes, you've got the Blue I've got Public cru Ripper

633
00:31:23,080 --> 00:31:25,720
Speaker 6: as compilation cat better.

634
00:31:27,800 --> 00:31:30,800
Speaker 2: Right, Okay, listen, sounds like our actual playlist. So we

635
00:31:30,920 --> 00:31:32,720
Speaker 2: need you in here tomorrow, Nicole, can we get you

636
00:31:32,760 --> 00:31:34,560
Speaker 2: in tomorrow from Frankston VESSI coming.

637
00:31:34,440 --> 00:31:37,120
Speaker 6: In absolutely sounds like a plan.

638
00:31:37,400 --> 00:31:39,640
Speaker 2: Brilliant, Okay, So I mean not sure we've got room

639
00:31:39,840 --> 00:31:41,880
Speaker 2: to get all six hundred on tomorrow show. I try

640
00:31:41,920 --> 00:31:44,920
Speaker 2: my best, but we're definitely go through some of those.

641
00:31:44,920 --> 00:31:49,320
Speaker 6: All right, Nicole fantasy, I've been a selection, all right, Okay.

642
00:31:49,400 --> 00:31:51,440
Speaker 2: Let us know the new fancy coming in tomorrow with

643
00:31:51,520 --> 00:31:55,280
Speaker 2: your vinyl on nine four one four three Travelers on

644
00:31:55,320 --> 00:31:55,560
Speaker 2: the way.

645
00:31:55,720 --> 00:32:00,040
Speaker 1: The Christian O'Connell Breakfast Show on Gold one oh four point.

646
00:31:59,800 --> 00:32:05,520
Speaker 2: Three, Very visors, Learn to Fly. It is coming up

647
00:32:05,560 --> 00:32:06,960
Speaker 2: for twenty to nine. I hope you well this morning.

648
00:32:06,960 --> 00:32:09,200
Speaker 2: Thanks for tuning in. It's a Christian O'Connor breakfast show

649
00:32:09,360 --> 00:32:11,360
Speaker 2: on Gold one a four point three. So I'm having

650
00:32:11,400 --> 00:32:14,920
Speaker 2: fun with this vinyl turntable. I've got someone gave it

651
00:32:15,000 --> 00:32:16,320
Speaker 2: to me to stay as a present. I've plugged it

652
00:32:16,360 --> 00:32:19,880
Speaker 2: into to the station. We've kind of hard wine old technology,

653
00:32:20,200 --> 00:32:23,280
Speaker 2: old analog meet digital. That's what we've done this morning.

654
00:32:23,320 --> 00:32:25,320
Speaker 3: Maybe that's why we were getting all those area messages

655
00:32:25,320 --> 00:32:26,440
Speaker 3: at six o'clock this morning.

656
00:32:26,560 --> 00:32:27,160
Speaker 7: I didn't like it.

657
00:32:27,480 --> 00:32:30,160
Speaker 2: It does not compute. And so we're going tomorrow on

658
00:32:30,200 --> 00:32:32,520
Speaker 2: our all Request Friday show is if you've got vinyl,

659
00:32:32,600 --> 00:32:36,320
Speaker 2: any fancy dropp an instring him by ours here in Richmond,

660
00:32:36,760 --> 00:32:39,000
Speaker 2: then come on up. We'll stick some of your music on.

661
00:32:39,200 --> 00:32:41,240
Speaker 2: What I need to teach you to do because you'll

662
00:32:41,240 --> 00:32:43,880
Speaker 2: buy the turntable, whether it's side the studio desk. There's

663
00:32:43,920 --> 00:32:45,520
Speaker 2: an art to queuing up a song on the radio.

664
00:32:45,560 --> 00:32:47,120
Speaker 2: You never would have had to worry about this, but

665
00:32:47,160 --> 00:32:48,960
Speaker 2: I had to do this when I started radio. You

666
00:32:49,040 --> 00:32:50,640
Speaker 2: give it, look at, you find out where it starts,

667
00:32:50,680 --> 00:32:53,640
Speaker 2: and you take it back. You take it back like

668
00:32:53,760 --> 00:32:55,720
Speaker 2: three quarters and then when you hit play it.

669
00:32:57,400 --> 00:32:59,720
Speaker 3: So you weren't having to actually drop the needle onlike us.

670
00:33:00,120 --> 00:33:01,360
Speaker 2: What do you think what I used to sound like?

671
00:33:01,680 --> 00:33:03,320
Speaker 2: Like that? W just said? Did you go, hey it's

672
00:33:03,360 --> 00:33:07,120
Speaker 2: Tampa stay. Oh that's not the right one said.

673
00:33:09,160 --> 00:33:11,720
Speaker 3: I'm happy to be the DJ to tomorrow though people trust.

674
00:33:11,560 --> 00:33:14,480
Speaker 2: Me with the records. But yes, let's do that. Joe,

675
00:33:14,560 --> 00:33:16,880
Speaker 2: Good morning, Good morning, Saw.

676
00:33:16,880 --> 00:33:17,320
Speaker 8: We're traveling.

677
00:33:17,760 --> 00:33:19,880
Speaker 2: We're traveling pretty well. See do you faste swinging by

678
00:33:19,920 --> 00:33:21,080
Speaker 2: tomorrow with some of your vinyl?

679
00:33:21,840 --> 00:33:23,360
Speaker 8: I'd be there at the drop of the hat.

680
00:33:23,480 --> 00:33:25,160
Speaker 2: Oh please do What have you got? What could we

681
00:33:25,240 --> 00:33:25,920
Speaker 2: be playing tomorrow?

682
00:33:26,000 --> 00:33:29,400
Speaker 8: Joel, I've got I've got a des equation which I

683
00:33:29,440 --> 00:33:31,000
Speaker 8: pick and choose as I go when I'm out hugging

684
00:33:31,080 --> 00:33:34,000
Speaker 8: the vinyls. But I'd like to bring in kisses double

685
00:33:34,000 --> 00:33:34,400
Speaker 8: play them.

686
00:33:35,040 --> 00:33:38,600
Speaker 2: You've got double platinum of kiss Yes, I'll be worth

687
00:33:38,680 --> 00:33:40,880
Speaker 2: quite a bit. Kiss fans spending a lot of money

688
00:33:40,920 --> 00:33:43,120
Speaker 2: buying up old original vinyl pressings.

689
00:33:43,440 --> 00:33:45,200
Speaker 8: There is a small crease in the color, but it's

690
00:33:45,280 --> 00:33:47,560
Speaker 8: original pressing. With the cash blank of records to we

691
00:33:47,600 --> 00:33:48,120
Speaker 8: get inside?

692
00:33:48,520 --> 00:33:50,520
Speaker 2: Well, have you gone on eBay or any of the

693
00:33:50,600 --> 00:33:52,320
Speaker 2: record shops online to see what that's worth?

694
00:33:53,520 --> 00:33:55,280
Speaker 8: I've tried to, but every time I look it up,

695
00:33:55,720 --> 00:33:57,720
Speaker 8: especially with record shops, they can't tell you till they

696
00:33:57,800 --> 00:33:59,040
Speaker 8: see it, and then when they do look at it,

697
00:33:59,080 --> 00:34:01,680
Speaker 8: they generally go by the sorry to.

698
00:34:01,680 --> 00:34:08,520
Speaker 2: Hear that, bloody Pommy pound all right? And Joe, what's

699
00:34:08,560 --> 00:34:09,960
Speaker 2: on the double leven? What have you got on the

700
00:34:10,080 --> 00:34:11,040
Speaker 2: Detroit Rock City?

701
00:34:11,840 --> 00:34:17,920
Speaker 8: Detroit Rock City Hard Luck woman Strata she I do

702
00:34:18,080 --> 00:34:19,080
Speaker 8: believe theft's on there?

703
00:34:21,719 --> 00:34:25,839
Speaker 2: On that or not? I think it is what a song?

704
00:34:26,160 --> 00:34:30,120
Speaker 2: Love gun very subtle as well, I mean it's Sharan's

705
00:34:30,160 --> 00:34:36,480
Speaker 2: never going to write a song as Subtler's love Gun Joe, Joe,

706
00:34:36,640 --> 00:34:40,520
Speaker 2: we'll see you tomorrow morning. Okay, all right, now, let's

707
00:34:40,520 --> 00:34:42,080
Speaker 2: see if we can get someone we met last week

708
00:34:42,160 --> 00:34:47,400
Speaker 2: on the show. DJ Steve Strange. Good morning, DJ Steve Strange,

709
00:34:48,200 --> 00:34:49,040
Speaker 2: Good morning Christian.

710
00:34:49,080 --> 00:34:49,400
Speaker 3: How are you?

711
00:34:49,560 --> 00:34:51,960
Speaker 2: I'm pretty good? Listen to that voice. Welcome back to

712
00:34:52,000 --> 00:34:54,000
Speaker 2: the show. Now, buddy, you must be DJing tonight. Where

713
00:34:54,040 --> 00:34:55,520
Speaker 2: about you're going to be give yourself a plug.

714
00:34:56,200 --> 00:34:57,200
Speaker 8: I'm not on tonight.

715
00:34:57,280 --> 00:34:58,319
Speaker 3: I'm actually on right now.

716
00:34:58,400 --> 00:34:59,600
Speaker 6: As the Gami's reser.

717
00:35:01,880 --> 00:35:05,040
Speaker 11: Early Morning DJ says, stay early morning, bingo. Believe it,

718
00:35:05,080 --> 00:35:08,120
Speaker 11: I like I am while people having a breakfast. You're

719
00:35:08,120 --> 00:35:10,200
Speaker 11: playing the hits, not the hits.

720
00:35:10,320 --> 00:35:13,759
Speaker 2: This is actually traditional bingo. Oh I see it. Read

721
00:35:13,960 --> 00:35:17,239
Speaker 2: numbers this morning. Yes, I'm working numbers this morning and

722
00:35:17,360 --> 00:35:20,759
Speaker 2: next weekgain we'll be working music. All right? And how

723
00:35:20,800 --> 00:35:22,399
Speaker 2: many records have you got in your collection? And you're

724
00:35:22,400 --> 00:35:25,320
Speaker 2: a professional DJ, what have you got? Between me and

725
00:35:25,440 --> 00:35:28,000
Speaker 2: my mate lives, we've probably we've got over twenty thousand.

726
00:35:31,480 --> 00:35:33,200
Speaker 12: We can pretty much give you anything you want.

727
00:35:33,200 --> 00:35:34,480
Speaker 7: What's your favorite I'll bring it in.

728
00:35:34,760 --> 00:35:37,520
Speaker 2: Oh, this is great. Okay, Steve, we have to get

729
00:35:37,600 --> 00:35:39,960
Speaker 2: you and your mate less on tomorrow's show with your

730
00:35:40,000 --> 00:35:42,839
Speaker 2: final okay, not a problem, all right. Enjoy the Binger

731
00:35:42,880 --> 00:35:43,239
Speaker 2: this morning.

732
00:35:43,280 --> 00:35:43,400
Speaker 3: Brother.

733
00:35:43,400 --> 00:35:45,799
Speaker 2: I'll see you tomorrow. Thank you very much.

734
00:35:45,920 --> 00:35:48,920
Speaker 1: I'll tell you there on Christian O'Connell Breakfast Show on

735
00:35:49,160 --> 00:35:51,080
Speaker 1: Gold one oh four point three.

736
00:35:52,880 --> 00:35:56,040
Speaker 2: Strong stuff there from Pats. Keep this there between now

737
00:35:56,160 --> 00:36:03,240
Speaker 2: and six pm tomorrow. Stay up right, do not sleep

738
00:36:03,320 --> 00:36:06,360
Speaker 2: on this one or you will lose ten thousand dollars votes.

739
00:36:07,040 --> 00:36:10,080
Speaker 2: All right. The Red Hot Summer Tour we announced this week.

740
00:36:10,120 --> 00:36:13,439
Speaker 2: It is back in January twenty nineteen. Tickets on sale

741
00:36:13,600 --> 00:36:15,920
Speaker 2: right now. You know this will set out very quickly.

742
00:36:16,280 --> 00:36:18,200
Speaker 2: You can get your tickets through ticket Master. They're on

743
00:36:18,280 --> 00:36:20,960
Speaker 2: sale right now. You've got Jimmy Barnes, Jon Jet and

744
00:36:21,000 --> 00:36:23,080
Speaker 2: the Black Hearts, the Living End Diesel. You can stick

745
00:36:23,120 --> 00:36:26,400
Speaker 2: some diesel on in a minute. Richard Clapton and Chocolate Starfish.

746
00:36:27,120 --> 00:36:30,200
Speaker 2: Tickets are on sale right now. Good luck. Today's that

747
00:36:30,280 --> 00:36:32,879
Speaker 2: work time waster. This is for you to loaf off

748
00:36:33,520 --> 00:36:35,560
Speaker 2: now we get into work. You don't get straight down

749
00:36:35,560 --> 00:36:37,319
Speaker 2: to work. You can still take part in the Breakfast Show.

750
00:36:39,840 --> 00:36:45,080
Speaker 2: Change a letter, change a song, change a letter, change

751
00:36:45,120 --> 00:36:47,719
Speaker 2: a song. When are you're saying this for the benefit? Really,

752
00:36:47,760 --> 00:36:49,440
Speaker 2: I'll producer becks he's had a lot of trouble with this.

753
00:36:50,040 --> 00:36:51,560
Speaker 2: He's adding letters or.

754
00:36:51,560 --> 00:36:52,279
Speaker 3: Taking them away.

755
00:36:52,440 --> 00:36:56,279
Speaker 2: Yeah, it's some sort of an Egyptian hieroglyphic sort the

756
00:36:56,400 --> 00:36:59,360
Speaker 2: name of an uber driver I don't understand, okay, and

757
00:37:00,040 --> 00:37:00,800
Speaker 2: rears of a clown.

758
00:37:02,000 --> 00:37:04,920
Speaker 3: Good, very good actually, because the more you think about it,

759
00:37:04,960 --> 00:37:05,759
Speaker 3: the funnier it gets.

760
00:37:06,440 --> 00:37:09,040
Speaker 2: Keep on thinking, then laugh and give me a goals?

761
00:37:09,120 --> 00:37:13,000
Speaker 2: What do I get? Gold siper goals in my wife

762
00:37:13,200 --> 00:37:16,319
Speaker 2: beats with song? Very good?

763
00:37:17,719 --> 00:37:18,520
Speaker 3: Gold plus plus.

764
00:37:19,480 --> 00:37:20,400
Speaker 2: I put a smell on you.

765
00:37:20,920 --> 00:37:22,960
Speaker 3: Oh my god, you're it's three from.

766
00:37:22,840 --> 00:37:25,839
Speaker 2: Three first of the way. That's the first of the way.

767
00:37:25,880 --> 00:37:28,320
Speaker 2: I've never had this. Oh my word, this is incredible.

768
00:37:28,360 --> 00:37:30,200
Speaker 2: What have you got for ustand free from three? Gold?

769
00:37:30,239 --> 00:37:32,640
Speaker 3: Well a bitter man.

770
00:37:35,040 --> 00:37:35,560
Speaker 2: Bronze plus.

771
00:37:35,880 --> 00:37:37,320
Speaker 3: It gets funnier the more you think about it.

772
00:37:37,360 --> 00:37:39,120
Speaker 2: No, actually gets worse. I said to a trap that

773
00:37:39,200 --> 00:37:39,800
Speaker 2: bronze minus.

774
00:37:41,080 --> 00:37:47,520
Speaker 3: Don't stop relieving, Nick, Can I ask you if I

775
00:37:47,560 --> 00:37:50,000
Speaker 3: can say this one? Actually? Can you read in the

776
00:37:50,080 --> 00:37:53,920
Speaker 3: meantime when doves fry is another one I've got? Can

777
00:37:54,000 --> 00:38:01,000
Speaker 3: I say we get the nod from Brian killing me

778
00:38:01,120 --> 00:38:02,080
Speaker 3: softly with his doll.

779
00:38:02,960 --> 00:38:06,080
Speaker 2: Oh my god. I mean I'm not easily offended, but

780
00:38:06,200 --> 00:38:09,479
Speaker 2: I'm stunned at that killing me softly with his doll.

781
00:38:10,360 --> 00:38:12,680
Speaker 2: You happy with that? I'm not happy. Go around to

782
00:38:12,719 --> 00:38:15,520
Speaker 2: your mom and dad's tonight. How was work today? Killing

783
00:38:15,600 --> 00:38:17,400
Speaker 2: me softly with his dog? Dad? Say that?

784
00:38:17,880 --> 00:38:18,160
Speaker 7: Wow?

785
00:38:18,680 --> 00:38:22,360
Speaker 2: We okay? Carl and Jackie over there in the corner,

786
00:38:22,400 --> 00:38:23,000
Speaker 2: what's you up to?

787
00:38:25,400 --> 00:38:25,880
Speaker 3: I'm sorry.

788
00:38:25,960 --> 00:38:29,720
Speaker 2: Actually, let's go back to Wars of a Clown. Actually

789
00:38:29,760 --> 00:38:31,880
Speaker 2: that's not any better anyway. I see what you can

790
00:38:31,920 --> 00:38:35,120
Speaker 2: do now? Then change a letter, get us fired. No,

791
00:38:35,360 --> 00:38:37,920
Speaker 2: change a letter, change a song, to take a song title,

792
00:38:38,080 --> 00:38:41,200
Speaker 2: change a letter oh four seven five three one oh

793
00:38:41,239 --> 00:38:44,719
Speaker 2: four three oh four seven five three one oh four

794
00:38:44,840 --> 00:38:47,160
Speaker 2: three to text in and Jack will martin them in

795
00:38:47,239 --> 00:38:49,600
Speaker 2: ten minutes time. And you can also tweet me if

796
00:38:49,640 --> 00:38:51,800
Speaker 2: you want it. It's easier at OC. Let's stick on

797
00:38:51,880 --> 00:38:54,120
Speaker 2: some diesel now. Tickets are on sale for your Red

798
00:38:54,120 --> 00:38:56,520
Speaker 2: Hot Summer tour a Ticketmaster, The.

799
00:38:56,600 --> 00:39:00,560
Speaker 1: Christian O'Connell Breakfast Show, Melbourne's Gold one oh four three.

800
00:39:02,480 --> 00:39:04,759
Speaker 2: Love Shaqman fifty Two's on Gold one A four point

801
00:39:04,800 --> 00:39:08,319
Speaker 2: three Christian O'Connor Breakfast Show for Jeans for Jeans nine

802
00:39:08,440 --> 00:39:10,960
Speaker 2: twenty time, Now for Jack to mark. You're at work

803
00:39:11,040 --> 00:39:15,160
Speaker 2: time wasters this morning. We're asking you to change a letter,

804
00:39:15,640 --> 00:39:19,640
Speaker 2: change a song. You ready to mark, Ready to go? Okay,

805
00:39:20,880 --> 00:39:24,680
Speaker 2: enter Grandma, enter gron Oh no, enter Grandma.

806
00:39:27,120 --> 00:39:28,000
Speaker 6: I really like a bit.

807
00:39:28,280 --> 00:39:30,080
Speaker 3: I're going to take a technical point off for and

808
00:39:30,200 --> 00:39:32,440
Speaker 3: a Sandman should finish with an and.

809
00:39:32,760 --> 00:39:34,839
Speaker 2: I guess it's all quite the same though, Enter grand Man.

810
00:39:36,840 --> 00:39:41,319
Speaker 2: It's a silver all right, tublat pork Sunday, bloody fun day,

811
00:39:41,520 --> 00:39:49,000
Speaker 2: different song, good, silver, alive and licking, basic functional works,

812
00:39:49,080 --> 00:39:53,840
Speaker 2: civil plus. That's for Jason. The hardest part coldplay, You

813
00:39:53,920 --> 00:39:54,680
Speaker 2: are the hardest part.

814
00:39:56,800 --> 00:39:57,960
Speaker 3: I hate to give something with.

815
00:39:58,040 --> 00:40:01,560
Speaker 2: Far or poo a gold Okay, yeah, of course that's

816
00:40:01,600 --> 00:40:03,560
Speaker 2: what I forgot. Who's the guy on the show that

817
00:40:03,760 --> 00:40:07,279
Speaker 2: just now said, well you just did no you now

818
00:40:07,320 --> 00:40:09,600
Speaker 2: you're judging them hard, judging judge face.

819
00:40:09,760 --> 00:40:11,440
Speaker 3: Hardest part is gold.

820
00:40:12,840 --> 00:40:18,799
Speaker 2: Piano Nan Finny Joel like that. Well there's some Christian guy.

821
00:40:19,640 --> 00:40:21,239
Speaker 2: It's a long way to the shop if you want

822
00:40:21,239 --> 00:40:21,880
Speaker 2: a sausage roll.

823
00:40:22,440 --> 00:40:24,320
Speaker 3: Heard it before, Bronze.

824
00:40:24,480 --> 00:40:27,120
Speaker 2: Oh yeah, yes, someone's a little bit jaded. This morning,

825
00:40:28,719 --> 00:40:37,800
Speaker 2: young buns. Wow, instead of young guns. That's rubbish. Oh no,

826
00:40:37,920 --> 00:40:43,960
Speaker 2: it's another No, we're not doing those. That's rubbish, working class.

827
00:40:43,840 --> 00:40:46,560
Speaker 3: Ban working class ben.

828
00:40:46,880 --> 00:40:50,520
Speaker 2: Yeah, I'm afraid to say, guys, you haven't done your

829
00:40:50,520 --> 00:40:51,320
Speaker 2: best work this morning.

830
00:40:51,400 --> 00:40:54,000
Speaker 3: So you got all the best ones when you did

831
00:40:54,239 --> 00:40:54,839
Speaker 3: a triple gold.

832
00:40:54,880 --> 00:40:56,719
Speaker 2: Oh no, your dog was there like a real high

833
00:40:56,719 --> 00:41:00,560
Speaker 2: point for today's scratched out for the coast. That did

834
00:41:00,640 --> 00:41:02,239
Speaker 2: not sound right? Do you're not get a grab of that?

835
00:41:02,280 --> 00:41:03,000
Speaker 2: I don't want to hear that.

836
00:41:03,239 --> 00:41:06,120
Speaker 1: The Christian O'Connell breakfast show Melbourne's Gold one.

837
00:41:06,200 --> 00:41:09,040
Speaker 2: Oh four point three, mon, it's a Christian O'Connor breakfast

838
00:41:09,080 --> 00:41:10,839
Speaker 2: show on Gold one. I four point three.

839
00:41:11,440 --> 00:41:11,560
Speaker 9: Uh.

840
00:41:11,760 --> 00:41:14,080
Speaker 2: This is exciting for me. I've known this man, the

841
00:41:14,120 --> 00:41:17,319
Speaker 2: brilliant comedian Ross Noble for years now. He's living here

842
00:41:17,480 --> 00:41:18,279
Speaker 2: and I'm living here.

843
00:41:18,480 --> 00:41:20,680
Speaker 10: Usually I haven't told anyone I'm living here, so now

844
00:41:20,800 --> 00:41:21,719
Speaker 10: that's an exclusive.

845
00:41:21,880 --> 00:41:24,440
Speaker 2: Oh what a show. TMZ are just turning up with

846
00:41:24,480 --> 00:41:25,480
Speaker 2: the helicopter outside.

847
00:41:26,040 --> 00:41:29,040
Speaker 12: Used to live here, move living back in the UK

848
00:41:29,200 --> 00:41:29,879
Speaker 12: for eight years.

849
00:41:30,000 --> 00:41:31,520
Speaker 2: This is so weird, isn't Mary.

850
00:41:31,760 --> 00:41:34,880
Speaker 12: It just feels odd talking to you in this country.

851
00:41:35,200 --> 00:41:37,239
Speaker 2: Yeah, and I guess you're doing a radio interview with

852
00:41:37,520 --> 00:41:40,200
Speaker 2: someone with a British accent as well. When he used

853
00:41:40,200 --> 00:41:42,759
Speaker 2: to just chat to people like Jack. Yeah, I didn't

854
00:41:42,760 --> 00:41:43,120
Speaker 2: say people.

855
00:41:45,600 --> 00:41:47,560
Speaker 12: You've really made the effort to fit in here.

856
00:41:47,600 --> 00:41:50,640
Speaker 2: I'm integrating really well.

857
00:41:50,719 --> 00:41:52,719
Speaker 12: Have you stopped using the word savages?

858
00:41:59,719 --> 00:42:03,399
Speaker 2: That's who would never use that word? I say, ever,

859
00:42:03,520 --> 00:42:05,520
Speaker 2: just in the car, I don't know what I found, right,

860
00:42:05,560 --> 00:42:07,840
Speaker 2: because you you've lived here for some half the in

861
00:42:07,880 --> 00:42:10,080
Speaker 2: the back of the UK and flitted now you're permanently here.

862
00:42:10,600 --> 00:42:12,960
Speaker 2: One thing I'm still getting used to is the wild

863
00:42:13,080 --> 00:42:17,239
Speaker 2: West roads here. The driving is so aggressive it's terrified.

864
00:42:17,719 --> 00:42:20,000
Speaker 2: I feel like it's Daisy on the roads here. No

865
00:42:20,080 --> 00:42:21,319
Speaker 2: one lets each other out.

866
00:42:21,640 --> 00:42:24,480
Speaker 10: What's what What you've done there, right, is you've come

867
00:42:24,520 --> 00:42:26,600
Speaker 10: from London where the traffic doesn't move.

868
00:42:27,120 --> 00:42:28,279
Speaker 2: That's what you see. What I mean.

869
00:42:28,800 --> 00:42:31,640
Speaker 12: You sit in the car and if you're actually driving

870
00:42:31,680 --> 00:42:34,040
Speaker 12: in the center of London and you just go like, oh,

871
00:42:34,120 --> 00:42:34,920
Speaker 12: he's letting me out.

872
00:42:35,160 --> 00:42:35,600
Speaker 2: No he's not.

873
00:42:36,040 --> 00:42:40,279
Speaker 10: He's not moving, so therefore he can't actually speed up

874
00:42:40,920 --> 00:42:41,800
Speaker 10: to block you.

875
00:42:41,960 --> 00:42:44,320
Speaker 2: So it's a physics things. Time is going that slowly.

876
00:42:44,440 --> 00:42:47,000
Speaker 2: He just appears that he's let me out. I actually

877
00:42:47,080 --> 00:42:48,960
Speaker 2: refused to hook turn the moment. I don't think I'm

878
00:42:48,960 --> 00:42:49,400
Speaker 2: ready for that.

879
00:42:49,680 --> 00:42:52,760
Speaker 3: Christian single handedly is keeping uber afloat in Melbourne because

880
00:42:52,800 --> 00:42:53,799
Speaker 3: he refuses to drive.

881
00:42:53,880 --> 00:42:57,120
Speaker 12: The hook turns hilarious because because I like hoop turned,

882
00:42:57,160 --> 00:42:57,680
Speaker 12: but the trick with.

883
00:42:57,760 --> 00:42:59,839
Speaker 2: Hoops, why would you like it? It makes no sense.

884
00:43:00,080 --> 00:43:02,719
Speaker 2: Don't do it anywhere else in Australia or anywhere else

885
00:43:02,800 --> 00:43:04,680
Speaker 2: in the world. They've all seen the hooks on gone. No,

886
00:43:04,800 --> 00:43:06,160
Speaker 2: we don't need that, you haven't.

887
00:43:06,160 --> 00:43:08,040
Speaker 12: What I like about it is that even people that

888
00:43:08,160 --> 00:43:10,160
Speaker 12: lived here all their life aren't quite sure about it.

889
00:43:10,480 --> 00:43:13,280
Speaker 12: So there's a moment where everyone's sort of started. Everyone's

890
00:43:13,320 --> 00:43:15,560
Speaker 12: looking at each other and it's kind of a bit

891
00:43:15,600 --> 00:43:17,279
Speaker 12: of it. It's like a spaghetti western out.

892
00:43:17,320 --> 00:43:19,840
Speaker 10: All the eyes are looking and you go, anything can

893
00:43:19,880 --> 00:43:22,759
Speaker 10: happen now, and it's like the lights and everyone is

894
00:43:24,760 --> 00:43:26,480
Speaker 10: if you once you get used to them and you're

895
00:43:26,520 --> 00:43:28,640
Speaker 10: driving in the city all the time and you're over there.

896
00:43:29,000 --> 00:43:31,839
Speaker 10: The trick is to is to wait until somebody else

897
00:43:31,960 --> 00:43:34,160
Speaker 10: is about a hook turn and then just stay on

898
00:43:34,200 --> 00:43:34,640
Speaker 10: their bumper.

899
00:43:35,360 --> 00:43:37,759
Speaker 2: Because early in the morning, when I could be driving in,

900
00:43:37,840 --> 00:43:39,160
Speaker 2: I could be waiting for an hour or two and

901
00:43:39,200 --> 00:43:42,000
Speaker 2: the breakfast show's already started West Christian. He's still waiting

902
00:43:42,040 --> 00:43:43,279
Speaker 2: for someone else to do a hook turn.

903
00:43:43,480 --> 00:43:46,719
Speaker 10: Well, people don't literally, There's I know, people who drive

904
00:43:46,800 --> 00:43:49,319
Speaker 10: into the city and we'll just go, oh, this one's

905
00:43:49,320 --> 00:43:51,000
Speaker 10: a hook turn. I'll just go to the next one.

906
00:43:51,200 --> 00:43:55,560
Speaker 10: And there's people end up in Geelong. It's just that's

907
00:43:55,600 --> 00:43:58,319
Speaker 10: why you know, Geelong's on the on the rise. There's

908
00:43:58,400 --> 00:44:03,120
Speaker 10: like you know, there's it's exploded bendergre boom.

909
00:44:03,760 --> 00:44:05,640
Speaker 12: That's not because you want to move there.

910
00:44:05,840 --> 00:44:08,279
Speaker 2: And do you find that when you when you like

911
00:44:08,360 --> 00:44:09,759
Speaker 2: tour the UK and then when you come over and

912
00:44:09,800 --> 00:44:12,680
Speaker 2: you do Australia, do you have to quickly make some

913
00:44:12,840 --> 00:44:16,719
Speaker 2: adjustments otherwise those things are going to get lost in translation, right.

914
00:44:16,760 --> 00:44:20,000
Speaker 12: Just little little things like obviously have you oh yeah,

915
00:44:20,000 --> 00:44:24,000
Speaker 12: have you learned this one yet? A strimmer here whip

916
00:44:24,120 --> 00:44:25,600
Speaker 12: a snipper? Is that true?

917
00:44:25,760 --> 00:44:28,680
Speaker 2: That sounds great, but it's not. But it's a strimmer strimmer.

918
00:44:28,840 --> 00:44:31,239
Speaker 2: But the streamer also makes sense because it's strims. The

919
00:44:31,400 --> 00:44:33,279
Speaker 2: noise feels like it's strimmer and it whips and its

920
00:44:33,360 --> 00:44:37,839
Speaker 2: nips stream. I have two words. You know, Australians are

921
00:44:37,840 --> 00:44:40,800
Speaker 2: so into shortening words. I won't even called someone Steve,

922
00:44:40,840 --> 00:44:41,719
Speaker 2: it'd rather be Steve O.

923
00:44:42,239 --> 00:44:45,360
Speaker 10: So hang on, are you suggesting that Australian's shortened words

924
00:44:46,000 --> 00:44:49,600
Speaker 10: Steve O is longer? Have you noticed they take short

925
00:44:49,640 --> 00:44:52,480
Speaker 10: words and make them longer? Ross that like people call

926
00:44:52,520 --> 00:44:57,160
Speaker 10: me Roscoe, I've got less to call me Ross here Rosco.

927
00:44:57,600 --> 00:45:01,239
Speaker 3: We feel uncomfortable with names not ending in A or y.

928
00:45:01,640 --> 00:45:04,200
Speaker 2: I guess we got to add. You know, like the

929
00:45:04,360 --> 00:45:06,600
Speaker 2: day there was a cooler called called Damien who called

930
00:45:06,640 --> 00:45:11,279
Speaker 2: in and I went, good morning, Damien. You went if

931
00:45:11,280 --> 00:45:14,760
Speaker 2: I was some sort of fancy prints, why he scored

932
00:45:14,880 --> 00:45:15,560
Speaker 2: him Damien.

933
00:45:15,840 --> 00:45:19,000
Speaker 12: But you would never christen someone dear Moore, because then

934
00:45:19,080 --> 00:45:20,000
Speaker 12: they'd be called.

935
00:45:26,480 --> 00:45:26,680
Speaker 2: Yeah.

936
00:45:27,719 --> 00:45:34,840
Speaker 10: People think that your new is Christian Connell. That's what

937
00:45:35,080 --> 00:45:36,840
Speaker 10: people think, you're second of Connell.

938
00:45:37,200 --> 00:45:42,120
Speaker 12: But it's actually Christian Crystal, Christian Old Chrystal.

939
00:45:41,960 --> 00:45:46,680
Speaker 2: Like a magician, the Great Chrystal Crystal Connell. All right,

940
00:45:46,719 --> 00:45:49,840
Speaker 2: so people want to go and see you in Australia

941
00:45:49,840 --> 00:45:51,560
Speaker 2: as you're doing these various states over the next couple

942
00:45:51,560 --> 00:45:53,200
Speaker 2: of weeks. Where can they find out more? Ross?

943
00:45:53,200 --> 00:45:55,120
Speaker 12: Noble dot com it's all on there, you know what

944
00:45:55,160 --> 00:45:55,359
Speaker 12: I mean?

945
00:45:55,400 --> 00:45:56,560
Speaker 2: You're not got dot com to au.

946
00:45:57,160 --> 00:45:59,880
Speaker 12: Oh that's interesting. I did have hear you, but the

947
00:46:00,080 --> 00:46:00,520
Speaker 12: shortened it.

948
00:46:02,120 --> 00:46:05,200
Speaker 1: The Christian Who Connwill Breakfast Show Melbourne's Gold one oh

949
00:46:05,320 --> 00:46:06,240
Speaker 1: four point three.

950
00:46:07,640 --> 00:46:08,640
Speaker 7: God one a four point three.

951
00:46:08,719 --> 00:46:11,160
Speaker 2: Come on it to Christian O'Connor Breakfast Show. So Jack,

952
00:46:11,200 --> 00:46:13,840
Speaker 2: you know how this works? The ten k no repeat workday.

953
00:46:13,880 --> 00:46:16,160
Speaker 2: Tell them how it works. Over the next twenty four hours.

954
00:46:16,440 --> 00:46:20,920
Speaker 3: One song will be played. Then within the bracket of

955
00:46:21,000 --> 00:46:23,360
Speaker 3: six am to six pm, the same song will be

956
00:46:23,440 --> 00:46:26,200
Speaker 3: played again. If that happens to call in, you win

957
00:46:26,320 --> 00:46:27,839
Speaker 3: ten thousand dollars if you're the first caller.

958
00:46:28,160 --> 00:46:29,960
Speaker 2: Fair play. You actually did that a lot better than

959
00:46:30,000 --> 00:46:32,400
Speaker 2: I thought you'd be. Damn it. I didn't think you

960
00:46:32,480 --> 00:46:34,400
Speaker 2: do it that. Well, that's that works. Keep listening to

961
00:46:34,480 --> 00:46:35,520
Speaker 2: Gold one of four point.

962
00:46:35,360 --> 00:46:38,360
Speaker 1: Three The Christian Who conn Will Breakfast Show Melbourne's Gold

963
00:46:38,480 --> 00:46:39,600
Speaker 1: one oh four point three.

964
00:46:40,000 --> 00:46:42,480
Speaker 2: Well we are back tomorrow morning. Whenever you wake up

965
00:46:42,520 --> 00:46:46,160
Speaker 2: Tomorrow's show. All request Friday, some of them on vinyl.

966
00:46:46,239 --> 00:46:48,040
Speaker 2: If you've got vinyl and you want to drop by

967
00:46:48,160 --> 00:46:51,120
Speaker 2: us here in Richmond, let us know on our Facebook page.

968
00:46:51,200 --> 00:46:53,839
Speaker 2: You can find us on Facebook OC one oh four

969
00:46:53,920 --> 00:46:55,320
Speaker 2: three where you got some people coming in.

970
00:46:55,560 --> 00:46:57,680
Speaker 3: I'll be dropping the needle on the songs as well.

971
00:47:00,160 --> 00:47:00,960
Speaker 12: Rick RB.

972
00:47:01,239 --> 00:47:03,759
Speaker 2: He said, that's a midnight DJ from the sixties, RB

973
00:47:03,880 --> 00:47:07,200
Speaker 2: dropping the needle on some hits. And also well make

974
00:47:07,239 --> 00:47:09,680
Speaker 2: sure you watch Channel seven tonight the Big Game and

975
00:47:09,880 --> 00:47:12,680
Speaker 2: so you're can find out how Hamish McLaughlin gets in

976
00:47:12,800 --> 00:47:15,120
Speaker 2: the phrase oh missus Miggins.

977
00:47:15,360 --> 00:47:18,719
Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

978
00:47:18,760 --> 00:47:19,239
Speaker 1: point three