1 00:00:01,080 --> 00:00:04,760 Speaker 1: Powered by they I have Radio WAB from ninety six AIRVM, 2 00:00:04,960 --> 00:00:09,840 Speaker 1: So whereever you're listening today, this is Clearzy and Lisa's podcast. 3 00:00:10,080 --> 00:00:12,479 Speaker 2: Coming up on the podcasts some bits and pieces you 4 00:00:12,600 --> 00:00:14,000 Speaker 2: may have missed from earlier this year. 5 00:00:14,280 --> 00:00:17,319 Speaker 3: Winner of Best Debut Album at the nineteen eighty four 6 00:00:17,360 --> 00:00:18,320 Speaker 3: Countdown Awards. 7 00:00:18,360 --> 00:00:20,320 Speaker 4: Stone Age Romeos. 8 00:00:20,040 --> 00:00:24,760 Speaker 3: Is a classic and the Hoodi Gurus are performing in 9 00:00:24,800 --> 00:00:27,479 Speaker 3: its entirety later this year at the Asta Theater because 10 00:00:27,520 --> 00:00:30,320 Speaker 3: it is turning forty and Dave Faulkner's with us now. 11 00:00:30,360 --> 00:00:33,400 Speaker 5: Good morning day, Dave, Lisa, How are you Cleary? 12 00:00:33,640 --> 00:00:36,240 Speaker 2: I love this when you you groovy guys are sitting 13 00:00:36,240 --> 00:00:38,319 Speaker 2: in the studio there with producer Alan Thorn. All those 14 00:00:38,400 --> 00:00:40,480 Speaker 2: years ago, were you and Brad and James and Clyde 15 00:00:40,520 --> 00:00:42,600 Speaker 2: thinking we've got a hit record here. 16 00:00:42,760 --> 00:00:43,680 Speaker 6: No, far from it. 17 00:00:43,720 --> 00:00:46,400 Speaker 5: We just made a record purely to amuse ourselves, and 18 00:00:46,479 --> 00:00:49,040 Speaker 5: we're having We're having fun like kids in a candy show, 19 00:00:50,400 --> 00:00:52,720 Speaker 5: kitchen sink sound we could think of and overdubs of 20 00:00:53,120 --> 00:00:57,280 Speaker 5: harmonies and percussion and what have you, just just having 21 00:00:57,280 --> 00:00:58,160 Speaker 5: the time of our lives. 22 00:00:58,720 --> 00:01:00,760 Speaker 3: I think you were enjoying yourself when you were, you know, 23 00:01:00,800 --> 00:01:03,160 Speaker 3: thinking about the title and the album cover and so on, 24 00:01:03,240 --> 00:01:05,759 Speaker 3: the title, of course, is taken from a three Stooges 25 00:01:05,800 --> 00:01:09,680 Speaker 3: short film. The album cover is a very one million. 26 00:01:09,440 --> 00:01:10,000 Speaker 4: Years b C. 27 00:01:10,240 --> 00:01:12,520 Speaker 3: But tell me what is this I hear about Green 28 00:01:12,600 --> 00:01:14,319 Speaker 3: Acres influencing the album. 29 00:01:14,880 --> 00:01:16,679 Speaker 4: Well, we we're very. 30 00:01:16,640 --> 00:01:19,080 Speaker 5: Fans of like the sitcoms, especially about Back Then. We 31 00:01:19,200 --> 00:01:20,880 Speaker 5: write a lot of songs ins by by that. And 32 00:01:20,880 --> 00:01:24,399 Speaker 5: there's you know, the song inspired by Get Smart, for example, 33 00:01:24,920 --> 00:01:28,800 Speaker 5: in the Echo Chamber inspired by the Groovy Guru of course, 34 00:01:28,840 --> 00:01:32,399 Speaker 5: you know wet the Guru part of that. Basically, we 35 00:01:32,520 --> 00:01:34,360 Speaker 5: dedicate the album to a bunch of different people, and 36 00:01:34,360 --> 00:01:41,720 Speaker 5: one of them was Arnold Zippel that picks from Greenacres. 37 00:01:39,280 --> 00:01:41,000 Speaker 7: Was the place to be Green Acres. 38 00:01:41,720 --> 00:01:45,800 Speaker 5: I love Greenacres, Beverly Hill. 39 00:01:46,959 --> 00:01:50,200 Speaker 3: Think yeah, I think I can still sing every every 40 00:01:50,320 --> 00:01:52,360 Speaker 3: word of that to Come. 41 00:01:52,440 --> 00:01:53,160 Speaker 4: I'm not a singer. 42 00:01:55,000 --> 00:01:57,480 Speaker 5: Goodbye my Wife, Goodbye City. 43 00:01:57,320 --> 00:01:57,639 Speaker 6: Live. 44 00:01:59,680 --> 00:01:59,880 Speaker 8: You have. 45 00:02:00,400 --> 00:02:02,120 Speaker 2: I'm sure we've touched on this before, but that we 46 00:02:02,200 --> 00:02:04,440 Speaker 2: loved that album cover, but it wasn't used everywhere, right, 47 00:02:05,640 --> 00:02:06,600 Speaker 2: No America. 48 00:02:06,200 --> 00:02:07,480 Speaker 5: Cold They changed it because I thought it was a 49 00:02:07,480 --> 00:02:09,640 Speaker 5: bit ugly and kind of a bit you know, garish. 50 00:02:09,800 --> 00:02:11,560 Speaker 7: They didn't get it they put this, you know, they 51 00:02:11,560 --> 00:02:11,840 Speaker 7: pot this. 52 00:02:11,919 --> 00:02:14,919 Speaker 5: Really nice kind of you know, eighties style pastel thing 53 00:02:15,000 --> 00:02:16,960 Speaker 5: with crayon dinosaurs on the front. 54 00:02:17,080 --> 00:02:17,960 Speaker 6: Was really loudy. 55 00:02:18,000 --> 00:02:20,800 Speaker 5: But and at the end of the tour was very funny, 56 00:02:20,840 --> 00:02:23,200 Speaker 5: like we kept two of the US in that year 57 00:02:23,240 --> 00:02:25,799 Speaker 5: with that album, and all the fans were buying the 58 00:02:25,840 --> 00:02:28,080 Speaker 5: import copy from Australia because they preferred the cover and 59 00:02:28,120 --> 00:02:29,760 Speaker 5: also the song order. They changed the order of the 60 00:02:29,760 --> 00:02:32,160 Speaker 5: songs as well, did they really by the end of Yeah, 61 00:02:32,240 --> 00:02:33,720 Speaker 5: so by the end of the tour we mostly signed 62 00:02:33,720 --> 00:02:36,959 Speaker 5: Australian import copies and the record company said it was, well, 63 00:02:37,000 --> 00:02:39,400 Speaker 5: we don't think the cover changed the sales at all, 64 00:02:40,720 --> 00:02:42,440 Speaker 5: And so the obvious retort to that is, then why 65 00:02:42,440 --> 00:02:43,160 Speaker 5: the hell did you do it? 66 00:02:43,160 --> 00:02:46,959 Speaker 4: And you make the sales? Yeah, don't confuse them with logic. 67 00:02:48,120 --> 00:02:50,680 Speaker 3: Great, I mean so many great song Toojo, which is 68 00:02:50,840 --> 00:02:55,200 Speaker 3: ripper Leilani my Girl, I was a Kmakazi Parla Xanzbar 69 00:02:56,040 --> 00:02:58,840 Speaker 3: I Want You Back was huge, huge hit off the 70 00:02:58,880 --> 00:03:01,840 Speaker 3: album and one would probably think it was about some 71 00:03:01,919 --> 00:03:04,560 Speaker 3: kind of broken relationship, but was it about a former 72 00:03:04,600 --> 00:03:05,800 Speaker 3: band member leaving the group? 73 00:03:06,200 --> 00:03:07,360 Speaker 5: You have a sort of a little bit of a 74 00:03:07,360 --> 00:03:10,920 Speaker 5: Sneaky You diget our old founding member Rod, he formed 75 00:03:11,240 --> 00:03:12,000 Speaker 5: with me and Kimball. 76 00:03:12,520 --> 00:03:15,320 Speaker 6: Yeah, Kimball left. Kimball left the film. 77 00:03:15,240 --> 00:03:18,040 Speaker 5: Follow his film career, and he's done it ever since. 78 00:03:18,080 --> 00:03:21,120 Speaker 5: But Rod wanted to leave his own band. He'd done 79 00:03:21,160 --> 00:03:22,600 Speaker 5: it a few times in the past, by the way. 80 00:03:22,600 --> 00:03:24,320 Speaker 5: He left a sign us the same way as well, 81 00:03:25,200 --> 00:03:27,520 Speaker 5: so he had form in that regard. But but you know, 82 00:03:27,639 --> 00:03:29,160 Speaker 5: I just wrote the song as a bit of a 83 00:03:29,360 --> 00:03:31,440 Speaker 5: you might be sorry one day, you'll wish you were 84 00:03:31,480 --> 00:03:34,200 Speaker 5: back with us, you know, at the same time as 85 00:03:34,240 --> 00:03:36,600 Speaker 5: a love song. It's kind of funny because in a 86 00:03:36,640 --> 00:03:38,880 Speaker 5: way the person singing is a little bit sad that 87 00:03:39,000 --> 00:03:40,720 Speaker 5: you think because they're kind of wishing the person would 88 00:03:40,760 --> 00:03:42,520 Speaker 5: change their mind to come back to them. 89 00:03:43,640 --> 00:03:46,080 Speaker 3: Is tojo the song that audiences lose their mind over 90 00:03:46,160 --> 00:03:46,880 Speaker 3: most when you're. 91 00:03:46,720 --> 00:03:47,200 Speaker 4: Doing it live. 92 00:03:48,640 --> 00:03:52,520 Speaker 5: It is one that keeps being yelled out at me. 93 00:03:55,400 --> 00:03:58,760 Speaker 5: So yes, it's got a weird you know following. I 94 00:03:58,800 --> 00:04:00,720 Speaker 5: don't know why that song is clicks so much. I 95 00:04:00,720 --> 00:04:02,840 Speaker 5: mean the ways the one song, the one song. My 96 00:04:02,920 --> 00:04:06,160 Speaker 5: father like that, every song. He hated rock and roll. 97 00:04:06,240 --> 00:04:07,520 Speaker 5: He liked the subject matter because he was a. 98 00:04:07,520 --> 00:04:10,480 Speaker 7: World War that's right. Yeah, yeah, you know, I'll be 99 00:04:10,480 --> 00:04:12,240 Speaker 7: in good company because yeah. 100 00:04:12,720 --> 00:04:14,600 Speaker 2: Japanese got the paper in New Guinea, didn't they They didn't 101 00:04:14,600 --> 00:04:15,400 Speaker 2: make it all the way. 102 00:04:15,920 --> 00:04:16,280 Speaker 4: That's right. 103 00:04:16,279 --> 00:04:21,040 Speaker 5: But also the songs about Cyclone Tracy and my brother 104 00:04:21,120 --> 00:04:22,360 Speaker 5: was living there at the time, so I kind of 105 00:04:22,400 --> 00:04:23,279 Speaker 5: remembered that very well. 106 00:04:23,640 --> 00:04:27,960 Speaker 2: Yeah, Santa didn't make it to day said, I may 107 00:04:28,000 --> 00:04:29,520 Speaker 2: tell You've got a lot of playing in a lot 108 00:04:29,520 --> 00:04:31,120 Speaker 2: of recording to do over the next few years. But 109 00:04:31,120 --> 00:04:32,960 Speaker 2: there's in the future. I mean, we're talking about the 110 00:04:33,000 --> 00:04:35,000 Speaker 2: past here, but in the future. Is there any chance 111 00:04:35,040 --> 00:04:37,120 Speaker 2: of a who do hologram? Could you be on stage 112 00:04:37,200 --> 00:04:39,239 Speaker 2: kiss style in the future? Kiss an Abba. 113 00:04:40,080 --> 00:04:45,040 Speaker 5: Some people might prefer that we should do some you know, 114 00:04:45,080 --> 00:04:47,120 Speaker 5: some photoshop magic and you know, get rid of the 115 00:04:47,120 --> 00:04:48,240 Speaker 5: wrinkles like they did with Abra. 116 00:04:48,279 --> 00:04:50,120 Speaker 6: I'm sure. Yeah, like the younger. 117 00:04:49,880 --> 00:04:52,560 Speaker 7: Souls, it's work working the long hair. I love it. 118 00:04:53,400 --> 00:04:53,880 Speaker 6: That's right. 119 00:04:53,960 --> 00:04:56,080 Speaker 5: Absolutely, It lives again. 120 00:04:56,800 --> 00:05:04,400 Speaker 1: More Crazy, More Lisa, More podcast soon, Who can forget this? 121 00:05:05,440 --> 00:05:05,800 Speaker 8: Good Bye? 122 00:05:05,800 --> 00:05:06,240 Speaker 6: Everybody? 123 00:05:11,520 --> 00:05:17,640 Speaker 3: Kiss you too, Let's got the Arms Going, Creator, producer 124 00:05:17,680 --> 00:05:20,920 Speaker 3: and host of Young Talent Time from nineteen seventy one 125 00:05:21,400 --> 00:05:26,320 Speaker 3: to nineteen eighty eight, also a singer, songwriter and record producer. 126 00:05:26,680 --> 00:05:30,720 Speaker 4: Mister Johnny Young, Hey, how nice. 127 00:05:32,480 --> 00:05:33,919 Speaker 7: Bedy and Lisa. 128 00:05:34,360 --> 00:05:37,159 Speaker 8: It's a real honor to speak to you, guys. I'd 129 00:05:37,279 --> 00:05:39,080 Speaker 8: listen to ninety six all the time. 130 00:05:39,200 --> 00:05:41,240 Speaker 4: Well, it is a real honor to have you with us. 131 00:05:41,480 --> 00:05:45,600 Speaker 3: Nineteen eighty four, right, sort of smack bang in the 132 00:05:45,640 --> 00:05:50,680 Speaker 3: heyday of Young Talent Time. No one missed it. We 133 00:05:50,760 --> 00:05:51,680 Speaker 3: all watched it. 134 00:05:51,920 --> 00:05:52,160 Speaker 4: Listen. 135 00:05:52,240 --> 00:05:53,919 Speaker 3: I mean, let me just run off a couple of 136 00:05:53,920 --> 00:05:58,440 Speaker 3: the names. Deborah Byrne, Jamie Redfern, Karen Knowles, Tina Arena, 137 00:05:58,839 --> 00:06:01,040 Speaker 3: and Danny Minogue just a few of the people who 138 00:06:01,080 --> 00:06:03,960 Speaker 3: went on to do big things. Were you, Johnny, Were 139 00:06:04,000 --> 00:06:06,880 Speaker 3: you involved in all of the castings? 140 00:06:07,320 --> 00:06:07,480 Speaker 1: Oh? 141 00:06:07,600 --> 00:06:11,920 Speaker 8: Yes, I was. Well. I had producers who found people 142 00:06:11,960 --> 00:06:17,640 Speaker 8: for me to look at. Yeah, if they were well, 143 00:06:18,320 --> 00:06:21,760 Speaker 8: because I was looking for a variety of kids. You know, 144 00:06:23,800 --> 00:06:27,360 Speaker 8: we had Tina Arena, but we also had Karen Knowles, 145 00:06:28,080 --> 00:06:35,200 Speaker 8: who were totally different people. You know, they were different personalities, 146 00:06:35,240 --> 00:06:37,880 Speaker 8: and I think that was the charm of Young Talent 147 00:06:37,920 --> 00:06:42,599 Speaker 8: Shime was that it was it wasn't a kid show. 148 00:06:42,720 --> 00:06:46,200 Speaker 8: It was a family show. Yes, yes, and you know 149 00:06:46,760 --> 00:06:52,360 Speaker 8: eighty fought Television was wonderful. In Australia, we used to 150 00:06:52,680 --> 00:06:55,640 Speaker 8: you know, sit down with the family and watch shows 151 00:06:56,440 --> 00:07:01,760 Speaker 8: and you know it was Don Lane and fantastic programs 152 00:07:01,800 --> 00:07:04,000 Speaker 8: which we don't have today. 153 00:07:04,040 --> 00:07:04,840 Speaker 7: You know, it changed. 154 00:07:05,360 --> 00:07:07,800 Speaker 3: Yeah, we were so invested in these people, you know, 155 00:07:07,839 --> 00:07:10,080 Speaker 3: I mean we used to talk about Tiny teena arena 156 00:07:10,520 --> 00:07:12,600 Speaker 3: like she was, you know, an. 157 00:07:12,440 --> 00:07:15,280 Speaker 4: Extended member over all our family. She was, I know, 158 00:07:15,360 --> 00:07:15,920 Speaker 4: my grandmother. 159 00:07:15,960 --> 00:07:18,920 Speaker 3: Did I think she wanted to swap me for We 160 00:07:19,000 --> 00:07:20,240 Speaker 3: loved her Love Time. 161 00:07:21,080 --> 00:07:21,800 Speaker 6: It was the thing. 162 00:07:22,000 --> 00:07:24,320 Speaker 8: It was the kids who loved the show, but that 163 00:07:24,480 --> 00:07:27,960 Speaker 8: was also the grandparents who loved that. Yeah, absolutely, which 164 00:07:28,000 --> 00:07:32,000 Speaker 8: was wonderful. And Tina, you know, was with me when 165 00:07:32,040 --> 00:07:34,840 Speaker 8: she was a nine year old through to when she 166 00:07:35,000 --> 00:07:38,920 Speaker 8: was sixteen, because you know, when you turned seventeen it 167 00:07:39,080 --> 00:07:39,360 Speaker 8: was the. 168 00:07:39,440 --> 00:07:41,800 Speaker 4: End for a young that's right. 169 00:07:42,480 --> 00:07:42,720 Speaker 6: It was. 170 00:07:45,600 --> 00:07:50,120 Speaker 8: You know, a wonderful time and our ratings were huge 171 00:07:50,480 --> 00:07:54,520 Speaker 8: and the eighties were it was a Young Talent time 172 00:07:54,600 --> 00:07:56,200 Speaker 8: for decades. It was wonderful. 173 00:07:56,360 --> 00:07:57,240 Speaker 4: It was and of. 174 00:07:57,160 --> 00:08:00,760 Speaker 8: Course for me too, you know, it was for me 175 00:08:00,880 --> 00:08:03,840 Speaker 8: because you know, my kids used to come out to 176 00:08:03,960 --> 00:08:06,480 Speaker 8: Young Talent Time to spend the day with the with 177 00:08:06,560 --> 00:08:10,320 Speaker 8: the with the team and you know, it was. It 178 00:08:10,480 --> 00:08:14,040 Speaker 8: was complimentary to my own personal life. 179 00:08:15,160 --> 00:08:16,080 Speaker 7: John. This was years. 180 00:08:16,080 --> 00:08:18,520 Speaker 2: This was decades before Australian Idol and the Voice and 181 00:08:18,560 --> 00:08:19,560 Speaker 2: the talent shows and all that. 182 00:08:19,720 --> 00:08:22,040 Speaker 7: So you were a groundbreaking You must make you really proudly. 183 00:08:22,440 --> 00:08:23,200 Speaker 6: Oh it does. 184 00:08:23,760 --> 00:08:26,960 Speaker 8: Look I'm the luckiest kidding the block. Guys. You know, 185 00:08:27,320 --> 00:08:31,760 Speaker 8: I had a wonderful career because you know, I started 186 00:08:31,920 --> 00:08:34,319 Speaker 8: off as a rock and roller, you know, I set 187 00:08:34,400 --> 00:08:38,080 Speaker 8: back in Carol and all those hits in the sixties. 188 00:08:38,800 --> 00:08:42,600 Speaker 8: But then I had a few years of songwriting, writing 189 00:08:42,600 --> 00:08:47,040 Speaker 8: The Real Things and The Girl that I Love and 190 00:08:47,800 --> 00:08:51,040 Speaker 8: Smiley for Ronnie Burns, and you know, it was. It 191 00:08:51,360 --> 00:08:55,439 Speaker 8: was a wonderful part of my career in all aspects 192 00:08:55,520 --> 00:08:57,559 Speaker 8: of entertainment. You know, it was wonderful. 193 00:08:58,040 --> 00:08:58,319 Speaker 4: John. 194 00:08:58,800 --> 00:09:01,320 Speaker 3: The thing about Young Talent Time, this is why your 195 00:09:01,320 --> 00:09:04,680 Speaker 3: grandparents loved it more than anyone is all the kids 196 00:09:04,679 --> 00:09:09,400 Speaker 3: on it. They was presented themselves as delightful, polite young people. 197 00:09:09,600 --> 00:09:11,240 Speaker 3: But did you ever have any moments where you had 198 00:09:11,240 --> 00:09:13,360 Speaker 3: to go backstation and say, listen, you'd lot a little 199 00:09:13,679 --> 00:09:17,240 Speaker 3: rabble rouser, little brats. 200 00:09:17,679 --> 00:09:21,080 Speaker 8: You know what You would think that, wouldn't you? But 201 00:09:21,200 --> 00:09:25,240 Speaker 8: it was a kid It went well their parents used 202 00:09:25,280 --> 00:09:27,960 Speaker 8: to come and sit in the green room. Yeah, and 203 00:09:28,600 --> 00:09:33,360 Speaker 8: you know, they were disciplined because like Karen Niles and 204 00:09:34,000 --> 00:09:38,720 Speaker 8: several other members of the team were prefects of their school. 205 00:09:39,280 --> 00:09:43,200 Speaker 8: You know, they were very clever young people, and they 206 00:09:44,000 --> 00:09:48,120 Speaker 8: approached young talent time very professionally. They were they were 207 00:09:48,440 --> 00:09:51,240 Speaker 8: you know, it wasn't just something that they did on 208 00:09:51,280 --> 00:09:51,840 Speaker 8: the side. 209 00:09:51,920 --> 00:09:58,120 Speaker 1: It was yeah, okay, a career absolutely, more Crazy, more Lisa, 210 00:09:58,760 --> 00:10:02,280 Speaker 1: more podcasts. 211 00:10:03,559 --> 00:10:06,080 Speaker 2: We're very excited here at ninety six of them because 212 00:10:06,200 --> 00:10:09,679 Speaker 2: UB forty are playing Redhill Auditorium October twenty supported by 213 00:10:09,720 --> 00:10:12,240 Speaker 2: Eagle Eye Cherry You Eat forty in Perth. 214 00:10:12,400 --> 00:10:13,960 Speaker 7: Robin Campbell, good morning mate, how are. 215 00:10:13,880 --> 00:10:14,800 Speaker 6: You good morning? 216 00:10:14,840 --> 00:10:16,280 Speaker 4: How are you good morning? 217 00:10:16,400 --> 00:10:16,720 Speaker 8: Well? 218 00:10:16,840 --> 00:10:18,440 Speaker 2: You talking about forty five years of the band, But 219 00:10:18,760 --> 00:10:21,080 Speaker 2: forty one years ago there was an album called Labor 220 00:10:21,080 --> 00:10:23,480 Speaker 2: of Love which changed everything. Red red Wine was a 221 00:10:23,559 --> 00:10:26,120 Speaker 2: huge single and you had so many great songs on there, 222 00:10:26,120 --> 00:10:29,079 Speaker 2: including many rivers to cross. It did change the game 223 00:10:29,120 --> 00:10:30,760 Speaker 2: for you guys, didn't It took you to the stratosphy. 224 00:10:31,080 --> 00:10:33,640 Speaker 6: It took us up another level. Yeah. We were doing 225 00:10:33,760 --> 00:10:37,200 Speaker 6: very well before, Yeah, exactly. We had I think three 226 00:10:37,280 --> 00:10:41,280 Speaker 6: or four albums out in the early eighties and yeah, 227 00:10:41,320 --> 00:10:44,360 Speaker 6: and quite a bit of success in the charts and stuff. 228 00:10:44,360 --> 00:10:48,080 Speaker 6: But when we released Labor of Love and the accompanying 229 00:10:48,120 --> 00:10:50,760 Speaker 6: single Red Red Wine, of course that went number one 230 00:10:50,760 --> 00:10:54,880 Speaker 6: in twenty eight countries I think around the world, So 231 00:10:54,920 --> 00:10:58,360 Speaker 6: that absolutely launched us onto another level. 232 00:10:58,480 --> 00:11:01,000 Speaker 3: Another big one was, of course your version of Kingston Town. 233 00:11:01,480 --> 00:11:04,080 Speaker 3: You know, Kingstontown was a very big horse of course 234 00:11:05,120 --> 00:11:07,520 Speaker 3: in Australia as well. What a lot of races. Did 235 00:11:07,520 --> 00:11:11,160 Speaker 3: you ever ever meet the trader of Kingston Town or 236 00:11:11,200 --> 00:11:11,920 Speaker 3: any of you know. 237 00:11:12,760 --> 00:11:14,800 Speaker 4: It was a very very successful horse. 238 00:11:16,600 --> 00:11:18,680 Speaker 6: There was. There was a horse running in England called 239 00:11:18,760 --> 00:11:24,000 Speaker 6: U B forty as well. 240 00:11:23,800 --> 00:11:28,160 Speaker 3: Are you a bit of a bit of the definitely 241 00:11:28,200 --> 00:11:33,080 Speaker 3: about each way now, very excited that Cherry is supporting you. 242 00:11:33,120 --> 00:11:37,400 Speaker 3: A big fan of the whole Cherry family of musicians. 243 00:11:37,440 --> 00:11:41,120 Speaker 4: Have you toured with before? 244 00:11:45,520 --> 00:11:48,839 Speaker 6: It was it was a name that was suggested to 245 00:11:48,920 --> 00:11:53,520 Speaker 6: us by the Australian promoters, you know, and they said, 246 00:11:53,520 --> 00:11:56,760 Speaker 6: he do you fancy have you Cherry on the on 247 00:11:56,840 --> 00:12:00,440 Speaker 6: the tour and you know, obviously with fans of the 248 00:12:00,520 --> 00:12:03,000 Speaker 6: Cherry family as well, so we were up for it. 249 00:12:03,040 --> 00:12:06,040 Speaker 6: You know, I haven't actually heard anything for a while, 250 00:12:06,200 --> 00:12:09,000 Speaker 6: but I'll be very interesting to hear what you're doing there. 251 00:12:09,200 --> 00:12:12,400 Speaker 2: Yeah, yeah, mag we've just been on holidays, Robin, not 252 00:12:12,480 --> 00:12:15,240 Speaker 2: together least, you know, on holidays. And while I was 253 00:12:15,240 --> 00:12:16,680 Speaker 2: on holidays, always take a book with me and I 254 00:12:16,679 --> 00:12:19,640 Speaker 2: love autobiographies and musos, and I read the Ian Jury story. 255 00:12:19,679 --> 00:12:20,520 Speaker 7: What a life and what. 256 00:12:20,480 --> 00:12:22,439 Speaker 2: A career that man had, you know, and he had 257 00:12:22,679 --> 00:12:25,760 Speaker 2: interactions with lots of bands, including Madness and like, did 258 00:12:25,800 --> 00:12:27,599 Speaker 2: you come across Ian in your travels because he was 259 00:12:27,880 --> 00:12:29,040 Speaker 2: he was an interesting geezer. 260 00:12:29,240 --> 00:12:33,360 Speaker 6: We met briefly in the eighties because we would do 261 00:12:33,800 --> 00:12:36,920 Speaker 6: you know, the BBC's put program Top of the Pups 262 00:12:37,520 --> 00:12:41,160 Speaker 6: was something that we were on very regularly in the eighties, 263 00:12:41,360 --> 00:12:44,040 Speaker 6: probably more than any other band. But yeah, we met 264 00:12:44,120 --> 00:12:46,080 Speaker 6: him quite a few times. Delightful man. 265 00:12:46,200 --> 00:12:46,960 Speaker 8: Yeah, yeah, yeah. 266 00:12:46,960 --> 00:12:48,680 Speaker 7: He did a lot for charity as well over the years. 267 00:12:48,880 --> 00:12:53,959 Speaker 3: Yeah, and funny, global sales of over one hundred million, 268 00:12:54,240 --> 00:12:58,160 Speaker 3: ten UK top albums. That's in the UK alone. We 269 00:12:58,840 --> 00:13:02,040 Speaker 3: like to ask, though, Robert, where were you do you 270 00:13:02,120 --> 00:13:07,080 Speaker 3: remember the first time you heard yourself on the radio. 271 00:13:09,360 --> 00:13:13,439 Speaker 6: I'm not absolutely sure, but I'm pretty sure that we 272 00:13:13,440 --> 00:13:17,680 Speaker 6: were in an in a minibus I love that. And 273 00:13:17,720 --> 00:13:19,920 Speaker 6: we were all traveling together and we were in London 274 00:13:20,120 --> 00:13:23,840 Speaker 6: going to do some TV show and we heard ourselves 275 00:13:23,840 --> 00:13:26,880 Speaker 6: for the first time on the radio and we all 276 00:13:26,960 --> 00:13:28,640 Speaker 6: jumped out the van and started dancing. 277 00:13:29,880 --> 00:13:30,800 Speaker 4: That's the way to do it. 278 00:13:31,600 --> 00:13:35,320 Speaker 3: I get jewels every on that, every answer from everybody. 279 00:13:35,400 --> 00:13:39,040 Speaker 3: The first it so often in a car and suddenly 280 00:13:39,080 --> 00:13:40,720 Speaker 3: there you are, coming out of the speakers. 281 00:13:40,720 --> 00:13:42,760 Speaker 4: It would it would be incredible. 282 00:13:42,280 --> 00:13:44,440 Speaker 7: And what would that be? For thought or something. One 283 00:13:44,440 --> 00:13:46,080 Speaker 7: of the early singles from. 284 00:13:45,400 --> 00:13:49,840 Speaker 6: The Yeah, the very first single, Yeah that's cool. 285 00:13:49,880 --> 00:13:51,360 Speaker 7: That's like that Tom Hanks movie when the band for 286 00:13:51,360 --> 00:13:53,880 Speaker 7: account themselves. We always think of that scene. 287 00:13:54,880 --> 00:13:57,240 Speaker 6: That was another one that was that was a mad launching. 288 00:13:57,320 --> 00:13:59,559 Speaker 6: You know. We released that single while we Run two 289 00:14:00,040 --> 00:14:01,840 Speaker 6: supporting The Pretenders. Yeah. 290 00:14:02,200 --> 00:14:02,520 Speaker 1: Wow. 291 00:14:02,880 --> 00:14:05,920 Speaker 6: That was our first proper tour and by the end 292 00:14:05,960 --> 00:14:08,079 Speaker 6: of that tour we were number four in the charts. 293 00:14:09,559 --> 00:14:11,840 Speaker 6: You know, we would she launched our careers. 294 00:14:12,000 --> 00:14:19,040 Speaker 3: Yeah, Chrissyan, yes, of course. Well ub forty Redhiill Auditorium, 295 00:14:19,040 --> 00:14:24,000 Speaker 3: beautiful spot to play Robin October twenty thank you so 296 00:14:24,080 --> 00:14:24,880 Speaker 3: much for joining us. 297 00:14:24,920 --> 00:14:31,760 Speaker 2: Bring your swimmers mate, Yeah, absolutely crazy and Liza