WEBVTT - #83: Can Churi Still Play Saxophone?

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<v Speaker 1>People do some weird shit. Television legend Carrie Anne Kenney

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<v Speaker 1>fell several meters from a trapeze while performing in the

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<v Speaker 1>musical Pippot Whoops. Some things that make more sense than

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<v Speaker 1>others bring.

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<v Speaker 2>Pikes, nurseries, Mercury Pikes, p y k e Sky, Why

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<v Speaker 2>I Hey, as in kill Hey, why okay?

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<v Speaker 3>Bless yourself for the rude shocks of young adultsthood.

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<v Speaker 4>Why is your life so expensive? I'm not even having

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<v Speaker 4>a good child.

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<v Speaker 1>This is just a couple of mitches, what about me?

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<v Speaker 4>Don't forget.

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<v Speaker 1>He is Mitui and eighty three crack man Ill.

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<v Speaker 4>Mitchell cou Heello. Guys, welcome to the show. And Mitch,

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<v Speaker 4>how you feel in this week after your behavior last week?

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<v Speaker 1>I'm in a good mood. I had so many messages

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<v Speaker 1>of praise after my my snapping on the last week's show.

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<v Speaker 1>I don't know why people loved it.

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<v Speaker 4>Yeah, there is something fascinating about us switching roles. You

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<v Speaker 4>being the cranky one for once, But thank god you're

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<v Speaker 4>not cranky this week. I don't have it in me

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<v Speaker 4>to try and be the nice one. I had my

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<v Speaker 4>bloody fires a jab yesterday and I'm feeling.

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<v Speaker 1>Oh you got done. Yeah, how you feel?

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<v Speaker 4>It's almost like a hangover feeling. So I'm not saying

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<v Speaker 4>I'm in a bad mood, but I definitely can't be

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<v Speaker 4>trying to be the nice one, that's for sure.

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<v Speaker 1>Now I do that every week. It's exhausting trying to

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<v Speaker 1>be nice, as I just ended up snapping. Also, praise

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<v Speaker 1>keeper Genero is here, Jenny. You're sort of neutral ground.

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<v Speaker 4>You can go either way to yes, either way, you

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<v Speaker 4>know how it is. Yeah, she's either horrifically pleasant or

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<v Speaker 4>a fucking cow.

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<v Speaker 5>I think I'm in the middle.

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<v Speaker 1>Oh, really changed?

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<v Speaker 5>Okay, bit tired?

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<v Speaker 1>Binge Mitchell, how do you feel after fires? A look

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<v Speaker 1>at Jennery? It's got like a liter of water with

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<v Speaker 1>lime in it.

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<v Speaker 4>Good boy, I'm pretty sure you already answered that question.

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<v Speaker 4>How I'm feeling? So yeah, thanks you, Jenny. I thought

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<v Speaker 4>I was going insane.

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<v Speaker 1>There could have been a story from the vax hub.

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<v Speaker 1>Someone might have spotted.

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<v Speaker 4>You the dancing singing boy from Dictor.

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<v Speaker 1>I don't know none of that.

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<v Speaker 4>Bit of a sore arm, feeling, a bit lethargic.

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<v Speaker 1>Not a good story, no, okay, one that we didn't

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<v Speaker 1>dwell on it to start with.

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<v Speaker 4>I appreciate you digging though, No, that's fine, but it's.

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<v Speaker 5>Very important and great that you got it and we

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<v Speaker 5>all got it.

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<v Speaker 1>We're all VAXs. Yes, look at us. Go so I'm

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<v Speaker 1>double vax. I am better than all of you for

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<v Speaker 1>a couple of year weeks. Listen, there's a great show today.

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<v Speaker 1>There's a lot happening. You guys know Keenan Lonsdale from

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<v Speaker 1>Love Simon. I don't really know what else is from

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<v Speaker 1>Academy Academy.

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<v Speaker 4>Yes, so he's going to be joining us in a bit.

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<v Speaker 4>I hope you've done some reason.

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<v Speaker 1>I know what he's on and I know what he's out.

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<v Speaker 1>He's got a brand new song aut Rhythm and Music.

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<v Speaker 1>Have a listened. It's very nice, isn't that hot?

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<v Speaker 4>So with one of those man of many talents types.

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<v Speaker 4>He does movies and ship that's where I know him from.

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<v Speaker 4>But now he's got the music out to.

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<v Speaker 1>Yep, triple threat. He can do it all. In the

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<v Speaker 1>music video for Rhythm and Music is very nice. He's

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<v Speaker 1>also in a new Stam mini series I think called Eden,

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<v Speaker 1>and he's got this big breakout role. So he's from

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<v Speaker 1>Saint Mary's here in Sydney. Like he is a real

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<v Speaker 1>true bonafide like success story.

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<v Speaker 4>I know he's the Western Sydney boy. I had no.

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<v Speaker 1>Idea love him. So he'll be on late, he'll be

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<v Speaker 1>zooming through.

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<v Speaker 4>And he's a bit of a queer as well, right,

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<v Speaker 4>he's one of us.

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<v Speaker 1>Bit Oh my god, he's a big queer and I

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<v Speaker 1>love it. But I know he's battled with it, Like

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<v Speaker 1>he's definitely gone like had had some issues. I mean,

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<v Speaker 1>coming from Saint Mary's mean in the West, anyone would.

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<v Speaker 1>So he's definitely battled with it. But I think he's

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<v Speaker 1>in a good spot. So we'll ask him all about

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<v Speaker 1>it when he's on later in the Shark.

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<v Speaker 2>True.

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<v Speaker 4>Yeah, I don't imagine Saint Mary's. I mean, I could

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<v Speaker 4>be completely stereotyping here. Saint Mary's could be a lovely

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<v Speaker 4>place to be a mo.

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<v Speaker 1>I don't think I've ever been to Saint mary Where

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<v Speaker 1>is Saint Mary's?

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<v Speaker 4>Oh, diet rush off? Really, I swear to god, Saint Mary's.

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<v Speaker 4>An Indian restaurant in Saint Mary's is what gave me

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<v Speaker 4>Crone's disease.

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<v Speaker 1>Oh God, is that true?

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<v Speaker 4>Well? I never recovered. Like that place is just skewing

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<v Speaker 4>a bit dodge, okay, Like nothing against the people there.

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<v Speaker 4>But the actual main town center of Saint Mary's is

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<v Speaker 4>nothing flash.

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<v Speaker 1>Aren't you born with his crimes or did you develop it?

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<v Speaker 4>Well? Maybe it was always lingering there, but it was

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<v Speaker 4>certainly the fucking prawn binderloo from Saint Mary's Indian restaurant

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<v Speaker 4>that really set it off. Really, That's so I wasn't

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<v Speaker 4>the same after that.

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<v Speaker 1>Okay, now what else is happening today?

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<v Speaker 5>But you were talking about the cathedral.

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<v Speaker 1>St Mary's, the CD where Rose McManus was married.

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<v Speaker 4>Oh, Jenna, it's like, oh that's Saint Mary's. No, No,

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<v Speaker 4>I never. I don't go west. No, no, No, Mary's Cathedral.

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<v Speaker 4>I was baptized there.

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<v Speaker 5>They've got a cool pool.

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<v Speaker 4>Next, what do you mean?

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<v Speaker 1>Keenan lonsdalely hits star from Love Simon is from Saint Mary's.

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<v Speaker 1>Does he live in the rafters of the church maybe behind?

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<v Speaker 1>He's a homeless man. I found him on my walk

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<v Speaker 1>and he got scouted. Mary's disgusting. It's full of pigeons

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<v Speaker 1>and it's near that pool. You're right, the pool is cool.

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<v Speaker 1>He's not from there, He's from Sydney's West. And I'll

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<v Speaker 1>be on with this later. Also, why on earth Mitchell,

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<v Speaker 1>have I gone to pick up a saxophone today? Can

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<v Speaker 1>you answer me that?

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<v Speaker 4>You know why? Because you made the claim on your

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<v Speaker 4>other podcast with your boyfriend that oh, hand me a

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<v Speaker 4>sax and I'll be able to play it. So I'm like, well,

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<v Speaker 4>I'm going to hold you to that. I know that

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<v Speaker 4>you played it in high school. We'll see if you've

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<v Speaker 4>still got the skills.

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<v Speaker 1>Here we have an alto Saxon Studio General. I had

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<v Speaker 1>to go and pick it up.

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<v Speaker 5>I was wondering what this big box will.

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<v Speaker 1>And we'll be playing it. I'll be playing it later on.

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<v Speaker 1>He did give me multiple reads, So you guys got.

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<v Speaker 4>I did organize the saxophone. I spoke to the guys.

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<v Speaker 4>Mike nice.

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<v Speaker 1>Did you tell him? I said, Hi, No, the problem

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<v Speaker 1>was see Mike was very nice. But it took me

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<v Speaker 1>about twenty minutes to find Mike because, as luck would

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<v Speaker 1>have it, next door to the saxophone store is a

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<v Speaker 1>music store completely run by separate people. So Mitch sends

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<v Speaker 1>me the address. Yeah, I'll pick it up. I'll pick

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<v Speaker 1>it up. So I pull in behind like the street away.

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<v Speaker 1>I walk up and like I'm em buzzing them. I

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<v Speaker 1>see music store I'm like, great, this is where I'm

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<v Speaker 1>getting my saxophone a fucking course. And I buzz the

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<v Speaker 1>door and I go, hi, I'm here to pick up

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<v Speaker 1>a saxophone under the name. And he was like, no, no,

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<v Speaker 1>no, no saxophones here. We only do guitars and drums and piccolos.

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<v Speaker 1>And I'm like, no, how unfortunate that they're right next door.

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<v Speaker 1>That must happen all the time. You mean the saxophone

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<v Speaker 1>store on the corner. I'm like, there's a dedicated saxophone store.

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<v Speaker 4>Yeah, Sydney Band Instruments in Gladesville. So they were happy

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<v Speaker 4>to lend us a saxophone. I told him all about

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<v Speaker 4>what's going to be happening. I'm going to be seeing

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<v Speaker 4>if you can play it on the spot. So we'll

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<v Speaker 4>do that later after we've had keenan on.

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<v Speaker 1>Okay, great. It's a beautiful store, by the way, Like,

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<v Speaker 1>shout out to those guys. That story is stunning, Like

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<v Speaker 1>there is just saxophones hanging on the wall, very sexy,

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<v Speaker 1>COVID safe check in. So yeah, shout out Sydney Bend Instrum.

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<v Speaker 4>So I ask again, did you tell Mike? I said hello,

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<v Speaker 4>I said specifically I've been chatting on an email, but

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<v Speaker 4>I wanted you to tell him. I said hello.

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<v Speaker 1>Yeah, he had a laugh. He was like, Mitch, Mitch

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<v Speaker 1>had to pick up a saxophone, ordered under meat, but

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<v Speaker 1>you might know another bitch. And we laughed, and then

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<v Speaker 1>he said it's funny every time he Isn't it funny?

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<v Speaker 1>His name is Mike. I know ad a saxophone. My

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<v Speaker 1>assistant clarinet will get your saxophone. But you can call

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<v Speaker 1>it clary hate Trumbard boys here, Yeah, Mitch, what about

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<v Speaker 1>flute flutes? Yeah? Anyway, great store. Let's get started. The

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<v Speaker 1>first time, we.

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<v Speaker 4>Were saying great show. On the way.

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<v Speaker 1>We we start the show the same way every week

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<v Speaker 1>with two Is it just me? As we call them ims?

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<v Speaker 1>Something we've noticed something we hate last week, a lot

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<v Speaker 1>of hatred or appreciate. Mitch doesn't know mine, I don't

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<v Speaker 1>know mitches and we jump in at the start of

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<v Speaker 1>every show. Mitch, do you want to go first? Yeah?

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<v Speaker 4>Sure, why not, let's do it.

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<v Speaker 1>Let's jump in first of the week. Is it just me?

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<v Speaker 4>Was there nothing played at your twenty first?

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<v Speaker 1>Oh? No, no, we have had a fully catered event,

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<v Speaker 1>We had photographers.

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<v Speaker 4>No, we have Okay, shut up. That wasn't an invitation

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<v Speaker 4>to quote about your rich family in the Shire.

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<v Speaker 1>We're talking about me.

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<v Speaker 4>No, I said, has anyone played things at your twenty first?

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<v Speaker 4>You know how? That was always the threat whenever there

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<v Speaker 4>was something embarrassing that you did, someone got a photo

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<v Speaker 4>or video. I'm gonna play that at your twenty first.

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<v Speaker 1>Oh yeah, my mum loves to throw around. We'll play

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<v Speaker 1>that at your twenty first. Mom, now does it in

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<v Speaker 1>past tense because all her kids are older than twenty one? Oh,

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<v Speaker 1>we should have played that at your twenty first.

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<v Speaker 4>Did anything get played at any twenty first?

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<v Speaker 1>No? Nothing was played at my twenty first or the

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<v Speaker 1>mom had like a photo real we had photos, but

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<v Speaker 1>never a funny wacky video.

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<v Speaker 5>And I didn't even have a twenty first.

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<v Speaker 4>But throughout my childhood, why didn't you have a twenty first?

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<v Speaker 4>No one organized We original twenty first was during the

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<v Speaker 4>eighteen seventy So what do you mean no one organized that.

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<v Speaker 4>You're an adult, you organize it yourself.

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<v Speaker 6>Yes, I know, but I would have only invited like

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<v Speaker 6>six people and it would have been quite sad.

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<v Speaker 4>That's better than zero.

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<v Speaker 1>Yeah, I would have been there.

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<v Speaker 5>Yeah, but I preferred.

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<v Speaker 1>Zero, so you had zero.

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<v Speaker 4>My eighteenth was in the shearing shed back at home,

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<v Speaker 4>very glamorous. We had to clear out all the sheep

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<v Speaker 4>shit and like the lannel and oil that I'm off

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<v Speaker 4>into the floorboards from the wool. Oh, my friends loved it.

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<v Speaker 1>Nothing hotter than getting fingered in a sheep pit. What's

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<v Speaker 1>it called again, the sheep.

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<v Speaker 4>Shearing shit, sheep shearing shed, the shearing shed, it's where

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<v Speaker 4>you give the sheep haircuts, city boy. And there was

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<v Speaker 4>no fingering happening at my eighteenth. I'll give you the tip.

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<v Speaker 4>I didn't even drink. That was in my pure phase

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<v Speaker 4>when I was adamant. Oh, no, I'm not going to drink,

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<v Speaker 4>you know. When I'm an adult. It's so unnecessary. You

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<v Speaker 4>don't need alcohol to have fun.

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<v Speaker 1>That eighteen year old You would be so disappointed in

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<v Speaker 1>twenty twenty one version of you.

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<v Speaker 4>Eh, I didn't start drinking till I was like nineteen

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<v Speaker 4>or twenty. Really, I never looked back.

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<v Speaker 1>No, I never looked back. I remem my eighteenth, my

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<v Speaker 1>friend Matilda. I probably wouldn't out of it. Matilda had

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<v Speaker 1>sex with someone in my bathroom. So I've come to

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<v Speaker 1>learn at my eighteenth. My eighteenth was horny.

0:09:50.440 --> 0:09:53.400
<v Speaker 4>Wow, I guess I just wasn't friends with skanks.

0:09:54.080 --> 0:09:56.480
<v Speaker 1>Well that has changed, Jenna, Oh.

0:09:56.360 --> 0:09:58.240
<v Speaker 4>My word, not looking at anyone of gender?

0:09:58.760 --> 0:10:01.720
<v Speaker 1>What do you what embarras seeing thing? Would you like

0:10:01.800 --> 0:10:04.160
<v Speaker 1>be terrified of being included if someone were to make

0:10:04.200 --> 0:10:04.600
<v Speaker 1>a video?

0:10:04.720 --> 0:10:04.960
<v Speaker 7>Now?

0:10:05.120 --> 0:10:06.880
<v Speaker 1>What would you what haunts you? Is there something out

0:10:06.920 --> 0:10:09.880
<v Speaker 1>there that you think, Oh my god, someone somewhere has that.

0:10:10.320 --> 0:10:12.840
<v Speaker 4>Yeah, like to the point where I'm not even going

0:10:12.920 --> 0:10:15.160
<v Speaker 4>to tell you because I'm pretty sure it's still on YouTube.

0:10:15.679 --> 0:10:19.120
<v Speaker 4>As you know, I'm a video creator, and you know

0:10:19.240 --> 0:10:23.280
<v Speaker 4>that stemmed from childhood. I was always making home videos,

0:10:23.280 --> 0:10:26.240
<v Speaker 4>filming other people, and at some point everyone got the

0:10:26.240 --> 0:10:27.800
<v Speaker 4>shits of me filming them. That's going to have to

0:10:27.800 --> 0:10:33.000
<v Speaker 4>start filming myself. But there were many cringe like home

0:10:33.120 --> 0:10:35.640
<v Speaker 4>movies where like we were trying to act and share.

0:10:35.720 --> 0:10:37.000
<v Speaker 5>Have I seen any of these?

0:10:37.679 --> 0:10:37.839
<v Speaker 8>Oh?

0:10:37.920 --> 0:10:41.160
<v Speaker 4>Nah, you wouldn't have seen them. Jenna, shut your mouth right, Jenna,

0:10:41.240 --> 0:10:44.320
<v Speaker 4>open the computer. No, do not, don't listen to him?

0:10:44.480 --> 0:10:46.439
<v Speaker 1>No, really that bad?

0:10:46.840 --> 0:10:49.800
<v Speaker 4>Yes, And I can't figure out the pathword to the

0:10:49.840 --> 0:10:53.520
<v Speaker 4>old YouTube channel they were uploaded to. It's so bad.

0:10:54.520 --> 0:10:57.640
<v Speaker 4>Some of them. I had to actually email YouTube pretending

0:10:57.720 --> 0:11:01.000
<v Speaker 4>to be my mother, saying that I was distraught and

0:11:01.040 --> 0:11:03.640
<v Speaker 4>being bullied over the videos. So some of them are gone,

0:11:03.720 --> 0:11:05.040
<v Speaker 4>but a lot of them are still there. Don't you

0:11:05.120 --> 0:11:06.520
<v Speaker 4>What are you fucking doing it on your phone? What

0:11:06.559 --> 0:11:06.960
<v Speaker 4>are you doing?

0:11:07.080 --> 0:11:09.280
<v Speaker 1>Nothing? Nothing? Nothing, nothing, nothing, nothing at all?

0:11:09.440 --> 0:11:12.240
<v Speaker 4>Don't today. I'm going to be lending my skills as

0:11:12.280 --> 0:11:13.920
<v Speaker 4>the natural hard working hand.

0:11:14.040 --> 0:11:15.120
<v Speaker 1>That's your first video.

0:11:15.600 --> 0:11:17.800
<v Speaker 4>No, it wasn't an old cringe one though, that was

0:11:17.800 --> 0:11:19.880
<v Speaker 4>on my channel. That's one of my launch videos.

0:11:19.880 --> 0:11:22.400
<v Speaker 1>Oh so there's a secret. Oh I'm not on the

0:11:22.440 --> 0:11:23.800
<v Speaker 1>I'm on the wrong account.

0:11:24.360 --> 0:11:27.000
<v Speaker 4>Yeah, I'm talking when I was maybe ten years old,

0:11:27.080 --> 0:11:30.199
<v Speaker 4>maybe even younger. But anyway, enough about me. What about Humtch?

0:11:30.280 --> 0:11:32.719
<v Speaker 4>Is there any embarrassing videos of you still out there?

0:11:32.920 --> 0:11:35.600
<v Speaker 1>I'm terrified? And this is public, This isn't the public.

0:11:35.679 --> 0:11:38.400
<v Speaker 1>Got domain only because I wanted to keep the domain.

0:11:38.800 --> 0:11:44.440
<v Speaker 1>I have a website called witch Mitch and which I

0:11:44.600 --> 0:11:48.360
<v Speaker 1>paid twenty dollars a year for the fucking domain, and.

0:11:48.320 --> 0:11:51.280
<v Speaker 4>I became a segment of ours as well. I know which, Mitch.

0:11:51.360 --> 0:11:53.200
<v Speaker 4>What the hell? What what did you write on your blog?

0:11:53.480 --> 0:11:55.840
<v Speaker 1>It was for a UNI assignment that I got such

0:11:55.880 --> 0:11:58.680
<v Speaker 1>good marks for when in the one semester that I

0:11:58.679 --> 0:12:01.560
<v Speaker 1>went to UNI that I kept and I journaled like

0:12:01.679 --> 0:12:05.440
<v Speaker 1>I wrote articles and they were horrific and so poorly

0:12:05.440 --> 0:12:07.280
<v Speaker 1>written and so grammatically and gread.

0:12:07.360 --> 0:12:09.240
<v Speaker 4>Are they still there or not? Jenna, good girl, I

0:12:09.240 --> 0:12:09.679
<v Speaker 4>can see you.

0:12:10.320 --> 0:12:12.640
<v Speaker 1>I tried to delete because I remember I got an

0:12:12.640 --> 0:12:14.720
<v Speaker 1>email saying do you want to renew this domain? And

0:12:14.760 --> 0:12:17.760
<v Speaker 1>that's the only time every year that I'm reminded of it. Oh?

0:12:17.840 --> 0:12:22.120
<v Speaker 9>No, Jenna, is it it's described as eighteen? Oh I

0:12:22.240 --> 0:12:28.240
<v Speaker 9>was eighteen druggling actor, possible radio presenter and definite pole dancer.

0:12:28.280 --> 0:12:31.240
<v Speaker 5>Funny, my posts are real and they are juicy.

0:12:32.120 --> 0:12:35.040
<v Speaker 1>Right, Jenna Shuttle laptop please? I told you I was

0:12:35.040 --> 0:12:36.760
<v Speaker 1>worried about it for a reason. It's not good.

0:12:36.880 --> 0:12:39.040
<v Speaker 4>He gave us the domain, Dylan you asked for that.

0:12:39.040 --> 0:12:42.720
<v Speaker 1>That's embarrassing that Mitchell and Lemonade with Mitchen page, which

0:12:42.760 --> 0:12:47.440
<v Speaker 1>I have successful little successfully removed from every living streaming service.

0:12:47.600 --> 0:12:49.600
<v Speaker 4>Oh your old podcast? Is that not out there anymore?

0:12:49.640 --> 0:12:51.200
<v Speaker 1>I got rid of it. I was just worried that

0:12:51.240 --> 0:12:53.640
<v Speaker 1>I said something dumb. I say dumb shit on this

0:12:53.720 --> 0:12:56.000
<v Speaker 1>podcast and I'm twenty five, let alone. I can't imagine

0:12:56.040 --> 0:12:57.800
<v Speaker 1>what I would have said when I was twenty with

0:12:57.800 --> 0:12:58.920
<v Speaker 1>a podcast. No way.

0:12:59.559 --> 0:13:01.679
<v Speaker 4>Oh maybe they'll play it your twenty first.

0:13:03.600 --> 0:13:06.080
<v Speaker 1>But why do we stop saying that might play at

0:13:06.120 --> 0:13:08.360
<v Speaker 1>your third? Why do we draw the line at twenty one?

0:13:08.600 --> 0:13:10.720
<v Speaker 4>No, no one makes such the threats anymore. I post

0:13:10.760 --> 0:13:12.679
<v Speaker 4>embarrassing shit myself. I've got nothing to hide.

0:13:12.720 --> 0:13:14.200
<v Speaker 1>I might say it to my grandma to keeper up

0:13:14.200 --> 0:13:16.120
<v Speaker 1>at night. You keep behaving like this, and I'll find

0:13:16.160 --> 0:13:18.640
<v Speaker 1>it sneaky video of yours to play your ninety You

0:13:18.679 --> 0:13:19.960
<v Speaker 1>know what he means at your funeral.

0:13:20.640 --> 0:13:23.120
<v Speaker 4>I was gonna say that funeral.

0:13:24.480 --> 0:13:26.839
<v Speaker 1>Jok. Let's move on, Ready for my agent?

0:13:27.480 --> 0:13:28.920
<v Speaker 4>Yeah, please, let's go.

0:13:30.960 --> 0:13:32.120
<v Speaker 3>Is it just me?

0:13:35.200 --> 0:13:39.560
<v Speaker 1>Is this the worst ad you have ever heard? Volume up,

0:13:39.640 --> 0:13:40.439
<v Speaker 1>ladies and gentlemen.

0:13:41.600 --> 0:13:47.080
<v Speaker 8>Jesus is our only open for a free Bible. Contact

0:13:47.160 --> 0:13:51.760
<v Speaker 8>Jesus one dot for you at big on dot com.

0:13:51.840 --> 0:13:53.720
<v Speaker 8>One free Bible per person.

0:13:54.880 --> 0:13:58.520
<v Speaker 1>This was an actual ad that aired on actual television,

0:13:58.720 --> 0:14:00.760
<v Speaker 1>and the best part was that it was just a

0:14:00.800 --> 0:14:03.040
<v Speaker 1>blue screen with comic sense.

0:14:03.120 --> 0:14:03.320
<v Speaker 8>Yeah.

0:14:03.800 --> 0:14:06.880
<v Speaker 4>I am so glad we're finally talking about this because

0:14:07.200 --> 0:14:09.360
<v Speaker 4>you sent it to me the moment it happened. This ad,

0:14:09.679 --> 0:14:11.920
<v Speaker 4>it was just like plain text on a screen. It

0:14:11.960 --> 0:14:15.080
<v Speaker 4>was the most basic, cheap looking ass And you say

0:14:15.080 --> 0:14:18.040
<v Speaker 4>that it's the worst ad that ever exists. I got

0:14:18.040 --> 0:14:20.080
<v Speaker 4>to tell you, I disagree. I thought it was so

0:14:20.120 --> 0:14:23.800
<v Speaker 4>simple and effective and there was no sensory overload. It

0:14:23.840 --> 0:14:26.040
<v Speaker 4>got the message across. It was this text on screen,

0:14:26.200 --> 0:14:29.280
<v Speaker 4>some clown talking over silent night. I got the message.

0:14:29.360 --> 0:14:32.080
<v Speaker 1>I wanted me free Bible, Jenna, Mitch, and I did

0:14:32.120 --> 0:14:35.160
<v Speaker 1>reach out. Look what I've got with you?

0:14:35.200 --> 0:14:39.040
<v Speaker 4>No you didn't, I got mine. Wait, so they actually

0:14:39.160 --> 0:14:40.120
<v Speaker 4>comes to go get mine?

0:14:40.120 --> 0:14:41.520
<v Speaker 1>Hold on, go get yours, Mitchell.

0:14:41.760 --> 0:14:43.600
<v Speaker 5>So they actually sent you a Bible.

0:14:43.680 --> 0:14:47.600
<v Speaker 1>Yeah, listen to this ready. Oh this is a full

0:14:47.800 --> 0:14:48.680
<v Speaker 1>fick Bible.

0:14:48.800 --> 0:14:48.960
<v Speaker 7>Yeah.

0:14:48.960 --> 0:14:51.120
<v Speaker 4>We just emailed Big Pond or whatever it was, and

0:14:52.560 --> 0:14:54.320
<v Speaker 4>after the Bible and here they are, Mitchell.

0:14:54.360 --> 0:14:56.720
<v Speaker 1>So it'd be interesting to see if we got exactly

0:14:56.760 --> 0:14:59.880
<v Speaker 1>the same thing. I got Holy Bible in giant PRINTO.

0:15:00.080 --> 0:15:02.320
<v Speaker 4>There's heats of shit in here. Yeah, oh god, yeah,

0:15:02.480 --> 0:15:04.880
<v Speaker 4>oh there's not just a Bible. Oh I forgot how

0:15:04.920 --> 0:15:07.640
<v Speaker 4>thin the paper is on bibles. So yeah, these guys

0:15:07.680 --> 0:15:10.280
<v Speaker 4>weren't pissing around. They paid for their TV AD and

0:15:10.560 --> 0:15:12.640
<v Speaker 4>they've sold at least two were not sold. You know

0:15:12.640 --> 0:15:13.040
<v Speaker 4>what I mean.

0:15:13.240 --> 0:15:15.280
<v Speaker 1>Just keep in mind that it was in the middle

0:15:15.320 --> 0:15:18.520
<v Speaker 1>of daytime television, so Sarah Harris would have gone, all right, dude,

0:15:18.560 --> 0:15:21.720
<v Speaker 1>he's coming to us from a farm interal after this

0:15:21.880 --> 0:15:23.120
<v Speaker 1>good morning, it's studio tech.

0:15:23.160 --> 0:15:25.640
<v Speaker 4>And it would have been bookended by two other ads

0:15:25.680 --> 0:15:28.880
<v Speaker 4>with like quite high production value. And then this scabby

0:15:28.880 --> 0:15:30.920
<v Speaker 4>piece of shit that looks like a poster that someone's

0:15:30.960 --> 0:15:33.800
<v Speaker 4>made for a school fates up in the middle.

0:15:34.000 --> 0:15:36.880
<v Speaker 1>Yep, this Jesus is.

0:15:36.840 --> 0:15:41.840
<v Speaker 8>Our only hope for a free Bible. Contact Jesus one

0:15:41.920 --> 0:15:44.320
<v Speaker 8>dot for you at big on dot.

0:15:44.080 --> 0:15:45.560
<v Speaker 1>Com, one dot for you.

0:15:45.640 --> 0:15:47.760
<v Speaker 8>That's one free Bible per person.

0:15:48.120 --> 0:15:49.320
<v Speaker 5>I mean, it's straight to the point.

0:15:49.360 --> 0:15:50.800
<v Speaker 1>It straight to the watch. I means you think that's

0:15:50.800 --> 0:15:51.560
<v Speaker 1>a good ad, do you?

0:15:52.000 --> 0:15:55.000
<v Speaker 4>Well? It's Seriously, it was more engaging than anything else

0:15:55.000 --> 0:15:57.160
<v Speaker 4>I've seen recently because you can't help but watch it.

0:15:57.160 --> 0:16:00.560
<v Speaker 4>It's just so simple and plain, and it just yeah,

0:16:00.680 --> 0:16:03.040
<v Speaker 4>it worked for me because here we are, we've got Bibles.

0:16:03.160 --> 0:16:05.400
<v Speaker 4>I wonder if they would have willingly sent you the

0:16:05.440 --> 0:16:07.720
<v Speaker 4>Bible if they knew that you were living in sin

0:16:08.120 --> 0:16:10.240
<v Speaker 4>having pre marital sex with a man.

0:16:10.400 --> 0:16:15.160
<v Speaker 1>Oh God, I doubt it. Look at it, but no.

0:16:15.160 --> 0:16:17.160
<v Speaker 4>I seriously think less is more like that was very

0:16:17.240 --> 0:16:18.200
<v Speaker 4>simple and effective.

0:16:18.360 --> 0:16:20.680
<v Speaker 1>Well, I got some guitar music, which means you did

0:16:20.760 --> 0:16:23.840
<v Speaker 1>point out, is just silent night whittled down to a

0:16:23.920 --> 0:16:26.320
<v Speaker 1>slow guitar strum, which is very weird.

0:16:26.440 --> 0:16:30.080
<v Speaker 4>Listen, what if I don't know if you could tell

0:16:30.120 --> 0:16:33.560
<v Speaker 4>in the ad that's it's definitely a Christmas carol in September.

0:16:33.680 --> 0:16:35.040
<v Speaker 1>Let me listen, hold on, let me play it one

0:16:35.080 --> 0:16:42.840
<v Speaker 1>more time. Jesus is our only hope, Oh my God.

0:16:42.920 --> 0:16:45.880
<v Speaker 8>For a free Bible, contact Jesus one dot for you

0:16:46.240 --> 0:16:47.960
<v Speaker 8>at big dot com.

0:16:48.960 --> 0:16:53.480
<v Speaker 4>Yeah, you're right, Mitch, it's very random, like it's free bibles.

0:16:53.520 --> 0:16:56.120
<v Speaker 4>They paid for ad space, so it's literally not for profit.

0:16:56.160 --> 0:16:56.920
<v Speaker 4>Why did they do that?

0:16:57.480 --> 0:17:02.160
<v Speaker 1>He's paying for this the Christian Church and they can't even.

0:17:01.960 --> 0:17:04.680
<v Speaker 4>Afford a proper email address. They're using fucking big Pond,

0:17:04.880 --> 0:17:08.280
<v Speaker 4>but they're sending out shitloads of Bibles. It's very weird.

0:17:08.640 --> 0:17:10.760
<v Speaker 1>They're not paying for their own domain. But like you said,

0:17:10.760 --> 0:17:12.679
<v Speaker 1>it worked. We got two free bibles. We had a

0:17:12.680 --> 0:17:14.600
<v Speaker 1>couple other friends send it to us, going, oh my god,

0:17:14.640 --> 0:17:15.159
<v Speaker 1>have you seen this?

0:17:15.280 --> 0:17:17.080
<v Speaker 4>So what do you got this music for? Is this

0:17:17.160 --> 0:17:18.439
<v Speaker 4>headed in the direction I think it is.

0:17:18.680 --> 0:17:21.280
<v Speaker 1>Okay, so I got the music. I just thought, what

0:17:21.320 --> 0:17:24.160
<v Speaker 1>if other brands decided to take the lessons more approach

0:17:24.480 --> 0:17:28.359
<v Speaker 1>and advertise the same way they should that the free

0:17:28.359 --> 0:17:31.800
<v Speaker 1>Bible company, whoever the fuck it is because we don't

0:17:31.840 --> 0:17:36.040
<v Speaker 1>know because they didn't tell us, has advertised they've.

0:17:35.840 --> 0:17:38.320
<v Speaker 4>Got their mobile here on the return to send it section.

0:17:38.359 --> 0:17:39.000
<v Speaker 4>Do you want to call them?

0:17:39.080 --> 0:17:40.320
<v Speaker 1>Oh yeah, we could call.

0:17:40.720 --> 0:17:44.120
<v Speaker 4>Yes, well I better not read it out. Oh yeah,

0:17:44.359 --> 0:17:45.000
<v Speaker 4>I'll send it to you.

0:17:45.200 --> 0:17:48.520
<v Speaker 1>Send it to me? Does have a name? No?

0:17:49.640 --> 0:17:51.879
<v Speaker 4>Sorry, this is totally derailing what we were about to do.

0:17:52.080 --> 0:17:53.840
<v Speaker 4>I'm getting you're about to do your own ads, but

0:17:53.880 --> 0:17:55.119
<v Speaker 4>I just thought the number on my home. Want to

0:17:55.160 --> 0:17:56.000
<v Speaker 4>know who these clowns are?

0:17:57.040 --> 0:17:57.240
<v Speaker 10>Right?

0:18:01.960 --> 0:18:03.080
<v Speaker 1>What did the evil laugh?

0:18:05.760 --> 0:18:07.160
<v Speaker 7>Ted White? Good morning, alfnoon?

0:18:07.880 --> 0:18:08.840
<v Speaker 1>Ted? How are you mate?

0:18:09.800 --> 0:18:10.080
<v Speaker 7>Good?

0:18:10.400 --> 0:18:13.840
<v Speaker 1>Hey? Listen, I saw your ad on Telly and you

0:18:13.960 --> 0:18:16.400
<v Speaker 1>sent me a You sent me and my friend a Bible.

0:18:16.480 --> 0:18:17.000
<v Speaker 1>I got one?

0:18:18.280 --> 0:18:20.359
<v Speaker 7>Okay, who am I speaking to?

0:18:20.640 --> 0:18:22.160
<v Speaker 1>My name is Mitchell.

0:18:22.400 --> 0:18:24.600
<v Speaker 4>I'm here too. You've actually got two Mitchell's chatting to

0:18:24.640 --> 0:18:27.919
<v Speaker 4>you right now. I wanted to ask you what is

0:18:27.960 --> 0:18:28.360
<v Speaker 4>this for?

0:18:28.520 --> 0:18:28.600
<v Speaker 8>Like?

0:18:28.640 --> 0:18:30.679
<v Speaker 4>This is a not for profit they're free bibles, but

0:18:30.720 --> 0:18:33.240
<v Speaker 4>you're paying for ads, So, like, who is this for?

0:18:34.240 --> 0:18:38.479
<v Speaker 7>This is basically for anybody in Australia who wants to

0:18:38.480 --> 0:18:41.000
<v Speaker 7>get to know God a bit better. Simple as that.

0:18:41.200 --> 0:18:42.680
<v Speaker 4>It's paying for all the bloody Bibles.

0:18:42.880 --> 0:18:44.520
<v Speaker 1>Yeah, where do you get the Bibles from?

0:18:44.960 --> 0:18:48.040
<v Speaker 7>We buy them in bulk. We buy five hundred at

0:18:48.080 --> 0:18:51.560
<v Speaker 7>a time. There's a group of us. There's eight of

0:18:51.640 --> 0:18:55.760
<v Speaker 7>us in the group. We're all retired pensioners. Ah and

0:18:56.280 --> 0:19:00.280
<v Speaker 7>if we can do good for just one person in Australia,

0:18:59.760 --> 0:19:03.240
<v Speaker 7>we've achieved our double right, So I love.

0:19:03.400 --> 0:19:06.119
<v Speaker 1>Lastly, how many Bibles did you end up sending out?

0:19:06.160 --> 0:19:08.439
<v Speaker 1>Because I got one, the other Mitch got one? Like,

0:19:08.720 --> 0:19:10.320
<v Speaker 1>is this a good return on the ad?

0:19:12.600 --> 0:19:17.680
<v Speaker 7>We spend roughly about one hundred thousand a year on

0:19:17.800 --> 0:19:22.280
<v Speaker 7>TV and stuff. What and today we've given out over

0:19:22.400 --> 0:19:24.080
<v Speaker 7>fifteen hundred Bibles?

0:19:24.320 --> 0:19:24.720
<v Speaker 1>Oh my?

0:19:25.200 --> 0:19:27.480
<v Speaker 4>Why did that cost you that much? When the ad

0:19:27.680 --> 0:19:30.119
<v Speaker 4>and I say this with all due respect, is not

0:19:30.280 --> 0:19:33.560
<v Speaker 4>exactly high production value. Why does it cost that much?

0:19:34.440 --> 0:19:39.720
<v Speaker 7>Well, you're paying roughly between depending on your time slot. Okay,

0:19:39.800 --> 0:19:43.040
<v Speaker 7>that's how television works all the time. So if I

0:19:43.080 --> 0:19:45.800
<v Speaker 7>put on ads, say from eleven at night to one

0:19:45.840 --> 0:19:48.480
<v Speaker 7>in the morning, I can get them for about eighty

0:19:48.520 --> 0:19:51.840
<v Speaker 7>dollars for fifteen second ads. Good for that much if

0:19:51.840 --> 0:19:55.439
<v Speaker 7>I'm putting them on peak time, big time, we're paying

0:19:55.960 --> 0:19:58.280
<v Speaker 7>anywhere from two hundred and eighty five to four hundred

0:19:58.280 --> 0:20:03.080
<v Speaker 7>and fifty bucks. Oh well first in seconds, and it's

0:20:03.800 --> 0:20:08.760
<v Speaker 7>into denominational Yes, yes, even if an atheist wants one,

0:20:08.840 --> 0:20:09.720
<v Speaker 7>will send him one.

0:20:10.119 --> 0:20:13.920
<v Speaker 1>Okay, what about everyone, even even the even homosexuals.

0:20:15.000 --> 0:20:19.000
<v Speaker 7>Mate, We see people as people. God did not send

0:20:19.119 --> 0:20:21.879
<v Speaker 7>his son into the world to condemn the world, but

0:20:22.000 --> 0:20:27.800
<v Speaker 7>to save it. So if somebody who's transgender or gay

0:20:28.160 --> 0:20:32.560
<v Speaker 7>or whatever you call them, we'll send them a Bible,

0:20:32.680 --> 0:20:33.240
<v Speaker 7>simple as that.

0:20:33.960 --> 0:20:37.880
<v Speaker 1>Amazing. Well, it's great to chat to you and keep

0:20:37.880 --> 0:20:40.000
<v Speaker 1>doing the Lord's work. I guess, as they say.

0:20:40.560 --> 0:20:43.480
<v Speaker 7>Yeah, that's what we're here for. Mate, the two mitches,

0:20:43.520 --> 0:20:44.240
<v Speaker 7>bless you both.

0:20:44.560 --> 0:20:45.480
<v Speaker 1>Oh, thank you.

0:20:45.560 --> 0:20:47.679
<v Speaker 4>Right back at you, Bob, take care of you.

0:20:48.000 --> 0:20:49.119
<v Speaker 1>Goodbye, good bye, goodbye.

0:20:50.720 --> 0:20:54.679
<v Speaker 4>Oh he was actually lovely anyway. You were planning to

0:20:54.680 --> 0:20:55.959
<v Speaker 4>take the piece out of them, weren't you. I bet

0:20:55.960 --> 0:20:57.400
<v Speaker 4>you feel like a piece of shit now.

0:20:59.480 --> 0:21:01.800
<v Speaker 1>No, no, no, no no. I wasn't mocking them. I

0:21:01.800 --> 0:21:04.280
<v Speaker 1>think they're very nice and very lovely. I was well

0:21:04.280 --> 0:21:06.600
<v Speaker 1>thinking about the ad. The ad is so effective. We

0:21:06.680 --> 0:21:09.359
<v Speaker 1>just heard a live reading of it. I actually think

0:21:09.760 --> 0:21:14.080
<v Speaker 1>religion aside companies could take this one. Imagine a neurophan ad.

0:21:14.320 --> 0:21:21.879
<v Speaker 1>Oh jeez, here we go, Neurapan sore head, maybe an

0:21:21.920 --> 0:21:31.400
<v Speaker 1>elbow white tablets available in all chemists, six pack, twelve

0:21:31.520 --> 0:21:45.199
<v Speaker 1>pack Neuropan available at all reputable retailers. See, I'd buy it.

0:21:45.920 --> 0:21:49.400
<v Speaker 4>Yeah, Like usually they've got some people like some mum

0:21:49.600 --> 0:21:52.040
<v Speaker 4>clutching her back going oh that hurts, and then they're

0:21:52.080 --> 0:21:53.960
<v Speaker 4>like buy a europhone. It's like no, strip it back,

0:21:53.960 --> 0:21:56.919
<v Speaker 4>make it more. Even then you ran overtime too many words? Really,

0:21:56.960 --> 0:21:58.720
<v Speaker 4>they're only paying for fifteen seconds slots.

0:21:58.800 --> 0:22:01.159
<v Speaker 1>Yeah, well, give me another brand and I'll work out

0:22:01.200 --> 0:22:03.480
<v Speaker 1>an ad for them.

0:22:03.680 --> 0:22:06.560
<v Speaker 4>What about like existing ads? Like you're just dumbing it

0:22:06.600 --> 0:22:09.720
<v Speaker 4>down right right right, you do one. I'm going to

0:22:09.760 --> 0:22:11.920
<v Speaker 4>find one.

0:22:12.760 --> 0:22:17.080
<v Speaker 1>Well that that crim safe ad is really famous, not

0:22:17.720 --> 0:22:19.439
<v Speaker 1>if it's not crim safe, but yeah, so they'd just

0:22:19.480 --> 0:22:26.879
<v Speaker 1>be don't get robbed, bad people are out there. Crim

0:22:26.920 --> 0:22:31.800
<v Speaker 1>safe your windows. If it's not crimsafe, it's not crimsafe.

0:22:32.160 --> 0:22:38.480
<v Speaker 1>Dot com dot au simple. That's so effected, so effective.

0:22:38.200 --> 0:22:40.560
<v Speaker 4>You guys, I just found this one. Do you remember

0:22:40.560 --> 0:22:42.320
<v Speaker 4>this ad. Can you hear it?

0:22:42.480 --> 0:22:47.440
<v Speaker 1>My mom kissed me my, Yeah, and my mom gave

0:22:47.560 --> 0:22:48.120
<v Speaker 1>me Mark.

0:22:48.040 --> 0:22:50.560
<v Speaker 4>Got the grandma, the mum and the daughter skipping. Yeah,

0:22:50.640 --> 0:22:52.000
<v Speaker 4>and my mom gave me my.

0:22:52.320 --> 0:22:52.879
<v Speaker 1>Too much.

0:22:54.240 --> 0:22:54.760
<v Speaker 4>Down?

0:22:54.880 --> 0:22:55.760
<v Speaker 1>So what's your pitch?

0:22:56.080 --> 0:22:56.240
<v Speaker 9>Now?

0:22:56.280 --> 0:23:02.879
<v Speaker 4>Give me the music. I'll tell you. Okay, Milo is

0:23:02.920 --> 0:23:08.640
<v Speaker 4>the answer if three generation of women and your family

0:23:08.720 --> 0:23:16.359
<v Speaker 4>fancies skipping in tandem, Milo is your only hope. Oh,

0:23:16.560 --> 0:23:23.880
<v Speaker 4>email Milo at.

0:23:20.920 --> 0:23:22.520
<v Speaker 1>I've got one. You know, not happy Jan?

0:23:22.840 --> 0:23:23.040
<v Speaker 7>Yeah?

0:23:23.160 --> 0:23:26.639
<v Speaker 1>Okay, this would just be Yeah, all this would be

0:23:26.800 --> 0:23:36.560
<v Speaker 1>is lady with head out window yelling she's not happy

0:23:36.680 --> 0:23:42.600
<v Speaker 1>with Jan. Get a Yellow Pages, yellow Pages at Big

0:23:42.720 --> 0:23:44.720
<v Speaker 1>Pond dot com.

0:23:44.760 --> 0:23:48.040
<v Speaker 4>Even then, dumb it down further. It's like book an

0:23:48.119 --> 0:23:50.880
<v Speaker 4>ad in yellow Pages, or your boss will be pissed off.

0:23:51.240 --> 0:23:53.480
<v Speaker 1>Oh really pulled back?

0:23:53.800 --> 0:23:55.320
<v Speaker 4>Wait? What about this one? Ready? Do you remember this?

0:23:55.400 --> 0:24:02.040
<v Speaker 4>Hod on? It's loading my fucking internet. Sorry you're fun anyways,

0:24:02.040 --> 0:24:07.360
<v Speaker 4>just loaded. I'll shut my mouth. Remember this ad Natural Confectioneries,

0:24:08.119 --> 0:24:10.120
<v Speaker 4>the natural confectionery company, Jellies.

0:24:11.520 --> 0:24:14.280
<v Speaker 1>Yeah, don't shop the dinosaur d.

0:24:19.720 --> 0:24:23.440
<v Speaker 4>Don't up the disa yep, that one. Chop it.

0:24:23.600 --> 0:24:26.200
<v Speaker 1>Dumb it down all right, I'll give you the guitar music.

0:24:31.440 --> 0:24:38.000
<v Speaker 4>Snakes are your only hope. If your bratty, irrational, infant

0:24:38.080 --> 0:24:41.480
<v Speaker 4>daughter is getting hysterical at the thought of you decapitating

0:24:41.520 --> 0:24:48.400
<v Speaker 4>an nanimate dinosaur. Email Natural Confectionery at Dodo dot nem

0:24:48.840 --> 0:24:49.760
<v Speaker 4>to your free sample.

0:24:50.960 --> 0:24:52.600
<v Speaker 1>I'm solid, and.

0:24:52.520 --> 0:24:54.600
<v Speaker 4>Then you'd have one of those. You'd have one of

0:24:54.600 --> 0:24:56.919
<v Speaker 4>those terms and conditions, fast speaking voices. At the end,

0:24:57.200 --> 0:24:58.840
<v Speaker 4>lobies may get rotten afforded the mail.

0:25:04.600 --> 0:25:05.439
<v Speaker 1>You're listening to.

0:25:05.920 --> 0:25:10.040
<v Speaker 3>Is it just me who doesn't love some free shit?

0:25:10.560 --> 0:25:14.359
<v Speaker 1>All you have to do is leave a review, all right,

0:25:14.440 --> 0:25:17.399
<v Speaker 1>reviews time. Every week we read out a couple of

0:25:17.440 --> 0:25:19.840
<v Speaker 1>reviews that you've left us on Apple, podcasts, on Facebook

0:25:19.880 --> 0:25:22.399
<v Speaker 1>only the five star one. Oh, we know what happens

0:25:23.280 --> 0:25:26.840
<v Speaker 1>anything other than five stars. I'm looking at you, Tarlie.

0:25:26.840 --> 0:25:29.400
<v Speaker 1>I'm looking at your gravestone after what happened last week.

0:25:29.440 --> 0:25:32.119
<v Speaker 4>Oh yeah, did you guys see that she updated her

0:25:32.200 --> 0:25:35.879
<v Speaker 4>review because you literally flipped it. You smashed her prize

0:25:35.960 --> 0:25:37.760
<v Speaker 4>last week because she only left us two stars, but

0:25:37.800 --> 0:25:39.479
<v Speaker 4>she's gone out of her way to update it.

0:25:39.560 --> 0:25:41.760
<v Speaker 1>Yeah, she said, I swear to God if this goes

0:25:41.760 --> 0:25:43.840
<v Speaker 1>back to two instead of five, I will cry. Well. No,

0:25:43.960 --> 0:25:47.880
<v Speaker 1>need to it. Even though we just mentioned you don't

0:25:47.880 --> 0:25:49.320
<v Speaker 1>get another fucking mugged.

0:25:49.119 --> 0:25:50.919
<v Speaker 4>Price Keep Jenna. Did you end up sending her a

0:25:50.920 --> 0:25:51.520
<v Speaker 4>proper mug?

0:25:51.640 --> 0:25:52.720
<v Speaker 5>I did? I did?

0:25:52.800 --> 0:25:53.280
<v Speaker 1>Oh good?

0:25:53.600 --> 0:25:55.080
<v Speaker 5>Okay, we like Tarlia now.

0:25:55.240 --> 0:25:57.480
<v Speaker 1>Yeah. If your review is read out on the show,

0:25:57.560 --> 0:25:58.960
<v Speaker 1>you've got a week to get in touch with price

0:25:59.000 --> 0:26:02.560
<v Speaker 1>Keeper Jenna and you get admitted season season three commemorative mug,

0:26:02.640 --> 0:26:04.800
<v Speaker 1>which you can shop in our buy on Instagram if

0:26:04.800 --> 0:26:05.359
<v Speaker 1>you want to buy.

0:26:05.240 --> 0:26:07.640
<v Speaker 4>One on our Instagram. It's where your message gener as well,

0:26:07.720 --> 0:26:08.960
<v Speaker 4>not her personal Instagram.

0:26:08.960 --> 0:26:12.119
<v Speaker 1>That's right. Tickles nineteen ninety four has left us a review.

0:26:12.119 --> 0:26:15.400
<v Speaker 1>Tickles says, as someone who suffers with depression, anxiety, and add,

0:26:15.600 --> 0:26:18.359
<v Speaker 1>I find this podcast is the best. Mitch Churi Mitchell

0:26:18.400 --> 0:26:20.639
<v Speaker 1>Coombs are open about their struggles with mental health and

0:26:20.680 --> 0:26:23.240
<v Speaker 1>add or suspected add in my case.

0:26:23.320 --> 0:26:23.760
<v Speaker 4>Yeah, that's it.

0:26:24.640 --> 0:26:27.720
<v Speaker 1>They're also entertaining them away. Anyone smile when listening to

0:26:27.760 --> 0:26:30.159
<v Speaker 1>their show. It's light on comic relief, especially in the

0:26:30.160 --> 0:26:33.400
<v Speaker 1>time we're living in. Amen Jenna in contraceptive diaphram, Sam

0:26:33.400 --> 0:26:35.400
<v Speaker 1>when he's on add to the dynamic of the show,

0:26:35.520 --> 0:26:37.199
<v Speaker 1>what a real top line for you? Like they're not

0:26:37.240 --> 0:26:41.199
<v Speaker 1>that tickles isn't raving about Jenna. Yes, they add to

0:26:41.280 --> 0:26:43.600
<v Speaker 1>the dynamic of a show, like onions on a hamburger.

0:26:43.640 --> 0:26:45.560
<v Speaker 4>You could go with it, like salt and pepper.

0:26:46.080 --> 0:26:47.720
<v Speaker 1>It gives me something to look forward to when I'm

0:26:47.720 --> 0:26:51.320
<v Speaker 1>feeling down or in need of a psychiatric recess. Ah,

0:26:51.400 --> 0:26:52.080
<v Speaker 1>I done that.

0:26:52.080 --> 0:26:53.480
<v Speaker 4>That's exactly what we aim for.

0:26:53.680 --> 0:26:56.520
<v Speaker 1>Yeah, Mitch, you you're a real review connoiseur. You like

0:26:56.560 --> 0:26:57.399
<v Speaker 1>the top notch ones?

0:26:57.840 --> 0:26:57.959
<v Speaker 11>Oh?

0:26:58.040 --> 0:27:00.200
<v Speaker 4>Yeah, well sometimes they do get a bit repetitive. Oh,

0:27:00.280 --> 0:27:03.119
<v Speaker 4>I listen on the school bus fuck off whatever, I

0:27:03.240 --> 0:27:05.879
<v Speaker 4>like that one. That one's interesting so hot tip if

0:27:05.880 --> 0:27:07.359
<v Speaker 4>you want to win a mug, you're more likely to

0:27:07.400 --> 0:27:09.480
<v Speaker 4>win one if the review is like, you know, worth

0:27:09.520 --> 0:27:11.280
<v Speaker 4>bloody reading or this.

0:27:11.680 --> 0:27:15.160
<v Speaker 1>Although I guess this is worth reading because maybe Obama

0:27:15.800 --> 0:27:18.119
<v Speaker 1>has left this review and if it's if, it's real,

0:27:18.440 --> 0:27:21.879
<v Speaker 1>good for them and interesting. But the title is lost

0:27:22.000 --> 0:27:24.120
<v Speaker 1>my virginity two times to this.

0:27:24.680 --> 0:27:26.760
<v Speaker 4>Oh okay, hold on, I've gotta sit up all right,

0:27:26.840 --> 0:27:27.679
<v Speaker 4>this sounds interesting.

0:27:28.880 --> 0:27:33.520
<v Speaker 1>Okay, so maybe Obama says, as someone who plays Fortnite often,

0:27:33.640 --> 0:27:38.880
<v Speaker 1>I regularly regain my virginity. Funny, but only for special occasions.

0:27:39.160 --> 0:27:41.600
<v Speaker 1>This podcast is the best podcast I've had the honor

0:27:41.640 --> 0:27:45.199
<v Speaker 1>of nutting to, and I have dedicated many nights of

0:27:45.240 --> 0:27:48.879
<v Speaker 1>pleasure pain and Veggie might favored confusion towards and I

0:27:49.040 --> 0:27:50.240
<v Speaker 1>regret nothing.

0:27:51.800 --> 0:27:54.000
<v Speaker 4>Well, okay, yeah, they sounded a bit cooked, but you

0:27:54.000 --> 0:27:56.200
<v Speaker 4>get a mug well done.

0:27:56.280 --> 0:27:59.199
<v Speaker 1>They're the rules. Are they quite simply just saying that

0:27:59.240 --> 0:28:01.920
<v Speaker 1>they have come or they've been having sex while we've

0:28:01.920 --> 0:28:03.520
<v Speaker 1>been on in the background. Is that what they're saying.

0:28:03.800 --> 0:28:06.040
<v Speaker 4>I guess you could deduce that from that review. But yeah,

0:28:06.080 --> 0:28:07.360
<v Speaker 4>it was a bit all over the shops, something about

0:28:07.400 --> 0:28:08.280
<v Speaker 4>Veggie might adam.

0:28:08.200 --> 0:28:10.520
<v Speaker 1>Now or they just being silly, like are they trying

0:28:10.520 --> 0:28:11.919
<v Speaker 1>to get a laugh bit cheeky?

0:28:12.119 --> 0:28:15.479
<v Speaker 4>Well, don't fuck around everyone, don't be silly with these reviews.

0:28:15.480 --> 0:28:16.240
<v Speaker 4>They're serious.

0:28:16.560 --> 0:28:20.520
<v Speaker 1>Yep. Potential podcast companies will sive through these and go

0:28:20.640 --> 0:28:25.800
<v Speaker 1>we don't want people that come listening to this podcast.

0:28:26.440 --> 0:28:28.639
<v Speaker 1>Oh no, I'll do that all right. Leave us a

0:28:28.680 --> 0:28:31.520
<v Speaker 1>review five stars please, That keeps us going. In the meantime, guys,

0:28:31.520 --> 0:28:33.399
<v Speaker 1>you're excited for our guest this week?

0:28:33.640 --> 0:28:35.679
<v Speaker 4>Yes, yeah, I've had enough at YouTube. Get him on.

0:28:41.880 --> 0:28:44.520
<v Speaker 1>Guys, this week, we have a Hollywood A List celeb

0:28:44.600 --> 0:28:46.800
<v Speaker 1>in the studio, with this and he's Ausie too, which

0:28:46.840 --> 0:28:48.800
<v Speaker 1>is even better Keenan Lonsdale.

0:28:48.600 --> 0:28:50.760
<v Speaker 4>When you say in this studio he's on zoom, but

0:28:50.800 --> 0:28:54.120
<v Speaker 4>I didn't realize because I know him as the Hollywood star. Yeah,

0:28:54.200 --> 0:28:56.080
<v Speaker 4>I like you said, but I didn't realize he was

0:28:56.080 --> 0:28:58.520
<v Speaker 4>bloody born and raised in Saint Mary's, Sydney's West.

0:28:58.800 --> 0:29:00.640
<v Speaker 1>Isn't that crazy? Just looking at him, I think I

0:29:00.640 --> 0:29:03.360
<v Speaker 1>see celebrity. I don't see Saint Mary's. So hasn't he

0:29:03.400 --> 0:29:06.040
<v Speaker 1>done well? He's got new music out, Rhythm and Music.

0:29:06.080 --> 0:29:08.160
<v Speaker 1>It's off his new album. He's a superstar. He's in

0:29:08.160 --> 0:29:10.720
<v Speaker 1>the new Stand show. He was GQ magazine Actor of

0:29:10.760 --> 0:29:13.640
<v Speaker 1>the Year this year, Eden, which is that new Stand show?

0:29:13.760 --> 0:29:16.720
<v Speaker 1>He's a superstar. You're known from Love Simon and he's

0:29:16.760 --> 0:29:21.320
<v Speaker 1>here with us now, Hello, Keenan, Hello, you're topless, guys

0:29:21.400 --> 0:29:24.120
<v Speaker 1>is topless? Look at him. I did message him and

0:29:24.160 --> 0:29:26.640
<v Speaker 1>say the only way we will interview you is if

0:29:26.680 --> 0:29:30.120
<v Speaker 1>you're butt naked. And he committed and you've done it.

0:29:30.280 --> 0:29:33.040
<v Speaker 11>Yeah, yeah, yeah, I didn't show you the proof of

0:29:33.280 --> 0:29:35.720
<v Speaker 11>the butt nakedness, but I did fully commit a promise.

0:29:35.880 --> 0:29:37.880
<v Speaker 1>Oh I can tell it's yeah, I can tell. There's

0:29:37.920 --> 0:29:40.880
<v Speaker 1>an energy coming off the webcam? Are you obsessed with Keenan?

0:29:40.920 --> 0:29:42.720
<v Speaker 1>I am too, even from like way back when we

0:29:42.840 --> 0:29:45.360
<v Speaker 1>love Simon days, Like I had the biggest crush on

0:29:45.400 --> 0:29:48.000
<v Speaker 1>you back when I was still in the closet, and

0:29:48.080 --> 0:29:50.800
<v Speaker 1>now that we're all out and proud, I do have

0:29:50.800 --> 0:29:52.920
<v Speaker 1>a partner, so the crush is just matter. It's not

0:29:52.960 --> 0:29:53.440
<v Speaker 1>there anymore.

0:29:53.480 --> 0:29:54.800
<v Speaker 4>Otherwise you would have been in with a chance.

0:29:55.160 --> 0:29:56.720
<v Speaker 1>Yeah, what I've been in with a chance? Keenan?

0:29:57.400 --> 0:29:58.760
<v Speaker 11>How do you work with that beauty?

0:29:58.840 --> 0:29:59.320
<v Speaker 7>That glow?

0:29:59.440 --> 0:30:05.320
<v Speaker 4>Will we talk about I'll got naked too?

0:30:05.640 --> 0:30:07.360
<v Speaker 1>Did you have a crush too much? I feel like

0:30:07.520 --> 0:30:09.800
<v Speaker 1>just collectively everyone did one hundred percent.

0:30:09.840 --> 0:30:12.800
<v Speaker 4>I'm also very impressed that like just having the confidence

0:30:12.840 --> 0:30:15.600
<v Speaker 4>to just rock up to interview the topless.

0:30:15.720 --> 0:30:20.000
<v Speaker 11>Well, okay, but look I'm home. It's also like midnight

0:30:20.080 --> 0:30:22.440
<v Speaker 11>here where I am, and it's super hot because I'm

0:30:22.440 --> 0:30:25.320
<v Speaker 11>in the desert. So I'm just like, yeah, I'm always

0:30:25.400 --> 0:30:28.160
<v Speaker 11>naked just around the house. I have clothes on to

0:30:28.240 --> 0:30:29.600
<v Speaker 11>a degree, so here I am.

0:30:29.640 --> 0:30:31.960
<v Speaker 1>Okay, all right, why are you in the desert? What's

0:30:32.000 --> 0:30:32.840
<v Speaker 1>going on in the desert?

0:30:33.160 --> 0:30:35.280
<v Speaker 11>I just mean, like the California desert. I was just

0:30:35.320 --> 0:30:38.720
<v Speaker 11>in the desert. Actually, I was in Joshua Tree. Sometimes

0:30:38.720 --> 0:30:41.480
<v Speaker 11>I like to just go to the desert. It's a

0:30:41.520 --> 0:30:47.520
<v Speaker 11>good place to clear your thoughts, to do psychedelics, do that.

0:30:47.800 --> 0:30:54.160
<v Speaker 11>Like I'm like, yeah, I'm on mushrooms right.

0:30:54.080 --> 0:30:56.280
<v Speaker 4>Now, the Dubbo Mushrooms. They hit something different.

0:30:57.440 --> 0:31:00.360
<v Speaker 1>I was in. I was in Joshua Tree twenty team

0:31:00.360 --> 0:31:03.320
<v Speaker 1>before COVID. That place is whack man Like, I love it.

0:31:03.400 --> 0:31:04.000
<v Speaker 1>The energy.

0:31:04.160 --> 0:31:04.600
<v Speaker 4>What do you mean?

0:31:04.720 --> 0:31:07.080
<v Speaker 1>Joshua Tree is like it's like a couple hours out

0:31:07.080 --> 0:31:09.920
<v Speaker 1>of La right Keenan and it's Joshua Tree is the

0:31:10.000 --> 0:31:11.800
<v Speaker 1>kind of tree that is just everywhere. It's this weird

0:31:11.840 --> 0:31:14.280
<v Speaker 1>like porcupine kind of cactus thing. But it's like the

0:31:14.320 --> 0:31:16.760
<v Speaker 1>home of aliens and like mushrooms and it's just this

0:31:16.880 --> 0:31:19.600
<v Speaker 1>giant National park. It really is desert, but it sort

0:31:19.600 --> 0:31:22.040
<v Speaker 1>of changed your mind, changes the way you think. Like

0:31:22.360 --> 0:31:24.720
<v Speaker 1>it just it's a whacky place. You don't know unless

0:31:24.720 --> 0:31:25.160
<v Speaker 1>you've been there.

0:31:25.160 --> 0:31:27.360
<v Speaker 11>I guess one hundred percent is a wacky place. And

0:31:27.400 --> 0:31:29.120
<v Speaker 11>I haven't been there in a couple of years. And

0:31:29.200 --> 0:31:32.680
<v Speaker 11>it had a big influence on me making the album

0:31:32.680 --> 0:31:35.080
<v Speaker 11>that I did. I wouldn't have made it like that

0:31:35.120 --> 0:31:37.320
<v Speaker 11>had I not had been to Joshua Tree and had

0:31:37.360 --> 0:31:40.680
<v Speaker 11>such strange cool experiences.

0:31:40.880 --> 0:31:42.920
<v Speaker 1>Were you scared to do mushrooms the first time? I'd

0:31:42.920 --> 0:31:44.760
<v Speaker 1>be terrified, Like I feel like I'd look in a

0:31:44.760 --> 0:31:46.640
<v Speaker 1>mirror and then I just start melting and then I

0:31:46.640 --> 0:31:49.000
<v Speaker 1>don't know what I'd do. I hear those stories, so

0:31:49.040 --> 0:31:50.920
<v Speaker 1>I'm such a white scared boy. Help me keenan.

0:31:51.400 --> 0:31:54.239
<v Speaker 11>They say to not look in the mirror with psychedelts, right,

0:31:54.280 --> 0:31:56.880
<v Speaker 11>But I'm like, and once I got over my few

0:31:56.880 --> 0:31:59.680
<v Speaker 11>psychoeducks in general, because I feel like I generally a

0:31:59.800 --> 0:32:03.240
<v Speaker 11>late bloomer, and I was terrified, but then the experiences

0:32:03.240 --> 0:32:07.560
<v Speaker 11>were so uplifting and not all the time, but I

0:32:07.720 --> 0:32:09.600
<v Speaker 11>was like, I'm going to look in the mirror because

0:32:09.640 --> 0:32:13.200
<v Speaker 11>I feel ready, I felt right, yeah, and so so

0:32:13.240 --> 0:32:16.000
<v Speaker 11>I was like, yeah, this is a few years ago,

0:32:16.320 --> 0:32:17.840
<v Speaker 11>and I was like, yeah, I'm gonna look in the mirror.

0:32:17.880 --> 0:32:19.920
<v Speaker 11>I looked in the mirror and I was like, ill,

0:32:21.160 --> 0:32:24.960
<v Speaker 11>it looks disgusting, and I'm like, whoa, oh my gosh,

0:32:25.040 --> 0:32:27.200
<v Speaker 11>not just disgusting that actually you're a hideous You look

0:32:27.240 --> 0:32:29.840
<v Speaker 11>like a monster. And so my face started morephing into

0:32:30.000 --> 0:32:33.720
<v Speaker 11>this monster and I was like, this is probably why

0:32:34.120 --> 0:32:36.680
<v Speaker 11>people say not to look in the mirror. Yeah, And

0:32:36.760 --> 0:32:40.520
<v Speaker 11>then I was like, but you know what, hippie dippy shit.

0:32:40.560 --> 0:32:42.600
<v Speaker 11>I was like, you know what, I need to be compassionate.

0:32:42.640 --> 0:32:45.120
<v Speaker 11>If that's what I really look like. Am I still

0:32:45.160 --> 0:32:47.160
<v Speaker 11>going to love myself? Am I going to banish myself

0:32:47.000 --> 0:32:50.640
<v Speaker 11>if I'm if I'm actually like a monster? I'm like,

0:32:50.640 --> 0:32:52.920
<v Speaker 11>because I'm still a good guy. And so I was like,

0:32:53.040 --> 0:32:55.959
<v Speaker 11>just stick it out. So I stay. And then eventually

0:32:56.720 --> 0:32:59.840
<v Speaker 11>that monster started to become this like fairy and then

0:32:59.880 --> 0:33:03.000
<v Speaker 11>it became this like alien Avatar alien. Then I was

0:33:03.040 --> 0:33:05.440
<v Speaker 11>a fish underwater. Then I was a bear. Then I

0:33:05.480 --> 0:33:08.320
<v Speaker 11>was fucking Michael Jackson. Then I was not fucking Michael Jackson.

0:33:08.480 --> 0:33:12.520
<v Speaker 11>And then I was Wow, the man in the mirror.

0:33:13.200 --> 0:33:14.120
<v Speaker 4>He was the man in the mirror.

0:33:14.160 --> 0:33:17.360
<v Speaker 11>And then like I was like a really old man.

0:33:17.480 --> 0:33:21.360
<v Speaker 11>And then I became like it was all this crazy stuff.

0:33:21.400 --> 0:33:25.120
<v Speaker 11>But it was Nevertheless, it was trippy.

0:33:25.320 --> 0:33:26.800
<v Speaker 4>Why did you have to go all the way to

0:33:26.880 --> 0:33:29.440
<v Speaker 4>Joshua Tree for to get fucked off your face like that?

0:33:29.480 --> 0:33:31.240
<v Speaker 4>You could have just stayed in Saint Mary's Salence.

0:33:31.960 --> 0:33:35.479
<v Speaker 11>Oh god, I didn't. I wasn't going there for that reason.

0:33:35.560 --> 0:33:38.000
<v Speaker 11>I just went there because I was like, I've never

0:33:38.080 --> 0:33:39.760
<v Speaker 11>been that's crazy.

0:33:40.000 --> 0:33:42.240
<v Speaker 1>So you say it influences your music? What part of

0:33:42.280 --> 0:33:46.320
<v Speaker 1>rhythm and music it came from fucking Michael Jackson figure

0:33:46.320 --> 0:33:46.720
<v Speaker 1>of speech?

0:33:47.280 --> 0:33:47.920
<v Speaker 4>Great question.

0:33:48.160 --> 0:33:52.760
<v Speaker 11>Well, the music treatment definitely had some MJ vibes in there.

0:33:52.920 --> 0:33:53.520
<v Speaker 1>I can hear it.

0:33:54.400 --> 0:33:57.680
<v Speaker 11>Thanks. He's been one of the biggest influence, the biggest,

0:33:57.880 --> 0:34:00.720
<v Speaker 11>you know, artist influence in my life since I was

0:34:00.760 --> 0:34:05.280
<v Speaker 11>a kid. And so for me, like every dance competition

0:34:05.320 --> 0:34:08.840
<v Speaker 11>I was doing was always to MJ music, mostly MJ, Janet,

0:34:09.080 --> 0:34:12.560
<v Speaker 11>Little Richard, and then we wanted to make something that

0:34:12.640 --> 0:34:14.640
<v Speaker 11>was our own. I feel like we did that.

0:34:14.800 --> 0:34:16.319
<v Speaker 4>I don't know if you saw the other day, but

0:34:16.400 --> 0:34:19.920
<v Speaker 4>Lizzo actually did a ranking of who she thinks is

0:34:19.960 --> 0:34:22.840
<v Speaker 4>the prince and king and queen of pop. Michael Jackson

0:34:22.880 --> 0:34:26.000
<v Speaker 4>was king of pop, and quite controversially, she put Janet

0:34:26.080 --> 0:34:29.440
<v Speaker 4>Jackson as the queen of pop. And everyone's like, what

0:34:29.480 --> 0:34:32.040
<v Speaker 4>about Madonna? But I'm guessing you would write Janet right.

0:34:33.000 --> 0:34:36.719
<v Speaker 11>Well, yeah, Janet's definitely my queen, but Madonna's also a

0:34:36.840 --> 0:34:42.480
<v Speaker 11>queen like fucking Madonna. Um, but yeah, Janet, like she

0:34:42.640 --> 0:34:45.320
<v Speaker 11>was like the first concert ever went to as well

0:34:45.400 --> 0:34:48.560
<v Speaker 11>as a kid really yeah, yeah, yeah, yeah, I had

0:34:48.600 --> 0:34:52.240
<v Speaker 11>one ticket I wrote in a letter and everything.

0:34:52.200 --> 0:34:54.160
<v Speaker 1>Had you want the tickets for radio or.

0:34:54.840 --> 0:34:57.200
<v Speaker 11>I feel like it was like a radio competition. Yeah,

0:34:57.239 --> 0:34:59.560
<v Speaker 11>and it was like you can submit, you can write

0:34:59.560 --> 0:35:02.920
<v Speaker 11>a letter or whatever in and I think it was

0:35:03.360 --> 0:35:06.520
<v Speaker 11>it was supposed to be for like these VIP like

0:35:06.960 --> 0:35:10.120
<v Speaker 11>you know, meeting tickets or something like that. Yeah, yeah,

0:35:10.160 --> 0:35:11.960
<v Speaker 11>but I was I don't know how young I was,

0:35:12.239 --> 0:35:14.040
<v Speaker 11>but they ended up being like, you know, someone else one,

0:35:14.040 --> 0:35:15.640
<v Speaker 11>but we want to give you tickets anyway, because your

0:35:15.680 --> 0:35:17.279
<v Speaker 11>letter was so sweet and what was.

0:35:17.280 --> 0:35:19.359
<v Speaker 4>In the letter it must have been beautiful.

0:35:20.080 --> 0:35:23.960
<v Speaker 11>Yeah, it was very cute. My mum still probably got it.

0:35:24.160 --> 0:35:26.839
<v Speaker 4>Oh yeah, hey, I know that when you were young,

0:35:27.080 --> 0:35:29.680
<v Speaker 4>you were also told that you were feminine and your

0:35:29.760 --> 0:35:32.960
<v Speaker 4>voice is high pitched. I'm guessing just by listening to

0:35:33.000 --> 0:35:35.080
<v Speaker 4>you that that's not really a problem anymore. So my

0:35:35.160 --> 0:35:38.280
<v Speaker 4>question is when's it going to end for me? When's

0:35:38.280 --> 0:35:42.400
<v Speaker 4>be always going to break? Darlan a beautiful voice, thank you.

0:35:43.239 --> 0:35:46.279
<v Speaker 11>I feel like, honestly though, when I was definitely growing up,

0:35:46.400 --> 0:35:50.160
<v Speaker 11>I was like purposely trying to speak as low as possible.

0:35:51.040 --> 0:35:51.719
<v Speaker 4>I gave up on that.

0:35:51.840 --> 0:35:55.560
<v Speaker 11>Yeah, and then I got calmer by like then having

0:35:55.600 --> 0:35:58.200
<v Speaker 11>a really low singing range, and I've had to work

0:35:58.239 --> 0:36:00.600
<v Speaker 11>there my whole life to extend the range up again.

0:36:00.960 --> 0:36:03.640
<v Speaker 4>Oh yeah, right, I know you're lucky, Mitch.

0:36:03.680 --> 0:36:04.919
<v Speaker 1>What's your singing range again?

0:36:05.200 --> 0:36:05.319
<v Speaker 5>Oh?

0:36:05.440 --> 0:36:06.799
<v Speaker 4>You don't want to hear it done? And I've got

0:36:06.840 --> 0:36:08.319
<v Speaker 4>a cat by my side. You'll freak out.

0:36:10.239 --> 0:36:10.600
<v Speaker 1>I know that.

0:36:10.920 --> 0:36:13.600
<v Speaker 4>You've also said that whenever kids made fun of you

0:36:13.640 --> 0:36:16.080
<v Speaker 4>back in school, your sister would be the one to

0:36:16.160 --> 0:36:19.080
<v Speaker 4>put them back in their place. What does that actually mean? Like,

0:36:19.120 --> 0:36:21.600
<v Speaker 4>what did she do? Was she bashing people on your behalf?

0:36:21.680 --> 0:36:22.680
<v Speaker 4>What would he be talking about?

0:36:22.800 --> 0:36:24.879
<v Speaker 11>You just knew that you just weren't going to mess

0:36:24.920 --> 0:36:28.919
<v Speaker 11>with her, you know, and my sister she never laid

0:36:28.920 --> 0:36:30.320
<v Speaker 11>any hands on other kids.

0:36:30.719 --> 0:36:31.439
<v Speaker 4>But there was.

0:36:31.400 --> 0:36:34.440
<v Speaker 11>One time on this bus because I didn't look like

0:36:34.480 --> 0:36:37.520
<v Speaker 11>my sister. So she was like, is the bullying really

0:36:37.560 --> 0:36:41.160
<v Speaker 11>happening as bad as you say it is. I'm like yeah.

0:36:41.640 --> 0:36:43.840
<v Speaker 11>She's like, well, I'm just going to sit on the

0:36:43.840 --> 0:36:45.560
<v Speaker 11>bus and watch because they're never going to guess that

0:36:45.600 --> 0:36:49.239
<v Speaker 11>were related. So then she did, oh no, and she

0:36:49.360 --> 0:36:53.320
<v Speaker 11>witnessed a bunch of cool, terrible you know, childhood bully

0:36:53.360 --> 0:36:58.600
<v Speaker 11>stuff and then I don't know what happened, but I

0:36:58.680 --> 0:36:59.520
<v Speaker 11>got suspended.

0:37:00.719 --> 0:37:05.520
<v Speaker 4>Oh you don't know what happened? How convenient? Yeah, I

0:37:05.560 --> 0:37:07.200
<v Speaker 4>set the house on fire. It was nothing.

0:37:08.680 --> 0:37:11.640
<v Speaker 11>And I'm like, okay, what you're going to suspend me?

0:37:11.880 --> 0:37:14.400
<v Speaker 11>Like this kid's been bullying me for these months and

0:37:14.440 --> 0:37:18.000
<v Speaker 11>months and months. I'm like, all right, okay, I see you,

0:37:18.520 --> 0:37:19.160
<v Speaker 11>I see you there.

0:37:19.320 --> 0:37:21.680
<v Speaker 4>I remember my sister once sticking up for me on

0:37:21.719 --> 0:37:23.640
<v Speaker 4>the bus. There was some kid being a little turd

0:37:23.680 --> 0:37:25.719
<v Speaker 4>because it was sports day, you know how you had

0:37:25.719 --> 0:37:28.839
<v Speaker 4>the different uniform and I was wearing shorts and he's like, oh,

0:37:28.880 --> 0:37:31.520
<v Speaker 4>those shorts are very short. You look gay. And my

0:37:31.600 --> 0:37:35.080
<v Speaker 4>sister's like, how very dare you? He's not gay, he's

0:37:35.080 --> 0:37:37.960
<v Speaker 4>got a girlfriend. Well here we are.

0:37:39.280 --> 0:37:41.839
<v Speaker 1>Does she know yet? Tall her up and tell her

0:37:41.880 --> 0:37:44.239
<v Speaker 1>on the phone because she should know. My sister was

0:37:44.280 --> 0:37:47.560
<v Speaker 1>the bully. My sister was like, I'm from the Shire, Keenan, Like,

0:37:47.640 --> 0:37:50.200
<v Speaker 1>you know the Shire is from from the Shire. Don't

0:37:50.239 --> 0:37:51.879
<v Speaker 1>they live there anymore? I got out as soon as

0:37:51.960 --> 0:37:54.920
<v Speaker 1>I realized, and I my.

0:37:54.880 --> 0:37:56.640
<v Speaker 11>Sister, what you talk about now?

0:37:56.640 --> 0:37:59.080
<v Speaker 1>The Shire is beautiful, but they are there. They're about

0:37:59.080 --> 0:38:01.800
<v Speaker 1>ten years behind every everyone else, you know, they catch

0:38:01.880 --> 0:38:05.600
<v Speaker 1>up slowly, and my sister was just the bully. She

0:38:05.680 --> 0:38:08.000
<v Speaker 1>was the cool girl, like she didn't want to know me.

0:38:08.280 --> 0:38:10.239
<v Speaker 1>In fact, she told people we were cousins when I

0:38:10.280 --> 0:38:12.759
<v Speaker 1>was feel because she did not want people to think

0:38:12.760 --> 0:38:14.680
<v Speaker 1>that we had a blood like an actual brother and

0:38:14.719 --> 0:38:17.719
<v Speaker 1>sister relation was awful. Did not have the sister like

0:38:17.800 --> 0:38:18.359
<v Speaker 1>you guys did.

0:38:18.960 --> 0:38:20.920
<v Speaker 4>Oh gosh, yeah, it's this story. Is it meant to

0:38:20.920 --> 0:38:22.160
<v Speaker 4>be a funny story? That's terrible?

0:38:22.200 --> 0:38:24.479
<v Speaker 11>I know, it's so dark in my head.

0:38:25.920 --> 0:38:27.800
<v Speaker 1>Look in the mirror, Look in the mirror. No, she

0:38:28.400 --> 0:38:30.400
<v Speaker 1>my love, my sister. We're best friends now, but it

0:38:30.480 --> 0:38:31.600
<v Speaker 1>was just that time.

0:38:31.719 --> 0:38:34.560
<v Speaker 11>Yeah, yeah, yeah, No, My sisters always had my back.

0:38:34.680 --> 0:38:37.640
<v Speaker 11>She's like the biggest supporter. She also like she came

0:38:37.680 --> 0:38:40.680
<v Speaker 11>out to us like when she was like sixteen, and

0:38:40.719 --> 0:38:42.960
<v Speaker 11>so she was the first person that showed me like

0:38:43.960 --> 0:38:46.520
<v Speaker 11>what it is to stand in your truth in that way,

0:38:46.680 --> 0:38:51.200
<v Speaker 11>and she had no insecurities about it. She didn't care

0:38:51.239 --> 0:38:54.640
<v Speaker 11>what anyone thought. And so a lot of my strength

0:38:55.000 --> 0:38:57.879
<v Speaker 11>in the self acceptances come from her.

0:38:58.120 --> 0:38:58.400
<v Speaker 2>Yeah.

0:38:58.880 --> 0:39:00.960
<v Speaker 4>Did you come out when you in your teens as well?

0:39:01.000 --> 0:39:02.320
<v Speaker 4>Or are you a bit of a late bloomer?

0:39:03.000 --> 0:39:05.640
<v Speaker 11>Definitely a late late Bloomer. I came out to my

0:39:05.760 --> 0:39:08.280
<v Speaker 11>friends when I was like twenty one, I think, oh,

0:39:08.320 --> 0:39:13.640
<v Speaker 11>and then I went back on in the closet. And

0:39:13.680 --> 0:39:16.359
<v Speaker 11>then I'd moved overseas and I just didn't know how

0:39:16.360 --> 0:39:19.080
<v Speaker 11>to like come out all again to like new people

0:39:19.120 --> 0:39:22.080
<v Speaker 11>I didn't know, So I went back in. And then

0:39:22.200 --> 0:39:25.200
<v Speaker 11>I came out again online when I was twenty five.

0:39:25.560 --> 0:39:28.520
<v Speaker 11>Now I'm twenty nine, so it's been four years of

0:39:28.560 --> 0:39:32.960
<v Speaker 11>really being out for whoever and whatever wants to I

0:39:33.000 --> 0:39:33.440
<v Speaker 11>love that.

0:39:33.800 --> 0:39:35.479
<v Speaker 1>Yeah, yeah, yeah, yeah. Well, I mean we have so

0:39:35.560 --> 0:39:37.560
<v Speaker 1>many young listeners. I mean, Mitch and I both gay.

0:39:37.920 --> 0:39:39.360
<v Speaker 1>Are you Is there any advice that you have for

0:39:39.400 --> 0:39:41.080
<v Speaker 1>people that are struggling right now? Like you said, you

0:39:41.120 --> 0:39:43.520
<v Speaker 1>went in, you went out. It's different for every person,

0:39:43.560 --> 0:39:46.239
<v Speaker 1>but for a young quick person listening now, is there

0:39:46.239 --> 0:39:48.160
<v Speaker 1>any any advice that you went through that you thought

0:39:48.160 --> 0:39:49.680
<v Speaker 1>was really great when it was happening to you.

0:39:52.200 --> 0:39:54.719
<v Speaker 11>I think just seeing examples. But one thing is, like,

0:39:54.760 --> 0:39:57.560
<v Speaker 11>you know, I really felt chained by it. I felt

0:39:57.560 --> 0:40:00.600
<v Speaker 11>like there's absolutely no way and even though I've seen

0:40:00.680 --> 0:40:03.160
<v Speaker 11>other people out, even though I have friends that are out,

0:40:03.239 --> 0:40:06.360
<v Speaker 11>even though like you know, there's proof around me, but

0:40:06.760 --> 0:40:10.200
<v Speaker 11>I felt like, but with my circumstance, there's absolutely no

0:40:10.360 --> 0:40:12.480
<v Speaker 11>way I could come out because of this. This is this,

0:40:12.840 --> 0:40:16.440
<v Speaker 11>and it will always be like that forever, and all

0:40:16.480 --> 0:40:18.520
<v Speaker 11>I will say to them is that you are really

0:40:18.719 --> 0:40:21.160
<v Speaker 11>you are free. I promise you you are free, and

0:40:21.239 --> 0:40:23.839
<v Speaker 11>you deserve to be free. I don't know what those

0:40:23.840 --> 0:40:28.040
<v Speaker 11>circumstances are for everyone. They're all different and you know,

0:40:28.160 --> 0:40:32.120
<v Speaker 11>but I the first place that it has to start

0:40:32.200 --> 0:40:40.200
<v Speaker 11>is with them to know. And you know, psychedelics, your stuff,

0:40:40.239 --> 0:40:43.480
<v Speaker 11>getting deep, whatever, But there is something. There's a reason

0:40:43.560 --> 0:40:48.560
<v Speaker 11>why there's been so much shame placed on what it

0:40:48.640 --> 0:40:51.239
<v Speaker 11>is to be queer. And there's like a magic that

0:40:51.280 --> 0:40:54.120
<v Speaker 11>we have. There's a lot of healing that comes from

0:40:54.200 --> 0:40:56.560
<v Speaker 11>it and a lot of power that comes from it,

0:40:56.760 --> 0:40:59.719
<v Speaker 11>and society has been afraid of that power. And it's

0:40:59.800 --> 0:41:01.960
<v Speaker 11>up to us to be the ones in charge of

0:41:03.400 --> 0:41:07.200
<v Speaker 11>loving it and loving ourselves in order to really then

0:41:07.840 --> 0:41:11.960
<v Speaker 11>show the world and keep it pushing in the right direction.

0:41:12.480 --> 0:41:14.439
<v Speaker 1>You're doing a lot of that, You'll be You're pushing forward,

0:41:14.480 --> 0:41:16.160
<v Speaker 1>and I'm so glad you're in charge. You can be

0:41:16.160 --> 0:41:18.600
<v Speaker 1>our leader, Mitch. You can be vice president Mitchell of

0:41:18.680 --> 0:41:20.400
<v Speaker 1>the of the new up and coming gays and I

0:41:20.400 --> 0:41:26.520
<v Speaker 1>can be secretary and we all roles say I need

0:41:26.600 --> 0:41:27.680
<v Speaker 1>all the help I can get.

0:41:30.560 --> 0:41:33.080
<v Speaker 5>Now, guys, I have a weird connection to Keenan.

0:41:33.360 --> 0:41:36.279
<v Speaker 1>Jennifer say not one word the whole recording, and then

0:41:36.280 --> 0:41:38.400
<v Speaker 1>you decide to jump in. At the end, we have

0:41:38.400 --> 0:41:41.800
<v Speaker 1>a beautiful moral. Everyone's crying and it's completely naked again.

0:41:42.120 --> 0:41:43.560
<v Speaker 4>Okay, it's all the good going on, Jenna.

0:41:43.840 --> 0:41:47.439
<v Speaker 5>So you went to school at TDHS, which was through

0:41:47.880 --> 0:41:51.960
<v Speaker 5>Sydney distance. I was in the year below you, So

0:41:52.040 --> 0:41:54.160
<v Speaker 5>I used to see you a lot at exams and

0:41:54.200 --> 0:41:55.240
<v Speaker 5>stuff on campus.

0:41:55.600 --> 0:42:01.080
<v Speaker 6>Right, really and seriously, you are the coolest person really, like,

0:42:01.400 --> 0:42:04.239
<v Speaker 6>so so cool. I remember all of us like just

0:42:04.239 --> 0:42:06.920
<v Speaker 6>looking up to you, being like he's just got this

0:42:07.000 --> 0:42:08.680
<v Speaker 6>cool vibe to him and everything.

0:42:08.920 --> 0:42:10.640
<v Speaker 11>Really, that's so funny.

0:42:10.640 --> 0:42:11.439
<v Speaker 7>I was not cool.

0:42:11.520 --> 0:42:18.360
<v Speaker 11>I'm such a nerd. It's hilarious to me that cool.

0:42:18.440 --> 0:42:20.719
<v Speaker 5>So whenever I saw you on Dance Academy and things,

0:42:20.760 --> 0:42:22.759
<v Speaker 5>I was like, he's so cool.

0:42:22.880 --> 0:42:25.080
<v Speaker 1>Were you one of those people that would tell others

0:42:25.080 --> 0:42:27.080
<v Speaker 1>that your friends even though there's no connection, and just

0:42:27.080 --> 0:42:28.840
<v Speaker 1>like not because oh I'm friends with him, and they go,

0:42:28.920 --> 0:42:29.480
<v Speaker 1>oh tell me.

0:42:31.400 --> 0:42:34.640
<v Speaker 5>Yeah, definitely. I mean even seeing love Simon. I saw

0:42:34.640 --> 0:42:36.600
<v Speaker 5>it with my mum and I said, I went to

0:42:36.640 --> 0:42:37.239
<v Speaker 5>school with him.

0:42:37.320 --> 0:42:38.560
<v Speaker 1>Yeah, right, milk it.

0:42:40.440 --> 0:42:41.880
<v Speaker 11>We went through some life tests.

0:42:42.200 --> 0:42:44.279
<v Speaker 4>Well, clearly you're not milking it that much. You didn't

0:42:44.280 --> 0:42:45.960
<v Speaker 4>even tell us. You kept that quiet.

0:42:46.080 --> 0:42:49.879
<v Speaker 1>You didn't know that. Oh that's funny, all right. Well, hey,

0:42:49.880 --> 0:42:51.920
<v Speaker 1>look we love you. We're such big fans. Thank you

0:42:51.960 --> 0:42:53.400
<v Speaker 1>for staying. What time is it in la, I know

0:42:53.480 --> 0:42:54.080
<v Speaker 1>it's late.

0:42:54.320 --> 0:42:57.120
<v Speaker 11>It's just past midday, mid before.

0:42:56.840 --> 0:42:59.320
<v Speaker 4>You go to bed. I've got one very important question

0:42:59.440 --> 0:43:01.600
<v Speaker 4>to end on, Jenna. You know exactly what this is.

0:43:02.600 --> 0:43:05.560
<v Speaker 4>I ask the same question whenever we've got guests on.

0:43:05.920 --> 0:43:09.200
<v Speaker 4>It's to contribute to our list of things better than

0:43:09.239 --> 0:43:12.120
<v Speaker 4>drugs and Dick. The list of Things better than drugs

0:43:12.160 --> 0:43:14.480
<v Speaker 4>and Dick is designed to remind our young listeners that

0:43:14.520 --> 0:43:17.160
<v Speaker 4>there's more to life to partying and boys. So it's

0:43:17.160 --> 0:43:18.880
<v Speaker 4>like a little thing in life that you appreciate. What

0:43:19.160 --> 0:43:21.280
<v Speaker 4>are some examples that people have submitted? Guys?

0:43:21.520 --> 0:43:23.120
<v Speaker 1>What do we have? We had a good a good

0:43:24.239 --> 0:43:26.279
<v Speaker 1>a good ear cleaning with like a queue tip. I

0:43:26.320 --> 0:43:28.680
<v Speaker 1>think that was me. Like that gets me going, A

0:43:28.760 --> 0:43:32.759
<v Speaker 1>nice cool breeze, nicely ye fresh linen getting into bed

0:43:32.880 --> 0:43:35.440
<v Speaker 1>with like fresh linen after you've showered like butt naked.

0:43:35.960 --> 0:43:37.839
<v Speaker 4>I'm sure you've done much better than drugs and dick

0:43:38.440 --> 0:43:39.399
<v Speaker 4>sliding in.

0:43:39.480 --> 0:43:42.320
<v Speaker 1>It's those things in life that, in that one moment,

0:43:42.400 --> 0:43:44.120
<v Speaker 1>are better than drugs.

0:43:44.200 --> 0:43:48.200
<v Speaker 11>And yes, yes, looking outside, having the sunshine to hit

0:43:48.239 --> 0:43:50.680
<v Speaker 11>your face and then seeing a little chipmunk go by

0:43:51.440 --> 0:43:53.120
<v Speaker 11>so much better than dick.

0:43:54.480 --> 0:43:58.560
<v Speaker 1>Not but not interesting. You're like, oh, I can't, I

0:43:58.600 --> 0:43:59.920
<v Speaker 1>can't forego the drugs.

0:44:00.120 --> 0:44:04.200
<v Speaker 11>Well, that's the drug. Seeing the chipmunk and the sunshine

0:44:04.200 --> 0:44:04.680
<v Speaker 11>in your face.

0:44:04.880 --> 0:44:06.920
<v Speaker 4>Yeah, I reckon. I killed like half an hour the

0:44:07.000 --> 0:44:09.360
<v Speaker 4>other day staring outside my window. There's a bunch of

0:44:09.400 --> 0:44:11.600
<v Speaker 4>trees and I could just see this fat fucking possum

0:44:12.000 --> 0:44:14.680
<v Speaker 4>climbing up and like breaking branches and stuff. The sun

0:44:14.760 --> 0:44:16.759
<v Speaker 4>was shining. So I'm with you better than drugs and dick.

0:44:16.800 --> 0:44:18.239
<v Speaker 1>That was me. Actually, I was trying to get you.

0:44:18.760 --> 0:44:23.239
<v Speaker 1>I was jumping from I'll take Possum. Guys, you need

0:44:23.280 --> 0:44:25.520
<v Speaker 1>to listen to Kennon's new song, Rhythm and Music. It's amazing.

0:44:25.520 --> 0:44:28.000
<v Speaker 1>The music video is great. He rekindles his friendship with

0:44:28.000 --> 0:44:30.439
<v Speaker 1>an old power from Dance Academy. It's hot, it's very

0:44:30.560 --> 0:44:33.160
<v Speaker 1>MJ and we won't keep you up much longer. Thank

0:44:33.200 --> 0:44:33.719
<v Speaker 1>you for being here.

0:44:33.760 --> 0:44:35.000
<v Speaker 5>We appreciate that you.

0:44:35.120 --> 0:44:36.480
<v Speaker 11>Thanks so much for having me.

0:44:36.760 --> 0:44:37.600
<v Speaker 4>This was cute.

0:44:37.760 --> 0:44:39.520
<v Speaker 1>Oh you just dropped the camera. He's butt naked.

0:44:39.560 --> 0:44:39.960
<v Speaker 4>I saw it.

0:44:40.000 --> 0:44:43.080
<v Speaker 1>I saw it. Speaking of chip.

0:44:44.080 --> 0:44:48.200
<v Speaker 3>Oh my god, my goodness.

0:44:49.200 --> 0:44:50.919
<v Speaker 11>Not yet, you'd have to wait for fans.

0:44:51.280 --> 0:44:54.000
<v Speaker 1>It's after midnight, after midnight. Was that a Joshua tree?

0:44:54.080 --> 0:45:01.239
<v Speaker 1>Or are you just happy to see me? All right, Kennon,

0:45:01.320 --> 0:45:02.080
<v Speaker 1>we'll talk to you soon.

0:45:02.120 --> 0:45:06.279
<v Speaker 4>Okay, thanks, Keenan you're listening to is it just me?

0:45:06.600 --> 0:45:08.920
<v Speaker 3>The rude Shocks of Young adult School?

0:45:09.640 --> 0:45:10.640
<v Speaker 1>Isn't a nice guy?

0:45:11.000 --> 0:45:13.480
<v Speaker 4>Love the drug chat? Okay? For that?

0:45:13.719 --> 0:45:16.600
<v Speaker 1>I love that he didn't clarify, We'll name something better

0:45:16.600 --> 0:45:18.879
<v Speaker 1>than drugs and dick and he said, yes, looking into

0:45:18.920 --> 0:45:20.080
<v Speaker 1>the sun is better than dick.

0:45:21.120 --> 0:45:21.359
<v Speaker 2>Yeah.

0:45:21.480 --> 0:45:24.400
<v Speaker 4>Also, I feel like we have a responsibility to say everyone,

0:45:24.440 --> 0:45:28.040
<v Speaker 4>don't rush out and try shrooming, because he really spoke

0:45:28.120 --> 0:45:30.440
<v Speaker 4>quite highly of the experience. But no, no, no, no,

0:45:31.000 --> 0:45:32.800
<v Speaker 4>don't be doing that. Jenna's made that mistake.

0:45:33.040 --> 0:45:36.080
<v Speaker 1>Yeah, haven't you every He's just done well. Jenna thought

0:45:36.080 --> 0:45:38.120
<v Speaker 1>she was eating a mushroom rosotto, but the poor bitch

0:45:38.120 --> 0:45:40.680
<v Speaker 1>was actually psychedelics she was chopping for days.

0:45:40.840 --> 0:45:43.000
<v Speaker 4>No, Mitch, you weren't on the Katiki trip. You don't

0:45:43.040 --> 0:45:43.960
<v Speaker 4>know what you're talking about.

0:45:44.160 --> 0:45:47.240
<v Speaker 1>Oh maybe that's why you went ruthless through the Thames.

0:45:47.719 --> 0:45:53.920
<v Speaker 1>Maybe Jenna's canals were right anyway, all.

0:45:53.920 --> 0:45:58.080
<v Speaker 4>Right, look before we go, Mitch, you mentioned on your

0:45:58.200 --> 0:46:02.799
<v Speaker 4>Basard Child podcast and you created with your unmarried lover,

0:46:03.200 --> 0:46:04.520
<v Speaker 4>your gay boyfriend Hayden.

0:46:04.640 --> 0:46:06.600
<v Speaker 1>Yeah, well I'll it that out. Can I get confirmation?

0:46:06.719 --> 0:46:06.959
<v Speaker 8>Yeah?

0:46:07.120 --> 0:46:07.400
<v Speaker 1>Nah.

0:46:07.960 --> 0:46:10.960
<v Speaker 4>You mentioned on your other podcast, the Top one hundred,

0:46:11.560 --> 0:46:15.680
<v Speaker 4>that you reckon if someone handed you with saxophone, that

0:46:15.800 --> 0:46:17.920
<v Speaker 4>you'd be able to play it. And you remember it

0:46:17.920 --> 0:46:19.920
<v Speaker 4>because you learned it in school. You played it as

0:46:19.960 --> 0:46:21.680
<v Speaker 4>a kid, and you're like, oh yeah, it's like getting

0:46:21.719 --> 0:46:23.600
<v Speaker 4>on a bike. I can remember how to play the saxophone.

0:46:23.600 --> 0:46:27.160
<v Speaker 4>And I was like, well, gonna hold you to that.

0:46:27.120 --> 0:46:29.319
<v Speaker 1>Dallan, I don't remember saying that word for it. We

0:46:29.400 --> 0:46:31.279
<v Speaker 1>have the grab. So this will be interesting because I

0:46:31.280 --> 0:46:33.600
<v Speaker 1>feel like this is all you think, comment Jenny, here

0:46:33.600 --> 0:46:36.120
<v Speaker 1>it is I played saxophone. I have we have discussed this.

0:46:36.719 --> 0:46:39.319
<v Speaker 1>You just play a saxophone outer alter. I tried to

0:46:39.320 --> 0:46:40.759
<v Speaker 1>move to tenor and they said no, you haven't even

0:46:40.760 --> 0:46:42.480
<v Speaker 1>paid off the outer. I just liked the glitz of

0:46:42.520 --> 0:46:44.640
<v Speaker 1>it all. Oh, it's very the saxophone as well. It's

0:46:44.719 --> 0:46:48.120
<v Speaker 1>very dim sexy. Yeah, and very culturally relevant around the

0:46:48.160 --> 0:46:51.239
<v Speaker 1>twenty fourteen era when thrift Shop was popping off. Oh yeah,

0:46:51.239 --> 0:46:53.640
<v Speaker 1>and then that Jason Derulo song Yeah and problem Brian,

0:46:53.920 --> 0:46:55.680
<v Speaker 1>it was a good year to be a saxophonist. I

0:46:55.719 --> 0:46:58.319
<v Speaker 1>think I guarantee you hand me a saxophone altar at

0:46:58.320 --> 0:47:00.640
<v Speaker 1>this point and a read a moistury and I can

0:47:00.640 --> 0:47:02.759
<v Speaker 1>perform I have the Tiger with mas closed. Okay, Well,

0:47:02.760 --> 0:47:06.600
<v Speaker 1>if you're sticking around, maybe will hear that? You definitely won't. Yeah, Well,

0:47:08.200 --> 0:47:10.719
<v Speaker 1>why do I go into such specific detail?

0:47:11.200 --> 0:47:14.040
<v Speaker 4>I am the Tiger? Did you ever learn that song?

0:47:14.480 --> 0:47:14.640
<v Speaker 8>Yes?

0:47:14.719 --> 0:47:18.240
<v Speaker 1>Because I had to pick this thing up and today

0:47:18.280 --> 0:47:20.120
<v Speaker 1>on the way here and I called my mum. She's

0:47:20.160 --> 0:47:21.640
<v Speaker 1>just as a daily update, and I went, oh, I

0:47:21.640 --> 0:47:23.520
<v Speaker 1>just picked up a saxophone. Remember I used to play

0:47:23.560 --> 0:47:25.600
<v Speaker 1>in primary school? She said, yeah, my only song you

0:47:25.680 --> 0:47:27.480
<v Speaker 1>knew how to play was either Tiger.

0:47:28.440 --> 0:47:31.200
<v Speaker 4>Wow, So you weren't just bullshitting You actually knew that song.

0:47:31.400 --> 0:47:35.480
<v Speaker 1>Yeah.

0:47:37.120 --> 0:47:39.120
<v Speaker 4>Well, anyway, you guys thought, oh, how are you going

0:47:39.200 --> 0:47:41.000
<v Speaker 4>to get a saxophone? Mitch, because I wanted you to

0:47:41.239 --> 0:47:43.239
<v Speaker 4>play it on our podcast prove that you still can.

0:47:43.480 --> 0:47:45.160
<v Speaker 4>You were like, how are you going to get a saxophone?

0:47:45.360 --> 0:47:48.239
<v Speaker 4>Piece of piss? I just emailed Sydney Band Instruments there

0:47:48.239 --> 0:47:50.719
<v Speaker 4>in Gladesvelt. Mike was lovely, very helpful. He's like, yep,

0:47:50.719 --> 0:47:53.160
<v Speaker 4>I'll provide a sax to make this happen. So you've

0:47:53.200 --> 0:47:54.120
<v Speaker 4>picked it up, where is it?

0:47:54.280 --> 0:47:55.759
<v Speaker 1>I've got it here with me. I'm going to play it,

0:47:55.800 --> 0:47:56.680
<v Speaker 1>hond on. Why I open it?

0:47:56.760 --> 0:47:57.040
<v Speaker 9>This is?

0:47:57.560 --> 0:48:05.759
<v Speaker 1>This is the song I wanted either Tiger that part

0:48:05.840 --> 0:48:08.520
<v Speaker 1>see very easy couple notes?

0:48:11.400 --> 0:48:16.040
<v Speaker 4>Okay, yeah, that's so. They're quite tricky to put together.

0:48:16.200 --> 0:48:17.919
<v Speaker 4>Is it just in the box or if you put

0:48:17.920 --> 0:48:19.520
<v Speaker 4>it all together with the red and everything?

0:48:19.840 --> 0:48:22.080
<v Speaker 1>Can you hear me I'm moving microphones, Jenner, you can

0:48:22.120 --> 0:48:24.680
<v Speaker 1>hear me nice and clear. It's still in the case.

0:48:24.719 --> 0:48:26.719
<v Speaker 4>Hold on, I'll see I haven't set it up all right?

0:48:26.760 --> 0:48:29.000
<v Speaker 1>We can be here. Why this is the first open? Ready?

0:48:32.600 --> 0:48:33.120
<v Speaker 1>Look at that?

0:48:33.320 --> 0:48:36.799
<v Speaker 4>Oh it's lovely. Sydney Band Instruments. Look at your.

0:48:36.719 --> 0:48:39.200
<v Speaker 1>Gates are like Sydney Band Instruments dot com dot au.

0:48:39.200 --> 0:48:41.040
<v Speaker 1>If you want to look at the range. I'm gonna

0:48:41.080 --> 0:48:43.040
<v Speaker 1>have to work out how to how to put this together.

0:48:43.160 --> 0:48:46.640
<v Speaker 1>To be honest, I got the saxophone.

0:48:45.960 --> 0:48:48.080
<v Speaker 4>All the read Jenner the wet read.

0:48:48.800 --> 0:48:50.880
<v Speaker 1>Now, the reader is a little wooden duc tongue like.

0:48:50.920 --> 0:48:53.600
<v Speaker 1>It's a really thin piece of wood that goes on

0:48:53.640 --> 0:48:55.920
<v Speaker 1>the mouthpiece and it's what helps the vibrato. But it

0:48:55.960 --> 0:48:58.680
<v Speaker 1>has to be wet before you before you play it.

0:48:58.719 --> 0:49:00.680
<v Speaker 1>And I remember, you have to leave them out to

0:49:00.719 --> 0:49:03.080
<v Speaker 1>dry in the sun, otherwise they get moldy. And before

0:49:03.120 --> 0:49:04.640
<v Speaker 1>my big recital, I forgot to leave it out in

0:49:04.640 --> 0:49:06.560
<v Speaker 1>the sun. It was moldy, but I played through the mold.

0:49:07.040 --> 0:49:09.960
<v Speaker 4>Oh yuck. I remember my sister would walk around the

0:49:10.000 --> 0:49:12.400
<v Speaker 4>house with the reed on her tongue, kind of like

0:49:12.440 --> 0:49:14.640
<v Speaker 4>she was sucking on a paddle pop without an ice play.

0:49:15.239 --> 0:49:17.160
<v Speaker 4>And because you have to get it moist, yeah, and

0:49:17.200 --> 0:49:18.680
<v Speaker 4>she always used to get so shitty at me. I

0:49:18.719 --> 0:49:20.960
<v Speaker 4>would accidentally bump the saxophone and chip the reed.

0:49:21.160 --> 0:49:23.600
<v Speaker 1>Okay, I'm gonna have to remember how.

0:49:23.560 --> 0:49:26.640
<v Speaker 4>To do this, whichhuld have done this, but.

0:49:28.560 --> 0:49:29.200
<v Speaker 1>We recorded.

0:49:29.640 --> 0:49:33.320
<v Speaker 4>I thought that it was set up already.

0:49:33.840 --> 0:49:35.759
<v Speaker 1>Okay, the readers on, the readers on, that's all right,

0:49:35.800 --> 0:49:39.320
<v Speaker 1>We're making it okay, cool and then this. See this piece, Mitchell,

0:49:39.360 --> 0:49:41.520
<v Speaker 1>It kind of looks like an elbow of sorts. Yep,

0:49:42.120 --> 0:49:43.080
<v Speaker 1>assuming all that.

0:49:43.120 --> 0:49:45.000
<v Speaker 4>God, I just remember every time I looked at Nicole

0:49:45.000 --> 0:49:48.040
<v Speaker 4>playing the saxophone. I just think, there's so many fucking buttons.

0:49:48.040 --> 0:49:49.680
<v Speaker 4>How do you remember where to put them? And it's

0:49:49.680 --> 0:49:51.399
<v Speaker 4>not like a piano where the buttons are in order.

0:49:51.520 --> 0:49:53.520
<v Speaker 4>I'm like low to high. They're all over the shop.

0:49:54.160 --> 0:49:55.640
<v Speaker 1>Wow, this thing is stunning.

0:49:56.160 --> 0:49:57.600
<v Speaker 4>Is it better than the one you had in school?

0:49:57.719 --> 0:49:57.919
<v Speaker 7>Oh?

0:49:57.960 --> 0:49:59.799
<v Speaker 1>God, yare the one I had in school? Every kid

0:49:59.880 --> 0:50:03.799
<v Speaker 1>had been through. I think I've set it up. I'm

0:50:03.840 --> 0:50:06.160
<v Speaker 1>gonna put the next strap on because they supplied one.

0:50:06.200 --> 0:50:08.399
<v Speaker 1>And look at that.

0:50:08.800 --> 0:50:09.720
<v Speaker 4>Oh you're a natural.

0:50:09.719 --> 0:50:12.279
<v Speaker 1>I don't remember. Jeez, it looked a lot bigger back

0:50:12.320 --> 0:50:14.520
<v Speaker 1>when I was a kid. This looks like a rop

0:50:14.640 --> 0:50:16.439
<v Speaker 1>When I'm holding it, it's tiny.

0:50:16.160 --> 0:50:18.200
<v Speaker 4>But it really does. Actually, as soon as.

0:50:18.120 --> 0:50:20.080
<v Speaker 1>I hold it, it all comes back to me. It's

0:50:20.080 --> 0:50:21.200
<v Speaker 1>actually quite magical.

0:50:23.520 --> 0:50:31.120
<v Speaker 4>I wonder if i'd be the same with my violin. First,

0:50:31.200 --> 0:50:34.160
<v Speaker 4>I don't celebrate too early. It with one hoot?

0:50:34.520 --> 0:50:36.359
<v Speaker 1>Oh God, sorry, sorry, I've got to learn.

0:50:48.400 --> 0:50:50.080
<v Speaker 4>It might have something to do with your breath. You

0:50:50.120 --> 0:50:52.080
<v Speaker 4>look like you're pushing really hard. I can see that.

0:50:52.160 --> 0:50:54.120
<v Speaker 4>Did you hear it of that though? No, of course

0:50:54.120 --> 0:50:55.319
<v Speaker 4>I did. But it was a bit all over the

0:50:55.320 --> 0:50:57.719
<v Speaker 4>shop because your breath. I think I had something with

0:50:57.760 --> 0:50:59.520
<v Speaker 4>your breath. Your cheeks are really puffed out, so it's

0:50:59.560 --> 0:51:01.480
<v Speaker 4>being more controlled with your diaphragms.

0:51:01.640 --> 0:51:04.040
<v Speaker 5>So are you playing of the Tiger quick Brown Fox?

0:51:04.160 --> 0:51:05.760
<v Speaker 1>Yes, I can start from the beginning.

0:51:11.239 --> 0:51:17.600
<v Speaker 4>Bravo.

0:51:19.239 --> 0:51:20.840
<v Speaker 1>Sorry, I'm laughing and blowing.

0:51:21.640 --> 0:51:22.640
<v Speaker 4>Oh it's beautiful.

0:51:30.880 --> 0:51:36.000
<v Speaker 1>Okay, that's it.

0:51:36.360 --> 0:51:39.800
<v Speaker 5>That's the bit, well done, nailed.

0:51:42.560 --> 0:51:44.560
<v Speaker 1>Don't vatronize me. It's good.

0:51:45.120 --> 0:51:46.920
<v Speaker 4>I've got a couple of songs that I wanted to

0:51:46.960 --> 0:51:49.280
<v Speaker 4>see if you could play, like some of my favorite

0:51:49.520 --> 0:51:52.520
<v Speaker 4>iconic saxophone songs, you know, like pop songs, remember this

0:51:52.600 --> 0:51:55.759
<v Speaker 4>one twenty fourteen. See if you can give this a ready?

0:51:56.760 --> 0:52:16.439
<v Speaker 12>Okay, yeah, okay, that's enough.

0:52:18.800 --> 0:52:22.760
<v Speaker 1>Do I play something else? I'm getting The more I play,

0:52:22.960 --> 0:52:24.120
<v Speaker 1>the more it comes back to me.

0:52:24.960 --> 0:52:27.200
<v Speaker 4>What about this one? Reckon? You could do this. It's

0:52:27.200 --> 0:52:54.319
<v Speaker 4>one from Abba Jenna. Stop encouraging it. He couldn't be

0:52:54.440 --> 0:52:56.880
<v Speaker 4>further from nailing it. He's just blowing.

0:53:00.120 --> 0:53:04.279
<v Speaker 1>Back tire the tiger shit. I thought I would have

0:53:04.320 --> 0:53:12.839
<v Speaker 1>had it. Let me get the notes on them. That's

0:53:12.920 --> 0:53:13.600
<v Speaker 1>kind of beautiful.

0:53:13.760 --> 0:53:15.799
<v Speaker 4>A little trill on the end of your scale. Oh,

0:53:15.840 --> 0:53:16.399
<v Speaker 4>what a pro.

0:53:21.120 --> 0:53:24.560
<v Speaker 1>In any Arabian film when there's a pot twist when

0:53:24.560 --> 0:53:37.320
<v Speaker 1>they're running through spice markets. I'll do a Harry Potter

0:53:37.440 --> 0:53:49.200
<v Speaker 1>Welcome to Hogwarts. Okay, okay, that's not not Harry Potter.

0:53:50.320 --> 0:53:52.400
<v Speaker 4>I think you'll find it is not Harry Potter.

0:53:53.200 --> 0:53:54.920
<v Speaker 1>All right, anything else before I go.

0:53:55.920 --> 0:53:57.239
<v Speaker 4>No, that's quite enough.

0:54:00.719 --> 0:54:04.239
<v Speaker 1>I think I want to buy one guy one last

0:54:04.280 --> 0:54:07.719
<v Speaker 1>time for the fans. I have the Tiger and I'll

0:54:07.760 --> 0:54:13.360
<v Speaker 1>play it over the song Here we Go by the Tiger.

0:54:27.480 --> 0:54:28.080
<v Speaker 1>Mm hmmmm.

0:54:32.920 --> 0:54:52.440
<v Speaker 4>Oh it's shocking. Okay, you're not even clothes, You're not

0:54:52.560 --> 0:54:53.280
<v Speaker 4>even close.

0:54:54.360 --> 0:54:55.680
<v Speaker 1>I think I'm doing something wrong.

0:54:56.960 --> 0:55:02.960
<v Speaker 4>Yeah, maybe, Okay, we're still going.

0:55:03.160 --> 0:55:07.960
<v Speaker 1>Okay, we're down everyone. Thank you so much to Sydney

0:55:08.280 --> 0:55:09.239
<v Speaker 1>band instruments.

0:55:10.200 --> 0:55:13.560
<v Speaker 4>Oh yeah, I don't think we're the best endorsement of

0:55:13.560 --> 0:55:17.480
<v Speaker 4>what their instruments are capable of. But no less but also.

0:55:17.280 --> 0:55:23.520
<v Speaker 1>Mitchell, yeah, Mitchell, weren't you Aren't you also play an instrument?

0:55:23.880 --> 0:55:26.839
<v Speaker 4>No, not anymore. I used to play violin when I

0:55:26.880 --> 0:55:27.880
<v Speaker 4>was in high school.

0:55:28.160 --> 0:55:31.000
<v Speaker 1>Violin. That's it. Well, why don't we get you a violin,

0:55:31.040 --> 0:55:32.160
<v Speaker 1>and you can do it next week and see if

0:55:32.160 --> 0:55:33.040
<v Speaker 1>you're any bloody better.

0:55:34.600 --> 0:55:36.840
<v Speaker 4>I mean, I'm not making any claims like you did that.

0:55:36.920 --> 0:55:39.279
<v Speaker 4>I'll hand me a saxophone and I'll be able to

0:55:39.280 --> 0:55:42.560
<v Speaker 4>play the Tiger, which we've clearly proven is incorrect. You

0:55:42.640 --> 0:55:46.479
<v Speaker 4>absolutely murdered it. I don't think that if you haited

0:55:46.480 --> 0:55:48.800
<v Speaker 4>me violin i'd be any good. But I'm open to it.

0:55:48.840 --> 0:55:50.560
<v Speaker 4>I can give it a crack. Maybe I'll surprise myself.

0:55:50.640 --> 0:55:52.520
<v Speaker 1>I think you would. General. Can we organize a violin

0:55:52.560 --> 0:55:57.000
<v Speaker 1>for next week? I'll do it. Okay, let's get Mitchell violin?

0:55:57.560 --> 0:56:01.839
<v Speaker 4>Way, Jenna? Why is so unhelpful? I don't know where

0:56:01.880 --> 0:56:02.040
<v Speaker 4>to go.

0:56:02.160 --> 0:56:03.759
<v Speaker 1>You wouldn't have had to have done anything. You just

0:56:03.840 --> 0:56:05.400
<v Speaker 1>all you had to say was yes, enable me and

0:56:05.400 --> 0:56:06.400
<v Speaker 1>I would have organized it.

0:56:06.800 --> 0:56:09.440
<v Speaker 4>Yeah. You just google look do what I did? Google

0:56:09.440 --> 0:56:10.560
<v Speaker 4>instrument high in Sydney.

0:56:10.719 --> 0:56:10.959
<v Speaker 1>Fuck.

0:56:11.160 --> 0:56:14.959
<v Speaker 4>But I can't get there if she can't, Mitch, Mitch

0:56:15.000 --> 0:56:15.480
<v Speaker 4>went for me.

0:56:16.640 --> 0:56:20.000
<v Speaker 1>Guys, my lip is quivering from the viberrado of that read.

0:56:20.640 --> 0:56:20.879
<v Speaker 5>Yeah.

0:56:21.160 --> 0:56:23.480
<v Speaker 4>My sister used to say that every time she finished

0:56:23.480 --> 0:56:26.080
<v Speaker 4>playing sax it would be like this weird tingly feeling

0:56:26.080 --> 0:56:27.480
<v Speaker 4>she needed chapstick and stuff.

0:56:27.560 --> 0:56:30.600
<v Speaker 1>Yeah, my lip feels like I've just been hooked up.

0:56:30.520 --> 0:56:34.440
<v Speaker 4>With, like I've just given a gobby to a lawn mower.

0:56:34.600 --> 0:56:37.720
<v Speaker 1>Yes, yes, and I saw I'd never do it again.

0:56:38.040 --> 0:56:41.640
<v Speaker 1>All right, let's go that Gloria's gone saxophone staring at

0:56:41.680 --> 0:56:43.280
<v Speaker 1>me from the other end of the room. What a charm.

0:56:43.320 --> 0:56:45.439
<v Speaker 1>I will we have it for a couple more days, Mitch.

0:56:45.520 --> 0:56:47.879
<v Speaker 1>Mike was like, oh, there's no time, there's no rush

0:56:47.920 --> 0:56:49.080
<v Speaker 1>to get it back to me. Get it back to

0:56:49.120 --> 0:56:51.520
<v Speaker 1>me once you're done with it. And I'm not diddy.

0:56:52.160 --> 0:56:55.560
<v Speaker 4>Yeah, I told him we'd just you know, borrow it

0:56:55.600 --> 0:56:57.440
<v Speaker 4>for the afternoon. But okay, what are you gonna do?

0:56:58.080 --> 0:57:01.840
<v Speaker 1>Oh, I'll be reciting him poor Haye and he'll be fine.

0:57:02.120 --> 0:57:04.440
<v Speaker 1>Put his AirPods in and shut up. Stop complaining.

0:57:04.440 --> 0:57:06.240
<v Speaker 4>I'm so sorry, Hayden. This is my fault.

0:57:06.880 --> 0:57:09.320
<v Speaker 1>Oh well, you know, your poor house mate, your poor cat.

0:57:09.360 --> 0:57:11.640
<v Speaker 1>How will they bear with your violin next week? Is

0:57:11.680 --> 0:57:13.480
<v Speaker 1>there any specific type of violin that I need to

0:57:13.480 --> 0:57:15.080
<v Speaker 1>look for or is a violin a violin?

0:57:15.520 --> 0:57:19.120
<v Speaker 4>Yeah, just a full size one. They're pretty much standard violin.

0:57:19.400 --> 0:57:21.320
<v Speaker 1>Oh, I'm just search Facebook marketplace. Do you want to

0:57:21.400 --> 0:57:21.760
<v Speaker 1>keep it.

0:57:22.280 --> 0:57:24.720
<v Speaker 4>No, I've got one. I've still got my one from

0:57:24.800 --> 0:57:26.760
<v Speaker 4>high school, but it's at my sister's place. She's got

0:57:26.840 --> 0:57:27.439
<v Speaker 4>a music agree.

0:57:27.600 --> 0:57:29.440
<v Speaker 1>Okay, all right, all right, leave it with me violin

0:57:29.480 --> 0:57:31.320
<v Speaker 1>next week, guys. Thank you for listening to the episode.

0:57:31.360 --> 0:57:33.360
<v Speaker 1>Thank you to Keenan Gonstal for being here. What a

0:57:33.400 --> 0:57:36.720
<v Speaker 1>superstar where he was great? Adore him. And we will

0:57:36.760 --> 0:57:38.880
<v Speaker 1>be back next week guys. So I guess we'll see

0:57:38.880 --> 0:57:39.120
<v Speaker 1>you then.

0:57:39.480 --> 0:57:41.360
<v Speaker 4>Yeah, looking forward to it, see if you're ready. Four

0:57:42.840 --> 0:57:44.040
<v Speaker 4>Is it just me?

0:57:44.600 --> 0:57:46.720
<v Speaker 5>A podcast by a couple of miches.

0:57:47.040 --> 0:58:16.480
<v Speaker 3>Make sure you've hit follow on your podcast.

0:57:50.200 --> 0:58:15.040
<v Speaker 4>At Welcome to add brief this is our secret segment.

0:58:15.080 --> 0:58:17.760
<v Speaker 4>On the end, we pretend that we're done, trick people

0:58:17.760 --> 0:58:19.720
<v Speaker 4>out of listening, and then we keep hanging out just

0:58:19.760 --> 0:58:20.440
<v Speaker 4>for you, guys.

0:58:20.640 --> 0:58:22.880
<v Speaker 1>Yep, this is what this is what it is been

0:58:22.920 --> 0:58:26.240
<v Speaker 1>of fun between mates. Do you tell people we're friends

0:58:26.280 --> 0:58:29.160
<v Speaker 1>when you go I do a podcast with my friends?

0:58:29.360 --> 0:58:30.320
<v Speaker 1>How do you describe it?

0:58:30.960 --> 0:58:33.680
<v Speaker 4>Of course I don't know. I don't really describe it

0:58:33.680 --> 0:58:35.560
<v Speaker 4>that way. I just say, oh, I do a podcast.

0:58:36.320 --> 0:58:37.400
<v Speaker 4>I don't say with friends.

0:58:37.440 --> 0:58:39.000
<v Speaker 1>I don't talk about it. I'm ashamed by it.

0:58:40.160 --> 0:58:43.000
<v Speaker 4>No, it's not that I've never had to say my friends,

0:58:43.080 --> 0:58:46.280
<v Speaker 4>or if I'm doing an email, like, for example, Mike

0:58:46.360 --> 0:58:51.160
<v Speaker 4>at Sydney Band Instruments. I didn't say, oh, my friend,

0:58:51.160 --> 0:58:55.280
<v Speaker 4>I said my co host, also named Mitch, blah blah blah.

0:58:55.400 --> 0:58:58.320
<v Speaker 1>I can't believe that there was a music store next

0:58:58.320 --> 0:59:01.680
<v Speaker 1>to the saxophone store. It's ridiculous, like someone going, oh,

0:59:01.760 --> 0:59:04.280
<v Speaker 1>I've ordered Burger's full lunch. It's at that burger place

0:59:04.320 --> 0:59:06.960
<v Speaker 1>in South Sydney. And you go to South Sydney and

0:59:06.960 --> 0:59:09.560
<v Speaker 1>then you go to the restaurant that says Hamburgers. But

0:59:09.600 --> 0:59:12.240
<v Speaker 1>he goes, no, no, Nana, you want a cheeseburger next

0:59:12.280 --> 0:59:14.120
<v Speaker 1>door at Cheeseburgers two doors down.

0:59:14.520 --> 0:59:18.280
<v Speaker 4>What my brother once said to me because he's such

0:59:18.280 --> 0:59:22.360
<v Speaker 4>a shit surrh. He came down to Sydney for like

0:59:22.360 --> 0:59:24.600
<v Speaker 4>a weekend away with his mates and he goes, hey,

0:59:24.840 --> 0:59:26.840
<v Speaker 4>I just got to Sydney. I've broken down. Can you

0:59:26.840 --> 0:59:28.560
<v Speaker 4>meet me at the traffic lights? Haha?

0:59:29.080 --> 0:59:32.560
<v Speaker 1>Funny how many traffic lights are there in bergen Gate? Well?

0:59:32.600 --> 0:59:35.760
<v Speaker 4>None in bogen Gate. Forbes has one set of traffic lights,

0:59:35.800 --> 0:59:38.000
<v Speaker 4>so it makes sense to say at the traffic lights,

0:59:38.200 --> 0:59:41.800
<v Speaker 4>but Parks has none? Real no, but they didn't when

0:59:41.840 --> 0:59:42.280
<v Speaker 4>I was there.

0:59:42.480 --> 0:59:44.920
<v Speaker 1>You know what's funny, Mitchell. So after we did a

0:59:44.960 --> 0:59:47.120
<v Speaker 1>Sunday night Instagram live. Oh have I told you this

0:59:47.160 --> 0:59:48.000
<v Speaker 1>story about my dad?

0:59:48.320 --> 0:59:49.040
<v Speaker 4>I don't know, tell me.

0:59:50.080 --> 0:59:52.120
<v Speaker 1>So we did our Instagram live Sunday night Jenna with

0:59:52.160 --> 0:59:54.360
<v Speaker 1>both Mitch's daddy and my dad Mark, and they both

0:59:54.400 --> 0:59:55.560
<v Speaker 1>came in. It was very imprompto.

0:59:55.680 --> 0:59:57.800
<v Speaker 4>It was so cringe. It was for Father's Day and

0:59:57.840 --> 1:00:00.720
<v Speaker 4>the internet was so bad, it was very laggy and yeah,

1:00:00.800 --> 1:00:01.400
<v Speaker 4>and it was.

1:00:01.360 --> 1:00:03.479
<v Speaker 1>Just it was fine, like it was fine. It's actually

1:00:03.480 --> 1:00:05.320
<v Speaker 1>for people loved it, but our dads were so awkward

1:00:05.360 --> 1:00:07.000
<v Speaker 1>and it was great at one point Mitch and actually at

1:00:07.040 --> 1:00:10.000
<v Speaker 1>multiple points Mitch and I just left. I just decided

1:00:10.280 --> 1:00:13.880
<v Speaker 1>to leave and let them do it together. My dad

1:00:13.880 --> 1:00:17.960
<v Speaker 1>called me the next day image and said and said,

1:00:18.880 --> 1:00:21.160
<v Speaker 1>I want to apologize. I said, what for? He said,

1:00:21.160 --> 1:00:24.120
<v Speaker 1>for the live mate, I've really let you down, and

1:00:24.160 --> 1:00:28.960
<v Speaker 1>he tid what he tied up because he's so emotional

1:00:29.040 --> 1:00:31.439
<v Speaker 1>and such an empathy and I don't want your fan

1:00:31.520 --> 1:00:33.959
<v Speaker 1>base to think that I'm not prepared. And I don't

1:00:34.000 --> 1:00:36.080
<v Speaker 1>have any memories of my son, because I've got nothing

1:00:36.120 --> 1:00:39.760
<v Speaker 1>but beautiful memories. And I went no, because when you

1:00:39.840 --> 1:00:41.600
<v Speaker 1>asked him if he's got any memories of me, he

1:00:41.680 --> 1:00:45.560
<v Speaker 1>sort of flumbered and flustered and flabbergasted around, but he

1:00:45.640 --> 1:00:46.760
<v Speaker 1>just was We.

1:00:46.640 --> 1:00:48.360
<v Speaker 4>Were doing it was like a Q and A for

1:00:48.440 --> 1:00:50.560
<v Speaker 4>our dads. And one of the questions was what's which,

1:00:50.600 --> 1:00:52.520
<v Speaker 4>by the way, very loaded question. I wouldn't have think.

1:00:52.520 --> 1:00:54.080
<v Speaker 4>I wouldn't have thought of something on the spot either,

1:00:54.920 --> 1:00:57.240
<v Speaker 4>what's your favorite memory of your son? Like they fucking

1:00:57.360 --> 1:00:59.680
<v Speaker 4>raised this, There's a lot of things to choose from.

1:01:00.360 --> 1:01:02.680
<v Speaker 1>Poor dad. He was very upset. And then Mom went, Mark,

1:01:02.720 --> 1:01:04.960
<v Speaker 1>what are you talking about? Give me the phone? What

1:01:05.040 --> 1:01:07.480
<v Speaker 1>about my mom? Giving my dad question giving the answers

1:01:07.480 --> 1:01:10.440
<v Speaker 1>to every fucking question. Mum was standing there holding the phone,

1:01:10.680 --> 1:01:13.440
<v Speaker 1>and Mitchell go, Mark, what's your favorite memory of Mitchell?

1:01:13.680 --> 1:01:14.000
<v Speaker 1>And Dad?

1:01:14.240 --> 1:01:15.040
<v Speaker 4>Your impression of me?

1:01:16.960 --> 1:01:21.160
<v Speaker 1>It is most ours on it and Dad my favorite memory.

1:01:21.360 --> 1:01:25.440
<v Speaker 1>And then Mum would go doctor day, did we on

1:01:25.440 --> 1:01:29.280
<v Speaker 1>the beach? And and I was like, Mum, we can

1:01:29.320 --> 1:01:31.040
<v Speaker 1>hear you. You're holding the.

1:01:30.600 --> 1:01:33.560
<v Speaker 4>Though she wasn't even w Spring. It was like, oh,

1:01:33.600 --> 1:01:35.919
<v Speaker 4>what are you most proud of? Mitch the radio show

1:01:35.960 --> 1:01:38.800
<v Speaker 4>mar It wasn't with.

1:01:38.800 --> 1:01:43.120
<v Speaker 1>Spring your dad's proudest moment. Of your career was starting

1:01:43.160 --> 1:01:43.960
<v Speaker 1>at Kiss.

1:01:45.400 --> 1:01:45.600
<v Speaker 8>Yeah.

1:01:45.680 --> 1:01:47.840
<v Speaker 4>I was like, oh the job I just left. Sweet.

1:01:48.200 --> 1:01:49.680
<v Speaker 4>He's like, yeah, you peaked early son.

1:01:49.840 --> 1:01:51.360
<v Speaker 1>Was you telling me that your dad thought I was

1:01:51.400 --> 1:01:52.920
<v Speaker 1>on Survivor actually a contender?

1:01:53.680 --> 1:01:53.880
<v Speaker 7>Yeah?

1:01:53.920 --> 1:01:56.080
<v Speaker 4>I mean you didn't. You did post on your Instagram

1:01:56.080 --> 1:01:58.800
<v Speaker 4>a photo of you in the outback with a Channel

1:01:58.800 --> 1:02:00.880
<v Speaker 4>ten logo on it. I don't think you actually clarified

1:02:00.880 --> 1:02:03.360
<v Speaker 4>what was happening there. For your radio show, you were

1:02:03.400 --> 1:02:05.120
<v Speaker 4>they're interviewing the people that were on the show. But

1:02:05.160 --> 1:02:07.040
<v Speaker 4>when people at a glance that, my dad was like, oh,

1:02:07.120 --> 1:02:09.000
<v Speaker 4>mitche was on Survivor. That's impressive. I was like, he

1:02:09.040 --> 1:02:10.520
<v Speaker 4>would be dead if he was on that show.

1:02:11.240 --> 1:02:13.439
<v Speaker 1>I interviewed George, who is on Survivor, and he said,

1:02:13.440 --> 1:02:15.760
<v Speaker 1>I think you'd be great on the show. I wonder

1:02:15.760 --> 1:02:17.680
<v Speaker 1>what people's perception of me is. Maybe they just said

1:02:17.680 --> 1:02:19.800
<v Speaker 1>I think I'd be good at like the gameplay, but

1:02:19.840 --> 1:02:21.200
<v Speaker 1>nothing else. That's it.

1:02:21.600 --> 1:02:23.720
<v Speaker 4>No, you wouldn't be good at the gameplay because like

1:02:23.800 --> 1:02:26.920
<v Speaker 4>you're a people pleaser. You wouldn't want to backsab and

1:02:26.960 --> 1:02:29.160
<v Speaker 4>you know, plot against people all that shit.

1:02:29.360 --> 1:02:32.040
<v Speaker 1>No, I love that. If I don't, if there's no one,

1:02:32.480 --> 1:02:34.440
<v Speaker 1>it's not my career at stake or people that I know.

1:02:34.520 --> 1:02:36.240
<v Speaker 1>I get all good with people that I know, but

1:02:36.280 --> 1:02:38.720
<v Speaker 1>if they're fucking randoms and we're playing a game, I'm

1:02:38.720 --> 1:02:41.280
<v Speaker 1>the most competitive person ever. I'm ruthless.

1:02:41.360 --> 1:02:42.480
<v Speaker 5>I think you could do bullshit.

1:02:42.560 --> 1:02:45.560
<v Speaker 4>Did you or did you not send an apology message

1:02:45.600 --> 1:02:47.720
<v Speaker 4>to Talia after you smashed her mug last week.

1:02:47.800 --> 1:02:51.440
<v Speaker 1>I didn't apologize for anything. I just said, all in good,

1:02:51.840 --> 1:02:56.000
<v Speaker 1>all in good, whatever that expression is. Haha, We'll still

1:02:56.000 --> 1:02:58.520
<v Speaker 1>send you a mug. Thanks for the review. X didn't

1:02:58.560 --> 1:03:04.360
<v Speaker 1>apologize because that was a motion. She didn't copy it.

1:03:04.360 --> 1:03:06.640
<v Speaker 1>Though so many messages saying they love that anger out

1:03:06.640 --> 1:03:08.880
<v Speaker 1>burst Jenna, maybe you should be angry one podcast. It's

1:03:08.880 --> 1:03:10.160
<v Speaker 1>clear that people love it. Yeah.

1:03:10.280 --> 1:03:12.280
<v Speaker 4>I was thinking that we ever had a Jena tantrum.

1:03:12.320 --> 1:03:13.720
<v Speaker 4>God knows what she's bottling up.

1:03:14.600 --> 1:03:17.960
<v Speaker 5>I would love to I might do that, not on cue,

1:03:18.000 --> 1:03:20.160
<v Speaker 5>but like feel free when I wanted to bottle that

1:03:20.320 --> 1:03:20.720
<v Speaker 5>one day.

1:03:20.840 --> 1:03:24.480
<v Speaker 4>Yeah, you should have just seen the evil in her

1:03:24.520 --> 1:03:26.520
<v Speaker 4>eyes when she said that. I was like, don't do

1:03:26.560 --> 1:03:29.840
<v Speaker 4>it now, she goes no when I want to. Oh,

1:03:30.240 --> 1:03:32.720
<v Speaker 4>it was like a squint and a sideways glance.

1:03:32.960 --> 1:03:35.800
<v Speaker 1>I can see the flicker in her eye, its happen

1:03:36.520 --> 1:03:39.480
<v Speaker 1>about Kennon Lodgsdale. You don't say one word the whole interviewing.

1:03:39.480 --> 1:03:41.720
<v Speaker 1>At the end, I studied with it.

1:03:43.000 --> 1:03:44.120
<v Speaker 4>You don't even tell us that.

1:03:44.920 --> 1:03:46.640
<v Speaker 1>Mitch and I looked at each other like, where is

1:03:46.720 --> 1:03:49.600
<v Speaker 1>this coming from? And whenever you ask a question, it's

1:03:49.640 --> 1:03:53.000
<v Speaker 1>it's it's always that point one second after the goodbye

1:03:53.040 --> 1:03:54.240
<v Speaker 1>has been left for two.

1:03:54.080 --> 1:03:56.440
<v Speaker 5>Years because I thought, I thought, oh, maybe this is

1:03:56.560 --> 1:03:59.080
<v Speaker 5>stupid to bring up, but I thought we can always

1:03:59.080 --> 1:03:59.480
<v Speaker 5>cut it.

1:03:59.800 --> 1:04:03.160
<v Speaker 4>No, you are, You are free to say whatever you

1:04:03.240 --> 1:04:04.880
<v Speaker 4>damn well please. I just thought it might have been

1:04:04.880 --> 1:04:06.600
<v Speaker 4>something you'd mentioned to us. We're like, oh, we've got

1:04:06.680 --> 1:04:10.800
<v Speaker 4>Keena Longsdaye on the show today. You're like, oh, yeah, nothing.

1:04:10.840 --> 1:04:13.320
<v Speaker 5>He's good on Dance Academy. That's what I told you, Pride.

1:04:13.440 --> 1:04:14.640
<v Speaker 1>What was Dance Academy?

1:04:15.040 --> 1:04:19.120
<v Speaker 5>Fantastic ABC show about a dance academy away.

1:04:19.720 --> 1:04:21.880
<v Speaker 1>I was hoping it was a fish and Chip reality show.

1:04:22.600 --> 1:04:24.880
<v Speaker 4>Yeah, you've really helped us crack that code.

1:04:24.960 --> 1:04:27.640
<v Speaker 1>Jenna. Thanks, I'm so glad I asked.

1:04:27.360 --> 1:04:34.080
<v Speaker 4>You genuine question. Yes, because Mitch and I obviously call

1:04:34.160 --> 1:04:35.280
<v Speaker 4>each other and say, what are we going to do

1:04:35.280 --> 1:04:36.919
<v Speaker 4>on the show? Apart from the ear gyms. That's always

1:04:36.920 --> 1:04:42.479
<v Speaker 4>a mystery. But do you often just show up here

1:04:42.920 --> 1:04:44.680
<v Speaker 4>and the mics go on and you have no idea

1:04:44.680 --> 1:04:46.640
<v Speaker 4>what's about to happen. So when we're telling everyone and

1:04:46.720 --> 1:04:48.880
<v Speaker 4>listening here's what's coming up on the show, you're actually

1:04:48.920 --> 1:04:50.000
<v Speaker 4>finding out for the first time.

1:04:50.120 --> 1:04:51.600
<v Speaker 5>Absolutely, that's every week.

1:04:51.920 --> 1:04:54.760
<v Speaker 1>She write it down to remember that.

1:04:56.320 --> 1:04:58.120
<v Speaker 4>She never know what we're doing on the show, and

1:04:58.160 --> 1:04:58.800
<v Speaker 4>she's on it.

1:04:59.640 --> 1:05:01.720
<v Speaker 5>I see you with your run sheets and stuff that

1:05:01.760 --> 1:05:02.840
<v Speaker 5>I think it's just exciting.

1:05:02.880 --> 1:05:05.120
<v Speaker 4>We didn't get on the run sheets anymore. I didn't

1:05:05.160 --> 1:05:05.800
<v Speaker 4>even use them.

1:05:06.160 --> 1:05:08.800
<v Speaker 1>Guys. The receptionist that Keith said to me the other day, Mitch,

1:05:08.800 --> 1:05:11.240
<v Speaker 1>I'm starting a podcast and I'd really like if you

1:05:11.240 --> 1:05:13.040
<v Speaker 1>could share me a mock run sheet form? Is it

1:05:13.120 --> 1:05:15.400
<v Speaker 1>just me? And I went ah and pushed her down

1:05:15.400 --> 1:05:19.200
<v Speaker 1>a flight of stairs. I said, run sheet, fuck off.

1:05:19.200 --> 1:05:21.520
<v Speaker 4>He used to use run sheets when we were when

1:05:21.560 --> 1:05:23.800
<v Speaker 4>I was in my uptight era, but now I'm just like,

1:05:24.280 --> 1:05:26.200
<v Speaker 4>fuck it, No, they're too rigid.

1:05:26.240 --> 1:05:29.920
<v Speaker 1>I like going going with the flow and the podcast.

1:05:29.480 --> 1:05:32.360
<v Speaker 4>Going row going, going with the flow. And also, yeah,

1:05:32.400 --> 1:05:34.320
<v Speaker 4>the thing is that I would make the run sheets.

1:05:34.360 --> 1:05:36.320
<v Speaker 4>We'd agree upon it, but then we'd always not stick

1:05:36.320 --> 1:05:38.000
<v Speaker 4>to it anyway, So it's like, what's the point?

1:05:38.120 --> 1:05:41.880
<v Speaker 5>Yeah, very true, true, Like have.

1:05:41.880 --> 1:05:44.280
<v Speaker 4>You ever Mitch thought, oh, where are we up to?

1:05:44.520 --> 1:05:46.040
<v Speaker 4>I'm gonna have to look at my sheet. I've got

1:05:46.040 --> 1:05:48.440
<v Speaker 4>to read reviews now. No, we fucking know. We've done

1:05:48.480 --> 1:05:50.640
<v Speaker 4>eighty three of these things. Now we're fine.

1:05:51.040 --> 1:05:55.920
<v Speaker 1>In the middle of Keena Lonstow, Oh sheet, Kean? And

1:05:56.440 --> 1:05:59.840
<v Speaker 1>where can people get the mugs? Jenner? How on there?

1:06:00.080 --> 1:06:01.920
<v Speaker 1>How long until they can message you to get their

1:06:01.960 --> 1:06:05.000
<v Speaker 1>free mug? So I was in the desert it My

1:06:05.120 --> 1:06:05.840
<v Speaker 1>deck was horrid.

1:06:06.040 --> 1:06:10.000
<v Speaker 4>Jenna, who's this again? It's not on the run?

1:06:10.000 --> 1:06:11.920
<v Speaker 1>Sheheet? Who's this again?

1:06:13.720 --> 1:06:15.440
<v Speaker 4>Good? Get from you? Mitch, look at you go with

1:06:15.480 --> 1:06:19.120
<v Speaker 4>the guest booking, you know who is actually releasing new

1:06:19.200 --> 1:06:22.360
<v Speaker 4>music at the moment and maybe doing press rounds. Yeah,

1:06:22.400 --> 1:06:25.360
<v Speaker 4>and it's not as unattainable as I'm not going to

1:06:25.400 --> 1:06:28.240
<v Speaker 4>be ridiculous, but I'd love to get Abba on the show.

1:06:28.560 --> 1:06:29.400
<v Speaker 1>They've got music?

1:06:29.640 --> 1:06:30.680
<v Speaker 4>Can you get us Abba?

1:06:30.840 --> 1:06:32.920
<v Speaker 1>Okay, here we go. This will be my metric of

1:06:32.960 --> 1:06:35.360
<v Speaker 1>whether or not we can Jenna have Jonesy and Amanda

1:06:35.520 --> 1:06:41.960
<v Speaker 1>arguably keeping ABBA's discography alive. Are they speaking to them?

1:06:40.600 --> 1:06:44.320
<v Speaker 1>Um not at this point of right, then I doubt

1:06:44.360 --> 1:06:47.440
<v Speaker 1>the two gays on the iHeartRadio podcast will score an

1:06:47.440 --> 1:06:49.480
<v Speaker 1>exclusive interview. Or maybe they're not hustling.

1:06:49.520 --> 1:06:50.880
<v Speaker 5>We hustle exactly exactly.

1:06:51.120 --> 1:06:55.360
<v Speaker 4>That's where you're wrong, Mitchell. Jones and Amanda may not

1:06:55.520 --> 1:06:59.960
<v Speaker 4>have Abba, but that doesn't matter because we're better than

1:07:00.200 --> 1:07:01.520
<v Speaker 4>Jones in Amanda, are we not?

1:07:02.000 --> 1:07:05.560
<v Speaker 1>Yes? We are. They might not have Abba, but we

1:07:05.720 --> 1:07:07.840
<v Speaker 1>have Fibber. That's me.

1:07:08.520 --> 1:07:10.960
<v Speaker 4>Nah, I reckon, we could get Abba. What are their

1:07:11.000 --> 1:07:13.520
<v Speaker 4>names again, Benny, biorn Agneta fucking Freeda?

1:07:13.600 --> 1:07:14.840
<v Speaker 1>Don't do they have names?

1:07:15.000 --> 1:07:15.440
<v Speaker 4>Yes?

1:07:16.080 --> 1:07:17.080
<v Speaker 1>Are they all siblings?

1:07:17.120 --> 1:07:19.760
<v Speaker 4>Are they like Mitch? Do you not know this?

1:07:19.960 --> 1:07:20.120
<v Speaker 8>No?

1:07:20.840 --> 1:07:25.400
<v Speaker 4>So they they were on Eurovision and it was Waterloo

1:07:25.600 --> 1:07:27.520
<v Speaker 4>that was their winning song. Then they became a really

1:07:27.520 --> 1:07:30.280
<v Speaker 4>popular band. And then because there's two guys two girls,

1:07:30.320 --> 1:07:33.400
<v Speaker 4>they both paired up, started fucking got married, and then

1:07:33.880 --> 1:07:37.120
<v Speaker 4>both of them, both couples, got divorced, and that's when

1:07:37.120 --> 1:07:40.760
<v Speaker 4>they started releasing all those horrific breakup songs like Knowing Me,

1:07:40.880 --> 1:07:42.480
<v Speaker 4>Knowing You Win, It takes it All. It was all

1:07:42.520 --> 1:07:46.640
<v Speaker 4>based off their real life crippling marriages from within the band. Imagine,

1:07:46.640 --> 1:07:49.320
<v Speaker 4>if we like seriously had this huge fight and then

1:07:49.360 --> 1:07:51.360
<v Speaker 4>we came on and made art about it? Is it

1:07:51.440 --> 1:07:53.400
<v Speaker 4>just me? Or is your co host of kunt.

1:07:54.360 --> 1:07:57.760
<v Speaker 1>That is so Scandinavian as well? Isn't that like the

1:07:57.960 --> 1:08:00.560
<v Speaker 1>what are they Swedish? That's the most Swedish thing ever?

1:08:00.760 --> 1:08:03.240
<v Speaker 1>To divorce your partner? But then go, yeah, let's make

1:08:03.240 --> 1:08:04.000
<v Speaker 1>a music out of me.

1:08:06.640 --> 1:08:08.720
<v Speaker 4>But I'm winner takes it all. That's my favorite ABBA song.

1:08:08.680 --> 1:08:10.520
<v Speaker 4>I gotta say, Oh, I like Waterloo.

1:08:11.720 --> 1:08:14.000
<v Speaker 5>I like s o s oh.

1:08:14.080 --> 1:08:18.519
<v Speaker 4>That's another break up one, Jenny. Yes, good, here we go,

1:08:20.080 --> 1:08:20.680
<v Speaker 4>Here we go.

1:08:27.960 --> 1:08:28.400
<v Speaker 1>Beautiful.

1:08:35.360 --> 1:08:39.280
<v Speaker 4>Should we test the delay between my home studio and

1:08:39.320 --> 1:08:43.559
<v Speaker 4>your studio by me trying to sing along? We'll see

1:08:43.640 --> 1:08:47.040
<v Speaker 4>just how bad the delay is? Ready, how about the

1:08:47.160 --> 1:08:48.000
<v Speaker 4>things we've got?

1:08:53.920 --> 1:08:54.040
<v Speaker 5>Na?

1:08:54.400 --> 1:09:02.680
<v Speaker 4>Na just out? O? My god? How far behind him?

1:09:02.680 --> 1:09:04.240
<v Speaker 4>I I'm going to see if I can preempt it.

1:09:04.280 --> 1:09:05.920
<v Speaker 4>I'll sing early. See if you like.

1:09:06.200 --> 1:09:09.200
<v Speaker 1>You're your your one beat behind. If it's then okay,

1:09:09.400 --> 1:09:14.599
<v Speaker 1>ready go go go gong.

1:09:22.560 --> 1:09:23.720
<v Speaker 4>How playful that you.

1:09:26.680 --> 1:09:26.880
<v Speaker 1>Got it?

1:09:28.320 --> 1:09:33.880
<v Speaker 10>Thinking this, I figured it makes sense.

1:09:34.280 --> 1:09:36.760
<v Speaker 1>This is a good song. But no, I like with

1:09:36.880 --> 1:09:39.880
<v Speaker 1>my clothes. Yeah you got it, you got it. Towards

1:09:39.920 --> 1:09:41.200
<v Speaker 1>the end, I just.

1:09:41.360 --> 1:09:43.599
<v Speaker 4>I've been saying to myself, singing out of time on purpose.

1:09:45.120 --> 1:09:53.040
<v Speaker 1>This is is my favorite, my favorite Abba song. A

1:09:53.080 --> 1:09:59.840
<v Speaker 1>little bit of saxophone in that. So is this you

1:10:00.080 --> 1:10:02.439
<v Speaker 1>during the height of the marriage or was this after

1:10:02.479 --> 1:10:02.920
<v Speaker 1>the divorce?

1:10:03.040 --> 1:10:03.120
<v Speaker 8>No?

1:10:03.280 --> 1:10:05.360
<v Speaker 4>This was the wasn't I could be wrong? Jen, Are

1:10:05.400 --> 1:10:05.800
<v Speaker 4>you were there?

1:10:05.920 --> 1:10:06.120
<v Speaker 1>Yeah?

1:10:06.160 --> 1:10:08.120
<v Speaker 4>It was this the song that won the Neurovision.

1:10:08.400 --> 1:10:10.479
<v Speaker 5>I'm pretty sure it was. Let me just double check.

1:10:10.600 --> 1:10:11.599
<v Speaker 1>Really yep?

1:10:11.960 --> 1:10:15.240
<v Speaker 4>Yeah, this was like their their bursts onto the scene song.

1:10:15.280 --> 1:10:20.960
<v Speaker 4>You know, I have you heard the new songs? They're

1:10:21.000 --> 1:10:21.439
<v Speaker 4>not great?

1:10:22.200 --> 1:10:24.880
<v Speaker 1>Oh? I like you, I haven't heard it. No, What's

1:10:24.880 --> 1:10:25.160
<v Speaker 1>a Call?

1:10:25.280 --> 1:10:25.719
<v Speaker 4>There's two?

1:10:26.400 --> 1:10:27.000
<v Speaker 1>Oh, I didn't know.

1:10:27.120 --> 1:10:31.000
<v Speaker 4>They released two singles and I went the longest time

1:10:31.040 --> 1:10:32.759
<v Speaker 4>without listening to them because I was like, I don't

1:10:32.840 --> 1:10:35.080
<v Speaker 4>want Abba to be shit. It's been forty years since

1:10:35.160 --> 1:10:37.960
<v Speaker 4>new Abba music and I got there. In the end,

1:10:38.000 --> 1:10:40.120
<v Speaker 4>I listened and they're fucking terrible.

1:10:40.680 --> 1:10:43.880
<v Speaker 1>Really, I haven't heard Okay, take what's a Call?

1:10:44.040 --> 1:10:46.080
<v Speaker 5>I still have faith in you? Is one of them.

1:10:46.200 --> 1:10:47.880
<v Speaker 4>That's one of them. Yeah, And then there was two.

1:10:47.960 --> 1:10:48.519
<v Speaker 4>What was the other one?

1:10:48.560 --> 1:10:51.080
<v Speaker 5>The one is don't shut me down here this is Abba.

1:10:52.040 --> 1:10:54.120
<v Speaker 4>I still have So the first one is more a

1:10:54.160 --> 1:10:56.559
<v Speaker 4>slow song, and then the other one was upbeat, but

1:10:56.600 --> 1:10:58.640
<v Speaker 4>even outbeat point I was like, this is doing nothing to.

1:11:11.160 --> 1:11:13.720
<v Speaker 1>Oh do you know what?

1:11:13.760 --> 1:11:15.559
<v Speaker 4>It's grown on me a bit. I should never judge

1:11:15.560 --> 1:11:21.000
<v Speaker 4>the first list. How does it start? Yeah, this was

1:11:21.040 --> 1:11:22.320
<v Speaker 4>the underwhelming bit the start.

1:11:22.479 --> 1:11:24.240
<v Speaker 5>Yeah, it gets so much better.

1:11:24.280 --> 1:11:25.599
<v Speaker 1>It sounds like we'reing frozen.

1:11:26.240 --> 1:11:28.680
<v Speaker 4>I still have athing you.

1:11:30.479 --> 1:11:30.639
<v Speaker 8>Look.

1:11:31.680 --> 1:11:33.719
<v Speaker 4>I don't want to sound mean, but doesn't that sound

1:11:33.760 --> 1:11:35.679
<v Speaker 4>like Doc Wiggins singing like they're so old? Now?

1:11:39.720 --> 1:11:48.639
<v Speaker 1>I hear that? That was my next question, though, Mitch.

1:11:48.720 --> 1:11:51.200
<v Speaker 1>Are they are these old songs that they recorded at

1:11:51.200 --> 1:11:55.000
<v Speaker 1>the height of their fame or is this new recordings?

1:11:55.040 --> 1:11:57.120
<v Speaker 4>I don't know. Do I look like a fucking encyclopedia?

1:11:57.160 --> 1:11:58.760
<v Speaker 1>I don't know. You brought it up? What's the other

1:11:58.760 --> 1:11:59.120
<v Speaker 1>one called?

1:11:59.160 --> 1:12:01.519
<v Speaker 4>I mean, it's the first music they've released in forty years.

1:12:01.520 --> 1:12:03.519
<v Speaker 4>I would hope that they didn't just, you know, find

1:12:03.520 --> 1:12:06.799
<v Speaker 4>an old USB and I'm assuming it's.

1:12:06.960 --> 1:12:08.839
<v Speaker 1>The Spice Skills are doing their twenty fifth year anniversary

1:12:08.880 --> 1:12:11.639
<v Speaker 1>and they're releasing unreleased songs from their Haytay like they're

1:12:11.680 --> 1:12:12.520
<v Speaker 1>not re recording.

1:12:13.520 --> 1:12:14.400
<v Speaker 4>Yeah that's the ship.

1:12:14.800 --> 1:12:16.640
<v Speaker 1>What about this song? Really? On whiles?

1:12:17.640 --> 1:12:18.240
<v Speaker 5>Shut Me down.

1:12:18.479 --> 1:12:19.439
<v Speaker 1>Oh, don't shut me down.

1:12:23.040 --> 1:12:24.880
<v Speaker 4>See this one's grown on me now.

1:12:25.160 --> 1:12:26.400
<v Speaker 5>Yes, I like it.

1:12:26.960 --> 1:12:32.479
<v Speaker 4>And even though they sound like they're close to death.

1:12:33.320 --> 1:12:37.760
<v Speaker 1>This just don't shut me down. As soon as I

1:12:37.840 --> 1:12:38.599
<v Speaker 1>pressed by you.

1:12:39.200 --> 1:12:41.320
<v Speaker 5>And I thought that was it, I think I don't

1:12:41.439 --> 1:12:42.439
<v Speaker 5>remember this pie.

1:12:42.479 --> 1:12:42.960
<v Speaker 1>I loved it.

1:12:43.240 --> 1:12:47.360
<v Speaker 4>I was mocking the old song I have in you.

1:12:48.080 --> 1:12:54.479
<v Speaker 1>Stop my dents pick them up. Oh this is Banna.

1:13:02.960 --> 1:13:05.799
<v Speaker 1>Oh they've got that iconic vocal. I know that's great.

1:13:06.960 --> 1:13:10.760
<v Speaker 4>Yeah again, I shouldn't jump to conclusions and make such

1:13:11.280 --> 1:13:14.439
<v Speaker 4>wild and baseless claims the new songs are rubbish because

1:13:14.439 --> 1:13:17.360
<v Speaker 4>that's that's the second time I've heard it, and I'm like, oh,

1:13:17.479 --> 1:13:19.360
<v Speaker 4>it's all right, Yes, it's good.

1:13:19.479 --> 1:13:29.000
<v Speaker 1>It's not this, though, is it? This is brilliant. You

1:13:29.080 --> 1:13:33.120
<v Speaker 1>know that riff has been sampled the Madonna song, the

1:13:33.200 --> 1:13:33.920
<v Speaker 1>Madonna song.

1:13:34.080 --> 1:13:36.800
<v Speaker 4>Yes, Oh my god. I was so dumb as a child.

1:13:36.880 --> 1:13:39.880
<v Speaker 4>I didn't realize that that Madonna song was sampling an

1:13:39.880 --> 1:13:42.559
<v Speaker 4>Abba song. Find the Madonna song. And when my sister

1:13:42.640 --> 1:13:45.240
<v Speaker 4>was watching Mum and Mia the movie for the first time,

1:13:45.280 --> 1:13:47.640
<v Speaker 4>they played Gimmy, Gimmy, Gimmy, and I said to her,

1:13:47.680 --> 1:13:50.120
<v Speaker 4>why are they playing a Madonna song in an Abba movie,

1:13:50.640 --> 1:13:52.880
<v Speaker 4>like I seriously, and then I was like, oh my god,

1:13:52.920 --> 1:13:55.760
<v Speaker 4>they sole it from Madonna. I didn't realize Madonna sampled it.

1:13:56.040 --> 1:14:00.519
<v Speaker 1>So this is the original, Like we just played and

1:14:00.600 --> 1:14:03.840
<v Speaker 1>it's there. I don't know what instrument is. It's really good.

1:14:03.960 --> 1:14:04.480
<v Speaker 4>Keyboard.

1:14:05.360 --> 1:14:13.599
<v Speaker 1>Yes, Madonna's like, you know what, I'm gonna nick that

1:14:16.360 --> 1:14:17.720
<v Speaker 1>in the background.

1:14:23.840 --> 1:14:26.280
<v Speaker 4>She would know the old bitch Time going by Slade.

1:14:27.680 --> 1:14:31.559
<v Speaker 1>That's good. But you know Ava Max also sampled that

1:14:31.680 --> 1:14:34.840
<v Speaker 1>in her latest song what Yeah, but I can't think

1:14:34.880 --> 1:14:35.360
<v Speaker 1>of a name.

1:14:36.479 --> 1:14:39.439
<v Speaker 4>Is it even that good? Is that riff that good

1:14:39.520 --> 1:14:41.080
<v Speaker 4>that everyone needs to keep pinching?

1:14:41.120 --> 1:14:46.599
<v Speaker 1>It? A Max fucking he and you've.

1:14:46.479 --> 1:14:48.240
<v Speaker 4>Spoken to the cow. You should know you've.

1:14:48.080 --> 1:14:50.080
<v Speaker 1>Spoken to a fucking seven times?

1:14:50.880 --> 1:14:51.240
<v Speaker 4>Really?

1:14:51.800 --> 1:14:53.680
<v Speaker 1>Yeah? Six? So I was doing the count ahead of

1:14:53.720 --> 1:14:56.719
<v Speaker 1>the other day ship. Guys. I'm so sorry I didn't

1:14:56.760 --> 1:14:57.360
<v Speaker 1>come prepared.

1:14:58.880 --> 1:15:01.040
<v Speaker 4>That's all right. That's that's the beauty vaded brief with.

1:15:01.800 --> 1:15:06.519
<v Speaker 5>Okay, it is is it torn emotion?

1:15:07.000 --> 1:15:07.479
<v Speaker 4>It's torn?

1:15:07.560 --> 1:15:08.519
<v Speaker 1>It's torn, It's torn.

1:15:08.560 --> 1:15:14.000
<v Speaker 5>I believe yep, torn torn unintentionally has an Abba influence?

1:15:14.160 --> 1:15:14.760
<v Speaker 4>What no?

1:15:15.240 --> 1:15:15.519
<v Speaker 8>It is?

1:15:16.720 --> 1:15:20.639
<v Speaker 1>So it is such a because the I love Abba

1:15:20.720 --> 1:15:22.240
<v Speaker 1>and I also love Madonna, so as soon as I

1:15:22.240 --> 1:15:24.000
<v Speaker 1>heard this song, and I asked her in an interview

1:15:24.000 --> 1:15:25.559
<v Speaker 1>and she said, oh yeah, I take my and spoke

1:15:25.600 --> 1:15:28.519
<v Speaker 1>from so many powerful women, but she said she was

1:15:28.560 --> 1:15:31.920
<v Speaker 1>sampling Madonna. Dumb bitch doesn't even know she's abba.

1:15:32.520 --> 1:15:33.519
<v Speaker 4>She's done like me.

1:15:34.000 --> 1:15:36.040
<v Speaker 1>So I'll play you the Ava Max song and you

1:15:36.080 --> 1:15:38.240
<v Speaker 1>tell me when you hear it, because it's not as

1:15:38.560 --> 1:15:47.600
<v Speaker 1>obvious as Madonna. She sings for a bit. She's a

1:15:47.640 --> 1:15:48.320
<v Speaker 1>lovely lady.

1:15:49.320 --> 1:15:50.080
<v Speaker 4>Oh she's a thing.

1:15:50.160 --> 1:15:53.240
<v Speaker 1>I say, it's a singing. So it makes sense if

1:15:53.320 --> 1:15:55.240
<v Speaker 1>she just started doing slam poetry to a bit.

1:15:59.080 --> 1:16:05.439
<v Speaker 5>Looking background. Where you are, that's definitely.

1:16:06.680 --> 1:16:13.519
<v Speaker 12>Start, stop, start to save me.

1:16:18.560 --> 1:16:23.160
<v Speaker 1>It's there. It's there, Yeah, it's there. Isn't it weird

1:16:23.160 --> 1:16:25.800
<v Speaker 1>when you notice a song sample something else?

1:16:29.360 --> 1:16:31.559
<v Speaker 4>Do I smell a segment?

1:16:32.160 --> 1:16:35.639
<v Speaker 1>O God? Secret sample? Yes?

1:16:36.520 --> 1:16:39.040
<v Speaker 4>Top five? Oh my god?

1:16:39.160 --> 1:16:40.759
<v Speaker 1>Yes, samples. That's brilliant.

1:16:41.560 --> 1:16:42.439
<v Speaker 5>Yes, I love that.

1:16:42.680 --> 1:16:44.400
<v Speaker 4>So far, we've got one.

1:16:46.080 --> 1:16:48.519
<v Speaker 1>We've already done this. This was the Little the Little

1:16:48.520 --> 1:16:49.240
<v Speaker 1>Taste of God.

1:16:49.280 --> 1:16:52.160
<v Speaker 4>So it's a total clean slate. I need five yes, now.

1:16:52.160 --> 1:16:54.200
<v Speaker 1>Never mind, you need five, No, we can come up

1:16:54.200 --> 1:16:54.439
<v Speaker 1>with them.

1:16:54.479 --> 1:16:56.000
<v Speaker 4>We'll have to discuss this off the air because I

1:16:56.000 --> 1:16:57.800
<v Speaker 4>can't think of any others my head.

1:16:57.800 --> 1:17:01.240
<v Speaker 1>I can't think of loves it, loves to notice the sample.

1:17:02.080 --> 1:17:02.559
<v Speaker 5>I love it.

1:17:02.640 --> 1:17:04.599
<v Speaker 4>Oh, he's probably got a top one hundred prepared. I'll

1:17:04.640 --> 1:17:05.640
<v Speaker 4>just see if I can pinch of you.

1:17:06.160 --> 1:17:17.800
<v Speaker 1>What about this? Do we all know what this is? Samplings? Like?

1:17:19.600 --> 1:17:20.160
<v Speaker 4>Do you reckon that?

1:17:21.040 --> 1:17:21.240
<v Speaker 1>Yeah?

1:17:21.600 --> 1:17:25.280
<v Speaker 4>Do you reckon that? Rhianna regrets sampling Rolf Harris?

1:17:26.240 --> 1:17:29.160
<v Speaker 1>Does she Rolf Harris Harben?

1:17:29.280 --> 1:17:36.400
<v Speaker 4>Everywhere? Man is? Have you not heard the Rolf Harris one?

1:17:36.520 --> 1:17:38.840
<v Speaker 4>I'm banging on this show. I neverwhere man.

1:17:39.080 --> 1:17:42.479
<v Speaker 1>Yeah, but she's not sampling that. It's just a liter.

1:17:42.479 --> 1:17:43.200
<v Speaker 4>Her own admission.

1:17:43.280 --> 1:17:43.640
<v Speaker 7>She is.

1:17:44.880 --> 1:17:48.680
<v Speaker 4>What does she say? I've been everywhere? Man like? I

1:17:48.680 --> 1:17:50.559
<v Speaker 4>don't want to spell it out to you, but that

1:17:51.240 --> 1:17:52.920
<v Speaker 4>I know that I'm.

1:17:52.800 --> 1:17:55.960
<v Speaker 1>Looking for you one. I just think it's a coincidental lyric.

1:17:56.000 --> 1:17:59.479
<v Speaker 1>I do I doubt she's sampling Rolf Harris here.

1:17:59.560 --> 1:18:01.920
<v Speaker 4>I come with my breadth of musical knowledge, and you

1:18:01.960 --> 1:18:04.360
<v Speaker 4>shut me down like I'm making up lies. She said

1:18:04.360 --> 1:18:05.439
<v Speaker 4>it on an interview.

1:18:05.600 --> 1:18:08.120
<v Speaker 1>Oh, she said, I sampled Rolf Harris KNT.

1:18:08.760 --> 1:18:11.200
<v Speaker 4>Actually no, to be fair, I'm pretty sure that I've

1:18:11.280 --> 1:18:14.960
<v Speaker 4>been everywhere is also an American song and Rolf Harris

1:18:14.960 --> 1:18:19.800
<v Speaker 4>did in an Australian version with Australian town names Leaves Mala, Lava,

1:18:19.880 --> 1:18:21.800
<v Speaker 4>Na and Bom original. But I think there might be

1:18:21.800 --> 1:18:23.400
<v Speaker 4>an American version that she sampled.

1:18:23.600 --> 1:18:27.000
<v Speaker 1>You're right, yes, yes, okay, I take it all back. Yeah,

1:18:27.120 --> 1:18:30.320
<v Speaker 1>I sampled serial pedophile Wilf Harris.

1:18:32.600 --> 1:18:34.240
<v Speaker 4>It's amazing. I've looked up the end when I.

1:18:34.200 --> 1:18:34.640
<v Speaker 1>Hold Me To.

1:18:36.320 --> 1:18:37.800
<v Speaker 4>I was impressed with myself.

1:18:38.280 --> 1:18:40.519
<v Speaker 1>That was very good. You had like the Jamaican twining

1:18:40.560 --> 1:18:41.880
<v Speaker 1>in there, and that.

1:18:41.880 --> 1:18:44.880
<v Speaker 4>Was clar I was like, I didn't know I could

1:18:44.880 --> 1:18:45.519
<v Speaker 4>do Rihanna.

1:18:45.880 --> 1:18:48.040
<v Speaker 1>Rihanna needs to put fucking music out. What is she

1:18:48.160 --> 1:18:50.439
<v Speaker 1>doing with her She's taking her time too much.

1:18:51.200 --> 1:18:53.719
<v Speaker 4>Yeah, you know what she's done now, she's done an Abba.

1:18:54.240 --> 1:18:56.280
<v Speaker 4>She's left it so long that there'll be so much

1:18:56.320 --> 1:18:58.599
<v Speaker 4>anticipation and hope for these songs and then we'll hear

1:18:58.680 --> 1:19:00.719
<v Speaker 4>it and go terrible.

1:19:01.560 --> 1:19:04.120
<v Speaker 1>You're exactly right, Just like what Lord did?

1:19:05.240 --> 1:19:07.240
<v Speaker 5>Lord left it like seven years or something.

1:19:07.400 --> 1:19:09.760
<v Speaker 1>Yeah, yeah, what can you do there? That's right.

1:19:10.240 --> 1:19:12.200
<v Speaker 4>I didn't notice the Lord pause at all.

1:19:12.479 --> 1:19:15.439
<v Speaker 1>Oh my god, Lord was missing for years. The joke

1:19:15.560 --> 1:19:17.639
<v Speaker 1>was like, where's Lord? She just didn't drop any music

1:19:22.680 --> 1:19:24.920
<v Speaker 1>is quite nice, isn't it? You know what a lula

1:19:25.040 --> 1:19:27.080
<v Speaker 1>is like? You know when you have a nice stare,

1:19:27.640 --> 1:19:30.280
<v Speaker 1>when you just get caught stairs? Everyone try to force

1:19:30.920 --> 1:19:34.000
<v Speaker 1>a nice stair now ready, just get locked on something?

1:19:35.080 --> 1:19:38.400
<v Speaker 4>Oh not with another person? No no, no, no, no

1:19:38.520 --> 1:19:43.200
<v Speaker 4>no no, there a fucking aimless stare, they slap. I

1:19:43.240 --> 1:19:44.439
<v Speaker 4>can I can get amongst that?

1:19:44.640 --> 1:19:44.840
<v Speaker 7>Yep?

1:19:45.160 --> 1:19:45.400
<v Speaker 1>Go go?

1:19:46.520 --> 1:19:47.320
<v Speaker 4>What is what is it?

1:19:48.080 --> 1:19:51.519
<v Speaker 1>Oh my god? It's heaven, just like match added to

1:19:51.600 --> 1:19:55.880
<v Speaker 1>things better than dropping good aim the stairs.

1:19:57.560 --> 1:20:05.400
<v Speaker 4>Dissociation, bottle eyed personality? Is it dissociation or disassociation?

1:20:05.600 --> 1:20:06.440
<v Speaker 1>Disassociation?

1:20:06.880 --> 1:20:07.560
<v Speaker 5>Disassociation?

1:20:07.880 --> 1:20:08.520
<v Speaker 1>Disassociated?

1:20:08.520 --> 1:20:10.519
<v Speaker 4>I just thought i'd pull myself up there before some

1:20:10.720 --> 1:20:15.200
<v Speaker 4>dickhead gotten the group saying mispronunciation from combs. He said, dissociation.

1:20:15.439 --> 1:20:18.840
<v Speaker 1>Associator and affected me shut up.

1:20:20.520 --> 1:20:25.400
<v Speaker 4>Welcome to the Agricultural Association, I just get rid of

1:20:25.439 --> 1:20:25.560
<v Speaker 4>the A.

1:20:25.840 --> 1:20:32.800
<v Speaker 1>What would their podcast be? Welcome to a g G brief, Welcome.

1:20:32.520 --> 1:20:34.040
<v Speaker 4>To the Country Women's Association.

1:20:37.640 --> 1:20:39.080
<v Speaker 1>Look at that nice juicy.

1:20:42.600 --> 1:20:43.439
<v Speaker 4>It took me a while.

1:20:43.640 --> 1:20:46.679
<v Speaker 1>That was good. He's okay. Look at he's a little

1:20:49.880 --> 1:20:51.120
<v Speaker 1>in bed with so well.

1:20:52.560 --> 1:20:57.760
<v Speaker 4>Do you play the do you know this one doesn't work?

1:20:58.040 --> 1:21:00.160
<v Speaker 4>I was going to say, do you play the acoustic.

1:21:00.320 --> 1:21:04.040
<v Speaker 1>Or the No, it's got to be the start, or

1:21:04.080 --> 1:21:05.680
<v Speaker 1>doesn't have to be. We're literally.

1:21:07.120 --> 1:21:07.679
<v Speaker 12>Out of the middle.

1:21:08.640 --> 1:21:12.080
<v Speaker 4>I said dissociation instead of disassociation. So I just hate

1:21:12.120 --> 1:21:18.080
<v Speaker 4>as apparently hate Jen. Yes, that was the joke.

1:21:18.200 --> 1:21:18.519
<v Speaker 1>I got it.

1:21:18.920 --> 1:21:22.840
<v Speaker 4>I didn't hear that. I said, Hey, Jen, without ba

1:21:23.720 --> 1:21:25.320
<v Speaker 4>you have to explain the joke. You know what they say,

1:21:25.400 --> 1:21:25.840
<v Speaker 4>you know what they no?

1:21:26.800 --> 1:21:33.800
<v Speaker 1>I got it, Jen Benson, it's just me. Well, then

1:21:33.840 --> 1:21:36.240
<v Speaker 1>it works like Kieran says, it is just me the podcast.

1:21:37.840 --> 1:21:40.479
<v Speaker 4>My favorite film as a child was one hundred and

1:21:40.520 --> 1:21:45.200
<v Speaker 4>one Down Missions. No, we're fucking We're really raping the

1:21:45.240 --> 1:21:46.519
<v Speaker 4>bottom of the barrel here.

1:21:49.760 --> 1:21:51.640
<v Speaker 1>Do you have the news, Mitch or do you have

1:21:51.720 --> 1:21:52.320
<v Speaker 1>the older puts?

1:21:53.320 --> 1:21:55.240
<v Speaker 4>Oh right, you got rid of the air. But you

1:21:55.280 --> 1:21:57.200
<v Speaker 4>can say pod normally, is this the a's that we're

1:21:57.200 --> 1:21:57.519
<v Speaker 4>getting it?

1:21:57.600 --> 1:22:04.360
<v Speaker 1>Oh? Yeah, the oh then it would be epods, ir, yeah, pods.

1:22:04.960 --> 1:22:07.320
<v Speaker 4>Much of it just started the r oh my god,

1:22:08.280 --> 1:22:09.519
<v Speaker 4>my pods are flat?

1:22:12.600 --> 1:22:16.879
<v Speaker 1>I had. Isn't that weird how words can be spelt

1:22:17.040 --> 1:22:19.720
<v Speaker 1>exactly the same but pronounced completely differently. I had to

1:22:19.800 --> 1:22:22.800
<v Speaker 1>email someone today and the sentence was, they're coming across

1:22:22.960 --> 1:22:25.960
<v Speaker 1>a bit read, as in there they're not sounding natural.

1:22:26.040 --> 1:22:27.240
<v Speaker 1>It sounds like they're reading a script.

1:22:27.479 --> 1:22:29.559
<v Speaker 4>Were you talking about me? Behind my back? Again?

1:22:29.640 --> 1:22:31.880
<v Speaker 1>I was checking you did you get the email? And

1:22:32.160 --> 1:22:34.360
<v Speaker 1>I and I sent it and I said, oh, she's

1:22:34.400 --> 1:22:37.639
<v Speaker 1>coming across a bit read And I'm like, oh wait, wait, yeah,

1:22:37.760 --> 1:22:40.040
<v Speaker 1>is it? No, that's not right. I want to say red.

1:22:40.160 --> 1:22:42.479
<v Speaker 1>Then I'm like a reed. I'm like, no, that's fucking read,

1:22:42.560 --> 1:22:43.360
<v Speaker 1>which is the same as.

1:22:43.280 --> 1:22:45.840
<v Speaker 4>A re a D like what It's just I hate that.

1:22:46.120 --> 1:22:49.479
<v Speaker 1>I honestly, if someone out there is who has English

1:22:49.560 --> 1:22:53.960
<v Speaker 1>is their second language, not their first, apparently, learning English

1:22:54.240 --> 1:22:57.120
<v Speaker 1>is it's the hardest language, one of the hardest languages

1:22:57.160 --> 1:22:59.639
<v Speaker 1>to learn because there are so many little fuck arounds

1:22:59.680 --> 1:23:02.760
<v Speaker 1>like that. That comes down to just colloquialisms and the

1:23:02.800 --> 1:23:05.759
<v Speaker 1>way that we say it as natural born English speakers.

1:23:05.880 --> 1:23:06.720
<v Speaker 1>It's fucked.

1:23:08.240 --> 1:23:11.600
<v Speaker 4>Who invented the unita? You after a Q rule like

1:23:11.880 --> 1:23:14.280
<v Speaker 4>queen would would still spell the same thing if it

1:23:14.360 --> 1:23:15.240
<v Speaker 4>was Q E E N.

1:23:15.840 --> 1:23:19.560
<v Speaker 1>Yeah, it's the queen and knife could very well go

1:23:19.760 --> 1:23:21.439
<v Speaker 1>without the K, thank you very much.

1:23:22.240 --> 1:23:25.000
<v Speaker 4>Yeah, greedy fucking knife hugging a K to yourself? You

1:23:25.080 --> 1:23:25.600
<v Speaker 4>start with N.

1:23:25.720 --> 1:23:28.800
<v Speaker 1>Bitch, it could just be knife NiFe. Well, what do

1:23:28.840 --> 1:23:32.959
<v Speaker 1>they think we're gonna say niffy? What about did Shakespeare

1:23:33.000 --> 1:23:35.559
<v Speaker 1>go ad o ka. We don't want people saying niffy.

1:23:36.000 --> 1:23:38.160
<v Speaker 1>He did. Actually, I'm sure you were there, of course.

1:23:39.160 --> 1:23:43.040
<v Speaker 4>Imagine if it wasn't a silent cake canknife canif cannife,

1:23:43.160 --> 1:23:47.560
<v Speaker 4>you can even it's just yes, please stand for the

1:23:47.640 --> 1:23:54.200
<v Speaker 4>Honorable Her Majesty Queen Elizabeth. So we're taking silent letters

1:23:54.200 --> 1:23:54.679
<v Speaker 4>off mute?

1:23:54.720 --> 1:23:57.080
<v Speaker 1>Now, all right, let's do it. What else is there?

1:23:59.080 --> 1:23:59.200
<v Speaker 2>Oh?

1:23:59.280 --> 1:24:04.519
<v Speaker 1>Have you met my name but Aaron I've never understood that,

1:24:04.560 --> 1:24:07.519
<v Speaker 1>by the way, and works just fine.

1:24:08.080 --> 1:24:10.479
<v Speaker 4>I just might legally change my name to Mitchell with

1:24:10.560 --> 1:24:13.960
<v Speaker 4>a silent seven. Who's going to stop me?

1:24:14.320 --> 1:24:22.639
<v Speaker 1>Put him in between the l's one? Itchells. God, that's

1:24:22.680 --> 1:24:23.200
<v Speaker 1>so stupid.

1:24:23.200 --> 1:24:27.439
<v Speaker 4>We're dumb. We make cano sense.

1:24:28.360 --> 1:24:30.200
<v Speaker 1>But also faint f e I n t.

1:24:30.640 --> 1:24:34.639
<v Speaker 4>No, No, no, who spells faint that way?

1:24:34.720 --> 1:24:36.360
<v Speaker 1>That's how you spelled faint f e I n t,

1:24:36.560 --> 1:24:37.000
<v Speaker 1>isn't it? No?

1:24:37.840 --> 1:24:40.040
<v Speaker 4>Yeah, Jenna, you just you need to stop agreeing with

1:24:40.120 --> 1:24:44.160
<v Speaker 4>everything he says and actually think I know you're so right.

1:24:44.240 --> 1:24:45.800
<v Speaker 4>I don't think anyone spells faint that way.

1:24:45.920 --> 1:24:48.640
<v Speaker 1>You said I lose sleep over it. No.

1:24:49.160 --> 1:24:51.200
<v Speaker 4>Yeah, she was like, you're so right, baby, do you

1:24:51.320 --> 1:24:53.080
<v Speaker 4>And then and then she thought about it and goes, oh, yeah,

1:24:53.120 --> 1:24:54.479
<v Speaker 4>you're right. He got that completely wrong.

1:24:55.400 --> 1:24:59.160
<v Speaker 1>Faint. I just googled it a deceptive or pretended blow

1:24:59.320 --> 1:25:02.200
<v Speaker 1>thrust or the movement, especially in boxing off fencing. Oh

1:25:02.280 --> 1:25:03.439
<v Speaker 1>my god, am I spelling it wrong?

1:25:04.160 --> 1:25:06.559
<v Speaker 4>Yep, it's f A I N T. You're actually right.

1:25:06.600 --> 1:25:08.400
<v Speaker 4>The way that you think it should be spelled is,

1:25:08.479 --> 1:25:09.719
<v Speaker 4>in fact the way it's spelt.

1:25:09.840 --> 1:25:13.360
<v Speaker 13>I've been spelling it fe I and T with an

1:25:13.400 --> 1:25:18.320
<v Speaker 13>apostrophe over it, with using that word me all the

1:25:18.360 --> 1:25:20.639
<v Speaker 13>time to Haydn, Babe, get some memo names.

1:25:20.640 --> 1:25:24.720
<v Speaker 1>I'm feeling faint. They have ordered some more subway on

1:25:24.880 --> 1:25:32.880
<v Speaker 1>feeling butte shoot me, hey, Mitchell, quick hot take. Did

1:25:32.960 --> 1:25:35.840
<v Speaker 1>you hear the The CHROMATICA Remix album.

1:25:36.360 --> 1:25:37.320
<v Speaker 4>I still haven't.

1:25:37.920 --> 1:25:39.680
<v Speaker 1>It's a lot, that's what I mean.

1:25:39.760 --> 1:25:42.240
<v Speaker 4>It just seems like sensory overload, like they've taken this

1:25:42.840 --> 1:25:47.080
<v Speaker 4>Lady Gaga album, which already is quite a lot really

1:25:47.400 --> 1:25:50.120
<v Speaker 4>like it's no Joeanne. It's like a pop album. It's upbeat,

1:25:50.120 --> 1:25:52.120
<v Speaker 4>there's a lot happening, and then they've remixed it and

1:25:52.280 --> 1:25:54.720
<v Speaker 4>just like, oh it's it's like a it's like the

1:25:54.840 --> 1:25:56.759
<v Speaker 4>songs have been put in a blender, but the blend

1:25:56.880 --> 1:25:58.160
<v Speaker 4>is still on when you listen.

1:25:58.520 --> 1:26:01.120
<v Speaker 1>Yeah, some of the like is that she's given like

1:26:01.320 --> 1:26:04.200
<v Speaker 1>up and coming DJ's a chance to mix on a big,

1:26:04.400 --> 1:26:07.200
<v Speaker 1>well known artists record, which is cool. She's very good

1:26:07.320 --> 1:26:10.200
<v Speaker 1>like that, but some of them are shocking, like Sign

1:26:10.320 --> 1:26:13.599
<v Speaker 1>from Above with Elton John. They have done ungodly things

1:26:13.680 --> 1:26:16.600
<v Speaker 1>to that poor Puff's voice, Like they're adding beeps and

1:26:16.720 --> 1:26:20.320
<v Speaker 1>it sounds like sounds like a car's reversing. And Elton,

1:26:20.360 --> 1:26:22.080
<v Speaker 1>you know how in that song is really dramatic. He's

1:26:22.080 --> 1:26:27.639
<v Speaker 1>like film. Yeah, like pitched him right up. It sounds

1:26:27.800 --> 1:26:30.160
<v Speaker 1>comical and they've added beeps and bops.

1:26:30.560 --> 1:26:32.680
<v Speaker 4>She probably thought she was doing a really good thing

1:26:32.760 --> 1:26:35.120
<v Speaker 4>by giving these up and coming DJs a leg u

1:26:35.600 --> 1:26:38.960
<v Speaker 4>but like, imagine that a job interview. Hello, welcome to Stonewall.

1:26:40.280 --> 1:26:43.200
<v Speaker 4>We've got a vacancy for a DJ on Friday nights.

1:26:43.280 --> 1:26:46.439
<v Speaker 4>What history do you have? What's some of your pass work? Well,

1:26:46.479 --> 1:26:50.400
<v Speaker 4>I completely butchered Sign from Above by Lady Gargo and

1:26:50.439 --> 1:26:52.679
<v Speaker 4>Elbon John, Get out, get off my property.

1:26:53.240 --> 1:26:55.040
<v Speaker 1>I made Elton sound like a chipmunk.

1:26:55.840 --> 1:26:57.320
<v Speaker 4>Okay, I feel like I need to hear it now

1:26:57.360 --> 1:27:00.439
<v Speaker 4>because so many people, not just you, like so many

1:27:00.760 --> 1:27:03.599
<v Speaker 4>gays in my life have warned me that that song

1:27:03.920 --> 1:27:05.559
<v Speaker 4>the remix is a dog's breakfast.

1:27:05.600 --> 1:27:07.439
<v Speaker 1>So I feel like I signed from Above.

1:27:07.920 --> 1:27:11.599
<v Speaker 4>Yes, that's specifically that one. Everyone's just said, don't bother.

1:27:11.600 --> 1:27:14.960
<v Speaker 1>All right, So Sign from Above remix.

1:27:15.120 --> 1:27:17.240
<v Speaker 4>I can't believe it's not in the system at kiss.

1:27:18.400 --> 1:27:22.439
<v Speaker 1>Yeah, Sign from Above the Chester Lockhart Moodkiller and Litl

1:27:22.560 --> 1:27:28.720
<v Speaker 1>Texas remix. Too many chefs in the kitchen Gaga. Yeah,

1:27:28.720 --> 1:27:31.080
<v Speaker 1>it's also a Halloween themed. It's really spooky.

1:27:37.640 --> 1:27:44.759
<v Speaker 4>I already hate it. When I was young, a prayer

1:27:44.880 --> 1:27:45.639
<v Speaker 4>for lightning.

1:27:46.439 --> 1:27:47.880
<v Speaker 1>This is fine, just a different beat.

1:27:49.280 --> 1:27:56.400
<v Speaker 4>My mother sir, it would come and find me. I

1:27:56.560 --> 1:27:57.720
<v Speaker 4>found myself.

1:28:00.000 --> 1:28:02.479
<v Speaker 1>I love my flock one.

1:28:02.760 --> 1:28:09.559
<v Speaker 10>Guess when I was gone, I prayed for livening. Yeah,

1:28:09.600 --> 1:28:12.840
<v Speaker 10>I love with my face until this time.

1:28:12.920 --> 1:28:14.120
<v Speaker 4>But I said nothing, no.

1:28:14.680 --> 1:28:16.360
<v Speaker 1>No, no, nothing no. I feel like I made a

1:28:16.400 --> 1:28:18.280
<v Speaker 1>fitness first, about to do a pump class.

1:28:18.640 --> 1:28:21.200
<v Speaker 4>Yeah, it's very forty five, isn't it?

1:28:22.160 --> 1:28:22.479
<v Speaker 11>All right?

1:28:22.520 --> 1:28:28.160
<v Speaker 1>Here's the draft. I heard one sign from.

1:28:33.840 --> 1:28:35.240
<v Speaker 11>Sign from.

1:28:38.479 --> 1:28:42.800
<v Speaker 1>A single senter waiting for Elton. Should I skip if

1:28:42.840 --> 1:28:43.120
<v Speaker 1>you want?

1:28:43.200 --> 1:28:46.639
<v Speaker 4>I think I get the messy picture here? Oh wait,

1:28:46.920 --> 1:28:47.240
<v Speaker 4>what's that.

1:28:47.400 --> 1:28:52.560
<v Speaker 1>Him just waiting? It's really it's really cootie. When I

1:28:53.000 --> 1:29:02.519
<v Speaker 1>was young, I felt more too, like young puppies struggle.

1:29:05.080 --> 1:29:09.679
<v Speaker 4>It's like you trod on a cat. This is shocking.

1:29:09.920 --> 1:29:16.160
<v Speaker 1>I love myself under the like I felt.

1:29:21.360 --> 1:29:22.120
<v Speaker 7>My face.

1:29:23.800 --> 1:29:28.960
<v Speaker 1>Think there no, no, no, it is sped up my eyes.

1:29:30.080 --> 1:29:31.560
<v Speaker 4>It feels like crash bandicoot.

1:29:32.520 --> 1:29:36.400
<v Speaker 8>Oh I'm go go back.

1:29:37.320 --> 1:29:39.000
<v Speaker 4>I feel like that bit there. It was like, oh

1:29:39.479 --> 1:29:40.400
<v Speaker 4>that was as band.

1:29:46.040 --> 1:29:47.920
<v Speaker 1>Think there no, no nothing there?

1:29:50.600 --> 1:29:53.120
<v Speaker 4>Tell off a cliff who was nothing?

1:29:53.960 --> 1:29:55.519
<v Speaker 1>Picking up the pages or whatever they are.

1:29:58.240 --> 1:30:11.240
<v Speaker 4>On top of the boxes. They had to beep out

1:30:11.280 --> 1:30:15.280
<v Speaker 4>the swear word I heard. One can't from.

1:30:19.479 --> 1:30:20.800
<v Speaker 5>There's just too much going on.

1:30:22.640 --> 1:30:26.720
<v Speaker 4>Get rid of it. I'm gonna have a fit too

1:30:26.840 --> 1:30:29.599
<v Speaker 4>much that Who was that remix by Chester Locker ches

1:30:29.680 --> 1:30:33.719
<v Speaker 4>to Locker and a Little Texas. Yeah, Chester Locker, Little Texas.

1:30:33.800 --> 1:30:38.000
<v Speaker 4>Maybe get a trade. Yeah yeah, you've got no future

1:30:38.040 --> 1:30:40.439
<v Speaker 4>in this ship. I wonder if there's any audio producers

1:30:40.479 --> 1:30:43.479
<v Speaker 4>listening that can deliberately do a terrible remix of our opener.

1:30:43.680 --> 1:30:46.320
<v Speaker 4>I'll send you all the assets. Just make it really fun?

1:30:47.120 --> 1:30:47.360
<v Speaker 8>Do it?

1:30:47.560 --> 1:30:50.680
<v Speaker 1>Oh my god, I love that challenge remix out. I

1:30:50.840 --> 1:30:51.400
<v Speaker 1>couldn't do that.

1:30:51.520 --> 1:30:53.760
<v Speaker 4>If I tried, I could not do that ship.

1:30:54.080 --> 1:30:57.360
<v Speaker 1>I couldn't want Why have I just developed their hiccups? Oh? Folk,

1:30:58.120 --> 1:30:59.360
<v Speaker 1>I've just been sitting here.

1:31:00.880 --> 1:31:01.960
<v Speaker 5>It's the saxophone.

1:31:02.000 --> 1:31:06.519
<v Speaker 1>Where did they come from? Okay, I'd actually love that.

1:31:06.800 --> 1:31:09.000
<v Speaker 1>Do we want them to do Signed from Above energy?

1:31:09.680 --> 1:31:09.920
<v Speaker 7>Yeah?

1:31:10.080 --> 1:31:14.920
<v Speaker 4>Like the more fucking chaotic and senseless the better. When

1:31:15.040 --> 1:31:19.360
<v Speaker 4>I was young, Shut out people, We'll do some weird shit.

1:31:24.479 --> 1:31:35.559
<v Speaker 4>What about what about kirianker candilely fell several meters from

1:31:35.680 --> 1:31:37.320
<v Speaker 4>Entropeese well before me in the mythical Pippen.

1:31:38.120 --> 1:31:45.120
<v Speaker 1>Oh, just her fall on loop? Oh?

1:31:45.880 --> 1:31:50.759
<v Speaker 4>Oh, they turn her fall into the Fox, the Fox

1:31:51.080 --> 1:31:53.160
<v Speaker 4>century whatever it is, twenty first parents like.

1:31:56.479 --> 1:32:00.240
<v Speaker 1>Ow ye o.

1:32:02.840 --> 1:32:04.800
<v Speaker 4>Yeah, anyone who's capable of that? Please?

1:32:04.840 --> 1:32:07.600
<v Speaker 1>Do audio producers send it in? Should we make it

1:32:07.720 --> 1:32:10.599
<v Speaker 1>the opener for next week or no? Because unknown listeners

1:32:10.600 --> 1:32:11.840
<v Speaker 1>will freak the fuck out.

1:32:12.439 --> 1:32:14.559
<v Speaker 4>Yeah, we might have to preface something. I mean, one

1:32:14.600 --> 1:32:16.599
<v Speaker 4>week could be a tight tournament. It could have taken

1:32:16.840 --> 1:32:20.040
<v Speaker 4>what was his name, little chestnut, It could have taken

1:32:20.080 --> 1:32:22.519
<v Speaker 4>that clown. He could have he could could have taken

1:32:22.600 --> 1:32:23.640
<v Speaker 4>him years for all we know.

1:32:24.479 --> 1:32:26.559
<v Speaker 1>Yeah, could have. All right, Well, you've got time, guys.

1:32:27.360 --> 1:32:29.840
<v Speaker 4>Speaking, let us know your deadline and we won't pay you.

1:32:29.960 --> 1:32:33.200
<v Speaker 1>Yeah, we'll work alongside you. Let's get out of here.

1:32:33.240 --> 1:32:35.479
<v Speaker 1>Good show, guys, Thanks Keenan Linsdale for being here. What

1:32:35.560 --> 1:32:39.960
<v Speaker 1>a superstar. Have been long in bed now but episode

1:32:40.120 --> 1:32:43.320
<v Speaker 1>good episode, Leave us a review, five stars, Please keeps

1:32:43.360 --> 1:32:46.160
<v Speaker 1>us going on the cloud. Win your self a commemorative mug.

1:32:46.600 --> 1:32:48.519
<v Speaker 1>Mitch and I, as Jenna obviously wasn't on the cause

1:32:48.560 --> 1:32:50.600
<v Speaker 1>we had previously discussed. Me and I have all but

1:32:50.880 --> 1:32:53.800
<v Speaker 1>decided the plan to episode one hundred. Mitch. We're kind

1:32:53.800 --> 1:32:54.600
<v Speaker 1>of mapped out, aren't we.

1:32:55.240 --> 1:32:57.479
<v Speaker 4>Ah, Yeah, well, I mean to a degree. We've just

1:32:57.760 --> 1:32:59.080
<v Speaker 4>that we don't know what we're doing in the episodes.

1:32:59.120 --> 1:33:00.519
<v Speaker 4>We don't know when we're doing it. We're going to

1:33:00.560 --> 1:33:03.200
<v Speaker 4>take a couple of weeks off after episode eighty six,

1:33:03.400 --> 1:33:07.240
<v Speaker 4>I'm pretty sure, because we usually take a midyear break.

1:33:07.320 --> 1:33:09.160
<v Speaker 4>This year, we were like, nah, that's not so, it'll

1:33:09.160 --> 1:33:11.400
<v Speaker 4>be in October break. But then we're gonna we'll come

1:33:11.479 --> 1:33:14.200
<v Speaker 4>back and soldier through till the end of season three.

1:33:14.439 --> 1:33:16.320
<v Speaker 1>Yeah, that's it, all right, and thank you for listening.

1:33:16.400 --> 1:33:16.800
<v Speaker 4>We love you.

1:33:16.880 --> 1:33:19.240
<v Speaker 1>Stay safe, get vax congrats on getting waxed, Mitch.

1:33:19.680 --> 1:33:21.800
<v Speaker 4>Thank Hemmy. I's a bit sore, but that's all right.

1:33:22.040 --> 1:33:24.320
<v Speaker 1>You'll be fine, You'll be right. We'll see you guys

1:33:24.439 --> 1:33:26.599
<v Speaker 1>next week. Stay safe, look after yourselves. Goodbye.

1:33:26.880 --> 1:33:28.960
<v Speaker 4>I hope this podcast made you feel at least two

1:33:28.960 --> 1:33:31.640
<v Speaker 4>percent better today. That's all. Just two percent, that's all

1:33:31.680 --> 1:33:32.040
<v Speaker 4>we ask.

1:33:32.160 --> 1:33:33.719
<v Speaker 1>All right, goodbye, very goodbye.

1:33:33.880 --> 1:33:34.599
<v Speaker 4>Catch a scene bait?

1:33:34.880 --> 1:33:36.080
<v Speaker 3>Is It Just Me?

1:33:36.640 --> 1:33:38.839
<v Speaker 4>A podcast by a couple of mitches.

1:33:39.160 --> 1:33:42.639
<v Speaker 1>Make sure you've hit follow on your podcast app.