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Speaker 1: This is the Will and Woody podcast.

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Speaker 2: Big News Today, Rebel Wilson announces the birth of her

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Speaker 2: first child, Royce Lillian, born last week and nobody had

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Speaker 2: any idea that she was having a baby because she

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Speaker 2: wasn't pregnant. Her daughter was born by surrogate. Yeah, how

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Speaker 2: do you think they would feel wards to give birth

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Speaker 2: to something and then have to hand it straight back

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Speaker 2: to somebody else?

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Speaker 3: I obviously have no idea.

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Speaker 2: No very good. I thought you'd say that, And that's

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Speaker 2: why we've got Simone on the phone.

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Speaker 4: Thank you.

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Speaker 2: So Simone, we found you on a surrogacy Facebook page.

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Speaker 2: You've been surrogate twice. Was that for the same couple

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Speaker 2: or for a different couple? Each time?

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Speaker 4: It was for two different families?

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Speaker 5: Right?

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Speaker 2: Okay?

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Speaker 1: Can I go straight down to Simone in the moment

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Speaker 1: where so you give birth to the beautiful baby and

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Speaker 1: what's that like for you when that happened? So the

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Speaker 1: baby's out? Firstly, what happens and secondly what's that? What

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Speaker 1: was that like for you? Just emotionally, firstly, it's.

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Speaker 4: A relief to be not in labor any more. Of course,

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Speaker 4: Secondly emotionally, the first time I carried I was a

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Speaker 4: bit nervous going into the birth because I just didn't

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Speaker 4: know how I was going to feel.

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Speaker 6: I had I've had MYNDO.

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Speaker 4: Yeah, I didn't expect to feel anything towards the baby.

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Speaker 4: But throughout the pregnancy I understood that I really loved

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Speaker 4: this baby. It was never a question in my mind

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Speaker 4: that I was going to hand her over. She was

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Speaker 4: always going to go back.

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Speaker 7: To her parents.

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Speaker 4: Yes, And so I was quite I had the firm

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Speaker 4: plans about the birth and what I wanted, and I'd

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Speaker 4: asked that she be handed to me after she was birthed,

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Speaker 4: and I could hand her to her parents in my

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Speaker 4: own time.

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Speaker 6: Yeah.

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Speaker 2: Wow, so you set up those boundaries beforehand.

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Speaker 4: Yeah. It was nerves and it was a way of

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Speaker 4: me having some control over a situation that I felt

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Speaker 4: quite out of control with just the unknowns of it all.

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Speaker 4: And so she was handed to me after I birthed her,

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Speaker 4: and I looked at her and I thought, wow, you

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Speaker 4: are just adorable. I love you, and right, it's time

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Speaker 4: to go to your mum.

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Speaker 2: Now, Oh my god.

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Speaker 4: It was never she never felt like my baby. It

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Speaker 4: wasn't the same as when I burst my own child.

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Speaker 7: Was she your was was?

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Speaker 2: It was it was it your egg smile.

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Speaker 4: No, I was a gestational character egg.

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Speaker 2: Okay, because there is a there is a differentiation there, right,

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Speaker 2: So you can be artificially inseminated with a like a

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Speaker 2: pre prepared embryo. Effectively, he's like Jamie Oliver, here's one

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Speaker 2: I prepared earlier and put that in the oven, or

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Speaker 2: you or you use your own embryos. So yeah, so sorry,

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Speaker 2: your own eggs, your own eg yeah. Yeah, okay, so

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Speaker 2: that probably plaid a part in it.

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Speaker 4: I personally don't.

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Speaker 2: Question actually, isn't it. Yeah, it was this. I stumbled

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Speaker 2: into this before. Neither has any idea, so that so

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Speaker 2: that doesn't play a part in it. You don't think

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Speaker 2: whether it's.

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Speaker 4: I haven't been a traditional surrogate, so I don't know

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Speaker 4: if I'm qualified to speak about it.

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Speaker 8: But I have.

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Speaker 4: Friends who has carried as a traditional surrogate, and their

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Speaker 4: mentality or their attitude toward is very similar to mine.

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Speaker 4: It was never our baby.

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Speaker 1: Yeah, I mean, I personally have just watched my beautiful

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Speaker 1: fiance go through yeah, nine months of pregnancy, and you know,

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Speaker 1: there was there was beauty in that journey, but it's

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Speaker 1: a it's a pretty tough journey.

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Speaker 3: To go through. Can I ask someone you've done this twice?

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Speaker 1: Now you've you've carried, You've been a surrogate for two

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Speaker 1: families and carried two babies.

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Speaker 3: Why did you do it?

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Speaker 4: It started out I heard a friend's cousin was trying

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Speaker 4: to have a family and she was going through IVF.

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Speaker 4: I think that was my first exposure to fertility problems,

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Speaker 4: I guess. And it took a long time, many years,

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Speaker 4: and she got pregnant, but then she lost the babies.

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Speaker 4: She was pregnant with twins, and it just broke my heart.

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Speaker 4: I just wanted to fix it and help her. And

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Speaker 4: I didn't know anything about surrogacy at that time, but

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Speaker 4: I just didn't understand how one woman could keep getting

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Speaker 4: up in the morning with everything she had been Probably

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Speaker 4: once started that.

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Speaker 2: So so you you didn't sort of find yourself in

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Speaker 2: a situation with someone that you knew actively asking for

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Speaker 2: a sarrogate. You reached out to people who you didn't

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Speaker 2: know and said, hey, I'm happy to birth your baby

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Speaker 2: for you.

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Speaker 8: I did.

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Speaker 2: Yeah, it sounds weird when you say it like that,

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Speaker 2: but no, no circumstances. Hey, some mione, We've got a

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Speaker 2: question to ask you when I go to a song.

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Speaker 2: But I know, I know because I want to talk

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Speaker 2: to you about the people that you did end being

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Speaker 2: a surrogate four And Woody has this theory that they

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Speaker 2: owe you everything in the world.

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Speaker 3: Well, I wouldn't put it so brittally like that.

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Speaker 2: That's what he said in the meeting. Still you said,

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Speaker 2: you said that this Simone could ask these guys anything

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Speaker 2: and they would have to give it to them. And

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Speaker 2: we're gonna put a golden bullet it is, mate, We're

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Speaker 2: gonna We're gonna well I wouldn't call that, but we're

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Speaker 2: gonna put it to the test. Right up next, tom

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Speaker 2: moone and stay with us. We're joined by Simone, who

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Speaker 2: is a surrogate. Muman's fascinating chat. We've got more Christians

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Speaker 2: for up next, and with them we you big story

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Speaker 2: today Rebel Wilson announcing birth of her first child, Royce Lily,

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Speaker 2: and everyone's a bit confused because she hasn't been pregnant

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Speaker 2: at all. But it turns out that she had a

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Speaker 2: baby via surrogacy, which Woody and I decided very quickly

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Speaker 2: we are in no way qualified to talk about at all.

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Speaker 2: So we've got a woman called Simone who joined us

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Speaker 2: on the show right now. Simon, thanks so much for

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Speaker 2: coming back. Simone has been a surrogate for two separate daughters,

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Speaker 2: two different families on two different occasions. And Simone, we

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Speaker 2: were just to this point, and I find this so

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Speaker 2: interesting as what he's mentioned a few times, both our

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Speaker 2: partners just go birth recently, so for us on the

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Speaker 2: outside and like not just on the outside of the berth,

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Speaker 2: but outside of the gender and everything that goes on there.

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Speaker 2: You only got into this because you wanted to help out,

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Speaker 2: because you knew some people that had gone through miscarriage

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Speaker 2: and the tragedy of birth not going well, and so

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Speaker 2: you basically just put yourself out there to a bunch

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Speaker 2: of people and said, hey, I want to help out

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Speaker 2: and effectively let me carry your baby. So we're sort

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Speaker 2: of digging in right now into the relationship that you

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Speaker 2: have with those people now, or as Woody says, the

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Speaker 2: great debt they are you.

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Speaker 4: I guess it's not so much that you just shout

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Speaker 4: from the rooftop so I'm happy to carry.

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Speaker 2: For that's how you just climbed out there, and you're

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Speaker 2: like first in best dressed.

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Speaker 4: I joined a community. Sorry to good community where you

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Speaker 4: know it's a supportive community, but it's also an opportunity

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Speaker 4: for intended parents and surrogates or potential surrogates to connect.

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Speaker 4: So yes, I joined the community and I met I

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Speaker 4: sat next to a couple and my husband was there

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Speaker 4: as well. They were very similar to us, similar age,

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Speaker 4: similar life circumstances, and I felt like I'd known them

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Speaker 4: my whole life, and the mum and I decided we'd

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Speaker 4: keep in touch. She was considering moving away from sarrogacy

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Speaker 4: at that time for various reasons, but the short version

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Speaker 4: is we kept in touch anyway, had a great friendship,

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Speaker 4: and I offered to carry a child for them.

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Speaker 2: It's just is so it is most amazing gesture.

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Speaker 1: Now moving on from amazing gesture though, someone, are you

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Speaker 1: still in touch with the woman who you were a

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Speaker 1: surrogate for last year?

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Speaker 8: Yes, I am you are.

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Speaker 2: What's her name, Marian?

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Speaker 1: Okay, just to put a little theory that I've got

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Speaker 1: to the test, would you be open to just call

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Speaker 1: calling Marian live on the show right now and effectively

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Speaker 1: just asking for an outrageous favor, because because my theory

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Speaker 1: is and my fiance has been pregnant, she was preading

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Speaker 1: for nine months.

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Speaker 3: It is such a big journey to go through all

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Speaker 3: of that. My theory is you can ask for whatever

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Speaker 3: you want and Marian.

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Speaker 2: Has to say yes, true, it's true you did her

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Speaker 2: a nine month favors.

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Speaker 1: For her, like if you ask for a leg, she's

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Speaker 1: got to give you. But you know that's probably a

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Speaker 1: bit savage for it for right now. So so I

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Speaker 1: don't know.

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Speaker 3: Maybe you can call her now on the show again

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Speaker 3: if you are you open to doing this, Simone, Yes, okay, great, okay.

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Speaker 1: So maybe maybe you can just call her and say, hey, hey,

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Speaker 1: you going and maybe you need you just to start

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Speaker 1: this easer in maybe you need your lawns mode. So

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Speaker 1: we'll just shoot with that one initially, like like I

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Speaker 1: need my lawns mode?

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Speaker 3: Is that something you could do for me?

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Speaker 1: Hopefully we get a yes there and then then if

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Speaker 1: she if she says yes there, maybe we can follow

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Speaker 1: up with and I hope this is okay Simon, but

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Speaker 1: I've tried to link this in with pregnancy as well.

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Speaker 1: Maybe you can say that you've got some hemorrhoids and

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Speaker 1: your partner isn't willing to apply the hemorrhoid creame. Can

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Speaker 1: she come over and help out. Okay, okay, so you're

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Speaker 1: going to call Marian. So it's coming from your phone,

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Speaker 1: and then you're going to go for that.

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Speaker 2: Good luck. Simon.

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Speaker 6: Hello, Hello, Hello, it's making some weird beeping noise in mate.

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Speaker 4: You sorry, that's okay.

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Speaker 8: How are you?

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Speaker 4: I'm all right? How are you?

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Speaker 2: Yeah?

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Speaker 4: Good thing because I'm sorry I interrupted whatever you're no, no, no, no,

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Speaker 4: it was fine. I was just in the studio. I've

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Speaker 4: got a favor to ask you. Of course, I know

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Speaker 4: you're busy.

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Speaker 2: Yes, I know you know that.

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Speaker 4: I wondered if you feel around and bow my lawns.

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Speaker 4: Oh yes, that's so exciting. And you know how we've

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Speaker 4: got a really close friendship. Yeah, there was one other thing. Yeah,

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Speaker 4: what's moving. I've seen experiencing hemorrhoids the way will not

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Speaker 4: help me out with the cream, and I wondered if

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Speaker 4: you would help me. Now, hold on a second.

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Speaker 8: This sounds like I'm getting okay, I'll help you.

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Speaker 4: Okay, I'll help you.

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Speaker 1: Sure, Marian, Marian marrying You're live on Will and Woody

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Speaker 1: the radio show.

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Speaker 3: Hello, Hi, Mary, we were we were just testing the theory.

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Speaker 1: We had some moon on our show talking about being

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Speaker 1: your surrogate and effectively we were testing the theory is

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Speaker 1: too because Simone has done this incredible thing for you,

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Speaker 1: and it really does sound like a beautiful relationship between

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Speaker 1: the two of you. But because she's done it for you,

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Speaker 1: technically she can ask for anything.

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Speaker 3: And you have to say yes. And you've just proved

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Speaker 3: that theory. Yep, yep, it's true.

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Speaker 4: It's true.

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Speaker 2: We want to take a really beautiful relationship and contaminated

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Speaker 2: Woody podcasts. Let's get down to brass tacks, because yesterday

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Speaker 2: we were teased, we were taunted by the production team

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Speaker 2: here at Willem Woody. They said they gave us these clues.

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Speaker 2: They said, guys, there's a big surprise coming up at

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Speaker 2: five o'clock today, and depending on where you tuned in yesterday,

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Speaker 2: you would have heard one clue, two clues, three clues

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Speaker 2: if you missed all of it. Here were the clues.

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Speaker 3: Okay, you're small, What the rock is?

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Speaker 2: Clue one Dwayne the Rock Johnson's entry music. Clue two

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Speaker 2: was us making out in the studio a week ago,

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Speaker 2: of course, news to be a scar. Clue three, which

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Speaker 2: we only got at five o'clock yesterday, was this.

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Speaker 1: You're terrible Muriel.

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Speaker 2: Yeah, now turn that clue through. It was a little

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Speaker 2: bit of a bogey and despite LJ being English, she

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Speaker 2: obviously can't speak it. She was referring to the fact

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Speaker 2: she thought that a mural was also called a murial extraordinary,

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Speaker 2: which is something that we're going to dive into another day.

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Speaker 2: But ultimately, when you put those clues together, it turned

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Speaker 2: out the whole bit. The big surprise on us was

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Speaker 2: that Danny L. Weber, who painted Dwayne the Rock Johnson's portrait,

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Speaker 2: and who is very famous for painting murals and portraits

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Speaker 2: of famous people like Arnold Schwarzenegger all the way down

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Speaker 2: to Nelson Mandela. She does them everywhere in the world,

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Speaker 2: gets fun everywhere. She reached out to us to say

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Speaker 2: that she wanted to do an enormous three by three

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Speaker 2: three by four meter mural of us making out.

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Speaker 9: So I knew you guys were keen about doing a mural,

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Speaker 9: and I saw the Passionate Kiss last week and I thought,

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Speaker 9: what better a way to celebrate the beautiful bond that

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Speaker 9: you have and plaster it on a massive wall.

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Speaker 2: So put it on a big wall. You and I'm

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Speaker 2: making out Woods by one of the best artists in

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Speaker 2: Australia right now.

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Speaker 1: It's it's a it's an honor, yeah, but bitter Wait obviously,

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Speaker 1: like obviously pumpings about being immortalized in a mural. Only

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Speaker 1: legends get immortalized into murals. But if we both could choose,

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Speaker 1: maybe we wouldn't choose the one where we're making out.

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Speaker 3: But hey, we've had twenty four hours to digest it.

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Speaker 2: We're just where you're well, you're so reluctant. Now you

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Speaker 2: were so happy to kiss me and now you're reluctant

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Speaker 2: about someone painting.

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Speaker 1: I thought it would just be a special moment between

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Speaker 1: the two of us in the radio studio. That video

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Speaker 1: has gone absolutely viral, huge in Morocco, the status the

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Speaker 1: Moroccans love it anyway, It's gone.

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Speaker 3: Bigger than I ever expected.

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Speaker 1: But look at the end of the day, yes, we've

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Speaker 1: been a utalized like legends making that, but we need

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Speaker 1: a war.

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Speaker 2: I just realized why they might like it in Morocco.

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Speaker 2: I'll just figured it out. Well, well, because they'd be

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Speaker 2: searching hash but then it's TYPEO the search.

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Speaker 1: Pash haha cop at Morocco anyway, thirteen six five way

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Speaker 1: that's the case.

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Speaker 3: Is no, no, that's genius. Well, that's got to be

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Speaker 3: the case.

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Speaker 1: You have absolutely share lock homes that they're looking at

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Speaker 1: hash and they've found a pash.

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Speaker 3: Between two radio hosts. It's the only way.

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Speaker 1: Now back to business, we need a wall, not the artist.

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Speaker 2: Ask you a question before we go searching for our

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Speaker 2: wonder wall. Where this thing goes on?

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Speaker 3: Please?

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Speaker 2: Does it need to be a wall?

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Speaker 3: What else could have gone? It's as a mural?

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Speaker 2: Yeah, But like I'm sure she can scale it. Like

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Speaker 2: what if she ends up what if you know, kai

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Speaker 2: Hurst ends up saying you can put it on one

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Speaker 2: of my deltoids.

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Speaker 1: But no, mate, she's not doing a little fake tattoo

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Speaker 1: on her shoulder like she's doing a four meter by

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Speaker 1: four meter painting.

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Speaker 2: But what if.

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Speaker 3: I don't know, if someone said they can put.

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Speaker 2: Beachley said, you'll put it under a surfboard, no one

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Speaker 2: will see it. Well, why I've gone for two oceanic sports.

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Speaker 3: And also only fish will only people underwater?

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Speaker 2: It carries it into the water.

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Speaker 1: She's not even a professional surfer anymore so when she's

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Speaker 1: down on the Northern Beach.

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Speaker 2: For two retirees too, retired people who specialize in open

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Speaker 2: water sports. I realize they are bad ideas. I am

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Speaker 2: what are there? Steve Smith put it on his creaker

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Speaker 2: bat do you know what I mean?

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Speaker 3: I know what you mean, and I'm so usually you're good,

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Speaker 3: You're right off.

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Speaker 2: I'm just trying.

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Speaker 1: I think if she's offered to do as an artistic mural,

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Speaker 1: I think we need to go for size and I.

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Speaker 3: Think we all you think we do need a wonder

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Speaker 3: wall one hundred percent.

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Speaker 1: I can't see any other way this fall thirty one

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Speaker 1: or six fives out number.

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Speaker 3: If you're over out of her hands, then what do

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Speaker 3: you mean?

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Speaker 2: Well, we're not the proprietor of anywhere that has a wall.

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Speaker 1: I've got my house at the moment, We've probably got

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Speaker 1: mine back fence. But well, I'm saying this is where

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Speaker 1: we're at. We're struggling, we're no right. So hence, if

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Speaker 1: you're listening right now and you like the idea, you

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Speaker 1: have access to a wall, you have the power to

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Speaker 1: give us.

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Speaker 3: A wall anywhere in Australia.

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Speaker 2: Yes, and you're happy for it to be covered in

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Speaker 2: a massive mural of woody And I am making out.

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Speaker 1: Yes, you even an Australian famous artist rocking up to

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Speaker 1: your wall and painting on that wall if you want.

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Speaker 2: To you The other thing I was going to say is,

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Speaker 2: if you're listening to this and you're not sure, go

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Speaker 2: to Danniel's artwork dot com or search Danielle Weber with

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Speaker 2: one B, just to see what you're dealing with here,

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Speaker 2: Like this isn't this isn't a blight on your wall. Yes,

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Speaker 2: it's taking out I know that if the content's not

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Speaker 2: up your alley, fine, but in terms of the actual picture,

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Speaker 2: she's sensational, extraordinary. You wouldn't ordinarily be able to get

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Speaker 2: anyone near this woman painting something like this on your wall.

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Speaker 3: Okay, so wall ideas, that's what we need. So whether

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Speaker 3: it's your wall, maybe you just have an idea of location.

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Speaker 2: Maybe there who's.

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Speaker 1: Got a wall, Maybe there's like a location.

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Speaker 3: Here we now here, you go, Now you're back.

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Speaker 2: Oh sorry, Sorry, I was an idiot for suggesting Lane

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Speaker 2: Beachley save foot. But the opera house brilliant.

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Speaker 3: You could do a projection.

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Speaker 7: You could actually thir and six five. We'll take the kills.

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Speaker 2: We neit a wall.

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Speaker 7: Obviously, we're nowhere. We've hit a wall between.

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Speaker 2: Us thirty one and six five, and there is space

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Speaker 2: for this mural. Please give us a call. Woods. You

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Speaker 2: and I made out in the studio about a week ago. Yeah,

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Speaker 2: it was totally wild. Have you missed it? Yeah? All right,

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Speaker 2: and again a little bit of it. I'm sure most

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Speaker 2: people have sent it. As we said, it's huge in

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Speaker 2: Morocco at the moment, it's actually booming online. Not sure

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Speaker 2: why we've been sent dps over it. There you go.

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Speaker 3: Yeah, multiple multiple details and keep them coming.

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Speaker 1: No, we do not condemn unsolicited it's right off.

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Speaker 3: That person's been banned.

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Speaker 2: Absolutely, not after we cook a couple of a producers

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Speaker 2: ugling this for a while. But look, let's get down

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Speaker 2: to business here, because somebody wants to immortalize this kiss. Yes,

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Speaker 2: and not just somebody, not just anybody. World famous artists

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Speaker 2: by the name of Danielle Webber. This woman was personally

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Speaker 2: called by the Rock Dwayne the Rock Johnson to fly

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Speaker 2: to the premiere of his next movie with a portrait

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Speaker 2: of him, and he was like, you're the only one

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Speaker 2: on the planet who I trusted it. She's a freak,

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Speaker 2: She's unbelievable. And she reached out to us and said

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Speaker 2: she would actually like to paint a mural of us

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Speaker 2: kissing I knew.

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Speaker 9: You guys were keen about doing a mural, and I

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Speaker 9: saw the Passionate Kiss last week and I thought, what

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Speaker 9: better a way to celebrate the beautiful bond that you

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Speaker 9: have and plaster.

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Speaker 2: It on a massive walls something really cool about it

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Speaker 2: And all we need is a place to put the mural.

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Speaker 2: If this isn't small, guys, if you go to Daniel's

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Speaker 2: website it's called daniels Daniel's artwork dot com, or have

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Speaker 2: look at her instagram, they're huge, Like they're huge. She

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Speaker 2: does enormous murals.

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Speaker 1: Said she wants to do four meters by four meters.

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Speaker 1: That was the number she was So the question is,

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Speaker 1: have you got access to a wall and you would

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Speaker 1: like kiss pointed on.

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Speaker 2: Said wall forever?

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Speaker 3: Yes, well it doesn't have to be forever.

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Speaker 1: You can say that, but so thirty one O six

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Speaker 1: five if you haven't.

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Speaker 2: Put some class over it like they do a banksing

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Speaker 2: after a while, Oh that's so precious.

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Speaker 1: Yeah, actually might lift the value of your property.

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Speaker 3: I dare say thirteen six five, Nathan, what's your suggestion?

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Speaker 2: Mate? You've got a wall for us? I love the show,

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Speaker 2: Thanks for the show. Thanks, Can we use your wall?

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Speaker 6: I reckon, you should, I reckon, you should put it

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Speaker 6: on a car instead of a wall, and that way

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Speaker 6: you get more eyes on it.

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Speaker 3: Like wrap a car, wrap a car with the kids.

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Speaker 1: Interesting, what's but like, are you thinking one of those

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Speaker 1: like trucks that carries those massive billboards? Because Daniel said

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Speaker 1: she wants to do a four by four meter mural, So.

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Speaker 6: If you want to do something like that, you might

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Speaker 6: as well just do a truck and dog.

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Speaker 2: Truck and a dog. Did you say, yeah, truck.

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Speaker 6: That's a truck with a trailer.

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Speaker 1: Right, trading terms is it will and I have will

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Speaker 1: and I have never been on a worksite made.

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Speaker 2: We will not be painting an animal. Okay, that's a

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Speaker 2: whole nother phone.

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Speaker 3: I actually don't mind that.

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Speaker 7: Day get a dog.

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Speaker 2: I love that. That's what That's what tradeing is called trailers.

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Speaker 3: We're going to take that so much next time I

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Speaker 3: go to the park. I still don't get it though.

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Speaker 7: Yeah, because it's like his dog, it hangs out next

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Speaker 7: to him.

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Speaker 1: Brilliant.

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Speaker 7: Let's not get that.

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Speaker 3: Let's go to Sonya. Now, Sonya, you've got an idea for.

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Speaker 2: A wall for it, we can put the mural on.

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Speaker 5: I do so I've got a massive wall at my

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Speaker 5: house in Yeatday and it's next to a reserve that

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Speaker 5: goes down to the bailing club. I think that would

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Speaker 5: be a great idea to put a mirror aware interest.

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Speaker 1: So how much foot traffic do you get down at

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Speaker 1: the live story of the yacht club and the reserve there?

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Speaker 8: So that's more.

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Speaker 5: Than fifty a day more on the weekend.

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Speaker 3: That's not bad, not bad.

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Speaker 7: Better than a truck and his dog.

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Speaker 2: Yeah, it's permanently on a son, it's on a park

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Speaker 2: as well, on a nature reserve.

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Speaker 7: Right, that's right.

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Speaker 2: It's a beautiful place to have a kid. It's a

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Speaker 2: beautiful place.

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Speaker 3: Are you the mayor or something there?

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Speaker 2: Son?

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Speaker 3: You're like, how are you speaking with authority there?

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Speaker 2: Now?

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Speaker 5: I own the property and it's just at the back

445
00:21:33,200 --> 00:21:33,920
Speaker 5: of the neighbors.

446
00:21:34,400 --> 00:21:38,399
Speaker 2: It's your house, it's my house. I'll try a permit,

447
00:21:38,800 --> 00:21:39,520
Speaker 2: mned a permit.

448
00:21:39,560 --> 00:21:41,639
Speaker 3: You can figure that out. Slash producers can figure that out.

449
00:21:41,880 --> 00:21:44,080
Speaker 2: I like that. I like that, Son, that's good from sign.

450
00:21:44,119 --> 00:21:46,520
Speaker 2: I love that facing it because the other thing I

451
00:21:46,640 --> 00:21:48,159
Speaker 2: like about this, there's a lot of the comments have

452
00:21:48,200 --> 00:21:50,680
Speaker 2: got online is that you know, we are obviously two

453
00:21:50,720 --> 00:21:54,119
Speaker 2: heterosexual dudes making out, which I think is just something

454
00:21:54,160 --> 00:21:57,560
Speaker 2: that you know, rather than being necessarily frowned upon or

455
00:21:57,680 --> 00:21:59,760
Speaker 2: eked at by a lot of guys, it can just

456
00:21:59,760 --> 00:22:00,600
Speaker 2: be cool thing.

457
00:22:00,800 --> 00:22:03,359
Speaker 3: I actually the messaging behind it actually really nice.

458
00:22:03,240 --> 00:22:05,720
Speaker 1: Yeah, it's like this modern masculinity, which a few people

459
00:22:05,760 --> 00:22:06,600
Speaker 1: commented on the video.

460
00:22:07,040 --> 00:22:10,240
Speaker 7: Yeah right, yeah, yeah, I like that modern masculinity.

461
00:22:10,280 --> 00:22:13,680
Speaker 3: Let's go to Lauren here. Lauren, you've got an idea

462
00:22:13,760 --> 00:22:14,720
Speaker 3: for a wall for us?

463
00:22:14,800 --> 00:22:16,080
Speaker 2: Yes, Lauren here us quickly.

464
00:22:16,920 --> 00:22:17,160
Speaker 6: Yes.

465
00:22:17,359 --> 00:22:20,200
Speaker 8: So I have a little sister and she has drawn

466
00:22:20,240 --> 00:22:23,119
Speaker 8: all over our land room walls, and I think it

467
00:22:23,119 --> 00:22:25,080
Speaker 8: would be nice to have the mural next to it,

468
00:22:25,280 --> 00:22:26,879
Speaker 8: and then I can own the mural.

469
00:22:30,600 --> 00:22:32,840
Speaker 7: Love Davis.

470
00:22:33,080 --> 00:22:35,080
Speaker 2: Let's wrap this up, mate, because ge there's a lot

471
00:22:35,080 --> 00:22:37,760
Speaker 2: of them coming right now. Davis, where do you want

472
00:22:37,800 --> 00:22:39,920
Speaker 2: our mural? Where would you like the mural of woods

473
00:22:39,920 --> 00:22:42,640
Speaker 2: and I'm making out being painted by Danielle Webber, world

474
00:22:42,720 --> 00:22:43,679
Speaker 2: renowned straight artists.

475
00:22:43,720 --> 00:22:47,000
Speaker 10: Go for it, you go for guys, but I reckon

476
00:22:47,000 --> 00:22:48,879
Speaker 10: you should do it in some of those lanes that

477
00:22:48,920 --> 00:22:51,680
Speaker 10: were in Melbourne. There's a lot of places getting through

478
00:22:51,720 --> 00:22:55,199
Speaker 10: there that are very famous with the street art.

479
00:22:55,560 --> 00:22:58,800
Speaker 1: Davis, again, are you calling with any authority here saying

480
00:22:58,800 --> 00:23:00,800
Speaker 1: that you're giving his permission to do that or just

481
00:23:00,880 --> 00:23:01,400
Speaker 1: the idea.

482
00:23:02,160 --> 00:23:04,800
Speaker 10: No, that's fair.

483
00:23:05,280 --> 00:23:05,840
Speaker 3: That's actually not.

484
00:23:05,920 --> 00:23:08,200
Speaker 2: It's a good thought man.

485
00:23:08,359 --> 00:23:10,000
Speaker 3: You think though, if other.

486
00:23:09,960 --> 00:23:13,040
Speaker 1: Graffitio other artworks on these laneways, then surely they just

487
00:23:13,080 --> 00:23:14,480
Speaker 1: hand out permits like tic tac.

488
00:23:15,600 --> 00:23:19,520
Speaker 2: Definitely, they definitely don't. There's no all the places to

489
00:23:19,560 --> 00:23:21,600
Speaker 2: get a mural on a lane way in Melbourne like

490
00:23:21,640 --> 00:23:23,920
Speaker 2: that is the face the place in Melbourne that is

491
00:23:24,040 --> 00:23:25,919
Speaker 2: famous for street art. So are they going to have

492
00:23:26,000 --> 00:23:28,200
Speaker 2: Banksy and then us making out perfect?

493
00:23:28,240 --> 00:23:30,800
Speaker 3: What a combo? What a combo like Spaghettian and made.

494
00:23:30,640 --> 00:23:34,760
Speaker 7: Ball like like a drag and his dog. I lost

495
00:23:34,760 --> 00:23:36,560
Speaker 7: the plots right up next and brought it back in

496
00:23:36,640 --> 00:23:37,840
Speaker 7: the time. You wouldn't believe it.

497
00:23:37,840 --> 00:23:39,120
Speaker 2: Hey, look, if you want to reach out to usbut

498
00:23:39,119 --> 00:23:40,840
Speaker 2: that place, hit us up Instagram, will the money, loads

499
00:23:40,880 --> 00:23:43,320
Speaker 2: of people calling and messaging. We really don't need to

500
00:23:43,440 --> 00:23:46,000
Speaker 2: find a place to put this mural. It's got to

501
00:23:46,040 --> 00:23:49,080
Speaker 2: be a big space as well, a phenomenal opportunity Instagram Facebook.

502
00:23:49,080 --> 00:23:53,840
Speaker 2: Willamoody coming up next with the Will and Woody, The

503
00:23:53,920 --> 00:23:55,840
Speaker 2: Will and Woody podcast.

504
00:23:55,560 --> 00:24:00,119
Speaker 1: Woman and well more specifically her breasts have led to

505
00:24:00,119 --> 00:24:02,679
Speaker 1: her getting a one thousand dollar fine, and that is

506
00:24:02,760 --> 00:24:07,359
Speaker 1: because she was fined, Yeah, specifically one thousand and seventy

507
00:24:07,400 --> 00:24:09,760
Speaker 1: eight bucks for carrying.

508
00:24:09,400 --> 00:24:14,120
Speaker 3: Her phone in her bra while she was driving.

509
00:24:15,480 --> 00:24:16,439
Speaker 2: You are fine for that?

510
00:24:16,720 --> 00:24:19,840
Speaker 1: Yeah right, I can't carry your phone in your bra

511
00:24:20,119 --> 00:24:21,000
Speaker 1: while you're driving?

512
00:24:21,080 --> 00:24:21,520
Speaker 2: Wow?

513
00:24:22,040 --> 00:24:24,040
Speaker 1: Which I yeah, I mean I thought that was Anne's

514
00:24:24,040 --> 00:24:26,960
Speaker 1: free personally.

515
00:24:27,200 --> 00:24:27,800
Speaker 2: Yeah, no, I.

516
00:24:28,200 --> 00:24:28,720
Speaker 3: Put that down.

517
00:24:28,760 --> 00:24:33,359
Speaker 2: Put that down. But landlines on this story. I can

518
00:24:33,480 --> 00:24:35,919
Speaker 2: imagine two guys doing a show whenever this sort of

519
00:24:35,920 --> 00:24:39,440
Speaker 2: story comes up. It's walk away, it's walk away. I'm

520
00:24:39,440 --> 00:24:43,320
Speaker 2: just not going to say anything that sounds Unreasonableward got

521
00:24:43,320 --> 00:24:43,640
Speaker 2: a shame.

522
00:24:43,680 --> 00:24:45,360
Speaker 3: Well fair enough, So what she said.

523
00:24:45,840 --> 00:24:47,879
Speaker 2: Go on very quickly. I think it's a pretty common

524
00:24:47,920 --> 00:24:49,639
Speaker 2: thing for women to do to put their phone in

525
00:24:49,680 --> 00:24:50,080
Speaker 2: their brack.

526
00:24:50,240 --> 00:24:52,639
Speaker 1: So this is exactly what Jenny Pills, who is the

527
00:24:52,680 --> 00:24:55,400
Speaker 1: woman who put the phone in her bra, has said.

528
00:24:56,520 --> 00:24:59,520
Speaker 2: Jenny Pills on the go go sorry, just a story

529
00:24:59,560 --> 00:25:03,040
Speaker 2: that keeps. This is the perfect Gold Coast story. This

530
00:25:03,680 --> 00:25:06,000
Speaker 2: whole thing is chap and they're just wanting us to

531
00:25:06,000 --> 00:25:07,120
Speaker 2: say something inappropriate.

532
00:25:08,440 --> 00:25:11,280
Speaker 1: So Jenny Piel's legit. She ran on Facebook and she

533
00:25:11,280 --> 00:25:14,000
Speaker 1: said every woman does this. All women put things in

534
00:25:14,040 --> 00:25:16,560
Speaker 1: their bra. That's where they hold things, now will We

535
00:25:16,640 --> 00:25:19,240
Speaker 1: obviously are not women. We do not have breasts, we

536
00:25:19,280 --> 00:25:21,720
Speaker 1: don't wear bras, so we had no idea about this

537
00:25:21,800 --> 00:25:25,320
Speaker 1: idea that apparently the bra is used as like a

538
00:25:25,400 --> 00:25:29,600
Speaker 1: secondary bag you store things in there. All the ladies

539
00:25:29,680 --> 00:25:32,480
Speaker 1: in our team were like, yes, obviously it's it's amazing

540
00:25:32,520 --> 00:25:33,360
Speaker 1: place to keep things.

541
00:25:33,400 --> 00:25:35,840
Speaker 3: So look thirteen one oh six five is.

542
00:25:35,800 --> 00:25:38,560
Speaker 2: Our number right now. Yeah, it was a wild chat

543
00:25:38,640 --> 00:25:40,760
Speaker 2: in the many room, surprised by this.

544
00:25:40,920 --> 00:25:47,639
Speaker 1: Pretty interesting though, ladies out there, I want to know, like,

545
00:25:47,840 --> 00:25:49,960
Speaker 1: how substantial.

546
00:25:49,119 --> 00:25:52,600
Speaker 3: A thing did you keep in your bo? In your bra?

547
00:25:53,240 --> 00:25:54,000
Speaker 3: What's in the bra?

548
00:25:54,440 --> 00:25:57,679
Speaker 2: In the bra? What's in the bra today? Because we

549
00:25:57,680 --> 00:26:00,479
Speaker 2: did it? We I mean like they were suggesting, like they,

550
00:26:00,640 --> 00:26:03,119
Speaker 2: I mean, we don't want to keep this exclusively to contraband,

551
00:26:03,119 --> 00:26:06,440
Speaker 2: but like a whole goon bag. Yeah, it was once

552
00:26:06,480 --> 00:26:09,480
Speaker 2: fit in the bra. Yeap, not gonna name names, but

553
00:26:10,040 --> 00:26:12,960
Speaker 2: I haven't. I was bad too. But no, no, no, we shouldn't.

554
00:26:13,400 --> 00:26:13,920
Speaker 2: We shouldn't.

555
00:26:14,080 --> 00:26:18,560
Speaker 3: We should We wouldn't do it to Cape anyway, we

556
00:26:19,280 --> 00:26:19,800
Speaker 3: wouldn't do it.

557
00:26:21,960 --> 00:26:23,120
Speaker 2: She's in controls.

558
00:26:23,160 --> 00:26:27,159
Speaker 3: I'm absolutely cooked a damn anyway, what did you have

559
00:26:27,240 --> 00:26:29,960
Speaker 3: in your bra? Thirty one oh six fives. What's in

560
00:26:30,000 --> 00:26:31,280
Speaker 3: the bra? In the bra?

561
00:26:31,840 --> 00:26:32,600
Speaker 4: What's in the bra?

562
00:26:32,760 --> 00:26:33,119
Speaker 9: Today?

563
00:26:34,080 --> 00:26:38,399
Speaker 1: And that's because Jenny Pills Gold Coast resident put her.

564
00:26:38,280 --> 00:26:42,040
Speaker 3: Phone in her bra while she was driving. She's copped

565
00:26:42,080 --> 00:26:45,440
Speaker 3: a thousand dollars. Fine, can't do it, can't do it?

566
00:26:45,600 --> 00:26:46,159
Speaker 3: And we yeah, we.

567
00:26:46,359 --> 00:26:48,040
Speaker 1: Again, we didn't know that. I mean, I thought in

568
00:26:48,080 --> 00:26:51,880
Speaker 1: the bra was hands free. But obviously no, no, no.

569
00:26:52,320 --> 00:26:54,240
Speaker 3: Let's go to Sam here thirty one oh six five.

570
00:26:54,960 --> 00:26:57,399
Speaker 2: We've been careful around this story. Everyone, no jabt. There

571
00:26:57,400 --> 00:26:59,160
Speaker 2: are lots of things we can't say, but we've got

572
00:26:59,160 --> 00:27:01,240
Speaker 2: some lovely we who have called the show to actually

573
00:27:01,359 --> 00:27:03,600
Speaker 2: provide some content for a bit that we are on

574
00:27:03,640 --> 00:27:08,080
Speaker 2: eggshells around Sam. This was what'd you witness?

575
00:27:08,119 --> 00:27:08,399
Speaker 8: Not me?

576
00:27:08,800 --> 00:27:11,000
Speaker 6: Definitely not me. It was when I was about twelve

577
00:27:11,080 --> 00:27:13,160
Speaker 6: or thirteen years old. I was in a bank and

578
00:27:13,200 --> 00:27:15,000
Speaker 6: there was a big lady there and she kept putting

579
00:27:15,000 --> 00:27:17,199
Speaker 6: her hands down her bra and feeling around, and I

580
00:27:17,320 --> 00:27:20,440
Speaker 6: was I'm looking at her, wondering what's going on. Next thing,

581
00:27:20,520 --> 00:27:23,160
Speaker 6: she pulls out a mouse and looks at me and says, oh,

582
00:27:23,240 --> 00:27:29,280
Speaker 6: they like it down there. It's nice and warm.

583
00:27:30,240 --> 00:27:31,399
Speaker 2: That is rank.

584
00:27:32,160 --> 00:27:34,480
Speaker 1: That is ran Sam was there more than one, so

585
00:27:34,560 --> 00:27:36,560
Speaker 1: she had like a gang of them or a family.

586
00:27:36,680 --> 00:27:38,600
Speaker 6: She had too much, she had too nice that she

587
00:27:38,680 --> 00:27:41,640
Speaker 6: kept in her brow and letting her mother around it there.

588
00:27:43,200 --> 00:27:46,000
Speaker 3: I mean it would be cozy. Let's be honest. Anyway,

589
00:27:46,000 --> 00:27:46,560
Speaker 3: thanks for the call.

590
00:27:46,640 --> 00:27:49,200
Speaker 2: Sound. That's extraordiny. I don't know how we're going to

591
00:27:49,320 --> 00:27:53,200
Speaker 2: say the movie rathertuy, but he's like moving her breasts

592
00:27:53,280 --> 00:27:54,280
Speaker 2: in a movie's air.

593
00:27:54,840 --> 00:27:55,359
Speaker 7: Imagine.

594
00:27:56,160 --> 00:27:58,639
Speaker 1: Let's go to Christy here, Christy thirty one oh six '

595
00:27:58,720 --> 00:28:01,920
Speaker 1: five were talking about, but what you've kept in your bra?

596
00:28:03,520 --> 00:28:03,720
Speaker 4: Hey?

597
00:28:03,800 --> 00:28:07,720
Speaker 11: Boys, another phone in the brass story, except I did

598
00:28:07,760 --> 00:28:12,280
Speaker 11: it during high school during sports session and my boob

599
00:28:12,320 --> 00:28:16,399
Speaker 11: sweat actually caused the phone to die, and my dad

600
00:28:16,720 --> 00:28:19,520
Speaker 11: taking it upon, you know, taking into tel to check

601
00:28:19,560 --> 00:28:23,000
Speaker 11: it out. They found the indicator was saturated. That told

602
00:28:23,040 --> 00:28:25,000
Speaker 11: him there was water damage. And we had to explain

603
00:28:25,040 --> 00:28:26,800
Speaker 11: to the guy that I had killed it due to

604
00:28:26,840 --> 00:28:27,439
Speaker 11: boob sweat.

605
00:28:31,600 --> 00:28:32,280
Speaker 2: He just lied.

606
00:28:32,960 --> 00:28:35,679
Speaker 7: He just goes off, dropped.

607
00:28:35,480 --> 00:28:37,160
Speaker 5: My dad's terrifying man.

608
00:28:39,160 --> 00:28:40,880
Speaker 11: To embarrass me so I wouldn't do it again.

609
00:28:41,920 --> 00:28:44,440
Speaker 2: So he proceeded to stand in front of you how old,

610
00:28:44,480 --> 00:28:44,920
Speaker 2: How old.

611
00:28:44,920 --> 00:28:45,960
Speaker 5: We made me go there?

612
00:28:46,040 --> 00:28:46,440
Speaker 2: How are we?

613
00:28:46,880 --> 00:28:49,920
Speaker 6: I was maybe thirteen with big knockets.

614
00:28:50,000 --> 00:28:50,880
Speaker 8: That was very odd.

615
00:28:55,400 --> 00:28:56,600
Speaker 2: Let's go to Amy here.

616
00:28:56,720 --> 00:29:03,480
Speaker 1: No follow up questions there, Amy, Uh, keeping your bra?

617
00:29:04,800 --> 00:29:09,080
Speaker 5: I put open Kansas drink down the front with a

618
00:29:09,120 --> 00:29:09,920
Speaker 5: straw for.

619
00:29:10,160 --> 00:29:12,480
Speaker 6: When you're out barbecue, but got your hands full.

620
00:29:12,760 --> 00:29:17,160
Speaker 1: Yes, I mean, I mean one question. So you've said

621
00:29:17,200 --> 00:29:19,280
Speaker 1: you had a straw there. If you if you didn't

622
00:29:19,400 --> 00:29:21,960
Speaker 1: have a straw, would you somehow be able to maneuver

623
00:29:22,080 --> 00:29:23,840
Speaker 1: the can so it could hit mouth.

624
00:29:25,160 --> 00:29:27,800
Speaker 8: I don't think I would be able to do that

625
00:29:27,920 --> 00:29:30,080
Speaker 8: and not spill it all over myself at.

626
00:29:29,960 --> 00:29:30,520
Speaker 4: The same time.

627
00:29:31,240 --> 00:29:31,800
Speaker 3: That's a shame.

628
00:29:31,920 --> 00:29:35,760
Speaker 2: That's tough. Booby as opposed to a shoey? Can you

629
00:29:35,800 --> 00:29:40,120
Speaker 2: do a beer from your boob without touching it? If you?

630
00:29:40,200 --> 00:29:43,520
Speaker 2: If if anyone you have to do an you have

631
00:29:43,600 --> 00:29:46,560
Speaker 2: to do a headstand practically, wouldn't you know what I allow?

632
00:29:46,680 --> 00:29:48,920
Speaker 3: I would allow hands pushing?

633
00:29:48,960 --> 00:29:56,400
Speaker 2: All right, I'm going to go to Alissa on topic.

634
00:29:56,560 --> 00:30:00,640
Speaker 2: On Alissa, you frequently use your bra to hold something.

635
00:30:01,920 --> 00:30:06,480
Speaker 5: Hide boys, So I do have very very big boob.

636
00:30:06,480 --> 00:30:09,360
Speaker 3: Perfect I know they're great.

637
00:30:09,600 --> 00:30:13,880
Speaker 8: So it's just really handy because when we go out

638
00:30:13,880 --> 00:30:16,440
Speaker 8: on the weekends, and especially now that someone's coming up,

639
00:30:16,480 --> 00:30:17,880
Speaker 8: you don't want to take your jacket and you're in

640
00:30:17,920 --> 00:30:20,560
Speaker 8: your cute little dress. So these are all the things

641
00:30:20,600 --> 00:30:24,200
Speaker 8: that I keep in my brah when we go out.

642
00:30:24,240 --> 00:30:28,520
Speaker 8: So you need your ID, you need your compact makeup kits,

643
00:30:28,680 --> 00:30:33,080
Speaker 8: so that includes your scar, your blush, your lip kit,

644
00:30:33,280 --> 00:30:36,440
Speaker 8: and also any like sort of touch up pottery stuff

645
00:30:36,480 --> 00:30:38,200
Speaker 8: as you get oily in that. And then you can

646
00:30:38,240 --> 00:30:42,000
Speaker 8: also keep well, I actually used to keep to bottles

647
00:30:42,040 --> 00:30:45,960
Speaker 8: of those little mini vodkas. Also just right underneath there

648
00:30:46,960 --> 00:30:49,680
Speaker 8: my friends, perfume, id cash coin.

649
00:30:50,200 --> 00:30:50,560
Speaker 4: Wow.

650
00:30:51,920 --> 00:30:54,000
Speaker 8: Yeah, so there's a lot you can fit in there.

651
00:30:54,040 --> 00:30:55,880
Speaker 8: So I was really rolled up about the girl of

652
00:30:56,040 --> 00:30:59,280
Speaker 8: having the fine just having a little pocket there, like.

653
00:30:59,320 --> 00:31:02,280
Speaker 2: Oh, it's like it's extraordinary.

654
00:31:02,320 --> 00:31:11,000
Speaker 1: It's like Mary Poppins Bag's Mary Bourben's Oh God.

655
00:31:11,680 --> 00:31:15,280
Speaker 2: The Will and Woody Podcast, Give us a call. Third

656
00:31:15,280 --> 00:31:17,360
Speaker 2: and one of six five. If you think you know

657
00:31:17,440 --> 00:31:22,760
Speaker 2: what this film is, man takes bullet from HR to

658
00:31:22,880 --> 00:31:27,120
Speaker 2: avoid declaring his relationship with a coworker. Third one, six five,

659
00:31:27,160 --> 00:31:28,640
Speaker 2: give us call if you think if you know what

660
00:31:28,680 --> 00:31:32,520
Speaker 2: the film is, we're doing lost the plot. Ah, No

661
00:31:32,640 --> 00:31:37,560
Speaker 2: we're not. We're playing a song. But you're not Dolly

662
00:31:37,600 --> 00:31:38,400
Speaker 2: Parker's Lost.

663
00:31:38,720 --> 00:31:41,280
Speaker 7: The plot you Dolly Parker?

664
00:31:43,720 --> 00:31:44,760
Speaker 3: Can you say it one more time?

665
00:31:45,280 --> 00:31:48,880
Speaker 2: Yeah? Of course. Man takes bullet from HR to avoid

666
00:31:48,960 --> 00:31:54,719
Speaker 2: declaring his relationship with a coworker FI Club. No, that's incorrect.

667
00:31:55,080 --> 00:31:58,920
Speaker 2: Now all of these movies are based on Dolly Parton.

668
00:31:59,160 --> 00:32:04,080
Speaker 2: This afternoon, it's Dolly Parton this movie. Man takes bullet

669
00:32:04,080 --> 00:32:06,760
Speaker 2: from HR to avoid declaring his relationship with a coworker

670
00:32:06,840 --> 00:32:10,600
Speaker 2: the matrix. Yeah, correct, BURTI one of six five. If

671
00:32:10,640 --> 00:32:13,240
Speaker 2: you think you know what the movie is, Man takes

672
00:32:13,280 --> 00:32:17,800
Speaker 2: bullet from HR to avoid declaring his relationship with a

673
00:32:17,840 --> 00:32:22,040
Speaker 2: co worker. All of the films today are all related

674
00:32:22,360 --> 00:32:25,640
Speaker 2: to Dolly Parton and Lost. The plot is that about Dolly?

675
00:32:25,720 --> 00:32:27,200
Speaker 3: Fire Will and Woodies.

676
00:32:27,360 --> 00:32:31,720
Speaker 2: You're not Dolly Parker? The plot? You know, Dolly Partner.

677
00:32:33,400 --> 00:32:36,560
Speaker 2: I think I've got it. Well, I'll go to Beck first.

678
00:32:36,600 --> 00:32:39,000
Speaker 2: You've had a crack. You've had a crack? You did?

679
00:32:39,800 --> 00:32:44,320
Speaker 2: Where'd you go with Fike Beck? What's the movie? Bet Hi?

680
00:32:44,480 --> 00:32:45,760
Speaker 5: Guys suck at Woody?

681
00:32:46,200 --> 00:32:47,320
Speaker 6: It's the funny guy?

682
00:32:47,680 --> 00:32:53,120
Speaker 2: Is nice? Beg hot dead? Hey?

683
00:32:53,200 --> 00:32:53,400
Speaker 8: Beg?

684
00:32:54,880 --> 00:32:57,920
Speaker 2: Beck bonus points here two hundred bucks to spend at

685
00:32:57,920 --> 00:33:01,840
Speaker 2: Maya if you can tell me why the Bodyguard is related.

686
00:33:01,560 --> 00:33:06,640
Speaker 11: To Dolly Parton, because Dolly Parton was the original singer

687
00:33:06,680 --> 00:33:07,760
Speaker 11: of I Will Always Love.

688
00:33:07,920 --> 00:33:12,240
Speaker 2: She was nice back, go work back. Well, don't two

689
00:33:12,280 --> 00:33:14,440
Speaker 2: hundred bucks to spend at Maya this this year, Great

690
00:33:14,480 --> 00:33:16,760
Speaker 2: Chris is by the Babulls. Shop all your festive favorites

691
00:33:16,800 --> 00:33:19,320
Speaker 2: at Maya my store. She wrote that in nineteen seventy

692
00:33:19,440 --> 00:33:23,160
Speaker 2: three for her business partner, and then Whitney Houston released

693
00:33:23,160 --> 00:33:27,080
Speaker 2: it again in nineteen ninety two, obviously for the Bodyguard.

694
00:33:27,120 --> 00:33:29,840
Speaker 1: Do you know she was Elvis Presley offered to sing

695
00:33:29,880 --> 00:33:31,840
Speaker 1: it with her as well, at what fifty percent of

696
00:33:31,880 --> 00:33:35,440
Speaker 1: the royalties, and she said, nah.

697
00:33:34,480 --> 00:33:36,480
Speaker 3: Wow, yeah, rejected Elvis Presley.

698
00:33:36,720 --> 00:33:37,000
Speaker 4: Wow.

699
00:33:37,080 --> 00:33:38,960
Speaker 3: And that was when she wasn't in the seventies, wasn't

700
00:33:39,040 --> 00:33:39,920
Speaker 3: huge in the seventies.

701
00:33:40,040 --> 00:33:42,080
Speaker 2: Or she wrote it. She wrote it because she was

702
00:33:42,120 --> 00:33:44,040
Speaker 2: breaking up a duo, a duo, so it would have

703
00:33:44,080 --> 00:33:46,000
Speaker 2: been a bit weird if she hadn't accepted another duo

704
00:33:46,080 --> 00:33:49,000
Speaker 2: to break up a duo. That's fair, all right, let's

705
00:33:49,000 --> 00:33:51,120
Speaker 2: get into the next one here, shall we? All Dolly

706
00:33:51,120 --> 00:33:54,840
Speaker 2: Parton related movies Woods, you kneel one down and I

707
00:33:54,880 --> 00:33:55,560
Speaker 2: love nothing more.

708
00:33:55,800 --> 00:33:56,240
Speaker 3: That's fair.

709
00:33:56,280 --> 00:33:57,000
Speaker 2: All right, here we go.

710
00:33:57,120 --> 00:33:57,760
Speaker 3: We'll bounce back.

711
00:33:57,880 --> 00:34:01,880
Speaker 2: Next one, Young Orphans home the bacon by working like

712
00:34:01,920 --> 00:34:05,080
Speaker 2: a dog. Third one, six five. If you think you

713
00:34:05,120 --> 00:34:07,240
Speaker 2: know what the film is, it is.

714
00:34:07,320 --> 00:34:11,919
Speaker 1: Young Orphan brings home bacon. Yes, by working like a dog,

715
00:34:12,160 --> 00:34:12,800
Speaker 1: Like a dog.

716
00:34:13,480 --> 00:34:19,080
Speaker 2: Yeah, it's a Dolly Partoner related movie. Oliver's Orphan. I

717
00:34:19,080 --> 00:34:21,399
Speaker 2: see what you've gone for. It's always good to break

718
00:34:21,440 --> 00:34:24,560
Speaker 2: down how your mind works on these occasions. Red dogs, No,

719
00:34:24,880 --> 00:34:27,359
Speaker 2: have you've gone straight for the dog thing? So dog

720
00:34:28,840 --> 00:34:32,799
Speaker 2: combine predictable as a dog. Now gone for orphan, gone

721
00:34:32,800 --> 00:34:35,480
Speaker 2: for dog. Young Orphan brings home the bacon by working

722
00:34:35,560 --> 00:34:39,680
Speaker 2: like a dog. It's a Dolly Parton related movie. There

723
00:34:39,680 --> 00:34:42,399
Speaker 2: will be Abby's called thirty one and six y five.

724
00:34:42,480 --> 00:34:44,879
Speaker 2: Ab Let's put another nail on the coffin of Woody today.

725
00:34:44,880 --> 00:34:48,840
Speaker 2: What's the movie it is?

726
00:34:48,960 --> 00:34:50,160
Speaker 7: Babe?

727
00:34:50,880 --> 00:34:56,520
Speaker 2: Damn? Yes, good one, nice one? Ab Hey, great work, Abe.

728
00:34:56,680 --> 00:34:58,200
Speaker 2: I'll give you two hundred bucks to spend it. Myra

729
00:34:58,239 --> 00:35:02,880
Speaker 2: if you can tell me why Dolly Babies related to

730
00:35:02,880 --> 00:35:03,440
Speaker 2: Dolly Parton.

731
00:35:05,320 --> 00:35:09,799
Speaker 8: Oh, I'll have to ask the bill that told me

732
00:35:09,840 --> 00:35:10,360
Speaker 8: the answer?

733
00:35:11,080 --> 00:35:13,160
Speaker 3: Did produce to tell you the answer? Did it, produce

734
00:35:13,200 --> 00:35:13,879
Speaker 3: it tell you the answer.

735
00:35:14,239 --> 00:35:19,120
Speaker 2: I mean, I know you what time.

736
00:35:23,000 --> 00:35:28,760
Speaker 1: You oh, you're both fight, you're fired?

737
00:35:29,160 --> 00:35:32,879
Speaker 7: When woods? How old is your daughter?

738
00:35:32,960 --> 00:35:34,080
Speaker 2: Remy? A month?

739
00:35:34,200 --> 00:35:34,839
Speaker 3: Just over a month?

740
00:35:34,880 --> 00:35:37,800
Speaker 2: Just because I was thinking, do you know, because a

741
00:35:37,800 --> 00:35:39,359
Speaker 2: lot of people talk about the fact that they know

742
00:35:39,440 --> 00:35:41,440
Speaker 2: where the baby was conceived.

743
00:35:41,560 --> 00:35:45,720
Speaker 1: One hundred MIM doesn't necessarily agree that this was the time.

744
00:35:45,960 --> 00:35:49,560
Speaker 1: But I truly believe something special happened when we were

745
00:35:49,600 --> 00:35:51,560
Speaker 1: at this beach house my parents.

746
00:35:51,360 --> 00:35:52,359
Speaker 3: A restaurant, beach house.

747
00:35:53,040 --> 00:35:54,920
Speaker 2: I thought it was the restaurant. No, that was very

748
00:35:54,960 --> 00:35:56,040
Speaker 2: early in our relationship.

749
00:35:56,080 --> 00:35:58,680
Speaker 1: There was a restaurant inside, which definitely No, that definitely

750
00:35:58,719 --> 00:35:59,359
Speaker 1: couldn't have been.

751
00:35:59,480 --> 00:36:01,080
Speaker 2: Why couldn't Why couldn't it have been?

752
00:36:01,160 --> 00:36:02,800
Speaker 3: Because it was the second week we've been dating.

753
00:36:02,840 --> 00:36:05,120
Speaker 2: That wasn't the only time you had You did it

754
00:36:05,160 --> 00:36:07,160
Speaker 2: in a hotel, in a restaurant.

755
00:36:06,760 --> 00:36:08,640
Speaker 3: Two times, Yeah, the second time.

756
00:36:10,920 --> 00:36:16,680
Speaker 2: You've got you've got fires three times exactly. Remy could

757
00:36:16,680 --> 00:36:19,280
Speaker 2: have been born in a bathroom. I had an idea

758
00:36:19,400 --> 00:36:23,960
Speaker 2: because I was thinking that if I owned a venue

759
00:36:24,160 --> 00:36:29,280
Speaker 2: and I found out that somebody had conceived a baby

760
00:36:29,280 --> 00:36:32,239
Speaker 2: in my bathroom, look if someone called me and told me, hey,

761
00:36:32,239 --> 00:36:34,600
Speaker 2: look you know we did we did it in your bathroom,

762
00:36:34,640 --> 00:36:36,560
Speaker 2: I'd be like, well that's gross. But if it was

763
00:36:36,600 --> 00:36:39,640
Speaker 2: sort of like layered with this bit where it was like, hey,

764
00:36:39,680 --> 00:36:42,200
Speaker 2: we actually had a baby nine months later, Oh yeah,

765
00:36:42,239 --> 00:36:45,800
Speaker 2: oh yeah, actual, where do you think good Land.

766
00:36:49,200 --> 00:36:51,480
Speaker 1: It's a real line ball, isn't it, because you've still

767
00:36:51,600 --> 00:36:53,680
Speaker 1: had sex in their bathroom, which they're not going to

768
00:36:53,719 --> 00:36:54,319
Speaker 1: be happy about.

769
00:36:54,440 --> 00:36:57,400
Speaker 3: Like, that's absolutely not that's there, that's their grounds. You

770
00:36:57,440 --> 00:36:58,480
Speaker 3: know that that's right off.

771
00:36:58,560 --> 00:37:00,840
Speaker 1: But then if it was the it's of a beautiful

772
00:37:00,880 --> 00:37:03,799
Speaker 1: baby then, or if the fruit of the labor, so

773
00:37:03,880 --> 00:37:05,400
Speaker 1: to speak, was a child.

774
00:37:05,880 --> 00:37:07,520
Speaker 3: Yeah, no, it's right on the line.

775
00:37:07,560 --> 00:37:08,040
Speaker 2: Well it is.

776
00:37:08,680 --> 00:37:09,400
Speaker 7: I thought you'd say that.

777
00:37:09,400 --> 00:37:11,719
Speaker 2: I'm glad you'd say that I've got the number of

778
00:37:11,760 --> 00:37:14,120
Speaker 2: one of the places that you actually had a dally

779
00:37:14,160 --> 00:37:15,920
Speaker 2: once with a devil.

780
00:37:15,680 --> 00:37:17,880
Speaker 3: In There was not that many places.

781
00:37:18,040 --> 00:37:19,799
Speaker 1: It's not like a map of Australia and there's like

782
00:37:19,840 --> 00:37:22,239
Speaker 1: crosses all over Australia.

783
00:37:22,840 --> 00:37:27,080
Speaker 2: Hands, So I've got the number of one of the places.

784
00:37:28,440 --> 00:37:33,640
Speaker 2: How would you feel about calling them up next telling

785
00:37:33,680 --> 00:37:36,319
Speaker 2: them that that's what happened, that.

786
00:37:36,320 --> 00:37:38,120
Speaker 3: My baby was conceived in their toilets.

787
00:37:38,560 --> 00:37:40,160
Speaker 2: Well we have because I really want to know where

788
00:37:40,200 --> 00:37:42,920
Speaker 2: they're going to go, like you know, you know you're

789
00:37:42,960 --> 00:37:45,359
Speaker 2: banned for life, or that's the most beautiful thing ever heard.

790
00:37:45,360 --> 00:37:47,839
Speaker 2: Because I'm on the line. Yes, I'm on the line

791
00:37:48,040 --> 00:37:49,680
Speaker 2: because if someone said to me, like, you know, we

792
00:37:49,680 --> 00:37:53,239
Speaker 2: conceived a baby on your couch, I'd be like, gross

793
00:37:53,239 --> 00:37:56,359
Speaker 2: on my couch. But I'll forever look at that couch

794
00:37:56,400 --> 00:37:58,319
Speaker 2: and be like, that's where my mates kid came from.

795
00:38:00,080 --> 00:38:01,600
Speaker 7: Actually, I think you need to find the flag for

796
00:38:01,640 --> 00:38:03,719
Speaker 7: everyone here. So what we're going to do. You're going

797
00:38:03,719 --> 00:38:04,480
Speaker 7: to call the restaurant.

798
00:38:04,480 --> 00:38:06,960
Speaker 2: I've got one of them, one of their numbers. If

799
00:38:07,239 --> 00:38:09,160
Speaker 2: it doesn't work out, don't worry. We've got twelve more

800
00:38:09,680 --> 00:38:12,200
Speaker 2: and there's a broad sheet article on it. We've got

801
00:38:12,200 --> 00:38:14,960
Speaker 2: a spreadsheet bathroom. It just brings me the next one.

802
00:38:15,880 --> 00:38:18,120
Speaker 7: So you're going to call them, tell them that you

803
00:38:18,640 --> 00:38:19,680
Speaker 7: hopped on the good foot.

804
00:38:19,440 --> 00:38:22,560
Speaker 2: And did the bad thing in their bathroom. And then,

805
00:38:22,880 --> 00:38:25,839
Speaker 2: because I think this is a clean cher, yeah, you're

806
00:38:25,840 --> 00:38:27,319
Speaker 2: going to ask if you can put a plaque in

807
00:38:27,360 --> 00:38:28,000
Speaker 2: the bathroom.

808
00:38:28,160 --> 00:38:29,120
Speaker 3: What will the plak say?

809
00:38:29,880 --> 00:38:32,320
Speaker 2: All right, the plark and I'll make it really genuine,

810
00:38:32,320 --> 00:38:34,279
Speaker 2: like there's no reason because otherwise if you make it

811
00:38:34,440 --> 00:38:35,880
Speaker 2: you're not going to get a park because at the

812
00:38:35,960 --> 00:38:38,400
Speaker 2: end of the day, imagine if they say, yes, extraordinary,

813
00:38:38,480 --> 00:38:41,920
Speaker 2: y a nice park. Yeah, okay, we've got to a song.

814
00:38:42,000 --> 00:38:44,680
Speaker 2: Yeah great, that's the plan up next and see which

815
00:38:44,680 --> 00:38:46,560
Speaker 2: may they're going to go. It's really wooded. If somebody

816
00:38:46,640 --> 00:38:49,799
Speaker 2: told you that they conceived a child on your premises,

817
00:38:50,320 --> 00:38:55,160
Speaker 2: would you be upset or would you be happy for them?

818
00:38:55,239 --> 00:38:58,400
Speaker 2: The question we're about to ask. Ye, Woody and Mimi

819
00:38:58,480 --> 00:39:02,279
Speaker 2: made a habit of dive. Im most bathrooms in Australia

820
00:39:02,360 --> 00:39:06,160
Speaker 2: wouldn't call it a habit. And Mimi was born nine

821
00:39:06,200 --> 00:39:10,799
Speaker 2: months later, sorry, Remy was born months later. So who

822
00:39:10,840 --> 00:39:13,880
Speaker 2: knows one of those bathrooms could have been the Holy Grail?

823
00:39:14,200 --> 00:39:17,000
Speaker 2: We don't know. But what we what we certainly don't know,

824
00:39:17,360 --> 00:39:19,719
Speaker 2: is would the owner of the premises be happy if

825
00:39:19,719 --> 00:39:20,439
Speaker 2: they found that out.

826
00:39:20,480 --> 00:39:22,680
Speaker 1: It's really interesting because the first thought you have is

827
00:39:22,719 --> 00:39:25,040
Speaker 1: they'll be disgusted and they'll hang up on me. But

828
00:39:25,080 --> 00:39:27,680
Speaker 1: then all of a sudden, I would hang on this

829
00:39:27,880 --> 00:39:30,920
Speaker 1: brought a beautiful baby into the world. Like, maybe you

830
00:39:30,960 --> 00:39:33,880
Speaker 1: think better of your establishment as well? You our establishment

831
00:39:35,239 --> 00:39:36,640
Speaker 1: establishment set that mood.

832
00:39:36,840 --> 00:39:39,160
Speaker 2: That's right, that's right. It might have certain pheromones in

833
00:39:39,239 --> 00:39:41,840
Speaker 2: your estab who knows, who knows, but what you're going

834
00:39:41,880 --> 00:39:42,920
Speaker 2: to do. I've got the number of one of the

835
00:39:42,920 --> 00:39:46,399
Speaker 2: places that you actually boiled the bratwurst in, So we're

836
00:39:46,400 --> 00:39:48,759
Speaker 2: going to call that place right now. Yeah, you're going

837
00:39:48,800 --> 00:39:51,640
Speaker 2: to tell them that you conceived your beautiful baby girl there.

838
00:39:52,239 --> 00:39:55,319
Speaker 2: Oh my god, no, sorry, and right on the line,

839
00:39:55,360 --> 00:39:55,839
Speaker 2: isn't it right?

840
00:39:56,120 --> 00:39:57,440
Speaker 3: I feel like they're going to get angry.

841
00:39:57,640 --> 00:39:59,759
Speaker 2: I've written the plaque. I want you to read the

842
00:39:59,760 --> 00:40:03,000
Speaker 2: plank live though on the call. Okay, so I'll show you.

843
00:40:03,000 --> 00:40:05,279
Speaker 2: I'll sort of scroll through my computer. You can read

844
00:40:05,280 --> 00:40:07,719
Speaker 2: it live, okay, So can you duck out? Well? I

845
00:40:07,719 --> 00:40:10,920
Speaker 2: can tell everyone else what the plark says. Okay, fine,

846
00:40:12,840 --> 00:40:15,000
Speaker 2: thank you, all right to everybody else. Now that he's

847
00:40:15,080 --> 00:40:18,520
Speaker 2: left the studio, the plaque will read, to our beautiful daughter, Remy,

848
00:40:18,920 --> 00:40:21,319
Speaker 2: we couldn't love you anymore. We wish you all the

849
00:40:21,360 --> 00:40:24,000
Speaker 2: love in the world and best of luck, because here

850
00:40:24,080 --> 00:40:26,680
Speaker 2: marks the place where to make you mummy and daddy.

851
00:40:27,640 --> 00:40:30,120
Speaker 2: So that's what the park says. He'll only read the

852
00:40:30,160 --> 00:40:32,279
Speaker 2: last line when he gets up to the last line,

853
00:40:32,360 --> 00:40:34,239
Speaker 2: so he won't have any idea it's coming, and then

854
00:40:34,440 --> 00:40:36,040
Speaker 2: he'll have to try and think on his feet. Should

855
00:40:36,080 --> 00:40:37,440
Speaker 2: be great, all right, come back inwards.

856
00:40:38,440 --> 00:40:40,640
Speaker 7: It needs to be yes, No, it's genuine.

857
00:40:40,680 --> 00:40:42,160
Speaker 2: Look you can read the first you can read the

858
00:40:42,160 --> 00:40:44,279
Speaker 2: first couple of lines. I can't read that to our

859
00:40:44,280 --> 00:40:46,920
Speaker 2: beautiful daughter, Remy, we couldn't love you anymore. It's lovely.

860
00:40:47,040 --> 00:40:50,240
Speaker 3: It's okay, because yes, I think that's funny.

861
00:40:50,719 --> 00:40:51,799
Speaker 2: Let's not come into it as well.

862
00:40:51,800 --> 00:40:52,400
Speaker 3: Okay, let's do it.

863
00:40:52,640 --> 00:40:53,000
Speaker 2: Let's go on.

864
00:41:01,040 --> 00:41:03,319
Speaker 3: Ye and Laura, Hi, Laura, are you going?

865
00:41:03,880 --> 00:41:04,239
Speaker 10: I'm good?

866
00:41:04,239 --> 00:41:05,759
Speaker 3: Thank you? How are you really good?

867
00:41:05,800 --> 00:41:06,160
Speaker 2: Thank you?

868
00:41:06,680 --> 00:41:09,640
Speaker 3: Reason for my call? I was well?

869
00:41:09,640 --> 00:41:13,600
Speaker 1: I recently had dinner at your beautiful establishment with my

870
00:41:14,200 --> 00:41:16,080
Speaker 1: fiance Mimi lovely.

871
00:41:16,480 --> 00:41:19,400
Speaker 3: Yeah, yeah, we truly loved it.

872
00:41:19,520 --> 00:41:23,520
Speaker 1: Quite a pivotable, pivotal excuse me, moment in our relationship

873
00:41:23,560 --> 00:41:26,480
Speaker 1: because when we were on the rooftop, we made the

874
00:41:26,480 --> 00:41:28,520
Speaker 1: decision that we wanted to start trying.

875
00:41:28,320 --> 00:41:28,920
Speaker 3: For a baby.

876
00:41:30,160 --> 00:41:34,000
Speaker 1: Okay, yeah, yeah, we did the deed in one of

877
00:41:34,040 --> 00:41:38,480
Speaker 1: the cubicles there, and we now look back on that

878
00:41:38,640 --> 00:41:44,800
Speaker 1: time retrospectively and we're almost one hundred percent sure that

879
00:41:44,800 --> 00:41:47,280
Speaker 1: that is the time that our baby was conceived.

880
00:41:47,640 --> 00:41:51,279
Speaker 4: Oh my goodness, well, congratulations, thank you. That turned into

881
00:41:51,280 --> 00:41:52,040
Speaker 4: a lovely story.

882
00:41:52,280 --> 00:41:55,520
Speaker 1: Yeah, yes, yeah, I'm glad you're receiving it this way.

883
00:41:55,640 --> 00:41:58,960
Speaker 1: But the other reason for my call is I just

884
00:41:59,000 --> 00:42:02,560
Speaker 1: wanted to ask if there was some sort of like small,

885
00:42:02,719 --> 00:42:07,200
Speaker 1: inoffensive plaque that I could put in the cubicle to

886
00:42:07,280 --> 00:42:11,640
Speaker 1: effectively commemorate the fact that that's where my baby was conceived.

887
00:42:13,360 --> 00:42:16,879
Speaker 5: Unfortunately not, because obviously we do prohibit that kind of thing.

888
00:42:16,880 --> 00:42:18,440
Speaker 5: If he had been caught, we would have actually had

889
00:42:18,440 --> 00:42:19,080
Speaker 5: to kick you out.

890
00:42:19,280 --> 00:42:22,080
Speaker 1: Yeah right, what if the plak Like, can I can

891
00:42:22,120 --> 00:42:25,480
Speaker 1: I read you what I've got down? Because I think

892
00:42:25,520 --> 00:42:29,240
Speaker 1: it's subtle enough that people won't know that it's about

893
00:42:29,280 --> 00:42:31,560
Speaker 1: actually conceiving a baby, but just something that I can

894
00:42:31,600 --> 00:42:36,719
Speaker 1: look at and know that this is where Remy was conceived. Yeah,

895
00:42:36,719 --> 00:42:39,879
Speaker 1: you can read it out, Okay. So it basically says,

896
00:42:39,920 --> 00:42:45,040
Speaker 1: to our beautiful daughter, Remy, we couldn't we couldn't love

897
00:42:45,080 --> 00:42:49,400
Speaker 1: you anymore. We wish you all the love in the

898
00:42:49,400 --> 00:42:53,520
Speaker 1: world and the best of luck. Here marks the place

899
00:42:54,560 --> 00:42:57,200
Speaker 1: where to make you mummy and daddy.

900
00:42:59,440 --> 00:43:01,719
Speaker 5: Yeah, it's still a bit too obvious, unfortunately.

901
00:43:01,880 --> 00:43:05,840
Speaker 4: Okay, Okay, yeah, I'm sorry about that one. That's probably

902
00:43:05,880 --> 00:43:07,680
Speaker 4: not going to happen, unfortunately.

903
00:43:07,560 --> 00:43:08,919
Speaker 3: Totally totally fair enough.

904
00:43:09,080 --> 00:43:10,759
Speaker 4: Oh no, and look, congratulations again.

905
00:43:10,800 --> 00:43:12,000
Speaker 8: I myself. I'm actually pregnant.

906
00:43:12,040 --> 00:43:14,879
Speaker 5: I'm doing now, I'm during January, so it is Yeah,

907
00:43:14,960 --> 00:43:15,759
Speaker 5: it's all love here.

908
00:43:15,920 --> 00:43:19,000
Speaker 6: So congratulations and all the best to.

909
00:43:18,960 --> 00:43:19,759
Speaker 4: You guys as well.

910
00:43:20,200 --> 00:43:25,040
Speaker 1: Congratulations to you as well. So bluddy exciting. And also,

911
00:43:25,760 --> 00:43:29,280
Speaker 1: Laura definitely didn't recognize my voice. But this is Woody

912
00:43:29,480 --> 00:43:31,239
Speaker 1: calling from the radio show.

913
00:43:31,239 --> 00:43:35,280
Speaker 3: Will and Woody joking. I'm not joking.

914
00:43:37,000 --> 00:43:41,000
Speaker 1: Oh my goodness, So Laura, you was so beautiful through

915
00:43:41,040 --> 00:43:45,120
Speaker 1: that whole phone call. It's it's not true. We actually

916
00:43:45,120 --> 00:43:46,920
Speaker 1: we did have dinner at your.

917
00:43:49,680 --> 00:43:54,040
Speaker 2: But it wasn't. It's Will and Woody Whiz, I.

918
00:43:54,080 --> 00:43:57,840
Speaker 3: Mean ge whiz pretty much pretty much. Have you enjoyed yourself?

919
00:43:58,360 --> 00:44:00,680
Speaker 3: Enjoyed yourself? If you if you had if you had.

920
00:44:00,560 --> 00:44:03,439
Speaker 1: To pair, because you're great at pairing wine with food, Will,

921
00:44:04,160 --> 00:44:07,319
Speaker 1: if you had to pair our show with now a

922
00:44:07,360 --> 00:44:10,560
Speaker 1: snack or a beverage, what would you shoot for.

923
00:44:12,360 --> 00:44:13,360
Speaker 7: To pair our show?

924
00:44:13,440 --> 00:44:15,719
Speaker 1: You've just just heard the show, you know, you know

925
00:44:15,760 --> 00:44:17,319
Speaker 1: how people are going to be feeling. What should they

926
00:44:17,440 --> 00:44:22,280
Speaker 1: now be consuming liquid wise or food wise?

927
00:44:23,520 --> 00:44:25,960
Speaker 2: So what should you put in your mouth after listening.

928
00:44:25,680 --> 00:44:26,160
Speaker 8: To our show.

929
00:44:26,200 --> 00:44:27,120
Speaker 3: Yeah, pretty much.

930
00:44:28,600 --> 00:44:30,520
Speaker 7: Specifically this show as well, this show.

931
00:44:30,520 --> 00:44:32,520
Speaker 3: So right now they've just heard it and they listen

932
00:44:32,560 --> 00:44:32,759
Speaker 3: to us.

933
00:44:32,800 --> 00:44:34,280
Speaker 2: Now they go, oh, I'm hungry.

934
00:44:35,080 --> 00:44:37,840
Speaker 3: I'm hungry, Yeah, hungry or thirsty? What are you feeling

935
00:44:37,880 --> 00:44:38,799
Speaker 3: like after listening to that show?

936
00:44:38,840 --> 00:44:40,680
Speaker 7: Will specifically after that show?

937
00:44:40,760 --> 00:44:42,680
Speaker 2: Yes, I feel like it was a bit naughty, like

938
00:44:42,719 --> 00:44:46,200
Speaker 2: it was quite it was quite rich. So if you're

939
00:44:46,200 --> 00:44:49,120
Speaker 2: going to have something rich, it would probably go with

940
00:44:49,160 --> 00:44:52,200
Speaker 2: like a probably a bigger red, like a stiff red,

941
00:44:52,280 --> 00:44:53,400
Speaker 2: like a Malbeck or something.

942
00:44:53,760 --> 00:44:56,480
Speaker 3: Okay, there we go, so straight into the booze the alcohol.

943
00:44:56,960 --> 00:44:58,480
Speaker 2: You said wine and food. What do you think I

944
00:44:58,520 --> 00:45:00,480
Speaker 2: was gonna say ginger beer. I thought he was going

945
00:45:00,560 --> 00:45:03,400
Speaker 2: to choose a meal like you said wine or food.

946
00:45:03,400 --> 00:45:03,759
Speaker 5: I don't know.

947
00:45:03,800 --> 00:45:06,120
Speaker 3: I said, you're good at pairing wine and food.

948
00:45:06,440 --> 00:45:10,080
Speaker 1: So pair this show with something else you want to drink,

949
00:45:10,120 --> 00:45:10,840
Speaker 1: don't you?

950
00:45:10,880 --> 00:45:13,400
Speaker 2: So the show was the show was the drink?

951
00:45:13,760 --> 00:45:13,920
Speaker 9: Yeah?

952
00:45:13,960 --> 00:45:16,120
Speaker 2: I missed that. And to be honest, it was a

953
00:45:16,120 --> 00:45:20,080
Speaker 2: ship question. Fair enough, George thought that question, I don't

954
00:45:20,080 --> 00:45:21,279
Speaker 2: know what. Yeah, I didn't know what.

955
00:45:22,719 --> 00:45:26,080
Speaker 3: Keep up apple Apple would have been a great answer.

956
00:45:26,080 --> 00:45:27,200
Speaker 3: I don't know why we spent so long and it

957
00:45:27,200 --> 00:45:28,040
Speaker 3: was just supposed to be a cute.

958
00:45:31,280 --> 00:45:32,960
Speaker 2: I take all things very seriously.

959
00:45:32,719 --> 00:45:34,279
Speaker 3: You do, and I forget that sometimes. But I think

960
00:45:34,280 --> 00:45:35,760
Speaker 3: the main thing to talk about is this mural.

961
00:45:35,800 --> 00:45:37,760
Speaker 1: So there's this mural which is going to be painted

962
00:45:38,200 --> 00:45:40,600
Speaker 1: of us making on this is legit. We do need

963
00:45:40,640 --> 00:45:43,680
Speaker 1: a wall though, like permits is the thing, and we

964
00:45:43,719 --> 00:45:46,120
Speaker 1: don't just want to waste the location. We need like

965
00:45:46,400 --> 00:45:49,520
Speaker 1: heaps of foot traffic seeing the massive kiss Like if

966
00:45:49,520 --> 00:45:50,719
Speaker 1: we're going to do it, if we're going to be

967
00:45:51,320 --> 00:45:54,640
Speaker 1: legend status with a mural, it needs to be somewhere elite.

968
00:45:54,719 --> 00:45:56,440
Speaker 1: It needs to be somewhere where it's very busy in

969
00:45:56,480 --> 00:45:57,880
Speaker 1: a city, somewhere I don't know.

970
00:45:57,920 --> 00:46:00,400
Speaker 2: And you want to stick with wall feel threw up

971
00:46:00,400 --> 00:46:02,879
Speaker 2: a few things today. I'm still open to a truck

972
00:46:02,880 --> 00:46:03,399
Speaker 2: and his dog.

973
00:46:04,160 --> 00:46:06,200
Speaker 3: I actually don't mind truck, but my own concern with

974
00:46:06,200 --> 00:46:08,200
Speaker 3: that is it would have to stay that way short lived.

975
00:46:08,320 --> 00:46:10,040
Speaker 3: Who's going to the rest of its life?

976
00:46:10,120 --> 00:46:12,319
Speaker 2: Yeah, the idea of a mural. Actually, you know, when

977
00:46:12,360 --> 00:46:16,440
Speaker 2: I was in Paris over Christmas, there was this amazing mural.

978
00:46:16,560 --> 00:46:20,040
Speaker 2: Here we go. Maybe I'll give it to the photo

979
00:46:20,080 --> 00:46:26,920
Speaker 2: kV which is of Tintin making out with the captain,

980
00:46:27,000 --> 00:46:29,600
Speaker 2: the guy with the black beard in tintint You know

981
00:46:29,640 --> 00:46:32,359
Speaker 2: the guy with the black beard in Tintin the Admiral. Oh, yes,

982
00:46:33,440 --> 00:46:35,960
Speaker 2: there's a very famous mural of the two of them

983
00:46:36,000 --> 00:46:37,160
Speaker 2: making out in Paris.

984
00:46:37,640 --> 00:46:38,200
Speaker 3: That's what And.

985
00:46:38,120 --> 00:46:40,960
Speaker 1: Where is it in Paris hot spot?

986
00:46:41,080 --> 00:46:42,560
Speaker 2: Yeah, it's in a hot spot.

987
00:46:42,680 --> 00:46:44,520
Speaker 3: Yeah, that is exactly what we need.

988
00:46:46,400 --> 00:46:48,880
Speaker 2: Probably you I'm the bearded admiral.

989
00:46:49,280 --> 00:46:49,840
Speaker 3: Yeah, definitely.

990
00:46:50,360 --> 00:46:52,520
Speaker 1: I don't know anything about that show, but I just

991
00:46:52,520 --> 00:46:54,239
Speaker 1: know what they look like, and I'm Tintin and you're

992
00:46:54,280 --> 00:46:55,560
Speaker 1: a washed.

993
00:46:55,360 --> 00:46:57,239
Speaker 2: Out bearded No, he's not washed up? What is he?

994
00:46:57,320 --> 00:47:00,000
Speaker 2: What's what's mysterious? Class?

995
00:47:00,040 --> 00:47:00,840
Speaker 3: See what's tinting?

996
00:47:01,560 --> 00:47:02,920
Speaker 2: He might have been double seven earlier.

997
00:47:02,960 --> 00:47:04,120
Speaker 3: Who knows what's tinting going?

998
00:47:04,600 --> 00:47:08,360
Speaker 2: Do we be frail? It's pretty little bitch with a dog. No, no,

999
00:47:08,440 --> 00:47:10,279
Speaker 2: I like a little bitch with a dog.

1000
00:47:10,760 --> 00:47:12,319
Speaker 3: That was my dad in profile for a long time.

1001
00:47:13,239 --> 00:47:18,120
Speaker 2: It's a little bit with your trailer. Was your trailer

1002
00:47:19,239 --> 00:47:21,920
Speaker 2: one of them? No? No, No, he's good. He's good Tintin.

1003
00:47:21,960 --> 00:47:25,920
Speaker 2: He's very interesting. You never watched Tintin. This the Steven

1004
00:47:25,960 --> 00:47:31,160
Speaker 2: Spielberg like reanimated Tintin movie fucking good, like really good.

1005
00:47:31,320 --> 00:47:31,960
Speaker 3: I can check that out.

1006
00:47:32,040 --> 00:47:34,799
Speaker 2: Yeah, yeah, I would recommend it. You love movies. I

1007
00:47:34,880 --> 00:47:35,640
Speaker 2: love movies.

1008
00:47:35,840 --> 00:47:38,960
Speaker 1: They get me started on movies to a baby going

1009
00:47:38,960 --> 00:47:40,560
Speaker 1: to for How hard is watching a movie these days?

1010
00:47:40,560 --> 00:47:42,240
Speaker 3: It takes me like a month to get.

1011
00:47:42,120 --> 00:47:44,000
Speaker 7: Three weeks without a baby. I've watched a few movies.

1012
00:47:45,080 --> 00:47:46,600
Speaker 1: When you've got a baby and start a movie and

1013
00:47:46,600 --> 00:47:48,600
Speaker 1: you're like, go a bit, well, I need to go

1014
00:47:48,680 --> 00:47:48,880
Speaker 1: to bed.

1015
00:47:48,920 --> 00:47:51,839
Speaker 3: I like babies, pause baby.

1016
00:47:51,880 --> 00:47:53,239
Speaker 2: I think it's a bit for me. It's a bad

1017
00:47:53,280 --> 00:47:56,759
Speaker 2: thing because I'm like, like, watch a movie. No, I

1018
00:47:56,800 --> 00:47:58,880
Speaker 2: just get to a point where I'm like, okay, I

1019
00:47:58,960 --> 00:48:01,799
Speaker 2: could be up for another hour or I could go

1020
00:48:01,840 --> 00:48:05,040
Speaker 2: to bed. Clock the Z's just just you got to

1021
00:48:05,080 --> 00:48:07,200
Speaker 2: bank them z's Yeah, big time ban.

1022
00:48:07,800 --> 00:48:09,839
Speaker 3: That's great parent advice from from the boys there.

1023
00:48:10,200 --> 00:48:13,520
Speaker 2: BEDZ bank b to Z banked.

1024
00:48:13,600 --> 00:48:15,920
Speaker 3: M z's bag them and tag them anyway.

1025
00:48:15,920 --> 00:48:16,640
Speaker 2: We're super time.

1026
00:48:16,680 --> 00:48:19,440
Speaker 3: We're gonna anyway.

1027
00:48:20,200 --> 00:48:22,080
Speaker 7: Mural story covered some topics there.

1028
00:48:22,320 --> 00:48:25,160
Speaker 2: We went from Tintin to movies to be banked m z's.

1029
00:48:25,360 --> 00:48:28,360
Speaker 2: That means that we're t It's actually remarkable that we

1030
00:48:28,440 --> 00:48:29,920
Speaker 2: managed to stay on track for the back end of

1031
00:48:29,920 --> 00:48:31,920
Speaker 2: that show. Guys, we were filming some stuff this morning

1032
00:48:32,520 --> 00:48:34,440
Speaker 2: and it's been a very very busy day. It's been

1033
00:48:34,440 --> 00:48:38,560
Speaker 2: a long day. And if you hear that that teddyphone

1034
00:48:38,600 --> 00:48:40,560
Speaker 2: topic that we finished with, that's a good example of

1035
00:48:40,960 --> 00:48:42,880
Speaker 2: how tired we were. But also but no, but that

1036
00:48:43,000 --> 00:48:46,080
Speaker 2: was when you come on here and say a woman

1037
00:48:46,160 --> 00:48:48,399
Speaker 2: got five one thousand dollars for boobs in the Gold Coast.

1038
00:48:48,400 --> 00:48:49,840
Speaker 3: That's just the story though. That was That was no.

1039
00:48:49,880 --> 00:48:51,719
Speaker 2: I understand that I was worried. I think a lot

1040
00:48:51,719 --> 00:48:52,359
Speaker 2: of people were worry.

1041
00:48:52,440 --> 00:48:54,359
Speaker 3: Yeah, but I'm so proud of us. Ten years ago.

1042
00:48:54,360 --> 00:48:55,120
Speaker 3: Wouldn't have done that.

1043
00:48:55,600 --> 00:48:56,160
Speaker 2: It was very good.

1044
00:48:56,160 --> 00:48:57,279
Speaker 3: Wouldn't have done it. It was good.

1045
00:48:57,320 --> 00:48:57,520
Speaker 2: Thanks.

1046
00:48:58,080 --> 00:49:01,160
Speaker 3: Just bring up the controversy and lost the plot was controversy.

1047
00:49:01,920 --> 00:49:06,080
Speaker 2: Ive known that for years now. I've got l Jane

1048
00:49:06,120 --> 00:49:08,000
Speaker 2: here now that that that that is not.

1049
00:49:08,080 --> 00:49:12,480
Speaker 3: A she was two weeks ago, she a woman, She was.

1050
00:49:12,400 --> 00:49:15,800
Speaker 2: A white whale. We had to move the show quickly.

1051
00:49:15,920 --> 00:49:18,640
Speaker 2: Two weeks ago we made we made an adjustment going

1052
00:49:18,840 --> 00:49:20,960
Speaker 2: l j and she's just getting a microphone set out.

1053
00:49:21,120 --> 00:49:27,680
Speaker 2: It takes a lot you just come out here.

1054
00:49:27,560 --> 00:49:28,279
Speaker 3: That was the one off.

1055
00:49:28,280 --> 00:49:29,000
Speaker 2: It was a one off.

1056
00:49:29,560 --> 00:49:31,640
Speaker 1: You're saying that time that that woman called and got

1057
00:49:31,640 --> 00:49:35,000
Speaker 1: all the movies right, she was, she was us.

1058
00:49:36,680 --> 00:49:38,840
Speaker 2: And we banned it from calling the show now because

1059
00:49:38,880 --> 00:49:44,600
Speaker 2: because she she ruins the segment. Okay, Lauren, she's amazing. Yeah, yeah,

1060
00:49:44,680 --> 00:49:45,080
Speaker 2: she ruins.

1061
00:49:45,320 --> 00:49:47,359
Speaker 3: I believe you, guys, I believe you. Guys. Know I'm

1062
00:49:47,360 --> 00:49:50,800
Speaker 3: you know, I do I do which producer told her today.

1063
00:49:51,560 --> 00:49:54,520
Speaker 1: Now, Ja, that's that's why before the break, guys, we'll

1064
00:49:54,560 --> 00:49:56,560
Speaker 1: have to send the movies out to the producers so

1065
00:49:56,600 --> 00:49:57,200
Speaker 1: they know what the.

1066
00:50:00,440 --> 00:50:03,239
Speaker 2: We need to know what movies are coming out.

1067
00:50:03,800 --> 00:50:04,839
Speaker 3: My friends, do your my phones.

1068
00:50:07,200 --> 00:50:09,040
Speaker 1: I'm gonna say, remember what, it's not about you not

1069
00:50:09,080 --> 00:50:10,799
Speaker 1: getting it, about them getting it.

1070
00:50:10,800 --> 00:50:12,759
Speaker 3: It's about the fact that you don't get it. So

1071
00:50:12,960 --> 00:50:17,600
Speaker 3: don't play. Yeah, the guys hate the game.

1072
00:50:17,719 --> 00:50:19,399
Speaker 2: Now, I'm a game that's a bit of anger in there.

1073
00:50:19,680 --> 00:50:23,080
Speaker 2: There's bit of anger, pretty mad anger anger.

1074
00:50:23,120 --> 00:50:24,239
Speaker 3: All right, you're cheating the game.

1075
00:50:24,280 --> 00:50:26,040
Speaker 2: All right. I'm very competitive, bigging out of it.

1076
00:50:26,160 --> 00:50:27,080
Speaker 3: You know I'm competitive, but